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#where's that post about how traumatic fandom experiences should be grounds for days off?
taleweaver-ramblings · 7 months
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Just finished Dark & Stormy (by Suzannah Rowntree, Miss Dark book 3) last night, and it is a miracle that I didn't burst into incoherent screeching right then and there at quarter-to-midnight. I don't think I'm going to recover from that ending for a LONG while.
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so a while ago @volkswagonblues left a reply on this post saying that jeong jeong was an example of "someone who is ideologically 'right' but whose character is absolutely not likeable, or at least not in the mainstream fandom-popular way". i started writing this response, but i totally forgot it was in my drafts until i wrote my iroh analysis. it doesn't seem right for me to have an iroh analysis post and not a jeong jeong one so here it is, the jeong jeong character analysis nobody asked for:
volkswagonblues's response hits on exactly why i find his character so fascinating - he's good, but he's absolutely not nice or well-adjusted about it. and he's definitely not mainstream-fandom "likable". it's rare that i see hate for one of my minor character faves (one of the benefits of having them), but i have actually seen people say they don't like jeong jeong. mostly, it centers around him being "wrong" about firebending, as opposed to the sun warriors. i can see where that comes from. jeong jeong has the noticable accent and proverb-y speeches of the ~mystical asian master~ trope, but his viewpoint comes off as pretty harsh and simplistic. this can confuse an audience expecting easy answers from a kids show - are you supposed to see him as wise or not? for me, i think asking "are jeong jeong's beliefs wrong?" is the wrong question. instead, you should ask: "why does jeong jeong have those beliefs?"
and the more you think about that, the more you see that he isn't actually wrong. firebending is the only type of bending where the bender produces the element from their own body rather than using their surroundings. it is someone imposing their will on the world, even more so than the other forms of bending. iroh sums this up nicely:
"Fire is the element of power. The people of the Fire Nation have desire and will, and the energy to drive and achieve what they want."
there's nothing wrong with that in theory, but in the show, this drive and power manifests as the fire nation's imperialist conquest, and the goal they're trying to achieve is world domination. as a former high-ranking military official, jeong jeong has seen firsthand the ways firebenders use their power to hurt people. the culmination of the fire nation's ideology is a plan to burn the entire earth kingdom to the ground - exactly the kind of wide-scale destruction he describes in his first cautionary speech:
"Without the bender, a rock will not throw itself! But fire will spread and destroy everything in its path if one does not have the will to control it!"
you could say that firebending is misused by the fire nation, but that feels like a No True Scotsman fallacy ("that's not true firebending!"). the fact is, firebending's unique qualities fall in line with the nation's imperialist ideology. jeong jeong hates his bending because it is inextricably tied to the war he hates.
like many, i once thought a trip to the sun warriors would be healing for jeong jeong, but i've since realized that's not what he needs. jeong jeong is perfectly aware that firebending isn't always destructive - he counsels restraint and control, not total suppression, and he even alludes to sun warrior beliefs:
"Feel the heat of the sun. It is the greatest source of fire. Yet, it is in complete balance with nature!"
going to see some dragons who tell him that firebending is about the sun and life won't change his mind. 'of course it's not inherently evil,' he'll say. 'but it has been used in terrible ways'. his feelings aren't about firebending in the abstract. they're about firebending as it is used. that it has the capacity to support an ideology of conquest, that he and others have given into its destructive side and committed such atrocities with it. he's right to hate that. (i also feel like he'd resent the sun warrior civilization for their isolationism. i mean, i would, if i'd put my life on the line to fight against my nation and it turned out there were a bunch of people who agreed with me but did nothing about it.)
so if jeong jeong and the sun warriors aren't philosophically opposed (except re: their involvement in the war), why does his view of firebending seem so much harsher? because - and here we come back to the original point - he's not likeable. he's a strict teacher and plenty of us (especially if we were kids when we watched the show) have a knee-jerk negative reaction to that. his speeches about the danger of fire are grandiose. but here's the thing: the speech where he says the most derogatory things about firebending is not one where he's teaching. it's one where he opens up to katara:
"I've always wished I were blessed like you - free from this burning curse."
this reveal that he wants to be a waterbender means that everything he says to her about his bending is less about what he believes about firebending in general and more about his own personal struggles. and in that context, it's heartbreaking:
"It forces those of us burdened with its care to walk a razor's edge between humanity and savagery. Eventually, we are torn apart."
this is the core of it all - jeong jeong doesn't just hate the fire nation and its war, he hates himself, hates that he holds that destructive power inside him. he doesn't seem to struggle with the act of bending (another reason why the sun warriors wouldn't necessarily be any help) but he clearly doesn't want to do it, probably because it reminds him of when he did terrible things with it. no wonder he calls it a curse.
and so here's what we're left with: jeong jeong leaves the fire nation military because he is right that the war is wrong, and he counsels control and restraint in opposition to the imperialist ideology of constant expansion and conquest. however, he is severely traumatized and full of guilt from his participation in said imperialist conquest, and that means he comes off as harsh and overly negative. right, but not likeable.
while i was writing this post, i was rewatching a lot of clips from the show, and i got curious about his voice actor, who i suspected was actually asian (unlike most of the voice actors). it turned out i was correct - his name is keone young, and he's had a very long career - but he's hawaiian and doesn't have the accent that probably made me guess that. he has this to say about how he portrays the one-dimensional accented characters he often plays:
“I want to portray that person with an accent who is real instead of a stereotyped version of it," he said. "I’ve always wanted to see myself as the one the story revolved around so that it was my story not your story. I always try to convey I have some kind of philosophy or point of view.”
(read the full interview here)
i bring this up because while i think jeong jeong's memorability can partially be attributed to the atla writers giving him a cool backstory and dramatic lines, what keone young says here about taking a character who's a bit of a stereotype and making them seem real, with their own philosophy and point of view...well, that's exactly jeong jeong. despite his limited screentime, we get a clear picture of who he is and what he believes. and who he is is someone who fully embodies his radically anti-imperialist politics, who has come to his beliefs from traumatic experience that's made him bitter. as the atla renaissance pushes us to reevaluate these children's cartoon characters with older eyes and modern-day politics, it's worth looking at a striking minor character like jeong jeong, who might not be fandom-likable but who has a lot of depth to offer and a perspective worth considering.
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baku-bowl · 3 years
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broke 1,000 followers (the fuck? I don't even make content people), so decided to write up a list of some (but not all, I'll make other lists later) of my favorite Bakugou-centric fic recs. my tastes run towards hurt/comfort, as you'll probably figure from the list. if there are some Baku-centric fics that you've enjoyed that aren't on here, please add them - this is definitely not a complete list of the ones I've read and love, but I'm always up for some recs. <3
fair warning, most of these are wips.
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Social Media 101 by WindsChild8178
Part 1: Survival Guide to Fucking Up
[Solely Bakugou’s point of view]
Katsuki Bakugou doesn’t have a gentle bone in his body. He’s aggressive in everything he does and does everything with 100% of his heart in it. After the Sport’s Festival, Katsuki starts to get harassed by strangers for his unheroic demeanor. It starts with letters but it doesn’t end there. The moment Katsuki realizes the harassment has entered dangerous territory and he needs to tell someone, it’s already too late.
Part 2: Post Traumatic Life Disorder
[Point of View opens up to Bakugou, teachers and classmates]
When the Dorms are finally built, everyone is settling in well, but things become tense as people begin to realize something isn’t right with the recently rescued Bakugou.
[Cannon compliant right up to after the License Exam]
hands down my favorite fic in the fandom right now. it’s the one that converted me into a Bakugou lover. if you have any fondness for Bakugou as a character then it’s likely you’ve read this one already, but if not, I can’t recommend it enough. incredibly depressing, but with the hope that comfort is coming soon in the next few chapters.
The Kids Will Be Alright, Eventually by NotWithThatAttitude
Bakugou is spiraling in the aftermath of Kamino and his friends are starting to notice. He's stubborn, aggressively independent, and less than willing to dig into his past, but after a breakdown that ends with a painful secret revealed, he starts to get help.
Whether he likes it or not.
Meanwhile, a new kind of villain threatens an uneasy peace following the loss of Allmight. Whispers build as a new narrative slowly takes shape:
Hero society needs to change.
Feat. Therapy, Dadzawa, best boy Kirishima, dysfunctional families, healing, growing up, and the mortifying ordeal of being known
guys.. the medical accuracy of this fic is just... *chef’s kiss*
I rarely see mental health genuinely handled well in fics, but this one goes above and beyond. kudos to the author for doing such excellent research into psychology, and making the application of it in here not-boring. also, while this one does have abusive!Mitsuki, it’s done in a way that feels realistic, and how I usually will see it occur in real life, rather than just for the hurt/comfort feels.
fair warning, the fic can be incredibly triggering (themes of severe depression, PTSD, panic attacks, rape survival, abuse survival, suicidal ideation/attempted suicide, among other things), so be safe and heed the tw’s if you decide to read. legitimately one of my Top Favorite fics in this fandom.
Lock and Key by autochorystalize
Bakugou made a choked, gravelly noise before croaking out a low, “You can’t be serious.” His fingers ached to blow up everything in the room.
“I’m sorry, young man, but you can’t change reality! This sometimes happens.” Recovery Girl clicked through his file, adding a new symbol in a previously empty slot.
- - -
A pair of eyes discreetly locked on to an explosive blond plowing his way forward, parting people in his path. He recognized the kid, of course. Anyone in the underbelly of society would recognize him, after the publicity of both UA’s Sports Festival and the events leading up to All Might’s fall. The uniform he was wearing cast away any doubts about the young man’s identity.
It was a bit of a surprise that the little firecracker presented as an omega.
- - - - - - - - -
Or: there are certain types of evil that seemed too distant, archaic violations and perversions that would never actually threaten bright-eyed heroes-in-training in the clean, modern world...but sometimes those evils aren't as distant as one might think.
remember when I said that I love a/b/o fics that are full of plot and world-building and gender-induced tension? that’s this one. the OC’s are fabulous and you love to hate ‘em. also, it’s the fic that made me fall head-over-heels for the TodoBaku dynamic, so it’s got a special place in my cold, dead heart. 
be warned, there are rather explicit non-con scenes between an adult (OC) and a minor (Bakugou) in this one, but the author warns for them in advance, and you could likely skip those parts without missing too much if you need to.
Never and Always, Eventually by Wawa_Boonliang
"Katsuki can remember the exact moment that he and Deku…that he and Midoriya Izuku became friends. He can also remember the moment he and Izuku became fierce rivals, a time when they were almost enemies.
However, what he remembers most clearly about their relationship is the moment that they moved passed rivals and became something more close than mere friends. Something more like brotherhood, something forged in fire and secured in the middle of a battlefield or in the midst of natural disaster where the number of the dead was climbing ever higher. And then it was torn from him."
Katsuki is given a second chance. A chance to save everyone. A chance to change everything.
But should he?
y’all. I’m a slutty, slutty whore for time travel fics. a time travel fic with autistic!coded Bakugou? it was love at first read.
Lessons Learned by Sif (Rosae)
Rather than the police station, Katsuki's friends bring him to a hospital after rescuing him from the villains. His wounds were minor, but it didn't make having them treated any less important. As it would so happen, Best Jeanist was also brought to this hospital after the attack.
Sometimes, small choices have a big impact on how a story plays out.
classic Bakugou hurt/comfort. this fic opened me up to the potential that could be a genuinely good Best Jeanist & Katsuki mentor-mentee relationship, and I kind of dig it and search ravenously for it in other fics now. I’m also a huge fan of the behind-the-scences Pro Hero Chat group.
Slope by sunfleurmoon
“I’m not a hero. Or a good person,” Katsuki says, giving Aizawa a pointed look, “So leave me alone. I don’t care about the League or UA, or you—” The two years he’s been away have been fine, more than fine, fucking fantastic actually if you ignore the bi-monthly near-death experiences. He doesn’t need this place. He doesn’t miss this place.
And yet, longing, a childish desire to tear up, or maybe blow something to bits, they all twist in his chest like a band of traitors regardless. “—I just want to go home.”
Or: the one where Katsuki and Izuku fail the first term exam, Aizawa discovers their pasts, and Katsuki is booted from UA. Featuring questionable descriptions of villain organizations, a slightly illegal moving shop, and your favorite emotionally constipated badass in distress with a newly discovered penchant for collecting strays.
paaaaaaiiiiiiiin. the hurt is ALIVE in this one. lots of tortured, angsty exploding child goodness. the OC’s are excellently crafted, and the Bakugou & Eri relationship? beautiful. definitely deserves a read.
Ground Zero by WindsChild8178
In the wake of Kamino, Katsuki is tested more than anyone could imagine. Bound by a villain’s quirk to keep his silence or die, he lives each day knowing it might very well be his last. He continues to work towards becoming a hero, keeping his secret from his classmates and teachers, focusing on making it through each day and trying not to allow the panic or depression to get the best of him. When the villain finally corners him with demands in exchange for his life, there is really only one answer Katsuki Bakugou can give.
honestly don't know which I want updated more - social media 101 or ground zero. this author's fics are amazing, and I really wasn't expecting the twist in this one. can't wait for windschild to come back to this fic some day.
The Defect by LadyGreenFrisbee
"Why do you want to win the Sports Festival so badly?" 
Because I want to see if the defect could usurp the masterpiece.
(In which Endeavor holds a terrible secret and Bakugo has to suffer since childhood for it.)
a great concept, and I adore the shouto and Katsuki sibling interaction here. hoping the author will come back to this one some day.
A Name That You'll Remember by Heronfem
Kirishima Eijirou is a Hero. Bakugou Katsuki... is not. Trapped in his toxic workplace and increasingly desperate to get out, Red Riot's days are only brightened by a new villain known as Caution, who's not exactly villainous and keeps accidentally doing good deeds. But when a real villain appears, a threat from the past that demands that Red Riot make the ultimate sacrifice to keep the public safe, Bakugou is forced into saving the day... and eventually, Red Riot himself.
sob story good guy villains are my weakness, this fic is a gem, and I'd kill for the sequel.
