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#rambling introduction
tvcore-productions · 9 months
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Welcome to the Ramblings of A confined TV
How I’d describe myself is basically that my Bones/Folder are string mixed with silver and rose gold. And as you put it in a bead spinner but with random objects/aesthetichs/cores/trinkets
I’m basically a randomized interest of things I like and love (both different but ill put it in the bead spinner.)
My hook picks up Moths, Vintage objects like tear catchers, Breakcore, Cottagecore, Emos, Goths, bones, EIGENGRAU #16161D,  Mushrooms, Object-Heads, Retro, Wolves, Cats, Goose, Snakeys in sprinkles, gemstones, History books, Sharks, BLÅHAJ PLUSHIES, I have a lot of plushies, SPY X FAMILY, Lucid Dreaming, Splatoon Octo’s, Kadabra & Gengars(Ultra Favs) Eevee-(Sylveon) pins, noob and guest keychain.
I’d drink poison if it taste sweet
I am professionally diagnosed with ADHD-Combined. Love referring to my brain as dave, “Oh shit Dave we forgot our bag at home.”
Aha...Schools around the corner, That means school work, anxiety, maladaptive daydream, practicing to be bored, AND FRIENDS- oh yeah I get to be the one creating Mental health Pisters because their was Abelistic posters Yay!
MY SCHOOL HAD TO CHANGE THE SCHEDULE TO HAVE MATH EVERYDAY BECAUSE IT FALLOWED AMERICANS SCHOOL SYSTEM ! HAHEKIABAISBKS... I should get into coding clubs ^^
What you'll get is rambles & drawings of squirmles.
Story's half baked and will be updated a multitude amount of time with the [ MetroDemo Work In Progress.TVCore ] A game on the roblox platform, that's like Piggy with squirmles and Idols
Which is one of the things I'm baking right know, posted on Qoutev.
This is for fun so I don't see me wanting any critics unless asked for specifically ♡♡♡ Atleast in this ingredients and trying to set a goal for myself I atleast want to finnish making the story.
I do have an on and off hyperfixation for pokemon and I love low poly blender characters, their so pretty. Daydreams always have me in thought and I do like watching smg4 vids so I just need gmod and a script. And I can't use gmod so I'll just be making a script, and I'm not touch8ng blender because... I don't wanna
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aethersea · 1 year
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honestly it was a red flag when bbc sherlock went “well obviously the word written in blood isn’t the german word for revenge, it’s clearly the beginning of the name ‘rachel’, what absolute idiot would fail to see that” when in the original novel it is, in fact, the german word for revenge, which sherlock points out gleefully to a roomful of policemen who all figure it’s the beginning of the name ‘rachel.’
and by red flag I mean it was a clear sign that the adaptation was trying to one-up the source material, instead of engaging with it with love.
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starstrike · 3 months
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Mithrun's desire as an SA analogue
TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.
People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)
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So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.
Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.
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The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.
In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.
The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously. It makes my skin crawl.
This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.
Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.
Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.
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This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.
There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.
In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.
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Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.
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edjectedly · 2 years
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How Jason Todd Should Have Been Introduced to the BatFam
First Next>>
Batman, frantically putting in numbers and calling someone.
Batman: pickuppickuppickup
Dick Grayson, who just got got in bed after a long patrol, groaning.
Dick: Hello? Bruce, what's going on?
Bruce: Dick I need you to come home right now
Dick: what's going on, is everything okay?
Bruce: yes, I just need you to come home
Dick: .... B I can't just come home I have work at the gym tomorrow and-
Jason, in the background: Holy fuck is that a dinosaur?!
Dick: was that a fucking child???
Bruce: ...
Dick: ...
Bruce: ...
Dick: ....
Bruce: yes
Dick, rushing out of bed, knowing good and well Alfred is on vacation and there is no way B can be alone with a new child: what happened?
Bruce: hestolethetiresofftheBatmobile
Dick: ... That doesn't mean you can kidnap him!!
