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#also a lot of what he says relates a lot with my own journey of discovering I was bi
daisysmalia · 2 months
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Hmm this all seems very interesting and I really feel like it points to one thing
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Thoughts on Angel Crowley & Healing from Trauma
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(Minor Good Omens S2 Spoilers)
As someone who’s endured my own Trauma and dealt with the resulting PTSD, watching Crowley’s journey from a joyful, silly, and entirely innocent angel to a withdrawn, lonely, hyper-vigilant demon as a result of the Fall both shattered my heart and confronted me with the fact of myself, and I’d like to talk about it. 
When you* experience Trauma, you experience an existential disorientation and a profound sense of grief over the world you thought you knew–one where you were safe and nothing bad had ever happened to you. “Innocence died screaming,” and all that.
You're also therefore mourning the loss of who you were, and struggling to make sense of who you are now. Which is why this conversation is so gut-wrenching:
“I know you.” “You do not know me.” “I knew the angel you were.” “The angel you knew is not me.” 
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This dialogue admittedly still makes my eyes swim. It’s reminiscent of the many conversations I’ve had with people close to me who knew me Before and After. Not only are you grieving the loss of your own innocence, so are those around you, and it feels like you’re wearing their loved one’s face like a mask.
And then underneath the grief, there’s a river of–what you’ll later discover is misplaced–guilt. They want you to be who you were. Fuck, you also want to be who you were -- to not have experienced what you did -- but you can’t.
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And when they catch a glimpse of something that reminds them of Before-You -- because it's not like that you has just up and vanished, you've just changed -- they say things like, “I feel like I have you back!” Like the After-You is a consolation prize, something to be tolerated while they wait for the Before-You to return.
It’s not malicious. They love you. They want you to be happy. But it just serves as a reminder of your loss and suddenly you’re acutely aware of how alone you are with the Thing that hurt you.
After trauma, you’re lonely and you're afraid. But those emotions make you feel quite naked, because both of those things would require you to depend on other people to feel better and, at this point, the thought of doing that is far too scary, so to the world, you’re angry. Thus begins the cyclical self-fulfilling prophecy.
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And that cycle goes a bit like this: People see the mistrust and the bitterness and the volatility (the shield that keeps people at an arm's length and helps you feel safe). They don't see the profound sustained fear underneath, the desperate need to feel seen and accepted. And so people pull away.
And that real or perceived abandonment feeds the monster that’s taken up permanent residence in your ribcage and screams at all hours that you’re not worthy of love, that you’re irreparably broken, and you’ll always be alone. And you pull away from the people that love you. And the cycle repeats. And you start to believe all of the bad things about yourself that the monster tells you.
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Being confronted with a character who you adore and who you also relate to closely is bittersweet in that it’s both immensely painful, but also offers you an opportunity to interrupt that cycle, to explore a different -- perhaps more forgiving -- lens through which to view yourself. To practice self-compassion by proxy, if you will. After all, we tend to extend far greater empathy and forgiveness to others than we do to ourselves.
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Angel Crowley, "who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty,” (joycrispy) reminded me a lot of “Angel T,” or rather myself before Trauma.
And Crowley's story is tragic. I was heartbroken and angry for him; I felt the depth of the betrayal he experienced at the hands of someone he loved who he'd believed loved him; I found myself wanting to protect him, to comfort him. Crowley did not deserve what happened to him.
And, over a decade later, I realized that I’d finally accepted that I’d been an innocent, just like Crowley had, and I didn't deserve what happened to me, either.
And -- if you find yourself relating to this post -- neither did you.
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Once we can tell ourselves that and actually believe it, we can start to lower the shield. We can allow people closer, including ourselves. We can bring the parts of ourselves we may have hidden away back to the surface. We can soften again. We can truly start to heal.
Crowley, at his core, remains the same. He is still kind, deeply loving, playful, silly, and – against all odds – hopeful. But his trauma has changed him; his innocence is gone.
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He struggles to trust others; fears abandonment; engages in unhealthy coping mechanisms; finds it easier to prioritize and tend to Aziraphale's needs and desires than his own; and has difficulty expressing his emotions.
But he also gained an abundance of empathy, a deep love for humanity, and a strong sense of justice.
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We adore Crowley exactly as he is now; we don't wish for him to be who he was before the Fall. And neither does Aziraphale.
In kind, we won’t be who we were — nor should we try to be — but we can be something new, a different version of ourselves that is equally good, equally worthy, and equally deserving of love. 
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After over a decade, I think my Trauma wound has mostly healed, as much as Trauma wounds can, anyway; it’s a dull ache rather than an acute pain. Yet Crowley's story assuaged that remaining hurt like a salve I hadn’t realized I needed.
So thank you to @neil-gaiman for giving us such a beautiful story, and to David Tennant, Michael Sheen, and the rest of the cast and crew who bring the characters we love to life on screen.
Good Omens truly is a gift. May it continue to inspire us to offer kindness and love to ourselves and one another. 🖤
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* I am aware that I say “you” when I should use the singular first-person “I,” but I still struggle with this when talking about my own trauma. So I’m using “you” and you, reader, will deal with it x
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charmedreincarnation · 7 months
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When I say that this journey is real, and our struggles are not in vain, I am shouting it from the rooftops. A month ago, I woke up with my dream life. Obsessed with the "void state", I woke up one day being the same person but with an entirely new life. All because I chose it.
Your efforts aren't going unnoticed. The universe is always on your side. You are the universe. It's been a month, and I still feel overwhelmed with joy and wonder every single day.
I was once poor and battling depression, a reality many can relate to. But we found the law because we knew we deserved more. You can be ordinary, flawed, even unkind, but you can choose to transform and have it all. And I did just that. My parents, who were illegal immigrants working underpaid jobs, are now wealthy and respected figures. My last name alone garners recognition, and I am a socialite earning money just by being me.
I used to live in an attic infested with cockroaches. Now, I reside in a four-story mansion, complete with exotic cars, house help, cooks, drivers - all treated and compensated fairly. We also own three other houses across the United States.
I was once insecure, severely underweight, and bullied. Today, not only am I stunningly beautiful, but I am also praised for my fashion sense. I was once a dull person, but now I am radiant with positivity.
I attended an underfunded school where I was bullied, and teachers lacked resources to intervene. Now, I study at a prestigious private school that assures my entry into an Ivy League university. Finally, I am respected and appreciated.
I was lonely and uninteresting. Now, I am vibrant with a close-knit group of friends and a man who seems straight out of a Wattpad story. He's perfect, and he's mine.
This transformation happened overnight. And I've been on this journey since 2020. But how??? I surrendered to my imagination!
The void was overwhelming, but now I can easily navigate it. I was tired of giving my power away. So, I gave in to myself, to my dreams. I knew I deserved it. Even if I didn't believe it at times, I made the choice. If you desire something, it's already yours. It's done.
I didn't have a list or anything of my desires, just a vision of happiness. I didn't know what it looked like, but I knew how it felt. Now, I embody that feeling every day. My life is a series of plot twists. It's not perfect, but my worst days now are what I once prayed for. That old life? POOF It's gone. All I have is now, and I'm living it to the fullest.
My advice?
Stop seeking proof. If you're looking for proof, you'll never manifest your dreams because the only thing that needs to change is self. Doubt is a reflection of your disbelief in yourself. When I surrendered to my imagination, it didn't matter who was lying or telling the truth, because I had my truth. The burden of proof lies within you. It's called the law of assumption. You might harbor some doubt, but you must have faith like the devout. They believe without proof. You can too! We all can! Believe in yourself, and the universe will conspire in your favor!!!!
I agree! Your words resonated with me a lot. Faith, particularly self-faith, is such an important tool in shaping our realities. The ability to trust ourselves, our desires, and our potential is essential in manifesting our dream life, and it’s only so beautiful to slowly see yourself give yourself all your trust when you’ve never even liked yourself.
You're spot on about the issue of seeking confirmation from others. It's an unnecessary hurdle that we give ourselves but it’s human nature. Our truths and dreams should not be validated by anyone else but us. As you said, why should it matter if someone lied or told the truth? We are the creators of our own lives and thus, the only validation we need comes from within.
And I wholeheartedly agree with your point about deservingness. We don't have to earn our desires or prove ourselves worthy of them. If we want something, that desire alone makes us deserving of it.
More importantly I am very proud and happy for you !!!! You’re a testament of what our own imagination can do for us and I hope you only keep getting happier and happier <3!!!!
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ham1lton · 17 days
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PARTY IN THE U.S.A!
pairings: charles leclerc x actress!reader.
faceclaim: rachel mcadams.
summary: before the miami grand prix, o/s posts you and charles goes on a journey to find you. too bad that time has plans of its own.
author’s note: the request said you wanted to have reader be introduced to charles through another driver’s gf but because i’m egotistical, i chose to link this to the nepo sister universe. so they meet through o/s. also i changed it up slightly! this can be read independently of the nsu but it’ll be more enjoyable if you read the other works.
wanna get tagged in any future works? sign up for my taglist! <3
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liked by zendaya, charles_leclerc and 1,827,627 others.
oldersister: our new film ‘material girl’ is now out! enjoy my cameo in my best friend’s film! so proud of her and the most incredible team who worked with us to create this incredible film. thank you for allowing me to be a part of this 💕
neposisreader: a smile might be good.
-> oldersister: nothing to smile about in my life.
-> neposisreader: i already apologised for bringing lando to dinner without a warning!
user3: running to the cinema to watch this!
user1: so jealous of her life icl.
user4: no cause i had no clue o/s and y/n are childhood besties?! this changes everything.
user5: the two pretty best friends everyone has been looking for.
landonorris: whooo look at my sister in law 🥳
-> oldersister: blocking you immediately actually.
-> landonorris: WAIT !! 😩😭
user6: what’s charles doing here in the likes 🤨
-> user7: he’s friends with o/s. that’s probably all there is to it.
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liked by oldersister, neposisreader and 2,383,733 others.
yourusername: i had the best time working with the most magnificent group of people on this movie. ‘material girl’ is currently out! i had the opportunity to work with the best and make something truly unforgettable. keep an eye out for my bestie’s cameo! also my niece came to come visit me on set. my favourite gift <3
neposisreader: mrs fluffkins is evil.
-> yourusername: she’s an angel!
-> oldersister: exactly! thank you!!
-> yourusername: you know i got you bestie 😘
user1: you look so good in this shade of blonde!
user2: brb running to get my regina george halloween costume.
user3: charles liking y/n related posts? hmmm 🤨 you not slick baby.
*liked by landonorris.*
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liked by charles_leclerc, ynshoney and 234,672 others
ynswife: our girl y/n dropped to the jimmy fallon show to spill all the gossip about her newest film, her love of miami and her best friend oldersister.
user1: i love her tan and this hair on her!
