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#those are cases that you can actually improve for the better.
senadimell · 2 years
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#look i know i posted the patrick stewart video (which was delightful but also wholly voluntary)#but if i never hear another thing about celebrities' private lives i would be A-OKAY#i do not want or need an opinion on a certain celebrity couple#i do not want to take a side or treat it like it's a movie#IT"S NOT A MOVIE#TRIALS ARE NOT MOVIES AND WE LITERALLY WILL NOT HEAR ANYWHERE NEAR THE EVIDENCE THAT THE JUDGE/JURY IS PRESENTED WITH#and my opinion DOES NOT CHANGE WHAT HAPPENS in the trial. they're not part of my community. i will literally never meet them#i want it to stop being headline news because they've been public and earned a lot of money#i haven't done a whole lot of research but i think generally we would be a whole lot better off#if trials were much more private#something something parasocial relationships should stay parasocial#because in this case. we the public cannot actually reduce any ACTUAL HARM by following the trial like a drama#it's not like your sibling abusing their child or the neighbor mistreating their spouse#those are cases that you can actually improve for the better.#or you know what? donate to a related cause or volunteer at a shelter#but following the trial literally. literally. will make you angry and lead to zero activism#maybe i've missed something here. maybe i'm wrong. if so i'm willing to learn about benefits of acting contrary to the way i've described#(do not send me anything about the trial whatsoever. i'm talking about...maybe studies that say outcomes are better when trials are#covered by media. or saying that people are more involved in activism when they follow trials or something)#then i can decide if i want to know why it's been a BBC headline for US and Canada for weeks on end
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metagalacticx · 1 year
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i’m actually tired of being pissed off at fandom stuff like i swear im not trying to be annoying on purpose but unfortunately i kinda spent most of my formative years on tumblr, in this fandom, and to see this kind of stuff still so prevalent is disheartening and it sucks i genuinely wish i didn’t care
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psychoticallytrans · 10 months
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There's this idea, fairly common in society, that mental illness is for teens and up. Children are happy little creatures, generally, right? Sometimes they're abused and the trauma can make them mentally ill, but that's not common.
There are two fundamental problems with this attitude. One, it's incorrect to assume that trauma is the only reason a young kid can be mentally ill. Two, trauma is more common than people think. I'll be covering the first problem in this post through the lens of my particular experience.
Where I live, you can be diagnosed with bipolar disorder at 18 years old. You cannot be diagnosed with bipolar disorder as a minor. This poses a problem because my age of onset was in first grade, roughly six years old. Because of the fact that I was very young and new to the world, this was also the age of my first suicide attempt. Thinking I wouldn't be able to pass a spelling test genuinely felt like something worth trying to die over. So, I ate some hemlock, since I'd read about Socrates being killed with it. Luckily, I ate western hemlock, an unrelated species, and just felt kind of sick.
I'm not recounting that for fun or pity. I'm recounting it because children with mental illness are in genuine danger because they have little to no experience with managing their emotions, have little to no concept of the idea that their life can change and improve, and are dismissed by adults. I told a teacher that the test made me want to die, though not that I'd attempted to, and it was brushed off as little kid hyperbole. If I had used a method that was effective rather than one I thought would be, I would have been dead at six years old.
I would not receive medication that worked even a bit for another two years. I would not receive treatment for bipolar disorder specifically for ten years, and that required my PCP fudging the reason for the medication because she was afraid I would die if she didn't, and diagnosis was still two years off at minimum. I received a formal diagnosis at age 19, thirteen years after onset.
But surely that's uncommon, right? This story is a huge edge case, right? I actually have no idea, because age of onset and age of diagnosis are massively conflated for most disabilities. Policies like the one in my area that restricted bipolar diagnoses by age can artificially raise the age of "onset", in my case by thirteen years. The general idea that children are somehow immune to mental illness can also delay diagnosis by several years, perpetuating the idea that young children can't be mentally ill. The data on when people start experiencing mental illness is inherently skewed upwards, and I frankly don't have a good estimate on how bad that skew is. If anyone does have that data, please chime in.
Listen to children. If they're saying they're sad all the time, that they don't care about anything, that they don't see a future for themselves, those are signs of depressive symptoms. If they say that tests make them feel sick, that they can't do anything because they're scared, that they can't breathe and freeze up, those are signs of anxious symptoms. Many children talk about imaginary things, and that's just fine, but slip in a question or two about them to make sure that the kid is just playing, and not experiencing psychosis.
Children are new to the world and vulnerable, and they don't know what's normal and what isn't. They need people who are more experienced watching out for problems they might be having, and listening when they talk about having problems. If you can, try to be the person who perceives them, and tells them that things can be better.
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spdrvyn · 2 months
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tearful territory
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miguel and a sensitive, tearful reader. you try to overcome the obstacle that is sobbing and crying whenever you're confronted by your ever stern and stoic boss, but your habit gets the best of you. no matter how hard you try to hide it.
hurt/comfort. miguel is bad with feelings. reader is bad with regulating their feelings. bad feeling and bad feeling regulation everywhere! thank you for this ask, anon <3
dividers by @/cafekitsune
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You've been labeled as the family crybaby for as long as you could remember, so when you moved out, you'd figured that the habit of tearing up over even the tiniest of inconveniences would evade you. After all, you were now a hardened vigilante, beating up bad guys, saving a bunch of people should have gotten you tough skin. 
Wrong! While you have obviously improved and it hasn't been as bad as when you were still a kid, the tears that found themselves home in your eyes were now just protected by a mask, a symbol of your heroic deeds that hides the weak, meek, and fragile person beneath it. 
As you got recruited into Spider Society though, your mask was on more than half of the time. Even when eating, you only had it half-lifted just in case push came to shove.
Was it a little ridiculous? Yes. More than. But you'd rather bare the strange looks of people passing by you rather than have a full cafeteria of spiders witness you cry. You certainly didn't need to be labeled as Spider Society crybaby too, making work arounds for your habit was working for you now anyway.
