#AS IF I don’t have an entire fantasy novel in this man’s pov to write

[coffeeandcalligraphy]

a terrible thing is happening to me (I am making a historically accurate harrison playlist & this is certainly going to make me write something else in his pov)

#AS IF I don’t have an entire fantasy novel in this man’s pov to write #but like…. canon Harrison means everything to meeeeeee #& music Matters So Much to Him #I think he’s an alternative guy and a radio pop guy primarily actually I think he likes everything #but ooooooh the way he probably had an awakening to the strokes……. him and Lonan making out rnnnnnnn #BLESSS THE KILLERS WHEN YOU WERE YOUNG CAME OUT SEPT 2006 WHICH MEANS ITS FEEDING HABITS COREEEE #also I love how feeding habits takes place 6 months after moth work but I always say it’s been a year & at this point I’ve said it’s #been a year so often that I can’t bring myself to change it LOL #even tho I have to bc I have it written both ways LOLLLL

[sercezgazety]

2, 9, 11, 16, 20 from this ask game

2. Is there any specific ritual you go through while/before/after your writing?

Honestly, no. There were some cases when I sat down and was able to write an entire fic in one night instead of sleeping just because it was from Lilith's point of view. And there were cases when I struggled with fics for months (just because they weren't from Lilith's pov, let's be honest). I write on the train, before giving a lecture, instead of working, or as a treat because I’m finished with my tasks. Two chapters of The Deal were written on my phone, and so was one chapter of Inhale, Hold, Exhale, because I was restless in a waiting room at a doctor’s. Eda’s entire testimony before the court in A Potter’s Field? Written on the phone during an awkward Christmas eve at the workplace and on my way back. But some other stories were written solely on the laptop during a deserved day off.

I guess there are two constants: 1. I start with collecting vocabulary and useful phrases that have the right vibe, I list them, and then I build the sentences and events around them (yeah, seriously); 2. when I’m near the finish line, I refuse to eat, sleep and whatnot until I reach the end of the story. That’s most often the moment when I finally know how the story’s supposed to end. Only after the last sentence, I fall asleep, sometimes still fully clothed.

Then comes the editing, though, which means the story usually gets twice as long in the process. But the frame, the, uh, skeleton is already there, so it’s much easier.

9. Do you ever have plans to write anything other than fic?

Papers. I have so many freaking papers to write and publish. I’m supposed to be writing one right now.

Back when I was younger, I actually believed I could be able to write a fantasy novel (then it turned into an SF one). I can’t, though. I don’t have enough ideas of my own. What I can do is deconstruct and play with the ideas of others.

11. Weirdest thing you’ve ever written/thought about writing/etc.?

Erm. Back when I was 14 and used to dwell in the cellars of FFN, there was this Foster’s Home for Imaginary Friends fic of mine. In which Frankie was so fed up with Mr. Herriman, she murdered him with a chopper. Then, she served him for dinner. Yeah.

idk, man. I was going through a phase (she said, still going through the same phase)

16. Do you have structured ideas of how your story is supposed to go, or make it up as you write?

As per my answer to question #2, I have no idea what I’m doing. There are some very rare occasions when I know how I want the story to end (once again, The Deal), but then I have no idea how to reach that ending, so I work backwards. But mostly, I have snippets of dialogue, a word I want to use, a problem I want to make worse, and I build around that.

I know what’s going to happen in the next paragraph, but not the one after that. That’s why I never publish multi-chapter fics before having finished writing the fic's entirety. I might get stuck in the middle of nowhere (this happened with some of my Star Trek wips), I might change the character’s motivation by the end of the story, and then add or delete some scenes in the beginning. I might need to completely re-arrange the material. I don’t know how people who publish chapters while not having the entire work as a context do it  (I mean, they do it very well, it’s just something that sounds too difficult for me).

20. 4 sentences from your work that you’re proud of

[context: Philip opens Caleb’s coffin and sees the worms inside]

These things might have their purpose, but Philip doesn’t enjoy watching them crawl. Frankly, it’s quite disgusting, and even looking at them squirm makes him gag at times. There’s just something naturally repulsive about them being blind, trying to find their way in the ground by touch, wriggling and making little nauseating movements that cause the soil to collapse and bog. These parasites are equally horrid when they crawl out, finally ripe, or when they cower in the middle of the throne room, trying to repent not because their conscience tells them it’s necessary but solely because they’re frightened of the punishment they justly deserve.

[that’s from The Emperor’s Two Bodies; I don’t rememeber any other fic giving that much of a hard time]

#ask game #the owl house #toh #fanfic

[meltotheany]

hello friends! i am actually writing this wrap up as my trip to chicago is wrapping up as well! truly, this month was a very good month! not only did i finally get all my yearly medical check ups done (after not doing them for many years because of the pandemic), but i was able to travel back to the east coast for the first time in a little while (also because of the pandemic >.< but anyways)! i am notoriously a bad reader while on vacations, but i was also a bad reader while traveling for this trip because i got a brand new episode of d20 (fantasy high junior year) each plane ride! but i was still able to read six things before i left at the end of the month! while putting this wrap up together i realized that i actually wrote full reviews for four of the six books i read in february! i know i’ve been saying this for over a year now, but i still don’t want to put pressure on myself with reviewing, but this makes me really happy and makes me think i could be truly getting back to where i want to be with book community things! ✨ ✨ The Warm Hands of Ghosts by Katherine Arden ⭐⭐⭐⭐ “It was so much easier to hate a man than a system: vast, inhuman, bloodstained.” i was able to have the opportunity to buddy read this with katherine arden (and a bunch of amazing booksellers and book content creators!) and the amount of research and respect and heart that she put into this novel is so very felt, but i really was lucky enough to experience that so much deeper. i was speechless at how much she knew and how much she dug deeper to learn so many personal stories of families during this time. it allowed me to have an even deeper level of empathy and just taught me so much in regard to understanding what life was really like during this time period all around the world. and i am still speechless that i was about to buddy read this book with one of my favorite authors of all time! ❤️ full review, with trigger and content warnings, on the blog HERE ✨ House of Flame and Shadow (Crescent City, #3) by Sarah J. Maas ⭐⭐⭐1.) House of Earth and Blood ★★★2.) House of Sky and Breath ★★★ i had a good time reading this. I really loved lidia and ruhn’s storylines and they really made the entire book for me. I am also still so very in love with hypaxia, and the things i would do to get her pov. speaking of, I felt a little bored at some povs in hofas – mostly ithian and tharion (i am so sorry to these men, i love them and feel so much empathy for them, but it is true). and bryce’s pov made me feel a range of emotions, that’s for sure, but most of the time it wasn’t the best emotions. ultimately, i think there were too many povs in this book and sometimes the switching between them felt very jarring and unbalanced. i also feel like there was just so much going on, which valid, but instead of it being information that we started to learn in the first two books, it felt like sjm was kind of just throwing out every plot she could think up. and i think this all made the pacing of this book a bit weird feeling. but i did love that baldur’s gate unexpected cursed dot storyline a lot. ❤️ full review, with a spoiler section and trigger and content warnings, on the blog HERE ✨ Faebound (Faebound, #1) by Saara El-Arifi ​ ⭐⭐⭐ this is such a hard book to rate and review, because i truly loved so much of it. the characters, the set up, the setting, the messages and themes, even the writing was so perfect for me. But the plot of this? oh, friends, i was just unable to be captivated by it. i really found myself a bit bored while reading, and while waiting for these things i loved to make a plot that i equally loved, but sadly it just never happened. this is a story about two elven sisters, one blessed with battle and one blessed with prophecy, and their journey discovering that the fae are real when they are banished from their elven homeland. we get to see the underground world of the fae, their bonded animal companions, a really cool tree of souls, and the different magic...

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#Book Blog #Book Blogger #Book Review #Book Reviewer #chicago #february 2024 #magiccon #meltotheany #traveling #Wrap Up

[aethuviel]

Me + Writing = Complicated

I started world-building/writing very lightly in my mid-teens. It was a very shallow Tolkien copy that went nowhere, since I knew nothing.

In my late teens I started wondering why fantasy “had” to be basically medieval Europe with elves, dwarves and dragons, and getting a huge inspiration kick from Avatar (2009), I started building a pretty huge world that I worked on, rehashed and worked on more throughout my early twenties (basically 2010-2017).

Its name is Whaiao, and it was always more what I would call “science fiction without space ships”, because... it wasn’t Earth. It was all alien creatures on an alien planet. But no space ships or high tech. But also no magic or supernatural elements, so I couldn’t call it fantasy. I felt a bit squeezed between genres, I guess.

I tried to make a story and characters, but I never could. I drafted character after character, and had some story elements, but I could never bring it all together to actually write a story. (I also foolishly thought I needed to wait ~10 years before I could start writing it, spending those years planning and world-building, without doing any actual writing...)

For now, that world is shelved, or only used for my alien creature world-building, when I’m feeling like doing some speculative evolution. It still has a couple of intelligent species, but I’m not bothering with making civilizations or cultures for them now.

In 2017, I actually started working on a more “traditional” fantasy world. Not because I lack imagination or am a huge Tolkien fan (I am sorry but I have never not yet read him), but because A) I wanted a dragon, not an alien dragon-thing tied to “it can’t be too Earthlike” B) I have slowly gotten into the Elder Scrolls lore (this is more post-2019) and, in combination with that, developed a completely different worldview and view on spirituality in my late 20s, compared to early 20s’ cold, rational atheism, which longstoryshort made me think of fantasy and myth in a completely different way.

(And while I think it’s cool to make fantasy based on entirely different cultures, I am northern/western European so that’s the myth I will turn most to, as Tolkien did.)

I also have minor projects with much, much less focus on world-building, where the story was the focus.

I have (since 2015) a story about a man befriending a wild whale, and the journey they go on together. Mermaids exist, and they are the only part of the story that got any real world-building.

I have (since 2016) a story about how a man in 19th century England discovered a dragon in the foothills of the Himalayas and brought it back to his zoo.

But I discovered, while trying to write a story for NaNoWriMo last year (50 000 words was difficult and me getting sick one week into it did not help), that maybe... maybe I don’t actually like writing?

That was hard to swallow.

I’m 30 now. I have been doing fantasy-ish worlds and stories since I was 18, when I came up with Whaiao. I have spent probably hundreds upon hundreds of hours researching, reading and listening to videos (thank you Brandon Sanderson) on how to write, how to do everything from character backstories and world-building religions, to prose and how to handle POV.

But I never actually wrote much. I draw in my free time. I sculpt. But I never write for fun. Instead, I guess I either viewed actually writing my story as “something I will have to do later”, or as a chore. And nothing creative can really work if you view it as a chore.

So after stressing about this for a decade and wondering when the hell I am supposed to actually start writing, because here I am planning and planning planning and it’s never going anywhere, where is that book of mine supposed to come from? I am a perfectionist, I want to do it right or not at all.

So this year, I decided to “give up” on writing. Maybe the love of writing prose, pages and pages of descriptions, characters’ thoughts and detailed events will find me one day. But so far, after over ten years, it seems I only enjoy the world-building and making rough stories, the kind you can tell by a fireplace one night, not the kind you write into a 500 page novel, or even a 250 page one.

Still, I am torn and a bit mad at myself. Whenever I listen to/read about other people talking about fantasy this and that, I’m like “I want to write and have my story I can show to people, even if it’s never published!” But at the same time... I’m like a “painter” who’s barely picked up a paintbrush. And I don’t know if it’s more the fear of not being good enough, or genuinely not enjoying the writing process.

I suppose time will tell.

#personal #rant #creative writing #nanowrimo #fantasy #fantasy writing

[guzhuangheaven]

So the last couple of asks re the novel of The Story of Ming Lan novel reminded me that I haven’t actually finished even half of it. So I went back to reading it and...

thank fuck for dramas and fade to black, because I just got the rudest whiplash reading the wedding night scene...

which is practically a rape scene. (read at your own peril)

I literally nearly threw my ipad across the room because it was so horrible to read. 

Are Chinese webnovel writers just THAT BAD at writing sex scenes? Or just this particular writer? 

(I’ve read...a few sex scenes in various Chinese webnovels, and I can never tell whether it’s because these things don’t translate well, but I have never enjoyed any of them...but I also haven’t felt so betrayed and horrified until this scene either.)

I mean, novel!Gu Ting Ye is no way as charismatic and engaging as drama!GTY as it is, mostly because we don’t get his POV in the novel, but still, I didn’t think I’d be suddenly snapped into a rape masquerading as a happy wedding night. How can you describe that scene as anything BUT rape, when Ming Lan is literally sobbbing and begging him to stop and he doesn’t? If the author was trying to write some kinky subdom fantasy thing THIS IS NOT IT!! THERE IS NOTHING IN ANYWHERE IN THE CHAPTER THAT INDICATES SHE IS ANYTHING BUT REPULSED AND HORRIFIED AND TRAUMATISED BY THE ENTIRE AFFAIR. 

Trust me, I checked. I read this in two different languages to make sure it wasn’t just one bad translation but it’s as rapey in English as it was in Vietnamese, which leads me to conclude it was as rapey in Chinese as well. 

Is it really so unrealistic to write a sexually-experienced man having sex with a virgin and still have him...you know, respect her basic bodily autonomy?

I’m just so sad, mostly because I have been liking the novel so far. Ming Lan has a very fun snarky inner voice due to being a transmigrated modern person with modern sensibilities. And then this happened. 

It’s doubly sad because it’s so clear, in the drama, without any explicit portrayal of sex scenes, that Ming Lan is at least comfortable with Gu Ting Ye from the beginning, even if it takes her time to actually love him. -h

#the story of minglan #知否？知否？应是绿肥红瘦 #知否知否应是绿肥红瘦 #rape cw #yes you read that right #the story of ming lan #ming lan meta

[ja-lin]

Taming the Tigress (Pride Month Writing Challenge Day 1, 2)

Fandom: Voltage Lovestruck Series: Sweet Enchantments Characters: Runa x MC Wordcount: 2200 Notes: MC’s PoV on how she feels about Runa.  Warnings: Rough sex scene at end, but no vulgar language used.

I’ve forgotten how many days have passed since being confined to this magical cafe and bound to a magician. I’m a fawn lost in a jungle of predators. But, everytime Runa walks past me, the exotic spiced scent of her perfume makes my heart flutter, a butterfly towards the sweet bosom of a flower.

Runa has the ferocity of a tiger and everyone warns me not to approach her. All the taunting voices echo through my ears that my relationship with the tigress is unhealthy and punishable in the magic world. But, I know in my heart that the tigress is lonely and her ferocious roars are no more than drawn out weeps that echo through the night. 