Our Hero by AnonymousTwit
He felt everything jerk to the side and throw his balance off before he saw anything, dust clouding his vision and irritating his lungs as the earth itself opened up to swallow them whole. For a single moment, in a millisecond's time, his wild eyes locked with Raccoon Eyes', hers alight with fear and adrenaline-fueled desperation. Somewhere in the back of his mind, he realized that it was the first time she'd looked at him with something other than long-deserved hatred in days.
And then he was free falling.
Or
After a particularly nasty encounter between childhood friends, the class learns about Bakugou and Midoriya's dark history and practically ostracizes Bakugou while trying to defend Midoriya. An earthquake during an outing has all sides regretting their decisions.
just fucking tear apart my self-sacrificing faves in every way imaginable while their loved ones watch on in terror. 💖🥰💖 this one is heavy on the Bakusquad and Class-1A feels, and VERY heavy on the Mina & Bakugou relationship (platonic).
Running back the tape, watching it replay by Faralyne
For someone ripped from their time, ripped from the few but strong relationships built by time and personal development, by self-reflection and swallowed pride, ripped from the one thing that made him feel worthwhile and needed and put-together, and forced to forge everything over again—Katsuki thinks he is handling it pretty fucking well.
Or
A villain’s quirk sends a 29-year-old Bakugou back in time to his middle school days.
am I a sucker for time travel? yes. am I a sucker for vigilante!bakugou? also yes. am I a sucker for this fic? literally refreshing the page in wait for an update as we speak.
Liability by sandelf
After All-Might dies rescuing Bakugou from the League, Bakugou is determined to prove it wasn't for nothing.
But the world is against him, his grief is overwhelming, and his stability is splitting at the edges.
very self-indulgent bakugou angst. tw for harassment, severe depression, and suicidality.
Special Mentions:
How To Win The Sport Festival: A Step By Step Guide by mhwright
Short re-imagining of the Sports Festival Arc if Shinso had planned a little better and worked a little harder to win the Sports Festival and if the match-ups had been slightly different. Self-indulgent fic of watching him succeed.
this is completely Shinsou-centric, not Bakugou-centric, but I love and adore it and am dying for a sequel. Shinsou is Best Boy here and you'll be rooting for him the whole time.
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nevermindirah · 4 years
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I've been drafting and redrafting this meta post for weeks now. It's about to be 5781 and my country that was founded on settler colonial genocide and slavery and a deeply flawed but fierce attachment to democracy might go full dictatorship in about 6 weeks and it's time for me to post this thing.
All our immortals are warriors, all have been traumatized by war. But only three of them died their first deaths as soldiers in imperial armies. This fandom has already produced gallons of meta on Nicky dealing with his shit, because Joe would not fuck with an unapologetic Crusader. But there's very rich stuff in Booker and Nile's experiences and the parallels and distinctions between them.
Nile was 11 when her dad was killed in action - that was 2005, meaning she and her dad both died in the same war that George W Bush started in very tenuous response to 9/11. Sure, Nile's dad could have died in either Iraq or Afghanistan, or in a training accident or in an off-the-books mission we won't know about for a hundred more years, but he died in the War on Terror all the same. I had to look it up to be sure because Obama "drew down" the Afghanistan war in his second term, but nope, we're still in this fucking thing that never should've happened in the first place. The US war in Afghanistan just turned 19 years old. A lot of real-life Americans have experiences like the Freemans, parents and children both dying in the same war we shouldn't be in.
I know a lot of people like Nile who join the US military not just because it's the only realistic way for them to pay for college or afford decent healthcare, but also because they have a family history of military service that's a genuine source of pride. Military service has been a way for Americans of color to be accepted by white Americans as "true Americans" - from today's Dreamers who Obama promised would earn protection from deportation by enlisting, to Filipino veterans of WW2 earning US citizenship that Congress then denied them for several decades, to slaves "earning" their freedom through service in the Union Army and in the Continental Army before it. As if freedom is a thing one should have to earn. Lots of Black Americans have the last name Freeman for lots of different escaping-slavery reasons, but it's possible that this specific reason is how Nile got her last name.
Dying in a war you know your country chose to instigate unnecessarily and that maybe you believe it shouldn't be waging is a very particular kind of trauma. It is a much deeper trauma when your military service, and your father's, and maybe generations of your ancestors', is a source of pride and access to resources for you but your sacrifice is nearly meaningless to the white supremacist system that deploys you. That kind of cognitive dissonance encourages a person to ignore their own feelings just so they can function. How do you wake up in the morning, how do you risk your life every day, how do you *kill other people* in a war that shouldn't be happening and that you shouldn't have to serve in just so that your country sees you as human?
We see Nile do her best to be a kind and well-mannered invader. Depending on your experience with US imperialism, Nile giving candy to kids and reminding her squad to be respectful is either heartwarming or very disturbing propaganda. We also see Nile clutching her cross necklace and praying. From the second Christianity arrived on this land it's been a tool of white supremacist assimilation and control, but like military service, it's a fucked-up but genuine source of pride and access to resources for many Americans whose pre-Columbian ancestors were not Christian, and it's a powerful source of comfort and resilience. This Jew who's had a lot of Spanish Inquisition nightmares would like to say for the record that it's not Jesus's fault that his big name fans are such shitty people.
Nile is a good person trying to do her best in a fucked-up world. "Her best" just radically changed. Her access to information on just how fucked up the world is has also just radically changed, because everything's so fucked up a person needs a lot of time to learn about it all and not only does she have centuries but she won't have to spend that time worrying about rent and healthcare and taxes, and because she now has Joe and Nicky and Andy's stories, and because she now has Copley's inside scoop on just what the fuck the CIA has been up to. Like, I want a fic where Copley tells Nile what was really behind the brass's decisions that led to her experiences on the ground in Afghanistan, that led to her father's death, but also I Do Not Want That.
Nile was 19 when Alicia Garza posted on Facebook that Black Lives Matter. She grew up in Chicago well before white people on Twitter were saying maybe police violence against Black people is a problem. She knows this is a deeply fucked up country, and she put on her Marine uniform and deployed with her team of mostly fellow women of color, and maybe she and Dizzy and Jay marched in the streets between deployments, maybe they texted each other when a white manarchist at a protest sneered at one of them for being a Marine. Nile's been busy surviving, and she knows some shit and she's seen some shit but she hasn't had much time to think about what it all means. Now she's got time. And Joe, Nicky, and Andy are willing to listen. (Is Copley willing to listen? I could see that going either way.)
Booker might also be willing to listen. The brilliant idea of cleaning up the rat Frenchman so that Nile can have millennia of emotional support and orgasms sent me down a Wikipedia rabbit hole, and holy shit do Booker and Nile have a lot of shared life experience as pawns of imperial wars. Obviously Booker is white and a man and that makes a very big difference. (Though G-d help me, Booker could be Jewish and France was knocking its Jews around like ping-pong balls in the 18th-19th centuries. Jewish Booker wouldn't make him any less white but it does add a shit ton of depth of common experience: military service as a way for your country to see you as a full member of society who matters, because who you are means that's not guaranteed.)
Booker was hanged for desertion from the army Napoleon sent to invade Russia as part of his quest to control all of Europe. We learn in the comics / this YouTube video that Booker was on his way to prison for forgery when he was offered military service instead of jail time. While we don't know how he felt about the choice beyond that he did choose soldier over inmate, it's unlikely he thought invading Russia was a great idea, given he tried to desert because Napoleon like a true imperialist dumbass didn't plan for how he was going to feed his army or keep them from freezing to death in fucking Russian winter.
I find it very interesting that the French Empire was at its largest right before invading Russia and fell apart completely within a few years. My country has been falling the fuck apart for a while now - see aforementioned War on Terror, growing extremes of economic stratification in the richest country in the world, abject refusal to meaningfully deal with climate change that US-based corporations hold the lion's share of blame for - but between Trump's abject refusal to meaningfully deal with the coronavirus and strong likelihood that he'll refuse to leave office even if a certain pathetic moderate I will hold my nose and vote for does manage to earn a majority of votes, ~y~i~k~e~s.
Our only immortals who have never known a world before modernity and nationalism happen to have been born of wars that were the beginning of the end for the imperialist democracies that raised them, and I think in the centuries to come that's going to give them some very interesting shit to talk about.
Nile's a Young Millennial, a digital native born in the United States after the collapse of the USSR left her country as the world's only superpower. She's used to a pace of technological change that human brains are not evolved to handle.
Napoleon trying to make all of Europe into the French Empire was a leading cause of the growth of European nationalism and the establishment of liberal democracies both in Europe and in many places that Europeans had colonized. Booker's first war produced the only geopolitical world order Nile has ever known and I just have so many feelings ok. Nile the art history nerd is probably not aware of this, and why would she be? This humble meta author is, like Nile, a product of US public schools, and all they taught me about world history was Ancient Greece/Rome/Egypt/Mesopotamia and then World War 2. Being raised in The World's Only Superpower is WEIRD.
Nile the Young Millennial is used to the devastating volume of bad news the internet makes possible. But she has absolutely no concept of a world where the United States of America is not The World's Only Superpower. In order to get up in the morning and put on her gear and point guns at civilians in Afghanistan, she can only let herself think so much about whether that American exceptionalism thing is a good idea.
She's about to spend many, many years where the only people who she can truly trust are people who are older than not only her country but the IDEA of countries.
She's got time, and she's got a lot of new information at her disposal. But there comes a point where my obsession with her friendship and eventual very hot sex life with Booker just isn't about sex at all. Nile needs someone to talk to about the United States who Gets It. Booker the rat Frenchman coerced into Napoleon's army, and Copley the Black dual citizen of the US and UK who's retired from a CIA career that he half understands as deeply problematic but half still believes in hence his mind-bogglingly stupid partnership with Merrick, are the only people on the planet Nile can talk to honestly about, and really be understood in, all the thoughts and feelings and fears and hopes of her experience as a US Marine.
And one more thing before I go get ready for Rosh Hashanah: Orientalism was a defining element of the Crusades and that legacy is painfully clear in current US-led Western military activity in Afghanistan, Syria, Israel/Palestine, you name it. Turns out memoirs by French veterans of the Napoleonic Wars are full of Orientalist language about Russia as well. I am maybe/definitely writing a fic where Booker spends his exile reading critical race theory and decolonial feminism and trauma studies monographs because he can't be honest with a therapist but maybe he can heal this way and become the team therapist his own damn self. I just really need him to read Edward Said and Gloria Anzaldúa and then go down on Nile, ok?
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I'd love to see your take on Cullen's recovery arc as an alternative analysis! I feel like we're only ever presented with the two options of: "he needs to atone!" Or "he was a victim that needs protection!", neither of which I've ever fully agreed with. I think it's a result of the lack of attention given to his arc in DAI, which leaves a ton of room for interpretation, and results in people swaying towards either camp depending on how sympathetic they are towards him and his history.
I totally agree with this. 
The problem with the way Cullen is presented in DAI is that he’s presented in an unambiguously positive light, and as @tokutenshi pointed out in this post (which I do agree with) if your Hawke was hostile to him you don’t get some of his dialogue about questioning Meredith. Additionally if you side with the mages rather than the templars Cullen has some realizations about the Order that you’re not going to hear. It’s too little too late for a lot of people, though I would also argue with what tokutenshi said, he was severely traumatized after the Blight (if you take a female mage Warden in the tower during the Witch Hunt DLC you will get lines that indicate he is suffering from PTSD, notice the lines about him being “twitchy” and “jumpy”) Personally I think we can find a middle ground between Cullen being a victim of manipulation and indoctrination, someone who suffered after experiencing trauma, and someone who works hard in the moment to do some good, whether we can or should call it “atonement” or not. That being said, he does acknowledge in Inquisition that the war against Corypheus is his chance to atone, and he works overtime to the point where it’s commented upon by several characters including the Inquisitor how hard he works.  
By the time we meet Cullen in Inquisition a couple of years have passed since the chantry’s explosion. This is where I will be critical of the writing because I do think the game should have better established what exactly Cullen was doing in the time in between, though we get bits and clues from dialogue if you pay attention: He served as Kirkwall’s knight Commander after Meredith died, and he and presumably Aveline’s guard worked to basically repair the city, as Rylen says in Griffon Wing Keep that there was a lot of rubble, a lot of people without homes. Cassandra noticed Cullen’s work and recruited him to the Inquisition. (Also, keep in mind that the Inquisition was originally going to help quell the worst excess of the mage and templar fighting, restore order because the chantry lost control. Then the conclave happened, it went boom, and suddenly the Inquisition’s purpose became far greater than anyone would have expected. So Cullen as Cassandra’s choice of Commander makes total sense to me, considering he was a former templar and bringing him in basically acted as a symbol to any wayward templar, letting them know that there could be another way. But I digress on that part, haha.) 
I *think* some people are dissatisfied with Cullen’s “redemption” arc in DAI because we don’t really see him fall on the sword or beat himself up for his past. There’s also no moment where he like, faces a mage he maybe knew in Kirkwall or has to deal with the mages not trusting him. Obviously of course there is nuance there as well as Toku and I mentioned--he wasn’t allowed to heal as much as he should have before being shipped to Meredith. However, here’s an interesting bit of dialogue you can get if you pick the right options after Perseverance if you tell him he doesn’t need lyrium:
Quiz: The man you were. You can’t pretend like he never existed.
Cullen: Not even if I wanted to. But I’m here now. I can make that mean something.
Cullen knows he screwed up. What’s more, he doesn’t want to forget he screwed up. But he lives in the moment to make things right. Blackwall’s arc actually shows him falling on the sword and wanting to atone, versus with Cullen it’s implied he has come to terms with his screw ups off screen. He doesn’t continuously beat himself up, he does what he can for the Inquisition to the point where if the Quiz tells him to go back on lyrium for the better of his soldiers, he does, knowing it just may kill him. There is also limited dialogue that challenges his views which turns some people off, but I know for my Inquisitor she’s very much about the now and what they both can do in the now. I won’t blame anyone who wants to be able to challenge him more, but frankly I find the fact he doesn’t continuously fall on the sword or beat himself up interesting. 
