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#onto the lore of this four second video
eidrefangel09 · 2 years
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Say it
Audio - The Grumps @ 3:16
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supernovafics · 7 months
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𝐓𝐇𝐈𝐑𝐃 𝐒𝐓𝐑𝐄𝐄𝐓
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"i'll be there for you" universe masterlist
pairing: bestfriend!roommate!steve harrington x fem!reader
word count: 1.8k words
warnings: explicit language, a lil bit of angst w/ a wholesome ending<3
summary: in which you and steve take a late-night trip to your favorite diner
general note: everything in this universe/series can be read as standalone oneshots but to understand the full “lore” it would prob be best to read the other stuff too<333
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
Fall 1985
It was four long hours of your life that you’d never get back. But, you were glad that all of the work that you had to force yourself to do all night was finally over. 
It was somehow always in moments like these— where you procrastinated until the last possible second to do something that had been assigned weeks ago— that you sincerely wanted to drop out of college; and you’d barely even been there three months. But you also knew that you definitely could not do that because of your parents. 
So, instead of even pondering that thought too much, you pushed through and forced yourself to start and finish a project for your Psychology class that involved a shit ton of writing and research. It was a project that now made your head pound heavily in your skull from focusing on that one tedious thing for hours upon hours. 
With a loud sigh, you closed the books you had open and then stood up from your desk. A part of you wanted to immediately flop onto your bed and fall asleep, but then there was the other part that wanted to do something else entirely. And then suddenly the thought of the diner that was only ten minutes away and had amazing milkshakes became the only thing on your mind.
You switched out of the wrinkly old t-shirt you had on and put on a different oversized one that was less wrinkled, and then slipped on a pair of sweatpants. Steve was sleeping right then, you were pretty certain of it, but you still wanted to give him the opportunity to partake in this impulsive late-night decision you were making. So, when you exited your room, you headed toward his and walked in. 
You refrained from turning on the light because you didn’t want to startle him awake, and instead simply sat down on the edge of his bed and lightly poked his back before whispering, “Hey.”
He only shifted a little bit and didn’t turn to face you. “Hm?”
“I just finished my stupid fucking midterm project for Psych and I’m going to the diner because I’m in dire need of a strawberry milkshake. You wanna come?” 
“It’s one in the morning,” He mumbled, still barely moving and you weren’t entirely sure how he was actually able to be so accurate with what time it was. 
You took his response as his way of saying no without actually saying it. And honestly, you weren’t too surprised by that answer because it was then that you remembered that his shift at Family Video earlier had been longer, and apparently more annoying, than usual. So, you decided not to try and further convince him to come to the diner with you. 
“Okay, I’ll be back in an hour,” You said as you got up from his bed. “I’ll bring you back onion rings and your own milkshake. You can have it for breakfast when you wake up.”
“I’ll come,” Steve said before you left the room. He finally shifted around and sat up so that he was facing you. “The onion rings will suck in the morning.”
“Very true,” You nodded and then smiled as he got up and found a random hoodie to put on. “I’m sorry for waking you up, but I’m glad you’re joining me on this little adventure.”
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
You drove Steve’s car, because you liked driving it more than your own, and he slept the entire ten-minute ride to the diner formally known as “Third Street.” The name had always been somewhat amusing to you because the small place was actually on a street called Cliffview. 
It was empty aside from one man sitting at the counter with a coffee mug in his hand and a woman occupying a booth, reading a book with a soda and a plate of fries in front of her. You briefly wondered what their stories were, what brought them to a diner at nearly one-thirty in the morning. 
You and Steve took your usual seats at the booth that you always sat at, and even though Robin and Eddie weren’t there at that moment, you two still decided to sit on the same side of the booth; it felt like second nature to do so. There was probably never a moment where you and Steve didn’t sit on the same side of any booth.
Since there was barely anyone in the diner right then, your orders were quickly taken by your waitress Cheryl, and they came out much faster too— a strawberry milkshake for you, a vanilla one for Steve, and a plate of onion rings for you two to share. 
You took a long sip of your drink and internally sighed in contentment because somehow that milkshake made all the work you’d done and the fact that you were keeping yourself awake to come here even though you were exhausted completely worth it. 
The two of you ate and drank your milkshakes in comfortable silence for a little while before Steve scooched down a bit in the seat and leaned his head on your shoulder.
“I actually am really sorry for waking you up,” You told him. “I forgot how long your shift was today, and I know you’re so fucking tired right now.” 
“The onion rings and milkshake make it okay,” He mumbled, and you couldn’t see him, but you had the strongest feeling that his eyes were closed. “Tell me about your project.”
You reached for your drink, taking a sip from it before responding. “Hearing about that will definitely put you to sleep.”
Steve hummed. “Maybe I wanna hear a bedtime story.”
You laughed a bit. “Okay, well in that case, definitely not because I don’t wanna get dirty looks from the other people in here when you start loudly snoring.”
“I don’t snore.”
“Mhm, yeah, of course, you don’t,” You said, the sarcasm completely evident in your tone, and he poked your side which made you laugh again.
You placed your hands in the pocket of the hoodie he was wearing because they were cold from you holding your glass. “Okay, this has nothing to do with that dumb project… But, um, how mad do you think my parents would be if I dropped out of school?”
Steve’s answer came immediately. “They would blame me somehow and kill me.”
“That would quite literally never happen,” You said with a shake of your head. “My parents love you too much to be mad at you for longer than even an hour.”
“Okay, yeah, maybe that’s true. So, instead, they’d actually kill you, and then that would suck more for me than you because I’d have to live without you.”
“I think I’ll take that as a compliment,” You said with a small laugh before grabbing an onion ring.
“But, anyway, you’re not quitting school, so this hypothetical situation doesn’t matter,” Steve told you and then lifted his head off of your shoulder so that he could take a quick sip of his milkshake. “You were barely able to convince them that you didn’t want to go to the University of Chicago. I think they’re still somewhat in mourning over that.” 
Probably from the moment you became old enough to even think about college, your parents were pushing the idea of the University of Chicago onto you. Both of them had gone so it felt like the obvious choice for you to “follow in their footsteps;” well, the obvious choice mainly in their eyes. And for a while, you were okay with going in that direction because it felt like an easy option, and you were way too fucking smart not to get in, and when January rolled around you found out that you did. 
But then the thought of leaving Indiana, leaving your friends, leaving Steve, became something that no longer felt “okay” to you. And then there was the fact that you were still completely unsure what you even wanted to do, so it felt dumb to you to go to a school that was really good and really expensive without a solid “plan” for your future.
However, your parents were way too persistent and strong-willed to let you give it up that easily. So the compromise that was ultimately settled upon was that you’d do the two years of community college here at the one close by and then you’d transfer to the University of Chicago and finish your last two years there.
At first, the thought of that felt fine to you, but now it felt like something that you weren’t sure if you actually wanted to do anymore, even though it was still basically two years away. 
“Sometimes it just feels like a waste of time,” You said with a small sigh. “I still haven’t found that thing yet. My thing. What I wanna do.”
“You’ll find it.”
“Maybe it would be a good thing if I did quit, though. I could work at Family Video with you and Robin. Wouldn’t that be fun?”
“Yeah, it would be,” Steve nodded. “But, you don’t really wanna do that.”
You started picking at the now half-eaten plate of onion rings that sat between you two. “Technically, that’s true. But, that’s only because I don’t know what I wanna do at all.” 
“I think you just gotta give it some time. You’re way too smart not to be in college right now. One day you’ll walk into some class and it will all just suddenly click into place for you,” He told you, and he sounded so certain and sure. 
Somehow his encouraging words always managed to placate your thoughts; the type of existential thoughts that would usually only happen in the middle of the night. And you were glad that you had Steve to pull you back up before you spiraled harder. 
You let his words sit for a second before you slipped out of the booth and went over to the counter, smiling at Cheryl as you paid the bill. When you went back, settling in your spot next to Steve, he slung an arm around your shoulders. 
“If you did actually quit school, I’d fully take the blame and let your parents kill me,” He told you.  
You knew that you weren’t going to do it; you’d never be able to muster up the courage to pull the trigger. Therefore, you would instead just continue to live in this awkward phase that felt weird at times and hope that it would eventually work itself out. 
However, it was still nice to hear Steve’s words right then. 
“Thank you,” You responded, smiling at him and then mimicking his words from earlier. “But if you did that, then I would be the one suffering more because I’d have to live without you.”
He nodded thoughtfully at that. “Okay, new plan then. We just let them murder both of us.”
You laughed a bit as you pushed yourself even closer to him, putting your hands into his hoodie pocket once again. “Deal.”
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.
let me know ur thoughts<333
(requests are open for stuff you wanna see in the universe/series!🫶🏾)
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wisteriagoesvroom · 2 months
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gax + corporate/law vibes + ‘The powerpoint was steadily taking over their relationship, something that Max was not willing to stand for.’
gax?? gax!!
power (you make some points): a gax ficlet
rated m, ~1.2k words now also readable on ao3
author babble:
bear in mind i wrote this before i knew more about the Gax Lore i.e. karting together, actually being nice to each other blablabla. you could also just retrofit the vibes and hopefully they still work. anyways!
will throw this up on ao3 when i’m not sitting bleary eyed in an airport
————
If there was one thing that Max Verstappen wouldn’t tolerate, it was George Russell having the monopoly on good PowerPoint presentations. Max had won all four years of debate in College, as well as the dubious title of “most radical deployment of Google Slides templates” at his MBA, and he was not about to be usurped by the other guy in his department who actually knew how to use an animate transition.
“You missed an indent there.” Max says, pointing at the monitor. Yellow and red lights wink at them from the outside, as if to say: you’re both in your mid-twenties, quit wasting it on a computer screen at 11pm on a Wednesday, maybe?
Max is not staring, very determined not to look at his teammate’s facial expression. But George is almost certainly rolling his eyes right now.
“Was coming back to that, alright?” George huffs back. Max is very professional most of the time. But something about how wound up George is, how insanely pedantic he is about everything from semicolons to coffee cup placement for the Directors to taking insanely detailed minutes that nobody except Max reads after the meetings – well. What is it that Nietschze once said? We hate in others what we most identify with about ourselves. Or was that from Twitter? Max does not really use Twitter except to look at Bloomberg News updates and cat videos, so he does not know. And anyway Nietzsche never made a six figure salary.
“It would just be easier if you would let me do it.” Max says.
“Fuck right off, mate.”
“Oh, wouldn’t you like me to.”
“Not now.”
“Just share the link to this. I’ll do it.”
“We agreed to take turns on this.”
“Yes, Russell. But sometimes, the rules are meant to be bent.”
George swivels his chair to Max, then. Fully attempts to pin him with his gaze, commencing an awkward stare-off that lasts way too many seconds and makes Max once again realise that George’s eyes remind him of the expensive fish tank he saw at the Partners’ sushi dinner once. Max doesn’t think those same fish were the ones they ended up eating. But he does remember that dinner because it was the one where the Partners had dangled the promise of a huge promotion if they could help carry the company merger across the line successfully. The problem is, there was only one spot.
George’s distracting aquatic orbitals aside, fortunately, Max (i) never backs down, and (ii) has been told that he has the dead-eyed emotional stare of a robot missing an empathy software upgrade sometimes.
And clearly, the powerpoint was steadily taking over their relationship, something that Max was not willing to stand for.
Max leans back in his chair, stance all mock-relaxed. “Do you want to be out of here before midnight, or not?”
“We’re expensing the Ubers either way, so it doesn’t make a difference to me, mate.”
Fine. If George is so hyperfocused on The Tasks that he’s forgotten the fun part of being Questionably Close Coworkers, so be it.
Max deploys the nuclear option.
He sticks his leg out, nudging the toe of his Pradas onto George’s slacks. And strokes his foot halfway up to a sensitive point on George’s thigh. Max may even flutter his lashes a little.
To his credit, George does not react. Merely swings his eyes like a lamp to Max’s face again. His hand does, however, goes still on the mouse.
“What exactly are you doing?”
“I don’t know.” Max feigns. He knows that George hates, more than anything, anyone getting dirt on his precious Ralph Laurens. But at least he has his attention now. “Was hoping we could move onto the more fun part of the typical evening activities. Maybe.”
“We shouldn’t be doing that again anyway.”
“George.”
“What?”
“That is not what you said the last, hm, fourteen times that we have done this, eh?”
“Who’s counting?”
“I thought you were the most careful of rule followers and data analysis, knapperd.”
George is a human being, but Max is almost certain the other man shakes himself like he’s preening right now.
“Well. It’s what the team likes me for, and it’s what I’ll keep doing.”
“Oh yes. Surely we must keep in mind the team. And the shareholders. They are very important.”
“Quite.”
“But should we tell them that you like it so much, George. When I do this.” Max says. Rising up, fully crowding George in, hands gripping the cool handles of the computer chair. Leaning in to nibble the side of George’s neck.
George swallows. Max watches his throat move.
Next, Max mouths the words onto the side of George’s jaw, stubble prickling his mouth. “And this.”
The click of the mouse continues steadily as Max moves his mouth to the shell of George’s ear. “And let’s not forget. This.”
Max tilts George’s face up fully, then. George’s face is flushed, eyes sparkling, all surprise at the sudden change of pace, but eager, too.
When Max seals his lips over George’s, George groans, and his hands shoot up to Max’s waist immediately. It doesn’t feel quite like winning a deal or a pitch does for Max, but the completion comes pretty damn close.
Max sweeps his tongue into George’s mouth. George opens willingly, like he always does. In the back of Max’s logical brain, a warning sign blares that the computer chair may not be able to support the weight of them both – because they spend a lot of time pretending they don’t work out together at the gym but Max knows exactly what George’s deadlift PB is and it’s pretty damn high for a scrawny looking dude.
And despite the keening protest of said chair, the two of them are both lost to it now. Max jams one knee between George’s legs, George nibbles hungrily at Max’s lower lip, Max thrusts his hips all needy, and maybe if Max is nice about it George might suck him off under the table, and–
Outlook chimes again.
“Blasted piece of shit.” George says, breaking away. His hands go still at Max’s waist. “Why we’re using G-Suite and Microsoft Office at the same time I will never know.”
George squeezes his eyes shut, as if making himself stop this is causing him physical pain. Maybe it’s that or the workflow incompatibility when George tries to move his custom Excel-Trello gantts into a third party API.
And Max won’t lie. He kind of likes it when George gets so irritated about these things. When he cares a bit too much. Because what is Max but exactly like that, too.
“Hazards of a merger, I guess. But without that, I would never have met you, no?”
George makes a noise like he knows what Max means. The other man straightens his shirt collar, and Max runs a hand through his hair. He’s been growing it out lately, because George had made a passing comment at the bathroom sink once about it looking good.
Sleeping with the person competing for the same Chief of Staff position is possibly the worst decision he could’ve made, and Max once dyed his hair platinum blonde. But, they’re stuck here together. Hell is a slightly more tolerable place when Satan’s right hand man looks this good. And knows his coffee order without asking.
Besides. Max is not bothered. He knows that the promotion is his. This is just a minor plot inconvenience.
Later, they will expense the uber back to George’s place, where Max will put his mouth on George’s arse, and give him a practical demonstration of the three different ways he’s learned to elicit pleasure from the male prostate.
George will whimper and whine the whole way through it, and after they’re both sated, they’ll both roll over to check their emails, barely concealing their smiles. They will pretend that what’s happening between them could be as clean as their zero-email inboxes. As if their connection is not violently seeping through containment.
All in the name of team bonding. For the firm. Yes.
(Or this is what they tell themselves, to maintain the illusion, anyway.)
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keishawantskisses · 13 days
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KPOP DR INTRODUCTION
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GO! BEYOND! We are MKB!
∘₊ ✧───────────────────✧₊∘
MKB [initally called MaKe Believe] is a 5 member KPOP girl group that debuted around 2014-2015 under the company of JYP with their winning album : 5ALIVE! and their most popular songs Superstitious, Greedy hearts and What's more?. Adored for their GIRL-CRUSH aesthetic and catchy choruses that is presented in a film cinematographic manner that tells a story through the visuals as well as the lyrics in the genres POP-ROCK, EDM and HIPHOP, fans around the world can't help but feel entranced by the music and the lore that is made along the way.