In the darkness, I hear the sound of a certain mysterious barista, like a one man orchestra working his magic at the bar. If anyone can give me advice about how to approach the tigress, it's Zain. Before I even sit down on a bar stool and begin to ask him a question about Runa, he gracefully turns around to face me, silken hair falling smoothly onto his shoulders, like ocean waves coming to a rest onto the sands of a beach. 

Zain is holding a beautiful ceramic tea cup, the edges of the cup adorned with intricate gold patterns resembling flowers and butterflies. The scent of the tea hits me and I’m transported to a field of exotic wildflowers.

Not only is Zain a skilled barista, his knowledge on rare teas is impressive. He explains, "This is special floral tea made from the petals of the blooming monarch flower.“

I continue to sip the tea, each sip bringing me deeper and deeper into the field of wildflowers. 

Zain’s voice is a gentle breeze in the field, “There is a legend about the origin of the flower's name. Ancient magicians say that during the monarch butterfly mating season, one butterfly could not find love. It was sad and had no energy left to flutter. After drifting around with the wind for several days, the butterfly landed on the petals of a beautiful, kind flower. The flower shielded the butterfly from wind, rain, and sun until it was strong enough to speak."

Yet, the flower noticed the butterfly was weeping one night and asked, "Why are you weeping my dear butterfly?" 

The butterfly woefully responded, "Everyone around me has found someone to be with for life, but alas I will never be able to find love." 

The flower decided to take a risk, "Take my nectar, regain your strength and you will surely find your true love." 

The butterfly was shocked by the flower's sacrifice, "But, you will perish if I do so! I could not do that to a friend!" 

The flower curled its petals as if embracing the lone butterfly, "I may not be a butterfly and I am from a completely different world, but I am doing this because I love you more than a friend. Please take my nectar and live a happy life, for if you perish I could not stand living another day." 

The butterfly began to weep again, "I cannot take your nectar and live a happy life because my life would not be happy without you." 

Zain continues to speak, voice smooth and smoky like dark chocolate melting against the heat of a kiss, “And, so there the monarch butterfly and the flower remained. Their love blossomed and grew -- seasons upon seasons passed and one spring, a magician stumbled upon a field of beautiful flowers that had petals resembling the monarch butterfly.”

As Zain finishes his story, the aroma of the tea draws me like a butterfly to a flower. He offers me the delicate cup and I take a sip. The tea tastes bittersweet with a strong floral finish that lingers in my mouth. 

I ask Zain for another cup of the tea, “Runa would love a cup of this tea, maybe it’ll cheer her up.”

To my surprise, Zain already has a tray of tea and snacks setup as he speaks to me, “What a coincidence as I was about to ask you to bring this to her! She has barely eaten anything all day and even the turnips are worried for their mother.” 

Zain winks at me as I take the tray up to Runa’s room.

I take a deep breath and enter the lair of the tigress. The room is dim, but I can make out the shape of Runa laying sideways on her bed facing the wall. Maybe this was a bad decision, I’m having second thoughts. 

Before I can change my mind, Runa roars in a fiery tone, but her voice is cracked as if she had been sobbing for hours, “Get the fuck out and leave me alone. Doors were made for a reason. To be shut.” 

I know I can’t back down, so despite the tigress snapping at me, I approach and sit next to her on the bed, “Zain wanted me to bring this tray of tea and snacks. It’s a rare tea, from the petals of the monarch flower.” 

Runa lets out a snort and a short mocking laugh before shifting and sitting up in bed next to me. Unable to contain herself, Runa bursts out laughing, “Oh, that dumb story he always tells. Zain’s always a big fanboy of fantasy stories with romance and legends. Lately, he’s been telling me about this novel he’s reading, of a girl from Chicago who gets dropped into some fantasy world and she managed to help save a knight and sorceress escape the wrath of an evil queen.” 

I set the silver tray onto my lap and mention to Runa that the novel was made into a movie a couple summers back.

“There was a movie called The Void’s Embrace, it was pretty popular and the audience was so disappointed when the knight sacrificed himself to save the girl and the sorceress. The sorceress lost her memory, but at the same time that also meant she forgot about years of war and abuse. The girl was heartbroken, but wanted the sorceress to live a peaceful life without memory of war and abuse. At the end of the movie, true love’s kiss brought the memories back.”

Runa rolls her eyes and grabs a biscuit from the tray to pop into her mouth, speaking as she chews. Some turnips sneak out of the crate, curious about the sugary crumbs dropping to the floor. Runa flicks pieces of biscuit down to the curious turnips.

“Silly humans. To hell with true love’s kiss. Fantasy romance is such bull crap because the writers make it so poetically perfect, but in reality that’s not how it works. You're such a hopeless nerd for fantasy romance. Nothing in reality is that perfect, second chances and redemption don't exist. Once you fucked up once in real life, there's no fixing it. Everyone will look at you like you're a monster that belongs in some deep, dark pit or locked up forever in a dungeon. True love doesn’t exist.”

Challenging the tigress in her lair proves difficult, but I know need to take a risk.

“But, fantasy stories like that give us hope to keep trying. The sorceress knew she did horrible things in the past, so she didn't feel like she deserved to be loved. I think that everyone deserves a chance. Whatever happened yesterday can't be changed, whatever's going to happen in the future is uncertain, but today...we can control what we do today in the present. I want to take control of the present. And, I just wanted to know your honest feelings. Everytime I try to ask you about our relationship, the door slams shut in my face.”  

Runa turns to face me so fast, bracing both my shoulders with such ferocity that it knocks the tray off my lap. The sounds of the silverware and tray dropping wake up some more turnips that had been sleeping in a crate nearby. They wobble out, some of them yawning -- and they begin to help their mother clean up the mess. I'm momentarily distracted by the cute, sentient root vegetables and don't notice that Runa's face is only inches from mine. I only snap out of my turnip pantomime trance when I feel her hot breath against my cheeks, but I don’t cower as she roars at me, bearing her teeth.

"Like I said. Doors were made to be shut. Stubborn humans. You don't fucking understand anything about about me and my past! Nobody understands me, yet everyone judges me and tries to help me. I suggest you stop trying and just give up now, just like the rest of them gave up on me and left me hanging. Stop giving me false hope, the light is unreachable from where I am deep in the lair. You don't fucking know shit. I wish you'd have never shown up at the cafe!” 

The words Runa spew at me are harsh, but I know that’s just her way of shielding herself from her emotions. Following her outburst, she uses her arms as a physical shield, crossing them over her bosom as she turns her back to me. Even as Runa's hands drop from my shoulders, I can still feel their heated presence like footsteps on hot sand that only slowly wash away with the cold ocean tide. I gently place my hands on Runa's shoulder to comfort her, but she jerks around to face me, freezing from the sudden touch, eyes wide with surprise that any prey would dare challenge the predator.

I take a deep breath and lock my eyes with Runa's.

“Yes. You got that right! I am a stubborn human, but this means I will never, NEVER give up on you. My entire life, I've known the pain of loving someone, but needing to suppress it, to hide it deep in my heart because others around me won't accept it. The fear of rejection, the fear of the one I love leaving me because I'm not worthy enough or I'm not real enough. It's like drinking poison everyday. You're not the only one with monsters within you. We all carry that burden, but at the same time we dream that one day we'll find someone who will accept us for the monsters we truly are.” 

Runa opens her mouth slightly about to speak, but her lips become sealed again and she averts her gaze away from me. The tigress knows she’s been challenged --she’s never been challenged before by prey and she doesn’t know how to counter it. 

So, I continue to advance, “Everytime I see you, hear your voice, feel your presence, and smell your scent -- it's like drinking more poison. I know it's killing me, but I can't stop drinking it.” 

I shift my hands up her shoulders until I’m cupping her warm, flushed cheeks and turn her face so we’re gazing into each others eyes. With confidence that prey never had against a predator I attack, “Runa Amberthorne, true love is the antidote. But, I'm content to drink all your poisons until the day I die.” 

With that being said, I draw her face towards mine until our lips meet. The tension, like sparks, suddenly ignites a fire I’ve never seen before in Runa’s eyes. The tigress is finally awake and I’m vulnerable as the prey. She wraps her arms around my body and returns the kiss with ferocity, deep and passionate -- her tongue dancing in my mouth as she explores and tastes me. As the dance ends, she playfully rakes her teeth against my lower lip and gently bites down before sitting back to catch her breath. Runa rolls her tongue across her lips and teeth and I know she's hungry for more. Offering myself, I fall back onto the bed, my hair sprawling out on either side of my head -- my quickened breaths and gasps only fueling the flames of her desire.

Like a tigress she pounces on to me, framing my body with both her muscular arms, nails digging into the bed like claws -- I’m frozen like prey staring into her intense amber eyes, but soon heat spreads through me like a wildfire out of control as she rips my clothing off -- nails digging into my skin as she does so. The slight sight of blood trickling from where her nails streaked down my tender skin releases her ferocious inner beast. The tigress, starved for eons begins to devour me from head to toe. 

I can feel how toned Runa’s arms are against my inner thighs as she lays fiery kisses down my body, lower and lower, until I gasp her name. Strands of Runa’s pink bangs stick to her face, now slick with the sweat. Runa slightly tilts her head up and our eyes lock. She sets my flames of desire ablaze with deliberate, relentless strokes of her tongue. I don’t dare break my gaze with her amber eyes, for I want the flames to keep burning hot throughout the night. 

I am hers now and forever, as she claims and marks me with her mouth.

#runa amberthorne #sweet enchantments #lovestruck #my writing #...goal is to write a short fic a day for pride month #this is for personal practice #i want to make a visual novel game thats similar to missed messages #this is day 1 and 2 cuz this fic is so long and i drew something #imma have to think of something for day 3

[dwellordream]

A Six of Crows Review: Joost and Inej I

This marks the beginning of my review of Six of Crows by Leigh Bardugo. Before I go any further, I want to provide context for my experience/knowledge of the book and its fandom. Six of Crows was published in 2015 when I was 16. I picked it up in a bookstore and read the first few chapters idly while shopping, before putting it back down.

At the time, my dislike of what I’d read was probably primarily fueled by the realization that it was by the same author as Shadow and Bone, which I had tried to read a few years before and disliked, and because at the time I was aging out of the YA genre in general and had very little patience for many of its familiar tropes.

In recent years, Six of Crows and its companion and predecessor series, the Grisha Trilogy, have become one of the most popular YA series online. The avid fan response and promotion of it on social media no doubt led to the Netflix series being greenlit and it is obviously trending at present due to the success of the series. With all that in mind, I’ve decided to try Six of Crows again and see for myself what all the hype is about.

Some more caveats: I am 22 years old. I am aware Six of Crows is YA literature intended for a middle and high school audience. I will not be holding it to the standards I would hold an adult grade fantasy book, in terms of prose, themes, or content. I am aware that I am not necessarily the target audience for the book and these reviews are in no way intended to shame or disparage anyone who enjoys the book.

Criticism is a healthy part of any fandom and does not necessarily constitute hate. I will likely critique elements of the book in my write up. That does not mean I have a personal vendetta against the author, publishers, or the TV show. Please do not take this as a personal attack if you’ve enjoyed the book. This is just intended to promote discussion and to gather my own thoughts.

If you follow me, I am tagging this as ‘in review’ so you know what to block if you don’t want to see my posts on your dash. I will be going through 1-2 chapters per weekend. This weekend I will be looking at the prologue, aka Joost, and the first Inej chapter.

Jumping into things, here is Joost:

The prologue is our introduction to Ketterdam, the setting of Six of Crows. It’s been a very long time since I read Shadow and Bone and so all I really know is that Ketterdam is a city in an island known as Kerch, based off the map. The major countries or kingdoms of the mainland to the east appear to be Fjerda, Ravka, and Shu Han, though it is unclear how they differ from one another at this point.

Ketterdam through Joost’s eyes is a sinister and dreary place, a city under a grimy night sky and full of dangers. Joost works as a hired guard for a very wealthy man named Hoede, who keeps grishas, powerful magic users, as indentured servants. Joost is infatuated with one of them, Anya, a healer, though he knows she is not likely to return his affections and furthermore cannot wed without the permission of her owner. We also learn that grishas are at risk for being kidnapped and sold by slavers due to their value. However, the indentured servant system of Ketterdam thus far doesn’t seem to be much better than slavery, given how little freedom the grisha have.

Overall, the prologue is supposed to give us a sense for the setting of Ketterdam and interest us in the main hook of the novel, which seems to be a mysterious substance that grisha can ingest to heighten their powers for the benefit of their masters, though it has the risks of making them uncontrollable. How well is this done?

Through Joost’s perspective we can glean several things; Ketterdam is a dirty city with rampant income inequality, full of crime and corruption. Magic is an established system within Ketterdam, but the magic users do not seem to be at the type of the hierarchy despite their powers, which suggests they are a minority to the extent of which they can still be controlled by the elite class of non magic users, if they have enough money and power.

It is also very obvious through the references in the prologue that Ketterdam is heavily based off the Netherlands during the Golden Age, which was Amsterdam’s (Ketterdam… Amsterdam… not subtle) economic and cultural boom during the 17th century, aka the 1600s. Notably the world’s first stock exchange began in Amsterdam in 1602, and it was a major port and trading hub for the Dutch East and Dutch West India Companies.

It is not clear if Ketterdam is also intended to be a 1600s-esque society, timeline wise, but we know that rifles are common place and there is a thriving merchant class who rule as opposed to old aristocracy, which seems to indicate a Renaissance style setting, as well as the urban environment in general. (That said, from the advertisements for the Netflix show, they seem to have updated it to a more Victorian-era 1800s society, in terms of fashion and general aesthetics).

Overall, the prologue does its job. It gives us a vague idea of what Ketterdam is like, how the society is structured, and who holds the power. It also ends on a suspenseful cliffhanger, leaving Joost’s fate unclear. Where it falls flat is that I think a little more time could have been spent fleshing out Joost as a narrator, even if this is his only showing in the book.

His internal monologue comes across as a bit dry and mechanical, as if the author is aware he is just a means to an end to start the book off with a bang, and he quickly turns into a walking camera (just there to report events to the reader, with no internal input from him), for the second half of the prologue, as we switch to just watching Anya and Hoede through his eyes. That said, it’s not a major problem, as Joost is clearly not intended to be a main character, and his narration still effectively conveys what is happening and sets the dark tone of the novel.