-> user2: she’s always so happy and bubbly after spending time with o/s. that’s truly her girl.
user3: i watched material girl with my best friends and i almost cried at the end when regina had her big speech. i love y/n’s acting sm.
-> user4: she’s going to be in the david fincher adaptation of gone girl! so excited for her! she’s gonna kill it!
user8: did you guys notice how she stayed silent when the topic of her love life came up? she’s always so quick to mention she’s single….
-> user9: when she comes out as dating o/s >>>>
-> user17: when the doctors come back with your tests and legally diagnose you with delusional tendencies >>>
-> user12: what if she’s dating charles?? he’s been interacting with a lot of her accounts recently…
-> user7: i’m gonna put my hand on yours when i say this okay? that’s not happening beloved.
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liked by oldersister, neposisreader and 1,627,892 others.
yourusername: miami i lovee youu 😘
oldersister: when did you take that pic of us?
-> yourusername: the lady behind us took it! she sent it to me through airdrop <3 you looked so cute i had to post it.
-> user1: they’re 100% dating.
-> user2: nah they’re definitely friends.
user3: WHO IS THE GUY IN THE THIRD PIC?
-> user4: it’s her costar! the proportions match!
-> charles_leclerc: no it isn’t. lol.
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liked by yourusername, landonorris and 1,037,637 others.
charles_leclerc: here is my ‘hard launch’ and now that i’ve got your attention. go watch my amazing talented girlfriend in her newest movie ‘material girl’.
oldersister: i still don’t like this.
-> landonorris: charles and i are in-laws now 😘
-> oldersister: who unblocked you from my instagram???
-> landonorris: WAIT NO 😭
user1: yasss watch this masterpiece of a movie!!
*liked by charles_leclerc.*
user2: king of promotion. y/n needs to get him a job in the marketing department.
danielricciardo: watched this film five times and if you saw me cry… no i didn’t.
user3: they’re actually so cute together?? this is growing on me.
yourusername: approved ✔️
-> charles_leclerc: just jumped in joy 😍‼️
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pollyanna-nana · 4 months
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“I can’t help anyone…”
An analysis of Kieran and how it relates to his most controversial scene.
Warning for Indigo Disk DLC spoilers ahead
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Greetings! I’ve made it no secret that, despite what some people think of him, I am very fond of Kieran Pokémon’s little emo ass. As a result, when perusing the tags I’ve been bombarded with a lot of very… questionable takes regarding his personality and character, which I simply do not agree with. In particular, I’ve seen a lot of interpretations of a specific scene that I don’t think get at the heart of the story and have some fundamental misunderstandings of the subtextual clues we’re given about how Kieran and Carmine were raised, and I wanted to take the opportunity to present my own interpretations and how I have come to understand this young boy’s complex journey to self acceptance.
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This scene, right here, has been the source of many specific complaints I’ve seen regarding Kieran’s character. I’ve seen people saying that his actions here make him a bully, that he’s shaming a fellow student for having troubles at home, and generally is an unpleasant, entitled person. And while I think there’s definitely some truth to those points (and they make him all the more interesting…) I don’t think a lot of these people are thinking about what this scene is really trying to tell us.
Yes, it’s showing the player that Kieran has changed since we last saw him. That his shy, kind demeanor has been supplanted by a stark cruelty that was hinted at in the end of Teal Mask, and that we have reason to fear and fear for him. However. I would argue that it also serves to tell us more about what Kieran himself has dealt with as a student at Blueberry academy. Specifically...
Kieran’s struggle with identity and self worth.
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From the earliest segments of Teal Mask, we get strong indications that Kieran has quite the inferiority complex. Worse still, said feelings are reinforced by the people around him, knowingly or not. Here, when Carmine tells us that Kieran's "nearly as strong as she is", we know she simply means to compliment us in her own Carmine-ish way. However, purposefully or not, it reinforces Kieran's idea as someone who is always, at best, almost good enough. Almost as strong as his sister. Never as or more.
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He tells the player that he'll hang back, not wanting to get in our way. With no prior prompting, either. How many times has he been made to feel that he was a burden? I adore Carmine, but one of her most pressing flaws is her struggle to make Kieran feel loved and wanted. Which, is actually pretty normal between siblings as she herself is a child. But still, given how much Kieran clearly loves and respects her, her words hold a lot of weight. And it's only Carmine who we get to see treat Kieran this way. While it's possible it's coming almost entirely from her, I'll discuss later why I think it may be more complicated than that. For now, though, it's clear that Kieran himself thinks very lowly of his abilities and would rather stay out of people's way, lest they berate him for perceived inadequacies.
He's had problematic behavior modeled for him by Carmine.
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Here, too, we see how Carmine's treatment of him reinforced some very negative ideas of interpersonal conflict and resolution. All throughout Teal Mask, Carmine is telling him to shut up and be quiet, and does what she thinks is best for him without consideration for how it may make him feel. No physical violence, but emotional abuse is abuse all the same. While we know that she was ultimately trying to do what was best for him, and had very good reasons for keeping secrets, its undeniable that the words she used only further reinforced the idea that the strong will push around the weak, and that they have no need for anyone who falls behind in some way.
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This scene in particular is fascinating, as we get to see first hand the kind of dynamic that pushed his feelings of inadequacy towards the breaking point. Here, after the player and Carmine run into Ogerpon for the first time, he thinks her weird behavior is because they were making fun of him. It's already sad that he would jump to that conclusion, but then Carmine smiles through his entire dialogue and says nothing. No reassurance, no denial, nothing. Kieran walked away from this conversation thinking that his sister and his new friend were talking about how much they dislike him. Speaking from personal experience, constantly feeling like people are talking about you behind your back at a young age can lead to you becoming brutally honest in a maladaptive way, and it can lead to people thinking you're cruel and unkind because you refuse to keep your thoughts to yourself.
Generational trauma, neurodivergence and cycles of abuse.
Here is where we leave screenshot land for a bit and I talk more about things that I suspect to be true, but cannot ultimately prove. However, I ask that you bear with me here and consider what may be going on above the heads of the child protagonists in a children's video game. (After all, if some people can write whole essays comparing Kieran's behavior to some very serious real-world events... I think I am within my right here!)
Kieran and Carmine, to me, match very strongly with the idea that they came from a bad home life. I don't necessarily mean their grandparents, as they seem nice enough (though flawed), but instead that their parents, whoever they were, contributed substantially to their strained relationship and problematic behavior. This post may seem very Carmine-negative, but I actually do not blame her for what she's done, not really. I do think that she has the agency and experience to take responsibility for how she's treated her brother, but I also think that it is something that was modeled for her by her parents, caretakers and teachers. I think it's very important to keep in mind in all conversations about these two that negative behaviors like these rarely manifest out of the ether. When I see child characters acting this way, I think less "wow, what horrible people!" and more "who in your life is modeling this kind of behavior for you?"
Full disclosure: I am an older sister myself, and my younger sister is very close to me in age in the same way that I see Carmine and Kieran as being. I see a lot of myself in her, which is why I deeply understand her frame of mind in everything here. Being expected to be the emotionally mature one in a sibling dynamic is difficult when you're so close in age, and it can lead to a lot of frustration as you feel like you're made to grow up too fast while your younger sibling is shielded from responsibility. It also doesn't help if the adults in your life model a lot of negative behavior, especially power dynamics, and if you have any sort of neurodivergency.
Speaking of... I wholeheartedly agree with the interpretations of the siblings having some combination of autism, ADHD, BPD or several other potential conditions. I won't go into depth, but without question there's something going on with them that's both untreated and misunderstood by those around them. Which, makes a lot of sense considering where they come from. Kitakami is a small nation, mostly agriculture based, and Carmine in particular is very resistant to the idea of it becoming a tourist destination for wealthier countries. They may not have the resources and infrastructure, along with cultural awareness, to properly diagnose and treat certain mental health conditions. Kieran doesn't even have a phone!
Something I don't see mentioned often is how Kieran and Carmine being at Blueberry is more than likely a very isolating experience for both. Being at a prestigious school in Poke-America, when coming from rural Poke-Japan, must've been a very difficult transition. Given that it doesn't seem like ANY of the adults in their lives are interested in their mental and physical well-being, I can only imagine that exacerbated their already existing issues. Not to mention that the culture of BB seems to be overly concerned with strength in battles, it's no wonder that both children's worst traits were made to fester over time.
Entitlement and disenfranchisement
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Okay, enough of that. Back to screenshots. Here I want to talk about how some people interpret Kieran as being bratty and entitled, and while I don't necessarily disagree, I think with the context of everything previously laid out in this post that it's a lot deeper than simple entitlement. We know, from his own words, that all he wants is acceptance, independence, and meaningful human connections. To him, that comes in the form of strong pokemon (acceptance at the academy), going anywhere he wants (feeling empowered and self-confident), and being able to make friends with "anyone". Any friends at all, really.
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While his "I worked so hard, and for what?! I STILL lost in the end!" can feel petulant and whiny, it also cuts deep for anyone who has grown up without. I think it's very important to note that Kieran is at precisely the age when systemic inequalities really start to weigh on someone, and before the brain and life experiences are developed enough to handle it in a healthy way. While some cope better than others, for many around this age the weight of knowing that there are people out there who simply have more than you ever will not by any sort of effort or triumph, but rather than the dumb luck of birth into a wealthy, privileged setting... well, it can be crushing.
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It's something most grow out of, but for a kid like Kieran, who was so obsessed with the story of a genuine injustice (Ogerpon vs. the 'loyal' three), is it any wonder that he would react this way? The player is a particularly extreme example, of course, as protagonist powers are some real bullshit. Coming to terms with the fact that the system has failed him, but he can still achieve great things and become a person he can be proud of, is something that will probably only come with time and wisdom as it does for most of us. In the interim, though, petty teenage tantrums are to be more or less expected.
Feeling powerless.
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In case you think I'm extrapolating far too much, I think it's important to note that, after the severe shock that was Terapagos breaking out of its own ball, Kieran reinforces all of these ideas himself. Here, when Carmine is begging him to help you, he refuses not because of hatred of you but rather his own self-doubt and loathing. Which, ultimately, has always been the core of everything Kieran has done up to this point in Indigo Disk's plot. He believed so strongly that if only he could become stronger, then he could prove to everyone, and more importantly himself, that he was worthy of taking up space and achieving his own dreams. But it's here, when everything truly comes crashing down around him, that the facade slips and shows Kieran as he truly is- a little boy who feels helpless in his current circumstances.
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I've seen people say that when he cries after becoming determined to help you defeat Terapagos, it's out of jealousy or anger. However, I couldn't disagree more. The light returning to his eyes shows, in my view, that Kieran feels hope for the first time since he had his dreams crushed back in Teal Mask. That, even though he feels powerless, even though he's hurt people and hurt himself, he's still wanted. That he can do something meaningful, even if it's just cleaning up the mess he helped to make. (Briar don't think I've forgotten about you. You're the most culpable in this situation given you're the only adult- but I digress.)
