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railingsofsorrow · 13 days

Text

Epilogue

[peter parker x reader]

summary: harry finds your behaviour slightly suspicious & there's an evening spent between friends.

pairing: p.parker x f!reader; slightly harry osborn x f!reader; mj x felicia hardy.

w.c: 3.3K

warnings/content: jealousy; injuries (mentioned); protective harry osborn; language; migraines (mentioned); clumsy but committed peter parker (yes, he learnt from his mistakes. finally); discussion about the multiverse theory; angst but there's more fluff this time sadly; minor character's death (mentioned).

A/N: this fic has come to an end :( it was fun writing this. my first experience in writing a short spiderman fic, it was so hard to come up with a good ending and it probably still not perfect but I feel like it's a good enough one. I hope you like it too and that you'll come back to read more of my spiderman stuff, cause there will definitely be more! good reading, people <3

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“So they're just gone?”

You turn your neck to glare at your friend. Ever since you mentioned your migraines to him one day and he saw one of your episodes once or twice — a little bit more than that — he hasn't stopped bugging you about it. He wanted you to go to the doctors to get checked out. Until, well. Until the migraines miraculously vanished. Your head never bothered you anymore and you're even sleeping better, given the lack of dark circles around your eyes.

Harry wasn’t having it.

First and foremost, he did not believe continuous migraines were cured just like that. Overnight. Because how come he saw you incapable of watching a lecture one day and you're perfectly fine on the other?

Either you are popping some pills or someone magically healed you.

He didn't like any of the options.

He was still worried, okay? Harry cares. He may not be loud with it, but it's you, so he cares. And he cares a lot. You should know better than to just outright lie to him.

“Yes. Why does it matter? I'm fine, shouldn't you be happy I'm no longer whining on your shoulder?”

“You're not taking drugs, are you?”

A surprised laugh echoed around the room and he almost felt his body melt at the sight of your curled up frame from how much you were laughing.

“It amazes me,” you said between chuckles. “that you'd think I'd pull that off.” Not without him knowing, at least. You and Harry are side by side for almost the entire day.

“I don't doubt you.”

“You're losing faith in me.”

“I never had it.” He huffs out a laugh when you throw a pillow at his face, hitting him right on his nose. He fell on his bed with a groan, you moved his homework out of the way before he could mess it up by laying on top of it.

“Just... tell me if it gets to that point again, okay?

You look at him, contemplating something that he can't figure out. With the way you avoid his eyes as you answer, he knows you decided to say something else instead of that first thought. “I will. But it won't.” He found the conviction in your voice strange. You can't know if it will ever get that bad again. Just as the migraines miraculously left, they might come back.

He didn’t question it further.

You went back to your homework, sharing some insights on his as he does with yours. It didn’t last long until your phone started blaring beneath the pillow you're perched on, the sound being slightly muffled by the fabric.

You feel Harry's teasing before he can sputter out a sentence.

“Shut up.” You hissed, picking up the call without looking at the caller ID.

“One Direction. Really?”

“Hello.” You pointedly turn away from his smirky face. You have to take the phone away from your ear due to some loud police sirens that come from the line.

“Hi, hello!” The distinctive voice of Peter Parker replies. Yelling. That was the only way you would be able to hear him anyway. “There's been a thing and I— Shit!”

You concluded the phone is thrown away because his voice suddenly sounds very far.

You offered Harry a lousy excuse to step out into the hallway, frowning at the other voices and the police sirens you could hear.

“Peter, you—”

“I'm back!” Again, you take the phone away from your ear with a sigh. “Sorry, I was— I was busy.” You gathered that fact by the way he sounded breathless.

“Are you running?”

“No!” The noise proceeded to quieten down and you raise an eyebrow at his blatant lie. “Sorry, was I loud? Feels like I was being loud. Sorry.” A door is closing and he's groaning at the end of the line. Instead of finding it funny, you start to get worried, picturing a dislocated shoulder or maybe a deep gash on his arm like last time.

You and Peter made an agreement. When you agreed to be friends again — part of that starting over bullshit that was your idea — you and him worked on filling each other out on both of your lives. Just catching up as good friends do. Less than a month later you were patching up his wounds as if you never had stopped doing that in the first place. Sometimes, you'd even think you were back where you started as if it was all back to the start of your story in Queens. Midtown. Making plans with Ned and Peter for the weekends. Sitting with MJ at lunch as much as she claimed she hated company. . .

There was a pull at your chest every time you remembered it wasn't like this. You weren't back at that time. You couldn't go back. You only had the now and it had to be enough. It was enough.

“Peter, are you hurt?” But you still felt the same agony whenever the idea of Peter being hurt came across your mind. An unsettling fear settling up in your core.

“No.” he shuffled around, clearing his throat. His voice was back for you to hear it clearly. “I'm fine. Just a bank robbery downtown and I—” he paused to let out a heavy sigh. “I'm sorry I'm late, I'll be there in a second, okay?”

You blink, confused. “What? Late for what, Peter?”

“Hanging out?” He said followed by a tinge of uncertainty. “Uh, you said that after class—”

Your brows shot up in recognition. “Oh! Yeah, that's—” Then you checked the time on your phone. You were supposed to meet after class to hang out around 5 p.m. It was still 3 in the afternoon. “Peter,” you held in a chuckle. “That's like, two hours away. You're not late.”

There's silence on his end and you start laughing.

“Oh,” he mumbled, letting out a breath of relief. “That's— That's good. I was thinking that I was like really really late and—”

“You're good, webs.” You softly reassured him. Peter has been working really hard to make sure he doesn't mess up with you again. That included arriving early at places. “Are you at home?”

“Yeah, I just got here.”

“Mhm. And you're not hurt at all?”

“Just a few scratches,” Peter answered with hesitancy. You smiled triumphantly. Not because you're happy he's hurt but because you knew you were right. “I'm fine, alright? You don't have to come.”

“Okay.” You said, stepping back into your dorm room, catching Harry eying your frame from your bed curiously. “No broken limbs though, right?”

Peter's scoff put a smile on your lips. “Have some faith in me. I can handle a robbery.”

The joke Spiderman can handle a robbery but Peter Parker is still clumsy almost slips out but, thankfully, you remember you're not alone.

“Sure. I'll see you later.”

“Hey,” he called your name before you could hang up so you waited for him to speak. “Do you— are you going— how are you— I mean...”

“Peter, breathe.”

You didn’t notice Harry's eye-roll, too busy cracking up at Peter's stuttering mess.

“Okay. Alright. Are you going by yourself? Cause I can pick you up and we can go, you know, so you don't have to go alone?” He clarified, a strain in his voice as if he's been choking up to say that.

“Oh. Harry and I are going to head out together, actually. He's here.”

You patiently waited for his response. “Of course. Yeah. Okay. I'll see you later then. You and— and Harry. And everyone else.”

“Yeah.” You sat down on the bed, biting the inside of your cheek. A weird feeling of guilt in in your chest. “See you later, then. Bye.”

You don't know why you feel guilty about turning him down. All of you would meet in the same place anyway so it's not like you weren't gonna see him, right? It's just a matter of logistics.

“Was that your boyfriend?”

You gave Harry a blank stare as you threw your phone to the side to go back to your assignment. One of his eyebrows arched up in defiance, he played your game of not looking away for a few minutes before you got sick of it.

“I wonder if the reason you're bothered by Peter is because you secretly have a crush on him.”

He looks away first and your lips spread into a satisfied smirk.

“Parker's not my type.” Harry uttered, leaning over your lap to mark a question that you had gotten wrong. His curls tickling your chin. “And this is wrong. It's not fifteen, it's fifty.” He decided to add for good measure, stepping out of your personal space. “I'm not bothered by him.”

You hummed quietly, erasing the previous calculation to redo the math.

“Who is your type anyway?” You asked, trying to cut through the tension. Every time you mention Peter, Harry's mood shifted. He got too quiet. He just didn’t like him for some reason you couldn't yet figure out. Peter and he haven't met before, that much you know. You claim you'll be out of this, because it's none of your business, some people just don't like each other, it happens. But you're curious and if the opportunity to find out the X of the equation comes, you won't run from it.

“You'll never know.” His mumble is so low that you wouldn't have heard it if you weren't sitting so close to each other. He steals the pen you were using, earning a frown from you. “I like this one better.”

“Buy one for you then,” you complained, not moving to get the pen back from him. You take the one he was using instead, eager to finish the assignment so you can have the rest of the afternoon free with your friends.

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[Pete]: (Picture attached)

[Pete]: Do you want this back?

When you opened the text message, your breath hitched. The image Peter had sent you showed the red scarf, the one you never let go of. You hadn't seen it in a while, ever since... Ever since you paid him a visit that night. The night you were set on burning the scarf along with that collection of pictures you found in your room.

You've been to Peter's place countless times after that, though. You wondered why he never mentioned anything.

[You]: Keep it.

You sighed, conflicted with that short answer. You weren't being rude, you didn't meant to be. But you didn't need the scarf anymore. Not when you have him back in your life. You realized the scarf represented everything the two of you lived and everything you didn't.

You didn't want it back. You weren't ready.

Not now, at least. You hoped he wouldn't be hurt by it.

[You]: Maybe one day you can give it back to me.

Satisfied with your reply, you slipped your phone into your pocket, standing up to help Harry carry five smoothies toward your table. Ned and MJ were on their way, as for Peter, you figured it was the same. His apartment wasn't that far from where you were.

“I know a loser when I see one.”

“Hello, MJ.” You greeted after taking the first sip of your smoothie. You offer her hers and she bumps your hip, sitting beside you in the booth as a greeting. “Where's Ned?” You asked, frowning now that you didn't see the boy arriving along with her. They were always together.

She shrugged, leaning back. “He said he would be ten minutes late. He was gonna get Peter so they could go to this store nearby his place before coming here.”

You didn't take long to acknowledge which store she was talking about. An eye roll later, you crack out a smile in amusement.

“The Star Wars one?”

She nodded and the three of you quickly entered a conversation about a movie that was airing on the local theatre. Ned and Peter arrived in the middle of your discussion, a few bags in their hands that earned your curiosity.

“Did you buy the whole store?” You joked, the edge of your lips curling up as Peter sat down in front of you, placing two little bags on the corner of his seat.

Peter raised an eyebrow at you, amusement all over his features. “Did I?”

“Looks like it.”

“Oh, this is—!” Ned exclaimed, taking a sip of his smoothie. Harry held back a laugh at the boy's blissed-out state. “You got it right.” He then pointed at Harry accusingly. “I love you.”

Harry shrugged, “I know.”

“The one time I got your order wrong—” MJ begins.

“You never get the right one.” Ned deadpanned, interrupting MJ's speech. The girl kicked his chin under the table and Ned proceeded to kick hers back. Just before the childish fight could escalate, you pull both of their ears and hear whining asking you to stop.

Peter and Harry were chucking and you have to backtrack because Harry wasn't glaring at Peter for the first time. Is this progress?

After a mindless walk to the nearest park, all of you silently decided to stick around for a while longer, basking in what was left of the sunset and the hues of orange, pink and blue that mixed together to form the purple sky of the evening.

You teased MJ at her inability to stop texting her girlfriend while in an evening among friends and she flipped you off immediately, blushing. She's been seeing Felicia Hardy for two months and from what you could see, it was becoming rather serious, even though MJ still cannot admit it. You know your best friend and her hidden smiles and secret joy because of a new person she's interested in.

“No, no, no. You don't get it. It's like different universes in one— Actually, no. Multiple universes that are currently happening right now. You could be you, but you're, I don't know, a villain in this other universe, while here, you're just Harry.”

Both of your and Peter's neck snapped as you turned towards the conversation between Harry and Ned.

Harry carried a crease between his brows, confusion twisting the corner of his lips.

“So I'm me... but different?”

Ned nodded vehemently. He'd always get excited whenever the topic of multiverse was brought up.

You, on the other hand, were tense and you did not have to look at Peter to know his reaction as well.

“I'm sure in every reality you're an entitled filthy rich bastard the same way. Don't worry.” MJ’s comment was enough you breathe again. Peter’s awkward laugh at your side.

Harry rolls his eyes, “and I'm sure you're sarcastic and bitchy about anything and anyone, Jones.”

You throw your head back to stare up at the sky.

“Children.” You mocked. Peter attempted to hide his laugh but he was not successful. You found it endearing how his cheeks slowly turned pink. It reminded you of when you were kids, he'd turn into a tomato every time he tried to hold in his laugh. “Behave.”

They initiated a bickering about she started it and he started it and Ned made a comment to side with Harry to add fire to the flames.

Sometimes you thought they could remember and then reality crashed down the moment for what it truly was. It could be good and bad at the same time. Bittersweet might be the right term to name the feeling. Of course you miss everything that was, but what currently is is also good, in a way. You have your people, despite the losses, you have him back and it's all that you could ask for.

“Peter.”

He gives you a sheepish smile, looking down at his shoes as he buried his hand in his jacket.

“Did you like it?”

You close the small box carefully. “How could I not? It's beautiful. I loved it.” You said, then punched his shoulder playfully. He pretends it hurts, but you know it doesn't. “Don't spend that much money on me, Parker.”

Peter shrugged, playing the nonchalant part. “I'll do what I want, actually.”

“You're such an annoying little shit, aren't you?”

He shrugged again, this time he's got a cocky grin and a little smug attitude you recognized from when he got an answer right and you got one wrong in an assignment. It's a glimpse of the carefree nature of Peter Parker. He's a little bit proud at times, but still clumsy around people, shy between strangers, and wears his heart on his sleeve for the people he truly cares about.

