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#the art of costume design
scurviesdisneyblog · 3 months
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Concept art for Snow White and the Seven Dwarfs by a Disney studio artist (c. 1936)
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critterbitter · 4 months
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Inspired by several folks spectating elesa’s reaction to eelektrik’s evolution and the glowing boa comic! I want to draw more elesa. She’s so funny.
Also.
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They’re friends. (link to my submas masterpost!)
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vavoom-sorted-art · 3 months
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Good Omens x Wild West
Jumped on the transcontinental railroad to play around with how our ineffable husbands would look in the wild west.
Fun facts
Crowley hates horses and horses hate him
Aziraphale is posing as a doctor
Crowley has two guns, but doesn't know how to use them (Aziraphale does, though.)
Aziraphale has to keep miracling away his sunburns because he always forgets his hat (or loses it)
Edit because this is more important to me than it should be lol: not an AU! They're still Angel and Demon, it's merely canon-divergent I would say.
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oopsallbangersart · 5 months
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Ploppin’ a doodle
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mkstrigidae · 6 months
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Backgrounds? *puts on sunglasses* I don't know her.
My favorite girl Sansa, here to eat lemon cakes and take names.
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ninamodaffari · 8 months
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So happy to finally show off my final piece for the Tome of Pacts zine I feature in.
This is Hagne, the Herald of Rot, and faithful servant to her Patron, Cicardia. Her look was inspired by several things -- death masks, pomegranates, worn bronze, flies and centipedes. The butterflies she carries feed on death and decay. Hagne herself felt the cold embrace of the grave, but was blessed to find herself given another chance. She will not fail.
I am so honored to have been a part of this project, and this is one of my favorite pieces to date. I hope you guys enjoy it as well. :)
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hannahalexanderartwork · 10 months
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Princess Zelda. Available as a postcard (with korok sticker!) through July here
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mintaii · 1 year
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she put everything on a bagel
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cinematic-phosphenes · 4 months
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THE GILDED AGE (2022-) + ART [6/∞]
🌸 Bertha Russell in S1E2 | Mrs Hugh Hammersley (1892) - John Singer Sargent 🌸 Madame Paul Poirson (1885) - John Singer Sargent | Marian Brook in S1E9 🌸 Maud Beaton in S2E2 | Before the Ball (c. 1870s) - Alfred Stevens
Dress inspo found by: @tomcraweley + @whartonists
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snailspng · 2 years
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Wilhelm pantomime costume design (1890-1910) PNGs, part 2
(from: vam)
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ghostpainters · 1 year
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My collection of Danny Phantom art...all three of them XD 
I miss this show 
1) Fenton Work [ID. Sam and Tucker on the roof of the Fenton works building, Danny floating above them, and Jaz leaning out over the balcony below]
2) The Ghost Train Submariner [ID. Sam and Danny mermaid AU]
3) Danny and Sam costume Redesign [ID. Sam and Danny standing together]
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scurviesdisneyblog · 7 months
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Rapunzel concept art for Tangled (2010) by Claire Keane
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critterbitter · 4 months
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Introducing! ELESA, the new kid on the block! She's a tiny bedraggled child from Sinnoh and not all that familiar with Galarian, the spoken language in Unova. (One day she'll be amazing. Right now though, she just wants to go play in the mud. And maybe get a better set of hearing aids.)
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When not bitterly lonely, she’s scheming to run back to her old home. Or chasing the local patrat. Or watching nervously from the sidelines as other children play on the swings. Oh elesa. (loosely inspired by @/noxstrages' incredible comics about elesa's origins! Ty for the food.)
Masterpost to my submas comics!
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bleekay · 11 months
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i started this waaaaay back when i first binged miraculous ladybug. couldn't get over the dynamic of superhero duo who don't know each other's secret identities but do also know each other in their normal lives, and they're in love but they aren't but they are they just don't know it.
you know, i originally was spending so much time trying to think of sokka's alter ego, and i put grey wolf in as a filler but then i realized how Sokka it was. like this other dude in a costume introduces himself like "hey, I'm the Blue Spirit" and sokka who hasn't had time to process yet that he's a superhero and is indeed the worst at naming things, goes, "oh, Blue Spirit? Hi. I'm..... Grey.... Wolf." and then zuko would be like "You just used my name as a template! You just changed the color and the creature!!!" and sokka's like "Whaaaaat! Nooooo. No. I actually had this idea before you even said anything, which means actually you are the one copying me!" and zuko demands he change his name, think of something better, but the news is there so it's already circulating and people are saying what a nice pair they make
[id: digital fanart of Sokka and Zuko from Avatar the Last Airbender, split into two sections. The top section is a 4-panel comic, from an interview-style perspective asking questions individually of Sokka and Zuko, both wearing modern clothes. Panel 1 asks Sokka, “What do you think about Zuko?” He shrugs and looks away thoughtfully, answering, “Zuko? Hm. I don’t know him too well. I guess he’s pretty cool.” Panel 2 asks Zuko, “What do you think about Sokka?” He scratches at the back of his neck and looks away, blushing with a sheepish grin, and answers, ”Ah… He’s… he’s nice.” A little heart indicates his true feelings. Panel 3 asks Sokka, “What about the Blue Spirit?” Sokka clasps his face between his hands, eyes shiny and half-lidded, cheeks red, a squiggly smile on his face and hearts all around, and answers, “… LOML.” Panel 4 asks Zuko, “What about Grey Wolf?” Zuko’s face is stern, his hand balled in a fist, and he answers, “Annoying.” There’s two small captions on the bottom that read (he’s kidding) (… maybe). The bottom section is a depiction of Sokka and Zuko together as their alter egos, Grey Wolf and the Blue Spirit respectively. Grey Wolf has a wolf mask that covers the top half of his face, a skintight blue, grey, and white suit, with leather straps to hold weapons and white fur on his shoulders and wrists, as well as a fluffy tail. The Blue Spirit is in the canon mask, plus a skintight blue and black suit, with a sword strapped to his back. Grey Wolf has one arm around Blue Spirit’s back grabbing his shoulder, and his other hand is gently poking at the Blue Spirit’s cheek. Grey Wolf is grinning and has a little heart indicating he’s enjoying this. The Blue Spirit is standing with his arms crossed and a scribble indicating he’s annoyed. The background is a vague cityscape at sunset. end id]
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shortnotsweet · 3 months
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This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.
Alicent’s Costuming
Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.
Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status
Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement
The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles
Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve
Shoes should stick mostly to slippers, or flat designs
In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.
Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.
Rhaenyra’s Costuming
Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.
Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.
There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.
Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.
Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.
Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.
Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.
Avoid headpieces that are not either a) her crown or b) ceremonial.
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maedictus · 3 months
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Tinúviel was dancing there to music of a pipe unseen. And light of stars was in her hair and in her raiment, glimmering.
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