∘₊ ✧───────────────────✧₊∘
She can sing? She can dance?? She can rap???
SHE'S A TRIPLE THREAT
— BASICS
Date of dr : 2015 02 04
Stage name : rochie
Birth name : "CR name" keisha rochela banks
Nicknames : rochie, roe, keesh,
Fanbase nicknames : lol doll, jazz hands, dimples, glasses
Date of birth : June 20th 1997
Zodiac sign : gemini-cancer cusp
Height : 5"7½
Ethnicity : half puerto rican, half korean
Languages : spanish, korean, english, japanese, portuguese
Group positions : main rapper, lead/main dancer, main singer, visuals
Representative animal : red panda / bunny
Representative colour : orange
Fanbase name : charmings !
Training period : 10 months
Company : JYP
— KNOWN FOR
Keisha is a witty and ambitious idol who's personality shines brightly through her snappy and energetic choreography, while also showing a raw and passionate side of her through her singing and rapping. She is praised for a her precision, accuracy and emotion by her manager and JYP himself as well as from other Idols.
She is known for occasionally appearing in other k-groups lives either heard in the background or directly in view, rambling about something and coming to say hi to their fanbase. Charmings are shocked to see how close she is to TWICE and BTS in particular, making them wonder how long she has known both groups before she officially became an Idol, and what their relationships are like off camera
She's known for having a pet bunny called Tiffany, Tiff for short. Tiffany often makes appearances in her own lives. Tiffany is very cute and is loved by the fanbase
She is an artist. She tends to draw a lot and can see having piles of stuffed notebooks of drawings in her room. She's too shy to show her art but there was a screenshot of her accidentally leaving one of her notebooks open showing a double page section filled with well drawn sketches of recognised idols. Some from BTS some from TWICE.
She is a spanish black person. This makes her stand out from all other idols. But when she made her first appearance onto a game show, Black fans and Spanish fans of kpop had basically gone crazy seeing a black Idol speak their language for the first time and the number of Charmings doubled, if not tripled.
She is known for being so fucking painfully honest about everything it's funny. She's basically voluntarily called herself out on multiple occasions. Like when she admitted that she likes both man boobs and woman boobs (she's bi) or when she brain vomits her thoughts onto her tumblr page (yes she is in fact a tumblr girly), thinking no one would've seen her viral post that read "namjoon thinks I'm a bad influence on army cus of how vocal i am as if they didnt already want be crushed by his beefy arms before I admitted I did. They just get me (i joke btw.. kinda)" that she had deleted the second she posted it, but of course it got screenshoted and reposted onto twitter☠️
— FUN FACTS
She is older than Jungkook by 4 months
She is close friends with NAYEON, Sana, Chaeyoung, YOONGI, JIMIN, JUNGKOOK, Namjoon, J-hope, BANGCHAN, Felix, Hyunjin and YUNA
No one knows this yet but she has a crush on 4 of the idols listed and 2 of the highlighted names are part of the four, the other 2 are not
Red Panda is her animal representative because there was a video circulating of her dressed up as a mascot for her highschool as a red panda
She is an excellent cook and loves to cook for her members and her idol friends
She is the 2nd most shipped with trainee in MKB before she even became an Idol. She is now the first most shipped idol in MKB.
She is a genuine ARMY herself lmao😭😭 way too many times has she been caught singing a bts song when on camera
Tags! : @livingmydreamlife5555 @cocozydiaries @theshifterbear @4ellieluv
Side note💌 : she's so silly guys. I hope no one suspects me having a crush on any of the idols in my dr.. ��� 🍊💭
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definitelynotshouting · 11 months
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Hi!! Hello!! Your worldbuilding has once again enchanted and fascinated me! But I have no one to talk to about mcyt-related worldbuilding so I’m just going to (definitelynot) shout (ha ha. I’m funny.) at you if that’s ok!!
Ever since I found this fandom I’ve been fascinated by how to deal with video game mechanics in writing, and I’ve found it a very interesting ongoing puzzle, to come up with worldbuilding or lore to explain the more mechanical, coding-based stuff and cover up the fact that the characters are in a videogame. I think that’s part of why I love your worldbuilding so much, because you went in completely the opposite direction, and made Code the base, the reality-fabric, of all the rest of your universe! It kinda blew my mind!
Anyway, the player inventory and in-game chat are two of the most glaringly Video Game mechanics, and two of the first that I came up with explanations for, which is why I (like Tango) latched onto those few lines and details about them in chapter four. For me, they’re both explained by the very flexible fabric of reality inherent to server-words. Because reality is so easy to manipulate (and be manipulated without breaking down) in these worlds, it’s easy for Players to simply open a small personal pocket dimension they can store stuff in. (The same way it’s easy to make something float by just leaving it there and taking away what connects it to the ground) the chat happenes basically the same way. Server-worlds allow for a very shallow telepathic link across all players that everyone experiences a little differently (you might see it scroll across the inside of you arm, look at it in the corner of your vision, actually hear it quietly in your head, etc.)
But that’s a lot of My Ideas, I am, in fact, here because of Your Ideas. Because I’ve alway seen them as sperate things, and I am So Curious about how you’ve linked them. The chat being on external comms on a watch or phone-like device seems pretty common in the fandom, but linking them the way you have — in that you can’t have an inventory without a comm — raises so many questions!! (/pos) how do they work? Are they mechanical? Magical? Natural? Bio-magical? If they were something that needed to be invented, who invented them? How long have they been around? What did people do before then? How does a new player get their first comm/inventory? If comms can comunicate across worlds, could they theoretically take their inventory across worlds/servers as well? Is cross-void trade a very dangerous, but lucrative, profession? Do they have to exchange comm-phone-numbers or can they immediately contact anyone they’ve ever met? If you have stuff in your inventory and you loose your comm, do you lose the stuff too? Or does it transfer like an ender chest? Could someone else steal your inventory by stealing your comm? Does a player have to attune to a comm like a dnd magic item? How common is it to have to build a new one?
I’m gonna stop now because this is really long, it’s 11, and I Will just keep thinking of more questions. I’m so intrigued by this!! Those few little lines have completely captivated me with their potential!! I’m excited!!
(Sorry if this had a bit too much of my own personal worldbuilding ramble, I just really wanna talk to someone about this stuff!)
Ive been 👁️👁️ at this ask since you sent it in and first of all im so sorry the autism won for a bit and kept me from answering your questions, second of all i think your worldbuilding is SO NEAT :DDD this is SUPER COOL i love your ideas, comms being a telepathic link is so interesting to me!!! Also, im intensely flattered that you like the direction i took with hunger au's worldbuilding so much!! I've been having a lot of fun sorta marrying biology and irl physics with computer programming-based building building blocks for this universe, to the point where im actually starting to put together a legit glossary in my masterlist doc to keep it all straight in my head 😂😂😂 it's an interesting challenge for me to try and meld all these things together so i can make something that feels completely different from our world without losing its relatability, so im super glad you're appreciating it!!!
These are a lot of questions im gonna try and answer all at once, so i'll put it beneath the cut so it doesnt clog people's dashes LMAO
So firstly, the way i view communicators is,,, okay dont laugh too hard but i literally just visualize them as pip boys from fallout SKDNJWNDJS for some reason ive NEVER been able to shake that mental image, so ive just sorta accepted that into how i view them for hunger au. Personally, i see them as sort of a... mishmash of the bio-mechanical, something that isnt QUITE a direct part of them but is very much attached and integrated with their code. So its not like an organ, but an interface, i guess-- comms are how you can access an inventory, which is basically just hammerspace the way you've already described it, and where you can change your own surface code, and its also just... the way Players are able to interact with the worlds around them.
You also send messages with comms, but instead of there being anything like phone numbers, you're forming a direct link between your comm and someone else's!!! Not telepathic the way you've done with your worldbuilding, but because i see comms in this universe as something that latches onto and interacts with your code, its still a very important connection. Once connected, you can talk to that person all the time through your comm, even if they arent currently on your server-- although I do think that this only extends to when youre within the same server cluster.
As for how Players get them in the first place: for spawned Players, they just spawn in with them. Thats where the bio part comes in i think, and its a little hard for me to explain the way i view it, but its something like... i guess a bit like when moons form around planets. The code of an entity has a certain weight to it, and when a Player and their singleplayer world spawns in, the comm does with them, already attached and integrated with their code. For birthed Players, its very different-- they arent born with a comm, so they need a comm made, and then integrated with their code by a skilled code wrangler. It is VERY tricky to make a comm-- theyre incredibly fiddly, super hard to code without mistakes, and they take an extraordinarily long time to put together, let alone integrate properly with someone's code. Im not sure the word dangerous is the most accurate term here, but there are potentially harmful consequences if you integrate a poorly made comm with someone's code.
As for inventory transfer, i think you can bring stuff in your inventory from one server to another. This is mostly used for personal items or gifts, i think-- Player culture and attitude generally emphasizes fun, and whats more fun than giving someone something special that you made/got for them, or bringing a little memento with you from an old world you want to remember?
Theoretically, im sure there are Players who bring supplies or previously used tools with them to new worlds, but i think most Players like the excitement and challenge of starting fresh. It all depends on the person and the community culture surrounding that server if its a multiplayer. Cross-void trade is probably definitely a thing, but i dont think its necessarily very dangerous, just something more personal that you'd do for yourself or for a friend rather than any kind of business model.
As for someone being able to steal a comm, i dont think you can if its attached to the Player it belongs to, because at that point its basically a part of them. They can take them off, though, so someone could potentially steal it then, but unless theyre a skilled code wrangler and can crack into it, i dont think it would work for them or let them access that person's inventory. It would, however, be an incredibly effective (and cruel) way of controlling someone's actions and where they can go/who they can talk to.
This is why, ultimately, lost comms are a huge deal; losing your comm is literally losing access to pieces of yourself, your world, and your community. And while as a Watcher, Grian doesnt technically need a comm to access his code or enter other servers, he does still need it to keep in touch with other people and facilitate those community bonds, as well as keep an inventory. So yeah, Tango fretting over Grian losing his comm was very much warranted.
AAAAAAA THIS WAS VERY LONG i hope it was worth the wait!!! I know you sent another question but im gonna answer that one separately later since its about a different subject, and this is already SOOOO MUCH RAMBLING on my part. Thank you for sending these asks, and you are absolutely welcome to ramble at me as much as you want!!! :D
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myhahnestopinion · 3 months
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THE AARONS 2023 - Best TV Show
While I do highly recommend all the shows listed here, I don’t expect you to watch that much TV if you don’t want to. We’re The Aarons, not The Marvels. Here are The Aarons for Best TV Show:
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#10. My Adventures with Superman (Season 1) - Adult Swim
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As James Gunn steels himself for Superman’s big-screen revival, he would be remiss not to take notes from the character’s recent small-screen success. Alongside the still-strong Superman & Lois, the new Adult Swim show confirms the key to the character’s appeal is his good-natured boyish charm. Adventures bolsters this tenderness with pretty animation and a storytelling focus on the young hero’s budding relationships with Lois Lane & Jimmy Olsen. The series stands out with a fresh-spin on its famous rogues gallery, including tantalizing teases of an imminent alien invasion, but it’s this spot-on romantic characterization that will sweep viewers off their feet and up, up, and away. 
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#9. Star Trek: Picard (Season 3) - Paramount+
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The final installment of the Star Trek spin-off boldly goes where it has never gone before: onto a ‘Best of TV’ list. It only took a complete creative overhaul and the return of the entire Next Generation crew to make it so. Functioning as a mulligan for both that cast’s previous send-off and the first two seasons, Picard’s third outing put the long-standing chemistry of its venerable characters front and center. In between all the nostalgic spaceships and evolving relationships, the show wove a madcap mystery out of surprising pieces from the franchise’s extensive lore. As unbelievable as it sounds, that adaptable energy made Picard one of the bright spots of TV last year (and there are four lights.) 
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#8. I’m a Virgo (Season 1) - Amazon Prime
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Sorry to Bother You filmmaker Boots Riley made another welcome addition to his idiosyncratic output with I’m a Virgo. If the director’s involvement wasn’t enough of a signal to watch, the premise is even more intriguing: the coming-of-age of a 13-foot-tall Black teenager named Cootie in an absurdist version of Oakland policed by a fanatic billionaire superhero. An awe-inspiring mix of puppetry, prop design, and perspective is used to bring this giant protagonist to life. It’s a tall tale, but not one without real-world relevance. Riley uses the towering position afforded him to champion racial and economic equality; the strangest thing about the surreal show ends up being that Amazon of all places signed off on it.
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#7. Barry (Season 4) - HBO
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Last year’s Aarons noted that Barry was gunning for a place in television’s greatest works. With a fantastic final season, it hit its target. The culminating episodes consolidated directorial duties in the multiskilled Bill Hader while bifurcating their storyline with a dramatic eight-year time-skip. In the first half, Barry stages a dazzling prison break; the second half makes it clear that the repercussions of one’s actions are far harder to escape from. This complexity further complicated a dark comedy that has always been difficult to define. Though the series got a lot bleaker as it went on, its status as a showbiz satire returned with a vengeance during the final curtain call. Without shying away from the fallout of its violence, Barry still manages to get the last laugh.
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#6. The Last of Us (Season 1) - HBO
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The Last of Us has been one of the greatest experiences in video games for a decade now; with the first-rate television adaptation, non-gamers now have no excuse to be left behind. The post-apocalyptic road-trip, shepherded by Chernobyl’s Craig Mazin and game creator Neil Druckmann, upgrades the original’s already-impressive production design with the ample resources afforded by HBO. Players will recognize, yet still recoil from, the show’s unsettling set-pieces, but it’s the small deviations from the source material where everything truly clicks into place. Taking advantage of the medium to enrich its world-building and side characters ensured the story held lasting intrigue for new and old fans alike.
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#5. Reservation Dogs (Season 3) - FX
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The news that Sterlin Harjo and Taika Waititi’s comedy would end with its third season was met with a lot of reservation since the series remained as brilliant as always. However, the decision secured the show’s ability to go out as one of the top dogs of TV. The final season, like the heartful series as a whole, advocated for embracing one’s community. It embodied this theme by entwining the advancing arcs of its young cast with that of its eccentric elder characters. These mirrored storylines fostered an unforgettable forum for processing grief, celebrating joy, and passing along wisdom between generations. As made explicit by the series finale, Reservation Dogs’ ending should not be viewed as a time of mourning but of happiness for all the life it had.
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#4. Mrs. Davis (Miniseries) - Peacock
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One of Peacock’s best shots at becoming a competitive streaming service lies in the defiance of an algorithm. Hailing from Watchmen’s Damon Lindelof, the bizarre Mrs. Davis sends devout nun Sister Simone on a quest for the Holy Grail as a last ditch effort to rid the world of an omnipresent artificial intelligence. The miniseries is recommended if you like ambitious sci-fi, spiritual journeys, unpredictable plot-twists, magic tricks, Super Bowl commercials, or chicken wings. The sheer absurdity of its various plot threads may seem at times like a lot of horsing around, but those who hold faith in the show’s ability to bring all those listed things together for a thoughtful conclusion will be richly rewarded. 
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#3. Succession (Season 4) - HBO
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The popular drama effortlessly rose through the ranks of the Aarons following a full series binge-watch this past year. Considering the nature of the premise, the final season, in which each character suddenly scrambles to enact their ultimate bid for power, was primed from the start to take over as its best. Unlike previous HBO hit Game of Thrones, it succeeded. As always, this was in no small part due to the sharp-tongued transactions between its talented ensemble. The richness of the writing lays bear the tragedy of its characters as they negotiate large acquisitions and influence Presidential elections without ever seeing the strings that are pulling on them. Luckily it’s all overseen with acerbic wit by creator Jesse Armstrong; a show with people this pathetic had no business also being this funny.
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#2. The Great (Season 3) - Hulu 
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Although it’s not his Favourite, The Great is the crowning achievement of writer Tony McNamara’s career. The third season of the risqué royal dramedy was as inaccurate as ever with the history of Catherine II & Peter III of Russia and no less on point with its scintillating dialogue. Some peculiar highs and precipitate lows in the duo’s tumultuous relationship gave stars Elle Fanning and Nicholas Holt equal opportunities to command viewers’ attention with their disarming performances. The progression of their marriage gave rise to some oddly emotional moments for the largely irreverent series. Those events are yet another example of the series playing fast and loose with the actual facts, but what is irrefutable is that The Great absolutely ruled.
