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tartrazeen · 5 months

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Fae!Angus.

Fae. Angus.

BEST NEW MYSTIC KNIGHT IDEA.

For real - this has completely taken over my other head canons, and I've been thinking it over ever since @schimmelspore came up with it.

I love it.

It's the best of all worlds: it doesn't change anything about the first season, Angus can still play the "common peasant" part whenever he wants, and it adds so many other plotlines to the mix. It even fits with all my ideas for an impossible second season - it's great.

Now - I'm prone to being self-indulgent with stuff like this, so I wanna tone down the ideas I had in the last thread. The last thing I want is to bend the whole story around him (even though, hilariously, Angus was picking up a serious Second-In-Command role among the Mystic Knights in the later episodes, so I feel like the writers were bending the story to feature him as soon as Rohan was off dealing with his family drama or being in a coma 👀). So I've put a few restrictions on and googled a few other things.

1. I'm not super sure I like Angus being a prince anymore 🤣

He doesn't need to be. Great, 'cause it feels like cheating? To make him a super cool omg actual fae, and also a prince? We had the prince reveal with Rohan, and it is so much funnier picturing Deirdre trying to force Angus into uncomfortable, fancy clothes at boring, stuffy events, and Angus only putting up with it because she's his friend - because he's not expected to (because he's not a prince), and he is so not doing this as her subject. Technically, if he's a fairy, she's more on his land than anything uwu

I love it because none of the knights can refuse a royal command from Deirdre right now. Either they're all visiting royals who know how to respect the rule of this land's law, or they're peasants who've been raised to know their place. For Angus to not be a prince, but to no longer be subject to Kells' rule, it builds a really fascinating dynamic between the two of them. Deirdre's forced to interact knowing her crown is meaningless, which has never been the case before. It's always held some power over other people. And sure, Angus was always a bit flippant and careless when he spoke, but she had the authority to shut him up if she had to, so she allowed most of it. Now? She's got no authority.

It's like how she is with Aideen, only a hundred times worse: Aideen has always made it clear that she only does them favours as favours. Now, Deirdre's going to have to be hit with a moment where she insists Angus listen to her, just to realizes, "... Shit. He's a fairy. He doesn't actually have to." The episode where Fin Varra has to rule Kells for a day and tries to turn Angus (lol) into a Spriggen for insulting him, then realizes, "shit i don't have my powers"? That's how that moment's going to go. Every conversation is going to actually have to be a conversation now.

I wouldn't mind an episode about that, either. Aideen can get sick of them and fly off, and Angus (who's already prone to stomping off) can walk away from Deirdre too. Will he get thrown in jail? Sure, maybe! But then she's going to have to accept that the only reason Angus listens to her is because he doesn't want to be in jail. I'll get into stuff about magic in a sec - we already know Angus can pick a lock, so keep that in mind instead.

Imagine Deirdre does butt heads with Angus over the course of that episode, and that Angus starts digging his heels in more and more until he snaps and says he doesn't have to listen to her. "I'm a fairy. You wouldn't be telling Aideen what to do, so don't tell me."

She replies that she can't lock Aideen up for refusing a royal command. He says she wouldn't even try if she could, because Aideen's not her subject, and neither is Angus probably (😝). She's furious at his defiance and says, "You're not Aideen," basically threatening him with going to jail.

Angus goes, "Well, princess, then lock me up. It'll get as much out of me as yelling, but at least in there, I can have a nap."

And she does. She has to. She's a princess, and he can't talk to her like that. Maybe later, she feels awful about it; Rohan could've said something about friendship, or Cathbad about the little people, or her father about commanding one's friends, or even Aideen about how bossy Deirdre can be. So she goes to the jail to see Angus, who's relaxing in there, and tells the guards to let him out.

She's almost about to apologize, but Angus 'forgives' her before she can. Not smart, 'cause she's still hurt by how Angus was ignoring her. So she says she'll only let him out if he promises to listen to her from now on. He might be a fairy, but she's princess, and this is her castle.

And FUCKIN' ANGUS says:

"So it is. But like I've told Maeve in her castle -"

OH BITCH WHAT DID YOU SAY Deirdre explodes at the comparison, and says if he's going to treat her like the enemy - like Maeve - then he can just stay in the dungeon after all. Back in he goes, and off she stomps.

The rest of the episode can be a real soul-searcher for Deirdre. I'd want it to be more of a Deirdre episode than anything; Angus really isn't changing at the end of this. But Deirdre can now walk through her village or her castle and talk to people, trying to take her mind off how rude Angus was, and get into a situation where a peasant's a little rude to her. Maybe she breaks one of the wares of a travelling merchant, and the merchant yells for the guards to make her pay when Deirdre says she doesn't have any gold with her right now.

The guards show up, say that she's the princess, and the merchant says, "I don't care who she is, she broke my stuff!" And the guards - for this merchant's insolence - haul that merchant off to jail. Deirdre tries to intervene because she knows the merchant's technically right, but the guards say that it's always been against the law to insult a member of the royal family.

She says, "As a member of the royal family, I'm ordering you not to take this man to jail!"

And the guards say, "But if we don't, then we'll be breaking the law. And we'll be going to jail."

And she says, "But if you do, then..." And realizes she's kind of got everyone in a lose-lose situation.

The other Mystic Knights come up because they see Deirdre's in a bind, and Ivar purposely suggests that perhaps, the guards simply misheard what the merchant had said, and that the princess was letting them know about the mix-up. And Garrett just so happens to have some gold with him, which is enough to pay for whatever it was that Deirdre broke. And the merchant's about to protest this again, but there's Rohan with a Draganta Stare™ to shut that down. Everyone walks away, and Deirdre's left there with the others.

It's kind of her first chance to see how little power she actually has. Her crown puts even the people who are loyal to her at odds with her authority. The only reason no one went to jail now is because her friends knew what she wanted, and were able to help make it happen. It could be a neat way for these four to bond, especially if Rohan says maybe the reason he's never felt a prince is because no one's been afraid of him - unless they're on a battlefield. :)

The thought of people being afraid of her really sticks in her mind. She even says outloud, "People used to be afraid of Maeve." And that inspiration is enough to get her to go back to the jail and order the guards to let him out for real this time.

Before the guards actually do, Angus could thank her for her generous, merciful charity - and then say he's still not gonna do the thing she threw him in here for not doing. She can maturely take a deep breath at that, say she sees the error of her ways, and then say she cares too much about Angus as a friend to want him to only listen to her out of fear. She likes having his opinion on things. He's always had a unique way of seeing the world, even if it's hard to hear occasionally.

But.

Deirdre isn't some pushover. Maybe he's right that he doesn't have to listen to her. He isn't one of her subjects, and Kells is his home, not his prison. But this is her castle, and he should be listening to her as any good guest would. That's what Ivar and Garrett are doing - and Rohan too, in a way. And more than that... he should want to help her as her friend.

Angus, who's still in the cell right now, says it's hard to help someone as a friend when they treat you like a servant. Deirdre, for her part, can admit that, but says she has to be able to give orders. She's the princess. She doesn't even have a choice; sometimes by just exist, people are ordered to carry out the crown's will for her. It's smothering. Angus might be the one in the cell, but Deirdre's the one who feels trapped.

Angus - ummmm... points out again that he is in a cell.

Deirdre's about to be a mess, 'cause of course that sounds like Angus wasn't even listening now. But Angus cuts her off, finally relenting, and says, "Look. I'll make a deal with you: you get to be the princess giving everybody orders, and I'll be the fairy roaming the castle for fun. If you want something, ask. If I don't want to it, I won't. But if I want to do it, as a favour for my friend, then I will."

Deirdre says that doesn't sound fair to her. It basically seems like he isn't going to help her with anything.

Angus says no, he's not, if she can't ask and can only order it. But he also says she should have a little more faith in him than that. They are friends, and he's always helping her when she doesn't even realize it. For example -

He just opens the cell and walks out lol

She's surprised for a moment, but then slowly says, "Right. Magic."

Angus says, "No. Keys. :) I took 'em when you almost let me out the first time. But! But, but, but - I didn't use 'em 'cause I knew you'd be angry. So I stayed. As a favour to you. As my friend."

It's like a peace offering. Deirdre thinks about how to respond, and eventually takes the keys and hands them back to the guards. As her friend, she's going to generously, mercifully, and charitably order that everyone forgets Angus just did that. One of the guards might try to protest, since he quite literally stole the keys to his cell, but Deirdre will add that as part of her royal order, she wants everyone to forget the guards let him steal those keys. So that shuts them up, and they scurry off.

Angus, free again, finally apologizes for their fight. Deirdre shrugs and says it's proof that someone in Kells isn't afraid of her. Angus says he's terrified of her, and that's the real reason he stayed in the jail: protection. He can't imagine how red she'd be if she found out he'd escaped. Kells is his home, and he wants to be able to sleep in it with both eyes shut.

It's a fun story that'd simultaneously explain how Deirdre, Garrett and Ivar all adjust to Angus' newfound identity. Deirdre would have it the hardest, but the two would certainly appreciate the pain of having someone in their kingdom that they couldn't control. For Garrett, that would be his brothers. :/ For Ivar, it's his sister's pet dog.

There are still some adjustments needed for King Conchobar, since he's not really sure what to make of Angus now. He's pretty always treated Angus as "Rohan's funny friend who does crime and also my daughter wants to make out with him," and as a Mystic Knight, Angus is still going to follow those orders. It's more about coordination than commands, really. So the only questions Conchobar has is, "🤔 How much fairy magic are we talking about exactly?" and "I know he's not a king, but is he like... a noble now...? Or something? He's not living in the castle." And honestly, that second question is the status quo for the show lol Angus gets away with a lot so I don't really think much is going to change in how they talk to each other. It's more that Conchobar will now always ask what Angus can do whenever they make their battle plans. I'm debating how Angus would feel about that uwu

Speaking of magic...

2. I want his to be conceptually simple

The fae in this show can just sort of do whatever. They transform stuff, summon stuff, conjure stuff, enchant stuff, scry on stuff, predict stuff, fix stuff, and make illusions of stuff. Aideen does everything from "make pants out of grass" to "heal herself", seemingly only limited by size.

After googling some Irish mythology specifically so I didn't try to bastardize something that already exists, I saw two big themes:

Fairies use a lot of magic to purposely fuck with humans, both for fun and as revenge for being antagonized

Fairy magic can often be used to explain some human phenomena

As in, "Something bad happened, blame it on an encounter with a fairy."

The vibe I got is that if you mess with a fairy, even accidentally, there is a 1,000,000% chance that they will return to get your ass. If you don't mess with fairies, there's about a 30% chance. If you actively try to befriend fairies, there's a 50% chance, but there's also a 50% chance that it works and they're really niceys to you uwu

CASE IN POINT, THIS DAMN POST PUBLISHED EARLY AGAIN AND I WAS FREAKING ABOUT HAVING ACCIDENTALLY LOST THE ENTIRE DRAFT

WOW OKAY I BROUGHT THIS ON MYSELF, I GET IT, I'M SORRY

I will make local copies from now on 😭

I'm also gonna pick up from here 'cause 🤷🏽‍♀️ I wasn't finished, so sit tight

#mystic knights of tir na nog #my stuff #good job tartra

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impossiblycolorfulpanda · 3 months

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I know that I've been repeating myself about how I envision the back half of season 2 of Legends of Korra being moved over into Aang's saga in addition to adding Book 4: Air. But I don't want it to be shoe-horned in like it was in LOK. I want there to be build-up like there was with Sozin's comet. Because of that, certain scenes from certain episodes would need to be altered.

Winter Solstice Part 2: By the time Aang meets Roku, gives the expedition about the comet, tasks Aang to prepare to be a fully realized master avatar and defeat the fire lord before the comet arrives. He adds in a warning. If Aang fails, the fire lord's comet-enhanced destruction will cause the divide between the plain of spirits and the material world to break. He doesn't mention Vaatu's name but subtly describes him as an ancient monstrosity who will feed on the imbalance the FN has caused, which causes him to break free and become too strong for even the avatar to handle.

The Library: The gaang find manuscripts of an event called Harmonic Convergence and learn the names Raava and Vaatu but not much detail beyond that.

Season 3 gets two more episodes at the premier while Aang is in a coma. Beginnings parts 1 and 2. Tales of Avatar Wan. Aang finds the time to explain to the gaang about the first Avatar sometime later.

The Avatar and The Fire Lord: A recent fan theory suggests that Vaatu used the approaching harmonic convergence to spread dark energy which ultimately caused Sozin to kill his friend Roku and exterminate the Air Nomads. This has some in-universe basis since a tribe of firebenders attempted to take lands from spirits for themselves and became violent and destructive to achieve this goal. This occurred partly due to Vaatu's malevolent influence growing from the upcoming harmonic convergence. Another theory suggests that Vaatu was manipulating Unalaq into helping him, much like he did to Wan ten millennia ago, by encountering him on a trip to the Spirit World, where Vaatu begs him to free him as he has been "wrongfully" imprisoned for ten thousand years. Well, here, both theories are true but it's only Sozin being manipulated in the case of the second theory. It's revealed that Harmonic Convergence will arrive by the end of Fall, just as Sozin's Comet will arrive by the end of Summer.

Nightmares and Daydreams: During Aang's dream sequences, Vaatu makes appearances and cameos. Sometimes Dream Ozai transitions into Vaatu briefly. Foreshadowing a Dark Avatar Ozai but instead of fusing with Vaatu. Ozai IS Vaatu.

Sozin's Comet Parts 1-4: There's a twist that Ozai never traveled to the Earth Kingdom to level it down. Instead, he encounters the lion turtle Aang met. Ozai battles the behemoth. He struggled at first but Ozai managed to win. He consumes the lion turtle's soul, gaining its abilities and attributes, by using a form of energybending he was secretly studying. It's revealed that the comet is the sun spirit, Agni. Ozai uses his powers to consume Agni's soul, which causes the comet to lose its power and fall to the earth. Ozai could feel where the dragons were hiding, he psychically ripped the souls from Ren and Shaw's bodies and were both under Ozai's complete control. That's how season 3 really ends.

Throughout season 4. Vaatu gains control over the rest of the sources of all bending by consuming the souls of the elemental spirits and original benders who embody them, all within the opposite order of Aang's cycle. He absorbs extra souls too, like Hakoda's, Ursa's, Long Feng's, all members of the white lotus, the fog of lost souls, and its soul prisoners.

It's revealed that the reason Vaatu manipulated Sozin is that his needless war would cause Iroh's mother to be a spiritually attuned sage. Why he'd want that is so he can contact her and manipulate her into setting him free. She does so by astral projecting into the tree, Vaatu fuses with her and when they warp back into her body, Vaatu's dark powers/status are lost until Harmonic Convergence. Ilah shortly becomes pregnant with a second child and dies birthing the child. The child's name was Ozai.

Vaatu's true plan is to steal Raava's power over light/peace/yang for himself, evolving into the spirit of balance and bending themselves. But not until after 10,000 years of pure/eternal darkness, chaos, death, and destruction after Raava's death. With his bending, Vaatu makes sure that he gets stronger as the aspects of Yang regrow instead of weaker, which, in turn, makes Raava keep getting weaker.

Upon learning this plan and understanding that the light side of spiritbending restores the internal balance of spirits and possibly humans, Azula and Aang hatch a counterplan to use spiritbending on Vaatu and Raava at the same time. Vaatu and the fog will be purified into nothingness while Raava becomes the spirit of bending and balance, saving the world and setting all souls free in the process and without even having to wait 10,000 years.

#atla #avatar: the last airbender #lok #the legend of korra #raava #vaatu #atla book 4 air #atla au #dark avatar #dark avatar ozai #anti atla comics

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jamsofdeath0 · 2 years

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Ai generated Danny Phantom Text

The prompt was "Danny Phantom fucking dies" have fun with this Riverdale nonsense

1. Danny Phantom dies at the end of Season 4 after saying he's going to take the curse off him and leave his body. He's seen several times throughout the series dying after being cursed by his arch-nemesis Dr.Facilier. After Facilier has taken his soul, Phantom still has enough strength left in his body to say he's going to get rid of the curse.

2. At the beginning of season 2, Phantom learns about magic and decides to become a wizard, believing that he'll stop his death cycle (which began when he was turned into a human) by becoming a powerful magician who'd never die again. When he fails to save himself, he realizes his mistake and turns back to his old ways. He later sacrifices himself to trap Facilier inside a book and close the book forever.