“You love it.”

“Help me,” you asked him when everyone stopped by the fountain on your way back to university. You had your back to him and he finally understood what he was supposed to do when he saw your fingers holding the two parts of the necklace behind your neck. He stepped forward, taking both parts from your hands and freezing once your fingers met. Your skin was cold. You shivered as he clasped the necklace, adjusting with a shaky sigh. His throat moved under his hard gulp. “Thank you.” You turned around with the little rose gold maple leaf pendant around your neck.

Peter blinked at you in a daze. The streetlight illuminated your figure as you moved your hair away from your shoulders so it wasn't curling around the necklace anymore.

You're beautiful. So beautiful.

As soon as he saw the maple leaf pendant, you came into his mind. It reminded him of the Fall, your favorite season, which, of course, led him to you. Funny that everything, somehow, lead him to you. He doesn't know what his life would be if it didn't. Nothing would make much sense, honestly. Peter didn't know how the other Peter Parkers handled losing you in their universe. It was such a difficult thought for him to even consider. His initial goal was to protect you and if that meant he had to let you go, then so be it. He would do it. Because you deserved a life without the mess that was his life. You deserved peace and happiness. But that plan backfired when he saw you crossing the street to reach a coffee shop. It was 8pm in the evening and he was on patrol. He had stopped two robberies an hour before so he was getting ready to go home and throw himself into bed, give a rest to his alter ego for the night. Until you showed up, crossing the street so distracted that a car almost hit you. Peter pulled you back in time, a hand on your shoulder to steady you from the scare of the car horn. You had been crying and at the moment Peter's only thought was to comfort you and figure out who had made you feel that way.

“Myself.” You laughed, tearfully. “Sorry. I wasn't paying attention.”

He convinced himself that from that point on he had to watch over you, to simply make sure you wouldn't cross the street without looking both ways again, or trip mad and get a severe head injury. He'd watch you from afar, it couldn't do any harm.

In reality, that was Peter's way of not letting you go and it had not been fair to either one of you. Especially you, who earned headaches and migraines and insomnia because of memories begging to come back, memories that shouldn't have been removed at all.

Peter disappointed you. He disappointed himself too — and probably Aunt May, who must be shaking her head in disapproval wherever she was watching over him from. He's slowly making peace with himself after everything. He's finally seen that having you close by was better than the heartache of letting you go and trying foolishly to move on. He didn't want to move on from you and if that was selfish. . . that was fine. Peter was never anything besides selfless his entire life. And if you wanted to be in his life, why couldn't he want to be in yours?

He would acknowledge the past and make the best out of the present. As for the future, well, he wasn't concerned, it would probably lead him to you. As always.

#peter parker x reader #peter parker imagine #peter parker fanfiction #peter parker fic #spiderman x reader #spiderman x you #reader insert

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buckets-and-trees · 10 months

Text

First Night

I promised two anniversary fics this weekend, and it's still "this weekend" in a couple of time zones...

Fandom: MCU Series: The Brooklyn Boys Title: First Night Characters/Pairings: Stucky x female!Reader Word Count: 2.3k Summary: Takes place immediately after the events of the final part 10 Steve and the Best Friend. Dinner and a movie and...

Content Warnings: fluff, feelings, soft semi-retired superheroes

Additional Notes: Filling my ninth square for Bucky Barnes Bingo @buckybarnesbingo - U1 "Galaxy" and is the much spoken of (by me) PROMISED ANNIVERSARY EPISODE TO CELEBRATE POSTING PART ONE FOR THIS SERIES A YEAR AGO! These boys meant a lot to me back then and writing for them again to celebrate this with all of you has been a dream.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

Bucky kisses the back of your hand, then stands from the couch, checking his watch. “Dinner’s about ready. I’ll go finish it off.”

As he leaves the living room, Steve scoots a little closer. He pulls you into a short kiss, then rests his forehead against yours, eyes closed, and you breathe in the moment.

“I know it’s so predictable to ask you about your day,” he says, “but I’ve been waiting for weeks to just have these everyday conversations with you.”

You smile, though you know he can’t see it. You’re sure he can feel it because you can feel it coming from him, too.

“When we went to dinner that night, I thought that was going to be the beginning of so many days like that, seeing you, texting with you, just sharing everything with you.

Your heart stutters and leaps, “I wanted that, too. I’m sorry it wasn’t–”

He stops you with another gentle press of his lips to yours and cups your cheek. “No, I didn’t mean to bring it up to make you feel guilty. Tony would say if you want to make an omelet, you have to break some eggs. I think we’re coming through for the better.”

In the time that you’ve spent with Steve, you’ve become aware of how influential and powerful his mood is in any situation, and right now he’s feeling a contentment that really does envelop you.

So you sit back a little in the armchair, but take his hand, and start talking. He holds your hand in both of his, idle stroking of the back of your hand with his thumb as he listens. You talk about the bookshop. Bucky has become a regular, but Steve hasn’t been in yet. You’re eager to share that with him soon, too. You tell him about an upcoming book launch event you solidified today with a local author – it’s their debut novel, but they’ve been a frequent friend of your shop for a few years. “Oh,” you suddenly remember to ask, “you mentioned before that you were getting a lot of chatter about some things happening in Turkey. Is that where you and Bucky went?”

“Yeah.” He grins, probably pleased that you remembered. “Turkey was… interesting.”

“I’ve wanted to go to Turkey! Mission stuff aside because I know that’s probably classified, did you get to experience anything?”

“Not too much, but we did get to see a little of Istanbul. It was beautiful.” He tilts his head a little. “I… would like to go back and see more.”

You plant your elbow on the armrest of your chair and prop your chin on the hand Steve’s not holding. “Steve, have you even been on a vacation?”

He shakes his head. “Only day trips or weekends once or twice upstate when I was a kid. We kept on the move and covered a lot of territory when we didn’t agree to the Sokovia Accords, but that was survival and trying to be of use while keeping a low profile, not traveling. And during The Blip, it never even crossed my mind.”

You squeeze his hand.

“We should go.”

“I’ve never done as much traveling as I wanted either. Couldn’t afford it when I was starting out, then… yeah, The Blip, and since the Second Snap, it’s been busy, but now…”

“Now maybe we have even more reason to make it something to prioritize.”

Butterflies flare in your stomach when he smiles at you like that. Your chest gets that happy tightness. This was why you said yes to them.

“So, Turkey,” you say, a little breathlessly.

“I’ll put it on the list.”

You’re melting.

“Dinner is almost ready!” Bucky’s voice calls from the kitchen. “Steve, come set the table!”

“France should probably go near the top of the list.”

Steve nods in agreement and pulls you up as he stands. He keeps your hand in his as he walks both of you into the kitchen.

“Bucky won’t let us eat in the kitchen, not even at the stools at the counter,”

“Damn right I won’t!” he says, already catching your conversation. “The French wouldn’t hear of it, and I worked hard enough for us to eat at the altar of a proper table.”

“Everything smells incredible,” you gush when you enter their beautiful kitchen. Every part of the brownstone you’ve seen so far is beautiful.

Bucky turns and flashes a devastating grin before turning back to his prep. “Glad you think so.”

Steve brings you to a stop right next to Bucky, who is fully occupied whisking egg yolks one at a time into a custard on the stove, a separate pan with melted chocolate set off to the side. You lean your hip against the counter so you can watch.

Standing behind him, Steve puts a hand on Bucky’s shoulder on the other side and leans over the stove to stick his finger in the chocolate, getting his taste before Bucky can stop him.

“Rogers!” Bucky growls.

You laugh, and Steve grins wickedly.

“It’s good.”

“Get to setting the table. Food’s already set, just going to finish this off and put it in the oven.”

“And pour the wine?”

“We’ve got a Syrah, right? Or any Bordeaux blend.”

“I’ll look and see.”

“Can I help?” you ask.

They both immediately frown at you. “You’re not lifting a finger the first dinner you’re eating here with us,” Bucky says adamantly.

You hold your hands up quickly in surrender. “Understood,” you laugh.

“Good girl,” Steve says, his smile immediately returning. “I’ll go sort out the wine.”

He squeezes Bucky’s shoulder before he leaves the kitchen.

It hits you out of nowhere. There’s a short constriction in your chest at seeing how easy that casual intimate gesture was between them. They’ve known each other for years and years longer than they’ve known you. You’re nowhere near close to that ease and familiarity with them yet. Will this work?

“Come here,” Bucky invites you in closer, and as you step forward, he tucks an arm around you and pulls you securely into his side while he continues whisking with his other hand. Did your insecurity show on your face? Did he merely suspect it? Or maybe he just wanted to hold you for no other reason than wanting to. Whatever the reason, it does soothe away that doubt that had tried to creep in. He presses a kiss to your temple. “I missed you. I don’t know if I would’ve been patient enough to wait much longer. Steve was adamant we had to wait for you to set the timing though.”

Your chest blooms with warmth. You’re glad they did wait – you had needed the time to think and sort out your heart so you could feel secure jumping all in – but it also made you feel good to know he’d been eager. You circle your arms around his waist and look up at him. “Thank you.” You could say more, but you think he knows. His eyes and a squeeze of his arm around you say that he does. “Kiss me?”

“Always,” and he does. It’s a swift kiss because he is in the middle of the complexities of whatever he’s cooking, but he makes sure even the short kiss takes your breath away.

You only just manage not to whimper when he draws his lips away. Instead, you content yourself with resting your head against his chest. “Now what is it you’re making?”

“The boeuf bourguignon was easy to finish off, and I had decided something decadent for dessert was in order. Chocolate soufflé.”

“Damn, Barnes, you know how to impress a girl.”

He laughs. “Honey, get ready for a lot more of this.”

Your stomach flips, but he doesn't leave you flustered for long, diving into normal conversation while he continued working, Steve coming in and out of the kitchen to set the table. Bucky allows you to assist him as sous chef for only a moment, letting you to open the oven door when he was ready to carefully put the chocolate delicacy in to bake.

Then the three of you sit down to dinner, and it wasn’t an oversell to say it is one of the best meals of your life. The food is incredible, and simply being there with the two of them with the conversation, the laughter, the way they look at you, the way they look at each other, all of it is bliss. That bliss bleeds into Bucky taking the chocolate soufflé out of the oven and the three of you devouring the rich masterpiece. Then you settle in to watch a movie together, you tucked between them.

When you wake up, you are no longer tucked between your super soldiers, but instead tucked beneath a set of soft sheets and blanket that are unfamiliar to you, your head rests on a comfortable but foreign pillow, and your body feels the awkwardness of having slept in your jeans and button-down blouse. The latter wasn’t awful, but never ideal. Why were you asleep in your day clothes? You shift and yawn and sink a little more into the pillows and mattress, appreciating how cozy they are but wondering where exactly you were. You rewind your memory and start to recall a few of the last details in your mind – leaning up against Bucky’s side, Steve pulling your legs up across his lap and giving you a foot massage while the opening scenes of a movie played out.

They had let you choose the movie, and you’d gone with The Count of Monte Cristo, one of your favorites, but now you weren’t certain you’d even made it to the Chateau D’If with poor Edmond Dantes before falling asleep. Actually, you were pretty sure it was that soothing foot massage that had you lost to the land of the waking. You do have a vague half recollection of being scooped up from the couch into someone’s arms, but that was it.

It's clearly what landed you here.

You roll onto your back and smile. The ceiling is littered with carefully mapped out constellations, a glow in the dark replication of the galaxy. Adorable nerd, you think, and with a look around the room, the shelf full of books that covers an entire wall of the room and a neatly stacked pile of three books on the bedside table let you know you must be in Bucky’s bed. There is a low level of moonlight casting a glow across the room from the windows, and you remember the distinct thought you’d had about wanting to see how this man kept his books and what else was in his collection, but that would need to wait for daylight. You never would have dreamed this was how things would have played out all those weeks ago.

A little more alert, your throat feels a little dry, and knowing once the thought has crossed your mind you wouldn’t be able to fall back asleep without a drink of water, and it was clearly too late to go home (or late enough to absolutely justify staying in this very cozy place for the rest of the night and seeing your boys in the morning), you pull back the covers and shift out of bed. Sitting at the foot of the mattress you see a pair of gym shorts and a t-shirt that are clearly meant for you, and a huge sleepy smile splits across your face. You discard your clothes, feeling immediately comfortable in the alternative – which smell like Steve.

Bucky’s bed but Steve’s clothes.

Your head spins happily as you pad quietly into the hallway and make your way to the kitchen.

Once properly watered, you make your way back to the bedrooms, carefully bringing the partially-refilled glass with you just in case you get thirsty again. It is so quiet in their home, but comfortably so. You will get to see more in the daylight, but you love how it feels already. You pause at the doorway to Bucky’s room, bite your lip, and turn to look across the hallway at another bedroom door.

You don't want to sleep alone in Bucky’s room when they are together in Steve’s.

Heart pounding just a little, you step across the hallway and slowly turn the doorknob, trying to open the door as quietly as you can. You step inside, but then stop and look around. This was an unoccupied bedroom – it had a bed, but that bed was empty, and this room didn’t seem to have much to it. It was a guest bedroom. A little bloom shoots through your heart at the thought that while they had wanted to give you every bit of privacy – leaving you clothed, giving you a bed to yourself – it felt intimate in its own way to know that they’d tucked you in in Bucky’s room, not the guest bedroom.