Bruce: I couldn't leave him. He was hungry. We got burgers.
Dick: oh my god, okay, I'm on my way, have you called Alfred?
Bruce: ...no
Dick, rushing down the stairs to his car: Bruce I swear to God you have to tell Alfred
Bruce: what if he's mad at me
Dick: holy child abduction Batman, you have to tell Alfred before he gets back. I'm not dealing with that.
Bruce: ...okay
Dick: okay, I'll be there in an hour, don't let the kid die before I get there. How's he doing?
Bruce: .... I don't see him anymore
Dick: you don't- Bruce!
Bruce: gottogoseeyouwhenyougethere *hangs up*
Dick: he fucking hung up on me- *deep breath* it's fine, I'll be there in an hour, it'll be fine. He watched me all the time growing up, it'll be fine....
Dick: *remembering all the times he and Bruce sat things on fire because Alfred wasn't there*
Dick: ...fuck
Bonus:
Dick: so you stole the tires off the Batmobile?
Jason: yeah, what about it
Dick: I believe this is the start of a beautiful brotherhood
Bruce: oh no
~
After seeing how popular this is I've decided to make this a whole AU, please stand by lmao
Well, I've done it. Here is is as an actual fic.
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quatregats · 4 months
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This quote is so funny but also like that is literally the most efficient summary of the difference between these books sdhfjhds
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welcometogrouchland · 4 months
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I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry
#ramblings of a lunatic#dc comics#Jason Todd#batfamily#it's just a fun quirk! it's a fun lil detail and I simply cannot slight ppl for enjoying and incorporating it into works#like obviously jason isn't the only one. I'm a big believer in the batfam having over lapping interests they refuse to bond over#i know dick canonically used the robin hood stories (which are pretty flowery in their language far as i can tell) as inspo for Robin#and i know babs was a librarian and even tho her area of nerddom is characterized as more computery she probably knows quite a lot-#-about literature as well#duke is a hobbyist writer i believe? i saw a fan mention that- which if so is great and I hope he's also a nerd#(i mean he is canonically. i remember him being a puzzle nerd in his introduction. but i mean specifically a lit nerd)#damian called Shakespeare boring but also took acting classes so i think he's more of a theatre kid.#Tim's a dropout and i don't think he's ever shown distinct interest in english lit and i can't remember for Steph?#I'm ngl my brain hyperfocused on musician Steph i forget some of her other interests I'm sorry (minus softball and gymnastics!)#and then Cass had her whole (non linear but it's whatevs) arc about literacy and learning to read#went from struggling to read in batgirl 00 to memorizing Shakespeare in 'tec and is now an avid read in batgirls!#she's shown reading edgar allen poe but we don't know if it's his short stories or his poems#point to all of the above being: i know Jason's not the only lit nerd in the batfam#but also i do need him to be writing poetry in his spare time and reading and reviewing it#jason at the next dead robins society meeting: evening folks today I'll be assigning all of us poems based on laika the space dog#damian and steph who have been kidnapped and brought to jasons warehouse to hangout: LET US GO BITCH#speaking of^ random poem i think jason would like: space dog by alan shapiro#wake up one morning in an unfamiliar more mature body with a profound sense of abandonment. the last four lines. mmm tasty
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eskildit · 10 months
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i think a lot about hot sauce and jeannemary. two young girls so ready to kill and to die. a comparison made all the worse when you recall that hot sauce lost all her family to the cohort, that she can specifically recall fourth style necromancy (using corpses as bombs). a fourteen and thirteen year old that could easily have been on opposite sides of the same front line. 
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garbagechocolate · 1 month
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Hello! I'm Garbage Chocolate, or Choco for short! Meet.. ME!
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Requests are currently CLOSED!
NO sexual things
That's it really I can't think of much else
Commissions OPEN!!