What I would have liked to see from the prologue is perhaps the POV of Anya herself, or the small child she is being forced to experiment on, as that might have been a more compelling and immerse introduction to Ketterdam and its dangers rather than the fairly bland and neutral Joost, who doesn’t really feel like a character so much as a bland stand-in for the reader. If we were put in the shoes of Anya, suddenly called upon by her power hungry employer to participate in this unethical test, or in the shoes of the small boy caught up in the middle of this, it might have been both more thrilling to read and given a more gritty sense of what it’s like to be on the lowest rungs of Ketterdam’s society, at the mercy of the most powerful.

Moving onto Inej, we run into some similar problems. After Inej’s first chapter, I couldn’t tell you a single thing about her, other than that she was an acrobat as a child, that she is part of the street gang known as the Dregs, and that she intensely values loyalty. This isn’t a problem, per say, but while that’s all good to know, it doesn’t give me any sense of Inej’s actual personality, which doesn’t exactly bode well. Like Joost, she comes across more as a walking camera and occasional tourist guide as opposed to a human character with her own worries, hopes, and fears.

I think this may become a recurring problem with Bardugo’s writing - ie all tell, no show. Inej is good at telling things. She tells us where we are as we follow her to the location of a stand-off between rival gangs, she tells us that Kaz, their leader ‘doesn’t need a reason’, though she never exactly explains what that means other than that he is widely feared, she tells us that she is very fond of her knives.

But in terms of writing, we shouldn’t have to be force fed all this information via her internal monologue, which, again, entirely cuts out once the action picks up, just like Joost’s. While I don’t need her thoughts on every threat or gunshot, it would be nice to feel as if she hadn’t just vanished from the story completely as soon as the dialogue starts.

We also meet Kaz and Jesper, though I couldn’t tell you much about them utter than that Inej clearly admires, even venerates Kaz as an accomplished intimidator and chess master, and that Jesper is clearly the joker of the group.

It also feels incredibly weird that this parley between gangs in happening in front of the city’s stock exchange. Inej tells us this is because the Exchange is one of the few remaining neutral territories, but it’s also heavily guarded, which means every time a gang wants to parley, they have to pay out the cash to bribe all the guards to very pointedly ignore a meeting between rambunctious and trigger happy street gangsters on their literal doorstep.

I understand why Bardugo chose this location, wanting to contrast the violence of the gang members with the economic injustice that the Exchange and its merchant rulers represents, but it just seems a bit silly. They couldn’t meet at the docks? In an alley way? This is like picturing the American Mafia hosting a public meeting at the New York Stock Exchange with a bunch of cops twiddling their thumbs nearby.

The foreshadowing that Bollinger is the traitor (‘I’m not going to bet on my own death’) also seems very heavy handed and a little much, but I’ll let it slide.

It’s also not really clear while Inej is present at this meeting in the first place. Kaz commands her to keep watch from above, but he has also put a contingency plan in place that doesn’t even involve her, having bought out some of Geels’ men from under him. Why put Inej looking down from above if you’re not involving her in this plan? Her only role seems to be to watch, and she doesn’t even have a gun she could play sniper with. It just seems like a hamfisted way of getting Inej out of the danger zone so the author can have her as a passive spectator to the violence that follows.

This is my main problem with this chapter. It’s supposed to introduce us to Inej, but really, it’s introducing us to Kaz. Which is fine, but as he also has a POV in this book, it seems a bit lame that her own chapter is completely overtaken by showing off A. his smarts and B. how dangerous he is, despite being dismissed as a young ‘cripple’ by the likes of Geels.

Geels is also… not a greatly done villain. I get that he’s supposed to be small fry and is just a precursor to much more threatening opponents, but his every line of dialogue feels designed to show off how cool and Machiavellian Kaz is in comparison. He doesn’t seem like an actual hardened criminal who has underestimated his opponent, but a somewhat cheesy cartoon thug who unironically says things like “How are you going to wriggle your way out of this one?” with his full chest. The effect is comical, and not in a good way.

This chapter also shows off Kaz’s sadistic side in full display, which is probably one of the only interesting things about it, though it would be nice if we got any input at all from Inej on this… instead she completely vanishes from her own narration, to the point where she might as well not be present at all. Kaz has no qualms about tracking down his enemies’ weakness, such as lovers and family, and threatening them.

But the open horror and shock Geels reacts with seems incongruent, as if Kaz were the first up and coming gangster to actually consider threatening someone’s family or girlfriend. That seems pretty par for the course for violent criminals trying to claim territory and unnerve their rivals, yet Inej and Geels himself react as if no one had ever thought of sinking to the level of ‘do what I want or I’ll kill your loved ones’ until Kaz invented it. It just feels a bit silly and on the nose.

Really, my overarching issue with this chapter is that it’s not about Inej at all, it’s just an introduction to the Kaz Brekker fan club. I don’t automatically hate Kaz as a character, but his introduction is heavyhanded and comes at the cost of any establishing character moments for Inej. The most we get out of her is her brief pangs of sympathy for Bollinger despite his treachery, and her brief reference to her childhood. Maybe future Inej chapters will totally change this, but right now, it’s not a great sign of what’s to come.

I can think of about a hundred things Inej could have done or said this chapter to develop or establish her personality at all, but all we got was her briefly holding a knife to someone, and her briefly saying a prayer for Bollinger. I think it would have worked much better had this plan to catch Geels with his pants down been Inej’s invention or at least worked out between her and Kaz, rather than her just there to play lookout and admire how cool Kaz is.

Or at the very least, we could have seen the scene referenced where she searches the crime scene of the assassination, instead of that getting two lines and an entire chapter being devoted to what boils down to a pissing contest over which gangs gets rights to a certain neighborhood.

Next week, we will look at Kaz I.

#in review #six of crows #ya lit #inej ghafa

[a-flickering-soul]

HUX FOR MEME

AH SHIT HUX MY BELOVED!!! THANK YOU!!!

First impression

Incredibly, I literally don’t remember?? I do not remember maybe because I was off the shits when TFA came out and Hux was literally inconsequential to me the first time I saw TFA but I do remember coming out of TLJ two years later hollering about this wretched man to the point where my dad literally asked me “Why do you like that guy so much”, so I mean he must’ve had some sort of effect on me over the span of those two years.

Impression now

Obsessed with him. Will not shut up about him. He makes me want to pace around in my room like a caged tiger. Hux the stressed, overworked, unhinged, consumptive little man who has an unimaginable amount of rage and hatred just bubbling up inside him 24/7 is a character that can actually be so personal. There’s so much to think about with him. He’s the funniest character who’s ever lived in my head. Hux is the everyman and yet there’s something so wrong with him. I’m enamored with him. He truly is the evil gay engineering girlboss representation I’ve looked for my whole life. Hux is a coping mechanism.

Favorite moment

Genuinely I could point out any one moment in the sequel trilogy novelizations or extended universe novels from Hux’s POV and say “there’s something wrong with him and he’s unnatural”. There are truly so many insane Hux moments I can point to but at the moment it is the incredibly homoerotic scene Rae Carson put in the TROS novelization all by herself for no reason that genuinely is just Hux being obsessed over Ren’s hair. He is just so obsessed with this other man and so megalomaniacal and so so fucking gay and evil that one of his biggest fantasies is making Kylo Ren cut his hair. I don’t even know where to start with that. There’s just so much to unpack here.

Idea for a story

mmghhkk I know everyone and their mother has done a shuttle fic post-TFA but also a) Kylux Renaissance 2k21 and b) more cakes, so I have somewhere in my Google Docs maybe 300 words worth of Hux picking Ren up after he gets his ass handed to him by Rey and if I ever get around to it I’m going to write something morally reprehensible and ill-advised about black leather gloves and blood and wound care or lack thereof.

Unpopular opinion

I am, once again, going to be the “old man shakes fist at cloud” meme and say people have gotten TOOOOO comfortable with woobifying Hux, which I don’t have as much beef with in terms of AUs, but there’s only so much soft Hux content featuring a genocidal space fascist I can take. Oh! Also redemption arc Hux. I’m tired of it. I want to see a villain decay fall-from-grace hubris arc! Let’s get freakish!

Favorite relationship

KYLUX! It is just so important to me that they hate each other and yet are mutually obsessed with each other! They are so funny! If they wanted to they could be a villainous power couple to raze the galaxy but they simply cannot tear themselves away from snapping at each others’ throats to consider it. It kills me how they are perfectly poised to liberate each other from their own respective shackles and yet they just can’t get there because they just hate each other so deeply and THAT!! is where the fun lies. Kylux isn’t even gaybaited. It isn’t even gaybaited!!! It’s not real! And yet it is so unbearably real it makes me feel like an imploding star.

Favorite headcanon

Fuck dude this has gone on long enough that I’m abandoning shame and I’m just gonna give you a bulleted list

would have been diagnosed with hysteria were he in 1800s England, but like the kind where he’s completely normal for like a year then snaps and tries to put a penknife through someone’s eye and then he gets sent to a sanatorium away from any work or stressors for a few weeks and comes back normal again

he has his dad’s teeth in a box in his quarters and looks at them when he feels sad

Millicent isn’t actually a cat (or any variation of tooka or felinx, for that matter) but Hux the spacer kid didn’t actually know what cats looked like so he just saw a vaguely cat-like shape and was like “sure! looks like a cat to me” and just treated her like a cat. God knows what Millicent actually is, but she seems fine.

Hux dogtags agenda. I know dogtags in a space military organization is not entirely logical but I think it’d be hot.

send me a character and i’ll give you some thoughts!!!

#thefearofcod #huxposting #star wars #ahhh hux my beloved.....hux my beloved he is just so important to me personally #kylux #<- for blacklist #answered

[fatalism-and-villainy]

What Makes a Work “Fannish” for Me?

So there’s been some well-need pushback against the idea that fandom-inclined people are “ignoring” quality media, or media with more unique premises/plotlines, more explicit canonical queerness, etc. This post, in particular, points out that people, in their fandom activity, tend to gravitate towards more “fandom viable” works, but that their taste could very well stretch beyond that. I agree with the general sentiment, but it got me interested in poking at what, exactly, constitutes “fandom viable.” My own fannish history is perhaps a little idiosyncratic, and my tastes are individual, so I can’t claim to speak for everyone here, but I did isolate certain aspects of a work that make me personally more inclined to write fic about it, read fic about it, extensively headcanon about it, write meta about it*, etc.

*My analysis brain is rarely turned off, but churning out actual quality longform analyses or interpretations, as opposed to condensed observations, take brain power that I don’t want to devote to everything I watch.

Here’s the reasons I could come up:

There has to be a semi-substantial fandom in place already. I won’t be prompted to think extensively and fannishly about something if the infrastructure to do so isn’t in place already! 

By extension, there has to be a lot of Lore in the work or its worldbuilding to pick apart and analyze, or at least a lot of interpretative potential to its characters and relationships. I first got drawn to online fandom for meta, and that still exerts a powerful pull in me in terms of whether or not I want to engage with a fandom (even in fanfiction-related ways). 

There has to be something porous about it, some sort of empty space I can crawl into. I’ve seen people cite the work in question letting them down as a motivation to participate in fandom, because they want to write or read fix-fic. That’s not quite what I’m getting at here, or not necessarily - sometimes the work in question works completely well and feels perfectly realized as its own story, but still leaves lots of potential to expand it beyond the bounds of its structure. The Silmarillion, for instance, is very broad strokes in its narrative, which works for its aims considering it’s meant to be an historical/mythological account (with various in-universe framing devices). But the extent to which important events, character interactions, and eras are glossed over leaves open lots of room for a fan to hone in on a particular element of the story and magnify it. The story as it functions purely on its own level is the appeal for me as a reader; the ambiguity and expanse of space to imagine the relationships in any number of ways is the appeal for me as a fan. 

There has to be a large cast. Gertrude Stein imagined theatre as analogous to a landscape painting in that it focused on group structures and relationships, and that’s the kind of approach I like to take to fanfic, and to building my own headcanon-universe. I often have my favourite characters, of course, but I’m not the kind of person who focuses exclusively on one character or ship. I’m drawn to networks of people whose lives rotate around and brush up against each other, and who offer a variety of permutations in interaction to play around with. A lot of the novels and stories I love don’t lend themselves to this, because they’re essentially a one-man show, with other characters existing to serve that one protagonist’s story. I need to have not necessarily multiple protagonists or POV characters, but multiple characters who are players in the game and whose perspectives, backstories, and interiority are at least hinted at. This is a big appeal of MDZS for me - it’s Wei Wuxian’s story, but there are numerous side characters who are given attention and whose personal relationships are important plot-wise or theme-wise. 

There needs to be a fantasy element - more specifically, it needs to take place in a world not our own. (Whether or not Star Trek or the MCU could count as this is.... questionable). Obviously not everyone feels this way - see Hannibal, Sherlock, and countless other popular fandoms that are set in our world. But for me personally, I like to have some remove, and in fact feel rather uncomfortable at the prospect. The reasons for this are twofold. One is negative - I’ve never felt entirely comfortable with writing stories that take place in our world, especially with no magical or otherworldly aspect. It’s hard to say why this is, as my reading habits certainly don’t tend in that direction - I read and enjoy a lot of realistic fiction, and, while I enjoy SFF, I’m quite picky about it. (This is what we mean by “people fannish tastes don’t necessarily indicate their media tastes as a whole.”) But I find writing those kinds of stories stifling and hard to express my voice in, for some reason. The other reason is positive - I get a lot of active joy in cultural worldbuilding, in playing in fictional settings not my own. This is a big appeal of The Silmarillion, and why I’ve toyed with writing fic for Homestuck. I will say that I also like writing queer characters and relationships, and there’s no way I want to touch real world queer identity and politics. There’s an appeal to exploring issues like those through a funhouse mirror. Art lets us look at our reality a bit slantwise. 

I’m sure there are other factors present for me, especially ones that are more minor or idiosyncratic, but those are the main ones for me. I’m curious to know what the draws for that particular kind of engagement are for other people!

