#when you can't color a scene so you make it black and white

[staliaqueen]

JO AND MAL AES IN TV AND FILM: 1/? Harry Potter and the Prisoner of Azkaban | dir. Alfonso Cuarón

#yes this is a series and you're very welcome to leave suggestions if you think of them #jo and mal aes in tv and film #jo tag #harry potter #hp #harry james potter #hermione granger #malcfoygiffing #when you can't color a scene so you make it black and white

[your-friendly-sociopath]

I've been thinking recently about a story I made a while back about yandere alastor while he was alive, and apparently ppl liked it so I've decided to make a part two of that, but it's shortly after both alastor and his darling (reader obv) are dead

Also bc alastor is hot and I need more

Part one here

His Darling Doe, Pt 2

After Alastor had "saved" you in the alleyway, he never let you leave the cabin

For the rest of your (admittedly short) life, he had forced you into the role of the meek and helpless housewife

It wasn't so bad, he was a gentleman and always made sure you had everything you could want

Except your freedom of course

The night alastor died you thought you were finally free

But nope

Turns out that when the cops found out he was the killer, they thought you were an accomplice and had you sentenced to death

One moment you were on an electric chair, the next you were falling from the sky

As you were falling you heard a loud screech, and could see the devastated look coming from a glowing creature above

It looked like an angel

The next thing you noticed was a glowing green chain dragging you down (bc the chain scene was so hrrrgh)

And the last thing you noticed was two small wings attached to your back, you watched as the once snowy white color became corrupted by black and green -the same shade of green as the chain- then you hit the ground and blacked out

Again you woke up, face smushed against the weirdly warm cement

Confused, you slowly pulled yourself into a sitting position, and looked around trying to make sense of your surroundings

Right as you finally pulled yourself to your feet (or hooves, since ur a deer demon cause I say so) you heard a very loud, very staticy, and very family voice

A voice you had come to both dread and love while alive

"Ah, there are my dear. I was starting to think that my spells hadn't worked!"

Your eyes widened in horror as you turned to face the man you had once loved, your now discolored wings subconsciously wrapping around you in an attempt to comfort you

"No... not you" you whispered

Alastor tilted his head in confusion

" Whatever do you mean by that, my darling doe? I'd have thought you would be absolutely ecstatic to see me!"

You scowled at him and took a step back, to which he responded by smiling wider and stepping forward

"Come now my dear, you can't really be upset still, everything I did was to keep you safe."

Your ears (you hadn't noticed you deer ears in your hair until they had just moved, surprising you) flattened in irritation as your wings flared out in anger

"You kept me locked up in that God forsaken cabin," you hissed "trapped there to be nothing more than a trophy for you."

Alastor's eyes narrowed, he had known that you didn't like being kept in the house, but he couldn't just let you out!

Anything could've happened to you, he was simply protecting you!

Alastor decided to close the distance between you two, and quickly strided over to you, pushing you against the wall he trapped you in a passionate kiss

Despite your anger, you couldn't help but melt into the kiss, having missed him despite being separated for just under a month

You two stayed like that for a few minutes, relishing in each other's presence

When you finally came back to your senses, you shoved him away and ran

Distantly, you heard a record scratch as alastor took a moment to realize what you just did

Then he snarled, his smile growing impossibly wide as he shifted into his full demon form

You rushed through crowds of demons, a few of them snarling at you and threatening you, others catcalling

Now, despite being in hell for only a few weeks, alastor had already set a reputation as demon not to fuck with

So as you rushed through the crowds with a creepy ass deer demon chasing you, many knew not to interfere

Alastor reached out a long clawed hand, just barely brushing your arm

Panicked, you glanced back and saw alastor, looking like a fucking monster

You shrieked in terror, and out of instinct, your wings opened up and launched you into the sky

You heard alastor let out an unearthly, furious scream

You let yourself hope, for a brief moment, that you had escaped

Then the same glowing chain appeared around your neck, a d yanked you back down to the ground

You crashed into the broad chest of alastor, still in his demon form, as he whispered in your ear

"A valiant effort, my darling, but you forget. You couldn't escape me while alive, so what makes you think you can escape me now.." he growled "..now that I'm so much stronger."

"You can't escape me.. you are mine~"

He chuckled lowly at your continued struggling, watching as you finally went limp in his hold when he yanked on your chain

"Come along now, pet, it's time we went home"

The hand not holding the chain snaked around your waist, bringing you flush against his body

Everything went dark for brief moment, before the both of you appeared in front of a cabin

Your cabin

The one that you now considered a prison

You ears flattened once again, this time in despair as tears started to flow

You weren't ever going to escape now

He was much to powerful for anyone to go against

Alastor buried his face in your soft hair, nhaling deeply before walking you up to the front door, slowly turning back to normal from his demon form

"Ah, welcome home, my doe~"

Hehehehehehe

Finished another

Hot deer daddy

#yandere alastor #yandere hazbin hotel #hazbin alastor #yandere alastor x reader

[vidavalor]

You can leave your hat on

So Crowley comes up for a nightcap in The Blitz, Part 2 and takes off the wool overcoat the minisode introduced but leaves his hat on.

If you then go backwards and look at what he had on and when in The Blitz, Parts 1 & 2, it gets even more amusingly Ineffable Husbands pretty quickly...

When Crowley shows up in the church in The Blitz, Part 1 in his suit with the hat on, he's the last character to arrive in the scene but the clinch of a subtle commentary happening via the costuming by way of hats. Until the early 1960s, as you probably already know, a man didn't leave the house without a hat on, but they would take them off as a sign of respect in different places indoors-- churches and theatres among them. Women were not expected to do so, largely because the style of women's hats were often the kind that were pinned into their hair and to take it off was a whole damn thing that required more extensive grooming than is possible when just entering/exiting a place. As a result, the Nazis in the church scene are following social custom-- the male Nazis have their hats off because they're inside a church but Greta is not violating anything by having her (rather fabulous, ngl) hat on. Aziraphale, of course, took his hat off and has it in his hand for the duration of the scene.

Crowley kept his on and we're bemused more than anything because we know that while this is technically impolite, Crowley is far more of a good presently-man-shaped-being than these half-witted Nazi spies, right? Which is basically the point of the commentary-- that the rebels are often more morally sound than the conformers. Also goes without saying that Crowley shouldn't have the sunglasses on in church either (and that this is all set at night and during a blackout makes the fact that he does all the funnier) but Crowley can't take the glasses off around humans so... but then, after the rest of The Blitz, Part 1, we then hop into The Bentley with Crowley & Aziraphale at the start of The Blitz, Part 2 and find that Crowley has a new wardrobe addition:

Crowley is now wearing a black wool dress overcoat over his suit. Yes, they're magical and can regulate their body temperatures without actually needing the clothes they wear but the clothes they wear are also part of blending in with the humans of their day and we're now reminded that the 1941 part of The Blitz was going on over the winter into the early spring, something we could forget about momentarily when everyone had their coats off in the church but for Aziraphale, who has just worn the same coat for awhile now. This then serves to show us that Crowley got out of The Bentley outside of the church to go rescue Aziraphale and stopped to take his winter coat off and leave it in the car before doing so, all while choosing to not leave his hat behind as well. Yeah, wearing your hat into a church as a demon could be-- or only be-- about being a demon but we're going to see pretty soon that it's not *just* about that. So, why take his coat off?

Because he wants his angel to see his suit.

Crowley wears a lot of black and he had to be careful not to be mistaken for SS, so he's added in some color. He has some angelic white in the form of a hankerchief and a shirt that's a shade of grey that makes it actually look blue-- wearing his Aziraphale colors, we see-- and a snazzy red tie. You can't see this very well if he has his overcoat on so he left the coat in the car, consciously wanting to look as dashing as possible when showing up to grand romantic gesture Aziraphale.

When they get to the Windmill Theatre, Crowley wears both the hat and coat into the theatre-- but he takes the hat off once they're inside. Churches can go pound sand but Mrs. H? Crowley wouldn't dare disrespect her or her theatre lol. Aziraphale also takes his hat off in the theatre and we see that he does in every place of reverence to him, as he also takes his hat off in the magic shop later on. Crowley then wears the hat and coat both back from the theatre to the bookshop and once he settles in there to help Aziraphale prepare for his magic show, he *settles in*, as we know, tossing his hat on an angel statue, hanging up his overcoat, and unbuttoning and opening up his suit jacket as he sits down. The jacket now open, the design on his tie is now visible for the first time. Aziraphale is amusingly invested in his magic but when he does get around to unburying his nose from his autographed Prof. Hoff magic book, he can look his full at Crowley's whole ensemble here, which Crowley has been alternately hiding and revealing in bits and pieces so far (like a certain show we know lol.)

Crowley wears all of it on their date to the magic shop but keeps his overcoat open and takes his hat off again at The Windmill when he's in the audience and on stage with Aziraphale. However, after the performance, when Furfur confronts them, Crowley has the hat back on-- while he's lounging on the couch, alone with Aziraphale in the dressing room. They weren't exactly about to leave in that moment when Furfur showed up. Aziraphale is still in costume and they're still chatting about the performance. Crowley isn't standing by the door waiting for him to get his stuff so they can go and so already has his hat on. He's sitting on the couch. But the hat's back.

After Aziraphale manages to set Furfur up in this scene, we then next see them again in the bookshop, drinking Chateauneuf-du-Pape and talking about how Aziraphale saved the photo. Crowley's overcoat is nowhere to be seen, presumably hung up on the coat rack in the front part of the shop, but he's kept the hat on and, at this point, there's no other possible reason to not have taken it off but for that Aziraphale likes the hat. A lot.

(And yes, before anyone messages me, I know that's Terry Pratchett's hat. In the context of GO, though, that's Crowley's 1941 hat.)

#ineffable husbands #good omens #crowley #aziraphale #good omens 2 #good omens meta #aziracrow

[cal-kestis]

HOW TO: Make an iPhone Layout + Downloadable Template

Hi! I've gotten a few messages asking for a tutorial on my iPhone gifsets — but instead of only doing a tutorial (that would probably be triple the length this one already is), I decided to turn my layout into a template with all the bits and bobs! In the "tutorial" under the cut, I'll share everything you'll need, a free template download, and quickly go over how to use this template. :)

Disclaimer: This template uses Video Timeline and this tutorial assumes you have a basic to intermediate understanding of Photoshop.

PHASE 1: THE ASSETS

1.1 – Download fonts. These are the fonts used for all assets I've included in my template: – SF Pro or SF Pro Display (Regular, Medium, Bold): Either version works, they look nearly identical. You can download directly from https://developer.apple.com/fonts/ or easily find it via Google – Bebas Neue: Free on Google Fonts, Adobe Fonts, and dafont – Times New Roman (Bold): Should be a default font in Photoshop

Make sure to download and install any of the fonts you don't already have before opening my template. That way, once you open the template file, all the settings (font size, weight, spacing, color, opacity, etc.) are as intended.

1.2 – Download my template. Before you use my template, all I ask is that you don't claim or redistribute it as your own and that you give me proper credit in the caption of your post. Making these iPhone gifsets takes me a longgg time and turning this layout into a template took several hours too.

DOWNLOAD TEMPLATE VIA KO-FI ← This template is completely free to download (just enter $0), but if you feel inclined to tip me, I appreciate you! 💖

BTW this template also includes some of my frequently used icons!

NOTE: If, for some reason, you open the template and see the pop-up shown below, click "NO" — otherwise, the fonts will be all messed up:

And if you see this triangle with an exclamation point by a text layer, don't double-click it — it'll mess up the font as well:

PHASE 2: THE GIFS

I'm just going to briefly go over gif sizes and my recommendations. Also, keep in mind when grabbing your scenes, you'll want all of these gifs to be the same amount of frames.

