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#this post is not original but i was just thinking about this
elodieunderglass · 2 days
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Honestly thought I'd never hear the word "usborne" again. My mom used to live and breathe that company, and while I certainly don't regret a fair chunk, I do find it amusing as I look back now. I legitimately thought it had fallen off faster than Juice+.
In reference to a post where i mention my kid has the usborne “see inside germs” book.
So if people don’t know, usborne is a weird publishing company that has done indispensable books for British children for generations; they’re in every library, school and nursery, and have shelves devoted to them in every bookstore. They are how many people learned to read, and are the originators of many hyper focuses. They’re famed for doing educational lift the flap books for all ages, like “see inside your body”, as well as as the ubiquitous touch-and-feel series, “that’s not my….” In which a mouse comments improbably on various creatures not being their creature. “That’s not my dragon,” the mouse says, inviting you to stroke a dragon with a patch of fur on it, “its tummy is too soft. That’s not my dragon,” on the next page, where the dragon’s ears are lined with textured paper, “its ears are too bumpy.” This seems like such an inefficient way to find one’s missing dragon, a fact that simmers underneath you through endless repetition. Why does the mouse own so many things (pirates, ducks, polar bears) and why is it interrogating other people’s pirates etc by feeling their legs.
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At any rate, turn a parents’ house upside down and these books fall out.
Which is why it’s completely hilarious that they are also an MLM.
Well. Kind of. In the old school sense. It’s less about signing up a pyramid scheme and more about getting a random citizen to buy a crate of perfectly popular books and try to sell them on from their home. It’s very traditional for Mums On Maternity Leave to do this. Pre-social media and online ordering, they’d hook up other mums at toddler group. Today, they post awkwardly on social media. The idea is that buying from another parent is cheaper than the bookstore, and they get to keep the markup. They get intense about things, and I believe they attend conferences. Nobody makes a huge amount of money and it’s unclear how undercutting local bookstores is helpful; it’s also basically the same RRP as Amazon I think.
And the books are perfectly respectable and sell perfectly well in bookstores.
So. Like. This marketing scheme is completely weird. Why?? Why does it still exist? People buy the books normally! You don’t need to promote them aggressively! You don’t need elaborate independent local middlemen schemes! You can just buy them! I have never understood this. I just file it under one of those weird mat leave hustles.
But don’t worry OP. They’re still going. They’ll never stop. The thing is that your mom got bored and online sales probably ate whatever residual profit margins were left and it’s probably very liberating for everyone to grow out of the “that’s not my cow” stage, but Usborne books are going strong.
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The fact that radfems spread this post around is actually really interesting--infuriating, but interesting. Because what they've really done here is tell on themselves.
This is the shrimp guy story:
From an anonymous green text called "shrimp saved my life" [emphasis mine]:
>be depressed, suicidal xanax- addicted incel >one day I go to my /aq/fag uncle's house for some shit >he has pet shrimp, never seen anything like it before >he offers to get me some 53 KB JPG >throw them in a barely cycled tank with some shitty rock >several shrimp die >realize that I killed them with my apathy >realize I need to take responsibility for once in my life >do research, learn about water parameters and so on >eventually I have a beautiful planted tank with no more deaths >notice a female shrimp carrying eggs >haven't felt this excited about anything in almost a decade >the eggs disappear and I once again think I fucked up >a few days later I see a tiny transparent baby shrimp >l suddenly know how the shepherds felt as they gazed upon the newborn Christ >by this point I live and breathe shrimp >all my spare time is spent on shrimp research and watching shrimp videos >l spend most of the money I had saved from my last job on shrimp products >quit the Xanax to support shrimp spending >start putting effort into college in hope of getting a good job for my shrimp >grades improve, no longer facing the prospect of dropping out >relationship with parents improves since I am finally passionate about something and applying myself >l see genuine happiness in their eyes when I talk excitedly about my shrimp >for my birthday my mom makes me a shrimp cake >it even has fondant legs and little chocolate eggs >cry like a little bitch when I see it >mom hugs me and tells me she's always been proud of me >college dorm neighbours demand to see my shrimp >shit they're gonna think I'm autistic >they actually think my shrimp are really cool >they start inviting me to their social events >start interacting with girls, get told by girls for the first time in my life that I'm fun and smart >l think my shrimp would be proud of me if they knew >We're gonna make it bros. Even if you can't do it for yourself, do it for the animals that depend on you.
He did address his relationship with women. By finding a hobby and passion and working on himself--"touching grass"--he stepped away from the echo chamber that filled him with all this rage and convinced him women were to blame for all of his problems. As someone once wisely observed, "the cure is going offline and realizing it's just. really not that big a deal."
And that is what radfems have not done, so of course they didn't spot the quiet flashpoint of shrimp guy's personal development within his story.
Edit: it's been brought to my attention that the version of the greentext post I lifted the text from was censored by someone else. My bad for not realizing that, tbh it was done so well I thought shrimp guy had done it himself, but that's an important part of the post. I've gone back through and un-censored it. The reply which was spread around with the original post addressed the words themselves well, I think; however distasteful and fucked up the incel rabbit hole is, it doesn't diminish his growth.
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hotvintagepoll · 21 hours
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Do you have any opinions on modern (post-1970s) movies that you feel capture the essence (in a good way) of Old Movies?
No, unfortunately. That doesn't mean I don't like modern movies or that modern movies aren't good, but modern movies—and here I'm really using modern to mean post-2010, so contemporary movies—have different standards for pacing, characterization, budget, and production that make it harder (or impossible) to capture some of the magic of old movies. Even when modern movies clearly try to emulate that old-movie feeling—I'm thinking of La La Land, The Artist, The Shape of Water, In the Heights—they play the homage too broadly, or they ignore crucial components that make the original films work.
There's kind of too much to go into here without writing a full essay, but essentially, the Old Hollywood system—ugly, failed beast as she was—made some movies simply more accessible to make, due to the ongoing storage of props, sets, master craftsmen, crew, and onscreen talent that could move from one movie to the next without pause. If you needed a dancer, he was already on staff. If you needed a fancy bed, it was already in the warehouse. That kind of longterm storage is invaluable if you want to crank out movies quickly and cheaply because it saves so much time on individual negotiation and sourcing. Modern production companies have to work out individual contracts for every actor on every film; crew members have to negotiate rental contracts and source pieces from scratch; if you need someone with specialist skills, you have to contract them specially at a high rate, which a lot of small companies can't (or won't) budget to do. There's sand in the wheels where there needn't be any. It's wasteful, and costly, but that's the system modern movies are made with.
Which all means that even if the modern movie system wanted to make a classic movie musical just like the old ones, they couldn't, because the talent isn't already there—it hasn't been trained up enough, and there's not that breadth of knowledge you can only get from people who have been allowed to work in the same department in the same place for decades. Movies like La La Land fail, for me, because they present themselves as descendants of Fred Astaire or Busby Berkley movies, while missing the bit where Fred Astaire was a master of his craft. When you watch Fred Astaire dance—or Moira Shearer, or the Nicholas Brothers, or Ann Miller—you are watching a true artist at work, purposely showcased by the studios because they already have them on contract. Modern movies, on the other hand, tend to take people who already have star talent (as actors) and try to convert them into dancers/singers—or they pull dancers/singers off of Broadway, but then they don't have the star power built in. You end up with lackluster musicals where no one truly knows what they're doing, or they do but they're not built up enough by the studios to sell. And that's me discussing just on-screen talent for musicals—there is a huge loss behind the scenes, as well, for all kinds of movies, where roles that would have been filled by union crew who moved continuously from one job to the next have been swapped for freelance labor who live with immense turnover, financial insecurity, and knowledge loss. You could hand me the budget and I could try to make an old movie, but the industry itself has changed so much it's impossible to recapture that charm of steady, niche talent, the amazing possibilities of bonkers set design, and the ability to take a risk on a smaller movie because the other films being produced by the same studio can help balance the budget.
I've talked way, way too much about all of this! Sorry, I just have a lot of thoughts—and the one above is just one of them; the talent loss and storage issues are only facets of a much bigger problem that extends to how we watch movies today, how we market them, what we expect of them, and what's allowed in them. It's a crying shame because the talent is still there, but times change and so does the industry, for better or for worse. (And, just again to clarify, I don't think modern movies are bad—they're just missing a lot of the juice old movies got to play with, even if there's more talent available than ever before.)
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skzstannie · 3 days
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"They found her"
SKZ -> ot8 x 9th member fem! reader
This is a part 2 to this fic, but it can be read as a stand alone as there's not much reference to the original fic.
genre: hurt/comfort, angst wc: ~3,800 words cw: kidnapping, guns and gunshot wounds, hospitals, some brief cursing
Summary: Since the incident, the guys have been extremely over protective of you. You heed their warnings, but still go out unaccompanied by security on your vacation, only to have to pay the price for your poor decisions.
