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#If you want to see my actual art though…
ozzgin · 1 day
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I really hope you continue the eldrich God story. I may or may not have become obsessed with the idea, and i think it's actually really funny and I also just love the idea of a God being in love with a human.
Also, I love your writing and art! I hope you're doing well!
Yandere! Eldritch God x Detective! Reader
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Based on this prompt and this meme. You're sent to a remote island to investigate a string of murders, and end up with a horde of cultists and their Lovecraftian God who is very much obsessed with you. Don't worry, he just wants to help you with your case!
Content: gender neutral reader, monster romance, tentacle tomfoolery again
[More Monsters]
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The island checks all the boxes for a stereotypical shady place: the grimy boat captain who talks in riddles and vague warnings, the constant fog, the tavern filled with rumors and fears, the bizarre statue of a creature with tentacles. You were expecting most of it, save for their patron God being a literal monster.
Soon after your arrival, you discover that you’re being followed by men in dark robes. Could it be related to your case? A little alcohol-aided interrogation, and the locals confess to you about the existence of a cult. The dots begin to connect.
Unfortunately for you, whatever theory is cooking up in your mind couldn’t be further from the truth. The patron Beast of the land has been watching you from the moment of your arrival. He’s rather intrigued by your nonchalant city attitude, your stubbornness, your lack of any sense of danger. Thus he demands that you’re brought to his lair.
A game of cat and mouse. You are now convinced this said cult is responsible for the murders, so you delve deeper into their secrets. At the same time, the men put all their efforts into chasing you down. The Lord's wishes are their command; for how long can you outsmart sheer numbers?
At last, they succeed. You’re dragged over, cocooned in thick rope. “My Lord, we’ve brought you the sacrifice”, one cultist proclaims victoriously. Sacrifice? The ancient creature gazes at the men with utmost confusion. He frees you from your restraints with a mere point of his tentacle appendage, and proceeds to lecture his devout following for treating his special guest with such shameful brutality. Everyone blinks in disbelief, you included.
What the hell is this, some beastly romcom? Once everything is cleared up, you dust your knees, stand up unceremoniously, and tell the cosmic deity you’ve no time for idle gossip. “There’s a criminal running free and it’s my task to stop it”, you bark. Aha, that’s the very same attitude that got his nebulous heart pumping with curious desire. He cannot explain the maddening interest he’s taken into you. The monster releases a monotonous hum, causing you to jolt in surprise. The cult leader gasps. “He…he wants to help you solve the case”, the man concludes, defeat in his voice.
“Does it have to be all of you?” You whine, clicking your tongue at the sight. It’s the morning after the godly encounter, and you’re greeted outside your room by the cult leaders and their monster. “I can’t be discreet with a dozen monks after me. Not to mention…” your eyebrows furrow. “What on Earth is he wearing? Is that a detective hat and a mustache? Are you mocking my job?” You demand, glaring at the eldritch beast and his ridiculous disguise.
“Excuse me, I’ll have to ask you to quiet down”, an employee suddenly interrupts. “You and the gentlemen over there.” You stare at him incredulously. Can he really not see he’s facing an enormous, tentacle monstrosity? You swear you can discern a grin forming across the creature’s amorphous, unholy features. Alright, you’ve been convinced. What now?
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As a child, Sherlock Holmes was one of your favorite books. You'd flip through the pages and daydream about your own future as a detective, though your little fantasies never included Watson as a cursed entity of a thousand tentacles. The eldritch creature seems to be more interested in you than the case itself. Eyes always fixated on your movements, tendrils creeping around you, never leaving your proximity.
Why would he need to look elsewhere? He can already tell how things will unfold. He is, after all, the God of this land. He knew your wanted culprit had been hiding in a sealed room right under your nose, as you dusted for footprints and scribbled hurried notes. He knew the underground tunnel had deadly traps, which would have normally put your investigation to a swift end. "Kind of suspicious to leave his trail unguarded like this", you mumble in deep thought. The cosmic God smiles.
He wouldn't dare ruin your fun. Consequently, he only interferes when your safety is involved. As annoyed as he is by the criminal's persistent attempts to kill you, he doesn't want to steal your grand capture. Besides, he is very much content with the current circumstances.
As the two of you follow along the dark passageway, you clear your throat, lips pursed awkwardly. "Uh...Thank you for dealing with the obstacles", you finally say. The monster pretends to ponder your words. "Hey now, don't play dumb with me. The conveniently deactivated bombs? The mutilated guards clumsily stuffed behind the door? I am a detective, after all."
You feel a thick tendril wrapping around your arm, and you turn to glance at the creature. His eyes of spiraling depths regard you intensely. A voice suddenly echoes in your head; is he trying to communicate with you? Deep, resounding, and imposing. "I am looking forward to our next case."
"Next case? Sorry pal, I work alone-" your throat clenches involuntarily. Somehow, your innards are flooded with a particular kind of certainty, dictating an ironclad truth: you do not have the option to refuse. You sigh, exasperated. "Fine! Have it your way. At least skip the fake mustache", you beg, then pause. You slap a second tentacle that has made its way under your shirt. "And avoid groping me when I'm thinking. You interrupt the little gray cells at work." You tap your temple to prove your point, and the eldritch God bows lightly. Of course.
He'll refrain himself until you're off work, Detective.
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dickgraysonsbitch · 24 hours
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shopping with the batboys ( + bruce )
to my pineapple pizza haters: know you are valid
warnings: none | divider by @cafekitsune | requests open!
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With DICK GRAYSON, the most mundane of shopping trips turns into an expedition—leaving your heart rushing and blood pounding. He shoots you a flirty wink before steadying the grip on his shopping cart. “Ready, sweetheart? Because I don’t think you are. I’ve got the bread isle memorized like the back of my—”
“Go!” You exclaim, snorting when you see the shocked expression on his face, like he wasn’t expecting you to cheat to try to beat him. Hey, he was a super-fit vigilante, how else were you going to get a head start against Nightwing? Pushing off of a rack of magazines, you let out a shout of victory as you grab the milk from the fridge. One down, two to go. You quickly place the eggs into your cart, but not before you make eye contact with your menace of a boyfriend, who smirks at you before grabbing the last bag of whole wheat bread. Damn, he really did have the bread isle memorized like the back of his hand, didn’t he?
He bats his eyelashes at you innocently, but not before flashing you a crooked grin. “I think that’s three, sweetheart. 3-2, if you know what I mean, so…” he smiles, but there’s a glint of mirth in his eyes that absolutely melts your heart.
“I’m still calling a foul. It’s your walk-in pantry, and there’s no way that you didn’t have an advantage over me.” You huff, crossing your arms, trying to replicate the cute-but-hurt puppy dog eyes that Dick seemed to have mastered.
He shook his head, chuckling to himself. “Sorry, but a deal’s a deal. I mean, I guess you could go back on it, but…” he looks up at you, with those eyes that could melt even the coldest of hearts, and probably a physical ice statue as well.
“Fine,” you grumble. “We can have pineapple on your stupid pizza. Do you want cereal for dessert?” The last question is supposed to be sarcastic, but the light in his eyes shifts from mischievous to downright carnal.
“Actually, I was thinking of having something else for dessert.”
Oh, boy.
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You always knew that JASON TODD was going to spoil you rotten, and that was before you found out that he could cook. It wasn’t fair, actually, that he was probably the most gorgeous, intelligent, and caring person that you knew, all while being kick-ass and super talented at… basically everything. To some, God gave in abundance. Sighing dramatically, you propped yourself on his shoulder and leaned against him with your elbows.
His eyes twinkled at your new position. “What’s wrong, princess? Tacos not your scene anymore?” He was lying, obviously, because you demolished tacos like they were your last meal and you were on death row, but you still huffed and buried your face in his bicep.
“Jus’ thinking ‘bout how fuckin’ perfect you are, Jay,” you mumbled, your voice muffled by the muscle that somehow managed to stay defined under a leather jacket. “You’re really awesome, you know that? I’ve never met someone as amazing as you. They should put a picture of you up at the Met—‘cause you’re a work of art, baby.”
It’s obvious that he’s holding back laughter, from the way that his broad shoulders are shaking, but something inspires him to keep entertaining this though. Probably your endless supply of charm. “Yeah, babe? I knew you wanted me just for my pretty face.” It’s interesting, honestly, how his relationship with you made him more comfortable with… all parts of himself.
You slap his chest, (not that it does anything), a s pout, your brows furrowed. “You’re not funny.” He send you a soft smile, something that should be uncharacteristic for a man of his size, but it works on you, like it usually does.
He presses his lips together before hoisting you up onto an empty display, tucking a piece of your hair behind your ear and out of your face. “Well then, it’s a good thing I’m pretty.” Within a minute of staring at your unamused face, he’s howling in laughter, snickering to himself like he’s the comedian of the year.
And without a moment of warning, you’re sealing his lips with a kiss, sending a tingle all the way to the tips of your fingers, and he’s parting his lips to deepen it even further. His hands palm just above your ass, and you gaze at him with half-lidded eyes, softly running your thumb over his rough cheek, and it feels like paradise until—
“Hey! I thought this was a roommates only grocery trip?”
You and Jason both roll your eyes at the voice, and with varying levels of intensity, reply in unison.
“Shut up, Roy!”
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Nothing made you shiver like the husky, low voice of BRUCE WAYNE whispering in your ear from behind you. It was an action that sent your poor heart into overdrive, but here, in this shop that was clearly out of your tax bracket (they had mannequins for diamond embellished puppy collars, for God’s sake) it was as if he was doing it just to show that you were at his mercy.
Not a bad place to be, if you thought about it.
“Try on the dress,” his voice is baritone, and he isn’t using his usual, suave business tone. No, this is the voice he uses when he wants something, and when he’s sure that he’s going to get it. It was like a spell was cast on you, and all you wanted to do was exactly what he said. You weren’t sure you really needed a spell for that anyway.
But still, you hesitated. The dress in question was an Oscar de la Renta mermaid cut gown, in pitch black, no doubt matching Bruce’s own personal aesthetic. The only hesitation? The price. You balked instantly when you glanced at the bill for the first time. Shit, you knew that a custom made dress that didn’t even have a tag on it would be more than your yearly rent. “It’s… 15,000 dollars! Bruce, I can’t accept this.”