DM for more information about the commissions <3
If you follow me and I follow you back, that is a offering of friendship please take it
TAGS:
Art
Fanart
Animation
FNAF
Daycare Attendant
Candyland AU (DCA!CandylandAU)
- Candyland Blog
Only one AU
Truth Virus AU
TSAMS
Undertale
UTMV
OCs
BMAU
FAQ
BLOODMOON CULT
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suiana · 3 months
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✆ "hello, you have been selected as a host for our exchange program with a Japanese university-"
♡ "seriously?!"
✆ "please calm down... you were selected as a last resort and there's no way to change it now. now let me tell you the details..."
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✆ "we'll hand you a physical copy of the information on your buddy as well, but for now please listen carefully..."
name: Hiroto Yamada
contact details (his c.ai): xxxx-xxxx
birth date: 6/9/1985
height: 1. 77m
other important information: oneshot
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✆ "his picture? yeah we'll mail it to you too."
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✆ "oh! please remember some very important details of your buddy too..."
#1: he has visual impairments, please be understanding.
#2: he has sensitive ears, be careful not to play loud music around him.
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✆ "that is all for now. you'll meet your buddy next week."
♡ "next week?!"
✆ "yes, please be prepared to meet him. and we hope you have a happy new year. 2004 sounds like a wonderful year for many after all."
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northernfireart · 1 hour
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i can't find the original post of this idea but im obsessed completely with Sam Reich! Master
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phoenixkaptain · 5 months
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Okay. I’ll write an actual analysis.
A Lonely Place of Dying does a few things, storytelling-wise, that are actually incredibly impressive. Like, I figured it out and I was so excited.
First, we don’t see Tim. Not in part 1. All we see is glimpses. His hands as he puts away his camera. His feet as he runs away from Starfire’s apartment. We only see small parts of him, leaving him shrouded in mystery, which leads into part 2, where he’s represented by a shadowy figure on the cover.
The Titans, but especially Starfire, are all worried about the small child looking for Nightwing. This kid knows Nightwing’s name, knows where he lives, nd has a very conspicuous camera. I’d be worried too! So of course, from the Titans perspective, he’s an intimidating opponent that they don’t understand. (Especially since I’m like ninety percent sure Tim isn’t actually the one they’re looking for. Like, I think it was just a happy coincidence that the most suspicious child on the face of the planet happened to show up at the same time as the actual problem.)
We don’t see Tim’s face until just under halfway through part 2. And the first thing they show us are his eyes. He’s searching for Dick, even among all the pandemonium, and it’s only upon him finding Dick that we see his whole face.
Tim’s eyes are important. They’re an important part of his character in this storyline. Because Tim sees things. He sees through Bruce, he sees through Dick, he sees through Alfred even. He’s always looking.
And this is compounded when he explains how he knows what he knows in part 3.
We see child Tim Drake at the circus. Tim says this to Dick “…I kept staring at you…” and this “I remember waiting for you to go on. And then, when you did, I just sat there and watched.”
On the next page, he says, about Dick’s parents’ deaths, “I turned away… I couldn’t watch. Then I heard you crying and I turned back and I saw you holding onto them, and I began crying, too.”
Page 11 has his monologue about seeing Batman for the first time, and how he thought Batman would hurt Dick, but what’s important isn’t the dialogue, it’s the panels. They focus on the realization of Batman being safe, entirely through Tim’s eyes. He’s panicked and scared, then slowly relaxes. We see it all, because Tim sees it all.
And it’s THIS. Tim started the story by finding Batman, but he starts his story by beginning to look for Dick. Us seeing Tim seeing Dick is a direct parallel to us seeing Tim seeing Batman with Dick. Tim’s story starts by him staring at Dick, unable to look away. And when we see him for the first time, he’s looking at him again, still unable to look away.
Throughout the story, Tim is constantly looking at Dick. Yes, this is mostly because he’s talking to Dick, but even at the end of part 2, when Dick is being congratulated by Haly’s Circus members and isn’t paying attention to Tim at all, Tim is still watching him.