All that being said, I do think of his arc as more of one of recovery versus redemption. And to be frank I’m kind of critical of the term “redemption” and what makes good redemption arcs or not. Someone having a “redemption arc” seems to imply that there’s only one road to the top of the mountain when maybe redemption is something you should always strive for? But as for the “recovery” arc: the chantry, IMO, purposely devoids both mages and templars of a personhood or life outside the order and Circle and treats them as objects. Many templar recruits are children and are basically indoctrinated to believe they serve the Maker and they are needed and that they do the Maker’s will. There’s an interesting bit of dialogue you can get if your character is a warrior and talks to Cullen about the templar spec, basically if the Quiz says “templars serve the Maker, I’d do the same.” Cullen basically replies, “uh, yeah, that’s not going to make you righteous, believe me,” implying this was the way he once indoctrinated to think, but he no longer believes it so. Templars are given lyrium for their abilities, but also to placate them, something Alistair says in DAO. 
After Kirkwall Cullen sees where the Order is going, gets an offer from Cassandra and decides that if he removes the “part that kept [him] chained,” he would find his own purpose again. (He says this is your Quiz makes him take lyrium.) In Inquisition we learn he always wanted to protect people. (Our local mind reader Cole says “some templars want to only protect, like Cullen” if you ask him about templars.) And as a kid living in rural nowhere Ferelden, he saw the templars as protectors. Why I interpret his arc as more about recovery than redemption all has to do with Perseverance and the way you as the player can handle it: You can either let him know he can start over, he can endure and one day find a life of his own away from duty and battle, or you can make him take it and thus let him remain indoctrinated to what the chantry taught him, that there is nothing outside of duty and battle. It comes down between a choice of “you are leashed to what the chantry made you till you die” to “you are more and you can recover and make your own life,” which he does do by Tresspasser, romance or not. At the end of the game if you keep him off lyrium he basically thanks the Inquisitor for giving him a chance, letting him know he could be more. Additionally, a lyrium free Cullen in Tresspasser speaks of meeting his siblings again, developing a relationship. If you make him take it forever he refuses to see them. 
I could also see the arc as one of faith, and finding it again. If you keep him off lyrium the prayer in the chantry he speaks is one of quiet reassurance and finding strength through his faith, but if you make him take it the prayer is “blessed are the peacekeepers” and it’s uttered desperately as if he is trying to believe it. He also mourns how far he fell. All this to say that I find it very interesting his writer focused his personal quest around the lyrium and what lyrium represents rather than say, him meeting a mage who lived in Kirkwall or something and him trying to atone to them.  
When I wrote my post about why Cullen gets so much fandom related wank I got a lot of different responses that echoed the same thing about Cullen’s arc not getting a lot of attention. I think there is a lot of good writing there with his personal quest,  but his writing doesn’t fill in every single gap---not to mention people are going to have vastly different experiences on how they played the games till Inquisition. And my examples of dialogue are things you may not get if you don’t pick the right options. And heck, some people only have played Inquisition. 
So, I think me calling his arc in Inquisition a recovery arc has partially been not me trying to justify why I like him, but analyze a differing way a character who has screwed up in the past is written. Blackwall’s arc is a true redemption arc IMO. Cullen’s isn’t so clear cut as a redemption arc, but at the end of the day it is truly about him finding his own purpose again, which leads me to lean more toward calling it a “recovery arc.”
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butwhatifidothis · 3 years
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3H and Bleach: Where the Fuck am I
So, I’m finally hunkering down and trying to write out this post lmao. I’ve mentioned here and there how my personal experience with the 3H’s fandom is similar to my experience with the Bleach fandom’s in more than one way, and - look. Like, I get there’s definitely a semi-universal thing that goes on across all fandoms. I don’t mean for this to say that this only happens within these two fandoms, because duh, of course they don’t. But!! This post is partly me wanting to air years long annoyance towards the Bleach fandom that just so happens to coincide with my feelings towards the 3H fandom, sooo... yeah lmao
I’ll probably be skimming over some bits about 3H, since most people who come across this will already be familiar with what I’d be talking about in that regard vs Bleach, so just a heads up
Note: This is gonna talk about Bleach which will spoiler territory (writing this off the cuff so not sure where this is goin’ yet lmao but I know that much), so if you don’t wanna see that then don’t read this post lol, I know for sure I’ll be spoiling something ahhhh... noticeable, lol
Ableism against the mentally ill
Now, most people reading this post will be familiar with the blog and how this very, very much applies to 3H, but for the sake of this post I’ll lay it out anyway with a brief summary
Dimitri and Rhea are both characters within 3H that suffer from severe trauma that heavily impacts their mental state. Both are the sole survivors of a horrific slaughter, with that slaughter redefining who they are and leaving a permanent marker within their minds in some way (Dimitri with having auditory and visual hallucinations, Rhea with having obsessive tendencies towards bringing her mother back from the dead). Specifically in CF, both characters are set up in the plot as antagonists, with both characters having to relive their trauma in some way due to the actions Byleth and Edelgard take against them (for Dimitri, having his home be razed to the ground and everyone he cares for dying around him, for Rhea having someone use her mother’s mutilated remains be used to end her and her race) and express extreme anger towards Byleth and Edelgard before they are killed to progress/end the story
Now, uh, sad shit right? Not exactly fuckin’ happy sunshine rainbows. These two characters are put through the wringer and are then murdered. They are rightfully not the fuckin’ happiest because of what happened to them before and what happens to them within the present story. But we’ve heard it all before: “They were crazy!” “They couldn’t be reasoned with!” “They had to be put down out of mercy because they were too ~far gone~ to live happily!” “They needed to be killed for the good of everyone!” It’s an extremely ableist rhetoric that gets passed around the fandom as though it’s totally fine to directly state that mentally ill people should be put down if they’re deemed a “lost cause.” Especially worrying because. You know. If they are a “”””lost cause”””” then it’s directly and specifically because of actions Byleth and Edelgard take against them. 
But how does this remind me of Bleach? What kind of similar extreme, worrying ableism exists there? Well, let me introduce to best girl a certain character with... a reputation, to say the least:
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Meet Momo Hinamori.
Holy shit it’s so weird writing this out because I’ve been wanting to for years but have never worked up the nerve to do it lol
It should be noted, in the Bleach verse there’s two worlds out of three - Soul Society and Hueco Mundo, though I’ll only be talking of the former - that deal with “souls” (the essence within a living human). Souls age far more slowly than human bodies do in terms of body, not necessarily the mind (so a teenage soul will likely behave as such for a long while) so keep in mind that I’m going to be using numbers that may seem weird to someone who hasn’t seen Bleach lol.  With that out of the way, here’s a similar, if longer for context to those who haven’t seen Bleach, summary for Momo’s character as it relevant to this post:
Momo is a character in Bleach that grows a deep admiration towards Sosuke Aizen, a respected captain of the military force called the Gotei 13. She comes to views him as the most important person in her world due to him both noticing and paying direct attention to her as well as saving her and her friends’ lives during a training mission gone wrong while she was younger. Note that “younger” here means 40 years ago from the start of the story. Aizen would praise her all the time, allow her to sleep over in his quarters, would drape his cloaks over her when she looked cold, and would overall treat Momo as though he was his daughter for most of the time we see them interact in the beginning portions of the show. Note that none of this is sexual in nature, nor is it ever implied to be seen as such. That’ll be important later in this post
To make a long story short, Aizen comes to betray her. He stabs her through the chest and shows and tells her that she never meant anything to him, throughout the 40 years they’ve known each other (which, mind, for a soul Momo’s approximate age 40 years is still a noticeable amount of time), and he was only using her to help bolster his image as a loveable captain so that he can hide his plan from everybody that much easier. He did horrible things to Momo - from setting her alarm clock back to a later time so that she would more likely come across his pinned, bloody fake corpse. to framing her childhood friend for the apparent murder and tricking her into fighting that friend, to far later in the series tricking that friend into stabbing her (hypnosis shit, to sum that up) for literally no stated reason - that ended up mentally breaking her. She couldn’t believe that the last four decades were all nothing but lies and she fell into a deep denial about Aizen’s true nature - someone else made him do everything he did, she must have missed something that would have warned her about Captain Aizen’s unfortunate situation that forced Captain Aizen to hurt her and everyone else. This denial would take the majority of Bleach’s entire runtime for her to get over completely, with her having hiccups in her recovery even as she works up the nerve to fight him.
Now, uh, also not the fuckin’ funnest of times to be had here. The deep, long-running mental and psychological manipulation of what approximates as a teenage girl from a trusted older figure is something that is very clearly horrific and bad of the older figure, right? Like, we’re on the same page here on that?
This wouldn’t be in this post if that was the case. No, Momo was the one constantly on fire for what happened to her. She was one of the most hated characters in the western audience, and there were endless jokes about “lol look at Momo, the pincushion!” “Crazy bitch Momo, better watch out!” making fun of her and her trauma relentlessly. If you managed to find a Momo fan in the early 2000′s you should have also bought a lotto ticket because holy fuck, everyone hated her. She acted in a startlingly real if deeply uncomfortable way in regards to years long manipulation and she was lambasted for it. She didn’t immediately get over decades long psychological abuse and she was called useless, weak, a horrible representation of female characters, stupid - you name it, she was likely called it. To this day I still tense up when I hear that someone likes Bleach and they mention Momo at all because I’m always thinking “does this person think this abuse victim is dumb for being abused?”
Dimitri, Rhea, and Momo are all victim-blamed to a disgusting degree in the 3H and Bleach fandoms. Dimitri and Rhea are always hit with “well if Dimitri hadn’t have fought back against Edelgard/Rhea caused the “”tyranical systems” in the first place, nothing would have happened to them!” and Momo was constantly hit with” well, it’s not Aizen’s fault Momo was so clingy to him, what could he have done!” and I get so fuckin’ mad dude.
But for Dimitri and Momo specifically, there’s one thing in particular that caught my attention:
The “Rejection Theories”
This had my head spinnin’ a bit when I first heard it, cuz I had managed to avoid the theory for a while in the 3H’s fandom, but apparently a sizeable amount of people seem to believe that Dimitri wasn’t just mad at Edelgard in the Holy Tomb because of... you know *waves hand* fuckin’ everything, but that the primary reason for his anger was that Edelgard... rejected his advances to her? And that the dagger he gave to her when they were 13 was a phallic symbol of baby Mitri’s want to have sex with Edelgard? And. Like. What in the fuck are you talking about. 
But like?? Bleach did this shit too with Momo?? It was also a sizeable amount of people - not everyone, but a noticeable amount - that believed that Momo was just mad that Aizen wouldn’t sleep with her? You’d see it pop up in fics so often, that Momo would want Aizen to fuck her and she’d “go crazy” when he denied her and Momo was actually just this shallow bitch who wanted a good fuck like... what.
Like, when I first heard the Phallic Dagger take the first thing that came to mind is “wait Momo was also accused of just wanting to have sex with the person who traumatized her wtf” 
“Actually it was the perpetrators that should be forgiven because lonely and also some shit about ruling better”
Those in the 3H fandom know how often the “Edelgard was lonely!” line gets thrown by just about every one of her stans. Edelgard was lonely and couldn’t trust anyone, so of course she did what she did! If she had someone near her she could trust she wouldn’t have acted like she does in the rest of the game! Nevermind that she “gets” this in CF in the form of Byleth and still acts just as shittily as she does in the other routes, or how being a little lonely doesn’t fuckin’ mean you get to start war. But anyway, we also hear that Edelgard was justified in doing what she did because her ruling Fodlan would have lead to more peace in the end, once she got rid of the power structures in place now (except that doesn’t happen but whatev I guess lmao)
Aizen? He was lonely too! He was far too strong for anyone to truly be able to understand him, and so he tragically fell down a dark path. If he had known someone who could be considered an equal to him he would have never done all the horrible things he did. And the Soul Society is unjust! It needs to be reformed! So him slaughtering hundreds of thousands of souls at the minimum to harvest all of their power to use as his own is justified because it’ll be used to create a more just society under his rule!
Like. Y’all. Lowkey? I’m so fuckin’ glad Edelgard proved herself to be just as fuckin’ awful with Byleth as without because this shit drove me up the fuckin’ wall back in the day. There was 0 ways to prove that Aizen would damn sure be just as fuckin’ bad if he had an “”equal”” to stand by him than if he didn’t, and I get to kinda be right because without fundamentally changing these characters’ backstories they would not give two flying shits about whether or not they had someone “equal to them” (which is still kinda degrading to think about anyway).
Now, this is where I move away to a different topic lol
A split in the narrative cause divides in the fandom
With 3H houses this is really fuckin’ easy to point at: there’s 4 routes, three consistent stories and one radically different story, and that difference in story causes heavy contention within the fandom. It’s very obvious so I won’t go over it much.
But how in the fuck is there a divide in Bleach? It’s not a fuckin’ Choose Your Own Adventure manga, it’s an anime and manga showing off the characters of Bleach’s stories and interactions (with, you know, plot and shit thrown in).
Well. It’s more accurate to say the anime told a story about the characters, and the manga told... the story about the characters.
In terms of plot, the anime didn’t change much from the manga, but hoo fuckin’ boy, did they change shit about some of the characters. Specifically, they changed a shit ton about three characters: the two main protagonists, Ichigo and Rukia, and another main character, Orihime.
Orihime. Got. Fucked.
The anime would make her far more ditzy and clumsy, her crush (turned growing love later on in the story) for Ichigo during more deeper moments that showcases her feelings for him were downplayed if not removed entirely in exchange for talking or thinking about food, key moments she has with Ichigo early in the manga were cut or deadass changed to something else in the anime, some key moments with her relationship with Rukia were cut, her backstory was watered down - so much of Orihime was fucked with in the anime (her fuckin’ introduction was changed drastically). Meanwhile Ichigo and Rukia were given moments that didn’t exist in the manga, they have filler arcs (remember those lmao) that would be stuffed with shit ton of moments for them that have no basis in the manga, other characters would change their behavior from the manga to reflect a sort of “thing” going on between Ichigo and Rukia.
