The Dispute (2022) by Mickey Alfred is a BBF comedy about two (you guessed it) best friends that dream of having a more lavish lifestyle but things don't go fully to plan when they attend a wealthy girl's party. I won't get into the plot as it will only take you 13 minutes to watch it yourself, but I will get into the gorgeous visuals that it has. It's on short of the week (shortoftheweek.com) if you are interested in wathcing it.
The film is shot vertically which made it slighly jarring (a bit like the first time you watch a Wes Anderson film) to watch on a laptop but you quickly adapt to the format. Every frame of the film has great depth, and never feels like there is wasted space.
While I was going back through to collect a couple of stills for this post I ended up noticing that lots of frames utilise a reflective surface to give the very limited frame size some more depth. Here is a couple of examples:
The Director, Mickey Alfred, also utilsies depth of field extremely well:
I think these are both very useful concepts to keep in mind when thinking about tableau filmmaking (which this film was very reminscent of). I am particularly excited by the idea of reflections as this would allow you to see more of the scene or perhaps mimic a pan to reveal more information by instead having that information step into the frame.
Also increasingly aware that a LOT of people "manage" getting through the 40+ hour work week by sleeping less than is healthy and relying on stimulants like coffee and energy drinks to keep them going.
For people who are unwilling or unable to do this...work really does just dominate your life. Like we really should not have to rely on unhealthy practices just to have a social life or keep on top of housework or whatever.
I know I post about this a lot but I'm so TIRED all the time and it's just so depressing that this is how we're expected to spend the one life we have.
While NIGHT SWIM the feature was a misfire, the short film it's based on was really cool. Director Bryce McGuire is back to the short format with Every House is Haunted, a horror short that's not really a horror film but rather an experimental drama. The indie vibe created by the production design and cinematography, works well for the story. Does this need to be adapted into a feature? Nope, but most shorts shouldn't.
Edit: muted this monstrosity but if you're looking for the blank template it's on my blog and I'll tag this and it with "the stupid fucking shorts post" so you don't have to scroll through everything 💀😂 (I did not make the template btw, I don't know who the OP is but if you do please let me know)
Magnus archives fanart? On THIS account?? More likely than you'd think.
(Also im so sorry if the colours on this r a little off i've been trying to calibrate my monitor literally all day and i can no longer tell blue from red✌)
All of the bat children are horrified when they found out the boy Damian has been talking online, someone they were expecting to be a 5’3 twig. Someone who Damian has been crushing on for years turned out to be a 6’3 muscle-bound fucker that makes Jason look small.
They are even more horrified when they realized they never gave Damian the internet talk and for some reason Bruce is not reacting like this is something of concern and what the fuck-?!
The reason Bruce is not freaking out like the rest of his kids is quite simple.
He can see the last of the baby fat clinging to Danny’s face, he notices how even though Danny is a walking tank of a being, he still glances at the doorways like they could not be trusted.
Like he wasn’t used to his height.
No Bruce is not concerned, because all signs and research just points to one fact.
Danny Fenton has came into a Fenton-sized growth spurt.
This one is really interseting to me as not only is it an animated film but also it lacks any dialogue. Everything is told via the images and the sound rather than exposition.
The film uses a varied bed of sounds to create the world and uses sounds you wouldn't expect for certain movements but that act as exposition in place of dialogue. An example is the sound of a wooden floorboard creeking when the Samuari Frog is getting ready to hit the ball and also when he's walking. Another example is a whip cracking when he uses his tongue to disarm one of the crows. I found these choice really effective as it gave us a very good sense of character - that although he was old (wooden floorboards creeking) he is still highly trained (whip cracking).
Overall I really enjoyed this film and would recommend it if you are looking into writing a film with no or very little dialogue or wanting to consider sounds in a different way. It's on short of the week (shortoftheweek.com) this week if you are trying to find it.
P.S I actually think it should be called Samurai Golf Frog because its about a Samurai Frog that plays golf and Samurai Frog Golf sounds like you are playing golf with samurai frogs as the ball.
yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.
phoenix wright
phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright
phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright
phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright
phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright
phoenix “i sure felt surprised. maybe i had my poker face on” wright
phoenix “looking back on it that was actually a pretty dark period in my life” wright
phoenix “don’t ask me how i got started. i don’t remember” wright
phoenix “only you stood still, your eyes calmly watching” wright
phoenix “sometimes, life just sucks” wright
just
phoenix wright
crunchiest man in the world
and all i wanna do is chew and chew and chew on him
I love the college of winterhold. everyone there is casually deranged and there's like an alarming number of students and staff who threaten you immediately when they meet you. it's always one of the first questlines I do. which makes it even funnier when you get made the arch-mage of the college. I'm level 12 and got through this questline knowing exactly 3 spells. what do you mean you want me to lead the college. this school CANNOT be an accredited institution