Not at all nervous now, you step back into the hallway, close that door, and make your way further down the hall, eager to find where these two impossibly wonderful men were slumbering and join them. The next door on the left was a bathroom, but the door on the right is Steve’s. Bucky is asleep, but Steve is sitting up against the headboard and had been engrossed in scrolling in something on his phone, earbuds in, but looks up when your movement pulls his attention. He grins and pulls the buds out, “Hi, Sweetheart.”

“Hi,” you breath, padding toward his side of the bed.

He nudges Bucky as you make your way over. Bucky groans.

“Told you our girl would make her way to us before sunrise,” Steve says to him, and that seems to bring Bucky around slightly.

Steve sets his phone on his bedside table, takes the glass from your hand to set it there as well, and pulls back the covers so you can hop up and crawl in and join them. Bucky immediately pulls you in to his chest, kissing the top of your head. You sigh as Steve closes in behind you, and between your two super soldiers, you quickly drift back to sleep, held safely in their arms.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

#the brooklyn boys #aspen wrote something #stucky x reader #aspen's extended anniversary sleepover #buckybarnesbingo2023 #bbb2023 #female reader

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tarithenurse · 1 year

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The Bathhouse

Fandom: MCU (AU) Pairing/starring: Jotun!Loki x Fem!Jotun!reader Content: Non-gender-segregated bathhouse, a bit of fluff and pining, smut, a smidgen of female heat, loss of virginity, naivety, mostly some sort of smut (though not P-in-V...this time). A/N: So this is actually from something else I’m working on just for myself but it had vibes that I thought I could use for some fun with Loki. Betaed by the lovely TanteFrutsel-CreativeNurse!

The Bathhouse

It has been a long day and you’re tired but even so you sneak past your friends’ doors at the inn and make your way down the stairs where the innkeeper is sitting with his book. A sideways glance reveals that it’s a volume of “Tusk Love” which you’ve never heard of.

Out onto the street and past the darkening homes, you can’t help but clutch at the concealed daggers although you feel surprisingly at home here in Utgarde. It’s just...it’s a new place and recent events have grown deep roots. It doesn’t make it easier that you feel like a stranger in your own body what with the delicate changes of the heat.

Living as long as Jötunn do, nature has decided to play a cruel trick on the females and only allow them to be fertile once every century... the heat, as this period is called, lasts for at least half a year in which they have to deal with several physical changes.

Reaching the bathhouse, the place looks closed and you are dubious when you push on the door but it swings inwards, allowing you entry to the antechamber with the reception where a flustered matron stands, wringing her hands and with curlers in the hair as though she’s been roused from bed and barely had time to dress.

“I’m terribly sorry,” she snips, “but we’re closed.”

“I was told to come.”

Before you can give more of an explanation a voice comes from the beyond the arches where the springs are: “She’s here on my behest.”

You continue into the changing area with the woman trailing behind, complaining quietly.

“Now leave us, please.” Loki sounds bored but authoritative, stirring something in you. It could be his demeanour or his rank, either way the matron leaves, pointing at a stack of towels on her way out.

The changing room has a series of smaller cubicles for private disrobing as well as a low bench snaking through the area. On the one end closest to the bath is a bunch of familiar clothes folded neatly and with a set of daggers lying on top.

Undressing, you discard your own weapons too although a knot forms in the belly at the idea of being unarmed. Then you grab a towel and wrap it around your torso before proceeding past the archway.

There’s a lot more steam than during the daytime when you would normally visit as though the springs run hotter at night. The sulphuric scent mingles with that of sweet incense burning in a pot to the side. That wasn’t there last time. Loki is resting in his true form in the water at the far side of the pool, facing the entry directly, and he lifts a dripping and muscular arm to wave at the newcomer.

“I wasn’t sure you’d come,” he admits.

And I’m not sure I should stay, you think. Still, you step forward, stepping into the bath wearing nothing but a short swath of fabric that you find entirely inadequate in spite of Jötunn traditions but at least it covers the most important bits. Loki isn’t shy to look, his red gaze travelling your form before meeting your own faintly glowing eyes and remaining there until you’re sat down, towel soaking up the water, making it cling to your body.

You sigh. The hot spring really lives up to its name. With eyes closed you dip down below the surface to wet your hair.

Upon resurfacing, you keep your eyes shut as you wipe the water from your face. “Now tell me...what brings me here?” you shrug blindly, unsure of what else to say but it turns out any more sentences probably wouldn’t have made it past your lips as the god cups your face with a hand and kisses your softly.

*SLAP*

It’s a knee-jerk reaction, caused more by bafflement than anger or fear and the moment your palm impacts with his cheek, you regrets it.

“Sorry!” you blurt simultaneously, leaving the other gaping.

You have rarely been the type that dreamed about kissing etc but this development is very far from anything you could have ever imagined. Shifting uncomfortably where you sit, you glance over at your friend and find that he has moved away and turned his back to you completely, fingers gripping the black tresses tightly.

“Please forgive me, I’m so sorry. I’m sorry,” he repeats under his breath.

As he mutters, you get up and slowly moves over, stretching out a hand to settle on his shoulder which makes him freeze under the touch. “No...I shouldn’t have...you just surprised me, is all.”

Turning and grabbing your hand as it falls, there’s a desperation in the god’s eyes that you don’t understand but you find nothing threatening there and so don’t back away when he closes the distance one careful step at a time.

He breathes heavily, hungrily. “I should leave.”

“Oh alright...but why?”

“It’s your...your scent...it changes when you’re in heat,” he grits out but stays put, still clutching your hand.

Holding your breath as if that could help, you consider everything you know about the nature of the heat you’re going through but you cannot recall anyone ever telling you about this effect.

“Does it...hurt you?” you ask naively.

A shiver passes through Loki from the top of his head and down, carrying with it your gaze which lands on something you have never seen before and you instinctively know that this is not meant for you to gaze upon. Snapping your eyes shut, warmth rising to your face, all the awkward lessons at school come rushing into your mind although they are coloured by something new now. Curiosity. Desire. Something within you is calling back, responding to the god’s desperation.

“No,” he chuckles darkly, “you’re are absolutely not hurting me...far from.”

“Then...is there anything I can do?”

“Tell me to leave.”

“And if I don’t?”

Loki closes his eyes for a second and shakes his head so slightly you almost miss it. When he opens them again he looks at you and asks,“Let me kiss you one last time?”

You have barely nodded before his mouth is upon you, stealing a kiss and your breath. Strong hands cup your face, tilting your head gently to allow him better access as his tongue sweeps the seam of your lips which automatically part.

After a second of flailing, you grab hold of him, pulling you closer together in spite of the prodding to your lower abdomen. You need the support or you would lose all sense of balance, of up and down...but soon enough your hands begin to wander, skating over his broad shoulders and down his back, teasing a new ripple to be released and pucker the blue skin under which his muscles bunch taut as if he’s restraining himself physically.

Then, just as sudden as he’d begun, Loki releases you and steps back several paces, leaving you with your arms stretched out before you, trying to reach him.

Something more than blood is coursing through your veins, throbbing at your core. You don’t quite understand it but you know one thing: you want more.

“[Y/N],” he gasps for breath, “this isn’t what I had planned.”

“I believe you.”

You move up to him once more and this time you’re the one to glide a hand around his neck, pulling him down for a new kiss which he gladly gives into for a moment before lifting his head up against your grip with a soft groan.

“Are you sure?”

“Shouldn’t I be the one to ask you that?” you mumble against his lips.

The strong Jotunn guides you to the edge of the pool, carefully removing the towel and lifting you up until you’re seated on the edge. “I could never regret you.” A perfect hand pushes against your sternum, slowly driving you onto your back while he slots his hips between your knees. “I know I cannot...but let me give you this instead...” Before you can ask what he means by that, he shushes you.

His grip is light enough that you could resist it when Loki pushes your legs apart, revealing your most intimates. Watching between the slopes of your breasts, you see him lick his lips before lowering himself to deliver a kitten lick to the sensitive folds.

You’ve never touched yourself there save for the practicality of cleaning. Nothing could have prepared you for the odd, delicate sensation of the increasingly dedicated strokes of the god’s tongue – sometimes broad, caressing all of your core at once, and sometimes pointed and directed to the bundle of nerves at the very front. It catches you off guard when your pelvis begins to rise on its own accord from the floor as an intensity builds within you. Loki grabs your hips, holding them in place and you can feel his smile against the puffy, lower lips.

“Loki, I...” you moan without really knowing what you want to say.

You’re on the verge of something new and you want him to bring you there despite the trepidation for this unknown.

Releasing your pearl with a soft pop, he smiles up at you with a glistening mouth. “It’s alright, I got you,” and with that he returns to the ministrations.

It comes as a rush, crashing through your body in waves until you’re a moaning and writhing mess. Fingers claw for anything to hold on to, finding only his hair as your back arches off the cool stone floor. Again and again you mewl his name.

Slowly, lapping at your core lazily, he helps bring you down from this new high until you can finally breathe evenly again.

“Fucking hell,” you sigh, staring up at the ceiling while still quivering.

A strangled grunt from Loki makes you look for him: his fist is holding onto his shaft, pumping it and drawing your curiosity despite feeling abashed at that and what has just transpired.

“Please...touch your breasts for me,” Loki pleads and you obey without hesitation.

Testing at first, you quickly find that the nipples are overly sensitive, sending goosebumps down your body when you roll them between the fingers. You also cup the breasts fully, squeezing them and for the first time in your life admiring their form.

“Just like that,” he groans, hand moving more furiously.

A curiosity strikes you and you slip a hand between your legs, tracing the wetness there until you hone in on the clit which makes you shudder. Hesitantly at first but then with greater need, you begin to rub small circles onto the sensitive spot, encouraged by the words of praise that Loki showers you with until he suddenly growls your name and stutters, pearly white leaking between his fingers as his head falls back.

In that moment, he’s the most beautiful you’ve ever seen: fragile yet strong and so incredibly sensual with parted lips.

He sinks to his knees and you slip into the water in alarm, catching him in your arms and relishing in the nearness of him. It takes a moment before you realize that he’s talking to you, slurring his words slightly because his lips are pressed to your blue skin.

“...not what I planned. I wanted to court you first. To bring you to my favourite places or learn of yours, wine and dine...treat you like you deserve.”

You’re stunned at the revelation but manage to gather you wits. “There’s still time for that.”

Loki’s hands find your waist, thumbs running circles below the ribs and causing you to shiver especially when he adjusts the grip so he can graze the bottom of your breasts. Slowly but surely his attention is diverted, split between fondling them and your ass.

“For so long,” Loki confesses, “I’ve been admiring you from afar.” His fingers slide along your hipbone, tracing the vee until delving between your still slick folds, making you whimper.

He turns you around, sitting you between his legs so you can feel the half-erect cock against your back as you lean against his chest. Long arms cage you in, holding you securely but gently as he continues the circular movements you yourself had initiated earlier.

“I don’t have words to explain why I love you,” the god whispers hoarsely in your ear, “but please let me try to show you.”

You nod mutely, breath already uneven as heat pools in your core.

It takes little time before he has reignited the burning ecstasy within you and you tumble over this strange precipice once more, calling out his name on ragged puffs of air.

This time, Loki simply holds you as you descend from the high, rocking you gently and whispering sweet nothings to you that make your heart swell with the knowledge that he loves you.

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contentment-of-cats · 7 months

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I'll say it again. Andor is the best Star Wars show.

And that's because they didn't let Dave Filoni anywhere near it.

The show is called 'Ahsoka' but is actually an unaired season of Rebels. It ought to have been called 'attempted massive retcon at unwise forward speed' or 'Sabine has abandonment issues and makes poor decisions.' There are good scenes (possibly from another show, which one is anyone's guess) strung together with tired plot devices. Thrawn was chucked into this mess because there was no other way to move the plot. I did dig on some of the details like the signs of age and hard living and the obvious condition of the Chimaera. Other than that - pfft.

Turning to Thrawn - I am an unabashed fan of the Zahn-authored 2017 Trilogy and the HTTE trilogy (except the ending). He is complex neither all good or all evil. He is an antagonist and protagonist at once. Someone to root for and also against. Did he contrive his exile to join the Empire and possibly take it over in order to protect his people? It's possible. I don't think we'll ever find out, though. That being said, I don't think we're going to get much more from two more episodes.

One of my friends said that Filoni writes for children's shows, and it's true. The characters are almost cartoonish, not understandable as adults, but as kids understand adults to be. Perhaps I am expecting too much from an eight-episode MCU-kin show, but there was time to develop Sabine, or FFS Ahsoka (you know, the protagonist?), to fill in whatever has gone on in the past nine years since the Battle of Yavin, five years after Endor. For Sabine and Ezra, there should have been more feeling in that scene than the swell of the music.

A lot of the blame rests with Disney, and the paranoia-controlled process to stamp out leaks at all costs. There is a continuity to writing a script, working out the story boards, reading the script, and then shooting that is entirely lacking in franchise-oriented product. Franchise oriented product is formulated to sell merch and streaming subscriptions, and to drive bodies into theme parks. It's marketable.

The writers' and actors' guild strikes are ongoing. I'm content to wait - writers and actors have been getting screwed, fucked, and buttered without mercy for years. There is a new intensity to the talks as the studios start to sweat.

