Tumgik
#never know what to do with them
inkskinned · 11 months
Text
the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
#this shifts gender so much bc it actually affects everyone#yes it's a gendered phenomenon. i have written a LOT about how different genders experience it. that's for a different post.#writeblr#ps my comments about seeing someone cry -- this is not to shame any person#and on this blog we support workers.#at the same time it's a really hard experience to see someone that looks like you. clearly in agony. and have them forced to keep going.#when you're young it doesn't necessarily look like acting. it looks scary. and that's what this is about - the fact that teens#have likely already been exposed to that definition of things. because the internet exists#and without the context of healthy education. THAT is the image burned into their minds about what it looks like.#it's also just one of those personal nuanced biases -#at 19 i thought it was normal to be in pain. to cry. to not-like-it. that it should be perfunctory.#it was what i had seen.#and it didn't help that my religious upbringing was like . 'yeah that's what you get for premarital. but also for the reference#we do think you should never actually enjoy it lol'#so like the point im making is that ppl get exposed to that stuff without the context of something more tender#and assume .... 'oh. so it's fine i am not enjoying myself'. and i know they do because I DID.#he was my first boyfriend. how was i supposed to know any different#i didn't even have the mental wherewithal to realize im a lesbian . like THAT used to suffering.
28K notes · View notes
Tumblr media Tumblr media Tumblr media
Oh wow I didnt know chapter 249 already leaked lol
4K notes · View notes
aesthetic-uni · 11 months
Text
Miles “Who’s Morales” vs Gwen “Gwwwwanda” vs Pavtir “You seem like a nice young woman I do not know” FIGHT
9K notes · View notes
confessedlyfannish · 1 month
Text
Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
1K notes · View notes
evasive-anon · 4 months
Text
Jason Attacking Tim at Titans Tower
Fanon vs Canon
We've all seen the versions in fanfiction but I'm not so sure everyone's seen the original so if you're one of those batfam fans who doesn't want to read the comics (regardless of reasons) but you are curious about how it actually went this is for you.
What I'm addressing:
What does Jason actually say to Tim during the attack?
Did Jason drug all the other Titans?
Did Jason really wear a Robin costume?
Did Jason slit Tim's throat or call him replacement?
Did Jason actually break Tim's bo staff?
Was Tim crying or scared?
Did Jason write a message on the wall in Tim's blood?
Did Jason's eyes glow green?/Did he follow pit rage mechanics?
Panels and details below. This is a LONG one.
What did Jason actually say to Tim during the attack?
Dialogue in fanfiction during the Titans Tower attack varies based on what kind of fic you're reading but usually its either 'time to clip Replacement's wings' if its staying a beatdown whump 'or oh no precious lil bby why is no one watching you' if its an accidental child acquisition. Not judging either option, but this ain't about them its about the real shit.
Look at these opening lines:
Hey, Tim. I was here first.You're the Red Hood. You've been cleaning up Gotham the easy way. Easy? What do you know about easy, Tim? You had a father that looked after you. You went to a private school, right? You slept in a bed. I slept on the streets, I lived in the alleyways in Gotham. Trying to survive. Until Bruce took me in. I trained as hard as I could. I did whatever he asked. . . at least at first. But it didn't matter. They said I wasn't tough enough to be robin. But today, they say you are. Show me, Tim. Show me what you have that I didn't.
Jason really puts himself out there in all of his dialogue in this encounter, the struggle of having to fight for anything and everything he got in life, even the things that came to everyone else for free, and then being told he wasn't even good enough for the things he fought for.
There's a trope in fanfics that if Jason knew Tim stalked Batman and forced his way into being Robin that it would change how Jason felt about the situation but that's even addressed in this comic:
You were a kid, worried about how Batman was spiraling down into darkness. You spent weeks tracking the dark knight. Solving a mystery no one else could. You discovered who he was behind that mask. Millionaire Bruce Wayne. You were so pleased with yourself, I'm sure that you forgot who you were really dealing with. I know Bruce Wayne. And let me tell you, Tim if someone was trying to find out who Batman really was. If someone was stalking him for weeks. He'd know about it. You can't be that good. I am. He let you find him. And I bet he said the same thing to you as he did to me, didn't he? That you had a talent to make a difference in Gotham. That he needed someone he could trust in war on crime. That you were one of a kind. The light to his darkness. Robin, the Boy Wonder.
