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#and THINKS that he might be in love with her but he isn't and that's my insane obsession
adventuringblind · 3 days
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Entitled To You (3.6K words)
Norstaptri x Reader
Genre: Angst, Hurt/Comfort
Summary: An incident with Lance sends the boys into a frenzy. She just wants to do what she loves.
Warnings: Explicit depictions of r@pe, injury descriptions, panic attacks, Oscar plots a murder, Lando throws hands, Car crashes, Author doesn't know legal stuff, Head trauma and blood.
Notes: This one is a request from @Lily234566 I know this wasn't the original pairing but I was struggling to fit the Ferrari boys in there so I had to scale it back... I'm sorry and I hope you still like it! T_T
Side Note: Sorry to the Lance girlies reading this. AND obligatory message of I don't know these people and this is purely FICTION! HEAD THE TAGS! DONT LIKE THEN DONT READ!
Masterlist // Request Form // My Website // buy me a Ko-Fi
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“Max!” She peeks her head into his driver's room. The bright beaming smile she receives in return after their 1-2 nearly kills her. “They want me for a media thing, apparently.” HIs smile drops into a pout. The sad puppy eyes might convince her to stay. 
“Again? Don’t they know we have plans!
“No, and why would they care anyway?” She looks him up and down and whines because he’s standing in front of her with no shirt on. “Just - I’ll meet you guys back at the room. It’s something to do with being a female in F1… again.”
“I’m starting to think they have nothing else to talk about.” 
She shrugs as she walks out of the hospitality, waving to Christian on her way by. The goal is to get past the Mclaren garage without seeing Lando because otherwise she is not going to the interview. His pout is worse (better?) than Max’s. 
To her pleasant surprise, Laura is the one conducting the interview. “I’m sorry about this being last minute! They said they wanted you to do it with someone else next week and I offered to do it now.” 
The interview passes with ease and thankfully doesn’t take long at all. The banter in-between is also entertaining. 
She’s exhausted when they finish. Ready to go back to the hotel and fall into bed with her boys. Hopefully They’ve ordered food - and dessert. 
The paddock is nearly empty as she makes her way through. Maybe, had she been paying more attention and not focussed on her aching body, she would’ve caught on to the footsteps behind her. 
They are heavy, she assumes possibly a mechanic still packing up to continue on their way to the next circuit. That’s what she still thinks when the hand on her bicep yanks her around the corner. 
If she weren’t as exhausted, then fighting would’ve been a possibility. However, that seems out of the cards as he pins her against the nearest wall. Her forehead hitting the surface hard enough to make her dizzy. 
“Not so confident now, huh?” 
The fuck- “Lance? What are you?-” He slams her head again and cages her body against his own. She flails, only to be slammed again. “Would you stop doing that please?” 
“Not after that stupid stunt you pulled today on track.”
“You mean the one where you showed you don’t know what brakes are?-” Again, her head is sent into the hard surface. She can feel her nose starting to bleed. “Must you?!” She decided to shut up when he does it again and everything starts to go fuzzy. 
His fingers dip beneath the waistband of her fireproofs. The cold evening air hits her bare skin and she panics more than before. Her head is too cloudy to fully comprehend what’s happening. 
“I feel like I'm entitled to a bit of compensation after that stunt.” 
“You’re entitled to nothing. You took yourself out!” She hisses through gritted teeth. Still, Lance continues to get her clothes lower. And slams her head again harder - you know - because she wasn’t disoriented enough already.
“Would you shut up?” She doesn’t say anything this time. Her mouth feels numb and her ears are ringing. Her exposed lower half is met with the bare hands of someone she doesn't want touching her. 
It's - well - it hurts. He's groping at her thighs, ass, even her tits which she isn't sure how he's managing. His hands are everywhere they shouldn't be. 
And then nothing. 
A vague awareness of what's happening seeps through her veins and invades her senses. She tries to scream. Attempts despite the sheer pain of the snap of hips she didn't ask for. 
His finger beat her to it. A hand encloses around her throat and cuts off her oxygen. The black spots dance around her vision. She wants them to stop moving; they are making her dizzy. Or was she already dizzy? 
“See, it's not so bad. Don't you feel less guilty for ruining my race now?” No, she doesn't. She wasn't guilty before. 
She blacks out. 
~~~♡~~~
Waking up with sore limbs and a killer headache is not how she pictured this night going. She tries to yell for help, but a mere creaky rasp escapes. 
When did she lose her voice? The thought makes her panic more. The sob she lets out hurts more than there is sound. 
Her face and hair is sticky. At least Lance had done her the courtesy of not finishing inside of her. 
Still - what the fuck even happened? The fragmented memory is trying to come back to her slowly. Each small piece remembered is another broken cry. 
She can't move. 
It's dark again. 
~~~♡~~~
The anxiety between the three boys is certainly not something they are used to. Oscar can pinpoint the exact moment Lando started overthinking and Max had to bear hug him so he didn't pace a hole into the cement of the parking lot. 
The fourth seat in their car remains empty and their messages have gone unanswered. It's getting more concerning with each passing minute. 
“Max, she always responds.” 
“I know Lando.” 
“She always calls if she's going to be longer.” 
“Lando?”
“Yes?”
“Would you feel better if we went and looked around for her?” 
The Brit nods his head in a fashion that might give him whiplash. It's better seeing him feel helpful then sit helplessly. Though Oscar can't help but agree with Max's original point. that they should wait there at the car just in case since that's where they were supposed to meet. 
Granted, it's only been twenty minutes. It's still long enough to be murdered. 
They Methodically peer around corners and wave at the mechanics who give them skeptical looks. They were supposed to be out for post race celebrations by now. 
Oscar freezes when he sees it. The human shaped lump lying on the ground. He rushes over with long strides. The closer he gets, the more familiar the person on the ground becomes. 
“Max! Lando! I found her!” The other two boys come sprinting in his direction. He's on the ground trying to clear her hair from her face only for it to get stuck in the sticky substance coating her features. 
“What the fuck?” 
Her fireproofs are still on, but it's obvious what happened. The handprints on her neck, the blood trickling down the sides of her face. “We need to bring her to a hospital.” 
Max hoists her up in his arms. Mainly because Lando is on the brink of tears and struggling to breathe through his panic. He loves deeply and with his heart on his sleeve. Oscar just hopes he can keep the Brit calm until they find more help. 
“Can we at least clean her up?” Lando pleads with him. Big Hazel eyes brimming with tears. 
It's always a struggle to tell him no. “We can't, not if it can help us figure out who did it.” The tears start right after that. 
“So that’s what happened then? Someone really-” Oscar has to maneuver the puddle of tears that is his boyfriend into the passenger seat of their rental car. Max tosses him the keys, opting to be with her in the back and keep her comfortable. 
The tricky drive to emergency is more because Oscar is too far in his own thoughts to pay attention to the traffic lights. He can hear Max moving her around, attempting to put pressure where blood still flows freely. 
Oscar doesn’t bother with parking. He pulls off into some empty area and helps Max shoulder her weight inside the doors while Lando runs ahead to find help. 
It’s fast after that. They take her away and start patching her up while the three of them are forced to sit in the waiting room. Oscar and Lando are left to their own devices while Max paces about on the phone with Christian. 
He feels like a knife is being driven through his chest each time his mind tries to come up with what could’ve happened. Who would do something like this? Unfortunately, a lot of people. The question is more of who could’ve done it and gotten away. Someone with access to the paddock this late. Security, perhaps? Maybe even a sleazy mechanic? A driver wouldn’t make any sense… right?
“When will they let us see her?”
“When she wakes up, most likely.”
He’s not sure when he falls asleep. The exhaustion finally hit him like a truck despite his persistence. He’s awoken by Max’s constant shaking and aggressive whispering of his name. 
“-She’s asking for us.” 
He’s up faster than Lando when Jon threatens an ice bath. They follow the nurse down the halls with an uneasy anticipation. They creep inside the sterile room and find her staring at the wall. 
Lando doesn’t hesitate to move further into the room. Always having been more in touch with his emotions then the other two boys. “Hey love, can I come closer?” 
She looks at him. The bandages plastered over the sides of her head and around her face now visible to them. She returns Lando’s gaze with glassy eyes. It’s damn near shocking when she tries to pull things off her body in a desperate attempt to reach for Lando. 
Lando gets to her before she can get everything off, specifically the IV, and catch her arms. Oscar and Max finally pull themselves together and manage to get her to lay back down with some coaxing. 
She’s shaking violently. Her grip on Lando’s arm is sure to leave bruises. “Who - who f-found me?”  
“We did, schat. We got worried when you didn’t respond.” Max drags the two chairs in the room closer and pulls Oscar down into one.  Lando, against all odds, manages to wriggle his way into bed with her. 
“I know who it was. I - well - does anyone else know?” 
“Just Christian and us.” Oscar can feel the fight Max is putting up to not ask her more questions. The way he’s grounding himself with a hand on Oscars knee instead. 
“You don’t have to tell us.” He attempts to reassure. Maybe calm her mind by giving her an option. “Just know we’re here, alright?” 
“I don’t want it to be a big story. It’s already going to be since I can’t be in the car for the next four weeks. Oh fuck - everyone is gonna know-” Lando hushes her; gets her to somehow hold him tighter.
“Christian said it’s up to you, whatever happens.” Max nods at her encouragingly. “We go at your pace.” 
“They did a rape kit. They’ll know who it is. It was all over so it couldn’t have been hard to get DNA - oh fuck” 
Her heart rate picks up. The nurses rush in. They send her back to sleep. 
~~~♡~~~
Max wants to know who it was who touched her. The rage simmering underneath her skin is almost too much to keep contained. 
On the more fortunate side, they were allowed to stay since she wouldn’t let go of Lando. Then when he did have to get up, they rotated. 
The doctors and nurses learned to approach her like she’s a scared animal. The heavy footsteps seem to set her off and there is now a sticky note on the door saying to tiptoe when entering. It’s endearing to see her doctors and nurses trying so hard not to startle her. But seeing as they’ve now had several incidents where she’s panicked, they are taking more caution. 
Oscar and Lando have meandered away in search of food. Max opted to stay put and made the promise to bring him back cheat foods. He’s too stressed to not eat something of comfort. 
Her physio is supposed to come by today with the stuff she left at the track and get an update from the doctors themselves instead of Max’s botched attempts at repeating back. It will also be nice to see her comfortable, as the one blanket that travels with her everywhere will also be dropped off. 
“Max?” He tightens his hold to show he’s listening. “It’s not fair… You, Lando, and Oscar make a mistake on track and nobody does that to you. I - It wasn’t my fault.” 
The thing is, Max is smarter than people give him credit for. The only incident on track was with Lance. An incident that was his own fault. “He’s at fault, not you. None of this is your fault.”
“They are going to say I was asking for it or something.” 
“In those fireproofs? The only ones asking for it are me and Oscar… for obvious reasons.” He chuckles proudly at his little self compliment. 
It also manages to get her to crack something of a half smile. “Are you complimenting your own ass?” 
“And what if I am?” 
She doesn’t eat anything despite it being sat in front of her. Soft foods are the only thing she’ll be eating. Her throat, albeit not as bad as it could've been (thank you F1), is still damaged and needs to rest as much as possible. 
They had to keep her for observation due to where the head wounds had been. It’s been a rough thirty-six hours, but they are managing.
Despite the hectic situation, Max has come to learn that the female lying in the hospital bed is a better person then the rest of them. Oscar was detailing a full proof murder plan while she was telling him not to make it a bigger deal then it is. To which Oscar politely put his ten step plan with four contingencies down and told her that it’s ‘what he had coming to him’. 
Max has not had to stop someone from assassinating a rival before, but Oscar seems like a reasonable guy. “Death is too good for him.” 
“Mm, you’re right, I’ll just make sure he doesn’t die then and can’t see my face.” 
“Or, we make his life a series of inconveniences! I feel like daddy’s money could get him good therapy. It can’t solve every minor problem.” Lando has a gleam in his eyes. 
Him and Oscar start pouring over ideas once more. The girl simply shakes her head and goes back to eyeing her pudding like it’s assaulted her. “I don’t want to leave here, Max.”
“Why not? I’d assume you want to go home? Sleep in a comfortable bed?”
“Out there, they can get to us. Here is safe.” 
He considers how to reassure her. Only, there is nothing he can think of. The truth is that outside of this hospital room, there is no guarantee they won’t run into trouble. 