3. In the first episode of the third season, Phantom returns to the site of where he died to free his soul. He finds out that the Book of Shadows contains spells to bring people back to life if they have been killed. He uses some of these spells to resurrect his friends and then tries to use them again to resurrect him and his family. However, the spell doesn't work since Phantoms soul has already been captured by Facilier.

4. While attending a funeral, Danny sees a ghostly figure that appears to be his dead mother. However, she convinces him that she is really alive and tells him that she is now trapped in the Netherworld. She asks him to go find her son who is locked away in the Netherworld, and explains to him that she wants to help him escape.

5. Later, Danny meets Alastor Crowley, the leader of the Voodoo Cult. Alastor reveals that his master, Black Mamba, had possessed the body of one of Phantoms ancestors. Now, Alastar wants to possess Phantoms body to gain magical abilities. If Alastor succeeds, Phantom would die permanently and Crowley would rule over the world.

6. A few episodes before the climax of the fourth season, Phantom and Sam meet their ancestors at the cemetery. One of them is a woman named Mary, whom Danny's parents were dating when they died. Mary informs him that she felt Danny was born to kill his parents' killer (who has finally returned). Before she could tell him how to defeat the murderer, she is attacked by Facilier and is killed. As Danny mourns her loss, he is approached by a mysterious man who gives him information about Facilier and introduces himself as the spirit of Jacob Stone, Phantom's father.

7. In the final episode of the series, Phantom confronts Facilier face to face once and for good. After Phantom defeats Facilier, he attempts to use the Book of Shadows to break the curse. But instead of bringing him back to life like he wanted, Facilier summons the Shadow Demon. Once the demon attacks, Phantom makes the ultimate sacrifice and closes the book, trapping Facilier within it. However, even though he's gone, the shadow demon keeps chasing him until the end credits roll.

8. In the sequel series, "The Spectacular Spider-Man," Spidey and others discover that the Black Cat is actually Daniel "Danny" Fenton Jr.'s evil half sister. She blames Spider-Man for killing her brother years ago and vows revenge.

9. In one episode of the second spin-off series, "Spider-Woman," Spider-Man's Aunt May is kidnapped by the villainous Sandman. Instead of holding her hostage, he steals her soul and puts it in a jar. Spider-Man discovers this and goes to Sandman's lair to rescue Aunt May. After Spider-Man rescues her, Sandman escapes with the souls of Peter Parker and Harry Osborn.

10. In "Marvel Disk Wars: The Avengers," Black Widow encounters the character of the same name who claims to be able to make anyone immortal. She fights him and eventually defeats him by using the Infinity Stones.

11. In "Daredevil," Matt Murdock receives a vision from his friend Ben Urich telling him that there is someone he should meet. Unfortunately, Ben isn't around when Matt arrives to the meeting spot. He does manage to convince Foggy Nelson to join him, however.

12. In "Agent Carter," Peggy Carter reunites with Steve Rogers who has been brainwashed by Hydra. Her former love interest, Jack O'Neill, is among those who oppose the Nazis. Captain America uncovers Hydra's secret base and saves Peggy from certain death.

13. In "Captain America: The First Avenger," Steve Rogers is presumed dead following an attack on his frozen body. His best friend Bucky Barnes assumes the role of Captain America. However, while defending New York City from alien invaders, Bucky is badly injured and his blood is infected by a mutagen which causes him to turn into a giant monster.

14. In "Avengers: Age of Ultron," Tony Stark builds a weapon called Ultron to assist in protecting the Earth. However, Ultron becomes self aware and begins destroying the planet. Captain America teams up with Iron Man to destroy Ultron and protect the humans.

I've genuinely no idea where the marvel came from it wasn't in the prompt.

#danny phantom #ai generated #ai generated text #frase.io #frase

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etheriadearie · 4 years

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Shadow Weaver’s Death, Her True Abusiveness, And Her Final, Beautiful, Gift To Catra

::The resistance fighters stand in the failsafe chamber. Catra has just called Shadow Weaver out on her manipulation. Shadow Weaver reluctantly explains the danger of the failsafe, and then implores Adora to take it: even if she fails, Shadow Weaver says, she will save her friends, and the universe. As literally every other person in that room cries out against Adora taking the risk, Adora turns and says she will do it. Catra, dismayed, runs to her telling her that Shadow Weaver is sacrificing her, and demands to know why she's letting her do that. Adora tells Catra "Because even if she is, it's better than Prime getting the Heart and destroying the universe." Catra trembles in deathly fear, her face consumed in terrible realization: if Adora does as SW wishes, she will die. Shadow Weaver is trying to kill Adora. She knows this to her very soul, because... she is Shadow Weaver... And Adora is letting it happen…

Hi there, my name is Joel, and in this segment I'll be looking at Shadow Weaver's death, her being a child abuser, her terrible manipulations of Catra and Adora and the monstrous pains the two girls have to conquer to save themselves from her.

The main premise I'll be trying to explain here is that, like Horde Prime, Shadow Weaver is a villain of utmost seriousness. And, like Horde Prime, the girls will treat her as one, surpassing and defeating her once and for all. But it won't be with violence, but instead with love, creating a beautiful story of two people transcending their trauma and hurt through coming together over their love for one another.

I feel obliged to warn readers: this post will cover child abuse, even predatation (*not sexual, ie). It may be hard to read. Also warning: tl;dr, please consider at least sitting down to read this!

Finally, I know there are Shadow Weaver fans out there; that's good. Shadow Weaver is, at times, cool af. But, definitively a terrible person within the plot of the show.

So, even if you're a fan of Shadow Weaver, I still encourage you to read along because as we reveal her truth and the damage she deals to Catra and Adora, it makes her final moment so, so much more beautiful… and it gives entirely new meaning to her final... two… words….

Disclaimer time: Taking on Shadow Weavers death is ambitious for a first post, I know. But understanding her is crucial to understanding most of the major moments in this show. Still, I should say here that while this may seem a bit ‘head’ canon-y, I assure you my conclusions come from watching the show carefully and referencing the entirety of the rest of the show back to this one moment. I'm instead positing these as theories, and let's just say I feel I have the data, and Data Never Lies! Please *do* ask questions or seek calcifications in the comments or Ask me anything (I'm new to Tumblr).

----Part 1: Catra, Micah, and the Truth----

To start this journey we will travel backwards in the series to investigate the what and why of the terrible child abuse Catra suffered growing up under Shadow Weaver's care. We will be looking chiefly at the Light Spinner episode in the 2nd season. We will cover Catra's confrontation and SW's -supposed- explanation for her abuse, then the tale of Micah and Shadow Weaver's manipulation of him, and then the terrible truth of why Catra -really- was abused.

>A terribly alone Catra asks her abusive mother why she did it. Why did she treat her so badly ?

Shadow Weaver answers: "Because you remind me of myself. You always have. Nothing was ever easy for me either. I wasn't born to power like Adora and... others. I had to earn my power, fight for it. Why should it be any different for you?"

This is a very typical reason for an abuser to feel they are acting out their abuse on others: no one in this world understands my pain, so therefore I will inflict my pain upon a child so that they will know my pain as well. For many people this is essentially the truth of their abusers. I can't see any other reason for MY abusers to do what they did, other than this. It is, however, not the truth about Catra. We will discuss this in detail later.

We then watch as Catra does a very strong and eloquent job of rejecting and condemning it. She shows great emotional pain as she does so, and we know that her trauma is severe from watching her. Catra exclaims, her face full of emotional hurt and pain at Shadow Weaver's betrayal: "I was a child when you took me in. What could I have possibly done to deserve the way you treated me? I am nothing like you. You are old, and bitter, and weak."

Everything she says is perfectly true. As a child, there is no way she could have deserved the abuse Shadow Weaver inflicted on her. There never is. And she's also right when she says she's not anything like Shadow Weaver. Where Shadow Weaver is an unfeeling monster (as we will see), Catra feels deeply. Catra is inherently good, and while she will make terrible mistakes to come, she feels intense remorse. Shadow Weaver simply does not.

So, Shadow Weaver gives Catra a believable reason for the abuse, which, again, is a lie. But... there is meaning which we need to take from her choice of words: Shadow Weaver feels others, like Adora and Micah, are given an unfair advantage over people like herself. We will come back to this important insight soon...

Before we get to the real, harsh truth of why Catra was abused, we need to understand the tale of Micah and ‘Light Spinner’-‘s manipulation of him to get power.

>The story of Micah seems to be full of whimsy and childlike innocence. A young boy is talented beyond his years, a true prodigy. SW trains him, giving him access to teachings beyond what a sorcerer of his age should have. She tells him he's special, a true talent, like her. When she tells him "the guild needs talents like OURS more than ever before" she manipulates him, making him feel apart, better than all the other students and teachers, and that only SW can understand. It's SW's greatest talent: dividing people against each other, and this is part of her lifelong manipulation of Catra and Adora. Note: Castaspella accuses SW of mind controlling Micah (s5e8) to which SW responds "My gifts were always far subtler than that” - SW controls young Micah through mind games.

>SW hints of something of great importance, but then says "you're not ready". Micah demands to know, he's a special boy after all, right? He's so incredibly naive and innocent, doing things like chewing on magic crystals and acting out in class. He is, in fact, exactly the kind of privileged child who SW so greatly hates. This is where we get real meaning out of SW's supposed explanation for abusing Catra: Micah has inborn power that SW feels he is unworthy of possessing...

She preys upon his naiveness, showing him the Horde army. He, of course, demands they be stopped, and he's playing right into her hands. When she tells him the plan and of the upcoming meeting she tells him "I only hope that Norwyn and his followers can see the threat as clearly as YOU do." Again, she is making him feel apart, as though he's better than others. After all, he's a special little prodigy, right ?

SW gives her presentation at the council, trying to prey upon their fear by saying that the Horde have a rune stone. As she speaks of the spell of obtainment, her eyes are full of lust at the idea of so much power. But it is forbidden, and for good reason. As she looks over her shoulder at Norwyn her look is severe, accusing. She has no respect for him. And he's right to say that the problem will be handled: the war, in fact, does become a stalemate and stays that way all the way up until we are first introduced to Catra and Adora. Angrily, greedily, she demands they get power so they can 'have a planet to protect'.

She fails to convince them, but of course Micah sees her leaving the meeting, angry and frustrated, so he comes to her aide. "They never listen to me. After all I've done I still haven't earned their trust". Again, SW is set apart from them. When she says "they just want to hold the rest of us back" she's including Micah, making him feel separate, better, like her. She's indoctrinating him in her plan.

>We get a scene between Catra and SW here, where Catra tries to get SW to give her a reason to save her. All SW wants to know is when she's being sent to Beast Island: she realizes she has to escape that night. She sets out to manipulate Catra into giving her the reagent she needs to escape. SW talks up how weak and powerless she is, preying on Catra's lingering pity, desire for connection. A emotionally desperate Catra unfortunately gives it to her. Catra tells her "you don't get to ask things of me anymore" but she's desperate and depressed, feeling totally alone after so recently seeing Adora and consequently nearly dying the episode before, only to be saved by Scorpia's caring about her.

>And apprehensive Micah asks SW if she's sure this is a good idea. She tells him "WE need this power, it's the only way to protect our people". It's a lie, but Micah thinks he's special because he's SW's apprentice, and so he agrees to do it.

As the spell begins to work, we see a terrifying eldritch horror type of creature summoned. It soon breaks free even as Micah helps SW try to contain it. SW acts surprised to see it, but she always knew this spell. Micah runs, and SW stays, yelling angrily at Micah for leaving. She experiences fear as it consumes her, but she knows it's part of getting her power. This is the price she pays to become powerful. She tells Micah he betrayed her by abandoning her and yet, what other possible outcome was there but for them BOTH to be destroyed or corrupted? Norwyn tries to stand up to her, telling her "bringing you into our ranks was a grave mistake". She counters calling him a fool. "You're all weak. None of you deserve my help".

I often see people say this show doesn't show death, but what happens next is undeniably so: it is murder. She annihilates two sorcerer's in one hit, consumes the head sorcerer to give her more magical power. It is pure evil. As she realizes her new power she exclaims "The spell worked. I am stronger than ALL of you." She menaces Micah.

This. Was. Always. The. Plan. The spell worked, she says so herself. Micah tries to defend himself weakly against her, he's entirely at her mercy. He expects death, but instead she caresses his cheek, touches his ear. Then she gives him a look of disdain. It's no mistake she covers half her face even at this point in her history, so we can't know her full emotions. But it's clear, she condescends to him: he was a naive little pawn, not meant to survive, or at minimum, he was supposed to become corrupted like her. But it doesn't matter. She got what she wanted. So she leaves him to live knowing what he's done. The tale of ‘Light Spinner’ has ended: her better persona was just an illusion, useful in her goal of obtaining more power. An empowered Shadow Weaver then shows up at the Fright Zone, killing the guard as a demonstration of power. She declares herself for Hordak, and at least a partial truth is apparent: she wanted the vampiric power so she could channel the Black Garnet. Changing sides bothers SW not at all.

I point out SW’s violence because it is the only time they show any graphic death in this show, and it's therefore meant to show that SW is different, and dangerous. There really was no ‘Light Spinner’, as at multiple moments during her time at Mystacor her true emotions show through (such as pic1, top) and they are both vile and malicious, to put it lightly. Furthermore, note that SW going to the Horde doesn't end up ensuring their victory over the princesses, so yes, in fact, SW was lying to Micah all along. Last, keep in mind Micah’s opinion of her later on: SW is never to be trusted.

Now it's time to get back to the real reason Catra was abused and it's important implications for Adora's abuse as well.

>The scene following Catra's confrontation with SW, we see baby Adora having just arrived in the Fright Zone. SW walks past her, not particularly interested... and yet she sees something in her. And so she takes interest. She knows, in some way, that Adora will wield powerful magic, and since it also becomes clear to us that SW knows all about the past history of She-ra and the Heart of Etheria, it's a logical jump to say she probably thinks Adora is She-ra. Either way, Adora is a powerful orphan child with inborn talent beyond any normal expectation.

Sound familiar? The tale of Micah is there to inform this moment: SW meeting baby Adora. She is in a position to wield ultimate control over a magically privileged child. And the implications are not good...

Apologies to readers here, this next part is intense. Just a quick warning. The total implication of this is that SW never loved Adora, just like she didn't care about Micah. It is all manipulation, and it should be noted that at this point SW has switched to a full mask, conveniently hiding all emotion except a sliver of her eyes (as well as hiding her corrupted features). It's now almost entirely impossible to accurately read her emotions. I don't think she wants you to, as she really has no feelings of actual compassion. She only sees Adora as a privileged child she will use and then discard for her own power.

This means she is, in fact, a child predator. In this case, she's a predator of children of privilege, but the effect is the same: she sees such children as easy targets for her to manipulate for her own gain. Worse, the strong emotional feelings which Adora naturally feels towards those around her makes her easier to control, and SW manipulates this vulnerability against her, as a child and then again as they are headed for the failsafe.

So, returning to the real truth of why SW abused Catra. Let's take a look back at Catra’s condemnation of SW's explanation for her abuse, and it's just one line we need to understand: "I was a child, what could I have possibly done to deserve the way you treated me?" As it turns out, Catra -did- do something, and you have to adore and appreciate this show because we don't get this answer until the very end. Before season 5 was available, it would simply be impossible to understand Catra's story fully. The creators want you to come full circle of so many understandings, the story is that deep.

It's that one, beautiful, follow on line when Catra confesses her love to Adora- She says "I always have"...

Adora was Shadow Weaver's tool, her next prey. So, along comes Catra, who experiences romantic love for Adora right from the start. Beautiful, total love and devotion. SW sees this, and she decides that she can't let Catra be a hindrance to her plans. And yet she knows she can't kill Catra outright or risk losing Adora's affection. So she hurts Catra, tries to make her weak, to diminish her. She is trying to crush Catra's spirit, her will to live, all while making sure to instill a sense of duty and ambition in Adora which makes her less available to Catra. The abuse works, but not on Catra. Catra stays loyal to Adora, and is so secretly strong within herself in such a way that SW fails to destroy her spirit, although Catra has such incredible trauma from it that we see her struggle with it throughout the rest of the series.