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AND THE BEST TV SHOW OF 2023 IS....
#1. Poker Face (Season 1) - Peacock
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No lie: Poker Face was the best television of last year. One should have suspected as much from the start given the involvement of Rian Johnson; the mysteries here are every bit as sharp as Knives Out. Face has unique features for both a streaming series and detective show: its case-of-the-week episodes follow a howcatchem format instead of the more common whodunit. This formula folds each installment into an outstanding showcase for first-class actors, writers, and directors, including Russian Doll’s Natasha Lyonne fulfilling all three roles. Her charismatic character Charlie Cale anchors each story in perceptive humanity; that more than enough motive to be all-in on Poker.
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NEXT UP: THE 2023 AARONS FOR BEST TV EPISODE!
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akaviri-dovah · 2 years
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M’aiq the Liar is a Shezarrine
So I stumbled upon this video and while some of the earlier entries were things I already had knowledge of, the later ones certainly made me question more than a few things.
youtube
The second to last one is of particular importance and interest here...
This video posits that M’aiq is immortal, hence his appearance in all games from Morrowind onward - from ESO set in 2E 582 all the way to Skyrim set in 4E 201. This is a span of almost 1000 years. The prevailing theory is that the M’aiq’s we see in each game are actually different individuals belonging to the same family line, supported by one of his most well-known lines in-game, from Skyrim:
“M'aiq's father was also called M'aiq. As was M'aiq's father's father. At least, that's what his father said.”
However, some of his other lines hint that he has been wandering across Tamriel for far longer than he seems to have.
"I have seen dragons. Perhaps you will see a dragon. I won't say where I saw one. Perhaps I did not."
Now guess which game’s version of him says this line? No, it’s not Skyrim’s - it’s Oblivion’s. Two hundred years before the dragon crisis we all know. There have been no records of dovah sightings in the four hundred or so years of Third Era, though they did make major appearances during the Merethic, First, and Second Eras (ESO Elsweyr). Also, his Skyrim incarnation has this to add:
"Dragons were never gone. They were just invisible, and very very quiet."
We know that not all dragons we see in Skyrim were originally dead and resurrected by Alduin. Aside from the obvious example of Paarthurnax who went into hiding sometime in the First Era, we also have Mirmulnir who was stated to have been alive for the whole time since he was last sighted in 2E 212 somewhere in the Reach, according to the in-game book Atlas of Dragons. This was centuries before the events of ESO, and likely not part of common knowledge in-universe.
Now onto something more mundane, but only at a glance:
"M'aiq does not remember his childhood, perhaps he never had one."
UESP states that this could be a meta reference to the lack of Khajiiti children, as well as those of all other nonhuman races, in Skyrim (at least, without mods), or how children regardless of race were entirely absent from prior games. But what if we look at this from an in-universe context? The first part could imply that he has been around for so long he has forgotten what his childhood was like, whenever that was... but the second will raise some questions.
The races of man and mer say that their gods, the Et’Ada, simply came into existence during the Dawn Era during periods when the conflicting forces of Anu and Padomay were not as turbulent. However, the Khajiit explicitly state that they were born through the coupling of Ahnurr and Fadomai, in a way very reminiscent to mortals - however at the same time they are capable of speech and usage of their powers shortly after their birth, unlike mortal children who take many years to develop these skills as they grow. Therefore it would be difficult to define what childhood is for a god.
More on Khajiiti mythology, specifically on its most controversial figure: Lorkhaj. His corruption by Namiira led to him tricking and trapping his kin there, which is why they cursed him “to walk Nirni for many phases.” This is consistent with the lore of Shezarrines. Another thing of note is that Lorkhaj’s “deceptions lie even in plain view, and are common enough to be accepted as truths” according to his UESP page. In other words, he is a liar who does not look it.
And who is the most famous “liar” in the history of the Elder Scrolls, who despite his epithet says things that we don’t seem to disagree with?
It is not all bad, though. Once upon a time, Lorkhaj was seen as a noble being for blazing his own path, and uniting his divine siblings to create a world for his sister Nirni’s children, “the fastest, cleverest, most beautiful people” we know as the Khajiit.
"M'aiq thinks his people are beautiful. [...] They look better than ever before."
Perhaps my ramblings are unhinged, but the thought clicked in my head after watching the video. The person who made it knows much, and only tells some. They know things others do not.
One must always listen longer and gaze deeper. Do not yield at your first thought. Inquire. Lift stones both great and small. - Rid-Thar-ri’Datta, Prophet and First Mane.
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pookiepatty · 14 days
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My Fan Autoethnography
For starters, I am currently a fan mostly involved with the Twenty One Pilots (TOP) fan community (some current involvement with Fall Out Boy and Linkin Park, etc.). I interact with posts and follow the band and people related to the band on Instagram and heavily on Twitter/"X". I have a fan account where I post my thoughts about Twenty One Pilots' releases, make and post memes, and talk with fans online. On most nights I listen to "Spaces" on Twitter/"X" where TOP fans speak (like Discord calls) about their love for the band and their music--and about their day, of course. I do not always actually speak in these spaces but I do occasionally if I have time and have the quiet to do so. I mostly interact with fan posts and talk in fan group chats online. I have been a fan ("fanatic?") of this band for 9 years and so far have seen them in concert six times over the years. I plan on seeing them three more times this year in Orlando and in their hometown of Columbus, Ohio (first time doing that). In the past, I had seen them live on two legs of their "Bandito Tour" in 2019, seen them in Atlanta, Georgia on their "Takeover Tour" in 2021, and New York during their "Icy Tour" in 2022. This was due to the fact that they decided to avoid Florida for tours during that entire album cycle... :|
2019 Bandito Tour show #1 outfit after the show! +Drum stick from concert #2!
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2021 Takeover Tour Atlanta (show #3) preshow photo!
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2022 Icy Tour (show #6) photo (closest) at b-stage with Tyler in the background!
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I post videos and whatnot from the concerts I go to here: www.instagram.com/pattyslump
I used to write bits of fanfiction when I was a teenager but I no longer really do that except for a laugh on rare occasion. I do sometimes read fanfiction for enjoyment with other fans. As this band is very lore heavy, I do often watch and read fan theories on social media and YouTube to make sure I understand and I am up-to-date on things. I do 'attempt' to theorize online when I am confident in the implications of a portion of the lore. I rewatch music videos and so on like many of the other fans do to make sure I have picked up on any alternate meanings or lore details that I may not have noticed the first time or four. I connect much of the narrative/lore behind TOP's albums to my own life as they tend to leave room for that.
I have lots of merchandise from TOP (and other bands too!) that consists of about 50 or so T-shirts, all of their albums on CD and most on Vinyl, Funkos, accessories by the band or related to what the band wears, and fanart. I do collect some rarer merchandise like the Blurryface Live vinyl which only had a few hundred copies made when it was first released in 2015. I caught a drumstick during my second time seeing them live. I have collected confetti (referred to as "Trees Confetti" since they always end with that song) from each of the shows I have been to. I have a tattoo that is related to a lyric from a song by TOP and mental health around my wrist. I wholeheartedly believe that if I didn't have this band to cling onto all these years, I would not be here. They definitely were my motivation to get me through my hardships when everything else would get lost. I have a personal attachment to this band as they helped me get through very traumatic moments in my life. Yes, I am one of those fans, deal with it. So, in terms of why people get into fandom and why it means so much to some people, let's just say: I get it.
Analysis questions:
I do believe fandom often has a "us" vs. "them" mentality threaded within it. People identify so dearly to their fandom(s) and the things they like that it does essentially define them as a person or even defines a period of time in their life. As a result of this, fans are very protective as a fandom defines a part of them and their in-group. I have seen this very much upfront in my own fandoms, especially when someone attacks a band or something about them online and everyone is so quick to counter back. Feels like an everyday occurrance we are going after someone who hates on TOP just so they could get more interactions. For me, I have been guilty of doing this at times. Defending. The band and the fans mean so much to me that it feels like I would do anything to prove to someone how great everyone involved is. Unless the band turns out to be bad people then I don't know what I'd do. :| We all have our biases, I guess... 3. Hoo boy! Anonymity definetly gives fans a confidence that may be hard to find in their daily real lives, I can say that much. This leads fans to post things especially without thought of who is seeing it, this includes TOP and the people that surround the band. People post more explicit artwork, make more offensive jokes, and so forth. People have gotten way too comfortable online. That is, before the lead singer, Tyler Joseph, has started liking posts that talk about him when he is not even tagged in them... people are starting to be a little more careful about what they post. We'll see how long that lasts. 5. As the band TOP loves to make up new words, phrases, and symbols that they fill with meaning, fans eat that stuff up. There are words associated with the narrative behind their most recent albums that can be a code or metaphor for parts of people's lives and their mental health. Due to this, fans that have gone deep enough to learn more about these terms that are very specific to the TOP fandom, these words and symbols can bleed into spaces beyond fandom spaces. For instance, Dema is not a real word (not the meaning put out there when you look it up), represents negative places you want to avoid in your mind and self-sabotaging patterns within your life. The phrase "Sahlo Folina" means nothing except what TOP made it mean, the phrase you call out to those around you when you need help, whether that be needing to talk to a friend or seeking out professional help for mental health difficulties. It's acknowledging the importance of getting help when you know it is best for you--taking that leap. Then, there's also always running jokes from interviews and different videos of the band that are shared between the band and the fans that are hilarious to bring up in daily conversation. So, yeah, I do use these phrases or terms commonly said in the fandom in real life too sometimes. It is also cool when I bring these terms up in conversation and someone I didn't know was a fan makes me aware that they are. It's sick.
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for the 1k celebration maybe sunbeam quackity if u still take requests because it says that u do i just wanna make sure
ash's 1k celebration 11/30
sunbeam
pairing: irl!quackity x gn!reader warnings: none word count: 1.1k (...was supposed to be a drabble oops) pronouns: not used note: wow i actually did a celebration drabble from literally months ago, will i finish them before 2k? doubtful.
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It was half-past ten in the morning when you and your boyfriend decided it was nap time. Well, you decided it was. He had stayed up all night streaming with friends and had a class in the morning, but now that his schedule was clear (aside from the four-page essay he needed to write by Friday), you made him lay down. He was reluctant, telling you over and over how he needed to get his homework done now if he was going to join another stream that night but it only took a whole three seconds after you pulled the blankets over him for his eyes blink slower until they finally shut.
You smiled at how easily he gave in (he had been up for almost 18 hours after all) and leaned down to press a kiss to his temple. Before you could walk away to let him sleep peacefully, his hand emerged from the blankets and caught your wrist. "Wait, don't leave," he begged softly. He looked up at you with tired eyes and how could you ever say no to him when he looked at you like that?
"You need sleep," you reminded.
"You being next to me will help," he promised. "Please?"
There was no reason you couldn't. All you were planning on doing was watching a movie or something and you could do that while in bed. You tried to pretend to be annoyed, but it was hard to fight the smile on your face as you slid in next to him. Sitting up, your back pressed against the headrest as you pulled your laptop onto your lap from the bedside table. Quackity moved closer and pressed his cheek against your leg so your hand moved to play with his hair, tangling your fingers in his dark strands and lulling him to the sleep he so desperately needed.
His soft snores filled the otherwise silent room not even a minute later, indicative of your success.
You opened YouTube and scrolled through your homepage looking for something to pass the time while he slept since you were very well-rested. It wasn't even eleven am, you were not tired.
Quackity moved a lot when he slept. He would kick the blankets off and five minutes later bury himself under them again. One moment he would look perfectly comfortable and the next he'd turn on his back and sprawl out trying to find a new position. You were surprised he never ended up with his head at the foot of the bed or just completely on the floor.
Despite all of his movements, he was perfectly asleep the whole time. You could tell by the snores that continued as soon as he stopped moving and the way his eyebrows twitched like he was dreaming hard. He wasn't a loud snorer by any means, and you actually found the soft noise endearing, but it was definitely something you loved to tease him for.
You got lost in video after video, some commentary YouTuber playing in the background as you looked up things regarding your interests that you couldn't get off your mind. You fell in a rabbit hole of discoveries — ranging from your hobbies to Dream SMP lore to what new laptop you should buy once this one completely stops working — while Quackity slept soundly. Before you knew it, almost three hours had passed. The only thing that ripped you from your long train of thoughts was Quackity huffing softly and lifting his head from the pillow as if he woke up in a different dimension. He squinted at the early afternoon light coming in from the window and looked at you.
"Hi," he croaked out, his voice thick with sleep as an indication that he got some good rest.
"Hi," you replied with a small laugh, looking down at him fondly. "Sleep well?" You moved some of his hair out of his face and he scrunched his face as it tickled him.
Quackity hummed and stretched softly before shifting so he was curled up next to you, face pressed into your side and arm draped over your lap in front of your laptop. In his new position, a soft sunbeam illuminated his cheek, the side of his head, and his lips, which were parted lightly. He looked like a cat sunbathing in a beam, all curled up and sleepy.
He lifted his head and looked over his shoulder at what you were doing. "Mm researching me?"
You looked at your screen, which showed his Minecraft skin on display. "No," you laughed. "I was looking up about one thing and for some reason it reminded me of George's lore and then I started finding other lore stuff I wasn't caught up on now I'm reading about Karlnapity. Heartbreaking."
He giggled sleepily. "Very heartbreaking. My fiancés hate me."
"Forgive the memory and fire boys."
"Don't tell me you're taking their side," he scoffed playfully. He leaned back and moved directly into the strip of light coming from the window, shrieking lightly as he rolled out of it. "So bright," he whined. He stretched again and his eyes started closing once more.
"No, I'm a character Quackity apologist."
"Only character?" he asked jokingly, opening his eyes and frowning at you. You brushed away more of his hair and scrunched your nose at him.
"Content creator Quackity too, I guess."
He finally sat up, seemingly waking up and scooted closer to you so your sides were pressed together as he rested his head on your shoulder. "What else were you looking up? Before DSMP stuff? Anything about that new hobby you picked up?"
"Mhm." You started explaining a little before remembering he had stuff he needed to do, so you cut yourself off and turned to him. "Want me to make some lunch while you get started on your work?"
He frowned. "But I wanna hear you talk about what you did."
"Or do you just want an excuse to procrastinate?" you teased.
"No, I genuinely wanna listen to you. Please?"
You smiled fondly at him, pressed a kiss to his forehead as a thank you, and continued rambling about whatever it was you had been talking about. You only remember how attentively your boyfriend was listening, asking questions and adding jokes but letting you rant and ramble until you finally got it all out.
He smiled at you and cupped your face with both hands, squeezing your cheeks lightly. "I love you," he told you pointedly, as if you didn't already know.
You smiled in return, pulling him in and kissing him softly. His hands stayed on your face, keeping you close (but it's not like you were going anywhere) as your lips moved slowly and sweetly together.
When you pulled away, he pressed a final kiss to your lips before sighing deeply. "I have a four-page paper to write about judicial law."
You chuckled and pushed his chest lightly. "I'll make lunch."
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vynegar · 2 years
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marius dreams of childhood SSR, part four
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back to the lore! (+ happy marius monday ♡ )
same disclaimer and notes from part one.
youtube link to 屠蘇御寶‘s video of the card story
links to other parts: one two three
more tot translations here
do not repost
[PART FOUR]
[16:46] Hoyoland
The sky gradually darkened as Marius and I finally finished giving out ice cream cones.
Soon after, it was time for the fireworks show, and all the visitors hurried to the castle plaza to watch. We were the only ones going against the flow of the crowd, heading towards the Ferris wheel.
The Ferris wheel twinkled under the night sky like a lofty dreamland, drawing in lost travelers.
MC: It’s so pretty…
I subconsciously stopped to stare up at it, and accidentally got bumped by visitor rushing towards the plaza.
Marius: Be careful!
Marius caught me and held my hand.
Marius: Maybe you should let me hold your hand. There are many people here, I don’t want you to get lost.