“I can’t promise that we'll never have something bad happen again. But-” He looks to the McLaren duo brainstorming ways to make the Aston Martin garage regret existing. “We’ll be there for each other. We’re here for you. When you want us and when you need us, yes?” 
“Pinky swear?” She extends her pink to him. 
Max accepts and curls his pinks around hers. “Pinky swear.” 
~~~♡~~~
It’s not fair really, that they had to leave to go do things. Lando would prefer he at least stayed with her so she isn’t alone. Alas, they are preparing for her discharge and he had to run around getting things together for their trip back to Monaco.
He comes back to a partially opened door and smiles at the other two boys being able to get back before him. Then again, as he gets closer he can hear the angry tone. One that Max uses when he’s pissed off about something. 
Lando panics and rushes inside. Only to be met with the sight of the last person he wants around right now. 
Now - he wouldn’t say he’s prone to violence. Lando prefers to keep the peace when it comes to conflict unless he’s trying to piss someone off on purpose to get a reaction. This is not one of those times. 
Lando’s knuckles collide with the Canadian’s jaw faster than he can fully become aware of what he’s doing. Lance stumbles backward and holds his jaw, glaring at Lando like he’s the one in the wrong here. 
“Get out!” 
“We were just talking-” 
“I said. Get. Out.” He’s seething. The thudding in his chest becoming louder with each second Lance remains in this room. 
He’s not prone to violence. 
Really, he’s not. 
Yet the second crack of knuckles into Lance's chin gives him some sick satisfaction. Isn’t there something about equilibrium? Can he pin this on restoring the balance or something? Regardless, he isn’t going to dent the fact that it feels good. 
The nurses come running and start asking questions. Max and Oscar have to drag Lando away kicking and screaming. 
Worse is when they try to tell him that there are pictures out on social media. Christian has been calling Max non-stop. Oscar has been dealing with Zak. Their relationship isn’t a secret and neither is their current location.  
“They're sending us a different car to see if we can’t get out discreetly.” 
“What happened with Lance, Lan? Are you alright?”
Everyone is panting. Their eyes trained on the door. “I punched him. I restored the equal-brey-um… thing.” 
“Equilibrium.” 
“Yeah that!” 
He’s not sure how they get on the plane. He’s still amped up about the whole punching thing and running purely off adrenaline. 
They’ve been sitting in silence, mulling over their options. Creating statements they can put out. It’s hectic and they keep trashing them because nothing fits. 
The female has been apathetic. The last thing she wanted was for this to get out and now it has. Seemingly everything is flashing before her eyes. Her career will be gone soon enough, so what’s even the point? 
“Don’t post anything. We don’t have an obligation to confirm or deny the rumors. If anything, we can say that you were just driving me to the hospital and being good friends or whatever.” She won’t look at them. Still - Lando can hear how upset she is, the waiver in her voice. “I’m going to be kicked out anyway.” 
“Christian said-”
“Damn what Christian said! He knows this isn’t going to get any better and if I say who it was then Daddy’s Money is just going to pay his way through.” She's hyperventilating now. Her body collapses against her seat and Oscar makes an effort to get her to lean against him. “It’s not fair!”
lando Can’t help but share her feelings.
~~~♡~~~
She stays holed up in the Redbull garage the next weekend. The appearance is hard, people want to ask her questions. Her boys had been caught in the middle of the riptide and haven’t come back to shore yet. 
At least she’s here. She’s trying her hardest to look stronger than she is. On the inside things are falling apart. 
The team knows to give her space and not ask about the ordeal. She takes refuge in Max’s room when things are too much and the other drivers keep their distance. 
They know it was one of them. She’d been adamant on not saying who it was, but it’s obvious there are sixteen who it could have been, given her partners insistence that none of them go near her garage for the time being.  
She just wants this whole thing to blow over. She wants to lay in bed with her lovers and not flinch when they go to touch her. 
She knows, however, that until she deals with things that healing can’t happen like it should. Or at least, that’s what her therapist says. The one she is now required to see. 
Things get worse when she’s back in the car. Her media duties are limited so she can focus on driving and ‘listening to her body’ as her physio likes to say. 
She can’t hear her body over the sound of her mind going staticy as Lance closes in on her. The catalyst for everything. She panics and ends up in the wall. Not the worst crash ever, but certainly hurts her pride more than it has already.
The thing is, it keeps happening. Even as she’s able to let her boys back in. As her podium finishes start to come back. Her fireproofs (which they’d gotten her all new ones) start to feel comfortable again and she doesn’t feel the need to be out of them the second the race is done. Still, Lance is using this to his advantage. 
Finally, after he almost killed her on track (again), she’s had enough.
The trial goes better than she thought it would. Despite the money differences, Lance won’t be able to race anymore. It’s not some grand spectacle either, just an announcement like usual. It’s more the closure she needed versus the publicized drama it could have been. 
She wins the next race. 
“If I ever see him again, it will be too soon.” 
“It’s been over a year now, Lan. I’m getting better.” There is a genuine smile on her face. The car awaits to take them back to the hotel. It was here that it happened. She almost considered not racing because of it.
“Lando got a taste of blood and now he’s feinding for it.” Max has a comforting hand around her waist. A grounding presence. 
“I mean, I never threw away my murder plot…” 
“You’re a genius Oscar!”
She shakes her head. It’s not like any of this has been easy. It never is. Still - her boys are here and they��ve been so patient. 
“There’s her smile.” They all beam at her. 
She smiles back.
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musicfeedsmysoul12 · 12 hours
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Our second DCXDP au has Danny hiding in Gotham with the cores of Dani, Dan and two other clones who survived. They need DNA to be able to reform but it's in a ‘it doesn't have to be now’ kind of way. Not just Danny’s DNA but another to to balance out their genes.
They'll become babies and be raised up. Dani was melting but forced Danny to promise he wouldn't find someone right away he'd take his time to fall in love first. Dan did the same and the twin clones did to.
Danny decides it's a good idea but keeps the cores safe. He ran to Gotham in the DC universe because the GIW were to close to killing him. His parents, Jazz, Sam, Grandma Ida and the Foleys all followed. Grandma Ida is running some gang down in crime alley having a blast with Sam, constantly trying to hook Sam up with Jason who Ida is in a turf war with. Tucker is happily running a tech company that will soon outstrip it's competitors., his parents helping Jazz is terrifying in Arkham as she tears our corruption.
Maddie abd Jack found out about the Leauge of Assassins and went: study time. Danny, knowing its corrupted ecto and also not wanting to deal with assassins lets then have fun. So Ra’s is dealing with liminal mad scientists who keep stealing the Pits and also have uncovered two Damian clones they kidnapped. Their kids now.
But we’re focusing on Danny who is in college and living a peaceful life which is what he wants most of all. The cores of his kids are always on him just in case and he's casually dating. It's great. He can just be Danny the guy who is super into space and plans on being a mechanic for the watch tower.
Then one day Two-Face attacks the cafe he's at (because of a sale it was having where it was two for one on some sort of new treat). Danny has to run for his life. He gets hit and the bag he has the cores in is harmed. One falls out and he freaks, diving for it. He grabs it just as Black Bat swoops in to save him. She flies him up to a roof.
They land and then she moves to grab one of the cores that fell out. Danny gets antsy but it requires skin contact so it should be okay, she's wearing gloves after all. It'll be fine!
On her part, Cass is wondering why her hand feels tingly but there isn't anything malicious in the mans face so she thinks it might just be the orb she caught being weird. She swings off, noting that she has a hole in her glove.
Danny goes home and doesn't think about it until he realizes that the core the hero touched is growing. And it's getting sick without the touch of its other parent.
Cass on the other hand feels strange. Like she's pulled somewhere. She instantly thinks of the guy and alerts the others to him. They hunt him down to find him on a rooftop. He's surprised to see them, holding an Orb that’s glowing.
“I thought it would take longer…” the man says. He shakes his head. “Umm… rip the band-aids off- I'm nottotslly human.”
The Batfam kinda pauses cause he's giving this info up for free. Cass is eyeing him closely. It's just her, Batman and Robin in front of the man. Everyone else is listening in or in the shadows.
“I ran away from my home dimension cause they were hunting me down to kill me because they believed I was non-sentient. You know sad trench- I mean, John Constantine? I think he put in the word we’re friendly,” the man babbles. The orb shines. “Okay, okay. I need to… Black Bat did your glove have a hole in it when you touched this?”
Cass hums but nods. Barbara has Constantine on the line (and no one wants to know the blckmail she has to make him answer) and he's confirming it's a friendly.
“Okay, okay… this is a Core and it's the heart, soul, brain, everything of an ecto-entity like me. And it… it’s my child. But it needed a second set of DNA. It's fine dormant, it doesn't hurt the baby. But it…” the man swallows. “Skin touch.”
Cass knows in a second what he's leading up to. She touched the orb. It needed DNA.
That's her baby in his hands.
Que the chaos.
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vasilissadragomir · 18 hours
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so when katniss and peeta are in the cave and he keeps nodding off and then she kisses him awake, and then he smiles at katniss "as if he'd be happy to lie there gazing at me forever."
at this point in his illness, peeta knew he was dying. i don't think he expected to wake up again. so when he's awakened by the feeling of katniss' lips pressed against his and opens his eyes to see her smiling at him and hears her use a special voice for him that he's never heard before but sounds like love, for a second, he probably thought, maybe, being dead isn't so bad.
and then he sees the pot of broth in katniss' hand, feels his wounds pressed against the hard stone floor of the cave, and comes to his senses. and that's when he realizes he needs to fight like hell to live. because he's starting to think it might be his only chance to see heaven.
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skamenglishsubs · 2 days
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Subtext and Culture, Young Royals, Season 3, Episode 6
Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.
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Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱
Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.
Culture: The third-years are painting the banners that go on the trucks on graduation day.
Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.
Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.
Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.
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Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.
Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.
Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.
Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.
Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.
Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?
Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.
Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.
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Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.
Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.
Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.
Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.
Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!
Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!
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Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.
Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.
Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅
Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.
Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.
Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.
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Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.
Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!
Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.
Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.
Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.
Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.
Meta: This is a brutal Fleabag reference.
Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.
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Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.
Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?
Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.
Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!
Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.
Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭
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Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!
Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!
Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.
Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.
Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.
Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?
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Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.
Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.
Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.
Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.
Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.
Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.
Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.
Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?
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Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.
Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.
Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.
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Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".
Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.
Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...
Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.
Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.
Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!
Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.
VAD FAN TROR DU?
As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭
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Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.
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Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.
He is finally free.
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pukanavis · 3 days
Text
Fuyume Hanamura Idol Story 1
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ーThe Yumenosaki Academy library, two years since the establishment of ES.
Fuyume: Excuse me?
Are there any fairy tales here…?
Oh, the shelf over there is the section for picture books and stuff?
Thank you for your help.
~...♪
(Ah, she was right. Yume recognises a bunch of the books over here.)
(They’ve got a good selection to choose from but the categorising is a mess. They’re just randomly thrown onto the shelf without any care for alphabetical order or release date.)
(Oh well…apparently no one has any love for fairy tales…)
(‘The Little Mermaid, ‘Momotaro’, ‘Tale of The Bamboo-Cutter’, ‘Snow White’, ‘Urashima Taro’, ‘Cinderella’—)
(Oh! It might not be the one Yume was looking for but he’s in the mood to read Cinderella today.)
(This story is another one that Yume adores.)
(It’s a tale about love being rewarded.)
…♪
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Fuyume: …? Hm? Oh, uhm, you’re that nice person from earlier—did you need something?
You were so kind to Yume earlier, so he’d be happy to give you some company.
Huh? The Yumenosaki Academy library is off-limits to anyone that doesn’t work for or attend the school?
How could you tell that Yume isn’t a student here?
Ooh, cause Yume isn’t wearing the uniform…?
That makes sense…no biggie, Yume will be sure to wear the school uniform next time.
Yume is really good at sewing, so it won’t be a problem…fufu ♪
Huh? That’s not the issue?
Yume doesn't like anything you’re saying right now.
Here he was thinking you were a nice person.
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Fuyume: Huh? Yume’s name is Fuyume Hanamura.
And you are? …Anzu-san? You’re a graduate of Yumenosaki?
You’re here at your old school to do some producer work, huh? It made you feel nostalgic so you’ve been walking around the grounds…? 
Oh, is that the case? Hmm…♪
Then, aren’t you and Yume in the same boat? Yume goes to a middle school separate from Yumenosaki and you’ve already graduated…right?
It sounds like neither of us are allowed to be here.