A/N: Hiiii, ik I've disappeared off the face of the Earth again, but I've brought gifts back with me this time. This one's a bit heavier, but it's the long awaited part 2 to "Did you know?", so I hope you guys enjoy. I hit 500 followers since the last time I posted, so this is kind of a celebratory post as well. Thanks guys!
Masterlist | Happy Scrolling!
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The time has come around again when JYP has given you and your members some well-earned personal vacation, and you've chosen to spend that time back at home with your family and friends.
Upon hearing about your vacation, your childhood friends started blowing up your phone, asking about when you'll be in and if you wanted to hangout. Of course, you've missed them just as much and gave them all the details of you're arrival.
The day of said plans has finally arrived, and you couldn't be more excited. You and three of your closest friends have decided to go to this cute breakfast cafe for brunch, run by all your favorite stores for some shopping, and then round your evening out with some bar hopping.
"You have got to see this!" Ha-Yoon, a friend you've known since grade school, explodes from beside you in the passenger seat, fanning herself. "Look at how hot this guy is? Think he'll give me his number if I DM him?"
"Are you being for real?" Dae cringes from the backseat, leaning forward to get a closer look at your friend's new internet crush. "He's kinda ugly."
This elicits a bickering match for the remainder of the drive, with you and your remaining friend, Soon-Bok, rolling your eyes at their silly banter.
You decided that you'd pick them all up from their homes, figuring that you'd get to spend some more time with them that way. You didn't really think about the fact that perhaps more time was synonymous with too much time. Just because you hadn't seen your friends in months, doesn't mean that they didn't see each other literally every single day.
With a clear of your throat, they stop insulting each other's fantasy love interests, both squealing when they realize you've pulled into the parking lot for the cafe.
The four of you get out of the car, you pulling your keys out of your purse to lock the doors. While walking towards the doors of the cafe, you're hit with a strange feeling- like someone's watching you.
Immediately, you whip your head around in search of anyone getting a little too nosey, but you come up with nothing. You keep your guard up though, knowing you can never be too sure.
Since the stage incident a few months back, you've been feeling a little paranoid. Understandably so, especially since the mean and threatening comments never subsided. It's gotten to the point where the staff have begun to send out a few extra security guards each time you leave the JYP building. In fact, JYP gave you all this nice little vacation in hopes it'd help some of the comments die down. To your dismay, they have not.
The guys have been incredibly protective since then, and you're actually grateful for it for once. Their constant questions about your whereabouts and wanting to tag along with you everywhere you go used to annoy you, but you'd never think to complain about it now.
Just this morning, having told them about your exciting plans for the day, they sent a barrage of texts telling you to be careful. Chan practically demanded you take a security guard with you, but for the sake of your friends' comfortability, you declined. Was it stupid? Possibly, but you're only wish for this vacation is to make things seem normal again. Having constant security around is not normal.
You placated Chan by telling him that your family knows of the places you'll be, and your family and the rest of your members all have your location at all times. He was reluctant, almost threatening to fly himself to your home just to go out on your little excursion with you, but he eventually gave way, not without first lecturing you about how important your safety is- like you didn't already know that.
~ ~ ~
"And then he pushed him down the stairs! How crazy!" Dae finishes, your eyes widening at how her story ended. She had just finished telling you all about how her boyfriend got into this big fight with a guy at the bar the other day. Apparently, the random man thought it acceptable to lay his hands on Dae, and her boyfriend did not appreciate that.
"Your boyfriend is so hot," Ha-Yoon comments, her eyes looking dreamily off into the distance.
"Excuse me?" Dae questions, raising a brow at Ha-Yoon's confession.
"I mean-"
"Ok!" you interrupt, pushing your chair back from the table you've all been sat at. The brunch was nice, catching up with your friends was much needed and the food was warm and comforting, but enough is enough, and your friends are starting to get a bit squeamish. "I need to use the restroom quickly, then we can head to the mall? Does that sound ok?"
There's a chorus of yesses, and they shoo you off into the restroom, picking up their phones to distract themselves until you get back.
You make your way to the back of the cafe, noticing how the bathrooms are secluded down a small hallway in the corner of the restaurant. Your eyes glance out the emergency exit door, and you tilt your head in confusion upon seeing a large white van sat outside it. It is not parked in a parking spot; it's just parked directly outside the door.
You quickly do your business, not wanting to keep your friends waiting for too long, and head back out to the front of the cafe. Stepping outside the restroom, a hand is immediately thrown over your mouth, a piece of foul smelling cloth pressed up against your nose. You try to scream, but this only causes you to inhale more of the chemical.
You fight, attempting to throw an elbow behind you to dislodge yourself from the person's vice like grip, but this only leads to your elbow being grabbed at a painful angle. You whimper slightly as the person pries your elbow behind you, and it almost feels as if your arm could snap if you were to move another inch. You become lightheaded, and it's hard to keep your eyes open and your mind alert. Unable to fight any longer, you give in and slump down into the arms which hold you captive.
~ ~ ~
"She's been gone awhile, I'm gonna go-" Soon-Bok is cut off by an alarm inside the cafe going off. All the customers heads perk up at the noise, their attention drifting to the employees.
The waitresses look to one another in confusion before one makes their way over to where you went for the restroom a few minutes before. The cafe is silent as the waitress disappears, looking for where the alarm would be coming from.
It's silent for another minute, before there's an audible gasp. She comes back with your purse in one hand and your cracked phone in the other.
Your three friends quickly get up from their seats, rushing over to the waitress. "Where'd you find this?" Dae asks, her eyes tearing up.
"Just outside the bathroom. I was just able to catch a glimpse of a van speeding off. Do you think someone was taken?" she asks, her eyes widening at the thought.
"I think- I think our friend was kidnapped," Ya-Hoon whispers.
~ ~ ~
"This is why I said she needed a security guard with her! This would have never happened!" Chan snaps at their management in anger, rising up from his seat in the meeting room.
Upon hearing about your kidnapping, the rest of your members were immediately brought back to the JYP building. They were all livid.
"Chan, I understand you're upset, but there's really nothing we can do now but wait-"
"Wait for what? Huh? Wait for her to just magically appear here?" Minho cuts off the head of security, his face red with anger.
"Of course the police are on the case and doing everything they can to find her. As for the eight of you, you are not to leave this building until we get all of this under control. Do you hear me? We do not need more than one missing member." JYP is stern as he speaks, leaving no room for discussion. "This meeting is dismissed. We will update you all if we hear anything."
With that, everyone else clears out of the room, leaving your eight members.
"This is awful," Felix says, his head hanging in his hands.
"No shit, Felix, why not state more of the obvious," Jisung narrows his eyes at Felix.
"We can't turn on each other," Changbin butts in, deterring them from getting into it any further. "We have to stick together and just wait this out. She's strong; she'll be ok."
"But what if she's not," Hyunjin speaks up for the first time since they got back. He's been huddled up against Jeongin since they got there, his head hung low. It's obvious he's been crying with the way his cheeks are stained with tears, his eyes red from how often he's rubbed them.
"We can't think like that," Chan says, moving over to Hyunjin. He lays a comforting arm around his shoulders, and Hyunjin immediately moves to the comfort of the leader, turning his head to hide it in Chan's chest. "They saw the van leave, it couldn't have been too long before the police were there. They'll find her, and then she'll be right back here with us."
"To never be let out of our sights again," Seungmin grumbles from the couch, wearing a similar expression to that of Felix's.
"Correct," Minho agrees, leaning back in his chair.
~ ~ ~
"Seungmin, you have to sleep. Staying up for 72 hours straight is not going to make her come back any faster," Chan lays his hand on the back of the boy's neck, slightly rocking him side to side.
"Maybe not, but I'll be the first to know when they find her," he counters, his bloodhsot eyes meeting Chan's. "You're one to talk; you haven't slept either."
Chan just sighs in response, plopping down on the couch next to him. It's quiet between the two of them, but neither are complaining about it. The peace is nice after what they've been through the past few days.
"Hyunjin hasn't stopped crying. Jeongin and Felix have had to take turns laying with him," Seungmin breaks the quiet, his soft voice travelling throughout the practice room. "Han hasn't eaten since we found out."
"I know, I've been trying to get everyone up and moving, but no one's interested."
"Chan, we're not expecting you to be the hero. We know you're in pain, too, and it's ok to act like it," it takes Chan a minute to process what Seungmin had said, but as his brain takes time, he realizes that it's been so long since he's cried, so long since he's truly let his emotions out.