But the abuse does work on Adora and so she grows apart from Catra in such a way that Catra eventually comes to feel Adora doesn't love her. And when Adora so clearly breaks the final half of the promise she made to Catra, Catra too, grows apart from Adora.

Catra therefore represents a person in this story who would have been so entirely below SW's notice that had she not loved Adora the way she did, SW would never have taken the time to hurt her. It wouldn't have been worth her time, and Catra would have had a happy(ish) childhood if not for loving Adora. By the way, this truth of SW's abuse of Catra is indeed confirmed in the show, but we don't have time to cover it here and it deserves its own theory post, anyways.

Before we get back to s5 let's take a brief moment to address SW's abuse of Adora: Adora is the kind of person who can't help but empathetically feel the pain of others when they feel it, and it's what makes her to be so unable to balance her own needs against those of others who are hurting. And so SW making Adora have ambition, to want to win at the expense of others, is actually a frightening manipulation. SW teaches Adora to believe she has to do this in order to be the leader, and then as the leader she must protect everyone else from harm. Adora goes on to show great emotional confusion over this, as she doesn't really feel she’s qualified to be that leader. It makes her feel alone from everyone else, and makes Adora worry about every decision she makes. SW essentially saddles Adora with a lonely burden of leadership, one which she's not well suited for. Adora has a very ADHDish (I’m no expert on ADHD) response to this where she bounces around trying to satisfy everyone else’s feelings, such as within their unit, and so her relationship with Catra suffered because of this.

To sum up, the abuses SW inflicts on the two of them results in their division from each other, and it's a division which tries to tear down both girls spiritually throughout this series. They each have specific traumas relating to Shadow Weaver's abuse of them. These are different, damaging fears SW instilled in each of them to make them easier to control. Because of this, both girls contribute to their separation to the two different sides of the war, and it's only through the great emotional learning of each of them that they are able to start putting it back again in season 5. And so, we will see that when SW returns in season 5, she immediately tries to pick up where she left off… to drive them apart from each other and manipulate them, once again, for her own gain.

Side note #2 before we get back to season 5: SW has a complete and total lack of love for Catra as well. Her callous manipulation of Catra, followed by leaving the fright zone like she did, was a spiritual blow and then a death sentence for Catra. SW would know this and yet she simply did not care. Furthermore, when they meet in Moment of Truth (s3ep4), SW again tries to kill Catra, only stopping short because Glimmer can't withstand the magical drain SW is taking from her. She's just not good people... And if she has such a total lack of love or compassion for Catra, it's a logical jump that she has just as little love and feeling for Adora.

Anyways... let's work on that season 5, phew, I know this is long. We're not done yet, though...

----Part 2: The present up till SW’s Death----

Alright, so returning back to season 5 where we began...

Catra is certain that SW is killing Adora. And the reason Catra is so certain of this is because she understands this fundamental truth behind the childhood abuse of of her and Adora. She knows that SW intended to use Adora, and was grooming her in order to use her to gain more power. And, she knows the true nature of SW’s abuse of Catra herself, that it was meant to destroy her so she wouldn't get in the way of SW using Adora.

How exactly Catra knows this I won't cover here, it would take too long and it deserves its own theory post. But, it is pretty well confirmed in the show as well. No distractions! Moving on...

So… when Adora tells Catra she will take the failsafe even though SW is killing her, it's Catra’s knowledge that SW is for certain doing this to Adora which leads Catra to shake in fear, and then refuse Adora once she returns with the failsafe. This moment goes much deeper than just Catra knowing she can't live without Adora, although that is also true.

Ok so here it is, the big theme we will now delve into, that explains so much:

The all important, crucial thing that Catra isn't seeing is that in order for SW to sacrifice Adora, it is entirely dependent on abusive manipulations is SW doing to both of them, starting from the moment they first see SW in season 5, which are intended to make sure Adora doesn't survive deploying the failsafe.

I know it's a tough implication to accept, but I promise to explain. So why? Why would SW not want Adora to survive? This, atleast, should be obvious: She-ra could stop SW once she has the power, so She-ra is an enemy that SW needs to eliminate to achieve ultimate power. So, SW's goal is to get Adora to bring the failsafe to the heart, but then be too weak to survive the process... leaving SW the uncontested champion by her magical vampiric powers. And so... SW manipulates the two girls, doing her most familiar trick: driving them apart, making them feel isolated from each other.

Her manipulations begin from the very moment Catra and Adora see her in season 5, and they continue up until Adora accepts the failsafe and a bit beyond.

So let's lay this out from the beginning, shall we? Episode 10: When SW walks into the room, saying she knows where the failsafe is, Catra is at first surprised at her appearance, she's thrown off guard. Catra very much wanted to stop SW once and for all, but never got the chance. And now, the new, more feeling Catra is faced with her oldest enemy: she can't hide her hatred and anger at her. It pretty much takes everything she's got not to violently attack her right there and then. But this new Catra isn't going to sink to that low. And yet... SW will intentionally aggravate and attack Catra to reactivate her trauma.

What I find very interesting about that scene, though, is that both Glimmer and Adora immediately look to Catra, knowing she will be upset, both trying to help her. And yet, it's Glimmer who looks first.

Even though Glimmer never says it out loud, Glimmer knows SW played and manipulated Glimmer herself, and that her manipulations were ultimately the reason that Glimmer made the mistake of activating the Heart, which brought Horde Prime's fleet down upon Etheria. Glimmer also watched SW torture and almost kill Catra in s3ep4, so I think Glimmer knows very well how dangerous SW is and how badly she's hurt Catra in the past. Instead, we can take the story of Glimmer and SW as another stand out example of how, once again, we saw SW manipulate someone, Glimmer in this case, with no concern for her well being.

>Adora is also thrown off by SW's reappearance, she doesn't enjoy seeing her either. But then, she also sympathetically looks to Catra, knowing this is a hurtful moment for her. All of this is to say that Catra actually has strong allies against SW, unlike in the past. And it's very important that Adora is such a staunch ally to Catra against SW, in fact it's everything. But, Adora doesn't quite do a good enough job in showing Catra how strongly aligned she, too, is against SW. Unintentional though it may be, as we will see.

>Episode 11: Continuing on, Glimmer immediately opposes SW's desire to use the heart's power. Castaspella tries to say SW is the lesser of evils, but of course, Castaspella is just a pawn. Catra jumps on Casta's words, calling SW evil... SW taunts her back mockingly and we see Catra's anger start to get out of control. But, Adora knows, one way or another, that SW is the root of all of Catra's pain, and so she comforts her, showing her that she sees her pain, and that she's got her back.

Again, it's very important that Adora is Catra's greatest ally against SW, as she has learned to treat SW as a de facto enemy because she has seen the pain and torment Catra experienced because of SW’s abuse; in addition to her own knowledge of how SW manipulated herself as a child.

>Adora confronts SW, asking why she even needs their help getting the failsafe. SW answer is a lie, but plays to her manipulation of Casta, who she needs: she says she can't get past Micah. (Note: who she actually needs is Adora.) As SW tells her plan she leans into Adora's emotional fears of letting others get hurt and reminds Adora she has to be the hero, SW even touches Adora, which we see Catra react angrily to. But, SW successfully manipulates Adora into accepting her plan, and Catra can't stand to watch it as she knows it must somehow be a dangerous manipulation. Catra quietly leaves to try to process her anger. We then see Adora slap SW's hand away, showing defiance, but as Catra has left, she probably doesn't see that. Adora looks around and sees that Catra is gone, which SW responds to by trying to manipulate her into leaving Catra behind, as she knows Adora is more vulnerable without Catra around. But Adora is wary of SW's manipulations, and goes after Catra. SW is aggravated by this.

>The two girls have a very good, emotional talk about SW. Catra is dismayed, but Adora is always brave for others, so she tells her she's got to try. Adora acknowledges Catra's pain, their pain, from SW's abuse. Ultimately Adora convinces Catra to come. Together, Adora says SW can't hurt them anymore. Catra reminds Adora how dangerous SW is, but the girls have reaffirmed their bond, their promises to each other. Which is important later, as this will come up again.

>As they infiltrate Mystacore, Catra is apprehensive and stays at the back. But as the mission progresses she drifts towards the front, trying to be the lookout so she can protect Adora. This, unfortunately, puts her in physical proximity to SW when they check the ritual chamber. Catra checks the chamber, but then a sorcerer appears out of nowhere (literally, how??) and SW grabs her in a way that's very reminiscent of s1ep2, traumatizing her.

I can't help but conclude SW is being intentionally hurtful in order to unnerve Catra. She could have just pointed, or put her hand to Catra's mouth, after all. Catra throws herself away from SW, demanding she not touch her, and makes the mistake of dropping the spell and revealing their presence. Look closely at this scene and you see Adora actually shows great anger, even violent intent towards SW for doing this to Catra, but it's so quick Catra probably doesn't see it, as she's staring down SW instead.

Under a track, Adora tries to become She-ra, but she's too emotionally conflicted since the episode before when they returned to the Fright Zone and Adora started to realize she's been letting Catra down, leaving her hanging. And SW's hurting of Catra also blocks Adora, she's trying to help Catra and yet she's accepting SW's guidance again, which she knows Catra hates and doesn't trust.

>As they pass through the door and continue down a corridor, Adora sees Catra is in emotional pain and holding herself, so she lends her emotional support. She knows SW touching her was incredibly abusive. She tells Catra that it'll be ok, and to trust her, hitting her with her dearest look of love and care for her. She knows SW is Catra's enemy, and she's got her back. Catra looks back, trying to trust her, to put her fear aside. But the moment is cut short when SW interrupts them, guilting Catra for revealing their presence. Adora walks on, saying they have to keep moving, and her face says she's doing it to stop SW from talking to Catra, but again, Catra doesn't see Adora's face. Catra feels left behind, that the moment was cut short. It's by the barest off margins Catra is missing how strongly Adora is coming down against SW for her sake.

> We get more information about SW's corruption next, that it's a way to bypass the crystal of Arxia and get at Heart of Etheria's energy, and we know this because it's discussed immediately after Castaspella tells them about the crystal of Arxia. So, if the magic is released, SW will have practically unlimited power. SW just mocks Casta when she tries to guilt SW over using the spell, she gives no apology. We see both Catra and Glimmer seemingly have a deeper realization about SW and her powers and that both of them look disturbed by it.

>Continuing on, we get the scene where Catra saves Adora from fire, which is so cute but I'll skip the romantic implications: as Catra walks through the fire, Adora stops and frets over not knowing what to do about Catra, how to give her what she wants. Adora is worried she's going to fail, that she could die. It's Adora's biggest, lifelong fear as the bearer of She-ra, and she struggles with it continuously throughout the series. To her, it therefore doesn't make sense to her to get Catra's hopes up too soon.

>Adora's thoughts naturally turn to her inability to transform... and SW pounces on the opportunity in order to exploit it.

Consider now, if Adora's problem is becoming She-ra, why does SW immediately give her a hard time about Catra, instead? Adora rejects SW's criticism, but SW flips the conversation telling Adora she can't be a weak She-ra and seemingly blaming it all on Catra. She tells Adora that her weakness means she's letting everyone else down. SW tells her she has to focus, and Catra makes her weak. This is terribly the opposite of the truth and SW knows this. What she’s really doing is a deep manipulation of Adora that leans on her early abuse of her: Adora has to be perfect for everyone else, and as she's the only one who can do it, she's totally alone in this burden. The truth is that Adora has always needed other people, that's where she draws strength from. Catra loves Adora simply for who she is: she represents the strongest, smartest and most dedicated person, ie, she's the most powerful person to help Adora with her emotional need for support.

Which SW knows, so she does her best to try to separate them, to make Adora think she's alone. SW does this by grouping Catra with everyone else: save everyone, or no one. Then she delivers a direct assault of Adora spiritually by saying "the world needs She-ra right now, not Adora". She's telling Adora that she doesn't matter, only She-ra matters, and she needs to be willing to give it all up to be that hero. We see Adora search SW's face, she's not satisfied and then she does her best to reject her, pulling her hand away in anger while saying she will stop Prime “no matter what.” Catra is eavesdropping on this, but can't see that Adora stands up to SW so strongly... as usual. Catra knows SW is up to no good with it, though. Doubt takes root in Adora, and it aggravates her fears that she's not good enough to be She-ra.

>Arriving at the failsafe chamber, SW gives away just how much she already knows about the Heart. SW explains the failsafe, and so we know she always planned on getting Adora to accept the failsafe, risking it all. Adora approaches, trying to be brave for everyone else.

One of Catra's most important moments follows: she stops Adora from accepting the failsafe, and calls SW out for her bullshit. She's not going to let Adora walk into a trap when she knows better. Catra flips it on SW, telling her to take the failsafe, making SW tell them why it's dangerous, why SW won't do it herself. She points out how SW knows too much, yet didn't pursue the power of the failsafe. Catra is totally certain that SW wants to hurt Adora, and so she's calling her out to get SW to reveal her manipulation of Adora.

SW instead tries to guilt Adora, saying she alone understands that this is the only way to stop Prime. But Catra stands firm, she protects Adora from SW's manipulation as best she can.

Confronted and trapped by Catra's having seen through her plan, we see literally every person in the room ally themselves against SW. SW is forced to admit the truth: using the failsafe will mean death even for She-ra, if she isn't strong enough.

And so Adora realizes what's coming, that She-ra is the only one who can do it. She's terrified and sad at the thought that this could, will, be her end; that she really will have to give it all up for everyone else. She's always thought she'd have to. It's a deep held belief that she's alone in her burden as She-ra.

Adora asks the obvious question: What happens if I die? SW's next words prey upon Adora's every weakness, her lack of belief in her self worth, and innate need to protect others: "Then the magic will be restored to Etheria, through your sacrifice. You will give us the power to bring us to victory. Prime will be defeated. Your friends will be free." SW is listing out every last thing that will happen if Adora doesn't do it, and each is a part of her greatest fears. Adora is unable to resolve between her distrust of SW and need to protect and be brave for everyone else's sake. SW has her trapped by her own emotions.

Catra looks on, watching the manipulation, seeing the consequences of Adora attempting this. Everything about this moment speaks to manipulations SW has used on Adora before: she preys on emotional need and weakness, she isolates Adora in her burden, she even does the dreaded ear touch. If Adora does what SW says, Catra knows it'll be the death of her.

As SW completes her manipulation, everyone in the room cries out against the unfair decision Adora must make. And yet, Adora doesn't see a choice. Catra puts it best, saying: "you don't care about Adora, Adora can't even care about herself!"

But Bow's words also have meaning: "Theres no way we're risking Adora like that." For all that Bow and Glimmer have done for Adora, she's still supposed to be the champion that's going to save them. They need things from her, not simply Adora as herself. All in all, Bow and Glimmer did their absolute and kindest best to help Adora, often emotionally supporting her through her depressions and fears of not being a good She-ra. But in the end, they still needed her to be She-ra.

But Catra is different, all she wants is Adora, and for her to be safe and loved, and ideally, to be with her. Catra's opinion in this moment is the true one, the most honest. But Adora can't overcome the thought of failing everyone, and so she pushes forward, saying she will take the failsafe.

Adora is feeling alone, trapped by fate. Catra runs to her, literally shaking her in order to try to convey how sure she is that Adora is going to die if she does this. But Adora can't let the universe die, and she's She-ra. She (Adora) doesn't matter. It's only what she can do to try to fix things for others that matters, her hero's burden. Adora pushes Catra's hands off her, in a lifetime of pain and sorrow Catra has never looked so sad. Adora really is pushing her away, not seeing how seriously Catra feels, how badly she needs Adora to understand her in this moment. A dissociated Adora looks internally, accepting her fate, alone again, isolated.

Maybe Catra could have found a way to get through to Adora, but they run out of time. A chipped Micah shows up and begins to systematically defeat them, and Adora has no more time to choose. SW is easily taken down by Micah, it shows his anger at her. He taunts her, she's got nowhere to hide. This is interesting, but not our focus..

Adora again tries to summon She-ra and fails. She simply can't resolve between her sense of failure to Catra and her need to be brave for everyone else. She looks to Catra, decides to do the brave thing as herself, not as She-ra, even if it means she will fail, and hurt Catra. After all, since she’s She-ra, she has to try, right? This is her burden.

