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#➤ o o c ┊ ❛ that doesn’t even rhyme what the h e c k ❜
saintkeaton · 6 months
Text
L u n a t i c H e r o 💀
(overstimulated)
we really are just one big organism 
my kids & me & the cats & the trees
there’s very few rules to follow
it only looks like a million paths 
but it’s one big road man 
& there’s no yesterday & there’s no tomorrow 
in the present moment with Alan Watts 
what a lunatic hero 
read a few Kerouac books & now I think I’m a scholar
thank Christ for another lazy Sunday 
I’m nervous & have the typewriter blues 
can you run out of things to say? 
I’m thinking maybe you can’t 
now there’s splinters in my feet 
& I’m looking through the neighbors window 
borderline copyright infringement 
daydreams of a bear in a 10 gallon hat 
my mind goes to goofy places 
looking through old vacation photos 
that early 90s brown filter 
feeling mortal & aged in my skin 
placing sentence over sentence 
in an attempt to clean house 
in an attempt to stay alive 
the cars drive too fast on this road 
nightmare thoughts of Pet Sematary 
I remember every movie I’ve ever seen 
wrote them all down in a list 
you don’t need a rhyme or reason 
freedom is the key component here 
could go on for days in the same fashion
as my mind turns like a wheel 
a broken splintery wheel mind you 
my sons plastic sword lay in the yard 
& 100 cans of cat food 
& the homemade wreath my mother made 
how do you stop thinking about death? 
how do you pretend life is normal? 
there’s nothing here but the ticking clock 
a few game shows to watch 
the beer & weed always run out 
& you’re secretly mad at me
as I dump my thoughts on Tumblr like a therapist 
a blind injection of no love 
maybe this will get a few likes & keep me hanging on 
I’m thinking of a new poem 
called “JESUS IN THE TRASH CAN”
& she promised to make breakfast this morning 
I smell no bacon cooking 
& there’s nothing wrong with how I feel 
I got too stoned______early in the day 
now it’s the motor mind salsa 
& I probably don’t need this hoodie anymore 
& I feel like jerking off 
all the trash is piled up in the spare room 
& the cats ate some raw chicken 
people keep recommending that I read Dostoyevsky 
man, I’m reading the Goosebumps books 
I’m reading the backs of cereal boxes 
my brain has stopped developing 
my brain is set in concrete 
just one big organism really 
time time time time 
glorious feelings
knowing there’s nothing to do today
I crave boredom 
I crave numbness 
so sick of the ultra meta-thinking 
folding the universe into a cube 
don’t be so depressing dude 
there’ll always be forest fires and mud floods & bullshit to watch on TV 
having entertainment is not the problem 
overstimulation to the fucking max 
so I return to my throne of shame
poisoning my soul through my eyes
my heart beating out my chest
my god! I can’t even make it one day
most of what I feel happens on accident
tired of the human race  
tired of the rat race 
but I really shouldn’t be complaining 
there’s breath in my lungs 
(choked out cigarette lungs)
it doesn’t matter what medium I have to use
I’ll get my point across one way or the other 
my own little psychological torment 
alpha beta delta gamma sigma omega 
what hides outside the spectrum for us? 
what curses have we not uncovered? 
I bet your mommy still gives you milk money 
I bet your mommy still tells you “good night”
I bet your mommy still loves your daddy
fuck all the rules that you think are rules 
& lay out the mind dump 
in an orderly fashion of course 
I bet your mommy follows the rules
for most of my life, I didn’t apply myself. the kid sitting in the back of the classroom, trying not to fall asleep. I couldn’t comprehend math, but I could fill a sketchbook up in a couple of days.
I never drink water
I only drink Mountain Dew 
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I’m going to write a bunch of poems & bury them under the house 
I’m gonna turn myself into a lunatic hero for nobody 
eyelids keep closing
losing my consciousness 
in full bloom of 10,000 onlookers
& a bathtub full of nickels & dimes
I’m burnt out
I’m landing the plane
still, just one organism sitting here, waiting on breakfast 
10/29/2023 1:29 pm
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coocomelons · 3 months
Video
youtube
A is for apple | B is for Ball | C is for Cat | D is for Diamond | ABC P...
ABC Alphabets with Phonics: Lyrics :- D for Dog, D for Doll ddd… ddd… E for Elephant and E for  Egg eee… eee… F for fan, F for fox fff… fff… g for girraffe , F for gate ggg… ggg… H for Horse, H for Hat hhh… hhh… I for Icecream and I for Igloo iii… iii… J for Jug, J for Jacket jjj… jjj… K for Kite and K for Kangaroo kkk… kkk… L for lion, L for lamp lll… lll… M for monkey and M for mat mmm… mmm… N for nest, N for Nose nnn… nnn… O for owl, O for ostrich ooo… ooo… P for peacock, P for Parrot ppp… ppp… R for rose, R for Rat rrr… rrr… S for Sun and S for snowman sss… sss… T for tiger, T for tram ttt… ttt… U for umbrella, U for unicorn uuu… uuu… V for van, V for vegetables vvv… vvv… W for whale and W for Watermelon www… www… X for x-mas, X for xylophone xxx… xxx… Y for yak and Y for yacht yyy… yyy… Z for zebra, Z for zip zzz… zzz… K for Kite and K for Kangaroo kkk… kkk… L for lion, L for lamp lll… lll… N for nest, N for Nose nnn… nnn… v, q, m, b V for van, V for vegetables vvv… vvv… M for monkey and M for mat mmm… mmm… Q for Queen and Q for Quail qqq… qqq… B for Ball, B for Bat bbb… bbb… 📚 **Key Learning Modules:** 🔤 **ABC Alphabets:** Embark on an alphabet adventure! Our ABC module introduces children to the English alphabet using captivating visuals, catchy songs, and interactive games. Your child will learn letter recognition, pronunciation, and basic vocabulary. 🦁 **Animals & Nature:** Explore the wonders of the animal kingdom! Your little one will encounter a variety of animals, learn their names, and even hear their sounds. Get ready for a virtual safari adventure! Welcome to our YouTube channel, your one-stop destination for a fun and interactive learning experience! At Cocomelons, we believe that learning should be exciting, engaging, and, most importantly, effective. That's why we've created this channel dedicated to helping kids master the ABC Alphabets with Phonics in a way that's both entertaining and educational. **Our Commitment to Learning:** Education is the cornerstone of a child's development, and the ABC Alphabets are the very foundation upon which language and literacy skills are built. We understand the significance of this early learning stage. **Phonics: A Proven Approach:** Phonics is a proven method for teaching children how to read and write by understanding the sounds that letters make. It's a fundamental skill that unlocks the world of words and language, setting the stage for a lifetime of successful reading and communication. **What You Can Expect:** ABC Alphabets for Kids | ABC with Phonics | Mastering ABC Alphabets with Phonics | Alphabets Phonics Our YouTube channel is filled with engaging videos and content designed to make learning the ABC Alphabets with Phonics a breeze. 1. **ABC Alphabets**: We start with the basics. Each letter of the alphabet is introduced individually, complete with its phonic sound. We use vibrant animations and clear pronunciations to make learning both enjoyable and effective. 2. **Phonics Made Fun**: Phonics doesn't have to be dull. We incorporate games, songs, and interactive exercises to reinforce phonics concepts. Your child will have so much fun that they won't even realize they're learning! 3. **Letter Recognition**: We help children recognize, write, and understand each letter's shape and sound, building a strong foundation for reading and writing. 4. **Phonics Stories**: We believe that learning through storytelling is not only effective but also enjoyable. We share captivating phonics-based stories that encourage a love for reading. Your Queries :- abc phonics, abc phonics songs, abc phonics songs cocomelon, abc phonics sounds of alphabets, abc phonics sound, abc phonics songs 2 new version, abc phonics songs for preschoolers, abc phonics song nursery rhymes, abc phonics song chuchu tv, abc phonics sounds fo the letters, abc phonics song 2, abc phonics rhymes, abc phonics song with sounds, abc phonics chant 📧 **Contact Us:** Questions or feedback? We'd love to hear from you! Reach out to us at [email protected] 📢 **Help Your Child Shine Bright with Cocomelons!** #abcalphabetsounds     #phonics_song_for_kids     #learningabcd     #alphabetsounds     #PhonicsForKids #educationalvideosforstudents      #kidslearningadventure    #phonicsfun    #alphabetgames     #earlyliteracyskills      #readingskills     #preschooleducationalvideos      #parentingtipsintamil     #childdevelopmentpedagogy     #funlearningvideosforkids     #aashriapps   #interactivelearning     #languageskills     #readingreadiness     #phonicsmastery   #teachingkidstopray     #learningjourney     Phonics Alphabet Sounds, ABC Phonics for Kindergarten, Phonics Alphabet Recognition, Alphabet Phonics Lessons, ABC Phonics for Toddlers, Phonics Alphabet Letters, ABC Phonics for Babies.
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Text
Tag dump
➤ a e s t h e t i c ┊ ❛  she is darkness incarnate and you've become corrupted by fate ❜
➤ v i s a g e ┊ ❛ luminous tendril of celestial wish ❜ 
➤ s t a r t e r ┊ ❛ adventuring enormous nowhere from ❜
➤ t h r e a d ┊ ❛ Hearts turn liquid in her arms | as she drinks it off your tongue ❜
➤ s t a r t e r ┊ ❛ adventuring enormous nowhere from ❜ 
➤ A z a e l ┊ ❛ maybe we will wake up singing ❜ 
➤ m u s i n g s┊ ❛ She fills her voids with stolen flesh ❜ 
➤ o o c ┊ ❛ that doesn’t even rhyme, what the h e c k ❜ 
➤ w a r d r o b e ┊ ❛ The wind carries her off in clouds of blackened ash ❜
➤ P i e r r e ┊ ❛ kiss me hard but fuck me harder ❜
➤ A s t r a é a  ┊ ❛ sullen ❜ | She is ill-humored & grim
➤ H e l l ┊ ❛ Hateful to me as are the gates of hell ❜ 
➤ M h a r ú ┊ ❛ eitilt os a gcomhair go léir ❜ 
➤ S r u t h á n ┊ ❛ iad a dhó go léir ❜ 
➤ N e a l a ┊ ❛  the Dragons guard dog  ❜ 
➤ B l a i r ┊ ❛  pull their souls out with strings  ❜ 
➤ F i n n ┊ ❛ Never one  ❜
➤ A n j a ┊ ❛  without the other  ❜
➤ R u b y ┊ ❛  Little Dragon  ❜
➤ A u r e l i u s ┊ ❛  the Firstborn  ❜
➤ C a s s a n d r a ┊ ❛  evil desires, evil actions  ❜
➤ P h a e d r a┊ ❛ fear made her evil  ❜
➤ A b a d d o n ┊ ❛ exterminans - destroyer ❜
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welkinsky · 3 years
Note
Can I request Shisui Uchiha for your 100 follower event?? (I hope you write for him?!) And congrats for reaching this ☺️
Shisui Uchiha X Reader
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Masterlist
A-Z Headcanon
Warning: 18+ Content
A = Aftercare (What they’re like after sex)
Shisui is a very kind person and once you both and do it and you're all tired, he'll make sure that he gets all the things to you or will run a bath for both of you to relax if you have enough energy left. And before you come back the sheets are already changed.
B = Body part (Their favorite body part of their partner’s)
Your face. He LOVES to give you kisses all over your face. He adores it so much! Sometimes you catch him zoning out looking at your face in very serious conversations. Which you find adorable but others don't lol. He still can't help it.
You can accept waking up to him adoring or creasing your face in the morning. "You're doing it again" You say with a shy whining voice and cover your face.
He takes your hands off of your face and says in the same whining voice to mock you "Whaaat I like looking at your face, not my fault you're this pretty." And will probably laugh when you get even redder.
C = Cuddling
Oooh as much as he loves being the big spoon, also loves to just lay on top of you.
"Don't sleep again okay?" you asked him to which he answered "Yeah I'm not gonna sleep this time. So how was your day?"
If he's laying on top of you, he'll pass out mid-way your answer. He feels like he can let down his guard for once, it is soooo relaxing for him since he has to be on his toes the entire day.
D = Dirty Secret
He once walked in on you while you were pleasuring yourself. He wanted to but his eyes were stuck on you and the moment you moan his name. He had to go back and find a place to do, you-know-what.
He cannot confront you because it felt like he invaded your privacy.
E = Experience 
You could be his first. He is a ride or die kinda guy so he waited for the right one. You both experience new stuff together.
F = Favourite Position 
He likes you on top FOR SURE. Not a hard dom kind of guy *exceptions are there* so he loves it when you are in control but if you're too tired he WILL switch you over and give your a sweet kiss and then go hard, lol. That kiss was sorry for what is going to happen to you now.
G = Goofy
Okay, he IS THE FUNNIEST person you know. No cap. He has a good sense of humor and can make a good joke out of the most serious conversations to make you laugh. He also does it when you're too tense. Will MAKE a joke out of you being stressed! But he sometimes does this to hide how stressed HE is, so make sure to pay attention to him.
H = Hair 
Before you met him, it was a mess, almost a nest *oh that rhymes* Anyways, you introduced this guy to a thing called "conditioner" and bro his world turned upside down. Is so impressed with his own hair that he cannot stop playing with them as he talks in general.
I = Intimacy 
He is not much into PDA, not because he doesn't like it it is just that it doesn't occur to him. You take his hand he'll pull you in and walk with one hand across your shoulder. Kiss him on a cheek, he'll kiss you back on lips. So he has no problem with PDA he just doesn't remember if that makes sense.
Your emotional intimacy is something to envy. You two feel emotions so strongly for each other or for this relationship. If one is down then the other one CANNOT leave them or feels the worst for doing so. 
J = Jack Off 
Not that often, I mean he has YOU. But if you are on a mission or he is on a mission will do it and that too not that often.
K = Kink (One or more of their kinks)
He likes it when you tease him in public. Because it is just the two of you who know what is going on and nobody else. He will smirk and won't take his eyes off you *and later won't take his hands off you*
Apart from that neck kisses turned him on too, the ones right under the ear.
L = Location (Favourite places to do they do)
He. Will. Take. You. Anywhere. I mean not literally but literally. The waiter is taking too long and you've been teasing him the entire day, a bathroom trip it is, you two are chilling on the top of the mountain, make-out session? No problem. he covers it up with "we only live once" every time.
M = Motivation (What turns them on, gets them going)
When you are nice to others. This really makes him realize how much of a gem you really are and you should be treated like one too. He'll be a soft romantic the entire day and a bit clingy too. Later at night, expect it too.
N = NO (Something they wouldn’t do, turn-offs)
When someone is being rude to you or hurting you in general. He is not particularly mad at you AT ALL. But it really pisses him off and he loses it. He is kind in general, so it really makes him feel bad when people aren't nice and especially to you.
O = Oral (Preference in giving or receiving, skill, etc)
Oh, he LOVES receiving it! Bro this man is a hard dom for this and this only. He loves it when you moan with him in your mouth and when you look up at him and see how much you are enjoying it. Keep eye contact with him and you'll receive it all back 100X, eye contact turns him on that much!
P = Pace (Are they fast and rough? Slow and sensual? etc.)
He loves to go fast and pound into you but if it is more of an emotional one, then he'll be slow but still hard and deep. He can't do it half-assed after all!
Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)
He. Is. Always. Down. You have to mention it once and his 100% answer will be "Let's go, but where? Wait I know a spot"
No cap.
R = Risk (Are they game to experiment, do they take risks, etc.)
Again, he is not afraid to take risks, only if you're into it. But even if you are, he wants to make sure that you're privacy isn't compromised AT ALL.
S = Stamina 
The max you both went was 3 rounds and that is when you got tired. So chances are that he can go more, 4 maybe 5? It still is a mystery.
T = Toy
He likes handcuffs. He sometimes even use them when you're giving him oral. He likes to see how vulnerable you get and he is the one in control. But apart from that, he is open to anything.
U = Unfair (how much they like to tease)
He is not that much into him teasing you but you teasing him? Turns him on like hell! He'll get back to you by being rough when he finally gets the chance.
V = Volume (How loud they are, what sounds they make)
He only means enough for you to hear, his volume usually isn't that loud. He likes it when only you can hear it and bro, moan his name or moan in general in his ears and you are not going to walk straight the next day.
W = Wild Card (Just a random headcanon because I cannot think of anything starting with W)
He told you about the friend that he lost, pretty later in your relationship. You can see it on his face when he is sad or down about that. Just pull him in a hug and make him fall asleep or he won't stop thinking about it. He just wants your company, there is nothing that you or he can do to make it better than just you being with him.
X = X-Ray
He is kinda buffed. Like not hella buffed but still, he is. You love his chest muscles the most and his muscular arms hug too.
Y = Yearning (How high is their sex drive?)
He doesn't have it that often but a very normal and healthy one. Tease him and he'll be down to do it for the next 3 days.
Z = ZZZ (… how quickly they fall asleep afterward)
He can do it and then go on a mission, he doesn't get tired easily. So expect him to make sure that you're asleep and slide out to do a bit of paperwork. He never admits that he does and when you say that he does that he just cracks another joke and avoids the topic. He feels guilty about leaving you alone like that but he is not that free too so he needs to complete his work too.
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imasimpforshanks · 3 years
Note
Hello, I just saw the alphabet requests. Could I please get the fluff alphabet with Luffy? Thank you sm!
Fluff Alphabet - Monkey D. Luffy
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a/n: hi hi hi! thank you for requesting! I hope you enjoy 💗
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A-Activities (what do they like to do with their s/o? How do they spend their free time with them?)
Luffy is a complete child at heart. He enjoys doing anything and everything! So long as you are there with him, he doesn’t particularly care what it is you are doing – if it’s with you he knows he’ll have the time of his life.
However, if Luffy were to pick something as his favourite activity to do with you, he would choose a water fight (weird considering his vulnerability to water but that doesn’t cross his mind in the moment). Chasing one another around, stomachs aching from laughter, cheeks sore from grinning too much. He’s never had so much fun, and he can’t tell if it’s because of the activity itself, or because it’s with you (ultimately, he decides that it’s both).
B-Beauty (what do they admire about their s/o? what do they think is beautiful about them?)