Tim saying 'I am' is really such a moment that doesn't come through in text because he is right that he really did do that but I also completely understand why Jason wouldn't believe it.
TBH my favorite part is how done Tim honestly sounds with Jason thoughout all his trauma dumping. Like imagine a grown man who used to work the same part time job as you breaking into your house, dressing up in your work uniform, ranting about how much the job ruined his life while he beats your ass??? God, and he probably had to write a fucking report about it after. RIP Timmy.
What do you want? Do you want to be Robin again? Is that it? You... want to take it away from me? Why in the hell would I ever want that? Don't you get it? When I died no one cared! No one remembered me. Are you completely insane? No one could forget you. I've spent my entire career wearing this mask under your shadow. I had to convince Batman to let me try this. All because he'll never stop blaming himself for what happened to you. You ask me, that's the only reason he hasn't taken you down. He's holding back. But me? No freakin' way. That's the Robin I wanted to see. Still. You do realize the whole idea of training a teenager to fight against something he'll never eradicate is a mistake. It didn't even surprise anyone when I died. When I failed. I failed-- but I'm still beating you. Do you think you're that good now?! Do you really, Tim? Yes.
Tim bashing Jason across the face as he says 'no freakin' way'? *chefs kiss*
Jason drugging the other Titans to knock them out?
Little bit true, Kory was actually just already away from the tower and BB and Cyborg were about to bounce because of the drama going on with Donna's return but Jason like super tazes them and then drugs Raven who he thought already went through enough shit without him knocking her out violently.
Tumblr media Tumblr media
Note: Jason says in the text here that he never rolled with Cyborg or BB but like he actually did in some comics so?? The continuity is lie I guess idk.
Did he show up in Red Hood gear or a Robin costume?
Both tbh but he spent most of the time in the Robin costume but bro actually made a stripper rip away version of his Red Hood gear so he could dramatically reveal the Robin costume underneath. I can't believe no one ever includes that in their fics its so fucking funny.
Tumblr media Tumblr media
Does he call Tim 'replacement' or slit his throat?
No, this came from a Batman comic with Hush not Teen Titans. That incident takes place in a graveyard not Titans Tower and he calls Tim pretender not replacement.
Does Jason break Tim's staff?
Tragically, no. The bo staff snap would have been iconic. Instead he just takes Tim's staff and beats Tim up with it and breaks stuff. BUT!! He uses it to bust a statue in the TITANS MEMORIAL ROOM which is a place in Titans Tower just for having statues of dead previous titans and Jason is rightfully pissed he didn't get one. Like Tim is correct in saying no one forgot him still but like I would be hurt too if all my friends made cool statues of friends that died and then just left my zombie ass out, like wtf.
Tumblr media Tumblr media
Note: I am seriously losing my shit that I have never seen someone bring up the memorial room in a fanfic. That is so much angst material. 😭
Tim crying/ being scared?
Hell no. He's a fucking Robin you know he's being a sassy boy the whole time, even towards the end when he's about done he's still saying he's her and I love Tim for that.
Tumblr media Tumblr media
Note: There are a few different times where Tim does a flippy Robin move and then Jason just fucking copies it like flexing that he can do it too, and its just so petty and stupid he's trying so hard to be better than an actual child. 💀I get why in the context of the situation but its still so ridiculous.
Message on the wall in Tim's blood?
TBH I really don't know for sure on this one?? Like its implied that he did but Tim isn't bleeding all that much throughout this beatdown and like we don't see Jason do it just the Titans reacting to seeing it after. It could be Tim's blood, it could be red paint, and it could even be that Jason packed an actual bucket of blood to bring with him to write a message with after he finished. TBH the world is your oyster on this one.
Note: If anyone can find another comic where this event was brought up where they actually clarify it was Tim's blood hmu and I'll update this but I couldn't find any.
Tumblr media
Pit rage/ glowing green eyes?
Fanon only at this point in the comics. Jason is seems to be himself and even thinks Tim and his friends are pretty cool at the end, and he's just like reflecting on if he had good friends if he would have turned out better as he leaves.