Unfortunately, the universe is cruel. Oh-so cruel. 
You were a relatively new addition to the Spider Society which means that the head honcho had been doting on you for a while now, doting was a strong word, but he'd call you into his office to give you feedback on your performance in missions so far.
Completely fine, besides most of the reports had been positive. Though, the thing about Miguel is that he's actually an uplifting boss when he can be. Which means he always gave you advice, tips to help you get better next time, and pointed out your mistakes from each mission. 
Again, completely fine! You were okay with criticism, more than okay with it. But that lump that formed in your throat, the warmth that crept into your face, it functioned like clockwork. So you've just resorted to keeping your mask on whenever you had a meeting with him too, problem solved. 
Another thing you didn't know about Miguel though was despite his lack of a sixth, spider-like sense, he'd a habit of his own. To be an observer, to pick up on the small details of the people he worked with. Even if he only saw them by mere chance, only passing by some in the multiple hallways of headquarters on occasion. 
It wasn't rocket science, even if Miguel did know rocket science, to figure out that you had an... issue with dealing with the slightest forms of rejection. Aside from the obvious hint that you were always masked around him, he also noticed that you were radio silent for most of the meetings, only interjecting with quiet 'mhm's and 'okay's. 
You were so quiet around him that it almost made him seem chatty. Miguel. Chatty. Those two words could not be in the same sentence, yet you made it possible. 
He didn't want to force you to take your mask off, the end goal wasn't to see you cry, but after a few months of having literal one-on-one meetings with him, he hadn't really sparked any form of connection with you. 
This time when you were called in, you two went through the ropes per usual. It didn't seem like you noticed Miguel's (un)conscious efforts to soften his tone, to relax his shoulders, and to not look completely stone-faced when talking to you. 
Miguel wasn't particularly used to this, has he had people cry in front of him? More than too many times, but never had he seen your case before. It made him wonder what was going on in that head of yours, to care so much about his input that you'd hide shedding even a single tear in front of him. 
The approach to the end of the meeting was steadfast, but before he let himself dismiss you. He asked, "Why do you always keep your mask on?" 
He knew fully well the reason why, but to hear it come from your mouth, would make it even more worthy of an answer. 
But the thing is that you don't answer him. It's the awkwardest moment of his life, he thinks. Two of you just standing there, his brows knit together in confusion and he's about to repeat his question or ask if you heard him until the smallest of squeaks ring in his ears and now you're turning your head away and clasping a hand over your mouth to conceal your noises. 
He followed in your direction, but he can't even see your face. Your shoulders shook as your fingers sloppily pulled your mask up so that you could furiously swipe at the tears that streamed down from your eye. You bit at your lip so hard to silence yourself to the point where you could be crying about how you're about to draw blood simply from the force of it. 
Miguel hadn't said anything, you couldn't see him either. How could you? You literally just broke down crying in front of him, there's no way you could ever show your face again here. 
You want to say something, you tried to at least. But all you get out is a choked, "Sorry, I'm-- Sorry." To which you don't even get a response to, but you can feel it. That thousand yard, judgemental stare that you always get for reacting like this. 
Which only caused you to get more shaken up when Miguel places a reassuring hand on your shoulder, which he uses to manuever you closer to him and to let him see your tear-struck face. Your first instinct to cower, you want to bring your hands to your face and peel your skin off like a banana peel, but Miguel doesn't let you.
In his other hand is a tissue to when he tenderly presses just below your eyes to wipe at the wetness, that hand on your shoulder moves to your chin and he lifts your face upward to get a good look at you. He doesn't look angry, rather concentrated. Locked in. 
Your chest heaves with the effort to keep it together, the onslaught of a really bad headache is rising over the horizon like it always does. Once Miguel's done, he discards of the tissue before he takes off your mask completely and sets it aside on his desk. The hand on your chin remains, a thumb on one cheek and the rest of his fingers on the other so your face looks a little smushed right now. A sight he'd like to appreciate if not for the circumstances. 
"So is this a common thing or?" The question almost seems a little unserious in nature, but that is mainly just the product of Miguel's awkwardness. He doesn't particularly do feelings, and he can't ask if you're okay because that might just lead to even more crying. 
Your voice is too dead to properly reply, you move your face in a half nod considering the grip he has on you. "And you've been wearing your mask because you don't want me to see?" He asks again, you nod more bashedly. 
A thin hum of understanding is all you can hear for him and he lets go of your face, but you can't hide anymore. Your mask is somewhere on his desk, it's managed to disappear among the slight mess that there is. It's awkward again, no words coming from either of you until–
"You're dismissed. Come back tomorrow." What? That's it? You put on this embarrassing display, you bawled in front of him, and he's letting you go? No lecture about how you need to be stronger of anything? 
The thought chases you in your dreams later on in the night. You found it hard to fall asleep that you swore you saw the sun peeking through the blinds once you were mentally fatigued enough to succumb to your exhaustion, you groggily swung over to Miguel's lab, your grip on your webs were too loose for your own safety but you managed to get over to him without any incidents. 
However, once his platform comes to a clicking halt, Miguel's back is turned to you. You notice that he wears a long sleeved turtleneck over his spider suit, a combination of articles you haven't seen on him before. 
The screen he was paying attention to turns off as he picks up a coffee cup on his right hand side and he holds it up to you, "It's colder out today." 
Whether that's to answer for the coffee or the drip, you don't mind. Silently taking the beverage, it brings warmth to your hand and you assume that it's freshly brewed considering the steam that comforts your cold cheeks. Miguel's attempt at small talk, despite how awkward, makes you feel a bit better. 
Maybe you needed this. This kind of one-on-one meeting. It's clear that he came to that same conclusion too, but for now, you'll enjoy your coffee, sit in the decreasingly uncomfortable silence, and look forward to the days you won't cry as much anymore.