Final note: I love Thrawn, but the ageism of a vocal part of the fandom makes me want to still be around when these people hit 50. Age and illness and injury HAPPEN. Our bodies do not work as well when joints break down, we get hurt, or sick. Even when he regain functionality, it doesn't all come back. Even when our lives are saved, there are still sequelae. It's made me think less of some folks.

#thrawn #ahsoka

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buckevantommy · 11 months

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Sorry do you hate marvel or not? You reblogged a gif set from moon knight, that straight up nonsense show, saying they should give a show to one of the supporting characters? You know if you hate marvel media you can just not watch it right

marvel needs to die a fiery death.

i love stucky but the studio either queerbaited or was clueless or queerphobic plus steve's endgame made no sense. i love rdj's tony stark but he deserved better. they sexualised natasha to the nth degree rather than let scarjo work her drama muscles then killed her off rather than let her retire. moon knight was a mess but it was heartwrenching and different and oscar isaac deserves an award for that portrayal and i have a crush on layla and think may would crush a solo show - an egyptian superhero! (sidenote: i watched hawkeye recently and hated it but the deaf woc who got a redemption arc is getting her own show which is great).

i can care about characters and still hate their treatment - I'm an spn fan, it's second nature for me.

one of the many problems with the mcu is they're churning out multiple shows and movies per year which means they're not giving time to flesh out characters and plots like they deserve to be but it ALSO means a lot of eyes are on them bc when you crank out that much content in this day and age you HAVE to give diverse representation so we're seeing more and more poc characters in shows and on the big screen thanks to the mcu - eternals, shang-chi, moon knight, ms marvel, echo, blue beetle - and yes the mcu's diverse rep is problematic bc they care more about flash than substance and more about algorithms than grounded characterisations but you can't deny that the mcu has helped bring diverse casting into mainstream media. the worst company you know did a good thing, or however the saying goes. think back to the first avenger movies and how whitebred supermodel cishet they were. but thanks to societal influence and the changing of times, it became a necessity to have more poc characters in the mcu. the audience expected it.

however when it comes to queer rep, we've seen a lot more racially and bodily diverse casting and poc characters than we have queer characters. the first onscreen gay kiss took 26 movies and happened in Eternals, and other queer characters have been blink and you'll miss it moments or throwaway lines many viewers don't realise signified queer characters and instead misinterpreted those comments as humour or commentary. we've had a few queer side characters (negasonic x yukio, ayo x aneka, valkyrie, korg) but we're to yet to see a main queer character - and regardless of intention or comic book canon, throwaway lines, possible flirting, and jokes do not qualify as queer rep imho. so loki, deadpool, and tony stark don't count. it has to be explicit and undeniable, not catered to queerphobes so they can easily misinterpret.

but my point is: the mcu is a powerhouse that's been dominating the superhero genre and blockbuster charts for two decades, and from their success they've bet big in planning and putting into production dozens of shows and movies set to be released over the next decade. and that is a terrifying thought. they can't predict the future but they're trying to create content to fit a world that hasn't come into being yet. they're already behind the times on queer rep so i dont have high hopes for whatever they have coming queer-rep wise. but aside from that, their storytelling has become trite and so convoluted that they trade sense for the surprise factor. they're writing characters and plots to fit algorithm parameters like someone trying to say every buzzword in their work presentation. just look at Quantumania: a mess from start to finish in plot, dialogue, characterisations, not to mention stilted acting from a cast forced to act the majority of the film on greenscreen with no physical interactions to ground their performances.

i could go on and on but this post would get long and i'm no expert I'm just your average viewer and tumblr user looking for plots that make sense in stories i want to enjoy because i care about (or want to care about) the characters. if only the mcu cared as much about their characters as they do about big budget seizure inducing interdimensional battle scenes. as for genuine queer rep: maybe in 3 years we'll see a pair of same-sex lips gentle colliding like two pale coconuts. or maybe the mcu will crash and burn (or fizzle out) long before then.

i wanna be done with their stranglehold on the genre since they can't even produce decent shit these days. i want all the strikes going on atm to see creative teams get what they're owed. i want the next dozen mcu productions to flop so they realise they're not hot shit anymore. i want the streamer service upheaval to screw over their longterm plans. i want viewers and bloggers and journalists to call them out for being like the very villains they set up for their heroes to defeat - villains who want to control the cinematic universe, kill off competition, and screw over anyone they consider beneath them.

so yes, i hate the mcu. but there are characters i care about, and plots i wish were done better. but that's why fanfiction exists.

#anti marvel #anti mcu #.txt #diverse characters #queer characters #representation matters #lgbtqia

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legobiwan · 1 year

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How much did you learn about the Mr. L arc? It's fascinating. You can fight him as Mario, Peach or Bowser & he has comments about all of them. He has issues w/Mario. Peach is gorgeous/stunner. I think he makes fun of the fact she's always kidnapped at one point. Bowsers' King Incompetent/butterball (Bowser says he has a big shell.) There's a game theory ep about how brainwashing works that makes it more interesting.

I know the basics at this point, anon, but I'm slowly watching a playthrough of the game on YouTube in my spare moments and I am just...enthralled with this storyline and world. (It gets a little...existential at times? Plus, the minion scenes are hilarious.) I'm also learning a lot rummaging through the Mr. L tags on Tumblr and Ao3, hahaha.

Honestly, I cannot believe they gave Luigi a brainwashing/bad guy arc where he fights his brother. Good gods, if that was ever made into an animation (with all the fallout from said encounters) I think I'd pass out from happiness (it probably won't, it's a little too dark, I imagine, for the big screen). But Luigi without his inhibitions (because you have to figure a lot of that attitude was simmering under the surface for a while) being kind of a cocky asshole (who is an accomplished mechanical engineer as well, go get it my lanky plumber friend!) is just great. The notion of Team Good Guys (+ Bowser) freaking out if/when they did figure out it was really Luigi under the mask is so incredibly juicy and ripe for exploration. (Makes me think of the Bucky Barnes arc in the MCU. Who the hell is Luigi? hahahha)

Anyway, most of my Mario knowledge (and enthusiasm) comes from 90s cartoons and the waaaaaay early days of Nintendo (like the original, original Mario, which I did not have at home but some friends did), so it's been fun having a reason to dive into more recent lore. (Probably should check out Luigi's Mansion at some point to get up to date). Don't know if I'll ever actually play the games past some emulators on my laptop (kind of junky), but it's cool to see how video game narratives have evolved and matured. And I'm looking forward to the part of Super Paper Mario where we get into the apocalypse and the afterlife? (Mario-style, of course). Wild topics for a Mario game.

I'm also looking very forward to what I assume will be the outpouring of Luigi content after this film comes out next year. Finally, one of my original beloveds gets his due! (Hopefully, the film will have a solid Luigi B Plot).

#hello there #ask legobiwan #luigi #mario brothers #mr l #sorry this blog is now a part-time luigi blog when I'm not on my usual star wars bullshit #this has UNLOCKED something primal in my brain #sorry for the word vomit here this has been my first opportunity to delve into this new little (re)obsession

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pinkpilct · 1 year

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// wrote a little warm-up thing for what I’m planning for mayternity and thought I should share it!

original prompt is from @mpregstoryprompts but I can’t find the original post to reblog it from. check them out if you can! they have amazing prompts and I have so many stashed away in my drafts for when inspiration strikes!

pumpkin seed

Fandom: MCU Pairing: strangefrost Word count: 1000 Tags: mpreg, fluff, pregnant loki Warnings: No warnings apply

AO3 LINK

"Hey, Loki!" Stephen interrupts. "Look at this."

Loki glances over at him, one brow arched. Then a very unimpressed expression takes over his face. "What...What are you doing?"

“Are you sure you’re okay to be doing this?” Stephen asks once again.

“Yes, Stephen, I’m sure,” Loki answers with an irritated sigh, tired of giving the same answer to the same question. He is walking in front of Stephen, surprisingly nimble despite the round heavy dome attached to his front, every single step careful and deliberate and secure. Despite the hint of waddling in his own walking, he can tell that Stephen is struggling just a little to keep up.

“Your back isn’t hurting?”

“Not yet. Your child seems to be behaving thus far.”

“Just be careful. There’s a lot of pebbles and loose stones. I don’t want you to fall and-”

Another sigh, and Loki stops, turning to face his husband. “Stephen. I’m fine. I can do this. It’s just walking. I’m pregnant, not incapable.”

Stephen, not quite content with this answer, stands with his hands in the pockets of his pants, shoulders hunching slightly as he looks out over the open expanse of land. The air is crisp and cool in New Asgard this time of year, and it’s been so long since Loki last stepped outside that his breath comes quickly and cold against the wind.

“Are you going to let me walk in peace?” Loki insists, feet twitching with the want to continue.

"...Yes." Stephen answers, though he doesn't look very convinced. "I’ll try. Just...just watch where you step, alright?"

Irritation pools in Loki's stomach. A surprising feeling, with the baby taking so much space he hadn’t thought there’d be room for anything else. Of course Stephen is worried about him. Loki is no fool, he understands. The past few months have seen them worrying about each other more than ever. But right now, Loki would rather not see those blue eyes filled with worry and apprehension. He just wants to stop thinking about the possible dangers that could come for him now that he is in the most vulnerable state he's ever known. And pick a damn pumpkin for Halloween. And bake some bread. Maybe carve some small jack-o-lanterns together if Stephen has the time in between his Sorcerer Supreme duties. That's all.

"Thank you, my love. That is appreciated," Loki says, refusing to take a defensive tone with Stephen even if he really really wants to right now. "Come on, then. This way. Thor said all the good ones are just over there."

He turns to waddle his way towards his destination, occasionally sneaking a glance at Stephen. He's watching him too, lips pursed as he holds back further questions on Loki's wellbeing. But the expression on his face soon fades into something softer, almost warm, as if Loki is the only thing he sees. It makes Loki's heart flutter and his cheeks redden, turning his attention back to the path sharply.

Eventually, they find the mentioned pumpkins. And they're huge.

"Oh, wow. These are...really big," Stephen mumbles, looking from one side of the patch of orange and green to the other. It's much larger than either of them had expected, with several more patches of much smaller pumpkins in between. Thor hadn’t been kidding when he’d said the Asgardians had been taking up farming. "You want to drag one of these monsters home?"

"No," Loki answers smugly, a hand supporting his belly and emphasising it. "I'm going to choose one, and you will drag it home."

Stephen breathes out a laugh. Of course. "And here I thought you brought me along for company."

Loki's smirk widens, not offering an answer, then turns to start inspecting the pumpkins. He doesn't really care about shape or size, he just wants one that's bigger than Thor's. A pumpkin so big it’ll eclipse all the rest. Perhaps this one? Or this other one that’s squashing some weeds?

A little jolt in his abdomen distracts him, and Loki’s smirk gives way to a warm smile as he rubs his belly affectionately.

"Finally woken up, have you? I was wondering when you’d be giving us your opinion," he whispers to the bump, secret words exchanged only between them. A wiggle answers his voice, then a squirm as the child rolls, making Loki huff. "Oof... If this is your way of helping-"

"Hey, Loki!" Stephen interrupts. "Look at this."

Loki glances over at him, one brow arched. Then a very unimpressed expression takes over his face. "What...What are you doing?"

Stephen is holding a perfectly spherical pumpkin in front of his stomach, with a ridiculously stupid grin on his face. Loki frowns. Stephen wiggles his eyebrows before he says: "Can’t you tell? I'm you."

Loki blinks.

Stephen begins to wonder if he should start preparing for some flying daggers.

A long moment of silence takes place before Loki snorts and starts to laugh. Stephen laughs with him, somewhat relieved that his joke has not been answered with something sharp. He approaches his partner, who greets him at his side with a flick to his nose.

"That’s not funny," Loki says in between chuckles. "You aren't funny."

"What?" Stephen says, offended. "I am! Look at you! I can barely tell the difference between the pumpkin and you. Identical." He holds up the pumpkin next to the bump, as if it proves his point.

The resemblance of the roundness is undeniable.

Loki lets out a high pitched guffaw, then his breath hitches, hands rushing to his belly to soothe their child. "Fff... Baby also thinks you're not funny."

Stephen's smile grows wider, a hand reaching out to feel the thumping of the baby's feet, the other still holding on to the pumpkin. "Is that right? Not a fan of dad jokes, kid?"

“No, they are not. Have some mercy on my insides and keep those jokes to yourself.”Loki says, still laughing and with a fond smile on his lips. "You know, I think we've found our prize."

“This one? You sure? I thought you wanted a bigger one.”

“Hmm,” Loki shakes his head. “This one’s just perfect.”

#mpreg #mpreg fic #strangefrost #mcu #mcu mpreg

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valkyrieandstrangeridingaragorn · 2 years

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thoughts on this video about phase 4 😁 https://youtu.be/ICULY_gTngs

lol sure! As usual, a few things I agree with, others not so much.

When he said this I felt it: "The fact that I willingly skipped a handful of products from this phase and didn't feel like I missed anything should speak volumes", because damn, I feel the same way!

During the Infinity saga, a few things weren't to my liking but I stayed and watched all movies in theatres because I didn't want to miss anything, whatever they gave me I was happy to be there and see it. But after MoM, I started skipping series, I'm just not interested anymore. It went from feeling like a hobby to a chore.

I hate it when people claim we have to see Phase 4 as Phase 1 because it's nothing like it. He makes a really good point of saying Phase One only had 5 movies and ended with The Avengers (2008-2012), but Phase Four is 7 movies and 8 tv shows - in two years!!