With another moment passing, Chan's breath quickens and tears spring into his eyes. Without another thought, he turns his head into Seungmin's shoulder and cries. He cries for you, and how scared you must be right now, and he cries for the rest of his members, knowing how bad this is hurting them. He cries because he can't take away their pain or yours, not this time.
~ ~ ~
"Wake up." You feel a cold splash of water hit your face, and you're abruptly brought to consciousness. Your eyes open quickly in response to the cold, but you squint once you're hit with the blinding light coming from the ceiling light above you.
You try to talk, to say anything, but you quickly become aware of the duct tape placed snuggly over your mouth.
You gain some more proprioception, feeling the tightness of the rope around your wrists and how your ankles are tied to the legs of the chair you're currently sat on.
"Hey!" Your attention is brought to the large man standing in front of you, and your breath hitches in your throat at the sight of the gun in his hand. "Eyes here. And quit squirming so much!"
You freeze at that, stilling your movements. "Now listen here," you hear another guy say from across the room. You are just noticing him for the first time, and you realize that this guy in front of you must be the brawn of the operation. "We need some money. A lot of money. So, if you want to make it out of here alive, you need to call your family and have them bring us 350 million won. No less. Think you can handle that princess?"
Tears well in your eyes at the mention of death. You can't die like this, at the hands of these awful people. But you also know you don't want to get your family involved. So, deciding this is your best bet, you sit stoically. You look straight ahead, your focus unwavering.
"The silent treatment, huh?" You can see out of your periphery the man at the desk across the room stand from his chair. He makes his way towards you, but you pay him no mind, keeping your blank stare on the wall in front of you.
"If the threat's not enough to get you to talk, maybe this will be." He's quick to take the gun from the other man's hand, and before you can even flinch he's pointed it at your lower leg and let off a shot.
You choke on your own spit when the pain registers. You close your eyes and strain your body not to react, but there's only so much you can do. The tears you were successfully keeping at bay before now slide freely down your cheeks. Your hands are in tight fists behind your back, and you feel you may pass out from the white-hot pain radiating from your calf.
Your consciousness teeters, and all words being spoken by the men sound gibberish in your state. Just as you feel you may fall completely unconscious, you're startled by a loud bang from behind you. Your eyes lazily drift to the men, and you see their gazes widen before they quickly raise their hands in surrender. You make eye contact with the one that shot you, and that's the last thing you see before your eyes shut, your body and mind going completely numb.
~ ~ ~
The practice room door is flung open, bringing Chan out of his sleepy state. "What the hell? Be a little quieter would you," he mumbles, rolling his eyes at Jisung who stands in the doorway. For the first time since the news, Chan is attempting to get some sleep. It wasn't exactly on his own accord, though. After the constant hounding from the rest of the members, and even a threat from Felix that he'd sneak melatonin into his water, he decided it would probably be best for him to try and get some shut eye; he'll be of no use to anyone if he's delirious with sleep.
"They found her."
At this, all of Chan's previous drowsiness vanishes. He sits up from the couch faster than he ever has before, his joints cracking with such a sudden movement. "What?" he asks for clarification, fearing it might be too good to be true.
"They've found her. She's on the way to the hospital right now," Jisung's contagious smile makes more sense now, Chan wearing a similar expression.
"Where are the rest of the boys?" Chan stands from the couch in a rush, quickly slipping his shoes on.
"They're in the meeting room. They just bought our flight there, we're leaving now."
~ ~ ~
"Thank you," you tell the nurse, taking the small cup of water from her hands. It's been a few hours since you woke up from your unconscious state. Upon arriving at the hospital, they immediately took you into surgery to remove the bullet from your leg. Thankfully, it missed all the important stuff, leaving your bones completely in tact. You're left with some muscle damage, but the doctor assured you with some physical therapy you'd be back to normal again.
You're now laying in bed recovering. The wound has been stapled and is wrapped tightly. You have your leg resting on a couple pillows, hopefully to help prevent the swelling. Beside you on the couch is your family, having come in immediately upon hearing the news. Some silly K-Drama is playing on the T.V, but it's enough to keep your mind occupied for now, so you're thankful for it.
Nobody confirmed it for you, but you were sure your members were well on their way. Your family told you that you had been kidnapped for a few days. You told them you only remember being awake for a few minutes, but apparently they kept knocking you out again and again.
After talking with the police, you find that they were using you for ransom, and they kept knocking you out because they didn't have everything squared away yet; whatever that means, you're not quite sure.
As if on cue, the door to your room swings open, revealing Chan and Minho. They're out of breath and sweaty, looking as if they had just run a marathon.
You're given no time for formal greetings as they both launch themselves at you, throwing their arms haphazardly around you until you feel like you're squished beneath them. Your mom makes a protesting sound, but you wave her off with a gesture of your hand. They missed you, and you missed them. They weren't hurting you or anyone else by hugging you.
"You're never leaving our sights again," Chan says, his cheek pressed against the top of your head.
"Never ever," Minho agrees, his torso laid lightly across your lap.
"I'm okay-" you start, only to be cut off by an angry looking Chan. His face pops into view at your words, eyebrows furrowed.
"You are indeed not okay! You were kidnapped, unconscious for hours on end, and then shot! How are you possibly trying to convince us that you're ok?" Minho stands up at his outburst, laying a hand on his shoulder.
"I'm alive, and that's okay enough for me."
With your response bludgeoned into their minds, they both collapse on top of you in another hug.
You bask in their warmth a bit longer, only being interrupted with the door creaking open. Felix and Hyunjin stand there, teary and red-eyed.
"Your time's up," Hyunjin sniffles, moving out of the way of the door so the two can exit.
"We'll be back," Chan leans down to kiss your forehead while Minho grabs your hand, giving it an assuring squeeze.
They leave, and Felix and Hyunjin scurry in after them. They crowd around your bedframe, hesitant to even lay a hand on you.
"Hey," you whisper, reaching over to grab both of their hands, "I'm okay."
Hyunjin breaks down in sobs, and it only takes Felix a minute before he's right there with him. You let go of their hands and open your arms to welcome them in for a hug. Both of them hesitate again, but eventually bend down to give you the gentlest hug you've ever received.
"Does it hurt?" Felix mumbles, his arms tightly wrapped around your shoulders.
"They've got me on some serious meds, so no. It probably will when I come off of them, though. I haven't tried to walk-"
"And you wont either. Not for a long while," your mom cuts in from the couch.
"Thanks for your input, Mom."
"No problem," her gaze shifts to the boys, "She's been moody since she came out of surgery. They say it's because of the meds." They both let out a huffy laugh at that, and while you're absolutely dying to argue, you're just thankful to see Hyunjin and Felix smile.
There's another knock at the door, and all your heads snap to Changbin and Jisung. "Our turn," Jisung says, gesturing for Felix and Hyunjin to get out.
"We'll see you soon," Felix says before making his way to the door.
"Love you," Hyunjin says, hugging you for a second longer.
"Love you, too," you tell him, and you watch as he gets up and walks toward the door.
Once they're gone, Jisung and Changbin come into the room.
"Chan is never letting you out of his sight again; you know that, right?" Changbin asks, pulling up a chair beside you.
"Uh, not just Chan, all of us," Jisung argues. "You know how when girls go out they all have to, like, go to the bathroom together? That's about to be us bestie."
"Um, ew," you grimace just thinking about all your privacy being stripped from you.
"We'll wait outside, of course," Changbin says, trying to make you feel better.
"Oh, how thoughtful," you sass back, giving them a sarcastic smile.
"But for real though, are you ok?" The atmosphere turns serious at Jisung's inquisition. "We were all worried sick about you."
"I guess I could be better, but I'm gonna be just fine. Doc said some physical therapy and I'll be good as new."
"Did you know they didn't even realize you were an idol at first?" Changbin says, piquing your interest. "They said they thought they just picked up some random person at the cafe. Apparently that's why they kept you knocked out for so long; it made things more complicated."
"I did not know that, actually. The police only gave me a quick run down, said they'd be back later for some more questioning and to give us some more information."
Another knock is heard at the door, and you look to see Seungmin and I.N standing there, the last of your boys. "Our turn now, move along," Seungmin says, tapping his foot impatiently.
"That's our cue, we'll see you later." They both lean down to give you a kiss on the cheek before walking out of the room.
Seungmin and I.N come in, seeming even more urgent than Chan and Minho did earlier.
They both come crashing down on top of you, all concern for the wires attached to you out the window.
Wanting to tease them, you say, "What if I was, like, seriously hurt? And now you two just came running in here like a pack of wild animals?"
"Give me a break, everybody said you were fine and that you were accepting hugs," Seungmin throws back, giving you a firm poke in the side.
You bark out a laugh at that, a smile gracing your features. "They also said that you hadn't smiled yet. So there," Seungmin nuzzles his head back into your shoulder, and you feel him breath a sigh against your neck.