2.1 – Background Gif: 540 x 540 px. I recommend this size so you have a good amount of visibility for the gif behind the iPhone wallpaper. I also recommend making this black and white (or in my case, black and white with a slight blue tint — idk I just like the way it looks) so the wallpaper coloring can stand out.

2.2 – Wallpaper Gif: 230 (w) x 500 (h) px. Keep in mind the very narrow dimensions of the wallpaper! And also keep in mind that you'll have a bunch of apps and widgets covering the image. I try to use wide shots (or layer my clips into looking like wide shots). Also, keep in mind your color scheme for your set and your character's aesthetic! I tend to focus on one or two colors for the wallpaper.

I usually position the wallpaper to the side with 20px bumpers, so there's lots of space to see the background:

2.3 – Large Photo Widget Gif: 201 (w) x 96 (h) px.

2.4 – Small Photo Widget Gif: 94 x 94 px.

PHASE 3: THE TEMPLATE – "IPHONE" FOLDER

In this section, I'll try to quickly walk you through how to use this template and some bits that may require extra instructions. I'll be going through each folder from top to bottom.

3.1 – Status Bar. Time, Service, and WiFi are pretty self-explanatory. In the Battery folder, you can use the shape tool to adjust the shape layers labeled "Fill (Adjustable Shape!)" to customize the battery level.

3.2 – Message Notification. Again, these are pretty self-explanatory. I've already masked the circle for the contact photo, so you can simply import any photo and use the transform tool to shrink it down. The circle is 24x24 px. If you don't want to use a photo, there's another folder called Default Initials.

If your message text can't fit the text box, the message should end with ellipses which is how iOS caps off long texts.

3.3 – Blurred Banner (IMPORTANT) This folder is easy to miss because there's only one placeholder layer in there. On iPhones, the area behind a banner notification and the dock get blurred (including the wallpaper and any apps).

What to do: Make a duplicate of the apps in Row 1 and/or widgets that intersect the message banner, convert them all into one smart object, apply a Gaussian Blur filter (Radius: 3.0 pixels) on the smart object, and move the smart object into this masked folder!

(There's another masked folder in the Wallpaper folder for the dock which I'll go over in that section.)

3.4 – Apps Turn off the yellow guide if you don't need it to keep things aligned and turn off layers you don't need by clicking the eye icon. Replace the "App" placeholder text with your app name, change the color or gradient of the square to compliment your color scheme, and add your custom app icon overlay!

If you can't find an app icon you need from the ones I provided, flaticon.com is a great resource. Also, if you can only find the filled version of an icon, check out this tutorial for how to make any text or shape into an outline.

Also, each app folder has 4 notification bubble options (1-4 digits). Again, you can toggle these on and off as you need!

3.5 – Big Widgets I like using these when my wallpaper has A LOT of negative space to fill. I included the Photos and Books widgets in my template, but there are lots of widgets available on iPhones. You can check some of the other ones I've done here, or if you have an iPhone, simply try adding some widgets to your phone!

There are also widgets bigger than these, but they would take up half of the phone screen which is why I don't use them for these edits.

3.6 – Small Widgets The only thing I'll say about these — because they're pretty straight forward — is there are a lot more weather themes than I included in my template. Also, if you set your character's phone to evening, the weather widget will show a dark background (sometimes with stars), so keep that in mind.

Speaking of, I've included Light Modes and Dark Modes for, I think, every applicable widget.

3.7 – Page Dots These barely perceptible dots indicate that your character has more pages of apps than shown in your gifset (so if an anon tries to come at you, you can just say "it's on the next page of apps" /j /lh)

3.8 – Dock Again, the dock has notification bubble options and I've included the default app designs, custom filled designs, and custom outlined designs for iMessage, Phone, Email, and Safari (there's also a FaceTime alternative if that's how your character rolls). These are usually the apps people keep in their Dock, but this is fully customizable too. So, if your character is, like, super obsessed with Candy Crush or something and needs it in thumb's reach — you can put it in the dock.

3.9 – Wallpaper This whole folder is masked already to a 230x500 px rounded rectangle.

Inside, you'll find another "Blurred Portion" folder for the area behind the message banner notification and the dock.

What to do: Duplicate your gif layer and place it in this folder, remove any sharpening filters, and apply a Gaussian Blur filter (Radius: 3.0 px). Be sure to add any coloring/adjustment layers ABOVE this folder and your original sharpened gif layer.

PHASE 4: EXPORT

We made it!

I hope this template makes it super easy for you to recreate this layout! If you decide to try it out, feel free to tag me with #usernik.

If you notice anything wonky about the template, kindly let me know so I can fix it! And if you have any questions about how to use this template, please don't hesitate to send me a message! I just ask that you try to be specific in your question so I'm able to answer you the best I can!

#gif tutorial #completeresources #userpickles #usersmia #userabs #usertreena #alielook #userkosmos #usershreyu #userzaynab #tuserabbie #useryoshi #usersalty #tuserlucie #usernanda #userelio #userhella #usercats #gfx* #resource*

[authorhjk1]

Interlude: Ms. Satan

(Kim Bora X Male Reader)

You immediately know it's a dream as soon as you open your eyes. Your body is that of an 18 year old. Standing in front of a large, dark building you feel shivers run down your spine.

Your friends made you do this. A bet. A bet that could earn you 200 bucks. Is it worth it? Maybe not. And yet, here you are. Although you are scared, you still want to find out what's going on in this building.

The cold night air messes up your hair. The stars and the moon seem unusual gloomy.

There are stories of some sort of ghost or witch or something. Hiding in this abandoned building. If the stories are true, no one has gone in there for two years now.

You gulp, the palms of your hands starting to sweat. The huge double doors are covered in yellow tape. "Caution" is written in big black letters all over them.

One of the doors is slightly ajar. Not creepy at all. You try to squeeze through the gap, hoping to not make a sound.

Your backpack feels heavy on your shoulders. You win the bet, when you leave this building tomorrow morning. Hopefully alive. For now, you plan to make your way to the roof, hoping to be able to sleep up there. There shouldn't be so much potential trouble up there. The problem is just getting there.

You hear your steps echo through the empty building as you start to climb the stairs. The bright circle of light from your flashlight illuminates the walls.

A cold breeze rushes through the building. You hear some weird noise further upstairs. You stop in your tracks. It sounded like someone was walking. But the sound is gone now. Maybe that was just your imagination.

You sigh as you reach the first floor. Five more to go. The circle of light keeps dancing on the walls in front of you as you begin the climb for the second floor.

Another sound. Your heart is almost in your throat. After a second you realize it's just rain. Heavy drops hitting the building and some of the broken windows down the hall.

You get a little wet as you climb the stairs, the rain making the steps slippery. But if it rains, you can't sleep on the roof.

You groan in annoyance. Your heart stops. There it is again. The sound somewhere in the building. As if someone is walking.

You ponder if you should just run. Just run for your life without looking back. There is definitely something here. Something that already seems to know about your presence.

You reach the second floor. Your senses heightened. Should you really turn back? But that would be so embarrassing. You just hurt some stuff. Probably just the wind.

You start to take the stairs to the third floor. After a couple of steps, you freeze. Your heart almost stops. The light of your flashlight shows you a scene you never wanted to see.

A woman is sitting on the stairs. Her dark eyes seem cold. And yet they look like they can burn with fire. Her dark hair is held back by a ponytail. Most of her body is covered in a black and orange fur coat. The patterns and colors remind you of lava. Two necklaces are decorating her neck and a huge golden flower ring is slipped on her finger.

The most eye catching are her boots though. They are white and almost reach her knees. The heels look quit high, which makes you think that these can't be comfortable at all. The most disturbing thing is the fact that splashes of blood are on them. Her white boots are covered in blood.

"Hello there, hero."

"Wha-What?"

Her voice sounds sultry. Her eyes seem to stare into your soul as she keeps talking.

"You are the first one after quite a while. I was almost getting bored."

"You.... You live here?"

She chuckles. It's a beautiful sound. For some reason you expected it to sound evil. Like that of a witch.

"Of course not. But I do feel some sort of connection to this place."

You hesitantly nod. She seems nice, but you would argue that her boots say otherwise.

"What's you name, hero?"

"It's-It's (y/n). But why do you keep calling me that?"

The woman chuckles again.

"Only heroes are brave enough to face me."

"Ah."

You nod in fake understanding. This woman seems to be a little out of her mind. Or is this actually something supernatural?

"You are here because you want to feel my warmth though, am I right?"

"Your-Your, sorry, what?"

"My warmth. The people in this area send me dozens of heroes over the last hundreds of years."

What is she talking about? Is she actually that old? But she can't be human then.

"Y-You are here for over a hundred years?"

"Don't young men like you prefer an older woman?"

"What?"

Another chuckle.

"You don't seem to have a clue what's going on."

"I-I don't."

The woman slowly let's her fur coat glide off her shoulders. Her black top is decorated with some lace around her cleavage. The straps show of her naked shoulders. She rests her chin on her hand.

"I will make this night the best of your life."

"R-Really?"

"Really."

Her smile seems a little warmer now then before.

"Come closer."

She motions you with a finger to step towards her. You do so. Her boot is right next to your leg now.

"Have you ever been with a woman before?"

You blush as you shake your head. The woman reaches out. Before you can react, she traces the outlines of your dick with a finger over your jeans.

"Virgins are always the best ones. They are so eager to please."

It seems like she said that to herself.

"Let me see that cock of yours."

She has been staring at it, but is now looking up at you.

"W-What?"

"Come on,boy. Take it out for me."

You gulp. Her voice has become a little deeper. More seductive.

As you open your jeans, you realize that you don't have a choice. As if she is making you do it.

Your pants drop. And a second later, your underwear does the same. The cold air makes you shiver as you are now completely naked from the waist down.

"Not bad."

The woman let's her fingertips dance over your length. You jerk away at first. Her hand is warmer than you expected. It's almost hot.

"What is that? Six inches?"

You nod as she wraps her hand around your cock. As she slowly starts to stroke you, you feel yourself harden.

Your desire to fuck her slowly starts to rise. You were scared at first. But it seems like she really wants this.

"What do you think about making it a little bigger?"

"W-What?"

There is that melodic chuckle again.

"Don't worry. It will only benefit you in the future."

You hesitate before you nod.

Your core starts to heat up and you see your dick starting to grow very slowly. In length and in girth. Six inches become seven, then eight and then nine.

"That's more like it."

The woman stops stroking you. She sticks her tongue out, letting it swirl around your tip.

You groan. You never felt this before.

Her lips slowly wrap around you. Your dick feels heavier than before. She looks up at you as she starts to suck you off. Her tongue is pressed against the underside of your shaft as she slowly takes more.

The woman retreats while stroking you again.

"And you taste good, too."

She winks, before sliding your cock into her mouth once more. The warmth heats up your whole body. Her saliva starts to coat your dick as she keeps sliding down your length.

You slowly start to enter her throat. You can feel it by the way her walls tighten around you. There is more friction now. She doesn't stop though. She keeps going and going.

Your eyes are wide in surprise and pleasure. You did watch some videos before, but none of the women were able to do it this easily. Especially without gagging. But for her it seems like a piece of cake.

You slide further down her throat. How is she taking all of that? She looks up at you, when she finally reaches your base. Your whole cock is inside her mouth and throat. Her walls massage your cock as she breaths, making you a little dizzy. How does this feel so good?

You see her using a finger to point at her throat. You crook your head the side. A visible bulge has formed in her throat. A familiar tug starts to build up in your core as you watch her place her hand on her own throat.