Phase One introduced us to Stark and then Coulson, Fury and Nat. Thor to both Asgard and his family and Loki, TFA to Steve and Hydra.... and then we got The Avengers. That's great, it's concise, to the point. Now they're doing the same? Sure.... across 15 products in less than two years with a lot of characters that spend more time proving they're better than the old ones than helping the audience get to know them.

Also, there's a weird happening here that I always fail to understand. So these movies are supposed to be part of something bigger, right? Which is why they consistently try to sell future installments, but they always fail to do that because each movie and show are completely disconnected. So when you watch them you feel like the story doesn't stand on its own and only a future product will explain it... except when they come they don't explain anything either. It's like we're forced to look forward the entire time because what we have in front of us makes no freaking sense whatsoever.

For instance, MoM is not a Stephen movie, that much we know, but it's not a multiverse movie either. We see other universes in a 40-second quick sequence and the only new thing we learn is about incursions. This didn't happen in the past, if you watched TFA but missed all the others the story was contained, it made sense, it was character-driven. The same can be said about Thor even the IM movies - the excitement for what's coming next would only come in the post-credit scenes, now the hype for future products consumes the entirety of the movies and series, and things happen to the characters instead of the characters being the catalysts of those events.

This insane unreasonable content schedule that he mentions is definitely the problem and I couldn't agree more with him when he says they should drag them out. We don't need 7 movies and 8 tv shows in two years, that's absolute chaos. The MCU shouldn't be a chore, it should be a hobby, Disney has enough money to get by with just 2/3 movies and 2 shows a year, nobody needs more than that.

To finish this let me just say a couple things I disagree with:

I swear I feel like I'm the only person on this planet who loves Ant-Man and the Wasp. I had so much fun with that one, I don't understand why it's always ranked as one of the worst lol

I disagree about Moon Knight dragging out things, I feel they needed all that time to really flesh Marc and Steven, even Khonshu. I do agree it picked up the pace post ep3 though.

What he says about Black Widow (that it's pointless for the MCU as a whole aside from introducing Yelena) is an argument I don't understand. I don't see why we should define the movies based on what they provide for the greater MCU story, it's a nice standalone that focuses on Natasha and at least for me any product that puts the spotlight on characterization is a good product. Also yeah... I love that movie so I'm biased lol

Oh and he says he didn't watch Eternals. I have, and it's okay I think. Not perfect, it would have worked better as a series imo, but it was fine.

#mcu salt #mcu critical

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litcityblues · 5 months

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Loki Season 2 & What Should Have Happened With The MCU

I think it’s safe to say that at this point, the MCU has hit a rough patch- but the weirdly frustrating thing about navigating said rough patch is that a lot of the content they’ve put out has not been bad. In fact, some of it has been good to downright excellent, but the problem is that there’s been way too much of it.

Loki is firmly in the ‘downright excellent’ category. You actually see some of that old MCU magic at play here. There’s a unique visual style. Good characters. It’s obviously a key piece of the multiverse saga, but the frustrating part is that they didn’t really treat it like that until the end of the second season where Loki’s position in the multiverse becomes very apparent indeed. (Also that there gets to be a Multiverse full stop.) Leaving aside the Kang speculation for awhile, I think it’s worth looking at everything that’s come out since Endgame and really assessing what was necessary and what wasn’t. I think (and you won’t convince me of anything else) that a firehose of content was what undid them here. When it becomes a chore to keep track of whatever is going on in the MCU, you’re going to see diminishing returns and that’s exactly what has happened.

So, if I’m an agent of the TVA and going back in time to try and fix this, this is what I’d probably do:

Far From Home: Keep

Black Widow: Keep

Shang-Chi: Ditch- though you can make a case for doing a release purely aimed at the Asian markets and/or making this an Iron Fist sequel where you clean up the obviously problematic things– but this movie was decent, but wasn’t really an ‘event’ for me.

Eternals: Ditch- I don’t mind the Eternals and it feels like an unusual departure and an attempt at trying something a little different for Marvel, so points for that. But without a plan of how to integrate them into the wider narrative, it feels like a wasted opportunity. (And they hinted at that with the Black Knight/Harry Styles cameo at the end- and then nothing happened with either of those characters as far as I can tell. Plus people keep rightly pointing out that there's a GIANT HAND coming out of the ocean that NO ONE in the MCU has mentioned since.)

No Way Home: Keep

Multiverse of Madness: Keep

Love and Thunder: Ditch- Something’s gotta go?

Wakanda Forever: Keep

Quantumania: Ditch- If the Eternals were trying something new with no integration into the wider narrative, Quantumania had the opposite problem. It was a chapter of the wider narrative that completely subsumed anything entertaining about the film. This should have been Avatar for the MCU.

GoTG 3: Keep

The Marvels: Keep- but I saw some decent criticism that pointed out that it’s hard to root for a character who is so damn powerful. Hopefully, the introduction of The X-Men gives them the opportunity to explore some storylines.

WandaVision: Keep

The Falcon and Winter Soldier: Should Have Been A Movie

Loki: Keep (obviously)

What If?: Keep

Hawkeye: Keep

Moon Knight: Should have been introduced somewhere else, but I appreciate the concept and how they portrayed it, but I’d say Ditch.

Ms. Marvel: Keep

She-Hulk: Keep

Secret Invasion: Should Have Been A Movie

Loki 2: Keep (obviously)

So, you’d go from 21 projects between streaming and movies down to 14 and suddenly the fire hose becomes a bit more manageable to me. I would have also led off with Loki as soon as practicable after Endgame so you could lay down the seeds of Kang (or whomever) and establish the Multiversity of it all. Wandavision does lead into Dr. Strange 2 quite nicely and the Spiderman movies tie in quite nicely as well with Dr. Strange and then the Spider-verse uniting with Andrew Garfield and Toby McGuire in No Way Home. Making Loki more of the centerpiece and turning down the firehose of content would have made the impact of the end of Season 2 land more impactfully I think.

Whatever you do- if you're moving into a Multiverse Saga then everything should have some connective tissue to that central concept and a lot of it doesn't-- some of that is probably down to the business of movies-- you're going to have some sequels, but again. 'less is more'.

(I am a big believer in the idea of ‘less is more’ for the MCU– but fight me in the comments if you don’t like what I’ve pruned from the timeline.)

But, Loki Season 2: The story picks up from Season 1- where Sylvie (Sophia Di Martino) has killed He Who Remains and thrown the TVA and the timeline into chaos. Without He Who Remains guarding the sacred timeline, the branches are growing out of control and Loki (Tom Hiddleston) has been afflicted with time-slipping that he cannot (at least at first)- but he and Mobius (Owen Wilson) go to TVA Technician Ouroboros (Ke Huy Quan) to try and figure out what's going on with Loki and prevent the Time Loom from going critical and exploding- which Loki sees in a vision of the future before he time slips again.

Loki, Mobius, and their allies in the TVA decide they need to find Sylvie-- but it turns out that's not the answer to their problems either, so they try and track down Miss Minutes (Tara Strong) and Renslayer (Gugu Mbatha-Raw) and find another of He Who Remains variants, Victor Timely (Jonathan Majors) instead. Everything keeps coming back to the Loom. They keep trying and trying to save it but eventually, Loki realizes that there is only one thing he can do to save his friends and, perhaps more importantly, reality itself: he goes out into the Loom and it explodes anyway, but Loki keeps going, realizing that his abilities can rejuvenate the branches and, rearranges them into a tree-like structure and becomes not the God of Mischief, but the God of Stories, overseeing the branches alone at the end of time.

The TVA dedicates itself to finding the variants of who remains across the timeline and stopping them and Mobius retires from the TVA.

Overall: Satisfying and perfect and a great way to wrap up this character's journey through the MCU, Loki Season 2 should be the capstone to Tom Hiddleston's role. Don't bring him back. Don't reboot him. Don't. Do. Anything. Else. (Unless it's very well-written and MAKES SENSE in terms of your larger narrative.) I love the sets in this show. I love the color palette of this show. I love the cast in this show-- Jonathan Majors gives an excellent performance as Victor TImely. Ke Huy Quan is a perfect addition to the cast as OB and they bring the story to a close perfectly.

However- as I said above, if Marvel had slowed down the fire hose of content and committed to investing in fewer shows with higher quality writing/sets/casts, etc- I think they'd be in a lot better position. That's not to say that both seasons of Loki aren't important in the current scheme of the MCU-- they obviously are, but because of the firehose of content that Marvel unleashed, they are decidedly not the appointment viewing that they should have been. It's not quite as frustrating to think about as it is when you watch Secret Invasion which was a criminal waste of both Samuel L. Jackson and Olivia Colman and should have been a movie, but there's some frustration here. This show is very, very good. It got robbed of some of its flowers because Marvel decided that more is more, when in fact, less would have been better.

My Grade: **** out of **** One of the best MCU shows hands down. Could have been even better though.

#loki season 2 #mcu #marvel

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kylesvariouslistsandstuff · 8 months

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Physical media lovers rejoice...

This week, we got some rather bombshell news from Disney's home entertainment division...

First up is PREY, the Dan Trachtenberg-directed PREDATOR film, getting a 4K and Blu-ray in October. That's *big*. PREY was one of the movies that Disney sent straight to streaming last year, among many other fellow 20th Century Studios titles like THE PRINCESS and ROSALINE. PREY had actually had actually tested very well before release, and many were puzzled as to why it never got a theatrical release... and why it seemingly had no future as a title outside of Hulu.

Even some recent theatrical 20th Century/Searchlight titles - confusingly - never made it to disc, like BARBARIAN - a surprise favorite of mine last year - and SEE HOW THEY RUN. The former was also thought to be a Hulu-only exclusive, but great test results bumped it to theatrical. And thankfully so, that was a movie - what with its one or two hard-left turns - worth experiencing in a theater. I certainly hope those movies come to 4K/Blu-ray very, very soon.

But even better... More physical media of streaming-exclusive stuff! Disney is now putting three Disney+ shows on physical media, on 4K and Blu-ray. WANDAVISION, LOKI's first season, and THE MANDALORIAN's two seasons... Obvious that they'd go with the MCU shows and the STAR WARS content, but it's a start... And it was strongly implied for quite some time that Disney+ was going to be the *only* place where you could watch the Marvel shows...

Well, demand can be quite a persuasive thing to these companies... Being loud works!

I don't know if this will lead to any other shows or movies getting the disc treatment. Disney heads had sort of implied that they'd put a greater emphasis on physical media releases in North America (meanwhile, pulling the plug on physical media releases in Australia, GUARDIANS OF THE GALAXY VOL. 3 being the final title) post-Chapek... But I can easily see this being applied to popular stuff and not everything that's been released.

My hope is that all those 20th Century films eventually make it to disc, along with the Disney+ original movies and shows. HOWARD, in particular, is at the top of my wish list. Especially the ones they inexplicably removed, too, like CRATER. No work should be erased and unavailable to see. Like, ever. When something's made and released, and I don't care how good or bad it is, it's the public's from there on out. It should always be available, especially in a post-Disney Vault world.

It's funny because Disney themselves, back when the home media division was called "Walt Disney Home Video", released a truck-TON of various live-action movies on video and DVD over the years...

In the early 1980s, 90% of what was available on video from Disney was live-action stuff, due to the company's hesitance to release the majority of the animated features on video. So you had almost all the live-action movies, from well-known films like MARY POPPINS and THE LOVE BUG to things like... THE NORTH AVENUE IRREGULARS, SNOWBALL EXPRESS, GUS, etc. By the late 1980s, several other films made it to video, such as 2-parter movies that were aired on Disney's anthology program... Ever hear of SMOKE? BLACK ARROW? MY DOG, THE THIEF? Even some of the first-ever Disney Channel movies saw video releases back then, such as TIGER TOWN and GONE ARE THE DAYES.

Disney was even pretty good with putting a lot of these on DVD in the 2000s, although some didn't make it past videocassettes. And I have to say, when Disney+ launched, I was quite astounded at how many titles they had on there... Outside of greed and corporations being dinguses, I see no reason for the stuff not to be on there. I get licensing/rights stuff concerning catalogue 20th Century titles... But Disney-made titles? C'moooon...

So, this news gives me a spot of hope regarding physical media and the availability of certain films/shows.

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fandomtrashhh · 2 years

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How Stucky was Queer Coded

A deep, detailed look at how Steve x Bucky had queer subtext and coding in the MCU movies.

Word Count: 9k+

Trigger Warning: Cussing, I mention the normal stuff that comes with action movies like mentioning torture, brainwash, mind control, violence, character deaths

I want to say that I AM NOT smart enough to come up with all of this by myself. Most of this article is based off of the Tik Toks made by "daniellesilverstone." That's where I get most of my examples and sources from. If you have Tik Tok, give them a follow! You can also follow her on Instagram with the same name and YouTube under the same name.

I used some information from the account Char on Twitter: https://twitter.com/charcubed/status/1085731788897570817

This is an article of someone explaining why Cap should have had a boyfriend:

Why Marvel Should Give Captain America a Boyfriend - HubPages

Other than that, the rest of the stuff I added was from common knowledge facts online like memes that you can find anywhere, there's no source for those.

Warning! Spoilers for Captain America: The First Avenger, Captain America: The Winter Soldier, Captain America: Civil War, Avengers: Infinity War, Avengers: Endgame, Falcon and The Winter Soldier, and What If...?. I cover a lot of content, so if you haven't seen these and plan to, read this after you've seen them.