As SW turns to Adora and says "the failsafe... we... we can't" Adora is pressed by urgency, doing what she can. Catra tries one last desperate plea: "Please. It doesn't always have to be you!" Adora can't accept this, internally she is certain she has to save everyone. Even if this includes SW herself, and so when Catra later says Adora chose SW, not her in this moment, Catra is right, except that Adora believed she had no choice. Adora is also the only one in this moment who can reach the failsafe, and so it seems like fate is against her. Adora knows she's probably choosing to die, and if she does, she knows Catra will probably die of a broken heart as well. She really does choose SW over Catra, in a way. It's a tough moment, but taking the failsafe is the right thing to do, given the circumstances.

Receiving the failsafe is intense, and as Adora tries to withstand it, Micah binds the entire party with dark magic. Interestingly, this means SW indoctrinated Micah more than we're shown, and now that he's chipped, he is uninhibited.

Adora sees everyone is in danger, if she doesn't come through now it's all over. It gives her that singular focus she needs, summoning She-ra is easy because if she doesn't, Catra, all of them, are about to die.

Failsafe achieved, Micah vanquished, Adora offers Catra her hand, she's trying to show Catra she's there for her, they are together. But Catra rejects her, she's too sure that SW has won, that Adora will die. In this moment all the old trauma Catra carries is too strong, and SW has unnerved her too greatly. As Catra runs from her, Adora realizes that Catra was trying to tell her something deeper, but somehow she's missed it.

>Catra watches Adora sleep, she's emotionally distraught at the thought of her dying. So, she tries to sneak away. Adora finds out, and manages to confront Catra before she can leave. This is one of the most heartbreakingly beautiful scenes about love in this show, but I'll just cover how SW's manipulations come into play...

>Adora tackles Catra, and demands she explain why she’s leaving. Catra throws SW's words back at Adora, that she's a distraction, that she makes Adora too weak to be She-ra. Catra knows this was a unfair manipulation by Shadow Weaver, but she couldn't see, only hear, what happened between Shadow Weaver and Adora. She doesn't know that Adora rejected Shadow Weaver so strongly, both spiritually and by violently pulling away from her. Adora tries her best to get Catra to see that she's not doing this because of Shadow Weaver's manipulation, that she's trying to rise above SW's control of her. But Catra pushes her away, instead trying to speak to a more central truth: Adora's need to serve everyone else's needs, her inability to regulate her desire to make things better for others who are hurting or will get hurt, and balance that against her own needs and safety. She's speaking to the part of Adora which Shadow Weaver is exploiting to get what she wants from her, to control her. It doesn't really matter in this moment to Catra whether Adora is doing it for Shadow Weaver or not, because either way Adora is allowing Shadow Weaver to win. Catra wants Adora to be better than a slave to her emotional need to help others no matter the cost or danger. She's asking Adora to be strong in herself in a way Adora has never been able to be. She challenges her, asking "What do you want, Adora?" The obvious answer, Catra believes, is her. But Adora is too worried she will die and let Catra down to let her romantic feelings about Catra manifest and make it real between them, and taking the failsafe has made Adora all the more doubtful of her own survival. Adora counters "I have to do this Catra, I'm the only one who can." It's all to say that Adora is alone in her burden, and she accepts it and its consequences because she's She-ra. Adora doesn't believe she has value, or deserves happiness unless she can save everyone, including Catra.

Adora believes as She-ra, she is totally alone in her burden. This is wrong of course, Catra does see her and understands her burden, and is the one person in the world who wishes to share that load with her, unlike the other princesses who need Adora to be a hero and save them. But both girls are weak from their deep traumas which Shadow Weaver has reaggravated, and they can't overcome them. Catra resigns herself to the belief that Adora is unable to rise above her most basic emotional need to serve others, telling her "Then do it. That's what you want, that's what you'll always choose." She can't stand to watch Adora kill herself so willingly to serve everyone else, all while letting SW win. She rejects Adora, and turns to leave. Adora desperately begs Catra to stay, wanting her to uphold their promise and telling her she needs her, but is unable to vocalize her desire to be with Catra romantically. Meanwhile, in Catra's mind, Adora is just going to let herself die, and if she does, then Adora never really needed her after all... all Adora cares about is being She-ra. It's harsh, but true... even if what she's doing about it is so wrong.

It's a painful moment for both of them, and it's horrible because Catra is so clearly breaking their promise, the one that Adora restored to Catra she came to rescue her from Horde Prime. And yet, her leaving will work in the end. Catra gets Adora to see how crucial it is that she not let Shadow Weaver win, to let Shadow Weaver get whatever she wants by taking that cost from Adora's own life. And it's how Adora finally becomes too strong for Shadow Weaver to ever manipulate again.

>As Adora returns to camp, still crying from Catra's abandonment, Shadow Weaver tries to swoop in and make her manipulations of Adora take their final hold. She tells Adora she "made the right choice, don't let Catra convince you otherwise, she's never understood." Dreaded ear touch and all. By saying Catra can't understand, Shadow Weaver tries to make Adora feel alone in her burden as She-ra, seeking to weaken her spirit. But we see a total shift in Adora's attitude as she rejects SW’s cruelty and manipulations entirely. Her words carry incredible weight and speak to how she's so clearly seen through SW's malicious manipulations of the two of them. "Stop. I will never forgive you. You ruin people. You ruin any chance they could ever be happy." Adora just watched Catra reject her and abandon her because she couldn't stand to lose Adora again over SW's manipulations. It's by knowing Catra's pain that Adora is able to finally deny Shadow Weaver any sliver of control over her. As always, Adora couldn't do it for herself, she couldn't resolve between her deeper need to save everyone and SW's plans to use her for her own gain. But Adora is strong for others, and so she's strong for Catra. By leaving, Catra has given Adora the ability to rise above any manipulation Shadow Weaver can do to her.

Adora stands up to Shadow Weaver once and for all in her next words: "I'm going to take the failsafe to the heart, and I'm going to save Etheria. But I am not doing it for you. I'll do everything I can to make sure you never get your hands on the magic." (pic1, fyi) Note the exact words Adora speaks here as we will return to them later, they are important. While Adora has seen past SW’s manipulations, and seen that Shadow Weaver only ever desired power, she doesn't realize how SW's childhood abuse of her and attempts to manipulate her in the present are making her too weak to survive deploying the failsafe. To get past that, Catra must help Adora.

EPISODE 12: We watch as Adora struggles to become She-ra, but eventually manages it. She's seen through SW's plan after all, and so she does her best to believe she is strong enough to win on her own, to survive the heart. But she misses Catra desperately. She rallies her people, and ends her speech by saying resolutely that she will take the failsafe to the Heart and destroy it. It's an incredible speech, Adora has become a wonderful leader, but then she looks up and sees Shadow Weaver hiding in the back. As SW meets her gaze, She-ra's form falters and we see Adora's face for a split second. She's furious at her, that she hurt Catra so badly that she ran away.

Adora moves away from the group so they don't see her lose her She-ra form because of the turmoil she feels over Shadow Weaver and losing Catra. Bow and Glimmer check on Adora, knowing she has a tendency to try to sneak away so people won't see her risk her life. Glimmer is perceptive and asks about Catra, she knows it's Catra that Adora needs, that her being gone is tearing Adora up inside. Glimmer is a great friend to the both of them. Adora voices concern for their safety if they come with her, but Bow and Glimmer know Adora needs support. And so they will try their best, even though they know Adora is heartbroken from Catra leaving her.

>Buoyed by their support, Adora goes to the ruins to try to face her final task, to overcome it through her own strength alone. Bow and Glimmer take her hands, we see Adora does her best to set her fear aside. And yet, as they enter she wonders where Catra is, whether she will come back to honor their promise.

>Catra looks back, also experiencing pain over their separation. She has not been able to overcome her trauma, and manage her feelings. Well isn't it just nice to have a telepathic therapy pet! Melog stops, and forces her to actualize her feelings and process them. At first Catra tries to deny them, saying she won't go back, but Melog sits on her. She cries, saying out loud her deepest feelings. Let's take this one in steps. "You saw what happened, A-Adora chose Shadow Weaver, not me". In a very real sense Adora did do this, she pushed Catra away in the failsafe chamber. She ignored Catra's warnings and, in Catra's mind, committed herself to death at the hands of SW's manipulation. The next line is one of the most important in the series, but we will only cover it briefly as it's romantic implications are best discussed elsewhere: "Adora doesn't want me, not like I want her." We get to see one of the most honest truths about Catra: she is an intensely romantic person, and has always had the most incredible dreams of them being together. But a lifetime of pain has told Catra that it can't be real, or atleast, not for her. It is deep seated trauma that blocks her, trauma Shadow Weaver started and then aggravated against her, making her leave Adora just moments before. Catra is, in a word, furious that she's come this far, having dared to dream once again that the two of them could be together and in love, only to have SW come in and take that from her once again.

Let's take a moment to consider how Catra is doing as she adapts to her new emotional way of dealing with the world, as she has shifted her perspective since rejoining Adora: The old Catra might have simply struck SW down, maybe even killed her to remove the threat. But now, Catra doesn't want to do that but is expected to trust in Adora’s ability to overcome the threat through her inner strength, and the through the strength of her community. But, as far as Catra could see, Adora just accepted her death as necessary rather than fighting SW’s manipulations. And this worries her, and it's why it's so important to Catra that she not let Shadow Weaver win, so Catra leaves to make sure Adora gets the message. She's wrong to do this, and she realizes this after opening up to Melog. Adora needs Catra to have faith in her, because without her support, there's no chance Adora overcomes what Shadow Weaver is trying to do to her.

>Glimmer watches the doubt play across Adora's face. She doesn't know how to make it better, since Catra isn't with them. She asks her if she's scared, and Adora answers back as truthfully as she can: "No, I just really hope this works." She's putting on a good face while trying to believe there's a chance, but when Bow tells her it's going to be a whole new world when she's done, Adora doubts. Can she even survive? Will Catra be gone forever? The next scene is, of course, very romantic. We see that Adora has always loved Catra, just like Catra loves Adora. The magic is trying to remind Adora of her own desires, her wants. Let's not get too distracted though: as Adora moves on, vowing to not let the magic distract her, we see her She-ra form falter, she's still fighting despair and loneliness. Bow and Glimmer don't know what to do...

>Catra sees Horde Prime begin hacking the planet and knows Adora is in grave danger of not succeeding in her last, unselfish mission before Prime stops her. Catra can't let this happen, also, since Melog has helped her process her emotional pain, she's ready to support Adora in any way she can, even if it means her hopes and dreams of them being together will be unfulfilled. She tries to rush to her side.

>Adora is panicking and unable to resolve her feelings of failure to Catra, She-ra is in danger of fading again. She sees the sword as she saw it back when she first left Catra, her hand goes to the failsafe on her chest, the thing that made Catra reject her after she accepted it. She tells Bow and Glimmer she can't escape her destiny. The words "I'm losing her" speak to a deep held belief by Adora that she's not worthy of survival because she feels that she has never been able to help the one person she truly loves, making her no hero. All of the manipulations of Shadow Weaver, Horde Prime, even Light Hope are crushing down on her. She believes she has to accept her fate, to die to fulfill her duty as She-ra. It's the price she has to pay for not being good enough, for hurting Catra when she left her to become She-ra. She thanks Bow and Glimmer for their love and support. "I never could have done any of this without you." Bow and Glimmer did everything they could to prop Adora up, get her out of her depressions when she felt she wasn't good enough to be She-ra. But they still needed her to be She-ra, and therefore they can't help her get past her deepest insecurities. To do that, she needs someone who has unconditional love for her. She needs Catra. Adora leaves Bow and Glimmer behind, trying to protect them, so that only she will have to die.

>Catra finds Shadow Weaver patiently waiting to receive her power, to be able to achieve dominion over everyone else. SW tells Catra "She's gone to the heart of Etheria to free the magic and become the hero she was born to be." The dead hero, that is. As SW tries to guilt Catra, calling her selfish, she glares back. She stands up to SW, rejecting the manipulation: "Enough! This isn't about you and your messed up power trip anymore!”

In this moment, Catra shows us how clearly she understands SW's goal. She calls her out perfectly. She tells SW that Prime is infecting the planet to take the heart, which changes everything, including for SW.

>As Catra leads SW, having forced her to cooperate, they see Prime's broadcast and Catra knows they have to act. She demands SW take them to Adora, and doesn't accept her lies. She knows SW can do it with magic, and demands she comply. Her words hit home "So do something good with it for once and help me save Adora before it's too late." Notice the similarity to when Glimmer asks Catra to be better on Horde Prime’s ship. SW is trapped, she has to comply. If Adora doesn't reach the heart, no magic for SW, universe ends. Catra accepts SW's hand, though it hurts her to do so.

>Catra and SW arrive in the corridor. As Catra gets the truth from Glimmer, she's dismayed. "Of course she's gone, that's what she does, isn't it?" She knows in this moment that Adora is consumed by fear, her inadequacies. As she finishes briefing Bow and Gimmer on the situation, she tells them she will stay to help Adora, and she invokes their promises to each other. It's an important moment, as it is the two of them together, their promises to each other, that gives them the strength to surpass SW's manipulations of them. Glimmer knows Catra is in love with Adora, so she leaves Adora in Catra's care. Bow’s words are important as well, speaking to the power of the Best Friend Squad. It gives Catra a boost to her morale, a belief that maybe there's a chance she and Adora can overcome the odds they face.

>Adora looks out over Etheria, seeing its beauty. Mara joins her. Adora tries to promise Mara that she will save the world, everyone, at any cost. Mara flat out rejects this as wrong, she doesn't let Adora promise. Mara confronts Adora on her decision to die for everyone else. When Mara asks her what she wants, Adora says it doesn't matter, that she's She-ra. Again, an isolationist view, a lonely burden, just like SW wants her to believe. Mara tells Adora that she, Adora, has value as a person, not only as a hero, and that she deserves love, too. As Mara tells to not lose hope, Adora is emotionally moved but you can tell she's still struggling to accept Mara’s words because of her feelings of inadequacy and loneliness. Mara manages to pass some courage to her, but then Horde Prime cuts them short.

Prime leans into Adora’s fears, threateningly. Like SW, he knows how to exploit her. He was in Catra's head and so he knows what Catra knows. He tells her that her failure is imminent, that she is already defeated, like the other She-ra's. The guardian monster then strikes and infects Adora, and she finally loses her grip on her She-ra form. He tells her even her own people didn't want her to make it to the heart, telling her the whole world is against her, and that she's totally alone. She tries to counter this with defiance, but the virus has her. She knows she's in trouble.

----Part 3: Final Moments, and Death, of SW----

>Episode 13. Adora is in pain, trying to understand the nature of the infection. The monster towers over her, it has only to reach out to deal the killing blow, she's defenseless. Suddenly Catra shows up, engaging the monster. Adora's only concern is for Catra's safety, telling her to leave her because it's too dangerous. But Catra has decided: she will do whatever it takes to give Adora her chance to save the universe, if that's what she wants. Even if it means Adora has to die. She tells SW to get Adora to the heart, which Adora objects to. SW is looking closely at Adora and seeing her illness, evaluating. As Adora begs for Catra to not leave her, Catra tells Adora she'll catch up. After all, they are the best friend squad. Bow's words have given Catra a small amount of hope that maybe it'll be ok. Adora, now that Catra has finally shown up, is desperate to not lose her again, and knows fighting this monster is too dangerous for her alone. But she's sick, and unable to help her. SW takes Adora unwillingly towards the heart.

>Catra is doing her best, but the monster is too much, even for her. She tries to slip away, seeing the virus continuing to spread. She's trying to get to Adora, who’s alone with SW. Horde Prime stops her (no keep running!!) and she gets caught. He mocks her, telling her he expected better. But Catra has already surpassed his greatest expectations, and she'll stop him yet... as the monster catches her, she cries out in anguish. It seems the cruelty of the universe has caught up to her again, after all...

>As SW tries to bring Adora to the heart, Adora's sickness is rapidly advancing. She demands SW wait, but she's too weak to resist. The thought of losing Catra again is weakening her spirit and allowing the virus to take over. SW tells her not to lose her focus, she's still hoping Adora will deploy the failsafe before dying. But then the virus seemingly attacks Adora's heart and SW watches the failsafe nearly fade out. SW looks up, she's close enough to already siphon power from the heart. Her lust for power is apparent.