#fandom natterings #alpha speaks #my meta #fandom #for pillowfort #queue

[haniawritesfiction]

Recent Reads-July/August 2021

The Psychology of Time Travel By Kate Mascarenhas

In a world where time travel was invented in the 1960s, two women become caught up in a murder that hasn't yet happened. For a book about time travel, The Psychology of Time Travel feels closer to realistic fiction than a sci-fi novel, honestly, if we ever invent time travel I could see this easily happening. For all that it technically a mystery, this book is more interested in the relationships, dysfunctions, and institutions that create these circumstances than the actual mystery. Don't go into this book expecting a murder mystery and you won't be disappointed. Mascarenhas masterfully uses pov's of minor characters to make this world feel truly immersive while never losing sight of her main characters, both of whom are flawed, fascinating, and very human. A great take on the time travel genre. -9/10

Devil's Ballast By Meg Caddy

A swashbuckling adventure focusing on the famed female pirate Anne Bonny. Devil's Ballast was.... a weird one. For a book that's meant to be a pirate adventure the pace is way too slow at times and then when it finally reaches the action, it rushes through it. The book also had a completely unnecessary pov of a pirate hunter that added absolutely nothing to the plot. I feel like I would've enjoyed the whole book way more if Anne herself had been more memorable, I'd just finished watching Black Sails, so Devil's Ballast's Anne Bonny and Jack Rackham are pretty boring in comparison to their Black Sails counterparts. But the part of the book that irked me the most was the romance. Anne spends the whole book seeming not that interested in Jack until the last second when he's her great love again. The strongest relationship in this book is the friendship between her and Mark Read, which was pretty cute and my favorite part of the whole book. -4/10

The Strangers Child By Alan Hollinghurst

In Edwardian England, while staying at a friend's house, a man writes a love poem that becomes famous. In the decades following, his family and friends are forced to live with his, and the poem's legacy. The Stranger's Child is an incredibly atmospheric book, with beautiful prose, but it felt like a bit of a letdown. Instead of an exploration of what if a famous love poem is actually gay, it's more of a meandering look at various moments in English history and the people living through it. There were chapters that just felt entirely pointless and there were only three sections that actually felt thematically linked. This book had so much potential, but it felt like the author's vision and the supposed premise were constantly at odds.-6/10

Crooked Kingdom By Leigh Bardugo

The sequel to Six Of Crows; political intrigue, gang wars, and magic all meet in the seedy underworld of Ketterdam. I read Six Of Crows about four months ago and mostly enjoyed it, though to be honest, I didn't quite get the hype. With this book, I get it. Crooked Kingdom weaves a complex and engaging plot to match it's superb worldbuilding and characters and I read it in one sitting. The fantasy elements were never too overwhelming nor predictable and the ending was the perfect amount of bittersweet. If you struggled through Six Of Crows, give this one a try, you'll find it hard to put down.-8/10

Circe By Madeline Miller

A re-imagining of an often maligned figure in ancient Greek mythology: the sorceress Circe. I had a massive greek mythology phase as a kid and so reading this was a blast. Miller's writing has an appropriately mythical feel, weaving multiple myths together to explore Circe's psyche. Circe herself manages to be incredibly likable despite her flaws and Miller expands her beyond her common depiction as a vindictive, promiscuous woman. Because of the nature of the plot, I feel like having basic knowledge of greek mythology enhances the reading experience, especially knowledge of the odyssey. To understand this Circe, it's important to understand the Circe of the odyssey and the way the common tropes of greek mythology are being deconstructed.-10/10

Honey Girl By Morgan Rogers

A young woman feels lost after getting her doctorate and runs off to spend the summer with a woman she got married to while drunk in Vegas. Honey Girl is not a romance novel or really your traditional romcom, instead, it is an exploration of family and coming of age in your twenties with a well-written love story at its center. From the prose and general atmosphere, this book has an almost magical feel, yet manages to feel incredibly raw and real. If you're burnt out on romcoms and want something that isn't too saccharine yet leaves you with that warm fuzzy feeling, this book is for you.-10/10

Bolla By Pajtim Statovci

In 1990s Kosovo, two men, a Serbian and an Albanian fall in love. Years later, the two men both struggle with the after-effects of the war and their circumstances. Bolla is not the sort of book that you can say you like, though I certainly didn't dislike it. The writing is fantastic and has a very unique quality (possibly due to the novel having been translated from Finish) yet Bolla is incredibly bleak. The romance presumably at the center of the novel is less of the focus and instead what anchors the two men's stories. Their relationship is over by chapter three and at first, I was honestly a little peeved that it got that little attention or description, however by the end of the book I honestly felt it worked. A haunting story of war and the human condition.-7/10

The Kingdoms By Natasha Pulley

When a man gets off a train in London, he can remember barely anything about himself or his life, except the sense that the reality he is faced with is wrong; Britain has been under occupation by the French since they won the Napoleonic wars 85 years ago. Determined to find out who he really is, he follows a century-old letter to an abandoned Scottish lighthouse and finds himself the key to winning a war that could change everything. The Kingdoms is a book that keeps on giving, just the premise of a Britain occupied by France is fascinating, but Pulley goes a step further weaving a complex plot that kept me on the edge of my seat. Her writing is fantastic and like the premise, it felt like entire books could be written about every single setting. The characters are also engaging, from Joe, our main character, who is just so immediately likeable, to Kit, a character who is the definition of morally grey. My only quibble is the female characters, who feel fairly underdeveloped and only really there to flesh out the male ones. -9/10

Cinderella is Dead By Kalynn Bayron

300 years after Cinderella found her happy ending her legacy has been twisted to create a dystopian life for the girls living in her kingdom. Four to five years ago, I think I would've really liked Cinderella is Dead; I mean it's a sapphic fairytale retelling! But my taste in books has changed a lot and this book just felt far too YA for me. The writing felt young, the characters underdeveloped and the plot cliched.-2/10

#recent reads #haniawrites #recent reads july/august

[maxwell-grant]

On The Shadow’s “new” backstory

Poke around any discussion of The Shadow and the movie in particular and you’re gonna find a lot of contention regarding the movie’s biggest shift from the source material, that was inventing a whole new backstory for the character where, prior to being The Shadow, he used to be a murderous warlord on Tibet who was kidnapped by monks and forced to undergo redemption and put his skills to fight evil. 

It was not a popular decision at the time, to put it mildly. It didn’t do anything to improve the film (that text crawl really shoots the entire film in the foot), it soured a lot of fan opinions on the whole thing, and yet it’s become such a fixture of every story told with the character since then, that odds are most people think this is just what he always like, that this lip-service about redemption and being a former bastard turned hero was always what the character “was about”. 

I have some complicated thoughts on it and how it’s affecte Shadow stories since then, most of whom are negative, but the thing is, I get where it’s coming from. I get why they felt the need to change his origin like that, and why it’s stuck around. 

In the pulps, The Shadow’s backstory was, to sum it up, that he was a spy who went to war, learned a lot of skills and did a lot of things, and then pivoted to fighting crime in the late thirties. That was the backstory of most 30s American pulp heroes, actually, give or take a couple of differences. And for a pulp hero, it works. But modern audiences have been taught to expect more.

The movie, in trying to repackage the character for a modern audience, in turning The Shadow into a superhero so he could survive in a 90s blockbuster landscape, needed an appropriately punchy superhero backstory. Superhero backstories tend to be, in general, all about a dramatic hook that simplifies their motivations, powerset or life stories into a one-sentence pitch. Batman lost his parents in a brutal mugging as a child and swore to stop that from happening to others. Spider-Man’s uncle died because of his irresponsibility. Ben Grimm gained superpowers from space rays like his friends, except he got turned into a deformed rock monster who can never look normal again. Bruce Banner got caught in an atomic blast that made him into an unkillable rage monster. A dramatic transgression happened, they must correct it by becoming dramatic figures themselves.

They’ve made 3 John Wick movies with little more motivation to the central character other than “they killed his dog in the first movie”. That’s not a dismissal, it’s just effective storytelling. We don’t need more motivation for John Wick, we don’t need Batman flashbacks in every film, we get a one-sentence hook for a tangible, grounded motivation that lets the characters hit the ground running. “Used to be a savage murderous warlord, now applies said savagery to killing criminals” is a simple, easily understood pitch that’s considerably more dramatic than his former backstory. It works as a superhero backstory, and you can argue it’s even somewhat thematically fitting, since “a villain who turns evil against evil” has been part of The Shadow’s concept from day one. 

So what’s the problem with it?

Well, for one, The Shadow is not a superhero. He doesn’t look like them, he doesn’t act like them, he doesn’t live in their world. They can try and turn him into one, and they have done that several times, but the character’s core traits, central appeal and identity are not only considerably older than the superhero, they run directly counter to what defines a superhero. The movie that tried turning him into a superhero was a box office and critical failure, and the Dynamite comics have largely just succeeded at keeping the character in the fringes of the public eye and nothing more. If turning The Shadow into a superhero was intended to revitalize his success to modern audiences, it clearly hasn’t worked in over two decades, despite superheroes being more popular than ever before. It’s kept him on little more than life support.

And two, one of the very problems of trying to turn The Shadow into a superhero, and give him an ultra-dramatic superhero backstory pitch, is because it runs counter to a cornerstone of The Shadow’s appeal: the mystery. Superheroes have to pull double duty in being both the impressive, great warriors and forces of change within a story, as well as being our relatable, POV protagonist whose struggles we relate to. The Shadow, in the pulps, split that balance, between himself, and the agents and protagonists of any given Shadow story. @oldschoolcrimefighters  has brilliant writings on The Shadow and his agents that inspired me to do this blog in the first place and you should all read, and I’m going to quote this one in particular: 

“..modern storytelling focuses more on characterization rather than plot. I think a lot of creators come at The Shadow with that in mind, and with a mindset built on other comics and properties: the titular character is the one to focus on. And the radio show, movie(s), and comics – the most readily available mediums for research – don’t do much to disabuse them of this idea.

So creators shine the spotlight on The Shadow. They try to humanize him, make him into someone we the readers will empathize with and relate to and root for and all that jazz. They give him motivations and backstories and banter, a token romantic interest (Margo) and sometimes sidekick (usually Moe) to bounce exposition off of and provide comic relief. 

The Shadow doesn’t take kindly to spotlights. And even if he did, let’s be real, he’s not the most relatable dude. He’s a power fantasy. (And there’s nothing wrong with that.)

Whether or not he should be humanized at all is a touchy subject – I personally think the pulps portray him as a far more empathetic, fallible, playful being than people give them credit for. The thing is, when the pulps humanize him, it’s in a particular context. It’s in his relationships with other characters – especially the supporting cast – that his humanity shines.”

And that brings to the third problem: The Shadow doesn’t need a backstory that takes up so much screentime and focus. It has never factored into what made the character popular in his prime. In the pulps, we jumped right into his presence in the lives of others and his adventures, with only very sparse information about his past delivered every couple dozen books or so. It took over 131 novels for the name “Kent Allard” to even show up with a “proper” backstory, and even then, it consisted of little more than stuff we’d already been told prior about him (he was in the war, he used to be a spy, he traveled around the world with false names). And after a couple dozen stories, Kent Allard appeared less and less, about as often as the fake identity of Henry Arnaud, to the point the final Gibson stories omit him all together and even point to Lamont Cranston as the “true” identity of The Shadow. Kent Allard was just a name he went by a few times, and nothing more.

The most popular version of the character by far, the radio show, didn’t even have that. We knew nothing about the radio Shadow’s backstory other than some of his travels in the past he’d mention on certain episodes and what the opening narration told you. He was our POV protagonist in those episodes far more so in the pulps, and yet, clearly they must have been doing something right, if audiences never once missed the fact that they knew next to nothing about who he used to be before.

The very reason The Shadow became a character in the first place was because of popularity. It was because listeners tuning in to Detective Story Hour found themselves faced with the sibilant, cruel, snake-like whispery taunts of a narrator who talked and acted like no one they had heard announce other radio shows, who was easily the most interesting part of the shows he announced, and whose voice and personality held them in such fascination, even when he was literally nothing but a voice and a personality, that they started demanding to hear more of him, asking for stories starring this dark prince of radio that lived so vividly in their brains, that they didn’t notice, or care, that such stories about him didn’t exist yet. 

And when he was turned into a crimefighting character, his backstory was built in a way that allowed Gibson and any future writers to play around with and insert events and adventures as they saw fit. His adventures with the Tsar in Russia, his travels to India, Africa, Tibet, his war experiences, unrecorded adventures with allies and agents and villains of any kind, his post-war travels as Kent Allard, whatever happened in the years between his crash in the Yucatan and his arrival in America. Hell, if you want to have a period where he really loses it and does immoral things he isn’t proud of, there’s any number of periods you can insert mistakes and bad decisions that would define his actions years down the lane. It was a sandbox of any possibilities, grounded to a strong character who we could follow into any adventure because we’d be interested in learning more about him. 

A good backstory helps, and The Shadow’s motivation was grounded to it, but it was never a necessary component to his popularity. It was never something that needed much focus beyond the sparse information. When handled poorly, a backstory only really threatens to taint that appeal, and that’s what happened.

The “hook” that got audiences to pay attention to The Shadow was his sinister personality and charismatic cruelty. That was what they came for. What got them to stay, and read the stories and form lifelong devotions to the character and his adventures, was discovering that this personality belonged to a character who was, utterly, on the side of good, who used his skills and powers of great villainy to protect innocents, to help and uplift people just like the readers and listeners. That dual nature was a big part of why The Shadow was so enduring and popular in his prime, part of what set him apart from all of his contemporaries and imitators. 

It’s hardly much of a contrast, hardly much of a fascinating and layered character that we want to learn about or spend time with, if he was just always a horrible villain who is only marginally less horrible now, is it? A Shadow who used to be every bit the horrible villain he looks and acts like isn’t really that interesting, it’s just what you’d expect from him at first glance. What’s the point of caring about a man trying to regain his humanity, if we never get to see much of that humanity in the first place? What’s the point of even going into his past if we know all about it?

What’s the point of taking this backstory that was all about open possibilities for storytellers, all about covering the intricate life of a complex and strong character, to reduce it into a quick, punchy one-sentence summation that simply sets down a baseline for all future stories to repeat ad nauseum?

It’s not that I don’t think you can tell stories about The Shadow’s backstory, quite the opposite. It’s not that I don’t think the character having a strong “hook” for audiences is unneccessary (he already has). And it’s not that I don’t think he needs a motivation (he already has). But I have to ask:

What’s the point of shining a spotlight on a shadow, if not to eliminate it?

#the shadow #the shadow essays #pulp heroes #pulp fiction #pulp #lamont cranston #kent allard

[belle-keys]

Incoherent thoughts about A Court of Silver Flames (2021) by SJM

Do not expect this to be a critical, unbiased review at all. Eet just ease what eet ease. Spoilers ahead laddies. 