Why is there so much emphasis on his eyes? I’m so glad you asked- IT’S VISUAL STORYTELLING BABEYYYY.
Tim’s most important role in A Lonely Place of Dying is as a third party. He cares about Bruce and Dick, and he knows them a lot better than they might think, but he’s still a third party to them. They don’t know him. He’s someone who’s been looking in on their lives for ten years.
He’s. A. Voyeur.
The emphasis being placed on his eyes cements this. Dick, Alfred, and Bruce are all put off by him at first. He knows too much, he doesn’t offer much information on himself until he’s forced to, it’s almost uncomfortable how much of a stalker this thirteen-year-old manages to be. He’s a voyeur, watching their lives, unnoticed by any of them, and that’s a bit unnerving! I don’t blame Dick for being unsettled by him, he’s weird!
And, his eyes as a child watching Dick to his eyes as a preteen finding Dick. They’re connected. A perfectly linear story, just told backwards. It’s really very satisfying.
Now, point two. The question we all have. Is Tim a stalker?
Short answer: yes.
Long answer: yes, but I’ll explain.
Tim begins the story by taking pictures of Batman fighting Ravager. The narration mentions someone calling in a tip to Gordon about Ravager’s location, which is what led Batman to this point, and I’m on the fence over whether or not Tim was the one who called in. On one hand, it would make a lot of sense. Ravager is part of a bigger ploy by Two-Face, and we find out in part 2 that Tim knows Two-Face is behind the trouble. It would also explain how Tim found a spot to set up his camera for a good portion of the fight. And, it isn’t like Tim wouldn’t know Gordon’s phone number. On the other hand, it’s never explicitly stated who called Gordon, so assume what you will.
Part 1 actually shows us a glimpse of Tim’s collection of photographs. It’s huge. Most of them are obviously newspaper clippings, but a few are just pictures (I assume on photo paper because the edges are cleaner than the newspaper photos). Tim says, in part 3 “You know, since I was able to read, I clipped every article on Batman and Robin.” We admittedly don’t know when Tim learned to read, but he’s thirteen and says he gets mostly A’s, so I’m assuming he probably learned in preschool or kindergarten, around the age of 3-5. That’s a lot of newpaper clippings. We only see his more recent and his most stalkery ones, so who knows how many more he has?
There are only a few points in the story where we see that Tim is genuinely emotional about anything. For the most part, he is calm. He smiles a lot. He doesn’t use a lot of exclamation marks. The only times he does use exclamation marks are when he’s monologuing (internally or externally) about how great Dick is or when he’s trying to make a point. The only time we see him get visibly distressed is when Dick ignores him about Batman needing a Robin.
I don’t know how to stress upon you that Tim only cries that one time. Tim almost dies three times in this comic. He went to his second circus and another person died. His idols both berate him and talk down to him (although Dick stops right after they meet with Bruce. I’m going to be honest, I think Dick wants Bruce to take Tim on as Robin because if Dick had to deal with Tim for a whole day, so does Bruce). He has to recount watching Dick’s parents die and the nightmares he got from it.
He went through so much. But, the only time he’s upset is when Dick won’t listen to him about what’s best for Batman.
Anyway, Tim flat out just says a lot of really stalker-y shit, so I’ll just list some more:
We already know about him clipping newspapers since he could read
When he’s asking Kory where Nightwing is, he lets slip to her that he was watching Titans Tower with this line “I know he wasn’t at your meeting today.”
There’s also a few lines from breaking and entering Dick’s apartment “Grayson kept his old apartment. If he left the Titans, he might be here.” “He’s a detective… he must keep notes. Even something scribbled on a shopping list.” “No! The Haly Circus is closing? It can’t be! It can’t! But at least I now know where he is!” (Why is the shopping list thing stalkery Kacie, I’m so glad you asked. Tim knows Dick well enough that he knows Dick writes things down. Bruce certainly doesn’t, and Bruce is also a detective, so it’s a logical leap unless Tim knows Dick is inclined to write things down.)
