#this was originally posted on my Reddit but I’m bringing it back from the dead because it still gives me secondhand gay panic

[locallyloathed]

Hey, anyone want a long story about how I realized I’m a useless lesbian? No? Good thing I’m terrible at listening to people’s advice, let’s go!

Ever since I started working fast food, it has always been creepy dudes, none of whom looked to be under 50, that would flirt with me. I’d have Pride pins on my hat and they STILL never got the hint. After one day where 5 different creepy old guys flirted with me, it became a running gag in the restaurant that if I became the mascot, we could triple sales just by selling to this very diverse market of old perverts who hit on young girls in drive-thru windows.

I often would melodramatically wax poetic about how “Woe is me, why is it never pretty girls who hit on me? Why hath the gods cursed me?” I learnt to just accept it after a while, but it always lurked in the back of my mind... until today, when the gods got fed up with me constantly questioning them and sent me the answer twice in a single day.

The first time happened in the lunch rush, where I was working in view of the dining room to make food and take the occasional order. As I do my job, 3 girls walk into the restaurant, and all of them are just absolutely amazing. Dorky, fun, friendly, just all in all the best kinds of people to be around. They each place to-go orders, and as I hand the first order out, she comments about one of the Pride pins on my hat. I laugh nervously before hurrying back to line to avoid being awkward. Second girl kept giggling as I handed out her food, which I gotta say did NOT ease the anxiety. The third one is the kicker, since all three girls are standing together talking when I hand her her food. I do my usual “Thanks, have a very nice day!” routine as they walk out the door, and the last one yells “Just so you know, she thinks you’re super cute!” while pointing at the first girl I served. The girl gets nervous as hell and laughs awkwardly before forcing the other two out the door, leaving me sitting there, utterly baffled, trying to remember how to move.

For the rest of the rush, I was basically running on autopilot as my last few brain cells were busy wondering “Should I have asked her number? What was her name again? Did she mean it or was it just a joke she was pulling on her friend? Are they coming back at some point so I can ask? Would I be ABLE to ask?” I told my best friend at work about it and she laughed and teased me about it until I was back to the normal, soulless drone that fast-food restaurants like to see.

Until two hours later when I was placed in the drive-thru taking orders on the headset. Now, everyone has a different way of answering the headset, and I personally like to be super upbeat, because the customers are more likely to be patient and friendly to someone who does the same for them. When I answer the headset, my go to is “Hi, welcome to Taco Bell! How are you doin’ today?” to gauge their mood and personality to know how to act accordingly. When they sound tired or say “I’m alright, I guess,” I will tone down the energy and stay polite and calm. On the other hand, if a customer sounds super cheerful, I like to keep the energy going and typically start making puns about our food, because that’s the best way to stay cheerful in a job that isn’t exactly conductive to fun.

As I’m going through the motions, a car pulls in. “Hi, welcome to Taco Bell! How are you doin’ today?” I chirp out as per usual. “We are just awesome! What about you?!” responds a very cheery girls voice. “Aw shit, here we go again,” reply the braincells. The girls in the car are talking to me like we’ve all been friends for years and I’m just coasting on the energy and going with it. When they finish up their order, the driver hastily starts apologizing saying she has another order. I tell her it’s not a problem, and that, I quote “I just gotta tap a few buttons and bada bing, bada boom, we back in business, go on ahead with the order!” I overhear the one in the passenger seat giggle and say “I really like her,” and just like that, my brain cell count is cut in half. I take the order, send ‘em up to the window, and start taking the orders of the car behind them. I never got the chance to talk directly to them, but I did look up from my screen to see two cute girls looking at me. When they saw me notice them, they grinned and started waving frantically, to which I smiled awkwardly and waved back before continuing to do my job. After the brief line of cars is gone, the guy paying out the orders turns to me and says “By the way, the two blonde chicks from earlier wanted me to tell you that they think you’re cute.”

And just like that, I stopped being able to function for the rest of my shift, because once again the Gay Panic™ had set in and I didn’t know how to process the information. My friend teased me even more relentlessly for this one because she had a headset on too and had heard the whole exchange between me and the girls, including the “I really like her” comment and the subsequent anxiety you could apparently hear in my voice afterward.

So, to make a long fucking story short, creepy guys can hit on me because I understand how to write them off and go about my business, but cute girls cannot hit on me because I am an inherently useless lesbian who is incapable of processing normal thoughts after being complimented by girls.

Thank you for coming to my TED Talk.

#lesbian #useless lesbian #disaster lesbian #bottom energy #i was attacked #my soul left my body #this was originally posted on my Reddit but I’m bringing it back from the dead because it still gives me secondhand gay panic #speaking of which #gay panic

[frabjousvonniche]

Persona 4: Dojima was NOT the original killer- and other rumors

Intro: (You Can Skip This)

If there’s one thing I, a fandom nerd with an unhealthy lust for trivia, absolutely HATE, it’s wild claims with no sources. It was the entire inspiration for my previous Ico post. You might even say I find it... un-BEAR-able.

Living in the information age as we are now, rumors and ridiculous claims are pretty easily debunked for new releases, and discouraged by how easy it is for legions of fans to gang up on you for saying stupid shit and call you mean names until you cry. We have access to so many creator’s blogs, interviews, Youtube channels, and more. Heck, voice actors regularly take requests on Twitter. Misconceptions tend to be pretty easy to clear up these days.

But what about older games, back when this was not always the case? When we rarely heard from studios or developers outside of the occasional short article on a (now long-dead) gaming site? What misconceptions and mysteries continue to run amuck, possibly to never be solved?

I’m glad you asked- irritation has spurned me to collect and research several, from one of my favorite video games of all time: Persona 4. There are quite a few strange ideas I’ve heard over the years, but the biggest one I’m going to tackle is a pretty popular one: The supposed original identity of the killer.

***Spoilers galore***- this game originally came out in 2008.

Whodunnit?

Dojima was originally supposed to be the killer.

False- Or at least, impossible to confirm.

You’ve probably heard this one. It’s all over boards, it’s all over TV Tropes, and it’s all over Reddit. Here’s the thing: This has never been officially stated, anywhere, by anyone. Some people say that this information is given in the notes of the Japanese art book, but this is not true. The text only says that Dojima’s design was tweaked because he looked more like a criminal than someone who chases criminals. 

(To be fair, he does look pretty suspicious here)

There is also absolutely no source that mentions anything about this supposed change being made because staff or beta testers complained, or found it too dark or unsettling. I suspect this oft-quoted flavor text is simply the a reflection of the fans’ own opinion on the matter.

Adachi was originally a red herring, and the true killer was someone else.

Not confirmed True

I cannot find any sources to concretely support this idea. The only possibility I’m unable to rule out is his entry in the Japanese art book- some say this is where this information is given, but I can’t find a translation for it.

Update: tumblr user @misedejem​ had the images I could not find! Thank you so much!

It does in fact appear in the art book- and a more recent translation of the English one, in fact.

There is concept art of the original killer [who was not Adachi] in a yellow raincoat.

False.

There is concept art of Adachi wearing a yellow raincoat. There is no concept art of some other ambiguous character or killer in a yellow raincoat.

(Adachi also dons this same raincoat/jacket in his pre-battle sequence in Persona 4 Arena Ultimax, so it had in fact even made an in-game appearance)

Yukiko and Yosuke were considered candidates to be the killer (with their motives being “for pleasure”).

False. 

Having scoured every wiki, interview article, fanpage, and art book scan (if a translation was available) I could find, there was absolutely no mention of this anywhere. Nada, zero, zip, and zilch. Which even I thought was odd, as surely this rumor has to have originated SOMEWHERE. Which brings us to my next, and biggest, entry, the rumor that spawned all the big rumors and presumably this one as well:

An old interview confirms that the identity of the killer was changed very late in the game’s development.

False.

That’s right- this rumor, which seems to be quite widely accepted even among those who are skeptical of all the rest- is simply not true. It originates from an old Gamasutra interview, which states, quote:

“Also, one of the villain characters changed in the middle of development; since the character design was done before the story change, the design did not reflect the fact that he was a villain.”

(For my fellow dyslexics out there: I had to read this sentence over a dozen times before I was sure I understood it- “One of the characters who was NOT a villain became a villain- since we designed him before we decided he was a villain, he’s not evil-looking.”)

It does not say “the killer”, nor does it even say “the main villain”. It says “one of the villain characters”. (We’ll not be too pedantic about the fact that it says “middle of development” rather than “very late in development”, although it is something to take note of)

Does this mean it CANNOT possibly be in reference to the main villain aka Adachi? Of course not. However, the widely circulated rumor that it was a concrete statement is, as you can see, false.

That does of course beg the question of who it could be in reference to- Mitsuo is obviously designed to be disturbing looking, so the statement “did not reflect the fact that he was a villain” doesn’t apply. And that’s a problem- because aside from Mitsuo and Adachi, there aren’t any other real defined “villains” in the story. It would be a stretch to say that the Persona 4 Team could have maybe been referencing Nametame, using the term “villain” loosely to be coy, but that honestly doesn’t make a whole lot of sense. So, does that in fact mean it must have been Adachi, as we’ve assumed? Possibly, but we can’t prove it. Take note that it also doesn’t say “the identity of the killer changed from one character to another”. Technically, it’s possible that the team wasn’t 100% decided on the true identity of the killer, especially if they were in the middle of development- and could have simply CHOSEN Adachi rather than swapped him with someone else who was originally in the spot. 

If we could get a translation of Adachi’s page in the Japanese art book, as mentioned above, and it did in fact say he was a red herring, now THAT would be something, and lend way more credence to the “it was supposed to be Dojima” theory. Sadly, until then, all we have is speculation.

See above edit- the rumor about him being a red herring is in fact, true. Wowie!

So why did his rumor get so wildly out of hand, and where does that leave us?

To answer the first question: Fan boards. But more than that, I suspect this rumor gained so much traction because it’s really, really interesting to think about, and because you can see it making sense. Dojima and Adachi could both be potentially suspicious for many of the same reasons- they both work with the police department, so would have every ability to move around beneath suspicion, going to the crime scenes and questioning victims. Dojima is rarely home, so what he could be doing in his off-time is anyone’s guess. It would fit, right? Heck, even some text in the final game seems to agree. If you choose Dojima from the list of options as to who the killer could be, you get this text:

(The person who seems to be the most likely culprit is…

>Ryotaro Dojima

… If Dojima is the killer, he must have been careful to hide his ability to enter the TV world.

Based on that assumption, it seems possible that it could be him.

After all, as your uncle and the owner of the house where you stayed, he could easily have observed your actions.

Obviously, he had easy access to his own house, and he’d be more familiar than anyone else with the area.

… However, your uncle wants to solve this case even at the cost of his life.

His only daughter Nanako was kidnapped by Nametame.

When you consider all the facts, there’s very little to support Dojima as the killer…

For the sake of the suffering detective and his daughter Nanako, you must find the real suspect.)

And can you even imagine the betrayal, the drama, of learning this character you grew close to, lived with, shared blood with, was a cold-hearted killer? That right there is an enticing twist, baby! Fanfic fuel for days. It’s not hard to imagine that it would spread far and fast, without people bothering to fact-check it. And who, besides me, wants to comb the internet looking for old interviews on semi-defunct sites?

Conclusion:

Was the main villain originally someone other than Adachi? Possibly. Was it Dojima? Though it may seem fitting, there has never been any official word or evidence to suggest this. Is it really fun to this about if this scenario was true? Yes.

It’s also annoying that, while updating this post with various other pieces of information which makes these ideas ALL THE JUICIER, we technically still have no official word on anything, which makes the conclusion technically the same, only now all the more frustrating...

Fun fact: While I was stuck in fan-board hell (I ABHOR fan-boards and discussions in all their vapid, argumentative and misspelled glory) I found MANY posts by people who insisted that Nanako must have been the killer/that they really thought she was the killer when they first played. Upon some further incredulous searching I turned up some info that this was simply a long-running joke in the Persona 4 community- immediately followed by a deluge of replies about how all the more people had in fact legitimately believed it and it was not a joke, and at this point we’ve gone so meta I have no idea what the truth is. If there is in fact anyone out there in existence who believes, or believed, that this was ever a possibility, I have only one thing to say to you:

Miscellaneous Rumors:

Naoto was originally supposed to be male

Not confirmed True

This information is supposedly in the Japanese art book, but I can’t find a translation of Naoto’s page.

Update: tumblr user @misedejem​ had the images I could not find! Thank you so much!

This appears to be 100% true.

Teddie was originally female.

False. True

I can find nothing to support this. Some cite concept art, but all concept sketches of Teddie I can find depict him as male. I can’t even find any of him in his Alice costume that could have caused this misconception.

For some reason I had always heard this rumor referenced as originating in concept art- that is untrue. It apparently originates here: (credit again to @misedejem​)

Un-bear-lievable! Looks like it’s true!

Yosuke was originally a romance option.

Plausible, but not technically confirmed.

Due to the way his social link is programmed (the famous “girlfriend flag”, or what makes it possible to give him a hug in rank 8) and the rather romantic-sounding dialogue* left in the game files, it certainly seems plausible or even downright likely, but there’s no official word, and rumors that Atlus forced them to cut it don’t have sources (not that we need any you bigoted assholes).

*Of further note, in the Japanese versions of these lines he explicitly uses the word “suki”, which is almost always used to denote liking someone in a romantic sense.

Kanji was originally a romance option.

Not confirmed

Sorry guys, with all the ship tease you can see where the rumor comes from, and like many of you I certainly wish it were true, but I can’t find any evidence to support there ever being an actual plan for this.

This has been silly post on a topic I enjoy. Maybe you enjoyed it as well!

(P.S: if anyone DOES have a translations for the art pages or can read what they say, please hit me up!)   

#persona 4 #p4 #p4u #p4a #persona #ryotaro dojima #persona 4 yosuke #yosuke hanamura #p4 yukiko #yukiko amagi #nanako dojima #p4 kanji #kanji tatsumi #naoto shirogane

[sohotthateveryonedied]

Hiii!! I really love your tumblr posts and I'm pretty new to the Batfam (meaning I have only read fics and textposts about them, no comics) and I wanted to ask about the year Bruce/Batman gets "lost in time". I know general things of what the kids have been doing–Dick became batman and fired Tim from robin, giving it to Damian, everyone thinking Tim was crazy for believing Bruce was alive, (don't really know what Jason was up to though, was he still murderous towards Tim? Does the pit still affect him? Also I have no idea about Cass and Duke, were they introduced at this point??) Anyways, my real question was why was Bruce lost in time, what villain put him there? And how did he get out? And how long was he "dead"? Was Bruce in another reality or like just asleep the whole time? Oh! And how soon did this happen after Damian got introduced to the family–a couple months?

I'm so sorry this is so long, but I hope you answer and thank you!!

(I’m going to try and cover all my bases here by going into how exactly Bruce “died,” what went down during the Battle For the Cowl, what the Batkids did while Bruce was gone, and how Bruce came back. Hopefully it all makes sense?? We’ll see how it goes lmao.)

Part 1 - What Happened to Bruce:

So there was this event called Final Crisis (which I won’t go completely into since it would make this post a million times longer than it already is), but the bottom line is that Darkseid wants to overthrow reality and release his Anti-Life Equation, which would overthrow the whole planet and turn everyone into slaves. (If you’re interested in knowing more about the storyline, here’s a Reddit thread that explains it WAY better than I could.) 

What I CAN tell you is that during his final confrontation with Darkseid, Bruce is hit by an Omega Beam and turned into a burnt chicken nugget killed. Poor guy.

Final Crisis #6

Clark and Diana bring the body back to the Batcave and break the news to the Batfamily. Batman #687 covers a good portion of the aftermath such as Bruce’s funeral, the Batfamily grieving, and Dick coming to terms with his new responsibility of becoming Batman.

Batman #687

Part 2 - Battle For the Cowl: 

Musical chairs time, fellas! After word gets out that Batman is gone, Gotham erupts into chaos. Dick doesn’t want to take over the mantle, Tim needs Dick to take over the mantle, and Jason says “fuck it” and takes over the mantle himself because somebody around here has to. He becomes this murderous psychopathic Batman and starts taking out criminals with deadly force because someone’s gotta do the job, so it might as well be him.

Batman: Battle For the Cowl #1

(Okay honestly, this series had some pretty bad characterization overall, which sucks since it’s such an important storyline. Jason is portrayed as this violent psychopath, which...okay, he was kind of insane after the Pit and all, but not to this degree. Personally, I choose to owe the bad characterization to Bruce’s death because as much as Jason resents Bruce for all he’s done, he does still love him and losing him would be devastating, which would exacerbate his already fragile mental health. As for Damian, this happens roughly three years after his first appearance, so we can assume it’s been a few months since he first joined the family. He’s still relatively new at this point, so nobody knows how to write him yet. He ends up being depicted as if his main two personality traits are Bratty and Assassin-Child and that’s it. It’s all just a mess.)

Anyway, Tim tells Dick to become Batman and stop Jason’s reign of terror. Dick says no, so Tim follows Jason’s lead by saying “fuck it” and putting on the cowl himself. He goes to confront Jason, which ends in Jason beating the crap out of him (again) and leaving him for dead after Tim declines his offer to become Jason’s Robin. Dick goes to save Tim and ends up fighting Jason. 

Battle For the Cowl #3

Dick wins, Jason disappears, Tim is fine, and Dick finally gets his head out of his ass and becomes Batman. 

Part 3 - What Happens to Each Batkid While Bruce is “Dead”?:

Dick: 

As I said, Dick becomes the new Batman a month after Bruce’s death. He’s got big shoes to fill, and it takes some time for him to get used to his new role. He and Damian end up flipping around the classic Batman and Robin dynamic, with Batman now as the fun counterpart to Robin’s edginess. Dick, Damian, and Alfred relocate to the penthouse above the Wayne Foundation building, operating out of a secret Bat-Bunker in the basement.

Batman #688

Jason: 

After Battle For the Cowl, Jason is still batshit insane and determined to make Dick’s already stressful life even harder by becoming a supervillain with an ugly costume and an even uglier hairstyle. (I know it’s just because the artist sucked, but still. Jason is horrifying to look at during this time.) He mostly just gets on Dick’s nerves by running around Gotham with his new sidekick Scarlet and killing criminals as Batman and Robin wannabes. Eventually, Dick has Jason committed to Arkham Asylum and he hangs out there until Bruce returns.

Batman and Robin (2009) #5

Tim: 

Tim...doesn’t do great after Bruce’s death, mentally. Dick makes Damian Robin, his reasoning being that Robin is more of a sidekick and he sees Tim as his equal. By making Damian Robin, Dick hopes that it will give him the stability he needs to keep him from straying back toward the “bad” side. (It’s the right move ultimately, although his execution was pretty messed up since he didn’t discuss it with Tim beforehand, but he’s allowed to make mistakes. Dick’s father just died and now he’s in charge of picking up the pieces of their broken family. It’s a lot to handle.) 

Long story short, Tim has a breakdown, realizes that Bruce is alive, dons the Red Robin identity, and cuts ties with his family to travel the world in search of proof. It’s a rough time. 

Red Robin #1

Damian: 

Our little guy becomes Robin! So proud of him! As I explained earlier, Dick makes Damian his Robin with the assumption that it will keep him out of trouble, and he’s right on that account. He mentors Damian, teaching him how to channel his violent instincts into something productive, and it works! Slowly but surely, Damian makes the transition from bratty assassin to actual hero!

