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#we’re the ashes on the ground
theothermaidoftarth · 2 months
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we’re the ashes on the ground summary
Multi-chapter | M/16+ | Nettles x Cregan Stark
While the Wolf of Winterfell is away, the hounds of the north do play. In the ashes of civil war, a wilding raider makes a move which will change everything.
Nettles has a fine life in the Mountains of the Moon. Worshipped as a goddess by the mountain Valemen, she should want for nothing. The deadly dance has left the dragons of House Targaryen dead, and now she alone rides the largest one in all the world. It was a heady ascension going from orphaned bastard to dragonrider, let alone traitor to goddess. 
Her world is turned upon its head yet again when a decree from the new boy-king and his regents sees Nettles pardoned and granted land in the North. But not out of the kindness of their hearts. 
Sylas the Grim has led a force three thousand strong across the Wall while Cregan Stark and most of his fighting men are far south in King’s Landing; his actions cut short the Hour of the Wolf and the Warden of the North's quest for justice. Cregan turns his eyes to home and hearth, bristling with a need for vengeance and a new ambition to make a name for himself against the wildings like Theon Stark before him.
As a new era dawns around them, Nettles and Cregan find themselves drawn to each other against all odds. Can they transverse their changing world together, opening their hearts to one another and the prospect of happiness and love, or will the shadows of the past prove too strong? 
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capslocked · 2 months
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male reader x karina & irene
part 1 of two roses, by every other name
28k words
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It goes without saying that Karina’s reputation is flawless. 
Irene’s is remarkably not.
You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."
-
You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.
It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 
It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.
“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”
It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.
And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.
Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.
The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.
Also, just as straightforward: crossing any number of those lines has its own kind of appeal.
"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."
Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."
The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.
“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."
The twisted irony is that the two of you could pick up any woman, anyone at all.
"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.
"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"
Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.
If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.
"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.
"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"
You pull Irene in closer. “She’s not you.”
-
For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.
Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.
It happens to someone Irene knows, once. You pray every year it will happen again.
Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.
And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.
The machine’s so fine-tuned and tightly wound, like clockwork.
"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.
And so it goes.
You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."
"Uh-huh," you say, eyes fixed on her reflection in the mirror.
"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 
You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 
“So I guess, pace yourself or something.”
"Ever the salesman, Irene," you say, facetious.
"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 
It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.
Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”
She muses it right into a laugh. Covers her genuine smile with her fingers.
"Hey," is how you answer, always.
You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.
And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.
"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."
She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”
And so it goes, and so it goes.
-
"Have a drink," someone keeps saying.
As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.
Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.
And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.
Happy New Year, sorta. You wait it out.
-
She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.
This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.
She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.
Character, setting, scene; it’s all rather textbook, no? 
You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.
And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.
She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.
She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.
You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.
Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.
"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"
Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.
“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"
"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.
She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."
As if you had any intention of absconding without her.
-
Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.
"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"
A real celebrity.
The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:
You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.
Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.
“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”
You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."
Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.
"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.
You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.
Who the hell else could make it sound dignified, pretty even: ménage à trois.
Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?
Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”
You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.
Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."
Add that to the fact the girl’s utterly shrouded in myth.
Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.
Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.
Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.
You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.
A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.
You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:
Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.
So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 
“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”
"And wouldn’t you know."
It’ll sound smooth, probably. Irene will roll her eyes.
“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”
"Hm, I’m thinking."
You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.
She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.
You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.
Irene will finally perk up, gleaming.
Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.
But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.
But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.
She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.
It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.
It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"
And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."
Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.
In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 
The light will change. The intersection will empty. The radio will turn to static.
You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.
"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"
The difference won't matter. "I'm suggesting," you'll say.
You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"
Tough to say.
Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.
And - she would, really.
She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.
"I think she's great," you might say out loud, lowkey.
And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."
It’ll make the cab driver clear his throat.
"What you’re saying is ‘no.’"
Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."
You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.
"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."
The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."
You've been speaking in code for years. She means: way, way, way too straight.
"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”
"Um, do you mean Rosé?”
“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.
You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.
Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 
And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 
What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?
-
(The truth is: it doesn’t go like that at all.)
-
Enter then, Yu Jimin.
The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.
An assay into form over function. She's never cared for pragmatism.
But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.
Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.
Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.
A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.
Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"
Not for long, the question lingers.
"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.
"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.
You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.
"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.
"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."
"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.
Oh, and listen, no one gets it better than Irene.
"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.
"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.
"Are you out here waiting for someone?" you have to ask. 
"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"
"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.
"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."
This is sorta how you've always known her. 
Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.
Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.
"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."
Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."
Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"
"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”
Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."
“You're one to talk, Irene."
“Careful,” Irene warns.
"What, you gonna set me straight?"
"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.
There's no kindness to the way she laughs. None.
She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"
-
Depending on who you ask, you’ll get different results.
Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.
She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.
Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-
"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.
“That’s more or less the gist of it,” you offer.
“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."
"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"
Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.
But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.
If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.
Doesn’t matter who you are, that’ll fuck you up for real.
And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.
Irene is not stupid. She picks up on everything, and there's a lot to unpack:
"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.
“Well,” you played along, because you’re not really without blame here either. "Have you?"
"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."
You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 
"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."
You remember the knit of her brow.
“Do not.”
You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.
"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"
"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"
Karina hums. "Ah, so - you think I deserve to have a little fun."
"Maybe," she draws it out a little longer.
Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.
Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.
She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -
"Both of you should know I'm not that type of girl. Who puts out so easily-"
"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.
"Yeah, well. If this isn't a setup, then, what-"
“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."
"Ha."
You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.
"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”
Karina just runs her tongue across her lips, sighing.
“No strings attached, no special treatment. Or anything."
"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."
"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."
There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"
"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.
Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 
You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 
"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."
Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 
The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.
"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."
It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.
(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 
Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.
"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."
Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."
Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 
“Oh,” she breathes out, and it sounds sated and needy all at once.
You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.
Just to keep her gasping, panting.
Like a woman starved for it.
"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"
Karina nods, slightly. It’s all she can manage.
You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.
"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.
When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.
Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.
"That feels - so," she starts, and bites off the rest of the words.
Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:
"- so, good, oh. Do - ah, fuck. Oh, god-"
-and vanish somewhere in Irene's mouth.
"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"
And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.
Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.
She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"
And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 
You both do. 
Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.
Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 
"Oh my fucking god." Karina can only gasp, jaw-slacked open. 
Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.
"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."
Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.
And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-
“I'm… fucking cumming.”
Karina spends the entirety of her first orgasm between the two of you, heaving.
The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.
How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.
"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."
"You said to," is all Irene says, amused. 
Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.
She breathes, "god. Irene."
It sounds an awful lot like she's begging for mercy.
Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."
"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"
Karina replies, "only everywhere I still haven't gone."
Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.
It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.
Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."
She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.
"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.
It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."
“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."
Karina sighs. “Well I’d hate to get all the way here and half-ass it.”
You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.
All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-
“-sorry, whose cock?” Irene has no intention of letting her off easy.
You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"
Karina just shoots you a sharp-eyed look. "You heard."
"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."
"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."
The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.
“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”
It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:
"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 
You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."
“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”
"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"
The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.
"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."
There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-
Like Karina wants you to look.
She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 
She laughs at the premise. 
“I dunno, what's a girl to do?"
You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.
And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.
-
So what if, by some pure hypothetical, this all spirals out of control?
You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.
Irene laments and hopes in the same breath. 
She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.
"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."
"Honey," is how Irene responds, leisurely.
There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-
Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.
"I wouldn't have you beg for anything."
It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.
Karina can't deny it's everything she wants.
"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."
Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.
You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.
"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."
She ends it so charming.
“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."
Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.
"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"
Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.
“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”
Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.
“I know, I know - that feels so good, right?” Irene coos.
You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.
Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.
“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”
All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.
“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.
There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”
Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”
And the girl absolutely fucking keens.
You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.
"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."
If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.
"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.
It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 
“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:
"-until it's leaking down these fucking thighs-"
"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.
“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”
"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 
"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”
"Fucking, please, god-."
Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"
Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:
She slaps Karina, right across her tits. "Fucking cum on it."
One.
Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"
Two.
"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"
Three.
Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"
Four.
The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.
"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."
The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-
"God, I can’t, just- ah.”
“Breathe,” Irene says.
"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.
Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"
You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."
You're about to just pull her down and absolutely cream her, stuff her full - a mess.
And she wants you to-
"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.
She’s right. It does. Her, coming undone. You, at wit’s end. 
Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 
You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 
A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.
Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 
“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."
You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"
It’s wicked, for one thing. More than that, it's seamless:
While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.
“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.
Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."
No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.
You absolutely get it. 
How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.
She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.
So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'
Who stands any chance to resist?
And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"
Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 
The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-
"You can cum for me too, baby."
It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 
“Just cum.”
You watch it knock the architecture right out of Karina's legs.
-
Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-
Look - the tumultuous tangle you three make is all over the fucking place.
One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.
There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.
And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.
The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.
Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'
Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.
"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."
You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 
Karina presses, all cheek - a very dry, "cute."
It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.
The three of you know she deserves nothing less.
“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”
Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.
The thing is, with Irene: facades fade fast.
Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 
“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 
The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:
She simply shudders apart.
Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.
Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 
“Irene, look-” 
Well, at least she’s tuning in on all the right frequencies.
"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"
Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.
“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."
Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.
You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.
“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"
Irene lets out this wanton sound, desperate.
“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”
You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.
How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-
“Just say please, doll,” Karina tells her.
If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"
You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.
"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"
"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"
Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.
You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.
The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-
It steps out into pure necessity.
She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.
"Honey," her voice wavers. Then, it falters: "please."
The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.
You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.
Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.
In and in and in.
Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.
It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.
“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"
There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-
"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?
Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.
And in case you missed the point:
"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"
There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 
Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.
And so it goes, and so it goes, and so it goes.
-
(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.
More relevantly perhaps, it is that race and rise you feel inside your chest. 
Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)
-
“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."
You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.
So,
You and Karina happen to be two things at once: very tired, and very awake.
"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 
A bit of color.
"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.
She finishes with a cough. And says again:
"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"
Well. She's got you on that count.
"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."
“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."
"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 
Karina reaches in. Lets her fingers graze yours. Her skin is cool. 
“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”
She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.
Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.
"You're not, I dunno, say embarrassed?" you ask, after a beat.
"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.
“Because I'm not the type.”
The heavy stream of smoke then blown right into your face.
"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"
There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.
"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.
"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."
“We’re not married,” you correct.
“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”
The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.
"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."
She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.
“I really thought she was going to make me call her mommy or something, I swear-”
"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”
"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.
"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.
Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-
The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."
She’s probably right.
"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.
"You’re really going to let them in on what we all got up to?"
"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."
-
On Monday: the holidays are officially over.
There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.
You head downtown with a cup of coffee in one hand and a musing mood in the other.
On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 
The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.
She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.
The messages just keep on coming and there's really no better descriptor.
And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.
There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.
-
Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.
Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.
You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.
She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-
“Don’t you Joohyun me,” is her lightest rebuke. 
She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.
And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.
"Actually, here," you say, "can I?"
She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.
"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"
It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.
“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 
She doesn’t really care.
You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.
"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks
“I think, definitely, should open a bottle of wine-”
That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.
But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 
She’s totally caught you staring.
The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.
You tell her as much when you end up fucking her right there on the counter.
It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.
"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."
"I wouldn’t push your luck," is all you choose to tell her. 
You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.
"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."
Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-
"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"
You stop fucking her, halfway.
"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”
Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.
But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 
To the vice, the virtue, and everything in-between.
"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 
The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"
You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.
You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-
Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-
Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.
You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"
Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 
"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 
Like fucking her is the only thing the two of you ever do.
Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.
"I bet it all sounds like, ah, the prettiest fucking music - in your head-"
“Fucking god, Irene-”
“Mhmm?” she fucking coos.
Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.
Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-
"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”
Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”
What, is that tacit approval? Probably. It’s hard to think straight.
So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-
"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."
(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.
You never say yes. You never really have to.)
This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-
The sight alone.
When her head tips back, tongue passing over her knuckles, and she swallows-
"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."
She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.
And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.
You’ll make your vows like any other.
"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.
You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.
The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"
-
The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.
"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."
“Okay then why all the go-around; the wait-and-see; what’s her endgame?”
“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.
"I think you might be projecting."
"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."
"An affair," you repeat, skeptical.
"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"
"And you figure we should be the ones to dole it out."
"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 
"That's the fantasy."
And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.
You listen until it feels less and less like the decisions have already been made.
“Okay, babe,” she’s presenting her case. “Hear me out.”
And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?
(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)
"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."
There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-
"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.
"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 
Right in her warm, wet little mouth.
Jesus, her tongue too-
She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-
Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 
She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.
To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.
"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.
She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"
You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-
"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."
Her pout, right there, waiting.
You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.
When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-
There are no questions. This is simply Irene, doing what she loves.
She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-
Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.
"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.
There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.
"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 
The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"
Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-
She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.
"Yeah, god, okay- I’m just gonna go ahead-" 
There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 
"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 
Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-
It’s all flexed in your back. Every muscle. Every fiber.
Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.
(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)
"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.
The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.
Though it's a pleasant daze. She prefers you soft like this, really.
All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."
If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.
-
The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.
// Karina 10:41 pm > i'm bored.
// Karina 10:42 pm > suggestions?
// 10:49 pm > have you tried looking into an incognito tab?
// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?
// Karina 10:58 pm > help a girl out here.
"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."
"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."
Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.
// 11:01 pm > sorry. i'm not in the business of just handing out freebies
// Karina 11:07 pm > really
// Karina 11:07 pm > thought we were making progress here
// 11:11 pm > you're funny
"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."
"Something edgy," you deadpan.
"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.
"No," you say. “God, no.”
"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."
// 11:13 pm > u alone right now?
"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"
// Karina 11:13 pm > yeah. i am :/
You and Irene are both struck a little dumb by that. 
“Sheesh, she must have had her finger hovering over the reply button.”
"Yeah," you say, eloquent. “Who could blame her, though.”
"Uh-huh." Irene exhales, staring a bit pointedly.
// 11:16 pm > cool if I come over?
// Karina 11:17 pm > and… do what?
Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."
“Can you fucking leave it-”
Irene rolls her eyes.
// 11:18 pm > do you need ideas
// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though
"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"
"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"
Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.
"How, what - babe."
"You could promise to let her sit on it."
"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"
"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."
Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"
"Just- have sex. Tell me about it after."
The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.
The sigh. That long, heavy thing. A leadup you do so often.
The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."
"Wait," and she's saying, "wait. Wait."
And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"
"Mm."
Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.
Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.
"You'll be good right?"
"I mean, sure," is what you manage, watching her lips close.
"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."
There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-
"And give her an extra hello from me."
"Okay, I love you, but also you're insane, like certifiable."
"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.