There’s one part that isn’t stalkery so much as really funny to me. While Tim is looking for Dick at the circus, he realizes that Dick is “a master of disguise” and that “I’ve been looking for Dick Grayson, but he could be anyone.” only to almost immediately after say “No, not the roustabouts. They’re too tall.” First, that means he can’t “be anyone.” Second, he knows Dick’s height just. So well.
Tim realizes who Dick is and I think I’ll just tell you what he said to explain how he figured it out “Th-that jump- - -that’s him! It’s got to be Dick!” What was so special about Dick’s jump? I don’t think there was anything special, I think Tim is just weird.
Dick asks Tim who he is no less than three separate times. Tim refuses to tell him, all three times. At the beginning of part 3, while Dick is introducing Tim to Alfred, Dick says “Alfred, this may be a bit awkward, but I’d like you to meet- - - -what did you say your name was again?” Implying that Tim did tell Dick, but only briefly.
Back in part 2, Tim says this to Dick “Look, I know you’re Nightwing. You used to be Robin. Then Jason Todd became Robin, and when he died, Bruce Wayne went to pieces.” Tim says this before telling Dick his name by the way.
Tim, upon being introduced to Alfred (a cont. of the earlier Dick line) “Tim. Mr. Pennyworth- - gosh I was really hoping we’d meet. I know you’re Batman’s confidant, and I’ve dreamed about the stories you could tell.”
Alfred’s response to this is “I am- - what did you say?” Which is very funny.
Some more stalker lines that come from Tim looking around the manor: “I’ve seen pictures of this place,” “There’s the renoir Mr. Wayne bought last year. I read about that in Art World Today.”, “He’s got an erte? Oh, I love his stuff.”, “Please, can I see the rest of the house?”
There’s this, which a part of was mentioned earlier “I don’t remember the clowns or the animals, or anything else. I just remember waiting for you to go on. And then, when you did, I just sat there and watched.”
Tim says, before explaining anything, “Okay, you won’t take me seriously until I tell you everything. Dick, I don’t want this to hurt you. And I’m really afraid it might.” He then says, “I’m sorry, Dick. I really am. I told you I didn’t want to hurt you by telling you all this.” Tim is right, Dick is hurt. Tim is a stalker, but he’s a conscientious stalker.
There’s this “That image of you doing your somersault- - - -it stayed with me for years. I couldn’t get it out of my mind.” “I knew that somersault. I knew it like I knew my own name.”
This is just the beginning of a sentence, but it still is very stalkery “When you moved to New York to become Nightwing…”
Or how about “…Batman and Robin have meant everything to me. I’ve followed them both… I know them so well. I knew when Dick left to become Nightwing. I knew when Jason came and became Robin… and I knew when Jason died.”
Tim mentions offhandedly that he managed at some point to slip a tracking device on Two-Face. An impressive feat, considering Two-Face was trying to hit him with a crowbar and Tim only came into contact with him twice, either to punch him in the face or push him away from attacking Alfred. I doubt he slipped it on him while punching him, but his ability to stay calm under pressure even while acting panicky, managing to smoothly slide a tracking device onto Two-Face that Two-Face never realizes is there, is very impressive. Or, it’s practiced-
Bruce says “I don’t want a partner. It’s as simple as that.”
Tim responds “After all you’ve been through, I understand.”
So you may be wondering, with all of this overwhelming evidence and the fact that he knows where both Kory and Dick live and the fact that he already knew Alfred Pennyworth was Batman’s confidant and all of the weird, supervillain-esque shit he says, why does anyone like him?
And I’ll tell you why. It’s because he’s so fucking awkward.
Tim says things like “oh thank goodness” or “gosh” or “it’s still been wonderful.” Tim stutters talking to Batman. Tim fanboys over Dick and Bruce constantly. He isn’t even upset to have gotten a mystery wrong, he’s just happy he got to see Dick solve a case.