Look, guys, the anime fucked up so bad the fucking mangaka, Tite Kubo, has said he gets stomach aches watching the early anime because it was that awful. And this divide between the anime and manga’s portrayal of these three character helped spawn the ship war of Bleach: Ichiruki vs Ichihime (oh but more on that in a bit). It tanked Orihime’s popularity because people thought she was the stupid dumbass that would stumble ass first into situations when that wasn’t her character at all. And because the majority of anime watchers only watch the anime... yeah, you can see where this went. So just like in 3H in Bleach you have these radically different tellings of the same characters that drove a big-ass wedge in the fandom
Marketing
Imma be transparent, like I’ve said before I managed to avoid nearly every marketing tactic for 3H so it’s a tad hard for me to speak personally, but from what I’ve been told Edelgard was heavily marketed towards the player base pre-release. She was the poster child of 3H, she got the figma, she was in the spotlight - unless you cleansed your board of 3H content you knew exactly who she was. On top of that, it doesn’t stop in-game - loading screen messages would assume you picked BE, Adrestia is the first option to pick when you want to impress one of the lords in the prologue, the BE class is the first option to pick in choosing which route to play, every character has some moment in the game post ts where they express sympathy with the woman who waged war on them for five years (even characters with no business doing so, like Seteth entertaining the idea that maybe Edelgard isn’t that bad during Myrddin). With all of that good PR for Edelgard in and out of the game it heavily impacted how people saw her, and much of it is used by stans to justify her being a good guy (mostly in the game marketing) despite everything else in the game clearly showing that Edelgard is the bad guy
With Bleach in that regard... you have Ichiruki
holy shit it’s so weird talking about Ichiruki i’m still lowkey nervous about talking about them lmao
With Ichiruki stans, they would cling onto outside material that promoted Ichigo and Rukia together as proof that their ship was going to be canon. Spreadsheets, calendars, poems (some of which didn’t even apply to Ichigo and Rukia’s relationship but they insisted they did anyway), novels - outside material that either wasn’t canon or didn’t pertain to Ichigo and Rukia’s relationship. They would shove it in the face of Ichihime shippers that “see, we have all this stuff for us! We ain’t starving tonight!” when the canon (note: in the manga particularly) would clearly show Ichigo and Orihime’s relationship being the one that leans romantic in multiple significant ways. They would latch onto irrelevant shit that ain’t had nothin’ to do with anything and wave around as a paragon of romance when it literally wasn’t even canon
Just fuckin’ ignoring the creators deadass
Creators and developers of 3H: Edelgard is the typical Red Emperor the only difference is Girl
Stans: that’s just a headcanon
Kubo: Ichigo and Rukia have a platonic relationship and I’ve publicly said this since 2008
Stans, now, to this day: Ichigo and Rukia were robbed
Making people reject what they’re stanning for
I’ve seen a few people express that the more they interact with the fandom and see what her stans are doing, the more they grow to dislike Edelgard despite (some) initially liking or even loving her. To put it simply, the same thing happened with Ichiruki - hell, this happened with me with Ichiruki. I can’t fuckin’ stand the ship anymore because every time I think about it I’m reminded of the absolutely rancid, disgusting things Ichiruki stans have to done to others in the fandom, and even after nearly five years after Bleach has ended I still tense up when someone says they like Ichiruki over Ichihime precisely because of the behavior of the stans, just like I side-eye people who say Edelgard is the best lord. Do they like them because they simply prefer them over the other(s) and they’re not totally fuckin’ bonkers, or are they totally fuckin’ bonkers. 
And, like, that’s not fair! I know that! But I can’t help but think that when such a loud amount of people act in such deplorable ways just because someone didn’t like a bunch of lines on paper/pixels on a screen.
To all the nice Ichiruki and Edelgard fans, hope y’all are havin’ a nice day.
Long, crazy ass explanations as to why X =/= X (and if anything actually means Y)
Teacher theory for 3H. How Edelgard totally didn’t hire Kostas to kill Dimitri and Claude and was only thwarted because Claude booked it, but how she definitely actually meant to simply scare away the teacher that was with them so that Jeritza could be pulled from his already existing position in Garreg Mach to teach one class so that Edelgard can kinda keep a sorta closer eye on exactly one of the other classes (and just do shit all about the other one I guess), because Jertiza’d be able to gleam so much from teaching a class for a few hours a day I promise 
But for Bleach, you also have one particularly infamous theory positing shit that don’t real, with enough renown to be known by a specific name, and that’s the Lust Arc = Fail essay
To explain what the essay is about, I have to set the scene up a bit. Imagine, you, with your tiny little monkey brain, are watching Bleach, and you get to the part where Main Boyo is fighting against Villain to save Girly. Other Guy is there too - this is important. Main Boyo tries his hardest to fight Villain, but is ultimately shot through the fucking chest with a laser from Villain and dies. Like, for bit actually dies. Girly breaks down, has a straight up mental breakdown because she always “knew” that Main Boyo could do anything, and now he’s been killed and is dead in front of her. She screams out Main Boyo’s name, hysterically begging him to save her and protect her because holy shit the love of her life has been brutally murdered in front of her what the fuck. But Main Boyo, from literally beyond the line of death, hears her pleas and snaps back to life as a monster, with the sentence “I MUST PROTECT” repeatedly running through his head and being the only sentence he ever says while in this form, with him fucking destroying Villain and even going so far as to directly hurt Other Guy when Other Guy tries to stop Main Boyo from utterly stomping on Villain. Girly is the only person Main Boyo does not directly hurt, and when Villain is damn sure gonna fuckin’ kick the bucket that is when Main Boyo reverts back human. Everyone is more than a little shocked at what happened, but it’s clear from how relieved Girly is when Main Boyo comes back safe and sound that while this event fundamentally will change their relationship (and it does), it is still one that is extremely strong and they won’t let it get between them (and they don’t).
Now, when looking at the summary, you, with your absolutely miniscule peanut of a brain, might come away thinking, “Hm, Main Boyo might kinda care for Girly given that he literally rose from the dead to protect her and only her and went back to normal once she was safe” and you poor fool would be oh so wrong, because actually, this is all proof that Mian Boyo doesn’t care for Girly and that Villain actually cared more for Girly than Main Boyo ever could.
Without diving too deeply into the absolute lunacy of the Lust Arc = Fail essay, that was its main premise. That Ichigo, after rising from the literal dead directly after Orihime begged and pleaded that he protect and save her and then going on to protect and save specifically her (as Uryu - Other Guy - is also a friend of Ichigo’s and got his fucking arm cut off by Monster!Ichigo), is proof against Ichihime being romantic in any way and was not, in fact, a fuckin’ giant neon flashing sign that read THESE TWO ARE GONNA GET TOGETHER. It was the dumbest shit ever, but Ichiruki stans, much like Edelstans with Teacher Theory, clung to it like white on rice. It didn’t matter how much it was utterly debunked, it didn’t matter how the base premise was stupid as fuck, they point to it as the pinnacle of meta for their respective fandoms in their respective spaces.
And all of this leads me to um... the one I’m kinda the most worried about?
Stan Behavior
Edelstans are their own unique brand of awful in that that the shit they spew is particularly... worrying (”genocide isn’t bad if they aren’t human and also they kinda deserved it” “imperialism isn’t that bad really” the mentally ill should be put down if they’re deemed ~too far gone~” among other... wonderful takes...), and their behavior is also quite shitty, harassing content creators that go against the Approved Opinions (Ghast) or forcing people to take down fanart and in general infecting nearly every Rhea space with all kinds of disparaging comments no one asked for. They actively make the fandom a worse space, and when they flare up it’s almost always noticeable (again, Ghast)
Bleach?
Oh boy.
Guys. If you weren’t there for the Canonization of Ichihime (2016). You dodged a fucking bullet.
The outrage was out-fuckin’-rageous. Their behavior was some of the worst reactions anyone has ever seen come from the canonization of a ship in a shounen. This includes, but is not limited to:
Someone tearing apart all 70+ volumes of Bleach and burning it in their bathroom
In fact, multiple people tearing up Bleach and burning it, while keeping the Ichiruki moments and taping it to their walls
A Rukia cosplayer, in Rukia cosplay, printing out the final color spread of the end-game couples and their friends lounging about - with colored ink and all - and burning it, while filming herself doing so
Ichiruki porn being sent to Tite Kubo
Tite Kubo being accused of grooming a 15 Orihime cosplayer with no proof
Tite Kubo being accused of lying about his various health issues
Ichigo and Rukia being drawn cheating on their spouses with each other - and some of that also being sent to Tite Kubo
Tite Kubo being chased off Twitter by Ichiruki stans... again
Ichihime shippers getting sent death threats
Ichihime shippers getting called delusional for thinking their ship had a chance before the endgame couples were revealed, and then being called delusional for thinking their ship had any real basis and wasn’t pulled “out of nowhere”
Tite Kubo being accused of hating women because of Orihime being shown in an apron in the last chapter and Ichiruki stans jumping to the conclusion she became a housewife, and then Tite Kubo being accused of hating women because when it was revealed that Orihime has a job in a bakery to pay for college later they insisted what Kubo should have done was have Uryu, who’s a doctor at that point, pay for Orihime’s college instead of having Orihime pay for it with her own money 
And mind you, this is only the stuff I’ve personally seen and experienced
I am hoping and praying that Edelstans never get as bad as Ichiruki stans did in 2016, but with how otherwise similar they are my hopes are dwindling more and more. I guess I can take solace in the fact that they aren’t quite... that bad yet? In terms of actions, at least? Their sentiments though are infinitely worse, so like... cool
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firelxdykatara · 3 years
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not gonna lie I would love to hear more about the drama and infighting that went on in The Vampire Diaries fandom if you have the time (and also want to use that time to give your experience with the fandom, which from the snippets you've told sounds Not Fun so I get it if you don't want to lol)
oh god, there was like, SO MUCH, i just
i really feel like tvd is one of those fandoms that is so hard to describe without a lot of ‘you’d have to have been there’, but it really felt like this huge and all-consuming beast for about five years until the show finally imploded and the fandom basically turned on it en masse. (you ever see that post going around that’s like ‘if you ever want to know what true regret feels like, ask someone who once called tvd their favorite show’? still a mood, all these years later. basically the entire fandom thought the show should have just bowed out with whatever shreds of dignity it had left at the end of season 6, and became more of a hatedom than a fandom for the last two seasons. when you have an entire fandom cheering news of your show’s cancellation, i think that’s a sign you done fucked up, julie.)
first and most infamous, of course, are the ship wars. which are pretty much inevitable in any teen-centered drama, and i really think the CW fucking thrives on them, but it was particularly egregious in TVD’s case because not only was the base premise of the show a love triangle, but the two main romantic leads were brothers that the show constantly pit against one another--in pursuit of elena’s affections, but also because it kept up this insistence on the ‘good brother/bad brother’ dichotomy which stopped making sense after about season 2 (by which time we have found out that the good brother was never as good as he appeared, and the bad brother has been growing and isn’t nearly as bad as he pretends to be)--and the question of which brother ‘deserved’ elena (and no, what elena wanted very rarely factored into these discussions, especially in the team stefan camp because they turned on her when what she wanted was no longer The Good Brother, but i’ll get to that in a bit) was hotly contested.
i’m not kidding when i say the shipping wars were vicious. i started watching tvd shortly after it began to air, which was late 2009, and kept up with it fairly sporadically over the years. i didn’t come onto tumblr until 2011/2012, and by then, the fandom was already pretty much a garbagefire. there were anti ship and anti character blogs, any time something bad happened for one ship the rival ship would invade the tags to gloat about it (seasons 3 and 4 were especially rough, and i’m not gonna pretend delena fans weren’t just as bad about tag invasion and shit, but as that was my side of the road i saw a lot more of the stelena shippers being assholes, which soured my opinion on the ship a long time before i started rewatching and realized the red flags were there from the start), confessions blogs were popular also toxic as fuck (so much fighting happened in the notes of those posts, good gods), and this was right around when twitter’s popularity was on the rise and the line between Celebrity and Fan was thinning, so the fandom was absolutely atrocious to much of the tvd cast and crew.
(some of them deserved a lot of the later backlash, but in the early years a lot of it was ‘how dare you write the story in a way i dont like, you terrible fucking person’, and gods don’t get me started on the dobsley vs nian Thing)
i think what really encapsulates my feelings on the tvd fandom as a whole, though, is the way they (to this DAY) treated elena gilbert, which can be summed up in one meme that gained a lot of traction around season 3 if i remember right: that gif of pam from true blood, with the text altered to read “i’m so OVER elena and her precious doppelganger vagina!”
i swear at one time i had over half the active tvd fan accounts on tumblr blocked, because i got to a point where i would no longer tolerate elena hate, and she was (and still is, in what remains of the fandom; you’ll see a lot of ‘elena was one of the worst things about the show’ takes from ex-fans, too) one of the most widely despised characters in the entire fandom. because she -checks smudged writing on hand- was a traumatized teenage girl who -reads off a crumpled notecard- couldn’t always perfectly sort out her own feelings and -squints at the ceiling- sometimes made mistakes or bad decisions. (except a lot of the fandom also insisted that she was a mary sue who had no character traits or flaws or faults and it was like....make up your fucking minds???? is she a calculating conniving bitch whose somehow manipulating these centuries old vampires to tie them around her little finger or is she a boring flat character with no depth and no flaws??? jfc)
there was this massive double standard, too--like, stefan and damon could fuck whoever they wanted and that was fine, but elena was constantly raked over the coals for the crime of developing romantic feelings for the two men who had become constants in her life and whom she cared for deeply, and oh my GOD the slut shaming that happened when elena slept with damon was fucking wild. (and also happened in canon lmfao. like the show had one of elena’s best friends basically call her diseased on screen for falling in love with someone other than stefan. it was gross and ridiculous and the friend in question was also being a giant hypocrite at the time since she was happily flirting with someone who was directly responsible for the deaths of like four of elena’s loved ones and her own boyfriend’s mother but that’s beside the point) but like elena was called a slut and a bitch and a whore for ‘cheating’ on stefan (she hadn’t, and she had in fact broken up with him on screen the episode earlier) and ‘immediately’ jumping into bed with damon, even though none of them said fucking boo when stefan had one night stands or damon had fuckbuddies or whatever.
shit, caroline didn’t get any of this treatment when she started falling for tyler while dating matt! which isn’t to say i think she should have, just that i think it’s fucking ridiculous that elena was absolutely demonized by the fandom for daring to have feelings for two guys at once and eventually acting on them--despite the fact that the entire premise of the show was a love triangle. it’s not a love triangle if both sides don’t eventually get explored, and the crew had been pretty explicit about the fact that delena was going to happen at some point--but when it did, a huge chunk of the fandom absolutely threw a fit.