Let's work together then, okay? If you pretend you never saw Yume, he won’t go around yelling, ‘There’s a trespasser in here!’ …♪
What do they call it? A contract, business, bargaining? Let’s do something like that…♪
If you’re willing to comply, Yume will leave you be. He isn't particularly interested in you anyway.
Yume is just here to read some fairy tales.
…♪
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Fuyume: Huh? Did you need something else? You want to know what Yume is reading?
Ehehe, you’re interested in fairy tales? Sounds like we can get along.
Ehehehehehe. Yume is just reading a picture book about the massively popular princess, Cinderella. Though, he actually wanted to read something else. 
Maybe you’ve heard of it? For some reason, no one in Japan knows about it—it’s a fairy tale about an amethyst. 
Even if you don’t know the story, maybe you’ve heard this quote before?
—”The amethyst broke into pieces.”
Fufu. I guess you haven’t heard of it. Oh well.
Basically, it’s a story about an ordinary girl that comes across an amethyst that can grant any wish that she desires.
In fact, she actually fuses with the amethyst and becomes a crystalised-human of sorts.
It’s a curse put on her by an evil witch…ehehehehe ♪
The plot is kinda similar to ‘The Happy Prince’. Actually, something like ‘Arabian Nights’ or ‘The Monkey’s Paw’ might be a better match.
After transforming into the wish-granting amethyst, the girl wishes for her crush to pay attention to her, or to become better friends with people—
With each little wish she makes, the amethyst uses its power and gradually begins to crack—
Aah…♪ Eventually, her body becomes so fractured that it crumbles away and she loses all of the love and friends that she had been granted.
Her loved ones view her like a monster and chase her away in fear.
After everything, the final wish she makes is—
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Fuyume: —Ah, wait, Yume thinks you should read it for yourself to find out what happens next. Spoilers are a crime!
Ehehe. If there’s one thing Yume can say, it’s that he empathises with the amethyst girl and even admires her.
At the end of it all, the final remaining piece of her—
Becomes a ring that showers the wedding between her best friend and the one she loved in joy.
After everything, her final wish is—wait, oops, Yume just realised how much he’s spoiling. He’s really really sorry.
You don’t mind? Really? You’re super kind, you know?
Ehehe. You see, Yume shares the same wish as the girl who became a ring.
—-“I wish for your life to be full of joy.”
During her final moments, the girl whose selfish asks led her to break apart used her last wish to bring someone else happiness. 
Ehehe. Yume doesn’t have the power to grant wishes but he’ll do everything he can to achieve that too.
For example, Esu goes to Yumenosaki so Yume snuck in to watch over him in secret.
Huh? Does Yume love Esu?
It depends how you define ‘love’ but yep, Yume loves Esu.
But it's sad, isn't it? The reality we live in isn’t a fairytale.
—The amethyst already shattered long ago.
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You Call It Madness But I Call It Love
Chapter 15: What Do You Know About Love?
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Pairing: Soldier Boy x f!reader, Reader POV
Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy.  This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters will fluctuate between past and present. This is chapter fifteen of my "You Call It Madness But I Call It Love" series. (I'm so bad at summaries please forgive me!)
Word Count: 6.5K (I got carried away again)
Warnings: References to sex, Cursing, Angst, Crying,  Soldier Boy might be, is, really, absolutely, a little OOC, Soldier Boy is really all you need as a warning.
Note: This is told from the Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. Reader is described as "curvy" occasionally. If you don’t like, don’t read, but if you do like, you’re my favorite!
Internal Monologue is in first person and is in italics
Series Masterlist
Masterlist
**************************************
Present Day *Reader POV*
The shopping bags that hung from your arms would have been heavy for the average person, but for you it seemed like a bag full of pillows. It was the day after you saw Rosemary and said goodbye. Despite the almost excruciating hangover you had this morning, because it'd been almost forty years since you last had a drink, you dragged yourself to the mall to try and find outfits for your trip to Russia. You were satisfied with the few outfits you found, but you were worried because the plane left in a few hours and you were no where near ready.
Mentally or physically.
As much as you wanted to go help Ben, you still were apprehensive about the whole situation, not just about going in blind, but wondering what the hell you were going to do when you saw Ben. You wanted to hold on to your anger, but you were afraid that the moment you looked into his green eyes you would forgive him.
I am not going to forgive him. I'm going to break him out then tell him to fuck off and I never have to see him ever again.
Despite your apprehension, you knew that you had to do this, that you had to go help him even if you still hated him because you couldn't bear the thought of the boy you grew up with being tortured over there all alone. It was the alone part that hurt the most. You knew how much Ben hated being alone. He never had to say it out loud, but all the time you'd spent together in your bedroom before and after the injection spoke volumes.
Of course you still had no idea where you were going, but figured that if you went to the Kremlin you could get some answers, which meant you'd either have to lie your way in or just kill anyone in your path. Which would be messy, but necessary. You try to shake off the guilt of exposing yourself again and what that could mean for Rosemary and Lou. You made sure that Rosemary knew to pack a bag for herself and for Lou and told her to wait for your call.
You wanted to be there to escort them out of the city, didn't want to split up and have them get snagged while you were waiting for them at the rendezvous point, so you told Rosemary to take a few days off and lay low.
When you get to the outside door of your apartment building toting the bags, you notice that it's been broken, as if someone tried to pull it off its hinges.
Well that's great. Hopefully the building manager noticed that.
Your mind drifts back to Ben as you step into the elevator.
What if he isn't alive when I get there? It was an unwelcome thought, but it meant that you wouldn't have to talk to him.
 Maybe if I knock him out when I get there and just leave him in a Russian motel somewhere, I won't have to talk to him. You pause. Will he want to talk to me? 
The memory of the last time you spoke flashes through your mind bringing an unmeasurable amount of rage and heartbreak back over your body. The dam you built to keep out everything that happened was reaching capacity, especially given the recent events with Countess, and you knew that the moment you saw Ben it was going to burst open. You hoped that you'd be able to keep it together long enough to get out of the lab or wherever the hell he was being held, before you lost it. But it was doubtful.
As you walk down the hallway to you apartment, you notice that your front door is open and you stop walking. Apprehension spikes at the back of your mind as you examine the door. The lock is broken and  door is cracked just enough for you to hear people talking inside in hushed tones. You creep forward and look through the crack.
You've got to be kidding me. You groan to yourself noticing Butcher and Hughie standing in your living room.
Great. Just what I need. Right when I'm going to leave they show up. Guess that explains the mystery of the broken door downstairs.
You think about walking away, of going back down the elevator and hoping that by the time you come back they would be gone, but you knew you had to face them and you still had to pack. So you push open the front door of your apartment and step into the room.
"You know when I called saying that I had something else to say about Soldier Boy, I assumed you would call, not break into my apartment." You sigh before moving to the right side of the counter that divides the room between the living room and the kitchen and depositing the shopping bags on the stainless steel top.
"Maybe you shouldn’t leave your apartment unlocked poppet. Anyone could walk in." Butcher replies with a grin.
"Hmm. Sure. You guys here for more coffee?"
"Go shopping did you?" Butcher ignores your snark eyeing the bags.
"Yeah I needed a few new outfits for my art show next month." The lie is easy, but you know that the sudden appearance of the two of them probably meant you were caught red handed. Of course now with everything that happened with Countess, you didn't care anymore if Butcher and Hughie knew who you really were. "You doing okay there Hughie?" You raise an eyebrow as you notice how his heartbeat has spiked since you entered the apartment.
"Good." He says, but he looks uneasy.
Well, guess he's afraid of me now.
"Huh. And here I thought you were replacing your jacket." Butcher throws your ruined jacket onto the floor between you.
You look from the jacket to Butcher. You hadn't bought a replacement and hadn't wanted to throw it out. You were still hoping that the scorch marks looked like you had "distressed" it. It didn't and you knew that, but you loved that coat so much.
"See, I think it’s a big coincidence that Countess got right fucked after we came and talked to you." Butcher smiles.
"Probably the same coincidence as Gunpowder dying before you showed up here the first time." You breeze with a tight-lipped smile.
Where was he going with this? Was he here to kill me? You think about what Legend said about Butcher killing supes.
"That looks bad." Butcher gestures to the jacket. "You have a little spat with your good friend?”
"Let's just say she said a few things that upset me." Your eyes skate from Butcher to Hughie sizing them up. "If you're here to kill me, you're welcome to try. Oh sorry,  'arrest me'." You make air quotes around the words. "But we both know you're not government agents, you reek of Compound V and the last time I checked there was that whole, no supes in the government thing."
"Wouldn't it have been easier to get this out of the way the first time?" Hughie asks.
"I didn't want to be involved." You shrug your shoulders.
"Then why you'd buy a plane ticket to Russia?" Butcher takes a step towards you, but you hold your ground.
You weren't afraid of him.
"I hear it's nice this time of year. Not too hot, not too cold. Very pleasant." You snap back at him eyes narrowed, before you look down at the antique watch on your wrist. "Look I'd love to have a heart to heart, but I just don't have time to do this little dance with you. So we can either get to the part where you try to kill me or-" You raise your gaze from the watch to glare back at Butcher, but then your eyes focus on the hallway behind him and your heart stops.
Ben is standing there in the shadows looking at you the same way he always has, with those wonderful piercing green eyes that makes all other memories of them be put to shame. He's dressed in modern clothes, wearing a dark green shirt that hugs his perfect muscular chest and is the same color of his suit, your favorite color and the one you can never look at without thinking of him because damn it, it's also the color of his eyes. He looks the same, but different. His hair is longer and darker than it was the last time you saw him and his cheeks are covered by a trimmed but thick beard. It was unusual given that you'd never seen him with more than just a little bit of stubble and annoying because it makes him look even more ruggedly handsome, but despite the piercing way his eyes follow you, you can see a haunting memory of the last forty years.
You're upset that the one of the first thoughts you'd had beside staring at him open mouthed is that you wished you were wearing something more flattering than one of your pairs of paint splattered overalls over an old band t-shirt. You were going to Russia to get him and yes maybe you were shopping for things that you could move in, but you had picked out a particular revenge outfit that you believed would make Ben regret everything he did to you and also might have been paired with a particularly badass set of boots that made your legs look very long. The outfit that made you feel beautiful and sexy was unlike the one you were wearing at the moment. Also because you hadn't brushed your hair today and had just stuck it up in a messy bun at the back of your head.
You're struck with the urge to run to him and kill him at the same time, but you can't move and you can’t think.
Apart of you believed that you would find him dead in Russia, a sad thought but it meant that you wouldn't have to relive everything all over again. Everything that went to shit the last 24 hours you spent together that you relived with Countess the other day and now you were reliving when you looked at him standing there looking better than he should.
Because damn it, only Ben could be tortured in a lab for the past 40 years and walk away looking like a GQ model. I've never hated anyone more.
"Ben?" Your voice is no more than a hoarse whisper.
Ben pushes past Hughie and Butcher, taking careful steps towards you like he doesn't want to scare you away. "Y/n." The sound of your name on his lips fills you with an inescapable amount of warmth.
Traitor. You think to yourself at your body’s reaction.
He's standing so close to you now that you can smell the same shampoo and aftershave he always used and it brings back memories of the nights he spent in your bed with you laughing and talking like nothing had changed making you feel alive again for the first time in forty years. Before everything went into the blender set to puree.
Ben's eyes trace your body like he can't believe you're standing in front of him making you wish again that you're wearing the outfit you picked out so that you could look as good as he does. And just as he raises his hand towards your face you remember why you hated him, remember that night, remember what Countess said that caused her to lose her head.
Your hand flashes out so quick you don't think Ben notices it until it lands with a resounding slap against his cheek that sends him reeling back from you. Your strengths were similar, almost identical, and if he hadn't been invulnerable it would have ripped his perfect jaw from his face.
"What the fuck was that for?" Ben snaps, green eyes blazing as he looks back at you.
"You've got some nerve coming back here after all these years." You spit, the anger rising in your chest with wings of fury that beat against your ribcage. "Did you really think that you could just say my name again and make me forget everything that happened Benjamin? I am not one of those trashy women that you used to fuck and the fact that you think you can show up here, give me the fucking puppy dog eyes, and think that I’ll swoon, is ridiculous!”
There goes the dam.
Your gaze levels on Hughie and Butcher who look just as stunned. "And you two. Why did you bring him here? I didn’t want any part of this!”
"Why did you pretend to be dead!" Hughie shouts back.