One of the things Luffy admires most about you is your unquenchable thirst for adventure; it’s own that rivals his own. You want to explore, live life freely and on your own terms. In Luffys eyes there is nothing more wonderful than that.
Honestly, Luffy thinks everything about you is beautiful. Every. Single. Thing. Right from the top of your head to the very tips of your toes. But, there is something about your laugh that he just finds so unbelievably intoxicating. When he hears you laugh - so carefree and so happy - his grin grows even wider. He wants nothing more than to hear that laugh for the rest of his life.
C-Comfort (how would they help their s/o when they feel down/have a panic attack etc.?)
This captain is a lot more emotionally intelligent that people think. He’s very in tune to what people like and dislike and he uses this knowledge to help comfort people. For example, on thriller bark after they find Zoro injured luffy attempts to give him a whole ass barrel of sake because “Zoro likes sake so it’ll make him feel better.” This same logic would apply when he’s trying to comfort you. He’ll find or do something you like because well it’ll make you happy. If food makes you happy, he’ll get you some food. If cuddles make you happy, well then you best be ready to be suffocated.
Another way I can see Luffy comforting you is by trying to make you laugh and smile. When people are laughing and smiling, they’re happy, right? So, by that logic all he’s gotta do is be goofy and then you’ll laugh like you usually do!
D-Dreams (how do they picture they future with their s/o?)
When he becomes the pirate king, you are right there with him. He can’t see himself settling down (by this I mean living in one place permanently). Luffy wants to travel the seas with you forever, going on adventure after adventure after adventure. He hasn’t really thought much about kids or anything like that, but all he has thought about is you and him growing old together.
E-Equal (are they the dominant one in the relationship or rather passive?)
Luffy is definitely not the passive one in the relationship, but I also wouldn’t say he’s the dominant one. He’s dependent on you and you’re dependent on him. It’s a relatively equally balanced relationship but it could even be argued that it’s only that way because of how Luffy is. He often just does what he wants when he wants regardless of your opinion. However, he also allows you to do the same. That’s not to say he doesn’t sit back and listen to your concerns if you voice them.
F-Fight (would they be easy to forgive their s/o? How are they fighting?)
Fights are a very rare occurrence in your relationship. Luffy isn’t one to maintain an argument for very long often cracking a joke or doing something silly causing you to laugh and break the tension.
On the very rare occasion that you are having a serious fight, Luffy can be extremely stubborn. Once he’s got something in his mind, its hard to make him think otherwise, so more often than not you will have to be the one to apologize if you want to move on from this.
G-Gratitude (how grateful are they in general? Are they aware of what their s/o is doing for them?)
Luffy is very aware of everything that you do for him, and he absolutely gushes about it to everyone he comes into contact with. He can’t stop talking about you. People who have never met you before suddenly seem to know about every single time you gave up a portion of your dinner to Luffy because he was still hungry but Sanji wouldn’t let him have anymore because dinner was over.
H-Honesty (do they have secrets they hide from their s/o? Or do they share everything?)
Luffy is an open book. He cannot keep a secret to save himself. Not even a good secret like a surprise party for you or something, in fact, the crew have to be the ones to plan surprise parties for you on luffys behalf cos he gets too excited and just blurts it out straight away. Basically, if there is something he isn’t telling you the only explanation is that he genuinely forgot. But as soon as you ask him, he’ll tell you - without hesitation.
I-Inspiration (did their s/o change them somehow, or the other way around? Like trying out new things or helped them overcome personal problems?)
Being with Luffy has helped you to be a little more carefree. He has taught you to embrace your youth. What’s the rush in growing up? Why does everything need to be so serious all the time? It’s okay to loosen up, and goof around as long as you are still dependable.
J-Jealousy (do they get jealous easily? How do they deal with it?)
Luffy does get jealous. But, not in the usual sense. He doesn’t get jealous of other people interacting with you, or with you interacting with other people. He trusts you fully, so there’s no reason for him to be jealous in that front. However, what he does get jealous about is you spending time with others, without him. Luffy gets serious FOMO, so if you’re doing anything and he’s not invited, that is when he gets jealous. This sweetie just wants likes to be included! On the off chance that you are doing something without him and Luffy starts to feel jealous, he will simply insert himself into the conversation or the activity. He does NOT care (LMAO).
K-Kisses (are they a good kisser? What was the first kiss like?)
Luffy is a very energetic kisser. There’s no real rhyme or reason to his movements he just smashes his lips against yours. He’s eager and enthusiastic, which can make him a bit sloppy at times, but he doesn’t care.
Your first kiss took you completely by surprise. The two of you were just hanging out then before you knew it, he had kissed you. It happened so quickly they you barely had time to process what happened, but he was just sitting there looking at you while giggling his little heart out.
L-Love confession (how would they confess to their s/o?)
When it comes to telling you how he feels, he approaches it as he does everything else; directly. He’s never been one to beat around the bush, rather always speaking his mind and being up front. With you it’s no different. The second he realizes how he feels about you, he’s on his way to tell you. No hesitation, no doubt, just 100% honesty. It doesn’t matter where you are or who might be around, Luffy will tell you in that very moment.
M-Marriage (do they want to get married? How do they propose? What would the marriage be like?)
Marriage isn’t something Luffy has really thought about. The two of you are together constantly, you know you love each other, so why would you need to get married? It’s not that he’s against getting married, it just isn’t something he’s particularly concerned about. Well… that is until he hears the words ‘wedding’ and ‘party’. Once he’s heard that Luffy is set on getting married right then and there (that’s basically his proposal too). Any excuse for a party.
N-Nicknames (what do they call their s/o?)
To be honest, Luffy mostly just uses your name. He likes it because it belongs to you which makes it special. He does like to find out what nicknames you had as a child, he thinks those a pretty fun and makes him feel as though he’s known you for your whole life, so he does also use your childhood nickname/s.
O-On cloud nine (what are they like when they are in love? Is it obvious for others? How do they express their feelings?)
Luffy gets even more clingy. Clingy may not be the right word, but it’s the best way to describe it. When he’s in love he feels an overwhelming urge to be near you all the time. He craves your presence and your attention so is constantly asking you to play or chat or anything! He really just wants to spend time with you, more so than usual. The whole crew actually picked up on it quite instantly because they noticed the lack of Luffy in their day-to-day schedule. They knew it was more than platonic relationships Luffy had for you when he was five minutes late for lunch because he was too overjoyed by your attention.
P-PDA (are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?)
He’s all about showing affection both platonically and romantically. He catches you (and others) so off guard because one moment its silent and the next thing you know you’re hearing “gomu-gomu no…” and being tackled to the ground by a pair of rubbery arms. If Luffy wants to kiss you, he’s going to kiss you. He doesn’t have a care in the world about who may see.
Q-Quirk (some random ability they have that is beneficial in a relationship?)
Can promise you a life full of excitement. You never need to worry about your relationship getting ‘boring’ or ‘being stuck in a rut’ because that will never happen with Luffy. Each day is filled with adventure and something new to experience. There’s a whole world out there that you can experience together.
R-Romance (how romantic are they? What would they do to make their s/o happy? Cliché or rather creative?)
Many people wouldn’t expect it, but he is indeed romantic. It’s far from cliché and strays from the typical notions of ‘romance’ but it’s romantic, nonetheless. Luffy is just unapologetically himself. Because of this anything he does for you (even the littlest of actions), you know it’s sincere and comes from the heart. That is what makes Luffy romantic.
S-Support (are they helping their s/o achieve their goals? do they believe in them?)
Not supporting you in your goals and dreams goes entirely against Luffys character. He truly believes you, and anyone else for that matter, can do whatever they put their minds to. He is your number 1 supporter, actively helping you every step of the way. No one believes in you more than Luffy.
T-Thrill (do they need to try out new things to spice out your relationship or do they prefer certain routine?)
When you’re with Luffy you don’t need to worry about spicing up your relationship. You will never once experience a boring day. The relationship is constantly filled with new places to go, and new things to see, and you’re fortunate enough to be able to do all of it together.
U-Understanding (how good do they know their partner? Are they empathetic?)
Contrary to popular belief, Luffy is very emotionally intelligent (I said this earlier actually). He can read people freakishly well, and his s/o is no different. In fact when it comes to you his emotional intelligence only multiplies.
V-Value (how important is the relationship to them? What is it’s worth in comparison to other things in their life?)
As with most of the other relationships (platonic and familial) in his life your relationship is very important to him. For Nico Robin, he declared war on the world government. For Sanji, he went up against a Yonko and her crew. You would be no different. He would go to the ends of the earth (maybe further) for you. It’s just how he is. His relationships and his dream to be pirate king are not mutually exclusive, meaning, he can’t have one without the other.
W-Wild card (a random fluff headcanon?)
Brings you random little knick-knacks, or like a little memento from EVERY SINGLE island you go to. The items range from a pretty shell he saw on the beach to a funky looking figurine he spotted in a market.
X-XOXO (Are they very affectionate? Do they love to kiss and cuddle?)
Luffy loves to kiss and cuddle. He’s an extremely affectionate person. He practically clings to you like a koala bear. That physical contact is something he enjoys a lot; it’s really reassuring for him.
Y-Yearning (how will they cope when they are missing their partner?)
As long as Luffy is distracted and kept busy, he’ll be able to cope. He entertains himself and slowly counts down the days until he can see you. He builds up the excitement and he becomes like a child the night before a school unable to sleep or keep still; he just wants to see you.
Z-Zeal (are they willing to go to great lengths for the relationship? If so, what kind?)
This has been established already. All relationships (platonic, romantic, familial) hold a special place in Luffys life. He declared war on the world government, fought countless fearsome opponents all for the sake his friends (sometimes even people he just met). Your relationship with Luffy would be no different at all. In fact, for you, he would do all of that and much much more.
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SUMMER OF WHUMP - DAY 4 - ABANDONED
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Mind the huge cw. Is mostly just discussing it, but still.
CW: Insinuated no-con; past-abuse; relieving past trauma; abandonment; very low self esteem; humiliation; accidental triggering; bait dog; whipping; starvation; shoved in luggage bag; bitten by mice; gross food; claustrophobia; burns; no-con drugging; no-con touching; mentioned amputation; pet whump; multiple whumpers; human trafficking; muzzle; starvation; neglect; manhandling; cruel/intimate/neglectful whumpers;
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“H-hello and welcome to BB’s and Pastel’s show!” ...Pastel turned the octopus plush around as BB turned the camera on. It went from a pink, smiley octopus, to it’s frowning gray insides. Pastel pulled the blankets over his head, leaving only his eyes out “...I’ll be your host, BB, and this is my assistant, Mr.Tonsils!”
BB lifts Mr.Tonsils in front of the camera, waiving his little furry paws so he can say hello to their audience. They pick up the camera, and take it to the bed with Pastel, capturing his pretty pink-ish eyes. 
“C-come on Pastel! Say hi!”
Pastel shifts slightly under the blanket.
“I’m… Not a fan of cameras, BB'' his voice is just a whisper, as he twists the blanket. BB thinks he is kneeling “...I’ll just… be your audience today, okay?”
“O-oH! Sorry!” BB stepped away. That was right. Pastel didn’t have good memories about that. BB pointed it away, making sure only they and Mr.Tonsils were on frame. Pastel seemed to relax, even sitting back and lowering his blanket cocoon “...So, due to technical issues, Pastel won’t be joining us tonight. But that 's okay. BB and Mr.Tonsils are here to entertain you!”
BB smiled, making sure to show the missing little teeth. Just like Blue. Just like Blue… before, at least. 
“...Well, for tonight’s show me and Mr.Tonsils prepared a top 15 review!” BB wasn’t sure if it really classified as such. But it sure sounded nice “BB will be going over all of our old homes!”
They noticed as Pastel frowned, suddenly changing their expression, way more alert. BB only felt more excited. If Pastel was paying attention, it clearly meant the topic of the video was interesting! Audiences would love it! Even… Even if this was never going to be aired. BB could picture the audiences!
...With a deep breath, they braced themselves and started. They had prepared for this. They could do it.
“...BB’s begun it’s life like us all, in b-between white walls and tiled floors of the training grounds. They were worthless and ugly and dumb, BB’s smile never charmed anyone! It took a long time in the store before BB got home. It was and old lady that said BB was so ugly that it hurt, and dumb as a door, but worked well enough to, to scrub her floor” BB smiled, remembering the cozy attic, where they made their first friends, among piles of boxes that compiled their first owner’s life. Long nights they spent alone there, digging through piles of pictures, trying to piece together what a human life was like. Nonsense, it was, because it just filled BB’s head with a lot of silly thoughts.  They lifted Mr.Tonsils for the camera “...BB worked the day and spent the night locked away. In the house’s attic, BB made their first friends. They were Mr.Tonsils crowd, a family of mice, and BB befriended them all, even if they’d bite BB’s feet while it was trying to sleep! BB loved the house, their first owner, and e-every single mouse!”
BB hugged Mr.Tonsil, swinging him around. Pastel was biting his lip, pulling a thread out of the blanket. Good! He was enjoying the story! And BB felt like they were doing good, too. Better than they did at any of their homes.
“...First owner got tired of BB because the stupid Pet let her cat flee! All BB wanted to do was help and clean, but the cat saw their chance and ran away. First owner took BB to a store with a mean looking clerk. They agreed BB was ‘So ugly it fucking hurt’, hoping BB would only stay a few days and them someone would want them” BB rubbed their hand together. That didn’t count as an owner, did it? It was only temporary, in nature. Not that owners lasted very long “BB was at the store for almost a full month, during which they got to eat, sleep and there was no work. BB wanted to make friends with other pets in cages, but they never stayed for long, after all - good pets get good homes!”
...BB was still upset about the store. All of those Pets had looked so nice, so much better than they are… And they never tried to talk to BB. They were all scared they’d be beaten down if they tried, but never were. BB was the only worthless one, that got the punishments… for everyone!
“...BB was bought by creepy looking guy who stuffed BB inside a cage and on a plane and was flown away” BB gestured with their hand, copying the movements of a plane. They had to be on the chair, so it would look nice on video, but otherwise, they would have liked to run around with their arms opened “...Creepy man named BB Bait. They were a teaser for a larger, angrier Pet named Spike, who had on BB a nice punching bag who couldn’t put up a fight. They were nice to BB and even a friend, but scary and cruel when the Master decided they needed to beat them. So BB was Spike’s chew toy, but when they were nice… BB was always filled with joy!”
...They closed their eyes for a second. Those two lives were merged together. One of them had been so short, they could barely remember the second dog.
“...After Spike got tired, BB was sold again, to be another dog's punchbag. And he was the third friend BB had! He refused to hurt BB, would even cuddle them to sleep, and then I was severly punished… For making the Master's dog weak. It was the first time BB tasted a whip, and with dark bruises on its face, BB was sold again”
...They stood in that second store for a week. With no food, and no sleep. They were dirty, and cheap, not worthy of caring for.
“The next Master had BB as furniture for his house. All he did was snap his fingers and that was BB’s call. It would crawl and hold things very still and keep his glass fill, he would rest his feet over BB. If it got boring the cane was always on hand, he could crack in on BB’s back and get it all shades of purple and black. BB didn’t sleep there much at all, it had to stand still behind his bed, all night long holding a water jar upon a tray, in a perfect 90° degree, or there was always hell to pay” BB touched their arm, absentmindedly, a small scar on their elbow where bone had poke through “But BB was ugly furniture, bad and broke away, when Master tried to sit over its back one sad summer day. BB tumbled to the side, knocking Master to the floor. BB got a broken arm and was kicked out of the door!”
“...The next Master that took me in was cruel and harsh, with unusual punishments that left some scars: fingers pulled back until they snapped, weights to BB’s feet, heavy chains and painful strains and the worst - the oven’s flame” BB tilted their head. That Master, too, had scars. They didn’t know how she had gotten them, it was not it’s place to ask. They… They were happy to leave that one “...BB was then lost in a card game, and doesn’t remember much at all. Pills made BB sweet and kind and small. What BB doesn’t get is that they never needed pills - they would never disobey, even if put through awful, lingering pain, they’d love Master all the same.”
...Hazy. Foggy memories. Hands over them, and brushing their cheeks, and so much drool because they were never cohesive enough to form words or move. Blinking white lights, whispered little things that returned to them in dreams.
“...When BB was sober again, they found themselves in a shed, where they were always so alone. The Master was a mountain who only came at night to beat BB down. The days went by slowly, loneliness crushing down, it was dark and cold and hungry, and there were spiders all around“ BB stopped their speech for a moment. This next part was something… that still haunted them. They had done… awful, awful things. They covered Mr.Tonsils' ears. They were afraid of what he would think “...BB, on that shed, made things it would rather forget. Just like the Master forgot BB had to fed! BB might have eaten a few of Tonsil's friends, please don’t let him know, is just BB’s stomach hurt so much and it was the only thing that could stop the growl”
BB releases Mr.Tonsil’s ears, hearing a gasp from Pastel. They turn and smile, but his face is… Pale, horrified. BB shrugs. Pastel always worries faaaar too much. Next one… Made BB feel nostalgic.
“Next… Was the trucker! He liked BB a whole lot, and let BB on the bed and the passenger’s seat! He and BB traveled a lot, seeing magic and beautiful places. BB spoke on the radio, and… And… Had a name! Was called Oreos...” They messed up their rhymes. This… This wasn’t how it was supposed to go “...BB was… Was happy then. His spouse didn’t like me, and… And behind his back, gave me away”
BB’s nails sunk on their arms, as they hug themselves. They… missed those days. It was good, good nostalgia, but what followed made them sick. They had just learned how big and beautiful the world was…
“Next Master… Stuffed BB into a bag, small and stinky with heavy leather smell, with no room to move at all, so much BB’s limbs collapsed when it was finally left out. It travelled around so much, but BB never got to see outside. It was let out during the night to be with Master, and shoved back on the bag once he was satisfied” BB shook their head, as if that would send the memories away. They hated it, hated that bag so, so much. Terrible, suffocating and endlessly boring and aching. And worse… that’s when they lost their name Oreos. They had loved that life. They truly had. “It didn’t matter much, BB was soon thrown away again. Unlovable and worthless, no one could stand BB for much longer either way. BB was sold and sold, always on their way. Next Master was confusing – gave BB many orders and functions, then beat BB down for following the instructions! They likes to trick BB, make plenty of cruel jokes, BB was just a dumb dog, one they only named Mutt!”