In conclusion.
He bapy.
No but really, what does all of this even mean? I think going back and reading the conversation at the start of the post, especially if you were initially put off by it, with the context outlined here changes a lot about how one can interpret Kieran's behavior. Note that I am not trying to justify anything he said or did, but rather point out that this fictional child has some serious, unresolved issues that deserve time and thought turned towards them, especially in the way that they reflect real-world individuals and systems. Ultimately, if you want my opinion I think Kieran would be a pretty nasty person to know in real life if I was in school still, but you know what? So was I at his age. And so were most people, if I'm being honest. But that doesn't tarnish a person forever. All of life isn't high school, even though Kieran- or you, reading this right now- may feel like it is. He has a lot of growing up to do, but that's life. And in the meantime, he sure is one hell of an interesting character to follow.
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rununcal · 1 month
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Honestly I did not know it was Trans Visibility Day but now that I do know, I made something for the occasion! I heart this insane middle-aged guy and headcannon his trans-ness as basically just an evil and fucked up version of his previous male identity. He’s a guy but goopy and scary now.!!
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(Image ID: Ink Sammy Lawrence stands over the corpse of human Sammy Lawrence. His human form is laying in a lake of black ink with various compositions scattered around him. His hair is unkept and falls into the pools. His ink form seems to have emerged from this human corpse, and stands confidently with his hands crossed as if in a coffin. His mask is tilted to the side of his head and he grins a large toothy smile. Behind him is a dripping trans flag in the shape of Bendy, and behind that is a small room with the shadows of outstretched hands all over the wooden walls. End ID.)
Very unorganized rang about how he relates to gender identity (cause I thought it would be fun) under the cut!
SAMMY LAWRENCE GENDER RANT WEE
This artwork is related to Sammy and whatever I headcannon his identity to be, yes, but it is also related to me! Sammy’s definitely one of the guys that falls under the gender umbrella for me, and so I’m using him here as a sort of expression of how I feel about my own transness. A big part of my identity is body horror and metamorphosis. What is horrific to most is still horrific, but also beautiful, to me. I would love nothing better than to literally crawl out of my own skin sometimes and live life as some freaky creature. I don’t really understand it, with me just beginning my journey and all, but I can’t deny it permeates a lot of my dreams and ambitions.
Sammy reflects a lot of that for me, as you could probably figure out. I know he hates his body in cannon, but to me it just feels so much more logical that he’d love his new body as it was given to him by Bendy himself.
Keeping that change in-mind, and also keeping in mind the undertones I’m giving him, I really like how his change into his new identity is handled. It’s no smooth sailing. I mean, he gains the new identity by hitting bedrock and going insane. But somehow, it leads him to a place filled with more fervor for life than before. Despite how low a place he’s in now, he has never felt more alive. (I’m not trying to romanticize this type of sadness by the way, I just mean that a big realization about my identity came in a dark time). I think that relates to a lot of feelings I have personally about my identity, though I cannot say for others. I just think it’s real neat.
Anyways, rant over. I just wanted to try and get my thoughts out on paper besides just saying that he’s gender. Ty for reading!
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seriousbrat · 3 months
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this says a lot about Snape's character development for me. There are many parallels drawn throughout the series between Harry and Snape; obviously, they're very different characters but there are similarities too.
I think here Snape is talking about himself. The teenaged Snape we see in the Pensieve is very much like this- emotional, heart on his sleeve, easily provoked, a definite wallower in sad memories... weak. Adult Snape, though he retains some of these characteristics that do emerge in stressful moments (in PoA we see how angrily he reacts to Sirius's escape, for instance) on the whole is a great deal more thoughtful, reserved, calculating, measured.
I think that Snape at some point had to force himself to become this. I think he actually relates to Harry here, and is giving him advice based on personal experience. In my fic he begins to learn to control his emotions partially out of a desire to protect Lily; he's fully aware that she's his weakness (or really, his strength, viewed a different way) and that openly displaying any sort of emotion towards her at all makes her vulnerable to the likes of Avery and Mulciber, who will have the perfect weapon to get to him if they want to.
Severus doesn't have the advantages of his peers, he's not pureblood, he wasn't born into money. If he wants to join the Death Eaters and rise in their ranks, he needs to be subtle, cunning, careful. he can't afford to be careless and entitled like mulciber or bellatrix or even sirius. what he's got to offer isn't his name or his money, it's his sheer talent and cleverness. moving on:
When Voldemort decides to go after Lily this becomes even more important. Imo the reason why Voldemort believes that Snape only "desired" Lily is because that's what Snape told him. He lied to Voldemort's face and told him something probably disgusting tbh because that's the only way Voldemort would accept it and agree, if it was a selfish, callous request that Voldemort could understand. We can see evidence of this here:
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Asking Voldemort to spare a mudblood because he was in love with her would likely not have gone over well- and as we know, Voldemort actually bore his request in mind, though obv didn't give enough of a fuck about Snape to follow through. Because although asking voldemort to spare her must have taken serious balls, Snape's mistake here was trusting someone inherently selfish to do something selfless for him.
Clearly he immediately realises this and goes to Dumbledore, which is when controlling his emotions becomes of paramount importance, because now he's working against perhaps the most highly accomplished legilimens of all time.
It's also interesting to me that Snape in this conversation is probably the character who is most forthright and informative with Harry in the whole of OotP until Dumbledore at the end; Harry actually learns a lot in this conversation. And Snape also kind of gives him credit which is interesting too:
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like for Snape that's high praise lmao. A shame because if he wasn't so bitter (i.e. didn't wear his heart on his sleeve so much around harry) then he might have actually been pretty helpful to Harry and a decent teacher. Again, during the Occlumency lessons his unrestrained emotion brought up by memories of James is a hindrance. He defies Dumbledore's orders to teach Harry Occlumency because of his emotional response to SWM, as well as honestly doing kind of a shit job before that (by not being empathetic and teaching Harry in a way that would've been actually productive.)
At this point Dumbledore believes that Harry learning Occlumency and controlling his emotions is of vital importance; he turns out to be wrong about this. In Harry's case, it turns out to be his emotional nature that saves him- unlike Snape, who is the opposite. Snape's journey is about learning that some things are more important than his selfish need to give into his own emotions.
By DH Snape's learned this lesson fully; his old hatred for James doesn't stop him from doing what has to be done, from giving Harry the tools he needs. Even in the final moments of his life, he can look past James and see Lily in Harry- and, by giving Harry the information that leads to his self-sacrifice, he can let her go.
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likeabxrdinflight · 2 months
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I want to talk more about the way the characters have been adapted for the live action adaptation, because character writing is the thing I care about the most and as a psychologist it's probably the aspect of any story that I'm most invested in. I can get around pretty much any plot contrivance or weird maguffin or even shitty pacing if the characters of a story are engaging enough. This is my bread and butter, so to speak.
And I want to start with Iroh, because I think he is by far the best adapted character from the original. But I suspect I think this for different reasons than other people might, because the beloved Saint Iroh from the animated show this man is not.
See the thing with animated Iroh is that he's just...a bit too perfect. We know he's been complicit in the war in the past. We know he laid siege to Ba Sing Se, we know he had a complicated past. But we never really see it, we only barely hear about it, and more often than not there are other aspects of Iroh's past that serve to further deify him. He was a general in the war, but then he goes on to protect the last dragons and learn the true meaning of firebending. He led a 600-day siege and lost his son but he came out of that experience Enlightened, having journeyed to and from the spirit world. He joins up with the White Lotus (at some point) and becomes the wise old sage we know and love.
Except most of that is revealed in later seasons and is inconsistent with his actions alongside Zuko in season one. Season one animated Iroh is kind of a passive character, largely existing for comic relief and as a support to Zuko. But there's very little to suggest he's disloyal to the Fire Nation or their cause. He says it himself- "I'm no traitor, Zhao!" Now you can certainly interpret that line in several different ways, but I suppose that's the point- there's a lot left up to interpretation with animated Iroh. We get a sense of who he is in relation to Zuko, but his own development largely happens off-screen. And because to Zuko he's a wise, caring uncle and mentor, that's largely how we, the audience, see Iroh. We love him because Zuko loves him. And that's fine for what it is, and clearly it was effective- Uncle Iroh is almost universally beloved. But it does leave a lot of questions about him up in the air.
Live action Iroh is a very different character. This Iroh is a deeply broken man who was been profoundly impacted by the war and what he has lost because of it. I do not get the sense that the loss of Lu Ten has led to any spiritual enlightenment for this Iroh- there's no indication that he can see spirits, for example, or that he has ever traveled to the spirit world himself (he does still oppose the killing the moon thing, though.)
Right out the gate, we get the sense that this Iroh has lost faith in what the Fire Nation is trying to achieve with the war. He explains to Aang fairly early on what the Fire Nation's goal and perspective is, and can rattle off this dogma quite easily. But when questioned by Aang if these beliefs are also his beliefs, he dodges them rather un-deftly. So you know immediately that this Iroh doesn't really support the war. Later you see him somewhat bluntly telling Zuko that the throne may not be all it's cracked up to be, and he's fairly openly critical of Ozai in other moments. So you know from the jump that Iroh's not really on Team Fire Nation.
And yet this is also not a truly repentant man. When he is captured in Omashu, Iroh gets another brief scene with Aang while they are both imprisoned there (this is before Aang meets with Bumi). And in this scene, Aang tries to convince Iroh to help Zuko stop being The Bad Guy. And Iroh defends Zuko to Aang and stresses the point that it is not Zuko who owes him any great debt, but he who owes Zuko. Later, when he is confronted (and hit several times) by an Earth Kingdom soldier who lost his brother during the siege, Iroh does not apologize. He does not flinch at the man's accusations, nor does he deny them. He defends himself, albeit weakly, by stating he was a soldier, and it was a war. He has the audacity to accuse this soldier (somewhat obliquely) of having been made dishonorable by the effects of war. It's kinda messed up, honestly.
But then this man accuses Iroh of knowing nothing of loss. He leaves the shot, and we saw Iroh's face just crumble, and the scene cuts directly to Lu Ten's funeral, where Zuko chooses to sit with his uncle and support him through what must have been the darkest moment of his life. Back in the present, it is only later, after Zuko has come to rescue Iroh, that he speaks more honestly to the Earth Kingdom soldier- he shows mercy and states that they've all "seen enough death."