-
You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-
Until she answers and leans out, pulling open the door. It takes you by surprise-
"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."
It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.
"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"
There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-
"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."
Though, unfortunately, the suggestion falls short on delivery.
"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."
She drags you another step forward, with just the hot flash of her gaze. 
"Shut the door behind you?"
"Locking it too," you tell her.
The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.
As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.
"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."
She must see the confliction you're in-
"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."
"I- don't really-"
She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"
Your lips draw themselves a blank on anything useful, while your heart rate accelerates.
"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.
-
You’re not exactly supposed to end up on your knees for this.
This isn't quite how you pictured-
Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-
Karina, for the longest few seconds, is shocked into stillness.
Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.
"Yeah. That would work."
Like it's no big deal-
"Do you need instructions? I can get a bit graphic."
"Actually, you know what?" you choke a little, and - "trust me."
You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-
And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-
(You know, god help you.)
-
Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.
"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."
"What the hell do you think?" you say, dumb.
There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"
"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.
"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.
You lay it all out for her. Everything she wants to hear.
-
Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.
Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.
Always traveling for this reason or that.
And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.
The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 
In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.
To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.
After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.
The long and short of it is: 
She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.
“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."
“Yeah, I’m sure she’d love that.”
Karina does the most insipid thing. She fucking winks. “I’m sure she would.”
-
"Uh, are you kidding me?" you ask Irene. 
It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"
Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"
She takes another spoonful of yogurt between her lips.
"-she'll let you do anything, promise."
“That’s fucked up.”
“I know.” Irene wags the spoon at you. “It’s great.”
-
It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"
In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.
-
You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:
It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.
Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.
Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"
Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.
“Elaborate.”
"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."
"Are you really."
She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”
Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.
“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."
Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-
“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"
There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."
Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.
“So.”
You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.
You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.
“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”
She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"
"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.
You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-
She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.
Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.
"Fuck," is the harshest exhale she's ever dragged out from you.
She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.
"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"
On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.
Because on the other, the movement is so, so direct. 
Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.
"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 
“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"
"Holy fuck, you're-"
"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"
You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.
But instead,
"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.
Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-
"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"
You cum just like that: 
"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."
You shoot clean up, all thick, hot splatter.
Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.
"Jesus, Karina, baby you’re-"
"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”
And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.
(Sanity is being generous, considering.)
You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.
Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.
You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 
Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.
Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.
-
(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.
She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.
The protégé, the goddamn heir-apparent:  
But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 
So you see, if you and yours have both decided to ruin her-
It is a disaster-in-the-making, isn’t it.)
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flowersandbigteeth · 3 months
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Orc boyfriend with what he thinks is a tiny, smol mate who's so smol, so delicate, so sweet... They're actually pretty firmly built for a human, while a bit short, along with being stubborn and sassy and ready to bite heads off for their adorable XL size boyfriend.
I've got so many orc stories going right now, but you know I'm not mad about it ^_^ I love Orcs <3 There are so many different ways to write them. I have another couple of Orc asks I'm working on, as well 🥵
Orc (Cedar) x thick f reader
Word Count: 5K
Tw: sfw orc fluff, some brief descriptions of battle, brief mention of sa, size difference
More monster fluff here
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“Put the stick down, sugar. We’re not going to hurt you.” 
You scoffed at the soldiers circling you, their eyes dark with lust. 
“We just want to have some fun,” another said, his eyes drifting over your shapely hips. “Don’t you owe us a debt of gratitude for rescuing you?”  
You squeezed the iron fire poker that you had gripped in your hand. 
“Rescuing me? You didn’t get your rocks off burning down the damn village?” 
“It was a strategic maneuver,” the leader of the armored men said with an oily smile. “We are here to liberate you.” 
“By assaulting me?” you snapped. 
There was not a doubt in your mind that the second you lowered your weapon, they were going to drag you into some dark corner and act out all of the sick thoughts they had echoed on their faces. 
Your King’s soldiers weren’t good guys. When they heard there was an Orc camp nearby, they couldn’t be bothered to attack it directly. Instead, they burned down your village. They said it was to prevent them from resupplying. 
It was true you did business with the Orcs, who were technically your enemy, but they never acted like enemies. While big and quite scary-looking, they paid in gold and were always polite to the women running the shops. You never felt the least bit unsafe alone with one, and occasionally, they’d help you out with things that needed done– fixing roofs and cartwheels. The men of the town had all been conscripted for the war, so it mostly the ladies keeping the village afloat. The soldiers had made a whole lot of children and the elderly homeless. 
“Come on, sweetie, this game is getting tiresome.” 
One of the soldiers dared to approach you, and you didn’t hesitate a second, swinging your poker and smacking him so hard in the head that his helmet crunched. He collapsed on the broken boards that had once been the floor of your little noodle shop. 
“Now that’s a crime!” the leader barked.
He waved to his accomplices. 
“Get in there and restrain her!” Their eyes fell on the collapsed soldier, and they looked between one another, trying to sort out who was next to get a whomping. 
You flexed your wrist, preparing to swing at whoever came at you next, when you heard the heavy steps of an Orc approaching. The soldiers were too inexperienced to know what that sound meant. You’d heard them approach every day at dinner time for several months. It wasn’t until he was shouldering his way through what was left of your door that they took notice. 
“The enemy approaches! Your swords!” 
The Orc you knew as Ash, wrinkled his brow and let out a lilting call to gather his brethren. The ground rumbled as more heavy feet ran towards you. 
Wood splintered, and what remained of the ceiling creaked as they tore the walls away, making more room for a fight. 
Faced with five nine-foot Orc barbarians armed with axes almost as big as their bodies, the soldiers tried to run for it. You screamed as they threatened to trample you, trying to force their way through the back wall, but they never reached you. 
The Orcs didn’t need to draw their weapons, grabbing every soldier and smacking them against the ground until they stopped moving—a gruesome way to die, but practical. 
When the danger was crumpled into a wet gnarl of bones and metal, their eyes turned to you. Ash said something to his friends in their own language before he stomped across the room and plucked you up like a kitten, cradling you in his arm. 
“Hey, What do you think you’re doing?!” 
“Quiet, little one. You’ll give us away.” 
You puckered your lips at him, annoyed, as if the stomping of five tons of muscle was quiet. When you tried to wave your poker at him, he plucked it out of your hand but didn’t drop it, tucking it instead in his belt. He said something else to his friends before turning to split away from them. 
You had no reason to panic. The Orcs had never harmed you, but being taken away from the group put frightening thoughts in your head, and you instinctively started screaming. 
The Orc sighed, sounding tired, when four more soldiers came skidding around a corner, swords in hand. You looked up at him apologetically, smacking your hand over your mouth to stay the scream that didn’t want to stop. 
He set you on the roof of what was left of a building and pat you on the head, a gesture that you read as “stay” before pulling out his axe. You weren’t going anywhere, even if you wanted to. The drop was fifteen feet down, and the stairs were just charcoal at the base of the building. 
“Attack!” the leader of the soldiers shouted, but their moves in their heavy metal armor were slow. Ash swung his arm in a sweeping stroke that sliced four of them in half where they stood. The other one, eyes wide with horror, turned tail and ran. 
Replacing his axe, he picked you up again and headed into the woods. This time, you had enough sense to keep quiet. 
You’d never been to the Orc camp before, but you heard it before you saw it. The brassy sound of a grinder and hammers on metal rang through the trees, blended with the shouts of the Orcs in their language.  There were lots of huge tents and fires spotted here and there. The camp was buzzing with activity. Orcs ran around shouting at one another, some gathering weapons, some sending groups in the direction you came. You recognized many of them as some of your customers. They often came in groups and hauled away vats of the noodle stew you sold. 
A few Orcs waved at Ash but didn’t pay you much mind as he carried you to the nicest-looking tent. It had a banner outside of it with a gold bear embroidered into the fabric. Ash set you on the ground at the door and handed you your poker before patting you on the back, indicating you should go in. 
“What’s in there?” you asked. 
He said something in Orcish that you didn’t understand and walked away. There were too many other giants around to attempt an escape, so you pulled aside the fur covering the door and peeked inside. 
“Hello?” 
Your question was returned with a deep voice, smooth as a glassy pond. 
“Enter, little one.” 
Taking a few steps inside, you were faced with what you could only describe as the most handsome Orc you’d ever seen. His skin was a deep olive, and his hair fell over his shoulder in a long, dark sheet with small braids here and there. His tusks were large, but they seemed only to highlight how well his lips were formed. His features were harsh and defined but not unattractive, with a straight nose and deep-set gold eyes. The only thing you could point out as a flaw was a dark scar from his forehead to the right corner of his jaw. 
You assumed the Orcs were blunt tools, sprinting into battle with no real plan, but this one was sitting at a high table examining maps with a book in his hand. 
“I’m…I’m not sure why I’m here,” you said, brandishing your poker, though you didn’t feel like you were in any particular danger. 
“I asked Ash to fetch you,” he said without looking up. “You’re the noodle shop woman.” 
“My name is (Y/N), not “noodle shop woman,” and I don’t have a shop anymore. The soldiers burned it.” 
He put his book down and turned his gold eyes to you. 
“That’s why you’re here.” 
“I don’t understand.” 
His eyes drifted over you before they settled on the poker you were still holding up. 
“You were feeding most of the camp. If there’s no shop to visit, you can make noodles here.” 
You blinked up at him. 
“Oh…Am I your prisoner?” 
He chuckled. 
“If you’d like to go back to your people, I won’t stop you, but judging how they burned down your village without hesitation, I think you’re safer with us.” 
You had to admit that made some sense, but you still weren’t buying it. 
“I can’t stay here with you!” 
He tipped his head, the corner of his lip twitching up slightly. 
“Why is that, little one?” 
You narrowed your eyes at him. 
“First of all, I’m NOT little, and second, an Orc camp is no place for a lady.” 
A shudder that had nothing to do with fear shot down your spine as his eyes moved over your body. He crossed the room, scooping you up, and setting you on his table. Your feet dangled far from the ground. 
“What- What are you doing?” you snapped, waving your weapon at him. 
“My neck was hurting from looking down at you. You’re very short.”
The sparkle in his eyes told you he was teasing you, which drew heat to your cheeks. 
“Maybe compared to you. You’re unnecessarily large. What are you doing with all of that muscle? Are you going to arm wrestle your books?” you pouted, eyes drifting to the massive bicep peeking out of the fur vest he wore. 
He laughed out loud, gracing you with a wide smile. 
“You’ll fit right in here.” 
You raised your nose at him, trying to look unconvinced. 
“Where will I even sleep? All of your tents are big and drafty.” 
“Since you’ve declared your intention to court me, I wouldn’t mind if you slept here.” 
“Declared my intention to— Where did you get that idea?” 
He flicked a fingertip at your poker. 
“In the old days, Orc females came to their males' tent and threatened them into submission with their favorite weapon.” 
Your cheeks burned like hot irons, and you almost dropped it. 
“Well…I’m not trying to court you. It’s for protection.” 
He snorted at you but nodded his head. 
“If you say so, little one, but it will be much warmer in my tent if it’s drafts you’re worried about.” 
“I don’t even know your name. Ash called you something in your language. I didn’t understand…” 
He examined one of the feet you had dangling over the edge of his table. Compared to his big hand, it was tiny. 
“Cautalin, it means something close to general in your language, but you can call me Cedar. That’s what my mother named me.” 
Your eyes traveled over his barrel chest and thick arms. 
“Seems about right,” you said, finally setting your poker down. 
He picked it up, looked it over, and tested the weight in his hand. 
“Not a bad choice,” he said. “Light but effective.” 
You glanced up at him through your eyelashes, feeling cheeky. 
“Do you feel like submitting?” 
You watched a flicker of heat ignite in his eyes, and he slowly set it down. 
“Come on, let's get you to bed, killer.” 
He picked you up again, walking you over to a large pallet covered in furs. 
“This is your bed.” 
He gave you another smile. 
“We’re in the middle of a battle; I won't be sleeping tonight. It's all yours.” 
Though you weren't quite sure about sleeping in his bed, weariness overtook you at the sight of the comfortable, cozy furs, and you crawled in, wrapping yourself up to your chin in blankets. 
He put your poker next to you and blew out the candle, slipping out the front flap as you dozed. 
— 
You woke to yelling, but not the sound of battle. Crawling out of your furs, you picked up your poker and peeled out of the flap Cedar used as a door. Another Orc you didn't recognize was the one yelling, and Cedar had his arms crossed, looking bored. 
Your eyes drifted to about twenty women, elderly, and children, cowering in the chilly morning air, their faces streaked with soot from the fire.
“They’re our enemies!” the strange Orc barked. 
“Really, Asvoth? Are you really afraid of a handful of children and their mothers?” 
“This is a war camp, not a nursery.” 
“It's my camp, not yours. They stay.” 
“I outrank you. I can take your command.” 
Cedar snorted. 
“Yet the King hasn't trusted you with a unit of your own. You're nothing more than an errand boy with a fancy title. Any of these children could take your job.” 
Asvoth’s face turned a deep forest green from both embarrassment and indignation. He yanked the sword he wore on his back to his hand. Without thinking, you hopped in front of Cedar, waving your poker at the intruder. You had no idea why, a fact you only considered after you’d already put yourself in harm's way. Still, you'd made your move so the only thing to do was follow through. 
“You heard Cedar! We’re not leaving! Get on if you know what's good for you!” 
Asvoth sprung forward, dropping his sword toward your head. Your eyes squeezed shut, preparing for pain, but there was only the clang of metal. Opening one eye, you glanced up to see Cedar’s axe blocking the other Orc’s blow. 
There was a moment when you thought Asvoth might overtake him, but Cedar’s muscles weren't all for show. He shoved the other Orc back, and he toppled over, landing on his butt in the dirt. His sword landed in front of the children with a CLANG. 
“Woah!”  the little ones cheered, circling around it like it was a strange animal. 
A few of them tried to pick it up, but it was far too heavy, making their eyes pop even wider.
Cedar nodded at him, and a pair of Orcs from the camp dragged Asvoth up by the collar of his tunic, pushing him towards the forest.  
“I'm reporting this!” He shouted over his shoulder as he stumbled towards the woods. 
Cedar waved a hand at one of his Orcs, beckoning him closer. 
“You and Orin follow him and make sure the King gets our side of the story, not his.”  
When the situation seemed settled, Cedar looked down at you and patted your head. 
“Thank you for your protection, little suitor,” he said with a smirk. 
Your cheeks blew up in flames, but you puffed your chest and looked at the children watching Ash pick up the abandoned sword. They hopped around him like little bunnies, begging him to teach them to use it. 
“I have no idea what you mean! I’m here to make noodles! Point me in the direction of my kitchen! These little mouths are probably hungry.” 