*unwanted preface* 

Okay, so like, you know those things that are neither objectively perfect nor unproblematic yet you love them and are attached to them anyway? Yeah, this is me with SJM’s writing. See, I been with Sarah and Throne of Glass since March of 2015 and with ACOTAR since the summer of 2015 when I was 13 and honestly, ACOTAR in particular occupied a decent portion of my formative teen years. Eventually, when I was about 16 I sort of ended up getting distracted from YA books and went into my thot and kpop era. A main reason for this is that I found ACOFAS particularly disenchanting. This ain’t about that book (sigh) but let’s just say as much as I was still attached to and in love with the ACOTAR world, I was still able to get very annoyed by the decreased quality of the writing and also the evident projecting Sarah was doing onto Feyre with regards to her own life and experiences (ahem). No, the lack of developed POC in the book had nothing to do with it ironically. 

So basically, since the spring of 2018 I haven’t read any SJM yet I never fell out of love with the books either. I’ve sworn off TOG after whatever the hell EOS was, but ACOTAR was always more special and close to my heart by tenfold, honestly. See, the best day of my 2016 was the day I found out ACOTAR was getting the extra 3 novels and 2 novellas. ACOFAS was a dumpster fire but I was actually surprised to really, really enjoy A Court of Silver Flames while it obviously has a couple (multiple) sus facets to it. The susness aside, I thoroughly felt at home reading Nesta’s book despite how irrational that might sound. No, I’m not here to say the book was objectively good but I’m here to say I still enjoyed it despite my love-hate relationship with SJM and her writing. :( :( :( 

That being said imma still roast tf out of a couple aspects of it. :)

*the susness*

Aight wbk that SJM like, projects a lot onto feyrhys right. I’m not even gonna deny it. Like as horrible as it sounds, when feyrhys were, like, struggling as a couple and shit in ACOMAF, that’s when I loved them the most but then the shitstorm that was ACOWAR hit and they couldn’t go without boning every two seconds or calling each other mates and shit and basically every character in the book started kissing their asses (except Nesta) to the point where they were infallibly good and powerful and everyone’s heads were lodged up their asses... I got PISSED OFF then, right.

Now, in ACOSF (is that correct?), they were side characters and, gratefully, that romance between them was toned down. But here are some things concerning feyrhys and the Court of Dreams that irked tf out of me, and the implications that they had for Nesta (who is perhaps one of the baddest bitches ever) had me feeling homicidal towards the IC:

Every single time Nesta said shit about Rhys and then Cassian got mad I wanted to SCREAM like yooo let her roast tf out of him like yeah I get Rhys lowkey did a lot for her both directly and indirectly but cmoooooon not everyone needs to be riding his dick like the man HATED Nesta from the get-go. I loved the idea that someone in the book lowkey abhors Rhys just for the TEA it gave me. Like yeah, okay Cassian, I get that he’s your bro but he can SUCK NESTA’S DICK also like my girl is a DEATH GOD.

Here me out: the Inner Circle completely dehumanized Nesta, they completely disregarded her personal autonomy and caged her in which is ironically the very behavior that was villainized when Tamlin did it to Feyre. First of all they restricted her movement, they made decisions FOR her, they withheld from her knowledge about her own powers, they decided what’s best for her and acted like she was a rabid dog the entire time. Only Cassian and Azriel seem more blameless in this regard, but the level of scorn and abohorence and moralizing Feyre, Elain, Rhys, Amren and Mor did towards Nes made my blood boil. At the end of the day, the Inner Circle did the VERY THING they hated being done to Feyre. Whatever happened to the freedom they professed? The autonomy they decided all members of their court deserved? That was all bullshit, or was this switch-up SJM’s way of creating justifiable conflict between Nesta and the Inner Circle... either way, there was no closure about this and the way they dictated Nesta’s behavior whilst completely mistreating her imo.

More on Nesta’s treatment - okay listen the way the narrative had every character acting like Nesta was fricking scum and for WHAT??? Okay, she didn’t hunt when Feyre and they were poor, she was bitchy, she hates the Fae... okay, why is Nesta still being punished for her mistakes like this by the Court? Does their forgiveness only apply to those in their clique? They’re acting like her drinking and sleeping around and her general bitchy behavior is sooooo toxic when they ALL coped with their respective trauma in questionable ways in their centuries of living. And the narrative never condemned them for this behavior either... like cmon they had an “intervention” about Nesta like if she needed to reach a certain moral standing to be lovable or something. Seems to me that only Cassian was willing to love her, bruises and all... “There’s nothing broken to be fixed. You are helping yourself. Healing the parts of you that hurt too much - and perhaps hurt others too”. But as beautiful as that it, it seems the IC see Nesta’s healing as her “redemption arc” when I never saw her as a villain or monster to begin with. They acted like she had to become deserving of their acceptance. Bullshit.

No cus more on this... Cassian is the only person who defended Nesta, the only person that wanted to help her heal and grow when everyone else wanted to fix her. He was the only person who was kind to her from the original trilogy (i.e. not counting Emerie and Gwyn). He stood up for her and I’ll gush about them in the next section, but the dynamic between Nesta and the IC was the least enjoyable aspect of the book for me. It was clear SJM wanted to spur Nesta towards the path to healing yet only figured out how to do so whilst only keeping feyrhys as the nucleus of this arc, and so she had them force Nesta into her “special journey” (because she loves them so much, cus they’re sooooo perfect right *rolls eye*), yet, the narrative didn’t quite condemn them for their toxicity towards Nesta at ALL, even towards the end. The good thing is that Nesta did not become an ass-kisser throughout the story and laud them for “helping her” every waking second. Only Cassian didn’t shun her for her inner negativity but embraced her. And Az was pretty cool too, can’t hate him.

Ahem, the ending: okay, I’m not even capping, but I hated that Nesta lost her power for feyrhys. I get that she genuinely did it out of love and shit and I’m not even gonna lie, the thought of feyrhys dying had me on the verge of tears cus as much as I hate them, I also love those bitches. Yet, the culmination of Nesta’s power was, what?, to save feyrhys. This way, the narrative put Feyre at the center of Nesta’s narrative towards the end. And Nesta lost that Death God power that she basically EARNED in that Cauldron. This is the biggest flaw of the story. She fought against her own power to give it up... for Feyre. Like??? What??? Why was that baby arc even necessary????? Why was Nesta giving up her power necessary to fulfil her healing arc which was the POINT of the book??? Like what?????? It left a sour taste in my mouth. No- an abhorrent acidic bitter taste in my mouth. 

Elain. I CANNOT STAND THIS GIRL. She completely abandoned Nesta and for WHAT??? For Feyre??? This only served to reiterate from the narrative’s POV that Nesta was scum and again, idk WHY. And also, why tf does this girl mistreat Lucien like this??? LUCIEN AKA MY FAVORITE CHARACTER???

I just don’t get how the narrative reiterated that Tamlin is the worst of the worst when you got Rhys hiding shit from Feyre, hiding knowledge of Nesta’s power from Nesta, all of that. Like, was the entire point of ACOMAF not for Feyre to embrace her power and become her best self? Rhys never for one second tolerated withholding Feyre’s power from her. So why tf does this apply to Nesta? Cus she’s unhealthy? Okay... so what??? Why villainize her like this and imply she’s undeserving of her power and a waste of life??? I’M LAUGHING SO HARD RN LIKE WHERE DID THIS EVEN COME FROM??? What did my girl do that was sooooo bad that yall needed to treat her like this. Tell me why feyre and amren and varian and rhys all acted like Tamlin in this book. Cardi voice WHAT WAS THE REASON. I AM SO MAD ABOUT THIS CUS THEY ACTED LIKE THE FRICKING MORALISING SYCHOPHANTS THEY CLAIM TO HATE.

Like bitch??? They’re like those youth pastors that reiterate how broken and messed up people with mental illness are? Acted like Nesta screwing guys was the worst thing ever when they should have embraced her? Like I get she would push them away but really??? “Waste of life”??? 

So we gon gloss over how Amren was insisting Nesta shut up about the baby business to Feyre (aka hiding shit from her)? How she was implying that Rhys should conquer all of Prythian? Hear me out, even as someone from a Caribbean country that was colonized by the whites, it actually doesn’t bother me when the theme of conquest comes up, like, this is a fantasy novel and colonization does not exist within the same context for me. That being said, like, it felt as if the narrative telling me lil Rhysie is just sooooo perfect that he needs to be High King. Like, I respect the fact that Rhys has no wish to do so. Homeboy never seemed to care for conquest beyond ensuring his Court’s prowess and safety so WHAT WAS THE REASON AMREN??? Like? What kinda crack was Amren on this entire book???

The worldbuilding... listen, the politics and history felt all over the place, felt incoherent and flat honestly. Didn’t bother me as much as it did in ACOWAR but it was just *meh*, not good. Not horrible, but not great. I preferred the world when it was directly the result of Beauty and the Beat and East of the Sun, West of the Moon.

The Fae have lost their *magic*: no cus what I loved about the first book was that the Fae were one with the Courts and felt very fleshed out in terms of their powers and shit, but now only Eric and Lucien and Tamlin and sometimes Rhys have that same magic for me. Like... the sensuality of the Fae in terms of their actual Celtic roots, that which felt whimsical and immersive in the first book, feels lost to me. I can’t explain it but I feel less nuance and orthodoxy in their portrayal. However, I DID love this one line featuring none other than the loml : “Amid the pink and white blossoms, the cold-faced Autumn Court heir looked truly faerie - as if he’d stepped out of the tree, and his one and only master was the earth itself”. LIKE I SALIVATED THAT IS MY MAN.

*good stuffs*

Okay let’s talk about the smut like I didn’t like the word choice as usual like quit with the euphemisms and say cock and goooooo. That being said like, okay, I like how she set up the physical dynamic between Nesta and Cassian cus the sex wasn’t some big romantic climactic build-up like how it was in acomaf like they were being NASTY from the get-go and I respect that drip. Like she did not cap on how porny the smut was and thank God it wasn’t some cliche romantic honeymoon type shit, like it was almost on the ao3 level of smutty goodness. All it was was missing was coarse language and hard kinks but in general, I liked the Nessian smut in this book more than the feyrhys smut in particularly ACOWAR and ACOFAS, like Nessian just do not cap.

Listen... you see that whole part when Nesta was like imagining how awesome it would be to dance Lucifer’s Bachata with Az and Cassian? Yeah, my girl just let her thoughts run wild. Like Nesta makes Feyre look naïve. Like you know how Tumblr porn in 2016 used to be with the aesthetic type shit? That’s Feyre, but Nesta is like on Pornhub level and it’s so fitting I was YELLIN lowkey. I feel like less importance was placed on how meaningful the sex and shit should be in the book and I respect that.

YOU SEE WHEN NESTA TOLD FEYRE ABOUT THE BABY!!! I WAS CHEERING HER ON. No cause they were being so nasty to Nesta especially Amren and then Feyre entered with all of her moralising shit like honey you KNOW damn well what you’re doing to Nesta is what you hate being done to you. Like damn right tell her, cus I could not STAND the double standard.

The whole training the women thing was a nice touch. It was kinda corny but also sweet. That being said, I laughed so hard when I realized how this entire book was Nesta’s quarter-life hippie rebirth where she learns to meditate and work out and read romance books and face her inner demons like this is some real New York college shit. All that was missing was a Starbucks.

Cassian. Man I love this man so much. No like he displayed peak dilf behavior. I think his attractiveness isn’t based on his bravery or his hotness but his humility man. Like he’s not a thot, he’s respectful, yet tough, yet contemplative. He’s contented with his life station yet wants to always be a better person yet is such a strong rock who really loves Nesta not despite her flaws but because they are part of her. I love the way he stood up to Rhys a lot, he didn’t shame her when she was awful to him, and he is protective (annoyingly so sometimes) but he really wanted her to empower herself. Their relationship isn’t perfect (I’m not in the mood to dissect the problematic aspects rn) but they were so sweet together and I didn’t expect to like them as much as I did back when they were lowkey a thing in ACOMAF.

The mates thing didn’t bother me cus I saw this shit coming since 2016. Yes, it’s cliche and annoying but the mates status also, like, has no meaning to me so it is what it is. Didn’t think they NEEDED to be mates but I was happy that them being mates wasn’t the core of the novel and it was secondary to Nesta’s individual healing journey.

Prepare for me to get sappy but another reason why I loved this novel was because it was a story of healing. :( :( :( The road to healing and growth in the emotional sense is always beautiful to me despite how flawed it often is when SJM writes it. I just felt really immersed in the emotional woes and eventual growth of Nesta despite my issues with the book and this is perhaps one of the main reasons that I found it beautiful, because healing as a theme is always beautiful and raw.

More of Nessian but like their relationship feels so real and raw too. No, cus like, it wasn’t tinged in as much fictitious idealism as feyrhys’ relationship was. They weren’t all stupidly in love and seeing each other in the universe and shit, like they just made each other happy and weren’t portrayed as the perfect soulmates who were each other’s yin and yang and whatever thank the LORD. Them having each other’s back was enough and ughhhh Cassian was just so sweet and such a good trainer and so aloof yet passionate like I been waiting to see more of him since ACOMAF so yayyy.

Okay... that scene where Rhys kneels to Nesta and she embraces him. yes. YES YES YES YES YES that shit was the shit that made my year like I want this man to be in her debt for the end of time like this hoe saved yall like big strong high lord better bow to the “witch” like I could hear angelic choirs at that scene like Rhys doesn’t just yield to people so easily so like, it was just kinda epic okay. Little bitchass Rhys with his perfect little river house and emo boi clothes stfu hoe.

No cus I love how Nesta told Cassian she didn’t wanna hear about Feyre’s special journey or Rhys’s special journey or Mor’s like I got fed up of people acting like they epitomized “good” and the “good path” to self-discovery when they can choke on a baguette as far as I am concerned.

*shit no one except me probs cares about*

Eris. So here is the thing. Since 2015 in ACOTAR when Eris was Under the Mountain being all red-headed and cunning and sexy and evil I have been obsessed with him... well, the idea of him I had in my head and how delectably abhorrent he seems (I like villains and side-characters okay). Maybe it was just his name (Eris is a hot name shut up) or the idea of a rich, cunning fox-faced prince in the same universe appealed to me. Either way, I actually never expected by favorite cameo-character to become... important. I’ll die on the hill of loving him. Here is the thing... I don’t want him to be good, in the same way I did not want Rhys to be a good guy in ACOTAR either. I don’t need him to be a secret angel, I don’t need him to be sweet and good like Rhys always was apparently. Honestly, I want him corrupt but likeable and pertinent to the story. That being said, I really want him as the main character for one of the upcoming novels sooo bad like please PLEASE let me see the autumn court and it’s two-facedness please like if not Eris then Lucien as the main character please.

