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#of the Cast Do Not Care or mention them even cuz we all know how much bones hates them-
benetnvsch · 8 months
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just had a dreadful fucking vision where bones makes an anime original ending for bsd since it'll be caught up with the manga next episode but there's still more season left after that and in that ending chuuya doesn't actually shoot Dazai or whatever and the two go off to beat Fyodor with the power of love/friendship/whatever and just oGHGHGKH ISTG they better not fuck things up like that or I will literally eat dirt-
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sordidmusings · 7 months
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Age Gap (Buggy x Reader)
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A/N: for @soft-mafia since she wanted more age gap Buggy! Mostly bulleted like a headcanon but has two little drabbles sprinkled in cuz I couldn't help myself. I will be posting a continuation of this actually writing out the scene mentioned at the end, but I wanted to get this out now.
Word count: ~2.6 k
Warnings: obviously an age gap but the younger one is mentioned to be in their 20s, fem!reader, NSFW mentioned at the end, alcohol consumption, probably (hopefully) silly humor, the touch starved shows hardcore for a second there, tried my best to get Buggy right but you know how it be especially because he exists as an amalgam of LA and anime Buggy in my brain
Now come get y'all dopamine
I imagine you joined Buggy’s crew largely looking for that found family goodness then found out how much you’d never been taken care of and how much you craved it
One day while going through the different acts you were learning from the crew trying to find what stuck, you took a decent fall. Not the kind that breaks bones, but the kind where you just gotta lay there a sec and recalibrate how you got to this point
After some laughter (I mean come on it is a crew curated by Buggy and they could tell it wasn’t serious), the nearby crew surrounded you to check on you. While you were breathlessly saying you’re fine from your position on the floor, they parted to reveal the Captain coming to your side:
Buggy bent down to loom over you. The shadow he cast over your face was a welcome break from the bright overhead lights. You just wished that the way they haloed him didn’t make it so hard to see the laughter on his face.
“Good form! I think we could just throw you around to see you flail like that as your act - you’d be our finest comedy routine.” His voice was thick with sarcasm and giggles. However, his detached arms were gentle when they lifted you from the floor. They changed to posing outstretched with his hands on your shoulders and he walked into them to reattach. He looked you up and down before circling around you, all the while his hands were nudging you this way and that for his inspection. Once he was back at your front, he changed to brushing some dirt from your arms and shoulders. You didn’t speak for fear of interrupting this attention you were receiving from him.  He seemed to suddenly snap to clarity anyway.
“RIGHT.” Vocal control? Who is she? Buggy doesn’t know her. “So either get better at what you’re doing or actually fall on purpose. Wouldn’t want you fucking up that money maker.” He was already walking away when one detached hand gave your cheek two brisk pats and he made himself scarce.
It was obvious to you and everyone else how much you ate up his attention. The soft look you were still giving the direction he went in was damn near sickening. It was then you understood your purpose here - becoming Buggy’s spoiled lapdog.
Luckily for you, that was also the moment Buggy realized how his body buzzed when he touched you and how he lit up when you looked up at him with pretty, wide eyes. 
Unluckily, he also decided that being near you would lead down a dangerous route of him needing more and more of you and he was positive that he was just being some old creep over a pretty little thing like you.
This led to a game where Buggy would try to keep you at arm’s length while he battled both his own desire to be around you and your seemingly supernatural ability to just appear next to him at all times.
He wasn’t great at the arms distance thing even when he thought he was nailing it because nailing it to him was being in his natural space as the center of attention and only checking (immediately and desperately) that you were watching and approving of whatever he was doing. The way his head would always snap to you for your reaction was neither subtle nor discouraging to your rapidly growing infatuation.
You decided that orbiting his personal space wasn’t working well enough. Sure, he’d give you a hit of what you wanted with some fleeting touches and mostly disguised compliments but you needed more. Hurting yourself intentionally so that he would take care of you didn’t seem like a sustainable option, so you settled on playing his own game. Time to practice owning a room.
This could be a dangerous game to play. You were certain that blatantly taking the spotlight would just make him upset with you not that you’d mind him taking that out on you. You settled on more subtle things like spreading your attention more through the crew instead of mostly on him, being more focused and daring in your training, participating more in the many games that broke out when the alcohol did, and dressing a bit more intentionally (whether that’s flashier colors, eye-catching accessories, bold makeup, new or intricate hairstyles, etc.) 
The boldest card you played was feeding more into any of the flirting you received.
He has a freak show, yes, but have you ever seen how fine circus performers are?? Full fun costumes are It and also the tasks they have to perform either help them get conventionally attractive bodies and/or the rizz that comes with performing feats (just look at the traction Fryboy has gained with women like damn why he kinda-). Due to that, you’re around attractive people all the time.
While the flirting is for the purpose of pushing Buggy’s buttons, you must admit that it wasn’t a hard habit to keep up and may help inflate your ego.
Your attempts have mixed results. Buggy’s desire to claim you grew but so did his insecurity
In his mind, you look more natural next to one of the younger lookers in his crew while he’s certain the pair of you must look ridiculous together. It’s this very insecurity that’s gonna make it necessary for you to bluntly and shamelessly throw yourself at him both repeatedly and with no room for questions:
You have no clue what else you can do to get through that thick skull of his. You’re on your knees, quite literally at that. You figured that kneeling in front of that circus throne while he’s laid himself all over it would be enough to break the man. Enough to break any man, really, but he’s still finding ways to deflect you.
Buggy nodded his head to a nearby open seat. “You know they made chairs to be comfortable and your dumb ass is on the floor. That drunk already?” he snorted. Maybe choosing to do this during one of the many celebrations (you think this one is for one week of no one pregaming for show runs. ironic.) was a bad idea. You had been banking on some drinks loosening up whatever was holding him back.  It always made you snicker when you entertained the idea of it being from a sense of propriety. Checking in on the situation, you could see how all the chaos going on around you two made it easier for him to keep his eyes off of you and his ears unfocused. Earlier, you had counted it as a plus that working up a buzz would help you bulldoze through his stubbornness. You had forgotten that any alcohol in your system would make for the perfect excuse for him to write you off.
“I’ve barely started my third drink,” you started with a pout, “and I’d be ashamed if that’s enough to get me drunk after all the time spent on your crew.”
“Then you are just being stupid.”
You huffed and rolled your eyes. Okay. Attention didn’t work. Compliments didn’t work. Kneeling didn’t work. Time for some big guns.
You shifted to the side so you’d be sitting towards your left hip with your bent legs beside you. Your drink found its way to your right hand but, most importantly, your chin found its way onto Buggy’s left knee. It brought you so close to where you’d really like to put yourself to work, and, man, was the temptation strong with the way his right leg was slung over the armrest of his seat. How did he expect you to stay away when he was serving himself up on a platter like this?
Buggy was definitely giving you his undivided attention now. His gaze was dark and slightly accusatory. The lighting matched with his makeup made him look more dangerous than usual. The nerves it sent through you might have had you back right off. Instead you held your ground because you saw his pulse hammer against his neck. You saw his throat bob as he swallowed. You saw his pink tongue contrast with red as he licked his lips and gave a shaky exhale.
While you were starting to settle into your bold move, Buggy was becoming more and more antsy. His grip on his glass became white-knuckled under his gloves, and he tried to give himself time to think by taking a huge gulp of his drink. Why did you have to look at him like that? So pleading? The angle from his lap made your lashes darken your eyes and it was impossible for him to keep the image of your hooded gaze about a foot closer to him out of his head. What did you want from him? You’d denied his accusations about money or intel so what the fuck could it be? Was this a game? Get in the pants of the Captain for preferential treatment and go back to whoever else you had in your palm on the crew to laugh about him falling for it?
You noticed his mood turning sour so you decided to interrupt whatever was tumbling around his head. “I think I could get much more comfy right here.” To prove a point, you dragged your chin to his inner thigh, right above his knee, and snuggled your cheek into his leg. His pants weren’t the softest against your skin but he was so addictingly warm through them. Your eyes briefly fluttered shut to enjoy the sensation before you looked back up at him and flirtatiously said, “I’m comfiest next to you.”
His hands itched with the need to grab you by the hair and force your face right where he needed you. Instead he scoffed at you. “Suuuuure. And why’s that, princess?”
“You make me smile,” you admitted immediately. His startled gaze met your lovesick one and you realized what you said and how quickly you said it. Too close to emotionally vulnerable; time to backtrack a touch. You want to get the role as his trophy before you even attempt to approach the title of Love of His Life. “You also said that you take care of your crew and I’m on your crew, right? So you’ll take care of me.”
The cheeky smile you spoke through melted him. An achingly deep sigh left him while his right hand detached from the arm to deposit his drink on the floor next to you. Quickly, it flew back to its limb. Both of your hearts pumped fire through your chests as he reached that hand out towards you. Buggy took his time stroking his fingers from your forehead into your hair. When his palm came down to join the gesture, you were very happy to realize that his hand was just as warm as the thigh still under your cheek. You shuffled closer so your legs squeezed in between his foot and the left leg of his throne. Buggy shuddered when he felt your fingertips graze the back of his calf and spread out like a star so you could grab it. Using your new grip, you snuggled more firmly into his leg and let yourself buzz off of getting this new touch from your Captain.
Ulterior motives be damned, Buggy couldn’t give them any credence when you looked so happy to sit at his feet and receive such a simple touch. He should probably laugh and call you a needy puppy to regain some control over the situation. Instead, he slipped his hand down the side of your head.  He massaged his fingertips into the base of your skull and said, “I’ll take care of you, little star.”
Once he has accepted that you’re serious there will be jokes about the dynamic but do not be fooled - he can only dish it out and WILL spiral if he receives any type of comment about how much older he is (the word geriatric is punishable by death)
Sometimes the joke is him patronizingly treating you like a child (you almost socked him right there at the dinner table when some food came at your face with accompanying airplane noises)
Sometimes it’s calling you a gold digger (“then where’s my allowance, huh?” “OH so my gIFTS AREN’T ENOUGH FOR YOU NOW? YOU were the one ACTUALLY CRYING over me buying you that wonky ass stuffed seal with the lopsided face!!” “HIS NAME IS JERRY AND YOU WILL SHOW HIM SOME RESPECT”)
Sometimes it’s just dumb shit like pointing at the type of girl’s clothing store that has made a contract with God to own all the pinks and pastels the world has to offer before turning to you straight faced and asking if you want to stop in to look. Any way this man can think to goof, he will.
And it’s tooooootally a coping mechanism to process the fact that he’s nearly forty and dating a twenty-something and not at all because joking around with you has become one of his basic survival needs
The dynamic ends up helping both of y’all feel special - you have a hot, boisterous, spotlight-stealing pirate captain pampering (and then making a mess of) you while he gets a beautiful, capable, eye-catching young thing looking at him like he hung the stars in the sky
Nothing goes to Buggy’s head more than when you walk into a room full of people, attractive ones especially, and only see him.
He loves anything that makes it obvious to others that you are his, whether that's him draped over you, you draped over him, red stains on the back of your hands, your shoulders, your cheeks, your forehead, your neck, having his jolly roger on your outfit, having you in his hat or coat
This very much extends to him wanting anyone and everyone to overhear you in the bedroom. Everyone should know you're his and he's the only one who can make you feel so good
Don't worry, they'll also get the message that he's yours from all the moaning and praises
He gives you endless pet names but always comes back to “sweet stuff”, “sweets”, “princess”, “star”, “prima donna” (affectionate), “prima donna” (derogatory), and anything preceded by “little” (“little showstopper”, “little tease”, very rarely “little girl” if he feels especially like exerting power over you)
He prides himself on making you feel cared for and safe. Instead of feeling like a chore he has to do because he’s in the ‘older man’ role, he loves the way you preen under his attention and how you happily return the favor.
When in the Cross Guild Era, Buggy started going to all meetings with you by his side then on his thigh. It was a good defensive strategy because the other two seemed more hesitant to throttle him if you were in the way, but lets be real this man is also clingy and loves showing you off too.