He chuckled, but guided you with a large hand on your back to a large tent filled with whatever food supplies they had rescued from the village. You wrinkled your nose at the primitive workspace, but there were enough flour and eggs to work with. You were surprised to find someone had stuck in a lower table, perfect for your height. After washing your hands in a water basin, you got to cooking. 
“What are you still doing here?” you asked Cedar, who had plopped down in a chair and was reading a book. 
He smiled. 
“Reading.” 
You blinked at him, putting your floury fists on your hips. “Are you surveilling me? I’m not going to poison you all! I have to eat this too, you know.” 
He tipped his head to the side, his gold eyes sparkling in the makeshift hearth. 
“The sound of cooking is soothing. I liked to study in the kitchen while my mother cooked when I was a boy.” 
You looked him up and down. 
“I can’t imagine you as a child.” 
You thought for a second, tapping your chin. 
“You know, I don’t think I’ve ever seen an Orc child, actually.” 
He looked back down at his book, shifting in his seat to get comfortable. 
“You will,” he said as he flipped a page. 
Your brow wrinkled at that nebulous statement, but you knew everyone was hungry after the long night, so you got back to work. 
By midmorning, you had a stewpot big enough to feed an army filled with noodles, vegetables, and what little bit of venison the Orcs had been able to hunt between the battle. 
“All done,” you said, clapping your hands and creating a puff of flour in the air. 
Cedar got up and shouted something to his men, and two Orcs appeared to carry the big vat into the central circle so it could be served. You felt a sense of satisfaction when all the bowls were passed out and the children, tired humans, and bloodied Orcs were eating. The mothers spoke quietly between one another, while the children could hardly sit still, their big eyes following the Orcs every movement. 
“Here.” 
You looked up to find Cedar holding a bowl out to you. A grumbling stomach had you accepting it, and he patted the seat next to him for you to sit down. The two of you ate quietly for a moment before you asked him a question. 
“What are you going to do with all of us?” 
“Hmm?” he asked. 
“Well, I mean when the battle is over. We have nowhere to go. Our town is destroyed.” 
He looked at the children who, after scarfing down their bowls, were engaged in some game with Ash. 
“I was hoping you would all return to our capitol city with us. That’s where we live when we’re not fighting.”
Your eyebrows jumped. 
“To the Orc city? We’re humans. Don’t your people hate us?” 
He shrugged. 
“There are some weak minds who reveal their own fragility with their hate, but the rest of us like your kind. This whole war started because we wished to create allies amongst the humans.” 
“What? The soldiers said you attacked!” 
He chuckled. 
“Your king has a very effective propaganda engine. That’s probably the only thing about him that is effective. We sent a delegation party to him to discuss our interest in mingling with you humans. You all are prolific; despite your size, you’re a sturdy bunch. We thought marriages would bolster our numbers and strengthen your stock. Your King attacked, and we were forced to defend ourselves. The force that attacked us was decimated, and he declared war.” 
“You mean…you wish to mate with us?” 
His eyes slid down to you, and he gave you a sharp nod. 
“Is that so surprising?” 
You thought about it for a moment. 
“I don’t know…Maybe a little. You’re so strong. You’re not afraid we’ll diminish you?” 
His thick hand cupped your chin and rubbed some flour away with his thumb. Your heart raced at his touch. 
“Size is not what makes us strong. Our strength lies in our unbreakable bonds. Your King will be defeated, not because his forces are less than ours, but because he orders his men to betray his own people.” 
He nodded towards the children, who were playing chicken fight on Ash and another Orc’s shoulders. 
“They will remember it was men who burned down their village, stole their fathers from them, assaulted their mothers and Orcs who took them in, fed them, and helped them smile again. 
“I suppose you’re right,” you agreed. 
His smile widened. 
“I will remember you took up arms to protect me against an enemy twice your size. You belong among the us.” 
Suddenly the wool dress you wore was much too hot. 
“I should go wash these before the next meal,” you squeaked, grabbing his empty bowl and scurrying away.
Once safe in the kitchen tent, you pressed your hand against your chest, trying to still your heart. Why did Cedar make you feel so fluttery? You’d never felt this way around anyone before. You usually kept to yourself and steered clear of romance. It had to be the battle, you decided. You were still hyped up from the night before. In a day or so, you were sure it would pass. 
Dunking empty bowls in ice-cold river water helped cool your thoughts as you tried to focus on what to make for dinner. The Orcs stocks were pretty hefty, but they and the children ate a lot. You’d noticed many of the parents tipping some of their bowls into their little one’s, making sure they were fed properly in case the next meal didn’t come. 
It saddened you it had to be this way. What horrible person decides to burn down their own citizens' village? Who was the King even protecting you from? Not the Orcs, that’s for sure. 
A loud rabble outside dragged your attention away from the dishes, and you picked up your poker before peeking your head outside. 
A few Orc scouts were speaking in rapid Orcish to Cedar. When they paused, his eyes immediately looked around for the children and frowned before he spoke to you all. 
“The human King has sent reinforcements. They will close on our camp by nightfall.” 
The mothers all gathered their children to their skirts, looking weary. 
“Women and children to the kitchen tent! We will keep you safe, but you must stay hidden!” 
You made way as a small stampede of humans rushed past you, many pushing their children to hide under the table. 
“What’s happening?” You asked Cedar as people and Orcs rushed around. 
He scrubbed his hand over his jaw, looking disturbed. 
“Someone ran back to your King with a story that we’d kidnapped you, not taken you in from starving in a burnt-down village. We will win this fight, but then we will have to make the journey back to the capitol. They will keep attacking if they think you’re within their grasp. Do you think you can explain this to your people? We don’t intend to take anyone by force, but I wouldn’t trust the King’s soldiers.”
“Yes, of course. Whatever you need.”
You hurried back to the kitchen, where the humans were muttering to one another. 
“Should we flee to the forest?” Isla, the former town candlemaker, asked. “Can we depend on the Orcs to protect us?” 
Another woman scoffed. 
“We can’t trust anyone. These Orcs are kind now, but they’ll sell us out at the drop of a hat.” 
Linda, a quiet woman who worked as a weaver, whimpered. 
“But we’ll starve in the forest alone. Word is the King’s men have raized every town for fifty miles!” 
You inserted yourself into the conversation, holding up your hands. 
“No one needs to escape to the woods. The Orcs are going to take us back to their capitol to keep us safe.” 
Linda squeaked in horror. 
“The Orc capitol?! Where they can enslave us?!” 
“They have no plan to enslave you. Don’t you want your children to be safe? We will be safe behind their walls!” 
“Or…when the King takes the city we’ll all be hung as traitors!” 
“Shawna, don’t put that in her head. Linda, we’ll be fine. I trust Cedar.” 
You paused on that thought, realizing not only was it true, it didn’t make any sense. You’d only just met him. Your conversation was interrupted by the shouting of men outside. 
“We’ll talk about this later,” you hissed, “Here, take this.” 
You armed the humans with whatever haphazard weapons you could find, mostly butcher knives and skillets. 
Outside, you could hear the clang of weapons and the squelching sounds of metal piercing flesh. 
“What's happening?” Linda asked, trying to get around you so she could peek out of the tent flap. 
“Stay back!” You barked. “If they see us, we’re in trouble!” 
You could tell she was losing it, hopping from one foot to another, her hands getting slippery on her knife. 
“No, no, no,” she whimpered. “I don’t want to go with the Orcs. Even a human monster is better than them!” 
Before you could grab her, she skipped through the doorway, running wildly into the fray. The other humans gathered around you, their opinions spilling out like loose marbles. 
“What is she thinking?!” 
“Linda, come back!” 
“Let her go, she’s nuts.” 
You clenched your jaw, squeezing your iron poker. 
“She’s scared. I’ll go get her…you all stay put!” 
Before anyone could stop you, you darted after her, trying to catch sight of her red skirt through the mess of armour-clad humans and massive Orcs. The King had sent a much larger force than the one that had burned down your village. The battle around you was brutal. You almost slipped on a puddle of blood, your eyes frantically searching for Linda. 
You found her pointing her knife with shaking hands at a human soldier. 
“What are you doing? I’m a human, too!” 
“The King ordered you all dead!” he snarled, raising his sword at her. “No witnesses! Come on, do your duty to the kingdom, and die quietly!” 
Panicking, you launched yourself at him, whacking him with your poker as you barreled into him. The two of you went down, metal clashing as you fell and dropped your weapons. Both of you scrabbled for purchase in the blood-soaked earth. You could hear Linda screeching beside you as you tried to overpower the soldier. His armor, now slick with mud, made it impossible to get a hold of him, and he triumphantly dragged himself to his sword, clumsily grabbing it by the blade and flinging it in your direction. You saw the metal flash in the firelight before pain exploded between your eyes, and your vision went black. 
“Please tell me she’s not dead,” you heard Linda’s voice from far away. 
Isla scoffed. 
“You’d better hope she’s not, Linda. This is all your fault!” 
“I'm sorry!” she simpered, “I made a mistake! I thought the soldiers were here to free us!” 
“Free us from what? A good meal and a safe place to sleep?”
You dragged your eyelids open, vision blurry for a moment before it cleared. 
“What…what happened?” you murmured. 
“She’s awake!” Isla gasped. 
You felt her cool hands against your cheek. 
“Take it slow, here; have some water.” 
She pushed a tin cup into your hands, and you wet your palette with a few sips. Looking around, you were surrounded by the humans, all looking very concerned. 
“Is everyone okay?” you asked. 
Isla smirked, and the other women tittered a bit. 
“Thanks to you, I suppose. That chieftain or warlord or whatever saw you get knocked in the head and went berzerk. He killed most of the soldiers all by himself.” 
Another woman poked her head out of the tent. 
“She’s okay! You guys can untie him!” 
“Untie who? Is the battle over?” 
Isla nodded.
“Yeah, all the soldiers are dead. We’ve all been waiting for you to wake up so we can move the camp before the King sends anymore. Can you believe he ordered them to kill us? I guess so he could claim the Orcs did it and get more support for the war.”
She smirked at you. 
“And as for who's tied up, your Orc friend thought you were dead. The others had to tie him up so he wouldn’t go on a rampage. He was ready to storm the King’s stronghold! You ought to see the ropes they had to use…thick as your waist!” 
You heard the roll of stomping feet, and Cedar burst through the tent flap. His hair was wild, and his tunic was red with blood. He fell to his knees in front of you, holding his hands as if he couldn’t decide if you were safe to touch. 
“Are you okay?” he asked, carefully prodding the bandage you had wrapped around your head. “That monster didn’t do any permanent damage, did he?” 
“She’ll have a scar,” Isla said, “but I think she’s fine.” 
Cedar’s face lightened, pulling you towards him, his big arms wrapping around you. 
“Thank the goddess,” he sighed with a heavy breath. “I thought they’d taken you from me.” 
He cupped your cheeks between his palms when he finally let you go. 
“You are so stupidly brave, little one,” he gasped, eyes wet. “You have more honor than your people deserve.” 
Behind him, Isla waved the women out of the tent, leaving the two of you alone. Not used to so much intimate attention, your cheeks warmed, and you weren’t sure where to look. 
“I just didn’t want Linda to get hurt,” you muttered. 
He gave you an odd smile, scooping you out of the cot you’d woken up in. 
“Once I get you to our home in the capitol, I’m going to have to keep you locked up for your own safety,” he said, patting your head. 
You looked up at him from where you were tucked, leaning on his bicep. 
“Our home?” 
He grinned at you, counting on his fingers. 
“First step to Orc courting: Threaten your desired with your weapon. Done. Step two: Allure them with your cooking skills, cooking or hunting something delicious. Done. And the final step: Display your honor through a grand act of bravery. Done! You’ve effectively and thoroughly seduced me, little one! All that’s left is to take you home!” 
He tipped your chin up with one thick finger and dipped his head to press his lips against yours. Your whole body felt like it was made of butterflies, every nerve flickering with excitement. Despite being covered in blood and mud, his kiss tasted like honey and sage. It felt like a warm cup of tea on a chilly morning. Your eyelashes fluttered shut and you sank into his warmth, despite yourself, happy to be alive and in his arms.
“Oh!” you gasped as he straightened his neck.
Your mouth fell open, unsure what to say. Before you could think of anything, Cedar carried you out of the tent, shouting orders at his men to pack up the camp so you could leave for the capitol.
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peachesofteal · 6 months
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Simple Math / Part Two
Simple Math masterlist
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Ghost/Soap/female reader 3.4k words - AO3 Warnings-tags: 18+ no smut but this fic contains mature themes. Medical inaccuracies, hospitals, medical procedures, medications, blood and injury, nurse!reader, hurt/comfort, emotional hurt/comfort, feelings of fear, anxiety. Panic attack. Implied past abuse. Implied stalking. Deep breath.
There is blood in Johnny's eyes.
He comes to with a start, Price’s voice barking out an order, pressure and flame and blood all washing over him, pain erupting across every receptor in his brain like he’s being shredded alive. 
“Bloody hell, hold him steady.” 
It’s still Price, roaring over the chop-chop-chop of the helicopter blades, bloodied hands trying to keep pressure on the hole in his stomach, his side. 
It burns. Everything burns, his body feels like it’s on fire, bones turning to ash inside his skin, chest being torn apart by some invisible force. He can’t get enough air. There is something shoved inside his ribs, something heavy that’s weighing his lungs down, keeping him underwater, cinderblocks tied to his feet.
He tries to move, but he can’t. 
Gaz is strapping him down to a stretcher, he thinks, and when he ratchets a strap across his legs, Johnny screams in agony. 
“’m sorry mate, I’m sorry.” 
Where is Simon? There are faces here, but none of them are the one he needs. His LT. “W-where is Si?” He slurs, and Price frowns, leaning back over his face, calling his name. 
“Johnny, Johnny. Hold still. You’re on a medevac. We’re lifting you to base.” 
“Si-“ 
“Simon isn’t here, remember? Johnny, oi. Keep your eyes open, Sergeant.” Remember? Does he remember? He tries. Tries to place his partner’s face amongst the rubble, the blast, the screaming. 
Where is Simon?
Your coffee maker sputters to life in the silence of your apartment, churning out the dark, thick, life-giving liquid, and you can’t beat back the glare that fixes your face upwards towards your neighbors, the ones who are running a marathon in their apartment at three in the afternoon.
Seriously. Is there a herd of elephants up there? 
You can’t be too disappointed in them, you know. It is normal working hours. Normal daytime hours. You don’t expect your neighbors to accommodate or understand your schedule. Still, it would be nice if they were just a bit more considerate. 