So what we have here is an Iroh who is deeply disenchanted by the war and does not support it or the goals of the Fire Nation, but who has continued to stand alongside Zuko and support him in his goals. We have a man who doesn't necessarily regret his actions as a soldier in the war but who very much does regret what those actions have cost. We see a man who is profoundly impacted by loss and grief and has become emotionally reliant on his nephew as a source of support. Not that he's parentifying Zuko or anything, he's very much not, but he is rather obviously channeling all the love he once felt for his son into Zuko instead. Zuko is his lifeline, he needs Zuko and you get the sense that without him, Iroh would truly fall apart. I mean the man is on the verge of tears more often than not when Zuko is in even the slightest bit of danger in a way that animated Iroh was not.
This is what I think is different here. Animated Iroh seemed to turn against the war because it was morally wrong, it had thrown the world out of balance, and imperialism is bad. Live action Iroh seems against the war because it wasn't worth it. It wasn't worth the cost, or the death, or the grief. He couldn't see that until he lost Lu Ten, but now he sees it everywhere. I get the sense that this Iroh just wants it all to stop, and I'm not sure he cares how that happens.
The White Lotus is definitely hinted at, but I suspect that was his motivation for joining it. It's not about restoring balance to the world for this Iroh. It's about restoring peace, so that he won't have to lose Zuko like he lost Lu Ten. So that the death and destruction stops. So he can just live a quiet life and put the past behind him.
It's a different take. And it's not that he doesn't still have a lot of wisdom to him, that he's not still a gentle, caring person. But he's a much sadder person, and he's lost that sense of "enlightenment" that his animated counterpart had. There's a selfishness you can read into to this version of his character that's much more apparent than the animated version.
I think a lot of people are gonna hate this, because it's a darker take on a much loved character. But I love it. This Iroh is human, this Iroh is flawed, and this Iroh has a lot more growing left to do. And that's awesome. If we get to actually see more of a character arc for him too, if we get to see him also growing and changing alongside Zuko? Please. It's not like he needs a total redemption arc, per se, but if in his journey with Zuko throughout the Earth Kingdom we can see Iroh gain some of his fortitude back, we can see when he decides he needs to push Zuko down a certain path, to take a side in the war, to see that it's not just the death and destruction that makes it wrong? God there's so much potential with that.
Now, maybe this isn't what will happen with seasons two and three. Maybe they'll back track and try to make him more similar to the animated version. I don't know. But for now? Live action Iroh is fantastic, and Paul Sun-Hyung Lee is giving a hell of a performance. He's warm and tender when he needs to be, fierce when he has to, and just profoundly sad throughout it all. And I love him so much more for that.
I'll be controversial here and say it. So far, live action Iroh is a better character than animated Iroh.
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captainsophiestark · 3 months
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The Hard Call
Azriel x Reader
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Requeted by Anon! Nonnie, thank you for enabling me to write about Az and Flynn, I absolutely love you for it ❤️ Feel free to drop by any time you want to talk anything SJM-related! Hope you like this, and good news, I have a Flynn fic coming in the next couple days too!
Fandom: A Court of Thorns and Roses
Summary: Azriel made the hard call when he had to, but he's feeling pretty guilty about it.
Word Count: 1,610
Category: Angst, Fluff
WARNING: House of Flame and Shadow spoilers below the cut!
Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.
I swore under my breath as Nesta jammed Ataraxia into the back of the Daglan, the Asteri, whatever it was called. Black blood spurted out of its mouth, but a moment later, the thing—Vesperus—pushed back against the tip of the blade and removed it from her chest. It shouldn't have been possible for something to survive a direct hit like that from Nesta and that sword, but a lot of things from the past few days shouldn't have been possible.
When a fae female had landed in a heap on the River House lawn in front of my mate, I knew we were in for some strange new challenges. But never in a million years could I have predicted the journey she'd led us on through tunnels apparently running all under the Night Court, straight into the heart of the Prison. And now we were facing down one of the most dangerous creatures in the universe, just me, Az, and Nesta, with the female Bryce as an unreliable additional ally.
I tightened my grip on my sword and tried to calm my racing heart as I stood shoulder to shoulder with Azriel. We'd gotten through countless life and death situations together before, but for the first time in a long time, I wasn't sure we'd be able to get out of this one.
Vesperus gave Nesta a horrifying smile as the wound in her chest quickly healed. I glanced to Az, but he kept his eyes locked on the monster before us.
"Ataraxia didn't work," Nesta breathed. "The Trove-"
"Do not summon the Trove," barked my mate. Based on what we knew about this thing before us, I immediately agreed. "Don't bring it near her."
"But-"
"Not even for our lives," he snarled, leaving no room for argument. The same harsh resolve solidified itself in my mind, and I braced myself for the possibility of a last stand. At least if we went down, it would be fighting side by side with my mate.
A flicker of shadows floating softly over my shoulders was the only indication that my mate felt the same. The Daglan grinned, and I got ready to pounce.
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Hours later, I sat slumped in my favorite chair in the Velaris townhouse, trying to recover from everything that had happened under the prison. We'd managed to kill the Daglan-Asteri, despite Bryce trying to question it, no matter the risk to our world. But she had gotten away in an impressive display of power, which meant her world's Asteri might have a chance at using her to find us.
Needless to say, when Az, Nesta, and I had made it out of the Prison, we'd had a lot to debrief about with the rest of the Inner Circle.
Nobody was happy about the situation we now found ourselves in, but for the time being, there was also nothing we could do about it. So once we made a basic plan to try to gather information and prepare in case something from that other world came back, we all split off for our separate tasks. Az still had a few things to go over with Rhys, but I was free for the time being, so I'd come to my favorite cozy spot in Velaris to try to come down from the insane adrenaline that had been pumping since Bryce got here.
One perk of Rhys and Feyre building the River House and Nesta keeping Cassian at the House of Wind more often was that the townhouse, my personal favorite location, was often free for Az and I to use as our own. I closed my eyes in my favorite armchair by the fire, still in my fighting leathers, and focused on taking deep breaths to try to get the tension out of my shoulders.
I'd actually almost managed to drift off to sleep when I heard the front door open and shut heavily. I didn't need to look to know Az had just arrived, so with a deep sigh to drag me back from the edge of sleep, I raised my head and turned to look at my mate.
"Everything figured out with Rhys?" I asked. He nodded once, moving into the room with a face like stone. I frowned, sitting up and paying a little better attention as he took a seat on the couch, his gorgeous hazel eyes never leaving mine. "What's wrong?"
A muscle in Az's jaw ticked, and I knew he was mustering a response to my words. Despite his reputation as the unreadable spymaster, all our time together as friends and then as mates had given me a leg up on everyone else who tried to read his expressions.
I stood from my seat in the armchair and moved to sit before Az on the couch instead, taking his hands in mine. His eyes searched my face, and I let a small smile work its way through the exhaustion, trying to put him at ease. He could take however long he needed to, and I'd be ready to listen when he wanted to talk.
"I'm... sorry."
I raised an eyebrow. "For what, exactly?"
That muscle in his jaw was working over time, the rest of his face the same inscrutable mask he'd worked so hard to perfect.
"For what happened in the Prison. For... being willing to let you die down there, rather than risk Nesta summoning the Trove. You deserve a better mate than that."
My jaw dropped, shock preventing me from responding for a few small moments. Az just kept staring at me, and even though his face didn't show it, I could feel the guilt eating him up at his core.
"Az, you have nothing to apologize for!" I finally managed. One of his eyebrows quirked up and he frowned, expressing doubt at my words without speaking one of his own. I huffed and squeezed his hands tighter.
"Listen to me, Azriel. The reason you are my mate is because you made that decision in the Prison. We both know that letting something like that into the world with a weapon like the Mask is an unacceptable option, as long as there is anything in this world we can do to prevent it. If the Daglan or the Asteri or whatever she was had gotten her hands on the mask, it probably would've cost the lives of everyone we've ever cared about, and the rest of this world along with it. Nothing is worth allowing that to happen."
Az ground his jaw, his gaze softening and his eyebrows furrowing as he continued to scan my face.
"Are you... sure? Cassian and Rhys... I think they'd tear the world to shreds for their mates."
I just shrugged. "For what? If the world is gone, if the cost of that choice is absolutely everything else, then what's the point of saving each other in the first place? We'd have nothing left, other than the blood of the world on our hands."
Az grunted, and I shifted closer to him, bringing one hand up to cup his cheek.
"Az. I love you, so much, and a part of that love is because you're not so selfish as to risk throwing the world away for me. Especially since, more likely than not, we'd be dead anyway not long after she got that mask. Neither of us is selfish enough to make a call like that, and I love that about us. The only thing that matters is that we stand together as long as we can, and I knew damn well in the cave that if either of us was going down, we were going down side by side, fighting to our last breath. Obviously I'm happy we both made it out of there, and I'm not saying we shouldn't fight for each other, but that call you made today? I'd be pissed if you'd made a different one."
Az studied me for another second, and I let him see every truth and emotion written in my face. Finally, he sighed, the tension going out of his shoulders as he reached out and pulled me closer to him, arms around my waist. I smiled, wrapping my arms around his neck and tangling my hands in his hair. We'd almost died today, and I wasn't about to take the fact that we were both still here together for granted.
"Have I mentioned lately how happy I am to have you as my mate?" Az asked, his voice a little gravelly as he leaned in closer to me. I smiled, leaning forward and letting my lips ghost over his own.
"Yeah, actually, you have. But I'll never complain about hearing it again."
Az smirked, then gently closed the last of that distance between us, his lips brushing softly against mine. I leaned into the kiss, eager for more contact, and I could feel Az's smirk widening right before I deepened the kiss. He wrapped his arms around me, pulling me as tight to his body as possible, and I tangled my hands in his hair, letting myself get swept up in him.
I'd meant every word I'd said to my mate, about the choice he'd made and how I felt about it. But I was also incredibly happy it hadn't come down to the cost of our lives, and that we'd made it out of there together. And now that Official Night Court Business had been taken care of, I intended to fully celebrate and appreciate Azriel, and the fact that we were still here together. And I knew he intended to do the same.
****************
Everything Taglist: @rosecentury @kmc1989
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notafunkiller · 19 days
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I know many Bucky fans are mad, but I never expected him to have a lot of screen time in Thunderbolts* to begin with. Especially with such a huge team (and they need to be*come* likeable and relatable to the audience).
Thunderbolts* is NOT a solo movie, it's a team movie (Suicide Squad style).
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He should've gotten a Winter Soldier film ages ago (getting some of memories back in Romania so we see many flashbacks), but in Thunderbolts*, he doesn't need to have 2h of screen time to be a key character.
And this is what I care about the most... Quality > quantity
In his MCU journey, we always found him in different stages (and this is what made it fun and exciting for Sebastian too) & I love the fact we get to put two and two together and try to understand hints rather than straight up being told everything about his life.
He is one of the most interesting characters & he carried the Cap triology (and Marvel knows it). He got less than 15 minutes of screen time & 13 lines in CATWS (a movie with his name in the title) & still stole the show... he always steals the show, he's "the underdog".