MC: Okay.
Marius tightly held onto my hand, our fingers interwoven, the warmth of his palm burning and fitting.
I absentmindedly looked at his face in profile. In that moment, it felt as though the clamor of the crowds all faded into the background.
All I could see was Marius, leading me forward.*
MC: That’s weird, why aren’t there any visitors?
After a while, we arrived at the bottom of the Ferris wheel.
In contrast with the lively amusement park, here it was empty and devoid of people. Aside from the slowly turning Ferris wheel, it was quite desolate.
Marius: I’m here, so of course I made a reservation.
Marius grinned as he explained.
Marius: Ever since you said you wanted to go out with me to the Ferris wheel, I had Vincent reserve it for the entire day today.
Marius: That way, you can stay as long as you want.
Marius: What do you think? Aren’t I so thoughtful?
MC: Yes yes of course, you’re so very thoughtful.
I kissed Marius’s cheek as if I were rewarding him.
MC: But still, next time it’d be better if you could be more lowkey about it.
Marius: More lowkey about it?
Marius thought for a moment, then smiled.
Marius: But, I like being this “highkey” about things.
MC: …
I couldn’t help but be amused by him, and I took his hand.
MC: Alright, then in that case, no more standing around. Let’s go up, my very very thoughtful boyfriend.
Marius: …
[18:35] Ferris wheel
Under the guidance of the staff members, Marius and I finally ascended onto our goal for today, the Ferris wheel.
As the Ferris wheel slowly rose, the visitors beneath us who waiting for the fireworks show gradually shrank, until they became little dots of light.
Looking out into the sea of stars in the sky and the twinkling lights of the city, it was as though the whole world had opened up before my eyes.
I lost myself in the thrilling and wondrous atmosphere. Soon, the first cycle finished and the Ferris wheel returned to its starting point, then began to slowly ascend once more.
MC: Cycling continuously, not ceasing for a moment…
MC: Marius, was this the feeling you had back then when you saw the Ferris wheel?
Marius: Perhaps.
Marius sat next to me and pressed up against the glass, looking down together with me.
Marius: This is different than watching from the ground. Actually, this is the first time I’ve really ridden a Ferris wheel.
MC: Huh?!
Marius: Aren’t you surprised? The second son of the von Hagen family hasn’t even ridden a Ferris wheel before…
MC: Why would I be? I’m actually really happy.
MC: You’ve taken me to experience so many things, and now there’s finally something that you can try with me for the first time.
Marius: …
Marius: Then I’ll need to really experience how it feels to ride a Ferris wheel.
Marius slightly tilted his head, as if deeply absorbed in using his heart to feel the Ferris wheel turning.
Marius: Hm… it’s pretty much what I imagined.
Marius: The Ferris wheel rises then falls, reaching the top over and over again. It circles back to the start, like a journey without an end.
Marius: So this is how it feels.
Marius blinked. The transparent glass window reflected multi-colored lights, as if starlight twinkled in his eyes.
I couldn’t help but wonder if Marius was like this as a kid, too – head tilted up, staring at the rotating Ferris wheel.
MC: Speaking of, Marius, it’s really amazing that you were so young back then, but you were still able to compare the Ferris wheel to life.
MC: If it were me, there’s no way I would have thought of that.
Marius: Really?
Marius mulled over my words, then smiled helplessly.
Marius: Like I said, that was just my guess. It might’ve just been fantasy of a kid who was completely naïve and trying to comforting himself, it’s not necessarily the truth.
Marius: And… a big reason why I was able to have that kind of guess was because of the von Hagen family crest.
MC: Family crest? You mean… “the Aquarian Serpent”?
The Aquarian Serpent was the emblem of the von Hagen family. It symbolizes a water serpent that flew above the ocean’s depths and pierced the clouds to soar beyond the horizon.**
Whether it was at Pax or at the von Hagen Estate, it was something I had seen many times.
Marius: Yup. Aside from its well-known meaning, the Aquarian Serpent also has a more original meaning – the ouroboros.
MC: !!!
Seeing the surprise and confusion on my face, Marius took out his phone and showed me a picture of the Aquarian Serpent.
The mythical creature curved and wound around itself, its head becoming its tail, forming an infinite closed loop of a figure eight.
Marius: In reality, the von Hagen family crest was derived from the shape of the ouroboros.
Marius: What the ouroboros represents is continuous, never-ending vitality.
Marius: As someone who grew up in the von Hagen family, I had been influenced by this idea. So when I saw the Ferris wheel, it was easy for me to think of something similar.
MC: I see…
I frowned slightly. As I glanced back and forth between Marius’s phone and the necklace on his chest, I suddenly had a familiar sense of déjà vu.
MC: But, if the Aquarian Serpent originated from the ouroboros…
MC: Don’t you think that the shape of ouroboros and the letter Z necklace you’re wearing are similar too?
Marius: …
[END PART FOUR]
*(forgive me for using a footnote for my own thoughts but) Marius finally, finally gets his wish of being the only one in MC’s eyes TTTTTTTT don’t mind me, just getting emotional over 2d relationship development
**The Aquarian Serpent crest was first described in part one of Marius’s Fabulous Feast SSR and in this official twitter post from around the same time, October 17, 2021. For this paragraph describing the emblem’s meaning, I directly used a few lines from the twitter post. https://twitter.com/TearsofThemisEN/status/1449918156747591680
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stuckasmain · 2 years
Text
The crow : Wicked Prayer review
I have been making this for four days (things keep coming up finally posting this)
It may be a unpopular opinion but I honestly believe that this is the best out of the three sequels. I completely mean that. It has its problems as they all do, a lot of them I can chalk up to “it’s 2005” just like with salvation. This movie introduces a LOT of interesting lore bits and concepts that it expands on a little bit, some of its lost for sake of aesthetic or a bad writing point but most of this is genuinely good. I like that it plays into the aspect that the whole Concept of the crow is inspired by Native American legends… even if they do it in a very um… “2005” way. However it’s not as bad as getting the core idea of Dia de Los mertos wrong.
My central “2005” problem is the films opening. They begin two paragraphs of text MID OPENING CREDITS. Imagine you’re watching the Star Wars title crawl and instead of starting it just “Bob the camera man” and continues. As well as when introducing our main bad guys it does a smash cut style video game esc character screen- pausing and showing their names and things we get basic info we learn about them naturally in the movie? Also the fact their names are ALREADY ON THEIR FUCKING CARS. This is never done again and only for these four characters. The opening itself is also plainly confusing despite their paragraph explaining it- i understood none of the central conflict it actually hinges on because it looks like the miners were protesting themselves. This is never done better though the whole movie. Anyways, onto the good stuff
A new beginning/leaving it all behind-
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A wonderful aspect of this film is the central romance, Jimmy and his girlfriend Lily ignites the dawn. Unlike salvation’s problem of failing to make me care for Lauren besides the mystery around her death, lily feels like a real character. They’re actually quite cute to watch. Her impact is marked on the rest of the story… you get to see how losing her effects everything. Similarly to Shelly.
The movie actually has a unique beginning in that the first 20 minutes are spent with Jimmy while he’s alive. (Salvation somewhat does this but it’s 2 and directly up to his death). We get to learn a lot about him and his troubles but still have a level of mystery that slowly gets revealed as the story goes on. Jimmy is a ex con, on parole on the Rez side of the road, he’s a ‘white trash’ sort living in a horribly run down trailer with his dog and is dating the daughter of the chief . What we see is his plans to skip town once his parole is up, head to the coast and hopefully with Lily. Unfortunately- the proposal is given to a empty shop, and ends with Him and Lily getting killed.
Turns out, the local “satanic Cult” which- is more of a club …. There’s five of you shut up you’re a club. No cult calls itself a cult. Needs them for a ritual.
They’re ambushed and hung up in the middle of the shop. They take Lily’s eyes and his heart. It’The dead is watched in real time, the full thing plays out straight right up to their bodies being dumped into a fridge at a junkyard. It’s ‘nothing personal’ except it seems that Jimmy knows Luc.. and begs.. unfortunately on death ears. From this point , the ‘actual’ plot starts and we get the expected flashbacks and so on.
Rebirth-
I expressed before and I’ll say again how I think the effect is dampened by a nearly instant revival from the dead. Ashe was a few weeks - Alex and Jimmy only a few hours which creates a lot of problems later on but in this? It works beautifully.
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This entire scene is so tragically beautiful and honestly the best part of the movie. Jimmy launches out of the fridge into the water - barely able to breathe (has no heart + noose) struggling to figure out what’s going on, he barely has a second to process. He keeps feeling at his chest panting and crying before completely losing it- … and then he sees Lily. “Oh my god… what have I done?!” Is the most hitting line. The fact Jimmy thought he had done it- and was capable of hurting the woman he loves is such a raw line. I just wished they kept up this feeling the whole film. He brings her body back to the store and rests her in her bed, getting flashes of what actually happened (in this situation it actually works for a instant revival and flashback to what we saw just happen. It’s like whiplash and it works). It also ends up being a plot line with the amounts of times he takes her body- not quite important but I just wanted to add it.
Jimmy’s makeup is a design Lily would draw on his face, sometimes for fun but this one specifically ties back to Rave-N- Fest along with his outfit. It’s a sweet flashback (I adore more then most as it makes me feel. It gives me a sense of character and love that most sequel flashbacks lack).
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Also! Comic references .. His makeup actually has no white facepaint only the black (which is sharpie). The white is the fact he’s extremely pale do to being dead. He also torches his trailer in the same way Eric burns his house.
Jimmy-
Jimmy is the best part of this movie and he’s shafted in what should be his story. The movie focus is more on the villains because David’s got the star power at the time. The villians have very shotty motivation and a horrible plan and aren’t much to watch struggle about or make jokes when they mow down groups of people…
Jimmy is different from the others. He doesn’t have the same manic highs the others do when in a fight or angry.. he’s made up of the somber, sadder moments in between. He’s much more … done. Sarcastic and snappy then scream and yell. Depressive > bipolar. He doesn’t have the same drive instead he has the longing for death… he has a resentment towards the crow for bringing him back, the fact he now has to do the one thing that scared him about himself.(his ability to kill) “what have you done to me?” “You turned me into a fucking monster” and it’s great. He reminds me a lot of Comic Eric’s calmer moments, where he can quip but he’ll sit down and say some word of peace with a dying man.. while longing for it all to end. But the movie never places a focus on this or him as they should!! (The movies misguided focus on the bad guys and hard lean into comedy in certain parts greatly ruins what could be phenomenal.)
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Another particular moment I love takes place in the quick Marry chapel place on the edge of town. Jimmy isn’t as directly violent as his formers- more defensive (except the movie would rather have his ass kicked then properly able to defend himself or clear fighting style). He rights a wrong by keeping someone alive- I like that it expanded beyond the hunt kill aspects and the mental of the comic and first movie. He is making amends- not being forgiven but doing right by the parents of the man he killed /was on parole do to(which was more defense/good reason but made the entire town hate him despite seeing what happened???) and it’s a wonderful moment.
“Are you a Angel or another devil?” “I don’t know. Both.”
“Who are you.” “Maybe a ghost”
“I’m sorry”
And just “but don’t expect me to forgive you” is hhhhhh yes.
I love this moment as it’s righting wrongs and it’s doing what he needs to do, what he needs to settle before he moves on. It’s not all killing.
Lore-
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This review is getting a bit long so I’m going to jump straight into lore. Stuff introduced or expanded on that I liked or disliked and a brief thing at the end. Most of the things I didn’t like were touched on in what I loved. Some of this will include quotes I like to save time!
So … don’t even ask me why Lilly is talking about Legends at the casino proposal/announcement but she is. She goes over the legend of the crow and instead of a new or more detailed way she rips Sarah’s monologue almost directly? (Movie logic but just- how she says it the exact same almost..) except it is expanded on a bit more. Lilly mentions the souls burden+ expressed idea at funerals.
Expressly states the Crows power comes from his love. (Which has always been true but it’s nice for it to be stated)
According to legend without your eyes you’re lost in the spirit world forever (I guess they really are the window to the soul, ha) which makes it all the more pressing that Jimmy puts a end to this. He doesn’t care what happens to himself, but if he fails- he damns her too. “You owe me two lifetimes and a pair of perfect blue eyes.”
Uses a in between state/mental purgatory (like og comic) more often. There’s a part right after their deaths and at the end. This is the first time there’s more then a few seconds where we get to see them reunite and I’m 💕
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Different death effect then usual. All have leftover effects from their deaths , scars etc Eric particularly with head damage, Alex with having his brain literally fried. I like that, Jimmy differs in that it’s his breathing and being slower? At least at the beginning.(the man doesn’t have a heart and was choked/hung)
“What happens to a Angel who loses his wings?”
“Killing is easy. Forgetting his hard.” Great quote and another use of memory transfer and not just receiving.
“Why not? She did.” (Jimmy referring to having faith in him)
The movie opens up much more ? Power? It’s on a way larger scale then it should be. Fighting literal satan (as it does happen) then a personal conflict between ex friends. I sort of like the “Angel” concept in the bit that it’s a “avenging Angel” like tale and also clear they’re a good person but not in how it opens some gates. It did give this great shot though;
You have to let go. This is another aspect that’s always been there but has been drilled into this movie specifically. It’s not enough to have killed everyone off- you have to be ready to go. You may be released of your burden but if your still clinging to earth, it’s not much better. They get onto this several times in the movie where Lilly tells him to “let it all go” before leaving for the day/if he wants her to go with him. A few other times but there’s also a analogy with a angry dog on a chain hurting itself in its struggle “all it has to do is let go”.
Crows are Apparently considered “Minor angels”
In the end this movie has a lot going for it. A detailed backstory, a solid concept but it shoots itself in the foot midway into the marathon. The movie’s antagonist’s have bad motivation- like “Tony stark pushed me once” level bad. It could be used effectively but “we’re racist and everyone hates us” is not a excuse to summon satan and have the absolute lack of mental ability to be shocked when it turns out he’s bad. Their plan is also just- a massacre and it’s weak. Falling onto them more then the main character added to its main switch to comedy is what prevents it from being as good as I know it could have been. 2005 man. 2005.
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a-wild-rosette · 3 years
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When quack-meister was talking about defending the country 'n stuff he mentioned about learning from a pvper... see now I'm a person that likes reaching and I've been lurkin' ur blog for a bit now ( I enjoy your takes a lot :D ) and dare I say.. looter boy reporting for lore..? maybe.. ? It's definitely a reach but maybe this is how H gets back into lore? He did mention returning to the smp soon-ish ( i think ) c!hbomb i want to see you live... - Instyle
Hi Instyle Anon I love you /p
My favorite thing is to make *slight* reach about Hbomb lore that are still somewhat rooted in known facts/canon, and I'm gonna tell you right now, with confidence :D H being involved in Las Nevadas' plot or future DSMP plots, aren't that far-fetched :D
You see you see, while Mister Hbomb Ninety Four isn't *technically* a PvPer, he is by far the worse. In fact, metawise, he's one of the *better* PvPers on the server. Like I talked about this with my friends a lot but, cc!H as a Minecrafter isn't half bad at it, he was one of the people who dealt the most damage to Dream in Dream's Fighting 25 Youtubers video, he's done well in MCC Battle Box, he could definitely hold his ground against at least half of the server. Not to mention, Hbomb has been a coach for a while, so like, teaching Big Q PvP? Why not :D He's more than capable :D
And another meta thing? cc!Quackity said he reached out for people who don't have a lot of lore. H is always involved in lore in the background, but doesn't do a lot of like, solo lore himself, so he is definitely a good contender for c!Quackity to reach out to. And yeah, H definitely did mention/hint that he would return to the DSMP so hype for that! (Also H logged onto the SMP during Fundy's stream after a while not being on - I don't remember which one, but it was either the stream where he first joined Las Nevadas, or the one right after it - and I don't wanna get your hope up, but hey :) It might mean something :D). Also! Also he's in Ponk's lore teaser, so he's definitely gonna be in future lore :D
Ok that's the meta/ooc thing out of the way, here's in-character reasons H might/should get involved into the plot :D
1. c!H has been involved in almost every single major plotlines on the DSMP in Season 2 and 3, except for the prison plot.
c!H is someone who is always in the background of every major events, for two reasons.
a. He wants to be around people and naturally gravitates toward a community. This makes him sad dring Doomsday, because he saw how the server, how people and the community he longs to have, were torn apart. But this makes him come back to help Tubbo and Tommy, because at the end of the day, H still knew and saw them as "people", flawed, did things that hurt him, but still people who needed and deserved his help. Even when he's alone, he still helps people and thinks about his friends.
b. He's just... there in the events with a bunch of people. (Which, I guess, is more like... an extension of the first reason lmao). c!H wants to party /hj. So like, where has a bunch of people right now who's doing lore??? Las Nevadas. Not to mention, it's a casino. It's a whole party. c!H is gonna want to be there!