It’s not the end of the world, regardless. You're up now, already started your day, crawled out of bed and opened the blackout curtains to stand in the afternoon sunlight that streams through your studio apartment. You flick open your laptop as sip your morning coffee, logging into your banking app with quick efficiency, eyes roving over lists of numbers, figures adding and subtracting in your head. You’re so close to being able to move forward with the plan, the light at the end of the tunnel growing stronger and stronger, glowing bright with hope, something that once felt so impossible, so far away. You're going to make it. 
It’s a hike to the train.
You’re fortunate that you only have to take one, no longer having to change once, or twice, in the middle of your commute like you used to, but now you’re walking at least twelve blocks to get there, each way.
It makes you feel very exposed.
You keep your headphones in, hood of your jacket over your head, and move within throngs of people during the trek, keeping your eyes focused on the sidewalk ahead, posture tilted just enough that you can watch the ground but still see in your peripheral. You don’t relax until you make it onto the platform, and even then, your head is on a swivel as you wait for the train to arrive, and you can melt into the mix of others. Seen, but not noticed. 
Old habits die hard. 
You swipe your card to proceed through the turnstile, cool metal sliding against your hands when you push forward onto the platform, settling against a pylon as you wait, flicking through the news with half interest.
The hair on the back of your neck rises.
Someone is watching you. 
Your skin goes cold, ice beneath your jacket, and your lungs stutter with short breaths. Logically, you know you’re wrong. The faces that wait alongside you are not focused on anything but themselves, too busy staring at their own devices, tablets, readers, phones. A woman fidgets with a stroller, a man wearing headphones spits some corporate nonsense out loud, obnoxiously. You’ve already looked them over, too many times. He’s not here.
You lean against the tile, rocking your back into the grimy wall, fingers clutching against the edge of your phone. He’s not here. You’re safe. The dark of the tunnel mocks you, laughs with his voice, its circular opening growing teeth like his, ready to devour you, drag you back to hell, swallow you whole and keep you there.
He's not here. You’re safe. He doesn’t know where you are. Deep breath. 
You breathe the words deep, counting the time of your inhales and exhales until the brakes of the train are squeaking and squealing to a stop, doors opening with a hiss. Everyone moves in tandem, an amoeba inching towards the same goal, get off, get on, and you go with it, pressing inside and shuffling towards the back, angling your body outwards, molded into a corner so tight your shoulders touch the walls of the train.
Deep breath. 
“Hey, you’re early!” The nurse you’re relieving smiles brightly at you, blonde hair pulled high in a scrunchie, stickers all over her badge and ID.
“Yeah, wanted to get caught up on some admin stuff but I’ve got it, if you want to…” you motion with your head, the universal signal of ‘if you want to leave’ without saying it out loud, lest you jinx it, and the place goes to chaos in the next five minutes. She nods eagerly, launching into a run-down of your beds, who’s stable, who’s sedated, who’s still on a vent. “-and two sixty-eight is about to come down from the PACU.” Your stomach clenches with anxiety, and you check your watch.
“They took him when I left this morning…”
“Yeah, I guess there was a complication. Had to re-open his chest, put in a new tube. Poor guy, he’s battered all to shit. Did you see the scans of his femur? It’s literally in pieces.” She sighs. “His partner is in the surgical waiting room, told him the next shift nurse would come find him when he could come back to the room.” Your anxiety heightens, and an alarm bell goes off in the back of your mind as you think about Simon, pacing back and forth upstairs, and Johnny, alone in the PACU, probably coming out sedation, terrified. What is wrong with you? 
“I hear those guys are like black ops or something.” Nia, the nurse who’s worked the last three rotations with you, comments over your shoulder as she drops her bag in the pit. You raise an eyebrow skeptically. Black ops? You shiver. “They air-lifted him from a military base that’s doesn’t even exist on a map. Cass and I checked.”
“Really?” The dayshifter perks up, interested, and you hold your hands out in caution.
“Okay, okay. Let’s not speculate.” You tap your number into the tablet, reading through charts and noting updates. A little green circle with an arrow through it blinks next to Johnny’s, signifying that he’s about to be moved. “Besides, he’s been through hell. Clearly. Let’s have a little, ya know. Respect?” They all cluck, rolling their eyes and groaning, but they shut up, and Nia gives you a little grin. You might not be the charge nurse, but you were the perma-night shifter on this floor, and the one with the most seniority in this moment. 
“Alright, well. You got this?” Dayshift asks, and you wave her off.
“Goodnight.”
“You’re the best. Bye ladies!”
Simon is easy to find. He’s wearing the exact same clothes from yesterday, black cloth mask still covering half his face, hoodie pulled up over his head. He looks less exhausted, but no less anxious, dark circles still present under his eyes, body language tense. He looks… scared.
He spots you just as easily, shooting to his feet when he sees you coming, hands clenched together in anticipation, and you motion to the chair, placing yourself next to him, turning slightly to ensure you’re giving him your undivided attention.
He shifts in the seat, legs spreading out against the stiff frame, and his knee bumps yours, warmth radiating beneath denim bleeding into your scrubs. If he notices or cares about the contact, he doesn't say anything, only blinks at you in anticipation. His head tilts before you start speaking, and your skin heats when you realize he’s looking you over, eyes tracing you from head to toe before pinning you in place with a focused scrutiny.
“Has anyone come to speak with you?” You ask, silently hoping that the surgeon actually did the last part of his job, and didn’t neglect the family member in waiting room, the one who’s holding their breath as every second ticks by.
Simon nods. “They said there was a complication with his lungs?”
“They had to plate his ribs. It will give the bleed in his chest a better chance at healing, help keep him stable. They also replaced his chest tube.” His brow furrows, and you pause. Maybe visualization will help. “Do you want to see?” You tap on the tablet, bringing up Johnny’s last imaging, scrolling through the pictures to show Simon what it looks like, pointing out the before and after CT of his chest, explaining the white vs grey spaces on the image. Simon studies it, taking the tablet in his hand, fingers tracing over the screen reverently, carefully, like he's touching Johnny himself. An ocean’s worth of emotions reflects in his gaze, despair, sadness, grief- all sitting just on the edge, nearly ready to spill over. Your heart skips a beat.
“Can I see him?”
“He’s coming down from the post-surgery unit now. I’ll have to get him resettled in his room, but I promise as soon as I can, I’ll come get you.” He twitches in the chair, rubbing the back of his neck before he huffs out something that sounds like ‘okay’, and you give him one more small smile with your ‘see you soon’.
Johnny is conscious when he comes up from the PACU, barely. His vitals look good, temperature, blood pressure, heart rate all in target ranges, and he’s due for another round of pain medication.
"Hey, Johnny." You smile down at him, sliding the lock on his bed in place and reattaching his leads carefully, gentle enough so you don't jostle him too much. 
"Hi, pretty girl." He slurs, and you chuckle, instinctively rolling your eyes before patting his good hand. 
“Came out of sedation fine, but he’s been a bit emotional.” The PACU nurse warns you, eyes soft with sympathy when she glances at him in the bed. “He’s asking for his partner, I think. Simon?”
“Yeah. I’ll take care of it.” You scan the post op notes, hitting all the important things, logging his last vitals check so you can administer his meds. The incision in his chest has been reopened, and then closed, and his lower body is completely immobilized in the bed, his hip pinned, femur delicately pieced back together with a plethora of plates and screws, so many you think it’s probably more metal than bone now. “How are you feeling?" You ask, heart tugging a bit at the hopelessness in his eyes. “Ready to get some more sleep?” He groans a response, words jumbled together and cracking into a sob that has tears trickling down his cheeks.
“Si..”
“He’s not back yet.” You try to explain gently, grabbing an extra blanket to put over the scaffolding around his leg. “Once I get you settled, we’ll bring him up, okay?”
“H-hurts.” He cries, vibrant blue eyes finding yours, scared, and desperate. “It h-hurts.” He’s openly crying now, shoulders starting to shake, and the monitor chimes at you, registering an increase in heart rate and blood pressure.
“I know. I know it does.” You clean his port, tracking the uptick in numbers on the screen. “Hey, hey. Shhh, it’s okay.” You try to calm him as you flush the line, pushing the saline from the side of the bed. “You’re alright. We’re almost,” You administer the medication easily, counting in your head, replacing it with another saline before reattaching his fluids line, all of the motions so second nature that it allows you keep your focus on him. “there.”
You expect him to calm down. Most patients do, but his heart rate continues to tick upwards, and his respirations don’t decrease, lungs heaving against the fresh sutures in his chest. His hand, the good one, skates across your elbow and down your forearm to grab a hold of you, fingers gripped onto yours tightly, like he’s afraid you might let go.
“It’s alright, Johnny. You’re okay.” His eyes don’t leave your face, his own jaw slack, pain meds coursing through his system. He's frightened, big blue eyes wide and anxious, and you squeeze his hand, stroking your thumb across his knuckles. “Deep breath.” You see patients upset, in pain, all the time. It’s an everyday part of your job. Even the hand holding is a necessary, frequent part of your profession.
But with Johnny, something feels different.
“It’s okay. You’re okay, just try to relax. Take some long breaths- good. That’s good.” You soothe him, rubbing soft touches into his skin. His head is turned to where you’re standing next to the bed, chest still heaving, and he winces with each exhale. “It’s just the last of the sedation, it can make you a little out of sorts. The pain meds are going to kick in real soon.” You reach over, and press the call button, twice. You can feel the pressure, the burn of his attention, his unwillingness to look away from you, and you hum out the softest words you can find, encouraging him to take calm, deep breaths. 
When Nia appears, she frowns. “Everything alright?”
“Hey, yes. Could you do us a favor and go up to the surgical waiting room? Johnny’s partner Simon, is waiting to be told he can come down.” She looks from you to him, reading the situation just as you would if the roles were reversed.
“Got it.” She makes her exit, fast, and Johnny gulps, still staring up at you with bright, wet, blue eyes.
“See? She’s going to get him. Everything’s alright.” He nods, barely, starting to succumb to the medication, and you exhale, letting out some of the tension from the last few minutes.
Simon comes through the door in a whirlwind, and you immediately raise your free hand, palm out, to slow his hurried panic.
“He’s okay.” You point to where Johnny is still clutching onto you. “He was still in a fair amount of pain when he came down, and coming out of sedation can be disorientating. I think he panicked a little when he realized you weren’t here.” He nods silently, taking his place bedside, towering over both you and Johnny, leaning past you to brush his lips against Johnny's forehead in a sweet, smooth kiss. 
"I'm here, sweet boy." He murmurs, voice so low you barely catch it. You step back, pulling your grasp from Johnny's, but he tightens his fingers, grip stronger than you anticipated, and you stop mid step, glancing to his partner. “I got him.” Simon reaches for where the two of you are connected, sliding his own hand overtop yours, replacing the contact before holding Johnny's hand whole. He’s so careful, lowering himself into the chair, carefully holding onto Johnny until he’s seated, bringing his palm to his mask covered lips. “I’ve got you.”
“Si.”
“I’m here Johnny. Rest.”
“Ye weren’t there.” He croaks, and Simon’s eyes shutter with a long inhale.
“I know.”
“Ah needed-“ He loses the words, dazed in a swirl of semi-consciousness. “was scared.” Simon strokes some of the hair that’s in disarray away from his forehead, smoothing his thumb back and forth above his eyebrow.
“Shhh, everything’s alright now. I’m here.”
The chair in supply closet 2b knows you well. It’s an old thing, something pulled from a patient room once it was deemed too squeaky, and too uncomfortable, shoved in here to be discarded at some point in the future.
That was months ago.
Now, it sits in a dark little corner, plastic packages of disposable PPE and gowns littered on top of it in a heap, excess supply with no place to live. Everyone takes turns in it, shifting whatever it happens to be holding that day onto the ground and settling in for what some could call a break, brief moments that could last seconds or minutes, quick opportunities to get off your feet and most importantly, not have to speak or be spoken to, for an indeterminate amount of time.
This is usually where you hide when you need a second. When there’s a lull, and the pit is full of nurses, techs, students or whoever else may have downtime, talking and laughing together, building relationships, getting to know one another. Making friends. It's a small luxury at work, to have that time, those friendships. 
Luxuries someone who wants to be seen, but not noticed, not known, does not have.
You close your eyes, head tipped back against the chair.
It’s okay to be alone. You can do this. Deep breath. 
Your mind floats to two sixty-eight, to Simon and Johnny. What is it like, to be loved like that? To be so fiercely cared for? Johnny’s teary, blue eyes and Simon’s soft, loving regard for him makes your stomach flip. You didn’t even know love like that was real. The only taste of love you’ve ever had left ash in your mouth, poison in your veins, and deep, deep scars across your body and soul that you’ll never be free of.
Deep breath. 
Your work phone and the tablet both start to beep, a shrill noise that makes you wince, muscle memory of what it indicates making you leap from the chair.
The screen shows a red flashing symbol next to room two sixty-eight.
Johnny.
“He’s tachycardic.” You tell the tech who’s fumbling with the phone, firing off a rapid text message to the on-call for this floor. You hold Johnny’s forehead still with the heel of your hand, using a finger to flick open his eyelids one by one, flashing the pen light across his pupils. “Pupils are dilated, BP is elevated- no call him- call him right now. Do what I said, I don’t care what he told you.” You bark, glancing up at where Simon is frozen across the bed from you, grip so tight against the rail that you think it might break.
“Simon-“ He cuts you off, but you’re half paying attention to him, too busy checking the site of Johnny’s chest tube, and then moving onto the dressing on his lower abdomen, ensuring it doesn’t feel scalding to the touch.
“He was fine. He was just… sleepin' and then-“ You move around the bed, pulling the oxygen tube longer, replacing the cannula with a mask.  
“Simon, I need you to step out.” You press two buttons on the machine, ensuring it’s on high flow, door sliding open with Nia’s arrival.
“No.” His refusal is steadfast.
“Simon, hey.” He lurches closer to Johnny, and on instinct, you reach out and grab his forearm, stopping him in his tracks. His eyes are wild, bleak with anguish, and his chest heaves heavily, panic radiating from his massive form. “Listen to me, listen. I’m here. I’ve got him, alright? But there are about to be five other people in this room, and we can’t work if you’re in the way.” You speak firmly, clearly, trying to get your point across as the door opens again, and the on-call attending is standing on the other side. Simon glances from him, back to you, and you nod reassuringly, swallowing the lump in your throat that forms when he latches onto your own arm, squeezing it tight. “He’s in good hands.” You tell him, nodding to the tech that’s waiting to usher him towards the hallway. 
He keeps his eyes trained on Johnny, before they flick over to where you’re lowering the bed completely flat, free hand on his bicep, thumb rubbing a small semi-circle into his skin, just like you watched Simon do last night, and earlier today. He swallows, endless depths of desperation welling in his eyes, and you take a deep breath, imbuing your voice with all the strength you have.