At first he found it offensive that Mihawk and Croc were so disbelieving at the sight of you happily perched on your captain’s lap but then it made him the smuggest motherfucker when he would see their eyes trail over you knowing that they can only look and he can touch however he wants. This leads to him pushing until he hit your boundary at leaving very visible marks on you
One time he fucked you stupid right before a meeting so that you wouldn’t think about the bite mark surrounded by red makeup that kept playing peekaboo with your shirt collar (or the red smears between your thighs that showed whenever you shifted your legs)
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archirdarchernar · 3 months
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Milgram: Deep Cover Thoughts (Spoilers)
(some of the post written a few hours after, mainly bc deep cover released in between 2 of my mocks)
(all of this is personal opinion and interpretations, take this with a grain of salt or pepper or your choice of powdery food flavouring)
AHJDHR JUST FINISHED WATCHING DEEP COVER
its so good i thoroughly applaud the animators for their work. the colours and the design and ajdhkdhrr
i love staring at how they draw eyes like wtf??? that animation budget must be really high like the transformation and the BLOOD-
okay onto more lore-y thoughts:
(this part is me rambling at my screen trying to form a coherent theory of what happened, there are a lot of random stray thoughts here)
kotoko seems to be the 'punish > solve the systemic issue' type of person. we see that in the way she interacts with the brown-haired girl that she saved. when the girl grabbed onto her we see her conflicted eyes. to me it seemed partially out of desperation??(could just be the adrenaline high of her murder, we also see her sweaty so theres that. murder takes a lot of energy guys), or like she doesnt know what to do with herself. like she wants to push the girl away but felt like she could not (maybe knew that if she pushed her away she might harm the girl even more psychologically...). after that we see her barely acknowledging the brown haired girl in the park, seemingly more interested in the article on her phone than the girl she saved...
also, i found a post where someone translated the article!
to paraphrase, the son of a newspaper company's CEO was found dead (shocker, probably Kotoko's victim). The article goes on to talk about how a female university student had killed him in self defence due to getting into a scuffle as she caught him kidnapping a minor (so. definitely kotoko. probably). The minor agreed with the student that it was self-defence. The company's CEO then came out with an independent report all the injuries that they found on his son, which indicated that more than proportional violence was used, and then announced that the victim retracted her statement. The article then mentions all the rumors that exist about this murder...
interesting.
then that scene. that face of absolute fear on the girl and the uncaring apathy on kotoko's face. we clearly see the young girl trying to wear the cap, we see her basically modelling herself after kotoko. who can blame her? that's the person who saved her from... a life of suffering, probably. So to see kotoko ignoring her like that would absolutely destroy her.
so is kotoko just that heartless? no. or at least, i don't think so. remember the article? 'the victim retracted her statement'. this can happen for many reasons, such as being coerced, forced, bribed, etc. no matter why she did it, this would cast a lot of questions to the credibility of this case. maybe kotoko was legit mad? like 'if you don't want to be saved, i can't save you'. or she thought distancing herself from the victim would be the best thing to do, cuz otherwise people would argue that the two of them conspired together to murder a person and pass it off as a 'heroic deed'. by distancing herself, more of the 'blame' if it ever comes would fall on her. maybe she thought this was the best course of action in this scenario, so at least the girl would seem less 'co-conspirator' and more 'young child who was coerced'. either way, even without counting kotoko's bloodlust in the background, this is a fucked situation.
and yes, the prison seems to be composed of 5 direct and 5 indirect killers, kotoko being an indirect one. we know that she has actually, physically killed a person. the fact that she's in the prison for an indirect murder means that she didn't even consider that guy as a person (lol) or a being worth caring about.
so my running theory of what happened is:
(this part is just consolidation of the theory, above is rambling)
kotoko went after a the newspaper CEO's son, and found him kidnapping the child in that warehouse. then, she beat him up and possibly killed him with excessive force (i.e. the force she used was 'not proportional to the violence about to be inflicted onto her' or smth, im paraphrasing here but that's the gist. and i really mean 'possibly', ill elaborate later). after that, she reported the case to... probably the police? and claimed in court that she found CEO's son kidnapping a minor, then the interaction got violent and she had no choice but to kill him, with the help of the child's testimony. after that, she was released with no charges. (assuming that when the translation says 'the verdict...' it means that the trial has concluded, the judging body(japan doesn't have a jury. for serious criminal cases, they have a 'saiban-in'. look it up for more info abt this) has deemed kotoko free of all charges or smth, and now she walks free.)
but after THAT, the CEO got an independent investigation that reported those injuries, and they believe them to be inflicted not in self-defence but with intent to harm. this is where the idea that she might have killed him to sate her bloodlust comes from. while i do agree on some aspects, remember this is an 'independent investigation', and this is a CEO whose money speaks. also, what you're telling me is that the forensics who looked into the body did not believe the wounds were due to 'excessive force' (bc if that was the case the trial should have gone very very differently), but the group that you independently hired did. i mean, a little bit suspect about the level of validity of that claim, don't you think? (this is assuming that everyone in the trial was competent at their job and no foul play was present. if not, ignore this section.)
the CEO also claimed that the child retracted her testimony (that would be perjury, since that would be admitting that you were lying to the court. japan seems to have laws against perjury, but im not very sure how enforceable it really is, or if people actually get charged with it.). this casts doubt on the verdict and both kotoko's and the victim's credibility in the eyes of the public, you know how the public is. and in a case like this, where the one trying to get someone in jail is someone with money and influence to do private investigations and press conferences, the impact it can have on the life of the other party can get insanely negative. they could have their lives absolutely ruined by this, being publicly shamed this way, while the CEO walks away looking like a caring father 'just looking to avenge his child'. i think the following are plausible:
1st case scenario: im not a legal expert, so REALLY don't blindly believe this, but if this means the child is legally retracting her testimony that she made in front of the court, during a trial, this would require the child to reach out to the law enforcement entities to get it passed, and that might warrant a re-trial of the original trial. in other words, in this scenario kotoko is seriously fucked (probably). so kotoko avoiding the child and/or being pissed is.. personally i think there are better ways to handle this situation, one of which is get yourself a damn good lawyer and hope for the best, kotoko- but not unordinary.
2nd case scenario(more likely in my personal opinion): of course, there's always the case that all this is made up. in which case, kotoko would still have a reason to avoid the child, in that it's the most logical course of action to avoid unnecessary harm to the child. if she acts friendly to the child in public, there's a chance that the child will be seen as a co-conspirator to the 'murder'. also since its a guy with money who's speaking out, it's likely that public opinion would wholy turn against her. and the child, who helped defend kotoko in court, well... even more harrassment, probably. death threats, likely.
in both cases, her and the child would probably receive harrassment, which i think is a possible motive for the child getting killed. (i'm assuming that the child was the one who kotoko feels like she's killed, because she was put in milgram for indirect murder to complete the 5:5 ratio)
And then she becomes a furry.
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yay? well, i think the wolf is supposed to be a symbolic of the monster that she now sees herself as. remember, if the version of events i described above is true then she probably faced a lot of social isolation. she has to distance herself from the victim that she helped and got close(? somewhat attached? like cmon she may be distracted with the very important life changing article but she doesn't outright ignore her, and that the chlid showed up to meet her implies that the child had an expectation that kotoko would be accepting of her company... right?) to, and many of her peers probably isolated themselves away from her (being a victim of a crime in japan can often be just as hard on a person's social life as being the perpetrator of said crime, so im not surprised if she was socially isolated by others AND herself). the lack of social support is the start of a mental downward spiral.
also, she keeps referring to herself as a tool and that she needs a next 'target'. so somewhere along the line, she stopped viewing herself as a person but merely a tool to enact justice with. because that's all she is now, she's caused the death of someone she swore to protect, the emotions are too overwhelming, please just give me something - anything - else to focus on; she's a monster, but if that's the case then so be it, she will be a monster with a purpose: eliminating the dregs of society, because that way at least she's of some use to society, otherwise-
otherwise, she's just a regular old monster.
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mcubuckyxlokisbitch · 3 months
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OUT OF ALL THE TIMELINES
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Short Series !
Female Asgardian reader (now avenger) X TVA Loki
Chapter 1: Avengers I need your help (done)
Chapter 2: Interrogations and proclamations (done)
Chapter 3: Even Asgardians have myths (done)
Chapter 4:
Chapter 5: -
Chapter 6: -
Surprise !!!!
Chapter 7: Chapter 8: Chapter 9 Chapter 10:
Warnings: Alot of angst <3, somebody kissed but im not saying who, mentions of blood, injury,
Summary: After your Lokis death and have moved on and joined the Avengers. After the aftermath of Endgame you and the other remaining Avengers all seek shelter in the new Avengers Warehouse Pepper Potts bought as a temporary replacement while the Avengers mansion is being renovated. What happened after a very tired mission. Well, you're speechless, to say the least.
a/n: I added a few more chapters because you know dreams lmao so enjoy this one !! Tell me if yall want smut soon. CuZ ye im feeling a smut scene some time soon.
You walked around the Avengers warehouse and got to the medic bay. The push the doors open, "How are her vitals."
"Well for one thin they don't make any sense."
"Ive been trying to heal her but, I can't get a signature on the dark magic... I need your magic to track it." Wanda says as her hands float above the blonde girl.
"She really does look like Loki its scary.... Like put a blonde wig make her shorter and put some eyelashes boom you got blondie here."
You rolled your eyes as your eyes traveled towards Ivars dark matter dagger. A strong dark force gutted your stomach, you could feel the evil from a mile away. You saw the veins around the stab wound as they turned black and spreaded around her stomach.
The only thing that could kill an Asgardian God. With its rusted blade and messily bandanged handle. Just as the myths say, the dagger was made for Odin the allfather but Ivar and his dagger were defetead and casted away before he could use it on him.
You closed your eyes and took a deep breathe to cast a simple healing spell.
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"Alright, enchantments are more than just casting especially when your doing a healing spell." Loki circled around you. You closed your book as you groaned, bored of slow paced lessons set by the prince.
"A healing spell I think we can do something more challenging than that Loki."
Loki stopped in his steps as he brought out his dagger and striked your leg.
"LOKI... AARGH.... YOU MISBIGOTTEN SON OF A LEPPERS GOAT. YOU DAFT ARSE" YOU SCREAMED AT HIM. He chuckled and tipped your chin to look at him with the bloodied dagger.
"Careful, if we go on legal terms thats treason against the prince and queen..." He grinned. "On more serious terms you need to learn how to cast the spell on yourself, this way casting it on others will come naturally."
You tried to hold the cut on your thigh, blood was seeping out continously as you winced when you tried to move your leg. "How am I to focus when im bleeding to death." the words gritting through your teeth.
"Close your eyes and breathe..." Loki sat behind you whispering to your ear. He placed his hands on yours and led them to your wound. "The spell only works when your calm." You took a deep breath and out as your shaky hand lay above your wound. "Feel the energy from your body, allow it to flow through your to your hands down to your wound."
You did as he said. Your enchantments extended to the wound as the blood started to lessen but the wound didn't close. "Now the difficult part. Closing the wound, you can't just imagine it to close, you know the spell."
You said aloud through your teeth holding in your pain. "Rense helbrede såret." Nothing happened, the blood lessen but the wound was still wide open. You were confused and irritated to say the least.
Loki nudged his nose towards the crook of your neck, sending shivers down your spine. "A spells power is through its whisper, to be a true master you must not only say it but think it."
Relaxing your hands as Loki slithered his to your shoulders, you casted in a whisper focusing on the spell imagining the wound closing and the energy flowing towards your wound. "Rense helbrede såret." your eyes glew orange as your enchantment casted on your leg closed the wound slowly from one end to the other. The stinging pain you felt a few seconds ago was gone. There was no mark no scar where there was once blood and torn muscle. You laughed aloud and jumped up from your seat cheering.
"I- I did it no way, I just casted a healing spell on my first try... Loki you are magnificent." You turned to the man who raised an eye brow. The unimpressed look which gutted you stomach and stopped yur cheering as you felt shameful.
"Are you proud of such a small spell I mastered long before I was 16 years old." You blushed in shame as you brough your head down. Looking away from him, you could still feel him walk closer to you. "Charms are not something you can play aroudn on the side either you take it seriously and master it or I never teach you again. Do you wish to be great or nothing...."
He was now merely inches from your as he pinched your chin and brought him to look towards him, "So tell me little girl..." At this point you could feel your heart about to jump out your heart at any moment.
"Great or nothing." he whispered
"Great..." you mumbled.
"Perfect." he leaned down as he placed your lips on yours.
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"Perfect-
You snap back to reality.
"Perfect, I have the signature of the spell.... You can take the spear out whenever your ready Y/N..." Wanda smiled.
You blanked out as you saw the wound still corrupted but not as bloodied as it was before.
"Careful, won't asgardians burn or disintegrate when you touch the handle or something." Peter stopped your hand.
"It is merely a myth Peter." You held his. "It'll sting slightly but I'll be fine."
"Wow even asgardians have myths. It's like inception a myth in a myth." Ant man said chewing on his chips in the corner of the med bay on a spare bed.