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infamous-if · 5 months
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Dec ✮ 12 ✮ 2024 – update
Part of me hates doing these mostly because it's a whole lotta nothing and me just repeating everything I said the last update (lol) but I do like doing it because I like keeping people updated, even if it's a non-update. I may sound like a broken record (pun not intended) but I know a lot of people don't catch my updates every time so it's nice to just keep people informed yk yk
✮ — Part 2 + rewrite
Fun fact: I had written an entire essay about my excitement for the rewrite and chapter 3 and beyond but it got too long!
It boiled down to me wondering why I'm so excited for this rewrite and realizing it's because I feel comfortable enough to approach it with complete creative freedom. I wrote the first iteration of the demo with the constant worries swimming in my head like "I hope people understand what I'm trying to say here" and "I hope this situation is being read the way I intended for it to be read." And I think I sort of had those thoughts tenfold while writing Part 2. If you paid attention, you can probably see where I was trying to shut down certain discussions in the narrative lmao
Recently I had a tiny epiphany and reminded myself that it's not always about what I intend to write, but what is being understood by each reader. And yes this is basic writing 101 but let me have this moment of clarity okay. Embracing that means I can proceed with Infamous without holding back and sticking to my guns in regards to what I want for this story aka I'm just going to write what I write and like....not worry about the rest you feel (while of course integrating the common critiques and suggestions and improving on the things Infamous falls short in—I am not Shakespeare lmao)
ANYWAY my point is that I'm excited to fix up the demo !!! and just go back to it with complete confidence in myself and write whatever the heck feels right to me (and write the rest of the story lolol) and return with a better story than I have now for everyone!!
✮ — December will be for
planning what I'm going to improve and squeezing that in a reworked outline so it can flow much better narratively.
Outlining Chapter 3 and hopefully have the bare bones first draft drafted up which is mostly just be writing blocks of descriptions
I'm not sure I'll have anything substantial to justify looking for beta testers so soon yet but maybe!
work on my spice writing babey writing/reading spice makes me actually physically recoil but im determined to get better! which reminds me to finish the 6k follower gifts!
And also take a small breather because I am moving!
✮ — Patreon
I've already mentioned this on Patreon and a few times on here, but I do want to reiterate that Patreon content is coming out in bulk this month, in case anyone was wondering why I'm not posting as frequently. The content is still the same in terms of the quantity, it just won't be released every few days! thank you guys for being understanding of that <3
✮ —
My activity has is decreasing little by little due to my move but I do read every question and try to at least answer one question a day. I get quite a few mentions lately so I have to sort through those since I do get tagged in things, but I miss them due to my notifications. Usually I hope for the best and hope tracking the tag puts it on my dashboard <3 im not ignoring anyone!
That's all for now! Hope everyone has a happy December and Happy Holidays!
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the-modern-typewriter · 11 months
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Hello :) Can i request a mutually pining hero x villain piece where the hero finds out about the horrible treatment the villain goes through in prison (whenever the villain gets locked up) and they have an emotional confrontation where the hero apologizes and promises to fix the situation? a little bit of holding the villain's chin and asking them how much it hurts? just the heartwrenching stuff.
Whether you see this or not, I want to say thank you for everything you've shared with us. You are extremely talented, and an inspiration for people who want to improve their writing. Thank you, thank you. :') <3
"They hurt you."
The villain stilled. They kept their gaze fixed on the sky, their hands focused on the ember of a cigarette clutched between their fingers, their ears tracking the thump of music spilling out onto the street.
Inevitably, despite all of those efforts, their attention locked on the hero standing next to them.
Fury radiated from the hero, and something more. They didn't have to glance over to see it. They didn't have to glance over at all when the hero edged even closer to them, brow knitted, eyes liquid guilt in the pooling streetlight.
The villain took another drag of their cigarette to steady themselves, filthy habit though it was, before exhaling. "We're not doing this here."
The thin alley behind the club was empty except for the two of them, but that was hardly the point. The air was warm with the promise of summer and freedom. They didn't want to think about any else.
"Where are we doing it then?" the hero demanded.
The villain's jaw clenched. They stubbed out the smoke and began to turn away.
In an instant, the hero's hand was firm on their shoulder, pinning them in place. By all rights, if things in the world made sense, the villain should have flinched at the rough touch and the hero should have recoiled. The villain didn't flinch. The hero wouldn't hurt them, not like that. They knew it in their bones.
The hero didn't recoil. They ducked their head to try and catch the villain's eyes again.
The villains scoffed and slid their gaze away, throat tight.
"I want to fix it," the hero said. "This should never - if I'd known -"
"-You didn't know." It was forgiveness and accusation all at once.
"I should have."
"You didn't."
The hero had always been kind, in their interactions, in the complicated way that the two of them could be kind to each other. Not polite, not nice, not civil. But kind. Of course they hadn't known, and of course the villain hadn't told them. They would never have told them. Not in case, just in case, the hero had actually known all along. Not in case, just in case, the hero didn't care. Not in case, just in case, the hero thought they deserved it.
"You going to let me go free next time?" the villain asked.
The hero's jaw clenched too. "I'm not going to let them treat you like - like -"
"Like a criminal? You can say it. That's what I am."
"Like a monster."
The villain smiled. It didn't quite reach their eyes, but nor was it ungenuine. "Also what I am."
The hero's other hand shot out, seizing the villain's chin, forcing their gazes to lock. "No."
"Yes." The villain studied them. "Don't be obvious."
"You deserve better."
"Because you don't think I'm a monster?"
"Even if you are," the hero whispered. "And I'm sorry. I'm just - so sorry."
The villain didn't know what to say to that. The hero's sincerity, raw as an open wound, floored them utterly. They swallowed, pulse fluttering against the warm press of the hero's palm.
Contact. Firm, unflinching, not unkind contact.
"How much does it hurt?" the hero asked.
"This or the - before?"
The hero let go instantly, hand flying back to their side as if they'd been burnt.