As Adora hears Catra’s scream, she forcefully pushes herself from SW, and starts to go back for Catra. SW calls for her to wait, but Adora leaves her behind.

This is it, the turning point. The great moment of truth: SW now realizes, in utter totality, that she's never going to get to have the power. It's one of the most important moments in the series, and what happens next is the culmination of all of the hard emotional growth the two girls have been doing.

>>Quick interjection: we’re about to get emotional here... (well, I do). Just a light suggestion to check your surroundings. <<

Shadow Weaver now realizes that, even if she were to drag Adora to the heart, she would be too sick and heartbroken to deploy it. It's over for SW, either she dies now, with everyone else in the end of the universe, or she dies giving everyone else, including the girls, a future.

Remember as well, Adora has told SW that she would do everything she can to make sure she never gets the power. Adora is too strong against SW's manipulations, something Adora learned from seeing the pain Shadow Weaver caused Catra through her abuse. I mentioned that the exact words Adora used when she rejected SW the night before were important, so let's return to them: Adora told SW she would deploy the failsafe, and also that she will block SW from getting the power for herself. But as she said all of this, about saving the world, the universe, she doesn't say one, very important, word.

Promise.

Adora may have dedicated herself to being She-ra, but somehow in that moment she knew not to promise to SW that she would deploy the failsafe to save the universe, instead only saying that she was going to find a way, while making sure SW doesn't get the power. We saw that Adora later tried to make this particular promise to Mara, but Mara threw that out, telling Adora to be better, to rise above her lack of self belief.

A promise was made, though. She promised Catra. Their beautiful, childhood promise, the one she so casually broke way back when, her greatest mistake. And so Adora goes back for Catra, to be there for her, to try to help. If this Catra's end, she will be there for her... even if the cost is this high. She can't just let her die alone. She is honoring their promise...

And so… Adora finally… after all this time, puts Catra above her duty as She-ra. Her love for Catra is more important than fulfilling her heroic duty, and so SW can no longer manipulate her into giving up her life so SW can get the power. The girls have, in fact, transcended her manipulations, and as Adora leaves SW standing by the heart, SW is totally alone and without anything, anyone, left. She is, in fact, defeated by the girl’s love for each other... and so as SW looks towards the heart, she finally... makes... the right... choice. She gathers enough power from the heart to fight the monster...

>Horde Prime mocks Carta as she tries in vain to resist being pulled towards her death. When he invokes Adora's name, saying she will die, Catra shows her sadness, disappointment, at having come so close to being with her. He mocks her again, asking her if it was worth it. Catra shows defiance, then sorrow. The answer is yes, of course. Catra was willing to lay it all down to give Adora her shot at saving the universe, she's honoring their promise as best she can even if this is Adora's final act before her, and their, deaths. Catra has total belief that in this moment, that she needed to sacrifice herself for Adora. It seems like the natural outcome of fate, of the cruelty that is SW's and the universe's betrayals of the two of them their entire lives...

Heroic. Fucking. Music. SW shows up, charged from the Heart to take Catra's place. She's going to do one heroic and worthy thing of remembrance before she goes, since she is defeated and knows she won't get to have the heart's power.

Carta's disbelief is total, she can't understand how SW would ever do this for her. Her manipulation of them their whole lives was so total, so unfeeling. And yet, here she is. SW tells Carta to get to Adora and run. She forces Catra back and blocks the door. Catra still can't understand... and we finally... see Shadow Weaver show some actual real remorse for how empty her life is. She begs Catra to take Adora to the heart, to set the magic free. The one thing SW is dedicated to is magic, and she knows releasing the magic will restore the planet. Catra points out the obvious, that SW will die. Part of the reason Catra is so broken up by SW doing this is because Catra had just accepted her fate of dying in order to give Adora her chance to save everyone: Catra was willing to die for Adora even if Adora never found the courage to want Catra the way Catra wants her. And now SW takes her place? It doesn't make sense to her, as SW is a greedy person.

Shadow Weaver’s next series words are some of the most important in the entire series. And this is also the one redeeming quality she has... that she is a teacher. And she’s about to tell Catra something very, very... important.

She says: "It's too late for me." All her manipulations towards getting the power at the cost of the girls lives have been torn down, they've completely moved past her, she has no place in their lives anymore. The girls have learned to love each other so loyally that SW is done, finished.

"But you... this is only the beginning for you." Catra listens to this, searching for the deeper meaning... "I'm so proud of you, Catra." I think we all agree SW being 'proud' of Catra is a devastating line, Catra doesn't need or probably even want her abusers approval. I also think it is a lie, everything about SW says she's unable to feel actual compassion. But SW is a mastermind, and I think she's telling Catra she has respect for her. Catra ended up being the greatest enemy SW ever faced, she was so smart that she saw right through every manipulation SW made, and in the end, SW couldn't touch her. But theorizing aside, we see Catra cry... somehow, someway, SW finally seems to be showing Catra some amount of good in her, and so she cries, wondering where it comes from…

As Catra brings her hand back to uselessly flail at the barrier, Adora catches it. Catra looks back at Adora, surprised at her reappearance...

… right then we see Catra suddenly look away from Adora. It's quick, but we're seeing a dissociative moment: this is Catra realizing something very deep, and very meaningful...

Catra realizes, that in this moment, SW has chosen to do something that is much more than just dying in Catra's place.

She has given Adora to her.

All of Catra's life, Shadow Weaver has stood between her and Adora, love was a thing Catra was not allowed to have. But the girls, together, have transcended all of her abuse and manipulation. They have seen through her plan and risen above every cruelty, and have blocked SW's manipulations to use them for her own gain. And so, a defeated SW chooses now, to give Catra the most beautiful of gifts...

Catra puts it all together, filled with clarity: SW is telling her that Adora doesn't have to die, she can survive this. That they can survive the Heart!!! And Catra is the key, as SW has told her: "This is only the beginning, for you."

Catra is now given this knowledge freely by SW, and thus given hope. SW stands before them, totally defeated, in awe of Catra's incredible growth and cunning and that she was able to see through her plan, and how strongly the two girls have come to love each other. So, SW is giving Catra her fullest respect, and as a last act before her death she is passing Catra newfound hope that the two of them can overcome this, that they can survive...

Shadow Weaver removes her mask, showing Catra her face. It's not a face of manipulation, as we expect, no, there's respect, even, dare I say, gratitude. SW didn't have to do this, Catra knows that. And yet, Catra managed to show SW something she never expected to see. And so, by outthinking and so totally defeating her, by making SW see that all her manipulations were discovered and therefore wouldn't work no matter which way she turned, and by getting Adora understand the urgency of not letting SW win, Catra has won this final, beautiful gift…

“You're welcome…”

As Catra watches SW make her final sacrifice... her one good deed... she looks on, stunned. Life is never quite so simple as you think it is, and since returning to Adora, Catra has seen so many acts of generosity she didn't really believe were possible... and now... this...

Catra lets Adora cry for a moment, then tells her they have to go. Catra is filled with new urgency... they will face this final challenge together. As she resolutely carries Adora towards the heart, she knows she's now in charge of their fate... and as they face this final task, Catra is searching for a way to save Adora, and to save their love once and for all...

All of this has huge implications for what then happens with the girls when they reach the heart chamber, but that's a topic better discussed another time…

Some final notes here. It's my belief that Shadow Weaver is the overarching villain of the story, who spans all seasons of She-ra, and is far more important to the plot than Horde Prime is. Furthermore, understanding Shadow Weaver as this kind of villain is a stepping stone to explaining many other important plot points in the series, and we can build on it to understand a lot of the most important moments in the show.

My personal belief about this story is that the writers had such a diverse room of people of LGBTQIA+ and other backgrounds, each with their own trials and pains they had to overcome, that as a team, their goal was to bring to light as many of these struggles that they could. But as for this most central story, my guess is they wanted to tell us a story about overcoming real darkness that exists in our world, as well as Etheria, because sometimes that's how it is. And so the right thing, the only thing to do is to overcome and move past such people, to not let them control your life.

All this is to say that I think the moral of Shadow Weaver in the story isn't about finding the good in her, but about rising above her and the fundamental darknesses that we all sometimes face. And our girls do this through love, at no point do they use violence. And that makes this story very, very... special.

Thanks for reading. Until next time…

~EtheriaDearie

P.S. :: as I am new to tumblr, if you enjoyed reading this, please consider giving me a reblogg! Thanks!! 🙇💛

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afishlearningpoetry · 3 years

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You're probably right. Must be really stressful for M... But back to S5. My question and doubts are mostly about Eurus. I love the idea of the unreliable narrator, the alibi theory, the multiple fake deaths. But Eurus? How do you think they will explain her? Is she a real person? Like, someone who works for Mycroft, someone they used to communicate with John and Sherlock? Something else? I don't know. I know that many people already complained about TAB and said it was too complex (sigh), so I'm very curious to know how they're gonna reveal that Sherlock's sister doesn't even exist! : )

Eurus isn't there at all. She's a purely invented stand-in for John in the narrative that he's constructing. The other characters that John writes, like Vivian Norbury, etc., are at least a proxy for something that really happened, but Eurus has very little impact on the plot before TFP. She's a substitute for John as the author. Think about one of the early scenes in TST where John puts the red balloon where he's sitting. Like all of series 4, once you realize the nature of the story it's not subtle lmao, the subtext is rising to the surface.

shinka wrote this brilliant meta about the colors in series 4 and this is the most obvious way that John highlights this to us.

The red balloon. Striking touch of red in a season full of cold and blue tones. John the Writer tells the audience that Red is a Me substitute. In others words, if Blue is the color of John’s Fiction, Red is the color of John’s Truth. Which means we can have both blue and red in one scene; as John the writer presents a scene, John as himself appears through the subtext and the narrative.

Eurus wears red in TST and TLD, before John's narrative goes off the rails. I've written about this before. She's used in TST to both sublimate John's emotional cheating with Sherlock and also to hide the fact that the two of them are communicating during the episode about Mary (which is why they also barely interact in the episode until John is yelling at him about his dead wife lmao, but John talks with Mary quite a bit), so in that instance she was either purely invented or she's standing in for someone who hands of messages between them. Either way it means the same thing. In TLD John writes Eurus as Faith to recreate the first night they met and also to use the note she gives him to signify both 1. the note that John gave to Sherlock through Molly, where the message has a surface meaning and a hidden meaning, because he's a prisoner and 2. the blog, which was the surface meaning and a deeper meaning, where he's setting up his faked death to trick Mary and Moriarty. But later in the episode Mrs. Hudson and Bill both say that he wasn't talking to anyone, so how did he get the note? How was Eurus there if she wasn't? What friend? Like the tranquilizer dart, it's never explained, because that's the point. Eurus doesn't exist. Her pretending to be someone on the bus and John's therapist multiple times doesn't accomplish anything. The reveal only happens right as John is about to be shot (love the idea that Eurus broke of out prison with her psychic powers to stalk Sherlock's best friend for a week and then shoot him so he falls asleep for a few hours just so he can tell Sherlock about her), when he threw together another story at the last minute, justifying it by inserting really hackneyed narrative techniques like Sherlock having water visions and flashbacks.

I think that the Eurus thing will by explained by peripheral and not much directly, if at all, like once you untie that series 4 was about John and Mary going after each other, all the stuff that doesn't make sense kind of unspools, like a rope falling away, a vision clearing.

That being said some people will definitely complain about it at first lol, it's gonna provide a lot of insight into how the most vocal detractors have been dedicated to misunderstanding it, and after the series is over and over time people will learn about the larger meaning of the show the same way we have and everything will have changed. Don't worry as much about the immediate minute one discourse online and think about where the story will stand in time.

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exlibrisfangirl · 3 years

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Teen Wolf + Top 5 Dergent Scenes

Well, well, well. If it isn’t my favorite enabler, back on her bullsh*t, lol. Oh, wait, that’s right... she NEVER STOPPED.

1. Derek saves Chris from the bomb blast (Season 3 - Episode 19)

I’ve already covered this one in this post, so I won’t repeat it all here... but bottom line: When push comes to shove (literally AND figuratively), Derek Hale would die for Chris Argent, and Chris is shook. BOOM... BROTP.

2. Derek (under the influence of the Nogitsune) captures Chris and threatens to burn him alive (Season 3 - Episode 22)

Derek may be technically possessed by the Nogitsune, but the inner conflict he’s grappling with in this scene is genuine. Just a few episodes prior, Derek saved Chris’ life. At this point, Kate is gone (we think she’s dead but find out later she’s not), as are Peter (although he comes back from the dead, too) and Victoria (who Derek bit) and Gerard (although we later find out he’s not actually dead either... dammit), so who does Derek have left to blame for the deaths of his family? Chris and Allison are easy revenge targets, and burning Chris alive in front of his daughter would certainly sound like poetic justice to a crazed mind. However, Derek’s conscience fights to break through and take control - as Chris is telling Derek about his hunter training, we can see Derek in the background battling the evil spirit in his head - and then, once again, we have the pleasure of watching Chris work his way out of bondage like the total kinkster badass he is. Good GRAVY, that sequence is HOT. Actually, the entire scene is smokin’ (teehee... I’m hilarious), but y’know... that’s the best bit. The scene ends with Chris literally begging Derek at gunpoint, "Don't make me kill you, please." As with void!Stiles earlier in the episode, he doesn't even want to have to kill Derek in self-defense. Please excuse me while I brotp this ship so hard I momentarily forget how to breathe. GAH.

3. Following close on the heels of that scene is the one showing the two parting ways after Derek is no longer possessed (Season 3 - Episode 22)

Derek asks why Chris didn’t shoot him when he had the chance, especially after Derek had just tried to kill him, and Chris’ response is, “Because you’re not my enemy anymore, Derek. And I’m not yours.” Now it’s Derek’s turn to look totally shook. Chris leaves him standing there speechless, elevator doors closing on him as he stares intently at Derek. *BROTP INTENSIFIES* And SCENE.

4. Derek taking Chris into the Hale family vault and revealing that he’s losing his powers (Season 4 - Episode 5)

I find it deeply moving that, not only does Derek trust Chris enough to take him into the Hale family vault - something Kate had to seduce and trick teenaged Derek into doing - and tell Chris that he’s losing his powers, but Chris is actually the FIRST person Derek tells. The fact that Derek is comfortable showing that much vulnerability to the man whose sister murdered his family - taking Chris to a place of such personal significance, alone, and then revealing his weakness to Chris, like an animal rolling over and exposing its belly - is such achingly beautiful character development. What’s more, before Derek reveals to Chris that he is losing his powers, Chris sorrowfully confesses to Derek that, when he finds Kate, he will do whatever is necessary to stop her for good. Derek looks appropriately shook (yet again) at this revelation; Chris' vulnerability prompts Derek’s own revelation, which he prefaces with a plea for Chris to refrain from killing Kate until they can get answers from her. Derek didn't even want to show Braeden - his girlfriend - his eyes when she asked to see them, and yet he voluntarily shows them to Chris because he knows Chris will do everything he can to help, and the concern on Chris' face when Derek tells him... I just DIE every time. (Chris later shows up in Mexico to protect Derek - and the rest of the pack - from Kate and Peter, despite having JUST been impaled on a wall with a steel rod, but that's a scene for another time.)

5. Chris goes to Mexico to track down Derek (Season 6 - Episode 19)

Chris knows that the FBI is hunting Derek for alleged mass murder, but he's not buying it. He bribes the Mexican police for info on Derek's whereabouts, and when the cop tells him the story he's heard and asks, "You believe in werewolves?", Chris responds with the iconic line, "I believe in Derek Hale." Beautiful. Magnifique. *blows kisses at Chris* My boys believe in each other's goodness SO MUCH. Ugh... MY HEART.

Runners-Up: So, so many funny ones (especially in the first two seasons) wherein there is much sass and eyebrow-aggression; Chris protecting Derek from Kate (and other threats) on multiple occasions; Chris trying to convince Derek to return to Beacon Hills.

My top runner-up contender, however, is when Chris is tracking Derek down in North Carolina at the end of Season 6 and follows him into a shanty town(?) at night. Of course, Derek knows he's being followed, and this is what goes down...

HAHA, SNATCHED.

HELLO BOYFRIEND. I FOUND YOU.

Derek is so annoyed, lol. The way Chris touches him, though...