You hold the dagger and it burned your hand the moment you wrapped your hand around it. You winced and pulled back your hand and shook off the heat. Everyone had their eyes on you as you tried again. You wrapped your fingers around the handle, the burning sensation started as you focused on absorbing the heat but it didn't work.
"Teya, your hand it's turning the same colour as the wound." Sam pointed out
Your hand was corrupted. You casted a healing spell on your hand as you held the dagger handle tighter ignoring the warnings from your teamates.
Only one of asgardian strength can pull out the dagger. But anyone who lays in the hand on the dagger, will meet death.
It was a phrase, a warning actually, you remembered like the back of your hand from your favourite tale.
You pulled the dagger out with some force as the wound on the body closed. You dropped the dagger on the ground as you did too.
You were on your knees as your hand turned black and you wrapped your other hand on it trying to heal it. The room felt like it was a million degrees as you felt the darkness travel through your veins.
"Y/N whats going on..." Sam said kneeling down beside you. "FRIDAY RADIO STRANGE FOR AN SOS."
"Yelena, get Thor, Parker make sure Barnes does not know about this make sure they stay with Loki."
"Don't tell James." You whispered to Sam
"Not a chance princess."
"Wanda hows the wound." You looked up in pain.
"Closing in. But old Asgardian magic is complicated, I need time to find a way for it to not spread."
"Sam, I'm fine." you groaned through the pain still trying to cast the healing spell on your arm.
"Ya say that to your black hand. And..... woah." Sam started to let your hand go when your hand to elbow was turning black
"I'm here..." Stephen walked through a portal.
"Her eyes." Sam said concerened as there was no white left in your eyes just pitch black.
You forced yourself to stand up. Your shaking right hand corrupted as you projected your powers towards the dagger on the ground. Focusing the dark energy to leave your body. You groaned as you saw Stephen observe the situation and walk towards your arm.
"Keep focusing project any corrupted magic into the dagger."
Strange got to position and casted a cleansing spell on you. Helping to slip the dark energy off you. You felt your powers slipping away from you as the dark matter did.
When you felt no more corrupted magic you stopped as there was no more magic to give. Your knees felt weak and you tried to walk towards the closest bed but crumble and fell like a new born baby giraffe.
"I got you gurl." Sam caught you before you hit the ground.
"That was very stupid of you..." Strange said as he walked towards the sword glowing red and black. He formed a shield around it as it levitated towards you. "Here this won't get your hand burnt."
"Y/N, your hand. It.... it, that looks like a raisin." Thor winced.
"Thank you Thor, for that obvious comment." your groaned standing up, carrying the bubble with the dagger with your undwounded hand you walked towards the blonde girl. Who seemed to be breathing better as her vitals improved. You took a deep breathe to feel her aura and her health. Which was improving slowly, slower than it must, you looked up towards the body 2 beds down. "Strange what can be evaluated of this mans vitals..."
Strange walked over to the white haired man and hovered over him. Levitating his file to his hands and read through it. "This man is, hm...."
"Check the jacket , TVA ever heard of anything like it." Sam said tossing the jacket towards Strange. Strange looked at the jacket spread wide open hovering infront of him. "Yes the TVA, yes...... I- I actually never heard of them is this made up?"
"Well there goes our backup." Sam groaned plopping himself back on the bed.
"Well there isn't anything we can do. I'll take the dagger back to my room and we'll recon with Loki tomorow... Everyone eat, the food is here get some sleep, meet up first thing tomorow morning 7 am." You said walking out the medbay. "Friday keep an eye on our guest... update us if anything."
"Yes boss." the loud speaker said before the doors closed.
"A bit random but shes can be very attractive when she gets all demanding and stern." Yelena smirked.
----------------------------------------------------
You placed the sphere down on your tv table plopping down on your bed. You winced as your injured hand grazed against the sheets, clenching it with your other hand forcing down another healing spell, nothing, the redness seemed to fade away for a moment but it still looked bad.
There came a sudden knock on the door. "Y/N??" "Go away strange..."
"Actually." Thor opened the door and gave you a sympathetic smile.
"Thor... Hows-
"Your hand, does it hurt- is it corrupted- how are you do you feel well?" Thor rushed over to your side and sat down on your bed. "Let me see maybe I can be of an assistance.'
"If I remembered correctly you failed enchantment and healing lessons set by your own mother." you pulled your hand away.
"I have improved..." Thor said crossing his arms.
"Of course you have." You stood up and walked to your closet to change into something more comfortable.
"I'm sorry..."
"What?"
"I can't go through this again."
"No one is forcing you to be on this assingment. You may return to new asgard and take a break."
"You should be as well."
"Thor the team needs atleast 1 person who knows Loki."
"What if they didn't." Thor said plainly. You turned towards him confused, but you knew where he was getting to. " What if but for one moment we were selfish , what if we were not heroes, mere asgardians who simply needs to be born, live, then die."
"Thor-."
"You were right..." Thor sobbed, tears forming around his eyes. "It's just like Ragnarok all over again." He stared at the ground.
You walk towards Thor and lifted his chin up. "What can I say to the brother who has been my strength for centuries ..." You sighed "I know with Asgard gone, our duties blur with the destinies we thought we could have lived. For once... I really have nothing to say."
"He looks so much like him." Thor laid his head against your stomach. "I couldn't bear myself to get to know him."
You sighed and stroked his hair back. "You need not talk to him unless absolutely necesarry."
"Falling inlove with him... Loving my brother seems to be the one thing I cannot prevent myself from doing." Thor choked out. "Even though I know the outcome I can't help a part of myself to hope."
"Lets eat... you always feel better after we eat. We shouldn't think about this right now." You brought Thor up. As he leaned forward and embraced you.
"I miss him."
"Me too."
"It's been hard..."
"I know." You sniffled as you stopped the moment and stared out your window. You looked up to him. "Shall we join the others for dinner? "
"We shall." he smiled down as you placed a soft kiss on his cheek.
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chrimsonfoxdon · 24 days
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Ooh question, you mentioned rewatching as an adult, and I'm curious, what kinds of things do you view differently now? I'm rereading the manga after a long time too, and the big thing I'm noticing is that I have more compassion now, especially towards characters who I didn't realize reminded me of myself and not in the best ways 😂 And especially during part 1 I found myself wondering why we don't see their parents more often (for those who still have them) and who took care of them growing up (for the others).
I have felt similar!! Ok I’m gonna maybe list stuff out on what I’ve noticed I view differently.
Very long post under the cut of me rambling (again)!
1. My Opinion on What I Consider Good Media Has Changed
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Starting with this one as I feel it’s a big overarching thing that’ll dictate all my other opinions and thoughts. I’ve watched, read, and listened to A LOT of other series and media since I first started watching Naruto (also you know life experience and such), so I have a better idea of what is “good” media and what is “bad.” When I was younger, I considered Naruto to be the best of the best, but I don’t think that now (as far as anime that title now goes to FMA:B it’s very good please watch it if you haven’t oh my god). It has a lot of flaws, some endearing and others… not so much. Granted that’s any piece of media. Nothing is perfect (not even FMA:B). But despite that, I’ve also learned that it’s ok to still enjoy it!! Imo it’s not all bad, I mean, we’re still here discussing it yea?
I guess the TLDR of this part is: it’s cringe but that’s ok cuz life is short and we should enjoy the stuff we like.
2. Female Characters/Feminism
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I feel like, while these are different topics, they’re very linked together in how I watch Naruto now so I’m putting them together. When I was younger, I didn’t like really any of the female cast (except Tenten). I found them “annoying,” to put it simply. Sakura always chasing after Sasuke?? Lame. Ino being obsessed with her looks?? Shallow. Hinata losing to Neji? Weak. I began to think that I didn’t like those characters because I didn’t like female characters mostly as a whole (which is kinda hilarious cuz I did start making Chihiro back then who does in fact identify as a woman LOL!!). But this negative attitude towards female characters not only leaked into how I consumed other media, but how I saw myself and other women irl. Like I distinctly remember believing that a woman could never beat a guy in anything. Which is uh… not true!! And kinda fucked up!!!
Now that I’m older I just realize that kishimoto doesn’t know how to write women all that well. Imo, it’s not the girls’ faults, it’s their creator. Which is disappointing but also freeing almost?? Plus, I can now appreciate what good they do have to offer!! (I talked a little about the konoha 12 girls and what I like about them in this ask in case you’d like details on individual characters)
I think also being exposed to other fans with differing opinions and views has helped me with this as well. When I first started watching I didn’t really go online (wasn’t a thing in Cuba plus I wasn’t really interested), so I didn’t really have other perspectives to bounce off of.
Also wanted to add that there are definitely parts of the show I laughed off before but you know, just are not acceptable nowadays. Mainly thinking of Shikamaru talking down on girls/women, Neji made a rude comment about girls too (that Tenten corrected him on tho thank you queen), and some bits that could be perceived as a little transphobic (I’m not trans tho so I don’t wanna speak for them on that bit). Its viewpoints that I feel are a product of the time, but does not make the overall series bad per se.
3. Seeing Other Children as a Child VS as an Adult
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Ngl since I grew up with Naruto, I feel as if I will always see them as my peers in a sense. If anything, almost like the “older kids” in school. Like I don’t know if this is a common perception, but I remember when I was like in 2nd grade I saw 6th graders as like tiny adults, but then when I was in 6th grade I saw 2nd graders as like babies. Does that make sense?? Anyway, it’s interesting rewatching Naruto as an adult and seeing my “peers” when they were younger. I remember thinking that 12 & 13 year olds were badass and cool and practically ready for the real world (I was like 8 or 9 when I first started watching leave me alone), and being amazed at stuff like the chunin exams. Nowadays my brain just kinda goes “why are we letting these CHILDREN go to war???” It’s a similar story with like the sensei. Thinking they’re so experienced and old and… now I’m the same age as them and I’m still young!!
4. Might Gai is Cringe and I Love Him For That
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The way I didn’t appreciate this man when I was a kid is a CRIME. Teaching his students (and friends) that it’s important to find joy in life is SO IMPORTANT and Gai just does an EXCELLENT job with that!! He strives to be a source of light for the people in his life, and to show others it’s important to smile and laugh from time to time. It warms my cold dead grownup heart what can I say. There’s a line in OG Naruto after Lee beats Sasuke in their fight before the chunin exams, where Naruto turns to Sasuke and Sakura as their cringing at Lee and Gai and says, “actually, it’s kinda sweet how they’re all hugging and stuff!” And that kinda summarizes my thoughts on them.
TLDR Might Gai is cringe but he is free and I love him so much for that.
5. Seeing Myself in Characters I Didn’t Before
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Off the top of my head, the three characters I see myself in more so now than when I was younger is definitely Choji, Lee, and Tenten.
I was never popular growing up, especially when I moved back to the US after living in Cuba. Kids just didn’t wanna play with me or have me on their sports teams, so I was purposefully left out oftentimes, kinda like how choji was when he was younger. Rewatching that part made me cry honestly HAHA I saw myself so clearly. I’m also plus size so the beauty standards he has to deal with really speak to me. I remember Shikamaru telling him one time that girls don’t have to be skinny to be pretty and I would be lying if that didn’t give me a huge amount of confidence in myself.
Rock Lee’s story has always been top notch, but as someone who chose to specialize in a path that I didn’t really have natural talent for myself it REALLY speaks to me now. I’ll be 100% honest, I was never really one of those “been drawing since I could hold a pencil” kind of kids. I liked it, but I didn’t really consider myself any good until like 8th grade or so. Anyway, there’s this scene where Lee is crying at the training grounds cuz he’s scared that, no matter how hard he works, it’ll all be for nothing and that he’ll always be a loser, and uh… had to turn the show off cuz that struck WAAAAAAAY too close to home for me as an artist with a… let’s be real, a failing art business. Anyway, he inspires me though to keep going cuz this is what brings me joy. I may take longer than most, but that doesn’t mean I’m less of a person for it.
Tenten I’ve honestly seen a lot of myself in even when I was younger! But there’s this filler episode that goes into detail on how she tried really hard to be just like Tsunade, since that was her dream since she was little. Turns out she doesn’t have the capacity to do that (not being able to do medical ninjutsu well, etc), but she finds her own strengths along the way. What really spoke to me was letting go of your childhood dreams. It’s hard. It feels like you’re failing in a way. But Tenten was able to persevere and find a new and even better path forward for herself. And that’s just amazing. I love seeing that, and it helps me feel as if I too and maybe find my path.