and a lot of these elena haters were alleged stelena stans, and i say alleged because they hated her so much for not wanting stefan’s dick anymore that it was clear they were really stefan stans and only wanted stelena to be endgame because they wanted stefan to ‘win’ at the end of the day, because ‘he’s the good brother’ so he deserved elena more.
it was all very gross and very misogynistic and very sex shaming (apparently delena was a ‘shallow’ and ‘superficial’ relationship because they had sex after two years of unrequited feelings slowly becoming requited and then pining for ages on both sides, and because they had a lot of on screen chemistry that the show capitalized on for years so of course they did a lot of making out and shit but it’s not like stelena didn’t have its fair share of making out and sex scenes, stefan was just too much of a coward to let elena top i’d apologize for that joke but i’m really not sorry because it’s true), and when i say it was egged on by the crew, that’s because they refused to let the love triangle die back in season 4 when it should have.
they insisted on stringing stelena fans along, dropping little bread crumbs to keep them invested, like dreams of a future where they were married and revealing that stefan was also a doppelganger and he and elena were descended from a pair of star-crossed lovers (a plot that ultimately went nowhere, to no one’s great surprise), and then fucking like. julie plec turned around and threw nina under the bus after she chose not to extend her contract and pretended that stelena might have happened again if she hadn’t left the show, which....i mean frankly i wouldn’t put it past her, but it would have been shitty writing. then again, she thought having a vampire pregnancy where a uterus was magically transplanted from a witch into a vampire that could somehow......carry the babies to term.... made sense and was a good way to accomodate candice’s RL pregnancy rather than like literally ANYTHING else, soooooo. but anyway julie saying that around like, end of s6 sparked off a new wave of nina hate and elena hate and ship wars bc they SEers took it as ‘confirmation’ that stelena was REALLY meant to be endgame and it was all just a hot fucking mess
another thing is that, while tvd was in its prime before the anti/purity culture shit started picking up any real steam, there was still this pervasive attitude throughout the fandom that if you liked Damon, you were A Bad Person. liking damon was apparently grounds for insults and harassment, and apparently he was The Worst Person on the Show even though literally nothing he does on screen is any worse than shit we know stefan has done (and frankly every other vampire too, but i mention stefan specifically because he was always held up--in the show but especially in the fandom--as the Good Brother while damon was the Bad One, and if you liked damon more then that had to mean your morals were dodgy and you clearly couldn’t appreciate what a heroic and saintly figure dear stefan was and....oops, i’m sorry, my salt keeps leaking -cough-).
meanwhile klaus quickly became a fandom darling despite not even really having much of a redemption arc (on tvd anyway, he just became more ‘affably evil’ as the show went on and more inclined to work with the main characters rather than try to kill them; i have no idea what went on over on his show, though), and like i can 100% appreciate liking villains and not caring that they do dodgy villainous shit, even just liking them bc they’re hot and wanting them to kiss a main character bc they have insanely good chemistry (yes i ship klaroline, no i won’t apologize for it, they could have been Really Great), it’s just really the double standard that gets me.
and all of this, incidentally, required ignoring some truly gross shit stefan was responsible for wrt his relationship with elena, that frankly it has always bothered me never really got addressed in the show. i get why elena herself would never be able to actually call him on it, but the fact is that he stalked her for months after he first saw her and thought she was katherine (meanwhile it only took damon .5 seconds to realize she was someone else entirely, but that’s another topic entirely), and then he deliberately inserted himself into her life because, in his words, ‘i have to know her’. he never gave a thought to how his presence in her life might affect her (or rather, he did, and tormented himself about it in his internal monologue, but never let this actually dissuade him from disrupting her life), and elena would wind up blaming herself for every tragedy that befell her friends and loved ones as a result of getting mixed up in vampire bullshit even though none of it was her fault--she literally blamed herself for existing but most of the fandom didn’t give a fuck about that lmfao--and stefan did shit like find out that she was adopted and then withhold this information from her until she got pissed about another secret he was keeping (her resemblence to katherine) and drop it on her to try and distract her from her very reasonable anger, and like... i should stop before this becomes a whole rant about how much i hate stefan fucking salvatore, but the point is, he did a lot of really sketchy shit he never answered for and elena never really took him to task for, and the fandom just kept eating up his insistence that he was the Good Brother and therefore he deserved to have elena, and if she didn’t want him anymore it was because she was a heinous bitch who didn’t deserve him.
uh.....i think i got off track there. and there’s probably a lot of shit i missed, like i think i was incandescent with rage for most of seasons 5 and 6 so i missed a lot of the interfandom shit cause i was too busy being increasingly pissed off at the show itself, but if nothing else this should give you an idea of how much of a goddamn cesspit the fandom was while the show as in its prime. there’s a reason both the show and the fandom have such a lousy reputation lmfao.
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halfwayinlight · 3 years
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Title: Stay A Little Longer Part 1/2 Fandom Star Trek TNG Rating: PG Pairing:  Will Riker/Deanna Troi Notes:  follow up to Star Trek TNG season 6 episode Frame of Mind, aftermath of Will’s ordeal. Gratuitous hurt/comfort fic for @cleverdistraction I think it will be a 2 parter
Deanna knew that he wasn’t cleared to return to work, yet. She was sure he hadn’t even finished half of his report. Might not have even begun it. Will certainly hadn’t been cleared by his psych evaluation because she was the person who had to do that. But she was surprised to find that he was still in sickbay.
She hated sickbay. It was one of her very least favorite places to be because emotions were always heightened. Raw. And she could sense the anxiety and a deep, underlying exhaustion emanating from Will Riker before she even stepped out of the turbo lift. She used the corridor to plex and made a more conscious effort to shield herself from the spike of distress.
Walking into an ICU that was empty except for one ensign checking the bio beds was a relief. She hadn’t expected to see Will there, but it was still a relief to have as few crew and no injured or sick patients. But she could still sense that his distress was not easing any time soon. Deanna winced at the flare of emotion and paused.
She’d intended to speak to Beverly first, but her concern and the immediacy of it drew her to the private room. “Will?” she asked, pressing the quiet chime so she didn’t take him by surprise. But when there was no answer, she entered.
The Enterprise’s First Officer was sitting on the floor, his back against the bulkhead, knees bent and feet on the floor.  His hair was a mess, and the dark circles under his eyes were only darker. His hand rubbed over his beard, and he gave a sigh. “Sorry,” he mumbled, head falling back to rest against the wall behind him.
“May I sit with you?” she asked, wanting to move immediately to him but recognizing the signs of post-traumatic stress. So she chose to stand where she was, angled slightly in an automatic positioning that gave her access to the door but also to step aside in case the person she was working with became volatile.
“Yeah,” he rasped, rubbing his eyes and sighing.
Deanna moved slowly across the small room and eased herself down, leaving a foot between them so as not to crowd him. “Will,” she stared quietly, “Can you tell me about how you’re doing?”
He stretched his legs out, grimacing a little, which told her that he had been sitting with his legs tucked in for too long. “I’d really like to sleep,” came his quiet reply, suddenly preoccupied with the floor and his fingers toying with the edge of a non-descript top that sickbay kept on hand.
Despite all her training, she still had to fight the urge not to rush to ask the next question. Deanna let the quiet linger and took a moment to focus on her own breathing to retain the calm in the room. “I’m sure it would help you feel better.”
He nodded and started to say something but close his mouth and swallowed. “I know I give you hell about it, but who can relax here?”
It wasn’t, exactly, a rhetorical question. Sickbay was not designed to be relaxing. Generally if crew were here, it was serious. The very rumpled bed told her that very little, if any, sleep had happened last night. The blanket was a crumpled pile at one end, and the pillow had clearly been through it.  He needed sleep. Desperately. And the plate at the small table was barely touched, telling her that he hadn’t had much of an appetite this morning, either. “Did Beverly tell you how long you need to stay?”
A shrug was his reply. “She wanted to monitor me tonight. Her shift hasn’t started, yet.”
Deanna took in this news. She had hurried down to sickbay this morning, and alpha shift wasn’t quite beginning. “I know you’re very tired, but can you tell me about last night?”
He shifted slightly and peered down at her before taking a few breaths. “I tore down the set last night. The play was over… it needed to come down anyway. It… it felt good.” He rolled his shoulders, and it didn’t escape Deanna’s notice that his right foot was suddenly restless, despite Will’s attempts to keep his hands still by clasping them together. “Beverly stayed and helped me drag some of it to the reclaimator.  And then she said she wanted me to go back here for observation. It… seemed like a good idea at the time.”
She wanted to turn to face him more directly, but vast experience with Will had taught her that he was more relaxed when they sat side by side. “Now—”
“But—” he had paused long enough that she didn’t think he was going to continue. But now they were talking at the same time.
Go on, she nudged gently.
Will sighed and shrugged, running a hand through his hair. “I don’t really remember what I was going to say.”
“You said it seemed like a good idea at the time.”
“They ran scans, everything seems normal… But it doesn’t always feel real. Everything felt real. I told you about that… And I felt too restless to sleep much. I’d say it’s stupid, but I know you’d say—”
“Your feelings aren’t stupid, they’re real,” she said quietly in unison with him. Deanna offered a small, affectionate smile. “Will, I don’t think staying here is helping you.”
“I agree with the counselor.” They both blinked up in surprise to see Dr. Beverly Crusher standing in the doorway. She moved into the small room and perched on the abandoned bed. “And I should’ve realized that last night, Will. I’m sorry.”
He tried to shrug it off with a chuckle, but the smile and laugh weren’t there. “So I’m getting evicted.”
“I’m releasing you into Deanna’s care,” Beverly clarified. “I want to give you a boost first, and either  of you should call me if anything comes up. But given what you went through, I think this room is too clinical for you to rest.”
Deanna stood and offered her hand to him. “Please, Will.” It took all her energy to project the warmth and comfort. She moved forward slowly, giving him time to be aware of her movements until fingers brushed through his thick but soft locks of hair. Fingers soothed and stroked, and she cupped his cheek. Imzadi? Can you trust me? She implored.
He finally gave a nod, then took the hand in his. Although she pulled lightly, it was mostly Will who pushed himself up and straightened, taking a moment to get his bearings and balance. Deanna led him to the bed to sit long enough for Beverly to give him a hypo and orders to get eat, to rest, and to let her know if she needed to make a house call. Her eyes met Deanna’s for a long moment, enough to impress the point even if they didn’t communicate telepathically.
And then Deanna was urging him up again. Her hand wrapped around his arm like it often did when she sought him at receptions and other formal events. They had lived this walk way too many times to count. One leading the other out of sickbay. It didn’t even garner attention from the rest of the medical staff, who were busy with reports and labs. Deanna was grateful for the very normal day going on around them.
Good. The more normalcy that they could have, the better for both her and for Will. It wasn’t a magical solution, but as they gained the turbo lift, Deanna could feel the edge of his anxiety easing a bit more. “Deck nine,” she called as the doors slid shut, giving them privacy. Her hand slid to his, the other hand coming to meet it and giving it a gentle pulse as she leaned against him, offering her physical presence. When they finally gained their deck, it was empty, so Deanna laced her fingers through his and led him down the corridor.
She’d considered for long moments which cabin to go to—hers or his. They were nearly identical. They were equally comfortable with either. But she settled on his and continued on until reaching his door. His fingers twitched slightly, subconsciously tightening his hold on her hand. She made a mental note as the door slid shut. Home again.
Turning slightly to face him, Deanna gave him several long moments to absorb the familiar surroundings. From the little bit he had shared, it didn’t seem like this room had factored into his experience. But the intense emotion left her as breathless as he was for long moments. “C’mere,” she coaxed, guiding him as the first cry broke out. I’m right here with you, she sent him.
She took a seat on the sofa and used one hand on his arm to guide him down. “Let it out, Will,” she encouraged, knowing he needed the release. He was being swept away in the immediacy of the emotions and didn’t really seem to notice much more as she eased his head into his lap. Her left hand stroked through his hair, right arm wrapping around his chest and giving as much pressure as she could in hopes of grounding him to the moment.
The ache was intense, and Deanna knew she would be spending some time mediating later to let go of the residual emotions pouring out of him. But for now, she was simply here and present with him. “You’re here with me. We’re on the Enterprise. And you’re safe,” she murmured, offering soft but steady reassurances.
Minutes ticked by, and Will’s emotions ebbed and he shuddered before going lax and letting both the sofa and Deanna support his weight. “That was awful,” he breathed against her thigh.
“I know,” she agreed, rubbing his upper arm for a long moment before gently wiping moisture from his cheeks. “I know,” Deanna echoed again, “Don’t you dare apologize for that. You’ve been through a very difficult and traumatic experience.”  Her hands continued to move and offer soft words, her mind pressing gently at his. She was pleased when he gave a soft sound of contentment and opened a bit to her thoughts against his.
Deanna took her time thinking back through calmer times between them. Walks in the gardens at Betazed. Late night conversations in their own quarters. Drinks in Ten Forward. Dances shared. Dinners. Desserts. Late night walks on the decks. The warmest moments between them.
“In a little bit,” she said quietly, “you’ll need to drink something. Beverly will have my head if I let you get dehydrated. And maybe you’ll feel like eating something.” She could sense the weariness and exhaustion starting to tip toward something that might be sleepiness but there was a hesitation to it as well. “What’s stopping you from letting yourself fall asleep?”
He was still, enough that if she didn’t know him so well, she might have thought he was asleep. “The thought I might open up my eyes and be somewhere else again when I open them,” came his hollow reply, words a little muddled with congestion from his crying session. “I know it’s not sustainable for an officer.”
“For a person,” she countered.
“Want to stay here right now,” he breathed. His eyes, red and swollen from tears, slipped shut, and his breath hitched for a moment before evening out a bit more. Could you stay a little longer?
“I’ll be here,” she assured, hand flattening against his shoulders and rubbing in slow circles. “I’m staying with you.” She leaned down and pressed a warm kiss into his hair, continuing to offer soothing touches even as her own eyes slid shut, and she let herself drop into meditation as Will’s body gave way to the last of his tension, and she sensed his mind drift into slumber.