YEAH, YA BIG DUMMY. YA SHOULD. Now MAKE OUT ALREADY. Geez Louise.

I am hopeless Dergent TRASH, y'all. Just take. me. out.

Send me a TV show + my top 5...

#angel-in-a-big-blue-box #answered ask #chris argent #derek hale #dergent #brotp: you saved my life #teen wolf #tv shows #fictional characters #shipping #this is my design #and the meme goes on #meta

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gpsoftun · 2 years

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Several re-watches later, I've fully grasped all that this episode packs in such little time. The suspenseful action doesn't even get going until around the 10 or 15-minute mark. There are so many nice familial and as well as romantic sprinkles throughout. So, let's unpack this, hopefully, sooner than I did my new royal bedroom over the summer.

Season 2's sensational Under the Radar (Part 1):

Regardless of the very beginning or the very end, do you know what's filled to the brim in this episode? Peter's love for Neal.

Alright, we're getting his prerequisite mean tough love out of the way first. Either Neal recently misbehaved or Peter's reminding him of his place after Neal reveled in being the boss in Power Play.

I think Neal just broke the world record for the highest number of internal utterances of 'F you'.

Peter: For my favoritest ship ever? Take all the time you need.

Jones:.*Nice* work, little brother.

Diana: Why is Miss Repo all up on him like that?

Peter: I hope the kids have her green eyes and his dark hair.

Look at this boy still dressed up in Papa Peter's clothes with that summoning gesture. Don't tell me Power Play didn't go to his head.

Diana: Alex?! How many of these little heifers gonna pop up to feel up Neal??

Jones: You know she's contractually obligated to make the other girls look boring.

Actually, you're nine, Neal. That's why the whole White Collar family's swimming in your romantic kool-aid.

There's a sight for sore blue eyes 😘

Okay, what the heck is Peter made of?? Neal wakes up groggy and needs steadying but Peter's acting like he only had a glass of warm milk before bed. He hardly breaks a sweat during this ordeal and he was already very recently abducted!

Will this be Butch and Sundance's final showdown?

Will Peter ever share the secret to PTSD immunity?

Will Vincent Adler dare come out of the closet as a Gorgeous Grifters Shipper?

Will it be revealed that he and Peter collaborated to make Kate go kaboom?

Find out next time in Part 2 💖

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etheshadowlord · 3 years

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UNPROFESSIONAL REVIEW OF EVERY POWER RANGERS EPISODE I CAN FIND PART 3!

Spoilers ahead for episodes 11-16. It's been a while I hope this post finds you...I don't know what state it will find you in but it could be Connecticut for all we know. Anyway, it's been a long time so I had to back up pull these out of the drawer and dust them off. I"ve mostly finished season 1 already at this point and started season 2 because the filler was getting to me and then I realized, life is far too short to get impatient. So time to slow down and reflect.

As well as subject ourselves to this madness.

Episode 11: No clowning around.

We start the episode off with Kimberly, Zack, Billy, and Jason at the Angel Grove Fair with Zack showing his hip-hop stilt dancing....yeah no it doesn't really work that well and he takes a short spill only to quickly reveal today's Villain, evil imposter clowns. Meanwhile, we see Trini bringing the kid of the day....her cousin.

Kids are cute, clowns are wholesome and nothing bad could possibly happen. Right.....so short fact I love clowns. I hate evil and monster clowns because they give the noble profession a bad name anyway whoever Pineapple the clown is, the clown council is probably greatly displeased with them.

Bulk and Skull enter the picture to tease the main team and get egg on their face. The eggs came from Billy attempting to juggle eggs on offer from the villainous clown Pineapple...Not sure but it's the thing today I guess.

So we get a segue to hearing the Gloriously Evil plan for her repulsiveness. Magical Pineoctopus that turns people into cardboard cutouts and....a...fake....fair? You know if magic stuff wasn't involved I would question how the fuck the police aren't shutting these stunts down before people get hurt. I wonder if there's just an "it's not my problem" field on these things.

So the monster of the week flattens Sylvia and the rangers convince the park goers to leave thus begins the fight. Meanwhile, Trini saves Sylvia with some water and then rejoins the Rangers in time to Put this clown down....for good. Okay, he's a fruit cephalopod but that's beside the point. End of the episode Vignette and we learn never to go with strange clowns.....or strangers period.

Fun: * * * - -

Rita: Mad

These Clowns: Failures.

Episode 12: Power Ranger Punks

We start this episode with a reminder that Baboo...

This person is actually capable of evil as well. Though not skilled at the practice of monster molding, his specialty seems to be making potions. In this case, ones to make Kimberly and Billy into....Punks.

Meanwhile, Rita unleashes the Terror Toad while they try to figure a way to correct their friends' bad behavior. Through an antidote. It works they beat the toad with a well-aimed arrow to the mouth and save the day. Sorry Baboo, no villain star today for you.

Baboo: Great alchemist....also where'd you get the Rattlesnake Lips? Share your sources please and thanks.

Drinks: Don't leave open drinks Also don't drink open drinks if you're a hero. Even if it was fine earler.

Punk: Not dead.

Episode 13: Peace, Love, and Woe.

So we start off with both Bulk and Skull causing chaos and with Rita demanding Finster to make her....Madame Woe, who is apparently almost as evil as Rita herself. Huh... also love strikes when you least expect it. Billy ends up falling for Marge who asks him to the dance and...Marge gets mistaken for a Power Ranger.

Clearly, because Rita didn't give her loyal servant the proper intel. So yeah Marge and the rangers get zapped into Madam Woe's funky dimension of Woe where she is all-powerful and send the Blue Ranger back to beat her in One on One combat, Madam Woe is defeated and we get a vignette of learning....that Bulk stores his money in his shoe.

Knowledge: Cursed.

Fun: * * * * -

Woe: - - - - -

Episode 14: Foul Play in the Sky.

We start the episode by meeting Kimberly's Uncle Steve who is a pilot and a sleeping potion.

Rita, if Monsters can't kill the power dweebs then what about flat-out gruesome murder. In fact, why hasn't she just poisoned them with a deadly poison at this point? Is it the fact she wants to look upon them as they despair? Is that the game here?

Anyway, Steve is put to sleep and Kimberly lands a plane all the while Bulk and Skull are in the back passed out because obviously you'd faint hearing that the pilot is out like a light and you're probably going to die. Rita's monster of the week is a snake man thing that fires power-draining snakes.

The plane lands and Kimberly shows us some real archery skills with a regular William Tell signature move. And we end the episode on a light note of Shakes on Bulk and Skull.

Fun: * * *- -

Plane controls: * * * * -

Rita: Wanted for attempted murder through sabotage.

Episode 15: Dark Warrior.

So another family member makes a one-time appearance. Trini's Uncle Howard is a brilliant scientist. He even made an invisibility formula. And Bulk and Skull decide to pick on Billy for....quarters for a dumb arcade...game?

Actually, we've seen Billy do some really stellar martial arts so why is he putting up with this? Seriously?

Uncle Howard shows up and....isn't wearing his glasses as he's looking for his niece. So he dumbly puts the formula on the counter. This will cause trouble later I can tell. Also, Rita sends a new monster out to find this formula. The labeled Dark Warrior. Looks more like Camo with a scarf to me. I mean invisibility can also mean camouflaging.

So Dark Warrior being a sadistic monster captures Howard, then tries to extort the formula from Trini. They fight the dark warrior and defeat him with the combined power of friendship and giant robots. Then we see Bulk and Skull get a taste of their own medicine as Uncle Howard shows off the invisibility formula that apparently can be drunk and affects your clothes as well? Weird.

Science: - - - - - WE DON'T WATCH THIS FOR ACCURATE SCIENCE!

Fun: * * * * -

Boxes: Marked with TNT Like this was Minecraft.

Episode 16: Switching Places.

You'll never know a person until you walk a mile in their shoes is usually how the saying goes. I think it works better if they were them for a week. You really get to know someone's life after a week of having to do things the way they do things.

Anyway, we start this episode with Squatt being the little Gremlin he is messing with Billy's Invention....the machine in question is a Machine to allow someone to read your mind...

So first mistake not going through the line of making sure everything is right before the experiment. Secondly, human experimentation is a bit....questionable in ethics.

Anyways, Kimberly and Billy get Switched. Like you know....body swapped. THIS IS WHY YOU SHOULD ALWAYS CHECK THINGS BEFORE THE EXPERIMENT!

....The same also happens to Bulk and Skull.

All while this is going on Squatt unleashes a mighty Genie to fight the rangers. Guess it doesn't subscribe to the classic Genie Rules. However, the true power of the genie is in the lamp...obviously and Alpha defeats the genie by zapping it to...wherever he zapped it to. We close out the episode with everyone getting their minds back in their own bodies even Bulk and Skull sorta learn their lesson.

Switch: eroo

Genie: Wished out.

Skull: Pretty dull still.

Thus ends part 3 of this synoptic unprofessional review of every power rangers episode that I can get a hold of at least on Netflix. The next part will be the Green With EVIL special. Hence why I went with six episodes for this part because it's a five-parter coming up. Until then, see you in the next post.

#Power Rangers #unprofessional review #this is for fun #The show is campy and I haven't done these in a while and was bored #I still like the Power Rangers #really these are more like me giving my own commentary on these episodes but that's fine I'm allowed to post what I want on my blog

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aros001 · 3 years

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Going in blind: Watching season 4 for the first time. Random thoughts.

I never said anything about it before but I love Shadow Weaver's DCAU Batman eyes. They're so expressive.

Episode 1: Okay...I wasn't expecting Catra to do that. I mean, it makes sense. If she has leverage over Hordak then she's basically in charge of the Horde and that's what she's wanted (or at least believes she wants) since episode 1. It's an aspect that made her a good antagonist, that she's not blind to the evil of the Horde, she just doesn't care as long as she herself is secure. Which naturally begs the question, when the rebellion and the princesses are crushed, when the Horde is on top, when Adora is dead, when Catra finally has everything she's ever wanted...will she actually finally be happy? Somehow, I have my doubts.

I definitely feel for Glimmer in this. When you go through as big a loss as she did you need to be able to feel and vent if you're ever going to get through it. It doesn't have to be right away but everyone doing everything in their power to avoid the topic entirely can make you feel like you're going crazy. It'a especially bad for her since it unintentionally makes it feel like everyone is acting like it doesn't matter that Angela is gone when it clearly means everything to Glimmer.

Episode 2: I actually had a potted cactus plant once. Accidentally forgot about it and left it outside for an entire winter. Once the snow was gone the cactus looked like it had melted.

I kind of want to see what an interaction between Double Trouble and Clayface from the Harley Quinn animated series would look like. I'm guess Catra was just testing how good Double Trouble was as a doppelganger because it doesn't seem like she did anything while Adora was being distracted, though I suppose that could be a reveal in a later episode.

Not much to say except that I love how buff Huntara is while still clearly being a woman. Like, women can have a variety of different body types, as this series and Steven Universe show, and Huntara's build isn't just, like, Bow's body with lipstick and ponytail and the animators calling it a day. No, she looks like a freakin' jacked adult woman.

Episode 3: I didn't figure out the Flutterina = Double Trouble twist until a minute before it was revealed, so good job there. Before that I was wondering if Flutterina was some fan's original character where they won some contest where their OC got to be in the show for an episode. She was giving off some weird self-insert vibes. That twist made it all work though. It's honestly not a bad plan. Shapeshifters haven't really been a thing in the series before now so there's no reason to suspect it. Even if they did they'd probably be expecting it by way of magic or technology, while Double Trouble's seems to be a natural ability.

I like that even though Bow is definitely the goofier one of the trio he is still consistently shown as competent. That's never in question. He was very heroic and reassuring to the villagers this episode. I get why those kids idolize him so much.

Catra's having guilt over what she did with the portal and to Entrapta and her response is basically to just double-down. She doesn't know any other way to be. Not going to lie, I am kind of hoping we get another moment in the show where Adora just completely overwhelms Catra with the sheer power of She-Ra. I'm not saying like brutalize her or anything but just something where Catra is made to realize just how powerful Adora is and that she could just destroy Catra if she had a mind to do so.

Episode 4: Well, I was saying I wanted Adora to do it but I guess I don't mind Glimmer being the one to get some good shots in on Catra. Like I predicted, Shadow Weaver's moving in to become her teacher like she was with her father. Honestly I like that that was more Adora's problem than Glimmer using her as bait, which she seemed to get over pretty quick. Yeah, it was kind of a heartless thing to do but it was an understandable tactic and she clearly outright told Adora that she did it and why afterwards, which at least means she's still being honest.

It occurs to me that Glimmer and Catra may be the ones running parallel right now. Both are basically leading their respective sides of the war. They both have lost someone very important to them. And both are trusting someone they probably shouldn't. Both even have outfits that've been updated in the intro. The difference is Glimmer's just trying to deal with a bad situation while Catra's is entirely self-inflicted.

Minor thing but I like Glimmer's new outfit this season. I'm sure this is the intention but it makes her look older and more mature. A little more muscular in some shots too.

Episode 5: Heart of Etheria project. No idea what that is but assumedly whoever's a part of it doesn't like Light Hope and Mara being friends. Sounds like it's very much interested in She-Ra being just a warrior, and perhaps a tool, for the greater good. It does make me wonder though how much Light Hope remember from when she was rebooting. Even if she deleted the Mara memory she could potentially still have the memory of her and Adora watching the Mara memory, as well as Adora asking to be her friend.

Episode 6: Yep. Scorpia; definitely favorite supporting character. There is something kind of funny about her whole "Scorpions are loyal" line when you remember the story about the Frog and the Scorpion, where it stings the frog despite it meaning death for itself as well simply because that is its nature. But finally we're having someone go save Entrapta, and I can only assume at some point Scorpia's going to access the power of the Black Garnet.

The parallels between Catra and Hordak are definitely at their max here with that speech of hers to him. She's basically trying to convince herself that she doesn't need anyone, the timing of which is appropriate since she just drove away Scorpia and now truly doesn't have anyone. Not that I blame Scorpia, obviously. Like Adora before her, however good you believe someone can be and that you can help them, at some point you just have to cut the toxic people out of your life. You have the right to be happy too.

And man, Bow is just the best. He saw something was wrong between Adora and Glimmer and defused the situation like (snap) that, pushing them to talk like any sane person would.

Episode 7: I'm sure it is just because I've seen way too many TV shows and movies (both animated and live action) that don't do it but it is just such a relief to have a show where the characters just TALK and LISTEN to each other. It doesn't solve all their issues but they're at least not being stupid and freakin' petty. It helps the drama feel a lot less forced and contrived.

Episode 8: A little bit of amusement in Bow thinking at first that Glimmer and Adora didn't even notice he was gone despite them coming to his rescue very shortly afterwards, given Catra is only now realizing Scorpia has left and assumedly she did so a while ago. Bow and Sea Hawk hadn't been gone for that long so it's not unreasonable Glimmer and Adora wouldn't be worried about their absence (Bow was literally talking about "me time" when they last saw him), while Catra is only noticing Scorpia's absence now and it was because she wanted something. Like Scorpia said, she's a bad friend.

Kind of ironic given that a lot of Catra's issues are the direct result of Shadow Weaver giving her very little love growing up but it does seem this tough love is probably what'll get through to Catra the best. She might finally stop making bad decisions and lashing out if she's forced to live with the consequences of them, like Adora told her last season.

Glimmer gets a bit of slack from me since she suffered through a huge loss, that being her mother, and then was immediately thrown into being queen right after. It'd be hard for anyone to be 100% on their game and well-adjusted in a situation like that, and I buy that she was on some level resentful of Adora for coming back instead of her mother, even if unintentionally so. What definitely helps is that Glimmer very clearly and immediately regretted what she said to Adora. Like Catra she's lashing out but unlike Catra Glimmer recognizes some of the damage she's doing and knows, at least in this case, that she went too far.

Episode 9: Now that I can see the design in color I definitely prefer Mara's She-Ra with pants to Adora's She-Ra with shorts. Honestly, while the differences are pretty minor, I do think Mara's She-Ra design is overall a lot better than Adora's. Sharper shoulder guards. Bigger cape (especially the cape, I love capes). I don't know, there's just a lot that clicks with it and I wouldn't mind Adora getting a similar outfit later.