You feel the pressure of her hand as she pushes against her throat a little. Needing to tighten your grip on the flashlight you are holding, you try to hold it in. You don't want to cum so fast.

Your head starts to spin as she slowly retreats. Inch after inch leaves her throat and mouth. It's all covered in a thick layer of saliva.

"Does that feel good?"

Her question and her voice sound so innocent. As if she didn't just swallow your whole cock. You nod as she strokes your spit covered cock slowly.

"I think it's time to repay the favour."

She kisses your tip with her plump lips, before standing up.

"Get on your knees for mommy."

You are surprised by her calling herself mommy. And yet it does seem kinda fitting. You do as she says, kneeling down on the stairs.

The woman steps a step down, now standing almost directly above you. You are able to look underneath her black mini skirt. Her black panties have a golden miniature bell in the front.

"You have never eaten pussy, have you?"

You shake your head. You have seen it in the videos though.

"Stick out your tongue."

Once again, you feel as if you don't have choice. Before you can think about it, your tongue already leaves your mouth.

"Such a good boy."

She murmurs, while reaching out with her hand that's decorated with the big ring. Her finger slowly glides over your tongue. You feel it tingle a little, until she removes her finger.

"That should do."

The woman cups your cheek, while looking into your eyes.

"Now eat out mommy."

You reach underneath her skirt. Feeling the light fabric in your hands, you start to pull down her panties. The small bell jingles a little. It's barely audible.

You slide her panties down her legs. When you reach her boots, you fumble around a little, trying to get them over the white material. The fact that there is blood on them has already become unimportant to you.

Once they hit the floor, she steps out of them and kicks them aside. You straighten your back, now able to reach her pussy with your mouth. You are about to have your first taste, when you suddenly feel her hand in your hair. She pulls you back.

"You can't just go in there, honey. You have to start slowly."

You do as she says. You kiss her skin right above her right knee, before switching to the left. Slowly, you make your way up her creamy thighs. Her smooth skin tastes quite good. Not something you expected.

You become hungrier with every second. She sighs as you close in on her pussy, kissing the insides of her thighs.

Now that you are going slower, you can take a good look at her center.

Her pink pussy is hidden behind her folds, her clit barely peeking out. She is cleanly shaven, the skin just as smooth as her legs. You can see her lips glisten with arousal after your exploration of her thighs.

"Oh damn!"

She moans as you swipe your tongue through her folds. You have never done this before. And yet, your seem to know what you are doing. Or rather, your mouth knows what it's doing. It must be because of that thing she did with your tongue. A spell or something.

You begin to eat out the black haired woman. Moan after moan starts to spill from her lips. You push your tongue inside her pussy. Then, you swipe across her clit, drawing different shapes.

"Fuck. I shouldn't have given you this ability."

Her knees buckle as she gets overwhelmed by your new found skills. She has to hold onto your hair for support. You feel the wide sleeve of her fur coat rest on your head.

"Hold onto my waist."

You do as she says, holding her underneath the coat. Her skin feels a little warmer underneath your hands now.

"What a good boy."

She sighs and you can feel her, throwing her head back in bliss.

"You wanna make mommy cum, don't you?"

As if your body knows what to do to increase her pleasure, you nod. Because your mouth is still attached to her snatch, you make the woman's legs buckle again. The new sensation almost too much for her.

You feel her pussy becoming wetter as you feast on it. No spot stays untouched as you make sure to drive this unknown woman to her orgasm.

"Eat my pussy like the toy you are."

Her voice has become more sultry again as she nears her climax. Her grip on your hair becomes stronger. You feel her nails dig into your scalp.

"Mommy is gonna cum!"

She loudly announces her orgasm.

You keep up your work as she starts to cum. Her juices flood your tongue as she cums in your mouth. Her thighs close instinctively, trapping your head between them. Your face is pressed further against her pussy as she pulls at your hair.

You hear the woman breath heavily as she starts to come back to her senses. She parts her legs again, but doesn't loosen her grip on your hair. She pushes your head out of her pussy and makes you look up at her.

"You want to become a man?"

Her question sends shivers down your spine. You have never done this before. Especially not with a woman who seems to be supernatural.

But you know that the answer is yes.

She can see it in your eyes, her smile urging you on.

After letting go of your hair, she leans against the wall to your right. One foot on the step you are kneeling on, the other one step above.

"Come here then. Treat me like a man would treat me."

You almost jump to your feet, unable to hide your excitement. Standing right in front of her, you place your feet on the same steps like she did. She is a little smaller than you and yet, her pussy is on the perfect hight for your cock, due to her heels. It's tip grazes against her lower lips already.

"Put it in."

She whispers as she slings her arms around your neck.

"Take me."

You look down, as you start to part her folds. For the first time in your life, you start to penetrate a woman's most intimate area.

Her walls squeeze your cock tightly as you push forward. You go slowly, not wanting to hurt her. She bites her lip as she looks up at you.

"Give me all of it. All of your cock."

You feel her pussy molding around you as you penetrate her further. As if her cunt is reshaping itself to fit your cock like a tight sleeve.

You groan as you finally bottom out inside of her.

"Fuck. That's a good boy."

She bites your earlobe slightly, before whispering in your ear.

"Put your hands on my hips. And then, fuck me. Fuck me good."

You place your hands on her sides once more as you nod.

"That's good!"

You see her closing her eyes as you slowly pull out. Her pussy seems to try to keep you inside as you struggle to even pull out half of your cock.

You push back inside, making the woman lean her head against the wall.

"Faster, boy."

You do as she says, finally convinced you are not able to hurt her like this.

Your thrusts become faster and stronger. Her wetness makes a little easier to slide in and out.

More lewd words and moans are thrown your way as you start to actually fuck her. You nail her against the wall with every thrust, before you retreat. Then, you pull her body towards you as you thrust forward, pinning her against the wall yet again.

You keep your steady pace. Her moans increase in volume as she feels your cock hit the right spot deep inside her body.

"That's it. Pound your mommy like a good toy."

You fuck her harder. You pull her forward harsher, before slamming her against the wall.

The longer you keep fucking this woman, the longer your primal desires take over. You care less and less about your surroundings. You only care about her. Her and her pussy.

How rough you are with her doesn't matter anymore. You have to take from her as much pleasure as you can. Use her body to make yourself cum.

The woman seems to have sensed the change of your nature.

"That's it, boy. "

She moans into your ear.

"Fuck me like the slut I am. Use my hole until you cum."

You let out a groan as you think about cuming. You realize that you are lasting longer than ever before. When you do this on your own, it usually takes just a few minutes. But you feel like you have been fucking her four half an hour. Maybe that's another thing that changed, when she made your dick grow.

"Pound me with that cock of yours. I want to feel all your cum on my face."

Her words make you want to step up your game. You feel her increasing wetness as her juices slowly dribble out of the connection between your bodies.

"Fuck. You're gonna make mommy cum again."

You groan, close to your own orgasm as well. You don't know if you can survive her climaxing around your cock. Her pussy is already incredibly tight.

"Yes! Make mommy cum around that big cock of yours!"

You strengthen the grip on her hips, trying to use it to thrust into her just a little harder.

"Fuck! Fuck! Fuck!"

You almost scream as well as you feel her orgasm. Her walls tighten around you, trying to milk you. Her nails scratch at the back of your neck. Lewd sounds leave her mouth, which is dangerously close to your ear. Her legs buckle.

You stop thrusting, giving her time to regain her composure. It takes her a couple of moments.

Once she has come down, she looks at you hungrily.

"Increasing your length and stamina was a good call."

She traces your jawline with a finger.

"But the best feature is your cum. From now on, you will drown every woman in cum."

"What?"

You are too stunned to speak. Partially because you are still trying to recover as well, while her pussy is still hugging you tight. You believe she is exaggerating.

"You don't trust me?"

Her hand wanders to the back of your head, grabbing a fistful of your hair. You suddenly feel her pussy tighten around you. You can't believe she is able to adjust the size of her cunt. She squeezes you, making your cock twitch inside of her. You feel overwhelmed as she pulls at your hair at the same time. Her pussy is almost painfully tight by now.

"I trust you. I trust you!"

You sigh as you feel her releasing her grip. Both around your cock and on your hair.

"A toy doesn't question it's mommy. Understood?"

You nod.

"Good. Now be a good boy and cum on my face."

She pushes you away, making you slowly glide out of her pussy.

You watch her sit down on the stairs, like she did as you first saw her.

"Your cock looks so tasty with all my cum on it."

She takes you into her mouth, making you groan. Her lips wrap around you, her cheeks hollow. You feel her tongue dance along your cock, teasing and edging you. There is no way you are going to last much longer.

As the woman sucks you off again, you feel a tug in your stomach. It's a little stronger than it usually is. Maybe because you actually had sex? Or because you have more cum? You don't know. But it feels so good.

She doesn't even need to take your entire length down her throat again. Her lips have reached the middle of your cock as you feel yourself twitching.

Her eyes are wide with lust, demanding you to cum right now.

You can't hold back. A new kind of rush fills your system.

The first shot of cum hits the back of her throat, before she is able to react. She moves her head away, pointing your cock towards her face with one hand.

You have to hold onto the steel banister as you start to paint her face. Rope after rope of cum covers her perfect skin. Some lands on her lips. More lands on her closed eyelids, making them visibly heavier. It's dripping down her forehead, while the hair that frames her face is coated in cum as well.

But it still doesn't stop. You give her so much, that it starts to drop down from her chin. She tries to save it by opening her mouth and letting her tongue roam around. But a second after her mouth is opened, it's almost overflowing with your cum already. She has to gulp it down, preventing herself from choking and suffocating as more and more runs down her throat.

Once you finally finish cuming, you almost don't even dare to look at her.

Her whole face is covered by a thick layer of white, sticky cum. She can only open her eyes halfway, the cum on her eyelids weighing them down.

"What did I tell you?"

She chuckles, before she starts to lap up your cum from her face. Not just with her tongue, but her finger as well.

"This is even more than I expected. Probably because this was your first time."

You are unable to respond, still trying to comprehend what has happened in the last hour. For some reason her cum covered face turns you on again. The desire, to use her body, from earlier is slowly coming back.

When she looks up at you, you see her licking her finger for the last time. Her face is mostly cleaned up.

She seems to sense your new found desire. A smile forms around her lips.

"That's right, boy. You want to fuck me again, don't you?"

You nod hesitantly.

"You can't take your eyes off me. You want to feel every part of my body underneath your hands."

You nod again. Her words make your cock hard.

"I still have some time, before my husband comes home."

"W-What?"

You didn't even think about the possibility of her being married.

"Don't worry about him. He never pays attention to me anyways."

She reaches forward, letting her hand stroke your cock again.

"I'm always trying to teach boys like you something new. But I've already given you my mouth and my pussy."

She kisses the tip of your cock, her eyes a little darker.

"There is one more hole of mine that you can use. Make my ass cum. And maybe I will se you again after tonight."

The man on his throne laughs as he looks at the flames. His red body is glistening with sweat, screams of fear echo in the distance. Through the flames, he watches you stand behind his wife, aligning your cock with her rear entrance.

"You always corrupt the good ones."

He laughs to himself, his voice raspy and dark.

As you push inside of her, he can hear her moan, telling you to cum in her ass later.

Satan grins as he stands up, ready to punish the sinners that are burning in hell.

------------

Hi everyone!

Enjoy this interlude. It wasn't planned at all, but after seeing SuA's Instagram post..... What am I supposed to say?

Hope you guys like the concept.

I'm excited for the new album.

Have a nice day!