6. Final Thoughts and Random Little Things
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I think it’s also safe to say that I can pick up on story flaws (I’m looking at you 4th great ninja war arc) and inconsistencies (how the heck does the hyuga clan work wtf). It’s a long series and nowadays you can binge the whole thing in one sitting (I don’t recommend that please take care of yourself). Back in my day I had to wait a whole week to watch the next 26 minute episode with commercials in between. Also I was a kid. AHAHA!! But again, long series, so I’m sure Kishi forgot about certain details while he was being pushed to continue the series.
Also my views on certain things that happened in the series changed based on what I know what happens later, which I find to be quite fun!
Overall I still enjoy the series, both for similar reasons as I did back in the day (Neji) and for new reasons!! Flaws and all. Thanks for coming to my Ted talk
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frasier-crane-style · 3 months
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When will you wear wigs, SNW?
The Elysian Kingdom is the second 'silly' episode of the season and it's better conceptualized than the Spock body-swap one... I feel like I should back up to the Spock body-swapping for a moment, because it doesn't quite work in any but a functional way.
So the gist of it is that Spock body-swaps with his fiance T'Pring, but...
T'Pring is a guest star who we barely know, so we're not familiar enough with her to appreciate her 'being' Spock or Spock 'being' her.
They're both Vulcans, so their mannerisms barely differ. They hang a lampshade on this, but if you're doing a body-swap episode and you're admitting that it's essentially meaningless, what's the point except for saying "we did a body-swap episode! Isn't that KOOKY?"
The Elysian Kingdom has a bit more fun with the OOC concept--Pike gets turned into cowardly grand vizier type and either Anson Mount has more range than everyone else in the cast or... no, that's probably it.
Also, in a weirdly porn-brained moment, they imply that La'an and Una's 'characters' in the false reality are girlfriends. It's mentioned that in the children's book this reality is based on, they don't know each other... is the idea that the prepubescent girl who is generating this reality thinks they're having sex? Cuz that's weird, dude.
Or is it just that they're supposed to 'really' be lovers and that's shining through in the false reality? Because I thought their backstory was that Una rescued La'an as a child and then cared for her. Maybe that's not exactly mother-daughter, but it still seems odd to turn that into "they are GAY and having SEX."
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Absolutely normal age to meet your future lover who is fifteen years older than you.
That was a sidebar. My main point is, they halfass the bit. The idea is that everyone but M'Benga and Hemmer thinks they're characters in a children's storybook. But then those characters themselves have "are you serious?" reactions to each other doing weird things, when this should all be perfectly normal to them. Characters in Lord of the Rings aren't surprised by magic or cave trolls; that's the setting. It's as normal to them as encountering a car or airplane would be to us.
"Dude," you might say, "it's basically a Holodeck episode. How much internal consistency are you really going to ask for from a lark?"
I'll agree with you there--"this is dumb and makes no sense" is part of the episode's plot--but then we get to the season finale and the gist of it is we flash-forward to the future to see what the TOS episode Balance of Terror would be like with Pike in command instead of Kirk. And they do very little to sell that this is taking place... within The Original Series.
And I know they're unable or unwilling to do an entire show with the aesthetics of TOS, even if TNG and DS9 did so for a scene or episode at a time--apples and oranges, I'm sure.
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They don't want to go the whole zeerust direction. But they don't even want to do little things, like making Uhura's hair and uniform match how she looks in TOS.
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Is that too big an ask? Because I know with Andor and Rogue One, they at least tried to make the hairstyles and such match up with A New Hope.
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Arguably, they went too far, in outright using deleted scenes from ANH as stock footage, but you couldn't say they weren't making an effort. With SNW, it feels like they're making a token effort to homage TOS, but not really committing to the bit, which bugs me.
So, that's two kinds of grooming that irritate me.
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inconmess · 1 year
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Ok. Prefacing this, I know some of the points I mentioned here will overlap with stuff already posted and speculated but this is also my POV and not really leeching off their ideas. (probably you guys wouldn't really care but I have run into problems of "plagiarism" and don't want to risk it)
So the cast split up. Brilliant move, truly. For the sake of convenience, Orym, Ashton and Laudna are the ES (Emotionally Sane) and while Chetney, Fearne, FCG and Imogen are LC (Lost Chaos)
Putting everything under cut cuz this is a long ass post
First, covering the main things about the split up:
LC has all the healers and senders of the group and is majorly the group which relied on having a tether/required the most support from their "better halves." Fearne needed Orym, Imogen needed Laudna and FCG needed Ashton to guide them because they were all naive in some way or the other in the mechanics of the world. And Chetney was relatively close off until he was thrown back to face his past. This group essentially lost the "mature and protective people."
Now for ES. This group consists of people who have their own issues and relied on the fact that people relied on them to cope. They were protectors, the front liners in battle (mostly) and are possibly the masters of avoiding, deflecting and repressing shit. Yeah, they all talk about their shit to each other, Ashton and his regular talks with Laudna, Ashton checking up with Orym... Well, Orym talking when someone asks. But they all are repressing stuff really bad no matter how much they portray talking about it, they have their bouts of silent panic and insecurities and every single fucking shit and this separation is gonna take a toll on that. This group essentially lost its "distraction/support people/the reason they actually held onto their sanity."
Where are they:
Team LC - Uthodurn. Chetney's homeplace, close to his personal shit and FCG's too.
Team ES - Personally, I think they can be in Terrah, for some reason I always think about the "missing week of EXU and the crater" or Issyylra. Not in Marquet or Wildmount as far as I consider it.
(On a side note, I stand corrected, the wrap-up mentioned a pregame with a crater and not a chasm but I mixed the two of them up. Sorry for all the posts I had mentioned it on)
Expectations:
Team LCs: a lot of lore dump, history dump and characters dealing with their personal history while Imogen and Fearne come to terms with how the ritual of Ludinus is going to affect them, Imogen in particular being an exaltant. Does her powers diminish? Vanish? Does it change and mutate? Does the whole thing affect Fearne in some way? She wasn't an exaltant but was Ruidus born nonetheless.
Possible happening of getting a depressed Fearne cuz Orym was her halfling and the lack of their relationship with Ashton so she really doesn't have someone to balance her nature out. Like yeah, Chetney and her have a great relationship in and of itself and while we haven't seen it much onscreen, Imogen and FCG too, but I feel like her main circle was Orym and Ashton so she is definitely going to struggle with that. And take drastic wahs to cope with this loss too, eventually without anyone keeping her in check. Might also become a handler for the group eventually, but not initially.
Imogen will have to deal with her dissonance probably. Reevaluate a lot of stuff. The beliefs of her mom. The reassimilation with her powers depending on whether it's mutated, changed or gone as stated before. And even if it is unchanged, rethinking about her powers, strengthening herself. And not to mention, her dreams. Are they still there? How do they change? And how does she cope without Laudna when she get them?
Chetney's past. Period. And how he needs to control the wolf around this place, especially if the hunters are out there. He has control over it, more than anyone expects, yes. But can he have full control over it? Is that something which is possible for him? Technically his favourite target had been Orym but he wasn't here now. Can he handle his path and learn more about his wolf and control over it at the same time?
FCG is... Well, he has the Aeorean ruins for one, getting to discover more about his own kind and is definitely probably going to have another episode and I am counting on it, tbh. I am expecting each and every one of them to blow up in a certain way. And if they meet up with the Darrington Brigade, his relationship with Dotty is something I wanna see!
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Team ES: Probably head-on smashes with Ashton's past and personal history, info dump and lore dump on that. Or they are near the Crown Keepers and get to deal with a rogue Opal. Laudna wondered what happened to Pate. Well, first they do need to figure out where they are anyways, and how to fucking communicate and get shit done.
Orym has his guilt and all three of them are spiralling in worry. He comes to know of the cause of the death of Will and Derrig, witnesses Keyleth almost killed by Otohan, failed in disabling the backpack and also was partly the reason Keyleth came there in the first place, luring in the Champion and providing Ludinus with what he needed. And so many regrets and guilt and just the fact that he has been separated from Fearne, who had in her weird sociopathic Fey way been his anchor, was now gone and nothing was to be known on what was up with everyone and is so worried that I am pretty sure he is gonna have a meltdown and go apeshit if he has to also help deal with Ashton's past because he is at that threshold and is barely hanging from the edge of it and really really needs people right now. The wee halfling deserves to go apeshit, blow up and break down, please!
Laudna... I honestly don't know apart from the fact that being separated from Imogen is going to deeply impact her cuz as far as I know, Imogen was the first person to accept her for who she was and they were just on the cusp of developing their relationship and she is worried for Imogen for the most part. Oh and maybe Delilah shows up again!
Ashton, I am rooting for him having to confront his past the most, a possible meet up with the Nobodies, if possible and their overall worry over the whole group, but especially FCG and Fearne. A possible breakdown and apeshit on the horizon along with some memory problems I believe. Not to mention them trying to find a way to find out more about the Dunamis shit that's going around, probably that also messes with their head a little bit...
Possible faces we can see:
The Crown Keepers (secretly rooting for them), Darrington Brigade, Possibly members of VM and M9, a few past NPCs (sorry I haven't watched much of the other two campaigns so maybe you can tag a few of the names you expect to see?
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lady-byleth · 2 years
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I'm a bit torn if I should buy fe3h because from what I've seen I'm not really a fan of Shez. Would you still consider the game worth buying?
Short answer: no.
Long answer: the gameplay is improved over the original Warriors, there's some good expansion on the Three Houses mechanics and some of the supports are really good. But if dad hadn't paid for it I wouldn't have bought it with my actual goddamn money.
Shez would've been a good protagonist in any other game, hell they could've gotten their own new entry into the franchise, but instead they yanked a perfectly good protagonist out, put her on the back burner and slapped someone in her place that doesn't FIT but is forced in anyway
And I'm not saying that cuz I hate Shez, I don't. But the way they're trying desperately to make them seem like they belong among this cast of pre established characters just isn't working
Like, when you start Claude's route he almost immediately trusts them. A mercenary of no renown with a VERY obvious connection to the ones behind Monica's kidnapping. That's...extremely ooc considering how long it took him to open up to Byleth
Dimitri puts a no name mercenary AT THE HEAD OF HIS GODDAMN ARMY because uuuuuuh "he needs someone leading them who is trustworthy and not a noble" like no offense but are you for real?
I appreciate some of the changes, like that Jeralt doesn't have to die if you do it right, how some of the less popular character traits are downplayed or even outright removed, the inclusion of characters who were mentioned but never seen before or that you're confronted with the Agarthans more openly than in the og game, but they could've literally done any of that with Byleth too
Shez feels...obsolete somehow. Which isn't fair to them cuz they're a good, fun character with quirks and personality. Shez deserved better, Byleth certainly deserved better than to be sidelined like a piece of wood and either killed by a canon foreigner or recruited by said canon foreigner only to not even get support conversations with the 90% of the cast that absolutely adored her in Three Houses
In my expert opinion, play Three Houses, watch the Three Hopes supports on goddamn Youtube
I would've literally bought Three Houses again if they'd been like "hey here's the EXACT SAME GAME except Byleth talks now" and regretted it less
Not to mention some of those truly atrocious design changes. Like, did you watch too much Shonen anime Sylvain?
They did my girl and my kids dirty.
Also, I know this is biased but the whole premise of Three Hopes invites you to be biased because it's set in a preexisting universe that had its story told and its characters reach the end of their journey. We've lived through Fodlan, we witnessed all of these characters' stories before, we have our opinions and headcanons and preferences in routes, Lords and endings
Like, most of the people playing this will be coming from Three Houses so we're all gonna be biased to some degree. Is it really a surprise that I'm kinda mad now?
Will there be people who disagree with me on this? Certainly. Do I care? No.
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kaijuscientists · 2 years
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stranger things s4v2 spoilers under the cut
So we watched the episodes last night and i’ve been processing after being a little less upset.
yes, most of the rant is going to revolve around Eddie.
So my main issue is that Eddie died in vain.  His death ultimately meant nothing in the grand scheme of things.  It was only to prove to himself that he ‘wasn’t going to run’ this time. 
To be the hero instead of ‘the freak’
Bestie, you should have run it’s normal to run away from demon bats
And it’s all in vain, and in the end, he’s the only one of the main characters to die in the fight against Vecna. That is probably what pisses me off the most.  The duffers were saying “oh there is going to be five deaths, prepare to suffer cuz your fave is going to die.”  and most of, if not all of us knew that meant Eddie was going to be one of the five.  It’s obvious.  The duffers do not know how to create that tension with out introducing a character that is beloved (Bob, Alexei) and then killing them for the drama of it.
But when everything was said and done, none of the main cast was left permanently dead.  Max died, then El brought her back, she might not wake up, but shes alive.  Eddie just, bleed out in the upside down, with Dustin by his side.