He frowned, making you notice the soft wrinkles starting to appear on his face. God, that man took way too much stress for his own good. You’d tried warning against it, but when did he ever listen to anyone but himself (and Alfred)?
“Pocket change, darling. And it’s your first gala, I don’t want you to be wearing something you’ve worn before.” He lightly rubs his fingers against your waist, a promise of something else to come once you accept.
“It’s…” you look down. “It’s a lot. Are you sure?”
“Never been surer. Now, why don’t you look at matching jewelry?”
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A work of art
Part 1 (Disgraced apple pie)
TW: torture, blood, mention of mind control
“It's a form of art, you know,” Supervillain says, kneeling in front of the beaten and bloodied Sidekick. “Knowing where to cut, where to punch, to get just the right reaction.” Villain can feel their stomach turn to the point they can practically taste the half digested apple pie.
“It seems unnecessary," Villain tries to say in their standard, ice cold tone but somehow that has become difficult. “To an ordinary human it might look unnecessary, but to us villains…” Supervillain says, looking at the poor sidekick as it was a painting in a museum. “Wouldn't you agree?”
Anyone else would believe that the Supervillain is asking for their opinion. Villain knew better, though. They knew that tone and knew what would happen if they didn't agree. They're not in the mood for that. “I agree.” is all they said.
Supervillain let out a satisfied hum and focused on the Sidekick. “Anything else you would like to say?” The sugar sweet tone made Villain sick again. “Please…please, no…” Sidekick's broken sobs fill the room. “You're gonna have to give me a little more information than that, honey,” Supervillain said with a sweet smile on their face. Bullshit. Supervillain isn't stopping until they're bored. “Please, no…i can't…”
Villain stared at the wall and felt a familiar sensation fall over them. Their mind began to wander to a carefully constructed mind palace. They imagine sitting in a cabin in the middle of the woods. The fireplace softly lighting the room. They're reading a good book while their cat is napping in their lap. Some nice, calm music playing in the background. No pain, no yelling, no begging, no fighting…
“Don't let your mind wander like that, Villain.” Supervillain's voice brings them back to the cold, dark room in the basement of Supervillain's lair. Supervillain stands up and approaches Villain. They put both of their bloody hands on Villain’s cheeks. “I need you here, you know that. Don't go there.” Villain notices the possessive hint in Supervillain's voice. They never want Supervillain to take control over their mind again. Not like last time.
“I know. I'm sorry,” Villain says, barely above a whisper. “It's okay. But I give you freedom and you can't abuse it like that,” Supervillain says, still holding Villains face. “I'm sorry.” Villain answers, still not daring to speak louder than a whisper. “It's okay, just focus now. Yeah?” Supervillain lets go and turns around to face the Sidekick again. “Mind getting the last bit of information for me, my dear Villain?” Supervillain asks with a smile plastered on their face.
Villain's not proud of what they do next. Their powers control shadows. Their own but also the ones around them. Basically, anything light doesn't touch, so the shadow of the chair in the corner, their own shadow, the shadow inside someone's lungs.
It's a basic trick for them and one of Supervillains' favorites. They take control of the person's lung's shadow and expand it. Not much so they don't actually burst, but enough to give the sensation of bursting. Immediately the poor sidekick begins to scream and immediately the Villain wants to stop. The figure standing behind them stops them from doing so, though. That last bit of information, all the codes to the Agency's entrances, came quickly.
They're going to need an extra slice of pie after this.
~
Hero is still sitting at the same booth that they shared with Villain. They couldn't bring themselves to go home. It's so empty as the Agency doesn't allow any personal decorating and certainly not a pet. They shove the last crumbs of the pies in their mouth and start looking for their coat to put on.
“Are you seriously still here ?”
a familiar voice says behind them. As they turn around they can see Villain standing there. Still surrounded with their cold and distant aura, but Hero could sense a hint of… defeat. What happened in those 3 hours for them to look so empty?
“You here again?” the Hero asks with a smile. “Still hungry,” Villain says with a cold tone and sits down in front of Hero. “Well, you came at the right time. I just saw the girl behind the counter restock the pies,” Hero says cheerfully. They're not sure what caused the empty look in Villain’s eyes, but they feel like Villain could use something to cheer them up right now.
“Good thing I came then.”
Hi! Well...that turned dark fast. Hope you enjoyed this part as much as the first one. (Wich has like 95 notes, which is crazy, so thank you so much for that!)
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chrollohearttags · 1 day
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Mic Check: Miami Heat | The Trailer
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hello all and welcome to the reality show au (within an au) for reverb! This is a little bonus mini series that I’ve had in the works alongside the upcoming chapters of the story. These are some of the excerpts from dialogue of the show. I’m really excited for this one, even though it’s been ages since I’ve worked on it! I hope y’all enjoy! as always, reblogs and comments are HEAVILY APPRECIATED! it’s very hard to keep motivation for long winded series and fics when we don’t feel like anyone is paying attention.
side note: blue = narration
pink = dialogue from the ‘show’
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When you think of Miami…you think palm trees, South Beach..the glitz..fame..
“This house is literally perfect. It’s my dream home..” “it better be for $5 mil..”
“AMG is hosting the very first music festival of its kind. No other record label has done anything like this. Last year, the talent agency reportedly earned $7.2 billion—“
“You grew up sailing on a yacht. That’s some next level shit, dude!” “Yeah, it was definitely crazy.”
“You know you’ve made it when you can ride back through your old hood in a McLaren.” “And that bitch paid for too.”
“People asking for pictures and autographs when I go out is ‘sum I don’t think I can ever get used to. It’s all still new to me.”
“You’re the it girl now, get used to it.”
..and the glamor. The home to some of the biggest names in the music industry and they’re showing everyone what they’re all about..
“This is our year..believe that.”
“We’re doing our first international tour, dawg. This shit crazy.”
“This next album has to be my best..I owe that to everybody who’s supported me for the past ten years.”
“I’m gonna prove to them why I deserve to be here. This is just as much my passion as everybody else’s.”
“We’re more than just stripping or dancing, this is our art and we wanna show the world what Pole Assassins is all about.”
“You ever thought about making a solo album while Atelier Kiss is on hiatus?” “I don’t even know what that would sound like.”
“Dead Boys for Life. We doing this shit till we in the dirt.”
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..Welcome to the Magic City, like you’ve never seen it before! Watch your favorite stars as they navigate careers..
“AHHHH! IT’S SO PRETTY!..” “That's all you, baby. You earned it.”
“EJ the Don is the motherfucking blueprint. Everybody in this game has tried to imitate your style.” “There’s only one though.”
“Thank y’all so much for getting me to one million! I’m so happy right now—“
“This could be a huge opportunity for you..I think you should go for it. You could become the next big name in the modeling world if you play your cards right.”
“They want me to model for Playboy—“
“I’ve never done anything like this before..”
“I get one song to show them why I belong here. I can’t fuck this up.”
“You’re really nervous, aren’t you?” “Yeah..” “..don’t be, you earned this for a reason.”
“Can I throw up now? Because I feel like I want to..”
..love
“I just really love spending time with you. I always have so much fun when you’re around.”
“When are you gonna let me make you mine?�� “When you stop playing games and ask me to.”
“That man really got you smiling like this! It’s so cute.” “Maybe I’m feeling him a lil’ bit.”
“I get to spend the rest of my life with you and that’s all that matters.”
“You wouldn’t know what to do with me..” “I can think of a couple things actually..”
“I swear, he’s everything I could ever want. I’ve never felt like this, I don’t know what to do.”
“Can I kiss you right now?” “You didn’t even have to ask.”
“After 20 years of marriage, how do you keep the spark in your relationship?” “I don’t think I can answer that on the radio.”
“I think you’re falling in love.” “What if I said I already am?..”
“All eyes are on us now. Everybody knows we’re dating.” “So let’s give them something to see, baby.”
..and..their biggest challenges! They’ll be tested beyond their limits and some..may even break.
“You abandoned me! I didn’t even know who you was..now you want to be a fucking mom?!”
“You were never a fucking dad to me. I barely even saw you and you wanna tell me what I’ve done wrong with my life?!”
“It’s been seven years since she passed away. I can’t even bring myself to go because it’ll all come back to me.”
“They tryna give me life behind this shit, dawg.” “That’s the thing about making it out. Everybody else gets left behind. The only way you can ever visit them is behind glass or at their grave.”
“I never forgave him for what happened and I don’t think I ever will. It’s some things you don’t talk about as a man.”
“Nah, I’m done playing these fucking games with you! Leave me alone.”
“My dad is sick and he wants me to take over his company. I don’t know if I can handle that responsibility.”
“It’s okay to be angry or cry, that’s what healing is all about. You’re not perfect.”
“Are you sure you wanna quit making music?” “I don’t know what I want anymore.”
“I’m just tired of feeling like I'm not being taken seriously. I’m just forever going to be the guy in second place.”
“Could we see another Mika ASH album in the future?…” “I don’t know if Mikasa Ackerman can survive that. It might kill me..”
“I’ve been fighting this addiction alone and I just can’t do it anymore.”
“I can’t afford no shit like this to happen right now. I don’t wanna go through with it..”
confronting their biggest fears..and each other.
“I always felt like you had a problem with me.”
“You just fake as hell and I can’t fake like I’m with all that.”
“You’ve always been a pussy. I don’t expect much.”
“I ain’t switch up on nobody. I grew up and that’s some shit you don’t know nothing about.”
“All you’ve ever gave a fuck about is music, nothing or no one else..” “Music is the only thing that’s never let me down. More than I can ever say for your sorry ass.”
“You let that bitch disrespect me in your face and said nothing to check her. I could never be with a man like you.”
“You gon’ tell her you’ve been fucking her man or do I have to?”
“Everybody keeps saying you’re bad for me.” “Maybe you should listen to them.”
“Bitch, I’m from that other side. I don’t do no back and forth!
“Either we all in this or Pole Assassins is done. I’m not bringing any deadweight with me to the top.”