Batman and Robin (2009) #22

Cass:

Duke sadly was not introduced at this point in time, so he missed out on all the pandemonium. Cass, however, has been Batgirl for years by now, but she got kind of pushed aside by the writers after Bruce’s death. Bruce disappears shortly after adopting Cass, but once he was “dead,” the writers sort of moved Cass around for a while, not quite knowing what to do with her. First she was with the Outsiders. Then they got disbanded and Cass tried forming a new network of heroes to take over for Batman if needed. Then she helped out in said network during Battle for the Cowl, taking care of a newly ravaged Gotham. Then Cass gave the Batgirl mantle to Stephanie Brown after she became disillusioned with the role, thanks to the loss of her father and mentor. Then Cass picked up and moved to Hong Kong to “follow Bruce’s plans” by continuing whatever work he had set up for her there. It was all very vague and confusing, and Cass more or less got swept under the rug during this time. Thanks, writers.

Batgirl (2009) #1

Part 4 - How Bruce Came Back: 

When the Blackest Night storyline happens, the Justice League realizes that the corpse buried under Bruce’s grave is apparently not the real one and that he’s actually alive out there somewhere! How wild is that! This is further proven by Dick after he places Bruce’s body in a Lazarus Pit to revive, which has the same result because it’s very clearly Not Bruce and they should have listened to Tim from the start.

Batman and Robin (2009) #9

Anyway, what actually happened is that the Omega Beams that Darkseid shot at Bruce didn’t kill him, but rather blasted him back through time to the prehistoric era with his memories wiped. The Omega Energy inside of Bruce ends up catapulting him through various time periods, which is all part of Darkseid’s plan. With each time-hop, Bruce builds up more Omega Energy in his body which, when he gets back to his original time period, will be unleashed and destroy everything.

Batman: The Return of Bruce Wayne #5

It’s been a little under two years since Final Crisis, though in-universe it’s uncertain exactly how long Bruce has been “dead.” We can assume it’s been a year, give or take. The way he comes back is too scientific and complicated for me to understand, so uhhhh the bottom line is that Tim and a few Leaguers save Bruce at the Vanishing Point and the day is saved! Hooray! 

Batman: The Return of Bruce Wayne #6

(If you want to read about how it actually goes down, then I seriously recommend reading Batman: The Return of Bruce Wayne. It’s only six issues, so it’s a quick read and it explains the situation far better than I ever could.)

Bruce eventually reunites with his family after spying on them for a period of time as Insider to see what has changed in his absence:

Bruce Wayne: The Road Home

After that, things quickly settle back into their new normal. Dick and Damian stay on as Batman and Robin. Bruce goes back to being Batman as well, with him handling Batman Incorporated business and Dick continuing as Gotham’s defender. Tim keeps the Red Robin outfit, Steph stays on as Batgirl, and Cass becomes Black Bat. Jason stays in Arkham for a while before filing an appeal to be moved to a regular prison. He kills 82 inmates in less than a week and gets transferred back to Arkham, which he promptly escapes from. It’s a ride, I tell ya.

Aaaaand that’s about it! I hope this answered all of your questions!

#lay it on me papa bob #batman #bruce wayne #batfamily #batfam #dick grayson #nightwing #damian wayne #robin #jason todd #red hood #tim drake #red robin #idiot duckboy #cassandra cain #black bat #batgirl #stephanie brown #alfred pennyworth #darkseid #final crisis #battle for the cowl #dc comics #batman and robin #soho reads comics #get your comic references kids

[omegafan101]

Alright fuck it, I’m bored and I saw someone say Omega was a bland character but it was on a 5 month old Reddit post so I therefore could not bring myself to comment on it. So fuck it here’s an Omega character analysis type thing.

Omega is not a simple, violent, emotionless, metal husk like a lot of people think he is, he certainly has less character than Gamma but that’s another topic.

Truthfully, yes, Omega’s personality is largely centered around his absolute bloodlust. But even that has more character to it than just violence. In the games it’s not just violence for violence, it’s an anger fueled vengeance quest against his creator and everything he’s made. The Archie comics actually made his thirst for blood even better by making him more of a comic relief who practically fell in love with Blaze because of how dangerous her flames were. Not to mention that version of Omega has Gamma’s transferred memories and emotions.

Beyond that though, this point cannot be stated more with how much Sega denies it these day, Team Dark are friends! Yes, even Omega! Case in point, at the beginning of Heroes Omega sees his team mates as nothing more than a means to an end, they are there to help him find Eggman and destroy him, he even has a voice line in team battles after Shadow and Rouge die where he says “That’s a load off my back.”

However by the end of the game his views of them has clearly changed, which is evident from one scene at the end of Team Dark’s story. In the scene, Rouge and Omega find a room filled with Shadow androids, which Omega is preparing to destroy. Rouge breaks the news to him that Shadow is dead and is more than likely also an android, and instead of making any regard of Shadow’s status as a rebellious robot, he instead rationalizes it that the androids must be clones, and the original must be somewhere. He ends up being right but in the moment it comes across both as a sort of comfort to Rouge and a reasoning for him to not have to destroy Shadow, because he sees him as a friend.

Omega is only in two missions in Shadow the Hedgehog, but he’s involved in the plot line of Shadow learning and coming to terms with the fact he’s an android, which ends up being a lie anyway. The very first thing he asks Shadow is “Are you the original.” He wants to destroy the androids, but he doesn’t want to risk hurting his friend. And even when Omega does find out Shadow is one of Eggman’s creations he doesn’t destroy him.

And finally what I think is Omega’s best characterization, ironically is comes from Sonic ‘06. The very first thing Omega does, upon learning Shadow is in trouble, is go into standby mode for well over a hundred years to essentially brute force time travel and save him. People can say he did this because it was a mission from Rouge, but no, Omega is not one to just blindly take orders, especially not ones that would directly impede his destruction of the Eggman Empire. He only does this because it was a request from a friend to save another friend. But my absolute favorite Omega scene comes from when Mephiles reveals that, years from now, Omega will defeat Shadow and seal him away. Omega doesn’t just continue shooting Mephiles, he takes time to think, and then in a fit of rage switches to his machine guns and rips Mephiles a new one. After Mephiles is gone, Omega shows the most emotion ever even with his monotone voice, by seeming genuinely upset as he breaks the news to Shadow. Hell, even in the final story Omega shows sadness when everyone learns Sonic is dead.

If anyone tries to tell me Omega doesn’t care about Shadow and Rouge again I’ll scream.

There’s even something to be said about Omega as a foil to Gamma. Many people compare them as they’re both the red E-100 series robot turned friend, but they have little in common otherwise. Gamma goes down the sort of Iron Giant path. The gun that doesn’t want to be a gun. He goes on a quest to free his brothers from their prisons and even considers killing himself to free the bird inside before Beta does it for him. Omega meanwhile is the antithesis to everything Gamma was. Omega knows full well that he is a violent weapon, and he loves it. If the two ever met as allies, and not as enemies like in Archie, they still would not get along, their ideals oppose each other directly. And I think that is so interesting.

TLDR Omega is a fun character who actually has a personality and cares about his friends don’t @ me.

#sonic the hedgehog #e-123 omega #e-102 gamma #long #analysis #character analysis #Sonic Heroes #sonic 06 #shadow the hedgehog

[sanoiro]

Lucifer 5x09 - Family Dinner -Spoilers & Speculation

Written by Joe Henderson

Directed by Nathan Hope

Nathan Hope has directed

1x02 - Lucifer, Stay. Good Devil 1x13 - Take Me Back to Hell 2x01 - Everything's Coming Up Lucifer 2x07 - Trip to Stabby Town  2x10 - Quid Pro Ho 3x05 - Welcome Back, Charlotte Richards 3x19 - Orange Is the New Maze 5x07 - Our Mojo He will also direct Episode 2 or 3 of S6

Behind The Scenes Video 

Ignore the fact that I accidentally watermarked it with the number 519... 

The Case & Deckerstar

Now we can start with the case of the week.

The murder happens at Golf n Stuff which is rather popular due to the scenes that were shot there for The Karate Kid. Rafferty was actually giddy over that.

So we have a murder. After over 70 episodes we know that the case of the week is somehow connected to the main plot and that it leads to a resolving of Lucifer’s issues or at least a small or big breakthrough.

The victim in this case was burned to death or at least he was… charred. A bit like how Mum ‘enlightened’ Jared in 2x17 but worse.

(In order to make sure most bts are included I have put them in the same file in their original resolution and you need to open the image and zoom. You can do it from your PC, MAC or mobile)

The mini golf has several fun statues like knights and pirates but what was not supposed to be there was the figure at the hole where nearby the victim was found. To be more You might have guessed it has many teeth by the photo and the answer is, it’s a reddish dragon head.

Back in December I came across the props building it and I thought it was cool but I wasn’t aware it was for Lucifer as the account is not affiliated with our crew or production. So imagine my surprise when a friend told me about what she had seen on the lot and going through the archived bts I found the victim photo as well.

You may have noticed it but in two particular episodes more dragons made their appearance. First it was at the second showrunner’s office in 503. There we see a dragon impelled by a sword, it seemed really out of place but I then correlated it with Baphament’s blade which is a representation of Azrael’s blade.

Later on I saw something else. In 508 Pete’s apartment had shelves dedicated to dragon figures as well as some knights. All along I was wondering can I even meta about that? What can it symbolise if it means anything at all? For some reason all I could think was the movie ‘Dragonheart’.

But let’s assume they have laid some hints, so far we have seen that they go very basic on bible and comic material so it’s funny how dragon-like Lucifer was presented in Series 3 of the black label of DC/ vertigo. But there are also more tidbits.

Now in 1x12 you all remember the Angel who was defeating a very Lucifer-looking Satan?

That was a prop. But it is derived by the work of Guido Reni ‘Michael and Satan’ (1636) Who was in turn influenced by Raphael’s painting ‘St. Michael Vanquishing Satan’ (1518) and if we go to Raphael’s early works... St. Michael (1504-1505)

Anyways!

The investigation of this ‘week’s’ case has its usual suspect chase which leads us to an arcade where we can spot some members of the crew doing rounds with the go-carts on that location. What I do know is that we are looking for someone young as far as guest posts go but other than that not much is known. The case seems to be progressing slowly but at some point the murderer appears to want to skip town so the leads bring us to L.A.’s train Union Station.

We also have scenes at the precinct during the case as we have seen from Aimee’s bts but not much is known there. 

Now the suspect might be played by the elusive guest of this episode John Clover whose appearance was posted on Reddit and had sparked the first speculations over the title of the episode.

We should now wonder whether the theme of this episode’s case which takes us to gaming areas has anything to do with how Lucifer views his Father’s appearance in the mid-season finale and whether it will provide him with a resolution to not act in a rush way. The same after all happened with Mum.

Do not forget that Lucifer in Season 2 and especially at the beginning with Mum and when he thought Earl Johnson was his Father, Lucifer’s plans changed as his vengeance turned to a slow paced questioning over why their relationship deteriorated. 

For an Angel who was ‘forced’ - not yet clarified so let’s not take that for granted- to punish the guilty Lucifer seems to be more merciful, understanding and open to explanations in the long run especially with the people who wronged him. Amenadiel, Michael, Uriel, Azrael, Mum, and Earl ‘God’ Johnson.

As Amenadiel said in the Pilot Lucifer away from Hell showed restrain and mercy… Perhaps it is true that we cannot escape from what we truly are. In any case that’s meta talk!

Back to the Union Station. 

In the train station we have a bts where we can see Chloe and Lucifer chasing the suspect and from the photos and videos outside of it we can safely say they are successful on apprehending the murderer.

Now a funny incident was that during the shooting the area was closed to the actual travelers but somehow a Japanese tourist ended up sitting where the background actors were. No idea if it was her Pizza or it was given by the craft service but the girl was obviously bewildered on what was happening. It’s the little absurdities of life I guess…

It seems though as a lighthearted episode at first...

Do not be mistaken, the writers, cast and showrunners have revealed that in S5P2 we enter the emotional and equally dark (In P1 I missed the darkness aside from Pete of course) part of this season. It means that by the end of 5x09 as we roll on the last minutes of this episode, Lucifer is heavily conflicted and a resolution is needed, one that seems to be somewhat provided.

Since P1 I thought it would be weird to have Deckerstar break up for effect, in order to break us, especially since S5 was supposed to be the last season and S6 is effectively from what they imply (again cast and showrunners) an epilogue. So do not expect Deckerstar to break up but on the contrary as we saw Lucifer and Chloe in 507 they pull each other back up. 

It is why I’m wondering what will be unraveled after the arrest of 5x09’s murderer.

The end of the episode takes us at night to L.A.’s Grand Park. The Grand Park is across the City Hall by the way, and for the Christmas season it was decorated with a Christmas tree made out of light bulbs.

In the bts the prominent colour of that tree is deep lilac. That’s where our next Deckerstar moment will unravel. We should also be ready for the Lucifer Universe to acknowledge yet another holiday of the human world, Christmas!

A tiny break here but you should remember that on each side of the elevator we have two bronze plates depicting the transfer of Christ after he was taken down dead from the Cross. So in the most discrete of ways Lucifer’s Universe has acknowledged Christ and perhaps it was because before the Sumerian text set Amenadiel as the favourite son, in Season 1 and for the majority of S2 we knew Lucifer as the favourite one.

On the cross Christ (no I didn’t write Lucifer at first :P) according to the scripts in a moment of lapsed faith “Father, Father why do you abandon me?”. In a way we might meta that for 516 but also for what Lucifer has experienced so far and has so eloquently expressed in 3x11 and in 1x09.  

But back to the Deckerstar moment…

It takes place on the ‘balcony’ above the fountain as the purple Christmas tree is behind them. The setting happens at night and provides the place for our characters to talk, to open up and perhaps even express certain fears but also be urged to take advantage of the current circumstances.

From my perspective is the scene of a couple that talks a difficult matter but at the end of that talk they know each has the other’s back so they can step forward, take that chance and their partner will always be there to catch them if they fall. It is also how we will experience Lucifer finally opening up without Linda probing him. But whatever comes forward also gives space to truths and a realisation which will break our Devil as we have seen from the bts of the next episodes.

We might even have an understanding why ‘I love you’s’ are difficult for Lucifer and for Chloe to also realise that. We might even get Lucifer to say it. Here is to hoping…

On a final note. Maze in this episode seems to have gone MIA but many times we do not see the bts of every scene so all we have is Lesley-Ann’s bts from her trailer during that time. Also do not forget how things ended in 508. Maze did betray Lucifer and with God on Earth... 

The Dinner

This episode is expected to open back to the precinct. The reason is because it is a mid-season finale which means that the in between scenes are not implied but also because of some spoilers we had back in December.

As you remember the actress who played officer Cacuzza had posted on Twitter that she and Lauren were in a ‘very small’ room which had just been painted. That room we can safely say is the ‘evidence room’ and that Cacuzza managed finally to find a way to close the surveillance in order to take a nap.

Now do remember that back in S4 Cacuzza was also the officer who let Lucifer ‘sample’ the drug busts… I’m not sure if that will come back somehow but we do know that Cacuzza will appear later this season, whether alive or not is yet to be seen.

What we do know is from the clues that were given by the actress.

1) She will be in the same room as Chloe meaning we will revisit the evidence room once Dad arrives and perhaps it will be a comic moment? Perhaps a random human will figure things out? But what was interesting is that according to the bts photo we see the actress and Lauren in their own clothes while Dennis is in his ‘Dad/God’ clothes.

2) Both Chloe and Officer Cacuzza were supposed to act distressed and shaken. If we take the ‘I love you’ element from that scene for Chloe let’s remember that the evidence is suddenly a bit of a mess. A glass has broken, the sound and effect will be heard once the time has started running again and they are two cops in a room with no idea of what is happening outside. So perhaps the shaken and distressed effect comes before they open the door (or walk out) and are sure there is no imminent threat.

3) In my opinion in this episode Cacuzza has some lines no matter how brief they might be.

Now the question here is how to proceed.

We obviously have a Family Dinner from which only two bts exist. 

If we assume that the Family Dinner is arranged after the brothers have hid their wings and then Dad has met Linda then the dinner is set up by a very flabbergasted Linda.

I do expect Linda to bow by the way and for this dinner to bring some elements from 1x10 Pops. For this speculation I’ll include the video of the scene from that episode and I’ll try to tie them up with 5x09.

All the episodes in P2 are meant to do a full circle and the writers have based most of their storytelling on the events of S1 and S2.

So first the spoilers of what we know from 5x09 and then the ties we may find with 1x10 and some more past episodes.  

The 11 minutes are quite long but is it really all things concerning? 

Henderson tweeted that there will be 5 actors but as we know know Ellis plays two characters which is why the dinner scene may have taken three days to shoot so we should count six people at the Dinner Table.

The location will be (most probably) at Linda’s house as we have seen from a bts that her main table is full of different varieties of fruits and food in an attempt to recreate an Olympian affluent meal. For Linda is only normal to be out of her element and try to impress God. So far she has been almost killed by his ex, has a child that can be snatched away to the Silver City if she is not deemed worthy perhaps or even because of Charlie’s half genetic code.

Remember there was a stand in actor for Michael 

The problem Linda also faces is that she has supported Lucifer. Yes, he is her friend but how will God react to that? Having a human siding with His rebellious son? Linda as it has been written knows how far pissed off celestials can go and I’m sure she remembers Lucifer’s agony and fear over his Father where Chloe was concerned. So she tries, really tries to present a wonderful setting for the grandfather of her child.

So we do have Linda in the mix. Obviously God, Amenadiel, Lucifer and Michael. That makes us five characters and four actors. Little Charlie also makes an appearance as far as I’m aware as the twin babies were on set and that also contributes on why the scene took so long to be shot. However the babies do not count as the sixth character. Chloe though does.

In short we have:

Linda

God/Dad

Amenadiel

Lucifer

Michael

Chloe

and

Charlie

Another thing we should take into account for this scene is Rafferty’s posted script page of the midseason finale.

While Amenadiel and Lucifer appear shocked and in awe, Michael seems rather pleased. I mean he literally ‘Grins with excitement’.

Amenadiel in 5x03 said that the only one who was talking to the throne meanwhile Henderson as far as I remember in one of the post P1 interviews, revealed that God and Michael have a relationship that Lucifer wishes he had with Him. D.B on one of the virtual cons (or ET interview. I have issues with keeping track of them now) have said that the scene at the family dinner would be gut wrenching and absolutely fall down hilarious’.

So in this dinner we will get to know our characters more and as Ildy and Henderson have said Lucifer will go back being a 14 year old at the Thanksgiving table. That perhaps is the reason why the script episodes 510 and 511were reversed. The last time that had happened was in S1 in order for Lucifer’s vulnerability to not come too soon in the season. In the case of these two episodes I believe it has to do with Lucifer’s emotional state but also the constant collisions he will have with his father in the Family Dinner but also during the Musical episode.

Another aspect to consider is that if 5x09 reminds us a lot of 1x10 -Pops right now and 5x10 the Musical episode is directly influenced by 2x16 - God Johnson.

The next section will now be dedicated to a quick recap of 1x10 - Pops and the possible connection to Michael and his story.

Michael in 5x09 teases Chloe as she is kept captive that there is a bigger plan and ‘Spoiler Alert’ it will be EPIC. That can be left alone as a promise to see more of that plan in S5P2 but before we go forward we should also go back in 2x04 - Weaponiser.