All to try and stop Vecna from opening the gates.  And then Max died and the gates opened anyway.
So, Eddied died in vain, the thing they were trying to stop happened regardless and he really. did. not. need. to. die. 
I’d really but less upset if literally any of the other main cast had also died in the fight.  Like, max should be dead, i feel like steve, nancy or robin, one of them at the very least should be dead (if not all of them, why didn’t the vines kill them right away if vecna knew the plan and what they were coming to do?????). In russia, i was fully expecting one of them to bite it, most likely murray, but nope they all survived.
And then, after everyone's out of the upside down, no one even cares that Eddies’ gone?  No one mentions it, grieves over him? They didn’t think to tell Mike when he got there, that Eddie had lost his life in the fight? does annyone else in helfire care?
the only people that show any emotions of it at all are Dustin and Mr. Munson.  Everyone one else in town still thinks he’s a cult leader and a murderer.  I dunno, just feels wrong and bad that Eddie sacrificed himself for a town that hates him so much.
and i’m assuming they just left him in the upside down. 
He died for nothing and i’m just upset about it.
He just wanted play d&d and graduate high school.
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stagemanagerssaygo · 4 years
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Heaven and Hell: or my experience being a person of color in Disney’s Hyperion Theater
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by Cooper Howell
Heaven and Hell: or my experience being a person of color in Disney's Hyperion Theater. #holdingtheateraccountable Im just gonna go ahead and be straight up. This is pretty scary to share. HEAVEN: Once upon a time Liesl Tommy cast me as Prince Hans in Frozen: Live at the Hyperion. And I was gooped. GOOPED. There was nothing in my prior history that gave any indication this was possible. Up until then every role I played had to do with my race. Every. Single. One. And even ones where it didn’t (Shakespeare or classical pieces mostly) I was always made aware that the novelty of me being a poc in that role that gave me the part. So much did I not expect to get this part that when I got the callback I rolled my eyes and didn’t take the actual callback seriously. I mean, there was a zero percent chance that Disney would ever let me play a Prince, especially when the dude in the movie is a ginger. But then I got it. And immediately everything I thought was possible about my career changed. My whole life I’ve never inwardly felt black. I’ve never inwardly felt white. I’ve always felt like I was Cooper, you know, on the inside. But whether it was every single white human in Utah reminding me that I was “the whitest person they ever knew/saw” (which DIDNT mean how white my skin was. It was how white I ACTED) or Mr. Johnson, my 7th grade drama teacher, telling me that he “wanted to put Velcro on the ceiling to see if I’d stick” or Mr. Smith, my high school drama teacher, saying “finally we can do black shows” as soon as I entered high school and then not casting me in roles because of the "optics" of it, or even my best friend in high school Tanner Harmon who called me "blackie", I was always reminded that I was an other. So imagine getting paid good money to put on that $10,000 costume and waltzing out to 4000 people a day to play a really amazing part. A fantastic, evil, complicated, person who sings a killer duet and then grabs the show by the throat with a vicious about-face monologue... and not once was my race ever mentioned cuz it didnt matter. What was being prized was Cooper, my talent, not my skin color that I never asked for. Heaven. Liesl MADE SURE, almost overly sure, that the poc’s in the cast felt equal. The kingdom of Arendelle, after all, is a make believe place. It can be whatever. From having Disney executives come and tell us that they were happy to have us there, to side conversations with John Lasseter, we were made to feel overly welcome playing the parts we were playing. She encouraged us to dive deeper into the script of a cartoon that I didnt really think much of until I was in it. We were encouraged to ask why. We felt seen as talent and not commodities. There were, of course, detractors. Gosh, I remember people at a party of cast members from "Mickey and the Magical Map" another show at Disneyland which features a princess and the frog number and many of those casts mates angrily claiming that “if that black girl Tiana Okoye can play Elsa than I should be able to play Princess Tiana” and then looking at me to confirm that was okay to say, not realizing that a) she’s one of my best friends, b) that I’m in the show with her also playing a role that wasn't created to be a poc, c) how racist that sounded, and d) why there's a difference there and why that wouldn't make sense. On Liesls final night I came up to her and said “I don’t know why you did it but thank you so much for casting ME in this part” to which she replied “you mean why would I cast a handsome, talented person in this role?” And I stuttered something like “well, I mean, I’m black. You know...” to which she tilted her head to her side and said “no. I don’t know why. Tell me why that matters.” And I had no answer. Seeing that I had no answer she smiled. That was the answer. There was no reason. On the spot my outlook about myself changed. Windows into what I thought was possible for me opened. -------------------------------------- HELL: And then Liesl went back to NYC and she was replaced by a man named Roger Castellano as show director. Rogers task, he told us on the first day, was to "change the show". We were not told what needed to be changed or even why, but that changes were on the horizon. You've got to understand: to a full cast of actors who had just spent more than three months dissecting a 60 page Disney script with a Tony nominated director like it was Shakespeare, we were initially emotionally/mentally/spiritually resistant to changes. But then it became clear that the spirit of collaboration was over, and the show changes were to be given without the same care, consideration, and thematic explanation of why they were being made. Everyones initial reaction was to push back, but when people who questioned their notes or their changes started getting days removed their schedule or being replaced entirely by a new actor, the Hyperion theater became a place where no one was allowed to speak out. Injustices were happening left and right and no one felt they could do anything for fear of losing their livelihood. And that's when the Frozen: Live at the Hyperion became a living hell. In my first note session with Roger he pulled me into a room with Domonique Paton, my best friend and incredible costar who played princess Anna in the show I was in. She just so happens to also be black. Almost all of Prince Hans’s scenes in the show are with her character and so most of my notes would be primarily based on those interactions with her. Earlier in the day I performed with a different (white) actress but it was the show with Domonique that I had a note session about. Imagine my surprise and dismay when, with how Liesl set up the show experience, we were told this: “WHEN THE TWO OF YOU PERFORM THE SHOW TOGETHER ITS TOO… URBAN.” Urban. What else could that have meant, do you think? He could have said maybe “too contemporary” emphasizing that we were maybe too modern in our speech patterns or movements. We weren’t. He could have said “too lax” or “too loose” meaning that maybe we were being unprofessional and goofy up there because we’re really good friends. We were not. The best me and Ms. Paton could think of was a 8 count moment of improv dance that me and Domonique decided to use as a synchronized moment of unity. It happened to fall on the line “our mental synchronization can have but one explanation” and thought, with the freedom that Christopher (the original choreographer) had given us, was appropriate, especially considering everyone behind us was doing the robot. As in the 80s robot. But he didnt clarify. He just said “WHEN THE TWO OF YOU PERFORM THE SHOW TOGETHER IT’S TOO… URBAN” And when asked what he meant he smiled with a little shrug and said "you can figure that out. You're smart." And thats how I became Black Hans and Domonique became Black Anna. My every moment onstage afterwards became about the optics of being a poc in that show. It was if I was suddenly made aware that I was LUCKY enough to be there and under any normal circumstances, or this new directors circumstances, me getting this part would have never happened. But the message was clear. It was especially clear when me and Domonique Paton shows together durastically decreased and made even more clear when the vast majority of the new hires were not people of color. But no one said anything. And made even MORE clear when, over the next few weeks, both Domonique and I got COPIOUS notes, ten times that of our coworkers that played the same parts. It was almost a game. In fact we did turn it into a game, seeing who would get the least amount of notes from him in a day. Our costars would even joke about it onstage with us, during the ballroom scene, and jokingly whisper "The shows been up 15 minutes. How many do you think you got today?" But no one said anything. And the notes were about all kinds of things. How we held our hand. If our inflections went up or down on a word. Which side of a couch we leaned on… which was fine! When you're an actor, thats the gig... until we started comparing our notes with the actors that played our same parts and none of them, NONE, would get the same notes. Our notes would be outrageously longer, the note sessions sometimes lasting 10/15 minutes. Others would get the “Oh hey, try doing this or that next time, okay bye” walk-by notes. Sometimes I would sneak into the audience and watch as some of the other Han's, some of whom changed lines, changed entire intentions of scenes, some of whom adding in all types of vocalizations and cackles and dance moves and what have you, and would receive ZERO notes. But I was watching them to see what was wrong with me. What was my performance missing? What am I actually doing to feel this singled out. And then I realized that the thing that was wrong with me was that I was a different color than the 5 other white Hans's they cast. And then I started getting notes about my penis. Most of the time these “penis sessions”, as I called them, were given in private rooms without another stage manager present. It was incredibly unpleasant and unprofessional. In fairness, those Prince Hans pants are TIGHT! And yes, Mr. Howell is indeed a party in the front and a party in the back, but so were a lot of those fellas. And thats where I put my foot down. If Disney was going to provide me with a costume it is not my responsibility to fix their problem, especially when other of my (white) costars had been given a dance belt for the same thing. But they never got penis notes. Private session notes about what their penis looked like in that show. Over and over again I was told to fix it, to not make it (my dick) so apparent, and that “if my daughter were younger I wouldn’t want her to come to a show you were performing at" all the more insulting considering his daughter, a cast member in the show, was a friend of mine and the loveliest person. He started demanding that I buy a dance belt. It was “my fault”, “my responsibility” …and thats where I took my stand. And then it really became hell. Penis sessions were now done out in the open. Once, he screamed at me, in the green room in front of all of my costars during lunch, about how incredible unprofessional I was, about how he was tired of seeing my dick, and that if I didnt go buy myself one I didnt deserve to be there anymore. Followed by a huge litany of notes. That doesnt compare to some of what Domonique went through and I invite her to share them if she’s willing. During this time I went to every stage manager in the building and told them about being singling out and about my penis. They all told me to write a complaint report and it would go to some place called "HR". Which I did. Numerously. More months passed. Nothing from "HR". Multiple cast members who witnessed my note sessions encouraged me to go to the HR themselves. I didnt honestly know what an HR was. As soon as it was explained to me by my allies even what an HR was I went to the head of HR at Disneyland herself and waited outside of her door. I asked her if she got any of my HR reports and she told me that she had received no HR reports from the Hyperion. Ever. And then asked me to fill out a HR form. As we went over it, she asked me some questions, and then set up a second meeting. On the second meeting she said that in order for my report to be given credence I would need witnesses to give their testimony. The witnesses, in fact the very people that told me to go to HR in the first place, said no. They didnt want to lose their jobs. In retrospect that might be the thing that hurt the most but, whatever... anyway, I was told "“well… without testimonies we’ll do an investigation and we’ll call you when we’ve completed it.” I never received a phone call. With absolutely zero protection from the stage managers from both the sexual harassment or my obvious racial targeting I (and others) were experiencing, not to mention that HR reports were doing nothing, aka not being forwarded, I thought about quitting. And when a white stage manager made a show mistake and laughed it off to the cast by saying an entirely offensive lynching joke, I quit. I didnt matter to Disney. How I felt and what I was being put through didnt matter. I was a commodity. My departure was unceremonious. Bizarre. 100% un-magical. I hung up my costume one last time and it was given to a new Hans, one who looked very much like me oddly, and stepped out of the theater. The park was playing “every wish your heart desires will come to you” and I remember laughing at how dead that song felt. The director has since moved on but still works as a musical theater director in Southern California. This one time 4 years ago I got to feel something other than my color for the first and only time in my professional career. It lasted from about March 2016 to July 2016 and never again since. I will never forget in those early days looking at all the beautiful princesses I got to woo and thinking “wow. I’m a prince right now.” Im sure that sounds stupid. But it didn't feel stupid. And a Disney prince! Yeah, a shitty prince kinda... I mean, he's a sociopath... BUT still a Prince! Especially special was being able to look in Dominique’s eyes and I could see the same glimmer of “can you believe we get to do this right now” reflected back. We never knew it was in the cards for us. My race always has and will always be part of my career equation and a determining factor of its projection. It will always be a determining factor in how im treated, by creatives, by people, by the those in authority over me, including the government and the police. #wasitmyskin
Copied in its entirety here from Cooper Howell’s public Facebook post: https://www.facebook.com/photo.php?fbid=10163696376095054&set=a.10151302685610054&type=3&theater
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hansols-yoda-boxers · 2 years
Text
Jeon’s Anatomy - Introduction
Neurosurgeon!Wonwoo x Pediatric Surgeon!Female Reader (briefly feat. Seventeen, Nu’est, Pristin, Ateez, Itzy, and Hinapia)
Word Count: 962
Contents: Grey’s Anatomy au, lots of medical talk (including talk of tumours), mentions of foster care 
Note: And I am back with more of this hehe. It’s been a while hasn’t it?