"Did you think that maybe that was me trying to tell you that I didn't want to be involved? Or are you two just that fucking stupid?"
"Why did you buy a plane ticket then?" Butcher asks again, raising an eyebrow.
Ben is watching you with anger burning in his eyes. It's difficult for you to look at him. Every time you do you think about your last night together, the morning after when he pushed you away, and finally the night where he ripped out your heart and stomped all over it.
How did I ever think I could look at him again when I got him out of Russia?
"Because even though I hate him. He doesn't deserve that. The Ben I knew would have come to get me, and I wasn't going to leave him to rot in some fucking Russian prison." You snap back. "Now get out of my apartment."
"Sweetheart-" Ben begins to say.
"No. No. No. I don't want to hear it from you. Nothing you can say can make this better. I’m glad you’re free or whatever, but go. Get out." You push past him, but Ben's hand flashes out and grabs your wrist with enough force that you feel the bruising of your skin.
"No." He towers over you.
"Let. Me. Go." Your eyes narrow shifting to bright purple. The entire room begins to tremble, the glass windows shake in their panes and the glass jars full of paint brushes on your studio table begin to clink against one another. But he doesn't remove his hand.
"Not until you listen." Ben's own green eyes have hardened into a emerald.
You latch onto the wrist that is holding you and break his grip, before spinning and throwing him backward across the room away from you. Ben's body flies past Hughie and Butcher who watch with wide eyes as he hits the back of the couch and pinwheels over it with a loud thud as he lands on the cushions. You would have rather thrown him into the brick living room wall, but you restrained yourself.
"I don't want to hear anything you have to say Benjamin. You said enough that night and apparently you were saying lots of things to Countess about me. So get out." Your eyes skate across Butcher and Hughie. "All of you."
Hughie is still watching you with wide eyes, like he can't believe that just happened.
Join the club kid.
"What the fuck are you talking about?" Ben shouts, standing from the couch and straightening his clothes. You don't need to be a psychic to know how angry he is. In fact, you're surprised he's not throwing you out the window or at least throwing a punch. Ben didn't tolerate it when anyone put him in his place and it definitely looks like it's taking him an extreme amount of effort not to attack you, given the way his hands are clenched into fists and the way his jaw is tensed so tightly you can see the muscle flexing.
"She told me what you said about me. That you threw me a pity fuck because you felt sorry for me, that you were bored when we had sex because I was so inexperienced."
"It's not true."
"Isn’t it?" You're trying desperately not to cry, but the angry tears have already begun to well up in your eyes. "The last thing you sad to me was that I was pathetic and that you never would love me, never could love me. That you fucked me because you felt bad for me and you wished I would just fuck off. That I was just another warm pussy and that I meant nothing to you. So forgive me for not believing you."
"Oh shit." Butcher mutters under his breath.
"Damn." Hughie echoes.
"I know what I said to you, Y/n. I've spent the past 40 years regretting it-" Ben begins to say, but you interrupt him.
"Oh I'm so sure. The Great Soldier Boy actually has a conscience, let me just alert the media." You spit back. "Oh wait, sorry you wouldn't want that getting out would you Ben? Because that would mean you aren't a man."
"Y/n-" He growls.
"You don't get to come in here and apologize and act like you did nothing wrong. You're not here because you feel sorry, you're here because you want me to dote on you, to follow you around and give a shit like I did for 40 fucking years.”
“Y/n-“
"Stop saying my name like that!" You shout and the glass sugar dish on the counter flies off the counter and smashes into the floor sending shards of glass everywhere.
Hughie flinches.
"Like what?" Ben exclaims.
"Like you care." You cross your arms over your chest staring him down because you don't want to keep crying.
"I do fucking care about you-" Ben snaps running his hand through his dark hair frustrated.
"No you don't. You never did. You’ve made that perfectly clear.”
"Yes I do."
"Please stop talking."
"What else do you want me to say?" Ben shouts back, moving towards you. "I'm trying to fucking apologize-"
"I don't want you to say anything and I don't want to hear your half-assed apology! I want you to leave. You and your creepy friends." You gesture back to where Hughie and Butcher are watching with open mouths, who are unsure if they should leave or watch the show.
"They're not my friends."
"And neither am I! Which means I don’t have to listen to anything you have to say!”
"Y/n please-" His teeth are gritted together.
“I'm not some fangirl Ben. I was your friend, your friend before any of this. Before any of this fucking supe shit. I cared about you. I had been in love with you since I was 8. I had taken care of you since the night we met." More tears squeeze down your cheeks as a lifetime of happy memories before everything went down the drain wash over you. The wonderful times you'd shared together at the park, in your bedroom back in Philadelphia, dancing in the dancehall,  at baseball games and Ben walking you home all the while you wobbled down the street drunkenly and sang off key. All the blissful little moments that you thought maybe he felt the same way about you and then followed by the moments you spent together the night of your birthday, when you felt more special and loved than you'd ever had. It makes the knife he stuck in your back even sharper. 
"That night we spent together meant everything to me. I thought it was special and I thought you loved me. But you don't. You just fucked me because you were bored and you found the first person who said yes.” Your body turns away, but he grabs you by the shoulders to make you look at him.
"I do love you damnit!" He shouts. "I didn't want to-" Ben's jaw clenches in frustration, looking back at Butcher and Hughie. "Can you two just fuck off?"
"I wish you all would." You say, trying to loosen his grip on your shoulders, but he doesn't let go. You think about throwing him across the room again, because it made you feel a lot better.
"Fine. We'll be outside." Butcher says tugging Hughie away.
"Are you sure?" Hughie asks looking from you to Ben as if he's worried to leave the two of you alone.
"You want to be here? Because they're either going to kill each other or start fucking." Butcher responds.
"We are not going to start-" You begin, but they're already out the front door of your apartment leaving you alone with Ben, who is still holding on to your shoulders.
"Please listen to me." Ben says looking deep into your eyes. "When you said that you loved me it-" He stops looking for the right word as if he can't say the next ones that come out of his mouth. "Oh fuck it, it fucking scared me. Okay?  It scared me, Y/n, and damnit I'm not a pussy! I'm not afraid of anything!"
“Oh no you could never be a pussy could you? Soldier Boy could never admit that he had real feelings for someone.” Your voice wobbles, tears trailing down your cheeks as you poke him in the chest to emphasize every word. “And now you’re just saying what I want to hear, because you want to have another quick fuck!” You push your hands against his chest trying to push him off of you, but he won't let go. "You're just saying it because its been forty years since you had sex and you thought, huh might as well find the most pathetic person I know, Y/n won't say no if I pretend to be everything she wanted again."
He doesn't mean it. He doesn't love me.
"I’m not lying to you! And I’m not pretending! I wasn't pretending that night either!” Ben roars so loudly you flinch. “That night I felt things with you that I had never felt with anyone else. It wasn't cheap sex or a quick fuck-" His jaw tightens as if he's embarrassed to admit it. "Damn it.” His teeth are gritted together. “We made love. I understood that when I woke up the next morning and I was happy to be there with you. I knew that I loved you and I wanted to tell you, but I fucked it all up instead. I fucked Countess because I was scared of what loving you meant. But I’m ready now, I’m not scared anymore. I love you!”
He's saying everything you always wanted him to, but you're scared. Scared that he's just saying it, that he thinks it's what you want to hear and this is the only way that he can get you back into his life because he needs someone to follow him around, because he can't be alone.
You stand there for a minute taking in his stance. His head is slightly bowed in shame, shoulders tight, body leaning towards you. But then you catch his eye, you see the sorrow, frustration, and pain in his gaze. Ben was not big on sharing feelings and for him to admit all of these things aloud was shocking enough without the obvious emotions flashing in his eyes. It was so different than the stoic or pissed off attitude he usually had when he was Soldier Boy. The look in his eyes is so earnest and Ben has never been a good liar, not to you anyway. You always knew what he was thinking.
If I forgive him then what does that mean? I forget the past 40 years like they never happened? I forget all the tears when he broke my heart? Forget how broken I was? How broken I still am?
You think of all the times you missed him, all the times you forgot about what he said to you and remembered the good, all the times you wanted him there with you and Rosemary because you knew he would love to be there. All the early memories together, all the missions, everything that lead up to the falling out and Ben’s supposed death. Ben's admission of guilt and his confession of love for you was shocking. Especially because the Ben you knew 40 years ago would have rather dropped dead than say the words "make love."
No. I won't give in. I can't do this, I can't do this all over again. I was better, I was moving on, he doesn't have the right to come here and mess up my life all over again.
"No." You shout, shoving him away with all your strength. Ben stumbles backward, his eyes wide as if he wasn't expecting you to push him away, because of course he wasn't. “You don’t know anything about love. You’re just saying that because you know it’s what I want to hear, what I’ve always wanted you to say to me.”
He still doesn't understand how much he hurt me. And he doesn't deserve my forgiveness.
“I’m not just saying that, it’s true. Please y/n-“
"I don't believe you. And when I said I never wanted to see you ever again I wasn't lying. So get out Ben!" You shout.
"No. I love you and I'm not leaving." Ben says back determined.
You weren't prepared for what those words did to you. You weren't prepared for the floodgate of emotions that exploded the moment those words passed through his lips or the way it felt like you were being tugged in two different directions. Because despite wanting to throw him across the room again, those three little words made you want to run into his arms and hold him close, made you want him to take you to bed and make you forget all the shitty things that happened forty years ago, make it like he never left.
But you couldn't do it. As much as you wanted to forgive him, you couldn't because you didn't trust him anymore, you didn't trust that he could give you what you wanted.
“Too bad! I won’t do this to myself again. All I did was care about you, help you. I stood by you and made excuses for the person you became and I held on to this picture of the boy you used to be. The one I fell in love with. The one that used to climb in my window when things were hard. The one that took me to my first baseball game. The one who danced with me. The one that made me feel like less of a freak because he understood me. And the one that begged me to leave Howard and everything I knew and come with him. That night we were together I saw that boy again.  I loved that boy. I would have done anything for him and I did. But he’s not here anymore. And I hate myself for holding on to him as long as I did.”
"But I told you I loved you!" Ben exclaims.
“Just saying that isn’t enough, not after everything that happened!” You shout. "You're forty years too late Benjamin. Now if you’ll excuse me, I’m exhausted and I’m going to go to bed. And I don’t want you to be here when I wake up.”
"Y/n please-" You hate how he sounds when he says it, like he's broken, because Ben has never once sounded that way in all the years you'd known him. You hate how he looks. How his dark hair is falling forward into his face and he looks so much like the boy you used to love that it makes you want to scream, because you wanted to believe that he was gone, but all you see when you look up at him is that boy. There is not one shred of Soldier Boy in the way he looks right now and you hate that. You hate that you wanted to forgive him, that all it took was him looking like at you like that. But you still can't do it.
"Just go." Your throat thickening as you say it, fresh tears trailing down your cheeks. "I don't want you here. I never want you to come here ever. I never want to see you again.” You lie pushing past him and walk down the dark hallway, slamming and locking your bedroom door behind you. Your body sinks to the floor as you pull your knees up into your chest, sobs shaking your body and tears pour from your eyes.
How many tears can I spend on one man? How do I still have any left after all these years? How could I have been stupid to think that I was over him? That I could just go to Russia, break him out, and then push him out of my life so easily? None of what just happened was easy.
Your face presses into your knees. You want to call Rosemary, call her and tell her what happened, but your phone is still on the counter and you couldn't go back out there, because you knew he was still there. Standing in your living room looking too perfect after all these years and saying all the things you always wanted him to and you don’t want to go out there and forgive him.
So you stay. Your back pressed against the door, crying into your knees and hoping that this will just all end.
Because it’s got to one day right?
***************************************************
*Soldier Boy POV*
He hadn't meant to reach for you, but all he wanted was to feel the gentle swell of your cheek beneath the palm of his hand, the smoothness of your skin against his rough fingertips, and to memorize the planes of your face with his touch. You were even more beautiful than he remembered. Your curves perfectly accentuated by a pair of cute paint splattered overalls that made him smile, and your hair pulled away from your face in a messy bun but still made you look effortless and striking. When he saw you standing there, it was like taking a punch to the gut. He knew that he missed you, but seeing you there warm and alive made him want to crush you against his chest and never let you go ever again.
He had laid himself bare before you, allowing himself to push through the urge  to shove all his emotions back beneath the surface as his father taught him, and spoke, instead, the words he wished that he had said all those years ago.