"We missed you," I.N says from the other side where he's latched onto your arm.
"I missed you guys more."
"Not possible, I'd never seen any of the guys so worked up before. Chan didn't sleep the whole time you were gone, and as soon as we convinced him to, they found you," Seungmin says.
"Well, I'm here now," you comfort them, rubbing a hand on each of their backs.
"And we're never letting you go again."
~ ~ ~
Part 1
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jeansplaytoy · 1 day
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toxic!ex!jean who just won’t let you go out wit nobody else.
no matter what you do, where you go, this boy always finds a way to be involved in what you got goin on. you wanna talk to somebody else? don’t even try it. he’ll death stare anybody that tries to talk to you, because everyone knows you went together.
wanna get somebodies number? he’ll probably ask to use your phone, go to the number, save it in his, and then constantly text that persons number, threatening to beat the piss outta them if they try to do something with you, and then threaten to beat they ass again if they tell you he said it.
and if your hearts all broken by that? he’ll just come along and make sure he’s the one to heal you.
no, you can’t date, flirt, fuck, laugh with anybody he thinks you like. and he wouldn’t tell you that directly, but he’d make sure to let it be known, even if he isn’t the one bringing it to attention.
but him? he can fuck around with whoever he wants. as long as you don’t do it. he’s told you multiple times, if you don’t want him to keep flirting with other girls then he won’t do it, but you don’t have the time to waste to act like you’re jealous of him being with other women.
you single on valentine’s day? he’ll give you something.
wanna go out? he’ll pick you up.
he hates for anyone to get close to you. really. he honestly believes that you’re all his and only his.
you try to make him mad by talking to someone else? that isn’t gonna work. you’ll only make him angrier than you originally intended to make him.
“why you keep doin that?”
“doin what?”
“tryna piss me off on purpose.”
and don’t let you post another guy on yo insta, tiktok, nunna that. he will track a nigga down to his mama phone number.
and blowing on your phone in almost a daily thing if u do, cus he knows you gon come back anyway.
yeah if you make him really really mad, he’ll go on a rant about how you got him fucked up and when he sees the dude you posted he gon do this and that, but in reality, you got him wrapped ALLLL the way around your finger.
all you gotta do is text or call him and he’ll he at the door.
but if he really wanna make you mad, he’ll keep bringing up how you tried to make him mad and how it didn’t work (it did, that’s why he keeps talking about it.)
other than that, he really, genuinely loves you.
just something to pass time while i work on these things.😞
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fxtalitygod · 21 hours
Text
X. ~Survival~
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Genre: Historical AU, angst, mature, suggestive, arranged-marriage
Warnings: Dark themes, gore, graphic imagery, theme/depictions of horror, body horror, swearing/language, suggestive, pregnancy, mentions and acts of suicide, arguments, mentions of adult murder, Pet name (Little Flower 6-10x) implied Stockholm Syndrome, grief imagery, images/depictions of dead bodies, child death/murder, character death(s), slight misogynistic themes (if you squint), dubcon/noncon (not any actual smut other than vague mentions of sex), implied postpartum, implied survivors guilt
Word Count: 3.5k
A/N: Today is a new day and after I got home from work and did some fine-tuning, I finally posted the FINAL CHAPTER (not including the epilogue) of Survival!!! I honestly find it funny that I had originally planned for this story to be a short series and it just spiraled into two years of writing! HAHAHAHAA!!!
JJK Mlist•Taglist Rules• • Pt.I • Pt. II • Pt. III • Pt. IV • Pt. V • Pt. VI • Pt.VII • Pt. VIII • Pt. IX • Pt. X • Epilogue
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Emptiness.
It was a feeling that you bitterly greeted after having abandoned it six years ago. It was disappointing, but welcome nonetheless. You wished it was under different circumstances. You did not know which circumstances but knew it was anything other than this.
After the destruction of your life, everything went back to the beginning. You were rehomed in a new village and a different temple, though you could not tell much of the difference. Those blank walls still drove you to insanity. The marriage ceremonies had resumed and more children began crawling the halls in a matter of months.
Sukuna had seemingly lost interest in you after the incident. You had finally snapped, extinguishing the anticipation for the hopes that you would one day. Despite his seeming lack of interest, you were still watched over with diligence, still resided in his chambers, and still acquired a caretaker.
Your mental forces were deteriorating, and it was clear from the blank expression that graced your face. You assumed that Sukuna acknowledged that and decided to have a sitter stay on top of you if you were to do something unexpected– much like what you had done to your village.
The curse user knew the extent of your rage, but he did not quite expect you to leave your home in ruins, to burn your family into nothing but ash. Little to your knowledge, a part of him admired you for that; however, the words that left your mouth after the act had been done brought him a discomfort that neither himself could explain.
From the way he was rutting in you currently, you could not tell. Another attempt of impregnating you. Years ago, you would have had a mind to beg him to stop, and when you could not accomplish that, feign pleasure. You used to want to please Sukuna not for his benefit but your own. Now all you cared about was embracing the feeling of that emptiness as you merely felt the man fucking you: soundless, motionless, thoughtless.
It took a matter of months before you were with child again; however, unlike before, this pregnancy was worse. In the physical aspect, you were overall healthy, but your mental health was far from good. You were a husk of the woman you once were, having lost all ambition for your future. Even when spontaneous thoughts of what life would be like outside the temple, you could not help but feel nauseous.
Guilt.
There were times you wished you could have blamed it on your pregnancy and escape the reality of the issue, but your mind would not allow it. You were repulsed with yourself and could not help but feel like you were betraying your twins by just the simple notion that you were alive, and to think of a future for yourself without them revolted you beyond compare. Your pregnancy did not make it any better.
Most women in the temple thought of pregnancy as a fresh start after losing their previous offspring; a new chance to impress their husband– a sickening point of view; however, you could not be upset with them. Deep down, you believed they had been just as afraid as you were upon their arrival when their village elders proclaimed them the next tribute to Sukuna. They more than likely had a plan to make it out of this hell and made promises to return to their families, but somewhere down the line, all the manipulation, physical strain, and mental stress, caused them to accept their fates and try to make the best out of it, losing themselves in the process.
You were not so lucky.
If pregnancy was a punishment before, it was a curse now. Knowing you were to have another child brought you great remorse. Anytime you were to look or even feel your bump, you could not help but think of the past... to think of your twins. It felt like you were betraying them, trying to unconsciously replace them even though your pregnancy was out of your control.
The way you would eat at yourself could have been considered torture.
Besides the normal work around the temple, you would spend most of your evenings in a dark and unoccupied room, keeping to yourself. No one dared to disrupt you, mostly out of fear due to the knowledge of your power. Few left you space out of respect, knowing the pain you were going through; however, sometimes you wished they would walk through that door, hoping they would attempt to comfort you.
It would have been a good distraction from your running mind.
Those dark and quiet rooms gave you time to think and reflect. You realized there were many things you had undermined and denied for your own sanity. The list could go on, some minor, some major…and the major miscalculations stuck out like a sore thumb.
Trimester One.
Despite your efforts, your village nor your family would have ever accepted your children– Sukuna's blood coursed through their veins, and that was enough to consider them a monstrosity. Your hopes of escaping with them and living a happy life were an illusion you conjured up to keep a drive in you.
Trimester Two.
Whether you liked it or not, your twins would not stay innocent forever. The twins were under Sukuna's guidance, no thanks to your pact, and they absolutely adored him. The twins blindly trusted him with their entire beings and would have believed anything Sukuna had taught them was for good, and you knew for a fact that is how your partner would have spun it. Their acts would have been malicious and cruel and they would not have even known...and despite your want to tell them the truth, the constraints of your pact would have stopped you from doing so.
Trimester Three.
Even if you had successfully run away with your son and daughter in hand, the life the three of you would have lived would have been far from peaceful. You and the children were proven valuable assets to Sukuna; to think that your husband would give you all up so easily was foolish. The curse-user would have hunted you down to the ends of the world until you were back in his grasp.
And as you sat there holding your new baby girl, tears streaming down your face as you listened to her whimpers, you hoped she'd grow up to be a fool; a strong, but foolish girl. If your daughter grew up to be a fool, the world could not hurt her as it had hurt you. If she becomes a fool, she would not have to feel the burden you were feeling.
You hated that you hoped for her, hated the fact that you loved and cared for her after laying eyes on her small figure. The whole scene was pitiful. The arms of a mother holding her child close to her bosom as if shielding them from the world– the effort could be appreciated but was futile because the looming threat was already hovering over you as he inspected his creation. If his presence was not unsettling enough, his hum of satisfaction horrified you, causing you more tears.
"I should have killed myself that morning. It would have saved me a lot of heartache..." you whispered, repeating the words you had mentioned over a year ago.