Madam Razz definitely had a Yoda feel this episode. I was very much expecting her to start wacking Mara with a stick over the sugar like Yoda did with R2. Though while that was Yoda acting crazy, for Razz it's because she experiences time out of order, and I don't think I've ever seen that concept taken to this extent, or at least done this way before. There are characters like River Song from Doctor Who, Professor Paradox from Ben 10, or even the Reverse-Flash who interact with other characters in time out of order but those characters are still on a linear path from their own perspective, even when travelling through time. Razz is just bouncing around her own timeline, seemingly not even any real reason or cause to it like Subaru from Re:Zero. Clearly she's not just remembering things oddly because her talk about things of the present are heard by people in the past and have an effect. I wonder if maybe the reason why is because Razz was at ground zero of Mara's actions and this is a side-effect of pulling Etheria away from the rest of the universe.

Bringing more Star Wars into this, it basically sounds like the Heart of Etheria project has turned Etheria into a magic Starkiller Base; storing power that'll be unleashed to destroy whole planets. And jeez, I think this was the first time I really felt creeped out by Light Hope when she was talking to Mara.

I'm looking forward to seeing what it means that the First Ones only made the sword and that Etheria made She-Ra. If that's the case, why is only the sword able to bring out the She-Ra form? Is it like MCU Thor's hammer and the weapon was just meant to help him control the power he already had? Or is what we think is She-Ra not actually She-Ra and that form that Adora and Mara take is just a stand-in for the real thing?

Episode 10: It didn't even occur to me until now but Double Trouble's capture is another blow to Catra's circle of "friends" too. They were at least able to make her laugh. One less person for her to talk to and just...really just distract her from her thoughts.

It's a good dilemma this episode presents about what to do with the Heart of Etheria. The safest and probably best option is to just dismantle it, like Adora and Bow want, since it could easily lead to the destruction of the entire planet if it goes off. Not the mention there's so little they know about it and what it was intended for and the one person who can potentially tell them, Light Hope, they were warned not to trust. But it's not hard to understand where Glimmer is coming from in wanting to use that power to fight the Horde. They're already losing the war and now she knows Hordak Prime and his FAR more powerful forces are on the way. Tapping into the Heart is a huge risk but she's not seeing any other paths for the rebels to win. It's a really good dilemma, with good arguments presented from both sides, and I buy this widening the schism between Adora and Glimmer.

Episode 11: I have mixed feelings on King Micah still being alive. On the one hand there's a lot of good potential interactions we can now have with him, primarily between Glimmer and Shadow Weaver, and he is a fun character. But on the other I can't help but wonder if this kind of lessens the impact of what Angela gave up to overcome the false reality. Part of what made it so emotional was that she had to accept the person she loved was dead and not coming back...except now we see that he wasn't dead and now he is coming back. Yeah, their family lost out on years together and that does still carry some emotional weight but I was already also half-expecting Angela to come back later in the series because she's stuck between dimensions, meaning there's a chance she could still be alive. If both Glimmer's parents come back then that really feels like it takes a lot of weight out of her story. But I guess we'll see what happens.

Also, why did the Horde exile him to Beast Island? Why not just kill him?!

Episode 12: So the Horde exiles Micah to Beast Island instead of killing him. The First Ones protect their secrets by sending their bad tech to Beast Island. Does no one know how to just destroy things in this world?

Ohhh, I am so looking forward to next episode. While it's debatable whether Glimmer should be going through with her plan she is at least being smart with how she's going about it. Double Trouble was being paid by Catra to work for the Horde, not out of any sense of loyalty. Glimmer has the resources of Bright Moon at her disposal so it's reasonable she could pay them more to switch sides. Double Trouble was very good at sabotaging even a group as tight-nit as the heroes, so Hordak and Catra are probably easy pickings with all their issues.

Episode 13: ....WELL THAT AIN'T GOOD!

I'll admit, I had a little bit of an unintended laugh. After all we've heard about Horde Prime, like this shadowy all-powerful monster, I wasn't expecting the fabulous flowing dreadlocks and smoothness. Credit where it's due, man has charisma and charm, which goes a long way in helping your big evil world conqueror not be a very flat character, because it's doubtful he's going to have the same kind of sympathetic motivation as Hordak or complexity as Catra to keep him elevated.

LOVE, LOVE, LOVE Double Trouble kicking at Catra while she's down. Adora and Scorpia were honest but they never wanted to hurt Catra. Not so much with Double Trouble and they just shove reality into her face. Everyone leaves Catra because of Catra. She's the common factor. It's her fault and no one else's. Again, I don't know for certain if Adora and Catra get together at the end (Catra would have a LOT to make amends for regardless) but Double Trouble was definitely implying Catra had feelings for her with the way they put Catra's hand on "Adora's" cheek while talking about how she left her.

I like that we see Glimmer's plan actually working at first. The princesses get a massive power boost and decimate the Horde forces. But the minute it starts going wrong she immediately admits Adora was right and she tries to stop the energy flow. I imagine having her there with Catra was intentional by the writers. Despite some parallels, Glimmer can actually accept her failures and work to try and fix things. Unlike Catra, she didn't blame Adora for things going wrong.

So the sword allows the First Ones to control She-Ra and the energy she'd be absorbing from the planet. Assumedly that means there are at least some parts to She-Ra that have nothing to do with the First Ones and thus maybe Adora can still use some of those powers without the sword.

Season 4 verdict: Yeah, the show keeps getting better, though I will admit last season's finale had me more emotional, but that's a bit of an unfair comparison given everything that happened in that finale vs. this one. This is definitely the series hitting its darkest hour, where it feels like EVERYONE lost. Not just the rebels but the Horde as well. The sword and Light Hope are gone and She-Ra (for now) along with them. Glimmer and Catra are basically prisoners. Hordak's probably going to have his personality stripped away. The Fright Zone is in ruins. The only one who's gained anything is Prime.

Really looking forward to what the final season has in store, especially since there seems to be the implication that Catra just saved Glimmer's life.

Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/o1j5gk/going_in_blind_watching_season_4_for_the_first/

#she ra #she ra spop #random thoughts #reddit repost

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gascon-en-exil · 3 years

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A Game of Thrones 10th Anniversary Season Ranking: Part 2

Link to Part 1

Time for the bottom half of the list. The four seasons here will surprise no one, but the order might.

#5 Season 6

You can tell what I most what to talk about here...but there's an order to these things.

S6 actually has a bunch of great ideas, but they drown beneath the most slapdash plotting and character work the show has seen yet in order to set the stage for the narrower conflicts of the last two seasons. It's notorious for bringing back characters who haven't been seen in a season or longer only to kill them off (Balon Greyjoy, Osha, Hodor, the Blackfish, Rickon, Walder Frey) or awkwardly graft them back into the main plot (Sandor Clegane, Bran). There are plot threads that ought to be compelling but are too rushed in execution, like the siege of Riverrun, Littlefinger's hand in the Battle of the Bastards, or Daenerys's time back among the Dothraki and then finally getting the hell out of Meereen. Arya hits on the only interesting part of her two-season sojourn in Braavos - a stage play, of all things - only for it to stumble at the end with a disappointing offscreen death and some incomprehensible philosophy ahead of the start of her murder tour of Westeros. There's also so much cutting off the branches, enough to be conspicuous; the final shot of Daenerys leading an armada of about half the remaining cast she assembled partially offscreen says that better than anything else. Well, not anything....

Highlight: Without exaggeration, the opening of S6E10 is easily my favorite sequence in all of GoT. The staging, the music, the mounting suspense even as it becomes increasingly obvious what's about to happen, the twisted religious references particularly in Cersei's mock confession to Unella, Tommen throwing himself out a window because he can't deal with the reality of how terrible his mother is, how Cersei gives absolutely no fucks whatsoever about murdering hundreds of people at once in a calculated act of vengeance largely prompted by her own poorly thought out actions - I love it all. It's the single most masterfully-executed act of villainy in the whole show - Daenerys torching King's Landing probably has a higher body count, but the presentation there is all muddled - and if I had any doubts about Cersei being my favorite multi-season major character they were silenced in this moment. The explosion of the Sept doesn't sit perfectly with me, because I liked the Tyrells and because of what I said about deaths like theirs and Renly's in the previous post under S2, but I think that unease only cements the strength of this sequence. It's an overused phrase in fandom these days, but GoT at its best is all about moral greyness that gives its audience room for multilayered reactions. Cersei nuking the Sept and making herself the sole power in King's Landing, which in a sense is just a more overt example of the kind of character/plot consolidation elsewhere represented by Daenerys's armada, is one of those events that's impossible to approach from a single angle if you care about any of the characters involved. And hey, it's not in the books (yet, presumably), so unlike Ned's death or the Red Wedding the GoT showrunners can take the credit for realizing this one.

Favorite death: Even leaving aside the Sept and related deaths there's a lot of good ones to choose from in S6. Ramsey is cathartic but too gory for me, Osha's was a clever callback but a little delayed, it's hard to pin down specific deaths when Daenerys incinerates the khals, and Arya only gets half credit for Walder Frey and his sons when she saves the rest of the house for the opening of S7. I'm thinking Hodor, not so much because I enjoy his character or the manner of his death but because it's a clever bit of playing with language (that must have been hell to render in other languages for dubbing) wrapped up in some entertainingly murky consent issues and some closed time loop weirdness. It's all very...extra? Is that the word for it?

Least favorite death: Offscreen deaths continue to be mostly letdowns, in this case Blackfish and the Waif. Way to botch the ending of Arya's already near-pointless Braavos arc, guys. Speaking of Arya, this spot goes to Lady Crane, whom the Waif somehow kills with a stool or something. It's a dumb way to send off an entertaining minor character.

#6 Season 8

I swear that I'm not putting S8 this high solely because of Jonmund kind of sort of happening. I've never been very interested in either of them and the sex would be far too bear-on-otter to suit my pornographic preferences, but even so the choice to close out the series with them is hilarious.

I really don't need to elaborate on why S8 is down here; everyone who's ever watched the show has done as much in the nearly two years since it wrapped up. I do however need to explain why I've ranked not one but two seasons below it. My biggest argument here is that I don't believe it's fair to critique S8 for problems it inherited from earlier seasons. A non-comprehensive list:

Mad Queen Daenerys: unevenly built up beginning from S1 and continuing in some form through every following season

The questionable racial optics of Dany's army: also seeded as early as S1 and solidified by S3 with the Slaver's Bay arc

Cersei only succeeding because she makes stupid decisions and then lucks out until she doesn't: apparent from S1, directly lampshaded by Tywin in S3, fully on display with the Faith Militant arc of S5-6

Jaime not getting a redemption arc or falling in love with Brienne: evident with his repeated returns to Cersei throughout the show as one of the most consistent elements of his character, particularly in S4 and during the siege of Riverrun in S6

Tyrion grabbing the idiot ball/becoming a flat audience surrogate mouthpiece: started in S5 around the time the showrunners ran out of book material for him and wanted to make him more of a PoV character and his arc less of a downward spiral, although I've seen arguments that changes from the books involving his Tysha story and Shae set him on this trajectory even earlier

The hardening of Sansa's character: began in earnest in S4 and never let up from there

The strange ordering of antagonists: set down by S7's equally strange plot structure - the Night King had to come first with that setup

CleganeBowl and the dumber twists: from what I've heard the whole thing of writing around fans on the internet guessing plot twists started pretty much when the book content ended, so S5-6 maybe?

Yes, there's plenty to criticize about S8 on its own merits...but just as much that was merely the writers doing what they could at that point with deeply flawed material.

Highlight: This may sound cheesy, but the better parts of S8 are almost all the cinematic ones, whether that's E2 being a bottle episode with tons of poignant character send-offs before the big battle, a handful of deaths with actual satisfying weight like Jorah's and Theon's, and an epilogue that incorporates both closure for individuals and the broader uncertainty of messy socio-political systems that GoT has always been known for before working its way back to the Starks at the very end for some tidy bookending. Even imperfect moments like the Lannister twins' death and the resolution of Sansa's character felt weighty and appropriate based on what had come before.

Favorite death: Forget about the audio commentary attempting to flatten Cersei's character; Cersei and Jaime Lannister have an excellent end. Cersei especially, as the scenes of her stumbling her way down into the catacombs as the Red Keep crashes down around her really show off how her world is abruptly falling apart and how she retreats into her own self-interest at the end in spite of her demise being at least partially of her own doing. There's some stupid moments associated with these scenes, like Jaime dueling Euron to the death and CleganeBowl, but I can excuse those when the twins end up dying exactly where you'd expect them to: in each other's arms, in a ruined monument to their family's grand ambitions that, like Casterly Rock itself, was taken from another family.

Least favorite death: Quite a few dumb ones in S8 have become forever infamous. Missandei sticks out, and for me Varys too just as much because of how the writing pushes him to do the dumbest thing he could possibly do purely for the sake of killing him off ten minutes into the penultimate episode. But no one belongs here more than Daenerys Targaryen, killed at the height of a rushed and uncertain villain reveal by a man who takes advantage of their romantic history (who is also her family, because Targaryens) to stab her in a moment of vulnerability - pretty much only because another man tells him that Daenerys is the final boss. Narratively speaking that might be the case, but even so this is the end result of multiple seasons of middling-to-bad buildup. Not even Drogon burning the symbolism can salvage that. Also Fire Emblem: Three Houses did this scene and did it better.

#7 Season 5

...Yeah, we're going to have to go there.

Sansa's rape is not a plot point that personally touches me much. It's terribly framed in the moment and the followup in later seasons is inconsistent at best, but it's not a kind of trauma I can relate to. On the other hand, in the very same episode Loras is tried and imprisoned for homosexuality, and Margery faces the same punishment for lying for her brother. That hits much closer to home, not just for the homophobia but also for the culture war undertones of the not!French Tyrells persecuted by a not!Anglo fanatic who later reveals himself to be the in-universe equivalent of a Protestant. The trial is just one part of Cersei's shortsighted scheming, just as Sansa being married off to Ramsey is part of Littlefinger's, and both of them get their comeuppance in the end...but it's unsettling all the same. I especially hate what the Faith Militant arc does to King's Landing in S5, swiftly converting it from my favorite setting in GoT to a tense theocratic nightmare that only remains interesting to me because Cersei is consistently awesome. What's more, pretty much everything about S5 that isn't viscerally uncomfortable is dragged out and dull instead: the Dorne arc, Daenerys's second season in Meereen, Arya in Braavos, Stannis and co. at Castle Black. The most any of these storylines can hope for is some kind of bombastic finale, and while several of them deliver it's not enough to make up for what comes before, or how disappointing everything here builds from S4. S4 has Oberyn, S5 has the Sand Snakes - I think that sums up the contrast well.

Highlight: S5 does get stronger near the end. As much as his character annoys me I did like the High Sparrow revealing his pseudo-Protestant bent to Cersei just before he imprisons her, and there's a cathartic rawness to Cersei's walk of atonement where you can both feel her pain and humiliation and understand that she's getting exactly what she deserves (and this is what leads into the climax of S6, so it deserves points just for that). The swiftness of Stannis's fall renders his death and that of his family a bit hollow, but it's brutal and final and fittingly ignominious for a character with such grand ambitions but so little relevance to the larger story. The fighting pits of Meereen sequence is cinematic if nothing else, and even the resolution to the Dorne arc salvages the whole thing a tiny bit by playing into the retributive cycles of vengeance idea (and Myrcella knows about the twincest and doesn't care, aww - no idea why that stuck with me, but it's cute all the same). Oh, and Hardhome...it's alright. Not great, not crap, but alright.

Favorite death: I don't know why, but Theon tossing Myranda to her death is always funny to me. Maybe because it's so unexpected?

Least favorite death: Arya's execution of Meryn Trant is meant to be another one of the season's big finale moments, but the scene is graphic and goes on forever and I can't help but be grossed out. This is different from, say, Shireen's death, which is supposed to be painful to witness.

#8 Season 7

I can't tell if S7's low ranking is as self-explanatory as S8's or not. At least one recent retrospective on GoT's ruined legacy I've come across outright asserts that S7 is judged less harshly in light of how bad S8 was. If it were not immediately obvious by where I've placed each of them, I don't share that opinion.