The villain's hand rose to where the hero's hand had been, chasing the memory of it. The words 'you didn't hurt me' perched on the tip of their tongue. The villain swallowed them.
"I'm going to end up back there," the villain said. "You can't fix that, because you're the one that catches me. The only one who can."
"If you stopped..."
"If you stopped," the villain said.
The hero squeezed their eyes shut for a second, pained.
The villain reached out, despite themselves, to grip the hero's chin. Feather-light. "How much does it hurt?"
The hero laughed, a little raspy, a little not laughing at all. "This should never have happened."
"It happens to more than just me." I'm just the one you care about. The knowledge was as dizzying, as giddying and heady, as it was awful.
"If I asked you to tell me what they did to you, would you?" the hero asked.
"You already know."
The isolation. The power restraints that were always cinched a little too tight. The beatings. It was always better near the end of their sentence, to allow time for the bruises to heal, and it was never anything permanent. Nothing that could be used in a court of law. Nothing but words and hearsay.
"Yes." The hero watched them.
"But you want me to tell you anyway."
"Yes."
The villain dropped their hand and itched for another cigarette, and itched to continue touching even more. They turned their gaze away again and cleared their throat, because the hero's expression...
The villain had been hurt so many times before. The hero made it look new.
"I'll fix it," the hero said, less a wish or a want and more a promise. "This won't happen again. Not to you. Not to anyone."
The villain knew better than most that promises were easily-broken, fragile things. Still.
"What do you think I've been trying to do?"
The hero flinched.
The villain didn't recoil. Monsters didn't get to recoil from the worst that the world had to offer.
They started walking, and paused at the end of the alley where the shadows turned to light and life and the open world. They glanced back to where the hero stood, perfectly still and perfectly shattered, hands flexing like they were itching to touch again too.
Sometimes monsters got kind things too, even if it made no sense, even if what was theirs felt like it should belong to everyone else in a thousand different ways.
"We're not doing this here," the villain called out. "So. You coming?"
The hero followed.
The villain knew they always would.
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changes · 8 months
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Friday, September 8th, 2023
🌟 New
We’ve rolled out dashboard tab configuration options to everyone. We’re still working on adding the ability to change the default tab between Following and For You. Also, if you were in the experiment and had enabled certain tabs, like Popular Reblogs and Blog Subs, please note that those settings have moved back to the Tumblr Labs settings, instead of being configurable options in the new config screen.
We’ve deployed some performance and stability improvements for browsing feeds through the site, including the ability to truly handle endless scrolling. If you disabled endless scrolling in your dashboard preferences on web because it was laggy, give it another try! If you disabled it because you like paged browsing better, keep on keeping on! You’ll still benefit from these improvements.
We’re working on improving search across Tumblr, and one of our latest experiments is to try surfacing posts in search results based on image recognition. If you search for something on Tumblr and it returns a bunch of images that aren’t actually related to what you searched for, and have no other text or tags to indicate why you’re seeing it, please send us some feedback via Support about it, providing the search term you used and what posts didn’t make sense.
In the post editor on web, you can now choose to convert a link block down to an inline text link if you’d like, via the meatball menu on the link block that’s generated when you paste a link.
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Replies/reblogs/likes from blogs that have blocked the author, or the author has blocked, will no longer appear in the notes view on your posts for anyone.
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🛠 Fixed
We fixed an issue on the Following and For You tabs that was sometimes causing it to take 10+ seconds to load subsequent pages as you scroll.
In the post editor on web, we’ve fixed a variety of issues with copying and pasting and selecting text.
Clicking to like a post while logged out, and then logging in, now brings you back to the post, instead of bringing you to Explore.
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🚧 Ongoing
Nothing to report here today.
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Experiencing an issue? File a Support Request and we’ll get back to you as soon as we can!
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cottonlemonade · 1 month
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How You Met
word count: 950 || avg. reading time: 4 mins.
pairing: post time-skip Akaashi x chubby!Reader
genre: fluff
warnings: one person being casually rude about your weight (it’s quick tho)
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The taiyaki were still hot in the white paper bag, the smell reminding you it was almost lunch time.
Looking the street up and down for a bus stop or a waiting taxi you turned on the spot. A little ways up the pathway you could make out the typical black boxy shape of a Tokyo taxi and readjusting your handbag you headed towards it, only for a busy looking person in a suit to snatch it up before you could reach it, muttering something about how you would be better off walking for some exercise.
In disbelief about such rudeness you shook your head, pulling your coat a little closer around your chubby form.
You were sure another taxi would take its place soon enough and got on tiptoes to examine the traffic, on the lookout for one.
A mischievous breeze blew up your coat collar, making you wish you would have worn a scarf after all. Although April was right around the corner, the weather today was icy cold.
Giving up for the time being you headed towards a little flower shop you had passed just a few meters back to warm yourself.
A bell chimed when you opened the door. Pots with regular and more exotic house plants stacked on shelves along the wall, one display case behind the counter held the fresh cut flowers while another showed already bound bouquets in varying sizes and color schemes.
The woman standing behind the cash register called a friendly greeting and held the beginnings of a new arrangement at arm's length to check for possible improvements.
"What can I do for you?", she asked, putting the flowers down and folding her hands over a small pregnant belly.
"I would like a bouquet with peonies and… some eucalyptus, please."
The woman smiled and got to work, asking here and there for specifics in color or fullness.
She was about to come to an end with the simple coral and cream bouquet when the doorbell rang again and a young man looking remarkably like a substitute literature teacher entered the shop, a phone to his ear.
"Yes, father, I am getting flowers. I’ll be there soon. Oh, actually, I might be a while, there are quite a lot of people waiting."
You heard an angry voice yelling something unintelligible from the phone, when he simply hung up and sighed. He reached to tug at his collar like it was too tight and closed his eyes for a second, then, remembering he was in public, gave a bow to you and the saleswoman and apologized.
"Please take as long as you want.", he said, almost pleadingly.