Months back into motherhood you found yourself questioning yourself and your emotional availability every time you looked at your daughter. You were doing all the right things, but performing the tasks felt heavy on your shoulders, and the smiles you painted on your face felt like they were caked on. None of it felt real. There was no doubt you cared for your little girl, but you had to admit that the task was tiring– caring was tiring.
You thought the feeling would end, believed it was temporary, but days turned into months, and months turned into a year.
You had just finished your daughter's first inspection and were now in your sleeping chambers with your husband. You both stood there silent and unmoving, staring at each other with hardly any indication of who was willing to speak first. Fortunately, your daughter was the first to break the silence, whining as she clung to you. You sighed as you understood the child needed attention, moving the baby into a better position to lightly bounce her, attempting to calm her down.
"You know, I thought you would be overjoyed to be blessed with another child, Y/n," Sukuna sounded as he studied you.
"Whatever do you mean? I am nothing but pleased," you blankly responded, focusing entirely on the little girl bouncing in your arms.
Silence once again.
You could feel his stare burning into you; feel his agitation radiating off his skin as he looked for a real answer. Sukuna was not an idiot, you were aware of that, but his meaningless probing was getting on your nerves. You would much rather he got to the point than play his mind games. If he was going to be indirect, you would only do the same.
"Do you think of them when you look at her?"
There was a halt in your movements, breath hitching as you did so. You slowly moved your head to look at the man before you, your gaze piercing. You had every intention to avoid the question, but your mouth betrayed your mind.
“What do you think?” You snipped, a grimace forming onto your features.
“I could make you forget, simply remove them from your memory to rid you of this…ailment.”
For what felt like the thousandth time of your life, you could feel your eyes widen, however, this was the most appalling statement your husband had made. Had he really suggested ridding your memories with your twins? Had he no remorse? Of course not, why would he? The children were a means to an end, nothing more than a few pawns in his plan. Any love and affection the father had shown his son and daughter were shown with calculation and precision– there was no meaning behind those affections.
"You sick bastard."
"Excuse me?"
"You heard me."
"Y/n, I would advise that you watch your tone," a warning glare, "If I did not know any better, I would say that you were speaking out of turn when I am offering you such a gift– I do not offer such things lightly."
"Well it is good that you know better," the seething anger bubbling in your chest was choosing your words at this point, "How could you suggest such a thing?"
"I am doing you a mercy, Y/n, you are letting the past consume you from the inside out, and sooner or later you will become the image of your agony."
"You know nothing because if you did you would be in the same state as I am. You speak as if you know sympathy, but your words are honeyed to keep me in your grasp!"
Your breath was heavy as you confronted Sukuna, glaring daggers into his soul as you watched him step closer.
"Your perception can be quite bothersome at times, Little Flower; however, I believe it is what I admire most about you. I think it is why I chose you...why I love you."
Love.
Love.
Love.
"Love."
Your laughter was hysterical. The tears welling up in your eyes from pure disbelief and humor. Sukuna Ryomen himself has admitted to loving you for the second time. This time claiming he chose you because he loves you.
What a joke.
"Love me?" you choked between giggles, "Sukuna, you would not know love if it hit you in the face. Like I said before, your words are coated with the sweetest sugars to keep me around, to bring me hope, and quite frankly, the sweetness has become dull and bitter," a pause as you caught your breath, "You do not love me Sukuna. As I have stated, you love what I can provide you."
Silence had greeted you both for what seemed like the millionth time, but you could have been wrong, you lost count at this point.
"I understand the concept of love, more than you think, Little Flower; however, love has little meaning. So you are right, I do not love you, I value you. Is that not greater than love?"
You scoffed.
"You are going to die alone and I am glad that you will."
A soft chuckle sounded from your husband before feeling a strange feeling at the back of your head. You could feel the kanzashi pin moving in your hair as Sukuna played with the accessory.
"I highly doubt that."
Those four words had caused your heart to sink, bringing you more fear than you had ever experienced in your entire life. Without thought, you backed away from the man towering over you. You shook your head as you held eye contact with Sukuna, almost stumbling on your feet as you felt for the door and clumsily exited the room. You had your daughter close to your chest as you entered the hallway.
What little you had of your life came crashing down instantly as the gravity of your reality unfolded to its full extent.
You would never be free and although that was a realization you had made long ago...this time you had no hope to convince you otherwise.
So what did you do?
You ran.
You flew through the corridors to the gardens, arriving with heavy breath. Scanning the grounds you searched for the only individual who could help you right now. The moment your eyes registered the woman, you quickly approached, hardly paying attention to anything along your path as you made your way over.
"Y/n-"
"I have something for you!" you interrupted, holding out a pin you had stored and concealed for years, never knowing the right moment to give it to the woman before you.
The woman who had lost her sick and poor son on your very first inspection day.
You watched as her eyes welled up immediately, taking the pin and inspecting it as if to make sure it was real. When she was able to confirm the little trinket was indeed not a figment of her imagination, she held it close to her chest, letting her silent sobs escape before looking at you.
"Thank you. Thank you so much. But why are you giving this to me?"
You looked around hesitantly before pitifully looking at her, letting your walls crumble to reveal all your pain and suffering.
"I need your help."
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"Uraume!"
"Yes, Sukuna-sama," the right hand responded.
"I would like you to gather the women and children from the inspection, I have an announcement."
"Yes, Sukuna-sama, I'll get right on it."
With that Uraume disappeared, leaving Sukuna in his quarters alone. The man paced in his chambers, reflecting on the prior conversation from earlier. The talk did not have the most satisfying ending, but much like the other unfortunate discussions that had been held between the two of you, this would be another problem that would resolve itself in due time.
The move would help move that process faster.
This village had quickly bored the tyrant, as they were quick to promise vengeance and destruction upon his empire. Same-old-same-old. So with that, it was time to move on to the next village after leaving this one behind in ashes.
"Sukuna-sama, the women and children do not appear to be in their chambers or the gardens, the workstations are abandoned too.
"What?"
Without a thought, Sukuna stormed out of the room and into the halls, those blank walls making the temple look more abandoned knowing that everyone had seemingly disappeared. He looked through every room he managed to pass, even using his abilities to sense the faintest amount of cursed energy. For a while, he came up with nothing, but after catching a familiar aura, he briskly started to follow the direction it was coming from.
The curse-user found himself in the main hall, where he saw his wives and children gathered. The husband would be lying if he claimed he was not confused with the situation, but he would not show that. Instead, Sukuna decided to try and decipher the scenario.
Upon first glance, it had seemed that the women and children were gathered for a usual gathering, but upon closer observation, something was off. The looks of the individuals in the room seemed to differ. Some women seemed relieved, others looked almost proud, and others...well, the last of the women looked as if they were being held there against their will.
As the monster-of-a-man continued to scan the room, he finally managed to find you, standing in the center of the room, your head held high; however, you looked exhausted, broken. It brought that familiar discomforting feeling to Sukuna, the same feeling when you had spoken those words after you had burned down your village.
"What is this, Little Flower?" Sukuna questioned with some amusement behind his voice, masking his indifference.
"Do not call me that," you spoke, your voice barely above a whisper as it softly echoed in the room.
"Y/n-sama ple-"
"SHUT YOUR MOUTH!" you yelled, successfully silencing the crying woman who had shouted for you.
The atmosphere was tense, and he would tread carefully because Sukuna was no fool.
"What do you want, Little Flower? An apology? I can, obviously, give that to you, but we both know it would not solve much. So what is it you truly want?"
"To leave..." you weakly announced, watching as Sukuna gradually approached before stopping in his footsteps.
"Well then, Little Flower, you have gathered yourself and all your companions just in time, I was ready to announce our departure from this village. You get what you want, righ-"
"That's not what I want." you interrupted.
Sukuna was silent, his brow twitching in irritation as he stared at you, stopping mid-stride.
"Then what do you want?"
"I want the offer you gave me back on the table?" you quickly responded.
"And what offer would you be referring to, Little Flower?"
"On my very first inspection with my twins, you offered me to kill everyone in this room– I want to change my answer."
Your husband chuckled, "Do you not think the circumstances have changed a little, my dear? I gave you that option years ago, what makes you think that is something I am still willing to offer?"
"Because you love me..."
"Now you are willing to embrace that love?"
"Only if you do this one last thing for me. I will let you love me until my last mortal days, and me in return, just as long as everyone in this room dies."
A sly smirk, "As you wish, Little Flow-"
"By my hands!" you interjected.
Delight was an expression that Sukuna could not hold back at those words.
"It's a deal, Y/n."
"Perfect."