#kpop #kpop smut #kpop girls #kpop gg #male reader #dreamcatcher #dreamcatcher smut #kim bora #bora

[ponett]

Whenever I complain about graphic or dark content in media I watch, I keep hearing people retort with this apparently very popular opinion that people who enjoy comfy, wholesome things are actually more likely to be raging assholes than people who love things like death metal and gore. As someone who seems to enjoy comfy, wholesome things yourself and likely met many others who enjoy similar such things, do you agree with this opinion? If so, why do you think this happens?

So I've been sitting on this ask for like a week, not knowing whether or not I wanted to touch it because it kind of feels like being handed a live grenade

For one, I don't like being pigeonholed as someone who just likes "comfy" or "wholesome" things. Yeah, I enjoy My Little Pony and Animal Crossing. I made a game with cute furry characters and lots of bright colors. I also enjoy things like Berserk and Chainsaw Man and Doom and violent crime dramas and punk rock with vulgar lyrics and porn. Variety is the spice of life

Anyway: I generally don't think it's a good idea to make sweeping statements about peoples' moral or intellectual character based on what genres of story they enjoy, regardless of what direction you're coming at it from. But this is a very leading question that kind of skirts around the root problems

There's frequent (perhaps a bit exaggerated) pushback these days against people who prefer their fiction to be a warm blanket, a form of escapism meant to distract you from the real world. In particular, the dreaded "person who only watches kids' cartoons" is a form of this that gets brought up a lot. I don't think the root problem here is what media people enjoy or don't personally enjoy - taste is subjective, and I don't think it's a moral obligation for everyone to have diverse tastes in TV shows - but I do think some folks should try to get out of their comfort zone a bit more. Sometimes stuff that seems like it won't be for you on a surface level will really end up speaking to you, but you won't know until you give it a shot. Trust me, I've been there many times

It becomes a problem when people demand that media ONLY cater to that "warm blanket" attitude. And I think that's part of the reason why that stereotype you mentioned about fans of ""wholesome""" media being assholes exists. People who view dark or violent content as an inherent flaw because it's not what they like. People who yell at creators when they make bad things happen in their stories, because how dare you do this to my comfort characters? People who say movies should never have sex scenes. People who want "problematic" moral complexity stripped out in favor of black and white moral instruction. People who seem to hate any sort of interpersonal conflict in fiction at all

These attitudes can be the result of many different cultural factors, factors that can't all be traced back to Tumblr or what shows you like, but sometimes it's definitely because of that lack of broader perspective on media. You can tell when someone's opinions on The Right And Wrong Ways To Write Fiction were shaped almost entirely by, like, Steven Universe discourse. (Yes, this is a jab at Lily Orchard.) And when these people are very loud about their opinions, well, it becomes a trend people notice

Like. I don't know you. You sent this anonymously. But when you say you "complain about graphic or dark content in media you watch"... that could mean a few wildly different things! Maybe you're just venting about something that unexpectedly triggered you, and that's totally fine. But the wording could also imply that, like, you take issue with these things being present at all, and that you expect a person who likes "death metal and gore" to be more of a "raging asshole" than someone who likes the "wholesome" things you like. So... well, maybe you're more dismissive or judgmental of things outside your comfort zone than you realize?

Unfortunately, in case it's not already obvious, on the internet this shit quickly becomes a proxy battle over dozens of intersecting cultural issues at once where everyone is kinda just talking past each other. So it gets messy

For example, I have no reason to believe that the people who run the "Wholesome Games" showcases have anything against games that are dark or violent or contain adult themes. (They've outright said they don't. Many times!) But when you see people going "why is Spiritfarer allowed in the showcase? That's a game about DEATH and that's NOT WHOLESOME, why would you make me think about death?" or "Ugh, why does Disco Elysium have to be about a cop? Why can't we apply these systems to a game about a young witch who's trying to find a lost cat in an idyllic village instead?" it... Well, it makes me sympathetic towards the indies who don't feel comfortable with the "Wholesome Games" label and consider it limiting. But it also doesn't make me think that devs catering to a demand for more chill, nonviolent video games are categorically facilitating fascist censorship from the Christian right

It's complicated! The written word is imprecise and the internet is a nightmare

I've kind of gone off on multiple tangents here. Basically: I do think that people can kinda turn fans of "comfy" media or "adults who only watch Bluey" into an overblown boogeyman these days. I think people online generally have a habit of swinging too hard in one direction or another in their stances on certain things, overcompensating based on what group of people online are currently annoying them the most and turning said group into like The Main Problem With Society Today. But I also think that boogeyman only exists because of very real examples of people demanding that everything cater to their narrow comfort zone. Go like what you like, but also, y'know. Don't be that person

#anon #ask

[lover-of-mine]

Let's talk about this and patterns in the show, shaw we?

Okay, so Buck wearing green here is stressing me out now. I have a really long meta in Buck and green and red clothing (you can read it here), but I'll explain the green side of the point here if you don't want to read that. Basically, Buck wears a lot of red, enough for it to be a stable color for him, and red's complementary color is green. He's usually on the reds, pinks, and oranges.

The point of a complementary color, is to create contrast, and they used green on Buck in the coma world, so we would feel like something is wrong even if we can't quite figure out why.

They made a lot of choices about his wardrobe in the coma dream that just looked weird, up to getting him black vans instead of the usual white hightops, and that creates a contrast with the usual Buck that's unsettling.

Why is that relevant? Well, green is his something is wrong color. The coma world being the most blatant example because that sweater is green, BUT he wears green during breakups and when he's doing misguided stupid shit in the name of love. The breakup with Ali, the breakup with Taylor, and I will throw in the graveyard as a breakup with Eddie, because that's the feel of the scene and he's wearing green, but technically he's just being an idiot about love.

He's also wearing green when he takes Red to see Cindy, subsequently when he talks to Maddie about how it feels to always be left, when he's hiding at Eddie's place because he doesn't want to confront Taylor because that would lead to them breaking up and he's not there yet, and when he is trying to convince himself Abby is coming back (this last one really confused me but I did color picked a palette out of that shirt and that's green).

But if we established enough of a pattern to say he does misguided shit when it comes to love, like inserting himself in Red's love life, saying this random woman he met 5 minutes ago really sees him, trying to convince himself the women who fled the country is coming back to him, then Buck wearing green with Eddie is worrying.

Because if you look at the conversations they have in the firehouse, they are usually close to the point but still need something else to truly fix the situation, they hiding something or holding on to something they shouldn't, and it goes from the first fight at the gym with the way Buck is making his insecurities about Eddie and not really working through what's really bothering him, after the lawsuit, they do clear the air but Eddie is still hiding the whole fighting thing and the fighting thing actually makes Eddie flinch away from Buck, when they are talking after the dinner with Buck's parents, Eddie is trying to have a conversation but Buck wants to hold on to anger, when they are talking about the panic attacks, Eddie shuts Buck out because he doesn't want to admit Buck is right yet, and when they are talking about Chris having nightmares, Eddie is fully taking the blame for Chris missing Shannon, even if that's something completely out of his control and that eventually even leads to Eddie quitting and the thought process starts there.

So they always involve one of them wanting to have a conversation but the other not being fully ready to be honest about everything so they are talking but they are not on the same wavelength. They also always end with one of them walking out.

I have a really long meta about the framing in a lot of their big conversations (you can read it here if you want all the thoughts), but basically if they are on the same level, as they are both sitting down they are usually talking about Eddie.

Because when they are talking about Buck, Eddie is usually standing up and Buck is looking up at him. (I have a meta on the looking-up thing if you feel like reading more thoughts on that)

And if they are discussing their relationship, they are face to face.

Random add on, if they are talking about Chris, they are usually sitting side by side on the same surface in a sense, yes I'm counting the counter as one surface lol

So signs point to the new stills being Buck forcing Eddie to talk about something he's not ready to talk about. But when you add the green while Eddie is not wearing blue, so the green is not about the blue and green thing, (I have a meta on the blue and green thing in general and it applied to buddie too that one is truly unhinged tho), and the way talks at the station mean holding on to something they shouldn't and the still of Eddie talking to Bobby, this conversation can very easily be a moment of tension.

AND, I know I'm not the only one who saw those stills and immediately thought about the panic attacks conversation, BUT, stay with me because now I'm reaching, the graveyard conversation tries to call back to the dumb luck conversation (I also have a meta on the graveyard that touches on that if you want thoughts)

But basically, similar outfits and angles, locations we never saw before and probably will never see again. But, while the equine therapy talk works to give Eddie hope and bring them closer together, the cemetery has the exact opposite effect. It creates space between them.

If we consider this and the way it seems to be calling back to a conversation that led Eddie to do the right thing about Ana, they could very much be calling back to that just to do the opposite and having Eddie refuse to listen to Buck for whatever reason.

Because one thing about the dumb luck conversation is also the movement, they are walking, the camera is moving, the conversation is moving and they are making progress, something we don't feel in the cemetery because they are in the same place, the conversation is not leading them anywhere besides away from each other.

And the conversation about the panic attacks that happen while Buck corners Eddie while Eddie is trying to sleep, so Eddie will be in a more relaxed state than when Buck is walking in wearing civilian clothes and Eddie is so deep in his workout he's glistening with sweat, so Buck is walking in on Eddie with a completely different energy. And assuming conflict to the point Buck feels the need to corner him in the gym? That means fight.

This is a very long way to say divorced era 2.0 is upon us lol basically they are arguing and it's about Eddie refusing to listen to Buck about something. Maybe even love related.

If you reached this I love you 🫶

If you liked my brand of crazy, you can find all my metas here.

#911 #buddie #otp: you don't need to pretend with me #911 meta #buddie thoughts #buddie meta #911 spoilers #911 speculation #this is very chaotic #this is very unhinged #but not the craziest thing ive ever typed laoskaoskaoksaoksas #if im right im gonna scream soakoskaoksaoks #911 abc

[lixiesfreckless]

No Translation Needed | h. h.

➸ synopsis: when the language barrier between you and a stranger becomes too wide, your shared interests bridge the gap for you.

➸ starring: hwang hyunjin x female reader

➸ word count: 2.7k

➸ general content: artist!hyunjin, there is somewhat of a language barrier, both people are complete art nerds and it's way too endearing, takes place in south korea, flufffff(I'm so fond of this man)

➸ warnings: microscopic mention of alcohol

➸ rating: teen+

➸ author’s note: an older fic but I'm still so attached to it. two kinds of people: the type who hear hyunjin speak english and move on, and then me

♫ this fic has a soundtrack! you don’t need to listen to it while reading, but rêverie by the man, the myth, the legend, claude debussy goes SO HARD ON THIS FIC LIKE-

You were never the type to dabble in realism.

A pair of headphones, a wide brush, a blank canvas, and a bucket of red paint; that was your activity of choice on friday nights. Nothing that came from that ever resembled anything in particular, but it was never supposed to. Just looking at it, one could tell what emotions fueled the creative process those nights.

The feelings behind them were real enough, you'd hear people say.

But of course, there's always some people that detest abstract art. They say it takes no talent, no thought, that you're just slathering paint on a canvas and expecting to get recognition for it. Sometimes you think they're right.

Other times you buy a plane ticket out of the country, you know, for fun. If you were a starving artist, maybe you'd think about letting their words get to you.

And while some would argue that booking a spontaneous vacation to Seoul could classify as a form of escapism, the painting in front of you has you wondering whether you could mark this trip in your tax forms as a business expense.

All of your years in art school and not once had you ever learned so much from one piece of canvas.

Art museums are designed to look boring. They are supposed to draw your eye from one acrylic-covered canvas to another, making you forget about your surroundings and immerse you into the various artworks. This one was no different, hues of beige and black and white littering the geometric space.