You know you’re a kick ass pediatric surgeon, you have no need to prove it to anyone at all, certainly not the ass who runs the Neuro department. Well until you’re forced to work a case with him, anyway.
Cast | Prequels | Introduction | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Epilogue
“...and you won’t embarrass yourselves, or me. I don’t want to hear any stupid questions, understood?”
You chuckled as you heard the grumbles of junior residents as you neared the corner.
“Yewon is getting them whipped into shape,” Jieqiong giggled, keeping in step with you.
“I remember being a resident with my own group to wrangle and look after,” you reminisced. “And I remember not wanting them to screw up.”
“Were they at least smart?” she asked. “Mine were dumb.”
“They’re all smart,” you replied. “They still have a lot to learn early in residency, and even as fellows,” you smirked. “But even first year interns have some smarts in their brains, or they wouldn’t be here.”
Jieqiong mulled over your words as you rounded the corner.
“If all goes well, you won’t all look like complete idiots today.” Yewon said sternly, her resident’s eyes going wide as they spotted you.
“If all goes well,” you chimed. “You will all learn something today, and leave tonight as better doctors.”
Yewon whipped around, your name falling off her lips and her face blushing deeply. 
“H-How are you this morning?”
“Good, now that I know you have them whipped into shape,” you winked and nudged Yewon who blushed even more deeply as Jieqiong giggled. The residents looked between the three of you, unsure expressions on their faces.
“Alright, I trust you all know who I am, but since I haven’t worked with most of you yet, names.”
You listened and did your best to memorize as the five residents listed off their names, Kyla Massie, Shin Ryujin, Lee Chaeryeong, Kim Bada and Shin Yuna. 
“Welcome to the pediatric ward,” you said brightly, starting down the hall as the residents followed you quickly. “Things are a little different here than the rest of the hospital. We’re dealing with kids.”
You turned to face the group outside a room. “Kids who believe in magic and fairy tales, and very scared parents who understand the realities of what their children are going through. Some people think we’re just working on smaller humans but there's a lot more to it than that. This is a lot harder than it looks.”
The residents all had hesitant looks on their faces and you gave them a reassuring smile. “You will all be fine. Let’s get started shall we?”
You led the group into the room where a tiny, excitable six year old was sitting on the bed with a tube in her nose. She smiled at you brightly and reached out for a hug as Ryujin started to present her case. You only gave half your attention to the presentation, the other half on the small girl bouncing beside you and tugging on your sleeve.
“Psst,” she whispered.
“Yes?” You chuckled.
“The nurses gave me paper and I drew you a picture!”
“You did! Well now I want to see it,” you smiled. She pulled out the picture and showed you the drawings of her dogs happily until your pager buzzed.
“Does that mean you gotta go help someone?” She asked.
“It does,” you hummed. “But I’ll come back and check on you later okay?”
She tugged you closer and whispered to you. “Can you bring me a lollipop next time? Just don’t tell mommy cuz she said candy is bad for my tummy.”
“I’ll see what I can do,” you chuckled before standing up fully and leaving the room with the residents.
“Yewon, cover the rest of rounds. Jieqiong we’re needed in the pit.” You said. “The rest of you, I’ll be back up as soon as I can, impress Yewon because she will tell me who did the best job later.”
You bid your goodbyes and hurried to the elevator, Jieqiong in tow. She searched through her tablet as you led the way to the ER.
“Were we called for a consult?” She asked.
“I was, but I have a feeling I’ll want an extra set of hands.”
“A feeling?” She questioned.
You shrugged. “After a while sometimes you just get a feeling that a certain case will be a lot.”
Jieqiong mulled that over as you led the way through the ER and to the bed. Jongho was standing next to the bed and he perked up when you saw him, your eyes travelling from him to the girl in the bed. She had to be around 10 or so and her arms were all bruised, she had bandages wrapped around her arm and she looked up at you curiously. Her parents stood off to the side nervously.
“We know how this looks,” Her mom was quick to speak up before you had managed to say a word. “We- With all the bruises we know but it’s not what it looks like-”
“I’m clumsy!” The girl said brightly. “I’m Eunbin!”
You waved at her as her dad spoke. “She is,” he chuckled, seeming a little anxious. “She gets hurt a lot.”
“Well it looks like you’re all patched up,” you smiled at Eunbin. “Dr. Choi, mind going over her chart with me?” Jongho nodded and followed you while Jieqiong talked with Eunbin and her parents.
“Why did you pull me away from rounds, Choi?” You asked seriously.
“I mean the bruises-”
“You know how to call CPS on your own, what do you think is going on?”
“They-” Choi took a deep breath. “I don’t think the parents are giving the whole history, o-or they don’t know it. They’re foster parents so they might not know her whole past but I think something else is going on here. I-I think we should order an MRI. They said she’s clumsy and gets hurt, has trouble walking these days.”
“You’re thinking tumour,” you said.
Jongho nodded. “I’m thinking tumour.”
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freddie-weaselbee · 3 years
Note
Welcome Back❤️
🍎Okay like I somehow see our dear Frederick smitten and intrigued by Slytherin, maybe it’s just me but something is telling me he would definitely date one and a Slytherin would be his type.
So can you do a hc for Fred and a Slytherin💚Thank you
ok babes as a slytherin who’s in love w Freddie I have SO MANY thoughts
ok first of all we all know that they weasleys have their biases
especially Ron
I feel like the twins would still have a bias against Slytherins but they never had like personal fights w any of them like Ron and Harry did w Malfoy
so they’re a little more open
that being said
Slytherins do happen to make great pranking targets
especially in snape’s class
ok so imagine it’s potions w Gryffindor and Slytherin
and you’re sitting across the room with your friends
cuz no fraternizing w the enemy obviously 🙄
and suddenly all the Gryffindors duck for cover and you and your friends are so confused
and then the dung bombs go off
and snape is LIVID
and your friends are LIVID
and you make eye contact w Fred, who you’ve only ever talked to during projects
and you start to plan revenge
ok whoever came up w the idea that Slytherins are all stuck up snobs is completely wrong
they’re just as big troublemakers as Gryffindors but more sneaky about it
can’t be getting caught and jeopardizing their future
so they’re more subtle
no one saw it coming, especially Fred
ok so you’re at dinner
in the great hall
and I’m pretty sure that Gryffindor and slytherin tables are on opposite ends of the room
so it’s even MORE impressive that you did this
but some time when Fred was distracted w George you swap his wand w a replica
a hexed replica
you don’t know why you only chose to prank Fred and not George too
he’s the more annoying one, that’s it
not because you love the cocky look in his eyes
or his loud laugh
or because you maybe want to impress him w your pranking abilities
nope nope
none of that
so you plan this perfectly
the next time he’d probably use his wand is potions in the morning
you’re all filed in and in your normal seats
the Slytherins are pissed about the prank
but what else is new
and snape decides to single out the twins
cuz he’s also still pretty pissed
and Fred has to demonstrate something
and Fred’s smart right?
like he and George might not try, but they invented so many products using potions knowledge
but when he tries to cast the spell and rubber ducks fly out
curtesy of mr. weasleys love for said objects
he’s going crazy
he tries again and suddenly his robes are replaced w the girls uniform
ok but Fred in a short skirt? say less
at this point everyone is cackling
especially George
especially you
even snape has to turn away to avoid showing a small grin
and Fred is so frustrated cuz hE KNOWS THIS SPELL
HOW IS THIS HAPPENING HE KNOWS THIS SPELL
one last time
and his skin was now dyed green
signature slytherin green
you can’t hold back anymore and you practically fall off your chair laughing
meanwhile fred can’t figure out who in the world pranked him
and this well
how did he not see it coming ??
the two of you make quick eye contact
something that had always been common between you before one would glance away
but this time you stare
and wink
THE SIGNATURE FRED WEASLEY WINK
oh boy
Fred doesnt know what to do
you’re a slytherin
you’re supposed to be all mean and a blood purist and blah blah blah
but now that he thinks about it
you’ve never been that way
in fact you’re one of the only Slytherins Fred’s never targeted directly w a prank
oh but that’s about to change
hence the beginning of the Gryffindor/Slytherin prank war
no one else knows it was you
and no one believes Fred when he tells them
which just makes it easier for you to get away w everything
flash forward a few weeks
you and Fred are both out past curfew
tryna set up more great pranks for the other
and then, of course, enter filch
after some very close calls you both wind up in a broom closet
...😏
and you’re arguing as always
whisper shouting as to not get caught
“you ruined my prank, it was gonna be amazing too!”
“oh please, you did the same one last month, everyone would’ve seen it coming.”
“and I suppose you have better ideas?”
“well now that you mention it...”
...
“show me”
and suddenly you two are partners and bouncing ideas off of each other
George would be jealous if he found out
but you and Fred do make a good team
I also feel like since there’s the tension between the two houses you keep your newfound friendship a secret
like you still hate each other
but only in public
in private, you’re best friends
until one night when you pull of the best prank known to man
and you’re both filled w adrenaline and running through the forbidden forest screaming w joy
and Fred just wraps you in his arms
and pulls you tight
and kisses you w no hesitation
and of course you kiss back
it’s been like a minute and you’ve barely taken a breath
so you both pull back and are like
😳...what was that?
but then you shrug and kiss him again
cuz you’ve been waiting years to do that
not that you’d ever let him know
but it’s fine because it’s the same deal for him
and now the secret friendship is a secret relationship
it’s tough at first
your friends would judge you a lot for dating a weasley
and Ron would probably flip if he knew Fred was dating you
but eventually you had to come clean
and by “had to” I mean Draco caught you making out in the Slytherin common room late at night and told the whole school
and you guys were right to some extent
Ron had a rough time w it at first and so did your friends
but what you didn’t expect was how much ppl already knew
“yeah I know you’ve been sneaking off to snog her every night, who do you think has been covering for you?”
“George... WHAT?”
—-
“you have like 3 of his jumpers under your bed, we’ve known for weeks.”
“well that’s fantastic.”
but anyways
it’s all out in the open now
and for the most part everyone’s happy for you
even the teachers
except snape
but who cares about snape anyway
now you’re the school power couple
and everyone loves you
and is low key afraid of you
cuz they know about your pranking habits
and competitive edges
one fight between you two and all hell breaks loose
but overall
you both have never been happier
and it doesn’t matter what people in your houses think
because it’s just a stupid house color
and it doesn’t mean anything to you guys
except quidditch games, cuz then any love you have for each other disappears and you’re willing to rip the other to shreds
true love <3
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parachutingkitten · 3 years
Text
Y'all suck at dissecting Kai's character, so I guess I have to do it.
And I'm not even a Kai stan. He's a bottom tier ninja for me, which I guess means you can trust me, cuz I'm not biased, but also why am I the one doing this? I don't know about y'all, but recently on my dash, the method by which Kai fans try to make him sound good is... saying the writers hate him, ignore him, and that he isn't written well? Which... I mean there is a little bit of truth to, but like yikes guys, is this the best you got? Kai is a wonderful character with plenty of attention from the writers, a meaningful piece of the cast when put in secondary rolls, fairly consistent character writing with actual progression and valuable qualities that help the team without having to be the smart one- despite what some posts might tell you.
Let's get one thing cleared up: Ninjago isn't the best written show. By high level Hollywood standards, most the character arcs are kinda weak or too heavy handed, character consistency can be iffy, and most things serve the plot rather than the characters. There is no character you can point to and say "wow, this character is written so well! No complaints!" Nya and Jay were butchered by their weird love plot, Cole's one season doesn't actually give him an arc, Zane's been nothing but the robot numbers guy for like 10 seasons now, and Lloyd seems to be incapable of doing anything but relive the same one piece of dad angst for depth. Sorry, it's true. All the characters suck when you look at it from a large scale writing perspective. So when I say Kai is well written, I mean by ninjago kids show standards- cuz that's the scale we're working on. No, you couldn't drop Kai into a well written drama, but as far as ninjago goes... he's got a lot going for him, and by no means is he the biggest victim of poor writing.