“It just feels like I’m working so hard for nothing. Like this shit never gets easier.”
“You’ve always had a nasty spirit on you and I see why you have no friends.”
“Do you really even want to marry me? Or do you feel like you have to because you couldn’t have who you really wanted?”
“I can’t do this..oh my godddd!”
“I wonder why I’m still here sometimes. I just feel like I don’t want to see another year.”
“He’s lost his fucking mind, truly..”
“It’s them..or me. Make your choice.”
“Everybody in this room can kiss my ass. Fuck every last one of y’all and I mean that from my soul.”
Welcome to Miami!
“This is going to be crazy.”
New episodes every week!
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byslantedlight · 2 days
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Hello OFMD Tumblr thingie, and all the amazing people who are out there, and especially the ones who've been making all the posts that have made me so happy over the last few months. 💖💖💖 First and most importantly, thank you, thank you, thank you, to anyone who sees this!
This is my first post to Tumblr (probably pretty obvious from my huge lack of Tumblr sophistication! And the length of this post...) If you don't count reblogging things that I wanted to be able to find again. I've braved up to comment thank you to people a couple of times, but that's been it so far. I must admit it all looks a bit scary from this side of the glass, even though I can also see how friendly people mostly are.
But OFMD fandom is big! And you've been here a long time! I loved Series 1 when I watched it, and knew I wanted to watch out for Series 2, but it wasn't until I re-watched it when the Series 2 trailer came out on BBC iPlayer that I fell veeeery in love with it! And by then you were already here, and there was a language and debates about things I'd barely even noticed, and it's mostly me staring with big eyes thinking wow, and sometimes huh? and... well, you know. Plus there's trying to work out Tumblr, which I definitely haven't actually managed to do yet, and possibly never will, so... I decided to just jump in and post summat. Even just rambling, which is a bit of a specialty of mine... I mean - what's the worst that can happen, right? 😬
So... how come now? Well, I can't make art or gorgeous screenshots or gifs. I do write, but I'm still hanging out to get the right voices in my keyboard... I know them when I hear them, but you've gotta get the right rhythm going, and I'm not quite there yet, I don't think. Although really, I should probably just sit down and try (and stop waiting for work to shut up and give me time - I should be a pirate and take it!)
Anyway (told you about the rambling...) what I'm mostly doing apart from rewatching the eps on a constant loop is reading the fic. I'm picking it according to kudos on AO3, and according to recs that I see on Tumblr, and it's occured to me that alot of the stories I'm loving must have been recced looong ago, and that newbies like me totally missed them, and so maybe I could do my own recs, even if they are of older stories, and someone might find them useful. You know, if I work out how anyone else might ever see my posts. 😁 And if people aren't put off by my probably age-revealing use of emojis. (But I am entirely age-appropriate for Ed and Stede, and if I had to look up what zaddy meant too, well, that just means I matched Rhys Darby's expression in the bts, right? 🤨)
So it's not much, but I'd like to contribute even just a tiny bit to OFMD fandom in return for everything it gives me, so... yeah. That's my plan. I'll start in a bit, but this post is probably already too long since it's just rambling. And kind of dull. I should probably have said tl:dr at the top, shouldn't I, but then maybe anyone who actually saw this wouldn't, so... See, I kind of live in hope. 😊
Okay. Tags next, right? ... ack ... why won't it let me create new tags instead of just using ones from the drop down...? Well, those will have to do for now... maybe someone who sees this will have mercy and tell me how? I'll just be over here being a slight failure at Tumblr... And if you've made it this far (how long is an acceptable post over here?! Not this long, I don't think...) - thank you hugely for just that, and may your dreams be OFMD and joyous!
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deliciouskeys · 1 day
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Cozy Corner Domaystic prompts #16: Going through immigration and #24: Identity theft.
Guys. Guys, I’ll be honest. I have no idea what possessed me. I think I found these two prompts as some of the most challenging to imagine as a domestic fic, and… my thinking got a little bit too outside the box.
This fic will have an intended audience of about 1 (me). But I want to give major major props to @olliveolly who introduced me to this game and was the one who came up with this That’s Not My Neighbor / Boys crossover AU (with a couple lovely art pieces on the theme). The “lore” of this horror game is very simple. Tell me you don’t see it:
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Butchlander. That’s Not My Neighbor crossover/AU. Rated E (why). 3.3k words (why). 2nd person to allegedly reflect the feeling of first-person gameplay (why). Is this domestic fic? Welllllll. It takes place in an apartment complex so it counts, right? Lax interpretation of ‘going through immigration’ but honestly that’s what this game really reminds me of 😂
Another day, another interminable shift working as the concierge in the dreary lobby of this apartment complex. It was exciting at first, sure, what with getting to play the first and last line of defense against the doppelganger monsters that attempt to sneak in every single day. But you’ve just gotten too good at noticing discrepancies. Nothing gets past you anymore. You know every single feature- hell, every single freckle! -of every single resident in the building. By this point you’ve got all their phone numbers memorized, for no better reason than there is simply too much tedium to this job. You find yourself wishing you could actually watch the D.D.D. ‘decontaminate’ the lobby, as they so euphemistically put it, instead of just sitting there twiddling your thumbs behind a pulled down rollup metal shutter after summoning them. You could still make out screams without seeing the brutality, and you knew the D.D.D. employed flame throwers and other serious weapons to deal with these monsters. Sometimes you caught yourself feeling just a little bit of sympathy for the doppelgangers, even though their main goal in life appeared to be to imitate people to blend in and then feed upon human flesh, and your main goal in life was supposed to be to ensure none of them would ever get let in through the locked inner door.
John Gillman comes in through the first door and gives you a tired, nominal wave before fishing around in his pockets for his documents to gain entry. He might be your favorite resident— always polite, always in that clean-cut milkman uniform at least when you happen to see him, because no one really leaves the apartment building outside of work obligations. There’s no nightlife in New York anymore, not with everyone nervous of dark alleys or being alone on the street, especially after dark. When you came over here from London, you certainly didn’t expect to get stuck here during a worldwide apocalyptic event like this that has resulted in curfews and lockdowns. You certainly didn’t expect to get zero action and get a mindnumbing job just to make ends meet. It was probably still more interesting than your gig working as a bouncer back in London, but at least you got fresh air there, and sometimes a date to go home with after closing time. Maybe that’s why you’ve started hyperfixating and daydreaming about one of the residents— the involuntary celibacy is getting to you.
John just always looks uncannily attractive. Maybe it’s that silly uniform that’s easy to fetishize. Maybe it’s because his tired eyes also look like bedroom eyes, or the dark circles function the same way eyeliner would. Why is he always so tired anyway? You know he lives alone up there in F03-02. He never gets any visitors either. How much can a person masturbate, really? There’s a rumor around the building that Becca Saunders’ tyke might be his, but you don’t really see the resemblance, and have your doubts that this didn’t just start as a “sleeping with the milkman” joke that got out of hand. People just like to gossip about single mothers. Things like this shouldn’t be considered scandalous. It’s 1955 for god’s sake!
“Sorry, William,” John says, hurriedly shoving his ID and entry request form underneath the glass so you can take take a look. “Almost thought I left my ID at work.”
“Long day, huh?” you ask without expecting a reply, pretending to scrutinize the documents while making small talk. You know this is John. You’d know him from a mile away. But it doesn’t mean you can’t have a little bit of fun. “Looks okay, and you are on the list of people authorized to come and go today. But can you take off your cap?”
John grabs his milkman cap off his head, exposing a mop of blond hair, looking mussed after being under the hat all day. You really wish you could test him, see how far you’d be able to take things before he refused to cooperate. Take off your shirt, John. Gotta make sure it’s really you. You never know these days. But of course you don’t. All you’ll have is your fantasies about breaching every code of ethics and using your master key to gain entrance into his apartment, seducing him, ravishing him right in the middle of what must be a depressing bachelor pad. Give him much darker undereye circles by keeping him up all night. Give this apartment complex a more interesting rumor to spread about the milkman in their midst.
“You’re good to go,” you say and press the green unlock button to let him in. He gives you a wan smile and walks out of view, and you listen to his footsteps ascending the stairs.
The rest of the afternoon is uneventful, only a few people coming and going, and a couple of doppelgängers with laughably strange appearance or bad credentials being dispatched quickly. Or at least it’s uneventful until John walks in, just a little bit past curfew.
“Hey William,” he says, sounding distracted, rummaging in his pockets for his documents as a cold sweat breaks out on your forehead. This better be a doppelganger, you think to yourself. But he has both his ID and the entry request filled out correctly. He looks identical to the John that passed by here a couple of hours earlier. This can’t be.
You start dialing John’s number, not taking your eyes off the man in front of you.
John’s eyes widen with alarm when he sees that you get an answer from the other end of the line.
“Yes, hello? John here. I’m not expecting any visitors.”
You hang up pretty abruptly, staring at the John in front of you, searching his appearance for any subtle defect or inconsistency but finding none. Your finger is hovering over the alarm button.
“Oh my god. Oh my god, you think I’m someone else? It’s me, William! I swear to god it’s me! I don’t know who you let in earlier, and who’s answering the phone now, but it’s not me up there!”
And shit, you believe him. You must have fucked up. Gotten smug and sloppy. Maybe the doppelganger handed you a fake ID but you didn’t notice because you were too busy daydreaming about fucking him.
“William, please believe me, please!” John is pressing up against the glass at this point, clearly scared that you’re going to quarantine him in the lobby and sic the D.D.D. on him. They don’t tend to ask questions. You’ve never had it happen, but you’ve heard of innocent people getting snuffed out on the mere suspicion of being doppelgangers, the D.D.D. rarely admitting to such mistakes even after the fact.
“Alright, alright, I believe you. I just have to think…” you mumble. “I’ll let you in, but don’t go up to your flat. We have to figure this out.”
John nods frantically and slips into your office after you buzz him in.
“What are you going to do?” he asks, and if you weren’t scared shitless at the moment, you’d probably get a kick out of how vulnerable and scared his expression is compared to his usual tired, impassive one.
“I should call the D.D.D. and get them to go up there,” you think out loud.