That being said, you are certain that this painting would have caught your eye even if it was posted in Times Square.

You had made your way across the room, ears picking up on the few Korean phrases you knew as strangers shifted around you. A graphite cityscape. A gouache vase of flowers. A portrait made of ink prints on wood. The exhibit you randomly picked over tonkatsu and soju last night in your hotel room was definitely a good one, no doubt.

And to think you almost walked past this piece.

Bold strokes of blue, tiny specks of white, all on a frame that was wider than your wingspan. 

The girl was depicted just off center, in some billowy white dress.

Floating? Drowning? 

You settle on suspended as your footsteps slow down, turning to approach the watery scene.

Staring at it feels like staring at a glass of water. You can't definitively say whether it’s half-empty or half-full, whether she’s reaching for the surface or letting herself sink. Her face is covered by wispy brown hair, obstructing her true emotions from view. Somehow you know this was a conscious decision the artist made, to let the viewer come to their own conclusion on the piece.

Even though you know about the negative effects that human oils have on artworks, you still find yourself fighting the urge to reach out and touch it. To feel the ripples of the oil paint and somehow find your own hand soaked, as if you reached through the canvas barrier and felt the cold loneliness yourself.

Impressionist paintings did always have this charm about them, at least to you. They felt abstract upon inspection, just a mess of strange brushstrokes and controversial colors. And yet when viewed from a distance, it feels like a completely different experience. Up close, a dizzying mix of the shades of the sky. A step back, and it's an unspoken thesis on the solitude of limbo, or whatever you've decided to name this piece.

You glance at the info card at the bottom right corner.

Buoyancy- Hwang Hyunjin

You make a mental note to research him later before your eyes get pulled to the subject once again.

‧⋆ ✧˚₊‧⋆. ✧˚₊‧⋆‧

You have been staring at his painting for eight minutes.

He had walked around, chatted with other featured artists, talked with a few strangers, but when he came back, you had acted as though you were one of the items on display; still locked in the same position as before. Eyebrows furrowed, one hand resting on your canvas tote bag, the other in the pocket of your trousers. 

In the nicest way possible, you looked like a tourist.

But tourists don't have long attention spans, and you could have been roleplaying a statue with how long you'd been standing there.

A strange mix of anxiety and excitement rushed through Hyunjin when he found you still standing there. 

No one had ever observed his art for that long before.

At least, not in one sitting. Definitely not like this. Why haven't you moved on? Can you see something that he can't? Are you thinking of buying a print?

He wants to approach you. To leave you alone. To watch you scrutinize his painting. To run screaming to the event coordinator.

Casually, he sticks both hands in his jeans and stands a few feet from your right side, as if he's one of the visitors.

He takes a moment, gaining whatever’s left of his composure before speaking.

“I'm so glad I know how to swim.”

You snap out of your daze, surprised to hear English in the Korean white noise you've been immersed in. You look over and see the gorgeous young man standing near you, looking at the painting you've been so engrossed in.

“Yeah,” you exhale, “I totally get the fear of open water.”

Hyunjin chuckles, strangely drawn in by the sound of your voice.

“Although, she doesn't seem all that scared to me,” you add, shifting your focus back to the canvas.

“You don't think so?”

“I mean, you could argue that she doesn't want to be there, that she's drowning,” you begin, pointing to the girl. “But…the longer I stare at it, the more I feel like she's just hanging there, not reaching for the surface on purpose.” Your finger trails down to the bottom right corner. “I think that's why it was named Buoyancy, at least that's what I got out of it…”

You trail off, realizing that you're rambling to a total stranger about a random piece of artwork. Looking back at him however, you find your face heating up at the amazed expression on his, as if you had just told him his middle name.

“I wish I had thought of that,” he lies. It was almost scary how quickly you had found the meaning he'd tried to convey after months of fighting with the paint.

“Well that's the fun thing about art,” you say, smiling to yourself. “It's all subjective. What were you thinking?”

Hyunjin opens his mouth to speak, then closes it again in mild frustration.

“I'm not…very good with English,” he says, defeated.

He would argue that he's not very good with any language, even his mother tongue.

Art was the only language he felt he could speak easily without hesitation. It was easy to throw himself into that with reckless abandon, because it was the only place where he truly felt understood.

“But I can still understand you,” he quickly amends, glad to see that spark behind your eyes again. He walks past you, stopping at the painting on your left. “What about this one?”

“This one has some really dramatic lighting, which makes me believe…”

‧⋆ ✧˚₊‧⋆. ✧˚₊‧⋆‧

Evening sunlight filters in through the exhibit windows as you and Hyunjin examine an organically-shaped vase, admiring its handiwork.

“I’ve always wanted to try pottery but…I don’t really like the feeling of cold clay on my hands,” you chuckle, looking at the tall man next to you. He grins, scrutinizing his hands as he contemplates his answer. 

“People tell me I have good fingers- for clay,” he adds quickly, even though the meaning wasn't lost on you, and you fight back a smirk to appear unphased. “But I haven't found a good studio? Is that how you call it?”

“I wouldn't know, I've never been,” you say, walking to the next painting. Which happens to be where you both started.

“Wait, have we been through this whole gallery?” You quickly check your watch, confirming that you have been there for much longer than you had intended. Looking back at the stranger you have spent the evening with, you feel heat start to scatter across your face.

“I'm sorry, I didn't mean to take up so much of your ti-”

“I liked it,” he blurts, and you feel reassured as his face lights up with panic. “Talking. With you, I mean.” He looks just past you to the art on the wall, ears turning the slightest shade of red. “No one has ever said anything so beautiful about my art before.”

He watches as your face circles through several emotions, before settling on embarrassment. 

“You're…you're one of the artists? Which one is yours?” You say, trying to recall what you said about every art piece.

He nods toward the painting that had first caught your attention, the one that practically jumped out at you an hour ago.

“Hyunjin,” he says quietly, extending a hand toward you in a humble introduction, as if that same hand didn't produce the masterpiece in front of you. 

“Y/n,” you whisper, trying not to let your mouth hang open in awe. “And to think I was going to Google you later.”

“You were?” The light in his eyes was unmistakable.

“I always research artists that inspire me,” you admit, bashfully dropping his hand.

“I inspired you?”

You meet his eyes and you know then, the weight that your words carry.

To create is a desire that all artists cannot shake; it is what keeps the painter keep coming back to the blank canvas, the sculptor to the slab of clay. But when the process is finished, all they can hope is that someone will see it, and feel a fraction of what they felt whilst creating it. 

Moving someone to the point of giving them the desire to create, through their artwork, is a dream many artists never get to see come into fruition.

And maybe that's why Hyunjin stares at you now, wondering which lucky star is shining down on him now.

“Can I…” he pauses, hoping he's saying the line like how they do in the movies, “can I buy you a drink?”

‧⋆ ✧˚₊‧⋆. ✧˚₊‧⋆‧

When people say studio apartment, this is what you wish they mean.

Floor-to-ceiling window walls on one side, where several canvases sit propped up against the city skyline, and an apartment on the other, with a cute kitchenette and loft bedroom that doesn't feel cramped. It's perfect for someone who needs enough space to think, without sacrificing their space to live.

You hear Hyunjin click the door shut behind you as you set your bag down on a chair, surveying the studio side of his residence.

Several canvases catch your eye.

You can't even blame him for attempting to paint it because with the view he has, you'd paint it every day. 

Different versions of the Seoul skyline are scattered across the room, each depicting a different time of day. Sunrise is leaning against the window. Midday is sitting on a canvas. Twilight is hanging up on the wall, and something akin to golden hour lays unfinished, perhaps even abandoned on the floor. You crouch in front of it to get a better look.

“That one is…not finished,” Hyunjin says from the kitchen, pouring two glasses of soju. You can feel his nervous gaze on you even with your back turned to him.

“It's beautiful,” you whisper, looking at the palette he used to mix the colors. An array of browns and yellows are smeared on the glass, which were no doubt used to put the buildings into the scene.

He doesn't say thank you; his face does that for him when he crouches next to you, cheekbones pink as he sets the soju glasses on the floor. 

“I can't get the colors right,” he sighs, staring at the painting in discontent. “It looks…dull.”

“Maybe you should try adding red instead of brown,” you suggest, picking up a palette knife. “May I?”

Hyunjin stares at you in bewilderment, before opening a tube of vermillion and squeezing a bit onto the palette. 

“I studied color theory for what felt like forever,” you chuckle, taking the knife and adding red to a few of his previous colors.

“I never went to art school,” he says, as if that makes him a lesser artist. You feel a twinge of jealousy at that statement, knowing that the man next to you was this skilled without coaching, before adding, “You didn't miss much. It killed my creativity.”

Hyunjin goes pale at that as you pass him a clean paintbrush and toss the palette knife aside.

“Did you get it back?” He asks, and when you tilt your head, he adds, “Your creativity?”

“It comes and goes.” Sometimes you wish you didn't stake your livelihood on your ability to create. Inspiration is always a welcome guest but it never stays for long, at least on your side of the ocean.

Watching him add your hues to the painting is like having inspiration fed right into your bloodstream. Immediately the painting comes to life, the reds of the sunset becoming visible at the whim of his paintbrush.

He stops for a minute to admire the changes, and turns to you for feedback, eyes twinkling with joy. Or maybe that's just the soju.

“It was beautiful before,” you say, tracing your finger along the side of the canvas, “but now it looks alive.”

“I love the way you talk,” Hyunjin says quietly after a moment of silence, and the bluntness of the compliment nearly has you choking on your soju. But he just looks at you, no hint of humor in his eyes, sitting entirely too close to your tipsy self, and you feel your body buzz with warmth.

“And I love the way you smile,” you whisper back, unable to look away as he sets down his paintbrush, trying to hide his contagious grin.

He turns back to you, and you wish for several things. You wish you didn't have a plane ticket taking you away from this place in a week. You wish that you had finished your glass of soju. You wish you could poke the mole under his eye, or the dimple in his cheek.

You wish that you were drunk enough to close the gap between you two without a second thought.

But when your foreheads touch, your phone buzzes, so you grin and chuckle to yourself.

“I…I think we've had too much to drink.”

He looks at you through hooded eyes and smiles again.

“Or not enough.” He counters.

You nod in agreement at that and pull back, mentally kicking yourself for losing the only chance at finding out what his smile tastes like. But it's probably better this way. You don't want to be remembered as the girl who sweet talked her way into his bed.

You're halfway to the sink with your glasses when he speaks up suddenly.

“I want to see you again.”

You set the dishes down before turning to face him, and you wish you had brought a change of clothes. And maybe an extra toothbrush.

“I don't want to finish it without you,” he says, nodding to the painting that he had moved to the easel.

“I can come back tomorrow morning,” you promise, trying not to sound too hopeful.

“I can make crepes.”

“I love crepes.”

He picks up your bag from the chair and brings it to you, hating how much it feels like he's rushing you out the door. 

“See you tomorrow, y/n.”

“Goodnight, Hyunjin.”

You leave the apartment and close the door behind you, but your feet don't advance down the hallway. Hyunjin's hand hovers over the locking mechanism, unable to click the deadbolt into place as he considers running after you.

Before you can talk yourself out of it, you spin around to knock on his door, only to find him throwing the door open and grinning in delight at the sight of you.

“It's past midnight, isn't it?”

His smile tastes like mint and chamomile tea.