With those words sealing the pact, you took no further wait in your next actions. You ignored all the shouts and screams of those who wished to live, ridding yourself of whatever empathy you once had– you had to admit, it made things a lot easier when setting the room ablaze. Hearing their screams of agony and pain was a lot easier when you managed to wash out the humanity within you.
You could only feel relief after hearing all the shrieks and wails die out into nothing but silence. The room was filled with nothing but fire, bone, and ashes, the smell of burning flesh was prominent; however, that did not stop him from approaching you.
"I love you, Little Flower." Sukuna proclaimed, bringing his forehead to yours before softly kissing you.
He pulled away to look into your eyes, admiring them momentarily before smiling softly. Some may have mistaken it for a look of endearment, but it was a look of satisfaction. He had successfully taken your pride, dignity, and hope– he had taken all of you.
"I love you too."
And because you had no pride, dignity, or hope, left to hold on to...
It made it so much easier to bring that poison-coated dagger to your flesh and slit your belly.
For Sukuna everything went in slow motion, immediately swatting the dagger from your hand to the ground before cupping your wound, blood covering his hand in seconds. The desperate individual tried using his reverse curse technique to revert the damage, but it was pointless as you were resisting. For the first time in a long time, Sukuna felt genuine fear as he watched you slowly slip away from reality. And as everything started to play back to speed, Sukuna had a realization.
"Where is our daughter?!" The four-armed monstrosity yelled upon notice of your empty arms, continuing at attempts to stop your bleeding with little success.
Your smile made his heart drop.
"Gone." you sputtered, blood slipping from your cooling lips before going completely limp.
"...Gone where? Little Flower..."
"Little Flower!"
"LITTLE FLOWER, ANSWER ME!"
"Y/N!!!!!!!!"
You upheld your deal...you loved him for your last mortal days, it just so happened that day was seconds into a day, and as Sukuna sat there holding your motionless form, he could not have regretted anything more in his life. Making that deal was the best thing to happen in your life because in the end...
...You won the game of Survival.
And you hoped that your daughter could one day do the same.
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Until the epilogue yall... (`∀´)Ψ
Taglist:
@littlemochi @mistalli @youngbeansprout @bbylime @bangtan-forever1479 @idktbhloley @izayas-rings @o3o-aya@pyschopotatomeme @persephonehemingway @otomaniac @meforpr3sident @fourcefulcupid @nezuscribe @my-simp-land @zukuphilia @niya729 @spiritofstatic @bbittersw33t @kashasenpai @decaysan @honeybaegle @ygslvr @outrofenty @esposadomd @ali2426 @anmath @yazzzmints @lovingnahida @sincerest-one @rosemaydone321 @j0dios @k-ki3rd @maki-zenin1944 @shadowywizardarcade @ae-mius @xiangping-28 @loaves4me @aloraaaxcrystalzx
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merbear25 · 3 days
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Reigniting an old flame (Mihawk)
Prompt 18 requested by @thesunxwentblack
A/n: Thank you so much for requesting this, especially with Mihawk! I had a blast, so I hope you enjoy what I've written for you 💜💜
CW: NSFW!! MDNI!! fem!reader, fluffy smut, established relationship, vaginal penetration, slightly rough sex
Sharing your life with someone never appeared to be in the cards for either of you. However, your paths intersected, giving you a chance at love. Understandably, neither of you held out hope for your relationship to survive the countless fire it'd undoubtedly be under, but it turned out that anything was possible.
Despite the shaky circumstances, your love was worth holding onto—such devotion was difficult to come by in this world. Wanting nothing more than your safety, Mihawk urged you to distance yourself from him, at least until he managed to get everything under control.
However, seeing how distraught you were by the whole ordeal made it seem as if this decision was the wrong one. Holding you closely, he reassured you that your love was meant to flourish. Handing you a small piece of paper, you noticed the address written on it—a type of safe haven for you to fly under the radar.
Pushing your heartbreak aside, thinking that this could be the final time you see each other, your trust in him remained unwavering. Tearfully agreeing to the conditions, you departed. Watching the life you'd just begun together become more distant, the serverity of reality was almost proving too much to bear.
With days turning into weeks and weeks into months, gnawing dread that something had happened ate away at you until a piece of mail appeared: one holding neither a return address nor signature, yet an abundance of clues. The envelope contained postcards with nothing written on them but a note about the supposed journey that alluded to the true origins of post. Trusting your gut, you answered, sending it to a place that was starting to feel more and more like a shot in the dark.
Only when another arrived, were your doubts set to rest. With the illusion of secrecy kept, it was obvious to the both of you that your adoration new no bounds. In spite of the small glimmers of joy you'd get receiving and sending mail to each other, the extended period of doing so was weighing on you, leaving you wondering if you'd ever get the chance to hold each other again, to allow your love to flourish in the way it was supposed to.
With the last two years passing by in a haze, the next piece of mail sparked hope. Sifting through the hints, he gave you notice of his current whereabouts, extending an invitation. Elation of being reunited coarsed through you, your feet and the sails of the ships being unable to carry you as quickly as you needed.
Upon seeing him, there was no chance you'd hold yourself back from running into his arms. The feeling of him wrapping you up in an embrace—one which he'd be sure could never allow you to slip through—allowed your souls to meld together. Granting himself this moment of weakness, he swept you off your feet and carried you into your new home, peppering your sweet face with much deserved affection.
Placing you down on the bed, you had a silent understanding that everything else could wait, for now getting lost in the pits of your desire took priority.
As the fires of your passion increased with each searing kiss, your body arched with each touch, each grope, beckoning for him to ravish you. Trailing kisses down your neck, removed your delicates with ease. Pinning your legs back, your needy slit was on full display, which only whetted the appetite that'd gone without satisfaction for far too long.
Unleashing his arousal, he teased your pearl with its tip, sending waves of anticipation deep into your desperate walls. Easing himself into you, he reveled in the sensation your twitching form was so eager to give him.
Picking up the pace, he bucked in and out of you with a clear goal: letting the dry spell come to a crashing halt by surrendering yourselves to the uncharted depths of euphoria.
Your moans were growing more and more frantic, sounding off in the room like sweet melodies. The sight of you losing all sense of self on him made you even more irresistible. Leaning over you, your lip lock was feverish yet firm. As his length forced itself deeper, your groans at taking the full extent of his lust mixed with his.
Such thrills were building up to an explosive irruption, one which would quake the earth surrounding it. Fully letting go of any of the sorrow and uncertainty you once had, an earth shattering revilation freed you from those shackles.
Now with more clarity, the two of you could give yourselves entry into the other's life, no longer needing to hide.
Leaving you with a kiss on your forehead, he excused himself momentarily, giving you full reign of the bedroom.
Taking liberty to look around at the different knick knacks he had scattered about, a red velvet box caught your eye. Admiring the delicately crafted lining, you unclasped it. You were met with a stack of postcards and notes.
Holding each note up, you could barely make out that they were yours due to the tears flooding your eyes. Such tenderness that you never knew he was capable of sent your heart soaring.
When he reentered the room and caught you looking at his keepsake, he gently placed a hand on your lower back.
"You mean to tell me you've kept every single note?"
Cupping your face, he spoke with complete certainty, "A love like yours is meant to be cherished."
Being given the chance to fan the flames of your passion, letting it reach new hights was an opportunity you'd never take for granted. Wrapping your arms around him, you gave yourselves a few more moments to let those bright embers dance between you.
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toomanywatchers · 10 hours
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So I saw this popular post floating around amid the Watcher drama-
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-and here is my response to that with some iconic Watcher quotes:
Shane: "What's the deal with cousins?" - in TMS season 3
Ryan: "Hey dipshit, are you scared?" - in TMS season 3
Steven: "What's the trauma version of nostalgia?" Shane: "Trauma?" - in Pod Watcher ep 5 (aka the glorious Nose Soap Apple ep)
Shane: "I don't like people to acknowledge me as a human being." - in Are You Scared of Working Out
Ryan: "Class dismissed, you little blue ball sack." - in Puppet History's The Dreadful Demise of the Dinosaurs
Steven: "Who cares, man!" - in Making Watcher ep 4
Shane: "As soon as there's an element of competition, my brain just quits" - in Weird Wonderful World Roller Derby ep
Ryan: "You killed me!" Shane: " You're dead?" Ryan: "Yeah, because you asked for a blowjob." - in Survival Mode Demonologist
Steven: "Oh, I can't process the world right now." - Steven Eats Through Korea for 24 Hours Straight
Bonus one from the Patreon because I think about this moment at least once a day:
*answering the question on when would a gen z bark* Sam: "during doggy style?" Shane in disapproving dad voice: "Sam!"
and that is just a few quotes that I think about or quote from time to time. If you have a favorite quote and want to add to this post to out-ratio the original blogger- go for it!