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He's super popular & so is Sebastian. They don't bother to use him more because they know people (come to the cinema to) watch anything if he is in it.
They saw that with "Dumb Money".
So they might even give us Bucky in small doses intentionally.
Sebastian got more projects left, which = a safe paycheck he can use for other projects.
(This is why I disagree when people say he should leave Marvel as if:
1. He doesn't have a strict contract with more projects left & he wouldn't need to pay;
2. He doesn't need the money - to pay his employees, to produce & play in other films)
3. He doesn't find it comforting to play Bucky every 3 years...
He loves Bucky (and he is similar to Bucky) & he always gets to explore different sides of the character when he returns, which is amazing for an actor.
Also, Kevin said Bucky is the de facto leader, after all. And that doesn't mean his role isn't important (CATWS & CACW are good examples), quite the opposite.
(I think he might have a subplot & save the team at the end)
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We all got ??? when we thought he's in the team because he is already pardoned. He proved he is "stable" in TFATWS.
It makes sense to me if he has his own thing.
The fact the team has to "earn the trust" aka go into a suicide mission bc they are seen as disposable is sick.
(Bucky is seen like this, too)
There is no good or bad side & Bucky sees right through this. He always did.
I'm glad Yelena is finally a lead, though & I wonder how she'll use the opportunity to take revenge on Valentina.
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Also, I think she'll lose her dad (sacrifice maybe), and that will be an amazing scene.
I really hope Bucky & Yelena have at least one scene (maybe he is sent to lead them in the middle of the film or he just shows up to save the team at the end). They are similar, yet different, so a great, great duo.
Florence and Sebastian are 🙌🏻 (incredible actors... they portray the characters with so much passion. They know them so well) and I can sense a lottt of chemistry.
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My point is: things always change, you never know with MCU & so let's wait and hope it's a good film⚡️
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sleepingdeath-light · 5 months
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relationship hcs ; astarion
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requested by ; mod / self indulgent
fandom(s) ; baldur’s gate 3
fandom masterlist(s) ; here
character(s) ; astarion ancunin
outline ; “dating headcanons for astarion”
note ; i have never played this game and am going completely off of the clips and guide videos i’ve been watching pretty much nonstop for the past week so apologies if my characterisation is at all shaky in this piece
warning(s) ; brief references to canon torture, self worth struggles, and other related angst — but otherwise mostly fluff!
when it comes to being in a relationship with you — a real relationship, that is, and not the act he was putting on to try and manipulate you at the start of your journey as a group — astarion is, for lack of a better analogy, very much so a fish out of water
and, thankfully, that’s not something he’s ashamed or scared to admit to you, so the early days of your relationship are filled with a lot of trial and error as you navigate your new dynamic and he adjusts to being permitted to make his own decisions and set his own boundaries
some things definitely come easier than others for him — namely verbal shows of affection like using pet names for you or being playful or flirty whenever you’re together; things that are more instinct than anything else, but no less genuine in their use
as one might expect, astarion does also use quite the variety of pet names for you — to the extent that your friends have a running joke about him not actually knowing what your real name is (which he always refutes with about as much sass as one might expect) — with his main terms of endearment being ones that he settled into using early on like ‘darling’, ‘beautiful’ (or ‘handsome’ if that is your preferred term), ‘my dear’, and, when he’s being a bit of a tease, ‘my little treat’
actual physical intimacy, however, is a much different story given his rather unfortunate history with his body and how he was forced to use it by his tormentor
of course he knows that you’re different, that you’re not like cazador or his ilk, but that doesn’t make those old habits any easier to break, nor two hundred years of trauma easier to shake from his mind — love and patience can only go so far, after all, and those memories and their effects on him won’t just vanish overnight
so, naturally, that means that adjusting to physical touch unrelated to sex is a very slow process for him — though he’s thankful to have you there with him throughout
there are a few things that he learns he really quite enjoys and makes that abundantly clear to you when you’re together: kisses, gentle touches to the hand, and hugs, mainly
oh and his kisses are truly marvellous once you help him accept intimacy unconnected to sex — they’re soft and sweet but no less passionate for it, starting off with a brief peck before he turns his head and gently (oh so gently) grasps your chin or cheek or neck and pulls you closer to him, almost as if you’re melting into each other as the kiss either deepens or makes way for a string of chaste pecks before you eventually pull apart for whatever reason
he also always makes sure to sooth any places he’s bitten with some apologetic kisses once he’s had his fill (as well as plenty of compliments on your person and about your blood)
his other favourite places to kiss you are either on your hands or wrists (the gentleman that he is): the insides of your wrists, the tips of your fingers, each of your knuckles in sequence, the backs of your hands, your palms when you cup his face in your hands — truly the list is endless and he delights in finding new ways to fluster you and make you smile
shit talking and gossipping amongst yourselves is extremely common and astarion has mastered the art of saying just the right thing about someone he doesn’t like just loud enough for you to hear at the perfect time to make you laugh (or try your best to cover said laugh if you’re currently talking to the subject of said shit talking)
when it comes to sleeping arrangements, astarion just loves being held (but not too tightly so he still has the freedom to get up and walk away for whatever reason if he needs to), but the specifics of the position don’t really matter to him — he’s just as happy to have you laying on his chest, or him on yours if you’re larger than him, as he is to cuddle you on his side (though he does secretly prefer to either be the little spoon or to have his face level with your chest when you’re both on your sides as it makes him feel safer, though it will take him a long time to ever even consider admitting to that)
he is naturally very protective of you and has been known to pull a dagger on anyone he deems as a threat to you — which is very beneficial in combat scenarios or situations where you are actually at risk, but a bit inconvenient when you’re trying not to draw any attention to yourselves and the issue is just some drunk that can’t keep quiet (still not good and something that should be called out, but perhaps not worth having to leave the town you just got to early as to avoid getting charged with yet another crime)
he doesn’t quite know what to do with himself whenever you’re unwell for whatever reason (especially if it’s something a healer can’t contend with) because it’s been centuries since he’s experienced any sort of illness so he can’t even really empathise with you about your situation — he tries his best, of course, but it’s easy to tell that he’s really out of his depth
no matter how long the two of you have been together, astarion still melts whenever you ask his permission to do the smallest of things (like asking if you can kiss him or hold his hand, for example) — but he melts even more when you accept when he declines for whatever reason becaus the novelty of being respected and loved without expectation or conditions never really wears off for him and he appreciates it all just as much as he did the first time
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starbylers · 10 months
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Mike’s lack of personal journey in a Mlvn reading of the show: why so many people complain about Mike’s character
Something just occurred to me…I actually would challenge any Mlvn to tell me about a character motivation/internal conflict of Mike’s that does not revolve around El. What struggles does Mike as a person deal with throughout the series? When trying to build an effective, realistic, well-rounded character you can’t have their biggest fear be ‘loosing this particular person’ as Mlvns love to claim is Mike’s. As a writer you have to understand your character’s deepest desires and what drives them at their core, they cannot be purely motivated by an external force. A character such as that will feel hollow, boring and difficult to connect with. This is basic character development stuff.
Examples (simplified to get the point across):
For the whole show, El struggles with finding her place in a world where she feels fundamentally different
For most of the show, Will struggles with his sexuality and feeling like a ‘mistake’
Dustin in s2 deals with his self-esteem and understanding that he is good enough even if he doesn’t have a girl’s approval
Lucas in s4 wrestles with a desire to be popular and to ‘fit in’ which we see him overcome
Max in s4 deals with depression and the process of wishing to no longer be here to realising she actually wants to live
But…what about Mike? A brief Mlvn interpretation of everything he does through the show and why he does it:
S1: he saves and looks after El because he fell in love with her. He also looks for his friend Will.
S2: he is heartbroken because El is not with him anymore, and then madly in love again once she’s back.
S3: he has ups and downs with El because teen relationships are just like that, and then they get back together because they’re truly in love. He’s also too in love with his girlfriend to care about his old interests.
S4: he fights with El because all couples fight, and then rescues her from Nina while taking friendly advice from Will. Finally he confesses his love, which he didn’t do before because he’s terrified to lose her oh and he’s not good at feelings (but they won’t digger any deeper into that last one 🤐).
Like…yeah they acknowledge Mike also helps with the supernatural stuff, he’s smart and observant. He generally takes charge of the group and looks out for his friends, and (at least in earlier seasons) he’s the leader. But those are character traits. Everyone has them. (Max is sarcastic and kinda scary when she needs to be, Dustin can be cocky but is highly intelligent, Lucas is very headstrong and follows his own judgement, Will is sensitive and empathetic). I’m talking about character conflicts/journeys. Can they tell us what journey Mike has gone on as his own person???
And this, this is why lots and lots of people complain that Mike’s character revolves around El (especially since they started dating). This is why people say Mike is the Duffer’s self-insert and is just meant to be a blank slate relatable character. This is why Mlvns characterise him as El’s obsessed loser boyfriend. Because if you view the show through a Mlvn lens then yeah, Mike looks utterly two-dimensional with no drive other than screeching El El El when she’s in danger (sorry it had to be said).
The problem is when you try to dig into what Mike’s deeper motivations could possibly be, it gets very bad for Mlvn very fast:
‘Mike is scared to lose El because he’s worried she won’t need him’
Let’s detach El from that and figure out the root of this problem, what is really going on with Mike here (we already know but just for the sake of my point), because he is a character in his own right and this was a large focus of his story last season.
What do we know? Mike expressed feelings of worthlessness (‘I’m just some random nerd...’) and feelings of inferiority (…‘who got lucky superman landed on his doorstep’) in his relationship. He acknowledges that his and El’s relationship was fundamentally built on her just needing someone. Also, throughout the series we see Mike has a strong desire to help and serve and save those close to him, it’s who he is.
Mike is so clearly driven by a need to feel needed and fears being an unimportant nobody. He doesn’t think he’s special or useful next to El and it hurts him, his self-esteem is very, very low. But Mlvns never acknowledge that, because that would require admitting that a) Will’s words in the van showed he recognises & loves the Mike as the brave and inspiring leader he wants to be, and in doing so soothed Mike’s personal insecurities (because those do exist, and the talk wasn’t just ‘relationship advice’) and b) Mlvn’s relationship makes Mike feel shitty.
Another example:
Common Mlvn interpretation: ‘Mike was spending all his time with El in s3 because he’s in love with her and he is growing out of childish games’
What do we know? (1) Mike didn’t truly loose interest in DnD, he just neglected his interests when he got into a relationship, super healthy (2) He tries to act cool around El (‘Sorry that made me sound like a 7 year old’ / feigning disinterest in Dustin’s inventions) (3) When arguing with Will, Mike frames him getting a girlfriend as being the inevitable progression of life, the opposing choice from ‘sitting in his basement playing games’…but then he joins Hellfire in s4…as soon as El leaves. He didn’t truly believe anything he was saying to Will, he just can’t juggle being himself and having a gf simultaneously 😬.