“Won’t you get reprimanded?” John asks, and oh how sweet of him to worry about your job when you’ve fucked up so royally and almost gotten him killed with your negligence. Maybe already gotten some of his neighbors killed.
“I just don’t want you losing your job over this— you’re the best concierge we have,” he says and then looks down shyly, as if realizing how strange that concern is.
What is this? Are you dreaming? Maybe you’re just out of your mind with adrenaline, but John sounds like he’s got feelings for you.
“Let’s just go up there and see what’s going on,” he says, and damn he’s persuasive as fuck. You want to go and deal with the mess you made, and protect him.
“I’ll go up there and just check,” you say, hardly believing yourself as you grab the fire extinguisher from the wall as a makeshift weapon. Everyone who was scheduled to return to the building has, so you shouldn’t get any more legitimate people coming through, but you still tape up a note that you’ll be back at your post in a few minutes. “Right then. You just stay down here and wait. I don’t want you putting yourself at risk. If I’m not back in five, call the number on the post-it.”
John shakes his head and follows you up the stairs. “I’m not letting you go up there alone,” he says in that quiet irresistible voice and you start to wonder if there’s something strange going on. Why are you going on this potentially suicidal mission to deal with a doppelganger on your own? So what if you get fired? No job is worth your life, right? But you probably wouldn’t see John ever again if you lost this job and that’s clouding all your judgment right now.
Knocking on John’s apartment door is probably not a good idea, and will just give the monster inside time to prepare or hide. So you take out your master key and turn it in the lock as quietly and quickly as you can. The door swings opens with an ominous creak, revealing a dark living room with no sign of anyone there. Did he hear you coming up the stairs? You try to keep John behind you and shield him in case anything sudden happens from within the apartment, but then you feel a strong push from behind and both you and John are in the flat now.
You’re so stupid, so critically, fatally stupid. The John you let in earlier was the real one. You’ve let a doppelganger convince you that you made a mistake, and now you did let one in. You whirl around, try to hit him upside the head with the fire extinguisher you’re brandishing, but he blocks the move with little effort.
“I thought we agreed,” he says, and you realize he’s speaking not to you but past you to someone else in the room.
“Thursdays are my days,” an identical voice answers from behind you and you step back and try to make sense of what you’re seeing. Two John Gillmans, both in the same uniform, neither one looking the least bit spooked, both looking mildly irritated if anything.
“Since when,” the John who came up behind you asks of the other one. “I get to be here every other day, doesn’t matter what day of the week it is.”
“So now what are we going to do about him?” the John who was in the apartment asks, pointing to you. “Why didn’t you just leave once he called me? Are you stupid?”
Your heart may be racing, but your thinking feels as slow as molasses. They’re …. both doppelgangers?
“What have you done with the real John Gillman?” you whisper hoarsely. The twins turn to look at you and you’re creeped out by the very similar smirk that spreads across both of their faces. They’re really impeccable facsimiles of the real person, but this is an expression you’ve never seen on John.
“You’ve never met the ‘real John Gillman’,” one of them says.
There’s enough cold sweat that’s broken out on your back that it starts to trickle down as drops.
“We like you William. It would be such a shame for our friendship to end.”
You hold up the fire extinguisher in front of yourself defensively, but you’re not sure you can really do anything against two of them. You’ve never noticed before, and maybe the real John’s teeth didn’t look like this, but the two doppelgangers have sharp looking canines when they’re grinning. It’ll serve you right to get devoured in this dark flat for making so many mistakes and bad decisions in a row today.
“So you’re just going to kill me then?” you ask.
“We’d really rather not,” one of the twins says. “A murder would bring a lot of snooping law enforcement if not the D.D.D. Itself.”
“And it’s so hard to find good lodging to spend the night.”
They must be joking. “You really expect me to believe you’re not just here to eat people?”
One of the twins rolls his eyes. “Eat people! Yeah, that’s why we’re here, clearly.”
“Has anyone in this apartment building ever disappeared in all the months you’ve worked here?” the other one asks.
“How should I know?” You’re beginning to feel like this has to be some sick nightmare. You can’t possibly be having a civil conversation with a couple of cannibal monsters. This thought has a strange calming effect on you. “If I didn’t know you lot were masquerading as John Gillman, how am I to know how many other residents are real people?”
The twins turn to each other, still smiling and shrugging.
“We’ve been on a vegetarian diet for a while,” the other says and you can’t help but bark out a laugh.
“Laugh all you want,” the other one says, spreading his hands in concession. “But milk is more than enough to sustain us. We do think people are delicious, but there’s one thing we like much more than eating them.”
“And what’s that?” you ask, emboldened by the possibility that you’re just in a ridiculous, paranoid, bad dream of a worst case scenario at your job.
“We’ve been watching you William. We think you’ve been interested in us.”
“We’ve never fucked anyone from this building, and never fucked together, but there’s a first time for everything, right?”
You just stand there, fire extinguisher still raised up defensively. No question about it, this must be a nightmare that’s slowly but surely twisting itself into a sexual fantasy.
“Come on, William. Let’s make you comfortable.”
You can hardly protest as one gently pulls your makeshift weapon out of your loose grip, and the other one sweeps you off your feet with preternatural superhuman ease and carries you over to the couch in this sparsely furnished apartment.
Gentle but insistent hands undo the buttons on your trousers and then maneuver you so they can pull them off completely and free your legs.
“Humans are such fun creatures,” one of the Johns comments when he sees that despite your fear of the situation unfolding right now, you are sporting a half-hearted hard-on. It somehow only gets harder when you hear them talk about people as another species.
Both Johns are still fully dressed, situating themselves to kneel on the floor on either side of you. It’s wild. You must be dreaming. And as you watch both Johns lean forward, extending their tongues and licking your cock up and down from opposite sides, you realize that if this is a dream, you never want to wake up.
They know what they’re doing. They bring you right up to the edge of orgasm and then pull away, leaving you feeling desperate and even annoyed. You’re not annoyed for long though as they both strip down, and you see that their human-mimicking powers are perfect, down to the most minute details that would never be seen under clothes. Granted, you don’t know what John Gillman looked like naked, so maybe they’ve taken artistic license and embellished. Whatever it is, they’ve compared notes, because they still look indistinguishable to you.
“Like what you see?” one of them asks and you realize you I’ve been staring, maybe even with your mouth hanging open. You never imagined you’d hook up with a doppelganger, let alone two of them at once. But you have imagined foisting yourself on John in this very flat, and you’re about to live that daydream.
You end up doing things with the two of them beyond what you’ve ever dreamed of. You fuck one of them, and at the same time get fucked by the other one from behind, the cheap bed’s metal joints creaking and moaning from the motion of three bodies rocking against each other. You let them suck your cock and rim you to get you back in the mood for another round, trying not to think about how unsettlingly hungry they both look, and who they really are underneath the human-looking exterior. The exterior slips periodically when they’re in the throes of pleasure. You wince when they betray just how strong they really are, whenever they flip you over or change positions, as if you weigh nothing. You try not to pay attention when their eyes start glowing red when they’re particularly turned on, but it’s impossible to ignore in the darkness of the bedroom.
“William, you are fucking delicious,” one of them declares, licking his lips obscenely after swallowing down your cum, and all you can do is emit a short nervous chuckle, and think that even if they do decide to eat you at the end of all of this— either to cover their tracks, or just because they might start feeling peckish after all this is over— it will still have been worth it.
You don’t get eaten. In fact, you’ve had the time of your life, and as you get up from the bed and mumble that you have to get back to your post before your shift is over, the two Johns lie languid, naked on the bed watching you, each enjoying a post coital glass of milk (that’s all they have in the fridge— you saw when they opened it), like perfect mirror images.
“You won’t be making any unnecessary phone calls, right William?”
“We can count on you to be discreet and keep a secret, right?”
Through the combined haze of being scared for your life and then having the time of your life, there’s still one thing that bothers you, and you ask about it, against all your best self-preservation instincts.
“So what have you done with the real John Gillman?”
They turn to look at each other, not exactly conspiratorial but it still makes you uneasy.
“Oh, John Gillman never existed. We’ve been around a lot longer than you humans think. Many of us never tried to replicate and replace real humans.”
“Yeah, and a lot of good that did when some of us started! The ones who are doing it are the reason we’re being hunted now. Unoriginal hacks. And so bad at mimicking too.”
“So many embarrassing ones out there.” They both nod at each other.
You’d like to believe them. You really would. “So why choose this persona?”
“The milkman gets free milk and gets around in your society! And humans seem to like this look,” one of them says, grinning and gesturing with his hand over their naked bodies.
“But we only ever get to enjoy bored housewives.”
“And why are there two of you?” you ask hesitantly, glancing at the clock on the wall to verify that you’re not late yet.
“Oh there’s more than two of us,” one of them says and they laugh in unison in a way that sends a chill down your spine.
~~~
You think you’ve got it all worked out. You’re letting the John Gillmans stay in the apartment undisturbed, and you let them through even when it’s obvious that there’s more than one of them coming and going. You figure it’s a win-win. They promise to protect the building from any rogue doppelgangers who infiltrate and intend to harm the residents, and in return get a place to stay the night peacefully. You get to visit apartment F03-02 after your shift ends and have mind-blowing sex. They seem to enjoy the orgies as well. They know your shift hours and try to only come and go during those times. There doesn’t seem to be a problem with this arrangement.
Or at least not a problem that you’re going to make into your problem. When one of the Johns walks in, visibly smeared in blood, you do give him a hard time.
“Come on, John. Just because I’ll let you in, doesn’t mean you can just stop trying to look decent. God forbid I call in sick and someone else is here.”
John shrugs and goes through the formality of pushing his ID and entry request under the glass window.
“And get a new ID…” you tell him when you see bloody fingerprints all over the worn paper.
John shrugs, doing his usual tired act, despite how ridiculous it looks to be so bored and nonchalant when he’s smeared in blood.
“Whose blood is that, anyway?” you ask, wondering why you’re not more disturbed.
“Someone who was of no consequence and who won’t be missed,” John replies, terse and cool as a cucumber.