(fair warning, wall of text below)
The title is a bit disingenuous. There are plenty of good Kai character break downs. What I am presenting here is a more positive perspective. On the whole, I will tend to give the writers the benefit of the doubt, and credit for what they do right writing is hard guys. That's what I'm doing here. I don't see much sense in getting mad the writers on behalf of Kai, or any other character. Ninjago is a simplistic ensemble show that works because of the identifiable simplicity of its main characters with some deeper layers hidden underneath if you keep watching. They've given us a damn good show with some damn enjoyable characters, so here are some criticisms I feel are a little flawed:
First, let's get the 'focus' thing out of the way. Apparently there are people saying Kai doesn't have a season yet? Which... what? I mean, I get that the pilots aren't a full season, the first two seasons, though he is the central protagonist, aren't "Kai seasons" as we've come to define ninja focus seasons, season 7, though he gets majority focus, he shares with his sister. But like... did y'all just forget about season 4? You know, the season where he had the title card, was on the box sets, got the love interest, and the majority of the A-plot? not to mention it's the best season don't @ me Like... if season 4 isn't a Kai season, I can make a damn good argument that season 3 isn't a Zane season, and I doubt anyone wants to go down that rabbit hole. I really can't wrap my head around this one. And I get that the fandom hates season 11 for some reason, but like you can't just pretend it doesn't exist. Kai has a consistent arc across 30 episodes in which he takes his powers for granted, loses them, and learns that, not only does he have value within the team without them, but that his element is intrinsically a part of him that he reclaims, bringing them back more powerful than ever, and with new respect for them. That's one of the most solid arcs in the whole series- the location is even thematically connected to his element. That's some good stuff right there! (Quick plug for season 11 if you haven't watched it in a while. Give it a rewatch, you might be pleasantly surprised)
Not to mention the writers give him fun side stuff all the time. Lots of fears of tech and water to overcome, a deep protective streak with Lloyd, becoming a chancellor, having a true potential actually relevant to the plot as a whole, blacksmith responsibilities, befriending dragons, hanging out with his dad. Not to mention actual focus stuff we haven't talked about yet, like his whole "my dad is evil" phase, and his "I might be evil" phase with him and Skylor. And on top of that, even when he doesn't have an explicit side plot, he's always just a fun and dynamic side character to make jokes or give exposition.
Now, into character stuff. Let's start with Kai's hot headed-ness. Some people say he's been loosing this quality, and I will admit, that's true! But those that claim this makes him inconsistent... I strongly disagree. In early seasons, Kai's temper would lead him to snap at his friends or make stupid decisions that set the team back (see episode 2 Zane freak out)- these are bad things. These are character flaws, yes? Now, in newer seasons, people say that he's inconsistent, cuz sometimes he'll be hot headed, and sometimes he won't. I'd say, this is exactly how being hot headed... works? It flares up without warning, and as an individual gets control of it, it'll pop up less and less often because they're channeling it into productive things - like say directing the anger towards an enemy (see season 11 end freak out). Kai has gained control of a character flaw, and though it still pops up on occasion, the fact that it's a once in a while kind of thing speaks to his growth. I have a little brother who has this exact personality, and watching him grow up, I can tell you, this is how it is. He used to snap all the time, and he still does sometimes, but much less frequently, because he's a more mature person with better control of his emotions. This is a good thing. This is overcoming personal flaws. This is progression we're seeing.
And while you're hyper focused on this one aspect of him, things like his cocky confidence haven't changed a bit. I mean, that season 3 bit between him and Pixal, and his season 11 "fire maker" streak have the exact same energy. You can not convince me otherwise.
Another adjacent quality that hasn't been dampened is Kai's impulsiveness. This can be a good quality of his, he'll get into a fight without thinking, getting the jump on the enemy. Good stuff. But, this has become such a well defined trait of Kai's that it has been used in a comedic capacity. This is what happens when a character is extremely consistent to the extent that both the audience and the characters in universe would be able to predict their actions. Kai's impulsivity used to be a more serious quality that put himself and others at risk, and was a big power move whenever he did something rash, but it's become such a staple of the show that it's now being used for comedy. That isn't Kai's impulsivity going away, that's Kai's impulsivity being recontextualized for the sake of the show. The season 9 "Who's stupid enough to jump on that thing" isn't a joke at the expense of Kai just for being dumb, it's a joke at Kai's being so predictably impulsive that everyone already knows he'll be the one to put himself in an insane amount of danger without thinking twice (you know, something stupid that might get him killed). But because in this instance, the danger is warranted, this is bravery. It's a complement to his character- it's what ends up defeating the colossus. Why are some people so bothered by this joke?
Oh right, cuz for some reason people want to peg Kai as the smart one? Look, Kai isn't stupid, none of the ninja are. All of them have smart moments (all of them have dumb ones too) and Kai can certainly handle himself, but "smart" is definitely not one of his defining characteristics- I think some people are confusing smart for his actual strength. Connected to his impulsivity, Kai has very good simplistic instincts. He sees the big picture and looks at the most surface level solution- which when the situation calls for it, that does indeed make him smart. But the same logic that led him to think "This snake has a glowing target on its head, lets hit it" also led him to think "I'm in a video game, therefore I am immortal." Are you really going to look at me and say he figured out Lloyd was the green ninja through logical deduction and a careful consideration of the facts? No. He had a gut feeling, and he trusted it. Instincts- instincts paired with his impulsive following of said instincts is what leads him to solve problems- and sometimes, that can be extremely effective. This goes for other ninja too. Jay isn't the smartest ninja- I would really only classify Zane and Nya as having intelligence define them (hence their ship name). But Jay is extremely creative and crafty. He also knows his was around mechanics, and as such, this will lead him to come up with creative tech based solutions which are smart. But, idk about you, if I had to point to another ninja as being 'dumb' it would 100% be Jay. Kai is a lot of things. He's passionate and determined and confident and persistent. He's a good improvisor, he's powerful and he's charming! These are all wonderful qualities, he doesn't also have to be the smart one. I am the worlds biggest Pixal stan, and she's a smart, sassy, powerful character, but I'm not gonna sit here and tell you she's also hilarious and adaptable and strong willed. She's a straight man to all the ninja's antics, extremely tied to her samurai x suit, and lets people push her around all the time. That doesn't mean she can't be funny, or self interested, but when she does act these ways, it stems from her other more prominent qualities. That make sense?
And while we're clearing up what Kai isn't, please stop characterizing Kai as an overly protective brother - especially romantically. The only two times he's been romantically protective to Nya are in Wu's Teas which I mean, come on and in the pilots when Jay is literally a stranger. For crying out loud, by the end of the pilot, he's smiling when Jay and Nya hug. That's not overly protective, that's just normal, any reasonable person would react this way, protective. And it's such a great stereotype break for a kids show like ninjago, having an older brother who actually trusts his younger sister to be her own independent person who can make her own decisions. I mean, I guess it's fine if you HC differently but like... idk, I don't buy it.
Now, is there still room to criticize the writers? Yes. Hell yes. But not to an extent greater than any other character. Could he have had more of a defined reaction to events of the most recent season that I won't name for the sake of spoilers? Yes. But could Zane have reacted for more than .5 seconds at being an evil war lord for apparently 60 years? Yeah. Has Kai taken a back seat in the past 4 seasons? Yeah. But so has Lloyd- and he's literally the main character of the show. Not to mention two of those seasons have gone to people who had to wait over ten seasons to get one to themselves, and one of them is a 40 minute special. Kai's doing just fine.
Anyway. Kai is great. He's a fun, stereotype breaking, impulsively driven, ball of energy and confidence who gets a good amount of screen time and some fun side plots.
One last thing to clear up: no hate to anyone. This isn't targeted at anyone specific, this post has been a long time coming, I've just seen some weird overblown claims on various platforms over the past few months and I finally sat down to write about it.
I like the Kai content we have. After all, if the writers were really that bad at writing him, then no one would like him.
Wow this was so much longer than I thought it would be. Um... if you have other long winded rants you'd like to see from me... let me know I guess?
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butwhatifidothis · 3 years
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Fighting someone in that enlightened edelgard comment and they really pulled the "edelgard's war was necessary because crests bad!!" Bruh
Alright so like... why does Edelgard think Crests bad? What is she willing to propose to society as an alternative to Crests that won't similarly be abused by those with money and power? If Hanneman is able to conduct Crest research and is allowed to build his machines that gets rid of the need for Crests on all routes, even on SS and even if Rhea comes back as archbishop, then why did Edelgard need to start the war if that was her real goal? What problems do Crests specifically and uniquely bring to society?
Because Sylvain, Ingrid, Lorenz, anyone else who feels that they're only good for their Crest or need to marry due to their Crest? They'd literally be in the same position without them, because they're still high-end nobles with pretty titles and nice power that commoners would want a piece of or that their families would marry off to others families for more money and power (or any, in Ingrid's case). Crests change nothing, save for Sylvain getting the nice heir title from this unfair inheritance system over Miklan were it the usual "lol I popped outta Mom first" inheritance system.
Mercedes? Ah yes, because incest would never occur in noble families were it not for Crests, think I read that in my history class before.
Dorothea? Her having a Crest would have actually saved her and her mother (or at least her) from a life of poverty, so oops.
Hanneman's sister? Ah yes, right after the section where my history books told me that incest don't real, it says that women were never ever forced to unhealthily bear multiple children until their husband gets one he wants.
The only ones I can think of that were fucked over specifically and only by specifically and only Crests are Edelgard, Lysithea, and Marianne. The first two are so unbelievably unlikely to happen to anyone in the general Crest-bearing populace as to damn near be laughable - fun as Two Crests AU's are, this shit only happens the twice, once for the setup and once with the refinements from the first. This isn't something most, many, some, a few, or really fuckin' anyone has to deal with, this is something extremely specific to Edelgard and Lysithea. And similarly, Marianne, while facing most of her trauma because of uniquely Crests, only does so because she literally just so happens to be born with the literal one Crest in all of Fodlan that is feared and hated.
Like, Crests could have easily actually been a big deal in Fodlan, but like... damn near anything that could rise from specifically Crests gets taken care of pretty easy lol?? Like, Marianne just needs to beat the shit out of Maurice and she's fine(r). Edelgard and Lysithea's shit is reversible and is able to have its the biggest side effect of having two Crests be erased (for Lysithea, cuz as I've said I don't think Edelgard has any problems with the two Crest shit). Balthus' shit where "Ohhh, people will really fuck over Kupala if they find out it has Chevalier Crest bearers!!" gets solved by the Church itself stepping in and keeping it hush hush for Kupala's safety and that making it to where Balthus' more qualified Crest-less brother gets the inheritance (so much for wanting no one but Crest bearers to rule over Fodlan!). Some bitches literally are completely unaffected by Crests (Hilda, Linhardt, Yuri <- as far as I know, I'm sure there are others).
Hilariously enough, very few people in the cast actually benefit from Crests specifically due to Crests - the only ones I can think of off the top of my head are maybe Lambert (if you wanna count him) and Claude (let him prove his right to inheritance).
Like. Before adopting Marianne, Edmund was able to rise to Margrave through good financial and oratory skills - that's a higher position than Count. Y'know. Like Count Gloucester? Ordelia for all we can surmise has no Crest and bears the same title as Gloucester regardless. Count Rowe in the Kingdom is higher than Baron Dominic - Baron's, like, the lowest fuckin' noble title! Even the Empire, shitty as it is, doesn't have this problem! Bergliez, no Crest, House of Military Affairs for an Empire.
People hear Crests and see them packaged as a unique evil specific to Fodlan by the characters who were born and raised in this society and who have little to no reference to the world outside of Fodlan and so wouldn't know that most of this shit literally happens everywhere and they just, fuckin', forget!! That this shit ain't new!! Crests are just First-Born-Noble Syndrome wrapped in pretty shiny wrapping paper. Petra, a royal from Brigid, literally never mentions Crests, and Claude only does so out of curiosity over them - almost like, as nobility outside of Fodlan, Crests are just weird to them and nothing else! They likely know the same shit would happen to these nobles with or without Crests because they know a world without Crests, unlike those of Fodlan!
Getting rid of Crests seems like it will change a lot of Fodlan... until you remember that they're dying out anyway so Fodlan is already in a transition period where they'd become relics of the past, until you remember that, again, most of the shit wrong that comes with Crests actually comes with nobility in general, until you remember that a majority of the characters either don't care about Crests or are otherwise unaffected by them.