“I’ve got him. I promise.”
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Well! It certainly was a day. I am hydrated, exhausted, and worn. See y’all again tomorrow for whatever horrors lurk beyond the dawn!
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meatonfork · 1 year
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Hi! Can I request for a grim au where, grim goes missing and the whole squad is freaking out. Then, grim just comes out of no where, covered in blood from head to toe after surviving an ambush. They take care of her and after she’s taken care of, they get ready to absolutely destroy the people who hurt her.
How Copy?
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pairings: platonic 141 x grim
warnings: cod violence, blood, angsty, nudity (not sexual)
summary: when grim goes missing, the task force fears the worst of their friend.
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“grim, how copy?” soap heard ghost’s voice crackle through the comms. his heart sank upon not hearing a response.
“grim! how copy?” again, soap and ghost were met with silence.
“god, damn it. soap, you have eyes on them?”
“no, sir.” a sigh left soap’s mouth as his brows furrowed upon the realization that you weren’t going to respond anytime soon.
the last they’d heard from you was when you’d announced that gaz had been right, and this had in fact been an ambush. that was over twenty minutes ago, and nothing since.
rubble surrounded soap’s boots, crunching under his weight as he scanned his surroundings. fallen buildings and ash littered the ground as smoke bellowed into the air. sweat had started to form at his hairline from not only running around, but worry at your lack of response.
“can we look for them?” gaz asked as he lifted his foot over a large piece of building.
“no. we need to go to the rendezvous, we can come up with something there. mission comes first, you know that, gaz.” price’s voice was strained as he answered. he didn’t like the answer he had to give, but emotion couldn’t take control. they had a mission to finish, and then you came next. they could only hope they weren’t too late by the time they’d find you.
reluctantly, gaz answered his captain’s command, “yes, sir.”
and, to the rendezvous point they went.
it was right after sunset, the four men gathered around a table as they figured out their next move. the targets had been detained. a russian operating force who was in the process of getting a new weapon that could wipe out countries at the flick of a switch.
now you.
“you think they were taken? grim isn’t dumb enough to turn off their comms.” gaz was getting frustrated. he had come to a quick conclusion that they were going around in circles. no one could decide on what to do, which was rather odd for their group considering who they were. but they were frazzled. someone so important to them has gone missing, and they all only wanted the best outcome from this incident.
“no. absolutely not. they’re too quick. no way they would’ve gotten taken. they could be hiding.” soap quickly countered back.
“then why the fuck aren’t they answering?” gaz quickly stood from his chair.
“they could be compromised. unable to answer.” soap stared him in the eye, daring him to lash out.
gaz’s nostrils flared as his eye twitched.
“calm down. now. we can’t help them if we’re arguing.” price cut in, hands up as if to prepare to physically diffuse the situation.
“well, let’s stop goi-“ soap was cut off at the sound of a thump outside the front door.
ghost was on watch, “i don’t see anything. there’s no one there.” his eyes narrowed from behind his mask as he looked through the scope of his rifle. shifting ever so slightly as he scanned the immediate area.
“then what the fuck was that?” price stood, and made his way to ghost.
“no ide-“
the door slamming open startled all four men, weapons drawing in the direction of the door.
everyone froze as you entered the room, blood covering your small shaking figure.
your hair was matted with dirt and blood, eyes wide and darting around the room. your black fitted shirt was torn, and that was made the men notice your tactical vest was missing.
you right arm was raised to your left bicep, blood seeping from between your fingers. a sizable cut made home on your throat, making the guys’ eyes immediately hone in on it.
“grim? are you okay?” price gently reached for your figure, pausing when you flinched back.
“please don’t. please don’t touch me.” a raspy breath shuttered from your cracked lips.
your eyes wouldn’t meet any of theirs, a steady tremor racking your body made it almost impossible for you to continue standing on your own.
“grim, you wanna come sit down? we gotta check out your wounds, kid.” gaz stayed where he stood, slowly raising his hands to show he was no threat to you.
standing there a second longer, you nodded. no one made a move to help you, fearing you’d lash out. instead, they let you have your moment of silence and independence before bothering to help you.
soft murmurs from deep voices met your ears, but you made no move to see who was talking. you could barely even feel your own hand gripping your arm with white knuckles.
the couch cushion under your bottom barely even registered in your mind. you sat there, unmoving as you slowly made your way back to reality. five grueling minutes before you finally came down from the adrenaline flooding your system.
a sob wracked your body, making the men in the room turn to your hunched over figure sat on the edge of the couch.
“gaz,” a whisper left your mouth, “please. kyle, please help me.”
kyle’s hair stood on end as a shiver ran over his body. he’d never heard you call for him so desperately. you’d never used his name unless it was absolutely necessary. if asked how he felt right then, he would say he was terrified. no one actually knew what had happened to you while you were missing. anything could’ve happened in those long hours you were gone.
he quickly, but steadily made his way to you; crouching in front of you, as to not startle you.
“what do you need me to do, grim?” his voice held desperation.
“i need to change. i need to get out of these clothes, please.” your hand reached out to grip his shirt, knuckles whitening.
“okay.” he nodded.
helping you off the couch, he took you to the bathroom.
under your shirt was more blood. small nicks here and there littered your skin. nothing too major, gaz had noted.
“do you want to shower? i think it would help.”
you’d only nodded, and he turned to start the shower. making sure the water wouldn’t be too hot nor too cold.
he helped you undress and step into the tub. and when you meekly asked him to help you with your hair, he did it with no hesitation. you needed help, and he was there to do so.
after you washed the blood and ash from your skin, he helped you change into a pair of his sweats and a t-shirt.
“we gotta look at your wounds, kid. ghost can help with that.” gaz’s eyes were kind, and his touch on your lower back was barely noticeable from how soft he was being.
“okay.”
stepping out, you made a beeline to the giant lieutenant.
“can you help me with these?” your shaky hand pointed to your neck and arm.
he looked you over. you looked like shit. blood seeping from your wounds and onto your freshly clean skin. a nasty bruise was forming beneath your left eye and around your neck.
“yeah, c’mon.” he beckoned you over to the table.
he made quick work, cleaning and stitching the wounds. his touch was gentle, which was a stark contrast to the anger radiating from his form.
you cleared your throat as he wrapped gauze around your bicep, “are you… are you mad at me?”
his eyes widened and snapped to yours, “what?”
his harsh tone made you flinch.
he sighed at your movement, “i mean, no. why the hell would i be mad at you?”
“i didn’t answer my comms.”
he stared at you, dumbfounded. “kid, i’m not mad at you at all. we don’t even know what the fuck happened to you. why would i be mad at you for getting hurt?” he continued wrapping your arm, quickly starting on your throat.
“i don’t know.” you whispered back. tears pooled in your waterline. “i was really scared. they just came from nowhere. i wanted to answer back, i promise! i just couldn’t. and then- and then they broke my earpiece, so i couldn’t hear you. and-“
“kid, hush. it’s okay. you’re okay. we’re here. we’re safe.” his hand latched onto your shoulder, lightly squeezing.
you took a deep breath in, “thank you, simon.”
“of course. now, let’s go find the sons of bitches who did this, and go home. yeah?”
“they’re dead.”
silence overtook the room.
“what?” price moved to stand next to you, eyes locking onto yours.
“i killed them. i wouldn’t be here if i hadn’t.” you shakily ran your hand through your wet hair. “they’re dead. all of them.”
“okay, then.” price cleared his throat.
you watched in silence as ghost packed up the med kit.
“can we go home?”
“we’re leaving in the morning, kid. come eat and then you can get some rest, mkay?” price helped you up from your seat.
“okay.”
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a/n: mmmm idk if i like this that much LMAO
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nasa · 1 year
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Why Isn’t Every Year the Warmest Year on Record?
This just in: 2022 effectively tied for the fifth warmest year since 1880, when our record starts. Here at NASA, we work with our partners at NOAA to track temperatures across Earth’s entire surface, to keep a global record of how our planet is changing.
Overall, Earth is getting hotter.
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The warming comes directly from human activities – specifically, the release of greenhouse gases like carbon dioxide from burning fossil fuels. We started burning fossil fuels in earnest during the Industrial Revolution. Activities like driving cars and operating factories continue to release greenhouse gases into our atmosphere, where they trap heat in the atmosphere.
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So…if we’re causing Earth to warm, why isn’t every year the hottest year on record?
As 2022 shows, the current global warming isn’t uniform. Every single year isn’t necessarily warmer than every previous year, but it is generally warmer than most of the preceding years. There’s a warming trend.
Earth is a really complex system, with various climate patterns, solar activity, and events like volcanic eruptions that can tip things slightly warmer or cooler.
Climate Patterns
While 2021 and 2022 continued a global trend of warming, they were both a little cooler than 2020, largely because of a natural phenomenon known as La Niña.
La Niña is one third of a climate phenomenon called El Niño Southern Oscillation, also known as ENSO, which can have significant effects around the globe. During La Niña years, ocean temperatures in the central and eastern Pacific Ocean cool off slightly. La Niña’s twin, El Niño brings warmer temperatures to the central and eastern Pacific. Neutral years bring ocean temperatures in the region closer to the average.
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El Niño and La Niña affect more than ocean temperatures – they can bring changes to rainfall patterns, hurricane frequency, and global average temperature.
We’ve been in a La Niña mode the last three, which has slightly cooled global temperatures. That’s one big reason 2021 and 2022 were cooler than 2020 – which was an El Niño year.
Overall warming is still happening. Current El Niño years are warmer than previous El Niño years, and the same goes for La Niña years. In fact, enough overall warming has occurred that most current La Niña years are warmer than most previous El Niño years. This year was the warmest La Niña year on record.
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Solar Activity
Our Sun cycles through periods of more and less activity, on a schedule of about every 11 years. Here on Earth, we might receive slightly less energy — heat — from the Sun during quieter periods and slightly more during active periods.
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At NASA, we work with NOAA to track the solar cycle. We kicked off a new one – Solar Cycle 25 – after solar minimum in December 2019. Since then, solar activity has been slightly ramping up.
Because we closely track solar activity, we know that over the past several decades, solar activity hasn't been on the rise, while greenhouse gases have. More importantly, the "fingerprints" we see on the climate, including temperature changes in the upper atmosphere, don't fit the what we'd expect from solar-caused warming. Rather they look like what we expect from increased greenhouse warming, verifying a prediction made decades ago by NASA.
Volcanic Eruptions
Throughout history, volcanoes have driven major shifts in Earth’s climate. Large eruptions can release water vapor — a greenhouse gas like carbon dioxide — which traps additional warmth within our atmosphere.
On the flip side, eruptions that loft lots of ash and soot into the atmosphere can temporarily cool the climate slightly, by reflecting some sunlight back into space.
Like solar activity, we can monitor volcanic eruptions and tease out their effect on variations in our global temperature.
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At the End of the Day, It’s Us
Our satellites, airborne missions, and measurements from the ground give us a comprehensive picture of what’s happening on Earth every day. We also have computer models that can skillfully recreate Earth’s climate.
By combining the two, we can see what would happen to global temperature if all the changes were caused by natural forces, like volcanic eruptions or ENSO. By looking at the fingerprints each of these climate drivers leave in our models, it’s perfectly clear: The current global warming we’re experiencing is caused by humans.
For more information about climate change, visit climate.nasa.gov.
Make sure to follow us on Tumblr for your regular dose of space!
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niqhtlord01 · 1 month
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Humans are weird: What use is honor in war?
( Please come see me on my new patreon and support me for early access to stories and personal story requests :D https://www.patreon.com/NiqhtLord Every bit helps)
*Clouds of ash part to reveal burnt out husks of barracks complexes, shatter communication towers, and looming over all of it was the crumbling structure of the once proud command center itself.*
*Setting down in front of the command building a small squad of human soldiers approach and form a cordon to either side of the lowering boarding ramp.*
*General Marius Fimble slowly walks down the ramp flanked by a pair of black clad honor guard. His robotic left foot slamming against the ramp with a resounding cannon like echo until he reaches the bottom*
Colonel: *Salutes* General.
Marius: *Returns salute lazily while scanning surroundings* Colonel.
Colonel: You can relax sir; we’ve cleared the area of all resistance.
Marius: Complacency breeds overconfidence; never forget that.
Colonel: Sir!
Marius: Do you have him?
Colonel: We are keeping him in the main building to prevent escape.
Marius: *Confused* Have they made attempts?
Colonel: First one he killed three and injured twelve.
Marius: First?
Colonel: Second he killed seven and injured six, then again three hours later with eight injured.
Marius: He’s tried escaping three times already?
Colonel: Oh no.
Colonel: Those were all within the first seven hours of capture; we’re on twenty seven attempts by now.
Marius: *Grunts*
Marius: Let’s get this over with then before he kills any more of my men.
*Colonel escorts the general and his guards inside the command center. Descending three flights of stairs the group comes to an armored door guarded by twenty soldiers and an auto turret pointed at the doorframe*
Marius: Open it.
*The armored door slowly creeks open as all twenty guards take aim at the opening. The auto turret slowly begins spinning its turrets in preparation to fire as the general walks by.*
Marius: *Waves his bodyguards* Wait here.
Colonel: I would not recommend that, sir.
Marius: *Walks past Colonel and into the room* Noted.
*The door slams behind Marius as he takes in the surroundings. A single light hangs from the ceiling illuminating a lone figure secured firmly to the ground my numerous heavy chains*
Marius: Commandant Fring, we meet at last.
Fring: *Spits out glob of purple blood at Marius’s feet*
Marius: *Steps over it without acknowledging it*
Marius: I had heard tales of the great Grung military back in my academy days and I must say after fighting you, I am deeply underwhelmed.
Fring: *Low growl*
Marius: *Circling the room* Over a thousand years of military prowess and I took you apart in less than a day.
Fring: YOU STRUCK WITHOUT HONOR!
*Fring lunges at Marius who doesn’t flinch. The chains straining under the sudden pressure with Fring just out of reach of Marius’s throat*
*Marius watches in silence as Fring continues for several minutes before relenting*
Marius: I never understood that.
Fring: What?
Marius: Honor.
Fring: You do not understand it because you have never held it.
Fring: You preach of taking down our military when you attacked like cowards and thieves in the dead of night! Slaughtering my warriors while they slept rather than dying by their hands on the field of battle!
Marius: The purpose of war is to win.
Marius: Everything else takes a back seat to that one concept; because if you don’t win nothing you were fighting for matters.
Fring: And yet it is the manner of how you fight that defines who you are.
Fring: And you are a coward!
Marius: So you justify your incompetence by claiming I am a coward?
Fring: You dare!?!