“I thought you said you were vegetarian?”
“I’ll take a cheat day if I run into a wifebeater,” John says, shrugging.
You buzz him in, telling him to get washed up before someone sees him, wondering if you’re being colossally naive to believe his story, and wondering if you’ve got a death wish because you’re still looking forward to going up there once your shift ends in a few hours.
(What in the world. 💀)
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savagewildnerness · 20 hours
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I have to do a post for just this image too though.
In an art gallery, it would be entitled “You & me? Poignancy”… (& from me, added - thank you AMC… okokok, I confess, enjoyed how AMC rhymes with “me” & “poignancy”! Immortality also rhymes! Teehee! SO in fact does poetry!!!)
Anyway, I distracted myself from my point with silly rhymes (& if that’s not a metaphor for my existence, what is!?!)
But…
Claudia, looking to Louis; desperate to believe she is all he needs - enough to survive eternity with… but… deep down, she knows… the tragedy is, she knows Louis as maybe he doesn’t know himself…
But oh… Louis wants his words to be true… exactly as simultaneously he contradicts it, in Lestat’s presence… shimmering like an Angel, looking on Claudia with all the benevolent compassion & sorrow that is Louis’ compassion. But, it is Lestat’s compassion too, whether Louis & Lestat know it or not…. But love, compassion are not enough.
I once watched an interview with a child who had a severely disabled twin. They were both only around 10/11 at the time, but the interviewer asked the boy who was verbal what he thought love was & he answered “Love is action.” Love is not the words you say, but what you do. Love is what you give. And in action, poor Claudia is not loved enough. Oh, she is loved, yes. But Claudia deserves to be someone’s world entire. And is she? No.
Oh, it’s a tragedy alright. And yet, out of fairytale, who of us are ever anyone’s world entire? I know I am not, never have been & never will be. And actually, the concept of being anyone’s world entire fills me with incomprehensible dread & terror! And yet, I am human, as are you, so of course I also feel that pull towards completeness of it. Just as I can imagine myself a vampire, existing eternally, uncaring that I have to kill to survive… ignoring the fact that I cannot even squash a spider, for I feel its life.
Why oh why must I feel one image & it can take me into a full essay on it?
How lucky are we to have these actors playing these roles, these writers creating this show? S2E1 was written so poetically! I felt it deep within. The music is so gorgeous - the first 10 minutes, I could not skip a moment: the music is too beautiful. I had to watch a second time to even hear the words, the music was too overwhelming on first listen! But Delainey I adore already: Claudia’s internal pain sings from her: her poignant mix of directness, closed-off-ness, desperate anger & pure hope… Louis already so broken this season. I loved Jacob’s summation of Louis in a recent interview & how he is able to look at the darkness in Louis that Louis is afraid for the world to see. And Sam is infinitely eloquent in the smallest of looks. How joyous Dream-Lestat already is. Without words or even Lestat’s self Sam can express so much… and this moment here made me cry… and it’s this look that really did it. Just a wordless look…
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papermonkeyism · 2 days
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Poking at the dinosaur project thingy, this time with some production technicalities point of view.
Here be musings.
I originally thought of the project as a calendar, then a series of calendars that could be collected into an art book once enough art had been made for it, and at some point I thought of just skipping the calendar part and going straight for art books.
I've been going back and forth between those options multiple times over the years, and it's still kinda open. Like on one hand a simple calendar with just thirteen illustrations (twelve months plus cover) is the easiest and cheapest option, though pretty limited (what to do once the year presented in the calendar ends, and you still got unsold leftover stock?), and the other hand art books are big projects requiring lots of work, even more money, but be a lasting and very satisfying thing to have.
Maybe I should take a middle road and make a zine instead?
Maybe.
Though, this is where the shape of the actual project comes in.
I've always planned the project as having a slice of life style format, with little story and more focus in exploring the setting. Kinda just looking in and enjoying the view while you go. But I've noticed that keeping the "narration" as illustrations kinda keeps the immersion at arm's length too. While that is fine and dandy for a calendar where the space for any narrative would be very limited anyway, if I was going to do more with the setting, I kinda need something deeper. Even if the audience is fine just looking at pretty pictures, with ADHD it would be better to have something deeper to help keep me personally invested enough to actually plan, plot and produce the materials needed.
Should I make an actual story, with plot and stuff? Feels kinda unnecessary for a thing focusing on just illustrations, and I don't know if I really "click" with a text heavy picture book format. I kinda feel it would make comic as the best option, though that has its own downsides. I've always wanted to do full colour paintings of the dinosaurs, yet going comic it would have to simplify a lot and make it grayscale just to keep me sane. And, as someone who has done well over 250 pages of a long form comic, that's still a HUGE commitment I don't think I have the resources - mental, physical nor financial - to pull off.
I also kinda feel having a plot story would sort of detract from the "exploring the world" aspect and put more heavy focus on characters, which. Well, it's not *bad* exactly, just not quite what I want.
(Also I am aware the dinosaur clan I have has a kid character, and I don't want to make her the point of view character for the story. I have no interest doing a childrens' book. I mean, I am perfectly fine if kids do eventually end up liking my stuff, but I don't consider them my target audience. My target audience is me, an adult person in their later 30s, and a handful of nerds I consider friends and/or mutuals.)
Another option I've been toying with is kind of a double edged sword.
Those who got the Almost Real speculative evolution zine volume 5 got a bit of a taste of this, as I kinda tried it out there.
So... I've gone to pretty great lengths as a layperson to work in the setting of the project thingy. It's always bothered me when dinosaurs get just dumped into a story with no regards to when and where they actually lived, making for an anachronistic hodgepodge of what's popular forming into a mismatched fantasy setting, usually with throwing humans into the mix. I don't like that. I'm more interested in seeing the actual animals as they were, when they were and where they were, where the focus is in the dinosaurs themselves. Thus the limit to Two Medicine formation (with some of the surrounding areas included too, though still keeping to the same time period).
I do not want humans in my dinosaur stories. Period.
But what if...
So, imagine a research journal. There's a scientist visiting the clan of Singing People the project focuses on, with the mission of studying them, their life and their world. The book or zine or whatever could be a story of the dinosaur clan introducing themselves and their life to this person. An outsider point of view to excuse learning about them by them teaching this POV person how their world works. There could be some interaction and maybe interviews, and of course illustrations because you need to document your subjects after all.
Like, I'm kinda excited about the idea. It would let me get into the details I want to picture without getting too into the heads of the characters to limit the chances of artistic exploration. You gotta document the surroundings your study subjects live in after all! But you'd still get to know the characters because it's the job of the POV person to learn about them. Win win!
It's just that I don't want to put too much attention on this hypothetical scientist. Like I said before I don't want to mix my settings. The dinosaur project thingy's world IS Laramidia in the Campanian period of late Cretaceous, it's not meant to be a scifi setting, nor do I want to have any focus on any time travel.
Wonder if it would be possible to leave the scientist character vague enough to never actually get explained? They're just nameless outsider from undetermined time and place who's interviewing some dinosaurs. Maybe with some peronal opinions or musings but no anecdotes about their own life or themself. And whenever there's interactions between the scientist and any of the Singing People it just gets handwaved away. (Of course the Singing People are curious about them too, but that's not the point of the study so it just doesn't get documented or something?)
I don't know. Could that work?
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wishjacked · 2 days
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Happy #WebcomicDay!! :D
This year we're celebrating the process of making pages... so below the cut I've got a bunch of pictures sharing how I go about making pages of my evil post-apocalyptic workplace sitcom, Cargo!! :D
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So! My process!!
Writing-> I think sometimes there's pressure to "write" your comic a certain way, I see people talking about script format and stuff a lot. That really doesn't work for me, though! I write my "first draft" script in short scenes on scrap paper, in whatever order they come to me. Sometimes a scene will just be one or two lines, and then a little description of what I want to happen in the rest of the scene.
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Later I type the scene up, and write the "connective tissue" that fits between the disjointed scenes so they all flow together like they ought. I don't do page breaks or even character tag or action notes hahahaha I like it to be as BASIC as POSSIBLE so it's easy to edit. And since I'm the person drawing it I can almost always remember who's supposed to be saying what lmao
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I edit a lot, but the most major editing is also probably the last bit... when I letter my pages usually I realize "they would never say that" and so I end up rephrasing everything. My art brain is sometimes waaaaay better at phrasing hahaha. Like you can see in the finished page for this script I rewrote like basically all of it, and actually went back to the original "sketch" script in a lot of places.
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Thumbnailing-> my thumbs are really big, I draw them with markers on printer paper and keep them in a binder!! I like to thumb scenes in batches and I also usually write my dialogue on them, just so I can read through them before (and while) I draw to get a feel for how the pacing works. :)
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Sketching-> OH sketching is also really hard for me! I don't have a good visual imagination so it's really important for me to make sure I have good references. Last year I was especially focusing on setting.
My comic is set in Florida. I'm lucky in that I used to live there and still go back to visit sometimes, so sometimes I can gather my own reference images! But more often I start on Google Maps or Zillow, trying to find buildings that have interesting features or the right kind of "look" for what I want. I'll also look up other interesting elements, my comic is set in a post-apocalypse and I'll research home gardening and things like that which people would probably have.
For example, in this set in chapter 7, I used Google Maps images, photo references of indoor hydroponic gardening, and like, 90's-00's hacker computer setups haha. Also my BFF Roomstyler.com, where you can make 3d house interiors haha!!
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Lineart-> I LOVE lineart it is my favorite!!!! I sketch and ink two pages at a time, and it usually takes somewhere between 10-12 hours to do both steps.
I actually think my art looks best when it's just lineart... but I think my STORY is better with color, like it makes it clearer and easier to read and it has a better atmosphere HAHA.
Colors-> I think it usually takes me 4-6 hours to do 2 pages (I haven't timed myself as consistently as I time my lineart and sketching). I have a big file with small copies of my previous pages that I color drop from, and my characters are all flats only. The limited palette that I use is also really handy, it streamlines coloring a LOT.