And like, we know that Edelgard doesn't actually give a shit about Crests lmao that is damn sure not a major reason why she started the war, she started the war because she wanted to wear the big girl pants and rule over all of Fodlan and also kill the Nabateans. That's it. No shit about Crests, much as she initially posits as much - notice how that shit falls to the wayside soon as the war's actually in action, it's literally said over and over and over again that Edelgard wants to reunite Fodlan, she wants to conquer the Alliance and Kingdom, she wants to boot the Church, she wants to kill Rhea and the Children of the Goddess; Crests are a footnote in her oh so grand plans. Edelgard didn't start war cuz Crests Bad, she did it because Me Want Be Dictator
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What I would've done for S2 & S3 of hsmtmts if I was the writer/director:
Nini
I would've probably changed Nini to not getting into YAC in the first season. She would've stayed the second semester at East High. She would spend the season working on her acting to get ready for an audition for YAC for senior year (so the audience could feel like she actually deserved it- instead of just bc she's the MC). -
She would have to reckon with the fact that her going off-script was probably why she wasn't accepted. -
I would've also given Nini more personality, maybe explore her interests outside of school, or her relationship with her moms. Make her have more flaws and have her learn to work through them. -
Nini lands the understudy for a main/secondary role and gets casted as the rose. She ends up helping backstage and works with Ashlyn as a songwriter/composer for the show. -
I'm thinking throughout the season she'll deal with a lot of school pressure, along with relationship problems, and her own stress of trying to make it into YAC and she'll eventually break down from the stress (Gina, Kourtney, and her parents would be there for her) -
her audition could've been in the last episode (making the "second chance" song more meaningful) -
I think Nini being low-key iced out by her friend group for going to YAC was messed up. That was her ambition. -
ALTERNATE IDEA: She could've also transferred to North High instead, making their menkies competition more relavent. Then tranferred back after a while and have to deal with going against her friends. [Idk just most of her personality in the two seasons, even after Ricky and Nini broke up, revolved around Ricky and she didn't get to have a life or personality beyond 1) the musical and 2) the boys in her life]
Ricky
Ricky's arc would be similar to the original. Him having Nini as his lifeline was pretty toxic for the both of them anyway. This time with him having some character development. Maybe having a scene where Nini says something like "I care about you Ricky, I really do. But I can't handle my own problems along with yours. I'm always here if you need to talk, but...maybe you should get some help first. You should talk to your parents." then after a bunch of stuff, Ricky learns to ask for help, and his parents send him to therapy. He apologizes to Nini. [Btw this arc wouldn't be to bash Ricky, but more of have him learn healthy ways of venting and finding help]
He finally talks and works things through with his mom and she and his dad finally realize the emotional toll their problems have caused Ricky
I was thinking about a flashback to Ricky seeing his parents fight all the time but that might be too dark for a Disney show
Ricky wasn't interested in musicals before, so therefore he should, realistically, have to learn to play the piano or guitar (Nini could've taught him)
if the writers wanted him to have acting/singing as his actual passion and not just as something he joined to get Nini back- then we should've had him practicing singing or acting (not for Nini this time) while also doing his old hobbies.
Nini and Ricky
I feel like they missed a really good opportunity to teach the audience how to open up and work through problems when they just decided to make Rini break up over miscommunication.
For a relationship that mentions them as childhood best friends, i wasn't feeling the best friends thing when they were together
If the writers were intending for us to root for Rini, then they should've made Ricky have more redeeming qualities, him doing stuff on Nini's phone was EJ-like which they established in S1 was bad
Consider this as some dialogue Nini and Ricky could've had about their relationship in the treehouse scene: Nini: "I don't even know how I got from loving you so much to not even wanting to fight for this" instead of just stating the obvious of "we've been miss-communicating all year" Ricky could've said something like: Ricky: "I wasn't honest with you. I tried to hide things from you. It feels like we're not even friends anymore." Nini: "We were friends...what happened?" Ricky: "I don't know, what's been going on with my parents has-" Nini: "No, this isn't their fault. It's ours." *a long pause* Nini: "Since we're admitting things we've done wrong. I've got one. I wasn't intending on sharing the rose song with you. I don't know i think i was just- scared it would cause more problems and i...hid a lot of the things i was feeling...about us." Ricky: "Can I ask...what are you feeling... about us? Like... was the song really all about us?"
you get the point- Rini would actually work through their problems instead of constantly having miscommunication problems that were unrealistic given that they were friends since kindergarten
Kourtney
Kourtney should've been given an arc and I would probably cut Howie (i like him but not every girl needs a love interest- if not then Howie shouldn’t have been the only depth she has).
Kourtney could have a fashion internship and we could explore her personality.
Make her more than the bff of Nini- have Nini be the one to reassure and be there for her
healthy feminism that's not just there for tokenism (and not whatever S1 Kourtney was)
Make people be there for her and don't just leave her alone because she's "strong" and "independent" People need help sometimes. Being independent is different to having no one there for you.
Gina
Jack appeared and disappeared- would've probably made him show up once more. And Gina and him wouldn't meet like that- maybe they knew each other from another school (bc normal ppl don't randomly talk to strangers at airports lol) -
I liked Gina's arc overall and would've kept it.
Introduced or at least hinted at Gina's brother more (him calling her but her refusing to answer because it's been so long)
Even if her main plot will revolve around love, Gina would have...well... a life.
Explore her relationship with her mom
explore how traveling all the time has affected her
things like not wanting to get attached bc even tho she has a place to stay, things can change at any moment and she knows that
showing her adapting to new situations really quickly
Her relationship with her brother could've been explored more
EJ
More on-screen character development
Building off the arrogant, confident character he was in the first season and still having some of those qualities as the second season progressed
Follow up for him and his dads conversation
Cousin duo with Ashlyn
EJ should've had a storyline outside of Gina being a symbol of his "development,"
He could have talked to Nini about how he was feeling about his future since they both were worried about the same
Gina and EJ
EJ's is a lot more tactful than Ricky and if the writers had wanted for us to root for them more- Ej could've represented what Ricky didn't do. Instead they had him misscomunicate about the big brother thing for shock and drama value and have Gina be the one to clear it up.
Have EJ try to be a good person, not for Gina, but for himself.
Consistent friendship with Gina before it was implied he had a crush
ALTERNATE PLOT IDEA: Instead of having them end up together, have them be more brother/sister and support system. Have EJ learn to be a good person without doing it for someone and rather do it for himself
All in all I would've kept the basic framework of their relationship and just change up a few things
Carlos and Seb
I loved Carlos' arc too (and Seb's).
Have Seb sing more
more screentime alltogether
Ashlyn
I liked them touching on body image issues with Ashlyn but i probably wouldn't have mentioned it once and then never mention it again. I think it should've lasted at least 2/3 episodes.
Ashlyn could've seen a plus size actress in a musical she goes to with Kourtney and Gina (bc that trio is amazing) and feeling a lot more confident but still a little insecure (cuz insecurities don't just disappear with a short monologue)
I'm very anti one-dimensional mean girl so, as part of Lily's redemption, lily would build up Ashlyn a little.
Maybe cut out Big Red/Ashlyn because i see them more as friends (they could still have similar scenes together tho)
have ashlyn and big red break up by spring break- ashlyn won't tell anyone and keep her personal life out of her acting and end up spiraling
completely cut out any french guy jealousy from Big Red (completely unneeded)
Lily
I would've had Lily be more of the 3 dimensional character- i think we should be over the mean girl trope. I'm thinking parental issues/pressures (building off episode 11) and some insecurity or anxiety would be pretty realistic. Maybe she’s sick of constantly being the center of attention and wants some downtime.
If they intend to make Ricky and Lily end up together (or at least have a friendship), I would do it a little differently. In the Ricky section of this post i mentioned Ricky, if acting/singing had become his passion, should've taken up some lessons. What if Lily had ended up being his tutor or something? Maybe he signed up before all the drama and got to know her before.
just think of all the possibilities tho- it would also make the “let you go” song that Ricky does on the piano have some double meaning
Lily stealing the harness makes absolutely no sense plot-wise, so I would also cut that out
Side characters
French dude should've gotten more screentime
Mazzara/Jenn should've been equal pining like in S1- not just mainly one sided
Plot
more episodes, most of the problems and conflicts presented weren't resolved or addressed by the end of the series. Characters, especially the ones in relationships, don't even talk about their problems. And yes, realistically, sometimes people don't talk it out, but most get closure within themselves and problems don't appear and disappear magically. -
maybe change the menkies competition for another competition, something where you can have more creative liberty with the plot and songs -
cut out the dance/sing off, it was completely unneeded
cut out the "come back video" to North High's diss video
cut out the sleepover episode
All these episodes did was provide unneeded drama that could've been used to instead to take a break from the conflict and be more character driven -
Maybe a different musical- BATB was a weird choice for an official competition. If not then different casting
Ej for beast, Ricky for Gaston, seb for candleholder, carlos for clock,
The scenes from the musical should've been included, I felt like there was an episode missing between ep.11 and 12
Every relationship was the exact same- the guy pining to the loosely interested girl and then when they get together the girl having to constantly reassure him about the relationship
Ok, guess they wasted that entire semester just to never open the envelope (they should've opened it because they realized that the Menkies tore them apart and they lost sight of their passion)
a lot of the events, character development, and reactions were off-screen, which made it so annoying to watch bc a lot of those scenes were important to the plot
Disclaimer: Not hating on the writers, directors, or actors of this show. I'm just inputting my own ideas of what I think would've made the show better for me. I kept and cut out some ships i did/didn't like so my personal opinion on the relationships do have an influence
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leagueofidiots · 3 years
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I'm trying to write a league centric fic, but I can't figure out Spinner. My beta says I make him sound really flat, and I figured you'd be a good person to ask. No pressure.
If I go on for way too long I'm very sorry
All of these are just my thoughts on the character and what I keep in mind while writing him, feel free to do whatever you want
The first thing about writing Spinner is that you gotta remember what 90% of the fandom thinks about him. Most of the time, he's limited to A.) liking Stain, B.) yelling at the team for disagreeing with him, and C.) his quirk. Obviously that doesn't come out of nowhere, Shu's definitely a fan of Stain and his beliefs, and his quirk does currently lead most of his characterization, the yelling thing happens way more in fics than it needs to. Spinner's only really yelled twice, once when Dabi called him a lizard, and again when he felt that Shigaraki wasn't allowing the team to follow their goals. Both pretty reasonable things, seeing as he was either being called a slur or feeling like his decision to fuck his criminal record over were going to waste, but a lot of fanon versions will have him snap at basically anything.
The trickier part is pinning down his personality and his goals and motivations, cuz Hori doesn't make it too easy if you're not looking for it. A large part of the appeal behind Spinner is that (from what we know of) he doesn't have anything most people would call "extrordinary trauma". Some league members were groomed, kidnapped, raised up to be weapons and cast aside, all that jazz. Shu grew up around conservative people that bullied him for his quirk. The league was his first involvement in crime, we can't assume that his parents weren't lovely people, it was "just" a shit ton of quirkism.
Even if it's not flashy enough for a lot of the fandom to care about, Shu's self conciousness about himself and internalized quirkism is basically what drives him. Until the MLA arc, we know nothing about Spinner except that he follows Stain, he even tries to dress like the guy. If you're taking Smash into account (technically not canon but it's fun), he goes even further to wish he could be Stain himself.
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When he tells the league about his backstory, he says that he feels empty, later on he says he has nothing he loves, nothing he wants to do.
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As to his goals, it's obvious enough that he wants to follow Stain. His first actual attempt at an attack is throwing a knife at Magne to stop her from attacking Izuku, when taking Overhaul's arms he questions if Stain would approve of attacking police, he asks people even in his first fight if they follow Stain's principles, he talks about Stain literally all the time.
And while that's enough to write Spinner early on with the league, he's changed a lot since then. Again, before the MLA arc, all he really talked about was Stain. While narrating in the early chapters of the arc, we don't really see him paying a lot of attention to his fellow team members. But every time Tomura talks, we see him pay more and more attention to his leader until it all sort of comes to a point when he defeats Redestro. And while not with any of the rest of the league, sorry to drop that panel again, but he mentions Toga's goals alongside his own. He really thinks of them as a team now that he feels he can relate to someone.
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Yet again in the war arc, we see more of Spinner. After the several months of Tomura being in the tank, it's shown that Shu understands his team even better now, going so far as to extend to Machia. Not only does he reach out to Himiko when he knows she's in a rough patch before anyone else, he figures out how to help Machia and get Tomura awake even after not speaking to the guy for months on end. The guy remembered a conversation from literal months ago in a very intense moment where he needs to think fast.
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Spinner's goals, as far as we know, still line up with Stain's, but he's a lot more dedicated to the league now. He grew up a very lonely person, between being ostracized and isolating himself, so these are probably the first people (except maybe outside of his family) that have ever accepted him, or that he's ever felt a real connection to. And he's definitely a follower, either hanging close to Stain's or Shigaraki's ideals at all times, but it doesn't make him stupid. He's loyal as hell, and sometimes he says stupid things, and he's easily flustered, and he's extremely passionate. The man does what he feels he has to do.
If you need more, I'm very willing to write more, I cut out things to make it shorter so,,, yeah just ask, I could talk about him all day. And do.
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