Do you see the parallel? How far Uriel’s view of the ‘Patterns’ could go was always a meta I couldn’t crack. Sure Michael hinted as per one Anon hinted on Tumblr that Michael might have been the one to urge Uriel on Earth to kill Mum and hopefully Lucifer as well. It is also perhaps why we were reminded of Azrael’s Blade in 5x03 - Diablo with Baphament’s blade, the only blade that could kill the Devil. Perhaps that was Michael’s plan back then but it didn’t work out.

But is Michael the big villain? According to the showrunners no. There are more things happening but Michael has a reasoning, has a story, one that explains his deformity and is the hero of his own story as all  the other season ‘villains’ so far were. Mum, Amenadiel, Malcolm, Kinley, even Cain.

What the Interviews say about Michael:

Beginning with the parallel between the dinner we had in 1x10’s dinner and plot, and in what may have in episode 5x09 I would like to remind you- 

- at this point I have censored some spoilers, not speculations, spoilers for episodes of P2 that will not be added in the S&S -

I’ll return to this topic and explore it thoroughly as the S&S are written but for now remember that 1x10 might tell us more than what we think right now and it might take us as a point of reference even up to 5x16.

Between 1x10 and 5x09 we can also wonder what are God’s intentions, can we attribute them all to Michael’s manipulation or it goes beyond that because the showrunners have promised us an emotional P2. I do believe issues are addressed and Lucifer will have to come face to face with some hard truths without that meaning that Dad was always right.

In the Pilot - wait.. Pilot? Yes, 5x09 is an episode that slowly builds us to the very end. There are spoilers and references that need to be addressed from past and future episodes before and after 5x09.

We need to address that in the Pilot, Lucifer told Delilah the very truth he uttered to Linda where he was concerned in S4 (4x08). God has nothing to do with your mess. Like Delilah, Lucifer was putting the blame to others, circumstances and even questioned God. He was wasting his eternal life and his talent, which he eventually found in crime solving.

On cue we get to the scene with Chloe asking God what she is doing to a bar with Lucifer. And what follows is Chloe telling Lucifer how she saw things differently from everyone and she paid for it. That story for me at least rings a bell.

We still do not know why Lucifer was cast out, the actual reason. No matter the sexescapeding with Eve or the rebellion what was the core of all that acting out as Linda called it in season 2? Whatever it was if we go back to 3x11 we will see that Chloe in the Pilot is basically Lucifer in 3x11.

They feel alone, misjudged and while Chloe tries to move on and later in S1 finds what actually happened, in Lucifer’s case he gives up on waiting for forgiveness from his Father until Michael comes, and tells him that even his Fall was a manipulation.

In Pops Lucifer asked something very interesting what did the sous chef wanted? And the answer was to surpass Pops. I do wonder if that’s what Lucifer wanted in a way and of course Michael on Lucifer’s expense. Two ‘children’ fighting for attention but only one was groomed to take over.

Speaking of taking over at the end of the episode of 1x10 we learn that Pops despite what Junior had done still had his son in his mind for taking over the restaurant. Pops believed in his son but allowed him space to grow eventually when everything failed.

If you remember Zadkiel’s spoiler we see that in 5x15 for some reason Lucifer wants to re-join the Host. That aside from a reconciliation shows that like Junior, Lucifer for his own reasons - we do not know what has happened but we will go back to that in the S&S of 5x15 - wants what divine power has to offer.

What happens next is again interesting -censored-. I just want you to see how we do not deal with standalones but everything progresses towards a point, a familiar yet innovative point for the series.

In episode 2x01, Lucifer asks mockingly an offended Chloe who did she thought he took after, his Dad? That happened because Lucifer believed to have taken more after his mother but as we know genetics is a funny thing, Celestial genetics even more so.

God’s absence from Lucifer’s life shaped him. He did drove Lucifer to become something he wasn’t but after 4.5 seasons can we claim that Lucifer and God are nothing alike? 

Maze I believe was spot on on the similarities God and Lucifer held.

Lucifer believes in justice, in truth and is able to love. He has been more of an Angel than any non fallen Angel has ever been so far. 

Amenadiel tricked a dead human to kill Lucifer thus condemning him again in Hell however as we know from Charlotte’s case a redemption was not impossible. 

Uriel wanted to kill his mother and wouldn’t hesitate to kill Chloe in the process. Azrael is basically a liar and manipulator, Remiel would gleefully cut open a human for their half-celestial baby while Michael is really-really messed up.

So what has happened?

Like with Junior, Lucifer was pushed by his Father to become the man he is today. And Lucifer likes what he is, who he is because he sees the change and is even afraid of not being real when that change is questioned or exposed to him.

The same happened with Amenadiel, once he decided to embrace humanity and brotherhood. He changed for the better and became more ‘angelic’.

So yes, Junior’s story does apply to Lucifer on many levels. But Junior didn’t have that dinner with his Father, Lucifer will as they will do two more of his siblings. Some will be hurt, some will feel betrayed and some may walk out.

Which brings us to a very big question. 

Was Mum truthful when she said to Lucifer, his Dad wanted to destroy him? If the answer is yes, how will both deal with that? Because Lucifer may have not totally believed Mum.

If that answer comes to play we should consider it as the common question children come forward to when they learn they were not planned or their parents had opted at first to have an abortion. The fact that they didn’t get on with the abortion or had willingly made a child does affect their feelings towards that child now? Do they regret it? Do they want what that child has become?

These are all tough questions and sometimes the answers are not easy either. Mainly because humans like celestials with human emotions as it seems, are secure and balanced only with the totality of a circumstance. Everything or nothing, the rest in between are not welcome and it’s bound to hurt.

Finally, on this 1x10 weird reminisce. Can we say that Lucifer will be allowed in the end to create something that represents him? I think he may but more about that in 5x16 S&S.

Probably the story will not end with redemption but with Lucifer finally becoming his own person one that resembles a lot of Dad and Dad may accept or even encourage that path. That does not mean he will start anew though

Which brings us back to the adversary of 1x10 - Pops. The sous chef believed that Junior was not worthy of his father’s tolerance and reward so she made sure to destroy his reputation and went as far as trying to kill him. That sounds a lot like Michael.

Michael’s speech towards Maze about what was happening in the Silver City in 5x02 did echo the sous chef words:

So we should wonder if Michael will succeed to a point to ruin Lucifer’s chances and leave Lucifer live with the consequences in the end as our hero learns to move on from whatever injustice happened or the writers will provide a catharsis.

And a final question here… Is Amenadiel really the favourite son? I somehow doubt that, perhaps I’ll be proved wrong as in many interviews Henderson has gone back to Amenadiel’s arc as he learns he is the ‘favourite’ and so far he has not said anything to contradict the belief 2x17 brought to us with so many translated Sumerian words.

But as we said teh Dinner will not be cathartic on the contrary so does that mean that Lucifer eventually walks away? Probably.

At the photos that were posted near Christmas we have two bts one crystal clear and the other more hazy which shows Lucifer at the Penthouse and Dad being there in his white cardigan. I do suspect that meeting at the penthouse happens after the dinner but it does not resolve things between Father and son. it is also possible that it’s why we need the very emotional scene from the musical to be moved forward and 511 script to become 5x10 aired episode.

Perhaps the comment on it’s not just Lucifer who hits the keys was referring to Dad and not Maze in 5x01.

Although we cannot be sure on what will happen in the penthouse and whether Scarlet was meant to join that scene or simply was on set for the day (highly probable) for another scene, we do know that in this episode we had a LUX night. A most perhaps unconventional one.

By this point you know that the writers are ready to address everything or at least make parallels and so somehow we have one with 1x09 - A Priest Walks Into A Bar. This time however it is seems like God Walks Into His Son’s Bar.

If the camera is clear enough we can see God (?) talking to a white person. I would have loved it if it was Dan but I cannot tell for sure.

Whether that visit happens before or after the family dinner I believe it may happen before as the clothes Dennis wore at the lot around that time were different from the white we saw him appear with in the end of 5x08. Of course that does not say much as we will see Dad in the same/similar white clothes in at least three different episodes in Part 2.

Therefore in the conclusion of this S&S we should speculate that the Dinner is placed at the middle of the episode and a resolution is reached for Deckerstar in the end of the episode but Lucifer’s turmoil did fit better through the musical episode hence the change. 

#lucifer season 5 #lucifer season 5 part 2 #lucifer S5p2 #Lucifer - Family Dinner #Family Dinner #Lucifer spoilers #lucifer speculation #lucifer S&S

[thanatophobia-thoughts]

Some of my wind has returned to me, so to speak, for working on this blog. Not that I’ve stopped, as all of those following can tell, nor will I soon be returning to 4 original posts each day – 3 is enough, with one reblog to bring up old information. In fact, that is part of the discussion for today, in a way.

Returning to work has allowed me to return to my love of reading, and while today I will be going to get the new Junji Ito manga (Sensor – I write this on 8/17/21), I have been working my way through the Masters of Rome series by Colleen McCullough.  

I’ve suggested reading autobiographies and diaries, and that suggestion doesn’t change.

What I’d now like to suggest are reading stories – fictional or historical, or that strange mix of both – that carry over the lives of multiple people.

The only way I can think to explain that, is to use my current example. The series begins with telling the stories of Gaius Marius and Sulla, two men who set in motion dramatic changes for historical Rome. It goes through to their deaths (along with a host of other side characters), into the life of Julius Caesar, Mark Antony, and Gaius Octavius – the future Augustus. I’m only on the 4th book right now, but I have already observed an entire generation die off.

My beloved Sulla, the ever-graceful Julia wife of Marius, and of course, Marius himself, are all gone. Their impact continues to be mentioned, to be remembered, but with every book it fades. Even that of Servilia (mother of Brutus), who as a child was terribly impacted by her mother’s adultery, seems to recognize that influence less and less. She has more influences, more nuances, to her life.

And these, too, will fade. Octavius is not yet born, but hinted at in Caesar noting he should find a husband for Atia, mother of Octavius. This will circle back. Another generation will fall, and another rise.

I do not believe this is a common occurrence in series; they tend to focus on one set of characters, and do not show the progression to the rise of others. A Song of Ice and Fire may get close to that, one day, but as of yet I cannot say if it will; nor can I suggest it for such reading as the series is not yet complete.

Masters of Rome is the only series I am familiar with that does this, though I have never sought it out as a thing before. I imagine it may be more common in historical fiction than it is in other genres.

The only other I can think of that may do this (I have not read it so I cannot confirm) is Romance of the Three Kingdoms.

So my suggestion is, if you like history, find a period you enjoy that spans around 100 years, and see if there are any historical fiction written about it. Or, if you’re not into history, I’m certain there are sci-fi and fantasy stories that span generations.

Why do I make this suggestion?

Simply because I do not believe we are ever truly exposed to this. We know it occurs, as we know death occurs, but we are rarely involved in stories that go through multiple perspectives of changing generations and times. We certainly see it around us – my grandparents, my parents, and gradually, the children of friends (maybe my brother – who knows!), and perhaps even their children! We experience it, but I believe we are so close to it, that it often blinds us.  

This is a way to remove oneself from the narrative, and look at it through other eyes. Experience it, in a way we live. I feel Masters of Rome captures that. I know the names Nixon and Reagan, the way many in Rome may have known the names Sulla and Marius after a few decades went by – where to the people left who lived with them, they remain huge, notable! To someone like me? Not so much. In my time, I suppose it’ll be figures like Barack and Trump who stand high in my memory, as far as politics go.

Innovations in my mom’s time seem simply normal, or even outdated, like the VHS. Now we have Blu-ray and digital!

I do not think we truly experience multiple generations in the way a novel or even a show, can allow us to – all at once, quickly, and to thus be more keenly aware of the shifts because by our time our reckoning with it – a few hours, a few days, weeks, depending on how fast we read – is far shorter than the time changes occur through generations, which is years. It’s fresh. We wonder at how things are forgotten, so easily cast aside, when it happens all the time.

In a way, it brings us to confront that true horror of thanatophobia that many like to hide behind: that we are not truly dead until we are forgotten. Here we see forgetting even within the same, and next, generations.

Here, we see death. As normal. And here we see moving on, as normal. Here we see lives untouched by the tragedies of these earlier losses. Would my brother’s children, ever be impacted by the loss of great-grandparents they never knew? No. No more than I am, and of those, there is only my father’s grandfather I think I would have liked to know, because he saw something in my dad that my dad should have seen earlier.

Exposure to generational stories and the death inherent in them, the change inherent in them, I think is important. In some ways it is as comforting as it is terrible, because for those with loved ones they’ll leave behind, it shows how families can grow and flourish and be happy after losses. It shows that “moving on”.

I browsed a Reddit thread for ideas (https://www.reddit.com/r/booksuggestions/comments/wdy5f/can_anyone_suggest_fiction_novels_that_span_over/), and so I am including these thoughts as well:

One Hundred Years of Solitude by Gabriel Garcia

East of Eden by John Steinbeck

Roots by Alex Haley

House of the Spirits by Isabel Allende

Kane and Abel by Jeffrey Archer (a part of a series followed by The Prodigal Daughter)

The Mists of Avalon by Marion Bradley

The Sackett series by Louis L’amour

The Tale of Genji by Murasaki Shikibu

Some of these look quite promising, so hopefully some will appeal. If there are other ideas, I certainly welcome reblogs with contributions!

#death anxiety #death anxiety talk #book recommendation #book recommendations #masters of rome #colleen mccullough #historical fiction #thanatophobia

[ragnarokshela]

cant wait for the new wanda vision episode. i cant believe so much got leaked though.... maybe it was done purposely to keep us wanting to watch?? i’m not sure but something doesn’t sit right with me especially because in interviews paul bettany didn’t reveal much and i feel like all marvel actors are very discreet when answering questions.... i just can’t believe that stuff could get leaked to this extent🤔🤔still looking forward to how stuff plays out!!

SPOILER ALERT 🚨!!!!

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the wiccan theory seems to be a big one and by the looks of it, i’m believing it’s going to happen. guessing agnes will be the witch (she has dark hair in the trailer when she’s laughing but this could just be for halloween??so maybe they’re tricking us) but she didn’t seem to have an id on the sword board which leads me to believe she didn’t exist in the town beforehand. if mesphito is to return soon my guess would be she’s his partner and they could play on him being wandas father if they can’t get magneto? (i would not like to see a new actor as magneto definitely)

evan peters is actually now on the cast list when you type wandavision into google so i don’t think this is a spoiler anymore. quicksilver is now confirmed to appear.... but are the x men going to have a bigger role to play in the multiverse? personally i would love to see magneto return (i would love to see either mckellan or fassbender reprise the role) but just how is this going to go down? how are they going to introduce this huge character into a tv show with only a few episodes?

this leads me to believe (and after going on reddit and seeing many think the same thing) that there will be a big x men character in doctor strange MoM. the first person to come to my mind who would be likely to feature would be wolverine but by the ending of logan this couldn’t possible happen right? well the multiverse is essentially going to be fu*ked up so doctor strange can come across anyone. literally anyone.... another person i would think could possibly feature along side him out of the x men would be storm. i find her very powerful and pretty much closer to stranges level when it comes to abilities and professionalism if that makes sense?

wandavision takes place after endgame so straight after that she must have retreated to this town she’s created. she’s probably trying to get over visions death but i’m pretty sure she could “resurrect” him. she is powered from an infinity stone and so is vision. so surely she could bring life back in to him if that works. she’s extremely powerful so of course anything has possible right now. but i see a lot of people questioning that the villain of the show is simply wanda. the shoe fits when we come to think about it. she’s pretty delusional as she’s literally created a town for her and her dead robot lover so who knows what she can do next? she threw monica out without hesitation so she is capable of making everything fit her narrative and her perfect world, just like a villain would do. they have an idea (like thanos) and they will do anything to see this idea happen.

wanda doesn’t want reality. she wants what she wants. she doesn’t care for what’s going on outside her bubble. but when she sees a dead vision does this make her see reality? is this how vision really looks and all along is he just laying there lifeless while she creates this image of him? it’s almost as if she is doing this for her own gain and happiness which is what a villain would prioritise. however being a fan of wanda this makes me not want to believe she’s a villain but just a misunderstood character who is left for us to interpret in our own ways.

also i cant be the only one who’s constantly wondering why is monica in this show? why is this link to captain marvel here? should we expect captain marvel to show up? or is this just simply marvels way of telling us they remember everything? we could go down a different route and question is this pointing towards monica’s mother maria who was mentioned and it was clearly stated she died from medical related issues. i guess the character of monica really interests me because i can’t help but question why her. but then this could just mean nothing. you know jsut becasue jimmy is from antman doesn’t mean we should expect to see him (or/and the wasp) in this show. or darcys appearance this doesn’t mean we should expect thor or loki or jane or professor erik. or is this what this means. i can imagine professor erik actually when i come to think of it. but writing my thoughts is creating way more questions that i had originally.

so this is all from me, if you read it, i appreciate it feel free to share your thoughts. i have many more questions and theories but this post wouldn’t end so i look forward to episode five. hopefully we gain answers but surely this will lead to more questions! again thank you if you read this possibly confusing text or whatever you would call it

#mcu #marvel #wandavison spoilers #wandavision #wanda maximoff #vision #vision x wanda #wandaviz

[gofancyninjaworld]

2020 in One-Punch Man. Part 1: Manga

How shall I describe this succinctly?

It's like ONE and Murata looked around them, saw a raging pandemic, massive disruption to all walks of life, uncertainty of when, if, or how it might affect them, took a massive drag of their cigarettes and said: “Fuck being conservative.  Let's go wild. Fuck making our current arc a webcomic retread with fancier fights.  Let's introduce more lore, let's have more characters interact in ways one would never have imagined, let's have characters do things that hadn't previously been thought of and make this really exciting.“

If you were holding onto the webcomic as your guide to what next, 2020 was not a good year for you. 

723 pages in 24 updates (including revisions) changed the status quo ante in deliciously unanticipated ways!

Where we left off in 2019, we were following the webcomic pretty faithfully, with most manga-original elements being removed at a fast clip.  Phoenixman was dead, the mercenaries had died a brutal death, the ninjas had been resurrected but had run off buck naked, Orochi was dead, G5 was very much destroyed, Drive Knight had appeared but had obligingly limped off, taking Nyan with him.  The S-Class heroes were in trouble with the cadre exactly as expected and Saitama had met up with Flashy Flash.  Tatsumaki had finally found Psykos. Yup, no real changes here.

2020, HAHA! 

Awaken!

Throwing manga-specific elements away? As if!   They took the great opportunity that preparing chapters for publication to critically review and revise the story so as to first, make it move at a faster pace and second, to be enriched.   It’s meant that chapters for volume 22, 23, and 24 (to come) have been redrawn to accommodate the changes and we got the benefit of many of them between April and August of this year.

We started with Phoenixman’s fight with Child Emperor.  It started innocuously enough with Phoenixman resurrecting, but then we got a much more interesting chunk of knowledge -- the existence of a metaphysical world modelled on one’s on psyche where the assault on Child Emperor’s sense of self took a much more existential nature. 

From a purely physical battle (and some nifty cool info about the Subterraneans) to an otherworldy battle happening in parallel with the physical battle:

It ended up a very interesting examination of Child Emperor’s character and his relationships with other heroes, as well as telling us something else freaky about Saitama’s ability to be anywhere he damn well wants to be.

Ah, and Phoenixman lives. Albeit as a little chick (for now).  He’ll probably be back, but not just yet.

The mercenaries were next.  They didn’t die.  Not because Amai Mask had a change of heart, but because Iaian listened to the niggling feeling in the pit of his stomach and turned his team mates around to intervene just in time. 