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Finishing Touches-> aka I steal mercilessly from my one true love, my internet home, the beautiful and blessed Wikimedia Commons
I put lots of overlay layers on my art! I like textures so having some strange little textures or pictures on things makes my art feel a lot more finished to me.
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And finally my very most favorite ✨finishing touch✨ is the bright colored/patterned gutters that I use. Here are some of my favorites that I've made and used in the past!
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And that's all!! I hope you guys have a very happy Webcomics Day and find lots and lots of wonderful new things to read!!!
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jadestone2 · 5 hours
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Bleeding hearts
Theme: nsfw
Summary: After being taken by the doppelganger of Francis, it was actually peaceful. But it seems another doppelganger wants you too
Pair: Izaack doppelganger & Francis doppelganger x chubby reader
Tw: monster fucking, double penetration, tentacle use, monster-like features, spanking, overstim, praise 
 Back?             Stay?         Nothing
art by: @sidhion
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Ever since the copy of Francis took you, you actually felt loved. It was weird to say, how could a monster who killed many be built to love, but he apparently didn’t act like the rest of his kind.
You were curled in a bed, though you felt small, it was two times your size! Well, it’s to accommodate the large copy who is currently enjoying himself. 
His head rests on your exposed breast, his hot breath hitting your nipple. He seemed to enjoy skin contact, often complaining about the texture of clothes being rough. 
He liked how he could feel the heat of your body, the softness of your flesh. 
But be fooled just because he’s a monster, he would never stain your flesh with blood. You even started to develop affection for the man, he treated you as a lover, not a blood bag.
His black tentacles wrapped around your thighs, and hip. He wanted to feel every inch of your body, greedy creature. 
The deep purrs could be heard from the half asleep copy, you giggle. Your fingers comb through his slicked hair, untangling any knots. 
“What’s so funny?” Francis grumbles, peeking up at you. 
It was weird to call him Francis, he definitely wasn’t him. But he told you to just call him Francis, he really did know about the crush you had on the real Francis.
Looking at him reminds you of the old Francis, the man who you'll never see again. Hopefully he’s doing good in this forsaken world. 
“Oh nothing~” you coo, smiling down at the man who snuggles closer to your breast. 
His heated breath hits the poor hard nipple, making the numb harden even more. Francis perks up when he hears a quiet shuffle, his tentacles unwrapping around your body. 
“What a cute mate you have, old friend~ though I wished I was able to get to her first” a voice chuckles, you could hear the anger in his voice though he tried to conceal it.
Francis’s grip on your body tightens, pulling you closer to him. Emerging from the shadows was a man who looked like Izaack, except with sharp claws and scales. 
He sends you a grin, sharp canines visible. You couldn’t help but to shiver, they could pierce through flesh with ease. 
“It’s a crime to keep a pretty human hidden from your best friend..” Izaack says, his grin dropping when he talks to Francis 
They definitely weren’t “friends” as Izaack makes them sound like, something happened between them. The black claws on Francis's hand threaten to tear the blanket, anger coasting through his blood. 
“Mmh, you missed the point that she’s mine.. not yours” Francis says, claws poking holes into the blanket. 
“Oh.. but we used to share everything together, did you forget?” Izaack fake pouts, he was pushing Francis. 
Izaack fake pouts, grinning when you give him a weirded look. He chuckles, stepping closer to you and Francis. 
“Old times, don’t push your luck” Francis threatens, the tentacles of his pointing at Izaack with eerie intentions. 
“Oh come on~ you wouldn’t mind sharing her with little ol’ me? She looks so delicate, so delicious” Izaack grins, licking his lips.
Your eyes widened in shock, not only was his tongue snake-like, but he has four! Almost as he knew the effect he had on you, he chuckles.
“She seems curious, won’t you let me show her my tricks~? I promise I won’t bite her, unless she wants~” He coos, his footsteps echoing around the room as he walks closer to you.
Francis takes a glance at you, the gleam of curiosity filled your eyes, you really were interested in this punk. He sighs, his finger rubbing on your plush hips. 
“Mmh, as long as she’s fine with it..” Francis grits, glaring at Izaack. 
Izaack sends you a wink, his eyes filled with a lustful stare. Izaack now was close to you, his hand rubbing on your exposed thigh.
“What do you say, sweetheart?” Izaack says, leaning closer to your face.
You look at Francis for a split second, turning to look back at Izaack with a nod. Izaack sends you a charming smile, clearly happy you agreed.
His clawed hands cup your breast, tracing the stretch marks that cover the mound. He carefully squeezes your breast, careful to not prick you with his knife-like nails. 
Izaack’s tongues swirl around your nipple, the constant stimulation making you whimper. You could feel something rubbing on your cunt, Francis’s tentacles rubbing up and down your clit.
You let out a choked gasp, one of Francis’s tentacles sink deep in your cunt. You your moans fill the room as the tentacle inside your cunt pokes at your walls, rubbing on your g-spot.
“Does that feel good? I bet it does, your moaning so loud~” Izaack coos, peppering kisses to your neck. 
You nod your head, spreading your thighs wider to give Francis more access. You tense up feeling another tentacle sink into your hole, slowly pumping in and out to loosen you up. 
You grab at Francis's hands, leaning your neck back. You could feel Izaack’s tongue rubbing down your neck, nibbling on your sweet spot.
Francis pushes you down to the bed, your face resting in the pillow with your ass in the air. You could feel someone’s hand squeezing at the flesh of your ass, giving the area a smack. 
“I think the guest of honor should go first” You could Izaack say, you could already imagine the glare Francis sent him. 
“Not happening” Francis sighs, pressing his hard cock on your cunt. 
“So cruel..” Izaack taunts, holding your hands to keep you from scrambling away. 
Francis slowly sinks his cock into your cunt, his tentacles stimulating your clit. Your eyes roll back, biting on the pillow to stifle your moans.
The feeling of Francis’s cock dragging slowly in and out of your cunt, plus the stimulation on your clit was enough to bring tears in your eyes. A pair of hands gently lift your head from the pillow, kissing your lips. 
You moan, multiple tongues exploding your mouth. Izaack grunts in a satisfied tone, pulling back from your already so swollen lips. 
A thin sheet of spit connects your lips to his, a cunning grin on his face. You moan, looking back to see Francis who's moaning in pleasure as he slams his hips into your body. 
“Aw, gonna cum already? Why don’t you show me how good you can be, sweet thing” Izaack chuckles, kissing your cheek.
You whine, closing your eyes in pleasure as you mouth shapes an O. Francis grunts in pleasure, slowly down his hips. Spurts of cum fills your womb, making you sigh. 
“My turn now, little lover boy” Izaack say, shoving Francis away from your body.
Francis grunts, you could tell he wanted to say something snarky but he holds back. Francis whispers sweet nothings in your ear to distract you from the sting, Izaack was larger than Francis. 
You groan, before letting out a gasp as you feel both of your holes being filled up. Izaack’s hand grab at your love handles, squishing the soft flesh. 
“It’s ok my love, just relax from him” Francis says, peppering kisses on your tear stained face. 
“That’s right, honey. Relax for me, let me take care of you better than that idiot could ever~” Izaack coos, chuckling when Francis growls. 
You could see the shine in Francis's fangs, threatening to hurt Izaack. You couldn’t do much but moan, the pleasure making your head gone. 
Izaack’s claws grab at the fabric of the pillow, pounding you into the bed. The base of Izaack’s cock has a white ring of cum, only getting more messier as you cum around his cock. 
Francis’s tentacles twist your nipples gently, paying attention to the hard buds. Izaack groans as you clench tighter around his cock, your head buried into the pillows. 
“Fuck.. she’s good, gonna cum for you, baby~” Izaack praises, his pace slowly getting sloppy. 
“Mmh, don’t get too excited” Francis grunts, jealousy dripping from his voice. 
Izaack only chuckles, slamming his hips. He says still, his hot cum filling your womb even more. 
He slowly pulls out, watching cum drip from your abused cunt. He sighs, lying beside you. 
“You should get used to me,  friend. I don’t plan on leaving for a while, not when this cutie is here” Izaack teases, pressing a kiss to your cheek. 
Izaack pulls your body closer, rubbing your shoulder. He buries your head in his chest, chuckling when he hears the soft snores from you. 
Francis groans, moving closer to get the heat from your body. His fingers trace hearts on your love handles, pressing a soft kiss to your neck. 
You slowly fall deeper in the embrace of sleep, hearing the quiet arguing between the two doppelgangers. Now you have two boyfriends, who are going to fight for your attention. 
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Taglist: @sidhion @ihatelifesm @mlkyshxrtcke
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sparks-chaotic-cove · 7 hours
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Gonna talk for a moment about how nice it is that the Fable cast interacts with the fandom so much-
It's a bit understandable how many of the huge huge creators (like- dsmp level, certain hermits) aren't able to interact with the fandom for a few reasons (sheer size of the fandom, people crossing boundaries, not wanting to see certain sides of the fandom, etc-) but It's just so special when you actually get to see the creator's reactions so what you've made
because all we're doing is being obsessed with the blorbos that the cast is also very obsessed with themselves- it's like an excited little kindergarten show and tell circle. The cast holds up their little blorbos and go "this is my guy!" and we're all like "that's your guy! they're so cool!" and trade art and stories and headcanons-
Even though it might seem a bit daunting to have some creators so intertwined with the fandom space over here on Tumblr at the very least- it's also really cool! Knowing the creators are seeing how much you love what they've helped create, and knowing that they probably love what you've created for that thing is just such a rewarding little dance.
So for any cast member that reads this, just know though we may seem a bit intimidated by you in our notifs- we're glad you're here to see what we've made with your tragic little guys :]
And thank you so much for being here
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system-of-a-feather · 11 hours
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Full Integration, Final Fusion, Functional Multiplicitly, and General "Spirituality"
(Disclaimer: this is a very long post)
Heyyo, this is a bit of a hodgepodge of connected topics that I was thinking on this morning. For those that don't know, after like three months of being a really solid fused whole, we really decided that we needed to redivide back into our core parts to recenter, rebalance, and reorganize ourselves since our fused whole was loosing sight / vision of the "plot". We don't consider this "splitting" because we are still in - what we like to call "full integration" - and we don't really engage in much dissociation when we do this as the means of how we do this largely stems from the way we perceive, engage with, and view the concept of "self" and "identity." Our system highly values the mastery and art of a very fluid and ever changing sense of identity and self. This morning - thank you Chunn brain for batting our collective brain from the usual urge to get out of bed and get started with our day to give us time to really sit with our inner selves - we spent about an hour and a half and a small half hour nap just laying there thinking among ourselves and I wanted to share a few.