He looked like he had a headache, grabbing his collar again.
"O-on second thought,", you began, turning to the owner that was just about to add the last eucalyptus branch, "I forgot I wanted more. Silly me. Uhm, could you make one with… hmm, those blue ones, some of the small greens, those white tulips, and lots of those light blues there, please? And then another one… with those yellow ones there, there and those, too, please." Your best friends would be delighted.
"Oh", the owner caught on immediately, "that was quite a lot. I don’t think I could memorize which ones you wanted all at once."
"No problem. I can tell you one by one."
The young man gave a small grateful smile at the stage-play-like interaction, letting out a “Thank you very much” under his breath.
As the shop owner wrapped up the first bundle of flowers at snail speed, you turned to the young man, wanting to cheer him up.
"So, where do you not want to go?"
Seemingly too exasperated to care about talking to a perfect stranger he said, "A blind date. Which, by the way, isn't actually blind but with a woman I have absolutely no interest in talking to about anything."
"Oh fun.", you said and trying to lighten the mood added, "Why not bring some flowers that say Thanks for coming, I don’t wanna be here?"
Everyone laughed, but the guy stopped after a second or two, looking at you for the first time, then turned to the florist.
"Can I do that?"
She thought for a moment, then slowly nodded, "I can add some candytuft, for sure and… hm, something really neutral for… and then… maybe I still have some butterweed. Yeah, I think I can do that."
You stayed even after your third bouquet was done, keeping the conversation going, joking around and glad when the young man gave a genuine laugh.
"Let me.", he said, sounding tired, when you drew out your wallet to pay for your flowers.
You shook your head, smiled and handed your card to the owner. Then you reached into the paper bag.
The buns in the meantime had turned lukewarm, but still smelled heavenly when you fished one out in a napkin and handed it to the woman - the other still in the bag you placed on the counter for a moment, grabbing a pen from your pocket. You quickly jotted down your name and number on the paper and handed it to him.
“And here. If you need rescuing from your blind date, send me a text and I’ll call you right away with some made-up emergency.”
Then you raised your free hand that wasn’t busy balancing the flowers with a “You got this.” and after a final wave you left.
Akaashi was still staring at the door for a few long moments after you had gone.
“You’d make a cute couple.”, the saleswoman mused and grinned when the young man blushed profusely, holding tighter to the paper bag.
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roebeanstalk · 16 days
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Tumblr has put out a survey and call for people to help test new features and hopefully contribute to Tumblr's future.
Please - in these types of calls for information - be respectful, straightforward, and informational.
I know that the trans community and others on Tumblr have been having a rough time with moderation, and I feel and hear that anger. Make your voice heard - but if you are able, try to keep it respectful in more formal settings, please.
Those who are unable - still make your voice heard. If you can, take a second to look over your information and maybe pull back on violent or overly intense statements. Still, I think it's better to send those types of statements than nothing at all.
This is not me trying to get people to "calm down" or choose a non-reactive way to push for improvement and better conditions. I fully believe in whatever means necessary when people are being oppressed. I just know that there is a lot of angry, violent, threatening stuff - and not a ton of the more straightforward and formal requests. I just want to balance out the ratio if we can.
I want as many people affected to be able to participate in actually talking with devs/moderators/other users. If we play along, we can possibly join and help make good change. We've gotta try where we can.
Here's a link to the survey in case you dismissed it from your dash or haven't seen it yet.
NOTE: this does log your IP address when you submit it.
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csuitebitches · 1 year
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Going From a Fixed Mindset to a Growth Mindset
Lesson #1: growth is not linear. You will not improve drastically overnight. As I’ve stressed this before, things take time and consistency and concentration.
A fixed mindset is basically a belief that the person you’re born as - your intelligence and talent - are fixed. They cannot be changed, no matter what.
Science has shown that this is not true. It’s 100% possible to get smarter over time and with dedicated effort.
This is what a growth mindset is - believing that you can be better over time, and that your current level of intelligence and talent is temporary.
People with fixed mindsets are insecure, and it shows. Fear of failure; taking constructive criticism to heart; feelings of jealousy when someone they know is doing well… we’ve all known a person like this, and been this person ourselves at some point in our life.
Growth mindset is therefore the opposite but the effects are as grounding; it can help battling anxiety, depression, burnout issues, behavioural issues and so on.
I understand that a lot of you don’t have people in your life with a similar mentality of personal growth. I’m therefore reopening my Discord. My followers can meet, connect and help each other out.
Now, how does one transition from a fixed to a growth mindset?
Here are some things I think could help:
1. Detaching yourself from the definition of failure
If you’ve already decided the outcome of a certain situation without even trying, then you’re still stuck in a fixed mindset. Things like “there’s no point in me applying for that job because I don’t have the skills and I won’t get it anyway” - applying for that job wouldn’t hurt, even if you don’t get it. Stop limiting your opportunities that you never know could actually work out. A growth mindset person will always try to make most of the opportunities they have.
2. Not getting attached to any outcomes
Don’t get attached to favourable or unfavourable outcomes. When something goes well, have gratitude in your heart but don’t let it get to your ego. Life is about constantly learning. Don’t get attached to compliments and don’t get disheartened by criticism.
3. Actively working on yourself
You can learn a language at any age. You can start learning how to dance or sing or ride a horse at any age, if you’re doing it for the pleasure of learning (getting into competitive stages could be challenging if you’re not young). Someone who works on themselves has a growth mindset.
4. Stop self depreciating yourself
If I see one more IG bio that says “I’m so boring uwu” I will literally throw hands. Stop talking shit about yourself. Classic fixed mindset case. It’s childish and people pleasing behaviour.
5. Stop the comparison game
Stop resenting the people around for the good work they do in their life/ if their life is easy. We all have our challenges, whether we show them publicly or not. The more you work on your inner peace and inner self, the less you’ll feel the need to compare yourself to someone else. Jealousy is a disease and a sign of a fixed mindset.