As you’d expect, trying to guide the mercenaries back to the safety of the surface has been an incredibly challenging ordeal for the disciples. It’s revealed much more about the way the disciples trust each other and lean on one another, and yet, when there was no option to do so, Iaian stepped up wonderfully to fight to save the mercenaries.

We’ve also learned something interesting about why mercenaries exist at all in a world supposedly at peace.  I look forward to seeing where this plot might go next.

Elsewhere,  we got to learn a little less about Puri Puri’s dancing and swimming lessons, but we got some really awesome nods to the mythical in Bakuma (the baku is a long-nosed creature formed out of all the bits left over after creation that eats dreams) and Electric Catfish Man’s sudden sense of doom is both reference to the way catfish are supposed to detect earthquakes and just damn cool. 

A monsterised exploitative business man taking the form of a demonic dream-eating monster that consumes weaker monsters so as to exploit their abilities is so appropriate on many levels (and unreasonably hot!).

Yes, Waganma does make it to the surface, along with Saitama and Child Emperor.  Saitama gets chased away by a Sekingar outraged that there’s a clueless hero just wandering aimlessly around.  Child Emperor goes back underground and I loved to death Waganma being pierced with remorse as he realises that the hero is going to go risk his life anyway.   He’s spoiled, but his keeping quiet came from a place of being a scared human being desperate to be saved  (a surprising number of fans did not like that -- they preferred to think of him as a psychopathic monster incapable of remorse).

Orochi still has a date with a gloved fist, but he’s getting to live a little longer than he did before.

Overall the story is tighter and there’s a lot more interest as well as future plot hooks than there were.  I’m interested in seeing how it gets tied up in the next volume sometime in 2021.

Reddit did not take it well.  Summary of discourse:

sorry not sorry, I lost patience around the 500th whiny post

Advance!

What about the new chapters we got?  Also here, ho ho ho, that status quo has gotten a good kicking!

Orochi came back.  Not the most surprising surprise in the world, given how carelessly Saitama punched him. Also not surprising that he came back stronger; Phoenixman had wonderfully demonstrated that monsters can bounce back from near-death situations much stronger.  But his form... such a disgusting, slimy, ever-shifting mass of tentacles and dragons, consuming all in its way led to the third craziest development: his fusion with Psykos to launch a new monster.

I’ll spare you the disgusting intermediate stages but the end result has been the birth of Psykos-Orochi and with that, what had been a total sweep for Tatsumaki turned into a much more dangerous enterprise where every mistake of hers got punished brutally.

Why is that only number three?  Because Tatsumaki raised up the entire base to try to encompass the whole monster (and it turns out that she was thinking far too small -- the monster had actually eaten large sections of City Z) and Psykos-Orochi uses the space to launch a beam so powerful that it literally cuts off part of the Earth itself.  It was a real I see it, but I don’t believe it moment.

if you didn’t spend a few seconds just staring in disbelief, you’re not paying attention. OMG.  Boy is the Earth in trouble.

Why is that only the second craziest thing?  Because of why this fusion monster was able to do as it did. ‘God’ doesn’t just go round looking like a semi-tangible being giving random homeless men magic powers.  Yup, the Earth really in in trouble if some supernatural being is smushing monsters together to make a stronger one and then granting it extra powers.   Just like that, the struggle has turned cosmic.

Tatsumaki trying to figure out how to fight back and save City Z from being swept away by a tsunami, save the heroes, and save the planet from further damage by the beams all at the same time was one of the most spectacular fights to date. 

As I said earlier, this monster has presented Tatsumaki with a real fight where the slightest mistake on her part leads to severe punishment.  She wound up in trouble when she underestimated how extensive the monster actually was and let up on twisting it too early, only to have it come right back and skewer her hands. 

Thankfully, Genos came in and saved her from that pinch, then held the monster at bay long enough for Tatsumaki to finish saving the strike team so she could give the monster her undivided attention.

Which is a very tame way of saying that that was an incredible development in capability.   That some of the fandom had trouble accepting (they suck). Watching their protests has been an exercise in special pleading.  They have no trouble understanding how Murata uses scale...until it came to accepting the size of the explosion resulting from Genos smacking away Psyko-Orochi’s execution beam then it had to be a fisheye lens (visibly incorrect, but who’s talking facts here?).   Have had no trouble understanding how Murata portrays escalation... until it came to accepting that Genos is strong then no, somehow the monster had to be weaker.   Have had no trouble with the freeze frame language that Murata uses to portray things happening at great speed... until it came to accepting that Genos could move really, really fast.   For some people, the new is only welcome when it confirms and validates preconceptions.  Anyway, that’s my rant done!

the most unlikely of partnerships and they’re still going despite having taken a hell of a battering since this scene

Guess who’s back?

We’ve also been seeing more heroes come back to the fray.  The emergence of the Tower of Doom acted as a clarion call to every hero around and able to move.  Metal Bat sneaked out of hospital to come running back.  Tank Top Master hitched a ride with Mumen Rider to go to City Z.  He intended to stick around and save people, but seeing how much wider scale the fight was,  he literally threw himself into battle. 

Drive Knight decided he literally had to have a piece of the action,  took up a ton of power from the nearest substation and came flying in to intercept a desperately escaping Psyko-Jet... ah, I didn’t say?  Yes, the monster turned into a machine to run away once hard-pressed.

And we finally got to see what Blast actually looks like, courtesy of a flashback of Amai Mask’s.   He definitely looks the part of a caped superhero and it’s little wonder he’s stuck in the imaginations of so many.   But now I’m even more interested in seeing what his deal is and what is he’s like now

The one thing we know for sure will be happening is that Garou will not be denied his destiny.   He’s coming.  But what else is happening?  Ah, that’s all in the air.

Bring on 2021!

#OPM #review #long #2020 #so much has happened #so much still to come #manga #Garou is coming BACK #13th #December #December 13th 2020 #so many incredible developments #Genos coming back far stronger than he's ever been and then hanging tough despite overdoing it #the unquestionable appearance of a meddling godlike entity #the Psykos-Orochi fusion and all its crazy permutations #the massive loss of life in Z-City: such an irony between heroes killing themselves to save a few individuals when mass death is all around #Not mentioned; Saitama Flash and their misadventures with Manako

[dragoler]

Embrace the Void - An Optimistic Outlook

This is a theory post about Hollow Knight and contains spoilers, so if you haven’t completed the game you should probably not read this post. This was originally posted to Reddit but i’m putting a copy here too. It is my belief that the Embrace the Void ending does not spell doom for Hallownest as is often believed, and here I want to present the evidence as to why. Much of this information will be common knowledge, but I've included it to support my greater point.

Firstly I want to establish that the Shade Lord (or Bill if you're so inclined) is indeed the Knight and not a dormant god or amalgamation. The ancient civilization that predates Hallownest is said to have worshiped no god, instead worshiping the void itself, taken from Lemm's comments on the Void Idol:

Inspired or mad, those ancient bugs. They devoted their worship to no lord, or power, or strength, but to the very darkness itself.

Lemm is not the most reliable of source, but this is supported by the Abyss statue that holds the void bowl when the Knight dream nails it before acquiring the Void Heart:

...Void... Power... Without unity...

Void here is considered a power, but without unity void becomes nothing more than a writhing pool of liquid with some very interesting properties. Now, I have seen it argued that void has a mind of it's own due to some of these properties, but the game actively tells us that it does not. The original description for the Hall of Gods reward statue depicting the Embrace the Void form used to read ‘Void Given Mind’, but ‘Mind’ was quickly changed to ‘Focus’ in a patch. This makes it clear that Team Cherry wants to avoid the association of void having a mind, at least when it comes to an ‘untarnished’ entity. So what causes that weird mind-like behavior? Well, lets talk about what it naturally does first. Void is naturally adverse to light, this is evidenced by a lore tablet found in the king's void workshop:

VOID, yours is the power opposed.

The king is a being of light, so it makes sense for him to consider it opposed to him. It is also evidenced by the lighthouse in the Abyss being used to suppress the void sea, preventing it from lashing out. Void also consumes soul, evidenced by the apparent need for the lighthouse keeper to be kept supplied with the stuff (though most bugs cannot utilize it for spells, if a bug were to become low on soul this may be a way to top up without the use of a hot spring), but also naturally shown by the Knight's capabilities (this could also be attributed to their status as a higher being) and how the shade cloak consumes soul projectiles that pass through it. The soul totems built by the civilization who worshiped the void are another possible avenue of evidence, they were likely constructed from void in its solid form and are used to contain soul. As soul is said to be found in the air, it's possible these totems would be able to extract it as well. From the Deep Focus charm description:

Naturally formed within a crystal over a long period. Draws in SOUL from the surrounding air.

Going back to the Abyss lighthouse, the strongest piece of evidence for the void having its own mind comes from the lighthouse keeper's dream nail dialogue:

...Turn it off?... Cannot...

My King. I'm sorry... The sea calls...

It is apparent that the void had exerted its will over this bug, but here I get into the most important property of void: void is impressionable. Void starts empty but it does not necessarily stay this way, the king used molds to shape void to his will for the creation of the kingsmoulds and wingmoulds, but it can do this organically as well. The most obvious example of this is the Hollow Knight who was "tarnished by an idea instilled", which is strongly hinted to be the bond formed between it and the king. A more extreme example of this exists in the Collector, a seemingly rogue, armourless kingsmould who for whatever reason spent a lot of time around another bug who imprinted upon it. Evidence for this comes from the dream nail dialogue of the husk you find the Love Key on:

Too long... spent together. We become as one...

This is all evidence for void being shaped by others, so what of the lighthouse keeper? Well, this bug was in the unfortunate situation of being right next to an ocean of the stuff. Husks found in proximity to void have void in their eyes, giving evidence that the void manages to get inside of them. Although usually it's just a small amount it is enough to kill them, and in this case, also influence them. Void is opposed to light - void vapor infiltrates the mind - void tells bug to turn the light off.

Okay that was a bit of a tangent but back on topic. After the Knight acquires the Void heart it gains control over the void. Shades no longer attack, tendrils no longer lash out and the Abyss statue changes its dream nail dialogue:

...Lord of Shades...

Furthermore, Bardoon has this to say:

Ohhhmmmm... Tiny thing... It evolves beyond that Wyrm. Such union in a single being. A strength before unseen. Would it too challenge nature? It could perhaps defeat it.

Pretty much everyone agrees that the Wyrm is a god, so if the Knight has truly evolved beyond the Wyrm, that should make it a god at this point as well. Gods in Hollow Knight are not very clear-cut from other bugs, they tend to be more powerful and longer lived, but still remain mortal and vulnerable to the ravages of time (at least when in the physical realm) and physical harm. The Godseekers in particular muddy the water on what can be considered a "god", but even without them there is a contrast in power between the higher beings. Despite not gaining any additional physical prowess, the Knight attaining godhood at this point, particularly as it was already the offspring of higher beings, would not be a far-fetched concept.

So if it is already a god, why did the Godseekers not notice? Because they weren't looking for it. The Godseekers attune through the dream realm by connecting to the minds of bugs, but the Knight is mindless. The Godseekers were only able to find the Hollow Knight because of the Radiance within:

O Gods of Hallownest, graciously thee open the way to this greatest of Pantheons! Thy voices grow closer and thy resonance draws Us ever higher!

Pray will We, Attune will We, until that spark of divine light shines from the deepest darkness!

And still they fear it for its silence:

O bound one, thy silence nearly deafens Us. Foolishly we feared thee, yet only by thine providence shall We find the one We seek. The God sleeping within...

Which is their deepest fear of all, taken from the tuner memory dream nail dialogue:

What gods, to save Us of Our silent mind?

So where am I going with this? Well if the Knight was already a god, then why should its behavior change so dramatically just because it gained a bigger, scarier form? I want to bring attention now to the Dream No More ending. The start of the cutscene that plays during this ending is very similar to the void breaking out of the Godseeker during the Embrace the Void ending, but here it comes from the Black Egg instead. If the scene had cut before showing the void dripping down from the lanterns then anyone would be forgiven for fearing the worst, but it doesn't. After the Black Egg dissolves into void, we see a pool of void disappear from around Hornet, then Hornet wakes up alive and unscathed. Why doesn't it consume her? Because the Knight is in control of it. Later, we see the siblings in the Abyss peacefully returning to their rest, giving us a bitter-sweet ending.

Now to add onto this i'm going to start analyzing the Knight's character. Not much direct characterization is given besides ‘it is empty’, and obviously everyone's Knight is going to act differently depending on how it is played, but there is characterization that can be inferred. Firstly, from what the Knight does regardless of what we want it to do. The Knight always slows to a walk when around Dirtmouth, NPCs and certain sites of significance, I interpret this as it being respectful (interestingly it also slows down around the Radiance statue at the top of Hallownest's Crown, so it seems to understand the religious significance of the site even though it is opposed to the deity). Also in this category are the endings, one of which I've already gone into and i'll get to Embrace the Void and Delicate Flower later. Next would be actions the player can chose to perform, and most players will for gameplay reasons. These include saving Sly, saving Bretta, freeing the grubs and placing the Grey Mourner's delicate flower on her dead lover's grave site. Lastly are choices you get that you don't have to follow and there is no benefit to doing so, these would include giving flowers to other NPCs and sitting beside Quirrel at the Blue Lake, and Marissa at the Pleasure House. The Knight is also a rather aggressive character, but with a few exceptions it only attacks creatures who are infected or insane. The exceptions to this would be if it is attacked first (Hornet, Dung Defender) if it challenges a boss to combat (Mantis Lords), is requested to attack (Nailsmith), it enters a non-lethal dream fight, or the one being attacked really deserved it (Millibelle).

The Knight is not incapable of performing bad actions however. It can leave Zote to die to the Vengefly King (though it cannot kill Zote actively), it can cause Hornet to be trapped with it inside the Black Egg, it can dream nail away passive ghosts and the worst crime of all - it can murder Menderbug! On balance however, the Knight is a generally benevolent character.

I think it's time to address the Vessels in the room, literally - the cutscene you see after completing the Pantheon of the Knight for the first time. This one is strange, it depicts the siblings as though they are alive alongside the Knight and young Hollow Knight before an exchange occurs - the Radiance roars, her light is revealed above, and then the void rises up to meet her. What is odd about this scene is that the Knight can see it without having the Void Heart, but I think I have an explanation for it. When the Knight defeats the Pure Vessel for the first time it becomes attuned with it, by proxy of relation this attunes it with the minds of its other siblings as well. in Godhome, characters attuned within the dream are represented in living form unless they become "gods" while dead, such as the dream warriors and various animated husk bosses. The Knight seeing the siblings together, followed by the void rising up to pursue the Radiance is an indication that they all share a common desire to snuff her out, even when the Knight doesn't have control over them. This can be taken as evidence that the shades are a part of the Shade Lord but I do not think this is the case. As mentioned above, characters attuned to the Godhome enter in best form and none of these siblings are attuned as shades, so they show up in Vessel form (The Hollow Knight presumably shows up in this second form only due to the Knight's attunement with it). Furthermore, no shades show up to assist the Knight in defeating the Radiance at the peak of the Pantheon of Hallownest, meaning the Shade Lord could only be composed of the Knight and the raw void you see rising up during the fight.

So now for the Embrace the Void ending itself. Upon defeating the Radiance we see the Shade Lord descend from above and wrap the Godseeker up in void tendrils, then the scene cuts to her physical body leaking void before the void bursts out of her violently. We cannot know exactly what the entity was doing here, but it's likely that embracing the Godseeker was a means for it to escape into the physical world. The Godseeker does not seem to be afraid of the Shade Lord but rather in awe of it, and there is evidence that despite how devastating its emergence appears, like with Hornet, she survived the ordeal:

Punish this shell, o God of Gods! Blast Our frail, worthless form to ash. We welcome thine fury! Desire beyond desire!

This dialogue is taken from the Godseeker game mode which is set after the Embrace the Void ending, she also thinks this in dream nail dialogue:

We bequeath our all. Our shell. Our mind. We are naught but vassal before thee, o glorious God of Gods!

The Godseekers are a collective hive-mind contained within the body of a single individual. The Godseeker you interact with in Godhome is the lead Godseeker and her shell is her own, so when she refers to ‘Our’ shell she is almost certainly referring to the physical shell they all share. Unless the Godseekers have lost all touch with reality and now only exist within the dream, this indicates that they still have a living body. Although their attitude towards the Knight has shifted... dramatically, they still appear to be perfectly aware of everything that is happening.

After the above mentioned scene we see Hornet watching the infection wither from the Black Egg temple, and then she is startled by the emergence of the Hollow Knight, now free from it's restraints. The Hollow Knight being alive as its own entity serves as further evidence that the Shade Lord is not composed of the siblings shown in the Pantheon of the Knight cutscene, as the young Hollow Knight was a part of that. At the end of this scene, the player gains the Embrace the Void achievement which has the description ‘Ascend the Pantheon of Hallownest and take your place at its peak’. Your place, it is the Knight specifically who is at the peak.

Possible counter points:

You cannot leave Godhome in Godseeker mode, which could be taken as evidence that Hallownest was destroyed. The Knight's physical form has been irreversibly altered, however just like Godseeker their dream form can be different, so they can only exist as the Knight within the dream world now.

Why did the Embrace the Void ending cut away from Godseeker when it did if not to imply something terrible happening? Dramatic effect, uncertainty, possibly you are meant to draw parallels with the Dream No More ending yourself. I'm only here to shed doubt on the Shade Lord being a malevolent entity, not to definitely state that nothing bad will happen.

Why can the Knight bring the Godseeker a delicate flower if not to protect Hallownest from what would emerge? The Knight doesn't know anything about the delicate flowers, as mentioned in dialogue from the White Lady:

There is rare power hidden in those frail petals.

To hold it so close, one must surely be unaware of its nature...

It is my belief that up until this point the Knight had been protected from the flower's power by its ‘holy shell’ born from the White Lady and Pale King. Upon shedding this shell and becoming one with the void, the flower reacts by banishing the Shade Lord along with the Godseeker who still harbors it.

What about the roar of the Shade Lord we hear in the scene after the Pantheon of the Knight? If it hadn't been pointed out to me that this was a roar and not just the noise of the void rising up I wouldn't have even noticed honestly. You have to take information found in the game files with a grain of salt, this can be foreshadowing or the ‘voice’ of void even when not united, though void having a ‘voice’ at all is a rather contradictory idea...

So in conclusion, given what we can extrapolate about the Shade Lord and the nature of the player character, I don't think there is good enough evidence for it to become a malevolent entity within Hallownest. Thank you for reading and please tell me if I've missed anything!

Tl;DR: Bill is the Knight, Bill is a cool guy, please don't be scared of Bill.

#hollow knight #lore #theory #spoilers #shade lord #void #little ghost #the knight #embrace the void #long post

[insupportofhatedanimecharacters]

Lanling is a good boy and person overall.

Because I cannot tolerate Lanling slander anymore. I might as well make another defense later but this is a mini defense. Who would hate this sweetheart?

First of all, I’m downright disappointed that LB3 was a mistake and that they treated his character like shit. He isn’t the only one. Liangyu, Yu, Xiang Yu, and literally everyone else is treated like shit.

I really don’t like how they treated my boy. Or anyone else who isn’t QSH for that matter.

But I really hate when people say he (Lanling) is outright evil or a complete asshole with no redeeming qualities yet will praise worse villains. He’s really not a bad guy. He’s just a man who wants his master to be happy. But deep inside, he doesn’t hate us.

The reason being is the fact that when Goredolf and everyone else in Chaldea was imprisoned, is the fact that he showed sympathy for both his master and for us. Yet people slander him like crazy. Especially on Reddit. For instance:

“I know I'll end up getting downvoted to hell for this but, of the 3 crypter servants shown so far Lanling in my opinion has been the worst and most boring one.