I think at the moment I am still mostly a fused whole and I had considered trying to go to Ray or Lin for them to write this, but it didn't feel right to go to Ray brain and Lin brain directly told me "Dude, this thought line started with Riku-dominant fused brain, trying to have someone else write it would be a disservice to the reflection. Let Riku or Riku-dominant fused brain do it, it's their thought." and you know, fair point. I think I'll use this post as a temporary "bye few thoughts" and love letter to our parts as a fused whole before leaving it to the individual specialists to do their things.
So introduction to this post aside, hello and temporary soon to be farewell before I choose to temporarily redivide into my main parts. Today is May 15, 2024 and I'm gonna document this a bit for when I come back whenever that is and kind of see if my fused-whole perspective and nature changes - mostly for myself. Online I go by Feathers, irl I just go by our chosen name.
I'm a (mostly, technically non-denominational independent, but most of my views and perspectives come from and align closely with) Zen Buddhist. I'm nonbinary vaguely transmasc (not really though?) intersex individual with the pronouns of they/them. I am extremely pro-endo and if I honestly felt like sticking around longer, I was thinking about writing a much more nuanced essay on tulpa-terminology discourse with my current reflections as a fused whole and as a pretty avid Buddhist but, unforunately, unless one of my parts still shares the same insight AND interest, that essay will have to wait for me to potentially be back (hey, Riku or Chunn might still want to who knows). I dunno what else to say, I love bird, Bleach, walking, driving, listening to music, video games, writing, art? I dunno man, I'm just me.
Documentation aside anyways, I gotta figure out where I want to start. I think I will actually piss my high-school English teachers off and start with the LAST thing in the title card. I might loose a lot of close minded white anti-endos here, but hey, if you are that close minded, then its your loss cause I'm just talking about late-stage recovery as a person with diagnosed DID that is considered polyfragmented. It's a fun conversation to have with other people with DID aiming for recovery so, if you're hell bent on hating people talking about plurality form a non-DID lens enough to disregard cool information, that's your loss. (Thank you XIV brain, crediting that to you for part of our goal today)
Buddhism, Spirituality, Plurality and Our Perspective of Full Integration
According to Buddhism, and one of the largest concepts and principles of Buddhism that we believe the most in and actively work to practice and cultivate the mindset of - is that the concept of "I" and the concept of a singular, distinct, and separate self from the world and others simply does not exist - only the experience and illusion of experience exists. I was talking about it with @quoigenicfromhell in DMs since they were interested in talking shop about Buddhism.
To save myself a whole effort of rewriting a discussion on how one can hold together the clear sensation of existing and being an individual with the idea and Buddhist understanding that the "self" does not exist, I'm going to copy a little bit of what I wrote in response to them. If it doesn't make sense cause its in a bit of Buddhist jargon, then oh well, I'm lazy, it's written for an audience that has done some reading and looking into Buddhist thought so RIP yall srry not srry (Thank you Chunn brain lol)
Honestly the development and understanding of holding those two things together (the non-self and non-existence with the clear experience of self and existence) is largely a lot of exploration on the understanding and respect for the experience without applying too much value or regard to said experience. Its kind of a hard thing to understand just based off of words alone and like all things Buddhism, its one of those sorts of things you really gotta sit on and explore in your own mental space, but like
The experience of self and personhood and existence is a denied concept in Buddhist thought, but its not a bad or incorrect thing, the experience of self and existence is kind of considered an inherent expression of life and the world and while its important to be cognicent that it is an illusion that can cause suffering and muddy an individuals ability to see Things As They Are, the experience and illusion of self is additionally an entirely natural thing to experience and is an important part of being able to, well, be
I kinda of personally perceive it kind of similarly to say a part in a system. Innately the part is not (at least in my experiences of systemhood) a literal entire separate being and thats an important thing to acknowledge for a number of reasons (life organization and direction, system accountability, etc) but its would also be incredibly foolish to completely ignore that the part operates, experiences themselves, and lives in the world (both inner and outer) as if they were an individual of their own
In the same sense that a part in a system can be seen both as an individual and a part of a whole / collective depending on what perspective and demands the moment needs. An individual can be seen both as the individual expression of a self informed by the arguably incorrect illusion of isolation OR as a part of the whole worlds expression depending on what serves the moment the best. I largely kind of see myself as part of a system that is the world much like I see my parts as part of a system that is "me". While the self may be an illusion, its not an experience that can be denied and it is an innate expression that in its own right can prove to be a great teacher So you deny the concept of a self but respect and revere the experience and innate natural expression of self
With that context in mind, while we do not believe in the concept of self and find that trying to seek out a concrete idea of a singular person and singular self in society is a source of extreme suffering, stress, and displeasure, we DEEPLY revere and honor the expression of self. As we see it, in a complete ideal and impossible the world would be in perfect harmony if we let the world express itself as it naturally does. We find that the experiences of self - in whatever form they take - are inherent and natural expressions of the world as a whole and to try to shape oneself to fit a specific image - may that be societally imposed or internally / personally imposed or a sense of envy or any sort of clinging or desire to a specific version / image of self - is a disrespect to the innate beauty found in the natural expression and a means of adding disharmony into the world.
As a result, our system and whole aims deeply, above almost all else to exist simply as we naturally would in any moment time to time. If we find that something we are doing with our sense of self is drawn and influenced too much on a "I should" or "I want" or "I wish" or "I hope" then we tend to pause, self reflect, and ask if we are actually existing in our natural state, or are we trying to fight against our natural state of self to fit into a self-imposed idea of what we "should be".
As a result of that, our system deeply values our flexibility, fluidity, and ability to change any aspect of ourselves, any opinion we hold, any identity label we consider, and our overall presentation in all ways and forms to a very high level. The desire to be consistent and predictable serves us little in simply practicing on "being" and finding the true and simply-run life that we want. That then results in why our system so casually flips around in system size, fusions, redivisions, how we refer to ourselves, etc. We find very little value in committing to labels and concepts and do whatever is natural for us.
Additionally, another large aspect of Buddhism our system deeply reveres and appreciates is the acknowledgement that there are "Buddhas" - or in less Jargon terms, potential for everything both internal and external to be teachers and guides into finding a sense of peace and simplicity in the world - and that it is deeply important to cultivating peace, happiness, and insight to actively always be seeking out the "Buddha" in everything and everyone. It's important to reflect, engage with, and talk with those "Buddhas" as they are the best and number one way to gain the insight that brings happiness and peace into life and removes excessive suffering and stress.
As many Buddhists agree (at least of the Mahayanan branches), everyone is inherently a Buddha because the world and everything is a Buddha. The only issue people have is that they can not connect, hear, and see clearly enough to be in that state due to a large number of human conditions - one large one being the aforementioned illusion of self.
Having lived my life as someone with DID and having gone through a lot of trauma therapy, self reflection, communication and coordination with my parts, and all that to the point we have reached functional multiplicity over a year plus ago and been able to hold a fully fused state for over three months, I feel like its a given to say that of ALL things in the world, the "Buddha nature" of my parts have been the best and most insightful teachers I've ever had. We revere each other's strengths and specialties greatly as each of us have taught the other great strengths, great understandings, great insights, and great appreciations that have collectively brought us so much peace and happiness. It's not to say any part is "enlightened" because each part is also deeply flawed and struggling in their own realms, but it is largely by working and talking and supporting one another and ACTIVELY looking to one another for insight and lessons about the world and our existence that we are able to reach a uniquely peaceful space.
For us, its an incredibly important practice - both for self care and in the art / spirituality of Buddhism - to regularly talk and engage with these specialized and uniquely-wise (and uniquely stupid - thank you XIV) parts of ourselves to gain deeper insight and overall understanding of ourselves and our place in the world.
In the same sense, it is why - despite being completely capable of operating as a fully fused whole - we regularly choose to INTENTIONALLY redivide into our parts. And no, its not us "splitting again" or even really throwing up any real level of dissociation / dissociative barriers. If anything, we usually do this through meditation and mindfulness.
It's a Buddhist practice, its not a mental disorder and its not stemming from the same mechanism's DID stems from. It might operate *based* on the foundation our history with DID stems from, but at this point in our healing, the way our system operates at functional multiplicity that is intentionally chosen to be that way AFTER reaching "final fusion" has a number of differences from how it operated before we reached general full integration.
Again, for those more familiar with the tulpa-terminology discussion, you might be able to see where I would have a long post delving into a highly nuanced and more middle-ground perspective of that syscourse from the paragraph above this one, but I'm gonna leave that cause I already know this post is long and it would detract from the purpose.
At this point, my system is mostly an "intentionally created one" to Western label standards. We personally do not see any significance or binary in plural VS singular people beyond it being a label some people identify with and not. Plural VS Singular is a false binary perpetuated in white, western, and european society and while I respect that perspective and view in a space that is primarily filled with white, western, and/or european individuals, I am going to firmly state that and expect you to give me that same respect. (and if you refuse to give me that same respect, then you are close minded and being very white / western lmao <- thank you XIV, again)
And so the other related but slightly different topic away from the more philosophical, esoteric, mysticism sounding topic of Buddhism...