#stray kids #stray kids fanfiction #skz #skz fanfic #skz fanfiction #hwang hyunjin fic #hwang hyunjin #hyunjin #hyunjin x reader #hyunjin imagines #stray kids imagines

[sm-baby]

HELLOOO I'M BACK ok ok remember how I said in Jax's analysis that the zapping scene could actually have a lot of information into it?? Let me elaborate:

There are two things that mainly caught my attention in that scene:

1 - How the lightning bolts that come out of the collar are yellow

2- How the shock is really quick (literally just a snap)

"Oh that must be just a stylistic choice right? don't look too deep into it-" WRONG!!!

In the Jax's Doodles, when Caine bites down Jax's head, we can see that he started bleeding in black. Why can I affirm that his blood really is black and it's not just because the comic is in grayscale?

For this reason:

During the Teatre Shenanigans, though it was all an act, it's implied that Ragatha does bleed in red, since, you know, the color is there, and because if it was any other color Pomni might have not believed it.

Also, let's be real, Gangle would not mess up something as simple as someone's blood color - her plays need to be >perfect< I love her so much omg

Still using the Theatre Shenanigans doodles as information, but with the addition of the new comic of Pomni taking the shortest stick, we can see through Gangle's ribbons that if there are colors that are portrayed, even when the comics are in black and white, those colors are red and yellow, so if his blood was actually red, it would've been painted as such.

So with that in mind we can pretty much say that his blood is, in fact, black.

As we can see in the part 2 of the neck pieces, his speaking bubbles are also in black and white, and, through an ask made some time ago, it was confirmed that he can only see in grayscale, and that's the reason why Gangle is the one in charge of coloring his animations.

EVERYTHING, literally EVERYTHING about Jax is monochromatic, grayscale, black and white, 50 shades of gr- you got it. He is NOT supposed to be associated with any color AT ALL

And that really highlights how out of place are the yellow bolts that come out of his collar. Jax is not supposed to have any type of color. The shock emitted from his neckpiece does not match with the way his level is supposed to be, doesn't match with his room, his character, his code, but why would that be??

Is there the chance that the chain wasn't his original collar? It does make sense if you look at some of the theories, especially regarding Kinger's role in the bigger picture. In the Imgur image, Kinger does mention to Queenie that he found a code that could free everyone from their collars, but, the main catch here, is that he could NOT disable it after it was done.

Well, we know that he did disabled it, and as a consequence, Queenie abstracted soon after

After it happened, Kinger probably was really desperate to put the collars back on the other AIs, he didn't want his friends to have the same fate his wife had,

But he couldn't disable the code that took them off, so what could he do now??

Simple answer:

He created a new code, so there could be new collars

That ties up with the ask answered with "it's hard to put a chain on someone if they have a scarf on", Jax's chain was probably not part of his design originally, it was not made for him, it was not part of his code in the first place,

Pure speculation, but this might be why Jax's supposedly new collar doesn't follow in every aspect the whole monochromatic idea that his design was meant to have. The yellow lightnings stand out because Kinger probably didn't put a lot of effort into the new collars, he didn't make sure that they matched with the quirks and characteristics already coded into the characters, as he was too desperate to put them back on and just made the code as quickly as he could.

At most he just made the neckpieces blend in with the AIs designs, so they wouldn't stand out. They just match at a superficial level.

(funny part is that Jax probably didn't even notice the yellow coming out of his collar, he can't see colors 😭).

This is why I imagine that his original design never had a chain to begin with, both because of this information, AND, because in Jax's room, we can see him wearing the scarf in the ripped out poster.

Was the scarf supposed to be his original neckpiece? But why would he still wear it after everyone had taken theirs off (as seen in the restarting scene, in the same comic)? To be honest I think he just liked how it looked, he did seem to have a fashion sense back then.

But, by that theory, of the chains not being his actual design, he has also chains on his feet, was his whole design altered?? Why would it be?? I still don't have any clue on why, gotta wait a little for more information.

I like to think that his current design reflects on his character, being a prisoner of both the game and his mind, and quite literally stuck in the past, being unable to move forward.

OK Now for the second part of the analysis

Remember my comment, saying that the shock he received was really quick? That stood out to me because during Ragatha's reset, when she also received the shock to avoid her abstraction, her shock was actually longer than his, being a "ZPPPPPP" instead of a "SNAP". Something I've also noticed is that both times when Jax got shocked, it seemed to be at a less intensity then when Raghata was, because there was a difference in line thickness and size of the lightning bolts shown.

After Jax's restart, in his room, we can see three centipedes, that's the most bugs we've ever seen in the same room until now, since we had only seen a single ladybug in Ragatha's garden, right after her reset.

Ok, so, I did talk a little about how Kinger might be the one responsible for the collars, and I also made an ask this one time to know if he was using the bugs as a way to keep an eye on the others (that was me!!! Hi!!)

If you pay attention to the relationships between the cast, we can see that Ragatha and Kinger are actually pretty close. They trust each other, while Jax seems to have a rocky relationship with everyone.

That might be the reason why there were more bugs than usual in Jax's room, because Kinger doesn't trust him and is aware of his rebellious nature, so he must feel the need to supervise him to a higher extent when compared to others.

Besides that, while Ragatha is really unstable, she doesn't seem to need to restart that frequently, therefore it's possible that only a small shock is able to make her restart. Jax, on the other hand, has already been shown being shocked twice, both with a bigger intensity than seen with Rags.

I believe that if Kinger truly was the one responsible for the collars, he also must have set the potency of the shocks in a way that it was only used the intensity necessary to reset them, so they didn't need to suffer more than needed.

Since Jax does behave in a more erratic manner when compared to the other AIs, the potency of the collar must have been set in a way that it would be able to restart him as quickly as possible, which means it must be in a higher setting,

On the other hand, Raghata probably needs less power for her to reset, because, while unstable, she's not as rebellious as him, so her settings are lower. In the comic used as a reference, however, she is shown to be extremely stressed, so for her to restart it might have been needed for the shock to be at a higher intensity.

Since her collar is not programmed to give such strong shocks, the solution found was for it to last longer, at least in that moment. That can also be the reason why Kinger appeared in the loading screen, because he got worried with the possibility of the collar not being able to stop her from abstraction, so he went to check on her.

That's everything for now!!! It did take lot of work to transcribe the stuff from the theory board to here (it's pretty disorganized ashuhuash) ,but I think I managed to express most of my analysis/theory!!

-carol

CAROL WHEN I CATCH YOU CAROL- DHLJKHKSJGH

I ADORED THIS SO MUCH- HDKJH i want you to know that I was reading it all in Matpat's voice which made it so much cooler "omg guys a Gametheorist made a theory about me hhehehe"

saving this.. SAVING THIS.. CAROL YOU ARE A GIFT= HXCKJSKA definitely gonna read this again.............

#save

[lihhelsing]

Hate That I Loved You

Now complete on AO3!

Part 1 | Part 2 ↓ | Part 3 | Part 4 | Part 5 | Part 6

On the first day of shoot, Eddie is a nervous wreck. He can't handle it. He won't make it. He stays hidden in his dressing room until Chrissy is pounding at the door and threatening to tear it down if he doesn't come out immediately. 

Eddie doesn't doubt her. 

"It was your idea," Chrissy says as she eyes Eddie and how pale he looks. "Roll a joint, take a fucking shot. I don't care. Just get your ass into the studio because we're filming this today."

Eddie nods but Chrissy is too busy walking away from him to see it. She knows it, though. Eddie wouldn't ignore an order like that. 

The first sequence is with Sean. Sean is taller than him and he used to drive a red convertible that Eddie thought was just the coolest. So that's why he's setting a fucking car on fire for the clip. 

Sean thinks it's hilarious. 

The idea is for them to film the whole song with every one of the exes, so they have options. Because Sean, Pedro and David are all from Los Angeles, they go first. Eddie kept waiting for Lou to show up, but he should know better. Lou always liked to be different, to stand out. He and Steve are pushed to day 2, and for the looks of it, it might be day 3, if they can't speed up David's shoot. Eddie's is breaking a stone wall for him. It's metaphorical and it makes him feel good, actually. 

On day 2, Pedro is the only one around before lunch and Eddie actually have a good time with him. He's funny and sweet, just like Eddie remembered, and he keep calling Eddie 'mi amor' which is endearing in a totally platonic way. For a second, Eddie can't remember why they broke up, but then Pedro gets a call from his mom and everything comes rushing back. 

Pedro was already thinking about marriage and building a family and Eddie wasn't really ready. They are in a backyard with a pretty white picket fence and Eddie throws paint all around. Everything gets stained with black, the color Pedro saw as Eddie's heart color. 

It doesn't hurt as much, but it's harder than the two before him. When Pedro goes back to the dressing rooms to wipe the black paint from him, Eddie's mood had soured considerably.

It gets even worse as Lou walks in, looking like a rockstar. Looking exactly like what he is. 

Lou was Eddie's only famous boyfriend and their relationship had crashed and burned in front of everyone. Eddie feels the tug in his chest as he looks at the scene that's getting built for them. 

It's a stage. The Grammy stage. 

The worst part of it all is that Lou doesn't seem fazed by any of it. It's like he barely remembers breaking Eddie's heart at the Grammy's that year. It's like that was just a day, completely forgotten. 

But Eddie hasn't forgotten about it. He hasn't forgotten how bad he felt that day. How heartbroken. How Lou was trying to make everything be Eddie's fault when he was the one flirting shamelessly with other people in front of him. 

Eddie needs a minute. 

In fact, he feels like he needs a whole year to even be able to do that. What a great fucking idea, put himself through the most traumatic thing in his life for the cameras. No wonder people say he has no self-preservation reflex. 

He just walks away. He knows Chrissy saw him freaking out and he knows she will give him a moment to collect himself so he just keeps on walking past props and music equipment and finally the front door. 

Eddie is out. The cold air hits his face and with trembling hands he reaches inside his pocket just to remeber he doesn't have his joint with him since he's already wearing the outfit for the clip. 

A tux just like the one he wore on the fucking Grammy's. His hands fly to his neck as he pull at the bowtie, trying to get some air into his lungs. His vision gets a little blurry as if there's not enough oxygen in the world for him right now. 

Then big strong hands are pushing his hands aside, circling his neck and unclipping the bow tie. It's a fake one, so Eddie could keep pulling at it and he would get nowhere. 

"Take a deep breath," the voice says and it gives him chills because he knows that voice. He dreams about that voice. 

He does as he's being told because Steve always knew what was best for Eddie. 

"You're ok," Steve says under his breath. His hands fall from Eddie's neck and Eddie wishes they were still there, touching him, grounding him. "Just keep breathing."

Eddie does and things start going back to normal, except there's not a normal scenario where Steve Harrington is just standing there in front of Eddie, looking better than ever, with a frown between his brows because he's worried about Eddie. 

No. That should be impossible with how hard Eddie had fucked things up and still, Steve is really there. 

"I, uh, thought you were only coming in tomorrow," Eddie says when he stops feeling like he's going to die. 

Steve shrugs. "Landed a few hours ago, Chrissy said I could check things out."

After that, Eddie has no clue what to say so he just stares at Steve, dumbly. Much to his relief, Chrissy saves him from looking even more like an idiot by opening the door and calling him back. 

"Uh, thanks for doing that. It really means a lot to me," Eddie says, trying not to sound as pathetic as he feel. Steve smiles, but it doesn't reach his eyes. 

Eddie wants to say more, he wants to keep talking to Steve. Forget the music video and forget the fact that Lou is standing inside, probably pissed at Eddie, he instantly wants to throw everything away as beg Steve for a second chance. 

By the look on Steve's eyes it's like he can see Eddie's intentions clearly, but then Chrissy is pulling him in and waving at Steve like this is normal. Nothing about this is fucking normal and now Eddie needs to survive Lou if he wants to have a shot at talking to Steve. 