LB1 you've got Anastasia who had an interesting character she showed her cold noble side yet when alone with Kadoc she would sometimes show a sassy side or a sweet caring side. then you also look at her abilities she had style, she had ice magic and a badass snow beast guardian spirit (Viy).

LB2 you've got "Sigurd" who was a badass dragon slayer knight who hunted us down like the Terminator and was constantly kicking the crap out of us and nearly killed us a few times. then plot twist you find out it wasn't actually Sigurd in control but, a giant god of fire and destruction and the actual Sigurd was still  a badass Dragon slayer knight but, was also a friendly gentleman who alongside his wife helped us fight the evil god.

LB3 you've got Prince Lanling who for the most part was a pretty boy, yes man the entire LB who harassed us a lot but, really wasn't all that intimidating and constantly had to retreat and run with his tail between his legs. hell even his death sucked, he ended up dying being a glorified juice box with a pretty face for the angsty vampire with a fetish for the cyborg centaur wannabee dark souls boss.” (ironically, this post got really upvoted for the slander)

Anastasia (don’t get me wrong, I love her but this is the truth) outright hates us and wants us dead. She blames us for the death of her family. The entire human race. She is also responsible for killing and destroying Chaldea. Nonetheless, she and Kadoc have a good relationship and they get along like siblings.

Sigurd wasn’t written by Urobutcher so he got a good chance of helping us. Surtr, on the other hand hates us and treats his own master like trash. As for his master Ophelia, she doesn’t hate Mash so she has redeeming qualities.

Lanling is just a victim of his own story. Considering how Urobutcher treated Diarmuid, he has everything against pretty boy twinks. As for Lanling, sure, he harassed us and why did he do so? He was following orders. He isn’t the man to go against orders unless told to do so. The reason he wasn’t so intimidating is because unlike the previous crypters’ servants (for the record, Sigurd doesn’t count because Ophelia’s true servant was Surtr and the type moon wiki says that he’s only Ritsuka’s servant), he doesn’t outright hate us or want to kill us. The scene where he attempts to assassinate us but can’t bring himself to do so is proof of that and like I said before, he isn’t the man who wants us dead or locked in a cell with Tamamo Vitch. The reason he fought us anyway is because he’s a man who follows orders (and because that fox is a total bitch who annoys him too.)

The main problem is the fact that despite his somewhat good relationship with Hinako, she isn’t a good master and her team comps are terrible. Lanling with Guda isn’t weak at all, he is actually pretty badass and good at supporting us.

The reason his death sucked was because he was thrown out, nobody in the story cared about him, and he was basically treated as a punching bag turned into a plot device. Lostbelt 3 is terrible in my opinion because of how mistreated he was as a character. Not just him, but Liangyu was also shit on hard. If it ever gets an anime, it should have a writer who is good to all the characters overall other than QSH. QSH, while I do like them, they are the biggest creator’s pet in this lostbelt and thanks to them, no one else really got to shine except for a select few.

Honestly, I hate LB3 so much that I wanna make a fix it fanfic. One where Lanling isn’t treated like shit, one where Liangyu is conflicted with fighting alongside the emperor, and QSH is a male with his original design and never redeems himself because of how cruel he is. Yet so many people on Reddit are against this idea because LB3 is “good” to them. WTF? You do realize there are people who were disappointed with the ending for GOT for said reasons but when the story is by Urobutcher, it’s fine?!?!?!?!

Haven’t you forgotten Aldnoah Zero exists? That anime was a trash heap because all the characters who were supposed to die didn’t and were just there. No one really had any character development except a few characters. And it was written by the same writer.

Yet Urobutcher is a god when writing LB3 somehow.

I get QSH as a character, I really do. But I really liked Lanling (and everyone else but Tamamo Vitch) a lot more. The reason being is the fact that he’s got insecurities about his appearance, is shy and introverted, is most likely a crybaby, and suffers from back pain. He also loves horses the way I love other animals and not just horses for me. He is also not too bad with children (at least how I see it). Sure, he may not be the grand saber Muramasa but he was an important character to the story in my heart. Honestly, I hope he redeems himself in the story later on, considering how many characters did redeem themselves in the story.

I’ll definitely defend him for some of the newer reasons later.

#anti lb3 #anti reddit #anti r/grandorder #pro lanling #lanling wang #prince of lanling #gao changgong #defense #mini defense

[kob131]

This reddit post really pissed me off, for MANY reasons: saying RWBY is 'anti-black', the VA replacement crap, saying M&K ignore actual criticism, and reboot crap. www(.)reddit(.)com/r/RWBY/comments/j4kw7g/comment/g97k519?context=1

At the very least I have my answer now. It seems Eddie will watch it and bring it to the table. Which is a good sign. I have no idea how that is going to go.

With Miles and Kerry's history of digging their head in the sand when it comes to any kind of criticism. I hope Eddie can get through to them.

You mean the guy whose openly attacked critics? yeah I’m sure Eddy will listen to you...

But honestly, how are they going to achieve that. RWBY is fundamentally anti black as of the upload of this video. I'm not saying the writers are racist but they have views and ideals that are fundamentally racist. It's subconscious. It's systematic. It's whitewashing of history. They basically regurgitated right wing talking points because that's all they know and didn't even think to double check.

... Have you SEEN Miles and Kerry’s Twitter feeds? They are in no way right wing. You can’t even check their social media for the two seconds needed to see them cussing out Republicians and Trump.

Not only that- What is fundamentally racist? That people can fuck over their own movements? That having suffered discrimination doesn’t mean you get to pull a Hitler? 

It would be nothing short of a miracle if they manage to make it. But.... I don't see them doing that. I think Thomas is right when they say that nothing short of a reboot is what RWBY needs.

Reboot the creation of a man whose DEAD and only wanted to make his own original work because you didn’t like a racism plotline. Yeah, sounds like a fucking WONDERFUL idea.

I know how you guys feel about that but it's true. Like you guys on this reddit love to bend over backwards for this show but RWBY is in such a unique position that after finishing the show they could easily reboot it in five years.

AKA ‘Either agree with me or else I’ll label you a negative term.’

also agree with replacing some of the voice talent with voice talent that actually represents their character. Yang, Tai, and Ruby should be played by Asian actors.

THERE. IS. NO. ASIA. IN. REMNANT.

Blake, basically being a stand in for a black character (the WF are very poorly based off the BPP, which is black, my girl is black), should be voiced by a black VA (also... recolor her black, it's 2020 if you are going to include SLAVERY into your universe at the very least make Blake black. There is absolutely no difference between white Blake and black Blake, except black Blake actually represents the target minority you are trying to represent and white Blake is just a lack of experience in software modeling or a piss poor excuse to gain sympathy from white audiences)

Or maybe that her race isn’t suppose to fucking matter. But hey, keep doing the thing that lead to the KKK in the first place dumbass.

Get mad white audience, you aren't the ones getting shot in the streets because you look vaguely threatening. Representation matters.

Ah huh, and apparently you’re going around burning shit to the ground with even LESS of an excuse than Adam so by your warped ass logic, you got a net positive.

Plus you can legit just do this in the reboot. You can have your cake and eat a better more beautiful cake too. #BlackPower ✊

Yeah, except you’ll probably screech that the cake is shit unless it’s baked exactly YOUR way down to the fucking motions right? I’ve seen this shit a thousand times: it has nothing to do with race- it’s about control.

Stop being so stubborn RWBY reddit.

Says the person demanding a reboot because they didn’t like ONE aspect of a show.

Be more inclusive.

I’ve heard the same shit here on Tumblr. My best friend got told he should have been beaten more by his dad for speaking out against those people.

Fuck off.

Understand that RWBY is not the best show and the fundamentally flawed at this point and indirectly excludes minorities from voicing their opinions by branding them homophobic for not fully 100% buy into the show.

Like the implied callout of racism here?

Be humble

You first.

Understand this is a growing experience

You don’t so why should I?

Everyone is allowed to make mistakes. Its what we do about those mistakes that matter.

You mean ‘do exactly as I say or else it doesn’t count?’ 

Also considering fucking Psyga posted this (a coward who can’t even keep up an argument with the slightest push back, concerned with only hearing ‘RWBY bad’) and it’s from UoW (someone who effectively supports RWBY SOLELY because of their politics)- Pretty obvious I shouldn’t give this the time of day.

[cruddyborderlandstheories]

THE SEEIN’ DEAD MOD IS A BAND-AID FIX

gearbox locked zane’s lazy fix behind a paywall

tl;dr: for the love of god, the seein’ dead class mod should be what the seein’ red capstone is and vice versa. also. MORE SYNERGY. also i redesigned all of Zane’s trees and augments for more synergy you’re welcome.

is 1am and i don’t want tomorrow and im angry and thinking about borderlands so this seems like the perfect time to immerse myself in remaking Zane’s skill trees (for the 5th time). mainly because some of zane’s skills are still irking me and i’ve written extensive essays for the bl3 subreddit about the seein’ dead class mod and just playing around with zane’s skills in general, but i don’t think i’ve ever posted here before about it. so here we are. i notice i usually save lore/theories/characterizations for this blog and meta/balancing/gear talk for reddit. not sure why that’s a split for me. 

now i’ve remade zane’s skills a number of times, but honestly this was all before the seein’ dead mod was released. then, instead of fixing his skill trees, i wrote a lot of essays about why that mod was a terrible bad decision on gearbox’s part (you can read one of the shorter arguments in a comment from 5 months ago here). I’m just gonna remake the skill trees now with all his current abilities in mind.this post really should be titled: ALL THE PROBLEMS WITH THEIR BALANCING DECISIONS

so imma just talk for a bit about why i love/hate the seein’ dead class mod. 

Obviously it’s a god tier mod, and you see almost no zane builds without it, and no top tier, can solo m10 true takedown builds without it (unless ur like, the 1% of masochistic players, in which case i salute you). and while that obviously means its a good mod, it also shows the problems with all his other class mods and his skill trees in general.

They all kinda suck. and that wouldn’t be a problem, bc, hey, the seein’ dead mod is ez to get, just pop on over to the casino and kill a few baddies and they’ll  drop like candy. Which is really awesome!

slight problem.

the dlc is locked behind a PAYWALL

now this is a problem because if zane was a top tier character BEFORE the dlc, and everything was hunky dory and people weren’t on their knees begging for gearbox to fix Zane, then him getting a new badass class mod wouldn’t be such a big deal. but the problem was this was gearbox’s solution to giving Zane a buff.

they literally locked a buff for a character behind a pay wall.

I recommend Zane is every single person I try to convince to play bl3, but i always have to add this like, commercial-esque asterisk. you know, terms and conditions or, side effects or whatever. *you probably want to get the seein’ dead mod if you’re looking at end-game play because unless you wanna struggle that’s his only viable play style.

what if they don’t want to buy the dlc?! for real...

There’s also the point that this class mod makes his (arguably) BEST capstone obsolete. so we have distributed denial which literally no one uses because its broken, double barrel which is always traded for seein’ red or more points in other skills, and seein’ red, WHICH WAS MADE USELESS BY THIS CLASS MOD

gsfdhjikdhgdaskjfhgaskdfjh

okay and it wouldn’t even be so bad

IF THEY DIDN’T CHANGE HIS ENTIRE SKILL SET BEFORE RELEASE

like they lowered ALL his kill skills, then they turned Seein’ Red into his capstone instead of Death Follows Close, meaning they nerfed Death Follows Close so it could fit as just a game changer. my poor boy was g u t t e d.

so, imagine this, everyone is reaching the end-game content of bl3. it’s a month or 2 weeks or whatever after the game dropped and people are finally hitting level 50. and moze/fl4k/amara are all killin’ it, and the zane players have to work their ASSES off to do like... 50% of that damage output (now, they did also eventually nerf the crap outta moze and fl4k but the point stands). 

so instead of gearbox going: “oh... shit that pre-release nerf was an awful idea, revert the changes guys” they decided to keep him gutted and then they released what was, in my opinion, a kick in the nuts with the maliwan takedown (aka the antifreeze mod, alongside the spiritual driver) ahahahahahaha. what good times it was. (I say this sarcastically.) 

man i remember people were soooo livid with that class mod release. well, both of them. zane mains were pissed off (for good reason). “yes, let’s make the people who are begging for a straight damage increase jump through MORE hoops (LITERALLY) for a pitiful amount of damage. oh, also, let’s give their 28 skill point build to the strongest character in the game for free and also make it 10x better”. because it was 10x better than violent momentum (driver didn’t have a damage cap) until they fixed both the spiritual driver and the violent momentum skill. it was the worst of times.

i will note here they did, around this time, let zane have stackable kill skills, but it was only 2 stacks and also it was still *incredibly* difficult to achieve stacks because zane just. struggled to kill anything. I still remember when i grinded the shit outta an antifreeze class mod and it took me over 20 minutes to kill Wotan my first time solo on m4. Not the fight UP to wotan. literally. just killing wotan.

then the seein’ dead mod dropped and i had. a fuckin. 15 minute decrease to my time on killing wotan (5 minutes!!!!). now i am not perfect, and i 100% believe i could’ve lowered the time even more. but that... that shows a VERY CLEAR problem.

they never actually fixed zane, they gave him a class mod that’s stupid OP just to make sure he could hang on next to the other Vault Hunters. it’s just a bandaid fix. you remove the class mod, and he’s back to pre-jackpot power levels (which will NOT hold up at m10, let me tell you). 

all his pre-jackpot problems are still here, and that’s why people are not using any other class mod of his. I bet we could have some really fun builds with the conductor mod! but nobody will ever use it because it’s just... not even close to the seein’ dead mod.

So what does the seein’ dead mod do that makes Zane so good?

IT BRINGS HIM BACK TO PRE-RELEASE VALUES

this mod, plus Death Follows Close, brings Zane back to pre-release zane. and i don’t understand how gearbox isn’t putting two and two together and going “Oh.”

it also is a BETTER VERSION of Seein’ Red!!! something players could have had at, like, level 15, but instead had to wait until they hit a capstone! the capstone is completely obsolete at this point. There is nothing seein’ red can give you that seein’ dead doesn’t do but better. Getting that capstone is a w a s t e of skill points.

AND they locked this fix behind a pay wall!!! i cannot say that enough. you don’t wanna get the handsome jackpot dlc?? guess u don’t wanna play zane at endgame then. too bad, so sad.

have i stated that enough? because it still blows my fuckin mind. THEY LOCKED A CHARACTER FIX BEHIND A PAYWALL

djhdgakjhakjdah. imagine playing without any prior knowledge and being like, aw man i love this zane character. can’t wait to get to max mayhem end game like all my favorite youtubers and friends!! then finding out you gotta drop 15 bucks or whatever it is just to actually be able to play at max mayhem level. that is not a skill difference, that is A BALANCING PROBLEM MY DUDES. like. my favorite zer0 build was still viable without the story DLCs. obviously grog > rubi, pimp > lyuda, rapier > law but, it was still fuckin viable.

guh. gufhgufhsdgkfjsdh. it bothers me.

ok so there’s a lot i just went over: my main issue? is that by making Seein’ Red a capstone, they did nothing to make it an actual legit capstone. They definitely nerfed Death Followed Close to make it a gamechanger, but they never gave Seein’ Red a buff to move it from a gamechanger to a capstone. It was the same exact skill. Seein’ Dead is what Seein’ Red SHOULD be and that’s what angers the crap outta me. they locked this obvious fix behind a pay wall (AND a gear slot!!!!!) n ur probably thinking ‘but cruddy this WAS really nice of them to try and fix zane... they could’ve just let him be suuc’ and like, yeah, they could’ve, and it is good they’re TRYING, but also, they’re leaving the people who DON’T buy the DLC high and dry.

keep in mind i DO own the dlc. have the season pass and everything. IM STILL MAD!!!

Zane should be strong no matter what class mod the players want to use. Same with Amara, same with Moze, same with Fl4k. FFS, it is not that hard. CHANGE THEIR SKILLS!!!!!

so im gonna be taking the time to go over all of zane’s skills and shit just to put him more on par with the others (WITHOUT THE SEEIN’ DEAD MOD)

imagine the seein’ dead mod doesn’t exist for this. we’re gonna make a balanced character since apparently THAT’S TOO HARD FOR A TRIPLE-A BALANCING TEAM

first things first, the tree with the most fuckin problems: 

Under Cover

oh god this tree is a fucking train wreck what the hell were they thinking. good god. my eyes. they’re burning.

not actually, but it still kinda sucks.

Action Skill: Barrier is fine. I would not add the ‘picking it up decreases benefits’ when Zane’s whole schtick is running around fast. You get the full bonus no matter what form it’s in. also, you can hold down the action skill activation button to deploy the barrier directly on yourself.

Tier 1: Hearty Stock is a trap. never get this. so dumb. no synergy with his other skills. Adrenaline is okay, but not really great during end game. Ready For Action is similarly okay. Just a very MEH start to this tree. 

Adrenaline: Zane gains increased Action Skill Cooldown Rate. 10% per level, up to 50%. this shouldn’t be tied to his shields being full because if your barrier is down (cooling DOWN)... your shield is taking damage. c’mon now. THINK GEARBOX T H I N K

Hearty Stock: (maxed) Zane and his clone gain 5% magazine regeneration while an action skill is active. This skill stacks. In it’s original state, this skill is such a trap skill. for real.

Ready For Action: i mean, it’s fine. We’ll keep it. +30% shield recharge rate and -29% (why????) recharge delay

Tier 2: ech. Stiff Upper Lip is not that good. Brain freeze is what u really want. Rise to the Occasion is also okay.

Brain Freeze: keep the same.

Stiff Upper Lip: when Zane is damaged with a hit that would break his shield, he gains (max) +20% bonus gun damage on his next shot through the barrier.

Rise to the Occasion: Zane and his clone gain health regeneration. +5% max health/s. Not determined by shield availability.

Tier 3: `screams in confident competence` oh lawd. this skill is good. the accuracy thing is kinda laughable. i tell you, i always thought that zane was originally meant to be the sniper with the Under Cover tree but they decided to swap Zane and Fl4k’s skills. which is why Zane has soooo many accuracy buffs.

Confident Competence: fine the way it is. I would also add, since this IS a game changer, that the Barrier’s damage amp is now 40%.

Tier 4: ew. tier 4. Really Expensive Jacket is literally the only skill you might want to get and EVEN THEN. ugh. Best Served Cold is so pointless. and so is Futility Belt. YOU TAKE MORE DAMAGE WITH IT

Really Expensive Jacket: Elemental Status Effects have reduced duration (-50%). Additionally, Zane is not slowed by Cryo anymore.

Best Served Cold: Remove the cooldown. Buff up the damage at least 200%. Make it an AOE Brain Freeze. That is, the cryo novas stack and if overkill damage is high enough, enemies hit with the novas freeze. Kinda like a discount Frozen Heart.

Futility Belt: HA. Ahahahahaha. Ha. Zane gains resistance to non-elemental and cryo damage (+15%). Futhermore, after killing an enemy, Zane’s barrier gains additional cryo damage (+20%) for 8s.

Tier 5: is oki. My only real complaint is with Nerves of Steel. Like. Seriously.

Refreshment: god tier skill actually. Keep the same.

Best Served Cold: also keep the same. The only change I will make is this: resetting your action skills’ cooldowns counts as action skill start and end.