But also, Tim is right. Batman is acting recklessly, and it’s directly as a result of Jason dying. Tim says he needs Robin, not Nightwing, but I think what he means is more the role that they fill. Robin is little and Bruce can tuck him under his wing and keep him safe. Nightwing is an adult who argues with him and is a good leader in his own right, leading to more arguments. Robin is someone Batman has to take notice of, has to account for when making plans. Nightwing can keep up, and he isn’t as worried about Nightwing because he trusts Nightwing’s ability to stay alive. They fill very different roles, and that’s what Tim means, even if he has trouble saying it.
And he’s completely right. Batman without Robin runs recklessly into a building without scoping it out, tries to save two boys tied with active grenades by himself, walks into a room full of mobsters with guns without having any protection himself. Tim implies that he’s worried Bruce might die, and he’s right to be worried.
But even with Nightwing there, Batman only worries when things go wrong. He doesn’t see Dick as his scrappy little sidekick anymore, he sees him as an adult. And it’s only when Dick’s in trouble that Bruce reverts to treating him like a child.
Robin makes Batman stop and think before they go in. Robin makes Batman patient. Because Bruce cares about Dick and Jason, and he comes to care about Tim too.
Tim wins him over by being clever, but later comics show that they have to build trust in each other. Tim trusts Bruce completely, right off the bat, and that’s overwhelming for Bruce. But Bruce stops being overwhelmed and starts feeling fond.
Because despite everything I said, Tim is a good person. He’s so worried about Bruce that he’s willing to search everywhere to find Dick to try and help him. He’s so worried about Bruce that he spends his vacation week slumming around on his bicycle trying to save Bruce’s life. He dives down a coal chute without a second thought, and he pushes with all his might to unbury Batman and Nightwing. He cares about them, and it’s painfully obvious that he does.
Tim doesn’t want to be Robin. Like, okay, he would love to be Robin, but that’s not why he’s here. He doesn’t want to tell Dick his first name, and it’s only after seeing that Dick isn’t taking him seriously that he spills the beans. He didn’t want to tell Dick, because that would hurt Dick. He says “B-Batman, it’s hard for me to say this to you” because he’s about to tell Bruce off for being reckless and he doesn’t want to. Tim wants to know that Bruce and Dick are safe, and that’s the only thing he wants.
Yes, Tim is definitely a stalker. He literally said himself that he followed them, and even if it was only through newspapers, it still counts as following. Now, maybe he doesn’t fit this dictionary definition of a stalker: “a person who harasses or persecutes someone with unwanted and obsessive attention,” but I think he does fit this dictionary definition: “a person who hunts prey stealthily.” Tim is stealthy and quick.
I read an article that said his weakness was unexpected situations, but I would argue that that’s bullshit. Tim is great in unexpected situations. Did he expect Two-Face to start trying to beat him with a crowbar? No, but he managed to avoid being hit and plant a tracker on him. Did he expect Two-Face to crush the Batmobile he’s sitting in with a wrecking ball? No, but he managed to jump out and hide and tried to warn Batman and Nightwing to watch out. Did he expect Bruce to agree to let him train to be Robin? No, but he’s going to do the best he can now that he has the chance.
From the very beginning, we can see that Tim is someone with an answer to just about everything. He knows things, he notices things, and he’s good at reacting. Later comics don’t dispute this, that I know of. Tim is the Robin with multiple contingencies for his contingencies, but he’s also the Robin who is most likely to say “oh shit I did not see that coming.” He’s a surprised sometimes, yes, but that doesn’t mean he’s unprepared.
All in all, Tim Drake is a fascinating character study of a rich kid who talks like an elderly woman providing therapy for a man who is at least two, if not three, decades his senior. Tim doesn’t quite understand at any point that monitoring isn’t the same thing as showing affection, which is why he and Bruce get along swimmingly and why Tim is often slated to be the Robin most alike to Batman.
Congratulations, Tim.