...They smiled then. The next one was also nice. His name was Wolfgang, but he was not a wolf. Not that BB could remember.
“And BB’s following owner sold stuff door to door! Saw BB – or Mutt then – and thought they were good charms! BB helped with the sales, being all cute and sweet, and Master was happy at first, but eventually… Sold me!”
And the next Master was…
BB shivered. This one… Hurt a lot. A whole fucking lot. It had been one of the longest lasting homes they had. It had changed the way they saw and thought of themselves forever. It was where they became BB. Bootleg Blue. Fake, useless, worthless.
“…Next was Owner Alvin, who BB loved so, so, so much. He said he would always care for BB… if BB could be someone else. BB had never ever been loved, and the feeling was so gentle and sweet! BB finally understood why no one else had loved it, and what it needed to do so that it would. Blue, a pet who had videos and fame, who had scars BB didn’t have… But I wanted to gain! BB left their teeth rot, BB scarred their own face, Master got angry – Bad BB, bad…” No, no, no. They couldn’t start to lament now. Not when they had gone so far on the video, already, and trough some of the hardest part “Alvin gave BB a room with a  plain white dresser, four pairs of clothes and double of socks! BB knew them all by heart and cherished them, BB loved Alvin, loved him, loved him so, so, so much. 
But …Alvin wanted BB to be Blue, but wouldn’t tolerate it when BB got the knife and tried to make the change. BB watched the videos on repeat, hundreds, thousands of hours on end, BB could cite them by head!
But BB wasn’t Blue, and can never be. BB is unworthy, and no one could love me. BB was shoved in a car and Owner broke his promise – he decided not to keep me, he, he, h-he… He, he…”
BB closes their eyes, bites back a sob. They are almost done now, and even if they completely messed up the last part…. they can push through! They can still make a nice video… Maybe the audience will like that they can be a little emotive?
“...Shoved BB in a car, drove them to a dead end. Left them alone on the streets to fend for themselves. BB stayed there alone and scared and sad, hoping someone would come… Or that somehow, their pain would end. And then Paul and Reina appeared, finding the ugly pet on the streets. Reina said BB did look like Blue! So she wanted, she wanted BB too!” BB smiled a little. Reina was pretty. She gave me good headpats… But BB didn’t miss them a lot. Paul wasn’t so nice “Paul knew BB was worthless, but Reina still wanted BB. BB was taken to their house and for a short span of time, BB was pampered, happy and loved, an illusion that didn’t last. They figured BB was fun to hurt and start to get their way – not that BB cared, loved them all the same”
They turned around for a second, smiling at Pastel. This was something they’d truly love to talk about, for once.
“But the best part was that BB made a friend when living at their place. Pastel was his name! Pastel held BB and told me it would be okay. BB didn’t have to be Blue – they loved me either way. Pastel took punishment and tried to keep Master’s away. BB cuddled them to sleep and they loved each other! They did!” 
BB smiled at this, hugging the plush. One drop of joy, as small as it had been. One that wasn’t stripped away. But the show hadn’t ended.
“…Alas we got back to IF. IF my desired owner, the true maker of Blue, the one who could make BB worthy of love… If he had wanted to. He shoved BB in a cage and tortured Pastel instead, and it was so, so awfully cruel!” BB shook their head, lamenting “But last and not least, Master Fairyman appeared! He took BB and Pastel to live with him! And he has been so nice so far, giving BB colored books! Lovely, nice and nice! And Pastel Is with me too, BB don’t know how long it will last, but BB is so, so to be here with you!”
BB finished, looking back at Pastel and drawing a heart in the air with their fingers. Pastel… is tearing up. He jumps from the bed, not minding the camera anymore, and hugs BB. BB melts, leaning onto the hug. Soft. Kind. Loved. 
“BB…” He finally speaks, still not letting them go  “Did… Did you rehearse this?”
“Many times in BB’s head!” BB smiled. Many, many, many times, all those years… “Did it come out nice?”
“Yeah…” Pastel rested his head on BB’s shoulder, hugging them tight “I love you, you know?”
BB smiled.
“I know”
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tagging: @summer-of-whump@pinkraindropsfell
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littlefreya · 4 years
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August’s NSFW Alphabet
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Warnings: Explicit Smut, graphic depictions of rough sex, daddy kink, creampies, bondage and mentions of bodily fluids and August being August.
** I give no permission to copy my work, translate it and repost it **
N/A: He’s dirty, he’s hot, he’ll fuck you till you drop (that doesn’t really rhyme). I got a request to do the NSFW Alphabet and the dudette abides! This was really fun, I think Walter is up next!
August Walker’s NSFW Alphabet
A = Aftercare (what they’re like after sex)
August takes aftercare seriously. Being a rough Dom he doesn’t want his princess to slip into depression. A warm bubble bath is due, with him lathering your hair and massaging your aching limbs. He invests in buying luscious bath bombs and fancy props he gathers you’d enjoy. After the bath, he wraps you in a fresh towel and carries you to bed where he begins to take care of each part of your body he hurt. Small butterfly kisses crisp your supple skin, his moustache tickles lightly, lulling you into a deep slumber.
B = Body part (their favourite body part of theirs and also their partner’s)
Obviously, August loves his cock and thinks it’s nature’s gift to women. When it comes to you, he’s obsessed with your ass, loves to grab it in public to assert ownership, he squeeze it firmly and grind his aching bulge at the cleft of your ass, always letting you know he is ready to go
He calls your ass a piece of heaven on earth and oh, of course, you’re going to feel a spank or two when he’s pounding into you from behind. 
C = Cum (anything to do with cum, basically)
A huge fan of creampies. He loves to come inside, he ain’t doing rubber so you better be strict with your birth controls. Nothing makes him sicker with pride than watching his thick cum drip down your wobbly legs. It can easily get him hard all over again and you blush with horror as you hear the camera’s click as he snaps a shot of your knees up and thighs spread open, showing your cunt full of his jizz.  
D = Dirty secret (pretty self-explanatory, a dirty secret of theirs)
You mean aside from the fact that he is an anarchist? Well, August might have a collection of homemade porn videos. He loves to tape himself having sex with random girls. Has a whole drawer of them. Loves to watch them every now and then to get himself off. Even after he began dating you he kept them and yes, he is trying to convince you into doing all sort of stuff for him on cam.
E = Experience (how experienced are they? do they know what they’re doing?)
August is basically the king. He fucked more women than he can remember. Lost his virginity with an older woman who taught him quite a lot.
He’s a Dom by nature, mastering different tricks and ever-exploring his darkest sexual fantasies. He definitely knows what he is doing and he has heaps of patience. It’s his greatest virtue, knowing how to torture you just enough till you’re practically begging him to fuck you.  
F = Favorite position (this goes without saying)
Doggy-style. He has full access to spanking your ass and squeezing it hard enough to leave bruises. Loves to watch his thick cock entering your body while his hand fists your hair. He ruts into your body back and forth, tugging you back against him, preferably in front of the mirror, so he can look into your eyes.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Dead serious. If he smiles it’s definitely patronizing or sinister, to scare you and let you know he will always have the upper hand. He enjoys cooing at you while you’re a whimpering mess, making fun of how weak and desperate you are. 
H = Hair (how well-groomed are they? does the carpet match the drapes? etc.)
Fuck no, he ain’t trimming, he is all hair in general. Which is pretty rude considering he loves your pussy completely waxed.
I = Intimacy (how are they during the moment? the romantic aspect)
On one hand, he is never going to say he loves you. not even if once in every full moon he’ll make love to you through a whole night till you’re both crashing into one another. 
August is a man of actions and touch, and he’ll touch you in ways that make you feel completely stripped down to your soul while his eyes pierce deeply, letting you know you’re his baby.
J = Jack off (masturbation headcanon)
As a Dom he says you are not allowed to touch yourself without his permission and if you do and he catches you, you are in for some punishment. He’s going to tie you up and watch you as he masturbates in front of you, slow and languid, groaning your name and then coming all over your torso. His finger dips into his own cum, collecting the pearly drops and slipping it into your mouth. 
He is a fan of mutual masturbation though, on facetime when he is gone on a mission, so always be ready for daddy’s call. 
K = Kink (one or more of their kinks)
One? This man is almost everything goes. His biggest kink is the purity one. His woman has to be “pure” and gentle, he gets off from the thought he is defiling you, unloading all his darkness into your sweet little cunny. Or maybe tonight he’ll just dress you in pink ribbons and enjaculate all over your face, just to mess you up. Among other kinks: Spanking, orgasm denial, knife play, bondage, choking, exhibition, size kink (loves it that you’re small, it makes him feel big and strong) praising and some really dirty words that he loves to whispers while deep inside you.
L = Location (favourite places to do the do)
Anywhere you might get caught. Especially where you work, to make a statement, he doesn’t care if you’re loud, on the contrary, he might go extra hard on you. For some reason he fantasizes about fucking you in front of his boss quite often. This one time you nearly did, but he settled for fucking you over her desk, and left some bodily fluids all over that carpet.
M = Motivation (what turns them on, gets them going)
When you’re being a brat, yes he loves his princess, but when you’re a little stubborn bitch that’s when the fun begins. You know he is going to punish you for that and when punishment time comes, he gets creative. One time you wouldn’t let him work so he tied you to a bed and pushed a toy inside you, he left in on for hours while he was working, controlling the power with a tiny remote while remaining indifferent to your screams. 
Oh yeah, your screams, the second thing that makes him hard.
But generally speaking, he is so caught up with you that everything you do turns him on. He loves to ogle you when you’re just sitting by the window, reading a book or writing something. You’re his little angel. 
N = No (something they wouldn’t do, turn offs)
He’s not into sharing. You’re his pure angel and no one is going to touch you but him. Doesn’t like stuff involving defecation/piss. He is grossed out by it.
Less into anal but willing to try if you’d be open for it.  
O = Oral (preference in giving or receiving, skill, etc.)
He loves to fuck your face, make you tear as you choke on his cock and come down your pretty little throat. He is also into eating you out. His moustache and those thick stubbles leave you red and raw and it’s that mixture of rough and the slow slithering of his tongue inside you that gives you the hardest orgasms. You’re half convinced he is keeping that stach for that.  
P = Pace (are they fast and rough? slow and sensual? etc.)
August fucks your like a high paid pornstar; rough and fast but not without style, he’s dominating, knowing how to move inside you just right, slowing down to increase the depth and then picking up a harder rhyme where his balls slap against your pussy. 
He does go slower sometimes but it’s still rough and forceful, leaving bruises all over your body. You love it...
Q = Quickie (their opinions on quickies, how often, etc.)
Every now and then when he’s angry at the world, he uses you like a fucktoy. Coming home, he spins and bends you over the table. Not bothering with your clothes. Your panties are wrapped around your thighs and his hand is plasters your cheek to the wooden surface as he spits on his cocks and enters you with zero foreplay. 
Your scream is his favorite music.
Being so angry, he doesn’t care if you come, but you do anyway. You always do.
R = Risk (are they game to experiment? do they take risks? etc.)
August is all about experimenting but he has the meticulousness of a special agent and a man who loves to be in control. Breathplay? Sure, he might even get you to blackout, he doesn’t mind, but he’ll take precautions to not cause any damage, same with knife play and bondage. 
S = Stamina (how many rounds can they go for? how long do they last?)
He lasts long, he is patient and taught himself to hold back because he gets off from making you weak. August can easily take an entire night to mess you up, to a point you’d beg him to stop. You’re sore, you can’t take it anymore. He leaves you feeble, boneless but always makes sure to give you proper aftercare.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
He owns a box of toys that he bought especially for you. As a part of very long foreplay he’d sometimes tie you up and begin stimulating and teasing you, fucking you with a vibrator while looking deep into your eyes and praising you.
You’re not allowed to touch the box without daddy’s permission but... can you help it when he’s gone all the time and you miss him?
U = Unfair (how much they like to tease)
Way too much. August loves to see you beg, he’ll take his time, bringing you to your knees, getting you close and denying your orgasm to the point of tears. 
V = Volume (how loud they are, what sounds they make, etc.)
Very loud, he doesn’t give a fuck who hears him, he is not ashamed and damn you love that voice he makes when he finally puts himself inside you. That guttural groan that just signifies how sweet you feel.
W = Wild card (a random headcanon for the character)
Violence gets him hard. Whether it’s hand to hand combat or killing someone. It’s a bit embarrassing, but not for him, for his colleague, seeing him get all worked up after beating some guy to a pulp. If he’s on a mission, well, tough, he’ll have to call you and masturbate while seeing you pose for him. If you’re at the same country as he is, expect him to come home and unload that pant up aggression into you. 
X = X-ray (let’s see what’s going on under those clothes)
There is a reason why August is cocky and arrogant. He is not just BDE, he is huge and thick and he knows it. It hurts when he goes in, no matter how wet you are, but you live for that pain, it brings much pleasure.  
Y = Yearning (how high is their sex drive?)
Extreme, he is a sexual person, he loves to touch, he loves to be desired and he loves to desire you.
Z = Zzz (how quickly they fall asleep afterwards)
Not right away, as rough as he is, he makes sure you are properly taken care of after an ordeal. Your aftercare always comes first. 
________________________
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otp-armada · 4 years
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"Bellarke doesn't make sense," they say. They say because Clarke hasn't done anything that resembles romantic gestures toward Bellamy. 
Conceding to march to her possible death in exchange for Roan sparing Bellamy's life. Obstinately fighting against Bellamy's stubborn wishes to remain outside the Ark while Praimfaya burns to the world to ashes. Shattering her soul by choosing 100 people to live and writing his name on the list, because he must survive. She can't have it any other way. Relinquishing 50 of those spots to Azgeda when Bellamy is captured and threatened, and Roan calls her bluff. Desperation driving her to the extreme to ensure the survival of the human race, yet unable to kill Bellamy to keep the bunker closed and the grounders from possibly killing Skaikru. Leaving the guaranteed safety of the fort to stay by Bellamy's side on the brink of global cataclysm. The bittersweet yet soft head and heart exchange she prompted. The hesitation in her last remark before imploring him to hurry. 
4x13 ends six years and seven days post-Praimfaya with Clarke radioing Bellamy on the Ring. An activity she performs daily for six years. In any six years of my adult life, my only daily consistencies have been limited to breathing, eating, and sleeping. This girl is devoted enough to send her equivalent of love letters into the emptiness of space for 2,199 days. Season 5 opens with her trying to survive by herself in an apocalyptic wasteland. She spends her journey narrating to him her unvarnished struggles during the most traumatic experience of her young life to date. Her despondency. Her loneliness. Her agony. Her desperation. Her small victories. Her discovered treasures. Her determination. Her doubt. Her guilt. Her defeat. Her morbid self-reflection. Her relief and contentment. Her happiness. Her admission of missing him. She shares all of it with only him. Only he is permitted to know her to this depth. Not any of her other people on the Ring. Not any of her people in the bunker, a group including her mother. Not a spiritual communion to the great, big love of her life Lxa, situated on her throne in the high heavens and waiting for her trophy wife, for Clarke to stay connected to her dearly departed. Isn't that the sort of behavior that might occur by a bereft widow? 
After finding an oasis to rest and call home, even after discovering a companion to build a life with, she continues with her radio calls. It doesn't matter that he never received her communications. The importance of the gesture- the intimacy of sharing her life and thoughts with him while he was gone- remains the same. The magnitude of her devotion to him made clearer through the absence of a single responding utterance. 
She lovingly tells Madi stories of Bellamy as her hero. Gazing warmly, hopefully up at the stars as if she longs for her vision to cut through an endless pitch-black sky and find dark curls and freckled constellations from thousands of miles away.
"Bellarke doesn't make sense," they say. They say because post-Praimfaya ended with an established B/E.
As Clarke looks up at the stars, questioning if she'll see Bellamy again, we transition to our first glimpse of Bellamy after six years, forlornly looking down on Earth to the very spot of green where he is unaware of who is yearning for him to return to her. Contrary to Clarke, who is covered in warm firelight when thinking of him, he is colored in cold, muted greys and blue, no speck of warm hue. (The rhyming scheme was unintentional, but hey, I'm going with it.) Behind him, his family is sparring, but he's distant from them. He's trapped within this tin can, his arms folded, his body taut, not facing the view on the other side of the glass, but still enraptured by the sight of his home below.  
We see what changes to the characters and their dynamics have taken place until, at long last, we uproariously cheer as Bellamy & Co. find a way to return to Earth, the sole event we've been anticipating for eleven months, to the point we could feel it at our fingertips, jittery and tingly. Bellarke reunion!! He's going to know she's alive! Yes! Finally!! Break out the champagne! We're celebrating, dammit! It's going to be so damn emotional! Authors start crafting mental fanfics. People are bouncing off the walls like bright, errant fireworks, unable to sit still. I can't believe it's finally happening...what do you think it's going to be like? Will he run to her? Will he be stunned and speechless? Will they sob uncontrollably?!? They'll be clutching the life out of each other! Another Bellarke hug!! The very best hug!!! They're never going to let the other out of their sight again! He's going to meet Madi! Mom, dad, and adopted preteen make three!!! There's no way they're not getting together after this!! He just got her back after six years of thinking she was dead!! The reunion's not going to happen this episode, but maybe next week, when do you think? You mean we have to wait seven days before----
B e c h o.
We stood on the precipice of what we agonized and crawled through for eleven excruciating months, only for an anvil to drop, and our heads to be clubbed. Our bodies fell through the floor, descending lower and lower with immense haste, to take up residence in the seventh circle of hell. 
Do you think the framing of these events wasn't intentional?
Do you think the powers that be behind the creation of that calamitous bombshell for our protagonist, intended for us to root for B/E? 
By us, I'm not restricting the effect of the blow to Bellarke shippers. The entire audience, casual and fandom alike, shippers and non-shippers, was meant to await this reunion. We were all meant to feel devastated by this revelation. 
If they didn't want to invoke in us feelings of support for B/E at their inception, how in the name of all things holy is a purported B/E endgame your conclusion? 