6. Appreciate and thank yourself for being you.
If you’re nice to your mum, siblings, friends when they need your support… you can be nice to yourself too. Growth mindset does not come from berating yourself.
7. Recognise mistakes and take accountability
Admitting that you’re wrong is never easy. However, I’ll always have respect for someone who can admit that they messed up, rather than someone who will make up stories to justify their antics.
8. Provide yourself with at least 3 productive self-care hours a week
Self care here doesn’t mean skin care or hair care. I mean brain care. You feed your brain good things that it needs to stay calm and ever-growing.
These could include: brain games, mediation, a hobby, watching an educational documentary, doing a short online course, reading… anything that’s good for your brain.
9. Stop being a chameleon
Have you ever met those sort of people who will do anything to fit in? It could adopting that group’s mannerisms, thought processes, opinions… now, to an extent, that is normal and subtle. However, when it starts going too far to a point where you can’t be yourself anymore, thats a problem. In my opinion, that’s an example of not being able to practice your growth mindset publicly.
Privately, you may be growth oriented - but it needs to reflect in your words and actions. If you’re holding yourself back in doing certain things because you’re afraid of what other friends will think of you, you need better friends. Embrace people who have a growth mentality.
10. Using social media for better purposes
I made a separate Instagram account where I only follow educational stuff - think history, geography, arts and architecture, science, tech, business - and absolutely no people. It’s my way of using social media to ensure I learn more. Social media may be the devil, but you can be smart and alter it to your purposes, to give you that kick that you need to educate yourself.
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chaoscharme · 3 months
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Self Care Activities that Actually Help
My list of practical, achievable and useful self care tips that will actually improve your mood instead of enabling you to wallow.
Reply to your correspondence
Often if we feel low or our motivation is down, we find it tricky to respond to messages and calls from others. This allows unopened messages to pile up which creates stress and even panic. Instead of trying to ignore this problem, set a timer for 15 minutes. Then give yourself those 15 minutes to respond to as many of those messages as possible, starting with the most urgent messages first. If you cannot complete all the messages, take a minute to reevaluate. Can you give yourself another 15 minutes to finish the task today? If not, that’s fine. Assign the task for tomorrow, and repeat the process when you feel refreshed. If you are not able to give a thorough response to all of your contacts, I recommend drafting a universal message to send, stating that you are currently occupied and you hope to offer them a more appropriate message over the coming days. You can tailor this message to suit your needs and circumstances, and it reduces the amount of pressure on you to offer explanations for your absences.
Wash your clothes
Take the clothes you are wearing off. All of them. Strip your bed. Gather up any towels or tea cloths you can find. Wash them all. I cannot overstate the benefit of living in a clean environment, and wearing clean clothes. Even if you can’t wash everything, wash the essentials, and make sure you are wearing fresh clothes from head to toe. You can swap pyjamas out for more pyjamas, what you wear doesn’t matter. Just make sure they’re clean.
Water
Drink a pint of water with nothing added, no fruit, no cordial, nothing. Just drink a pint of water in one sitting. You are almost definitely dehydrated, just like everyone else. Hydration provides mental clarity, energy, and even relives stress. It reduces pains and aches in the body. It helps quell nausea and heartburn. Water is the quickest and easiest way to reduce physical pain or discomfort throughout the day. By keeping hydrated, you’re improving your quality of life almost instantly.
Stretch in bed or on the sofa
The last thing most of us want to do when we feel low or unmotivated is going for a run, or working out at the gym. Instead of pushing yourself to get a serious or intense workout in, try some stretches you can do from the comfort of your bed or sofa. Stretches will help relieve tension in the body and can increase your energy throughout the day. You don’t have to do anything crazy, just a couple of simple, effective stretches will do the trick.
Eat a “healthy” carb
People so often try to avoid eating carbs as they think carbohydrates are inherently unhealthy. This is simply not the case. While carbohydrates are often used in the production of unhealthy treats such as cakes, cookies and pies, they are not fundamentally bad for you. Carbs are our main source of energy, and if you’re feeling low energy is exactly what you need. Try eating a healthier alternative to those instant sugar rush carbs, such as rice, wholemeal pastas or breads, potatoes or oats. You can add other ingredients to these meals, such as berries to oats or some veg to pasta, to make a more filling meal. Everyone eats differently, but we all need carbohydrates in our diet to provide energy and nutrition, alongside other food groups. Creating a balanced diet is much more important than eating “healthy” all the time. Respect your body by fuelling it appropriately and regularly.
Clean yourself as best you can
Have a shower. Take your makeup off. Brush your hair. Clip your nails. Put deodorant on. Brush your teeth. Wash your hands. You might not have the energy for a full “everything shower” but you can probably do one of the things listed above to make yourself feel better about yourself and your hygiene. Don’t berate yourself if you’ve gone a while without practicing any of these for a while, life can be pretty difficult. Just accept your current situation and try to better it as best you can with the energy you now have.
Please reach out to a trusted person or a qualified professional if you feel you need extra support for any reason. You are not alone and you do not need to suffer in silence. Support is there.
Mwah, Chaoscharme
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cannabiscomrade · 9 months
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It's Gastroparesis Awareness Month
Hi! I have gastroparesis and I'm an insufferable know-it-all so let's talk about it!
Gastroparesis, or a paralyzed stomach, is a condition that causes delayed gastric emptying.
This can cause a range of symptoms and complications:
nausea
vomiting
early satiety/fullness
upper gastric pain
heartburn
malabsorption
dehydration
malnutrition
Gastroparesis can be treated by a gastroenterologist, but often needs to be managed by a motility specialist due to a lot of misconceptions about the condition. Providers, especially in the emergency department, will commonly misdiagnose gastroparesis as cannabis-hyperemesis syndome, cyclic vomiting syndrome, gastritis, food poisoning, etc.