2. c!Hbomb is pretty good at calling out when people are not being kind/when people are wrong.
c!H is pretty observant and mostly objective, and he is the type of person who will not let himself or his friends be walked over or manipulative. The most notable example is when he said that c!Tommy is not nice to him (which is true, c!Tommy has the tendency to be rude and bully H), and when he called out Niki for her reaction to Tommy (citing that she was doing a bad thing to Tommy, and it wouldn't lead to good things).
In Las Nevadas situation right now, there are two people/situation who need to be called out: Tubbo and Ranboo (or the cookie post situation) and Quackity (the manipulation of the rest of Las Nevadas). c!H can definitely call out the malicious intent and unfair suspicion c!Tubbo casts upon Las Nevadas as well as c!Ranboo's complete lack of spine and hypocricy. But he can also definitely see how Quackity is using the Las Nevadas crew's vulnerability to manipulate them, and because he is close to Fundy, and Foolish (although to a lesser extent), he can probably approach them and talk to them about that. He did cautioned Niki on Wilbur possibly using her to fight his battle for him, so it's not unreasonable to think he would do similar thing with Fundy and Foolish.
3. On that notes, c!H is kind, not nice. He can and will fight for the people he support.
Most notable example is H helping Eret taking down Mexican L'Manberg when they attacked Eret's kingship - because it is the right thing to do, it is what H considered to be both justice and supporting his friend.
Second example is H helping during the Finale of Season 2, because protecting Tommy and Tubbo, joining the server against Dream, was the right thing to do. At that point, he has left the main part of the DSMP, but he returned and fought. Because he understood the importance and fighting for what is right.
This means that when he sees a cause to fight for, in this case, his friends (Fundy and Foolish), he will help them and fight for them. c!H is probably the best example of "choose people, not sides" because he understand choosing people means standing by their sides, and fight with them.
And lastly?
4. cc!Hbomb said he'd rather be a support character. But hey, H, there are some people in Las Nevadas who are in desperate need of some Hbomb-certified support.
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daisylore-au · 3 years
Text
EVENT TWO: BREAKDOWN POST
for anyone who missed event two or just wants a summary of it, see this post for an explanation behind everything, along with the revive book pages needed for event three !! :))
four links were posted on @daisylore-au that lead to four documents. the first was a riddle that spelled out LORE, the second was , the third was a secret message that said DOT and the fourth was circled letters in a page from frankenstein (page 128) that spelled COM, leading the full name of the first blog to be uncovered: @loredaisydotcom !!
going to that blog led to THIS post with this image (go to the post for a transcript):
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it also had numbers and the clue [frankenstein’s number] written under it, which indicated that the caesar cipher shift was 128 — the same number as the page number from the first clue !! when you turned the numbers to letters and then put the letters through a caesar cipher, it uncovered the second blog name: @daughteroflore !!
going to that account leads to THIS post (click on link to go to the transcript!):
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and binary code with the clue [late night number]. translate the binary into text and it spells out numbers, which you then had to turn from numbers to letters. using the clue, you had to work out that the late night number AKA the caesar shift was 9, because i’d posted that number late last night! decoding all of that led you to another blog: @daisyloredreams (ignore the picture of the axolotl that’s there i just couldn’t get rid of my pfp guys please)
@daisyloredreams had THIS post (click link for transcript):
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there was another post there with a quiz (CLICK HERE TO VIEW IT): answering the quiz right took you to videos of ‘random’ letters which, when put together, spelled out a code again — this time the code was the name of the blog (but when translated also spelled out COMEHOME). the name of this blog was @zljbeljb !!
HOWEVER, clicking on the wilbur answer (which was wrong) for question six took you to THIS post—
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and linked you to another blog, called @thingslremember . it looks to be c!wilbur’s blog for this au, and this is the only post on it. this was additional information #1.
BACK ONTO THE MAIN EVENT !! going to @zljbeljb (the last blog) uncovered the last page of the revive book (transcript + original post here):
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and this is all that happened !! 1/2 information points were discovered — well done !! the other will come back to bite you at some point…. /lh
all in all, this was super fun and i hope everyone enjoyed it :] any other questions re: this event or past ones, pls let me know !!!!
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plush-rabbit · 4 years
Text
Can I Ask You Something?
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 |
Friendships are an odd thing. It starts off as an unexpected meeting between two strangers, where you later begin to learn more about this person who was just a stranger a few moments ago, to trusting that person wholeheartedly; to do whatever you can to make them happy. It’s a wonderful thing where you’re in love with said person, willing to hold their hand in public, kiss their cheek, go to them first when you have news of any kind. Where a mere memory of them is enough to make you smile, where after not seeing each other for a moment is enough to make you want to hug them, where you can feel safe in their arms. You meet a person by chance and they end up becoming one of the most important people in your life. Friendships are built on trust. Built on sharing snacks. Built on inside jokes. Built on love.
Your friendship with Tomura, however, isn’t any of that. It’s different than friendships you’ve had before. It was a meeting that you forced and that he complied with. Where you have doubts about the friendship- or whatever you can call this relationship when the word feels to sour on your tongue- and you don’t know what he’s thinking or what he looks like. Where you lay awake after late night talks and can feel a storm brew in your mind as you lay under the covers and think about him. It’s a relationship built on messages and the occasional phone calls. You don’t know if you can trust this person. You want to and sometimes when you hear his laughter, you think that you know him- you can trick yourself that you know who he is. You’re okay with sharing snacks with anybody- you like to share, you like to eat a cake and leave your friends the piece with the most frosting. There are jokes that you’ve two shared- ones where you snort and call him a dork and ones where he laughs- it’s shrill and a bit creepy if you were to be honest- and he calls you a dumbass and you can hear the faint sound of people yelling in the background that you never comment on.
When you were lonely, you reached out and he reluctantly let you grab onto him. You held tight and now you’re afraid to let go. You’re afraid that he’ll let go and a part of you that won’t remain silent no matter how many times you smother it, never wants him to let go of you. You’ve become oddly attached to the faceless man.
Tomura is crass, curses as if it were his first language, secretive as if he were protecting himself, curious as a cat, prying into you with delicacy and cunningness, never realize what he’s doing until you’re halfway through a story. He’s rough around the edges, making sure to bare his canines when you begin to pry. But no matter how many times he barks, no matter the little insults that leave his mouth, insults that longer hold the same sting as they used to be before, you inch closer to him. You always feel a second away from offering another video chat- this time where you can see who he is. You want to see who he is behind the screen.
However, at the same time, you’re scared who you’ll see. You’re scared that perhaps he’s a ghost from your past, someone who you wanted to leave behind that you’ve forgotten their voice and they’ve found a new name to use as a mask. You worry with dread creeping at your ankles on the good nights that the person who you can joke with is someone with cruel intentions. Other nights, you drown in panic and wish to grasp at him like a lifeline, only for the worry to drag you deeper, his face always muddled and hand always out of reach.
You wonder what he thinks of you. What his true thoughts are behind the jabbing insults and hissed out curses but you’re always too afraid to ask, too afraid what the truth will reveal.
-
Within the next week, there’s idle chatter in between the early mornings and late nights. Chatter where it fills the room with such ease. Chatter that dies and fills the room with silence, noises from the house are the only indicators that you both are still on the call. Chatter where it gets cut off due to your own responsibilities or his. A promise from you that you’ll try to message him later if time allows it and a click of his tongue as he tells you he’ll talk later.
The relationship gets easier day by day. Sometimes the word friend rolls of your tongue without you even realizing it- it feels natural to call him that. Other days, you’re hesitant to even say the word- to even think of what it truly means. It catches and sticks in your throat, suffocates you and leaves you feeling odd all over. Days where his name is light and sweet on your tongue, days where it’s bitter and uneasy. It’s easier to say a nickname those times; it doesn’t hold as much power as his actual name.
Talking to him gets easier- even if his name makes you unable to breathe. There are more phone calls, even if they’re short. You get to hear him talk about his day, talk about what he’s currently doing and most of the time he’s playing a game and he’ll entertain you with the plot, with the lore and the graphics. You do your own research on the side, your gasps telltale signs that you looked up what happens in the end and him snapping at you immediately not to spoil anything. You never do, always giving a vague hint to look behind a box if he wants an achievement or extra ammo. But you never give him tips. You offered once and he denied, saying that he wanted a true victory and not a false one where he had to rely on an external source. The ways he says it, with a heavy voice that takes a darker tone, makes it feel as if you’re missing out on something. You lay off, telling him that you’ll be there if he ever needs help, hoping that your own tone will hold the same hidden meaning that his held.
__
“Okay, so what I’m hearing is that not only do you play video games like twenty four-seven—”
“Not twenty four-seven,” he growls but the sound of guns in the background does nothing to help prove his point.
“—and you watch anime and you basically like never leave your home? You’re like a total NEET,” you giggle into the phone, phone pressed between your shoulder and ear. You tighten your hand around the bar when the subway wobbles and around your bag of takeout when someone shuffles in the corner of your eyes.
“Not a ‘NEET’,” Tomura says, hissing into the receiver and you can hear the scene restart. “Look, if I’m a NEET then so are you.” He curses loudly into the phone and you wince, eyebrows furrowing and mouth pulling into a wince that he can’t see.
“You know,” you voice takes on a sing-song tune, “if you need help, I’m more than happy to give you a hint.” Your eyes flicker upwards, reading the poster taped on the wall and flickering down to a baby bouncing on their father’s lap. “If you descri—”
“It’s fine,” he drones. “Besides, you aren’t even home yet… Are you?” On your side of the phone you hear him slurp on something and a clatter of glass.
“No, not yet,” you confirm, “I’m like a stop away.” You lick your lips and glance out the window, sighing when the outside world still blurs by. “And I like totally fu-messed up too,” you pull a face at your almost swear, glancing at the baby who remains unbothered and father who checks his watch. “I forgot I had my headphones with me so like instead of talking to you through the mic, I have the phone pressed up against my ear and shoulder.” You stumble when the train comes to a slow, jostling people awake and others slipping their phones into their pockets. “My phone is gonna be all greasy and gross Tomu,” you whine, bouncing your leg and clutching the plastic bag tighter in your hand.
“I don’t know why you didn’t just have it delivered,” he grumbles.
“Because I was already—sorry, sorry,” you mumble with your head bowed as you weave out of the subway, wincing each time the plastic bag nudges at your leg, “I wasn’t thinking and I was already in the neighborhood.” You stand next to a wall, hands searching in your bag for your pair of headphones.
“Dumbass,” he snickers into the phone.
“Yes, yes. I’m very dumb,” you mumble, tongue sticking out as you untangle the wires, careful not to pull too harshly. “Now give me a sec, lemme connect my headphones.” You let out a sigh and begin your trek to your apartment. You smooth and the wires and speak into the mic. “Okay, I’m back. I miss anything? Finally beat that level?” You tease, a skip in your step as you wait for his reply to come. It’s silent for a moment too long. “Toma? You there, bud?” Still no answer. You step to the side of the sidewalk and see that call is still going on. “If you were gonna step out, should’ve at least waited to tell me,” you mumble to yourself, a frown tugging on your lips.
You disconnect the call and send a quick message to Tomura to call you later when he had the chance. You keep your headphones in your ear for the rest of your walk home, humming a soft tune and hoping that no one would stop you.
__
Shigaraki comes back to his phone with a reflection that stares back at him, a hand covering most of his face and a red eye that glares back at him. The screen is black and he pulls the hand off with a sigh, letting it hover over his chest before placing it delicately on the desk.
He frowns when the call has ended, the contact screen staring at him and a message icon is on his notifications. He reads your message with a neutral expression and checks the time. Thirty minutes until they go on a mission.
Your phone rings twice before you pick up with a cheery, muffled hello.
“Why’d you hang up?” He asks, getting straight to the point, fingertips drumming on the desk, eyes looking into the computer screen where he last paused. He hears the clinking of glass and wonders if you’ve already arrived home.
“Because I was on the call for like a minute or two until I figured I hit bad cell reception or you like had to do something,” you pause for a moment. “Was I wrong?” Your voice is muffled and he suspects that you are home and you’re eating. “What happened?”
A mission brief. One that went on long enough for you to hang up and be in the middle of your meal when he called. A pale hand reaches over to grab Father, placing it back on his face, instant relief and sickness coming to him all at once. “I had things to do,” he answers.
“Right. Things,” you say sarcastically and he can hear the smile in your voice. “Could’ve sent me a message or something. You don’t have to like just disappear on me,” you chuckle.
He hums and nods to himself. “Are you going out tonight?” He asks, closing his eyes, a hand twisting the shirt into his palm.
“Nah, why? Did you want to have a long call this time?” He stares at the cracked ceiling with disinterest. “I wouldn’t mind but—”
“I have something to do soon.” He flexes his hand in front of him and runs his thumb through his fingertips.
“Oh.” He hears you hum. “Why did you ask if I was going out then?”
His eyes shoot open and he stands straight. Why did he ask? He knows why. He can feel his breathing grow heavier, breaths ragged and throat tight. There’s a mission later tonight. Without thought, his hand wraps around his neck and nails drag across his skin, he lets out a low whine in response, pinpricks of scarlet bead out.
“Tomu?” You sound genuinely concerned. “Are you all right?” Fuck. “Did you hit yourself?” Fuck. “Tomura if you don’t say anything, I’m gonna think you’re dead. So like, can you please respond?” With a mind of its own, his hand pulls away, nails and fingertips shining with his blood. “Tomura if you left again without telling me I’m gonna be like,” you pause for a second, “annoyed.”
“What do you want?” He hisses out, hand dripped in blood curls into a claw.
“Oh thank god.” He hears you sigh. “I was worried you like fell or someone had broken into your place. Are you okay?”
“Why do you care?” His lip curls in disgust and the hand on his face makes him feel sick, stomach churning and bile rising in his throat.
“Because you’re my friend.” You make it sound like it’s the most obvious thing. “All I hear from you is like silence for a while followed by a whine. I thought you were hurt,” you mumble, your tone is small, like a child who is being scolded.
He’s silent for a long time and his mouth burns, warm liquid seeps out and trickles down his neck. He feels sick.
“Hey,” your voice is soft, “if you’re not feeling good, we can talk tomorrow if you want? Sound good Tomu-”
He hangs up without a goodbye. The little finger that doesn’t touch the phone shakes. His heart is beating rapidly against his chest and it hurts. He wants to throw the phone at the wall and stomp on it until it’s broken in millions of pieces. He wants to decay the phone in his hands. He wants to- He takes in a sharp breath and closes his eyes, his anger still rising and threatening to boil over and cloud his mind. The phone is tossed on his bed and the door shuts behind him with a loud crack.
__
You don’t hear from him for few days. All your messages are unseen and unanswered. You dialed him the day after, left a few messages asking if he was all right and any other variation that you could think of. You’re too scared to actually dial him now; a sick feeling in your stomach when you think back to the last conversation that you had with him.
He cut you off so quickly. You were sure that this friendship was on the better half than it was when you both initially had met. Heck! He had even begun to talk about his days unprompted and would answer you when you would call to talk about nothing. But then he was silent and made a noise like he had gotten surprised at best or hurt at worst. You didn’t want him to be hurt. But with the way he wasn’t answering your messages and not even looking at them was making you feel sick every day. And it wasn’t like you could send someone of authority over since you didn’t even know his address or full name.