Ben's shoulders tense when he thinks of what you shouted back at him, how broken you looked. His heart falls into the pit of his stomach when he remembers the tears in your eyes. Ben hated it when you cried. He also hated that the first time he saw you in forty years he made you cry, again.
He didn't know how to fix this. Ben thought that his apology would be enough to make you at least try to forgive him, but it hadn't. You had shoved him away from you, refused to let him touch you or comfort you-
Why is she so damn stubborn? I apologized! I told her that I loved her! Isn’t that what she wanted?
He grits his teeth together thinking about how you threw him across the room like he weighed nothing. If anyone else had done that to him, Ben would have killed them, but he knew that he deserved it. He knew you would be mad, but he thought that you would at least want to hear everything he had to say instead of cursing him out and slamming the door in his face.
When you slammed your door behind you, he had stood outside of it for an hour listening to you cry, heard your soft muffled sobs. At one point he leaned his head against the door and wished you would let him in so he could hold you while you cried, even though the thought made him feel like a pussy. He wanted to comfort you. He wished you had forgiven him, allowed him to take you to bed, allowed him to show you how sorry he was and how much he loved you. He wished that you let him help you forget the last shitty forty years that you spent without him, forget what he said and what he did to you that night. 
The harsh words you yelled at him make him flinch, when you told him that you didn't want him there and never wanted him to come back. They were the words that he always feared you would say to him when he climbed in through your window at night or when he showed up at your apartment when you were still on Payback. And hearing you say those words felt worse than anything those Russian fucks did to him. Because Ben didn't know where he belonged if he wasn't with you, he didn't know what to do if you weren't in his life, you were the only thing that mattered.
How could I fuck this up this much?
Ben looks back at the clock on the wall in the kitchen which shows he'd been there for three hours waiting for you to come out of your room, but you hadn't. He knew it was because you fell asleep, he could hear your heart beat, your soft breath against the pillows, and the almost silent sounds you made when you slept. They were exactly the same as when he would fall asleep next to you and damn it he didn't realize how much he missed them until this exact moment.
Fuck. Fuck. Fuck. How do I fucking fix this?
Ben stands from the couch and walks down the hallway for the millionth time to stand outside your door preparing to knock, but he didn't know what to say. He thought that he'd said enough, but judging by your reaction he hadn't.
The thought of saying anything else was difficult for him to swallow. It was hard enough to say what he had to you, but he was realizing he was going to have to delve even deeper to make you even look at him again or want to be around him. 
Finally he goes to the front door of your apartment before he looks back down the hallway. He didn't want to leave, didn't want you to wake up and him not be there despite what you said about wanting him to leave. He wanted you to understand that he wasn't going anywhere and that he was never going to leave you ever again no matter how hard you tried to push him away. But he needed to leave now, not for long, just long enough for him to get what he needed.
He had seen the florist shop on the corner when Butcher drove up. As Ben walked down the street in the direction of the florist he remembered the conversation he had with Butcher after you slammed your door in his face. Convincing Butcher to let him remain in the apartment was difficult, but finally when Ben threatened to rip Hughie in half, Butcher relented stating that he would give Ben one night with you before he came back. That was the deal anyway, Ben had lied, because like hell he was going to leave now that he'd found you again.
Ben wasn't planning on leaving and  even if you couldn't stand to look at him, Ben would not go. Even if it meant sleeping on that shitty couch every night.
He would never leave you again.
The smell of the flowers wafted out of the small shop when Ben opens the door, his eyes skating across the numerous bouquets, each one more extravagant than the last. Other women would swoon over them, but not you. His eyes fall first on roses, but he turns away. He knew that you didn’t like roses, although many believed them to be classic, Ben knew that you thought over the years that roses had become generic and overused. He of course had sent some to numerous women over the years, but he liked that you were different. He always liked that about you. He rolls his eyes when he remembered when Howard bought you some every week.
Because of course that asshole didn’t know what y/n liked. No one knows her as well as me.
The man behind the counter eyes him when he walks in. "Can I help you find something sir?"
"No." Ben says gruffy looking at the displays again, but then he sighs. "Do you have any lavender?"
"Lavender?"
"Yeah." Ben knew it was the only thing that you would accept, knew that it was your favorite because it reminded you of the house your family rented over the summers up North. Ben hated those summers. He'd break into your bedroom and sleep in your bed while thinking of you and reading the letters you sent him over and over again, the ones that you pressed fresh lavender into and the ones that made him realize just how much he needed you.
Those of course weren’t the only letters you ever sent him. When he went to boarding school he’d wait for you to send him a letter and one of your doodles or a small painting. He kept every one in a cigar box under his bed. It was why he was kicked out of boarding school number nine, a fight he had with another student began because the student had found the box and then proceeded to mock Ben endlessly by passing around the letters you sent him. Ben had never told you what the fight was about.
Ben stops as he realizes how he’s going to get you to listen to him.
“Here you are sir.” The florist reappears at the counter holding a large vase of freshly cut lavender.
“Do you have a phone I can borrow?” Ben asks.
“Sure.”
The object the man hands him is not a phone, well not a phone that Ben’s ever seen before.
“I said a phone-“
“That is a phone?” The man looks confused.
“How do I fucking call someone with this?” Ben sighs shaking the black rectangle in his hand and looking for the buttons.
The man takes the object and swipes his fingers across it before handing it back to him so Ben can see the numbers to dial. “Just push what you want and hit the green button.” The man says, looking at Ben like he's crazy.
“Oh. Thanks.” He mutters, before dialing the number and holding the phone up to his ear.
Legend answers on the first ring.
“Hey it’s me. Do you still have all my old shit from my apartment?”
“Somewhere.”
“I’ll be there in 10 minutes.”
******************************************
N/A: Why not end on a cliffhanger? This chapter is a bit longer, because this week is CRAZY for me and I'm not sure when I'll be able to write the next chapter. But I'm not giving up on these two. They deserve the world.
Thank you so much for reading! Let me know what you guys think. If you'd like to be added to my taglist, please let me know :)
Taglist: @roseblue373 @anundyingfidelity @cheynovak @cassiecasluciluce @muhahaha303 @deans-spinster-witch @kayleighmeister @demodemo909 @fruitfacess @bobbobbobinogs @bughill126 @simplyfixated @sleepjam @tiredstrangerr @freefallthoughts @onlyangel-444 @lov3vivian @mxltifxnd0m @mayafatimakhan @marvel-mistress @my-obsession-spn @lifeonawhim @soldirboy @liuope @brynanna @abramswife @xxannyxx @babyinatrench-coat1 @the-gentle-spirit
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bo0tleg · 3 days
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Despite being head over heels in love with Ice and Mav's dynamic in the original Top Gun, the same dynamic in Top Gun Maverick with Rooster and Hangman never worked for me. This is my attempt at voicing why:
DISCLAIMER: This was not created with the intention to offend anybody who ships Hangster/Sereshaw. It is simply my understanding of their relationship, and why it doesn't appeal to me. Opinions are like the butthole, everybody has their own. By all means, continue shipping them if you want to, this is only for fun.
Hangman and Rooster's entire relationship is based on resentment.
Unlike Mav and Ice, they have history. There's something from the past that lingers in all of their interactions, poisoning all of their words and actions.
Hangman is frustrated with Rooster, all the time. Of course, he banters with everyone, Phoenix about her gender, Bob about his callsign, but those are more 5th Grader Playground insults than anything. It's different with Rooster, and not in a good way.
When it comes to Rooster, Hangman goes straight to insult his character. He doubts his judgement, insults his way of being and flying, prods about how he needs to change if he wants to fly the mission.
With Ice, he was criticizing Maverick, not insulting him. Hangman is both criticizing AND insulting Rooster because he perceives him in a less that ideal light.
Hangman doesn't understand why Rooster flies the way that he does, and doesn't try to either. He just sees it as wrong and doesn't think twice about it. He goes straight to insulting him because he thinks that it's wrong, and that it's something about Rooster that needs to be fixed.
And Rooster is constantly exasperated because of it. Hangman prods, and jabs, and insults Rooster, but it never works. The more Hangman pokes, the more Rooster closes up, frustrated. He gets angry, pissed and becomes much LESS inclined to listen to anything Hangman is saying.
Rooster doesn't work well under pressure. And that's the only way Hangman operates.
Throughout the movie, Rooster doesn't listen to Hangman once. He might've been right about Rooster being too slow, but it only fell on deaf ears (not to say that he was right to bring up Goose's death, he was defo wrong about that one). All it causes is strife, to the point where Rooster almost punches Hangman because of how infuriating he was to him.
The entire movie, Hangman provoked Rooster to get him to stop being the way he is, because he sees it as a flaw of character. And it doesn't work.
Rooster only drops his need for playing it safe when Maverick tells him to 'Not think, just do'. Because Mav only gave him a push in the right direction, not throw in his face all of his flaws.
(Side note: This is also the reason Rooster doesn't listen to Mav in their argument, because he thinks Maverick was insulting his way of being by saying he wasn't ready. On the mission, by selecting Rooster as his wingman, he recognizes that he is ready, and that he trusts him with his life. Making him more inclined to listen to Mav once in the canyon.)
A relationship where one person is constantly frustrated by the other and the other is constantly exasperated by the former doesn't work.
Because that's how they are, and that's how they function, and it isn't going to change.
Rooster isn't going to stop frustrating Hangman because that's how he works, and Hangman isn't going to stop making Rooster exasperated because he doesn't know how else to voice his feelings.
I can see where the ship comes from, because obviously. Their homoerotic tension could be seen from space. I totally believe that they might have had a fling in the past that ended badly, and that they possibly could have hooked up at some point in the movie in the 'Hate Sex' vein of things. I just don't think it'd be anything beyond that.
They wouldn't work in the long haul, is what I'm trying to say.
They're too similar, and too different at the same time.
They're both hothead stubborn motherfuckers that couldn't come to an agreement if they tried.
And you might show me the scene where Hangman is happy about Dagger 2 hitting the target, and him being absolutely devastated when the same hornet is shot down. I recognize it, it demonstrates care. Hangman cares.
Thing is, that doesn't change anything that I said prior to that.
It's possible to resent, despise, be bitter towards and irritated by someone and still care about them. It's possible to hate them and still care. Hate them, and feel like you don't hate them all the time. Human emotion is a funny thing like that, nothing is ever black and white, always varying shades of gray.
Just because they hate each other (and yes, that is the reading I have on them, doesn't stop them from being horny fuckers about each other tho) doesn't mean they want the other dead.
I believe it's similar to the sentiment of "I hope you get everything you ever wished for, and that I never hear a word about it". Similar, but not the same, in a way I do not know how to describe. Thus, I used that to give the same vibe.
I can't see any future for them, in any shape or form. They hold too many grudges against each other, and both of them have a tendency of holding on to old (bad) feelings far too strongly. Even if they work through whatever problems they have now, new ones would emerge and they would go through the same process again and again and again.
That isn't healthy nor stable. It's not what either of them should strive for in a relationship. With that, I'd probably say that both of them need stable people that hold logic to high regard, and that are easy going (I say that in general terms, with no one specific in mind for either of them).
All that being said, this is my opinion. This is how I view them, and understand their relationship. They don't work for me because I see no logical way they could.
If they work for you, that's great! Enjoy the air gays 2.0 to your hearts contentment, I'm happy for you.
This was just a fun analysis of my vision, with no intention to diminish anyone who might enjoy them.
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comradekatara · 2 days
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i read somewhere that, after the war, zuko at least hands hama over to the swt instead of keeping her in fire nation prisons 'till the end of her life. Which is nice, I think. But I'm also curious as to how that would work out.
