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#the modern in korean art
metamorphesque · 2 years
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Mountain & Moon, Kim Whanki
Audio Commentary by Kim Namjoon Transcription
In the 1930s, Kim Whanki studied in Japan, where he worked and became close with many Japanese avant-garde artists. After establishing himself as one of Korea’s first abstract artists, Kim began incorporating elements of traditional Korean culture into his paintings, starting in the late 1940s. He produced many works featuring modernized expressions of popular motifs from the Joseon period, such as mountains, plum blossoms, and white porcelains, especially moon jars.
In 1956, three years after the Korean War, Kim moved to Paris, where he stayed for three years. In France, even though he was immersed in the new trends of Art Informel and Nouveau Réalisme, he continued to develop his own unique style.
It was in Paris that Kim painted Mountain and Moon, which captures a theme that was very dear to his heart: the natural landscape of Korea. The work combines both figurative and abstract characteristics, with an accumulation of geometric shapes and lines forming a discernible image of mountains and the moon. In the upper part of the canvas, thick brushstrokes represent mountain ridges, while the lower half of the painting is dominated by a round full moon. The white color of the moon is evocative of Joseon moon jars, but the overall tone of the painting is blue, the color that became increasingly prominent in Kim’s palette as his career progressed.
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yaoiconnoisseur · 3 months
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Please consider Modern (magical) AU thirst trap lawyer Astarion Ancunin
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sleepyconfusedpotato · 7 months
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Lots of peeps have been asking for some Ghost x Jade sparring 👀 Have a WIP of these two trying to punch each other (❁´◡`❁)
(yes this will include the Jade throwing Ghost over her shoulder art)
Ayyy anyway just a filler post so this blog isn't too quiet. Stay tuned!
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icekreme · 21 days
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milkbreadtoast · 8 months
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wanted to make a map of my (current) style insps (the main ones at least) for fun... I've wanted to do this for a long time hehe... I always like seeing when other artists do these *_*
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theaskew · 2 months
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moonassi (Daehyun Kim) (South Korean b. 1980) You see what you want to see, 2018. Korean ink on Korean paper, 48 x 72 cm.
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the-cricket-chirps · 4 months
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Byon Yeongwon (Korean, Seoul 1921–1988 Seoul)
Pangongyohan (Anti-Communist Female Souls)
1952
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schlock-luster-video · 8 months
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On September 1, 2017, Train to Busan debuted in Japan.
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gloop-augustus · 2 months
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by @muddycap on Instagram
color chair / 2024
dark orange & sky blue steel, plastic and etc
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'Composing a Poem in Response' by Lee Yootae
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jareckiworld · 2 years
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Lee Bul — Cyborg [W1]  (cast silicone, polyurethane filling, paint pigment, 1998)
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metamorphesque · 2 years
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Priestess, Kwon Jinkyu
Audio Commentary by Kim Namjoon Transcription
With his highly unique style and distinct expressions of the human form, Kwon Jinkyu stood apart from his contemporaries in Korean modern sculpture. After studying sculpture in Japan, Kwon returned to Korea in 1959. At that time, most Korean sculptors were pursuing abstract sculpture, strongly influenced by the new styles and techniques that had recently been introduced from the West. Resisting this trend, Kwon continued to create his distinctive figurative sculptures, seeking to “redefine realism in Korea” in his own way.
Kwon produced many busts of women, including Priestess, which depicts a female Buddhist monk in meditation. The rough form of the upper body and the shaven head serve to direct the viewer’s attention to the face, where the monk’s calm facial expression exudes a sense of serenity and mindfulness.
In the 1960s, while most Korean modern sculptors were starting to work with metal, Kwon continued to use the unconventional materials of terra cotta and lacquer. To create Priestess, he used a special lacquer technique called geonchil, in which hemp cloths soaked in lacquer were attached to a plaster mold to create a hardened form. For an even rougher texture, he mixed the liquid adhesive with a powder made from crushed roof tiles. The unfinished look and grayish color give Priestess a somewhat primal appearance, reinforcing the spirituality that the piece emanates. Kwon spent countless hours developing this laborious process because it produced forms that were relatively light yet very durable. Even so, his works received little public attention during his lifetime. Tragically, in 1973 he committed suicide in his studio in Seoul, leaving a note that read: “Life is emptiness and annihilation.”
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audreyslists · 6 months
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Oh Yoon
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(b. 1946, d. 1986), a South Korean painter focused in modernism and contemporary art. His art largely expressed how South Koreans felt pre, post, and during the Gwangju massacre.
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check out artnet to see more of his stunning art
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aholdingspace · 2 years
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1. Leo Amino, Family, 1948, cast polyester resin, Smithsonian American Art Museum
2. Leo Amino, Refractional #21, polyester resin, 1967.
3. John Pai, Body-in-Question, welded steel, 2009.
4. John Pai, Atom’s Rib, welded steel, 2010.
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astoundingart · 2 years
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Dan Kitchener “Morning Mists” #Astoundingarte #art #artwork #dankitchener #kitchener #morningmists #morning #mist #modern #modernart #abstract #abstractart #contemporary #contemporaryart #pink #blue #red #Chinese #Asian #Korean #Japanese #umbrella #umbreallas #rain #wet #dark #misty #reflections #intothenight #lonely https://www.instagram.com/p/CgYP9isuSUq/?igshid=NGJjMDIxMWI=
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theaskew · 3 months
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Yoonhee Choi (South Korean, b. 1970) Silent Noise # 7, 2023. Oil on canvas, 109 1/10 × 110 1/5 in | 277 × 280 cm. 
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