Marius: You were unprepared for an attack despite declaring war on my people. They should have been mustering for war and already onboard troop ships heading out of system; instead they were…how did you put it? Ah yes, they were sleeping.
Marius: *Leans in close to Fring who lunges again only to be grabbed by the general’s hand*
*The general’s grip is iron and Fring claws at it as he gasps for air. There is no emotion behind the eyes of the human leader as he watches his foe*
Marius: Honor, is a novelty for those who can afford it. A justification to fight in a manner of combat they prefer regardless of how many souls die by the outdated ideal that is “Honor”. I fight to win wars, and though my victories seem beneath you I ensure that my men, my soldiers, will return home safe and sound because I fought using my head and not my heart.
*Marius let’s go of Fring who collapses to the ground*
Marius: *Looks down at Fring* You fought with your heart and you lost five field army’s worth of soldiers in a single night.
Fring: Do you keep me alive just to mock me? End me then, for I will hear none of this.
Marius: *Chuckles* I’m sure I had a reason for keeping you alive, but seeing you now I can’t for the life of me wonder why I thought it was worth the effort.
Marius: *bangs on door and the door opens*
Marius: *motions to the soldiers* kill him.
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loveinhawkins · 9 months
Text
Up until recent events, Eddie hasn’t really put much thought into flashlights—save for that time he had to take out the batteries in the T.V remote to get his to work, back when the power went wonky last summer.
But now? Oh, as soon as he’s through with this whole nightmare, Eddie’s gonna find out whichever saint invented the damn things and start a petition to get them a federal holiday. That’s gonna be his whole… raisin something, something—he thinks it’s French, Buckley will know.
Fucking wondrous creations.
… Okay, he might still be a little jittery.
So sue him. It’s either run with his increasingly stupid train of thought or have a thoroughly justified panic about—well, there’s just so much to choose from: the ash in the air, the apparently sentient vines on the ground, how it’s so fucking cold and dark—
Jesus H. Christ, calm down.
It’s not all that dark anyway—or at least, it’s not as dark as it could be. Steve’s lighting the way, flashlight in hand. Honestly, Eddie thinks he should get it preserved, like in one of those glass cabinets in museums, complete with a plaque: This bulb somehow survived a journey from the depths of a lake into an alternate dimension, and all for the low, low price of…
Well, Eddie doesn’t know how much it cost. He’ll workshop the whole plaque thing.
In his reverie, he stumbles carelessly, nearly pitching over right into Hive Mind territory.
“Ah, shit,” he whispers.
Steve’s hand must move because the light drifts over—ends up illuminating much more of Eddie’s path than Steve’s.
“Thanks,” Eddie says—glances sideways to find Steve already looking at him.
“Think I’m the one who should be thanking you,” Steve replies.
His hand flexes, as if he’d gone to twirl the flashlight before catching himself; Eddie has a very faint memory of Steve doing the same with pencils in class and fights a private smile.
“You gave me it,” Steve continues. “I would’ve just… gone right in without thinking.”
It’s said self-deprecatingly, but Eddie would argue that Steve’s impulsivity (his courage) is an admirable character trait, even if it sets his heart pounding.
His own problem is that he thinks too damn much, until the window of opportunity has almost been and gone.
He was the only one to hesitate before diving into the lake: he knows all too well how that could’ve made its way onto the increasingly long list of moments that haunt him.
He could’ve been too late, could’ve not found the Gate at all—and then, would only have been able to pathetically swim back to the kids and tell them that their heroes were gone.
The light skips onwards just a little, encourages Eddie to look up from his feet. He blinks a few times to try and adjust to the darkness looming ahead. There, the indistinct outline of trees, and he’s drawn back to a classroom again, to the soporific noise of chalk on a blackboard, to…
The woods are lovely, dark and deep.
“The hell is that from?” Eddie wonders, and he doesn’t realise he’s also said the quote aloud until Steve speaks.
“S’a poem. Robert Frost.”
Eddie clicks his fingers. “See, that’s why you actually passed English.”
Steve rocks his hand back and forth, so-so.
Eddie raises an eyebrow. “Don’t play coy now, Harrington.”
“I’m not, I passed by the skin of my teeth, dude.” Steve looks into the distance as he walks, like he’s being drawn back to some place, too. “I was meant to, um, submit a portfolio thing, and I just… didn’t.”
“Like stories and shit?”
Steve smiles. “Mm-hmm, and shit. Poems, too.”
“So why didn’t you…?”
Steve just shrugs in reply so Eddie changes tack—rolls his eyes expansively, but only at himself.
“Fucking Frost. Ugh, why can I remember that shit now, but when a paper’s in front of me, it’s just…” Eddie mimes an explosion in the back of his head, gone.
“Well,” Steve says, chuckling, “if the, uh, lovely atmosphere of this place jogs your memory, we’ll make some time, get you to write an essay.” He grins at Eddie, teasing and charming in equal measure. “We’re nothing if not productive.”
“Sure, that’s one word for it.”
Joking aside, Eddie finds that the mention of school calms his heart somewhat: to think of the foreboding sights around him as part of a story. Maybe it’s a control thing, like his campaigns. Dress shit up, put a film on top, then you don’t have to look at it directly.
He suggests as such to Steve in a longwinded ramble, and gets a thoughtful look in response.
“Like the Shire? And Mordor?”
“Yeah,” Eddie says. “Yeah, exactly.”
Steve nods slightly. The movement dislodges some particles in his hair—and yes, it helps, Eddie thinks, to believe it’s just freshly fallen snow.
“Yeah, that sorta never really worked for me?” Steve’s voice goes up at the end, almost apologetically, although for the life of him, Eddie can’t work out what he’s apologising for. “Like, when the kids ran with all the D&D stuff, the uh… analogy? Metaphor?”
Eddie gestures at himself with one hand, I failed English.
Steve laughs. “Yeah, whatever. Dustin and Lucas keep hashing that one out. Anyway, it didn’t exactly… help. Help me, I mean. Just made everything more…”
He sighs heavily.
Eddie thinks he understands. All his bullshit is just a veneer, after all: it doesn’t truly mask the fear.
“Hey, maybe you could give it a shot,” Steve adds. The light dances for a second, like he’s just barely resisted twirling the flashlight again.
“What?”
Steve smirks—juvenile, light-hearted, almost like he’s about to challenge Eddie at the school gym, like, bet you can’t make that shot from center court, Munson.
“You could write a poem. Make sense of…” Steve gestures around them.
“Harrington, as I keep reminding you, I failed English.”
“Yeah, so? I’ve heard Henderson go on about your campaigns, dude, s’not like they come from nothing.” Steve looks Eddie up and down in exaggerated scrutiny. “You look like the kinda guy who loves a theme.”
“Oh, really,” Eddie says flatly. He can’t hide his smile even if he tried.
“That’s what I thought, every time you’d come into class late: oh, here he is. The symbolism.”
“Jesus Christ, Harrington, shut up.” Eddie steps into Steve’s space just to shove him away (just to touch). He thinks that if he were to try his hand at poetry, it’d be horrendously self-indulgent—something about how he might not be the one holding a flashlight right now, but he’s certainly carrying a torch.
“I don’t work for free, Steve. You’ve gotta do one, too.”
“A poem for a poem, huh?” Steve says. “Sure. It’s a deal.”
And yeah, they might just be saying anything to pass the time. But Eddie chooses to believe otherwise; there’s still a pensive flicker in Steve’s eyes that makes him think he might just get lucky, that Steve might even dig up some old stuff from his abandoned portfolio.
It’s a nice thought—something to look forward to, at the end of all this.
He considers Steve, and even though he knows it’s not snow, he can’t help but turn the particles into flakes in his mind again, into something prettier, safe—almost as if Steve’s presence has softened the danger.
He wants to stop here, suddenly. Linger. It doesn’t make sense. But it feels like time is…
A gentle nudge—a warm elbow to his side.
“C’mon, daydreamer,” Steve says. “You can write down whatever you’re thinking later.”
Eddie snaps out of it with a breath of a chuckle, follows Steve’s light again. Keeps moving forward—past the ash, and the vines, and the trees.
The woods won’t be forever.
After all, he’s got promises to keep.
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morganski-19 · 3 months
Text
The One with Sleeping
Steve wakes up with someone’s arm wrapped around his stomach. Which is odd considering he didn’t have anyone over last night. And he’s on his couch with beer bottles on the coffee table and what looks like two crushed ends of a joint in the ash tray.
But he’s too groggy to figure it all out, and it’s probably just Robin anyway, so he leans his head back down and starts to fall back asleep. Until the other person stirs and sits up rapidly, causing him to fall off of his couch.
“What the fuck,” he grunts, slowly getting up from the ground. At least he’s awake now. “Why did you throw me off the couch Rob-.” Steve stops as he sees who’s on the couch. “You’re not Robin.”
Jonathan stares at Steve with a mix of concern and fear. “No, I’m not.”
“Why were you sleeping on my couch?”
“Why were we cuddling?” Jonathan asks, acting as if it was the more pressing question of the two.
Steve collects himself off the ground. “I don’t know. I tend to sleep cuddle people.”
“You sleep cuddle people. That’s a thing?” Jonathan sits up, running a hand through his tangled hair.
“Yeah. Ask Robin, she has a lot of stories about it.” Steve fixes his shirt, it having twisted weird when he fell off the couch. “Thanks for throwing me off the couch by the way.”
Jonathan makes a sheepish face. “Sorry. You scared me when I woke up.”
Steve sits down next to him. “It’s fine. So, why were you sleeping on my couch.”
“I don’t know,” Jonathan scratches at his chin. “I remember coming over last night for some drinks, and then we got high. We must have just dozed off.”
“Together, on the couch,” Steve reasons.
“You don’t think we, you know. Did anything, right?” Jonathan asks cautiously.
Steve laughs. “No, no we’re good. Even cross faded me knows not to flirt with my friends.”
“Does sober you know not to do that?” Jonathan deadpans. Having witnessed Steve play flirt with Eddie multiple times.
Steve clears his throat, avoiding answering that. “The point is, I wouldn’t have tried anything. Not with you, so we probably just fell asleep and somehow ended up in this position.”
“What do you mean not with me?”
“Oh my god,” Steve rolls his eyes. “Now you’re offended? You don’t even like me like that.”
Jonathan scoffs. “And neither do you.”
“Exactly, which is why I wouldn’t have tried anything.”
“But if it was Eddie, would you have tried something.”
“I’m not answering that.” Steve gets up to clear away the old bottles, carrying them over to the recycling can. “If it was Argyle, would you have?” he finally counters.
Jonathan’s face breaks out in a flush that he tries to hide with a cough. “Can we agree not to mention this is anyone?” he changes the subject. “Say I just stayed over and slept on your couch, alone.”
Steve shrugs. “I guess. What, you ashamed that we cuddled on my couch or something?” Jonathan looks away. “Oh my god, you are. How fucking dare you?”
“What do you mean? This isn’t exactly normal for the two of us.” Jonathan stands.
“Sure. But you wanting to hide it means you’re ashamed. Are you ashamed that you slept with me.”
Jonathan gives him a blank expression. “Please don’t call it that.”
“I am calling it that, because it was true. The two of us, slept on the same couch, together, also while cuddling a little bit. It happens, it was an accident. We use it as a funny story and move on.”
“Or we don’t mention it at all.”
Steve crosses his arms. “Alright, under one condition. You admit that was the best sleep you’ve gotten in a while.”
Jonathan huffs. “I don’t know what you’re talking about.”
“I think you know exactly what I’m talking about. Chronic insomniac Jonathan, falling asleep for what looks to be about, oh I don’t know,” Steve looks at the clock on the oven. “Six or so hours, undisturbed. That had to have been a good night’s sleep.”
Jonathan scrunches up his face before giving in. “Fine, ok.”
Steve laughs in victory.
“It was the best night I’ve gotten in a while, you’re right.”
“For me too, actually.”
“Wait. Wasn’t Robin here last night?” Jonathan remembers.
Steve’s eyes widen. “Yeah, she was. Where is she?” He lightly taps on her door before opening it, finding an empty, unmade bed. “Shit, she’s gone.”
“So, she saw us,” Jonathan accepts defeat. “Great. Where do we think she is?”
There is suddenly a loud burst of laughter from across the hall. “Oh no,” Steve groans.
“We’re never going to live this down, are we?” Jonathan asks with a wince.
“Nope,” Steve says defeated. “We go in together?” He turns to Jonathan.
Jonathan nods. “Only way to do it at this point.”
Steve heads across the hall to Nancy and Eddie’s apartment. He nods at Jonathan before opening the door to ruckus laughter.
“There are the sleepy heads,” Robin teases on the couch. Waving her phone in the air. “Hope we didn’t wake you up,” she fake pouts.
Eddie comes out of his room with a picture in his hand, holding it close to his chest when he realized Steve and Jonathan are there. “Oh, hey guys,” he says with a knowing smile.
Nancy starts laughing. “How’d you guys sleep?” she asks innocently.
Argyle sits on the armchair with crossed arms. “Terribly, I hope.”
“I thought this would happen,” Jonathan whispers while pinching the bridge of his nose. “We slept as good as two people sharing a couch do.”
“You admitted it so fast,” Robin barks. Cackling.
“You all already know,” Steve defends. “Also, what the hell is in your hands?”
Eddie tries to cover the picture with his hands. “Nothing.”
Steve walks toward Eddie. “So, I can see it then?”
Eddie runs to the other side of the room, Steve chasing after him. They do a whole back and forth at the kitchen table, Eddie almost running into the counter when he gets away. Steve fails to catch up with him as Eddie does another lap.
Jonathan moves out of the way before he gets run into, walking over to a still upset Argyle. “It really wasn’t that great,” he lies.
“Don’t lie to me,” Argyle says, avoiding Jonathan’s gaze.
Eddie runs into his bedroom, unable to lock the door before Steve gets it open, following him in. There’s a crash, causing Nancy to perk up with concern. But when yelling and sounds of wrestling continue, she sits back on the couch, sipping her coffee.
“Fine, it was the best sleep I’ve had for a few weeks. But it doesn’t mean anything, it was an accident I promise.”
“Are you weirded out by this,” Robin whispers to Nancy.
She just shrugs. “Not really.”
“It was really an accident?” Argyle asks.
“Yes, I really didn’t mean to. I’m sorry.”
Argyle finally looks at him, his face softening. “Promise?”
“I promise.”
“No,” Eddie yells from the bedroom. “Don’t rip it.” Followed by a “Ha, got it,” from Steve. He walks out victoriously with the picture.
“Neither of you are bleeding, right?” Nancy confirms, not really caring anymore. Steve shakes his head.
Eddie comes out of the room, leaning on his doorway, panting. “Please don’t tear it up. It was my last piece of picture paper.”