Most notably: how do you think it'd go down if she were to meet Pakku? given they both have some sort of connection to kanna's life, the idea of them being forced to interact even once entertains me very much. like, old waterbending master pakku—white lotus member—who has grown up in a patriarchal society and actively forbidden women from training to fight, under the precedent they are somehow ontologically weaker, fragile, and belonging in the healing huts... THAT guy, meeting his former fiancé's old friend: (or current wife's if you go by canon, which, eugh) A woman who not only fought in the front lines but ended up becoming one of the most skilled, creative, and deadly waterbenders in history. How would he react when finding out that a woman came up with blood bending? How badly would Hama mind-fuck him?? Because I'm confident they'd hate each other's guts-- no way she'd tolerate him,,,
And on a similar note—how would Kanna feel upon reuniting wirh Hama and discovering what she put Katata through, in your opinion? Idk, I'm just full of puppetmaster thoughts today. Hama is incredibly interesting and I wish she wasn't handled so much like a Halloween Specisl creepy witch, (even though katara herself is handled and written pretty well in this episode, i think. but i digress.)
i mean obviously i think about this all the time. i personally think that zuko hands hama over to the swt upon katara's request, and she and aang personally deliver her on appa (sokka is not there, for the very deliberate reason that if he knew what they were doing he would very vocally disapprove). and so katara is sort of retraumatizing herself by doing this, but she also feels like it's necessary specifically because she needs to be able to look hama in the eye and tell her why they're not actually the same (especially now that she actually did bloodbend someone in cold blood). katara has the love and support and safety to step back from her anger and her pain and her grief and hang onto her own humanity and allow herself to be the bigger person even in moments of abject rage and acute trauma, and hama doesn't. hama is a victim of her circumstance, and that's part of what makes her so uniquely terrifying to katara, because katara has that same capacity to make people hurt, she has the same tools at her disposal, and she has the same justifications to exercise that power. but unlike hama, she hasn't actually been pushed past her limits. sometimes she can see the cliff's edge, and sometime she even teeters on the line, but hama was fully just shoved off without a parachute, and that's really what separates them above all. i think katara should be allowed to acknowledge that and forgive herself for that, even if hama doesn't directly apologize to her (although in my mind she does, and it's not enough, but it's also so much more than katara ever expected to hear). even if it is too late for hama, katara deserves to heal.
frankly, i don't really give a shit about pakku or his reaction to hama. i also don't actually think that he thinks woman are ontologically incapable of being talented waterbenders of whatever; he's a pretty worldly guy, the reason he clings to these traditions isn't born of the belief that they're grounded in logical evidence like sokka's is, it's because he believes in the preservation of a system that benefits and valorizes him. pakku thinks katara belongs in the healing huts because he comes from a culture that dictates that women belong in the healing huts. like, he might also subscribe to the bioessentialist logic that women are better healers and men are being fighters, but that honestly doesn't really matter, because (unlike sokka) his epiphany lies not in the fact that woman can fight, but in the fact that his role in upholding these systems has actively driven his loved ones away due to his cruelty. he decides to be kinder, to women and in general, because he realizes that being an asshole has negative consequences. but frankly, who cares what he thinks of hama. realizing that your sister tribe in the south deserves aid and protection after being subjected to a century of genocide is kind of too little too late imo. unlike katara, sokka, aang, or kanna, who can approach this situation from the perspective of being a genocide survivor who even remotely understands hama's trauma, pakku really has no place in this conversation to me.
as for kanna...... god. hama/kanna reunion is genuinely one of the most heart-wrenching concepts to me in all of atla. as a sidenote, hama/kanna fanfic goes so hard every time. there's a total of like 15 fanfics for them on ao3 (last i checked) but they're all sooooooo. fucking delicious. tide locked........... ugh. anyway. i cannot fathom kanna's reaction upon learning that her closest friend once upon a time is not only alive, but also a convicted felon, for crimes including but not limited to manipulating her granddaughter, violating her (and sokka's) bodily autonomy in cruel and perverse ways, and forcing her to participate in that mode of violence in a way that traumatized her forever. even if you don't read them as former lovers (although it is indubitably better that way) it's so gut-churning. kanna lost so many people over the course of her life, and to learn that one of them has returned but in the worst way possible must be mind-boggling and distinctly unreal. like how do you even process that. first, how do you process how much pain she must have went through to become the kind of person who is capable of doing this, and then, how do you process the knowledge that the person you once loved most in the world irreparably hurt the person you now love most in the world? obviously she would always prioritize katara's safety over anyone else's no matter what, but god. kanna has led such a fascinating and impossibly difficult life, and it's not over yet.
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mcflymemes · 2 days
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CHALLENGERS (2024) PROMPTS *  assorted dialogue, adjust as necessary.
who says i want somebody to be in love with me?
i don't want to fuck you to prove a point.
fuck me because you want to.
are you gonna do it or not?
tastes even better than it looks.
i just told you i missed you.
i really want to kiss you right now, but i'm worried that if i try, you'll think i'm the worst friend in the world.
you know, it hurts me sometimes how little you believe in yourself.
decimate that little bitch.
let's be honest, you gotta feel bad for the kid.
you're not a spring chicken anymore.
dude. he's a pancake. you're gonna flatten him.
how's this feeling?
we're ready for you.
so obviously this isn't the result you wanted today.
you choked.
i don't want you to embarrass yourself.
i'm just a little rusty. it's a confidence thing.
get your fucking confidence back. i can't do it for you.
i'm so sick of you using this as an excuse to have a fucking meltdown.
you said we could watch a movie.
you're evil.
i'm gonna quiz you on it tomorrow.
sir, i don't know who you are.
i don't think we have much more to talk about.
i haven't spoken to you in five years.
i was just taking a little nap.
move, or i'm calling the cops.
you were really something back then, huh?
we always talked about how amazing it would be to win this together.
i'm a crazy person.
any predictions about how that's going to go?
can you do me a favor? can you not, like... demolish me tomorrow?
shut the fuck up.
if it matters to you so much, i can just give it to you.
i need it to look like i really beat you.
don't guilt me with your dying grandmother.
she's the hottest woman i've ever seen.
you were... fucking incredible.
baby, we've got to get going.
i'm not going to that party.
are you that threatened by me?
we can't both just go in there, dicks swinging.
i'd let her fuck me with a racket.
hey, do you smoke?
of course they will remember you.
see, that's your problem. you think you're like an artist or something.
you just want to win because you love it when people tell you how talented you are.
are you on facebook?
i told you tennis was boring.
you just got this crazy look on your face.
are you on a date?
i don't kiss and tell.
why did you want to have dinner with me?
i think you might be the worst friend in the world.
i didn't know you were so concerned about my feelings.
of course you still have a thing for her.
we just had what i'm assuming is the best sex of our lives.
i fucked your brains out?
what do you think you need? a cheerleader? a fuck buddy? a girlfriend?
you're talented, you're charming, and you've got a big dick.
excuse me for inconveniencing you.
don't expect to sleep here tonight.
stop going easy on me.
i'll be whatever you need me to be. i'll fuck off if you want me to.
i need you here, actually.
you're referring to when i declared my love for you.
you're not in love with me anymore?
i've been dreaming about this for five years.
i'm gonna propose something to you, and it's gonna make you angry. it's gonna make you very angry. but you have to hear me out, okay?
i'm finally ready to listen to you.
how dare you fucking ask me that.
do you think it's cute what you're doing? do you think it's funny?
that's the stupidest fucking thing i've ever heard.
i've always wanted you.
you didn't do anything to me. i did it all to myself.
i think i've reached the limit of my willingness to have this conversation with you.
do you understand how embarrassing it is that you're here?
you've never beaten me.
tell me it doesn't matter.
will you just hold me?
i'm not here to fuck you.
i miss watching you play. you were so beautiful.
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truly-neutral-art · 2 days
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Din/Luke Pacific Rim AU pt.3
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Pt.1 | Pt.2
Welcome to part 3 of my madness as I continue to take inspiration from scenes in the movie. This is when Din get's a full view of Luke's scars (and is caught looking) not long after the drift compatibility tryouts. He still doesn't know of their origins, but he might find out soon 👀👀👀 (More info under the cut if you're interested).
Anyways, hope my insanity entertains y'all! There's still plenty more to come and perhaps even more in the works.
P.S. All the love that this idea has been shown has been a great motivator for me to work on the fic. So thank you to everyone who's interacted with these posts and have shown their interest. Glad to know I'm not alone in being interested in a niche ship and a 10 year old movie crossover.
More info about Luke's Scars: It starts with part of the timeline I've formulated.
2027 - Luke becomes a pilot with Biggs.
January, 2028 - Death of Paz; Birth of Grogu; Din leaves the Jaeger program
August, 2028 - Death of Biggs; Luke is injured;
2029 - Leia becomes a pilot and is Luke's new partner 
So, essentially Luke joined the program very young (17) while Leia was still studying politics with the Organas. Biggs was Luke's drift partner and they piloted together for a year.
The destruction of Razor Crest and the death of Paz/disappearance of Din marked the turning point for the Jaeger program. Not long after that incident the Jaegers were struggling to fight back against the onslaught of Kaiju. More frequent attacks along with higher category Kaiju started to wear them thin.
In a particularly dicey situation, Luke and Biggs were deployed on their own to deal with a CATIII Kaiju while backup was on the way. Despite how skilled the two were, the Kaiju overwhelmed them before backup could come and their Con Pod was ripped from their Jaeger. The damage caused an energy serge through the pilot suits causing Luke to get his scars. Those injuries, plus the ones from getting tossed onto shore, also resulted in Bigg's death.
After hearing about this, and while Luke was recovering. Leia decided to join the program and began her training. By the time Luke was recovered she was graduating cadet school and they were able to pilot together. It took some time for Luke to get used to piloting again after being connected to someone who died, but he trained himself to feel the serenity in the drift and keep those memories at bay. Luke's control while in the drift is next to no one except maybe Anakin, but he hasn't piloted in a long time, so it's hard to say.
Speaking of Anakin, he isn't supper happy about his children being pilots, but there wasn't much he could do to dissuade them. After Padme's death during a Kaiju attack, and Anakin subsequently blaming himself for it, he threw himself into the program. He wasn't able to raise the twins because he was on duty so they were raised by Owen and Beru as well as mentored by the Organas (mostly Leia).
Leia is resentful of Anakin for leaving them when they were so young and had just lost their mother. Luke mostly blames himself in an unreasonable way and thinks he wasn't worth enough for Anakin to stick around. The reason Anakin did leave was so he could try to stop the Kaiju and make the world safe for his kids. However, in the process, he may have lost the time he could have had with them.
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rosietrace · 2 days
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This is a personal rant about my thoughts on Greek mythology retellings, and just the way Fantasy books and the publishing industry is at this point 🧍‍♀️
I have nothing against Greek mythology retellings, or just anything Greek mythology related in fantasy in general!
However, I have certain gripes about the way Greek mythology is portrayed in media, specifically in the way its interpreted in Fantasy.
[ More under the cut! ]
I love Percy Jackson, and I think that Uncle Rick did a wonderful job at expanding the world and making Greek, Roman, Egyptian, and Norse mythology entertaining and easily digestible for young audiences. Genuinely, he does a better job at writing children's books than R*wling could ever be capable of.
However, as much as I can love PJO as much as I do, I still find certain bits of the world building and character writing as... Very hit and miss.
To start, I don't like the way Ares was written in the series. I can understand that it would make sense for his personality to be that way, because he's the God of War and it helps with Clarisse's character development; but I find fault in it because Ares in the myths is nothing like PJO Ares. (He literally killed one of Poseidon's sons because he raped his daughter, Alcippe, and he's one of the only gods who doesn't hump anything that can breathe in air. At least Ares has the courtesy of asking for consent 💀)
The Gods being the reason behind WWII and Hitler being a child of Hades. All I must say.
The portrayal of the Aphrodite cabin
The fact that Athena can have children. Annabeth, pjo fandom at large, I love you are, but you gotta admit it must've felt weird when you first read the books and you find out Athena — the maiden Goddess of Wisdom — can have offspring. Regardless of the reasoning, I still find it weird 😭 (EDIT: I've now just remembered that it was a reference to how Athena herself was created 🤡 I'm a clown)
I get that the Hermes cabin is also the cabin for the unclaimed, but couldn't have Hestia's cabin worked too? She doesn't have offspring, sure, but it probably would've made more sense for the unclaimed to go to Hestia's cabin so that the Hermes cabin wouldn't be so crowded
This isn't really a world building issue, but I think I should bring it up: I'm not saying this against the Kane Chronicles fandom, but... Sadie and Anubis. Why. Like you can't convince me that no one WASN'T weirded out by that.
Less of a complaint and more of a question because I can't remember if the question was answered in HoO or not, but when Percy told the Gods to start claiming their unclaimed children and be more decent parents (as he should, go off king), did that request apply to the Romans at Camp Jupiter too? Because that's gotta have been confusing when the unclaimed kids at CP suddenly started getting claimed 😭😭
I could go on a whole ass tangent about PJO, but that would make this post longer than it needs to be 😭😭 and any of the points might not make much sense, since I haven't read the books in a LONG time
Off to the YA Fantasy segment... Hoo boy.