Nerves of Steel: The longer Zane’s barrier is active, the more stacks of Nerves of Steel he gains (a maximum of 15). For each stack, Zane gains 2% shock damage, 2% cryo efficiency, and 1% damage to frozen enemies. (why shock damage? cryo doesn’t do well against shields.)

Tier 6: *cries in the worst capstone in the entire series* WHO DID THIS. WHY. WHAT’S WRONG WITH YOU???

Distributed Denial: no. just. no. scrap this whole damn thing. IT DOESN’T EVEN WORK!!!! either fix it COMPLETELY or do something else. My recommendation? Whenever Zane throws down his barrier, his shield instantly begins recharging. If Zane’s shield is already full or recharging, enemies with no shields (or freeze immunity) that touch Zane’s Barrier for the next 10s are instantly frozen.

Augments: why the hell do i gotta place my barrier down when my entire fuckin’ character is about RUNNING. ALSO JUST AS A BLANKET STATEMENT: ALL THESE AUGMENTS WORK 100% EVEN IF HIS BARRIER IS PICKED UP. SO DUMB. a fully pointless restriction.

that last sentence immediately fixes Charged Relay and Nanites or Some Shite.

Redistribution: If his shields are full, Zane can sacrifice 50% of his shields to have his next shot deal 100% bonus cryo damage by holding F.

All-Rounder: Fine as is. Only thing I would add: whenever Zane melees an enemy, his shields are drained by 50% and his sliding augment is added to the melee attack.

Deterrence Field: Fine as is. But! I would add: whenever Zane sprints into an enemy, his shields are drained by 50% and slam augment is activated.

THAT WAY we can have both slam/sliding relics actually DO SOMETHING. because my god they’re so useless rn.

alright, moving on.

Hitman

Tier 1: is okay. nobody ever takes cold bore. ever.

Violent Speed: fine as is, but we’re taking it back to pre-release values. Max: 30%. can stack 2x.

Cold Bore: Zane gains (max) 20% bonus cryo damage to all shots fired while moving.

Violent Momentum: fine as is, but taking it back to pre-release values. 30% gun damage at default walk speed. Additionally, Zane can now shoot while sprinting.

Tier 2: my boy zoomer needs more fun.

Cool Hand: fine as it is. I would buff his base reload speed up to 20% and kill skill reload to 20% as well. 17 and 13 are such weird numbers.

Drone Delivery: fine as it is. Additionally, Zoomer’s base shots now take on the element of Zane’s grenade mod.

Salvation: fine as it is. I won’t mess with this bc life steal is messy business (coughs in grog)

Tier 3: hhhynf.fdsg. 

Death Follows Close: Kill Skill Bonus: +30%. Kill Skill Time: +7s. Additionally, enemies targeted by Zoomer take 5% more damage from Zane.

Tier 4: these two skills are actually p dope by themselves. it can stay as it is. I would MAYBE increase the violent violence max buff up to 20% but that’s just me.

Tier 5: ahahahaha. this skill. just remember, we’re pretending Seein’ Dead doesn’t exist, so imagine how this skill looks next to calm cool n collected. so pointless.

Good Misfortune: Killing an enemy with a critical hit adds (max) 10% efficiency to Zane’s kill skills for 8s. This does not stack.

Tier 6: WE’RE GONNA MAKE YOU RELEVANT AGAIN BOO HANG IN THERE

Seein’ Red: Zane has a (4%) chance to activate his kill skills upon dealing gun damage to an enemy. Additionally, enemies targeted by Zoomer now take 15% more damage from Zane.

so why didn’t we make good misfortune the infinite action skill build?? BECAUSE THAT’S WHAT CCnC IS SUPPOSED TO DO!!! why have 2 skills that do the exact same thing AT THE EXACT SAME TIER except ONE IS OBJECTIVELY WORSE!!!!!

what happens to the Seein’ Dead class mod if we’re giving its perk to this capstone? I’m so glad you asked. “Zane activates his kill skills when activating his action skills. Additionally, the kill skills activated this way have 15% more efficiency”. look how much better balanced that is!!!! that’s a class mod!!!!!!!!

Augments: these aren’t THAT bad, but they could be a lot better.

Winter’s Drone: Zoomer gains 20% bonus cryo damage to all shots.

Bad Dose: pump these numbers up. Fire Rate: +7% per affected enemy. Movement Speed: +10% per enemy. everything else is fine.

Boomsday: just make this more beefy. fr. It’d be a good choice if it were stronger.

Static Field: also fine. I would again give it better damage output, but that’s just me.

Almighty Ordnance: remove the build up honestly. Like i get the vibe and it’s really cool, but in combat it just DOESN’T WORK. maybe if Zoomer is targeting an enemy, he will unleash the missiles if they are above 50% health after 30s or something. I honestly think these should have a debuffing factor instead of a damage factor (you know, to not get in the way of boomsday). maybe something around 15%? the 1x per action skill activation thing would be easily subverted with CCnC with the changes we suggested, so it could work. 

Doubled Agent

ahhh, Blane. Blue Zane. Love ya, buddy. One change: he prioritizes pinged targets. That way you can kinda get him to fight specific people. Also, lower the teleportation timer. pls.

Tier 1: actually p good. could be better, but its not bad.

Synchronicity: Zane gains 20% bonus damage per active action skill. While Zane has an action skill active, he gains a stack of Synchronicity. Max Stacks: 10. For each stack of Synchronicity, Zane gains 5% Action Skill Cooldown Rate and 2% Action Skill Damage.

Praemunitus: Zane and his digiclone gain (max) 30% magazine size.

Borrowed Time: For each action skill active, Zane gains 30% action skill duration. The longer Zane’s action skills are active, he and Blane gain a higher Fire Rate and faster Reload Speed, up to 20%. (the idea is you choose between this or synchronicity bc... either permanent action skills build or fast paced action skills build)

Tier 2: Donnybrook is fun. Fractal Frags is fun. Duct tape mod is a GODDAMN DISAPPOINTMENT

Donnybrook: fine as it is. I might buff the max numbers up to 20% gun damage and 3% health regen. But that’s really it.

Fractal Frags: Blane will periodically toss a grenade from Zane’s stockpile at his targeted enemy (cooldown: 20s). Kill Skill: Blane has a 45% chance to throw a free grenade.

Duct Tape Mod: this skill... why... No cooldown. NONE. Zane has a 1% chance to also fire a grenade from his gun. Kill Skill: This is increased to 15% for 8s (stays at 1% for the whole time, but the kill skill will increase by 3% for each tier)

Tier 3: Actually Quick Breather is one of my favorite skills. this can stay.

Quick Breather: Same as is. Additionally, Zane and his clone gain 25% Gun Damage after swapping places for a short time (8s).  I really wanna promote swapping places. It’s really underutilized. they’ve ADDED stuff to this skill already!!! even tho it didn’t work until the next patch. BUT THEY SHOW ITS POSSIBLE TO ADD TO SKILLS!!!

Tier 4: actually a really good tier. a few minor changes. 

Pocket Full of Grenades: Kill Skill: Zane gains (max) 15% grenade regeneration for 8s. If Zane’s grenades are full, any excess grenades are shot from his gun with 25% bonus damage.

Old-U: If Zane falls into FFYL while his digiclone is active, he can press the action skill activation key to destroy his clone and gain a second wind. When he does this, he takes the place of his clone. His clone will also drop a grenade when it is destroyed.

Supersonic Man: Zane gains increased movement speed for each active action skill: (max) 15% each. Additionally, teleportation is considered to be Zane’s maximum speed for its duration and 5s after. 

Tier 5: oh god oh fuck oh god.

Like a Ghost: Oh god why. Zane and his digiclone gain a (max) 15% chance to ignore all damage while teleporting and for 7s after.

Boom. Enhance: actually a pretty swell skill. I would probably add Health Regen +3% per grenade tho. Blane needs help a lot.

Trick of the Light: bring back the shock damage. Zane deals 40% bonus shock damage for 7s after swapping places with his clone.

Tier 6: oh ngl I actually love this capstone lol

Double Barrel: Zane’s digiclone gains a copy of Zane’s current gun when it is deployed (and all the anointments work and he actually fires it like a reasonable person). Zane’s clone now deals damage equal to Zane’s base weapon damage. Upon swapping places, both Zane and his digiclone deal 50% bonus damage for 7s.

Augments: 

Binary System: is okay. Kinda uhhh underwhelming tho. Buff up the damage and also maybe reduce teleportation time.

Schadenfreude: I like this one a lot. Zane’s shield is restored by 100% of the damage his digiclone takes and vice versa.

Dopplebanger: lower the waiting time. I get that u don’t wanna override the teleportation, but it’s really annoying. Buff damage and don’t make it dependent on action skill duration. If this explosion kills an enemy, the clone is reactivated with 50% action skill duration.

Which One’s Real?: I’ve never actually felt this work. Maybe for like 2 seconds? Make it work more like Zer0′s hologram or Timmy’s Jack clones or smth. Maybe give an activation cue? im v lost with this one. Enemies targeting Zane take 30% more damage from the digiclone.

Digital Distribution: 75% of the health damage Zane takes is distributed to his clone instead. The digiclone gains 5% Health Regeneration/s and sends out 3 [level specific damage] shock spikes to enemies that attack it. 

literally all Zane needs is SYNERGY. if they can change a few skills, pump up a few numbers, and ffs fix the seein’ red/dead capstone/mod, they’d be in FUCKIN BUSINESS

but no instead

THEY LOCKED THE BUFF BEHIND A PAYWALL.

WHYYYYYY

#>:( #borderlands #im not redirecting my anger im legitimately angrey about this wat u mean #bl3 #zane flynt #but actually this is such a frustrating thing to deal with

[queenofcarrots]

Manuscripts in Star Wars (And Star Wars Fan Fiction)

This is the text of a talk originally presented at the conference Fan Cultures and the Premodern World at Oxford University in July, 2019, organized by Dr. Juliana Dresvina of the Oxford History Faculty. This presentation represents a collaboration between myself and Dr Brandon Hawke of Rhode Island College, and is essentially a summation of our video project Sacred Texts: Codices Far, Far Away, (Introduction to the series at that link) and examples below will include links to brief conversations where Brandon and I talk about the examples in a bit more detail. This has also been posted on my academic blog but I’m cross-posting here to reach a different audience.

Hi, My name is Dot Porter, and I want to start by thanking Juliana for the wonderful organization of this conference, and also for including me in the program. This is very different from the kind of conference I normally present at – in my day job I’m a special collections curator at the University of Pennsylvania, specializing in medieval manuscripts, their digitization, and their post-digital lives. Basically I get paid to digitize medieval manuscripts and then play with them. (I’d be remiss if I didn’t mention the Bibliotheca Philadelphiensis project, funded by the Council on Library and Information Resources, which is just finished, and through which we digitized and made available for reuse more than 465 codices from institutions in Philadelphia)

Aside from my family there are two things in life I adore: medieval manuscripts, and Star Wars. I must admit that while I am a scholar of manuscripts, of a sort, I am also a fan. I love manuscripts – the way they look, feel, smell; I love to hold a manuscript and think about all the other people who have touched it, and consider the signs of use that imply their long histories. This interest has led to current work on conceiving of medieval manuscripts as transformative works themselves, first presented at Leeds 2018 and work I’m continuing looking specifically as Books of Hours. (My original draft of this presentation featured some of this work, but it threatened to take over, so I axed it all; a blog post of my Leeds paper is on my blog, if you’re curious).

While I am arguably a manuscript scholar, I am most definitely not a scholar of fandom studies – you will, I’m sure, find my theory wanting – nor am I a scholar of Star Wars, but I am a fan. I do the things that fans do. I’m on Tumblr, although that platform is pretty dead now, and I have a fandom Twitter account, which is much more active. I write and consume fan fiction, and I regularly commission artwork to illustrate my stories and stories I would like to write. I have written exactly one notable meta, which was even picked up by the AV Club – they actually cited me, unlike many of the other websites, which only cited the person who stole my work and posted it on Reddit!

In Star Wars: The Last Jedi, released in December 2017, we were introduced, for the first time, to manuscripts in the Star Wars universe. I had avoided trailers and spoilers, so the first time I saw this was in the theater, and I was, as the kids say, shooketh. Not only one manuscript, but a whole shelf-full of them! And they’re important. Rey, our heroine, has been sent to the island of Ahch-to to bring Luke Skywalker back to help the Resistance, led by Luke’s sister General Leia Organa, defeat the First Order. Rey has been there for a day or so, following Luke around, making no headway, when she is called to the Uneti tree, a large, hollow, Force-sensitive tree that houses these manuscripts. It’s in the company of these books that Rey and Luke finally communicate with each other, when Rey admits that she has only recently come to the Force and that she needs Luke to train her to be a Jedi, and when Luke grudgingly agrees to give her some lessons, but also tells her that the Jedi must die. Exciting stuff, and the books are there to hear it.

According to Star Wars The Last Jedi: The Visual Dictionary, Luke Skywalker scoured the galaxy for these texts and collected them himself, storing them in the tree that we see in the film. So these texts weren’t originally all in one collection, they are from many different planets, potentially written in ten different places, ten different times, ten different languages and alphabets, although there’s only one we ever see in the film. The starwars.com blog post “Inside the Lucasfilm Archives: The Jedi Texts” gives us an up-close look at the prop book that was shown in the film; as you can see it’s a real book, written and bound, and even damaged. There are manuscripts in our collection at Penn that look not very unlike this book. It is a real manuscript.

This is one manuscript in the universe. What else do we know about manuscripts in star wars in general? To be honest: not much. But we do know that it is rare to write by hand (as opposed to writing with digital technology like data pads). In Claudia Gray’s novel Bloodlines, which takes place six years before The Last Jedi, Leia Organa is preparing for a fancy party when she finds a handwritten note at her seat, and she’s shocked: “Virtually nobody wrote any longer; it had been years since Leia had seen actual words handwritten in ink on anything but historical documents.” So it appears that, by the time the current films take place, there are no longer manuscripts being actively written in the galaxy, or at least it’s very rare.

Interestingly there is one character in the Sequel Trilogy who it is suggested knows how to write by hand: Kylo Ren, formerly Ben Solo. There is a scene – the same scene is actually shown three times, from three different points of view – where a young padawan Ben is sleeping and his Uncle, Luke Skywalker, comes to him and looks into his head, sensing great darkness in his dreams. Ben calls his lightsaber to either attack his uncle or defend himself against him, depending on the version of the scene, and in one of these shots we can see that he has a calligraphy set in his bedroom. We can see the set here, in a screenshot of his desk just before he calls his lightsaber over – which knocks over the pen and inkwell and jar of parchment scrolls in the process – and in The Art of Star Wars: The Last Jedi.

What else do we know about these specific books? There is concept art in The Art of Star Wars: The Last Jedi; including six internal pages and six shots of the bindings.

I remember looking at the concept art and thinking how alike and different they were from the manuscripts I’ve had the pleasure of working with at Penn, and I discovered that my Twitter mutual Brandon Hawke, an Assistant Professor of English at Rhode Island College, was having many of the same thoughts that I was. So in October of 2018, Brandon came down to Penn and we sat for hours in front of a green screen and talked about manuscripts and Star Wars, comparing books in the Penn collections to what we see of the manuscripts in the concept art. We’ve been posting snippets of our discussions on the Schoenberg Institute YouTube channel, and there’s a link at the top there if you want to check them out. So for most of the rest of this paper I’ll be walking through some of the possible comparisons between real manuscripts and the Star Wars manuscripts. I want to stress that we did this for fun, and not for science, and that we’re limited by the collections at Penn and by our own knowledge.

Consider yourself warned: The remainder of this presentation is essentially an educated fan, raving.

As far as Brandon and I have been able to determine, this is a previously unknown script in the Star Wars universe. When I saw it my mind immediately went to Ge’ez, shown here in an early 20th century book of Hymns from Ethiopia. There’s something about the blockiness that is just slightly curved, and a few of the letter forms are slightly similar although I don’t think that’s necessarily meaningful. (video)

We also made a comparison with Coptic, which is thinner, more curved, and perhaps a closer match. (video)

For the third example we looked not at the text, but at its layout on the page. We found a similarity with this 16th century collection of Persian poetry, both its illuminated header (similar in aspect to the illuminated blue line of text in the center of the ancient Jedi text) and the framing of the text. (video)

Aside from text, it is clear that the concept art of pages supplied to us here represent astronomical texts. This is really not surprising, considering that in the Star Wars universe we have a galaxy that seems to have been very closely connected, between planets and cultures, for a very long time, and so it makes sense that even the most ancient texts would be concerned with objects in the system – stars and planets and moons – and how they related to and interact with one another. And this is a major concern in medieval astronomical texts, too: these texts illustrate people trying to make sense of the system they live in, in the best way they know.

One of the pages in the jedi texts is the symbol of the Galactic Republic, but placed on some kind of chart, with characters dispersed through the chart and text – perhaps labels – along the outside. We found a similarity with this chart in LJS 57, a 14th century astronomical anthology from Spain. I don’t know exactly what this chart represents but I can tell you that astronomical texts are full of similar charts; it was one of the ways that medieval people made sense of the data they had available to them. (video)

Something similar is happening here, in LJS 449, a 15th century German medical and astronomical miscellany. These charts are perhaps a bit simpler than the Spanish chart, but they have that attractive blue coloring. Both the coloring and the arrangement of data around the circle reminded Brandon and me of the diagrams on this page of the Jedi texts. (video)

The next three slides show diagrams from LJS 26, a mid-13th century copy of Johannes de Sacro Bosco’s, Algorismus and Tractatum de sphaera, an immensely popular text that was copied and translated and commented upon from the time it was written in the early 13th century (it is possible that our copy was written during Sacrobosco’s lifetime) through the 16th century. It is full of diagrams illustrating the movement of the planets, and the sun, and the moon in relation to the earth. I personally find these diagrams most reminiscent of the two pages on the bottom left, although I feel like their organization suggests a sense of scale that is lacking in the medieval diagrams. (video)

Medieval astronomers only had to think about the earth, and the moon, and the sun, and a few other planets. On the other hand, the Star Wars universe operates on a whole other level – a galaxy with countless star systems and planets that aren’t even charted. When I look at these diagrams I see a clever attempt to illustrate scale using the relatively primitive technology of ink and paper in place of the star charts and 3D maps that we see in the films.

On the other hand, there are some really simple 1:1 comparisons to be made, such as this diagram, which pretty clearly illustrates the phases of a moon. (video)

I want to take a quick look at the bindings of these manuscripts, particularly this piece of concept art, which is quite similar to the prop that we see in the film.

This has a fairly standard binding structure, quite similar to LJS 102, the Ethiopic manuscript we looked at earlier, except for the front cover, which is built of three separate pieces that are obviously connected together. In western bindings, if a wooden cover were a composite of multiple pieces, we would expect that to be obscured, as in this late 13th century Catalonian manuscripts (It’s hard to tell, which is the point, but this cover is made of three pieces of wood).

The only example of a cover like this I’ve seen is from the Walters Art Museum, this 14th century Ethiopian Gospel book. The cover was broken and then sewn back together, but this was the result of an accident, not done on purpose.

My colleague Alberto Campagnolo also suggested that it is similar to the Chinese practice of writing on bamboo strips and binding them together, as in this 18th century example.

This is one instance where the artists who created these concepts have done an excellent job with suggesting a manuscript culture – in fact, several manuscript cultures, cultures that use what is available to them. There are two manuscripts here that appear to be bound in decorated tusks, one that has what appear to be shells embedded in a leather binding, and another that might be bound in hairy skin or – I like to think – had the binding grown on it underground. In any case these all suggest books written in different places, perhaps at different times, and as a manuscript scholar I find that fascinating.