Mike’s internal conflict here is clearly feeling like he has to grow up, and has to suppress his true identity in the name of achieving that. (And this continues somewhat into s4 with the fake, not-at-all-his-style Cali outfit in El’s fav colours). But again, understanding that requires understanding that Mlvn as a couple is not a safe space for Mike to be himself, and what Mlvns characterise as a normal teenage ups and downs is actually indicative of an unhealthy relationship.
Basically what I’m saying is it makes so, so much sense why Mike is one of the most disliked characters among the GA (aside from like the actual villains) and why he always ends up on those stupid lists. People are sick of him existing just to be El’s love interest. And that is not true in the slightest, but when you aren’t looking deeper than Mlvn…yeah it does look pretty bad, and I understand where they’re coming from. And as much as we say El is the one who Mlvns are obsessed with making everything about her boyfriend, the real victim of this treatment from them is Mike. Even his heart-to-hearts with Will are actually Mike thinking about El, apparently.
This is another reason why I’m so sure about Byler because Mike is essentially the original main character (aside from El I guess). I’m sorry but there’s no way he is the only one the writers managed to mess up this badly when they are capable of adding deeper personal development to characters who are much less central to the story. Even Finn himself said we’ve not been as personal with Mike recently but s5 will remedy that and people will be happy with his journey. The day Mlvns and GA are forced to look deeper at Mike’s personal internal conflict outside of how it relates to El is the day I will know peace 🙏🏽
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whateverisbeautiful · 3 months
Text
♥️ Ranking Richonne
#22: He Needs You (S4E11)
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Rick and Michonne are two highly competent individuals and yet they still have this beautiful need for each other. In every sense. It was clear early in their relationship when Michonne told Rick, "Either way you need me" during the season 3 msf. It was clear in No Way Out, the iconic episode just before Richonne became canon, when Michonne saw Rick walk out into that horde and urgently said he needs my help. And it was made especially clear that Rick and Michonne need each other in this season 4 moment right here...
In those two s3 and s6 examples, it was Michonne being aware that Rick needs her, but in this beautiful scene in the great episode that is Claimed, it’s Rick revealing he too is aware of how much he needs Michonne.
And he needs her in the most vulnerable and important way because, even as early as season 4, Rick knew he needed Michonne when it came to his most cherished connection in the world - his son. 
Now, this scene holds a lot of personal significance to me in my own journey of falling in love with Richonne because when I finally emerged from the sunken place and realized Rick and Michonne had actually been falling in love for seasons, this was the first pre-canon scene I went back and rewatched post-canon. And truly my eyes were just wide open to the fact that this romantic relationship was a long time coming. 
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All I had to do was see this scene to be a believer that Richonne was in the works early and that these two didn’t just love and respect each other but also were very clearly physically attracted to each other and drawn to each other in a special way.
This moment is so important because it’s Rick and Michonne acknowledging their need for each other and essentially agreeing to parent together from here on out. 
So I already love seeing the scene beforehand with Carl and Michonne bonding at the table and laughing over stories of soy milk. And then seeing them both saddened by the mention of Judith is heartbreaking. But I’m so glad Michonne and Carl had each other to relate to and process with, as they do so movingly throughout this entire episode. 
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And I’m not the only one glad Michonne and Carl have each other - cuz in the next scene, Rick expresses exactly that. 
Michonne enters the kitchen where Rick is going through drawers, and one thing that lovely man is always going to do is thank Michonne so the first thing he says is "thank you." I love that Rick is so willing to express gratitude for Michonne’s presence in his and Carl's life.
After Rick and Carl’s hard times in the After episode, it was feeling like those boys might need divine intervention to truly heal…cue the ever-so-divine Michonne reentering their lives. 😌
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Rick is such a good dad for real, and I love that he’s thanking her for getting Carl to laugh and then gets vulnerable that he almost forgot what that sounded like. It's one of those early ways of Rick letting Michonne see a more human side of himself. And truly to be able to give a kid joy in that world - I know Rick feels like Michonne is invaluable for many reasons, but for that especially. 
Also it's sad seeing how absolutely bruised and battered Rick is after that brawl with the Governor. And the crazy thing is he'd be looking worse than this or straight up dead had Michonne not saved his life and killed the Governor. That's another reason why it's fitting for the first thing Rick says to Michonne post-prison to be "thank you." In a lot of ways, he's still here because of her. And the way Rick and Carl bring Michonne back to herself, she's still here because of them too. 🥰
Also watching this back…the way Michonne is reacting as she listens to him tho. 🤭 I just have to note again - Sis likes him, y’all. Like this is truly the crush era for both of them cuz her energy in this scene is giving “he gives me butterflies” a bit idk. Like she’s always composed of course, but Rick brings out a different subtle nervous energy to her. And she brings out the same in him, and I love to see it in this phase of their relationship. 
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Rick continues to be very honest with Michonne when he tells her that he can’t be Carl's father and best friend. And then the best part is Rick outright telling Michonne, "He needs you." Carl needs Michonne. 🥹 It's true tho. And Carl's dad, who knows his son best, knows this to be true.
This moment already was so moving but packs an even bigger punch now that we know Carl will so sincerely tell Michonne that she’s his best friend on his deathbed. And she'll confirm that he's hers too. 😭
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And I love that, even here in season 4, just one season after meeting her - Rick knows not just that Carl enjoys Michonne but really needs Michonne. It’s another huge moment of one being vulnerable with her and also entrusting her with this knowledge that she’s super important both to Carl and to him. Because really if Carl needs her, then Rick absolutely knows he himself needs her too, and I love that he didn’t shy away from telling her this.
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It’s cool that this time last season they were strangers, and now here Rick and Michonne are in this house looking like a whole family and talking about needing each other. And it’s also great how this is the two of them talking in the early stages of parenting their kids when they will later go on to have a baby too. What a journey. 🥰
I love that Michonne gets to tap back into her mother side with Carl back in her life. She tried to shut that part of herself off after losing little Andre but it’s still so clearly in her, and it’s beautiful the way Carl (and Judith in that moving scene when Michonne cries holding baby Judith in the prison) brought that out of her again.
It’s also really sweet that Rick acknowledges that’s a lot to throw at her. Rick was thrown into being a single dad so suddenly in season 3, and while going through his own trauma and pain, he still tries so hard to be a good dad to Carl. And even knowing he needs Michonne in Carl's life, he still doesn’t want to overwhelm her with it, especially cuz he knows she’s the independent go-out-on-my-own-to-hunt-down-crazy-governors type.
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I noticed that even early pre-canon Rick seemed to be mindful of what Michonne wanted and needed, especially because deep down he didn’t want to lose her.  And I love that as Rick and Michonne's love story continued to unfold, he'd learn he never has to worry about losing her because she's with him always. 😊
So Rick says, "if you ever feel like you need a break..." but Michonne makes it clear that she’s here to stay when she speaks for the first time in the scene and assuredly says, "I’m done taking breaks."
I love how even tho Michonne didn’t talk a ton in the early seasons whenever she did speak it was just powerful and impactful. And you know she means it when she says this. She loves these Grimes boys and she’s not leaving them anymore.
This really is the season they become family and parents together without ever looking back. I love that Michonne gets this confirmation that she’s needed and valued and gets to give Rick this confirmation that so is he, and she's in it with them for the long haul.
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Rick nods and then they have those signature lingering looks. Then Michonne asks what the plan is and if this place is home. That’s always very telling to me because it shows she’d be willing to establish a long-term home with them. #family.
I really feel like if both of them had found different members of tf they might be thinking more urgently about finding others, but when the three of them found each other, they found who they most needed and who they could really stop and build a fulfilling life with if they wanted.
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Rick says, "Let’s just stay here while we figure it out," and then they have this quiet long moment of just staring at each other again. That clear sexual tension makes them fidgety a little bit. 😋 And like, why are these stares between them always so long? 🤭 #HereForIt.
I love this era where Rick and Michonne so clearly make each other feel a type of way in a way no one else could and they think they're being subtle about it when they're not lol. Like I know the direct quote from both their minds in this house is, “You’re about as fine as can be and now I’m really out here in an apocalypse catching feelings.” Lol, they just be mesmerized with each other and can’t help it.
Tell me both their expressions in this scene aren't a little bit or a lotta bit giving...
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And also I think Rick knows that he’s suggesting he wants her to stay put with them for an indefinite amount of time and is a little nervous about if Michonne would be willing to do that with them, hence his expression. 
Michonne shows she is willing to settle in here with them when she nods and says she’ll get the supplies they need with Carl, and Rick quickly offers to go. You know these Get Things Done Grimes are always willing to go get things done. Rick and Michonne have always had that in common.
But they’ve also always had it in common to look out for the other, and so Michonne reminds Rick that he was unconscious the other day, which 😢. Like hearing that made me think dang Rick was really fighting for his life with these injuries and still trying to be a good dad and thoughtful toward Michonne while even in and out of consciousness. Real one.
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Rick says, "I'm awake today" as if being full unconscious the day before is old news lol. He's like...
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But Michonne then expresses her and Carl's need for Rick when she says, "We need you strong." Again I love that they need each other, and they know it and voice it.
And I especially love that Michonne so soothingly tells him to "Just rest. One more day." Cuz truly resting is a rare luxury in that world, but Michonne really can give Rick that luxury.
As much as Rick and Michonne are go-getters, they’ve also shown they're good at reminding the other to take a break, and that’s so refreshing, needed, and important. We got us a balanced couple, y'all. 👌🏽
Michonne speaks to Rick so compassionately, it reminds me of how she speaks and looks at him when she tells him he gets a few more days in their honeymoon ep Say Yes. (Also, this s4 scene shows they’ve been giving each other the heart eyes for the longest.) And you know Rick is going to listen and agree after she tells him to rest.
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Michonne walks out of the kitchen, and seeing Rick turn and watch her go...that was my first moment of realizing oh he’s been checking her out for seasons. It’s great. (and it made his hand placement at the end of their canon ep make a lot of sense lol)
Lingering on this shot of him watching her walk gives such an indicator of attraction to me. Cuz yes Rick has an overall appreciation for her, of course, but he could’ve been appreciative while continuing to look out the window like he just was lol. That turn around and attentively watching her go was cuz Rick likes what he’s seeing. Always has. 😌
And I bet Michonne's walk would be on the list of things Rick loves about her, just like Rick’s walk is on the list of things she loves about him. 
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Both of their energy in this season 4 scene just screams that whatever they have between them is not just platonic. And they’re just such parents in this ep. I love that the next scene is Rick again sending Carl out on a run alone with Michonne. He seriously trusts her to have done this twice now so early in their relationship, both in this ep and in Clear.