“God, this sucks,” you grumbled, running a hand over your face and gritting your teeth. Your fingers tap nervously on the side of your thigh, something to keep you in rhythm. “Maybe I’m overthinking this,” you tried to reason to yourself but the pit inside kept growing. “He’s always been secretive maybe he had a surprised vacation planned or like a family emergency.” You can feel the heat in the tips of your ears burn. You bring your hands up, your fingers tracing over the shell, noise muffled for a brief second. “He’s fine,” you tell yourself, voice firm and hands in fists, “I’m being silly.” You nod as if giving clarification to a statement said into the air will make it that much more true. “Plus, it’s not like I can do anything except for wait for him to message me back.” You don’t want to think about the “or” part of that sentence. Anything could be added after “or” and none of the options were good.
__
It’s silent in your room; your face is illuminated by the dim glow from your laptop. It burns hot on your blanket and provides you with additional warmth that soothes your nerves. Your eyes burn with sleep and head begins to hurt, fatigued by sleep and light that shines directly on your face. Your body grows heavy, eyelids begin to droop and your phone is fully charged, the green light shines bright and is unblinking as you stare at it. Your eyes glance down to the corner of the screen, the time blinks at you, flipping quickly into a minute in the future. Your eyes are back to the phone. You can feel the bags beneath your eyes droop, feeling that if you stay awake for any longer your own body will pull you into the bed until you’re a mess of limps entangled in a plush blanket.
Your phone remains silent and unmoved and you can feel you heart actually hurt. It feels as if it’s being squeezed; it’s a soft squeeze that leaves you taking in a bigger gulps of air, but the nails that dig in, that peel away at it the top layer and leave it exposed, is what truly makes it ache.
There’s been no contact from him in the past few days. The first day went by without worry, he’s done it before where you wouldn’t hear from him for hours and you assumed that perhaps he had been busy all day and fallen asleep afterwards. Messages were left unopened and you were disappointed but it was nothing to fret over. The second day, messages were still unanswered and the call you sent had gone straight to voicemail. The worry had dugs its claws into you at that point. One the third day, the first few messages were left unseen. The phones calls afterwards would ring for too long, making you sick with worry and a bottom lip that was bitten and stained your mouth in bright red.  On the fourth day, you hadn’t bothered to send a message, reasoning that he would message you when he was ready. If he was ever was. The day bleeds into the night, your mind distracted by trips to stores for house necessities.
It’s late, the moon high in the sky surrounded by clouds and stars as you lay in bed, consumed by an online video. The screen dims, a notification popping in the corner to alert you that the battery in running low. With a click of your tongue, you put your laptop to sleep, the screen loading into your lock screen before going dark, the power light grows dim and you’re staring at your reflection in darkness. Your eyes adjust quickly and you close it softly, sucking in air through closed teeth when the bottom heats the pad of your fingers. It’s shoved off to the side, and you’re alone in the darkness. Hands search for the cord, fingers tracing a line down until it reaches the plug and it’s pulled out, tucked into the handle of your dresser with a soft clink of metal against wood. In the darkness, your thoughts begin to creep up, hands that grip at every part of your body and send both a mixture of chills and heat, it freezes you, makes you clammy and all at the same time makes you uncomfortably hot and twitchy. Dull nails are dragged across the blanket in an attempt to calm your nerves, the little moment of relief is well received. You repeat the motion, letting yourself indulge in the noise.
Your mind grows foggy and soon the repetitive motions become sluggish until your fingers twitch, once, then twice before coming to a still. You’re asleep for a wonderful thirty minutes where the promises of dreams start to lure you in. And then your phone buzzes to life. It’s a shrill ring that you set to make sure if anything had happened while you were unawake, the noise will wake you up and you’d respond to whoever it was on the other side.
It comes to an abrupt stop, the other person on the line having given up but then it rings again. Your body wakes first, hands searching blindly until the phone is pushed and falls onto the floor. You wince and search for the lamp, the light making you close your eyes and mouth pulled into a grimace. With a look downwards, you sigh when your phone has landed face up. Your body threatens to fall off the bed as you reach to pick up the still ringing phone. There are no cracks on the screen, still pristine and clear as you analyze the screen and through bleary eyes, you read the caller ID.
Tomura.
Your eyes shoot open and hands reach for the phone, a quick swipe of the green button. “Hello?” Your voice is slurred and heavy with sleep. You clear your throat. “Hello?” Oh god, please let him be okay, please.
“You sound tired.” He sounds forced- as if he had to push the words out of his throat.
You arch your brows and bite back a groan. “…Do you know what time it is?” Without meaning to, a yawn escapes you and you lay back down on your bed, your eyes struggling to stay open as you wait for his reply.
“Right.” He sounds distant and your worry bubbles over.
You lick your lips and glance to the night stand where an empty water bottle lays on its side. “Tomura? Can I ask you something?” You shift in your bed and pull the covers up to your chin.
“Whatever.”
You let out a low sigh. “What happened? You were gone for like a while.” Sleep slowly vanishes from your mind but it remains foggy, unable to filter what’s you’re trying to say. “You don’t have to like tell me, but I was worried that something had happened to you or like I don’t know, that you like just wanted to stop talking to me and,” you push the blankets off you and lean against the wooden bedframe, “I… Are you okay?”
He’s silent on his end. His breathing is the only thing that you can hear, it’s steady and it eases you a bit to know that he’s still on the line. Silence has filled your conversations with him plenty of times. They’ve been awkward, unnerving, but they’ve also been comfortable, reminding you that you’re not alone and that he’s still there. This silent however is just silent. There’s no reassurance that he’s okay; just that he’s still here. Sleep is fading in and out, a gentle tide that nudges you awake for a few seconds longer before receding back and lulling you back to your sleep.
“I’m okay,” he croaks out and in the background you hear a loud creak.
“Promise?” You ask, eyebrows knitting together and hands once again scratching at the blankets that warm you.
“Why do you care?” His voice is small as he speaks to you.
“Because you’re my friend,” you tell him, “I care about my friends Tomu. And you’re my friend so by like definition, I care about you.” You ran a hand through your hair, smoothing out your hair. “I- Am I your friend?” You take in a deep breath and run your thumb across the side of your finger. “You like don’t have to answer that now, I just—”
“Yes.” His voice is tight but clear. “I- You are.” You hear let out a shaky breath.
Your lips curve in a gentle smile. “I’m glad.” Tears still prick at the corner of your eyes and make your vision blur, you’re unsure if it’s from the sleep that still clings onto you or the emotional side of you that always makes itself more apparent in the dead of night.
“You sure you’re okay? You sound… different.” Different is the nice way to put it. He sounds defeated and lost. When he’s silent, you press. “Bad night?” You offer as a way to expand on what he’s feeling, a way to help him.
“Yeah, I guess you could say that.” He says wearily, a loud yawn that confirms his tone.
“You wanna talk about it?” Your mind and body begs for sleep. “If you want of course. I don’t mind staying up.”
“It’s late.” It sounds like he finally realized what time it was, voice suddenly tired and thick with sleep.
“Yeah, Tomura, it’s really late.” You lie on your side, legs curled in and eyes are barely able to stay open. “But like, I’m already awake. The offer still stands, you know.”
“I’ll call you tomorrow?” He asks, his voice returning to that akin to a child, hopeful and nervous all at once.
“Yeah, that would be nice.” You chuckle lightly. “Just like don’t flake out this time, okay?” You joke.
“I uh, yeah. I won’t flake. I promise.” The last words are soft, as if he didn’t want you to hear or even want to acknowledge what he had said himself.
“Okay. I’ll hear from you tomorrow.” With a burst of late night courage, you open your mouth. “Remember, you promised. And you can’t break a promise- especially to a friend.”
You hear him laugh, it’s muffled but it’s genuine. It doesn’t sound creepy to you this time, it sounds pleasant.  “Yeah, I won’t.” There’s a brief second of silence. He wishes you goodnight and whispers your name. There’s a skip in your chest when says it and a grin grows on your face, slowly etching itself onto you.
“Yeah, okay. Goodnight Tomura.” A second of peace passes where you can breathe easy and you hang up first; the phone blinks the time that you’ve talked to him before going dark. You slide the phone onto your nightstand and the blanket bunches under hands as you curl in deeper into the bed, eyes closing without resistance and mind clear and chest light.
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Press: A Thorough Breakdown of All the Marvel Easter Eggs on WandaVision
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POPSUGAR: WandaVision has finally arrived, and it’s chock-full of hidden goodies for Marvel fans to devour! While the series is built upon a mystery that we’ll be spending a reported nine episodes trying to figure out, the smallest details in each episode provide clues on where the show is heading. From supermarket banners to foreboding commercials, viewers have an abundance of references and callbacks to classic comic lore and pivotal MCU moments. Are they setting the stage for a big reveal at the end, or are they just fun details included for fans to enjoy? While we try to figure it all out, scroll through to see what we’ve gathered! And check back every week for an episode-by-episode breakdown as WandaVision progresses.
WandaVision Episode 7 Easter Eggs
The episode opens the morning after Wanda has expanded the border of the Hex, finding the Avenger hiding from the world under her comforter. The comforter in question has a hexagon pattern, which is both a nod to the overall theme of the show as well as a metaphor for how Wanda is literally hiding away under a hex.
Billy and Tommy run into the room to reveal that their video game console has been messing up. Everything in the house is glitching, trying to transform back to earlier versions of themselves.
Billy also tells his mother that his head hurts and things are “noisy.” Since the twin inherited his mother’s ability to read minds, it seems he’s able to hear the thoughts of everyone in the bubble (and near it on the outside, since he was able to hear his father when he was dying). It’s a sign that Billy’s powers are growing, which means we could see the little boy reach his Wiccan potential before the end of the season.
Wanda wanders into the kitchen as the news drones on in the background. The news station is called W.N.D.A. or Wanda. The newscaster makes pointed comments, noting that there’s “not a thing weighing heavily on your conscience,” and that they “hope your little ghosts arrived home safe last night. It’s always such a treat to see those creepy kiddos out and about once a year.” The comments refer to Wanda’s building guilt at her actions in the previous episode and the rare appearance of children during the Halloween episode.
As Wanda makes her breakfast of “Sugar Snaps,” a nod to the big Snap of the universe, her milk carton reverts from its modern design to the old school glass bottle and back. The carton has a missing person’s ad on the back with a picture of a little boy on the back. This could be a reference to the oft-mentioned absence of children of Westview, and what could have happened to them.
Wanda and the twins “break the fourth wall” frequently to talk to the camera in the same vein as Modern Family.
This week’s theme song sounds similar to The Office’s, which also usings talking head segments like Modern Family. The opening credits are similar to the show Happy Endings and allude to the show’s focus on Wanda, even attributing the creation of WandaVision to her with the title image. Vision is notably completely absent from the opening credits, but there’s a clue that someone else is watching in a message that reads, “I know what u are doing Wanda.”
Agnes stops by to take the boys off of Wanda’s hands, which the exhausted mother is exceedingly grateful for. The twins are visibly uncomfortable with the idea, with Tommy asking Wanda if they have to and Billy telling his mother that someone has to stay to take care of her. It seems like they can sense that something is off with their “kindly” neighbor.
Wanda sends them off with Agnes, but once they’re gone, her magic goes incredibly haywire. All the furniture begins glitching again, with the stork from the painting in episode three making a reappearance. “I don’t understand what’s happening,” Wanda laments during a talking head segment. “Why it’s all falling apart and why I can’t fix it.” The off-screen interviewer responds, “Do you think maybe it’s what you deserve?” which visibly unnerves Wanda, who notes that they aren’t supposed to speak. It’s another sign that Wanda does not have as much control as she’s been led to believe.
Cue the sixth commercial, and it’s even more pointed than any of the others have been. It’s an ad for the antidepressant Nexus, for “when the world doesn’t revolve around you. Or does it?” The drug allows people to anchor themselves to the reality of their choice with side effects that include “feeling your feelings, confronting your truth, seizing your destiny, and possibly more depression.” Whew, the pointed commentary is even making me sweat. Nexus is a nod to two things: Wanda’s crippling inability to deal with the trauma she’s been through and her depression that’s pushed her into the creation of Westview, and two Marvel comics concepts. The first is the Nexus of All Realities is a kind of gateway point between dimensions from which all universes in the multiverse can be accessed. (Remember, Wanda’s next reported appearance is in Multiverse of Madness.) The second concept is the existence of Nexus beings, people who have powers that can alter reality, probability, and the Universal Time Stream. Guess which two Westview residents are considered Nexus beings? That’s right, Wanda and Vision! The commercial can either be just a cheeky nod to the couple’s seemingly infinite power or an allusion to the bigger picture that WandaVision is leading to.
While Darcy and Vision are attempting to make their way to the house, the doctor gives the synthezoid a brief rundown of his origin story, explaining how he died twice in an attempt to save the world. Vision points out that it seems like someone is trying to keep him from getting home, which spurs him to fly off, leaving Darcy behind in the blocked truck.
Billy and Tommy are watching Yo Gabba Gabba in Agnes’s lowkey creepy home. (It tickles me that Yo Gabba Gabba is more canon in the MCU than the X-Men or Fantastic Four right now.) While Billy pets Agnes’s bunny Señor Scratchy, he notes that he likes being around the older woman because he’s unable to hear any of her thoughts. “You’re quiet inside,” he says, an allusion to the idea that Agnes can hide her thoughts from him because she has magic.
Back outside the Hex, after the super-rover isn’t able to penetrate the field, Monica decides to run through it again. As she struggles through the barrier and we watch her, a montage of dialogue from Captain Marvel plays. The voices of Maria, Nick Fury, and Carol play over Monica getting through, and as Captain Marvel says “when they were handing out little kids, your mom got the toughest one,” Monica she pushes through to the other side. She lands in the stereotypical three-point-stance of all Marvel heroes, and her eyes glow, showing that she can see energy. We just witnessed the rise of Photon, folks! (Or Spectrum or Pulsar.)
Monica confronts Wanda in her home, and as their fight spills onto the lawn, the residents of Westview watch from their own homes. The delivery man is wearing a “Presto Delivery” uniform, a reference to the magic words said by magicians before they pull a magic trick.
In the first blatant show of Agnes’s ulterior motives, the older woman stops the fight when she realizes Monica is getting through to Wanda and pulls the young mother into her home. But when Wanda gets there, she notices the green bug and rabbit in the living room and the lack of her sons’ presence. When she asks Agnes where the boys are, she’s told to head to the basement, where the big showdown occurs. The scene hints at the eventual disappearance of Billy and Tommy.
Wanda notices a book on an altar, which could be the Darkhold, also known as The Book of Sins, The Shiatra Book Of The Damned. Originally a collection of papers known as the Chthon Scrolls, the book contains all the spells and ideas of the evil Elder God known as Chthon. The book is a conduit for Chthon’s power and can open a doorway from Earth to Chthon’s dimension. If that book is in Agnes’s basement, it stands to logic that she may be working with the evil god. The Darkhold emits an orange glow, which is a distinctly different color than the purple of Agatha’s magic.
Speaking of magic, Agnes finally reveals herself as the witch we’ve known her to be. Although the show tells us that “it’s been Agatha all along,” it still doesn’t ring completely true. There’s definitely more at work than just Agatha’s magic.
In the mid-credits sequence, Monica is caught snooping in Agnes’s backyard by Pietro. Her eyes seem to glow purple, the same color that signals Agatha’s magic. Does this mean she’s now under the witch’s spell?
  WandaVision Episode 6 Easter Eggs
The opening credits for episode six seem to be a tribute to Malcolm in the Middle, which ran for seven seasons between 2000 and 2006.
The entire Wanda and Vision family wear their comic book character costumes for Halloween.
There’s another reference to Thanos’s snap as Director Tyler Hayward talks about dealing with the repercussions of all the people “who left.”
The terrifying Yo-Magic commercial seems to foreshadow Vision’s future. Even though Wanda was seemingly able to bring Vision back to life, it looks like he won’t stay alive for long as it’s implied that he can’t exist outside of the Hex later in the episode.
Blink and you’ll miss the fun Disney movie Easter egg on Westview’s movie theater. The sign outside the theater shows a double feature of The Incredibles and The Parent Trap. Connecting right to Wanda’s family, The Incredibles is about a family of superheroes, while The Parent Trap is about a pair of long-lost twins reuniting.