“Out of all of us, why is it you that has a printer?” Robin asks. Eddie just shrugs.
“What is it?” Jonathan asks, wincing.
Steve walks over to show him. “What you think. Why did you print it out anyway?”
“To put on the wall of many shames,” Eddie says, pointing to the wall covered in pictures of the group scattered along the back wall. Some with pictures drawn on their faces and other various situations they’ve gotten themselves into.
Steve looks at Jonathan, who just shrugs. With a roll of his eyes, Steve walks over and tapes it to the wall.
Tag list (let me know if you want to be added or taken off) @slowandsteddie, @annieofhearts, @cacdyke, @ubpd, @captain--low, @thespaceantwhowrites, @goodolefashionedloverboi, @anne-bennett-cosplayer, @lunaticparisianlady, @apomaro-mellow, @dolphincliffs, @dragonmama76, @maggiebug417, @stevesbipanic, @fearieshadow, @mentallyundone, @eightpackdiaz, @au79burger @bookworm0690 , @practicallybegging, @potato-of-the-lord
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theothermaidoftarth · 21 days
Text
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from Eileen by Ottessa Moshfegh 
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cranberrymoons · 5 months
Text
speak a little louder
prompt: mutual pining (@steddieholidaydrabbles) rated: t word count: 673 words tags: fluff, flirting, nerds in a basement
welcome to Day 3 of the fic advent calendar – bite-sized fics posting every day during the month of december. enjoy!
The campaign lasts all day.
That’s what they call it – a campaign – as if it’s an actual military coup and not what it really is, which is a bunch of teenage nerds sitting around a table in Mike Wheeler’s basement with sodas and a bag full of dice. 
Steve is used to it by now, but he doesn’t expect to have to wait for a whole extra hour when he shows up to collect them, but here he is, sitting on the couch in the corner and staring at the ceiling while he listens to Eddie drone on and on about elves or some shit.
Well – drone is maybe sort of an inaccurate word, considering how into it Eddie’s getting, crouched on his seat like a gargoyle, talking with his hands, doing the voices. It’s actually kind of fun to watch, and Steve is maybe sort of pretending not to find it as interesting as he does, because he has a reputation to maintain, dammit, and he refuses to be drawn in by the spark in Eddie’s eye or the flush on his cheeks or the way his fingers weave strands of the story across the table.
Whatever. Steve doesn’t even care.
“Sorry about that,” Eddie says when it finally wraps up, when he’s climbed off his chair and is standing in front of Steve while the kids bicker over something and take their sweet time packing their things. “Couldn’t stop in the middle, they would’ve killed me.”
He reaches behind his ear for a cigarette stuck there, and Steve stares at the way his rings catch the light as his hand moves. 
“No problem,” he says. He clears his throat. “Hey, can I –” 
He nods his head toward the cigarette, and Eddie raises his eyebrows, holding it out.
“Bum a smoke?” he asks. “Sure, Harrington. Anything for the valiant babysitter.”
Steve smiles as he accepts it from him, and he tries to ignore the way his stomach flips when their fingers brush. 
“Thanks.”
---
They take them upstairs, outside to wait for the kids, and it’s starting to get cold enough now that Steve has to flip up the collar of his jacket against the chill as soon as they step onto the porch. 
“That was cool back there,” he says around the filter clenched in his teeth as he ducks his head to light the cigarette. “The thing, or whatever.”
Eddie eyes him for a moment, then flicks ash onto the ground. “It was like… the metric opposite of cool, but thanks anyway.”
Steve laughs. “Still. It looked fun.”
“You should join us sometime,” Eddie says. He clears his throat. “I mean… if you want.”
And Steve can’t help it; even on top of everything big and scary going on in his chest right now, the idea of actually playing the fantasy math nerd game sounds like –
“I don’t know,” he says, shaking his head. “I think I’ll leave that one to the pros.”
Eddie laughs a little. “Oh, we’re pros now?”
“You managed to save the elf. I think. Sounds pretty professional to me. I couldn’t save an elf.”
Eddie gives him a look. “There wasn’t even an elf in that part of the campaign. I think you’re just making shit up.”
Steve laughs too at that. “Yeah, I had… no idea what you were doing. But the kids seemed into it.”
“So what are you into, then?” Eddie asks. “If not nerd shit, then what?”
You , Steve wants to say. Mostly these days, I’m just into you .
He takes a breath. “I don’t know,” he says instead. “I don’t mind the fantasy stuff. It’s the math part I have issues with.”
Eddie smiles a little. “Then take the numbers out of it. Come watch a movie with me sometime. I bet we can find some kind of nerd thing for you to be into.”
Steve feels his stomach give another little jolt as he stubs out his cigarette. “Yeah, I bet we can.”
[also on ao3]
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genshin-scenarios · 8 months
Text
do clothes make the person? (lyney x gn reader)
Summary: …Lyney dresses up in a skirt and leotard, while practicing for another switch-up trick with Lynette. That’s the basic premise. Enjoy!
Notes: This is still SFW but uh… Rated teens and up, just to be safe (a lot of flirting)
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Throughout his career, and for the purpose of pulling off impossible feats of magic onstage, Lyney has garnered quite a range of props and outfits to suit his purposes. 
The first time you learn of him and Lynette swapping places, you’ve only seen his sister dressing up as him, and joked that perhaps you’d be whisked away by the more level-headed version of Lyney that stands before you (Lynette, still in disguise, looped her elbow with yours and said in deadpan to her brother that the two of you would be going now.)
Suffice to say she was hoping to escape from practice to go buy some desserts, and you were happy to oblige. Lyney hadn’t let either of you forget that betrayal ever since, ever one to play on dramatics just for an excuse to tug on your wrist and demand your attention. Behind those theatrics however is the relief of a brother who’s glad his very-important significant other gets along well with his very-important sister, even if it was at the expense of himself sometimes. 
In today’s practice however, Lynette is the one who required a double, and so you found Lyney in their room still in a leotard and skirt. He noticed you entering, and with a quick decision made in the flicker of his eyes, settled into a monotone expression. Posture relaxed, lazily glancing over at you - in this moment, Lyney truly seemed like a cat.
“If you’re looking for my brother, he already left.”
“I already saw Lynette as I was coming in.” You inform, walking over to tidy the props left on the table. You look over at Lyney from over your shoulder, trying to control the quirk of your lips at the sight of his pout. “Were you hoping to get some secrets out of me? Asking how I really feel about you?”
“I didn’t think that far, but now when you put it like that… How could I not be curious?” Lyney makes his way over to you, capturing you in a hug from behind as he rests his head on your shoulder. He starts using his body weight to tilt the both of you towards the side, dangerously close to falling.
“Lyney.”
“Yes?”
“Please stop swaying around, we’re going to—”
Without letting you finish your sentence, Lyney suddenly pulls you against him as he makes the both of you fall towards the ground. Panic surges through you as you feel your feet slipping from under you, only for Lyney to cushion your fall with his body. He’s trying his best not to laugh at the shriek you let out earlier, while you try to resist the urge to strangle him there and then.
“You— Stop laughing!” You grab his wrists; connected to the offenders that pulled you down with him seconds ago, and drag Lyney into a sitting position. “We could’ve gotten hurt!”
“I wouldn’t have let you get hurt.” Lyney gives you an affectionate smile, which would’ve been sweet had it not been for his actions just moments before. “And look, I’ve got you on my lap now. Not quite as fun as hearing you divulge everything you love about me, but a close second.”
“Try saying that without the cat ears and tail.” Keeping the annoyance in your tone, you reach up to take them off his head. It’s just a cleverly hidden headband, but you remember Lyney mentioning how it’d start to hurt if he wore it for too long. “Are these clothes not uncomfortable?”
Lyney’s eyes are shut, leaning against your touch as you ruffle his hair out of its braid. The ash-blonde strands are soft beneath your fingers. “Mmm, not exactly. It’s not like men have never worn leotards, you know. There are appropriate clothes for it.” His lashes flutter open once you retract your hands, violet gaze soft. “Not going to help me rebraid it?”
“I might mess it up.” You say. Lyney hums at the rebuff, unbuckling the belt that holds his tail. He offhandedly tosses it to the side, and just as you let your guard down, he’s quick to pick you up from below your thighs and pull you even closer to him. By instinct, your legs wrap around his waist to get some balance, but immediately after, you realize your compromising position and freeze. “...You’re an absolute sadist.”
“I just want you near,” Lyney smiles innocently, cupping your face in his hands. Despite how his words sound, he honestly just likes physical affection. The horrible blush burning on your ears is just an added bonus. “I’ll let you go after a hug.”
“Promise?”
“Mmhm.”
Watching Lyney carefully, you finally let yourself rest your head in the crook of his neck, arms looping around him. He’s quick to melt into the gesture; at times, hugs could be seen as a test of trust. It was hard for one to see the expression on the other party’s face or be aware of their surroundings when positioned like this. Is it odd for Lyney to feel comfortable despite the slight feeling of anxiety that comes with it? He never lets hugs last for too long, though - lest something actually sneak up from the shadows and he’s too late to protect you both.
By the time he’s finally in his normal clothes, Lyney’s leading you through the streets of Fontaine with your hand in his, claiming there’s a really good restaurant he discovered lately. (In truth, it’s just another excuse to intertwine your fingers.) 
You do have to admit - it is cute when he hooks your pinkies together while talking to a fan or acquaintance, swinging it between you both just subtly enough so that no one would notice. Just like how you hadn’t noticed the addition of a tiny magenta ribbon tied to a small lock of your hair. It sits comfortably at the back of your head, so Lyney doubts you’d notice unless you tried combing through it.
Not to mention, it matches his colors! Call him a hopeless romantic, but Lyney thinks the sight of you both together like this is quite endearing, if he says so himself.
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mvltisstuff · 10 months
Note
Evan Buckley & female reader - a fic where instead of the firetruck crushing buck’s leg, it crushes the reader’s leg instead and the reader is in the firetruck when it explodes and Buck & reader have been engaged for 2 years. Buck is worried and scared and panics when he sees the reader underneath the truck. He helps her through the physical therapy of getting back her leg strength and helps her through how she is told she may not be able to be a firefighter again.
lots of angst, heartbreak, sadness, anger, fluff too 💙
love ur 911 fics so much ❤️‍🩹
are you with me - e.b
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summary: request
evan buckley x reader
a/n: i’m so happy you guys like my fics, i have plenty coming your way soon 🩶 btw this started off pretty strong and idk what happened toward the end w the quality
it’s never realized how much calamity one person can cause in such a large city. people get in their cars to go to work, they order a package, they stop at the store, and the last thing they expect is an explosion right at their feet.
over three million people in los angeles, and one forced 30 tons of weight onto y/n’s leg. it was just work. something she does every single day. of course, nothing in life ever remains the same, but this is really something you can never expect. you watch it in movies, or you hear about it in the news, only until it happens to you.
she knew the bones in her leg were crushed upon the impact, the engine thrown on its side. buck watched from a distance, being held back by the police. he would do anything for her. he wanted to tear this kid to shreds. he saw y/n’s broken leg under the truck and her head weakly lifting up. he could almost hear the pained gasps and whimpers from her lips. y/n, on the other hand, felt like she was in the center of the ring, the joke of this kid.
all the bystanders watched the scene unfold, the boy trying to summon the captain of the 118. it felt unreal. the noise and the truck shaking the ground they walked on.
buck thought he hallucinated the sparkling ring on y/n’s hand, somehow managing to remind him of the fight he was about to do. he vividly remembers the day he got down on his knee, bargaining the rest of his life to her and crying when she said yes. the whole team had been there, watching from a distance as her hand covered her mouth and lifted him from the floor. their wedding was being planned, every last detail needing to be perfect for the couple.
most people’s instinct would be to run away, but buck wanted to run toward the chaos. if y/n was there, so was he. his life mission has been to keep her safe, and knowing someone went out of his way to hurt her makes him go crazy. the exact moment that freddie was taken down with his overcomplicated vest, buck found himself running to her. he instantly fell onto his knees, seeing the ash and tears on her face close up.
she wished she couldn’t feel it, but she felt every part of it. she didn’t know anything. was her leg even connected to her anymore? buck moved himself closer to her so she could hear him over the murmuring of watchers.
“hey! hey, y/n,” he starts.
“it h-hurts so bad,” she whines, making him grimace himself.
“son of a bitch, ok. we’re gonna get you out of there, yeah?”
“please,” she begs, almost inaudible. buck stands up, calling for anyone he can to lift the truck off her, which was almost impossible with a few people around. hen was on the ground, connecting machines to y/n’s harmed figure.
“hang in there, y/n/n,” she says softly. “we’ve got you.”
despite his entire body weight being used to lift the ladder engine, it didn’t budge once. the only thing it did was echo the raw screams from y/n, poisoning bucks ears making his heart speed up. the adrenaline pumping through his system was making him think he could do it.
“do you have anything on the truck we can use for leverage?” eddie asks to a panicked bobby, trying to save one of his workers and best friends.
“it’s too heavy, it wouldn’t work,” bobby says as a light goes off in bucks head.
“more people,” he mumbles. “we need more people! hey! all of you, get over here and lift this!” he shouts at the mob of people observing the accident. not hesitating, the civilians sprint over and grab onto any part of the truck that they can.
y/n was in grievous pain, dreading the agony that would come when they finally lifted it. she was right, it was tormenting, releasing shrieks she didn’t know she had. before she could rethink everything, she was tugged from under and flipped onto her back. buck couldn’t peel his gaze away from the blood that has completely stained her pant leg and the parts of her leg that should be inside of it. complete shock and fear took over his body, but not enough to stand there with her the whole time. he watched chimney and hen bandage up her leg and move her into the ambulance, where buck sat next to her. hen was in the back with him, chim being the designated driver. unfortunately, y/n had been awake for the entire experience. from the second the engine flipped, to the second she was lifted into the ambulance. as much buck was grateful that she was awake, he almost wanted her to pass out. she wouldn’t have to endure this much pain, despite the morphine kicking in.
y/n’s hand twitched in bucks, “buck?” she grumbles out.
“y/n,” he makes note of her panicked state. “i’m here, you’re ok. i’m not going anywhere, honey.”
“someone should tell the city that we need a n-new truck,” buck laughs at her mind and how it works before running a hand through her hair.
“you don’t have to worry about that,” says buck. “you have no idea how relieved i am that you’re ok.”
“we’re getting married soon,” she realizes. “shit, we were supposed to get married soon-“
“shh, it’s all gonna work out, ok?” buck reassures. “i’d marry you no matter what, broken leg or not.”
“promise?”