The oversaturation of Hades/Persephone retellings makes me SEETHE. Why is it always Hades and Persephone why can't it be something else 😭
I just don't like the “modern feminist” retellings of Greek myths in the YA Fantasy genre, in general. They tend to completely miss the point of the original myth, and it's the case with a lot of Hades and Persephone retellings where they try to paint Hades as the good guy taking Persephone away from her control freak mother, Demeter.
Because that wasn't what the myth was about. The myth isn't a love story, at least, not a romantic one. It was about Demeter's love for Persephone and how much she wanted her daughter back after Hades stole her away. Keep in mind, in the historical context of the myth, the daughters of women in ancient Greece never really get to see their mothers after their engagements are solidified.
If they wanted to make a “feminist” retelling of the myth, they'd have it centered around the love Demeter had for Persephone to almost doom the mortal realm to an eternal winter to get her back.
I love the myth of Hades and Persephone, truly, I do. I understand the appeal it has on people, the appeal it has one me. I can see why people adore the myth in the way they do because Hades is one of the better husbands in Greek mythology (a low bar, but my point still stands).
Personally, I blame Lore Olympus and especially the video of the myth by Overly Sarcastic Productions for the way the myth is portrayed in mass media. And I say this as a former LO fan and a fan of Overly Sarcastic Productions 😭
I'd also want to go into my many, MANY gripes about “Crown of Starlight” by Cait Corrain, but in all honesty? I don't think I can properly convey how much I DESPISE Cait and their book. So I'd highly recommend y'all to check out the videos about Cait Corrain by Reads With Rachel, WithCindy, and Xiran Jay Zhao on YouTube if you're interested in going into more detail about the controversies, especially for those who weren't made aware of it.
I feel like the publishing industry just... Isn't good anymore, after Booktok went viral. Reading has been “hot girlified”, and all Booktok seems to ask when they get recommended a book is: “Is it spicy??”
Reading is like fast fashion, now. It's all based around certain popular tropes that that's how books are promoted now. Not for the plot — or sometimes lack thereof — but for the tropes the book has.
The only thing I can thank Booktok for is that they helped me discover The Cruel Prince. And even then, it's marketed as romance on there, when it's a political fantasy with a romance subplot.
‼️ Woah! A secret bonus section! ‼️
I, personally, don't read — nor do I like — Sarah J Maas. (Especially considering the problematic aspects of her storytelling, character portrayals, and is (apparently, correct me if I'm wrong) a Zionist)
However, that isn't to say that I don't like some of the characters she makes. A lot of them have potential, actually! From what I've seen, I think Nesta, Gwyn, Azriel, Eris, Tamlin and Lucien from ACOTAR are the only characters I actually like, based on what I've heard — and seen — on anything in the SJM critical tag on this hellsite.
And while we're at it, let's discuss the elephant in the room with ACOTAR, right? Rhysand.
By all that is good and holy, I hate Rhysand so much and I think I'd hate him even more if I actually READ the books. I don't get why Booktok is so invested in him when Maas retconned Tamlin's character to make him look better as Feyre's love interest.
Also, from what I recall, didn't Rhysand sexually assault Feyre? And he didn't bother to apologize for it, and justified it with his sad tragic backstory??
I can't with y'all, istg 😭 the fact that “Feysand” is apparently a Hades and Persephone retelling too makes me even more mad about it because it isn't even a GOOD retelling. It just takes away what ACOTAR originally was— a Beauty and the Beast retelling, with Feyre and Tamlin as the leads.
Didn't Maas dedicate ACOTAR to her husband because “He would go under the mountain” for her??? BECAUSE IT CERTAINLY WASN'T RHYSAND WHO SAVED FEYRE FROM UTM, I'LL TELL YOU THAT
I think, out of all the series Maas has made thus far, Throne of Glass is the only one I ACTUALLY kind of like, based on what I've heard. Crescent City seems to be too complicated to understand, and even though I've never read it myself, I miss what ACOTAR could've been. (My hope lies with Nesta, Elucien and Gwynriel, at this point)
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ghostieyanyan · 17 hours
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Could you do a Demon!Poly!Scarabia x AngelF!MC comic?
In which Jamil and Kalim are a couple of Demon Kings, but they felt that something was missing, or rather someone. And one day while walking through the forest, they find/meet MC, the Princess of Angels with her back bleeding, which leaves them both worried, so after using a spell to heal their wounds, they discover the truth about the Kingdom of Angels, that they pretend to be good just to have the adoration of humans and fight and kill demons for no reason and for power, and when MC protected and saved a demon who was going to be killed unjustly, her own parents ripped off her wings as "punishment for defending an evil demon", and before they could do anything else with her, MC fled to the forest, it turns out that this demon she saved was Najma, Jamil's sister who had been missing for a week, So as a thank you, Jamil and Kalim decided to welcome MC into their kingdom to help her hide from the angels, in addition to helping her expose the true face of angels to humans, but for the MC to be able to live and survive in the Demon Kingdom, she would have to drink a drop of blood from both kings of the kingdom and she did, and because of the blood, MC regained her wings, but now they were black. And during that time, the three began to fall in love with each other, and after exposing the truth to humans and the angels being banished, Jamil, MC and Kalim got married.
This was MC's angelic appearance before she had her wings ripped off and became part demon after drinking the blood of the JamiKali:
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What do you think?
hehehe... i love it x3 ive thought about different story lines to do and i think i thought of one that you might enjoy. hopefully lol This is isnt going to be in the same setting as the orginal demon au but it'll still use demons and angels
~Oh no! Youre still a good angel~
Yan!Demon!Jamil x Angel!mc x Yan!???!Kalim
Warnings: yandere, themes about heaven and hell, murder, blood, kidnapping, stalking,
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~~~~~
You were a freshly made angel. Made to guide innocent souls into the pearl gates of heaven! This isn't your first human and it wont be your last! You take pride in helping souls see the light and spreading that joy in the world until their last moments.
You learned to love the souls that you guide. Watching their growth and struggles, then watching them over come their struggles and become an amazing person that others can find strength in. doing your job is your heavenly pleasure.
This time, you were assigned a human named, Kalim Al-Asim. An innocent human that finds mayhem everywhere he goes. Assassins that try to kill him through food being poison to just being jumped in the streets.
Your heart broke watching this sweet boy being chased by thugs left and right. You knew you had to do something.
when you got to his home, with a little invisibility spell that makes you undetectable to mortal's eyes, you noticed that this boy's life, besides the murder attempts, was actually very nice. His family takes great care of him and they make lots of money.
"maybe that's why there's so many murder attempts made? why do humans care so much about these physical items..?"
"It's because human's need to sin."
You jumped at the mysterious voice and turn to find eyes piercing at you. It was a man! He was standing in the shadows so you couldn't make out his features. You stayed quiet and still. If this is a ordinary human, then he shouldn't have heard you, or even see you. But if he isn't an ordinary human, this could mean trouble.
Neither of you made a move, it was almost like either one of you were waiting for the other to jump...
Something finally happened as Kalim walked into the room you both were in to grab a cup of water. Kalim stayed for a bit until he went back upstairs to go back to sleep.
Once you heard Kalim's bedroom door clicked shut. The shadow jumped at you. you nearly dodged it but quickly ran to the balcony, opened your wings and took off.
even though you could cast a spell that made you invisible to mortals, it doesn't mean that the noise you make will be muted.
you were about to return to your home until something slams into you, grabbing you in mid air.
When you opened your eyes, you saw the same eyes that were looking at you before. this time with the help of the moonlight, you saw his features. dark skin and black hair, he had blacked out eyes with the pupils being grey. He wore black, red, and gold accents clothing. But the more important parts of him are his pointy ears, black wings and.. horns.
"Hello there~ I'm Jamil Viper. I'm the demon that was assigned... to you."
You tried your best at struggling but his grip on you was too strong. But what does he mean assigned to you? doesn't he mean, assign to the human..? you eventually stop your struggling to talk to him, maybe you could wait until he's distracted and fly off..?
"Youve got me. What are you gonna do now..? ...Cut off my wings? um..."
you drew a blank thinking of other torture methods. Then again, that is a demon's strong suit, it probably comes to them like second nature..
"Why in the realms would i do such a thing? You're wings are one of your greatest charms~"
Jamil pulls you close, speaking right to your face.
"I'll let you protect that HUMAN. But mind you, i will come back again-"
Black shadow-like clouds form, swallowing him up.
"- and when i do, i will collect."
You shut your eyes, still feeling his hands around you until the very end. when you open your eyes, he was gone and you were alone in the night sky...
~~~
The past few days, you've been on edge. both worried that the demon might come back to hurt Kalim or you. You tried your best to stay focused but you kept feeling the piercing eyes like someone is watching you.
The things that Jamil said is still stuck in your mind. the wording was strange. You weren't used to dealing with demons and you didn't have time to ask any other angels about it so you just have to go with your instincts... and what your instincts is telling you to do right now is to protect Kalim... as best as you can.
To say this was a hard mission, was an understatement. You loved your job, but with the paranoia about Jamil and protecting Kalim. you felt like you were on a fine line...
You were scared that if you weren't careful, someone might get hur-
"my my~ You look awful.."
You spun your head around and saw Jamil, standing by the door way. He had a knife in one hand and rope in the other. You grabbed the nearest weapon, a knife, and threw it at the demon!
Jamil smirked and faded into the mist, leaving the knife.. imbedded into one of Kalim's maid that was just passing by!
She stumbled a bit before leaning against a nearby wall for support.
Your body became ice cold as you rushed to the maid's side and inspected her wounds. She was coughing a lot of blood and she held her wound with one hand. Tears ran down her face as she looked around confused and scared. You tried your best at helping her but it was useless. she was gone in minutes and no one was around to help...
You felt cold, this has never happened before and you weren't prepared for this kind of event. the angels gave you advice about "things you should know about humans", but they never mentioned anything if you were to accidently take a life!!!
You heard Kalim yell. You turn to look at him as he runs to check the maid.
"Oh no! Oh no! I'm so sorry!! ugh... ill have to call her loved ones..."
Hot tears started to fall from your face. what were you suppose to do..? What's gonna happen to this person? what's gonna happen to you?? all you could really do was hold the body in your arms and kept repeating "I'm sorry"s.
"My my~ what will the heavens think of this..? their sweet angel... murdering an innocent soul"
You slowly turns to see Jamil looking down at you, with a sickening smile. You felt so many feelings you've never felt before. Rage, hatred, disgusted, sadness, depression, and... fear.
Jamil walks towards you and kneels to your level.
"Heaven might not accept you now. But we will~"
"Don't worry, angel~ you're still a good angel to me~"
You slowly turn to look at Kalim. he was looking straight at you, giving you his bright smile.
Jamil tried to reach out for you but you quickly pushed him to the side and took flight. Maybe if you explain to them what happened, they'll forgive you. You open a portal and tried flying through. Not only did you fly through but the portal failed. Instead of going to your sweet home to feel the warmth of your angel comrades, you felt the burning feeling of your wings changing from white to black.
It felt horrible. felt like hot tar was being poured on your wings. you screamed in pain. the pain got so unbearable that you couldn't maintain altitude. you started to fall.
you watched as this was likely the last time you'll see the pretty blue sky and those comfy white clouds...
You watched as your tears fall in a different pace than you...
You watched as your halo disappears from your head...
You closed your eyes as you just felt numb to everything. allowing yourself to just fall.
you felt something strange, when you opened your eyes, you looked and saw Kalim with Jamil! Kalim with his horns and tail...
They were both looking at you, smiling. A smile that made your stomach turn.
Everything finally clicked.
They lure you in with the innocent human act!
Youve should have known from that first night, when you ran into Jamil. How Kalim conveniently joined both of you. The stares from Jamil, in the shadows, and Kalim, in the daylight, that stayed on you a little too long.
And that maid... that unfortunate maid. She wasn't suppose to be there... unless it was all planned.
Jamil made sure to were uneasy and paranoid and Kalim made it so that if your fight or flight kicks in, you'll fight to protect a "poor defenseless human"
They wanted you to fall...
You were tricked by these TWO HORRIBLE DEMONS!!!
~~~
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~~~
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gnomebinary · 2 days
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This is my protocol bingo! (Thank you as always osric.com).
Lena is just doing her evil job - No thoughts, no morals, no alligence. Girlboss.
Nobody ever finds out Jmart's real names - I just think that would be tragic, and fit in with what RQ have been saying about this not being too attached to Archives.