Now my little rant that I've been trying to keep in but imma just add it here: it seems that most of the haters throwing out nasty comments seem to be old BFU fans who only watch Ghost Files and can not let go of the past and does not realize that BFU has been over for almost 3 years now. Guess what?
It's.
Never.
Coming.
Back.
It's totally ok to miss and grieve the loss of something you love, but continuously comparing Watcher to just BFU is tiring. Watcher is so much more than BFU, and if you guys would just simply read Watcher's company motto then you would know that.
So how about instead of living in 2018, you come and join us in 2024 and recognize that Shane Madej, Ryan Bergara, and especially Steven Lim are still fucking hilarious alongside the wonderful team at Watcher.
ps: I decided to use a screenshot and cut out the name instead of reblogging the op's post because I simply do not want to give them any more attention.
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wiisagi-maiingan · 3 days
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Just a tiny bit bitter that someone (jokingly) reblogged that post about plants and bugs to call me a spotted lantern fly when the post was originally because I was trying to look up wood violets and getting a bunch of pages about how to kill these lovely native wildflowers because they. . . look "bad" in the desolate wastelands that Americans call "yards."
I am fully in favor of culling invasive species (in a way that is quick and minimizes their suffering), but can we not just think about the implications with regards to how much of our world is seen as a pest to remove and destroy. Please. For me.
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dtkqer · 2 days
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okay fine you asked. what originally prompted me rambling was this because it makes me dizzy how we literlaly saw dream discover how he wanted to present and take care of himself as someone who had a radical change in the middle of the pandemic and then literally relearn to exist now with millions of people that know Him and of Him. because there's something about men that literally look good and Know they look good ..... while he looks so cute and sweet with his clean shaven beard and short hair he clearly likes to take care of himself and his new slightly more defined curls and well kept yet strong beard defines his face so well :( it also highlights his eyes and nose and maybe that’s why i’m so obsessed with drawing his blush because it’s just prominent?? and it makes him look so fucking good but also really cute. i remember someone said that his face was full of small contradictions that just made his face very intriguing to look at and i cannot agree more because while i just really find his nose and lips cute his jaw and eyes just make me want to faint AND THIS IS JUST HIS FACE AND HAIR. i cannot start talking about his hands or else i will go into cardiac shook they’re so big?? and skilled?? this is definitely because he sounds hot when he plays minecraft and is cocky (CONFIDENCE!!!) and also big hands are just a PLUS no matter who you are but his are also very delicate they look so fucking Soft and well taken care for. his body shape is so attractive too HE’S SO FUCKING TALL… and his shoulders are really really big and we KNOW this fucker is strong and has great resistance (does anyone think aboutthe fucking. walking for hours. I DO.) And we all know his dick is big. Thank god for dream. this is actually 300 wordsmy bad 
this is rlly incredible thank you. srsly though i think I remember that post you’re talking about with him having “contradictory” features FUCKKKKK who posted that does anyone remember… anyway he’s just so satisfying to look at like his blend of masc and fem features is just gorgeous it’s just really nice to see him come into his own and become more confident liek dohfgdbmdkfohmy god I’m gonna cry I’m so proud of him … my beautiful bagel forever :((((
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kimberleyjean · 2 days
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Why are there Infinity Loops or Möbius Strips in Good Omens?
The infinity loop, it's the idea of something that is unlimited and endless, you know...
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In this post, I'm going to explore some of the symbols in the show that I think relate to this concept of eternity. For example, have you noticed that the infinity loop shows up amongst the symbols at the start of Season 1? While God's narrates about her "ineffable game" of her own devising, here it is on screen:
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Why do we see so many infinity symbols here? Where else can we see this same symbol?
Read on for the places I've spotted it in both S1, S2 and the book. I’m hoping you’ll let me know if I missed any, and what you think it all means!
Eternity in Good Omens
In the book, when Crowley is explaining the concept of eternity to Aziraphale, he uses the idea of a bird which flies every thousand years to the same mountain to sharpen it's beak. Here's the conversation, with Aziraphale's interruptions edited out (pg. 55 - 56 in my hardcopy):
“Just you think about it," said Crowley relentlessly. "You know what eternity is? You know what eternity is? I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird—” “Okay. And every thousand years this bird flies—" "flies all the way to this mountain and sharpens its beak—” “Sharpen its beak on the mountain," said Crowley. "And then it flies back—” “And after a thousand years it goes and does it all again," said Crowley quickly.”
This story originally came from a folk tale called the Shepherd Boy. It's very short and you can read the Brother's Grimm version here.
If we take Crowley at his word, then eternity in Good Omens is represented by repeating the same thing over again, whether that's flying forever to the same mountain, or having to watch the Sound of Music "over and over and over and over and over and over and over" into infinity.
The Infinity Loop
The common symbol for infinity, ∞, was invented by the English mathematician John Wallis in 1655. Being an extremely popular symbol, it shows up in a lot of places, including the Rider-Waite Tarot deck. Several other uses are detailed on the wikipedia page.
So, where does it appear in Good Omens? In addition to God's monologue, we also see it during the S1 baby swap sequence as part of the Satanic nun's costumes. Here it is on the upside-down watches they wear:
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Here it is again on Newt's belt buckle in S1:
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Here's another possible infinity symbol on Newt's computer screen, when he's working at United Holdings:
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Outside of the show, it also appears on the merch released post-S2 (though a little bit disguised in the form of the snake wrapped around them). Included is the tagline of "The end was just the start".
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There are also two references to infinity in the book. Here's the first very near the start (pg. 14 of my 2015 hardback edition):
“He [God] plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players, [ie., everybody.] to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.”
And here's the other, closer to the end, at the airfield (pg. 363 of my edition):
“Adam glanced up. In one sense there was just clear air overhead. In another, stretching off to infinity, were the hosts of Heaven and Hell, wingtip to wingtip. If you looked really closely, and had been specially trained, you could tell the difference.”
So, Good Omens makes a few references to infinity, which I find interesting in itself. But wait, there's more!
The Ouroboros
There is another symbol which also appears in Good Omens and also suggests a form of repetition - the ouroboros. The ouroboros is an ancient symbol depicting a serpent or dragon eating its own tail and depicts an eternal cycle of renewal - an end which comes back to the start again. I recommend taking a look at the whole wikipedia page, which is quite fascinating:
Now, this would be a rather abstract representation, but I think this appears on the wall of Nina's cafe. Unfortunately, in my image Terry's name has been cut off, but it does say Terry and Neil within those segments of the loop:
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So we have the infinity symbol, the ouroboros... anything else? Well, yes, there is a third symbol for us to ponder over.
The Mobius Strip
Closely related to the idea of the infinity symbol is that of the mobius strip. To oversimplify things, the mobius strip is a object which is a continuous surface in a loop. At first glance, it appears to have two sides, but these are indeed all part of the same side (maybe we should call this "our side"?). As shown in the below gif, an object traversing the surface of the strip can repeat in a continuous loop.
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Where does the mobius strip appear in Good Omens? Well, it appears in the book. Here it is being used to refer to Anathema's broken bike wheel (pg. 92 in my 2015 hardback edition):
“Behind the Bentley a bicycle lay in the road, its front wheel bent into a creditable Mobius shape, its back wheel clicking ominously to a standstill.”
And again, describing the discussions of the Them, while Adam is coming into his powers (pg. 229 in my hardback):
“Serve everyone right if all the nucular bombs went off and it all started again, only prop'ly organized," said Adam. "Sometimes I think that's what I'd like to happen. An' then we could sort everythin' out." The thunder growled again. Pepper shivered. This wasn't the normal Them mobius bickering, which passed many a slow hour. There was a look in Adam's eye that his friend couldn't quite fathom—not devilment, because that was more or less there all the time, but a sort of blank grayness that was far worse.”
Not only does the word "mobius" appear twice in the book, but Neil has continued to be interested in such ideas, releasing the song Mobius Strip in April 2023 (as brought to my attention by @embracing-the-ineffable). The song is a meditation on the nature of time, magic and how things tend to repeat. In the song, the grandfather shows the boy a trick to creating a mobius strip using paper, tape and some scissors. Here's how the song concludes:
"I'm... Somewhere on the strip We all are, walking the sign of infinity into the darkness And I'm looking for signs of a life, in a memory Reflected in the mirror I'm a mobius strip We all are We only ever see one face It's the twist that brings you back where you started"
If you're unfamiliar with the idea of creating a paper-based mobius strip, here's a video on how it works:
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Is the loop Aziraphale and Crowley?
To form a mobius strip, you need to cut the paper first, flip it, and then join the ends back together.
To me, this reminds me a lot of the S2 opening sequence, when we see the bridge disconnect, separating Aziraphale and Crowley on either side, only to then reconnect at another place.