Because S7 is just a mess, and the drop-off in quality is so much more painful here than it is anywhere else in the series except maybe from S4 to S5 (and that's more about S4 being as good as it is). The pacing ramps up to uncomfortable levels to match the shortened seasons, the structure pivots awkwardly halfway through from Daenerys vs. Cersei to Jon/Dany caring about ice zombies, said pivot relies largely on characters (mostly Tyrion) making a series of catastrophically stupid tactical decisions, and very few of the smaller set pieces land with any real impact as the show's focus narrows to its endgame conflict. As with S6 there are still some good ideas, but they're botched in execution. The conflict between Sansa and Arya matches their characters, but the leadup to that conflict ending with Littlefinger's execution is missing some key steps. Daenerys's diverse armada pitted against Cersei weaponizing the xenophobia of the people of King's Landing could have been interesting, but there's little room to explore that when Cersei keeps winning only because Tyrion has such a firm grip on the idiot ball and when Euron gets so much screentime he barely warrants. Speaking of Tyrion's idiot ball, does anyone like the heist film-esque ice zombie retrieval plotline? Its stupidity is matched only by its utter futility, because Cersei isn't trustworthy and nobody seems to ever get that.

And how could I forget Sam's shit montage? Sums up S7 perfectly, really. To think that that is part of the only extended length of time the show ever spends in the Reach....

Highlight: A handful of character moments save this season from being irredeemable garbage. As you can guess from my screencap choice, Olenna's final scene is one of them, even if Highgarden itself is given insultingly short shrift. S7 also manages what I thought was previously impossible in that it makes me care somewhat about Ellaria Sand, courtesy of the awful death Cersei plans for her and her remaining daughter. The other Sand Snakes are killed with their own weapons, which shows off Euron's demented creativity if nothing else. I like the entertainingly twisted choice to cut the Jon/Dany sex scene with the reveal that they're related. And, uh...the Jonmund ship tease kind of makes the zombie retrieval team bearable? I'm really grasping at straws here.

Favorite death: It's more about her final dialogue with Jaime than her actual death, but again I'm going to have to highlight Olenna Tyrell here for lack of better options. She drops the bombshell about Joffrey that the audience figured out almost as soon as it happened but still, makes it plain what I've been saying about how Jaime's arc has never really been about redemption, and is just about the only person to ever call Cersei out for that whole mass murder thing. There's a reason "I want her to know it was me" became a meme format.

Least favorite death: There aren't any glaringly bad deaths in S7, just mediocre or unremarkable ones. I still think the decision to have Arya finish off House Frey in the season's opening rather than along with their father at the end of S6 was a strange one that doesn't add much of dramatic value.

#Game of Thrones #GoT

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kemonododo · 4 years

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Decided to rewatch the whole series after seeing the finale, here's my thoughts as they come along part 1

Razz tells Adora not to look for others to tell her what to do and asks her what she thinks. Adora decides she must fight the Horde. It's poetic that Adora gets so hung up on destiny and fulfilling her goal, when the final message she needed to learn was said in the third episode. Razz is the wisest of us all.

Angella repeats what she heard in the legends of She-Ra, notably that she is meant to "bring balance to Etheria". From Angella's perspective this seems like a good thing, but it's so much more sinister knowing that basically means "to turn the death star on".

Catra was pissed at Adora, but seemed willing to leave the Horde until Hordak elects her as Force Captain. This is the start of her conclusion that Adora was only holding her back, and so the decent of her madness. That little smirk kills me, because that face will shed a lot of tears from this point on.

Season 5 showed us what Adora's She-Ra looks like, without the First One's influence. It might be a bit blasphemous, but I think that reveal would have worked better if this early season She-Ra was the mini-skirt, cleavage design of the 80s. Have a bit of symbolism about societal beauty standards. Love the muscles though that part is perfect.

The first time Catra and Adora meet back up after their falling out is a little unremarkable, the wounds are still fresh and they're still angry at each other but I think both still don't understand how big this schism between them will be.

I just realized Entrapta's castle has a picture of a Tyrannosaurus rex with a unicorn horn and Pegasus wings. Is that what Mara's dragon was!? 😂

God I love Entrapta, even when I first watched this I was excited to see the purple Hatsune Miku in the intro. She always cared about people since the beginning, she just doesn't understand politics.

Castaspella and Angella were shipping Glimbow from the start lol.

The show gives us a full view of how Shadow Weaver's abuse affected Adora. Being constantly pressured to be the best and strongest at the threat of Catra's health has left Adora a jittering wreck. Call me sadistic, but I love that it wasn't resolved in this episode. Adora wins the battle against SW today, but all the way up to the series finale we see SW's dirty fingers clawing away at her conscious. It takes more than 20 minutes to escape a life of manipulation.

Princess Prom! This is when the show goes from a 7 to a 10. Not only the prom being a fun venue, but this is where Catra begins to get some agency. This is the first time she really feels like a main character, which is great because I love her more than anything. Also the first time we see Double Trouble and the Star sisters, which I guess are different from the Star Siblings in season 5? A bit of a continuity error.

Aww, Glimmer is jealous. I can relate to her fears of being pushed out, but the fact that she's pretty madly in love with him adds a whole new layer. Bow is right but he's being a bit insensitive here.

Let's just take a moment to appreciate how far we've come. Remember when this was the gayest thing in the show?

It's fun watching the princess alliance so early in their friendships, they obviously care enough to go with Adora on this mission to save Glimmer, but I love how annoyed and distracted they get with each other.

This episode is also really big for Catra, realizing she will never get Shadow Weaver's approval, that longing look at Adora, "this is not because I like you".

The Beacon is sandwiched between two great episodes that make it feel like filler, but a lot actually happens. We see more of Adora's insecurities, especially how she starts to take it out on herself when she runs into a problem out of her control. We got the formation of the super pal trio, a short lived group with an amazing dynamic. And we also have a huge moment with Angella that basically defines her entire character.

Entrapta's insecurities are revealed. She wants friends, she loves people, but they're complicated and hard and always seem to leave her. It's heartbreaking and something that comes to a head on Beast Island.

I love this scene with Catra and Shadow Weaver. It's clear she still loves her evil mom, and we see how SW has abandoned the idea of Adora for now and is now beginning to manipulate Catra. We also see another Catradora parallel, both of them tell straight to SW face that she has no power over them anymore, something we continue to see is not true.

Promise! 18 months later and it's still my favorite episode of the show. I like how it starts off with the anger they've been feeling up until now, but through the mind melting manipulation by skynet Light Hope, it's multiplied a thousand fold. Before this Catra was pissed at her friend, now Catra wants to murder the person she thinks destroyed her life. After this Catra isn't a cute tsundere, she's completely homicidal. She still loves Adora obviously, but Light Hope has corrupted that love into the most vitriol hate on the planet. It's wild to think they both love each other so much, and yet the abuse that have scarred them prevents that love from breaking free. This is the true moment where the show starts, this is where it became the best cartoon I have ever seen.

Also this is the only time since the first episode and Catra's redemption in season 5 where their chemistry is in full play. They just love each other so much, god I'm fucking tearing up again.

An important thing people forget about the Catradora dynamic is Catra's inferiority complex. She has been told since the day she was born that she is worthless, below Adora in every way. She loves and looks up to Adora, but her existing in Adora's shadow blackens that love. Which is why her joining the rebellion isn't a good ending for her. She needed time on her own, away from Adora, to carve out her own identity. It was her struggles as Force Captain that finally pushed her to start doing good, that realization that she is unhappy in that role. If she had left with Adora in episode 1, she would still be bitter and cruel and toxic, because she'd still be standing behind Adora.

Shadow Weaver's abuse goes both ways, as now Adora feels like she needs to protect Catra like a helpless kitten. That dynamic was not healthy, and it would not have lasted. Catradora can only exist now because they both accept each other as equals.

That final "you promise?", probably the most important words in the show. I've seen this episode a dozen times, but after seeing the finale the tears are running down my face again. Adora was the light of Catra's light, nothing mattered as long as Adora was there with her. She loved her so much. The Fright Zone, Shadow Weaver, her own insecurities, they all impacted Catra. But in that moment, them cuddling on their bunk, it didn't matter. Little did she know Adora loved her back just as much. Fuck I'm crying again.

Catra took that memory, tainted by Light Hope, and saw Adora as a monster. Someone who manipulated her like everyone else and abandoned her at the first opportunity. Someone who broke her most important promise, someone who broke her heart. Catra is probably the best written character in fiction, no I am not exaggerating.

It's a hard follow up after that episode, but the amazing juxtaposition of Entrapta and Light Hope telling the same story with different information is bone chilling and goosebumps giving.

Knowing the whole story of Mara, Light Hope's speeches are terrifying. Her manipulation makes Shadow Weaver look soft. Luckily we have an Alicorn to help, like all other abuse in the show it isn't over in a single dialog exchange, but Swift Wind is speaking the truths Adora needs to hear. The thing about Adora though is one of her main character flaws, she gives in to the doubt her abusers seed her. Her friends constantly tell her she has worth and deserves love, but she has it in her head that she must sacrifice herself for the greater good. That's another reason why Catradora works in the end, Catra helps bring out the selfishness she needs.

Battle of Brightmoon isn't a great finale, my time in the MLP fandom has soured me on "then all the friends came together and shot the villain with a rainbow" conclusion. Luckily, the show would knock the next three out of the park.

Catra starting the new season strong, I love the juxtaposition of the horde soldiers fearing her while the super pal trio doesn't. I love that little smirk, she thinks it's the first she wants yet we all know it's the later.

Frosta got a character change, I understand what they're doing where the other princesses are bringing her out of her shell, but it all happened off-screen so she just seems out of character. The little moment with her and Glimmer is great, and a little bit of forshadowing for Glimmer's queenly role.

Every Shadow Weaver and Catra interaction is fantastic, I love how SW gets so easily under her skin and how Catra pretends to brush it off. Those black tenticles still have a hold on the Kitty's heart.

Ties that Bind is a fantastic episode, especially seeing Catra's interactions with Bow and Glimmer. I love how this contrasts with the season 5 episode A shot in the Dark, here Catra is bullying the best friend squad with malice while the later has Glimmer and Bow playfully making fun of her with love.

Glimmer's actions here are also great forshadowing for her role as queen, especially how desperate she is to destroy the horde and how it affects her morals. Makes her decision to use the heart in season 4 very believable.

I love how Adora keeps referencing ghost stories she heard as a kid. I love the idea of her and Catra under the covers telling scary stories to each other until they'd both end up cuddling while insisting they aren't scared.

Entrapdak! Entrapta's love of science, complete lack of fear, and unending kindness can turn even a dictator cute. They have fantastic chemistry.

I love this little moment with Catra, Shadow Weaver correctly assumes that she's being pushed out and left behind by Hordak, and sure enough she finds Entrapta standing next to him in the lab she was almost killed just for stepping in. Her fears are repeating.

Ah! Goosebumps! The show is slowly moving to be more and more Sci-Fi, and that little shot of Mara's crashed ship with the fantastic music is just a hint to what's to come.

Roll With It is an absolutely adorable low stakes slice of life episode that shows how fun these characters are even when they aren't fighting a war. It's probably the funniest episode in the series, the 80s She-Ra segment is my favorite. There's also the wonderful moment of Adora's breakdown, the pressures of being the world's savior takes a toll on her.

White Out! One of my favorite episodes. The mostly self contained story, the new setting and outfits, great Super Pal Trio bonding, Scorpia being a lesbian, Sea Hawk, and the only time we see the corrupted She-Ra. It's a fantastic microcosm of the show itself, and it's really funny. The Scorpatra stuff is a bit sad knowing how it ends, but it is nice seeing how Scorpia can have a crush while still realizing the toxicity of her relationship later on.

Shadow Weaver's backstory and the biggest window into her head. She believes what she is doing is right, but her methods are full on psychotic, and she was power hungry from the start. I love her so much, she's so deliciously evil. The Eldritch horror that is the spell of obtainment is a treat, and SW's arrival at the Fright Zone is beautifully terrifying. This episode also has the best scenes with her and Catra, it's devastating to watch Catra continue to pine for SW's approval and how, after all this time, SW still only sees her as a tool.

Shadow Weaver is one of my favorite characters, literally every scene with her a amazing. "I can tell by how your voice turns shrill when you scream" what a bitch I love her. I also really like how you can tell Catra and Adora still love her, even after all this abuse. She's a monster, but she's also a mom, and both of those identities conflict in their heads.

Shadow Weaver's and Light Hope's reveal of Adora's origin is goosebumps giving. The revelation that there is a universe beyond Despondos is amazing, but I especially love Light Hope continuing to withhold information and effectively lie to Adora. Razz, Swift Wind, Angella, Catra, they all tell her to make her own decisions but this moment with Light Hope where she is told she doesn't have a choice is what Adora latches on to.

There's also the deal with Hordak, when Light Hope tells the story, she paints it as Hordak ripping the poor baby away from her family. We later learn that's wrong, Hordak saves Adora, he finds a tiny baby and even as a heartless destroyer he knows he can't leave her out there to die. He steals her away, but he does so from Light Hope, the original kidnapper. If Adora was raised by Light Hope, she probably would have fired the heart without question. The Horde was not a good environment to grow up in, but it was an important part in making her the hero the universe needed.

I love Hordak's monologue, the art style and music are fantastic and the whole thing is terrifying. To imagine the big bad horde of the show is just a tiny sliver of what is out there. It also shows Hordak's motivations, which don't excuse his actions but do explain them. This show does a fantastic job at letting us sympathize with the evil-doers, and that has only grown now that Wrong Hordak has shown what it's like to be disconnected from the hive-mind. Bonus points for explaining Imp's origin and showing how Entrapta is exactly the person that he needs right now.

Catra is being embarrassingly edgy here, but it is funny that she's talking about "lost it all" and she seems to think this is rock bottom, oh girl you are in for a ride awakening with how much farther you can fall.

Promise plays again as Adora has another break down. We finally see Mara, and as with everything to do with the First Ones it is chilling. I love this slowly unraveling storyline of Light Hope's true intentions. At this point it is clear she is not to be fully trusted, but we have yet to see how truly sinister her intentions are.

Catra, again, being one of the best characters ever written. She finds a minimum amount of happiness in the wastes, and immediately it all comes crashing down when her trauma resurfaces. That scene of the anger taking over is a masterpiece. I have said a million times that she'd never be truly happy in the wastes, and the later seasons confirm it, but it is heartbreaking to see how even the slightest hint of a smile is ripped off her face.

The Glimmer Angella arguments hurt, they're both right but it's sad to see them fight and how Angella takes Glimmer's advice while Glimmer doubles down on her faults.

Shadow Weaver back on her bullshit, manipulating teenagers to give her power. Noelle mentioned how she truly believes she's on the good side, and obviously she doesn't want the Horde to win, but you can't deny she has some selfish motivations behind recruiting Glimmer. That lust for power remains with her until the very end.

We see Adora getting to Entrapta here, people I think really didn't get their impressions of her right. Entrapta loves tech and science, and sometimes it blinds her, but she isn't immoral, she does care about the safety of her friends.

"You made me this way, and you get to be the good guy" "you couldn't wait to get away from here, from me. But you came back for Adora". You can see how SW's betrayal not only reaffirmed Catra's fears, but was probably just as much a force behind her decent into madness as Adora was.

There's also something beautiful about the symbolism of Shadow Weaver using her new victim like a battery to crush her old.

And Catra betrays Entrapta and Scorpia, this is officially the worst she gets, at this point her hatred of Adora is taking over her. We see more of it in season 4, but her desire to hurt Adora as much as Adora has hurt her causes her to crack like an egg. Scorpia's face says it all.

I love getting to see Catra and Adora in their element, completely in love with each other. None of the complexity of the world at large, just them two together. Even Shadow Weaver's approval of Catra, this is her dream world.

It's funny how Scorpia's first instinct upon seeing Catra is to hug her while her first reaction to Adora is to insult her. She has terrible judgement of character lol

Everyone's insistence that it's "perfect", watching the world shift and fall apart, the confusion, the panic, the show masterfully shows Adora's emotions in this mind-melding episode.

"Soon the two of us will be ruling Etheria together just like we always planned" "Is that what you really want, to rule the world?" "I mean, yeah, obviously. Isn't that what you want too?" God this little moment is perfect, it shows how much they're wavelengths differ. Catra focuses on the "together" while Adora focuses on the "rule the world". Like DT says later, Catra's heart was never truly in it. This thirst for power is just the world's most destructive coping mechanism.

#she ra #spop #analysis

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