Before I begin, let me just say that there's a difference between queer coding and queer baiting. Queer coding is when a character is coded but isn't able to be queer because of homophobia. A lot of queer coding is through villains and relationships. In a relationship sense, that's when the characters are written as romantic parallels to each other and are coded. It could be on purpose or accidental. It's not always harmful, but it can be. In the MCU, Steve and Bucky are queer coded, and so are Carol and Maria. So queer coding is subtext, but isn't allowed to be confirmed. Queer baiting is used as a marketing ploy and is on purpose. An example is when there was a scene in Falcon and The Winter Soldier when it was hinted that Bucky was queer (I'll discuss that later) and the people working on the show said "Just wait and see" and literally nothing happened. Stucky wasn't used as a way to bait people, so it's coding. Now that I got that out of the way, let's start! I hope you enjoy this 29 page essay!

Introduction

The ship "Stucky" is the romantic pairing between Steve Rogers and Bucky Barnes from the Marvel Cinematic Universe. The duo are very close and share a very strong bond, and while many people believe it to be only platonic, there is strong evidence that supports it could've been way more than that.

Who the Hell is Bucky?

Did you understand that reference? Anyways, Bucky has been Steve Rogers's (aka Captain America's) best friend since childhood. He protected Steve against bullies and took care of him. In the comics, his character was actually very different. The comics takes inspiration from Bucky Barnes and a character called Arnie Roth. Bucky in the comics is Captain America's sidekick, an orphaned teenager who admires Captain America. It's a similar dynamic to Batman and Robin. While Bucky's name and storyline is the same as in the comics (as in he is presumed dead but is brainwashed by Hydra for decades and becomes the Winter Soldier) his character role and personality is mainly based off of Arnie Roth. Arnie Roth was Steve's childhood best friend who looked out for and protected Steve and fought off bullies for him. When he was a teenager, he flirted with and dated a lot of girls. All of this seems quite like Bucky in the MCU, right? So what's my point? Well, Arnie was gay (and Jewish! No Jewish erasure here). He was trying to overcompensate. If so much of Bucky's personality and role in Steve's life was based off of Arnie, is it really a stretch to say that Bucky is possibly also gay or bisexual? (Not to mention in some recent comics, both Natasha (Black Widow) and Bucky admitted to having a crush on Steve. If you don't believe me, look it up.)

There are also moments in the newer comics (where Steve and Bucky are the same age) that seem pretty gay, like in Planet Hulk, or when actual comic characters were shipping them. I don't usually take the comics into consideration though, because Bucky was a teenager in the earlier comics so I obviously don't ship them then.

Here's an article about Arnie:

Captain America May Never Have A Boyfriend, But He's Long Had A Gay Best Friend

Anyways, onto the MCU!

Their Home

It's never explicitly stated in the movies, but it's hinted that Steve and Bucky lived together during the 30's and 40's (the flashback scene in Captain America: The Winter Soldier.) I mean, to be fair, that's pretty normal, right? Friends live together all the time. It makes even more sense because Steve was an orphan by the time he was 18, and due to his health issues he was probably unable to work. It was also during the Great Depression, so things were really difficult. Just wait. There's a piece of concept art that was made for what Steve's apartment looked like, and it was made by people who worked for the MCU. In the picture, a tall dark haired man is standing at the sink, which is presumably Bucky. That's still fine, right? That is until you realize there's one bed. Yup. They lived in a very small apartment, the only room that isn't visible is the room that has a toilet in it. They had one bed in their apartment. There was no couch. Listen, I get that they were really close friends, but even really close friends, especially adult men, don't sleep in the same bed every night unless they were in a relationship.

That's not all. Steve and Bucky lived in Brooklyn, New York, which was known to be a very queer area back when Steve and Bucky lived there that can be traced back to the 1850's. It was one of two underground queer cities. And actually, Coney Island, which Steve and Bucky talked about going to, had gay bath houses. Not only did they live in a queer city, they lived in a queer neighborhood. The exact place they lived according to Marvel Studios themselves was in a neighborhood that was in the middle of bar/gay hangouts. Someone mapped out the entire area they lived in in detail and everything surrounding during the 1930's/40's, and it was very queer. (Sadly, the post was taken down, but you get the idea.)

I've only talked about Bucky's character and where they lived so far, and I already have a lot of proof. Just wait, I have a LOT more.

Punk

In the beginning of the movie, Steve and Bucky go on a date with 2 women. I'm not even going to go into detail about the fact that Bucky always insisted on going on a "double date" with Steve, or that he never understood why no one wanted to date Steve, or that Bucky spent more time focusing on Steve during the date than his actual date. Anyways, Steve sneaks off to try and enlist in the army again and Bucky finds him. They have a whole conversation where Bucky is very protective of Steve and very insistent that he doesn't join the army. Fast forward, and Steve and Bucky are saying bye to each other. Bucky says "Don't do anything stupid 'til I get back." Steve replies, "How can I? You're taking all the stupid with you." They hug each other, and Bucky calls Steve a punk.

You would think it's normal to call someone a punk, because the way we use it now is WAY different to how it was used in the 1940's.

The word "punk" can be traced back to Shakespeare, and during that time it meant a female prostitute. So it's really no surprise what the word was used for after that.

"Punk" meant "twink." Bucky called Steve a twink. I mean, Steve was the younger and smaller one of the both of them, so I guess it adds up.

The Bar Scene

This scene. This whole scene right here. This would be enough proof to prove my point. This scene in Captain America: The First Avenger that starts at 1:14:00 is the most queer coded scene in any of the MCU movies for multiple reasons. Let me dive deeper.

First, let's talk about the dialogue. Steve asks Bucky if he's "Willing to follow Captain America into the jaws of death." Bucky says, "Hell no. But that little guy from Brooklyn who was too dumb not to run away from a fight, I'm following him." I don't know about you, but that sounds romantic. If you watch the look on Bucky's face as he's saying it, I can't even describe it. Then Steve looks at him intensely.

Next gay line. They're talking about Steve's tight skinned Captain America costume. Bucky says, "But you're keeping the outfit, right?" He made the first America's ass joke. Why would Bucky say that? Gay jokes were not a thing back in the 40's. You could be killed for saying that if the wrong person overheard you. So it wasn't just a joke. In the original script for the movie, Steve replies with "Don't get your hopes up." Um??? Why would Bucky get his hopes up??? Again, gay jokes were NOT a thing then. And he wasn't drunk, because at this point Bucky had gotten the serum, and people with the super serum can't get drunk.

Just wait, this scene gets GAYER.

So, music is really important in movies. It sets the tone for certain scenes, and lyrics most times have purpose to what is going on in the story. Marvel is no exception. So, with that being said, the song playing in the background of this scene is called "Tavern in the Town." It was written in the 1880's. You want to know what it's about?

It was written about a man who was flirting with another woman. Yes, the song was originally sang by a woman who was talking about her boyfriend (as in the boyfriend was the one flirting with another woman), but in many of the versions afterwards, including the one played in the movie, it's sang by a man. The singers and the MCU writers could've changed gender pronouns, but they didn't. Making the song in this context gay.

Why would Marvel use that specific song if they weren't trying to tell us something? They could've used any song in the world for this scene, so why did they choose that one? One that describes the situation perfectly? Peggy Carter, Steve's canon love interest, is a dark haired woman. And wait. It STILL gets gayer.

The song lyrics match up with what is going on in the scene. The song starts with "There is a tavern in the town, in the town. There my true love sits him down, sits him down." The song is basically saying that the 2 lovers are sitting down in a tavern, and Bucky and Steve sit down in a bar, which is similar to a tavern. The next lyrics say "And drinks his wine 'mid laughter free. And never, never thinks of me, thinks of me." In this scene, Steve is drinking and he is thinking about his new life, which Bucky is barely a part of. The next lyrics basically talk about how even the best of friends must part but don't grieve me, which symbolizes that they'll be separated soon because Steve thinks Bucky dies. The next part goes "adieu, adieu" (I'll skip a couple lines) and then "I can no longer stay with you, stay with you," as Peggy walks in. I don't think I need to explain what that means. When Bucky and Steve stand up as Peggy approaches them, Bucky's jaw is clenched and his fists are balled. What other reason besides jealousy or hate would make someone react like that?

As Steve and Peggy are talking, the song talks about the lover actually leaving for a woman. It even says that they go out on a Friday, which is when Steve and Peggy said they would go dancing right before Steve crashed the plane into the ocean. Look at Bucky's face as they're talking. He's looking at Steve and he looks uncomfortable, unhappy when he realizes how Steve feels about Peggy.

Now, the GAYEST part of the scene. As the music gets louder for this one line and goes, "He left me for a damsel dark, damsel dark," the camera focuses on Bucky's face and he looks at Steve and then looks down. He looks upset. Then he tries to flirt with her, but if you watch his facial expressions and his body language and his voice, he isn't very convincing. It's more likely he's trying to direct the conversation towards himself so she isn't focusing on Steve, like when Peggy says she likes to dance he cuts in and says "So what are we waiting for?" But again, the way he's doesn't sound like he actually is trying to flirt with her because he wants to date her, it's because he doesn't want Peggy and Steve to date so he's desperately trying to end the conversation.

Some people might say that this scene is saying that Bucky is jealous that Steve is getting the girl for once, but that doesn't fit with his personality. It showed in the beginning that he was trying to get girls for Steve. He wanted Steve to be happy. He wouldn't be upset if Steve finally found someone. He just didn't realize it would happen so soon. So the only explanation? Now that Steve actually has a chance with someone, Bucky is jealous because he wants Steve.

After Peggy walks away, after he's frowning after her, Bucky says "I'm invisible." He's trying to play it off like he's invisible to Peggy, but by the way he's looking at Steve with a hurt expression, then looking away, it's really the opposite. He can't even look Steve in the fucking eyes. Then the lyrics repeat "Fare thee well for I must leave thee. Do not let the parting grieve thee. And remember that the best of friends must part, must part." Bucky realizes he's nothing compared to Peggy. Then the song ends. Interesting that they decided to end the song there. The rest of the song basically just talks about being in love with someone who is in love with someone else.

I want to point out real quick that the way he addresses Peggy in this scene is very different to how he addresses other women in the MCU, especially in this movie. Yes he's a flirt (like I said, a cover) but he's also polite and kind towards women. That's not the case with Peggy. It doesn't seem like he likes her, and there is no other reason why he wouldn't like someone as amazing as Peggy unless it was because he was jealous.

So. That's what I call The Bar Scene. This scene is clearly angst. This movie came out in 2011, over 10 years ago now, and there STILL isn't a heterosexual explanation for it. I sometimes have to remind myself that this scene is actually real.

Link to The Bar Scene, watch the words closely and watch Bucky's expressions and the way they look at each other! Captain America: The First Avenger Bar Scene Stucky Easter Egg -- There is a Tavern in the Town

Here's some more detail about that scene if you want it:

Homoerotic Subtext from the Bar Scene in CATFA - vulcansmirk - Captain America (Movies) [Archive of Our Own]

Facial Expressions

Before I get onto the next specific piece of evidence, let me point out the way they look at each other. ESPECIALLY the way Bucky looks at Steve. He looks at him like Steve is his whole world. I'm sorry, I don't look at my friends like that. If you look at the way Sebastian Stan (the actor for Bucky) and Chris Evans (the actor for Steve) look at their love interests in both the MCU and other things they have acted in, it's practically the same look.

Look at the way Bucky looks at Steve when they are sitting at the bar. Or when Steve and Peggy are talking right after Steve gets back from saving all those people from Hydra. In that scene specifically, when Steve is looking at Bucky, Bucky smiles. As soon as Steve looks away, his face falls as he's looking at Steve and Peggy talking. That's TWO scenes where Bucky looks jealous that Steve is talking to Peggy.

Almost every time, if not every time that Bucky smiles in any of the movies (not including the show) he smiles for and at Steve.

There are many more examples of the way they look at each other, and I could go on about it all day. Instead, let me get to my next topic.

The Apartment Scene

In Captain America: The Winter Soldier, we have another scene that is queer coded through the music. The scene where Steve is in his apartment and Nick Fury gets shot by the Winter Soldier (aka mind controlled Bucky.) The song playing in the background as Steve walks into the apartment is "It's Been a Long, Long Time." Yes, I know we all have feelings about this song. This was the song used for Steve and Peggy (Steggy) at the end of Avengers: Endgame. But it was used for Stucky first, way before it was used for Steggy.

The song "It's Been a Long, Long Time," is a woman singing about seeing her husband after he comes back from war. In the movie, this is the scene where Bucky and Steve interact for the first time since 1945, when they were in the war together, so it really matches up. They could've used any reunion-like song, why did it have to be such an overly romantic one, which literally says "kiss me once then kiss me twice then kiss me once again?" If you continue the song past the point where it cuts off, it goes really well with the scene, and at the end Steve is looking out over the city while he stands on the roof as the music rises. Yeah, that's romantic. So when they made that song a Steggy song, they were telling us that song was always supposed to be used romantically. That's now 2 romantic songs that are used for Steve and Bucky.

'Til the End of the Line

Any MCU fan knows this famous line. In Captain America: The Winter Soldier, there's a flashback to the year 1936, right after Steve and Bucky went to Steve's mom's funeral. Bucky was telling Steve that he could live with him, but Steve was saying he could get by on his own. Then Bucky says, "The thing is, you don't have to. I'm with you to the end of the line, pal."

I don't know about you, but to me that sounds like "til death do us part." Aka, a wedding vow.