And when Rick says, "follow her lead" to Carl, and Michonne winks at Rick, letting him know she’ll make sure their kid is taken care of and gets something to eat on their run - issa whole mom and dad. 🤗
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Rick, Michonne, and Carl really did find their truest home within each other, and in this ep, you can see how true that is. So I love this episode for really establishing Richonne as parents together and solidifying the lovely Grimes 2.0.
And it's great how Rick and Michonne’s deep need for each other so beautifully evolved into deep romantic love for each other too, as their family tree grew even more with the adorable addition of RJ. 🤗
Richonne's journey from Rick telling Michonne their son Carl needs her in season 4 to them having a son of their own in season 9, just goes to show we stan a ship with an abundance of riches. Boundlessly blessed, y'all. 😌
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shekeepswriting · 10 months
Text
A Little More Heart (2)
[Syverson x Reader]
Word Count: 2821
Summary: You head home after a night at the bar.
Warnings: self-defense related anxiety
A/N: Thank you guys so, so much for all the kindness and support. I was blown away by the responses, and I truly appreciate it so much. So I’ve decided to keep going. I hope you’ll come on this little journey with me. I took the liberty of tagging the people who said they wanted to see more (it didn’t let me add some of you, but I did try). If you’d like me to take you off the list, just let me know!
Previous Chapter
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You focused on taking deep, slow breaths as you walked along the side of the road, debating whether it was worth it to lose what little night vision you had by turning on your phone flashlight. You didn’t love the idea of not being able to see outside of the little circle of light it would provide, but you also didn’t love the idea of being hit by an unsuspecting car. 
You don’t know why you had walked to the bar in the first place. It wasn’t like you. But your cousin had called when she heard you were in town, sounded so excited to meet up with you after her shift at the hospital and promised to pick you up from the bar at 10:00. You didn’t know her very well anymore, hadn’t been a part of her life in a long time, but you’d had no reason to distrust her. 
After lingering in the parking lot for a good fifteen minutes with three calls gone to voicemail, you really hadn’t had any other choice but to start walking. In a town this small, there were no cab companies or ride shares to call. People  relied on family and friends to get them around when they found themselves without a car. And you were short on both.
Just as you pulled your phone from your pocket, headlights pierced the darkness, carving yellowed wedges of light onto the wet pebbledash road. A vehicle was approaching from the way you came. You moved even further off the road into the grass, and the driver flashed their headlights twice, acknowledging you. 
You raised a hand in gratitude as the truck rolled past you, but the light feeling was short lived as it pulled over in front of you. You sighed. 
It should have been a relief, an alternative to your long walk in the pitch black summer night, but instead it called to mind the first two minutes of every crime procedural you’d ever seen. And you really weren’t in the mood to be murdered. 
No one got out, but the cab light turned on, and you heard the passenger side window roll down. You took a moment to weigh your options, kneeling down for a moment in the damp grass as if retying your boot while you slipped the small utility knife out of the sheath you kept strapped around your ankle while traveling. You’d been raised to be prepared for the worst, especially when alone or around men. Anyone who wanted to harm you was sure as hell gonna bleed first. 
You approached the truck with slow steps, keeping your hand angled to hide the knife along the line of your thigh. 
“Now I know you didn’t survive traveling this long on your own by walking on unlit country roads at night.”
You heard him before you saw him, brows furrowed in confusion as you drew even with the passenger window. 
Sy. The guy from the bar. Under normal circumstances you can honestly say you would’ve been happy to see him again. But the current setting had you very on edge and reluctant to let your guard down.
“Not my preferred transportation,” you said carefully, looking him over.
For his part, it seemed like he was doing his very best to be nonthreatening, all the cab lights were on now, and he was leaning over slightly so that you could see his face fully lit and framed in the window. His hands were open, empty, and visible, one on the wheel and the other on the dash. 
“Everything okay? Didn’t see a car broken down, but it’s real fuckin dark out tonight.”
You blew out a breath, hand flexing around the knife handle as you tried to decide how honest to be. 
“Uh, yeah… my ride was late, and I got tired of waiting. Figured I’d get a head start.”
Sy frowned a little, eyes glancing at the rearview in search of other headlights. His fingers tapped restlessly on the dash.
“What are the chances you’d let me give you a ride?”
“Not great,” you admitted. “I mean, I enjoyed hanging out with you, but as much as we talked, we never got to topics like… your stance on murder and body disposal.”
Sy nodded slowly.
“Understood… You could take a picture of me if you want. And my license plate. Text it to everyone in your contacts.”
You raised an eyebrow.
“You’d be okay with that?”
“Hell, I’ll sit in the truck bed and let you drive yourself if that’s what it takes to get you home safely. I’m not feeling too great about leaving you out here by yourself.”
You hesitated for a moment, looking up and down the road again. Still no other cars.
Fuck it.
“Alright…” 
Sy held perfectly still while you raised your phone and took his picture, sending it to your grandma, useless cousin, sister, brother in-law, and editor for good measure. Your phone’s flash blinded you for a second as you took a picture of the license plate moments later and sent it to the same list.
“You wanna drive?” Sy asked, leaning across the passenger seat to push the door open when you finished. 
“No thanks. Are you armed?”
“No, ma’am.”
You gave a final nod before climbing into the passenger seat. Sy’s brows raised when he clocked the knife in your hand, but he chose not to comment. 
“Where am I driving to?” he asked as you closed the door behind you. 
“My grandma lives down on Azalea. I’ll tell you where to turn.”
“Got it.”
Sy pulled his truck back onto the road, and your leg started bouncing almost instantly. You forced yourself to take a few deep breaths. It was clean in here, at least. Surprisingly so. Smelled like leather and pine, without the help of a green paper tree hanging from the rearview mirror.
Sy’s eyes flickered towards you for a second before returning to the windshield.
“Anything I could be doing right now to make you less nervous?”
“Don’t think so,” you sighed. “Sorry, it’s not that I distrust you specifically, I just…”
“I know. I get it.” 
A few minutes passed in relative silence before he tried again.
“You always carry a knife with you?”
You raised an eyebrow, turning away from the window to stare at him.
“Knives. That’s what you wanna have a conversation about right now.”
He scrunched up his face in a way you fought hard not to find endearing.
“Knew as soon as it was outta my mouth…”
“So stupid,” you laughed quietly. 
“I’m just not used to seeing a woman carrying anything bigger than a pocketknife, is all.” 
“I think you might be surprised. Concealed knives may not be conventionally ladylike, but they make us harder to murder. I think it’s a fair trade.” 
“Making yourself harder to murder… Inconsiderate.” 
That surprised a laugh out of you so abrupt and genuine it made you honest-to-god snort. Sy glanced over at you with a rapidly growing grin of his own as you struggled to speak.
“So fucking rude,” you agreed through your laughter, your stomach giving a little flip as the low sound of his laughter joined yours. 
And just like that, as your laughter faded to giggles and Sy’s to a charming half smile, the tension left your muscles for the first time since exiting the bar. It was back to how it was before, back to glances and smiles and a strange level of comfort between strangers.
You felt kind of…. Well, not stupid. But silly maybe. 
“I’m sorry for, um…” You gestured vaguely backwards, and Sy shook his head.
“Don’t be. Trust me, I get it. You gotta do what you can to keep yourself safe. Not always easy to know what that is.” 
You thought about the silver chain you’d glimpsed earlier. Retired military, he’d said. Of course he’d get it.
“It sucks that you get it,” you said.
He shrugged.
“It sucks that you have to do it in the first place.” 
“Yeah…” you said softly, looking down at the knife you were now holding loosely in your lap. It was too dark for you to safely put it away. You didn’t love the idea of accidentally stabbing yourself in the leg. 
When you lifted your head again, you caught Sy in the process of looking away. Before you could call him on it, you noticed a small pond drawing closer through the windshield. 
“Take this next turn,” you said, pointing. “And it’s the third house on the right.”
Sy nodded, following your directions without comment. 
You smiled a little to yourself as you looked out the window again. Your grandmother had lived in the same house in the same little neighborhood - if you could even call it that - for your entire life. Even with the old globe streetlamps so few and far between, you knew exactly what was out there in the dark night. The road sat high, built up to avoid pooling and flooding with the frequent rains, and the houses sat far back from the road and low enough in elevation that the rooftops were barely even with the street level. The road and the properties were heavy with tall, skinny pine trees, taller than any you’d seen anywhere else. As a kid, you’d have sworn they helped hold up the sky.
Your grandmother’s house sat at the edge of the neighborhood, and a dense forest started at the back of her property line, held at bay by a wrought iron fence that circled the whole yard, complete with a gate across the driveway, blocking access to the patio, carport, and yard. It was the only house in the neighborhood with a light on by the front door, the only house still waiting on someone to come home.  
“You can stop here,” you said as Sy approached the top of the driveway.
“You sure?”
“Yeah. I don’t want the dogs to go crazy and wake my grandma up.”
“Okay,” he said, putting the truck in park. “I’ll just wait up here until you make it inside, if that’s alright.”
You gave a nod, reaching for the door handle when he spoke again. 
“And I... Sorry for scaring you. Hope I didn’t make you too uncomfortable.”
“You did everything you could’ve done to make it easier,” you said with a small shrug and a smile. “And for the record… if there were more men like you around, I probably wouldn’t have to carry this so often.” You tapped the hilt of the knife. 
Sy didn’t seem to have any words to add to that, just gave you a slow nod.
The cab light clicked on automatically when you opened the door, and you took advantage of the light, crossing your ankle over your knee and tugging up your pant leg to replace the knife in its small sheath, adjusting your sock and boot to keep it stable. Sy watched the process without comment, finger tapping idly on the steering wheel and eyes lingering slightly on your ankle even after you’d pulled your pant leg back down. He cleared his throat and looked away as you hopped out of the truck. 
“Have a good night.”
“Yeah, you too. Thanks for the ride.”
“Any time,” he said, a small smile crossing his face just long enough for you to believe he actually meant it. 
 You gave one final little nod before closing the door and turning to head down the long driveway. Despite the late hour, everything about it was familiar. The smell of pine and wet concrete. The nighttime symphony of crickets and frogs. The flicker of fireflies far back near the fenceline. You took a deep breath as you approached the gate, drawing the spare set of keys from your bag. You didn’t know how long you were going to stay, how long you even could stay, but if it was “heart” your editor was after, a nice soak in nostalgia certainly couldn’t hurt.
You let yourself in the back door, the same way everyone in your family did. The kitchen light had been left on, and the dogs were already standing there waiting for you, giving soft little woofs of greeting as they crowded your legs. You gave them their required pets and scritches, hushing them as they followed you through the dark house to the front door. You turned the outside light off, watching through the peephole as Sy’s truck drove away moments later. 