Lucien... aka my fave character since the first book man. Mannn, SJM does homeboy so dirty like I have always loved Russian fables and hence, I am so ready for Lucien x Vassa x Jurian in the Vasilisa retelling with the firebird trope and Koshei. NO CUS in 2018 I was finna write a 100k word fic about this but then I forgot about it no cap, I still have the story plan in my Onenote actually but let us not reminisce. See, my ao3-loving ass wants an angsty poly relationship and also a hot Koshei I have been waiting YEARS for this you hoes, ever since Elain got the premonition of Vassa as a firebird in ACOWAR like God please please please give it to me and make it feyrhys-less as well yasss.

I lowkey wanna suspect Eris is gay and Mor, also gay, knows and that’s why she lowkey kinda tolerates him now. Yet, I cannot be sure and yeah I just wanna say that I kinda want that arc lmfaooo (my ao3-self is showing shut up).

No cus I was TEASED by only seeing a glimpse of Vassa and Jurian but THEY SHALL HAVE THEIR TIME I KNOW IT.

Tamlin living as a beast is so interesting to me. He’s a side-character now but ughhhh he was so mystical and interesting as our good ole Beauty and the Beast beastie like it’s sooooo mysterious and alluring how he’s becoming his own villainous legend like I still care about Tamlin’s blond ass self despite everything. 

Give us the snowball fight scene you coward.

I just gotta say Nessian could outsmut Feyrhys any day and that makes me proud.

FRICKING AZRIEL like first of all Mor doesn’t NEED to come out until she’s ready but she gotta let the man down nicely some other way so he can move on. I do not like Elain. Never did. I still do not. I do not, frankly, want a whole novel where she and Azriel fall in love and she rejects Lucien like... okay, I DO want her to reject Lucien so he can be with Vassa at the very least but also I am not interested in Elain’s POV rn. BUT I WANT AZ’S POV AND LIKE WHAT THE HELL AM I SUPPOSED TO DO I WANT MY EMO BOI TO BE HAPPY. This is so frustrating cus Az is a walking DILF right and so, what am I supposed to do now.

I kinda miss the Spring Court just a little. It’s pretty shut up. It got that Zuhair Murad fashion too. 

Umm like, what the hell is up with that business with Helion being Lucien’s dad? We need more on this which is why I want a Lucien POV book goddammit.

Yoooooooo yall remember that bitch from ACOWAR who hybern was finna kill and she had a name and everything and then there was some foreshadowing and shit? What’s up with her? Like I can’t even remember her name lowkey but yeah what’s up with that. Was it something like Briar or Briannon or somthing???

Is Mor getting a book? Like deadass I need the Lucien and Vassa book, I need the Eris book, I need the Mor book and I need the Azriel book. Damn. Been waiting 6 years for some of this shit.

Okay that is all for now. Yes, this book has problematic elements at every level but I still loved it yet also hated some things about it. I won’t read House of Blood and Earth nor will I finish the TOG series but I guess I’ll stick with this series which remains near and dear to my soul despite what people gotta say about it. It made me happy and that’s what matters. Nesta is a huge ass inspiration to me as a character and I still wanna see her make the Inner Circle’s life a living hell uwu. I admittedly got HELLA emotional reading this story because it’s nonetheless super meaningful to me even at age 19 and it’s really powerful for me as a comfort book, and I look forward (a little) to what this woman put out next... sort of.

Signing off! Don’t @ me (okay you CAN @ me but idc).

#sarah j maas #sjmaas #SJM #sjm critical #acotar #acowar #acomaf #acofas #a court of silver flames #nesta #cassian #nessian #nesta deserves better #feyrhys #rhys x feyre #rhys #anti sjm #lucien #azriel #ya books #fantasy #booklr #books #feyre #throne of glass #a court of thorns and roses #acosf #acosf spoilers

[bananaofswifts]

Your guide to the singer-songwriter’s surprise follow-up to Folklore.

By

CARL WILSON

When everything’s clicking for Taylor Swift, the risk is that she’s going to push it too far and overtax the public appetite. On “Mirrorball” from Folklore, she sings, with admirable self-knowledge, “I’ve never been a natural/ All I do is try, try, try.” So when I woke up yesterday to the news that at midnight she was going to repeat the trick she pulled off with Folklore in July—surprise-releasing an album of moody pop-folk songs remote-recorded in quarantine with Aaron Dessner of the National as well as her longtime producer Jack Antonoff—I was apprehensive. Would she trip back into the pattern of overexposure and backlash that happened between 1989 and Reputation?

Listening to the new Evermore, though, that doesn’t feel like such a threat. A better parallel might be to the “Side B” albums that Carly Rae Jepsen put out after both Emotion and Dedicated, springing simply out of the artist’s and her fans’ mutual enthusiasm. Or, closer to Swift’s own impulses here, publishing an author’s book of short stories soon after a successful novel. Lockdown has been a huge challenge for musicians in general, but it liberated Swift from the near-perpetual touring and publicity grind she’s been on since she was a teen, and from her sense of obligation to turn out music that revs up stadium crowds and radio programmers. Swift has always seemed most herself as the precociously talented songwriter; the pop-star side is where her try-hard, A-student awkwardness surfaces most. Quarantine came as a stretch of time to focus mainly on her maturing craft (she turns 31 on Sunday), to workshop and to woodshed. When Evermore was announced, she said that she and her collaborators—clearly mostly Dessner, who co-writes and/or co-produces all but one of these 15 songs—simply didn’t want to stop writing after Folklore.

This record further emphasizes her leap away from autobiography into songs that are either pure fictions or else lyrically symbolic in ways that don’t act as romans à clef. On Folklore, that came with the thrill of a breakthrough. Here, she fine-tunes the approach, with the result that Evermore feels like an anthology, with less of an integrated emotional throughline. But that it doesn’t feel as significant as Folklore is also its virtue. Lowered stakes offer permission to play around, to joke, to give fewer fucks—and this album definitely has the best swearing in Swift’s entire oeuvre.

Because it’s nearly all Dessner overseeing production and arrangements, there isn’t the stylistic variety that Antonoff’s greater presence brought to Folklore. However, Swift and Dessner seem to have realized that the maximalist-minimalism that dominated Folklore, with layers upon layers of restrained instrumental lines for the sake of atmosphere, was too much of a good thing. There are more breaks in the ambience on Evermore, the way there was with Folklore’s “Betty,” the countryish song that was among many listener’s favorites. But there are still moments that hazard misty lugubriousness, and perhaps with reduced reward.

Overall, people who loved Folklore will at least like Evermore too, and the minority of Swift appreciators who disapproved may even warm up to more of the sounds here. I considered doing a track-by-track comparison between the two albums, but that seemed a smidgen pathological. Instead, here is a blatantly premature Day 1 rundown of the new songs as I hear them.

A pleasant yet forgettable starting place, “Willow” has mild “tropical house” accents that recall Ed Sheeran songs of yesteryear, as well as the prolix mixed metaphors Swift can be prone to when she’s not telling a linear story. But not too severely. I like the invitation to a prospective lover to “wreck my plans.” I’m less sure why “I come back stronger than a ’90s trend” belongs in this particular song, though it’s witty. “Willow” is more fun as a video (a direct sequel to Folklore’s “Cardigan” video) than as a lead track, but I’m not mad at it here either.

Written with “William Bowery”—the pseudonym of Swift’s boyfriend Joe Alwyn, as she’s recently confirmed—this is the first of the full story songs on Evermore, in this case a woman describing having walked away from her partner on the night he planned to propose. The music is a little floaty and non-propulsive, but the tale is well painted, with Swift’s protagonist willingly taking the blame for her beau’s heartbreak and shrugging off the fury of his family and friends—“she would have made such a lovely bride/ too bad she’s fucked in the head.” Swift sticks to her most habitual vocal cadences, but not much here goes to waste. Except, that is, for the title phrase, which doesn’t feel like it adds anything substantial. (Unless the protagonist was drunk?) I do love the little throwaway piano filigree Dessner plays as a tag on the end.

This is the sole track Antonoff co-wrote and produced, and it’s where a subdued take on the spirit of 1989-style pop resurges with necessary energy. Swift is singing about having a crush on someone who’s too attractive, too in-demand, and relishing the fantasy but also enjoying passing it up. It includes some prime Swiftian details, like, “With my Eagles t-shirt hanging from your door,” or, “At dinner parties I call you out on your contrarian shit.” The line about this thirst trap’s “hair falling into place like dominos” I find much harder to picture.

This is where I really snapped to attention. After a few earlier attempts, Swift has finally written her great Christmas song, one to stand alongside “New Year’s Day” in her holiday canon. And it’s especially a great one for 2020, full of things none of us ought to do this year—go home to visit our parents, hook up with an ex, spend the weekend in their bedroom and their truck, then break their hearts again when we leave. But it’s done with sincere yuletide affection to “the only soul who can tell which smiles I’m faking,” and “the warmest bed I’ve ever known.” All the better, we get to revisit these characters later on the album.

On first listen, I found this one of the draggiest Dressner compositions on the record. Swift locates a specific emotional state recognizably and poignantly in this song about a woman trapped (or, she wonders, maybe not trapped?) in a relationship with an emotionally withholding, unappreciative man. But the static keyboard chord patterns and the wandering melody that might be meant to evoke a sense of disappointment and numbness risk yielding numbing and disappointing music. Still, it’s growing on me.

Featuring two members of Haim—and featuring a character named after one of them, Este—“No Body, No Crime” is a straight-up contemporary country song, specifically a twist on and tribute to the wronged-woman vengeance songs that were so popular more than a decade ago, and even more specifically “Before He Cheats,” the 2006 smash by Carrie Underwood, of which it’s a near musical clone, just downshifted a few gears. Swift’s intricate variation on the model is that the singer of the song isn’t wreaking revenge on her own husband, but on her best friend’s husband, and framing the husband’s mistress for the murder. It’s delicious, except that Swift commits the capital offence of underusing the Haim sisters purely as background singers, aside from one spoken interjection from Danielle.

This one has some of the same issues as “Tolerate It,” in that it lags too much for too long, but I did find more to focus on musically here. Lyrically and vocally, it gets the mixed emotions of a relatively amicable divorce awfully damned right, if I may speak from painfully direct experience.

This is the song sung from the POV of the small-town lover that the ambitious L.A. actress from “Tis the Damn Season”—Dorothea, it turns out—has left behind in, it turns out, Tupelo. Probably some years past that Xmas tryst, when the old flame finally has made it. “A tiny screen’s the only place I see you now,” he sings, but adds that she’s welcome back anytime: “If you’re ever tired of being known/ For who you know/ You know that you’ll always know me.” It’s produced and arranged with a welcome lack of fuss. Swift hauls out her old high-school-romance-songs vocal tone to reminisce about “skipping the prom/ just to piss off your mom,” very much in the vein of Folklore’s teen-love-triangle trilogy.

A duet with Dessner’s baritone-voiced bandmate in the National, Matt Berninger, “Coney Island” suffers from the most convoluted lyrics on Evermore (which, I wonder unkindly, might be what brought Berninger to mind?). The refrain “I’m on a beach on Coney Island, wondering where did my baby go” is a terrific tribute to classic pop, but then Swift rhymes it with “the bright lights, the merry go,” as if that’s a serviceable shorthand for merry-go-round, and says “sorry for not making you my centerfold,” as if that’s somehow a desirable relationship outcome. The comparison of the bygone affair to “the mall before the internet/ It was the one place to be” is clever but not exactly moving, and Berninger’s lines are worse. Dessner’s droning arrangement does not come to the rescue.

This song is also overrun with metaphors but mostly in an enticing, thematically fitting way, full of good Swiftian dark-fairytale grist. It’s fun to puzzle out gradually the secret that all the images are concealing—an engaged woman being drawn into a clandestine affair. And there are several very good “goddamns.”

The lyrical conceit here is great, about two gold-digging con artists whose lives of scamming are undone by their falling in love. It reminded me of the 1931 pre-Code rom-com Blonde Crazy, in which James Cagney and Joan Blondell act out a very similar storyline. And I mostly like the song, but I can’t help thinking it would come alive more if the music sounded anything like what these self-declared “cowboys” and “villains” might sing. It’s massively melancholy for the story, and Swift needs a far more winningly roguish duet partner than the snoozy Marcus Mumford. It does draw a charge from a couple of fine guitar solos, which I think are played by Justin Vernon (aka Bon Iver, who will return shortly).

The drum machine comes as a refreshing novelty at this point. And while this song is mostly standard Taylor Swift torrents of romantic-conflict wordplay (full of golden gates and pedestals and dropping her swords and breaking her high heel, etc.), the pleasure comes in hearing her look back at all that and shrugging, “Long story short, it was a bad ti-i-ime,” “long story short, it was the wrong guy-uy-uy,” and finally, “long story short, I survived.” She passes along some counsel I’m sure she wishes she’d had back in the days of Reputation: “I wanna tell you not to get lost in these petty things/ Your nemeses will defeat themselves.” It’s a fairly slight song but an earned valedictory address.

Swift fan lore has it that she always sequences the real emotional bombshell as Track 5, but here it is at 13, her lucky number. It’s sung to her grandmother, Marjorie Finlay, who died when Swift was in her early teens, and it manages to be utterly personal—down to the sample of Marjorie singing opera on the outro—and simultaneously utterly evocative to anyone who’s been through such grief. The bridge, full of vivid memories and fierce regrets, is the clincher.

This electroacoustic kiss-off song, loaded up with at least a fistful of gecs if not a full 100 by Dessner and co-producers BJ Burton and James McAlister, seems to be, lyrically, one of Swift’s somewhat tedious public airings of some music-industry grudge (on which, in case you don’t get it, she does not want “closure”), but, sonically, it’s a real ear-cleaner at this point on Evermore. Why she seems to shift into a quasi-British accent for fragments of it is anyone’s guess. But I’m tickled by the line, “I’m fine with my spite and my tears and my beers and my candles.”

I’m torn about the vague imagery and vague music of the first few verses of the album’s final, title track. But when Vernon, in full multitracked upper-register Bon Iver mode, kicks in for the duet in the middle, there’s a jolt of urgency that lands the redemptive ending—whether it’s about a crisis in love or the collective crisis of the pandemic or perhaps a bit of both—and satisfyingly rounds off the album.

#taylor-swift #pop #rock #country-music

[fantastic-bby]

Books & Poems I love

Hello, I am just dumping my favourite books and poems here because I like them and I want people to read them too bcs they're cool. Disclaimer: I haven't read some of these books in a REALLY long time, so the explanations might be a bit off since this is mostly what I remember from when I had read them. All will be under the cut and I hope someone out there finds these as enjoyable as I do!