Tumblr media
2K notes · View notes
chappelroans · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
missing someone bad for you
trista mateer / trista mateer / sue zhao / u.k / u.k / clementine von radics / trista mateer
2K notes · View notes
bombz-n-bluntz · 1 year
Text
Best part of this life is I ended up being a janitor/busser for most of my first jobs
I'm collecting a good bunch of items
0 notes
mugwot · 4 months
Text
Tumblr media
funnyjokespunperson
1K notes · View notes
egophiliac · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
oh no, I love them
(super quick doodles done between other stuff, there will be better things later I promise :')
Tumblr media
4K notes · View notes
poorly-drawn-mdzs · 3 months
Text
Tumblr media
Bros before Ho(oh my god is that Hanguang-Jun?)
[First] Prev <–-> Next
992 notes · View notes
inkskinned · 10 months
Text
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
18K notes · View notes
mfdragon · 7 months
Text
Tumblr media Tumblr media
Hey, y’all remember that time the Autobots huddled up to plan cause they were getting their entire asses beat and Blitzwing just fuckin stood there posin’?
Honestly one of my favourite moments in the show; top three at least! Only Blitzwing would be like “yo FUCK Megatron, I wanna see how hard these bitches can HIT ME!!!”
2K notes · View notes
ministarfruit · 3 months
Text
Tumblr media
day 28: made you smile ♡
(femslashfeb prompt list)
804 notes · View notes
lucabyte · 3 months
Text
Tumblr media
you dream of devouring your friends whole
800 notes · View notes
knifearo · 2 months
Text
ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story
#you know. the one with the pendulum#'hey. why are you as an allo person shipping this aspec character like this'#'oh aspec people can still date/have sex!'#'yeah. now can you answer the question that i actually asked you'#like goddamn just say you don't care they're aspec and you want to fulfill a sexual/romantic fantasy with them. that's Fine#it like. sucks. for sure. lotta aspec people will be unhappy with you. but everyone is entitled to their own wants and experiences.#but i'd prefer you just be honest with it rather than using our community's conversation points as retroactive justification#and ONCE AGAIN. you guys are real fucking cavalier with this shit and it shows a real fundamental lack of respect for aspecs#when most of you would NEVER ship a canonically gay character with the 'other' gender. cause again. it would suck.#you can do it. nobody's Stopping you. but it would suck.#and we understand that putting a queer character in situations that erase that queerness is shitty! until it comes to aspec characters!#and whoa... there it is again... people don't consider aspec identities to be queer... crazy how it always comes back to that#anyway. you all know what i'm talking about. have seen many posts about this lately#it is [ long sigh ] unfortunately a very hot button issue with the advent lately of alastor hazbinhotel#which. again. god i wish there were other canon aspec characters to be having this conversation about.#but we'll have to do our best with what we have#aromantic#aromanticism#arospec#aroace#talking#aspec#asexual#asexuality
1K notes · View notes
wistfullywaiting2 · 1 month
Text
The biggest misconception in the bsd fandom ever to me is people constantly portraying Atsushi as someone who trauma dumps excessively when he canonically barely talks about it at all.
The entire point is that Atsushi does not talk about his trauma he’s just constantly thinking about/reliving it. He can’t escape the memories of his past so he tries not to acknowledge them.
He only mentions it when asked, either directly or when someone asks him to explain himself.
Atsushi doesn’t even give a cohesive explanation for what he saw while under Dogra Magra, he just apologizes to Haruno and Naomi.
If Lucy hadn’t had her whole “you’ve never suffered the way I have” spiel then I doubt even the audience would’ve gotten to find out about his scars
If Akutagawa never asked him how it felt for the orphanage headmaster to die Atsushi would have never told him that he’s been hallucinating.
In the omake where Kyoka asks him why his hair is like that it’s clear he wouldn’t have told her that unless she had asked.
In 55 minutes Atsushi very briefly mentions sleeping on a dirty floor somewhere to Kunikida because he was trying to explain and justify his behavior.
And the thing is that there are scenes that implies that the other characters see Atsushi behaving strangely and are visibly confused because they do not understand what’s wrong with him.
Tumblr media Tumblr media
Remember, we as an audience get to see things about characters that the main cast doesn’t. Just because we see into Atsushi’s mind doesn’t mean the other characters know what’s going on in there.
Also little footnote here that I think this is a reference to the moon over the mountain but I digress
576 notes · View notes