"B/E doesn't make any sense," they say, "when last we saw them, she was his enemy. Nothing more, nothing less."
Do I think their pre-Praimfaya status as antagonists rendered it impossible for B/E to have a convincing love story or sexual relationship?
I think, if Jason were so inclined, we could have gotten flashback Ring rendezvous of secret trysts between Bellamy and a googly-eyed, blonde-wig-wearing broomstick designated Clarke 2.0. So no, I don't consider B/E a deviation inherently outside the realm of romantic possibility. Jason is an artist, and this show is his canvas. He can give life to almost any whim he'd like in his work of fiction. Not only that, but B/E is also hardly the first pairing in this series modeled by the enemies-to-lovers trope.
"Bellarke doesn't make sense, they'd say, "absent any concrete evidence alluding to a romantic relationship." "Seven years running, and not a trace of romantic love," they'd conclude. 
Remind me, what was B/E's sublime prologue into coupling up again?
Furiously choking the life out of an enemy in a fit of rage two episodes before revealing her as his new girlfriend evidently can be considered by some an adequate precursor to a sensational romantic relationship. But endangering Earthkru's lives by risking the wrath of two societies in refusing to let Clarke die, pumping her heart for her to stay alive while begging her to fight so she can come back to him, cannot be. 
Either this show is quite the oddity, or it’s fandom's periodic knee-jerk, ass-backwards, charming zeal at play. 
The lack of rising development is all the more reason why B/E's grand unveiling demanded perfection. Instead, our first insight into their union is overshadowed by Clarke and the impending Bellarke reunion. B/E isn't central enough to the narrative to warrant focus that would put to rest any discord of illegitimacy. But you know which pair of the two is concentrated on for seven seasons now? Three guesses... 
But don't despair. Fandom has decreed, by its own appraisal, the shorthand of kissing and sex has rectified the discrepancy of a complete absence of pertinent on-screen development.
"It's not ideal storytelling," they say, "to exclude B/E's development. But The 100 has historically been a plot-driven, fast-paced, contained drama. It has always evaded expanding on character dynamics to fans' satisfaction.”
The writers have done more to present Josephine and Gabriel as soulmates with less airtime than B/E ever had in total. They don't lack the skill or time to fortify B/E in anyone's mind as the central romance. Jason made a conscious choice not to. Why would he? Does he think the endgame love story of the show's deuteragonist doesn't merit attention to detail by the writing? Or does it seem more likely, it was never his intention for B/E to cross the finish line?
And, for a plot-driven, fast-paced, contained drama, they sure have an awful knack for finding the time to showcase Clarke's kicked puppy reactions to an embracing B/E. We've had three thus far. One for science, one for emphasis, and one to say, "Do you people get it now?"
"Bellarke doesn't make any sense," they say, "if they wanted each other, they'd have gotten together by now." 
A long time ago, someone stated, "Lovers are supposed to do that you know and if they don’t do that it means their relationship isn’t romantic if sexual intercourse isn’t added." 
And to that, I posed the question, "Where exactly is it written that "if a pairing is not made canon by season [insert arbitrarily chosen number here], it will never be made canon, period?" Was I just absent from fandom class that day and skipped to the lesson on slow-burn ships?" We are going into the final season, and I stand by this question today as I did then. Bellarke could refrain from physical expressions of love and candid confessions to season 17, and their journey could continue to exemplify a love story. Because the absence of either one doesn't preclude two people from falling in love. Nor does the inclusion of either one necessitate two people falling in love. 
"Bellarke doesn't make any sense," they say. They say because Bellamy is her dearly beloved, but platonic, best friend.
Well, you've got me there. I'm stumped. How can it be possible for friendship and romantic love to behave as anything but mutually exclusive concepts? It's not as if friendship can be contorted to serve as a foundation for love.
 The cornerstones of strong friendships include trust, care, support, devotion, and many other features of a similar nature. Love- deep and genuine love, that is- involves frequent kissing and passionate, vigorous sex. The wilder the display, the stronger the pairing. The dozens of couples, love interests, and sexual liaisons before B/E who have kissed and had sex before dying must not have first consulted the manual for proper protocol.
And the inverse? Once two people fall in love, they cannot fall back to say, a familial connection. No, no, no. Such a regression would be the work of a tragic, reprehensible flaw in the cogs of the universe. Speak nothing of it.
"It doesn't make sense for B/E to break up," they say, "when B/E has stayed together for two seasons sans any indication Bellamy loves Clarke more than Echo, enough to want to leave his loving girlfriend."
How many times has Bellamy tried and failed to honor his commitment to Echo? How many weak attempts are met with a corresponding scene of Bellamy shifting his attention to the girl he tells himself to get over?
Echo leaves for Shallow Valley, his focus immediately turns onto persuading Clarke not to leave his side. He symbolically chooses Echo in the fireside scene by touching her sword. Yet, he looks at his girlfriend for the first time since their separation with the most aloof expression unsuitable for the occasion. No hope to be found anywhere. They share a brief reunion hug, no time for intimacy. He is reunited with Clarke and casts a nervous glance at Echo when bombarded with Clarke's appreciative gaze. Still no time for intimacy between B/E before a decade-long nap, but time can be carved out for a warm, flirty Bellarke reconciliation, complete with intensive heart eyes. No inspired, emotionally wrought, double sunlit embraces for B/E. If Bellamy is going to look out of a window at his future home, he'll either be by himself or snuggling Clarke into his side. There's no place for Echo in the lock of his arms anymore, only room for flanking him in the way loyal lieutenants tend to do. His girlfriend glances over at him as their exploratory team roughly plummets to new territory, and he does the same at Clarke. B/E reconnects lakeside, him asking for a swim with her and leaning into her arms at a campfire. He sits by her side on a swing set, amidst talk of moving their people into an abandoned village. And it's all well and good for B/E, right? They're presenting the front of a happy, unified couple. 
Until...Clarke walks away behind his sight, and he leaves Echo's side to seek Clarke's missing presence where the flirting and warm gazes and near confessions are kicked into overdrive. He calls Echo to hear his latest discovery, then proceeds to ignore the hell out of her, communicating exclusively to his co-leader. He stares wistfully at Clarke dancing with her new flavor of the night, cannot stop doing so even while excoriating Echo for her stoicism, expressing his frustration at her inability to fulfill his emotional needs. 
He recommits to Echo, as Clarke is kidnapped and her body is stolen, with nary a transition, suggesting we are meant to link the two incidents together. For all his resolve to face the future with Echo, he spends the whole of the next episode with a wary eye on Clarke, to the point that he is the first to realize Clarke is not herself. In the ensuing arc ranging from 6x05 to 6x11, approximately half of the season, what was B/E, again? Was that a thing concurrently happening with Bellamy's Operation: Save My Clarke? Because I seem to be able to recall only Bellarke goodness. Oh, my mistake, there was the consoling hug which, oddly enough, did nothing to soothe him. As evidenced by his choice to grieve alone. No girlfriend he wanted close by for comfort, knowing clear as day she couldn't provide it if she tried. Not with who he just lost. 
B/E gets another brief reunion hug, the majority of which is spent with him peering at Clarke. The show saw that hug and raised us an Austenesque-quality counterpart that would do Elizabeth Bennet and Mr. Darcy proud. 
"B/E endgame is the only sensible outcome," they say, "they love each other so much."
I don't contend they don't love each other. But we are shown two people determined but incapable of snuffing their deep-rooted feelings out of noble propriety, and most importantly, out of needless fear of unrequited love. And another two people who sought- and failed- to keep grasping the wisps of a gentle relationship slipping out of their hands since they left their comfortable space bubble. For anyone in this conundrum to be happy, the only natural course of action is for the latter to call it quits. The writing has been on the wall for too long.
Maybe a single Bellarke scene plucked out of the lineup can be interpreted on its own as platonic buddies being platonic buddies. But when all those individual moments are woven together, what forms is an ornate tapestry with a pattern so vivid, any inane rhetoric involving a hint of the word "platonic" is little more than ludicrous anti drivel transparently cooked up by those wishing a different endgame.
I hope you've enjoyed my second long-winded rant, @sometimesrosy, @jeanie205, @travllingbunny. One born of a teaching moment in which I learn for the umpteenth time it's best to steer clear of Twitter.
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imaginedevildom · 4 years
Text
Mammon A-Z NSFW Headcannons
A = Aftercare (What they’re like after sex)
Mammon is a soft boy who prefers gentler sex, so aftercare isn’t something super common. Aftercare mostly consists of cuddles and after doing the doing Mammon is a bit more willing to let down his tsundere exterior.
B = Body part (Their favorite body part of theirs and their partner’s)
Mammon really likes his torso, while not quite the narcist that Asmo is, he takes pride in his body. His really likes when you trail your hands over his chest and if you leave hickeys from his collar bones down to his hips he’ll melt. On the flipside he really likes your neck since its prime hickey real estate.
C = Cum (Anything to do with cum basically… I’m a disgusting person)
As the Avatar of Greed, Mammon is inherently possessive. He enjoys marking you with his cum, chest, face, ass; doesn’t matter as long as he gets to see his cum marking you, it doesn’t matter.
D = Dirty Secret (Pretty self-explanatory, a dirty secret of theirs)
He’s the biggest closet masochist. There’s a part of him that desperately wants to be tied up and fucked until he can’t see straight.
E = Experience (How experienced are they? Do they know what they’re doing?)
Mammon fucks a lot but like most of his other brothers, he doesn’t have a lot of experience fucking someone he has deep romantic feelings for.
F = Favourite Position (This goes without saying. Will probably include a visual)
Mammon loves when you ride him, it’s a great way to let you have control while he can hold your hips and help set the pace. He also likes laying back and just looking up at your face while you fuck yourself on his dick.
G = Goofy (Are they more serious in the moment, or are they humorous, etc)
He’s goofy but not on purpose. The first few times you fuck he still tries to desperately cling to that whole tsundere thing he’s got going on; which can be a lot of fun if you’re into making him tell you everything he wants to do to you.
H = Hair (How well groomed are they, does the carpet match the drapes, etc.)
He trims his hair neatly but still keeps a bit of a bush. I = Intimacy (How are they during the moment, romantic aspect…)
Romance does not come naturally to Mammon, but sex is still very intimate. He won’t come in and light candles or leave out rose petals, but he will hold you close, and he just really enjoys the closeness that sex brings to the two of you.
J = Jack Off (Masturbation headcanon)
Mammon masturbates a lot before the two of get together, mostly to try and avoid popping a boner while the two of you are hanging out and prevent embarrassment  
K = Kink (One or more of their kinks)
Praise kink- Tell this boy how good he’s doing and he goes wild; doesn’t matter if he’s domming or subbing he just wants to hear you tell him how much you enjoy whatever it he’s doing to you.
L = Location (Favourite places to do the do)
Likes fucking in his bed just because your scent lingers on his sheets and pillows afterwards.
M = Motivation (What turns them on, gets them going)
Really gets going if he sees you all dressed, especially if you’re wearing something he bought you he has definitely bought you a collar at some point and wearing that is a sure fire way to get him going.
N = NO (Something they wouldn’t do, turn offs)
He’s really really against anything that could cause you harm, hickeys and small bruises are fine, but he won’t do anything more than that.
O = Oral (Preference in giving or receiving, skill, etc)
When Mammon gives oral its always super messy, not bad, but theres very little rhyme or reason behind his actions. Prefers getting head but if he knows you really like it will gladly do, especially if you’re willing to heap lots of praise on him as he does it.
P = Pace (Are they fats and rough? Slow and sensual? etc.)
He likes to take it nice and slow. Sometimes, he gets a little overzealous and his greedy nature demands that he take as much as you’re willing to give as quickly as he can.
Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)
Quickies are not a regular part of Mammon’s sex life. He’s also not opposed to them especially if you start something with him in public.
R = Risk (Are they game to experiment, do they take risks, etc.)
He’s eager enough to please so he’s willing to take risks if it’s to try something you really want to do.
S = Stamina (How many rounds can they go for, how long do they last…)
Demons have to have more stamina than humans and Mammon takes whole advantage of it. He’s pretty quick to recover after a round.
T = Toy (Do they own toys? Do they use them? On a partner or themselves?)
Most of the time he’s too embarrassed to suggest new toys but he does like anything that can be used for edging.
U = Unfair (how much they like to tease)
When he’s feeling particularly dominant, he likes to tease until you’re begging for him, he likes to feel wanted and hearing you beg for him does wonders for the great Mammon’s ego.
V = Volume (How loud they are, what sounds they make)
He’s very loud. He talks a lot during sex and when he’s about to cum its not abnormal to hear him growl.
W = Wild Card (Get a random headcanon for the character of your choice)
He loves seeing you in his clothes or anything he’s bought you. Will also completely lose it if you’re wearing to wear a collar for him.
X = X-Ray (Let’s see what’s going on in those pants, picture or words)
A solid 7.5 inches with a decent amount of girth.
Y = Yearning (How high is their sex drive?)
He has a moderate sex drive. Ready to go at most points but sometimes his other priorities take up more of his attention
Z = ZZZ (… how quickly they fall asleep afterwards)
           He’s pretty wired after sex so sleep doesn’t come super easy to him after a good romp. However, he loves to cuddle up next to you and even if he can’t sleep, he’ll just lay there with you until you’re ready to get up.
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ladymiseria · 4 years
Text
Smut Alphabet - Dabi
Let’s discuss everyone’s favorite burnt chicken nugget, shall we?
P.S. I have Shoto and Tamaki in the works next hehehehe
A = Aftercare (what they’re like after sex)
-He honestly just wants to lay down and have a cigarette and relax.  He doesn’t demand cuddles but he’s also not gonna say no.  He’ll share his cig with you, if you want, and pet your hair while you rest your head on his chest.  He’s not much of a talker so you’ll just chill out in the quiet.
B = Body part (their favorite body part of theirs and also their partner’s)
-He...doesn’t really have a favorite body part of his.  He has a lot of negativity associated with his body and how it essentially rejected his Quirk and caused him so much pain and permanent scarring, so he prefers not to focus on it.  His abdomen is still mostly unscarred as well as his cock, so he’s pretty down with those parts (his cock especially because he’s a lewd bastard).
There’s not really a part of you that he doesn’t love, but he has a special affection for your hands, your thighs, and your neck.  He loves how warm you are and how your hands feel on his skin and the sounds you make when he kisses or bites your neck.  And he could rest his head on your thighs forever.
C = Cum (anything to do with cum, basically)
-He loves coming anywhere and everywhere on your body: on your back, on your chest, on your thighs, on your face, anywhere.  He also loves coming in your mouth and making you show him that you swallowed it all.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
-He loves when you touch his scars, especially along the seams where they’re stapled and connect to his unmarred skin.  It’s super sensitive there and turns him into a big whiney baby.  It feels good but he still views it as a weakness so he’ll never admit to how much he actually loves it.
E = Experience (how experienced are they? do they know what they’re doing?)
-Very experienced, but he won’t ever talk about with who.  He’s very good at reading your body in the moment and picking up on subtle cues also.
F = Favorite position (this goes without saying)
-He is 100% that guy that lets his partner get on top and then just puts his hands behind his head and watches.  That said, he loves taking you up against walls, too.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
-Serious is kind of Dabi’s default.  It’s not that he’s not having fun with you: laughing and making jokes just, uh, isn’t really in his personality.  He’ll definitely give you some smiles, though.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
-Due to his burns, the only hair he can really grow is what’s on his head, so keeping himself groomed isn’t really an issue.
I = Intimacy (how are they during the moment? the romantic aspect)
-He is a devious bastard, but God damn, is he in love with you.  He loves making you feel good and taken care of and, even if he’s not the typical romantic type, he’s still super affectionate in little sweet ways and will never hold out on telling you he loves you and how much you mean to him.  After being alone for so long, he revels in having someone special that he can keep close to him always.
J = Jack off (masturbation headcanon)
-His favorite way to jack off is to sexts/phone sex with you, and a close second is while looking at pictures/videos he has saved of you/the two of you together.  He loves hearing your voice and sending nasty pictures back and forth.
K = Kink (one or more of their kinks)
-Let’s see here: BDSM, bondage, impact play, bloodplay, temperature play, wax play, breathplay, thighfucking, facefucking, domming the absolute shit out of you, overstimulation, edging, phone sex/sexting, degradation, exhibitionism, orgasm denial, biting, filming you/taking pictures of you while you play, aaaaaaand PDA of any kind.  This is everything I could think of off the top of my head but I guarantee you that I’ll think of more.
L = Location (favorite places to do the do)
-Anywhere.  No like literally anywhere.  He could not give a shit less if people see you or it’s inconvenient.  He will take you wherever and whenever he wants.
M = Motivation (what turns them on, gets them going)
-He’s so obsessed with you that it’s really not difficult to get him in the mood, supposing he wasn’t in the mood already.  When in doubt, put on something sexy/send him a sexy pic and he’ll be all over you almost immediately.
N = No (something they wouldn’t do, turn offs)
-Honestly?  Almost nothing.  He has very few hard limits, if any, but he is very respectful of yours.  The biggest thing for him is pegging.  He’ll still indulge you if you really want to do it, but it’s not something he ever asks for.
O = Oral (preference in giving or receiving, skill, etc.)
-He prefers receiving over giving but he’s no scrub and will still eat you ‘til you cry.  He just thinks you look so pretty with his cock in your mouth, though.
P = Pace (are they fast and rough? slow and sensual? etc.)
-All of the above.  It depends on his mood and how tired he is, but he’s fast and rough most of the time, but he’s also very into playing with you and drawing things out and lowkey taking the time to worship each other.
Q = Quickie (their opinions on quickies, how often, etc.)
-He loves him a good quickie.  He can’t always be bothered with the preamble of foreplay and all that, so if one or both of you are suddenly all riled up, he’ll just go for it and take you right there and then continue with whatever he was doing before once he’s finished.
R = Risk (are they game to experiment? do they take risks? etc.)
-Dabi’s entire life is just taking one risk after another so yes, absolutely.  He’s very upfront about what he likes and what he’d like you to try with him and he does his best to listen to you when you express what you like and want, as well.  Even if he acts like he’s brushing you off, you can rest assured that he’s actually listening and filing away whatever it is you’re sharing with him for later use.