#steddie #steve harrington #eddie munson #steve x eddie #steve harrington x eddie munson #steddie fanfic #rockstar AU #second chance romance #steddie fic #to be honest I have no idea what I'm doing #so we're just hoping for the best #part 3 will be here soon!

[sunnysam-my]

It's ironic almost that Viv shoves "rep" into her shows and went out of her way to include a deaf child at an adult sex circus show for said "rep" but like. Fuck people with visual disabilities right? Because neither of those shows have considered how people with colorblindness or even mild visual impairment might not be able to even WATCH the shows with how bad their colour balancing is.

Viv has completely ignored that having unique designs and color palettes for your world and characters is not only basic design for cartoons but also how you maybe your show accessible to those who struggle visually

Funny you ask me that, I actually already made a post about that signing scene and distracting captioner's notes, because I have a hearing disorder and wanted to add my two cents.

I can't get over the fact the it wasn't a teenager around the age Fizz was when he went to that show with Blitzø. I genuinely can't think why they decided to have a young child be the fan other than it being more wholesome because it was a child.

Think for a second about why this scene there. Fizz was spiraling, consumed by thoughs of not being enough and being a "fake, sellout jester". He himself was a disabled teenager who wanted to be the greatest clown of his times. He ended up as a fake, sellout jester, just like Blitz said. But he saw himself in that kid. He saw for who really he wanted to perform. I don't think it would be as impactful to him if it was regular imp, but this would make infinitely more sense, on so many levels, if this was a teenager. But no, we gotta have a freaking child, because it's just way more cuter that way, right? I genuinely don't understand what other possible reasons for why this was a child, and not a teenager, could be.

I'm also still not over the fucking captions. I had problems with following what was happening in S02E06 of Helluva Boss, because of weirdly described sounds and big chunks of captioner's notes and jokes. That's unacceptable.

The irony of literally being an asshole to deaf/HoH people by purposeful fucking up the caption, the thing we rely on to be able watch a show, only to "give" a representation to said group next episode is almost funny.

But going back to the visuals, yes, it's so hard to watch. HB is better than Hazbin, but both aren't great if you have any sort of vision disorder, and this is coming from someone who just have the regular stuff, shortsightedness, astigmatism etc. The legally blind and colourblind folks must have it hard. HH is a joke when it comes to any sort of contrast. Even if they decided to stick to red(-ish) colours, there's still so much shades to work with. It isn't a impossible to make monochromatic art. In fact it's actually a popular training tool for young artists to learn how to do it even when you have more colours.

Here's some examples of monochromatic and mostly monochromatic art done right.

Now compare one of them with a screenshots from HH, both without saturation (black and white).

Hazbin Hotel isn't even monochromatic and fails miserably at any contrast. So no, it isn't just the problem of lack of hue (colour) differentces, it overall just failed at colour and contrast balancing, especially in the hotel, and there's no defending HH on this, because you have three sliders god damnit!

#hazbin hotel critique #hazbin hotel criticism #hazbin hotel critical #disability representation #disability pride #disability #art #helluva boss critical #helluva boss criticism #vivziepop #vivziepop critical #hazbin hotel #helluva boss

[melminli]

cats and colors

summery: you talk about how black & white reminds you of satoru and suguru

contains: gn reader, no pronouns mentioned, non curse au, satosugu talk, fluff/crack, satoru being in love with reader a bit, kinda weird ending but really funny

"aww." you exclaimed when you saw two cats playing with each other on the sidewalk. guess it was worth it after all to wait outside on a bench while satoru was withdrawing some money. you nudged geto with your elbow to get him to turn his attention away from his phone. "look. it's you and satoru." you said, pointing to the two animals with a small smile on your face.

he looked a little confused for a second until his gaze went to your finger and saw the scene in front of him. "this again? is it really just because one is black and the other is white?" he asked, not really understanding the concept behind it. he really wanted to, though.

you always spoke up when you saw the two opposite colors together, just to say how it reminded you of them. they usually got it through messages you sent in the group chat, like just a while ago when you sent them a photo of just two side by side chairs in ikea with the caption reminded me of you guys.

you nodded. "yeah. why?"

geto just shrugged his shoulders. "i don't know. i guess i just don't think our hair color is the crucial factor that represents us as you know us and like as friends." he laughed out, making up this little theory. he stopped laughing once he noticed your completely serious expression.

"oh, please. you think i'm a beginner?" you asked a little offended. "it's so much more than just your dumb hair." you began waving your hands in the air as you made your impassioned declaration. "these colors represent you so beautifully because they're opposites who still go perfect with each other, like ying and yang for example. Satoru is hot-tempered and extroverted, which is usually more associated with something light, while you have a more introverted and quiet nature, which is more associated with something darker." you took both your hands and put them together to demonstrate. "like two puzzle pieces... but on second thought, your hair colors also play a bit into that, i guess."

his mouth just opened slightly at what you said since he didn't necessarily know how to respond to that. "that's very perceptive on your part. i'm kind of impressed - a bit scared - but uhm, mostly impressed." he admitted.

"i can't believe they don't accept credit cards in that place. i mean, who carries cash around these days." satoru interrupted you two a bit annoyed because of the fact that he had to go to the bank. he then spotted out of the corner of his eye the two cats that were still playing around with each other, and his mood lifted again as he watched the two. "aww, how cute." he stated and took out his cell phone to take some pictures.

"they're you and me." geto said and looked at you afterward. when satoru heard that, he knew exactly what he was referencing with that. "if the black cat is geto and the white one is me, then you would be a...birmen cat!" he decided, placing two question marks over both of your heads. this statement had little to do with your previous profound explanation.

"...birmen cat?" you repeated, not quite sure what that meant exactly. you were also having trouble deciphering what such a cat looked like, to be honest.

satoru just nodded while looking at you a bit dreamy. "i love birmen cats. they're my favorite."

his best friend laughed slightly at that and looked over at you to see if you could read the meaning between the lines. unfortunatly for his best friend, it didn't look like it since you still seemed to be thinking what a fucking birmin cat had to do with your color theory. "...that's cute i guess?" you said in the end and were pulled out of your thoughts when you heard a loud meowing out of nowhere.

geto quickly spoke up with a stern tone before anyone could say anything. "i'm not going to listen to any theories or sick jokes about this." he said, deeply regretting his previous saying.

three pairs of eyes turned to the two cats who had previously been playing sweetly with each other. the two were now busy with something else entirely as the white cat mounted the black one from behind to...perform certain activities.

oh.

#jjk satoru #jjk drabbles #jjk gojo #jjk #jjk geto #jujutsu kaisen drabbles #gojo drabbles #drabble #jjk x reader #x reader #gn reader #jjk imagines #crack fic #funny prompts #satosugu #x you #fluff

[corrupted-nightshade]

List of things that point towards Gojo Satoru & Geto Suguru being kissers of boys with connections to eachother

(If they did kiss though is another story)

Note: the list will be divided into different sections with space in between. So don't go speed scrolling through if you don't want spoilers. :"3

Some of these are less serious, but are still included because all the more content for these two sillies.

--- Last updated: April 26th, 2024 Note: Make sure to check the original post if viewing a reblog version in case Tumblr does not update things under the "read more" like it used to be able to.

Various

572. This number is used frequently as a ship number for the two as "GoGe" the ship name can also be produced as "GoNatsu". Go means 5 and the rest sound similar to 72. These numbers ironically show up accross the series a few times and also in official merch. (Some examples being a clock in season 2 episode 1 stopped at 5 hours 7 minutes 20 seconds or a Gojo teddy bear priced at ¥57,200)

JJK official fanbook

"Q: Please tell us his first impression when he first met Geto. A: Bangs."

"Q: He seems to be aware that he is handsome, but doesn't he want a lover? A: I can't imagine Gojo being faithful to a particular woman."

"Q: Is there anything you are particular about Geto's character design? A: Bangs"

One of Gojo's songs & one of Geto's songs given to them. "Shame on you" by "Avicii" (a break up song) for Gojo and "Come back Home" by "Two door cinema club" for Geto. Stated in volume 3 chapter 24.

The sheer amount of times Geto shows up in MMVs for Gojo and how they display the impact Geto had on Gojo (For example, the latest MMV for volume 26's release)

Their birthday's solar terms tying in with parts. (Geto being "Risshun" beginning of spring & Gojo being "Taisetsu" heavy snow.)

Rings for them that were released on August 8th, which is "Pairing day" in Japan

.

.

.

Jujutsu Kaisen 0

Geto's kesa is specifically a Gojo kesa

Gojo stating in 0 that

"I've always believed... ...Love manifests the most distorted curses." / "This is my personal theory, but there's no curse more twisted than love."

Even after 10 years, Gojo recognized Geto's smell. (The mall scene after Yuta & Toge fought the curse)

Geto renaming someone to "Sato" because

"That's what I've decided, so Sato is better."

This sunset scene

Gojo's veil is black & Geto's veil is white. Gojo's veil causes darkness, Geto's does not. [Peep who reminded me]

The song "This is pure love" not only plays over Yuta & Rika vs Geto, but also plays over Geto & Gojo's conversation

The way that Geto looks at Gojo & says his name, and how Gojo looks at Geto & says his name

Geto's blushing face at Gojo that we were robbed of in the anime

Some of the lines from the JJK 0 light novel lines

"Yet Gojo's bandage-covered eyes kept watching, kept following the shape of Geto's soul."

"But to Gojo Satoru, he was —— '————, ————' '...ha.' When he heard the words Gojo blurted out, Geto couldn't help but laugh. Such embarrassing [...] words. Even why they were students, those words had never been said before. 'You should've at least cursed me a little before the end.' December 24, 2017. The curse called Geto had been well and truly exorcised."

.

.

.

Season 1

JJK Juju stroll

"Q: What kind of person is your type?" Gojo: "[...]The one who seemed nice. With the notable bangs."

yes, i know who he stated but the way he answered was so half arsed as he struggled to come up with an answer as an example of his type. 💀

.

.

.

Season 2

Again, the way they look at each other and say each other's names (There's another picture with Gojo looking at Geto, but I'm missing it right now)

THE HECKIN GOJO & GETO VALENTINES CAKE??

They literally even have a themed honeymoon place???

Geto makes sure Gojo has his favorite soda. :3

Part 1 / volume 8 - 9

The intro for season 2 part 1

"Even after I got to know the smell of you, different from mine"

"In such a color as if it were a silent love"

"I've got a curse word for you stuck in the back of my throat"

The outro for season 2 part 1:

"Even trivial conversations are fine Show me your blushing face once more"

"It only exists here I want to touch you"

The fish in the outro

The flowers in the intro & outro. [Peep who reminded me]

The purple ones (Located on table in the part where older Gojo is sitting in a chair by a window) are possibly Primula/Primrose flowers. They can represent young love, beauty, desire, desperate, and can be a symbol of spring and renewal/new beginnings. etc.

The yellow ones (Located in the part where Gojo & Geto are sitting together with their hands & cans of soda surrounded by the flowers) are possibly osmanthus flowers. They can represent love, passion, happiness, beauty, etc.

[See here , here, here , here , here , here ]

Geto not answering Tsukumo Yuki's question of what kind of woman is his type more than once

When Geto is asked by Haibara if he would like a sweet or savory souvenir, Geto says

"Satoru will probably have some too, so maybe something sweet."

Part 2 / volume 11

This whole image (Geto in the glasses on the left, and Kenjaku's silhouette on Gojo's face on the right)

Season 2 part 2's "Specialz" intro hidden meaning

Despite the following about Geto's state, Geto's body still instinctively reacted to stop Kenjaku from hurting Gojo.