Books

1. Huntress by Malinda Lo

Nature is out of balance in the human world. The sun hasn’t shone in years, and crops are failing. Worse yet, strange and hostile creatures have begun to appear. The people’s survival hangs in the balance.

To solve the crisis, the oracle stones are cast, and Kaede and Taisin, two seventeen-year-old girls, are picked to go on a dangerous and unheard-of journey to Tanlili, the city of the Fairy Queen. Taisin is a sage, thrumming with magic, and Kaede is of the earth, without a speck of the otherworldly. And yet the two girls’ destinies are drawn together during the mission. As members of their party succumb to unearthly attacks and fairy tricks, the two come to rely on each other and even begin to fall in love. But the Kingdom needs only one huntress to save it, and what it takes could tear Kaede and Taisin apart forever.

I cannot express how much I adore this book. It's so well-written and the entire book feels like such an adventure to read. I have to warn everyone who will read this that it is quite violent. I also love the WLW inclusion which is carried throughout the story. It's also mentioned in the beginning that Kaede does not want to marry a prince because she could never marry a man. It's filled with lots of romance and it's fantasy because I'm a sucker for fantasy reads.

My sister had bought this book for me after I had lost my first copy and my cat peed on my second copy. The first time, I had bought it from a Big Bad Wolf sale in about 2014. The second, I ordered it through Kinokuniya, but I'm pretty sure you can get it off of Amazon as well.

2. Teardrop by Lauren Kate

Never, ever cry . . .

Seventeen-year-old Eureka won't let anyone close enough to feel her pain. After her mother was killed in a freak accident, the things she used to love hold no meaning. She wants to escape, but one thing holds her back: Ander, the boy who is everywhere she goes, whose turquoise eyes are like the ocean.

And then Eureka uncovers an ancient tale of romance and heartbreak, about a girl who cried an entire continent into the sea. Suddenly her mother's death and Ander's appearance seem connected, and her life takes on dark undercurrents that don't make sense.

Can everything you love be washed away?

This is also a book that I've read multiple times. I've even read the sequel, Waterfall, but I don't think I actually got around to finishing it since I bought it right before my exams. Another love and fantasy novel, it covers a lot of grieving and pain that Eureka goes through after losing her mother and at one point, she actually wishes it was her that had died during the accident.

Her relationship with Ander is quite sudden since he just shows up out of nowhere and just happens to know practically everything about her. I, personally, enjoy this book out of the amount of angst that it's filled with. It's very well-written and I still have the first copy that I bought at the same Big Bad Wolf sale that I had gotten Huntress. I think I had gotten the sequal at Kinokuniya as well (?), but I'm not entirely sure because it's been a really long time.

3. Shatter Me by Tahereh Mafi

No one knows why Juliette's touch is fatal, but The Reestablishment has plans for her. Plans to use her as a weapon. But Juliette has plans of her own. After a lifetime without freedom, she's finally discovering a strength to fight back for the very first time--and to find a future with the one boy she thought she's lost forever.

Another very angsty book. It centres around Juliette, a girl who, for some reason, kills everyone she touches. It's also written in First POV and in the format of a journal. It feels more personal because some of the lines are striked through to show a thought that Juliette had in the moment of writing that she decided to replace with a different approach instead.

The beginning is basically Juliette being locked away in some sort of a prison because of her 'gift' and she writes to keep herself from going crazy, but then one day some guy is put into the same cell as her. It's another romance novel and also a kind of superhero novel It also gets pretty... ahem... seggsy... at one point, but it's a good read.

I've read the entire series aside from Restore Me. I have it, but I haven't gotten around to reading it yet. Shatter Me is also from the same Big Bad Wolf sale as the other two lol. Juliette is also trapped in a love triangle at one point, but I won't get into it. It also gets a bit violent, but slightly less graphic than Huntress is and is also another 'self-discover' kinda book. (can you see a theme here that I read lol)

4. Winter's End by Jean-Claude Mourlevat

Four teenagers escape from their prison-like boarding schools to take up the fight against the tyrannical government that murdered their parents fifteen years earlier. But only three of the friends make it safely to Jahn's restaurant, the headquarters of a secret resistance movement, where they discover the astonishing power that one voice can have in the fight for freedom.

As the battle rages, the three friends are in a race against time to save their companion, who has been forced to participate in a deadly, ancient game for the amusement of his captors. Will this new generation prevail, or are they destined to meet the same grisly fate as their parents?

This is also extremely angsty. It's also pretty violent as well, so that's a warning for whoever will read this. Once again, well-written, nice flow to the story and I just really like this book. There's a lot of uncovering in the book that makes you go HUH because the four students end up uncovering a lot about their government and the secrets that involve the four of them.

It has a very heavy dark tone to it, which I really enjoy. It's a bit different from the other three which is less fantasy and more of a dystopian book. It's a very heroic, determination feeling that follows the students as they journey throughout the book. Also something that follows the students are a group of dog-men... things... that I'm pretty sure I actually had small nightmares imagining when I had read this in around 2013 or 2014.

Poems

Disclaimer: Half of these were poems I did essays on in high school aside from L. These are my illustrations of it and they're the ones that stood out to me when I had first read them.

1. Daffodils by William Wordsworth

I read this in high school when I was taking English Literature. It's a poem that Wordsworth wrote after his wife had passed away. I love the way it's written and William Wordsworth is one of my favourite poets. It's filled with the feeling of being lost and rediscovering the joys of the small things in life. There's a lot of imagery that refers to the flower, daffodil, and overall, it's just a a very soft themed poem.

I think the reason this poem stood out to me was because I was feeling a bit lost at the time I read it (the end of highschool) and I was desperately trying to find something I could relate to in some way.

2. Winter by Andrew Young

Another one that contains a lot of imagery. It's a poem about the beauty of Winter and how, while it's seen as a dark and gloomy season, it has hidden beauties that you can see if you're able to look past the initial image of it.

This poem in particular, I'm pretty sure I have a soft spot for in my heart mainly because of the soft spot I have for Winter in general.

3. London by William Blake

This is a more dark toned poem. It covers what old London used to be like with the raging poverty at the time. A lot of child labour and sex workers that would struggle with making money when they would accidentally get pregnant.

It's quite a depressing poem that I like because of the dark undertone and I, personally, really enjoy William Blake's works.

4. L by Bernice Chauly

L is a poem about how her daughter had cut her hair right after going to the hairdressers. While Chauly's daughter is crying when she yells at her, Chauly is reminded of when she had done something similar when she had just turned five years old. She thinks back to it and remembers that, at the time, all she wanted was to see her late father.

This is also more heavy set and it makes me think of the way children must feel when they lose their parents at such young ages.

#books #poems #literature #reading material

[idlecreature]

the buried fic comment from hell (it's so long i'm SO SORRY, I GOT EXCITED)

DEL.. I WASN’T SURE IF IT WAS APPROPRIATE TO LEAVE A LONG ASS COMMENT ON UR BURIED FIC IN PUBLIC….. SO I’M DROPPING IT HERE i’m so sorry in advance this is about to be a mess,, i’m so fucking emotional right now

((the review under the cut is in response to my fic which can b read here))

okay first –

The mental image of tiny gangly Barnabas and Jonah crouched with their hands in the dirt….. is so fucking cute?? I could feel Jonah’s jealousy just burning off of him. You had me right away. Fuck. You know how to open a story and I’m deeply envious, I’ve always struggled with it. Also, you threw in that little hook:

Despite what Jonah believes, there are some things that just can’t be explained in words.

Barnabas’ voice is so fucking good… guh… you know. I didn’t much care about Barnabas in any deep way before I joined the Jonah server and you guys have all just completely GUTTED me, I can’t believe how much I care about this highly-strung bastard,, he is so GOOD. HE’S SO GOOD???? HE’S SUCH A SWEETIE. LIKE. BARNABAS FEELING GUILTY AND HORRIFIED THAT PEOPLE ARE GRATEFUL TO HIM AND WANT HIM AROUND???? AAAAAAAAAA. And the melancholy aspect, too, which I imagine is how Mordechai was able to relate to him, get attached to him… Barnabas being bitter about how useless his tears are while he’s crying anxiously at the prospect that he might not be able to help those families after all…….

All of those scraps of Barnabas’ letter to Jonah made such EXCELLENT transitions, holy hell. Again I am inspired by your storytelling prowess. I am taking notes, for whenever my ability to write longform fic returns from war. This one was my favorite, made my heart clench:

A good world starts with a good person and a few choices that are made with the heart—

He’s so earnest I’m going to weep ;_; Barny.. you can’t make Jonah a better person he’s AWFUL,,

(Side note, super digging that I can indent stuff, block quoting makes this SO much easier.)

Also really digging that Jonah doesn’t have as nice a reputation as Barnabas… Jonah is the bad influence friend lmfao. AND JONAH’S CAT… I LOVE HIM…

And then you delivered a swift blow straight to the religion kink, as promised… “There’s something undeniably old testament about Jonah; the fire and fury of creation, the self-annihilating stare of Lot’s wife.“ LOSING IT I’M LOSING IT… WHAT A WAY OF DESCRIBING HIM God, here I thought I couldn’t possibly be more attracted to this bastard man. I am aghast at myself.

LOSING IT EVEN MORE OVER BARNABAS STACKING TEACUPS ON JONAH’S HEAD???? Why must you make them so fucking cute oh NO this is going to hurt isn’t it. ((This was the note I stuck in the Word doc while I was reading it and I thought I’d leave it as was for your enjoyment))

“Taking cues from your dreams?” Barnabas replies. “You know only the desperately mad do that?” 

“Or desperately inspired—savants and prophets and visionaries.”

And then you continued to try to kill me… Jonah thinking of himself as a prophet……. hhhhh canon-typical overambitious zealotry I’m HERE FOR IT………

“Are you trying to make me angry with you by playing the devil’s advocate?” 

“Just testing you,” Jonah says in his alloyed voice, silver-and-honey-gold. 

Del I cannot stress enough… My religion kink………. It’s been SO VERY ACTIVATED.

“Your morality has only ever been a thin cover for your shame.”

OUCH, JONAH, JESUS

Every bit of their dialogue was so familiar and tinged with bittersweetness and I owe you my entire life… Sincerely. Ugh. Like, how you described Barnabas’ internal angst about it later on – when he’s thinking of Mordechai, and he refers to "his many dog-eared fantasies” about Jonah it just really vividly conjured the thought of he and Jonah having a sort of? Queer solidarity, ESPECIALLY having grown up together. And that makes Jonah’s flash of betrayal at Barnabas not wanting to be SEEN with him that much more agonizing, personally. Like. I’ve had that happen to me more than once in real life. And much as Jonah is a piece of shit who is absolutely manipulating him………. still, ouch. Ouch. (Barnabas’ thoughts on the company Jonah keeps also made me wince. You did an AMAZING job with all of the internalized shame and frantic rationalizations, hooooooboy.)

The Lukases being colorblind is such an interesting piece of lore by the way I love it????? Now I have. Some questions, about Peter. Mordechai’s characterization in this is so fascinating to me. I’m enTRANCED by how you reverse-Uno’d it so that Barnabas was the reason Mordechai lost himself to the Lonely… the power dynamics……. so tasty. Ugh. And all of the sensual descriptions, especially of that first visit Barnabas had at Moorland house?? I didn’t clip any because I would have ended up clipping the whole fucking thing. It was aching, haunting, beautiful, holyshit. Their romance is somehow more fucked up than Barnabas and Jonah’s…

Also, I was so eager to read this I skipped the tags/warnings and completely didn’t realize Mordechai was going to be an actual vampire so that was a VERY fun surprise lmfao.

Barnabas feels like he’s close to learning something about violence and desire, how close they are, how the wires can get crossed.

THIS QUOTE IS EVERYTHING TO MEEEEEE ugh I’m having an aneurysm over how Jonah managed to fashion Barnabas into a creature that could understand him by gifting him to Mordechai for a while… letting Mordechai crack him open at the points where he was already brittle and experience an influx of some of the true darkness of the world. Just a tasty taste. That way when he discovers the truth of Jonah’s occult interests he won’t run away, because he’s already got his own fingers in the mess. He’s already given himself to one horror, why not Jonah? Shave some of the shine off of his morality, make him nice and gray so he won’t contrast so much with Jonah… And satisfying his curiosity at the same time. Two birds.

Oh, also, still sobbing about this line:

he realises that he doesn’t want to wear any colours that Mordechai can’t properly see.

EVERY TIME I let my guard down for ten seconds you smacked me with more of Barnabas being the most precious bleeding heart in the universe!!!!!! He aches so much for the people he’s trying to help and he hates people like Mordechai but part of him also wants to save Mordechai, somehow… maybe recognizes the parts of him that are like these people, still. Nearly faded but not quite gone yet. And as you’ve already established, Barnabas simply cannot let things go. Can’t disappoint people… can’t leave them when he could be doing something. Anything. Augh, FEELINGS.

Of course he knew Mordechai and Jonah were friends, he’d just temporarily believed in a sane and fair universe where things like this don’t happen. 

AND YOU HAD SUCH A PERFECT BALANCE OF HUMOR… This could have been such a feelbad fic, and tbh it still would have been spectacular. But you always eased it at just the right moment to keep it from going off the rails into irretrievable deepdark territory. Fed me little soft moments so I’d still be vulnerable enough to have my HEART RIPPED OUT LATER…

I’m not super interested in the Buried canon-wise but I love how you’ve written Barnabas’ natural affiliation with it… so subtle but powerful? (Of COURSE Jonah was jealous, lmao. He had to work so hard and he’s still not on Barnabas’ level. There’s some kinda beautiful commentary on ambition versus goodwill in there somewhere but I’m too busy nursing my battered little heart right now to articulate it.) It wove its way in and out of the rest of the plot so naturally, too. For some reason it compliments Barnabas’ temperament as I read it in canon just… so well. Was there a discussion about this on the server, and if so, PLEASE tell me about it sometime I’m so fascinated.

Jonah wasn’t even present for a lot of the fic but his characterization was so INTENSE and luminous, Christ… I know I already praised it a bit but. Woof. I wasn’t expecting to get a taste of his POV at the end and I was so excited I kicked my feet (my cat was very disgruntled) like, this line!!!

Now, he thinks there’s some truth in those false statements, in the lies we tell and why we want to be believed.

