Bruce Springsteen's fourth album DARKNESS ON THE EDGE OF TOWN as Penguin Classics (series): Andrew Wyeth / Alan Stephens Foster / John James Audubon / Edward Hopper / Cy Twombly / Robert Hodgell / Kiyoshi Asai / Adolphe Sunaert / Alexander Louis Leloir / Pablo Picasso
A Storm in the Rocky Mountains, Mt. Rosalie – Albert Bierstadt (detail) // Lofoten Island – Lev Lagorio // Rosenlaui – François Diday // Mount Elbrus in the Clouds – Nikolai Yaroshenko // Storm in the Mountains – Hermann Ottomar Herzog // Sierra Nevada – Albert Bierstadt // Rocky Mountain Landscape – Albert Bierstadt // Inkpot Gods – The Amazing Devil
hozier wrote 'too sweet' for the "i can fix him" sunshine girls who have always been too good too nice, for the people pleasers who are terrified of failure, and for those who find the darkness intriguing
How do think everyone in the batfamily would react to meeting Thomas and Martha?
Tim: [Conspiracy theorist noises, no one knows if they’re good or bad]
Jason: great, more rich people. Not like we have enough of those. [Loves Martha and wants to know if Catherine is okay, if there’s even a possibility of knowing.]
Dick: sorry I knocked off your ashes while doing gymnastics, grandpa. I think you were in the vacuum cleaner for a while :/
Thomas: meh, it happens :D as long as you’re having fun!
Duke: ok so wait. You’re telling me Gotham used to be WORSE?
Damian: [Keeps getting his cheeks pinched] Can you purchase the government and make animal abuse punishable by hanging?
Thomas: I’m sure we can make that happen! Anything for my little man!
Bruce: Father :|
Thomas: What, I miss the death penalty. Now those were the days.
Bruce: Mother!
Martha: Don’t look at me. I made Luigi Maroni drink a bleach cocktail for kicking a cat.
Damian: …You’ve earned my admiration, Grandmother.
Bruce Springsteen's eleventh album THE GHOST OF TOM JOAD as Penguin Classics (series): Rembrandt / Ary Scheffer / Henri Regnault / Jasper Johns / Camille Corot / Antonio Sequi / Jacques Louis David / Frank Webster / Andrew Wyeth / Henry Ossawa Tanner / Andrew Wyeth / Gyula Benczúr
I am deeply obsessed with the manuscript as the closing track of the anthology. returning to that first big life altering heartbreak, the one that inspired some of the most acclaimed and beloved work of her career, but it's a distant past now and it's almost as though it happened to someone else. and then, in the wake of all the intense loss and turbulence that the past two hours have documented, she knows what the agony was for. because just like all that now remains of that past relationship is the art that came out of it — including all too well, a song that was changed for her over the years into something beautiful and joyful — one day all that will remain of this period will be this manuscript, this album and all its feelings that eventually won't even be hers anymore but will belong to her past self and to its future listeners.