"Q: Fake Geto's arm was moving during the Shibuya Incident, but how much of Geto's consciousness remains in the body? A: Not much. He was moving like how a dragonfly whose neck was torn off can move."

Fun fact: Some owls pair/bond for life (Whether the owl is supposed to be Geto's because Kenjaku is using Geto at the time or it's not Geto's animal because that is Kenjaku is up to you)

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Volume 26

The Camilla flowers with snow. Not only do they represent Gojo well with their meaning, including one meaning being unchanging/strong love alongside modest love / beauty for pink, but flowers are given to different dates. The birth flower of February is this flower, said to bloom on the 3rd of this month. Aka Geto's birthday.

Chapter 236

Gojo actively chose to fight on December 24th (a day considered romantic for Japan) which is now the day both Geto and him have died on. Even Kenjaku acknowledges the days significance with

"Ha ha! How romantic. Isn't it gross to make plans with each other on Christmas eve?"

These lines

Both Gojo & Geto's volumes' numbers can have bad meanings in Japan. 4 can mean death & 9 can mean to suffer/agony. (I put this under volume 26's section because of the spoiler)

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There's likely more, but this is what we could think of right now. XD If you have anything you want to add on, feel free to send it my way because the more help the better & easier this is. (^w^ ) Same for any corrections to the list (as it's just me writing up this post and I may make slip ups)

#jujutsu kaisen #gojo #gojo satoru #geto #geto suguru #goge #satosugu #corrupted nightshade's talks

[feroluce]

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

#sampo koski #hsr sampo #emanator sampo #hsr sampo koski #honkai star rail #hsr #they were talking about Emanator Sampo designs in the Sampard Nation server one night and somehow THAT was what got my mind going fjkdaljfk #there was also talk of him making monsters explode in confetti or making their heads pop off like a jack-in-the-box (my contribution hehe) #which is hilarious but just wasn't super relevant here jfklasdj #(I miss bouncing around ideas like that...if anyone knows another sampard server or even just a sampo-dedicated one hit me up!) #(i would love to join and would probably even have friends to bring!!) #but anyway yes I love Emanator Sampo being stage hand themed haha it's very fun with him #I have a lot of screenshots so I wanna try to use them for things like this more! #I think its in SU where it says Aha isn't as powerful an aeon as some of the others like Qlipoth or Lan or Nanook #so I like Sampo's powers being less direct and not just pure destructive power like a lot of the Destruction Emanators #it lets you get real creative with it <3 #maybe next I'll bring over my thoughts on his mask design? Ooh but I wanna talk about Geppie too... #Geppie protecting his soldiers from Cocolia or the actions he could have taken or his very sweet relationship with Bronya- #-or him being inspired by Serval or his HILARIOUS relationship with Pela... #Decisions decisions...

[nrilliree]

This is so typical of team black. Rhaenyra is a rich white girl so she can't be an abuser and Criston is male and POC so she can't be a victim? It's not rape but sexual liberation? It's not rape because Rhaenyra was drunk? Then I hope you don't think Aegon raped Dyana because he was drunk too?

Okay… At the very beginning… Don't you get tired of coming to the anti TG blog and trying to sell me something pro TG? Because it's slowly happening to me.

Forgive me for having a hard time seeing this scene as Criston's horrible rape, abuse against his will, and portrayal of Rhaenyra as a monster when it was decided to present the scene like this:

For me, it's the scene in which Criston agreed to sex, quickly jumping from "no" related to duty to "yes" related to desire, and he began to regret only when he realized that he had done wrong. If Criston were a woman, it would be the same for me. For me, it is not related to gender, and certainly not to skin color, but to the fact of how it was presented on the screen. I don't read script leaks or anything, I judge what I see.

Rhaenyra did wrong, yes. But don't make her out to be a rapist like Aegon, because these scenes are completely different. Criston was clearly showing that he wanted to be part of the act and was enjoying it. This wasn't a situation where Rhaenyra forced him and forcibly created a purely physical erection in him in order to abuse him. The above scenes show otherwise.

And what do the scenes with Dyana show?

That if you put them on par with what you see above, and think that Aegon's drunkenness is justified, then you are disgusting and defend rape. Not me.

(Gifs belongs to asongoficeandfiresource)

#house of the dragon #team black #anti team green #pro team black #rhaenyra targaryen #anti criston cole #anti criston stans #anti team green stans

[trinoxtrinox]

Abbeyofcyn Colour in your style

Painting the lineart for this was really fun, and I really enjoyed doing it, even if I feel like I bit a bit more than I could chew at first, what with me wanting to do two different light sources XD

I also wanted to colour the lineart of this, however the results that I got aren't that good, so I'll be uploading two pieces, one without the lineart painted (the one I like more), and the one with the coloured lineart. Hope you like it everyone and @abbeyofcyn

Ok, now that the art is done, I have a lot to say about how I chose to color everything, but that could get long so I'll leave all of that under a read more, expand at your own risk XD

Allright, so first of all, a detail that I'm not sure many people will be able to catch in the first place. The flowers, I colored them in a specific way, because each of them represents a different person.

In here I added the flowers to represent each of the beings present on the art, Red for Raph, Light Blue for Leo, Purple for Donnie, Orange for Mickey, Dark blue for F!Leo, and finally Pink for the Krang; because the latest might not be present literally, but the sky and pink light clearly indicate that they're still a presence to be felt in the world.

In here we have the four turtles again, with the flowers being their respective colors. However, since all but one of them are cut, I chose to color them in what I believe the order they died in the bad future is. First is Raph, I doubt he'd let anyone die before him, so the single corner of a red petal goes to him, then Donnie goes next, hence why a petal and a bit of the center is the only thing that can be seen of him; and now we come to the first scene of the movie, which makes it so that Mikey is the next flower that's cut off, and finally Leo gets the only not cutt off flower, because he's still living here.

This are the last patch of flowers, and the reason why I colored them that way is because each of them represent a different person that's important for the turtles. The Green represent April's Ninpo, I wanted to add her and ther ninpo was the only way I could think of, and on the same vein, the white and black next to her are Splinter when he's on his Ninpo state at their final fight against Shredder. Below them there's the gray and sorta orange flowers, this time they both represent Splinter in his normal form, and yes I know I put him twice in there, he's their father, he deserves it XD

Finally there's the dark brown and gray flowers, these one represent Cassandra Jones and Cassey Junior, you can't argue that they end up being pretty important to the turtles, the first one helped them in the fight against Shredder, and the second one literally kickstarted the movie XD

Next thing to discuss is why I chose to have two different lightning sources and why they are what they are.

First is the Krang sky at the front, I chose this because I got inspired by this idea for the AU behind this lineart from Abbeyofcyn and wanted to continue said AU idea. My take and continuation is that even after the Magic Tie Portal that Mickey did to send Casey Jr. to the past exploded and send the Krang at the battlefield away (and considering how big the battlefield it was, it most likely killed or pushed away every single Krang at New York) and F!Leo got the Tots!Turtles, there were still enough living Krang around the world that are still ravaging the world, this time more out of spite than anything since they know the won and simply want to kick down a dead horse. F!Leo is going in that direction because he's aware that there are Krang still left, and the sad reality is that he can't shield the Tots!Turtles forever, but at least he should be able to train them and teach them everything he can, while also giving them the chance to have a childhood as well, similar to Casey Jr. but more chill.

F!Leo and Tots!Raph are the only ones facing the Krang light, and that's on purpose, the former because obviously he'll be the main force against the remnants of the Krang that are still on Earth, and the latter because no matter the form, Raph will always want to protect his siblings, and he ain't afraid to punch a few f them in the face to do so. Tots!Mikey meanwhile is in the backpack, being shielded from the Krang light, with it barely reaching him, and again, that's on purpose, everyone will want to protect him since he's the youngest, and the fact that he also will become the strongest Mystical Warrior the world will ever see again, and so F!Leo will try to teach him whatever he knows about Ninpo and the Mystic Powers, doing his best to shield him from the horrors of the Krang so that he can focus on learning Mystical Powers.

Tots!Leo and Tots!Donnie are giving their back to the Krang light, but that's not because they'll ignore the menace they represent, but rather because they're focusing on what's more important to them at the moment, for Tots!Leo is his twin brother and the shenanigans/drama he can get with him, while for Tots!Donnie is his curiosity and need to learn about the world around him (Also he's autistic and likes rocks, fight me XD). Leo here is shielding Donnie from the Krang's light, agan made on purpose, because he loves his twin too much and wants to protect him from the horrors, while also pulling his rope to bring him back to the present; Donnie meanwhile only has a little bit of Krang light on him, which is their looming threat that they represent for a great while, however they aren't the biggest thing occuping his mind, and thanks to his twin, he's able to not focus on them for a while to concentrate on more things that'll help everyone in the future; which brings me to...

The yellow light, which comes from the sun that's behind them, and considering how it's a yellow and not an orange one, the current time is morning and it's Dawn, the rise of a new day, new begginings and start for a new hope. It might seem like they're walking away from the light and into the Krang's side, however with this idea I had it's less that they're getting further away from the light, but rather bringing the light with them, illuminating everyone's path and pushing back against the Krang.

As you can see, everyone is bathed in the sun's light glow, however Tots!Donnie, Tots!Raph and Tots!Leo are the ones that are literally bathed in it, while F!Leo has his legs covered in it and Tots!Mikey only has sunlight on his head. Once again this is all on purpose, and I'll explain everyone's light position now :3

Tots!Raph, The sunlight is mostly on his shell, tail and arms, which is because he'll be in charge of protecting everyone's uture, and that sadly also means that he'll be bearing the heaviest burden out of his brothers, but that'll also means that when the burden is eventually lifted, he'll be the one that looks forwards the most.

F!Leo's future is uncertain, the sunlight covers only his legs completly because even if he's the guiding light of everyone's future, and no matter how much light he has on his back, shell, legs and arms; he's not covered in any of it beyond his role as a guide, so still uncertainty envelops him.

Tots!Mikey is literally being carried in a bag to the future, which again is because he's the youngest and the strongest mystical warior out of them, but he's also somewhat of a backup plan, his role will be less to guide anyone to the bright future and more ensure that no one gets left behind under the looming threat of the Krang, hence why he only has the sunlight on his face and he's not covered in it like his brothers.

Tots!Leo and Tots!donnie, the disaster twins, they both are encased in light because both of them will help create the brightest future as well, however Donnie is covering a half of Leo, not letting him be truly fully under the sunlight, and again, that's because while he protects his twin from the Krang, Leo is sacrificing part of his abilities to guide everyone else but his brother. Donnie meanwhile is literally encased in light, his face fully iluminated, and that's because with his smarts and creativity, he'll be the biggest reason that a brighter future will be created for Earth, his inventions carrying everyone towards it.

Finally, why I started with dry grass on the foreground and ended with green grass at the mountains on the horizon, and that's because even with their uncertain future, even though they are the guiding light that'll bring a new brighter future to the world, that doesn't mean that the world is at such a critical state that they literally can't be saved. There are still people out there, living in hiding, no matter how it seems from the start point, there's still life out there.

And that's all I wanted to say about how I painted it and why I did so, I had so much I wanted to say and, to anyone who bothers to read all of this, thanks for doing so, I put way too much thoughts into this ambitious for me painting, and I loved writing all of this down as well. See y'all in the future n.n

#abbeyofctiys #RotTMNT #rottmnt movie #future leonardo #baby leo #baby donnie #baby raph #baby mikey #rottmnt krang #long post #lineart painting #fanart #Unnamed AU #DTIYS #Painted this in Sai with a mouse #not sure if it's a flex or not :V