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awkwardtaco056 · 4 years
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so now that i’m no longer in the Hell that was school and after finding the lovely blog @endcringe i’ve decided to talk about my own experiences with cringe culture, bullying, and why it’s Really Bad to not let people enjoy inherently harmless things, especially neurodivergent people (read more because this is gonna get long and triggering at times, TW for mentions of bullying, suicide, child abuse, a brief mention of incest shipping. I won’t be naming any of the peers that I discuss my experiences with, because my point with this post is Not to “cancel” anyone, I just want to speak out on my experiences)
I’m neurodivergent; I was diagnosed with ADHD when I was 8 years old. I didn’t know a lot about it, and a family member even painted it as “oh it’s nothing blah blah blah just apply yourself more. Because of this, I had no idea about the concept of hyperfixations until I was in my late teens. Due to that, I would obsess over random things and my family would shame me relentlessly for it. My mother said I had an “addictive personality” and that she feared I’d end up a drug addict or alcoholic because of it.
I look younger than what I am, I’m short, and small. AKA, the perfect candidate for being picked on by people bigger and stronger than me. People made fun of my art when I was around 13, but fortunately that was an instance where spite fueled me to improve drastically. However, just because I happened to take the shitty comments and have it fuel me then does NOT mean bullying people will have that effect all the time. At some point someone put my old South Park fan art on a cringe blog. I was temporarily hurt, and a little angry, but I realized that if someone was making fun of a 15 year old’s art, they probably didn’t have much going for them in life, so I moved on.
Fast forward to high school. Everything was horrible and I’m not exaggerating when I say I barely made it out alive. I was living in an abusive household up until January 2018 and I found comfort in many different interests. I’ve always found great comfort in music and the arts in general. In 2016, I drew a picture of a mermaid. I was inspired by the chocolate opal gemstone, and I thought it’d be fun to draw a gay chubby mermaid with dark skin and a rainbow tail and freckles. Junior year was lousy and I wanted something that sparked Joy. I was immediately told that “scientifically, mermaids wouldn’t look like that. Mind you, my take looked like this:
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Obviously I wasn’t going for realism, I just wanted to draw a cute mermaid. However, they continued to tell me that they wouldn’t look like that, going as far as writing so on the back of said drawing. When I got angry at her for taking it too far (as I’d established before that I didn’t like it when people wrote on my art without permission), they got angry back, accusing me of being unable to take criticism. Heated by the accusation, I went as far as asking my art teacher if it was fair for them to say that, and she said no, stating that constructive criticism would be talking about how I could improve my lineart and coloring in the digital version. I took her actual helpful criticism and since then have improved Drastically in digital art. Even with that being said, I found myself hesitant to participate in things such as MerMay because I was leery of hearing that peer berate me for having cartoony mermaids. 
 During high school I grew to love many musicians, a lot of emo/alternative stuff, a couple being Twenty One Pilots and Melanie Martinez. I love how unique TOP’s style is, their open discussion of mental illness, and as someone who had a rough childhood, I connected with every single song on Cry Baby. It was like nothing I’d ever heard. I started listening to mashups featuring all these different artists I love, adoring how they could change the tone and sound so drastically. A peer Bully of mine in junior year condemned these two artists, declaring that they made “Bad Music” simply because it didn’t fit their tastes. They’d throw my drawings on the ground, write over them in pen, steal my headphones so I couldn’t listen to music, push me around, complain that mashups sucked and gave them a headache, and in general shit all over conetnt that was actively preventing me from committing suicide. 
Some family members were no better. Once high school hit, I began listening to Fall Out Boy, Panic! at the Disco, and My Chemical Romance. Their deep complex lyrics stuck with me. I would write down quotes from my favorite songs and thanks to hyperfixating, I remember each studio album in order My mother resented when I fell in love with the “Emo Trinity” because “the Columbine  shooters were emo and that event traumatized me” Despite that, not only did the Columbine tragedy occur in 1999 and none of the bands got together until the early 2000s, but I have a pretty good feeling those groups aren’t For gun violence. The other side constantly criticized the fact that I love FOB, P!ATD, and MCR because I’m black and “why must you listen to that white people music.”
 I grew fond of Dan and Phil in high school (and I’m still a fan to this day!), I loved Phil’s kindness and positive aura and I deeply connect with Dan’s sense of humor and personality. Their content made me happy during some very dark times in my life. It’s November 2017, I’m over a close peer’s house at the time, and notice PINOF is upon us. I drew the PINOF whiskers on my face, my plan being to quietly watch them in the corner of peer’s bedroom on my phone through headphones, the others were doing their own thing and I knew they didn’t like them, so I thought they’d respect it if I silently indulged in it. Unfortunately, the complete opposite happened. I was immediately shunned and locked out of the bedroom, told that I’d only be let back in if I washed the whiskers off because “absolutely not”. Me, being stubborn, washed them off temporarily but drew them back on in the room. Life during then was especially bad for me, as the abusive household I was in was getting worse. They noticed, of course, and even though all I wanted was to enjoy this small tradition in a time during a deep depression, I was immediately shoved out the room and locked out, only to have said peer’s family members notice. I’m a relatively shy person, so this was honesty a really harrowing experience that had a lasting effect on me. 
I grew to adore Sanders Sides as well, but the moment I found out most of my peers didn’t like Thomas, I was terrified.  I stopped watching Dan and Phil’s content for months and shied away from other fandoms too, only occasionally indulging in times of complete solitude. One time when said peers were due to visit my house for the first time, I saw the Phandom and Fander stuff I’d hung up on my wall in my little sanctuary that was my bedroom (it was the first time in years I’d had my own room), and I was filled with panic and fear. I took them down and hid them away, genuinely terrified of what they’d do to me if they saw. It’s still incites so much anger in me to this day because they turned around and ended up shipping incest, but somehow liking D&P and Sanders Sides was So. Much. Worse.
They were baffled by my actions, despite having humiliated me Twice by going on a private blog of mine separate from everything so that I could fully indulge and laughing at everything on there, once at a peer’s house, once right in school. I don’t think they realized how traumatizing it was to have a large group of people in public laughing at something I was deeply self conscious about for all of my life. I put on a brave face at the time, but ended up crying in the bathroom after first period began. I continued to be treated as lesser until things came to an ugly head August 2018 when I ended up in the hospital because I nearly attempted suicide. Years of child abuse, bullying, and being deemed “cringy” made me feel like I didn’t deserve to be alive, that everyone would be happier if I were gone.
After arguably one of the lowest points in my life, I cut them off and slowly began to embrace the Real Me. I started letting myself enjoy the things again, made true friends and even found love, my first boyfriend ever at 18. I still get choked up retelling it, but when PINOF 10 dropped, after he found out how much I’d been hurt over the incident in 2017, I was greeted with a photo of him with the whiskers on his face. I cried for a while, blown away at such a pure act of kindness. He listens to me ramble about my interests, he compliments my taste in music, he watched K-12 with me. 
This got incredibly long, but my point is this: Cringe Culture hurts people. You might think it’s whatever if the Thing doesn’t apply to your interests, but content you’re denouncing as cringy could be something that’s keeping them alive, that one flicker of light in a void of darkness. When I was contemplating suicide, I listened to The Black Parade, repeating Gee’s words to myself over and over, that nothing in the world was worth hurting yourself over. Some friendly joshing here and there is okay, but actively ripping someone to shreds constantly to the point where they have a mental breakdown in front of you and later on plan their own demise is disgusting. Nobody should abuse anyone for having harmless interests, no one. Unless you’re participating in p*dophilic/inc*st/s*xual assault/inherently abusive ships/content and pretending it’s not bad because “Fiction doesn’t impact reality!”, you have every right to like what you like and be happy. Read homestuck. Play Undertale. Draw up the Wildest OCs you can imagine. And stay away from people who try to rob you of innocent fun, life is too short and in this cruel, unforgiving world, you deserve to be happy, whether you’re a 13 year old who draws cute furries, a 16 year old cosplayer on TikTok, a VSCO girl, a 30 year old who writes/draws self insert art or a 20 year old who adores Invader Zim. 
Cringe Culture is just bullying under a different name, and it can lead to many instances of people, especially fellow neurodivergent folk to feel isolated and ostracized. Attempting to bully someone out of an interest they have isn’t going to fix them; it’s more often than not going to cause more damage. I suffer from diagnosed C-PTSD, anxiety, and depression, and sometimes I still find myself trying to over-justify my interests. To all who are roped up in bad homes and lousy “friends” who berate you for your innocent passions, I’m sorry you’re suffering, things will one day get better even if it doesn’t feel like it, and fuck those people. I’d also like to note that sometimes even if it seems more terrifying, it’s better to have one or two close friends you can truly trust than a whole group that walks all over you. You have every right to call them out for treating you poorly, and if things don’t improve, you also have every right to leave.
You have a right to live your True Self.
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mrslittletall · 5 years
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Title: Keeping it together (Chapter 15) Fandom: Dark Souls Characters: Dragon Slayer Ornstein, Lord's Blade Ciaran, Dusk of Oolacile, Great Grey Wolf Sif, Artorias the Abysswalker Word Count: 2.601 AO3-Link: https://archiveofourown.org/works/16328084/chapters/41647877 Previous chapter: https://mrslittletall.tumblr.com/post/182428199914/title-keeping-it-together-chapter-14
Summary: Ornstein spends his last day in Oolacile.
(Author's note: Oh wow, I managed to sit down and write this chapter in around two hours! I am amazed. How did I do that? I hope you enjoy ^^)
As soon as Ornstein had set foot into the mansion, he got greeted by Dusk and her maidens. He politely refused when asked if he wanted some dinner, his stomach still feeling upset from the events of the day. Instead, he decided to listen to the requests of Dusk's maiden and told them some stories about the dragon war. It certainly helped him to get his mind off Artorias and the beast he had seen in the chasm. While he was spending time with the maidens, he could see that Dusk sat a bit away of them, staring into nothingness. After a while, she stood up and went into the garden. Ornstein excused himself to follow the princess.
She was sitting in the grass, staring at the moon high up in the sky. Ornstein joined her, raising his head to stare in the moon likewise, saying: “They are watching over us, you know?”
Dusk winced, as if she hadn't even noticed that he had been there. “Who?”, she asked.
“Dark Sun Gwyndolin, our current lord of Anor Londo.”, Ornstein answered. “They are doing their very best, following the footsteps of their father and sister.” Inwardly, Ornstein knew that Gwyndolin desperately wished for their siblings to return, especially his master, who had been banished a long time ago.
“Oh, yes, I don't doubt that...”, Dusk said. “I am just worried what will happen to Oolacile now.”
Ornstein stayed silent for a good while, glancing at the princess for a bit, before he finally spoke: “...I can ask Anor Londo to send you supplies to help rebuild your kingdom.”
“That is a gracious offer, but...”, Dusk folded her hands in her laps and lowered her head. “I fear that it might be too late for Oolacile...”
“Princess Dusk, and that after all Artorias has done for you.”, Ornstein nearly shouted. Strange, did he already became used to that lie? It had come so easily over his lips. “Do you already want to give up?”
Dusk raised her head again, tears staining her face. “...No...”, she said, “I know I have to at least try... but when I see how many citizens are still alive... and when I look at the state of the township... We have been lucky that the mansion still stands. I wanted to open it up for the townsfolk, but Elizabeth said it would be better for me to not having to care for their needs right now, after this traumatic experience... But shouldn't I be with my folk right now? I feel like I lost my right to be their leader...”
Dusk started to sob into her gloves and it soon turned into wailing. Ornstein didn't feel like the right person to comfort her. Seeing the princess like this reminded Ornstein to much of himself, of the breakdowns he faced when it got all too much for him. He felt that he should do something or say something, but he didn't know what. He never had been the comforting type. That always had been Artorias' job. That was, when he remembered Gough's word.
“Princess.”, he started. “A friend recently told me that it is alright to feel weak once in a while. That you don't have to face it all alone. I am sure when you talk to your folk, you can figure a solution. I will make sure that Anor Londo is behind you.”
Dusk sobs slowly ceased. She rummaged for a while and then wiped her tears with a handkerchief as white as her gown. “Thank you.”, she said. “Thank you for not judging me.”
“You are welcome.”, Ornstein said, staring back into the sky. Tomorrow he would return to Anor Londo and he shivered a bit thinking about all the work that would await him after his absence. And then he had to explain Artorias' death to his silver knights, if Gwyndolin hadn't already done it. At least with Ciaran at his side, he was sure to manage the work load quickly and be able to return to his usual duties in a flash.
“I hope my maidens didn't bother you.”, came the voice of Dusk all of a sudden. “They just try to distract themselves. They have been a few of the lucky ones, but some of their relatives haven't been so lucky... I think they try to be so upbeat and jolly for my sake. But that still doesn't excuse their flirty behaviour. So, take my apologies at their behalf.”
“Oh, don't worry, princess, I am perfectly used to it.”, Ornstein answered to the Dusk's monologue. “Our Lord Gwyn used to throw a lot of feasts and the woman would naturally flock around me and Artorias. I just... never had any interest in them, that is all.”
“Are you into...”, Dusk asked.
“Yes.”, Ornstein answered before she could finish the sentence, lowering his head.
“I am glad.”, Dusk said. “Cause for me, it was the same. All these princes gathering around me, wanting me to be their queen, while I just wanted to reign with another princess at my side.”
Ornstein looked at her and despite having his helmet on, he had to smile at Dusk when she smiled at him when they shared this moment of solidarity.
“It is late, we should head to bed.”, Dusk said and stood up. “You have to return to Anor Londo tomorrow and probably should get up early.”
Ornstein nodded: “You are right. Let me just escort you back inside.”
“These few steps? You are a true knight.”, Dusk chuckled, but allowed Ornstein to walk back in with her.
“Have a good night, Sir Ornstein.”, she said once inside. Ornstein watched her departing to her room, joined by her maiden's and turned around to go to the guest room he occupied, his body seemed to be very eager to get some sleep.
Ornstein found Artorias sitting leaned against a tree in the forest. The wolf knight looked so peaceful in this scenario, as if he was at ease with himself.