There are several commonly known causes of gastroparesis like vagus nerve damage from diabetes, injury to the stomach, and stomach surgery like hernia repair or bariatric surgery. There are also idiopathic cases with no known cause. Other causes of gastroparesis are:
Connective tissue disorders like HSD and EDS (commonly hEDS and cEDS)
Post-viral (like COVID, viral gastritis, mononucleosis/Epstein-Barr)
Restrictive eating disorders
Autoimmune diseases like Systemic sclerosis (scleroderma), Lupus, Hashimoto's
Central nervous system disorders
Gastroparesis also has common comorbidities with conditions like:
POTS and other forms of dysautonomia (POTS, EDS, and gastroparesis are a common triad of diagnoses)
MCAS
SMAS (which can also present with similar symptoms to GP)
Intestinal dysmotility and esophageal dysmotility disorders (known as global dysmotility)
PCOS with insulin resistance
Endometriosis
SIBO/SIFO
Chronic intestinal pseudo-obstruction
Migraines
Certain medications like Ozempic and other drugs in that class act on the digestive system to delay gastric emptying, which has caused people to be diagnosed with gastroparesis. Some people report that their cases have not gone away since stopping the medication, others report feeling better after stopping. Other drugs like opiates and narcotics can cause delayed gastric and intestinal motility as well, but these are commonly known side effects of those painkiller classes.
Gastroparesis is classed based on severity and graded based on how you respond to treatment.
Severity of delay ranges from mild to very severe, and this is based on your actual stomach retention calculated at 4 hours into a gastric emptying study.
The grading scale ranges from one to three, one being mild and three being gastric failure.
There is no consistent single treatment that is proven to work for gastroparesis, and there is no cure. Treatments can consist of:
Diet changes (3 Step Gastroparesis Diet, liquid diet, oral sole source nutrition)
Prokinetic (motility stimulating) drugs
Anti-nausea medications
Proton-pump inhibitors
Gastric stimulator/gastric pacemaker
Pyloric botox and dilation
G-POEM/pyloroplasty
Post-pyloric tube feeding
Gastric venting/draining
Parenteral nutrition
IV fluids
Other surgical interventions like gastrectomy or rarely, transplant
Gastroparesis is a terrible disease and I hope that if any of these symptoms resonate with you that you can get checked out. I was misdiagnosed for a long time before getting a proper gastroparesis diagnosis, and all it took was a gastric emptying study. This is ESPECIALLY true if you're having post-COVID gastrointestinal problems that are not improving. I almost died from starvation ketoacidosis because of how serious my GP got in a short period of time post-COVID (I had GP before COVID), and now I'm tube reliant for all my nutrition and hydration.
Stay safe friends!
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majorbaby · 3 months
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it takes a conscious effort to break your patterns of consumption and unlearn the notion beauty, interiority, diverse ways of existence aren't exclusive to whiteness or maleness. part of that isn't your fault. certain music is played on the radio, certain shows survive cancellation no matter what, certain people seem to be able to commit the worst possible acts against other human beings and are excused on account of their creative genius. others are selectively punished, with good reason sure, but still, selectively.
now more than ever it's easier to immerse yourself in art made by people outside of the mainstream. reading lists, free resources, playlists... all this stuff is more accessible than ever, but you've got to make an effort to give it a try. it's black history month, the recs are pouring in, go have a look. or take a chance on something absolutely no one has recommended anywhere and if you find something you like, rec it to someone else because the likelihood is they haven't heard of it.
tracy chapman's "fast car" is one of eleven songs that appears on her self-titled debut album. can you name the second hit single from it? if you're american and you fell anywhere left of center as of the 2016 election, it should be on the tip of your tongue if you were engaged in your country's politics at the time, regardless of your level of actual investment in the system. if not, the next time you're doing a task you need both hands with, washing the dishes, having dinner, doing your makeup, put that album on.
there's a post with over 100K notes on here that i see all the time of bruce springsteen and clarence clemons kissing. there's a part of that that is immediately meaningful to many if you're lgbtq, and a part that is harder for non-black lgbtq people to feel the weight of. but it is worth trying to do and was part of the reason why they kissed so often in the first place. clarence clemons was from norfolk, virginia. he released multiple albums outside of his work with the e street band. they may not be for you, but give them a try.
give enough music, or movies, or books that aren't a part of the approved canon a try, and there's no way you won't find something you don't feel as passionate about as you do about springsteen, siken, the beatles, what have you.
james baldwin was a prolific artist. see if you can't find something of his you like more than giovanni's room.
immerse yourself in ringo sheena, who mitski cites as one of her influences.
if you have difficulty paying attention to music you don't recognize, (i get it) make a playlist that alternates tracks you know and love with brand new tracks. start small. 5 faves of all time, 5 you're going to try out. you won't like everything, but you might find yourself looking forward to 6 songs instead of 5 eventually.
for movies, pick an actor whose performance you loved in something and explore their work. last year i picked whoopi goldberg, also a prolific artist, with a vast body of work that's pretty accessible as a result of her constant, intentional effort.
if you're an artist yourself, you can only stand to improve by getting to know your fellow artists better. so expand your notion of what art is. you can do it for free in lots of cases, and you're spending that time listening to music or reading or watching movies or series anyway, what have you got to lose?
anti-racism sometimes means engaging in real-world narratives of pain endured by brown and black people. that pain permeates much of our art, but we're just as three-dimensional as everybody else, and every aspect of our experiences come through in our work. you know that already, because what else is happening when you indulge in various genres. for everything you love or enjoy, there's a brown or black person who's doing something along those lines, in many cases, those genres wouldn't exist in their current form without the influence of our communities, some more than others, depending on where you're from. you can actually keep one foot inside your comfort zone and dip your toe into something else. that choice is both a joy and a luxury.