S = Stamina (how many rounds can they go for? how long do they last?)
-He can last for quite a while even when you’re just having a quickie.  He also loves to prolong your play when you’re really getting into it so he can go for numerous rounds.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
-He doesn’t own proper toys: he usually just finds things around the house and makes it work.  You’ve managed to convince him to invest in some actual durable toys, though.
U = Unfair (how much they like to tease)
-A fair amount.  He loooooves pushing your buttons until you’re ready to break: he gets off on seeing how desperate you can be for him.
V = Volume (how loud they are, what sounds they make, etc.)
-He’s very quiet, but not silent.  He mostly growls and groans in your ear while you fuck, and he curses a lot.
W = Wild card (a random headcanon for the character)
-Dabi is a very visual kind of guy so he loves watching you during sex/watching you in general.  Oddly enough, he’s not really into voyeurism because he prefers that you know he’s there and that his eyes are on you.
X = X-ray (let’s see what’s going on under those clothes)
-Dabi has a God damn Jacob’s Ladder and you cannot change my mind on this.  His burns are sporadic over the rest of his body, some on his legs and stomach and a large part of his back.  There doesn’t seem to be a lot of rhyme or reason as to where the burns developed and he’s reluctant to give details.
Y = Yearning (how high is their sex drive?)
-It’s rare to catch him in a mood where he’d say no to sex.  He typically propositions first, whether directly or via a sexy text.  Even if he’s not really “in the mood”, he’ll still let you climb on top and ride him while he lays back and just watches.
Z = Zzz (how quickly they fall asleep afterwards)
-He can fall asleep pretty quick afterwards.  Orgasms actually help him get to sleep, so if you’re ever not around when it’s time for bed, he’ll try to get a hold of you so you can get some sexting/phone sex in and he can get off before turning in for the night.
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gaillol-13 · 3 years
Text
ITTHIGSS AU
Cartoon encounter.
Part 3 of this (part 2) Swear warning!
*sigh* "it just doesn't make any sense!"
I've been trying to figure out who that guy is for a while now, ever since I got home from the interview today. It just seemed like something out of a horror film, I don't understand. And they sounded so much like...no. I sat down for a moment to look at the pictures I took, and tried to recall what happened in the room with the tv (and the closet).
"Ok, so blood was coming out of the Tv," I spoke "I heard the killer walking towards me, with their arms out to grab me. They're voice sounded static-like, they were humming the Captoon's theme song. And then one of the police officers went in the room, the humming stopped, I looked in the closet but they were gone...they..."
I sighed.
"They sounded so much like Benjamin, like, identical, the only difference is the static. But, he's been dead for almost a year now, it just doesn't make any sense..."
"Beb-beeep, beb-beeeeep!!! Movement detected!!!"
What?! Theres someone trying to get in the house? I immediately check the security cameras but find no one there. The only evidence is the broken steel doors and a note, I zoomed in on it to get a closer look at what it said, I turned pale.
"Bonjournie~ Mr.Melvin :)"
That's what the note said, and the paper had the same static texture as the hammer piece I had.
The same person who killed those criminals is here, and I'm next.
"MOTHER FUCKER!!!" I screamed, "Why? Why me?! Why is this guy targeting me?! Of course, its because I know too much, I should have just kept quiet, I should have just said they committed suicide, that would have made more sense than a cannibalistic cartoon-loving prick by slaughtering them with nooses and a fucking rubber hammer!!! But noooo! I have to open my big mouth and now this fucker's gonna kill me!!! GOD DAMN IT!!!!"
I tried my best to calm down, it's not easy to think if I'm going into my dinosaur brain. Okay, everything is going to be fine, he must have a weakness, everybody has one. I have lots of inventions that could be good in the situation I'm in, I just gotta think of a plan. Think Melvin think, if I were a cannibal who loves captoon, what would be my weakness?
Hmm... I looked around my room, I spotted one a bottle of paint thinner, huh. I saw this in a game once, thinner can dissolve paint, which is what cartoon characters are made out of. I thought for a moment.
He likes the Captoon cartoon, and George and Harold made that cartoon. So if I'm gonna get this guy, (I cant believe I'm about to say this) I gotta think like George and harold.
Aww hell with it!
I grabbed the thinner bottle and loaded it in a spray gun, its ridiculous, but it's my best shot. And who knows, maybe some of the robot guards took care of him already.
*THUD!!*
"OW! @%#$!!!!"
What was that?! I mean, it was obviously a cry out in pain coming from downstairs (the living room to be exact), but AFTER it sounded like a beeping sound butchered by radio static. But that didn't matter now, the fact is that this guy is in my house, I have a plan (sort of), and I'm ready for whatever is down there.
I grabbed my flashlight and slowly made my way downstairs, he could be anywhere. I turned the lights in the hallway on, no one was there though. I looked in the kitchen, as expected, the fridge was open and most of the food in there was gone, and all of the leftover guac had vanished (THAT really caused a shiver to go down my spine). When I got close to the living room, I heard a noise, or more specifically, music.
I went in the living room to find the TV playing the Captoon theme song, huh. Guess I was right about him liking that, I grabbed the remote and turned the TV off.
T h e m u s i c d i d n ' t s t o p .
Almost paralyzed with fear, I pressed the off button again, still playing, pressed it again, still going. No matter how many times I pressed it, the music kept playing. It only took me one second to realize the music was coming from behind me...along with that same feeling I had back at the abandoned school...
Oh no...
Before I could turn around, I felt something wrap around me, I looked down, I saw an arm.
Yeah, that's right, an arm was wrapping around my torso. How did I know it was an arm, at the end of it there was a gloved hand, gloved...it sorta gave me rubberhose cartoon vibes. Come to think of it, the arm was fully white like a rubberhose, I would have thought about it more I wasn't in peril.
"AAA-MMF!!!" I tried to scream, but the hand covered my mouth in an instant. The arm was fully wrapped around me now, only leaving my head uncovered.
I kicked and squirmed around trying to escape, no dice. The arm slowly turned me around, I soon realized that the arm was waaayyy longer than I previously thought. It stretched all the way to the far side of the hallway where there was nothing but darkness, nothing except...two...eyes...staring at me.
These weren't normal dot eyes, hohooohh nooo! These had the pupils and the sclera!!! And they were huge!! Who was this guy? No, scratch that. WHAT was this guy?! Forgive me for being Captain Obvious here, but there no fucking way this...thing is human!!
He was walking towards me, I squeezed my eyes shut, shit, I'm fucked. I'm going to be food, I could already see the headlines. "Class S Melvin sneedly (aka the smartest and sexiest man alive) becomes human Foie Gras to rubberhose monster". This is my end!!!
Then he (or it, I don't even know anymore) spoke.
"Shhhh, calm down."
What? Calm down?! I opened my eyes, he was still walking towards me, his eyes still the only things I could see. They looked...guilty.
"I know your scared right now." He continued
"Mmff mfm mff!!" I muffled sarcastically, it roughly translated to "NO SHIT SHERLOCK!!!", and he knew it. As he became more and more visible, I froze.
The clothes...
The body figure...
The toupee...
He was a spitting image of Benjamin, except the eyes I mentioned earlier (which now revealed that he had pie-slice pupils). And there was no color, only shades of white (his skin), grey, and black...I was filled with shock...which then shifted to seething anger.
What right does this asshole have to impersonate MY boss?! NONE!! WHAT THE FUCK!!! I kicked at him furiously while delivering muffled screeching. Who the hell does he think he is?!
"Melvin please calm down-OW!"
I bit his gloved hand, he's NOT gonna tell me what to do.
"DONT "MELVIN" ME!!" I screamed "YOU CANT JUST WALTZ IN HERE THINKING I'LL LISTEN TO YOU, ESPECIALLY AFTER WHAT HAPPENED TO THE CRIMINALS YOU VILE POMPOUS CANNIBALISTIC PRICK!!! WHO ARE YOU?! WHY ARE YOU IN MY HOUSE?! WHAT THE FUCK ARE YOU SUPPOSED TO EVEN BE?! WHY DO YOU LOOK LIKE BENJAMIN?! AND WHATS YOU LAST MEAL REQUEST CUZ OOOOOHHH DEAR SWEET DAV PILKEY AM I GONNA REPORT YOUR ASS!!!"
He gave gave me a look that was a combination of surprise, pity, scared, and impressed.
"Gosh," I heard him mutter under his static breath "that last bit kinda rhymed..".
How is this happening, when did I become prisoner of a cartoon monstrosity. Why, how. This doesn't-...then it clicked.
"This is a dream."
"Wha?"
It's the only reasonable explanation.
"This isnt real, of course. What was I thinking."
I breathe the sigh of relief, phew.
"Why else would you look like Benjamin, it's obvious my subconscious is missing him, and the reason why your a cartoon is because I've been watching captoon too much. And why are you after me? Because it's just my subconscious being guilty of Benjamin's death, like I felt responsible, like I was supposed to be there with him when it happened. It all makes sense!!"
The behemoth rolled his eyes, but that didn't matter. What matters is that this isnt real, it's just a horrible nightmare. I dont know when I fell asleep (probably when I passed out stress-eating all those croissants at the interview), but either way I'm glad that it will be over---
"OW!!!"
I felt something sharp jab me in the arm, I looked to see his gloved hand, only a little different. The pointer finger was longer and the tip was pointy, sorta like and overgrown fingernail. Either way, it hurt, and he was still there, this wasn't a dream, it was real life.
"Real enough for ya?" All I could do was nod as I watched the finger retract and return to its proper form and shape, then I heard him sigh.
"Look, they're going to search the abandoned school so I need a place to stay-" I cut him off. "Give me ONE good reason why I shouldn't call the authorities."
"Cuz they would never believe you."
I opened my mouth to protest, but then i thought for a moment. He was right, they wouldn't. There was a saying in the book Our Lord Dav, where he quoted "people can be too smart for their own good" which ment if someone was too smart, they would become insane. The police might think just that if I tell them theres a living cartoon in my house.
"Please," I looked back up at him. Seeing his sad, pleading face. "I just need to hide hear for a bit, just a lil bit. I know I'm the last guy you wanna trust right now, especially after last night. But...*sigh*... I REALLY need your help...just let me stay."
I was speechless, I was starting to doubt that this was the same person that killed those criminals. His expression seemed so...bonafide. Pupils dilated to a sorrow filled manner, lips trembling, it felt like the equivalent of looking at a sad puppy. But...how do I know I should trust him.
"Your not gonna kill me?"
"Of course not!!!" He protested, by now the arm he had wrapped around me was retracted back to him, but I really wasn't paying attention. "I'm not a monster!!!"
Not a monster? My eyes narrowed.
He then rubbed the back of his head, chuckling nervously, "I guess I am if you define a monster as a creature that defies the laws of physics and nature, heh. But I'm talking about one that's heartless, ruthless, and selfish."
His eyes then darted away and his face suddenly became sour. His tone changed completely.
"Like the @*#%$, Theodore..."
Theres only one person I know who could sound and act like that when the subject was Ted murdsly...
I threw myself at him in an embrace, eyes filled with tears...
"You are Benjamin..."
I was both in shock and joy. I couldn't believe my boss was alive...I started sobbing.
"I miss you so much..."
I felt him hug me back.
"Heh, miss ya too Mel. It's been very lonely, even with him around, it's nice to see an old friend again..."
I started crying into his shoulder, I was so relieved. For one, I now know that I'm not gonna be dinner. Two, the others will be thrilled to hear that their favorite grumpy boss is back (especially her. If you catch my drift). But I thought for a moment...
"What do you mean by "even with him around"?"
He then lead me to a chair, "sit down, and let me tell you how I'm alive."
So he told me...and dear dav is it a doozy.
So after Benjamin died, George and harold were starting the Captoon cartoons, they had the help of dressy. But in the making of the first tape reel of season 1, dressy sprinkled some dust on it, making Captoon sentient. Then the boys took it to Benjamin's gravestone, and placed it there. Then lightning struck the tape and it started to melt, along with the world in it.
In major pain, Captoon got out of the tape and into Benjamin's corpse, sort of merging with it. Another lightning struck the same spot again. And since dead people come back to life when they get zapped with electricity in cartoons, thats exactly what happened to Benjamin.
He wakes up, they meet, he tells him how he died (turns out it wasn't an accident), and Captoon gets an idea. Since he needs a physical body to stay in (cuz otherwise he would melt and die), and Benjamin needs Captoon's cartoon physiques to stay alive, they become one. Becoming Krupptoon.
It finally made sense now.
"So now you know." Krupptoon said, then grabbed a nearby glass and drunk from it. Then he noticed my mind-blown expression.
"You okay?"
"Yeah, it's just...alot to take in. Does that mean your dead body is still in you?"
"Uh-huh, wanna see?"
Intrigued, I nodded, after what I saw last night, this wont really effect me. Then his head began to shift, the white static-like skin seemed to dissolve. Revealing a pale, bloody, and very very dead head.
The left side (his left side) of the head had the skull smashed open showing that parts of the brain were missing, and pretty much almost all of the left side (again, his left) of the head looked like it was demolished from impact.
His eye (on his right) looked lifeless, yet it had a distinct green glow, don't know why. Oh yeah, and it smelled, it smelled repulsive.
I felt the urge to puke which he immediately took notice of and grabbed a nearby bucket, then he gave it to me.
5 minutes and 43 seconds of vomiting later... I looked at him for a closer inspection.
"Hmm, it seems only the left side is affected."
He then reached into his pocket, pulled out a magnifying glass and handed it to me. I then used it.
"Your frontal lobe is severely injured, that would explain why you only move in rubberhose, your Broca's Area seems fine. Same with the Sensory area and Parietal lobe. Your Temporal lobe looks pretty damaged..."
I went quiet...
"Whats wrong?" He said that with his decayed mouth barely moving.
It took me a while to try to get the words out.
"T-thats the lobe that contains memories. Benjamin...do you remember anything?"
His face fell, "Oh,". He then put his hand on his chin, "Well, I remember you, and George and harold. Ted (though I wish I didn't), my identity, how I died...". He then plopped down on the ground, his face returning to its cartoony appearance. Trying to recall, then his eyes lit up. "I...remember Edith..."
And boy what happened next was quite a site. His hand dropped to the side, a shade of gray crept up his face, hearts started floating around him, and I swear I could hear a romantic saxophone playing. I covered my mouth to stop myself from laughing.
"What?" He turned his attention to me, I simply pointed upwards at the hearts floating around. His eyes went wide and he made a noise that can only be defined as a startled dog and immediately started shooing them away with his arms, his face now flashing dark grey and white in embarrassment.
"I-ITS NOT LIKE THAT!!" He yelped in a panicked tone, but I knew otherwise.
"Oh suuuuure~!" I said playfully, "Its not like you visit her in the lunchroom every day,or that you give her extra credit, or that you try to make her food everyday!"
With every example I said, he got grayer and grayer. So I kept going.
"Or that you hide a bunch of gifts around her office, or that you're always happy when she's around 24/7, or that you secretly write about how much you want to be with her forever in your journal!"
"HOW DID YOU GET MY JOURNAL?!?!" He started shrieking and becoming a charcoal grey, sweating, and flustered mess. And it was hilarious! And it lasted a good 5 minutes.
"Joking aside, you REALLY don't remember anything else, like your job?"
"I have a job?" He cocked his head and gave me a confused look.
"Nevermind." I decided it was nothing to worry about now, so I quickly dismissed that subject. Then I heard him sigh again.
"The main reason I came here is for your help, your help to kill crime."
I was confused, "why would you need my help, you have the ability to do it on your own."
He gave me a classic Captoon smile, "Because it's like I said in the cartoons" he stood up and did the pose, "it's more fun to bring justice with friends!". He then pulled me up off the chair and put his gloved hands on my shoulders.
"You, me, George and harold, and the others can stop evil in its tracks! Sure, I could do it alone. But what the heck is living if you don't do it with your chums! Buds! Home slices! Homies! Pals! Bros! ETC!!!"
Honestly, I was very moved. I usually dont get touched, but...I haven't felt like I had friends, at all (I always felt so alone). And the fact that my boss (who's also Captoon himself) considers me as a good friend is enough to make me emotional.
"So Melvin Sneedly!!! Are you gonna join this crazy but exciting ride of adventure and mystery with me?!"
"Y-YES!!!" My voice cracked a bit, but that didn't matter now.
"ALRIGHTY!!! THEN WE'LL START TOMORROW!!! BECAUSE IM TIRED!!"
Man, he said that Captoon only moved their body, but THAT moment had to disagree. I sas honestly thrilled to start working with a superhero...but then the moment took a different direction when he gave me a smug look.
"Now what did you mean by you watching that Captoon cartoon too much?"
"Now wait just a minute-"
He then laughed and patted me on the back "ight, see ya tomorrow."
I headed towards upstairs to my room "goodnight."
I didn't know what I was getting into, but whatever it was, for once I'm ready for anything!!!
End of fic
Whooooo! That took a while, but it was worth it. Now with the introductions out of the way, I can finally make some memes!
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jebazzled · 4 years
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Why Aren’t People Writing With Me?
Why aren't people writing with me?
Real talk: do you often find yourself waiting weeks or even months between partners replying to your posts? Do people seem to prioritize all their other threads over yours? Do people seem to be just not that jazzed about writing with you? It's the worst feeling, when you're spinning your wheels and on the outskirts, wondering why you're struggling to gain traction. Sometimes, sites just be like that - people writing with their friends, or closed groups hard for a newer member to break into, or folks writing on slow timelines, or not keeping track of how long they've kept a partner waiting. It comes with the territory. But sometimes, it might be your writing that's holding your threads back. I know what you're thinking:
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But it's something everyone can genuinely stand to consider, when they're having trouble getting a thread to keep moving: how much of this is my thread partner holding me up, and how much of it is me? Is there anything I can do to keep things moving? No matter how long you've been writing or how advanced a writer you are, it can be easy to forget that writing is ultimately a game of improv, and writing well is only part of the job. Part of the job is setting your partner up for a good time, too.
This tutorial is about writing starters & replies that make your thread partner excited to write back.