“There you are.”, Ornstein said. “I was wondering where you went.”
“Hm? Oh, Ornstein, why don't you join me?”, Artorias said upon noticing the dragon slayer.
“Joining you in what?”
“Being one with nature. Sometimes I just need a break from all the fighting. Spending time in the forest, listening to all the noises, watching the animals, is perfect for this.” A wide grin adorned Artorias' face. “Why don't you try it for yourself? You are always so tense.”
“It is hard to not worry when my master's and my lord's fights are getting worse and worse lately.”, Ornstein said, sitting down next to Artorias, laying his spear horizontally over his legs. “And what now?”
“Close your eyes and just listen. Let your mind be washed away.”
Ornstein did as he was told. At first he didn't notice much, but after a while, he understood what Artorias wanted to show him. The forest around them was brimming with life, he could hear all these little noises, from the small animals, the birds, the bugs, the rustling of the wind in the leaves, even Artorias' breathing. And it made him feel calm, as if nothing bad could happen anymore.
“Huh, fascinating.”, the dragon slayer said upon opening his eyes.
“I know, right? I normally come here before we have to go back into battle. To unwind a bit. I mean, every fight could be our last.”
Ornstein felt a pang in his chest. He knew that. He knew that one of them could fall in battle any given time. But he didn't want to think about this yet.
“Don't worry, Artorias.”, he said instead. “I will make sure to come to your aid when you are in trouble. No dragon will be able to get you.”
“...But Ornstein, you didn't come to my aid...”
Huh? That was strange. Ornstein slowly turned his head to look into Artorias' face only to see that his hood was filled with black tar, as if he was melting.
“You left me all alone in this abyss, against this beast...”
Ornstein started to shiver. “No, stop...”, he said between clenched teeth. “I trusted you. I knew you would be able to do it.”
“But I didn't... and you weren't there. Weren't there to help me. Weren't there to stop me. You left me all alone... I even had to die alone, killed by the hands of a stranger...”
“Stop it, please...”, Ornstein said, rattling so much that he could feel it to his very core as he saw the darkness engulf Artorias, a horrible set of glowing red eyes opening around him.
Ornstein jerked up in his bed, making a dash outside, but wasn't able to make it to the outhouse anymore. Whatever he managed to puke out, what wasn't much anymore, felt like it was bile only. It made his throat burn. That dream had been... scary. Now that he thought about it, the first part had been a memory. It just had... changed after Ornstein had said to Artorias that he would always come to his aid. He remembered that Artorias had given the promise right back to him, but that has been such a long time ago.
Now Ornstein was on his knees in some flowerbed, shivering, long red messy hair dragging on the ground, his night shirt wet from sweat, staring at a puddle of bile, unable to get up, with a nightmare still fresh in his mind.
It felt like a good hour had passed before Ornstein felt able to get up. Luckily nobody had been out there at this time of night, he didn't knew how he would have reacted had someone seen him like this. He returned to his room and searched his belongings for a fresh night shirt only to discover that he was wearing his last clean one. Oh, fantastic, now he had to sleep in the nudes, a thing he hadn't done anymore when the master left, but he really didn't want to keep that wet thing on. He got rid of the night shirt and cuddled back into the blankets, closing his eyes, only to discover that he couldn't fell asleep anymore. The nightmare was still haunting him. That red eyes... they had belonged to the beast. Had it been a mistake to come to the chasm? He tossed and turned for a while before giving up and just stared at the ceiling, then realizing how thirsty he was and downing the jar of water at his night stand far too quick and almost forget to put on some clothes when he had to go to the outhouse because of it.
After he was done, Ornstein decided that he could very well stay up now. He went back to the room and packed his things together, although very slowly, with a lot of breaks in between when his legs felt like failing him. He was in the process of packing the drawings he had made, when his gaze fell upon that unfinished one of Ciaran praying in front of the make-shift grave. Did she still sit next to Artorias' proper grave? He hadn't seen her return to the mansion... He should ask Princess Dusk about this once she woke up.
With nothing better to do, Ornstein decided to finish the drawing of Ciaran. He didn't need any reference, he perfectly knew how the assassin looked in her armour. He took his time with the drawing, trying to get every line to perfection when the sun started to rise. He put the drawing away and put on his armour.
Even though Ornstein still didn't feel like he had a particular appetite, he knew that he had to eat something now, he needed the strength for the return trip. He joined Dusk and her maiden's at breakfast, but didn't said much. He only asked if Ciaran had returned to the mansion somewhen in the night and got a negative answer. Ciaran... did she still sit next to the grave...?
After breakfast, he fetched his personal belongings. Dusk awaited him in front of the mansion. “Princess, thank you very much for your hospitality.”, Ornstein said, bowing to her.
“It has be my honour.”, Dusk answered with the proper bow of a princess. “Please tell Lady Ciaran my thanks.”
“With pleasure.”
Ornstein turned around, attempting to raise a hand to wave to her, when he heard Dusk talk: “Farewell, dragon slayer. I don't think we will see each other again.”
Huh, that had sounded strangely final. Ornstein turned around to ask her what she meant, but Dusk was already gone. He shrugged and made his way to Artorias' grave.
Sif shot up when she heard his footsteps, but relaxed instantly. Ornstein came over to her and gave the wolf puppy a few firm pets. “Ciaran?”, he asked. Sif turned around and led him to the back of the gravestone, where the assassin was sitting.
“Ciaran, have you sat here the whole night?”, Ornstein asked.
“It's none of your business where I spend the night.”, she answered.
“I am just worried, that is all. Ciaran, it is time for us to return to Anor Londo.”
“I am not coming.”
“Excuse me?”
“You've heard right. I am not coming. I am staying here.”
What... did she mean it? Was she really serious about that? That changed everything... All this time Ornstein had assumed that at least two of the knighs of Gwyn would return to Anor Londo.
“But Ciaran, what about your lord's blades?”
“Tell them they are disbanded. Gwyndolin doesn't need them. They have their dark moon blades. I have trained every single one of them myself. I am sure they can find a way in life.”
“So, you really mean it.”, Ornstein declared. “You won't come back.”
“Someone has to stay with him...”, she said. “So he won't get lonely.”
He's dead. Ornstein had almost spilled this over Ciaran. He wanted to believe that Ciaran was just confused, that Artorias death had hit her that hard that she couldn't think straight anymore, but he knew that she was dead serious about this. Or she wouldn't have told him to disband the lord's blades.
“Ciaran, you know that this means.”, Ornstein said, head lowered, his stomach was stinging with pain. “You are quitting the duties of a knight of Gwyn and that means you can't ever come back, even if you want to.”
Ciaran just nodded. “I am aware of the consequences.”
“Then let me give you a last order...” Ornstein raised his head and searched firm eye contact with Ciaran, at least he stared a the point where he knew her eyes would be beneath the mask. “Protect him.”
“Orders are taken and will be executed.”, Ciaran had stood up and now bowed before Ornstein. “Captain, it has been an honour fighting by your side.”
Ornstein returned the bow. “It has been an honour to fight at your side, too, Lord's Blade.”
They stayed a while longer like this, until Ornstein took up the word. “Well... guess, I need to get going... I will come back to visit his grave, Ciaran, so we surely will see each other again... Also, I shall deliver you Princess Dusk's gratitude.”
Ciaran raised a hand to wave at him.
“Goodbye, Ornstein. May the flames guide your way.” (Author's note: 15 chapters and Ornstein still hasn't it made back to Anor Londo ^^')
Next chapter: https://mrslittletall.tumblr.com/post/182760646054/title-keeping-it-together-chapter-16
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julia-sets · 6 years
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Summergen 2018 Recs
Okay, so this is a loooong post because Summergen was so amazing that my recommendation could just be the masterlist. But maybe some people wanted some actual pointers, so these are my faves from this summer. There are a lot and honestly I probably missed a few (it’s hard to remember with so many great fics!)
The Room Upstairs Summary: Sam comes back from hell, but he’s inside-out and all wrong, and Dean can’t fix him. A heart-wrenching look at a Sam who comes back really, truly broken.
Chick Lit References Summary: “This is just typical,” Dean says angrily. “Cas puts us in a yurt, and you won’t let me leave because you think we need this to ‘fix us,’ but here’s the thing, Sam, next time you’re mad at me, maybe you should try this thing called talking instead of going straight to chick lit references that will soar over my head.” Sam and Dean working through things post-Michael in a story that’s alternately hilarious and sad and touching. The author does a good job of capturing how the boys often talk past each other, but at the end finally reach some common ground. Sleeping With the Fishes Summary: Dean won’t rest until Sam sleeps. Season 7-era fics are rare in fandom and this one makes me wish that wasn’t true. It captures so much of what I liked about that season. Sam is not sleeping and struggling. Dean is generally broken but trying. 
Death Unhinged Its Jaw Summary: death unhinged its jaw and swallowed them whole, only to spit them back out again after. This was the fic that was written for me and hooooooly crap did it deliver. I don’t want to say too much, for fear of spoiling it. Please read this. Saving Him from Hell Summary: Dean was stone number one Another bit of canon that’s under-developed: Sam in between seasons 7 and 8. This fic is a look at his devastation and all the messy complexity of the brothers’ relationship. It’s an Experience Summary: Claire is working through some feelings about the death of a certain angel. When Jack tries to help, they both realize something new. The author captures both Claire and Jack’s voices so very well and their bonding is incredibly sweet. Sadly probably won’t get as much attention because it doesn’t focus on the boys, but it deserves more love. Sweet Dreams are Made of This Summary: Pre-series fic dealing with Sam going to Stanford. Another one I don't exactly want to spoil. Another awesome look at some pre-series time. I could see this slotting into canon perfectly. Freeport, Illinois Summary: June, 1998. John has left Sam and Dean in a small Illinois town while he is working. Two teenage boys, not much money, and time to kill…  Perfectly characterized pre-series fic that looks at the boys’ hardships but doesn’t get maudlin about it.
Black Coffee in Bed Summary: Breakdown in Nebraska, and the mornings after. I’m a sucker for anything about the episode Breakdown, which I loved. This one is gorgeously atmospheric.
Open Sky Summary: Magda lives, and ends up spending some time at the bunker. Magda lives! This is a very sweet story written in Magda’s POV that uses her staying with them to explore some of Sam’s issues.
Fledgling Summary: When four-year-old Emma arrives the Bunker, Sam wonders exactly what it is that Cas brought him—what he made without his soul. This is written like a bit of a fairytale. Kidfic is normally not my thing but I really appreciated Emma, especially as Sam learns how to care for her and then learns where she came from.
 Wintering Summary: Dean is hurt on his first hunt and lets Sam take care of him. Short and sweet bit with pre-series Winchesters.
Sicko Summary: Now fully human, Jack navigates the realities of both past and present. Wonderfully explores Jack adjusting to being human, learning more about Lucifer and Sam.
scenes from a highway at the edge of night  Summary: Birthdays are also anniversaries. Don’t want to spoil anything, but ranges from sad to bittersweet.
pain is a well-intentioned weatherman  Summary: When Dean gets home from apocalypse world, Sam is on traumatic brain injury protocol. He was fine when Dean left. He was fine. How many Sam Has a Head Injury fics will I read? Answer: all of them.
Misplaced Summary: Dean facilitated a divine family reunion and God’s sister gifted him John Winchester. The world is upside-down—but they’ve rescued Sam, and doesn’t the world somehow (always) hinge on him? For the prompt: Season 12 Au where John was brought back to life instead of Mary. For a short piece this one hits hard, hinting at all the very messy ways that John’s return would be difficult.
These are the days of miracle and wonder (this is the long distance call) Summary: Sam Winchester's life has been touched by many things - love, loss, fear, hope, pain, and always, in the background, witchcraft. Holy shit it’s witch!Sam! I love witch!Sam. I especially love this witch!Sam, which reimagines the entire show a little bit and works so well and is so touching and sweet and sad.
At first I was afraid Summary: Three months after Michael leaves Dean's body, Sam wants to take on a case. Woah. This fic is amazing. It takes place in a soon-to-be-AU Season 14 and explores some of the lasting consequences of Michael but also how they fit into some of the show’s ongoing, unexplored Issues. And have I mentioned that it’s fantastically written and in character?
Wreckage Summary: It’s a slow procession out the front door of the Bunker that first week until it’s just the two of them left. Jack wants to comfort Sam after Michael takes off with Dean but doesn’t know how, and Sam is obsessed with how to get his brother back, no matter what the cost. I’m a sucker for more Sam and Jack content. This one is incredibly sweet and ends with another thing I love, which I won’t spoil.
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lokgifsandmusings · 7 years
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Definitive Ranking of Book 4 Episodes, #1/13
1. 4x02 Korra Alone
Non-linear all around perfect episode that explores Korra’s struggles with PTSD and I can’t even be funny about this. Oh and Toph.
This is a post that’s taken me some time to write, because addressing the perfection of this particular episode is a daunting task. I mean it. It’s not just the best episode of Book 4, it’s the best episode of the franchise. The most daring as well.
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For a little bit of context, there’s an incredibly popular episode from Avatar: the Last Airbender called “Zuko Alone.” It picks up after he leaves Iroh in “Avatar Day,” because his uncle kind of pointed out that the hunt for the Avatar might be a tad on the futile side. His brain can’t reconcile this, so the episode instead shows him trying to blindly stick to this task, while feeling as though he has no place in the world, and being rejected by anyone who finds out who he really is. He struggles with inner darkness, inner pain, and the whole time his story is punctuated by flashbacks of his relationship to his sister, his mother’s disappearance, and his father’s ascension to Fire Lord.
I’m not sure I’d call it the high point of ATLA (“Crossroads of Destiny” gets that honor), but it is kind of everything with regards to Zuko, easily one of the strongest characters Bryke have ever written. Also it did a great job of not endorsing his self-destructive tendencies or making excuses for him.
“Korra Alone” was announced (and screened) at the 2014 New York Comic Con, and when Bryke first said the episode title, the audience screamed. Smugly, from the comfort of my couch, I shook my head at the livestream and declared that there was no way this could measure up.
Well, color me dead wrong. I forgot that it was starring Korra, and she not only measures up, she creates a new goddamned reality the world didn’t know it needed.