As you walked down the hallway to the guest bedroom, you sent the all clear texts, assuring everyone you’d made it home safely. Almost immediately, your phone began to buzz, signaling a call from your editor Bonnie. You took the last dark corner at a jog, closing yourself in the guest room before swiping the screen to answer.
“You’re up late,” you said quietly, feeling blindly for the light switch. “Do you ever actually sleep or do you have caffeine in an IV?”
“I’m always awake when my favorite talent is in mortal danger,” she said matter-of-factly.
You smiled. 
“Favorite talent or least annoying talent?”
The staticky sigh that followed was a very intentional non-answer. 
“You made it safely to Louisiana I assume? And are not currently being murdered by a genetically blessed serial killer?”
“Yeah, I made it fine,” you laughed.
“And the genetically blessed non serial killer is…?”
“Just a local I met. He gave me a ride home when my cousin bailed.”
There was a long silence.
“…And?”
“And…. He didn’t murder me. For which we should both be grateful.”
“Avoiding the details. Interesting.”
“Bonnie.”
“You’re a details kind of woman. The absence is noteworthy.”
“Fine. I met him at the only bar in town, and we talked for about an hour. I left alone. My cousin never showed up. He passed me walking down the side of the road like an idiot and stopped to help. Satisfied?”
“Did you draw him? I bet your readers would love him. Remember that detective you met a few months back? They lost their minds over that handsome face. Half of them wanted you to marry him on the spot.”
“Uh, yeah, I did draw him, but I didn’t keep the picture. It was just for fun. Besides, I wasn’t looking for a story or anything. It was just… bar talk, ya know? Nothing noteworthy.” You tried to keep your tone light, knowing how much Bonnie hated a missed opportunity. 
“Hmm. Well, if you see him again, maybe try and find something interesting there.”
“You asked for more heart,” you reminded her. “Which is not something I’m gonna find talking to a random guy. That’s why I’m at my grandmother’s in the first place, remember?”
“Have it your way,” she sighed. “Anyway, just wanted to check in and make sure you didn’t run into any trouble.”
“I appreciate it,” you said. “I’m okay.”
“I’ll let you get some rest, then. Since unlike me, you still sleep.” 
“Thanks,” you snorted. “I’ll have the draft of the next post ready for you tomorrow.”
“Goodnight.”
The call ended before you could respond, just as it always did, and you were in the process of plugging in your phone when you heard a soft knock.
You peeked out the door to see your grandma standing in the dark hallway, wrapped in her purple housecoat and holding a small flashlight.
“Got up to use the bathroom and heard you talking,” she said in a whisper. “Wanted to say goodnight.” 
You smiled, holding your arms out for a hug. She squeezed you much tighter than it looked like she had any right to, pushing the air out of your lungs.
“Goodnight, Nana. Sorry to disturb you.”
“Nonsense,” she said. “Did you have fun?”
“Kat never came. I think she forgot. I had fun anyway though.”
She pulled back from you with a frown.
“You didn’t walk all that way home did you? Oh, that girl is getting an earful from me in the morning!”
“It’s alright,” you laughed, rubbing her shoulder. “Someone gave me a ride. I sent you a picture. You can tell me all about him in the morning.” 
“Him who?” she asked quickly. “Do you know his family name?”
“No, sorry. He said his name is Sy?”
“Oh,” she said with a deep exhale, her shoulders relaxing. “Well, that’s alright then. He’s a good boy.”
“Yeah?” you asked with a smile, trying not to laugh. 
“Oldest Syverson boy, right? Big beard?” 
“Yes.”
“Alright,” she sighed again. “I’ll invite him to dinner tomorrow to thank him. Goodnight, darlin.”
Your eyes widened as she kissed your cheek and turned to head back to her room.
“Oh, I don’t think you need to do all of that! I said thank you!”
She kept walking as if she hadn’t heard you.
“Sweet dreams, my love.”
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Thanks for reading, friends! I hope you all enjoyed it. Would love, love, love to hear from you!
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gayboysteve · 5 months
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Genuinely why do people think Steve can't be a fully actualized person and a love interest at the same time? Do you guys just passively consume media without, like, paying attention? Steve has been his own fully developed person since season two. We don't need to know ever detail of his life to know who he is as a person. We know the moral fiber of his character and the strength of his will. We know he loves passionately and will do anything to help. We know he's a catty bitch that doesn't get along with his dad.
Not... everything has to be shown to us for Steve to be a real fleshed out character. There are definitely places where things fall flat (letting him even feel pain after his many beatings or torture of being eaten) but being a love interest is not one of the things where the Duffers have fucked up on him. Besides Nancy, he has the most character development out of the teens and he has an actual character arc that's been percolating since season one.
You don't need to ship Stancy or like it. That's not necessary. I personally wasn't a shipper until recently (though I never hated it like some people, I've just always focused more on the Steve and the kids or Steve and Robin) and I have to say it makes a lot of sense in the scheme of things for the love triangle to be reignited. Steve and Jonathan are not just contenders for Nancy's love, they both represent something for her journey and her picking one of them will be indicative of the path she's taking. Steve's speech about learning to crawl forward wasn't just about him, that was a display of what Steve's character can offer to Nancy's character as a romantic partner. The ability to learn to MOVE ON. TO CRAWL FORWARD.
Nancy as we know is still trapped in her grief from Barb and while Jonathan has helped her get justice from that tragedy he never helped her move PAST the pain of it. One represents moving forward, and Jonathan sadly this last season, represented regression.
Personally, I think it's Jonathan more than anyone that needs to not be in a relationship. It hasn't ever seemed to make him happy. I don't think Jonathan will ever be happy until he's allowed to get away from his family a little bit. The parentification Joyce did to him really fucked that boy up and he needs, in my opinion, to focus on himself more than anyone.
Nancy has expressly stated before that she doesn't want to be alone! Steve has expressly stated he wants love and romance and a family! They're still young they can work out their future later, why can't they find some happiness in coming back together stronger and more fully self actualized? More mature and developed? I think it actually makes for a very fitting end from a narrative standpoint which is, honestly, what convinced me to switch over to the ship in the first place.
Neither Steve nor Nancy have ever been reduced to just love interests. Even in season one when Steve is explicitly introduced as only a love interest, he actually has his own character arc going on. All following seasons Steve and Nancy (whether dating, broken up, or flirting) have all had plots not related to their romance. No one is being reduced to just a romantic interest. Unfortunately, poor Jonathan is the one that got that treatment. He's the one that needs to have something devoted to just him; something that isn't just being a brother or a boyfriend. Giving him a friend was a step in the right direction. Let's give him a dream now and not just something that we hear from Joyce. A real dream from Jonathan's mouth. Because all we've heard from him are the things he DOESN'T want for the future.
Also Stoncy supremacy anyway. Let all three fuck nasty.
(Let's not bring up the whole six nuggets things. I highly doubt Steve is actually going to expect six children from his future partner. It was a reference to the party. It was him lightening the mood and trying to bring some levity to a serious, and frankly, terrifying, situation. It was him trying to make Nancy laugh while laying his heart on the line. He's not expect six literal children.)
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pennamenotfound · 1 year
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I feel like one of the reasons that the Bells Hells are so interesting and compelling to me is that they’re all so angry. Anger is so interesting to me because of its volatility. The way it can, more than any other emotion, be twisted. Think of how much more volatile Percy was in campaign one because of his revenge boner than Caleb in campaign two with his deepset guilt and grief.  
And like, sure, we had anger before in the other campaigns.
Like Percy was super angry obviously, and Vex had her rage, and Scanlan had his moment (what’s my mother’s name) in Campaign one, and you could probably pull moments for the rest of Vox Machina. Grog’s a barbarian, he rages all the time. Plus with his herd. Okay, sure. Vax certainly had his moments. Keyleth at Raishan. (I don’t think Pike realy had any real anger moments in her arc.) But their stories don’t rely on their anger as much as Percy and Vex, and not nearly as much as Bells Hells. 
In the Mighty Nein, there’s Beau who is super angry at the world, justifiably so, but the rest of the party not so much. Caleb and Yasha are guilt and grief. Cad’s faith. Jester definitely had her problems with emotion, but anger wasn’t really part of it so much as learning to let herself feel something other than happy. Fjord’s journey to Melora was much more about introspection, Veth’s journey back to herself was certainly emotionally taxing for her, but it’s back to greif and loss for her. Kingsley is all about discovery, and Essek was about finding friendship. 
But Bells Hells. They’re all so angry. With maybe the exception of Chetney, but he’s also a werewolf which is its own sort of instability. 
Ashton’s a given---Tal’s so good at anger in his characters. Perfect punk, angry at the world, angry at their situation. *chef’s kiss* perfect barbarian
Imogen has such rage bubbling. “We’re gonna sunder you, Delilah Briarwood” for one, but also, with her mother. With her powers. 
Fearne with her parents. The way she was discovering her anger had so much potential, and I really wanted to see her actually throw some fireballs or something.
Orym. I saw the look on Liam’s face when he had that insight check whisper from Tuldus. Dude, Otohan and the Ruby Vanguard killed his husband and his dad (I know, father in law, but Orym says dad.) He’s the nice one, he’s said it before himself, but... under the surface, i think he’s got some rage in him. 
FCG. Oh, FCG, with their unpredictable rage mode. Trying so desperately to be the caretaker when they don’t even know what they are. The professor in Yios gave him a lot of good information, but there’s a lot they don’t know. 
For me, with FCG and Orym both, it’s a lot of aren’t you tired of being nice? Don’t you want to go apeshit?
And then Laudna. Laudna, with the most to be angry about. She was murdered by the Briarwoods, and spent the next thirty years with her murderer in her head. Looking like a corpse. Not knowing if she was dead or alive. Being chased out of towns all over Tal’Dorei until she ran all the way to Marquet. No friends, even before she died, before Imogen. And she’s really the most interesting to me. Because we don’t see a lot of rage with her. Even with Percy in Whitestone, it’s forgiveness. It’s understanding. The only time I remember in the campaign her really being angry was when FCG turned on the party that time, and that was related to Delilah’s manipulations. 
Orym said once something like she had the worst thing out of all of them happen, and yet she’s the happiest, and how is that? And she goes, well, because the worst thing that’s happened to me already happened. 
And it’s so interesting to me because we could, in another universe, have another Ashton in Laudna. Because, really, very similar things happened to them. Both died. Both put back together not quite right, not quite in control of their situation. Feared, even. 
But she’s so loving, caring, and not wrathful, and honestly, I’d kind of love to see some anger from her. And I think we might see it if Imogen gets hurt.
Anyway i’m unhinged about bells hells. I love vox machina and mighty nein but I’ve connected most to bells hells because I’ve been watching CR since CR3 started, and I love my angy bois. 
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