We'll be covering:
Starters that stall vs. starters that enthrall (sorry! the rhyme was necessary.)
Common tactics for writing replies - and common pitfalls of them
Alternate approaches to writing replies
Hopefully, these tips and tricks will improve your rp experience - because aren't we all here for a good time?
Onward!
STARTERS
Ah, starters. The bane of every roleplayer's existence. Starters are difficult because they often require some scene-setting, leaving the writer to try to set up a premise and a vibe without powerplaying for their partner. And then, you've got to start the interaction. There's a lot to contend with, so a lot of people avoid starters at all costs.
Personally, I like starting a thread: this way, I'm not waiting on a post; I have control over when it goes up. Thread partners often appreciate you writing a starter for them, so it's an easy way to engender good will. And finally, for me, it lets me make sure the thread is off to a good, actionable start.
Starters come with pressure - the starter sets the tone for the thread. A dud starter will stump your partner on replying, and they may even grow to dread posting. Which isn't fun for either of you!
Some things to consider when crafting a starter that will get your partner excited:
PREMISE Whether you're writing an open thread or a plotted thread for a specific partner, every starter needs a premise. The premise might be simple: perhaps your character is going to pickpocket your partner's. Maybe it's two friends catching up. It could be two strangers bumping into each other in an alley. It might also be more complex: maybe you're setting up an enemies-friends-lovers-enemies-rivals-lovers-friends-enemies plot. Maybe your character is defending the teaching of evolution to schoolchildren before a jury of his peers. Maybe it's a duel.
Generally, the more specific the premise, the better. This doesn't mean you need every beat of the thread plotted out, but it is good to think about: What do we want each character to get out of the thread? 
Think of this as your overall goal for the thread. Is one character seeking reassurance or advice? Is there a business transaction being made? Have you and your partner agreed to hurt one character in a duel? If you can't think of an overall goal or point for the thread, the chances of stalling are high. This is common with "catch up" threads, especially ones in which neither character has particularly exciting updates to share. If only one character is "getting something" out of the thread, be careful in your own posts to set up plenty for your partner to respond to. Not every thread will have equal actionable payoff for both characters, which isn't inherently a bad thing. But if your posts don't give your partner much to engage with, the thread can read as selfish or one-sided - which isn't anyone's intention!
How do we want the events of this thread to impact this character, moving forward? 
Related to the above, if both characters can walk away from this thread without any change - perhaps reconsider the premise or necessity of your thread. There is no shame in not doing a thread when it wouldn't mean anything to character development or plot progression for either character! "Just because" threads are always the first that drop on thread priorities - why not save yourself the trouble, and plot something you will both be excited about?
What is the most reasonable entrypoint for this thread? 
Reality is filled with filler - moments in which nothing interesting happens, but which carry us from point A to point B. Conversation that goes nowhere and just happens for the sake of filling silence. But this isn't reality, this is fiction, which means we can cut the boring stuff and jump straight into the meat. If your premise is Character A pickpocketing Character B, don't open with Character A just wandering around the market, waiting for Character B to wander around the market, so Character A can pickpocket them: close your starter with Character A's hand around Character B's wallet. This gives your thread partner something to respond to (the theft) and in two fewer posts than it would have taken otherwise.
ACTION Dialogue is an engine for plot progression and for character development, and there is nothing quite as satisfying as strong dialogue. But questions, greetings, and other standard ways to launch an in-character conversation aren't your only options.
All a starter needs is action, and saying "hello," "what are you doing," or "hey! That's my pod racer!" are all actions. But actions can be silent, too, so long as they trigger a reaction from your writing partner. Character A pulling their hand out of the butt pocket on Character B's jeans, wallet in hand, begs Character B to react. Character C puking into the same trash can where Character D is searching for the utility bill they need for proof of address gives Character D something to dodge. Character E speedwalking through the grocery store and destroying the greeting card aisle gives Character F something to be horrified at. Even if A, C, and E all do it without saying a word. One thing you'll notice about each of the above premises is that they involve doing something - pickpocketing, puking/dumpster diving, grocery shopping. If you suspect your starters are leaving people underwhelmed, consider building your premise around action. The action doesn't need to be dramatic like the above examples. For instance, let's say that Character G is catching up with Character H after her divorce. They can do this over coffee in Character G's living room - but if they're walking their dogs while Character G's kids are with her ex-husband, you and your partner can use the dogs as emotional stand-ins:
Hannah dug her heels into the ground as Penelope started after a squirrel. Beside her, Gloria and Fifi both seemed not to see it. Hannah had never seen Gloria so out of it, so disconnected from the world around her. It frightened her. "How's Fifi holding up?" she asked, quietly, once Penelope calmed down and they kept walking. "I know Mike wasn't great to her, but - she probably misses the routine?"
Giving the characters some sort of verb to do beyond talking gives you more lenses through which to view an interaction, plus more opportunity for body language for your partner to respond to.
STARTERS: TL;DR Now that we've talked about how to start a thread on the right foot, let's quickly review our main food for thought items. Mind Snacks, if you will:
What do we want to get out of this thread?
Start on track for that result - do not lead with a detour!
Build around action - even small ones
Is the concept of this thread important or interesting? Would we be better served skipping it and writing something else?
REPLIES
Now your thread is off the ground. Excellent! It's a few posts in but your partner doesn't seem very excited - maybe they don't message you about how much they liked your reply, or how fun the thread is so far, or maybe they don't react to the tag in the server; maybe it's radio silence from them until they reply a month and a half later, when they're caught up on the threads they seem to keep shuffling ahead of yours. How do we move your thread up in the shuffle? Make it fun to reply to, and easy to reply to.
COMMON APPROACHES  An easy way to tackle a reply is by having your character react to each action and dialogue from your partner's character:
Maycey slid into the navigator's seat of the L2-47 spaceship, almost kicking over a cup of Dark Matter Decaf.
"Sorry," she said, not looking at Brooks. "Are we still checking out Planet 42601, or did General Berry have us change course?" Brooks watched Maycey enter the cockpit, snorting as she almost knocked over his coffee. Though it wouldn't be funny to see what the brew would do to the controls of the L2-47. "No problem," he said. "General Berry wants us to do a pass over 42601, but we aren't doing a full landing."
This reply covers everything Maycey did in her post, but doesn't advance the thread. What comes next? Brooks hasn't given Maycey much information to process, nothing to act on, no juicy body language to consider. Maycey's writer is fully on their own to advance the thread. To move it forward in a meaningful way, they might come up with a plot development they need to run by Brooks's writer to make sure it's not stepping on anything Brooks had planned. They may need to make up some lore. They may need to expand the premise of the thread. Brooks may or may not have helpful input, but when push comes to shove, Maycey is the one who is going to put it in their reply.
Maycey whipped her gaze to her captain, shocked. "But sir - we've come all this way to rescue 42601. Berry - sorry, General Berry wants us to abandon them? Their distress signal took three days to reach us; the atomospheric poisoning has got to be lethal by now." Her hands didn't touch the controls - she couldn't bear to take them off course to the desperate planet. "Sir, we have to do what's right." Brooks took a sip of his coffee, thinking about his own family back on Orbital Sphere 23-Y2K. They'd put out a distress signal years ago, back in his own training days. He'd seen it during radar detection class, and he'd had to ignore it. For the Good of the Galaxy. Not a day goes by that he doesn't think about the flashing signal on his screen, and about clicking the popup window. Dismiss. This, too, is for the Good of the Galaxy. He has to pretend it doesn't bother him. "The right thing is what General Berry says," he said, putting the coffee cup back in its cupholder. "For the Good of the Galaxy."
All of that work from Maycey, and Brooks only gave us one sentence to propel the plot. Yes, he had a lengthy internal monologue debating it - but that interiority means nothing to Maycey, who isn't a mind-reader. In this scenario, the focus on Brooks's tragic backstory, without giving Maycey anything actionable, sets up a very one-sided dynamic. If this happens consistently over one or many threads, the tragic backstory no longer feels tragic in a meaningful way, but just feels like a trite device to be trotted out - to tell rather than show a reader that a character has depth.
How could this post give Maycey more to work off of? Below is the same reply from Brooks, with additions made in green, rearranged wording in blue.
Brooks could feel Maycey's stare - bewildered and accusatory. He can hardly blame her, but she should know by now that this is how the Galaxy stays out of the Great Bezosian Black Hole. Sheer obedience. He avoided her eye contact, took a sip of coffee. Sheer obedience. Just like years ago - back in his own training days. He'd seen it during radar detection class, his own family's distress signal back on Orbital Sphere 23-Y2K, and he'd had to ignore it. For the Good of the Galaxy. Not a day goes by that he doesn't think about the flashing signal on his screen, and about clicking the popup window. Dismiss. This, too, is for the Good of the Galaxy. He has to pretend it doesn't bother him. "The right thing is what General Berry says," he said, putting the coffee cup back in its cupholder - his hands are shaking; it misses the rim twice, sloshes onto the knee of his parasuit. "For the Good of the Galaxy."
This version acknowledges the primary beat of Maycey's post (something we will talk about later) - that is, her accusation - and adds body language betraying his doubts. While interiority is great, externalization makes it possible for other characters to engage with your character's thoughts and motives. Brooks's new post gives Maycey more to engage with, which will better set her up to give Brooks more to engage with, and so on. When you both do the lifting, you both have a better time.
Another common method - especially in conversational threads, especially in "catching up" premises - is to lean on dialogue and, more specifically, questions. But most conversations we have in life aren't nonstop questions!
"Trudy said you got married," Annabelle said, fiddling with the edge of the linen tablecloth. "Is that true? I thought you didn't like Edgar - not like that." Sasha took an enormous bite of raw cucumber, not even bothering to slice it. "We just got engaged, we're not married yet. Don't you like Edgar?" Annabelle looked away, suddenly nervous. She didn't know why it mattered to her whether or not Sasha liked Edgar - only that it did. "He's fine, I guess. But do you like him?" "I do! I love him. Will you be my maid of honor?" Sasha grinned at her friend. She wanted nothing else in the world but for Annabelle to be part of her special day.
This series of posts involves a number of questions both stated in dialogue:
Is Sasha married?
Does Sasha like Edgar?
Does Annabelle like Edgar?
Will Annabelle be Sasha's maid of honor?
And unstated:
Why is Annabelle nervous?
Why does Annabelle care whether or not Sasha likes Edgar?
The stated questions are yes/no questions, somewhat procedural. The unstated question and its implication - that Annabelle cares about whether or not Sasha likes Edgar because she might like Sasha - is a juicier question than the minutiae of wedding planning. But Sasha's writer isn't letting Sasha notice or react to any of Annabelle's body language (her nervousness, her fiddling with the tablecloth) and focuses instead on the simple questions, which are a cover for what isn't being said. Information does not need to be voiced for it to be acted upon. Let's look at the same line of posts, with additions in green for Sasha and in pink for Annabelle.
"Trudy said you got married," Annabelle said, fiddling with the edge of the linen tablecloth. "Is that true? I thought you didn't like Edgar - not like that." Sasha had wondered when Annabelle would ask. She seems on-edge, fiddling with the tablecloth, as though they've never had a picnic outside before. She's not sure why Annabelle is out of sorts, but it's making her feel out of sorts. Sasha took an enormous bite of raw cucumber, not even bothering to slice it. "We just got engaged, we're not married yet. Don't you like Edgar?" She gently grasped Annabelle's fingers, unclenching them from the hem of the tablecloth. "Edgar thinks you're the bee's knees." Sasha's hand on hers - her stomach did a flip, palms instantly feeling clammy, like she could swoon in the summer sun. Annabelle looked away, suddenly nervous. It's worse that Edgar likes her. Makes her feel vile for resenting him like she does. She didn't know why it mattered to her whether or not Sasha liked Edgar - only that it did. "He's fine, I guess. But do you like him?" It's a silly question - of course she loves him; how could she have said yes otherwise? But Annabelle seems not to believe her. Annabelle seems to worry. Annabelle is worried so much of the time - and so much for her - she tries to be reassuring, gripping her friend by the shoulders, offering a grin. "I do! I love him. Will you be my maid of honor?" She wanted nothing else in the world but for Annabelle to be part of her special day. Annabelle is her best friend - the only person she could stand at the altar with besides Edgar.
See how much more complex the dynamic is between these two when they have things to react to other than dialogue?
REPLIES PART 1: TL;DR So now we've addressed two common approaches to replies and seen how they can fall short, and discussed tips for elevating them. Your main takeaways:
Acting is reacting - react to your partner's dialogue AND body language, and give them some to work from, too!
Dialogue is not a game of Questions Only
If you're not driving the thread forward, you're slacking - don't leave it to your partner every time!
SYNTHESIZING: YOUR NEW APPROACH TO WRITING REPLIES
Now that we've discussed the pitfalls of action-by-action responses and dialogue-only threading, let's synthesize all of the above into one methodology for writing replies. The common pitfall of action-by-action responses is that one writer ends up only ever progressing the thread one sentence at a time - thinking of a post in terms of beats helps separate what actually needs substantive response, versus what is background information to inform your response. When I write a reply, I copy and paste my partner's post into the wordcounter window where I write my posts. I read their post and identify the beats - that is, what actually happens. For example: 
Getting elected student body president was no joke. Hattie had worked for eleven long years to earn the position - bossed around her peers all the way from preschool. Back then, she'd been interested in power and prestige. But by the time she'd won the election junior year, she was exhausted. Now, on her first day of senior year, she was just excited about the choice parking spot. And yet, someone had the audacity - the nerve - to cut her off on the turn into the Keppler Family Parking Pavilion and slide right into her coveted parking spot. Crooked, so they took up the access lane to the adjoining handicapped spot. Too far forward, enough that she could see the metal RESERVED FOR STUDENT BODY PRESIDENT sign shaking on top of its pole. She threw herself out of her car, aiming the sole of her left Doc Marten into the license plate of the offender's Buick. "Hey, genius, there's no fucking run-off election this year!"
Because this is a starter, much of this is scene setting, which my partner could choose to echo, but the main things for them to react to are what my character - Hattie - offers in the moment:
dramatically throwing herself out of the car
kicking their license plate
swearing at them
Once I've distilled a post to the beats I need to respond to, I work my way through them, creating beats for my partner to respond to. With this method, a reply to the above might look like this:
Aunt Mildred's car was affectionately called The Boat for the first ten years of its life. Huge and unsinkable. That had changed when Aunt Mildred died in a boating accident over the summer, leaving Mikey the Boat's captain. Now, he just called it the Buick. And he wasn't very good at driving it - already he'd been honked at twice, overshot the turn into the parking lot, tires riding up on the curb. He pulled into the first available space. Figured he was outside the lines - but it seemed like the Buick was too wide to fit between lines anyway. And Aunt Mildred had never been one to follow rules. The terrible park job was in her memory. The sound of metal crunching at the back of the car, however, was not. If it's an accident, the Boat - the Buick - always wins, so Mikey gathered his violin case and drawstring backpack from the passenger seat, opened the driver's side door, and slowly got out of the car, turning his beanie backwards as if it mattered while he shuffled in his Adidas slides to the trunk, where a very short, very angry girl driving a Smart Car was trying to put the Boat - the Buick - in its place. "The car's not moving," he said, pulling a roll of Bubble Tape out of his backpack and taking a huge bite out of it. "But thanks for telling me my voting rights."
Mikey responds to Hattie's abuse of his car, but also gives Hattie a lot to respond to - minor dialogue, but a LOT of personal eccentricities that are bound to piss her off.
The dialogue and the action contribute to the trajectory of the thread - and giving Hattie something to play with keeps the musing about Aunt Mildred from feeling self-indulgent.
It's a small shift, going from thinking of posts as paragraphs to respond to to thinking of them as specific, small, actionable moments - but it makes a difference, especially in encouraging writers to be more thoughtful about creating opportunities for their partner to react.
REPLIES PART 2: TL;DR
beats, babey! not every sentence requires a response, but be sure to write some that do, whether it be dialogue or action.
ACTING IS REACTING!!!!!! if you don't give your partner something to react to, you are letting them down!
And that's all there is to it! Hopefully these examples are helpful as you think about ways to drive your plots and threads, and how to keep your own writing great for collaboration. The most important thing is to think of your writing partner. What do they need to be able to write back? What will make this thread exciting for them? How can you make sure this thread isn't serving you alone? Cheers, and happy writing!
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thanidiel · 3 years
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Simulacrum
The body has a problem with realising when things have really changed.
It’s simply not made with that sort of paranoia, hypervigilance, in its nerves. It is an effort, an education, to have the sort of perceptual sensitivity that Xiaohu is so infamously known for amongst her fellows. Or maybe more than that; some days she thought of it like a rewiring. Like those before had pulled her squirming channels from her and threaded something more cool, mercurial/reactive, into her.
With more forgiving suns, moments of revelation like this debunked that conspiracy. Brought her feet just a little closer to the soil.
It is not common to be so placidly adaptive - to forget the onset of newness until a coincidental look over shoulder reminds her that there used to be yellow earth where a sea lay; blood where a smile forms.
It is something very innocuous in someone who is more ambiguous than that.
And it is something that only strikes her when she is engulfed in it, this, them, us.
This is calm.
This is calm. Not calm as in, quiet. Nor calm as in, there is no reason to be otherwise. Not the kind of calm she feels in most other moments, people, where the dearth in her is like an impossible weight. This is calm like, she is only existing and nothing more intensive than that.
What a rare, delightful, circumstance.
Could she say she has felt this same lax note outside of this?
Not really.
Not with other people.
And it doesn’t feel this same sort of pretty when it’s just herself.
It feels inaccurate to attempt to say that she’s gotten close. She’s never gotten this close, not under this name, this life, with those others. Nor the skin previously worn. Calm as in, steady and accepting, is not the same as calm as in, comfortable.
Avenai’s always been her respite from it all - that sanctuary to slam the door shut on, to barricade with her shoulders riding against wood, and to breathe within. Always, always, and always. Ever since the start, before anyone else, after anyone else. No one could even move to deny that bond between them, to overwrite it. To say that she loves Avenai is too shared of Xiaohu’s feelings with others. It feels better to label it as she is connected with the stark woman.