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ineed-to-sleep · 21 days
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hi!! I absolutely love your style!! do you have any process vids or tutorials on how you go about shading?? I struggle with not turning mine into a whole ass painting :’)
Unfortunately I don't 😔 I recorded some a while ago but haven't figured out how to speed them up and stitch videos together yet cjjcjckg but when I do I'll post something :')
But about shading, I get what you mean about painting cjcjkc I had the same issue a while ago actually. Here's a couple of things that helped me change that, hopefully they'll help you too:
putting more emphasis on lineart. If you polish your linework and create occlusion shadows with it, it'll do a lot of the heavy lifting when it comes to shading, so you won't need to shade all that much with colors and values. like so:
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simplifying things. You get something complex, like a face, and you break it down to bigger, simpler shapes, and then you shade that. There's tools online like the asaro head(I like to use this model in particular), which you can use to help you with simplification, but you can simplify it even more than that. Like if you look at the way I shade faces, I shade them with even less shapes than the asaro head jdjfjf I disregard a lot of the finer details and just portray what I consider to be the bigger or most prominent shadows. I'd say even if you're going for more complex shapes, think about the big ones first, put those down, and gradually go for the smaller ones.
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using design principles on shading. I don't know if you know design theory already, but in case you don't, I recommend taking a look at the principle of "big, medium, small". It's pretty simple, but once you understand it you can apply it to literally everything in your art and make it look better. Once I started applying them to the shapes I create when I'm shading, it also became a lot easier to shade in a more simplified style.
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That's mostly what helped me I think!! Other than that, it probably goes without saying but I'd highly recommend studying other artists. Like, just grabbing a bunch of pieces you like from a particular artist, throwing it all in a moodboard, observing and taking notes and then trying to mimick their style. That's a type of study that usually helps me improve really fast. But yeah, I hope this helps!!
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max1461 · 17 days
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I guess you can take roughly two attitudes towards human endeavors (in a very broad sense "the things we make"):
human endeavors are valuable insofar as they provide pleasure (etc.) to humans
human endeavors are valuable in their own right; they are imbued with value by those who endeavor for them
I think view (1) is more philosophically elegant, but I don't think it really "works" when applied to actual human life. I think taking view (1) seriously requires contorting ourselves pretty significantly from our natural inclinations, indeed from many of our most productive (even in the sense of view (1)) inclinations, for the majority of people. It may not be so for certain personality types overrepresented on this corner of the internet.
But like, imagine being an artist, and trying to actually live and work according to the maxim that your art should produce maximum pleasure in your audience. Where does this lead? Does it in fact lead to art that accomplishes that goal? Or does "making new and interesting art is valuable for its own sake, even if it displeases people. Improving my artistic abilities is valuable for its own sake, even if it is difficult" lead to better art? I think it's very probably the latter in most cases.
I just think that most people, even most people who argue for a deflationary view of value as in (1), would sort of be miserable if they actually took it seriously. They pay lip-service to it as a justification for their actions, but they don't actually think that hard about whether their actions really advance it, and they don't live by it, and they would be less happy if they actually tried!
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comicaurora · 11 months
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Lighting critique of a recent panel ! Dark ambient lighting is a favorite art subject of mine, so i figured this would be a good time to give some input ! ii say as if we havent been in the undergroound chapter for like a month in which it didnt occur to me to pay attention to lighting Oh well loool here it is nowwwwwwww hope you dont mind the input
Huh.
Okay, so first off, thanks - this is cool and your lighting looks very nice. I look forward to seeing what you make!
Second - I really hope sending this kind of ask isn't a habit of yours, because unsolicited artistic criticism comes across as remarkably rude.
Art criticism for the purposes of improvement is a social contract entered between two artists, typically in a scholastic environment. An artist presents their work to other artists whose opinions they trust and value, and those artists weigh in with their thoughts. Critical to the process is that the presenting artist is showing their art for the purpose of improvement, and they're prepared to receive that input because they're actively asking for it.
In contrast, I make this comic so people can read it, and while I certainly don't mind if they take it apart to analyze it or find ways the writing and art could be improved, I, the creator, am not asking for that and - more importantly - will not really benefit from it.
For instance, in this case, my style of background lighting and shading is optimized most specifically to accommodate for the fact that I need to make a lot of these pages quickly, and correspondingly cannot give everything 110%. Any individual panel could absolutely be more polished, but I often shade these backgrounds in batches of ten pages or more, each page with an average of six panels that need individual shading. So that's sixty individual backgrounds I need to shade in one go. It doesn't make your advice wrong, or even unhelpful for an artist setting out to learn this kind of technique - but it does make it unhelpful for me. This is something you realistically had no way of knowing, and I don't hold it against you! But this is why I have a short list of artists and writers whose input I actually ask for sometimes, and that list is composed of people who know me, my creative priorities, and how my process works. Because they know what I'm working with, their advice stands a much better chance of being actually helpful to me.
Criticism, like all art, has an audience it is designed for. In art school environments or artistic coworker situations, the audience for the criticism is the artist being critiqued and the other artists who are learning from the communal experience they are all agreeing to share. This is the exception and not the rule, however. Outside of this space, the audience for criticism of a work of art is typically the subset of the audience for that work of art that are trying to learn something from the experience or understand what did and didn't work for them. This group can discuss what they did and didn't like, what they would have changed, what parts worked for them that may not have worked for other members of the audience, etc. This space of critical analysis forms the backbone of most fandoms and can be incredibly interesting and rewarding to play around in.
The audience for that kind of criticism is not the creator of the art. In the same way a creator can never be fully immersed in their own fandom audience, this form of communal critique from the audience side of things does not work when directed at the creator. In the context of this work of art, we exist in very different spaces and operate under different parameters. If there's one thing I learned from back when I used to check in on the fan discord community, it's that most conversation in this space operates under the assumption that the creator will not see it or take it personally. I cannot be in the audience of my own audience.
All that to say, thanks for the thought, but please be careful doing this in the future - tumblr is the land of kneejerk hostility and poor reading comprehension, and I don't want to see you getting shredded for a kind intention. And I hope some people find this impromptu tutorial helpful!
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