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Does this mean the bridge, and perhaps the loop, represents our ineffable duo? This merch sure seems to suggest so...
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That could be one interpretation of this sequence, though I'm sure there are others. What do you think? Does the loop say anything about Crowley and Aziraphale's relationship to one another?
Put it all together and...
In summary, we have at least three different symbols signifying some sort of repetition in Good Omens - the infinity loop, ouroboros and mobius strip. So, what might they mean? Why do you think it's been included, and so often? Even more importantly, have I missed any? There's endless details to be mined from this show, so I wouldn't be surprised if there are more.
I have a few theories, but nothing concrete yet, so I'm really interested in hearing everyone's ideas!
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dnphobe · 1 day
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New to the phandom but why do we think sleepless night with phil was a lie?
okay i tried to find a post explaining this bc there Is at least one comprehensive post about this out there but thanks to tumblr's search function sucking i couldn't. so im gonna relay the info from memory for now and if anyone has the post im talking about handy please send it bc im sure it's better than whatever im about to write. anyway. hi anon question answered to the best of my ability under the cut lets go
okay so i'm referring specifically to 'A HUNGRY sleepless night with Phil' rather than the whole series. so the main and original reason this is believed to be fake is this moment:
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phil says it's 1:40 a.m and he's downloading dream daddy for them to play on the gaming channel, but as you can see on his laptop...it started downloading at half past eight in the evening. which. not only does does phil not act like he's been downloading it for this long but rather just started, that would be a LONG long download time.
also, from our position of living in the future, we know for certain that the "bedroom" phil is filming this in is, as was long suspected, a set that he had specifically for filming, like the rest of that apartment. they confirmed it themselves in 'Dan and Phil finally tell the truth'. (i will add that phil has since said he DID sometimes sleep there, and honestly yeah maybe he did, so do with that what you will).
as for WHY he faked the sleepless night, not long before this video was uploaded he posted this series of tweets, known as 'the centipede incident':
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which, as was noted by snoops (and just people with eyes) everywhere that is...not the floor of what at the time we were supposed to believe was phil's bedroom. the floor it DID match was what was known as 'the moon room'. at this point dan had stopped filming videos in his bedroom but he did lives from an otherwise unseen bedroom with a moon decal sometimes.
conclusion: dan and phil share a bedroom
context: dan and phil were not out yet (and would still not reveal that they shared a bedroom today, never mind then)
result: damage control, formally known as "A HUNGRY sleepless night with Phil"
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This was originally a reblog, but it felt important enough to me that I wanted to make it it's own post.
I have mentioned before how Fabian feels like a representation of some parts of the black experience, and Riz feels like another.
Riz has always felt black coded to me because of how much harder he has to work to be viewed as equal and worthy. How disrespected goblins are in the FH universe, I think about that pirate that threatened him while they were in leviathan all the time. Riz has to be perfect all the time because if he isn't, he'll be viewed as nothing. Everything he has ever done and all the work he has ever put into the things he loves will mean fucking nothing.
Watching Riz and Sklonda interact sometimes feels like watching conversations with elders in our community telling us telling that we can't be mediocre. We can't be anything but the best. We can't be messy, or scrappy, or frumpy, or unprepared, because every black individual is the face of the black community when we go out into the world.
We're not allowed to have awkward phases because it will make the community look bad. The amount of pressure we live under from the moment the world stops viewing us as kids, even before then honestly, is fucking immense and there is no room for slipups.
I relate to Riz so much and I headcaonned him and Sklonda as black from their first appearance because I saw myself and my own family in them.
I love DND so much because of the stories it allows us to tell, because of the experiences we get to share that people might not see otherwise. I just think that's really beautiful.
This is also the third time a white man has done a portrayal of a character that feels so fucking true to the black experience, without even trying and I think that's hilarious.
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prosebushpatch · 1 day
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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I forget what zoo you work for, but I had the pleasure of visiting the Oakland Park zoo with my friends the other day, and it was in part thanks to you! We were originally going to go to the SF Zoo, since it was closer and we didn't know any better, but, remembering all your posts about AZA accreditation got me to look more deeply into both the SF and Oakland zoos, and we decided to switch to the Oakland Zoo instead! Which, according to everyone we've talked to, is apparently the significantly superior experience, and I'd believe it!
I don’t work for any zoo, actually (combination of wanting to think outside the box, disability, and the fact basically none of them pay a living wage). But thank you!
Oakland and San Francisco are drastically different experiences, but from a guest perspective personally I haven’t felt like one is better than other. (Although man. SF just had some major drama drop that calls a lot of management into question, I should write that up soon).
I’m glad you enjoyed your visit!
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icyg4l · 2 days
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PAC: How Can You Attract More Clientele?
hello beautiful people! i wanted to do something different today! this is for my business owners out there, this one is for you. if you need some extra reassurance/advice on how to gain more traction, this is for you. without further ado, please pick the image that resonates with you the most.
Top Left-to-Bottom Right: (1-4)
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Pile One: I heard “something’s brewing” as I was shuffling for this pile. Pile One, do you know how lucky people are to have your talents in this world? Why don’t you take your talents where they belong? I feel like you aren’t really pushing yourself the way that you’re supposed to. You’re all talk but when it comes down to actually putting in the work, you get scary. There’s no point in planning for the future if you don’t live in it. So do what you have to do in order to be known! Another thing about you is that there’s some shame around your work. It’s like you’re embarrassed to show off your stuff so you’ll just hand it off to people that you know and when you get compliments, you won’t necessarily take them as one should. You need to celebrate your work forreal. Your work needs to be seen. You need to be around other creative people so that you can have personal muses in your life. You need to know that your talents will be recognized as long as you let them. All in all, in order to attract clientele, you need to be willing to put yourself out there.
Cards Used: Princess of Swords, The Hermit, Prince of Cups, Knight of Swords, 2 of Wands, 7 of Swords.
extras: shuffle. coffee brewer. sodastream. alliteration. mime. pasties. original invention. 
Pile Two: Aggressive marketing is a tactic that you need to take on, Pile Two. This is a pile similar to Pile One in the sense that you are being too coy. I am seeing a fast-paced work environment. You deliver your products fast and you come up with ideas pretty fast. The thing is though, you do not really sell yourself. When I say this, I mean that you are too calm and humble with the way that you market yourself. People tend to overlook you because you’re not really showing off your product/brand. Invest in your brand and you will see better results. If you have a TikTok or Instagram, I’m not going to lie, talking fast or talking in a bubbly manner will help your clients flock to you. I am feeling a little chaotic right now as I type this. I feel like you need to unleash your chaotic side into this marketing. People would be more willing to buy the product if you show off your authentic energy. 
Cards Used: Four of Swords, Temperance (RX), The Devil (RX), The Hermit, 9 of Wands, Ace of Swords, Prince of Cups, Eight of Wands
extras: panda express. takeoff. funeral. egg sandwich. sadistic. clueless. “you are the visuals baby.”
Pile Three: There is nothing wrong with getting shit done, Pile Three. I feel like this pile thinks that they do everything right, or do you? I think you need to stop caring about the validation of other people. Do you actually like what it is that you’re doing/selling? Is it fulfilling to present this product to other people? If so, then you need to just be patient. You are very impatient to the process of gaining sales. You need to let more time pass. Your business hasn’t taken off because you do not let shit marinate. If you let time pass by, you would actually gain more clientele. As you await for this moment though, take everything as a learning experience. If you do not feel fulfilled/personally rewarded, then it is time for a rebrand. You need to figure out how this product resonates with you. What is your personal connection with it? How can you connect to other people through this product? What lasting impact do you want to leave on people? I also see that you do need to get involved with people offline as well. Posting flyers up around your neighborhood would really benefit you, my love. 
Cards Used: The Emperor, Strength, 4 of Swords, The Devil, The Hanged Man, Judgment, Prince of Wands, Queen of Discs 
extras: orlando. drill rap. ohio. “earthy scents.” twisted tea. green giant. 
Pile Four: I actually feel like this pile is super close to meeting their goal number of clients. You have been putting in the right amount of work and therefore, you have been getting rewarded. But you need to learn how to network. I feel like this pile just needs to be at the right place at the right time. If you find yourself getting invited to an event that needs your skills, you should check it out. It’ll be the key to your big break. I also think that you should consider trading with other creatives to gain more clientele. Consider promoting other creatives’ work so that more people can come to you. I think it really all comes down to the timing of it all. But your time is pretty soon. You’re already eating good but soon you’ll be eating real good. There’s not really much you have to do but just show yourself off. 
Cards Used: Wheel of Fortune. The Magician. Queen of Discs. King of Wands. 7 of Discs. King of Discs. The Emperor.
extras: dill pickle. onion rings. pastel colors. breakfast foods. sizing issues.
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