Torithas, well, Torithas was a bit more new to this, them, us. But not unappreciated and never unwelcomed. He is his own sort of safety. Not a room, nothing so bleached (and thus so uniquely Avenai), but an oak. A gnarled thing bigger than a person will ever be, everlasting and enduring. A metal shorn-and-scarred thing that simply crept its wood over attempts to shape it. Someone she could always shelter under and speak to, and observe the fashion in which his very grain hears.
That is calm.
Calm as in, comfortable.
This, them, us.
They crowd her currently, atop of this bed meant to be grandiose to Eastern travelers, and thus entirely too small to contain the two Garleans. Nevermind adding herself to the mix, nevermind the meals taking up the scant space not occupied by form, and nevermind how they all have made reverent room for the little booklet centered here.
This, them, us.
“...everything is a story, like I was telling Torithas. The doublespeak in how we speak - allusions to previous literatures, people. But then it goes deeper than that. The language, itself, is structured like a story. It requires a sort of interpretation that is not there in the same way as Eorzean or what was spoken in Ilsabard.”
"It is the knowing of calculus before physics and architecture. Without the formative context, the varying levels beyond are without concrete source and explanation...  or, the way statesmen utilize history and understanding of the propagated narrative to cajole concessions. The methodology goes deeper, the way you describe—— as though the self referentialism comes down to the very syllables and rhymes in the words, which I do not believe is shared in other languages, for the most part."
IT IS NOT. ABSTRACT. Decisive motions of his broad hands communicating thoughts as lengthy as their own in such few ‘words’: this commentary on the unfamiliar poetic fashion of language that Xiaohu has been introducing to the man more and more. Its keen contrast when held up to the concrete, uninterpretable, and demanding language insisted to the two militant individuals here. Strange, this idea of communicating through ideas as ‘optional’ as these stories.
“‘Bingo’,” the foreign slang rolls from her tongue as she presses her fingers delicately against a column of characters. “We’re starting with proverbs, tastes of wisdom, because I think it’s the easiest way to get an idea of how this all pulls together. Let’s look at this one for example:”
“This is the character for ‘self’ from ‘eye’. Look at it side-ways, and you see that eye. The sclera flanking top and bottom, and the iris in the middle. Then you see this dot right here, yes? That’s a finger, it’s pointing at the eye, the individual, like you’re pointing at yourself.”
“‘Arrow’, see how you can see the head, then the shaft, then the fletchings in this context. And ‘mouth’ because it’s open like one does. This is what makes a word for ‘knowledge.’ Knowledge is swift and sharp, like an arrow, and it comes from you speaking; your mouth.”
“You see that dot again from ‘self?’ It shows up here again because you’re pointing again, but with a different context. Those strokes below are a foot. You are pointing at a moving person; thus you are speaking of someone outside of you. This is a character you use for others.”
“‘Bright’, the first character is ‘sun,’ the second is ‘moon.’ Sources of the world’s light. Following?”
“Yes.” YES.
“Put it all together without looking at it as a story, without being artful about it, and you get gibberish - self knowledge other bright. It sounds wonderfully unbright, it’s a crime, really, to read it this way. But if you read it more delightfully, with more spirit and more willingness to have fun with it, you get something much more meaningful. Let’s look back at this character again,”
“This is a proverb that deals with the self as we’ve established, right? So now this character is no longer as literal as it is when you force it to stand by itself. It’s as abstract as the pictogram that forms it. This is no longer ‘other’ but an extension of the self. You are looking at yourself as you would look upon others. You are examining yourself objectively, this is what this means now.”
Her fingers drags back down to 明.
“And this is not literal in this context either. Now we source the context that we are speaking of something to do with knowledge. Now it means bright as in, wise; intuitive; comprehending; understanding.”
自 知 之 明
“‘Know oneself’, this phrase says, in a nutshell. Wisdom comes from being able to look at yourself objectively; judge yourself accurately; these are just a few ways, out of many permutations of the common tongue, we could understand the phrase, right?”
"A calculation that has many answers, variable by..." she watches Avenai pause, lips pursing, "...context. It seems... an artistic method of communication, rather than concrete." Another gap of her words, and then a raise of her mismatched eyes above. "It suits."
SUITS repeats after the engineer; agreement, simple as that. MANAGEABLE CONFUSION, he’ll figure it out as they go, simply. That comparison of ‘muscle memory’, training, given to him earlier is still prominent in his approach to many new bewildering concepts introduced.
Then she watches him concentrate, thoughtful and deliberate as always, then demonstrate his feelings about the lesson entirely. Something not missed by the other, who follows up right on his heels, committing that signing to her mind in snapping gesture.
This.
ENJOY TeEnAjCoHyteach.
Them.
Her smile is more closed than Avenai’s, but no less in its magnitude. It is only more wryly applied, more observational than simply pleasant. This view of their quirks tumbling together, this exchange of their feelings. She feels more good, more calm— calm as in, comfortable— than she has before. And she’s felt this way since they’ve started this vacation of their’s, since they have shared this much time with one another.
Us.
“Now, here’s how you actually say...”
@stormandozone @trained-trainwreck
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Text
Theories & Predictions for Champion of the Titan Games
If you need a refresher on the full lore of the Fair Folk, do read my post about it. They’ll be quite relevant to these theories. Now, let’s read the theories! If you want anything explained, don’t hesitate to make a comment, or send an ask on anon if you’re shy. It’s weird to write everything down after just having it in my head for so long, so this might be long-winded and incoherent.
Ezabar, the Somber Knight, and Selona -  I theorise that the Somber Knight is a lich. The Somber Knight has an especially dark reputation according to Henrick, and resides in catacombs (built by wizards even though Dragon Slayers generally have a distaste for wizards).
The air in his lair is markedly lifeless, though pure.
He is thought to be undead- something more “powerful and evolved” than a zombie or wraith- by Tanu and the public of Terrabelle. When he loses his leg and forearm, he isn’t in danger of dying, but makes his way back to his lair to regenerate. In popular culture, a lich keeps its soul in a reliquary. If destroyed, the lich would re-form at the location of its reliquary.
 Like the Somber Knight, liches traditionally spend their time hidden from the world in their lair.
In Fablehaven, liches appear desiccated (like the ones on the Path of Dreams) or completely skeletal (like Calumbra or Ezabar) .Their touch also bruises-  both would be good reasons for the Somber Knight to be completely encased in armour.
In Fablehaven, a lich is a type of undead (the lich Belrab used to be a wizard), who deliberately retains some of it’s former human will. Some are able to control lesser undead. I think that the Somber Knight, or Ryland as is his true name, was one of the Fair Folk, and think the Fair Folk had a role in placing him. I don’t think it’s really in question for him to have been a wizard- all Dragon Slayers hate dragons, and tend to distrust wizards. He also has a name that sounds like a Fair Folk name (Like Lockland), and resides under Terrabelle; he would have even been placed there at the same time the territory was established. Eve found his name from “the old stories”, and Lord Dalgorel asked him to help Eve even though only the caretakers of Wyrmroost are supposed to command him. Seth asks Ezabar if he’s a lich, and Ezabar concedes that “that is one label”. Ezabar asks Seth to find a piece of information for him in return for allowing him access to the prison. To help provide context, he explains that he used to live in Selona. It’s possible he lived there as a wizard, but I think that he lived there as one of the Fair Folk, because he asks Seth what became of a boy called Toleron, son of the Duke of Hester, whose mother was called Ingrid. It seems like a matter of personal importance to him. I think that becoming a lich or whatever higher form of undead might be more common among Fair Folk, or at least it doesn’t have the same taboo it seems to have for wizards. Oh, and I asked Brandon Mull if Fair Folk could become undead, and he said that they wouldn’t be normal undead, but could be liches or revenants. Those would be the forms of undead with their own will.
Wizard-Fair Folk Cooperation- Wyrmroost was established by Archadius, the first wizard. Wyrmroost has had several caretakers since its establishment, the fourth of which was Agad. Though the Fair Folk are neutral, there is a settlement of Fair Folk at every dragon preserve, with the three largest settlements being at the three with a Dragon Temple, and this is not common knowledge- perhaps deliberately so. These three preserves are also where the Sage’s Gauntlets, shield-that-repels-dragons, and harp-that-soothes-dragons are guarded by the dragons. The very talismans that helped defeat the dragons long ago. I suspect the Fair Folk are stationed in these locations to keep an eye on the dragons, and that they-at least formerly- are here to prevent the dragons from gaining power over the other races. Further proof that they have diplomatic priority- by “ancient treaty”, the defences of Blackwell Keep do not repel the coach of Stormguard Castle.
I also want to talk about the Sovereign Skull. If you don’t remember it, you can catch up on it here. I think that Selona was created by wizards primarily to house the Sovereign Skull, or at least the sphere it’s located in. I would equate it with Zzyzx, which had a physical location (Shoreless Isle) but was in reality its own realm. Selona would have a physical location in Europe (as Ezabar alluded to) but be its own country. It’s very secret- Eve declines to tell Kendra and Seth about it, Ezabar says it’s impossible to access, and Agad only reluctantly shares information about the location of the skull with Kendra. It makes sense- the Fair Folk enforce neutrality at Selona, and Lord Dalgorel was certain the dragons would need to “crush Selona”. “If our mother country falls, it could create a permanent imbalance, and unending age of dragons.” he says. The dragons mean to destroy the Sovereign Skull. I believe they are connected.
Humbuggle and Curses-  What happened at Stormguard Castle is widely referred to as a curse by those who do not know what happened, and was created by Humbuggle. Serena, investigating the Nipsie curse, was last seen headed for Titan Valley, which is where Gabrinko said that Humbuggle’s Castle is. After all, it was Humbuggle, colluding with Graulas, who cursed the Nipsies. My theory is that the Nipsies are a cursed form of Fair Folk- that’s why nothing is ever designed with them in mind (think the Path of Dreams). Calvin says that Nipsies “used to be more powerful. And bigger. Maybe even as big as I am now”. But to curse them, he’d need a motive- I think it’s possible he intends to weaken the Fair Folk as a group. Another curse of his might’ve been the phenomenon in which “Almost no babies are being born anymore. Nobody is sure why.” Weakening the Fair Folk would benefit Humbuggle simply because they are a neutralising force, and of course curses are Humbuggle’s hobby.
Calvin and Humbuggle- I think that Calvin is either colluding with, or he is Humbuggle. I have only circumstantial evidence, but here it is. Look how these parallel one another-
“The curse came with a prophecy,” Calvin said.
“Tell me.”
“All nipsies can recite it:The curse arose from the demon’s blight; the lord who slays him will set it right.”
“It rhymes,” Seth observed.
“Most of the good ones do,” Calvin said. “Some strain more than others. But the basics are clear. Whoever kills the horrible demon will help lift the curse.”
And then these two scenes from Wrath of the Dragon King
“I suppose,” Humbuggle said. “I could also eat plain oatmeal every day to stay alive. An explanation is more pleasant when it rhymes. And a tad more official.”
“To keep the game fair, I will confess that the Wizenstone is jealously guarded by a powerful demon. Any who seek to claim the stone would have to ward off the demon before long.”
I also think it’s intriguing that right after showing Kendra how he morphed into Augie and Elouise, this exchange takes place:
“You’re sneaky,” Kendra said.
“Young one, you have no idea,” Humbuggle replied.
Bracken misses Calvin when he’s reading minds. They never check with the Nipsy elders that Calvin is legitimate. Camarat does not sense any darkness in him, but he is also unable to tell what Calvin is before he reveals himself. This is of note because in SotDS, Camarat is able to tell that the knapsack contains an “unconventional automaton and a hermit troll”, and is able to detect that Seth is a young shadow charmer. Gabrinko says he’s legitimate, but like @carolinelikesdinner said, he’s an outcast from his society and may be exiled for a good reason. He would also have access to Fablehaven- in the Caretaker’s Guide, it’s mentioned that there is a magical dwarf among the colony at Fablehaven, whose intentions are unknown.
Loose Things That I Want To Point Out
-Serena was “with a woman of human size”. I have no evidence, but intuition tells me she is Isadore, an enchantress mentioned in the Caretaker’s Guide.
-Ezarod was killed by Dromadus in dragon form. Dragons, when they become wizards, change their name. Liches are often former wizards. It’s possible, though unlikely, that Ezabar was in fact Ezarod.
-Celebrant’s wings make an unmistakable whistling sound when he approaches by air. I know Chekhov’s gun when I see it.
-The Roost is Wyrmroost Castle. The caretaker used to split time between it and the Keep. It was important enough to even have a scepter. However, I cannot find any other allusion to it, and we can only assume we will learn more in future books, meaning we will hopefully return to Wyrmroost.
Agad is a Shady Bitch- This isn’t a theory, but I have a couple of things I want to point out. First, don’t forget that Ryland thinks he may be:
“Agad became caretaker long after Wyrmroost was founded,” the Somber Knight said. “He was the fourth caretaker. Wizards love their secrets. It is possible he never knew the medallion derived power from a hidden scepter. If he did know, then you were set up to become caretakers, and to discover this knowledge on your own, so you would be forced to decide how to proceed without external influence, thereby assuming responsibility for all the associated risks and perils.”
Agad constantly warns Seth to stay away from the Blackwell. When he departs for Soaring Cliffs in WotDK, he warns Seth to stay away from the Blackwell. Marat, too, frequently warns Seth to stay away from the Blackwell. Of course, this is for the safety of himself and others- but he’s also one of the only people even capable of releasing the beings of the Blackwell.
Vanessa lists shades and haunts as ethereal restless beings, much like apparitions, phantoms, sky phantoms, specters, and wraiths. Shades and Haunts are said by Amulon to live in the Barrows, Lackluster Woods, and Adjoining Meadows- why weren’t the creatures of the Blackwell given their own domain like this? I have a very good reason- Agad’s grudge against the wizard-turned-lich imprisoned there. According to the Sphinx, Belrab is a powerful lich, and controls the other beings imprisoned there. This is eerily similar to the case of a Morisant; he was another dragon-turned-wizard-turned-lich, imprisoned along with his minions. (It’s never explicitly stated Morisant is a lich- but he matches all the requirements)
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britishchick09 · 3 years
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1984 livewatch
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the time has finally come to watch the full movie! it’ll be sad, it’ll be disturbing, it’ll possibly be cringy, but it’ll be a lot of fun! :D
we start out with the mgm lion! noice ;)
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epic quote B)
wait why is opera music playing i thought we’d start at the 2 minutes hate
OMG what if they’re gonna hate on opera
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this looks like a drive-in movie tbh
narrator: “this is a land of peace and hope, a land of plenty...” OH SHUT UP YOU
they’re showing wheat like it’s little house on the prairie BOI YOU’RE IN LONDON
this is epic propaganda B)
what if the war footage was taken from ww2 and thus... isn’t real :o
HOLD UP is the eurasian war racist?
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THE QUEEN HAS ENTERED THE CHAT
WHAT ARE THEY ALL SHOUTING I CAN’T HEAR WHAT THE FDR GUY IS SAYING SHUT UPPPPP
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oh no it be u (his face is like ‘WHAT IS GOING ON’ and it’s very lol)
julia’s so into this! :o
o’brien’s like ‘ohhh!!!’
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look who decided to SHOW UP FINALLY
he pauses a bit before reluctantly joining in yas ♥
OMG THIS IS LIKE A SCHOOL ASSEMBLY STOP TALKING GEEZ
good they stopped!
WOWWW DON’T EVEN LIST SUZANNA HAMILTON’S NAME WITH THE OTHERS GIVE HER A ‘WITH’ CREDIT WOWWWWW
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this IS a school assembly they’re going back to work!
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winston in glasses *chef’s kiss*
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ooh a rotary dial! great use of tech from when the book was written :D
winston’s looking over at syme WITH SO MUCH JEALOUSY lol
what if the words they speak are just random stuff with no meaning
OMG confession!!!!!
poor winnie with his cough :(
this confession sounds JUST LIKE WINSTON’S OMG!!!!
winston: “bugger!” he’s a brit lol :D
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epic B)
OMG this guy read goldstein’s book SO DID WINSTON!!!!
i love how the diary is in a brick hole that’s so cool :D
the diary scene was filmed on april 4th just like in the movie so that’s way rad man :D
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i want you valley!!! :D
ooh they’re put a smol scene of his childhood in there coolio! :D
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he  s l e e p
this violin squeak tho :o
OMG THIS IS THE STANDING UP SCHOOL SCENE
it’s not but i can easily imagine it lol :D
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he’s a stick omg ;o
when the lady talks to him you know it’s not a recording ;)
lady: “anyone under 45 is perfectly capable of touching his toes” BOI
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oh no PARSONS
parsons: “choco rations are going up” c h o c o
parsons: “i seem to have run out of razor blades for some reason’ yeah,,, for some reason... ;)
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this is so a cafeteria scene at school
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THEY SAW EACH OTHER OMG
♫ i suddenly see him standing there, a beautiful stranger tall and fair, i wanna stuff this weird food in my faaaace! ♫ :D
me: “this is so romantic!” winston’s thoughts: “lemme smash HER WITH A ROCK”
wait did the lady say pineapple grenade???
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HIS FACE LOOOL
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syme rip boi
the 11th edition isn’t thicc :/
aww winston’s smol nod ♥
parsons: “by 2050 we won’t have conversations like this!” yeah because of screens lol
OMG the food looks and taste like meat but isn’t IT’S PLANT BASED MEAT!!!! :o
parsons just pulled a ‘hey need help with that?’ and put winston’s food on his plate EPIC
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julia’s lookin’ at u ;)
YAS PROLES HOPE!!! :D
oh no DON’T TALK ABOUT THE 50 YEAR OLD WOMAN SEX WINSTON
OH NOOOOOOO
he liked the ‘bright red lips’ yet...
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THIS CHICK’S LIPS AREN’T BRIGHT BOI
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poor baby desperate for money :(
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let’s GET THIS BEAT
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hand on cheek = doublepluscute ^_^
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epic foreshadowing B)
OMG CHESTNUT TREE POEM FORESHADOWINNNGGGGGG
OMG a couple is making out in the bar EPIC
winston’s just like ‘nnope’
OMG THE THOUGHT POLICE WERE FOLLOWING????