Wanda’s changing accent has been brought up countless times by fans, and in episode six, Pietro makes a slight reference to it when Wanda asks, “What happened to your accent?” to which he quips, “What happened to yours?”
There is another reference that Agnes is actually Agatha Harkness as she is spotted wearing a witch costume on Halloween.
It appears that Vision has no memories pre-Westview, as a conscious Agnes tells him he’s one of the Avengers, and he has no clue what she’s talking about.
The episode further hints at Monica’s powers as Darcy confirms that the Hex rewrote her cells on a molecular level.
A few interactions between Pietro and Wanda have fans wondering if he might actually be Mephisto in disguise. Not only is he fully aware about Wanda creating Westview, but he makes several references to the devil and hell throughout the episode.
  WandaVision Episode 5 Easter Eggs
Wanda and Vision’s brand new house, suitable for a family of four, is reminiscent of homes in ’80s sitcoms such as Full House and Growing Pains.
When Agnes comes in to offer her babysitting help, she refers to herself as “Auntie Agnes,” which is eerily close to her comic counterpart’s nickname, Auntie Agatha.
An uncomfortable break in conversation leads Agnes to ask Wanda if she wants her to “take it from the top.” Though Wanda appears confused for a moment, she readily smoothes the conversation and carries on. Vision is visibly perturbed, though Wanda attempts to redirect his attention. It seems like the facade is fading all around.
To the surprise of their parents, Tommy and Billy age up five years while the two argue over Agnes’s break in character.
This episode’s opening sequence shows Wanda and Vision growing up, which we know didn’t happen in real life for the synthezoid. The theme song sounds very similar to those from Family Ties and Growing Pains, and consists of lyrics noting that “we’re just making it up as we go along.” Sounds pretty close to how things are going with Wanda and Vision!
When Wanda’s scans come back, they’re inconclusive and show up blank. Considering Monica gains her powers due to bombardment by extradimensional energies in the comics, it’s entirely possible that the blast from Wanda back in episode three, coupled with passing through the forcefield around Westview twice, have given her those abilities. We could be seeing the rise of Photon!
While Jimmy Woo is explaining Wanda’s backstory to the agents of S.W.O.R.D., Director Hayward asks if she’s ever used a “funny nickname” like the other Avengers. She hasn’t, in fact, she’s never been referred to as Scarlet Witch in the MCU ever. Since her powers are different from her comic book counterpart, there’s never been a reason for anyone to call her a witch.
That never-before-seen post credits scene from Infinity War has officially made its debut. Director Hayward reveals footage of Wanda entering S.W.O.R.D. headquarters to steal Vision’s disassembled body. The video harks back to a moment in the comics where Vision was kidnapped and taken apart — but still very much alive. Much like that Vision, the one in Westview has his memory wiped and doesn’t remember anything before he woke up in his new world. So, the question is whether Vision is actually alive or not. Wanda’s hallucination from episode four might suggest he’s a walking corpse, but there’s more to the story.
Jimmy mentions that Wanda’s stealing of Vision’s body violates the Sokovia Accords, which haven’t been mentioned since Captain America: Civil War. Unfunnily enough, the Accords were a direct response to the mission gone wrong in Lagos where Wanda lost control of her powers and caused the death of many civilians.
Darcy mentions that Vision is playing “Father Knows Best in Surburbia,” referencing the ’50s sitcom.
Tommy and Billy find a dog that, with the help of Auntie Agnes, they name Sparky. The Vision family has a dog with that exact name in the King and Walta comics, but he’s green. Sadly, he meets a similar fate as his live-action counterpart.
Wanda blatantly uses her powers in front of Agnes, who has seemingly handled the magic around her with ease. It’s almost as if she’s used to magic.
Darcy calls the Westview anomaly the “hex” because of its hexagonal shape. Although the magic has been taken out of the phrase, Wanda’s powers are known as hexes in the comics.
Jimmy, Monica, and Darcy try to understand how Wanda can revive Vision and control the Hex, which takes much more power than she’s ever displayed before. Monica notes that Wanda has always been powerful, being the only Avenger who was close to taking down Thanos singlehandedly, which Jimmy interjects to note that Captain Marvel could as well. Both are empowered by Infinity Stones, with Carol’s Kree biology giving her a power boost.
When Jimmy brings up Captain Marvel, Monica is visibly uncomfortable and changes the subject back to Wanda. What happened there?
Vision’s office mates learn about the sweet glory that is dial-up internet! But when he and Norm open their first bit of electronic mail, it’s a transmission picked up from S.W.O.R.D. talking about the Maximoff anomaly.
Vision breaks through Norm’s conditioning, revealing that he’s under the control of a woman (alluding to it being Wanda). He directly references his family, a conversation that Jimmy mentioned in his notes in the last episode.
The twins have aged themselves up to 10 by this point and are seemingly completely aware that Wanda has control over certain aspects of life, like time. They point out that it was Saturday when they woke up, but Wanda says it’s now Monday. She apparently changed the day to send Vision to work. Is their awareness because they also have magic or because she doesn’t control them?
Monica sends an ’80s drone into Westview after working out that Wanda’s Hex is rewriting reality to suit each era occurring in the bubble, and the drone would need no era-appropriate change. Though she attempts to speak with Wanda through the drone, Director Hayward commands agents to fire a missile at Wanda instead — directly ignoring that Monica said she doesn’t see Wanda as a danger. The action results in Wanda leaving the Hex and confronting the S.W.O.R.D. agents outside. She’s wearing the suit we last saw her wearing in Infinity War and Endgame and has her accent back, although it’s much thicker than it’s been since Ultron.
Episode five’s commercial is more pointed than any of them have been. Lagos brand paper towels directly reference the city in which Wanda accidentally killed several people in Civil War by blowing up a building. Thus, the Sokovia Accords were born.
While Wanda and the twins are searching for a missing Sparky — with no one calling out the fact that Wanda disappeared for some time — the mailman tells the boys that their mom “won’t let him get far.” It seems almost like a dig at how no one can leave Westview, like the doctor mentioned during episode three.
When Agnes reveals that Sparky died after eating too many azalea bush leaves, the boys ask their mother to reverse his death. Agnes seems particularly surprised by the idea of Wanda having that ability despite having seen other displays of her power and watching the twins age up rapidly twice. Wanda tells the twins that they can’t reverse death as there are still rules to things, which almost seems hypocritical considering her circumstances. Is she trying to say that she hasn’t revived Vision? Or is she simply trying to keep her boys from expecting too much from her?
Later that night, Vision reveals that he unearthed Norm’s repressed memories and demands to know what’s going on. He tells Wanda that she can’t control him, which she cooly responds asking him, “Can’t I?” Although the credits start rolling, their argument continues as Vision unleashes his frustration with not knowing his past and his confusion over their circumstances. Wanda tells him that she doesn’t control everything, saying, “I don’t even know how all of this started.” Vision believes it began subconsciously, but chastises Wanda for letting it get that far. Wanda reiterates that she isn’t controlling everything, which gives weight to the theory that there’s someone else behind the scenes. But who could it be if Wanda isn’t the “she” that Norm was referring to?
Mid-argument, the Vision family doorbell rings, which Wanda states she didn’t do. I’m inclined to believe her because when she opens the door, she is genuinely shocked speechless. At the door is her “brother” Pietro, now sporting the face of Evan Peters. Darcy asks the question we were all thinking as the episode closes, “She recast Pietro!?”
  WandaVision Episode 4 Easter Eggs
This episode opens with the heartbreaking reveal that Monica Rambeau was one of the people lost to the Snapture from Infinity War. She returns from Endgame’s Reverse-Snap in a hospital where she had been awaiting news after her mother Maria’s surgery.
As Monica is waking up, we hear familiar voices echoing in her head. It’s Captain Marvel calling her by her childhood nickname, Lieutenant Trouble.
As Monica weaves through the chaos of people reappearing in the hospital post-Reverse-Snap, she finally locates someone who recognizes her. Although Maria survived the surgery five years ago, she died from cancer three years ago in real time, having not been blipped with her daughter.
We finally have some information on S.W.O.R.D.! The acronym stands for Sentient Weapon Observation Response Division, rather than the meaning in Marvel comics, which is Sentient World. It sounds a little more ominous, right?
Maria’s badass legacy continues well past her friendship with Captain Marvel; according to S.WO.R.D.’s acting director, Tyler Hayward, Maria helped build the agency during its inception. She was the acting director until her death.
Tim gives Monica a mission to help out the FBI in the town of WestView, NJ, where something super freaky is going on with a missing person’s case. This confirms that WestView is, indeed, a very real place.
Welcome back, Jimmy Woo! Monica’s FBI contact is none other than Scott Lang’s parole officer and semifriend, Agent Jimmy Woo.
Jimmy reveals that a person in witness protection has somehow dropped off the map in a town that no longer seems to exist where no one recalls anyone who lived there. In an attempt to figure out what’s going on, Monica sends in a S.W.O.R.D. drone that vanishes inside the forcefield. It’s revealed to have transformed into the retro-style helicopter that Wanda picks up in episode two! We can only assume that since it’s an item from the outside world, it gained color when it entered Wanda’s reality to show that it doesn’t belong.
Darcy Lewis is back! Now a doctor in astrophysics, Darcy is called to help figure out what’s gone wrong with WestView. She’s the one who figured out a signal for the broadcast and is the owner of the hand we saw watching Wanda and Vision in episode one.
The mysterious beekeeper from episode two is revealed to be S.W.O.R.D.’s Agent Franklin, who journeyed through Westview’s sewers to investigate. His hazmat suit became a beekeeper’s uniform, and the cable around his waist becomes a jump rope as he travels through the tunnels.
Darcy explains that the sitcom that’s become Wanda and Vision’s life is literally being broadcast through the signals that S.W.O.R.D.’s viewing, with an audience and everything. There’s no explanation for how this is happening, but Darcy and company watched those first three episodes just like we did, credits and all.
Darcy also points out that Vision is supposed to be dead-dead, which leaves his presence in WestView still unexplained.
While Darcy and Jimmy can identity a majority of the neighbors we’ve met in WestView to their real-life counterparts, Dottie and Agnes are the only ones who are missing real information.
It’s revealed that Agent Woo was the voice behind the radio disruption, just as we suspected! But while we can see Wanda and Dottie’s reaction to the call, Darcy’s broadcast didn’t show the same thing. She explains that someone is “censoring” the visuals they’re receiving, which means someone knows they’re watching.
Back in the sitcom WestView, we see that Monica’s slip-up resulted in Wanda blasting her through the house and the energy field. It’s the first time we physically see Wanda using her powers again, so she still has them. But the lapse in her facade has consequences — when Vision returns from his talk with Agnes and Herb outside, Wanda hallucinates him as she last saw him in Infinity War, a corpse with his head crushed in.
It’s important to note that Vision seems to become more aware of the strangeness of their world with each episode. It makes sense because no matter how human he may seem, he’s still a synthezoid who has always been able to see beyond the superficial. It harks back to his “birth” in Age of Ultron. He’s omnipotent and always learning.
When Monica lands back in the real world, all she says is, “It’s all Wanda.” That seemingly serves as an answer to what’s going on in WestView, but it’s not a whole answer. Wanda seems just as confused and unaware as everyone else, but she is willing to stay in her “perfect” world. The question is, who put Wanda in the position to have her perfect world?
  WandaVision Episode 3 Easter Eggs
Much like the comics, Wanda magically becomes pregnant! But this time around, things are progressing much more quickly, and her doctor isn’t Dr. Strange.
The first of the episode’s weird glitches happens with Wanda and Vision’s neighbor Herb, who is attempting to saw through the brick fence separating the two houses instead of trimming his hedges. When Vision points out that his aim has gone a bit askew, Herb’s detached reaction is a bit creepy. He thanks Vision but keeps sawing through the wall! And unlike the previous weird behavior, there’s nothing that triggers the moment, especially not from Vision or Wanda.
Wanda and Vision contemplate what to name their baby boy, with Vision suggesting Billy and Wanda throwing out Tommy. (The argument becomes moot when they have twins!) These are the names of the pair’s sons in the comic, who later become members of the Young Avengers. In the show, Wanda chooses her name because it’s “all-American,” which is also a fair indicator of why her perfect reality is framed around sitcoms. Vision cites William Shakespeare as his inspiration and uses a quote from As You Like It that seems pretty on the nose. “All the world’s a stage, and all the men and women merely players” seems like a pointed reference to the fact that WandaVision is, in fact, all a show.
Wanda decorates the nursery using Simser brand paint, which is most likely a nod to Jeremy Simser, a storyboard artist for Marvel Studios and WandaVision.
The second glitch appears when Wanda says the residents of WestView always seem “on the verge of discovering our secret.” Vision has a moment of sobering clarity where he notes that something is wrong in WestView, citing the incidents with Mr. and Mrs. Hart and their neighbor Herb. A second after his says this, reality glitches and the scene starts over with Vision seemingly worry-free. The last time this happened with the beekeeper, it was clear Wanda was the culprit in turning back time, but in this case, she doesn’t seem to do anything to force the change. This suggests someone else is pulling the strings.
Wanda mentions that their child could be human or “synthezoid,” a term that originates in the comics. Although fans like to joke that Vision is an android, he’s technically a synthetic human. He’s not made of metal or machinery — in the comics, his body is composed of the bioengineering tech of Dr. Helen Cho, while in the MCU, he’s made of organic tissue mixed with vibranium and “powered” by the Mind Stone.
Vision jokes that Billy will be just like his mom, which is funny because, in the comics, Billy has magical abilities similar to Wanda’s powers. Tommy ends up having superspeed abilities like his uncle, Pietro.
It’s time for the third commercial! Much like the previous episode’s watch promotion, this break references Hydra — though a tad more directly. It’s all about Hydra Soak, and the message is decidedly more pointed than we’ve had before. “Escape to a world all your own, where your problems float away,” the announcer says. “When you want to get away, but you don’t want to go anywhere: Hydra Soak.” Marvel: Agents of Shield fans will recall that Hydra Soak HAS been mentioned on the show. During the series’s Framework arc, Phil Coulson claims that Hydra is brainwashing people using soap, so he makes his own. Is the commercial another sign that Hydra is behind the mystery of WestView? Is it a warning that no one in the town will be able to get away? And what’s that about finding the goddess within?
The actors in this ad are the same ones as the previous ones, Victoria Blade and Ithamar Enriquez. Their recurring presence might mean they have some significance in Wanda’s life. Maybe they’re her parents?
In what feels like an ominous follow-up to the Hydra Soak commercial, the doctor reveals that he and his wife won’t be taking their trip away after all. “Small towns, you know, so hard to escape,” he mutters, pointedly. I think we’re starting to get the hint, folks! Wanda mentions she is a twin and that her brother was named Pietro. It’s been a hot minute since anyone has talked about MCU’s Quicksilver — he made his debut back in Age of Ultron, the same film in which he was shot and killed.
When Geraldine lets it slip that she knows about Pietro’s death at the hands of Ultron, Wanda interrogates her and discovers her necklace bears a familiar symbol — it’s that damn S.W.O.R.D. logo, and Wanda is apparently not a fan.
In another sign that something is UP, Agnes and Herb seem to warn Vision about Geraldine. They note that she’s “brand new” to town with no family and start to say that “she came here because we’re all —” before they’re cut off. It’s worth noting that the two figures that may be MCU versions of formidable Marvel characters are the ones who seem to understand that strange things are going on in WestView. If Agnes and Herb are the MCU’s Agatha Harkness and High Evolutionary, they would definitely be the ones in the know. But why would they try to warn Vision about Geraldine if WestView is a trap?
Agnes is wearing her infamous brooch as a necklace that could be referencing an MCU supervillain mentioned before. The necklace has three figures close together, with the center figure holding what looks like a giant scythe. Is it another clue that the Grim Reaper is on his way?
Wanda literally throws Geraldine out of town — though she tells Vision that she had to run home — and Geraldine passes through what seems like a magical forcefield. While fans have been assuming WestView is a fake town, this shows us that physically, it’s a very real place. But it’s currently bubbled off with a barrier that Wanda can apparently allow people in and out of. And the song that plays as Geraldine finds herself outside the barrier? “Daydream Believer” by The Monkees. It seems pretty appropriate for a situation that feels like a surreal dream.