Following up on this I wanted to see how the concept of the manuscripts was received by writers of fan fiction. As a fan author myself I have written a few stories featuring the ancient Jedi texts, but given my interests that made sense; I was curious to see what other authors have done with them. I think there’s more extensive work to be done here, but in reading through the 40 or so stories I was able to find (by searching AO3 for ancient jedi texts, and the “jedi text” tag) I discovered not surprisingly that the stories focused on the text of the books, not on their physical appearance (which is at least partially due to fan fiction being a written medium, vs. film being a visual medium) and that there are three main themes that can appear by themselves or be combined:

Rey can read the texts on her own, or she needs help (Kylo Ren, C3PO, Obi Wan Kenobi’s force ghost)

The translation is used to further the story (whether or not it happens)

The texts do something (e.g., magic spells)

What will happen next? Will there be manuscripts in the Rise of Skywalker, the final film in this last trilogy? Of course I hope so, and it seems likely. The Uneti tree was struck by lightning and burned, but Rey took the manuscripts with her (here is a screenshot of a drawer in the Millennium Falcon, at the very end of the film, showing the books clearly safe and tucked away)

and in the Poe Dameron comic #27 we learn that Rey has been working with C3PO to translate the texts.

And there’s also the spectre of Kylo Ren with a calligraphy set; if he had access to these manuscripts when he was studying with Luke Skywalker, it’s possible that he has read and perhaps even annotated some of the books. Only time will tell, and I for one can’t wait for December.

#star wars #meta #manuscripts #ancient jedi texts #jedi texts #medieval manuscripts

[kellyvela]

i love the deranged dany/jon shippers trying to position themselves as some kind of authority on what grrm would and wouldnt do and insist that grrm would! never! hook jon up with his cousin when he actually intended to do that with jon and arya (in a love triangle with tyrion).

Hello Anon, 

Are you serious? There are people who believe GRRM would never hook up cousins?? And the same people ship aunt and nephew??? 

GRRM has no problem at all with incest, in ASOIAF we have siblings incest in Jaime and Cersei; and father daughters incest with Craster an his daughters. And we also have all the Targaryens ffs. 

He also has no problem with cousins getting involved in marriage alliances and romance, no matter if they aren’t Targaryens.  About cousins, we have Tywin and Joanna Lannister, and Rickard and Lyarra Stark. And about uncles and nieces, we have Jonnel and Sansa Stark, and the frustrated union of Cregan and Alys Karstark.  All these unions weren’t considered incest tho…

But GRRM does have a problem with “outlines”.  Let’s talk about “outlines” then:

FEBRUARY 2015

A reddit user spotted a tweet from UK bookseller Waterstones which contained three photos of a 1993 letter GRRM wrote outlining the entire ASOIAF series.

The tweet has since been deleted, but not before the images made it to the internet.

Here is the reddit post.

And here is an article with the three photos of the letter and the transcription.

As you said, GRRM “originally” planned for a Stark cousins romance between Jon Snow and Arya Stark: 

Jon Snow, the bastard, will remain in the far north. He will mature into a ranger of great daring, and ultimately will succeed his uncle as the commander of the Night’s Watch. When Winterfell burns, Catelyn Stark will be forced to flee north with her son Bran and her daughter Arya. Wounded by Lannister riders, they will seek refuge at the Wall, but the men of the Night’s Watch give up their families when they take the black, and Jon and Benjen will not be able to help, to Jon’s anguish. It will lead to a bitter estrangement between Jon and Bran. Arya will be more forgiving … until she realizes, with terror, that she has fallen in love with Jon, who is not only her half-brother but a man of the Night’s Watch, sworn to celibacy. Their passion will continue to torment Jon and Arya throughout the trilogy, until the secret of Jon’s true parentage is finally revealed in the last book.

And a love triangle with Tyrion Lannister: 

Tyrion Lannister will continue to travel, to plot, and to play the game of thrones, finally removing his nephew Joffrey in disgust at the boy king’s brutality. Jaime Lannister will follow Joffrey on the throne of the Seven Kingdoms, by the simple expedient of killing everyone ahead of him in the line of succession and blaming his brother Tyrion for the murders. Exiled, Tyrion will change sides, making common cause with the surviving Starks to bring his brother down, and falling helplessly in love with Arya Stark while he’s at it. His passion is, alas, unreciprocated, but no less intense for that, and it will lead to a deadly rivalry between Tyrion and Jon Snow.

So yeah, GRRM planned for a pseudo incest romance between two major characters of the same House, and a love triangle with a main character of a rival House.  

MAY 2016 - BALTICON 

A bit more than a year after that tweet from Waterstones, GRRM attended the The Maryland Regional Science Fiction and Fantasy Convention - BALTICON. There he was questioned by fans about the Jon and Arya romance:

After the Coffee Talk just outside the room:

My Con Friend asked about Arya and Jon again. This time GRRM gave some very pointed replies:

GRRM finished (in the hallway now) by saying that he “wished some past things weren’t such strong foreshadowing,” and that he, “wished some new things had stronger foreshadowing then.”

Friend: Ok, if you foreshadowed something in the first book, like, really cleverly hidden, would you then follow through on that hint? For sure?.. 

GRRM: “Well, this goes with what I said before, the story changes and expands as I write. I wish I was able to go back and make revised drafts, but that’s not going to happen.”

Here is a transcript of the outline discussion and Jon/Arya portion of the coffee talk:

[question about Jon/Arya]

GRRM: “Alright, you’ve thought about this more than I have. I mean it’s simple, Jon is very fond of Arya. They were the two odd birds in the Stark family nest, here. They didn’t quite fit in with the others, they look like each other, they both had the brown hair, you know, as opposed to the auburn hair of Sansa and Bran and Rickon and Robb. So there was always that closeness between them. And, you know, Arya didn’t mind that Jon was a bastard, and Jon didn’t mind that Arya was a tomboy, so there is that closeness there.”

[question about Jon comparing his lover to his sister]

GRRM: “If he did it, uhm… I began writing these books in 1991, and, uhm, I worked on it in 91 and then I got a tv play, so I put it aside to really work on ‘Doorways’ tv pilot and did a tv show in 92-93. In 94 I returned to it [the books] and worked on it. You know, up till then, in my career as a writer, I’d always written the entire book before I opted for sale. That’s unusual. Most writers do chapters and an outline. They write a few chapters, they outline the rest of the book, give that to the publisher and the publisher says ‘oh okay, I’ll take that’.

“As some of you may have noticed, those who have been paying very, very carefully attention, I’m not good with deadlines. And, uh, and I’m not good with outlines, either. I always hated outlines. So with Fevre Dream and with Armageddon Rag and with Dying of the Light and all my novels, I wrote the entire book. I didn’t do chapters and outline. I sat down, I wrote a whole book, and I sent it to my agent and said ‘Look, here’s a whole book, and it’s finished’. That way I ran into no deadline, it was finished before it even went on the market. And it worked well for me. And my initial thought was to do this the same way, but what happened, you know, was in 1994, uhm, when I returned to it and I’m working on it and I’m very enthused about it and I say ‘I really wanna write these Game of Thrones books as the next part’. But I was still in Hollywood and I’d just lost all this groundwork on ‘Doorways’, I was still in… The studios and networks still wanna work with me, so I’m getting other offers, like ‘We want you to write this movie’, ‘we want you to do another tv pilot’. And, you know, I took a couple of them and was ‘Oh god, I gotta have to put the book away again’. Cause I have no deadline [for the book]. You know, when you think Hollywood, they will give you a deadline, you know, they say ‘here, son, write this movie, we want it in three months’.

“So, I said ‘look, if I wanna get back to being a novelist, I’m gonna have to sell this even though it’s not finished’. So I had my 200 pages of Game of Thrones at that point, but they wanted outline. I said ‘I don’t do outlines. I don’t know what’s gonna happen, I figure it out as I go. And that’s how I always did it.’ No, we had to have an outline. So I wrote two pages, a two-page thing about what I thought would happen. It’ll be a trilogy, it’ll be three books, Game of Thrones, the Dance with Dragons, and Winds of Winter. Those were the three window titles. And, uh, it’ll be three books and this’ll happen, and this’ll happen, and this’ll happen. And I was making up shit.

“And I had thought that those two pages were long forgotten, because, of course, the books did sell. They sold in the United States and in Great Britain, both. They sold for enough money that I didn’t have to take any more Hollywood games. So I was able to say ‘no’ around. I had a few less [?] to wind up in in 94 and 95. Once I had, I said ‘no, I don’t want any more movies or tv shows, I’m going to write these books now’. And I started writing the books. And in the process, I pretty much disregarded the outline. The characters took me off in entirely different directions. So, for 20 years I had forgotten that that two-page thing even existed. And then someone in my British publisher, HarperCollins, they got a new office building, uh, brand new offices, and new conference rooms, big conference rooms that they decorated with books and stuff like that. And they named the conference rooms after the writers, so one of the conference rooms [?], and they put up these plastic display cases, including the outline. The two-page outline, yes. [?], they didn’t ask my permission, they just put it up. And in that two-page outline, Jon and Arya become a romantic item.”

“You know, I don’t think it’s a reference for that [for romance]. It’s a reference to a certain physical type, and  a certain indication of what Jon finds admirable. It’s like someone who reminds you of, you know… Other people might be put off by this, you know, hair that looks like small rodents have been living in there. It doesn’t put him off because he is used to that.””

[someone says they have 5 minutes left]

“You know, I was pretty pissed that that outline got out there. It should not have happened. Outlines and letters like that are meant only for the eyes of the editor. They shouldn’t go on public display. And, uh, they also [?] my papers on [?], all my papers and correspondence. You know, I’ve been sending that stuff there for years, and it’d be, you know, available for future scholars or whatever, just like the papers of many other writers. Somehow, in the back of my head I was like ‘yeah, 20 years after I’m dead some scholar will go in and find them’. They’re going in right now!”   ”

[question if he is still going with the 1991 ending]

“Yes, I mean, I did partly joke when I said I don’t know where I was going. I know the broad strokes, and I’ve known the broad strokes since 1991. I know who’s going to be on the Iron Throne. I know who’s gonna win some of the battles, I know the major characters, who’s gonna die and how they’re gonna die, and who’s gonna get married and all that. The major characters. Of course along the way I made up a lot of minor characters, you know, I, uhm…Did I know in 1991 how Bronn, what was gonna happen to Bronn? No, I didn’t even know there’d be a guy named Bronn. I was inventing him along the way when I was writing, ‘Okay, he gets kidnapped. Let’s see, there are a couple sellswords there, their names are Fred and Bronn’.“It was actually Bronn and Chiggen, and then one of them dies, I flipped a coin ‘okay, who dies? Chiggen dies, cause his name is stupid. Bronn is a better name, so I’ll keep Bronn’. And then Bronn became quite an interesting character and plenty of these characters take on minds of their own. They push to the front till you [?] speech and you think of a cool line and you give it to Bronn because he’s trying to talk, and now Bronn is somebody who says something cool. [?]. That’s how characters grow on you.“So a lot of the minor characters I’m still discovering along the way. But the mains-”

[question if he knows Arya’s and Jon’s fates]

“Tyrion, Arya, Jon, Sansa, you know, all of the Stark kids, and the major Lannisters, yeah.”

This report appears in the following sources:

fattest leech of ice and fire blog [Source 1] 

asoiaf.westeros.org [Source 2]  

westeros.org [Source 3]

As you can see Anon, according GRRM the “original outline” was “a two-page thing about what [he] thought would happen”… “And [he] was making up shit.”  

He also said that: “[he] pretty much disregarded the outline. The characters took [him] off in entirely different directions. So, for 20 years [he] had forgotten that that two-page thing even existed”.

But then he clarified that: 

“I did partly joke when I said I don’t know where I was going. I know the broad strokes, and I’ve known the broad strokes since 1991. I know who’s going to be on the Iron Throne. I know who’s gonna win some of the battles, I know the major characters, who’s gonna die and how they’re gonna die, and who’s gonna get married and all that. The major characters”.

From all this information, I think that the romance between Jon and Arya was discarded: 

[He] “wished some past things weren’t such strong foreshadowing,” and that he, “wished some new things had stronger foreshadowing then.”

The story changes and expands as I write. I wish I was able to go back and make revised drafts, but that’s not going to happen.”

But the romance between two major characters of the same House (Stark cousins) is still there.

But a romance between two major characters of the same House could also happen between aunt and nephew, and if we follow the Show, this was the new route GRRM took.  

We just have to wait to certainly know if GRRM will give us the Stark cousins romance that was promised or if he has already changed his original plan.  

#grrm #asoiaf #jon snow #arya stark #tyrion lannister

[beckinblack61]

One Year of Daily Blogging?

I’m watching the Unus Annus livestream right now, (may they R.I.P. by the way, hope I don’t fall asleep before the the end of it all,) and Mark and Ethan have inspired me to commit to doing something for one year in hopes of personal growth and to prove to myself that I can finish things if I simply put my mind to them (because procrastination is a b***h.) So... I might try blogging daily/online journaling starting tonight?

I don’t know if this is going to stick, or if at the least that this will stay on tumblr and not migrate to either a physical journal or something else, but I hope this will. I only started my tumblr account merely days ago, and I’m still unaware of whether or not tumblr is truly “dead” or not, as many people have suggested. I was half expecting that the website wouldn’t even work, so there’s that.

I have no plans for this. This may devolve into extremely stupid, short posts that I only make to fulfill my goal of journaling daily, or maybe (hopefully) I take this more seriously. Either way, here goes nothing.

Here is my last-minute idea of writing down my possible goals for this endeavor:

Improving my writing, vocabulary, grammar, etc. (I might pursue a career in English, but who knows as I surely don’t.)

Learning about myself/recording my advances in figuring out my gender, sexuality, identity, and other cliché things to say.

Helping my sanity through expressing myself during this pandemic and presidential election mess (oh lovely America, what a time to be alive.)

Mimicking Veronica from The Heathers (the first musical I ever saw, albeit illegally uploaded to YouTube) and having a “diary” so-to-speak during my senior year of high school. Maybe one day I can look back on this and laugh or cry or both or neither.

… And now my clock reads midnight. Staying up until 3AM is probably not a great decision, given I have a bowling match tomorrow. It’s not until 1PM though, so I should have ample time to sleep in. Sleeping from 3-9AM results in around 6 hours of sleep, which should be alright (although I know I won’t fall asleep that fast; I never can.)

This might not be the only thing I commit to doing for a year, as I have a lot of other ideas, though this is likely the one I am most likely to stick to. I would like to draw daily. I used to draw far more than I do now, which I regret leaving behind. I used to post my attempts at what some would call art on Instagram, which I quickly abandoned. I would also like to stay more on track with reading, another thing I recently have fallen behind on. My collection of the BNHA manga is staring me down from my bookshelf out of the corner of my right eye, alongside my book one of the newly released Fangirl manga, which I need to read soon to lend to my best friend that I unapologetically got hooked on Rainbow Rowell.

Is this getting too long? Quite possibly so. But if I stop doing something I fear I will fall asleep and miss the end of Unus Annus, so I will continue.

Let me get some things off of my chest to start, as I plan on being brutally honest to myself here as an outlet and to help figure out myself more easily. I may or may not be doing so as also inspired by Symptoms of Being Human by Jeff Garvin. I highly recommend you read the book if you are in need of some new literature to feed on. That book likely opened my eyes to my own gender exploration.

But as I was saying, about getting things off of my chest. I currently identify as genderqueer, under the non-binary umbrella. I’m fairly unsure of my gender, and am open for it to continuously change, so I am inclined to refrain from labeling it. If I were to try and clarify further, I might go with demi-boy, genderfluid, or gray-gender. I think I lean more masculine than anything, though I’m not certain. I feel fairly unattached to the idea of gender for myself, personally. The lines are blurred for me as far as what it means to be a “boy” or a “girl”. (Side-note: I need an Unus Annus tattoo.)

Something that adds to this confusion is my sexuality, in an odd way. Is this TMI? I don’t know. No one is likely seeing this anyways. I’m either pansexual or bisexual, depending on your definition of either. I think I can love anyone of any gender identity, if I simply love them as a person. I may have a strong bias for men. And, I think I prefer the thought of a guy who refers to me with male pronouns? So who knows, I may be trans and also gay. Or entirely queer, both in the sense of sexuality and gender. I’m still figuring things out and may never will. Is that slightly terrifying? Yeah, maybe.

But, the catch is that I’m not out yet IRL. One person in my life, my best friend, knows I am pansexual. I’ve been considering telling them about being genderqueer and leaning masculine. I haven’t yet. I don’t know if I should bring it up yet? Because I don’t know my gender fully, I’m concerned about telling someone one thing and then deciding that I’m not that the next day. Is this technically imposter syndrome or something? I don’t know. I feel like I’ve heard somewhere that if you’re worried about not being trans, you’re likely trans as a comfortably cisgender person wouldn’t be worried about not being trans. Who knows if that’s true.

So. I’m genderqueer and bi/pan and in the closet basically about all of it to basically everyone. Lovely.

Also, as you could probably guess, Briar is a name I only recently chose to go by. Recently meaning in the past few days. I hope Briar leans masculine, though I’m unsure of whether it truly does or not. I just think it fits me better. I’m AFAB (assigned female at birth.) Only some of my social medias have received the name change: my Instagram, my Reddit, and my Pinterest. My Instagram technically hasn’t fully been changed yet, as I am currently locked from changing my name for 2 weeks for no reason, but my technical username has changed. I need to change my google account name, but, being tied to my YouTube, which my brother is subscribed to, I don’t want to set off any possible alarms just yet.

Why “BriarInBlack61″ then? Well, black is one of, if not my only, favorite color. It makes up the majority of my closet. (Yes, so originally edgy, I know.) The number 61 is in reference to what is arguably the best chapter of Carry On by Rainbow Rowell, another book I highly suggest you read. Carry On is likely my favorite book I’ve ever read. I adore Simon and Baz with all of my heart and am very curious as to what Anyway The Wind Blows brings.

Again, I apologize for the length of this post. Alas, it has only reached 1:19AM now. Should I retire this post?

I probably should, in hopes of leaving something to elaborate on tomorrow. Good day or good night to whoever has stumbled upon this book of a post. May I hopefully not fall to sleep before 3.

Sincerely, 

               Briar

Saturday, November 14, 2020, 1:26 AM

#daily journal #unus anuus #one year

[theonyxpath]

The M20 Technocracy Reloaded (hence this blog’s title) Kickstarter has kept going strong, and we’re now over 400% funded! We’re all very thrilled by the many sections of the Companion PDF that have been added via Stretch Goals thanks to all of our amazing backers.

So, thanks to all of you who’ve already backed – and everyone else, please come check out the KS if you can and help us add even more! https://www.kickstarter.com/projects/200664283/m20-technocracy-reloaded

Our team continue to be interviewed about M20 Technocracy Reloaded, and there are several awesome actual play broadcasts that you can check out below in the Onyx Path Media section!

If you have questions about M20 Technocracy Reloaded that aren’t answered by any of these venues, we’d love to help you out and answer them on our AMA on Reddit tomorrow, Tuesday the 12th, starting at 12 noon Eastern US time. https://www.reddit.com/r/OnyxPathRPG

Our crew will be popping in and out during the course of the AMA, and while our focus is M20 Technocracy Reloaded, please feel free to ask about anything on your mind!