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Just thinking about the episode for first-time viewers, it does exactly what it needs to do. It’s impactful coming off the [mostly] Korra-less “After All These Years” to not just see her, but feel what she’s going through and feel that isolation, even when she’s surrounded by her parents and other loved ones. Though it somewhat takes on the travel+flashbacks format of “Zuko Alone,” even Korra’s present-day plot isn’t strictly sequential—most notably with us learning the real reason she entered the earthbending cage-match, with the flashes moving faster to get her to the swamp. It gives the entire episode a very ungrounded feel, which for the viewer does two things:
You desperately begin to want Korra to connect and be stabilized, because there is an inherent discomfort from the loose form for your brain (not a bad thing...an effective discomfort)
It REALLY gives the impression that time is passing in this episode
The second point is especially striking when you consider the scope. We’ve got in one “plotline” (for lack of a better term): Korra underground fighting, following a ‘dog’, and getting sucked into the swamp where she meets Toph. This alone covers significant ground. Then we have her flashbacks of leaving Republic City, not improving in her home and Senna begging her to go to Katara, Katara’s first healing session, the letters from friends that paint time as passing, Katara’s ‘wiggle your toe’ session, Tenzin visiting, Korra’s narrated letter to Asami while she meditates and trains, her leaving the SWT, her failing to apprehend the thieves, turning from Yue Bay, cutting her hair and donning new clothes, the tree of time scene, then traversing every possible landscape.
HOW WAS THIS ALL IN A 22 MINUTE EPISODE?
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Yeah. This is three years, no question about it. It’s visually stunning, but there’s also this extreme sense of loss that the viewer is clued into, and the aimlessness that is heavily felt. Korra’s physical appearance changing was the external manifestation of this, and the symbolism surrounding it was as clear as when Iroh and Zuko did the same nearly 8 years prior. Toph popping out at the end is the one bit of relief, and it *really* shines, especially given her voice actor being perfect and sounding instantly familiar to us (did Philece Sampler just watch hours and hours of Jessie Flower footage or something??).
I can’t see this not landing for someone the first time through, to be perfectly honest. It sets up Korra’s journey for the season, and with her still out of touch from Raava and still away from friends and family, there’s a lot that needs resolving, and that the audience should definitely want to see resolved.
Placing “Korra Alone” in the context of the entire season, and the series at that (or even the franchise) is a different ballgame. Not a worse one, but it certainly means that you can consider this in Korra’s healing arc as a whole.
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I’ll fully admit I was not 100% on-board with Dark!Korra being the representation for PTSD at first, even though this is, at the end of the day, a Y7 show that needs to break down these concepts to children. However, it worked within this episode, and given how the whole thing was resolved through mindful meditation (plus how the little bit of metal Korra extracted didn’t end up being a cure-all), I think it justified itself in a general sense.
In the case of “Korra Alone” alone (lol), it worked in a sort of 3rd person omniscient way, to quickly convey Korra reliving this moment and having a ton of anxiety each time it occurred. What had the potential for being a bit of a cheap visual metaphor instead mostly landed, giving us a kind of visceral understanding of that anxiety (and as someone who’s had to explain what that feels like to people who’ve never experienced it, that’s really no easy task).
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When it comes to Korra’s healing arc as a whole, I’m going to have to be an asshole and tell you that Gretchen ( @theonewithpurplehair ) and I are planning on writing something about it when she gets back from South Africa. It will be lengthy and emotional and talk about THEMES and how important this is. We do that.
But even in advance of it, I think there’s a point to be made about Bryke choosing to have a healing arc in the first place. They didn’t have to, you know. And for some, especially in light of the indelicately worded “I needed to suffer” quote from the final episode, having two white men use a bisexual indigenous woman to explore a story about recovering from extensive trauma is uncomfortable, which is absolutely a valid tension.
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However, something I think @glamourweaver highlighted best back when fandom dialogue was more...heightened, was that like it or not, Korra’s gone through major traumas throughout the show. In Book 1, she lost most of her bending and was so affected there was not-subtle-at-all suicide imagery included. Then Aang’s magic touch fixed her depression! Yay!
In Book 2, she had Raava ripped out of her and lost her (admittedly newfound) connection to her past lives, calling into question her very identity as the Avatar. The whole astral-projection thing she did? That was just Korra’s strength of soul, separate from anything to do with reincarnated powers. So yeah, reconnecting with Raava and becoming the first Avatar of a new spiritual age would totally be healing, but the idea that there’s no trauma she’d need to explore? Book 3 is near and dear to me, but in many ways it almost feels like a new show, complete with not bothering to tap into implications of the first 2 seasons. Whoops!
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It’s yeah, not great how much she was put through the wringer when you get down to it. But Bryke are conscientious and tend to fix their mistakes. In a lot of ways, Korra being given PTSD—like...realistic PTSD—and an ensuing healing arc in Book 4 was the direct answer to everything previously glossed over.
The result? To that, I’ll just go ahead and quote @beccatoria’s essay (seriously, read it), because it lays out the meaning so well:
“This brings us to the final part of my argument: forming new meanings. The therapies I have mentioned so far focus on the physiological issues. The brain blows a fuse and can't process what it has experienced, so if you fix the fuse, you fix the processing problem. This still leaves a person who has been through an extremely traumatic event. PTSD almost always presents alongside issues such as depression and can lead to feelings of isolation and guilt. Individuals may either feel emotionally disconnected or emotionally out of control and have often internalised damaging messages as a result of their trauma. There is often a focus on creating new meanings as these memories are re-examined. We see this in Korra's evolving attitude to her own experiences.
Zaheer asserts that her power is limitless. She should never have been able to survive the poison. He offers her an opportunity to recontextualise her survival as evidence of her enormous resilience and strength rather than as a failure because she did not survive unscathed. While she is recovering, Katara tells her about Aang and how he chose to find meaning in his suffering. “What will I find?” Korra wonders. “Won't it be interesting to find out?” Katara asks. The answer comes in her final conversation with Tenzin. Korra chooses to form new meanings for her experiences, and chooses to find a message of compassion and empathy.”
Yes, the landing was not 100% perfect, but the recontextualization of her suffering and subsequent empowerment through that was clear. Korra ended the series hopeful about the future, and more at peace than we had seen her—certainly more at peace than that flailing teenager who was more willing to demand a duel with Amon than admit fear. She had grown and found ways to reconcile what happened into how she wanted to lead her life.
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Do you mind if I get personal for three seconds? I have general anxiety, as well as a very specific (and admittedly mild) trauma associated with driving, and though I’ll never equate my experience to Korra’s brutalization (seriously, mine just involves a hangover, a large cup of coffee, pizza, and a bridge), there is something about that terror of being out-of-control I identify with, and it features so strongly in Korra’s arc. I also know what it’s like to want to will something away and fight against everything that’s happening. Why can’t my stupid brain just STOP?
But the thing is, like beccatoria said, it’s about contextualizing it. Anxiety never goes away, and it certainly can’t be willed out of the forefront. But you can choose to look at things with a new point of view. To be able to sit with a feeling and recognize what it is, even if it’s massively uncomfortable or puts your body in flight-or-fright mode. Personally, I’ve come to look at my anxiety/intrusive thoughts as a very badly behaved cat. The cat is weirdly trying to protect me, and truly thinks this is what will help keep me safe, but well...it’s an idiot:
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Still, it’s *my* idiot, damnit, and now when I drive, I can just picture her in the passenger seat chewing on the emergency brake. She’s also the survival mechanism my brain came up with to shield me from more chaotic forces in my life, and that’s kind of neato, when you get down to it.
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*Kind of*, okay? (I still need to replace this chair, though Trystane Nymeros has done more damage to it with his many toes).
The point is, Korra’s story is powerful and salubrious because she just...goes through hell and back, she really does. But she not only finds meaning in it, she finds positivity and hope. She is at her MOST secure when she flings herself in front of that spirit gun, and then talks down the season antagonist with a few words. It’s uplifting, without pulling *any* punches on how ugly and terrifying and isolating PTSD can be.
There were punches thrown outside of “Korra Alone” too, but that was the episode that waded in most deeply, and somehow did it in an appropriate fashion for a Y7 show. I can’t sing its praises enough, truly.
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Having laid this all out, it seems almost trite to mention the Korrasami aspects of the episode. It didn’t escape the fandom that Korra telling Tonraq and Senna she wanted to go back home read like a coming out conversation, and the “Dear Asami” sequence is without question the most stunning of the episode. Though @queertoonqueertoons lays out why there’s other reasons for that as well. But like, what can be said? Korra lets herself be vulnerable around Asami in a way she won’t with others, and Asami asks for very little in return. It was a nice, continuing thread, but it never became a focal point of the episode, or the series, so shame on me if I buck the trend.
I can give overall thoughts on Book 4 when I pull together the final post for this ranking, but like Korra, I think I’m ending on a pensive and positive note. “Korra Alone” will do that for you, even though it may be the darkest episode of the franchise. What a masterpiece.
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#13: 4x08 “Remembrances”
#12: 4x11 “Kuvira’s Gambit”
#11: 4x09 “Beyond the Wilds”
#10: 4x07 “Reunion”
#9: 4x06 The “Battle of Zaofu”
#8. 4x12 “Day of Colossus”
#7 4x01 “After All These Years”
#6 4x03 “The Coronation”
#5 4x04 “The Calling”
#4 4x05 “Enemy at the Gates”
#3 4x10 “Operation Beifong”
#2 4x13 “The Last Stand”
Book 2 ranking/essays found here
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lady-nevermore · 7 years
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This has been a long time coming...
May 15, 2017
To be honest, I dunno where to even begin…there’s a lot of personal crap to sift and go through…..
Welp, Let me start by saying that I’ve known I had issues with depression and anxiety for a long long while now, it all started early in my childhood years (around when I was 5-6 years old after being traumatized, emotionally and sometimes physically abused my Poor excuse of an Aunt), but that’s a rather lengthy story, among many others, that I will save for another time. But yeah, I didn’t really start noticing something was off until around I was a young teen (i just didn’t really know that what I was feeling was anxiety and depression at the time, I just thought that it was normal that I was always feeling tired and that I tended to over-worry quite a lot about stuff).
I even had a nervous/mental breakdown in 2011, when I was 19 at the time; My Mentor/friend had passed away, it was my first experience dealing with grief/loss/death, and I was taking around 5-6 overwhelming community college classes/courses (everyone thought I was effing mental for taking that many college courses right off that bat, regardless if it was only my second year of community college….But yeah, I just couldn’t take it anymore, after hearing the news of his passing, I was already struggling with said classes and ended up failing most of my classes in the end, and thus - I broke down, and dropped out of community college…..It felt like I lost everything (my mentor/friend, my friends and I were drifting apart, my aspirations/dreams of both my myself and that my parents/mentors had for me....just gone).
 ......it really felt like I fell from grace to be honest……afterwards I felt apathy hold a tight grip on my heart, which in turn made me turn my back and basically cut everyone off from my life (my real life, high-school friends), and caused me to isolate myself (hence my agoraphobia) and fall into a very deep depression….The only thing that kept me going (and is still keeping me going, is: Tumblr, the few awesome/heartwarming people that I chat with here on Tumblr *cough you know who you are cough*, my Nerdy Fandoms, and my pride and joy of being open-minded and an overall nerd).
…Hell, I even had several anxiety episodes/panic attacks (dunno how to tell them apart tbh) or what I, at the very least, think are anxiety/panic attacks at least, after I was first selected as a Juror for my first Three-Month Trial of Jury Duty….And that was just a couple of years ago....How the hell I survived that is beyond me, really. >_>;
And Mind you, I’m currently: 25 turning on 26 right now, still live my my folks, never even had a part-time job in my life, tried to learn how to drive but my anxiety/driving anxiety made me chicken out (but am still willing to try and learn how to drive/get my license regardless), feel like an absolute failure and useless poor excuse of a daughter, and overall useless human being, but deep deep down I know, that I’ve let several people down, my friends, my parents, my mentors. ….Yeah - Trust me, No one hates me more than me…..
But that’s why it wasn’t until recently that I had started to seriously contemplate/toying with the idea of plucking up the courage to tell my parents that I should probably go see a therapist. And so began my first step.
So yeah, I met with my Therapist for the first time today, She was nice I guess (and I’m surprised at how calm I was throughout the whole situation…..to be honest I was a little unnerved with how surprisingly calm I was……I thought for sure that my anxiety/social anxiety was gonna at the very least make me feel disoriented and make me feel the beating of my heartbeat pulsing in my ears). It wasn’t until I got back home from our first session/evaluation that I realized that I didn’t really look her in the eye, and kept looking at the ground a lot, and I also noted that the moment I returned home, that I had a growing small tension-headache coming along and that the back of my neck and the middle of my shoulder-blades where feeling very tense.
First piece of Homework: She’s advised me on using a breathing exercise technique by Taking Three Deep Breaths every day (aka via inhaling slowly through my nose and exhaling slowly through my mouth); she say’s that it’ll help to control my anxiety in the future and that it’s important to start making this a daily ritual/a habit so to speak…..I’ve occasionally used deep breaths before to calm myself down now and again whenever I’ve been stressed in the past, so I’m not that unfamiliar with the concept, making it a consistent ritualistic part of my life on the other hand shall be interesting.
Unbeknownst to my Therapist (though I’ll probably end up telling her down the line), I’ve decided to create this “Therapy Blog” of sorts to help me keep track of and figure out this tangled web of emotions and learn how to decipher all the the messed up crap I’ve experienced/and has traumatised and affected me in the past.
Yup, this has definitely been a long time coming, I’m sorta relieved that I’ve taken this first step…..I know it’s gonna be a highly uncomfortable experience, but my parents (and now my therapist) keep telling me that it’ll be worth it and that they’re glad I’ve taken this first step…..I hope they’re right, We shall see.
Welp, I’m Gonna go reblog a couple of Bleach anime posts before bed, that is if my insomnia doesn’t get in the way again (I’ve almost caught up on the anime, just finished the Final Aizen/Arrancar Arc - Did I mention how much I effling love Soifon, like sooo damn much, I ship her with Yoruichi for damn sure).
….But anyways, thanks for listening, especially if you’ve read up to this far. ^^;
- Lady Nevermore
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