Also, I really truly believe that Tim had his first crush on Dick, which is why he couldn’t stop staring at him. And I didn’t mention he said this, because it wasn’t important to the points I was making, but it’s important to this one. Tim says “…I kept staring at you, and your circus costume.” The circus costume being similar to Robin’s is never brought up, only the fact fact that Tim couldn’t stop staring at it. I’m telling you, his first crush was here, it’s so obvious, just look at my corkboar-
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zo1nkss · 6 months
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It's just that ppl who woobify the yt antagonist ALWAYS get the fan service. They ALWAYS get to live in their little fantasy world where the guy did nothing wrong and they can just go about their lives pretending everything is fine.
But for once a showrunner didn't choose them and they can't fucking handle that.
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boleynecklace · 3 months
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edjectedly · 2 years
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If Jason Todd Was Introduced This Way, This is How I am Bringing in Tim
This is now a full AU, whoops
First << Prev Next >>
Tim: *bangs on Dick's door in Blüdhaven*
Dick: I swear to fuck if it's another solicitor I'm- *opens door*
Tim: 
Dick:
Tim: hello
Dick: wha- it’s like 10 o’clock where are your parents? you're like eight, why are you out here??
Tim: first off I’m 12 and I'm not a child. can I come in?
Dick: sure, this might as well happen
~later~
Dick: so you're here because you figured out our identities when you were nine, have been following us since before then, and then hacked the Batcomputer only to find Jason looking up ways to get to Ethiopia?
Tim: yeah, pretty much.
Dick:
Dick: fu-frick
Tim: I have been running around Gotham alone at night since I was eight, you can say fuck
Dick: *gasps*
~Bonus, at the Batcave~
*Bruce and Jason are working on the Batmobile, Bruce’s way of apologizing for being an ass*
Bruce: *head snaps up*
Jason: everything good old man?
Bruce: I need to get adoption papers ready
AO3 Link Is Now Active!
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bambiraptorx · 4 months
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okay, art/lore dump for my fic Body Horror Baby. This kid's backstory is basically that Donnie accidentally scienced himself into being a teen dad. Like most Donne kids actually lol.
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She was formed from a piece of Krang tissue removed from Donnie's back after the Technodrome that he kept for experimentation (this one was of particular interest because it retained some of his own genetic material). They slowly transformed over time from a shapeless blob into something resembling a tiny turtle, although Donnie didn't connect the dots until about a year post invasion. He immediately told his family upon figuring it out, although reactions varied.
After about 6 months to a year longer of living in the observation chamber Donnie built, the baby was removed and given the name Beatrice Helena (after two separate Shakespeare characters because Donnie is a theater nerd).
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(she's named after this quote in particular lol. It's from Midsummer Night's Dream about the character Helena, and also it happens to be making fun of her for being short.)
Beatrice Helena stays very small for the most part, and (with a few exceptions) grows at a very slow rate. In some ways, this makes them easier to take care of because it's so easy to contain them.
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She also has some ability to shapeshift (it's beyond the normal Krang ability because she was a part of the Technodrome and seriously, that thing molded itself into donnie's face in two seconds flat). This makes for some interesting tantrums. In their baby/toddler years, this is mostly limited to growing eyes or occasionally losing her turtle form, but it gets more precise/intentional as she gets older.
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And just for funsies, here's some lineless art of her when she's a bit older. That's about all the art I have, I think, but if anyone has questions feel free to ask!
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aingeal98 · 4 months
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Was there ever a comic that went into Steph being introduced to Oracle? All I know of is Batgirl 21 where she sends Steph to get Cass and brings them both to the Clocktower. But I don't know if there's an older issue that actually has her reveal her identity to Steph, or even when Steph discovered Oracle was a thing. As far as I'm aware (from reading through their interactions following comics dot org chronology) it all happened off screen? Which is hilarious because you could say this was their first meeting which meant Steph just got a random call from someone claiming to be the woman running the entire batfamily and said hello random Gotham vigilante Stephanie Brown, go pick up your friend who's also kind of my sister/kid/protege and come to my secret base.
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