In Spanish, if you translate it, it says, "Because I'm with you until the end." That's even gayer!

Later in the movie, Steve says it as a mind controlled Bucky is beating him up, almost killing him, and it was enough to break through Bucky's brainwashing. That's how important that phrase meant to each other.

Which brings me to my next piece of evidence.

Bucky's Brainwash

Bucky constantly got his memory wiped and was mind controlled and conditioned during his 70 years of being used as a weapon for Hydra. No semblance of his past life ever broke through that. His orders to kill people went smoothly and he was a very deadly weapon. That is, until he was ordered to kill Steve. All Bucky had to do was see Steve's face and hear Steve say his name for the brainwash and mind control to start to break.

Even when he was sent to kill Howard and Maria Stark, he didn't show any sign of recognition. Bucky and Howard were friends, and Howard said "Sergeant Barnes?" right before Bucky killed him. There was just nothing there. Bucky just didn't recognize him.

So when Bucky lifted up his gun to fire at Steve after he started to recognize him, there was a look of fear and confusion on his face and in his eyes. Already all of that mind control is breaking.

When Bucky gets back to the Hydra base, he's very upset and he asks who the man on the bridge was. His captors try to lie to him about it, but Bucky just keeps saying "I knew him." So they wiped his memory again and tortured him. It was a heartbreaking scene that always makes me cry.

Not long later, Hydra sent Bucky to go kill Steve again. Steve was trying to convince Bucky that he knew him, and that his name was James Buchanan Barnes and that Steve knew him his whole life. Bucky tried denying it and punched him and shouted "You're my mission!"

That's when Steve said, "Then finish it. 'Cause I'm with you to the end of the line." After that, Bucky's brainwash breaks AGAIN, and that's when Steve falls off the Helicarrier that they're on in the air, and Steve falls into the water. Bucky didn't even have his memories at this point, he just felt that he needed to save Steve, so that's what he did. Bucky pulled Steve out of the water and made sure he was breathing before he left. Honestly, that whole scene felt romantic for me, with the dramatic music and the slow motion and the trust that Steve had for Bucky. It was very beautifully written and every time I watch it I always feel blown away.

Character Roles & Movie Details

All three Captain America movies were about Steve and Bucky's devotion to each other. The movies constantly showed us that Steve would do anything for Bucky and Bucky would do anything for Steve. All 3 of Steve's movies were about him trying to save Bucky.

It feels like fate that these two ended up in the 21st century. Like they got a second chance.

Let me start with Captain America: The First Avenger. In this movie, Steve starts out in the "damsel in distress" role, because Bucky is always protecting and saving him. After Steve gets the serum, the roles switch, and Bucky becomes Steve's damsel in distress.

The first thing that Steve did as Captain America was to save Bucky from Hydra (the FIRST time Bucky was captured by Hydra.) He literally picked up the shield to save Bucky. As soon as he found out where Bucky was, he stormed the base all by himself just because there was a chance that Bucky MIGHT be alive. He had no idea if he was. That reminds me of in movies when the main character saves the love interest, even if it gets them killed, they still do it.

Not just that, but earlier in the movie, before Bucky was captured, Steve said, "I don't want to kill anyone." After Bucky was captured, he said, "I'm not gonna stop until all of Hydra are dead or captured." This is when he talks about saving Bucky. That's called character inconsistency. That usually only happens in a story when a love interest is in danger.

Later, Bucky and Steve refused to leave a burning building without each other. When Steve told Bucky to leave without him, to save himself, Bucky yelled, "No, not without you!" That was hands down the most passionate and crazed Bucky had ever been about something. He had never been more serious about something in his over 10 year span of him being in the MCU. He would rather die than leave without Steve. Every time I watch that scene I can feel how frantic, how sure he is about that statement. It's one of my favorite Bucky lines. Damn, Sebastian Stan is an amazing actor.

Later in the movie, when Bucky seemingly died, that was Steve's motivator to stop Hydra once and for all. Bucky's "death" was what led Steve to being able to take down Hydra.

Let's not forget that Steve could've probably jumped off the plane. In a deleted scene for Avengers: Endgame, Rhodey asked why Steve had to crash the plane. Steve tells him there were bombs on board. Rhodey then asked him why he didn't jump off, and Steve didn't reply. Steve could have jumped off, but Bucky had "died" 3 days before, and Steve didn't want to live a life without him.

So basically, in The First Avenger, Steve "became" Captain America and picked up the shield for Bucky, and Bucky's death was what motivated him to take down Hydra. That usually is the role of the love interest.

Now, Captain America: The Winter Soldier. That one was basically an act of true love's kiss.

First off, foreshadowing is added a lot in stories. Marvel is no exception, there's many instances of foreshadowing in the MCU. Including a scene between Natasha and Steve not long before Steve meets up with Bucky. The two of them are talking about dating and the like, and Natasha says, "Nobody special then?" And Steve responds with "Believe it or not, it's kind of hard to find someone with shared life experience." Umm? I wonder? It's not like there's anybody who was born in the early 20th century who fought in World War II and who didn't age for decades only to wake up in the 21st century. Besides James Buchanan Barnes, of course. The fact that they used the foreshadowing in a romantic context was so unnecessary, they could have foreshadowed Bucky's appearance in so many other ways. There's no other explanation for this line besides it foreshadowing Bucky.

When Steve realized that The Winter Soldier was Bucky, he dropped his shield and refused to fight him. A well trained assassin who could kill him in a heartbeat. Then there was the whole Bucky remembering him, but I already discussed it.

Steve was in so much shock that he let himself get arrested. He then blamed himself for what happened to Bucky even though there was nothing he could've done. He said, "Even when I had nothing, I had Bucky."

Then back to the fight on the helicarrier. Steve risks his life for Bucky just like he did in The First Avenger. Steve drops his shield in this scene because he doesn't want to hurt him, which contrasts picking up the shield for Bucky in The First Avenger. He tells Bucky TO KILL HIM. Then Bucky says "You're my mission." Then Steve says "Then finish it. Cause I'm with you to the end of the line." He gave Bucky permission to kill him, he knew there was a chance that he couldn't break through Bucky's brainwashing, but he still took that chance. He loved him so much that he gave him permission to kill him. He'd rather die by his hand than live without him.

Then Steve breaks Bucky's brainwashing, which is like the act of true love. It's actually been confirmed that the only reason the brainwashing broke was because of his memories of Steve.

The closing scene of the movie is Steve looking at Bucky's file, which mirrors Peggy looking at Steve's file at the end of The First Avenger. Which, again. Peggy is Steve's canon love interest. They parallel a canon love interest with a "friendship."

Then, there's 2 years between Winter Soldier and Civil War. In those 2 years, Steve had been actively trying to find Bucky. 2 YEARS. During that time, Bucky was trying to lay low in places like Romania (which is a nod to Sebastian Stan who lived in Romania until he was 8) and trying to remember things.

Next, I'll talk about Captain America: Civil War. Oh, boy. That whole movie was incredibly gay. Even Sebastian Stan, who plays Bucky, admits as much. He said, "Look, maybe it was a little bit Brokeback Mountain at times, I mean I'll admit, it was a little I won't quit you."

Like. You know something is gay if one of the main cast members even admits as much.

There's quite a bit to this movie, but I'm only going to talk about the things pertaining to Steve and Bucky.

In the movie, Bucky is accused of bombing a building that was resposnible for killing and injuring many people. The whole world is looking for Bucky and trying to kill him. The only person that believes he didn't do it and tries to help him is Steve, and Steve gets some of his friends to help.

At one point, a character who previously appeared in Captain America: The Winter Soldier showed up in Civil War. His name was Rumlow. When he went up against Steve, he started talking about Bucky. (Rumlow was a part of Hydra therefore he worked with The Winter Soldier.) He said "You know, he knew you. Your pal, your buddy, your Bucky." He says "your Bucky" which is used possessively, like Bucky is Steve's. Yeah, that sounds romantic. You don't use that for platonic relationships. The mention of Bucky distracted Steve from his mission so much that it allowed Rumlow to detonate a bomb which killed people. Later, Steve was talking to Wanda and said, "Rumlow said 'Bucky,' and all of a sudden I was a 16 year old kid again in Brooklyn."

The "your pal, your buddy" was probably added in there so it wouldn't just be "your Bucky" which sounds ever gayer.

One of Bucky's trigger words to become the Winter Soldier is seventeen, and all the words are strongly theorized to have meaning in Bucky's life. Bucky is a year older than Steve, so what the hell happened when they were 16 and 17? (This one is mostly a joke and probably just a coincidence, though.)

Another thing. When Steve goes to Bucky's apartment in Romania to rescue him from people who are trying to kill him, we see that he has a notebook. In that notebook there's a big picture of Steve. Bucky had been using that journal to remember Steve again. He's relying on his memory and trying to get his memories back by focusing on Steve. And like....c'mon. You have a huge picture (that's not just a picture but a drawing) of "your best friend" on the first page of your journal? That's kinda gay, my dude.

Steve goes against 117 countries for Bucky. He fought the entire government for Bucky. He becomes an international fugitive for him. He gets arrested for him. He risks his life for Bucky AGAIN in this movie and some of his friends' lives. His friends actually end up in a high security prison because of it. He risks a friend's career for him. When Bucky gets mind controlled again, Steve risks his life AGAIN. He stops a helicopter for him. In this movie, Steve literally gives up absolutely everything for Bucky. He gives up the shield AGAIN for him, proving that Bucky is worth more than being Captain America. This whole movie was about Steve trying to protect Bucky and showing the lengths that he would go for him.

So yeah. The lesson is everything goes to shit when Bucky is taken from Steve in any of the movies.

Not to mention the scene where Bucky loses his metal arm and is bleeding and broken on the ground and can't do anything but still tries the best he can to get Tony away from hurting Steve, anything to help Steve even though Bucky can barely move.

In the scenes they fight together, they're immediately in sync, even though they hadn't fought side by side since 1945, that's how comfortable they are with each other. Like the scene where Steve instantly covers Bucky with his shield, no hesitation. Only Steve's head is covered, and Bucky has his arm on Steve's back. That's just one example!

Let's talk Sharon Carter: she was Steve's love interest in Civil War. I use the term love interest loosely. They got less than 10 minutes of screen time together in this movie and less than 10 minutes of screen time in Captain America: The Winter Soldier. They kissed once. Their "relationship" was very underdeveloped, and was probably just thrown in there so that it wouldn't seem like Bucky was the love interest. Steve x Sharon is probably one of the worst romantic relationships in the entire MCU, whether you ship Stucky or not. Both scenes they are in together gets interrupted by Bucky. (There are even scenes where he interrupts Steve and Peggy moments, and even scenes where Peggy interrupts Steve and Bucky moments! That all seems romantic to me.) Also, the less Peggy that's in each Captain America movie the more Bucky there is. Just something worth pointing out.

Another thing is that there is a scene with Sharon and Steve talking in front of an elevator (one of the ones that was interrupted by Bucky) and it was honestly kind of weird and there was no passion. This contrasts a scene later in the film where Steve and Bucky are actually in an elevator, and they're looking at each other and that scene seems pretty passionate. No words and no interruptions. Not really that groundbreaking of a piece of evidence, but I thought it was interesting.

So yeah, she exists to throw off everything that's going on with Steve and Bucky. Just by the scenes she and Steve share, things feel awkward and whatever was going on between them wasn't written to be a long term relationship for him, not like with Peggy. And simply, their little fling doesn't work because of Bucky.

Another little music fact: one of the songs they credited in Civil War was a song called "Bonnie & Clyde." Bonnie and Clyde were 2 lovers who were on the run from the law...hmmm....what were Steve and Bucky doing that whole movie? I mean, there were no other 2 characters who were romantically involved that were on the run together.

Here's the scene I mentioned above where Steve and Bucky are in an elevator together and they're facing each other and staring at each other. I could really feel the tension between them in that scene. If they were "like brothers" wouldn't they stand more like how Loki and Thor stand next to each other in an elevator? I don't know, I just wanted to add that.

If you think about Peggy's character and the role she has in Steve's life, it's way less than Bucky. When Bucky "died," Steve tried to get drunk and he was crying for hours and he was ready to kill anyone, then he went into the ice 3 days later so he didn't even have a proper amount of time to accept he was gone and start the mourning process, so who knows how it would've been. When Peggy died, he went to her funeral and cried a little and stuff and was sad, but he kissed her niece less than a week later. If she was his true love then she would be more important to his story. I'm sorry, did Steve infiltrate a Hydra base with nothing but props for Peggy? Did Steve give Peggy permission to kill him? No, he did not. That was Bucky.

Bucky truly is Steve's only weakness. Not even Peggy is his weakness, it's always been Bucky. He would go to the ends of the Earth to save him from harm. Bucky was the most important person in Steve's life. His priorities always changed to him, even giving up his new family with the Avengers to keep him safe. He put Bucky ahead of everything else even when it wasn't the right thing to do. He was always blindsighted by Bucky. This is another character inconsistency because Captain America always stood for what is right, except when it came to Bucky. Being Captain America was really important to Steve, but he went against everything Captain America stood for - multiple times - for Bucky.

Bucky always insisted on being called "Bucky" because Steve called him Bucky. I thought that was cute.

If you try to argue that "they were like brothers," I'm sorry, you're wrong. Loki and Thor are brothers. Peter and Ned are like brothers. Even Sam and Bucky are like brothers. I don't know any brothers or best friends with such a deep emotional bond that one sentence would be able to break through 70 years of torture and brainwash and mind control.