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he’s at an antique store in prescott bless his heart ♥
mr. charrington sounds so kind WHYYYY
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THE BIRTH OF A QUEEN ♥
mr. charrington says ‘4 dollars’ but they’re in london??
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YAS BELLS OF ST. CLEMENS!!!! :D
winston: “what was that?” mr. charrington: “something old.” no DUH
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they see each other againnn!!!!! :D
winston writes that he hates her SAME WITH A LOOK LIKE THAT
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OMG SMOL WINNIE BIG O’BRIEN????? :o
his mom is lying dead in the field like the erza kid in ‘kirsten’s promise’ :(
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he’s just... staring
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OMG SPYING ON THE SPICY STARING ACTION :o
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she PLONKED
that ‘ow!’ was so fake jules!
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this is like anna and hans but not as bad underneath!
julia: “it’s nothing!” but this is turning out to be something... ;)
we’re half an hour in and wowza it’s gone by so fast! :D
winston: *gets a cute love note from julia* YEET!
THE HELICOPTER IS BACC!!!!! they’re really not making the spying subtle
OMG THIS IS THE THOUGHT CRIMINAL SCENE YAAAAS!!!!! :D
winston is the best plummer confirmed
kid: “you’re a thought criminal!” winston: *gives a slight ‘wha’ face and smiles* ICONIC
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:)
the crowd is clapping and cheering over the war yet winston’s not doing anything SAME
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jules is just scooching by lol
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HAND HOLDING WHILE PASSING A NOTE OMG ♥♥
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the sky does exist! :o
the telescreen has some great music :D
winston’s joining the ‘big man’s hiking group’ suure you are... ;)
the train is going to the beat of the kids’ singing coolio! :D
big brother is called ‘bb’ yas bby!
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YEEES THE I WANT YOU VALLEY SCEENE!!!!!
the lq audio made the twig crack and the leave brushing really weird lol
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winston: “i want you.” I-CON-IC!!!! :D
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THAT SMIRK THO
winston: “i want everyone corrupt.” julia: “i’ll suit you, then. i’m corrupt to the core.” *mal screech*
OH NONONONOONO SHE GONNA TAKE HER TOP OFF BI PANIC BI PANICCC!!!!!
she really went commando huh
ALL THE WAY
the sex looks like it hurts NO WAY MAN NOT FOR ME NNNNOPE
i’m glad it was only a part you couldn’t really see and not a full on thing I DON’T NEED THAT
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awww she’s so peaceful after big naughty :)
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this is vaguely gay...
aww winston’s hair ruffling in the wind ♥
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c r o n c h
also did he just cronch into a potato???
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OMG THIS IS JUST LIKE SCHOOL
teacher: “when the orgasm is finally eradicated...” totally julia: “NOT ON MY WATCH”
winston is the kid who smokes in glass while julia is the one kid who Just Doesn’t Care lol :D
thoughtcrime THIS IS THOTCRIME
wow syme is still alive?
julia: “you dropped your ink pencil” you mean pen?
winnie’s back in prescott! :D
the room is 4 bucks a night noice B)
BACC TO THE H8 BBY
the modern say 2 minutes hate is probably just a livestream with kids texting ‘h8 xd’ in the chat lol :D
winston’s thoughts: “she who is so careful...” boi she threw a dictionary at the telescreen in the book THAT’S SO NOT CAREFUL
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hey girl CUTE LQ SMILE YOU HAVE THERE!!! :D
YAS THE REAL COFFEE SCENE!!!!! :D
she has so many smiles YAS!!!!
she’s so eager with showing him I LOVE YOU SO MUCH JULES ♥♥♥
she says ‘real sugar, real bread’ and... jam
winston: “how did you manage to get all this?” jules has her ways... ;)
winston: “i want you” julia: “i want you too” YAS :D ♥♥
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the thiccc singer is here!! :D
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she’s so pretty! ♥
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aww the stroke ♥
his hands are shaking as he touches her :(
winston: “freedom is the freedom to say two plus two equals four. if that is granted, all else follows” iconic!
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YAS THE PAPER!!! :D
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it be gin time ;)
he scratches the face off the gin bottle woah :o
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I JUST REALIZED THAT THIS IS O’BRIEN :o
winston’s little ‘yes!’ at getting the 10th newspeak dictionary ♥
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that’s a look of longing my friends! :o
winston: “the call has come. all my life i’ve been waiting for it...” and now he’ll go into the unknown... ;)
AAND we cut to naked julia eating an apple! slight bi panic
she’s touching the paperweight queen love it ♥
SHE KNOWS THE CLEMENS YAS!!! :D
julia: “i just know it!” BOI YOUR G-PA HELPED OUT
winston: “the only thing to do is to walk out of here before it’s too late” thus my ‘julia lives’ au comes in! :D
winston: “never seen one another again” ...oh he was talking about that NOT IN MY AU SON
julia: “you do, i do.” omg marriage :o
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YAAAS JULSTON KISS!!!!!!! :D
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fluffy! ♥
julia: “i love you.” awww :)
winston: “julia. do you think the resistance is real?” julia: “none of it’s real.” STRAWBERRY FIELDS FOREVER!
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OMFG THERE WAS AN EXPLOSION :o
work is scrambling like eggs!
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poor headache bby! :(
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epic B)
winston’s dreaming of his bishy selfish chocolate mom adventure!
the rats were there when his mom and sister were vaporized! :o
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she’s in the dress! ♥
they’re talking about betrayal and julia’s like ‘they can’t do that!” OH BOI BUT THEY CAN!!!!
julia: “they can’t get to your heart” aww :)
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awkward...
winston sees o’brien WITHOUT JULIA THE F????
this feels like the principal’s office lol :D
o’brien’s voice is so deep and british ♥
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the way he clutches the newspeak dictionary is so cute! :D
aww he’s stroking the pages as he reads :)
the oceania anthem sounds russian :o
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YAAAAAAAASSSS!!!!!!! :D
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so soft ♥♥
winston: “julia, my love.” MY LOVE MY LOVE AHHH!!!! :D
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YEES THE COFFEE SMILEEE!!!!! :D
she’s hungry... she wants coffee... who’s gonna tell her coffee isn’t food?
omg i saw winston butt :o
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:)
winston: “she’s beautiful.” julia: “she’s a meter around the hips easily” winston: “that’s her standard of beauty.” YAAAS!!! :D
winston: “the future is ours.” YAS
OH CRAP THEY SAID ‘WE ARE THE DEAD’ NOOOO
mr. charington is loud compared to how i thought in the book
his ‘you are the dead’ should’ve been quieter like winston and julia’s then he could be loud!
FBI OPEN UP!!!!!
charrington: “here comes a candle to guide you to bed, here comes a chopper to chop off your head!” OHHHH NICE ONE MR C!!!!!! :D
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RIP TO A QUEEN :’(
i should be a bit more heartbroken BUT THAT MR C RHYME MAN
OMFG THEY JUST BEAT UP JULES
SHE’S IN SO MUCH PAIN NOOOO :’(
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why does he look old
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awww :(
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delete the drunk old lady BUT GIVE US PARSONS SUUURE
i dread the scene to come...
parsons didn’t say that he said ‘down with big brother’ so that’s a bummer :/
aww poor parsons he’s crying! :(
oh SNAP room 101!!!! :o
poor parsons but at least that scene wasn’t a thing!
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OUCH THAT SMACC LOOKED LIKE IT HURT
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is this leading into the bloody mouth scene? I STILL NEED TO KNOW WHAT THAT IS
winston doesn’t know where he is IT’S THE I WANT YOU VALLEY!!!
hold up this is just a vision ok BUT WHERE’S THE BLOODY MOUTH SCENE
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frankenstein and spirit halloween called!
also o’brien flipped the switch without warning BISH
o’brien: “you suffer from a defective memory” and you suffer from a BISH MEMORY SIR
remember winston it’s all in the mind... ;)
WHY DID O’BRIEN SHOCK  WINSTON HE SAID FIVE
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'how many fingers’ is a trick question because winston sees four YET WE SEE FIVE OHHH
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mother gothel vibes...
awww winston’s little scared squeak :(
winston: “i don’t know... i don’t know!” SAY FIVE WINSTON SAY FIVEEEEE
o’brien’s voice is so calming yet it spouts evil words...
julia immediately betrayed winston BECAUSE SHE HAD A ROSEMARY KENNEDY yet she’s somehow still alive without damage by the end???
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ooh a new shot! :D
they just faded to black and showed a new angle which is a bit weird...
o’brien: “you’re thinking that my face is old and tired...” because it belongs to poor richard burton!
o’brien just yoinked winston’s tooth out tho :o
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mother gothel strikes again!
winston to o’brien: “i love you.” you don’t say that back to jules YET YOU SAY IT TO O’BRIEN BOIIIII
o’brien: “you’re one of us. one of the chosen.” one of us gooble gobble! also ANAKIN IS THAT YOU????
winston just said ‘i love you’ oMG OMG OM WAIT WWAIIITIT
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AHHHHHHHHHHHHH!!!!!!!!!!!!!!! :D
seconds after she says ‘i love you too’ SHE’S FREAKING SHOT DAAANG NO PUNCHES PULLED BACK!!!!!
aww he called her ‘my love’ even in a dream
so that was the infamous bloody mouth scene and it was quicker than i thought it would be? at least i have a bright julia smile! ♥
OMG winston’s calling for her yet it sounds so weird WHYYY
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he’s much improved!
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they’re skyping lol
after all he’s been through he still hates bb! :o
ROOM 101 :o
room 101 is a personalized experience just for you! :D
also IT’S A DREAM MIRROR
omg the rats are GOING AT EACH OTHER GEEZ
winston’s squeak at the rats no!!! :(
‘do it to julia’ sounds a bit selfish but it’s the betrayal we’ve been waiting for!
...NOT
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uh oh here comes the awkward reunion...
they should’ve said “...sup.” to each other
the bartender saying “on the house!’ tiredly each time is great :D
winston: “thank you for coming.” julia in her thoughts: “yeah whateves bro.” :/
at least they can still bond over something :)
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jules gin time ;)
they ratted out on each other true love???
julia: “we must meet again.” winston: “yes, we must meet again.” ...they never met again
but if they did it would be a bro time!
winston: “i have seduced party members of both sexes” BI NANI???? :o
since his crimes are like the guy’s from earlier... what if he didn’t do them and was convinced that he did? :o
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in the book he says i love you to bb, but here he turns away and says it... what if he still loves julia? :o
and with that question, the movie has come to a close! it’s a fantastic little film that closely follows the book. while i would’ve liked to see julia with winston at o’brien’s and the drunk jail lady, the cutting of the gross parsons scene, the addtion of the bloody mouth scene and the possibly hopeful ending make up for it. overall, this is an amazing adaptation of such a great book! :D
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Best of tags #09
A compilation
@awesome-milkshake-blog on Iida, Bakugou and Kirishima: (Link)
#i hope their dynamics are more relaxed like this#in their second or third year
Plot twist: All For One slips in his jail’s cell shower and dies. The rest of the series is just a sitcom.
@jay-catsby on Aizawa complaining about politics at breakfast: (Link)
#hfjdjshdhs hes that guy in the dining hall who you overhear getting too real at 8am
He’s the guy who brings up child labour laws when you receive a pair of Nike shoes on Chritsmas morning. Just kidding, he’s not that socially obtuse. But a lot of characters mentions he’s very critical of society and we see in the “Vigilantes” spin-off that he had an... interesting relationship with law enforcement. My guess is that he used to be overly political but that he mellowed out over the years.
@awesome-milkshake-blog on Bakugou wanting Todoroki’s attention: (Link)
#thats it#thats the sports festival
Yeah, Todoroki’s and Bakugou’s relationship (or, at the present, the lack thereof) is definitely a development I’m excited for in the upcoming chapters of the manga.
So far Bakugou pretends to be indifferent towards his classmates’ opinions of him (although it’s painfully clear he’s actually obsessed with the way people perceive him and reacts violently whenever things don’t go his way). There are exceptions, however. He definitely changes behavior around Kirishima (to whom he listens more) and Deku (whom he can’t help antagonizing), but Todoroki is maybe the third classmate towards whom he shows interest. I think Todoroki represents a social class in which Bakugou wants to fit in, so naturally he can’t help showing some partiality. Todoroki is also one of the few classmates Bakugou feels could beat him one-on-hand, so there’s that. Basically Todoroki was born in the superhero scene and will undoubtedly be a superhero (he got into U.A. through recommendation, unlike Bakugou who had to pass an exam), he’s a natural professional. As much as he hates to admit it, Bakugou wishes he were in Todoroki’s place.
However so far Todoroki acts very indifferent towards Bakugou’s antics. My guess is that he dismisses him as a petulant man-child and finds him too unpleasant to try to build a friendship. But that could change.
Horikoshi has already laid the ground for deeper interaction when he put Bakugou and Todoroki in the kindergarten arc. We know that Bakugou knows Todoroki was horrifically abused by his superhero father (although Todoroki doesn’t know Bakugou knows that). He looks uncharacteristically disturbed when he overhears that. Bakugou idealized the superhero scene and learning of Todoroki’s terrible childhood is his first glance at the dark side of superheroics. We do know that Bakugou respects Todoroki’s outlook somewhat because he begrudgingly obeyed Todoroki when he told him how to handle little kids. Bakugou was willing to use violence to discipline them because that’s the way he was raised, but Todoroki reminded him that there was a better way of doing that.
My guess is that this is groundwork for how Todoroki and Bakugou are going to grow closer. Horikoshi didn’t picture Mitsuki hitting Bakugou for nothing, it’s a way to explain Bakugou’s irrationally violent nature. Although Bakugou’s childhood was better than Todoroki’s, his parents failed him and he needs to realize that to become a better person. I guess a deeper Bakugou/Todoroki conversation on child abuse is upcoming. Their emotional journeys complement each other. My hope is that Bakugou, following his conversation with Todoroki, will call out his mother on her casual violence (and his father on the way he enables it). The reason Bakugou acts so horribly is that the violence he experienced at home is framed as something normal. Bakugou is unable to recognize the harm he does to others because he can’t even realize the harm he suffered himself. Once Bakugou comes to terms with the damage his parents did to him, he will be able to acknowledge the damage he did to other people (such as Deku when they were in middle school). His interactions with Todoroki will be key in this development.
@greenvalleybroccoli on Bakudeku: (Link)
#all might would never ship bakudeku though
I don’t know, he seems pretty invested into the Bakugou/Midoriya rivalry in general. He clearly seems potential in their teamwork. Personally I think Boku No Hero Academia will end on Bakugou and Midoriya becoming a superhero duo in the same agency. The status of All Might as the symbol of peace is constantly decried in-universe as problematic because it’s too much to handle for one person. Furthermore it tends to evaluate raw strength as what it takes to be a hero rather than good behavior. So in order to truly change things for the better, I think All Might will not just choose Midoriya as a successor, but also Bakugou. The new “symbol of peace” will be a duo rather than a single hero, and their true superpower will be teamwork. Bakugou is used as a foil to Midoriya because it’s a yin/yang relationship. Duality is often a form of unity.
@demiboydorito on Kirishima eating a diamond: (Link)
oh god i sure hope op meant fantasy au bc the image of a 15 yr old child just c h o m p i n g a DIAMOND is killin me
You forget Kirishima has a hardening quirk. The joke is that his body is so resistant he can actually munch and digest diamonds. Maybe he’s part Goron?
@xxwolfydoodlezuwuxx on Todoroki hanging out with Shinsou: (Link)
#todo no-#being emo with shinsou is not gonna help u man.
Shinsou’s not emo, he’s old-school goth. His design is based on the character of Cesare from “The Cabinet of Doctor Caligari” (a movie about brainwashing/hypnotism).
@principle-of-parsimony  on Monoma copying Shigaraki’s quirk: (Link)
He'd only decay if he copied the power from like, a High-Five, since all five fingers need to be touching the object in question in order to make it decay. Now Shigaraki though, if Monoma copies his quirk and isn't careful when copying it, Shigaraki himself may start to disintegrate.
What if they touch each other at the same time? Do the quirks cancel each other out? Or do they both decay?
@paradis-smash on Bakugou’s future hero name: (Link)
#if his hero name is Kacchan i fucking quit!#I'm kidding#but please don't let it be Kacchan
I’m sorry to alarm you but I’m actually pretty sure that’s where the series is headed. Bakugou accidentally gave Midoriya his hero name (Deku), so there would be poetic justice in Bakugou embracing the name Midoriya uses for him (Kacchan). Bakugou’s arc seems to mostly revolve around him slowly realizing how his terrible behavior affects others and why it actually prevents him from progressing as a hero. His remedial internship at the kindergarten is actually all about that. Basically Bakugou is set back in his hero work by a massive P.R. problem. He’s not as approachable as Midoriya who just radiates positivity (like All Might). Actually most oh his hatred of Midoriya could stem from the internal realization that Deku’s personality is more suited to hero work than him. His aura of goodness makes Bakugou feel insecure in his own abilities. So he needs to get over that and try to learn from Midoriya, not only to imitate his social intelligence but also to realize his own qualities.
Bakugou probably hates that nickname but I don’t think he realizes it’s actually IRONIC. The “-chan” suffix is usually used by young women and children for people they find cute, but Midoriya actually finds Bakugou pretty macho and awe-inspiring. Calling “Kacchan” is his way of saying “you’re a badass, but you’re also my friend, and that makes me feel SAFE”. If Bakugou wants people to trust him more, choosing that cutesy nickname as his hero name would actually be a good P.R. move. It would subvert the expectations people have when his more irritable persona manifests.
@tis-i-the-frenchiest-fri on the eternal Endeavor debate: (Link)
Twice is probs arguing with himself in the background
It is a truth universally acknowledged that any panel of BNHA is automatically improved by a silhouette of Twive arguing with himself in the background.
@sassyakimichi on Endeavor’s dating preferences: (Link)
the last one I literally screamed "oH sHIT" so much for library discretion x-x
So now we can add “library discretion” to the list of things Endeavor’s ruined.
@missmarj on Shouto’s poem: (Link)
E. Coli and broccoli does not rhyme shouto but dammit that was beautiful
The poem as written is supposed to be bad so let’s all just pretend my mistake is actually Shouto’s!
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