“i promise.”
the hours sitting in the waiting room were grueling. maddie had left to be with buck, watching the entire scene go down on the news. even her heart ached, watching someone she already considers family have to face something like this. the whole team was anxiously waiting for the surgeon to come out and say she’d be ok. she held them together like a true family, being the most stable relationship they had. she was the part of the station that made their bond unbreakable. watching her vulnerable condition under that truck was almost intolerable. the time that she wasn’t in work felt like a missing puzzle piece.
weeks had passed since the bombings of LA, and buck had been there every single day. in sickness and in health, he hasn’t said the words out loud, but he swore to that since the day he met her. he knows that she would do the same exact thing for him, and he would spend every single day helping her.
y/n felt completely isolated in their small apartment, barely being able to leave the first floor. she craved work, she desperately awaited the day that she could return, but the injury in her leg hadn’t resolved. no matter how many times she tried to convince herself, she didn’t know if she’d ever be a firefighter again. at some point, she almost envied her fiancé for being able to go to work. he felt so bad for her, just wanting to give her her life back. the weekly doctors appointments were draining her of almost everything she had, every single one proving nothing. nothing that meant anything. the situation was completely out of anyone’s control, and she had consumed so much anger about it. anger at the doctors, the therapists, the kid, the 118, everyone around her.
buck was forced to sit back and watch, to act as a shoulder to cry on. he was the third crutch, the person she leaned on when she couldn’t stand on her own. there was no way in hell she could’ve done it alone. buck was the one to drive her to every appointment and helped carry some of the burden.
at the end of the day, there were two things that scared y/n the most. losing buck and losing her job. the two things that got her out of bed and the two things that gave her a true meaning. as time passed and every request to be back at work was denied, she swore her heart hurt more than her leg.
“y/n?” buck called out after arriving back home. she had been on the couch, watching another drama series about firefighters. “hi, how are you doing?” he asked when spotting her in the living room. she didn’t respond, just looked at the television with the volume low. he went and sat next to her.
“what’s wrong? did something happen?”
her eyes had already been bothered from tears of anger and frustration, and he could clearly see that with his own. “they called again.”
“wasn’t the answer you wanted?”
“i have been pushing myself every day for approval, and i have not gotten anything for it,” she says, dryly. “i have been killing myself to go back to what i love and why am i not getting anything?” her voice cracks.
“listen,” he tries to distract her from her own negativity and forces her to look at him. “i know you’ve heard this a million times, but you have to let yourself take the time to heal. if you go back too soon, you’re going to make it worse.”
her nose scrunches at bucks words, causing her to sniffle as he continues. “i know, it sucks, and i am so, so sorry. it’s just that none of us want to see you do more harm than good. we need you back as a firefighter, but i need you back to normal first. you’re worth so much more than this, and this injury is not going to take you out, we all know it.”
y/n opens her mouth to speak, but nothing comes out besides the small beginning of a word. she knows he’s right, but having to come to terms with that is the hardest part of it all. she begins to cry lightly again, her face in her hands as she leans forward. buck slides over, wrapping his arms around his distressed fiancé.
y/n took bucks advice, and now, she stands in the entrance of the firehouse. she walks in to see her uniform waiting for her in her cabinet, her gear untouched, and it feels like she was here yesterday. she feels at home here. buck follows her in, grabbing her hand and they restart the rest of their lives.
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itsphoenix0724 · 5 months
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could i please request a part two to the az x reader, but now she confronts rhysand?
Hold Me Gently (Azriel x Reader)~ Bonus Chapter!
Warnings: mentions of negative self-talk, depression
Word Count: 1k
Hold Me Gently
A/N: Hi Anon! Thank you for requesting, I appreciate the visit to my inbox! I wasn't ever really planning on writing a part 2, so I called this a bonus chapter because it's not essential to the main story. I hope you enjoy it, and feel free to come again <3 as always constructive criticism is welcome! I wrote this very quickly so it's not edited I apologize!
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The River House lawn shook when your feet finally touched the perfectly manicured yard. You had waited until Azriel was finally asleep in your bed before you had come, he might try to stop you, but you’d given yourself a pretty damn good headstart. Your power throws open the doors with a blast of unrestrained energy, and it’s Feyre who sees you first as she runs down the stairs. 
“What’s wrong?” Your High Lady asks concern filling her eyes as she attempts to cup your jaw. You hold her at arm's length. This isn’t a battle she’s a part of. 
“Ask your mate,” you growl back, venom filling every inch of your veins as you tear past her heading right for Rhys’s office. If he wasn’t there you’d bring the entire house down around you to find him. Feyre looks after you in shock, probably mentally reaching out to Az to ask what was wrong. Or maybe she warned Rhys your fury was coming fast because he’s sitting at his desk like the picture of ease. 
“What can I do for you?” Rhys purrs from behind his desk, he’s put on his High Lord mask today. If this was how he wanted to play so be it. 
“Do you enjoy hurting your family?” That clearly wasn’t the question Rhys thought you were going to ask as his eyebrows raised in shock. “Or are you just that intentionally blind that you refuse to see what you’re doing to Azriel?” A dark glint lights in Rhy’s eyes as he leans forward, the picture of a calm perfect predator. 
“And what, pray tell, am I doing to Azriel?” He sends a wave of night-kissed power your way, trying to bank the rising flames in your chest. The authority almost makes you want to cave, but you hold strong. 
“So I suppose we’re going with intentionally blind then?” The flames rise higher, the ash threatening to drown your lungs. “You know that his work is harming his health, and yet you continue to use your brother as a weapon anyway.” Red clouds your vision at the lack of reaction from Rhysand, you might get violent quickly if it continues on like this. Feyre bursts through the door a minute later, coming to rest on the arm of Rhys’s chair. 
“Azriel doesn’t know you’re here.” She says it matter of factly and you nod. “We make decisions in this court together, that rage should be equally targeted at me,” Feyre says with finality but that doesn’t make it true. 
“Feyre, with all due respect. You are not equals in this.” both of them blink back in surprise and Rhys looks ready to rage war. Good, now he finally knows how you feel. “It’s nothing against you, but you are still a new member of this court. Rhys has known Azriel for 500 years, and you have been here for five, it is not the same. There are still things you don’t know about this family. You didn’t grow up with Az, you don’t know him like he does. You are my High Lady, and I will always love you, but you have no ground in this.” Feyre settles, opens her mouth to say something, and then closes it again before nodding at you to continue, moving to sit in the armchair beside the bookcase. You settle your hands on the desk looking at Rhys like you want to sever his head from his body as you address him again. “You continue to treat Azriel like something to be used, you know how he feels after every mission, and yet you order him to continue anyway. You know that it makes him feel worthless, and I’m here to say that enough is enough. You don’t get to turn a blind eye anymore because if it doesn’t directly affect you or Feyre you choose to ignore it.” 
“Azriel swore an oath to this court. He knew what the position entailed.” Rhysand states calmly, rising to meet your eyes. 
“He made that oath 300 years ago when he was barely a young adult. Things do change over long periods of time whether or not you want them to.” You scoff, raising your eyebrow and leaning closer into his space. Even as you see the temper rising in his eyes you won’t stop until Rhys sees what he’s been doing to his brother even if you say something that might get you exiled from this court. “What? Going to send me on a week-long hike now because I’m telling the truth?” The dig is obvious and dark power starts to pulse in a way that makes your knees want to buckle. You refuse to sit, this is your mate you’re defending. 
“As his High Lord, he does this court a great service. If he has an issue he can come to me himself.” Rhys snarls out. Feyre looks like she’s readying herself to jump in between the two of you if need be. 
“As his brother, you should care more about Az than any service he does for this court. If you want someone tortured, get off your ass and do it yourself instead.” You challenge and Rhys is rearing up to say something again before you hold a hand out. “Look what you’re doing to him if you don’t believe me.” Rhys grabs your hand and you show him Azriel after his latest mission, pouring every ounce of self-hatred you felt from Az into the memory. Rhysand yanks his hand away and finally sits back down when Azriel himself finally throws open the doors to the office. 
“I came as soon as you called,” He looks at Feyre who nods back at him. Rhys just stares at his brother, and Azriel’s eyes dart back to you as you give him a sheepish wave. You only feel remorse for the dark circles under his eyes, and for having his sleep interrupted. “What’s going on?” Rhys clears his throat, rubbing his hands together before speaking again. 
“It’s come to my attention that I’ve been neglecting your mental health, and for that, I’m so sorry.” Rhys nods at Azriel, silver rimming his violet eyes. “Take some time off, and we can reevaluate when you get back.” Azriel widens his eyes, a look of understanding passing between the both of them. You turn to leave when Rhys calls your name, “Thank you for telling me.” You nod and take your mate home so he can finally get some well-deserved rest.
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lushaletta · 4 months
Text
hide with me / james potter
pairing: james potter x fem!reader
warnings: mild swearing, mentions of mental health/anxiety, reader has a panic attack
summary: poorly written drabble in which you have awful anxiety and a lovely james.
a/n: i feel like this feels unfinished i’m so sorry… i clearly lost steam by the end but i hope you all like it! i am such a sucker for some james
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⋆ ࣪.  ⁺⑅ ⋰˚ *.゚ .˳⁺⁎˚ ˚⁎⁺˳ . ༺ ˖࣪ ˖࣪ ∗
It feels like the world is caving in on you. The ceiling is about to fall down and crush you under its weight.
The voices of those around have all mixed and faded into each other into a jumble of noise. You don’t quite know what Lily is saying, not even sure what Marlene is doing; you can hardly see anything.
A laughable attempt at taking a breath has you panicking more and you stumble out of Alice’s living room and onto her front patio as hot, salty tears sting your face.
The reason as to why you’re suddenly in this state has you confused. One moment, you’re fine and the next, you’re in full breakdown mode.
Fresh air. That’s usually all you need. You let the scent of pine fill your lungs, grounding yourself on the railing. You’re fine, you try to repeat to yourself. You’re fine.
“Hey,” a voice calls out. You whip around and spot a head of dark curls and pretty hazel eyes.
Him. You don’t know whether you’re happy or sad about his presence. There’s a cigarette hanging out of his mouth and he looks gorgeous as ever.
You’ve liked James a long time. Much too long. He’s liked Lily for longer.
You’re sure he knows about your feelings, you’d done a poor job at keeping them secret, and you’d be surprised if at this point he was unaware.
Remus knows because you’d confided in him first. He was sweet about it, stroking your hair and whispering kind words in your ear. Sirius knows from the “powers of deduction”, as he likes to call it.
“Hi,” he says, putting the cig between his fingers, flicking the ash off.
“Hi,” you reply, a little breathless.
He walks over to you, assessing your state. “Are you alright?”
He’s always been awfully caring. It’s half the reason you like him more than what’s healthy.
James knows your ins and outs. Your family history, all your favourite movies, how many freckles you have. He’s committed every part of you to memory.
He treats you like you’re fragile, like a porcelain doll. As if you’d break when dropped.
Maybe it’s self-righteousness. Maybe he’s doing it out of pity. Though, in this moment, it feels anything but.
“Just fine,” you whisper, staring at him so deeply it’s embarrassing.
“You ran off.”
You laugh a humourless laugh. “Did I?”
James nods, looking like he’s inspecting you. It makes you feel a little self-conscious.
A smile creeps across your face. It’s really only to conceal the awkwardness. “What?”
“I think we’re past the point of pretending everything is alright when it isn’t,” he says, matter-of-factly. “Will you tell me what happened?”
The bluntness of his words makes you nervous. He’s not typically so forward.
“I was overwhelmed.”
His arms lace around your shoulders. “Okay,” he whispers. “Okay, let’s go, then,” he says, decidedly.
It’s a tempting offer. Being dragged away from all the noise and instead spending the night with James, but you don’t want to disrupt his evening with your feelings. He likes these people. He’s comfortable with them. He’s not like you, you say to yourself.
“No. I’m fine, James, really. Please don’t worry yourself.”
“I was kind of getting tired anyway. We can grab food and you can sleep at my place for the night, hm?” he insists, putting out his cig.
He’s doing it again. That thing where he’s just being so considerate and kind to the point that it bothers you.
“I..” you trail off, looking at the stars instead of his eyes. They’re both really beautiful.
“I’d like for you to come with me, sweetheart. Let’s get away. Just for a bit,” he tries again, gently tilting your face towards his.
You’re going to come with him. You were going to the first time he asked, no matter what, but you need to hear that he wants it.
You crack a smile. “Okay.”
Before midnight, you’re in his car. It’s a bit beaten up and the engine takes a couple of tries before it starts, but it’s a charming vehicle. He’s ordering fries for you, doing all the talking you’re so hesitant to.
There are muffled voices over the speaker. “Just a moment.” James turns to you. “Want a coke, baby?”
You nod, tapping your fingers on the window and fumbling with the button of your seatbelt.
He hands you a paper bag.
“Thank you, James. I’m sorry you’re stuck with me instead of with Lily at the gathering.”
His face contorts into a look of slight confusion as he grabs a fry from your hand. “Why would I want to be with Lily?” It’s not that he doesn’t want to hang out with Lily, it’s just that you could’ve asked about Sirius or Remus or even Frank.
“I mean, you like her, don’t you?” you say, voice quivering. Afraid of the answer.
“She’s a nice girl.” It’s not a no. You’re crushed. You nod your head like you’re unsurprised.
A forced smile makes its way onto your lips. “You two would look good together,” you say, hushed.
His brow quirks. “What? No.” It comes out a little sharp, and he immediately softens. “No, it’s not like that. Sorry.”
“Oh.” You hate yourself for it, but you feel your body immediately relax in relief.
Now he’s the uneasy one. His fingers are tapping on the steering wheel and he’s clearly purposely avoiding your gaze.
“Listen—“
“—I’m sorry,” you cut him off. “Sorry, you first.”
The car comes to a stop at some dark parking lot. James turns to face you. “What are you apologising for?”
Even you’re not too sure. It’s a mix of a few things; Lily, forcing him to stay with you, your anxiety, interrupting him, even. A general apology for your.. you-ness.
“All this. I just want you to be happy, James. I’m really sorry for always making you do this. Comfort me whenever I’m overwhelmed like that.”
He blinks. “I’m happy when I’m with you, sweetheart. Why don’t you understand that I enjoy doing this? I love when we escape from those dumb gatherings and do shit like this. I love it. I love you, damn it.”
Your heart drops. No, it stops. He had to be drunk. He was driving under the influence, surely. A crime. That’s a felony. Your head was absolutely spinning.
You don’t know what to do but stare blankly at him as his face asks you to just say something.
“What?”
“I love you! I don’t even know where you got that whole Lily thing. I love you! It’s always been you!”
Well, shit.
You lower your voice to a whisper. “So do something about it, Potter.”
And he does.
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