All in all, they were written as romantic parallels to each other. All 3 movies were about their devotion to each other. Their stories can't even exist without each other. Their motivations depend on each other and they are each other's purposes.

Behind the Scenes

A lot of people who worked on these movies literally called Steve and Bucky a love story.

Joe Russo, one of the directors, called it a love story. Then he later clarified that it was between brothers, but why would you call a story about brothers a love story? You would call that a family story. Joe also said that "Steve and Bucky's arc follows the same arc that a love story would follow."

Markus and McFeely said they were soulmates. Christopher Markus and Stephen McFeely wrote all 3 Captain America scripts.

Chris Evans said, "It's a love story. You can take it however you wanna take it, but the fact is, it's a love story." This was after he walked himself in circles trying to tell people it wasn't romantic.

Samuel L. Jackson, who plays Nick Fury, said, "He's the first LBGT Captain America," after an interviewer asked Chris Evans, "Why do you feel like Captain America is the perfect hero for our times?"

Kevin Feige, who is in charge of the MCU, wore an ACTUAL Stucky sweatshirt.

Then we have Mark Millar. He's an important person. He wrote the Civil War comics that Civil War the movie was based on. He's literally a Stucky shipper. A Stucky shipper who wrote comics that the MCU used in their movies.

One thing he tweeted was "In a movie with Spider-Man & Ant-Man, Cap's few seconds kissing a girl was STILL the least-convincing moment in Civil War :) #TeamStucky."

In another tweet, he said, "#NationalBoyfriendDay" with a picture of Steve and Bucky.

A fan got to meet Sebastian Stan a few years ago and she had him sign a picture with Cap and Bucky on it. He signed "#PowerCouple" and he told her, "At least I'm on top." (In the picture Bucky is above Steve.) Even Bucky's actor supports the ship! (Plus there's the whole BrokeBack Mountain thing he said.)

In an interview a few years ago, the interviewer asked "Do you think Falcon is a contender as Cap's greatest love?"

Anthony Mackie, who plays Sam Wilson aka The Falcon who is one of Steve's good friends, said, "No, I'll be a contender for getting rid of Bucky."

A different interviewer said, "But you already have a romantic B story with Cap and Bucky, right?" (Cue in the screams and cheers.)

"We sure do." Said one of the Russo brothers. And the other said "We still do, we still do."

The interviewer went on to ask, "Did you ever have to dial down the sexual tension on set?"

One Russo said "Why should we?"

LIKE WHAT THE FUCK, MAN.

Chris Evans said at a Comic Con one year that Bucky is Steve's home, then realized what he said and backtracked.

A whole crowd chanted "Bucky" when Chris Evans was talking about his love interest Peggy, including 3 other MCU actors. (Chris Hemsworth who plays Thor, Jeremy Renner who plays Hawkeye, and Paul Rudd who plays Ant-Man.) Are Thor, Clint, and Scott Stucky shippers confirmed? 🤨

If you go online, TONS of articles talk about the relationship between Steve and Bucky. There are articles talking about why Bucky would've been better as Steve's love interest, articles about how close they are. Then there's stuff like this. "While Peggy was his actual love interest, Steve's love for Bucky was such that they can be considered each other's true loves." Famous sites like "TIME" and "BBC Three" even talked about Stucky!

In 2016, Marvel UK & Ireland said "The Winter Soldier....#baein3words" with a picture of Steve and Bucky.

In 2016, the hashtag "givecaptainamericaaboyfriend" was trending WORLDWIDE. The most popular choice for Steve was Bucky. Stucky is the most popular MCU ship in the fandom. They were in the top 5 ao3 ships for multiple years with over 50,000 fanfictions and are on the top 5 popular ao3 fanfictions of all time starting in 2017 and still holding in 2021! That's a lot of shippers!

Even though some of these interviews were jokes, they were jokes made from realizing that there is a deep bond between Steve and Bucky. Even if they are joking about romance it's still showing that they might see a little bit of what I see, or else they wouldn't be joking about it. And if there are actual articles by popular sites like ScreenRant about them, that means there's definitely something going on there.

The other ones who were serious, why did they keep backtracking? They were basically the people who were like "Oh yeah, they're soulmates, but no homo lmao." Or like historians who found out that they lived together in a one bedroom house and said they were "the best of friends."

I think the reason they had to be careful when they were talking about Steve and Bucky is because they didn't want to get in trouble with the higher ups.

What If....?

In the Marvel show "What If....?" Episode 1, "Agent Carter," there is surprisingly a lot of Stucky content. But not in the way that you think. It actually has to do with the parallels between Steve and Peggy moments in the show and Steve and Bucky moments in the MCU. Let me break it down.

So if you haven't watched What If, it's basically what the title says, what if something different happened in the MCU. Episode 1 is if Peggy got the super serum instead of Steve.

First parallel, Steve says "Let's hear it for Captain Carter!" When he's cheering on Peggy for saving a whole bunch of people. Just like when Bucky says "Let's hear it for Captain America!" In The First Avenger when he was cheering on Steve when HE saved a bunch of people.

Or when Steve literally fell off a train, JUST like Bucky did. The same train.

Then, Peggy's motivation to end Hydra was because she thought Steve was dead, just like when Steve thought Bucky died, he was motivated to stop Hydra. It was in the same room and everything.

And the fact that there was even a bar scene for Steve and Peggy in What If.

Let's not forget the fact that there was a scene when Peggy and Steve were talking, and Steve said to Peggy "In a way, the outside finally matches the inside." That's literally a direct quote from a popular Stucky fanfiction.

Basically, what these scenes were telling us was that they were romantic, because Steve and Peggy were romantically involved in the movies and in the show. So by telling us the scenes were romantic in the show, they were telling us they were always supposed to be romantic.

Like, why would you parallel 2 characters who were actually romantically involved with 2 people who are "just friends?" It doesn't make sense.

Miscellaneous

Before I go, let me point out a couple things that couldn't quite fit in any of the other categories. For one, in Avengers: Infinity War, the first scene we see with Bucky, his hair is all greasy and he looks dirty from being out on the farm. Shuri tells him that Steve will be coming soon, and the next time we see Bucky, he's all clean and his hair is very clean and fluffy and pretty and he looks so happy to see Steve even though it was confirmed that Steve visited him multiple times when Bucky was in Wakanda.

In Avengers: Endgame, Steve has to fight a past version of himself. They're having a pretty intense fight and matching each other in strength (which makes sense, they're the same person) and at one point 2012 Steve had current Steve (2023) in a chokehold. Do you know how he gets away? Current Steve says "Bucky is alive." And 2012 Steve loosened his grip on 2023 Steve long enough for him to get away. Out of everything he could have told him, he said that, because he thought that would be the most likely way to get him to stop. Again, Bucky is his main weakness, if not his only weakness.

When Bucky turned to dust, his last words were "Steve...?" Even when he was dying, his first instinct was to address him, in his final moments, Bucky looked at Steve for comfort and because he was all that mattered. I imagine his final thoughts were confusion about what was happening and to show Steve, but ultimately, as he was fading away, he probably thought "It's okay. Steve is okay and that's all that matters." Jeez, that's making me emotional just writing that! Then Steve goes over and touches his ashes as he looks at what Bucky had been reduced to in shock and horror, defeat and confusion.

So this one doesn't have anything to do with Stucky, but this is some proof that Bucky is queer. In the show he recently was in, "The Falcon and The Winter Soldier," there was a scene where Bucky went on an unsuccessful date with a woman who worked at the place he went to eat sometimes. When they're on the date, they're talking about online dating. Before I tell you what Bucky said, let me explain something. On dating apps, it's quite popular to have a man pose with a tiger for his profile picture. It's a guy thing specifically, though. Bucky says he's seen some weird pictures on dating apps, saying, "I mean, tiger photos? Half the time, I don't even know what I'm looking at. It's a lot." This is weird because dating apps show gender preferences.

The director of the show tried to give some half- assed excuse for it by saying that Bucky just thought it was weird and reminding us that he's 106 and finds modern technology confusing. But that still doesn't explain why he was seeing tiger photos in the first place? It just doesn't add up. There's no explanation.

Just like how Wanda was the only one able to destroy the mind stone out of Vision's head (she had to kill the love of her life for the good of the universe, it was sad), Steve and Bucky are equals and only Steve can get through to Bucky.

I'm just going to put this one out there. If one of them was a girl (especially Bucky) it would've been canon by now. Quick tip: if you ever need to figure out whether something is queer coded or queer baited, just imagine it as a straight relationship. Now think of Bucky and Steve being in a straight relationship. It would probably be considered the greatest love story of the MCU. Even if it wasn't made canon, there would be so many more people shipping it. They would take one look at the way they look at each other and say "Omgs they're so cute together!" I'm just giving you the facts here. So here's all the evidence laid out for everyone to see. We're not making this up.

If you're thinking "Steve loved Peggy, he went to the past and had a happy ending with her!" then let me just tell you that Steve's ending in Endgame was wrong and extremely out of character, it doesn't matter if you're a Stucky shipper or not. Steve's entire arc in the MCU was saving Bucky no matter the cost, he showed time and time again that Bucky was the most important person in his life, and he just recently got Bucky back for good, he would never leave him. At that point, Bucky was very broken and he needed help healing. Steve was the only person in Bucky's life, he wouldn't just abandon him for a woman he kissed once. It doesn't make sense for his character. Steve would do anything for Bucky, he never abandoned him throughout everything that happened, he never left Bucky's side.

A constant theme throughout the MCU movies for Steve was moving on. His character development was to move on from the past. In Avengers: Age of Ultron, Steve said that he was home. (This was after he found out Bucky was alive, by the way. Just pointing that out.) In Captain America: The Winter Soldier, old Peggy told him that "The world has changed and none of us can go back. All we can do is our best and sometimes the best we can do is to start over." That was the main point his movies were making after he woke up from the ice. That was his development. Endgame ruined that.

Not only did it affect poor Bucky's life, but Peggy's, too. She got married. She had children and grandchildren and she said that she had a happy full life. She moved on from Steve. By going to the past, he erased all of that for her. Erased how her life was supposed to be. He also made Peggy's entire show "Agent Carter" not on the official timeline anymore.

I understand that they needed an ending for Steve because Chris Evans' contract was up, but they could've done that in a way where it wasn't completely out of character and ruined people's character arcs. They could have killed him off in battle (that would've made me very upset, but it still makes more sense.) He could have retired from fighting so he could help Bucky heal (they could regularly mention Steve but not show him while having Bucky still be in the MCU.) So if you use that as an argument against Stucky, I find it irrelevant because it was extremely out of character and was a lazy way to take a character out. They also severely changed his character in Infinity War and Endgame, he was totally out of character in certain parts and they completely sidelined Steve and Bucky's relationship because at that point Marvel knew about Stucky.

And before you go and say Steve and Peggy were soulmates, remember that they were only crushing on each other for two years and kissed one time before Steve went into the ice. They never got to date. I've had a crush on the same person for 3 years without dating them and no one would say I'm in love with them. I love Peggy's character a lot, I think she was really badass and amazing, but she wasn't Steve's soulmate. For all we knew, Steve could have gone to the past to be with her and it could've not worked out between them. I do believe that they could've been in love with each other, and I think they're really cute together, but they needed more time to fall in love.

In a universe where magic and superpowers exist, why is Captain America having a boyfriend the least believable? Why can Wanda be in love with a robot yet Steve can't be in love with someone who he has built up a relationship of many movies with?

So do you want to know what I think is the most plausible explanation for why they have all of this chemistry and coding? I think someone who worked on Cap's movies was a Stucky shipper but had to be subtle about it. It could've been one person, it could've been multiple. But I know for sure some of those things were NOT accidents. You don't accidentally create the greatest superhero love story of all time.

Why Avengers: Endgame's Sidelining of the Steve & Bucky Relationship Matters | Den of Geek

Afterword

Well, that's all I have for you! I got the inspiration to write this after reading "The Case for R/S" which was explaining how Wolfstar was queer coded. I thought to myself "I don't think anyone has made one for Stucky!" So I wrote this! I've been shipping Stucky since I was 11 when I first joined the MCU fandom. Back then I thought it was cute. When I was 13 I saved some pieces of fanart of them and still thought "they're pretty cute!" Now, at 15, after I found legitimate proof that they were coded, I went from thinking they were cute to obsessing over it!

Wolfstar Article: https://www.theparisreview.org/blog/2018/12/10/harry-potter-and-the-secret-gay-love-story/

The Case for R/S: https://web.archive.org/web/20050305162545/http:/www.livejournal.com/users/elwing_alcyone/11152.html

Also, if you ship another ship, I'm not trying to put down your ship. I respect all ships as long as they are legal and appropriate. It's okay if you ship something else. This was made to give more proof to my fellow queers that the iconic Captain America is probably queer like us, and for the people who hate on this ship and try to say it wasn't real and that we're reading too much into it. I'm someone who doesn't read too much into things, and I don't headcanon many fictional characters queer if they aren't confirmed queer. (If you want to know my queer character headcanons, just ask me!) Anyways, like I said, this is made for proof and validation.

If, after reading all of this, you still don't think they were coded, that's okay! While the purpose for this was to convince and inform, it's totally fine if you don't agree with me. Steve is dead now, so we'll never truly know for sure. This is probably all we're going to get. (Unless Bucky admits to being in love with Steve or something, but I doubt that will happen. We can only hope.) I hope you enjoyed the read, anyway!

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