Full Integration, Final Fusion, and Functional Multiplicitly
At this point, what we used to call "Wishiwashi Recovery" we kind of have taken to just calling "full integration" generally as a means of really breaking apart the suggested categorical and boxed binary of "final fusion" and "functional multiplicity" as our own experience and discussion with other systems at and near full integration have made us realize that the difference between functional multiplicity and final fusion is FAR more a spectrum than it is two seperate categories. Some systems stick to one end, some to the others, but the largest difference is in external and internal expression of the parts and less any fundamental or biological / clinical difference; at least not in terms of integration. (Note: Integration =/= Fusion; Integration is the general connectivity and accessibility of parts with less / limited / no dissociation)
It's a false binary to say Final Fusion or Functional Multiplicity and its why a lot of the "ones bad and ones good" syscourse is dumb. They're two heads of the same Doduo and they should be kissing. (JOKING, thank you Riku-Aya brain)
With that said, our system, as we've made clear, regularly and freely practices sliding and flying all over that spectrum as just how we like to engage with ourselves. We change between the two as we see fit and having spent probably like 9~ months in functional multiplicity and 3~ months in final fusion I wanted to share some pros and cons of both sides.
I would also like to put a disclaimer that this isn't meant to be "positives and why this side sucks" as much as it is the differences in life style according to our opinion and our experience. Both final fusion and functional multiplicity are absolutely WONDERFUL things overall and we love both states. If we got "stuck" in either, we would still be immensely happy. The purpose of this part is just to share certain differences in how we experience the two different ends. The Cons in these case are only "cons" relative to the "alternative" and not "to not ever reaching either"
Functional Multiplicity Pros:
A lot more clear and direct communication between parts internally that allows for a SHIT ton of internal banter, productive conversation about complex topic and perspectives from unique and diverse perspectives; the communication is a lot more intentional and a lot more in focus so its easier to properly sit and attend to the complex differences and sometimes conflicting directions
It's honestly just a lot of fun, not gonna lie. A lot more dramatic and extravagant expression + brain friends in a more overt sense
Easier to let certain parts of the brain take "breaks" - it's not the same as it is with not-fully-integrated DID but compared to Full Fusion, certain parts of the brain can "tune out" easier than not
More palatable to DID / OSDD spaces online
Easier to focus and use a wide variety of skills, interests, hobbies, and thinking patterns by simply just having a specialist part take their look at it
Generally easier to target specific boxes to look into as you process all the newly accessible memories and information from being highly / fully integrated
Final Fusion Pros:
Quick and a lot more inherent understanding of all parts on a general gut level without necessarily needing to fully think about everything and listen to every opinion and perspective; there is a lot more of an inherent understanding, trust, and awareness of the collective whole which makes decision making and seeing whats good for the system as a whole a lot easier
It's honestly way more calming, relaxing, and solid feeling. There is a unique sense of confidence, understanding, and trust within yourself and you have a HUGE arsenal of skills and interests that come from the combined parts that you've lived as
You are a lot more present and aware of your life and you actually get to live YOUR life and have all parts of yourself be engaged in life; no part feels really left behind or is caught off guard from having their brain partially turned off. The awareness is really present and engagement is so much more complete.
More palatable in real life and non-DID/OSDD spaces
Easier to simultaneously use skills from multiple parts at once; very much a jack of all trades all at once situation
Generally easier to integrate multiple complex and otherwise seemingly detatched boxes of memory and the past as you process all the newly accessible memories and information from being highly / fully integrated
Functional Multiplicity Cons:
Takes more intention, focus, and often time to get the same level of full understanding of the whole system when making decisions. It can be slow and it requires a lot more internal engagement which can make it harder to be fully present in life
Sometimes you can get what I call "lite" amnesia where a part was not paying attention and doesn't fully process what was going on / what is going on and so sometimes you get poor attention-driven "amnesia". It's small and easily recovered by simply going "hold up wait" and thinking back or asking another part
Harder to use skills from different parts at the same time; albeit definitely still possible and only "harder" relative to final fusion
Generally harder / requires intentional discussion between parts to integrate multiple complex boxes as you process all the newly accessible memories and information from being highly / fully integrated
Final Fusion Cons:
Less direct and overt bantering and discussion between parts (still present by the way, just less frequent and less overt). It can be a little less fun (still is fun cause they are sill there) and it can be a bit harder to fully see the extent of a more extreme perspective
It can be tiring and overwhelming to be aware and present so much for so long if you were accustomed to the breaks DID / OSDD tends to give parts
Easier to forget to use a lot of the skills and hobbies that may have been more niche to less-dominant and less-prominent parts; you don't "loose" the skills, you just aren't accustomed to using them as much so you can just kinda forget to use them
Harder to focus on a targetted recovered memory / information that you want to process and can sometimes be a bit overwhelming trying to connect a number of things at once
And this is all just to say that both are absolutely astonishing and great places to mentally be. The main point is that - for us - sometimes one state works better for us in the moment and another state works better for us later and that's completely cool cause - as aforementioned - the difference between plural vs singular is not a binary one for us anyways.
Anyways, I don't know how to wrap this up so I'mma just post it
Ideally today we will focus on cultivating our independent parts and return to Functional Multiplicity end of the spectrum so I guess tata for now
-Feathers
EDIT and PS: Anyone is allowed to add their thoughts to this so long it is in good faith.
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mrs-monaghan · 7 hours
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Hello, mrs monaghan Well, I wanted to know why you think jikook isn't fanservice?
And first of all I want to make it clear that I’m also a jikooker and I’m sure jikook is not a fanservice!
But I was watching a video about -fanservice on Kpop- and in this video I found some comments from armys saying "imagine how the jikooker would look when Jimin or jungkook, show up dating someone else" or "the hate they will suffer, when taking on a girlfriend" and so on and so on….
It is not possible that jikook is simply fanservice! it does not enter my head even after my death! I do not believe and will never believe that Jimin or jungkook would have the courage to do it! even though I still find thousands of antis saying they do everything because the company forces them. I will never believe that all that jikook is, is just acting, or a simple friendship.
Even though they show up dating someone else, I still can’t believe jikook was a fanservice. I’ll never tacar hater on them either! because I’m a jikooker and no matter what happens I will always support them! and wish them always be happy!
Obs: sorry for any mistakes in English. I'm not fluent yet lol
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Well, I wanted to know why you think Jikook isn't fanservice?
Actually anon. Jikook are sometimes fanservice.
And that includes this long awaited travel show. They have mastered the art of enjoying their rlship publicly while hiding behind what they get accused of every single day. Fucking genius!
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And yes, absolutely. If it comes out they are seeing other people, it won't be because Jikook was never real.
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n7punk · 2 days
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What’s your beef with Spotify?
It's less beef and more just a product I don't like - because that's what Spotify is, a product. They really don't want you to think of it that way, but at the end of the day it's particularly invasive product packaging around the thing you actually want to listen to, and there are dozens of different ways to listen to music. As far as gripes, though, number 1 is that it doesn't really pay its artists for shit and its objectively kind of shitty audio-quality wise (I'm not a snob on this, but depending on your hardware it can be especially crunchy while other things like Youtube sound just fine). Number 2 is how much it spies on you and tracks your data. Number 3 is the ads. Number 4, and the actual reason I will never use it, is that it's the enshittification of media consumption.
I do, actually, have a Spotify account. I used it for all of a day before never logging in again or verifying my email. Spotify forces you to experience music the way it wants you to, with absolutely no benefit aside from cloud syncing cross-platform for your playlists that I don't actually need, and I'm used to the freedom from the dawn of the accessible mp3 era.
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Better Kind Of Best Friend is a single. I bought it as part of the entire The Sex Was Good Until It Wasn't album, so it came with the album artwork. I wanted it to have its single artwork - so I changed it. And now, in MusicBee and on my phone, I see the single artwork because it's in the file metadata. Spotify doesn't give you that option. It's a little thing, maybe, except when it isn't, like when a song's cover art is graphic or otherwise upsetting to look at, or just plain doesn't fit it.
Sometimes I don't agree with a song's "official" genre (usually because the entire album classifies the songs one way while they actually span genres). The range of things that are classified as indie rock is insane. Anyway, other times I use the genre more specifically, such as "Dark Pop", which isn't actually a thing but if I played you Dark Pop songs you would understand what I mean. In MusicBee, I can change genres to be whatever I want, which is important for various auto-playlists in filtering.
I also have a custom tag for any sapphic songs that automatically populates my lesbian love auto-playlist as they're defined, and another playlist that automatically adds all music from my custom-defined list of queer artists to the "Gay Life" playlist. When I buy a new Reinaeiry song, it automatically gets added without me having to do anything.
I can't listen to demos or any music that Spotify has lost licensing to on it, which means that if I want a complete playlist with a demo song on it, I have to have all those songs exported anyway, and at that point why am I bothering to split my listening across platforms? Idk if you heard, but Spotify lost licensing to a giant catalogue of Kpop music at one point because one company pulled out, and all those listeners were fucked. I don't have to wait for an artist to upload their shit to Spotify (although right now I am waiting for Reinaeiry to put Too Sweet up for download - pls queen - this is luckily more rare of an occurrence than me seeing "please add this to Spotify" comments is).
I like music I can keep forever, listen to whenever, and do so without ads or paying three figures a year to hear uninterrupted. I'd rather buy one album a month with the Spotify premium money than pay for it. I like creating folder after subfolder worth of an unlimited number of playlists (admittedly idr if Spotify allows this feature. It varies by online listening platforms and I don't bother to track the ones I don't use). I like being able to drag and drop my playlists from MusicBee into iTunes to instantly listen to them on my phone (and thus cross-play isn't a concern for me as long as I remember to synch my phone). I like the feature of being able to instantly and permanently adjust the volume, as well as the beginning and end point, of any single song I chose (super helpful for when certain albums are inexplicably quieter/louder than others or have a stupid incongruous music or dialogue part in them).
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If I want to listen to something without actually getting it, then I do it on Youtube, which has a wider music selection with more control. Don't like album art? Find a lyric video upload with a generic nebula background. Weird movie sample at the beginning? Someone might have cut that out in their upload (shoutout to the person who turned DICTATOR into a part 1 and 2 to match the two different mood halves), but otherwise Sponsorblock will skip the non-music segments. The only downside of Youtube versus Spotify is I can't share the playlists without exposing my name, but again I actually create those playlists in MusicBee 99% of the time so I wouldn't be sharing a link anyway.
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egophiliac · 11 months
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redesigning my headcanon for Sebek's parents, based on important new information (SCALES)
(you can't see it but they're both wearing crocs)
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umblrspectrum · 1 month
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got carried away practicing in preparation to make something else
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