When Geraldine lands on the outskirts of real WestView, she’s instantly swarmed by cars and agents all bearing the S.W.O.R.D. logo. Since we know Teyonah Parris is playing the adult Monica Rambeau, it’s safe to assume Geraldine was an alias she used to go undercover in WestView. Combined with the mystery agent watching the show within the show from episode one, we can conclude that Wanda and Vision are being closely observed by S.W.O.R.D. for some reason. But they clearly aren’t the ones in control, since Monica is so easily forced out. What will they do next?
While the opening credits of this episode are a reference to The Brady Bunch, it’s the end credits that give us another clue about the big bad coming our way. Just like the previous episodes, Wanda and Vision are framed in a hexagon as the end credits roll. The symbol is so important because it’s the preferred shape of the creators at Advanced Idea Mechanics, or AIM, who are last seen in Iron Man 3. Remember the beekeeper suits that resemble AIM agents’ clothing? It seems like the evil organization might be making a comeback.
  WandaVision Episode 2 Easter Eggs
The opening credits for this episode aren’t just an adorable homage to Bewitched but a whole bevy of Marvel Easter eggs! The illustration of the moon happens to be surrounded by six stars, and we can’t help but be reminded of the Infinity Gauntlet.
When Vision phases through the floor, there’s a dark shape that looks exactly like the helmet worn by Marvel supervillain Grim Reaper hidden in the space. In the comics, he’s the brother of Wonder Man, whose brainwaves were used in Vision’s creation.
When Wanda goes to the supermarket in the opening, three references hang above the aisle! Bova Milk refers to Bova, the humanoid cow who raised Wanda and Pietro on Mount Wundagore. Auntie A’s kitty litter is a witchy reference to Auntie Agatha or Agatha Harkness, whom we’ve discussed before, and her cat-like familiar named Ebony. And Wonder Mints is most definitely a cheeky reference to Wonder Man, aka Simon Williams, the superhero who Vision’s brainwaves are based on in the comics!
When animated Wanda and Vision settle on their couch, the small figure on their side table is a statue of the Whizzer. Featured in 1982’s Vision and the Scarlet Witch, the Whizzer thought he was Wanda’s father but later discovers he was wrong. Whizzer and his wife were offered the chance to adopt Wanda and Pietro when they were kids on the mythical Mount Wundagore, but they declined.
When Wanda hears a crash outside the house, she heads out to the front, where she finds a colorful toy helicopter in an otherwise black-and-white world. Not only does the red-and-yellow helicopter have the number 57 stamped on it, but it also bears the S.W.O.R.D symbol! The number is likely in reference to Vision’s first appearance in Avengers #57, while the symbol hints to the presence of S.W.O.R.D outside Wanda’s perfect world.
The creepy, cult-like refrain spoken by the fundraiser organizers of it all being “for the children” seems to be a reference to Wanda’s involvement in the comic event The Children’s Crusade. The story follows her son, Billy, who’s trying to gain control over his reality-warping abilities by looking for a missing Wanda.
Well, here’s another blast from the angsty past! The Strücker timepiece is a very obvious callback to Hydra and Baron von Strücker. The watch bears the unmistakable octopus skull symbol of Hydra, and Strücker is the Hydra leader who recruited Pietro and Wanda for the experimentation that gave them powers. He was later killed by Ultron in his prison cell. Does anyone else hear that ticking noise? Remember good ol’ Herb? In the comics, a character named Herbert is also the High Evolutionary who runs Mount Wundagore, the very same safe haven where Bova delivered the Maximoff twins. Time will tell if the super-scientist is the same character, but it can’t be a coincidence.
Wanda and Vision’s magic show has two gems that we’ve noticed! First thing, the literal Mind Stone happens to be the design on the doors of the Cabinet of Mystery that plays a huge part in their act. Second, Wanda and Vision use the names Illusion and Glamour for their actor, which are also the names of the magicians that Vision goes to see in an issue of The Vision and the Scarlet Witch.
Though we all enjoy a good jam, The Beach Boys’ “Help Me, Rhonda” gets interrupted by someone asking, “Who’s doing this to you, Wanda?” And doesn’t that voice sound an awful lot like Randall Park’s Jimmy Woo?
While it may seem weird that Wanda shows her pregnancy in an instant, it’s in line with what goes on in the comics. Wanda uses magic to help her have children, which checks out since her husband is a synthezoid.
Oooh, that mysterious beekeeper! Not only does their presence lead to the reveal that Wanda has some control over the reality they’re in, but it also sets off some alarm bells. Even though the beekeeper’s suit bears the S.W.O.R.D logo on the back, the costume is reminiscent of the yellow costumes worn by A.I.M., a military science organization founded by Baron von Strücker. Could this be a sign that Wanda is being watched by more than one organization? And is this a hint that Hydra is back!? (Obviously, it is.)
  WandaVision Episode 1 Easter Eggs
When Wanda accidentally smashes a plate into Vision’s head, he jokes about his wife and her “flying saucers,” and she comments back about his “indestructible head.” Considering that Vision died after having the Mind Stone ripped from his head, it’s a dark joke to kick off the series.
Vision’s work tie has a visual reference to his comic-book alter ego! In Tom King and Gabriel Hernandez Walta’s Vision, whenever the character dresses as a human, he wears a tie clip that emulates the diamond pattern on his chest.
Vision’s boss, Mr. Hart, is likely named after comic creator Steve Englehart, who created 1985’s The Vision and the Scarlet Witch with Richard Howell, a miniseries that heavily influenced WandaVision. It’s been heavily implied that Kathryn Hahn’s Agnes is the MCU’s Agatha Harkness, a witch who helped train Wanda’s magic back in the ’70s and ’80s.
When Wanda magically saves dinner, the bottle of wine she pours from is Maison du Mépris, which translates to house of contempt or scorn. As fans have pointed out since the trailer drop, this seems like a reference to the House of M comics storyline in which Wanda bends reality into a new world ruled by her family.
The Stark commercial break refers to two things: Avengers icon Tony Stark and his part in Wanda’s dark past. As Wanda and her twin brother, Pietro, explain in Avengers: Age of Ultron, their parents were killed by an explosive Stark Industries device, leaving the twins trapped under rubble. The Maximoffs were trapped by a Stark Industries shell for two days, expecting it to detonate before they get rescued. Even though Wanda eventually fights beside Tony in the future, there’s still some trauma from that experience and her brother’s death. If it weren’t for the Starks, Wanda could have been a completely different person.
The episode closes with a mysterious observer watching the “show” and taking notes on a pad with the logo of S.W.O.R.D. on the cover. For those who don’t know, S.W.O.R.D stands for Sentient World Observation and Response Department and is a subdivision of S.H.I.E.L.D. It’s a counterterrorism and intelligence agency that deals with extraterrestrial threats to world security. Expect to see them around more.
  Press: A Thorough Breakdown of All the Marvel Easter Eggs on WandaVision was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen
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cranetreegang · 3 years
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Witcher Fanfic with OC Characters: Part 1: I Need Your Help
A/N: So... I've never actually played the Witcher, or read any of the books. I've only seen the tv show and movie and random videos on Youtube. But I know enough about it to make me wanna write this.
Lanas and Nisalla are OC and I don't plan on included any actual characters from the original games/books because I'm kinda doing my own thing here and I don't wanna butcher them by accident. I don't know what time period this is set in either. I'm thinking in the future of where Witcher 3 takes place... maybe. I apologize for any wrongness I may make in regards to Witcher lore, and am very open to corrections. I like writing semi-believe/semi-accurate fanfics. Also, any input is greatly appreciated and welcomed. With that being said, I do hope you enjoy!
Summary: Lanas, a lone witcher just finishing a job in Ivalo, is looking to head to the next contract when a strange woman offers him a job. Will he accept, or will he ignore her request?
Warnings: Mild cursing
Word Count: ~1,600 words
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Lanas stared into his pale brown ale with more content than he’s felt all month. The tavern was void of lively patrons, save him. Not that he was a lively patron by any means. In fact, far from it as he sipped his mild drink in comfortable silence. He had been in Ivalo for over a week tracking down a Spriggan that was terrorizing the logging crew. Lanas murmured a curse to the greedy lumberjacks that ventured into the forest for their prized wood, and tore down the Spriggan’s home; causing this whole mess.
Lanas took a hearty swig that barely stung his throat. The tavern's thin walls shook from the lumber yard back in business thanks to Lanas’ swift execution of the Spriggan. With only four loggers dead from the Spriggan’s revenge, Lanas was rewarded with enough crowns to get him down the road. And he was ready to get as far away from this shithole as possible. The smell of putrid waste hung in the air everywhere you went in Ivalo. Which was enough to keep him in a constant bad mood.
He stared at his empty drink with thoughts to get more when the door flew open to the tavern. The draft brought in the fresh scent of mud, a mixture of human and animal feces, and a hint of Damiana.
“There you are!” A female voice called out to the empty room. Lanas didn’t bother to turn towards her and he made a silent prayer that she wasn’t talking to him. He heard the wood creak and groan until she plopped down across from him.
The auburn haired woman was unfamiliar to Lanas. Her dark reddish hair framed around her face and just touched her shoulders. The numerous freckles dotting her pale skin only served to make her look younger than she really was. Her lips, a dull shade of vermilion, formed a bright smile that suited her well, and made her appear warm and easy to talk to. Her cheeks were well-defined, but not overly sharp. Her storm gray eyes were soft, and directed right into Lanas’ dark amber ones without a hint of fear. She wore dark brown, nearly black, leather armor that was made specially for her. A black cloak hung off her back that didn’t conceal the silver-tipped bow poking past her head. Overall, her presence didn't give Lanas much concern or second-thoughts.
“You’re a hard person to find, witcher.” She drummed her covered fingers on the worn table that had several slashes and holes from years of misuse. “But, luckily for you, I’m a very determi-, hey! Where’re you going?”
Lanas had stood up from his seat and was slumbering over to the lone fat bartender by the entrance.
“Another.” Lanas gruffly ordered while setting his mug down on the bar. The barkeep looked between him and the woman running up to him with a knowing smirk.
“Ya’ll need a’least three if ya don’t wanna go deaf ‘fore the day’s done.” The bartender laughed at his joke while pouring more ale into the mug. The woman let out a sharp scoff then crossed her arms.
“I’d say that hurt my feelings, but that would imply that I care what you think.” She spat.
“I’ll take those other two now.” Lanas sighed.
The woman leaned on the bar with her full body turned towards the annoyed witcher. She looked over him with interest. Sizing him up, it seemed. He was at least a head taller than her and far more broad than she. His shaggy raven black hair hung past his pierced ears. The two studs in his ears weren’t of any value, from what she could tell, and he didn’t possess any other forms of jewelry besides his silver amulet laying on his décolleté. His face was well-defined like that of a wolf and he had a fine stubble of dark hair on his lower face. Even though he was broad, he was still lean and agile.
The armor he wore was quite heavy just by looking at it. Scratched metal covered parts of his chests, forearms, and legs while thick quilted earthy brown leather protected everything else. Her eyes strayed on his silver bear amulet for a moment too long. Lanas bared his sharp teeth at her and she smiled sheepishly at him.
“I’m sorry. Very rude to stare, I know. I just couldn’t help but notice your bear thing.” She pointed at his medallion, making him promptly shove the necklace underneath his armor.
The barkeep placed Lanas’ three drinks in front of him then turned his attention to the woman. “If ye gonna be botherin’ folks, ya better orda somethin’. Else, git.”
The woman waved her hand at the barkeep to dismiss him. “As I was saying, before you walked away, I’ve been looking for you.”
Lanas chugged the first ale and let out a satisfied sigh. He turned his head slightly towards her and seemed disappointed that she was still there. He began drinking his second mug as she continued speaking.
“I’ve been tracking, what I believe to be, a cyclops.” She said with her eyes wide in enthusiasm. “I know! Exciting, right?”
Lanas finished his second mug, and was working his third.
“This cyclops has been picking off poor travelers on the road from here to Dorian. It’s been hiding out in the forest then swooping in to smash everyone to bits.” Her fist slammed on the wooden bar to emphasize her point.
Lanas also slammed his empty mug down then wiped off the ale slipping down his stubbled chin. He shoved himself away from the bar and began to leave the tavern. He didn’t make it far down the street before the woman was beside him once more.
“You’re seriously still gonna leave. Even though a cyclops is terrorizing people!” She exclaimed over the roaring noise from the lumber mill that vibrated the muddy ground they slogged through.
Lanas rolled his eyes. “Cyclops keep to themselves.” He tried to speed up his pace, but she easily matched him.
“Yes. Yet, it’s still out there causing havoc.”
“Not my problem.” Lanas dismissed with a grunt.
“Oh, you’re one of those witchers. I see. Not your problem until someone pays for it to be your problem.” She reached into her pack to produce a well-sized sack that made a nice clanking noise. She held it out in front of Lanas, who slowed down his stride to better examine the dangling prize.
She grinned at his interest. “Ah, there we go. Should’ve done this sooner. I’ll pay you to help me kill this cyclops.”
Lanas went to grab the pouch when she yanked it out of his reach. His scowl consumed his already harsh features. “I get paid now, woman.”
“It’s Nisalla. Nis for short. And no.” She shoved the pouch back into her pack. “Not until you agree. Can’t have you running off on me.”
Lanas glared down at Nis, but she just smiled back. Lanas let out a low growl and stomped ahead. “I don’t work with others. Especially not humans.”
“If you’re worried about me dying, don’t. I can handle myself.”
“That’s what they all say.” Lanas grumbled under his breath. “And I don’t care if you die. You might get me killed because you do something stupid.”
She let out a sharp gasp while clutching over her heart. “You wound me, witcher. Truly. Especially since I haven’t done anything stupid so far.”
One of his black brows rose as he side-eyed her. “You’re following me around. Testing my patience. I’d say that’s stupid.”
She hummed to herself in thought. “Reckless, maybe. I don’t think it’s stupid though.”
Lanas stopped walking, causing Nis to stop as well. Lanas got right in her face, forcing her to look up at him, and glared at her.
“Whatever it is,” his jaw was clenched so tightly that the words coming out sounded like hisses, “it won’t matter when I slit your throat and feed your entrails to the wolves if you keep bothering me.”
Nis’ brows rose and her stormy eyes widened. Her heart beat a bit quicker as she stared into his glowing amber eyes with slits like a cat ready to pounce on her. Then she let out a nervous giggle as she patted his shoulder. ��You almost got me there. Nearly pissed myself, honestly!” She laughed as he stared at where she touched him in furious disgust.
She motioned with an exaggerated arm movement down the muddy path, “Come now. I think if I stay here a moment longer, I’m gonna cut my nose off. This place smells like shit.” She sauntered towards the stables, with a couple of bystanders flipping her off for her blatant comment. Lanas stared after her with his fists balled tightly at his side.
“She didn’t even flinch.” He grumbled under his breath. He chuckled to himself that maybe she wouldn’t faint at the sight of this supposed cyclops. He caught up to her at the stables to find her preparing a sorry looking red roan. She hopped onto the mare and flashed Lanas a pleased smile.
“So, you are coming then?” She asked.
Lanas went over to his tanned stallion and petted the beast’s muzzle. He saw the burning curiosity brimming in the young horse’s eyes.
“We’re off again, Horse.” He patted the side of the horse’s neck before hopping on Horse's back.
“Horse? You named your horse, Horse?” Nis questioned.
Lanas sent Horse trotting ahead and Nis turned her mare to follow. She giggled to herself at the unoriginality before asking, “What’s your name, witcher? Or is that your actual name?”
She tossed the heavy leather pouch to the witcher. He looked inside the bag, and was pleased to see it filled with golden crowns glittering in the sunlight. He stuffed it into his saddle bags then glanced over at Nis awaiting eagerly for his answer.
“Lanas.”
Nis said the name quietly to herself then grinned. “Alright, that was half. You get the other half after you kill the one-eyed beast. Try to keep up, Lanny.” She took off ahead of Lanas, who watched her with an irritated scowl. If this cyclops doesn’t kill her, Lanas was sure he would.
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Read Part 2 Here
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