GOD, YOU’RE REALLY GONNA GIVE ME FEELINGS ABOUT JONAH AND FUTURE-JONAHLIAS IN THE SAME FIC?????? EVIL… I’m so so so fucking here for it, oh my God, Jonah with an amplifying anxiety disorder, THE PRICE OF IMMORTALITY… too bad the Eye doesn’t let you see the future, Jonah, lmao… the line “immortality just made his anxiety turn nuclear” is SEARED into my brain now, I am NOT accepting canon to contradict this ever again. I’ve always wondered how Jonah’s neuroses might have worsened in two entire fucking CENTURIES and I love the way you wrote it. I am fucking. Losing my mind.

There’s so many other things I could comment on, like. The brief but glorious Jonah-grinding-himself-off-on-Barnabas’-thigh shenanigans. Was incredibly hot, and Mordechai’s poor fragile heart breaking, and Barnabas telling Isabel that it’s fine to call him Barny…….. I’m hhhhhhhhHHHH fuck, fuck, fuck. I’m just!! I am incomprehensible!!! Everyone told me this fic was amazing but it’s fucking amazing, Del, what the hell. I’m never gonna be the same after this. The end was SHOCKINGLY sweet and I have WHIPLASH.

………… So, now that I’ve made you read a novel. Hah. Sorry. My point is. I loved every bit of this. It deserved heaps more praise but my eyes are starting to cross. Thx for sharing :’) 

Love,

Tony xx

TONY. TONY THIS MEANS EVERYTHING TO ME. FIRSTLY I’M SO GLAD YOU LIKED THIS. SECOND OF ALL, THANKS TO YOU I’LL BE SCREAMING FROM THE ROOFTOPS FOREVER HAVE YOU ANY IDEA HOW THIS REVIEW HAS AFFECTED ME? IT’S THE BEST FEEDBACK I’VE EVER RECIEVED IN MY LIFE I FEEL LIKE A FIRSTGRADER GETTING THEIR FIRST GOLD STAR I FEEL ON TOP OF THE WORLD LIKE I COULD THROW THE JEWEL OF THE SEA OFF THE SHIP AND LEAN OVER THE RAILINGS BECAUSE YOUR ARMS ARE AROUND ME TONY IT’S BEEN MONTHS AND THIS REVIEW HAS BEEN A FIREPLACE KEEPING ME WARM THROUGH THE WINTER MONTHS I LOVE YOU DEARLY FOR THIS YOU ARE AN ABSOLUTE CHAMPION IF YOU WERE IN FRONT OF ME RIGHT NOW I WOULD FRENCH KISS YOU WITHOUT HESISTATION UNTIL THE BOTH OF US HAVE RUN OUT OF AIR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! FUCKING BLESS YOU TONY!!!!!!!!!!!!!!!!! 

#fic review #mayormurdock #what the fuckkkkkk tony when are you getting your sainthood #long post #submission

[jacnaylor]

romance book recs!!

romance is my feel good genre, and it’s also usually somewhat easier to read during stressful times, so here’s a list of some books that are either romance or have a romance element i feel like mentioning.

(EDIT: I STAYED UP TILL 2 AM DOING THIS HELP. this is why some of the comments. don’t make any fucking sense.)

romance books and authors:

CONTEMPORARY:

1. The Bromance bookclub series by Lyssa Kay Adams (A group of men form a bookclub dedicated to romance books in order to understand women, improve their relationships and become better men. It’s funny, cute, and all about dismantling toxic masculinity one romance book at a time)

2. Mariana Zapata books (The queen of slowburn romance. The only book I’ve read by her is ‘Under Locke’, but ‘From Lukov with love’ and ‘Kulti’ have rave reviews. There is so much build up and SO much sexual tension with a great pay off)

3. Milly Johnson books (A uk author whose books are primarily set in the north, these are total feel good books. Not so much graphic and more romantic, but her characters are great and her plot lines really hook you in.)

4. The Unhoneymooners by Christina Lauren (Super cute, quick enemies-to-lovers story about a bridesmaid who has to go on a honeymoon with the best man when the bride and groom get food poisoning. Obviously this means the holy of holies: fake relationship!)

5. Well met by Jen De Luca (Oh my gosh! Super fun, the characters are just wonderful especially our heroine. A hate-to-love romance set at a renaissance fair! All about overcoming the limits you set on yourself and rethinking your first impressions.)

6. Katherine Center books (My personal favourites are ‘How to walk away’ about a woman who falls for her PT after a near fatal plane crash. And ‘Happiness for beginners’ about a woman taking part in a wilderness trail with her brothers annoying best friend. She writes such great plots and you really feel all the emotions!)

7. Mhairi Mcfarlane books (my personal favourites are ‘Here’s looking at you’ about a woman who comes face to face with her high school bully years later - only he doesn’t recognize her. And he’s not awful? Don’t worry. I know how that synopsis sounds. He’s not excused his actions, but you also understand how he’s grown and changed. It definitely gets you in the feels though. As does ‘You had me at hello’ Which is about a couple from university meeting again years later. God this woman can write angst and yearning!!)

8. A part of me by Anouska Knight (On the same day she and her husband have been accepted into the adoption process, their marriage implodes. This has such a cute romance which follows hate-to friends- to love and it’s v funny)

9. Southern Eclectic series by Molly harper (Just as it sounds. Southern small town romance with a great, quirky cast of characters)

10. Maggie’s man by Lisa Gardner (writing as Alicia Scott) (An escaped convict kidnaps a woman from the courthouse to act as his hostage whilst he tries to prove his innocence. Surprisingly funny and warm. Maggie as a heroine is an absolute joy. They’re sort of chaotic together and it’s a wild ride.)

11. The Mister by E.L James (LISTEN OK - SIT BACK DOWN - It’s not winning awards but it’s actually decent! I was skeptical, but I will admit I was won over. I mean parts are cheesy but it’s so addictive. Basically a rich man falls for his cleaning lady - but it’s also about the yearning. It’s also quite action packed as there’s danger, drama and a chase across europe to get the girl.)

12. RECENT Colleen Hoover (Now, you may enjoy older CH books. Personally I find them very problematic. Now I’ve really enjoyed her recent books though. Especially ‘Without Merit’ and ‘It ends with us’ and ‘Regretting you’. High angst, high drama, dark topics for all of her books. But you can tell she’s matured with her writing. She isn’t for everyone but they’re addictive, fast paced reads.

13. The Austenland duology by Shannon Hale (You might have seen the Austenland movie - The cutest, cheesiest, sweetest, campiest movie ever. Well there’s a book! It’s about women who go on a holiday and live their own Jane Austen story with actors. The first book leans towards Pride and Prejudice and Mansfield park. The second book is more Northanger abbey and Emma.

14. Brigid Kemmerer contemporaries (She is an auto-buy author for me, especially her contemporaries. She writes the best teenage characters, the best teenage boys I’ve ever read about. Her characters are real, she writes about kids trying their best, struggling, and being good, and kind, and the world not being kind to them. Usually the books have a pov from both the female and male love interest. I would rec any of them tbh. ‘Letters to the lost’ comes before it’s companion novel ‘More than we can tell’. I loved ‘Call it what you want’ with has modern Robin Hood elements!!!! seriously she is my favourite YA contemporary author.

15. Sophie Kinsella books (If you haven’t picked up her stand alone novels then what are you doing???? she is the queen!!!! Personal favourites are ‘Can you keep a secret’ and ‘I’ve got your number)

16. A quiet kind of thunder by Sara Barnard (I love her ok. Her books are short and sweet but she packs a punch. TBH these aren’t primarily romance, they’re more just about teenage girls but this one has a good romance element so I’m putting it on here. It’s about Steffi, a selective mute who sometimes communicates with basic sign language who is assigned to look after the new boy at school Rhys, who is deaf.)

17. Meet me at the museum by Anne Youngson (GORGEOUS! moving, tender. A lonely housewifes strikes up a correspondence with a widowed museum curator in Denmark. Oh gosh. I just love this one. It’s about friendship, love, grief, second chances, the choices we make. Seriously love this one and it’s not that long.)

FANTASY:

1. Sorcery of thorns by Margaret Rogerson (Elisabeth has grown up in the great library, protecting grimoires with powers and fearing sorcerers. When a dangerous grimoire is released, she’s forced to team up with an enigmatic sorcerer and his demonic servant in order to save the world.)

2. Sky in the deep duology by Adrienne Young (A viking inspired story about a warrior who is captured by the tribe she is at war with. Such good tension and it’s also got a lot of action. Battle couple romance! Mutual respect! Hate to love!)

3. The Rose Garden by Susanna Kearsley (I’ve reread this book once but will end up reading it again. It’s a time travel romance about a woman staying in cornwall dealing with the death of her sister who is transported back and forth to the 17th century. It’s a favourite. The romance is wonderful but the stakes are really high too. I also love ‘Belleweather’ by the same author)

4. An ember in the ashes series by Sabaa Tahir (Oh god, the romance. THE ROMANCE! it’s so much. The angst, the pining, the longing. The first book follows Laia, part of a slave class in a roman inspired world. She begins spying in the top military academy and meets Elias, a reluctant soldier. This is a proper fantasy series with only the first three books out, but it’s so great.)

5. Alias Hook by Lisa Jensen (Let me just copy the blurb ok: “Meet Captain James Benjamin Hook, a witty, educated Restoration-era privateer cursed to play villain to a pack of malicious little boys in a pointless war that never ends. But everything changes when Stella Parrish, a forbidden grown woman, dreams her way to the Neverland in defiance of Pan's rules.” I MEAN COME ON. a gorgeous adult fairytale with love and redemption at the center.

6. The Mediator series by Meg Cabot (Obviously Meg Cabot is the most iconic and we stan. But this series is my absolute favourite by her. About Suze Simon, a kickass, no nonsense mediator - Someone who helps ghosts move on to the other side. Sometimes by force. She has to move house and ends up sharing her room with a 100 year old hot ghost named Jesse. The tension. The angst. THE BANTER!!!!)

7. House of Earth and Blood by Sara J Maas (a half fae half mortal girl tries to solve a murder with the help of a fallen angel. It’s a LONG book, but for me personally it flew by. It’s a big new fantasy world but the romance has a great build. Overcoming grief! Being normal together! Being in danger together! THE UST! the characters are so good. I ahven’t been this impressed by a new series for a while)

8. Cursebreakers series by Brigid Kemmerer (yep, she gets another mention. This one is a beauty and the best retelling about a man forced to relive the same season over and over, becoming a literal beat, until a girl from our world can break the curse. The second book, following secondary characters, is my fave so far. But both feature kickass ladies and those small romantic moments BK is so good at)

9. A court of thorns and roses series by Sara J Maas (a fae inspired beauty and the beast retelling. The only time you support a ship switch. Also the secondary ships are getting their own books and oh my god. I’m so excited.)

HISTORICAL/CLASSICS/MILLS AND BOON

1. Jane Austen (The original rom com queen, obviously. Pride and prejudice and Emma are faves. Also I have a major soft spot for the alwayc chaotic and underrated Northanger Abbey)

2. North and South by Elizabeth Gaskell (Actually might be my favourite classic ever. Often described at an industrial p&p. Margaret, from the south, comes face to face with the harsh reality of the world when she moves up north and comes face to face with a brooding millowner. There’s obviously a lot more nuance than that but. THE PINING!!!!!! THE MISCOMMUNICATION! THE DRAMA!)

3. The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer (You might have seen the film. Please also read the book. Told entirely in letters. The sharp witted author Juliet Ashton falls in love with Guernsey and it’s characters whilst researching what happened there during the war. Funny, moving and romantic.)

4. The Veronica Speedwell series by Deanna Raybourn (A butterfly hunter foils her own kidnap and is paired together with a reclusive natural historian. They solve mysteries together. They can’t admit they wanna sleep together. The tension.......unbearable. See also the Julia Grey mysteries by the same author)

5. The warrior knight and the widow by Ella Matthews (So last year I discovered Mills and Boon and I have no shame about it whatsoever. This is a medieval beauty and the beast retelling about a woman being escorted to her fathers estate by an enigmatic and scarred knight. She’s hoping to convince her father to let her steward her own lands, and of course trying not to fall for her escort.)

6. The bareknuckle bastards series by Sarah Maclean (A badass, brooding trio of siblings who rule the underbelly of Covent Garden fall for smart, beautiful women. Opposites attract, Good girl/bad boy, strong women, banter. Super fun historical romance)

7. Redeeming the reclusive earl by Virginia Heath (I just read this and it was seriously cute!!!! And book where the hero blushes even once is a good book in my opinion. Basically aspiring antiquarian named Effie barrels into the life of a new earl - who really just wants to be left alone to be grumpy and sad and disfigured. ALONE. But Effie wants to dig on his land. And she won’t take no for an answer. She also talks A LOT.

8. A family for the widowed governess by Ann Lethbridge (Technically this is part of a series but you don’t need to read them in order and this is the best one. A widow who is being blackmailed accepts a governess post. She can’t tell her employer about the blackmail especially when she starts falling for him.)

9. The bedlam stacks by Natasha Pulley (I read watchmaker and didn’t like it but you might like it. This one also FEAUTRES A M/M ROMANCE. I know this list was super straight im sorry. Anyway this is about a botanist falling in love with a priest in the jungle.

10. The wilderness series by Sara Donati (Think outlander without the time travel and also not set in scotland. Basically Last of the Mohicans fanfiction about Hawkeye’s grown up son. An english woman moves to america when her father promises she can be a school teacher there. Little does she know he actually has plans to marry her off. Things get more complicated when she falls for Nathaniel Bonner, a white man raised native american and who’s daughter and extended family is Native American. Like outlander there’s romance, adventure, history. But unlike the outlander books the love interest is a decent guy (i say as if i don’t love the tv show)

STUFF THAT REALLY ISN’T ROMANCE AT ALL. BUT I SHIP A SHIP.

1. The Lacey Flint series by Sharon Bolton (Lacey Flint is a police officer who becomes involved in the hunt to catch a Jack the ripper copycat. There actually is a strong romantic element with the other lead police officer.)

2. The last hours duology by Minette Walters. A novel about the black death and a closed estate lead by a woman who’s trying to protect her people. There’s also a kind of murder mystery. But she also has a close relationship to one of the surfs that I got super invested in.

3. The Strike series by J.k Rowling (I know we don’t stan anymore but. This series about  PI and his assistant slowly growing closer? Becoming best friends and partners? Not acknowledging any feelings for each other?

#books #book recs #literature #romance #romance books #romance reads #penvenens #romance recs #romance reader #historical romance #probably forgot loads