Dark Eras 2 art by Brian LeBlanc

What We’re Doin’ During These Times

Which brings up the first part of our blog title today. Special Thanks to GuidoG who posted that one several weeks ago in our blog comments. Told ya I’d use it eventually! So we have that AMA mentioned above, but we’re still following up on the ideas I posted about these last few weeks.

Following up, when Dark Eras 2 goes on sale in PDF and PoD versions this Wednesday on DTRPG, we’ll also be offering individual chapter PDFs as well, for folks that didn’t pledge and might need a less expensive way to get gaming materials for the specific game lines they’re interested in.

All of the historical chapters are fantastic, and if you can get the whole book, it is well worth it – but these times, they have been really rough for a lot of our community, so we hope these discrete chapters help.

Our second set of Developer Town Halls went well last week, with lots of talk about development processes and the care and feeding of their writing teams. We unfortunately did hear of a few of our creators needing to be tested, but also a few creators who had Covid and got through it, thankfully.

In last week’s blog I asked for questions for the devs, and while I didn’t use all of them, and several folks included Onyx Pathcast related questions – which was interesting and cool – so I combined those, the Devs all seemed to enjoy answering. We actually had several more in-depth conversations based on their answers to the questions, which added a lot to our getting to know one another. So thanks for those questions, is what I’m saying!

Here’s our Dev responses to a bunch of the questions I received for them:

(Disclaimer: I was writing down the responses really fast, so if I missed anyone’s response to a question, my apologies – it wasn’t you or your answer, just my limited steno skills).

Question: What game line are you truly passionate about?

Eddy Webb: Pugmire, duh.

Matthew Dawkins: Wraith the Oblivion– capital P for Passion.

Travis Legge: Love the Scarred Lands.

Chris Allen: Werewolf: the Forsaken!

Vera Vertanian: TC: Aeon, because I’m such a giant dweeb.

Dixie Cochran: Realms of Pugmire the Masquerade the Lost Essence. (They Came From Beyond the Grave!)

Neall Raemonn Price: EXALTED!

Meghan Fitzgerald: Mage: the Awakening. But Deviant came out of nowhere and I really love it.

John Snead: Mage: the Ascension (for the arguing).

Danielle Lauzon: I’m a huge fan of everything I work on while I’m working on it. My first love/assignment was Mage: the Awakening.

Lauren Roy: Me too, I get so excited as I get to work on each line. But the game of my heart is Mage: the Ascension.

Monica Speca: Exalted, and right now Essence.

Lunars art by Joe Ng

Question: Do you feel good with the word count you handle at the moment?

Eddie Webb: Define good, I’m not freaking out.

Travis Legge: Thrilled and overjoyed.

Matthew Dawkins: That is definitely a question.

Dixie Cochran: Always dread until actually working on it.

Danielle Lauzon: I’m good with 10k, that feels easy. Any more at one time seems sooo huge!

Monica Speca: Shorter word counts work great for me. Especially fiction.

Meghan Fitzgerald: Depends on system or setting.

Neall Raemonn Price: Every time I get comfortable with my amount of work, something pops up outside my control, like Covid.

Question: Are there any groups that we could set up for slack outside of work that would help you?

Matthew Dawkins: Long form TV review and discussion slack.

Dixie Cochran: Animal Crossing, other fandom sites are too negative.

Eddie Webb: Sherlock Holmes, but not really into discussion groups.

Danielle Lauzon: Shitposting.

Neall Raemonn Price: Sopranos.

Meghan Fitzgerald: TV, all TV.

Question: Whats your party trick?

Dixie Cochran: Vanishing out of goth clubs.

Matthew Dawkins: Beating people at Mario Cart.

John Snead: Carry and open up a laptop to demonstrate memes – a memetic enforcer.

Danielle Lauzon: Go to parties at houses, and take over the grill and kitchen. “Because she knows things”.

Monica Speca: I bring the games – boardgames, card games, age and number of players appropriate, all ready for the party.

Lunars cover design

Question: Would you like to be an inerviewee for the terribly awesome trio on the Onyx Pathcast? and if so, what question would you want them to ask you?

Chris Allen: Would you like a drink?

Travis Legge: Tell me about Dead Man’s Rust?

Danielle Lauzon: I just like to taaalk. Any question.

Meghan Fitzgerald: Not so much a question, but it’d be great if there could be a group roundtable.

Monica Speca: Will always talk about game design nonsense.

Eric Zawadzki: Would love to get on there to talk about the Deviant Companions.

Neall Raemonn Price: With others, then Essence. The State of Scion, and tease upcoming projects.

Dark Eras 2 art by Alex Sheikman

Finally, we talked about the Gehenna Gaming virtual convention a few weeks ago, and there have been a few more of those popping up including a virtual convention Eddy is going to be presenting at this coming weekend. So let me ask you folks:

If we had an Onyx Path oriented virtual convention – and I’m just asking to see if there’s interest, I’m not announcing anything – what sort of events would you like to have happen during it? Would you enjoy seeing our creators play our games? Would you want to sign up to play with us? How about virtual panels and Q&A sessions? Or do you have an idea for something else?

Give me a yell, put your thoughts in the blog comments – we’d love to hear from you. And again, we don’t have plans for a virtual convention as yet, but if we were planning on maybe making plans, it’d help to know if you folks were interested in attending and virtual engaging with our:

Many Worlds, One Path!

Blurbs!

Kickstarter!

The M20 Technocracy Reloaded Kickstarter funded in 43 minutes and at almost halfway through has passed 1680 backer operatives, is over 400% funded, and has achieved Stretch Goals consisting of a Storytellers Screen unlock, an unlock of more original Mage PDFs, Backers’ Exclusive T-Shirt, Wallpaper, and building the Technocracy Reloaded Player’s Companion PDF: sections on Constructs and Symposiums (and then expanded by a later SG), Digital Web 3.0, Technomancers’ Toybox 20 and the Q-Division bonus section, Unlikely Allies (also expanded by another SG), and the expanded Digital Web 3.0.2. https://www.kickstarter.com/projects/200664283/m20-technocracy-reloaded

Highlights of M20 Technocracy Reloaded include:

An Operative’s Handbook that provides a detailed overview of life in the Technocratic Union, describing the organization of the Union, the Conventions, and the roles that sympathizers, extraordinary citizens, and Enlightened Operatives play in the overall structure of the Technocracy.

An examination of Technocratic initiatives on a global scale.

Devices, procedures, and hypertech used by the Technocratic Union that explores the Enlightened Science, allowing operatives to apply similar effects in the field, if they have sufficient understanding of the principles that allow these gadgets to function.

A comprehensive list of citizens, cyborgs, operatives, progenitor creations, and allies to use as NPCs.

Storyteller support that explores story seeds and metaplot to shape a chronicle for their needs.

Onyx Path Media!

This week features a return to the Terrific Trio’s actual play of Scion!

As always, this Friday’s Onyx Pathcast will be on Podbean or your favorite podcast venue! https://onyxpathcast.podbean.com/

The Technocratic Union continues its live broadcast Tuesday, May 12th at 9 PM EDT on the Onyx Path Publishing Twitch Channel. twitch.tv/theonyxpath

You are under instructions to not miss it.

Plus, Red Moon Roleplaying have just started their actual play of Technocracy Reloaded right here: https://youtu.be/RtdW0znt7GU Please give them your support!

Come tune in to our Twitch channel for an overloaded schedule not limited to Vampire: The Masquerade- Blood on the Tamesis, Vampire: The Masquerade – Chicago by Night Noir, Pugmire – Paws & Claws, Changeling: The Lost – Littlebrook Reunion, Changeling: The Dreaming – The Last Faerie Tale, Mage: The Awakening – Occultists Anonymous, Scarred Lands – Purge of the Serpentholds, and Dark Eras Werewolf: The Forsaken! 

You can subscribe to our channel over on twitch.tv/theonyxpath to catch up with any episodes you missed!

Come take a look at our YouTube channel, youtube.com/user/theonyxpath, where you can find a whole load of videos of actual plays, dissections of our games, and more, including:

Vampire: The Masquerade: Blood City – Chicago by Night: https://youtu.be/LXWGtVy2jbE

Mage: The Ascension – Technocracy Reloaded: https://youtu.be/hHG5fBCFlTE

Trinity Continuum – Special Series run by Danielle Lauzon: https://youtu.be/K1xCbfpmKlc

More Vampire: The Masquerade: Blood City – Chicago by Night: https://youtu.be/-zVEOQJK9zc

Chronicles of Darkness: Seattle by Streetlight: https://youtu.be/gMMFhoDncNs

Eddy’s Workshop: Proofing Layout: https://youtu.be/VhkEbMbQ3cA

Do subscribe to our channel and click the bell icon if you want to be notified whenever new news videos and uploads come online!

Matthew Dawkins appeared on the excellent 307 RPG Podcast, where he was interviewed about everything from They Came from Beneath the Sea! and They Came from Beyond the Grave! to upcoming Vampire: The Masquerade books! Give them a listen here: https://307rpg.com/?p=265

Further to that interview, the 307 RPG Podcast released an episode all to do with the Archetypes in They Came from Beneath the Sea!: https://307rpg.com/?p=282

The Story Told Podcast continue their excellent journey into Demon: The Descent right here: http://thestorytold.libsyn.com/the-aggregate-choir-file-2

A Bunch of Gamers have been running a fantastic Pugmire adventure! You can check it out here: https://youtu.be/b57kVpzV2q4 and here’s a synopsis: Retrievers in the Plastic Quarter, explosions all around, and the cats of Korat demanding answers. Our heroes are locked in a deadly battle as their long time foe make their move to wrestle control of the city from King Pug. Will they be able to stop Terry or will the city of Pugmire fall into darkness?

Occultists Anonymous are here with a new special Mage: The Awakening series:

RV Mage 05: We Have a Side? Drifter meets with the Hierarch, Bless Your Heart, to get to the heart of the Consilium’s politics. Vicar and Amanita settle around a Locus to meet with werewolves, then finally, the mages join forces… https://youtu.be/w-FKL4Fnimo

RV Mage 06: Inversion Fleeing into the Shadow, away from raging werewolves, Amanita, Drifter, and Vicar confront opposing mages, Seers of the Orphean Ministry. Of course, werewolves are very good at traversing through the Gauntlet into the Shadow as well… https://youtu.be/P6Ko6_tCFDU

Please check these out and let us know if you find or produce any actual plays of our games! We’d love to feature you!

Electronic Gaming!

As we find ways to enable our community to more easily play our games, the Onyx Dice Rolling App is live! Our dev team has been doing updates since we launched based on the excellent use-case comments by our community, and this thing is awesome! (Seriously, you need to roll 100 dice for Exalted? This app has you covered.)

On Amazon and Barnes & Noble!

You can now read our fiction from the comfort and convenience of your Kindle (from Amazon) and Nook (from Barnes & Noble).

If you enjoy these or any other of our books, please help us by writing reviews on the site of the sales venue from which you bought it. Reviews really, really help us get folks interested in our amazing fiction!

Our selection includes these latest fiction books:

Our Sales Partners!

We’re working with Studio2 to get Pugmire and Monarchies of Mau out into stores, as well as to individuals through their online store. You can pick up the traditionally printed main book, the screen, and the official Pugmire dice through our friends there! https://studio2publishing.com/search?q=pugmire

We’ve added Prince’s Gambit to our Studio2 catalog: https://studio2publishing.com/products/prince-s-gambit-card-game

Now, we’ve added Changeling: The Lost Second Edition products to Studio2‘s store! See them here: https://studio2publishing.com/collections/all-products/changeling-the-lost

Scion 2e books and other products are available now at Studio2: https://studio2publishing.com/blogs/new-releases/scion-second-edition-book-one-origin-now-available-at-your-local-retailer-or-online

Looking for our Deluxe or Prestige Edition books? Try this link! http://www.indiepressrevolution.com/xcart/Onyx-Path-Publishing/

And you can order Pugmire, Monarchies of Mau, Cavaliers of Mars, and Changeling: The Lost 2e at the same link! And now Scion Origin and Scion Hero and Trinity Continuum Core and Trinity Continuum: Aeon are available to order!

As always, you can find Onyx Path’s titles at DriveThruRPG.com!

On Sale This Week!

This week, the PDF and PoD versions of Chronicles of Darkness: Dark Eras 2 emerge from the haunted past on DriveThruRPG on Wednesday!

Dark Eras 2 explores 13 new eras scattered throughout the history of the Chronicles of Darkness. Each chapter features two to three game lines which include Vampire: The Requiem, Mage: The Awakening, Hunter: The Vigil, Changeling: The Lost, and more!

The rules in this book are compatible with second edition Chronicles of Darkness. Each terrifying time period and location is examined through the supernatural creatures that dwell there.

Unlock the past. Find out what hides in the shadows. 

Inside, you’ll find: 

Historically inspired settings and story hooks 

Character-creation tips and gameplay advice 

New Tilts, Conditions, and era-appropriate rules 

Conventions!

As mentioned above, our own Fast Eddy Webb will be appearing on 2 or 3 panels for the Flights of Foundry online convention this weekend! Check it out here: https://flightsoffoundry2020.sched.com/mysessions

Though dates are subject to change due to the current COVID-19 outbreak, here’s our current list of upcoming conventions:

UKGames Expo: https://www.ukgamesexpo.co.uk/

GenCon: https://www.gencon.com/

Tabletop Scotland: https://tabletopscotland.co.uk/

Gamehole Con: https://www.gameholecon.com/

PAX Unplugged: https://unplugged.paxsite.com/

And now, the new project status updates!

Development Status from Eddy Webb! (Projects in bold have changed status since last week.):

First Draft (The first phase of a project that is about the work being done by writers, not dev prep.)

Exalted Essay Collection (Exalted)

Under Alien Suns (Trinity Continuum: Aeon)

Adversaries of the Righteous (Exalted 3rd Edition)

The Clades Companion (Deviant: The Renegades)

The Devoted Companion (Deviant: The Renegades)

Saints and Monsters (Scion 2nd Edition)

M20 Rich Bastard’s Guide To Magick (Mage: The Ascension 20th Anniversary)

Wild Hunt (Scion 2nd Edition)

Dead Man’s Rust (Scarred Lands)

V5 The Faithful Undead (Vampire: The Masquerade 5th Edition)

V5 Trails of Ash and Bone (Vampire: The Masquerade 5th Edition)

V5 Forbidden Religions (Vampire: The Masquerade 5th Edition)

Trinity Continuum: Anima

Redlines

Dragon-Blooded Novella #2 (Exalted 3rd Edition)

Hundred Devil’s Night Parade (Exalted 3rd Edition)

Trinity Continuum: Adventure! core (Trinity Continuum: Adventure!)

Contagion Chronicle Ready-Made Characters (Chronicles of Darkness)

Novas Worldwide (Trinity Continuum: Aberrant)

Exalted Essence Edition (Exalted 3rd Edition)

Mission Statements (Trinity Continuum: Aeon)

Second Draft

Many-Faced Strangers – Lunars Companion (Exalted 3rd Edition)

Kith and Kin (Changeling: The Lost 2e)

Assassins (Trinity Continuum Core)

Dearly Bleak – Novella (Deviant: The Renegades)

Development

TC: Aberrant Reference Screen (Trinity Continuum: Aberrant)

Across the Eight Directions (Exalted 3rd Edition)

Contagion Chronicle: Global Outbreaks (Chronicles of Darkness)

M20 Victorian Mage (Mage: the Ascension 20th Anniversary Edition)

They Came From Beyond the Grave! (They Came From!)

Crucible of Legends (Exalted 3rd Edition)

Exigents (Exalted 3rd Edition)

N!ternational Wrestling Entertainment (Trinity Continuum: Aberrant)

Manuscript Approval

Post-Approval Development

Scion: Demigod (Scion 2nd Edition)

Scion: Dragon (Scion 2nd Edition)

Editing

Terra Firma (Trinity Continuum: Aeon)

Lunars Novella (Rosenberg) (Exalted 3rd Edition)

Mummy: The Curse 2nd Edition core rulebook (Mummy: The Curse 2nd Edition)

Player’s Guide to the Contagion Chronicle (Chronicles of Darkness)

Contagion Chronicle Jumpstart (Chronicles of Darkness)

TC: Aberrant Jumpstart (Trinity Continuum: Aberrant)

Trinity Continuum Jumpstart (Trinity Continuum)

Masks of the Mythos (Scion 2nd Edition)

LARP Rules (Scion 2nd Edition)

One Foot in the Grave Jumpstart (Geist: The Sin-Eaters 2e)

Heirs to the Shogunate (Exalted 3rd Edition)

The Book of Lasting Death (Mummy: The Curse 2e)

Post-Editing Development

City of the Towered Tombs (Cavaliers of Mars)

W20 Shattered Dreams Gift Cards (Werewolf: The Apocalypse 20th)

Cults of the Blood Gods (Vampire: The Masquerade 5th Edition)

Hunter: The Vigil 2e core (Hunter: The Vigil 2nd Edition)

Trinity Continuum: Aberrant core (Trinity Continuum: Aberrant)

Deviant: The Renegades (Deviant: The Renegades)

Monsters of the Deep (They Came From Beneath the Sea!)

Legendlore core book (Legendlore)

Titanomachy (Scion 2nd Edition)

Pirates of Pugmire KS-Added Adventure (Realms of Pugmire)

Tales of Aquatic Terror (They Came From Beneath the Sea!)

Magic Item Decks (Scarred Lands)

Yugman’s Guide Support Decks (Scarred Lands)

Indexing

Art Direction from Mike Chaney!

In Art Direction

Scion Titanomachy

Tales of Aquatic Terror

WoD Ghost Hunters – KS final art coming in. Gaydos should be done shortly.

Aberrant – Contacting and contracting. Signing off on sketches.

Pugmire Adventure – All sketches in.

Hunter: The Vigil 2e

Mummy 2

Deviant – Dividing up among current artists.

Legendlore – Kickstarter on hiatus/doing art buy breakdown.

Technocracy Reloaded (KS) – Happening.

Cults of the Blood God – Rolling along.

Scion: Dragon – Working on chapter art breakdowns.

Masks of the Mythos – Working on chapter art breakdowns.

They Came From Beyond the Grave! (KS) – Getting fulls for KS.

In Layout

Yugman’s Guide to Ghelspad

Vigil Watch

TC Aeon Terra Firma – Over to Josh.

V5 Let the Streets Run Red – Prepping for layout.

Buried Bones: Creating in the Realms of Pugmire (Realms of Pugmire)

Proofing

Trinity Aeon Jumpstart 

Pirates of Pugmire – Waiting for backer errata.

TCFBTS Heroic Land Dwellers – Waiting for backer errata.

Lunars: Fangs at the Gate – Backer PDF out to KS backers Tuesday.

Scion Companion – Just waiting for two tweaked pieces.

Contagion Chronicle

Cavaliers of Mars: City of the Towered Tombs

Duke Rollo Book – Waiting for backer errata.

At Press

Night Horrors : Nameless and Accursed – PoD proof on the way.

Dark Eras 2 – PDF and PoD versions on sale on DTRPG this Weds!

TCFBTS Screen and Booklet

They Came from Beneath the Sea!

C:tL 2e Oak, Ash, & Thorn – PoD proof OK, on sale soon.

Today’s Reason to Celebrate!

Today in 1997, Deep Blue, a chess-playing supercomputer, defeats Garry Kasparov in the last game of their rematch, becoming the first computer to beat a world-champion chess player in a classic match format.

Not saying that was the beginning of the end for humanity, that the Technocracy won, or that this connects in any way with Trinity Continuum: Anima. Just interesting, that’s all…

#Onyx Path Publishing