Redemption arc - There was a notable lack of these in Archives even though forgiveness and making a conscious effort to behave morally were important themes in the later seasons. I'm ready for Mr Bonzo to have Kylo Ren's exact redemption arc where he's redeemed mostly through kissing. I don't even care who he kisses.
Froyo trip - It's pretty clear that we're being told that this is Somewhere Else through things like the Archives staff having tea and the OIAR staff having coffee. The s1 Archives gang iconically got icecream, so I'm gunning for a froyo trip, and a Gwen monologue about preservatives.
Colin dies first - He's just so killable. Plus, Celia can't die until they do her reveal and they'll probably want to build up to it, Sam can't die because he's the driving force behind investigation into Magnus, Alice can't die because she kinda makes the whole show, Gwen can't die because she's mid-arc and it is of the type that if left unfinished it would be anticlimactic not tragic, and Lena can't die because the impact would be pretty low.
Nostalgic PC games - I LOVE that RQ appears to be into old tech. I want to see Chester and Norris play Catz 5. Lowfi retro charm.
Dyhard - I go back and forth on this one, it feels too obvious what with the hot drinks imagery workplace annoyances to lovers stuff, but at the same time it does Just Make Sense.
Somebody becomes disabled - In Archives people were injured a lot, but none of that amounted to a long-term physical disability, except for Melanie's blindness. Feels like something to do in Protocol.
Police brutality - Feels like a theme that Jonny still has more to say about, and an incredibly easy one to weave into this kind of story.
Alice is hiding something - I actually think she isn't but y'all are saying it.
Alice naming stuff has consequences - She does it so much and Colin warned her off it, clearly seeming concerned but not explaining why, I think it will have unforeseen and damaging consequences.
Someone has a pet - In Archives, especially in the earlier seasons, everyone was notably unattached. Martin has a mum to take care of, but nobody has partners or children. I think this was partly because it made them easier to manipulate, and partly because it meant that tragedy could be dialled up: Sasha dying was sad, but not as gutwrenching as Daisy dying because Daisy's relationships were more fleshed out because it was later in the series. We're already bucking that trend with Celia's son, so I think we might see a pet too. Also, the pet will probably die.
Alice dies in the last season - Alice is very killable but she's also the heart and soul of the character relationships, so I think they will kill her but they'll wait to do it, and then do it mid-final season as an OOH THEY WENT THERE turning point, like how Tim dying brought in a new, darker era for Archives.
Conclusion that love isn't what makes you human - At London Comicon in October, Alex or Jonny (I forget) said that if Archives was about what makes you a monster, Protocol is about what makes you human. I think it's kinda trite if love is the answer, and I think the conclusion re love will be that monsters can love, because that's cooler. Hell yeah romantic monsterfucking.
Celia evil - I LOVE that we're seeing another Welsh person, but she doesn't sit well with me.
Agnes returns but we don't hear her speak - The tree on the other side of the rift is still alive, and if that universe was this one then that means that Agnes may still be alive. Jonny and Alex have said that they regret not doing more with Agnes, and I don't think they'll miss out on the opportunity to use her again. However, I think the fact that she doesn't speak is central to her tragic character and role as Jon's character foil, and I don't think they'll change that. I actually posted a tiktok about this.
Scene on London public transport - We're already seeing our gang at the pub and on dates, I think we're going to get some tube content.
Jmart fate worse than death - They're going to have us WISHING that they died in mag200.
Fears never treated as separate - I just think we're over that.
Breakup - They're getting the character relationships in early, so I'm predicting an onscreen breakup, because that's one of the few ways that we didn't see relationships between characters going bad in Archives.
Gerry's life gets ruined again - I'm sorry guys but I don't think they're going to let him have peace. He's going to get dragged into the OIAR situation and he's going to suffer.
Alice's brother lives - People are already noting similarities between Alice and Tim, I think that it'll be essentially the same character beat again if her brother dies. Adapt, improvise, overcome, RQ.
Another Michael - Just another character called Michael, unrelated to the four existing Michaels. I wasn't going to put this because Jonny is very aware of the four Michael problem, but this man plagurised his own full legal Christian name, so anything is possible.
Jack is Agnes' Jack - I think it's cool if we all think about how there was actually a massive age gap between Agnes and Jack because she didn't seem to age past her twenties, so he was absolutely a child when she was an adult. Not that I want to have Discourse or anything, that relationship was hecked up and complex in plenty of other ways, just because it's interesting.
Onscreen kiss - They said they wouldn't do it during Archives and then they did and it wasn't that gross, so I'm ready to see it happening again. They might have a relationship between allosexuals this time, I don't think they're going as far as onscreen fucking, but I'm game to be surprised. Insert joke about reusing the whimpering noises from Archives here.
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hiskillingjar · 18 hours
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curious as to how you you think strade, law, and ren would react towards an absolute loser/femcel mc, love your account btw
weeeee thank you <3 i'm kind of into this character trope/kink so happy to oblige!
ren 🦊
"i can fix her"
he will make you worse
i mean on the surface he gets everything he wants. someone who likes all the same stuff he likes, he's always liked the shy, nerdy type, after all
what's better, you don't have any friends who will care if...things go a little awry
he'd find your absolute lack of knowledge when it comes to socialising cute. even if you were standoffish, or even rude to him, he'd just use that as a motivation to make you open up
by any means necessary, of course...
he'd like any opportunity to teach you (condition you) to be the perfect girl he wants too.
like my fair lady but kinky. forcefem but for cis people.
and don't worry, he's very patient. he has the perfect vision at the end, and he'll do what he can to make sure it happens :3
law 🥀
"what's a femcel...?"
law would not care, they're basically a femcel themselves.
it would be like two loser girls sitting together and neither one can bring themselves to touch or even speak to the other
granted, they do like the idea of you not having anyone but them to talk to or interact with
they want someone dependent after all
so maybe you'd grow a little closer together, totally detatch yourselves from the rest of the world and prioritise a life together...smoking weed, jerking each other off, watching gore videos
seems like kind of a nice gig tbh
strade 🔨
on first impressions, strade couldn't care less
similar to ren, it might even be a plus.
you follow along so easily to the littlest amount of attention because your self-esteem is so low...he definitely take advantage of that :)
plus, no friends, no witnesses, nobody to come looking for you if you went missing. it's hard not to be appealed to that
you're also just a natural target for teasing and bullying after the fact. you're just so easy to wind up and make upset, how could he possible resist?
very lows and highs with strade though, he's either being sweet on you or making fun of you, making you feel that much more dependent and unbalanced.
and you don't have anyone else to turn to...and nobody is looking for you because you were dumb enough to be totally avoidant when you could have been making friends
if you think about it, this is kind of your fault, isn't it?
don't worry, liebling, I'll always be your friend, even if no one else will <3
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deadbeatbirdmom · 3 days
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I think I've recovered enough from watching the episode to actually say something about it, or at least more than I managed right afterwards.
I loved it.
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It's great to see chibi-ish!Ruby used for comedic effect again, for the first time since Volume 1 I think. First acting playfully mad with Yang, and then in her excitement at the boba.
On that note, it's great to see and hear Ruby excited again. It's impressive how high her voice can go without breaking, especially considering Ruby's VA's normal voice seems to be lower pitched than Yang's voice.
I'm not surprised Ruby's uncomfortable with the cult that has sprung up around her message to Remnant. She always wanted to be a normal girl, if one who became a huntress, which is a fairly normal thing in Remnant. Especially for someone born to a family of them.
It's good to see that refugees from Patch can set up their business in Vacuo, and even better that it lets Yang and Ruby carry on the tradition they had before Beacon. That it was something they did with Tai also ended up revealing why he isn't there with them: he's on assignment, according to Qrow. What is more important than being in Vacuo, where the majority of Remnant's population is gathered? And more important than being with his daughters, who he might have heard were presumed dead and miraculously reappeared.
I've seen the suggestion that Tai's guarding the Crown aka Relic of Choice, but I've also seen the great point that if that's the case and Salem finds him, there's not much he can do to stop her, no matter what his Semblance is. Although I guess Raven might feel that he's in danger and open a portal for him to escape through. It's not confirmed that's how her Semblance works, but it explains how she knew when Yang needed saving in Volume 2.
Anyway, back to Yang and Ruby! I love that Yang brought up what happened in the Ever After. That she's understands, or at least understands enough after what Yang herself has been through, and the important thing she gets across to Ruby is that she's not alone. That she's not going to carry the weight of leading them alone. Not anymore.
It's also important that they've figured out a code word to signal that Ruby needs help, because she doesn't always know how to reach out. I figure that they will tell Blake and Weiss about that, or it could confuse them:
Ruby: "Boba!"
Weiss: ...
Blake: :3 ???
Yang: Hugs Ruby. "I'm here for you."
Weiss: "Is. Is this another weird Xiao Long-Rose thing?"
What I particularly appreciate about it is that Yang acknowledged her mistake but didn't actually apologise for it, and Ruby didn't mind that. Because the important thing isn't saying sorry, it's changing things so that Ruby never feels that alone again. Actions speak louder than words.
It's also equally important that Ruby recognised she still has issues saying when she needs help. They're a team and they need to work together.
It just reinforces RWBY's message of hope, and to keep moving forward, and that no one is perfect but that they learn from their mistakes.
Asjhgsdkjghfdkshjkakjhdhlsj FEELS AUGH
Also that last line kinda hints that Ruby likes to go shopping with Yang, but they haven't got around to it. Shopping for new outfits, perhaps?
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bestworstcase · 21 hours
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So, regarding your Tai post,
https://www.tumblr.com/bestworstcase/748954216598470656/the-perennial-tai-discourse-is-really-interesting?source=share
I had some thoughts: I technically cover it in a separate post
https://www.tumblr.com/tumblingxelian/749060919422861312/really-solid-addition-here-much-like-with-qrows
But I'm unsure if the links will work so here is a slightly edited & expanded version:
Now, the idea that Ruby & Yang had very different childhoods is not an idea I strictly disagree with. But, I also think it is a bit inaccurate to treat it as outlined in your post.
What I mean is that while Yang is definitely more overt in the fact she feels Tai and the other adults failed them and defaults to centering family moments on Ruby. (For instance she frames the Zwei package as something to cheer Ruby up, its not for her & Ruby's the one really excited, Yang's just kind of there about it)
Despite that, Ruby herself doesn't have a simple relationship with Tai, or in fact she just might but that's not a good thing.
See, Ruby does not think about Tai very often, he's largely an afterthought in her letters for one. But more to the point he is not someone Ruby goes to for advice or guidance or even comfort.
Post Beacon, she mostly gets an update from him and is not bothered to see him go. She is OK being a bit more vulnerable around Qrow.
But the person she actually seeks out and seems utterly shocked at not receiving comfort from is Yang. It was also Yang who she questions for what to do next and Yang whom she confided her plans in before leaving.
Again she is shocked when Yang cannot supply these things to her.
Tai is her dad, but its a superficial relationship, he's nice, he can be fun, she does love him. She does not however, seem to perceive him as a reliable or responsible adult from whom she seeks protection or guidance.
The person she always defaulted to for that was Yang until she could no longer fill the role post V3 which likely fed into her issues with showing vulnerability in V9.
I tend to think she might have been more open to it in V5 given the breakdown tears & hug, but then Yang demonstrated she was still very much not all right & Ruby had no clue what to do. So she just sort of locked into her head that Yang needed 'her' protection now, not the other way around.
I would also just straight up note that even Ruby said it was Yang who raised her. Like, that wasn't even subtle, she knows who the parent was in that house and it wasn't Tai or Qrow. I don't think she'd say that if their childhoods were 'so' different that Tai was a functional parent to her but not Yang.
She definitely has a less... frosty relationship with the two grown men who she grew up around, Largely because they project the saintly Summer onto her and the Wretched Raven onto Yang.
Again, let's not forget Qrow's entirely willing to accept Yang brutalized a kid for shits and giggles or is "crazy". Or that Tai outright sees a lot of Raven in Yang, despite most of the traits he described not meshing with Yang's demonstrated or self described persona.
But even with that more positive relationship being projected onto and still raised by a sister two years your senior isn't exactly ideal. Both sisters had a shitty childhood, both were deeply neglected and failed and suffered because of that fact.
all true! but the nature of parentification is that the children experience the neglect in very different ways; the elder child is forced into an adult role, parenting the younger child, who is harmed in more invisible ways because they do have a caretaker—their sibling. anecdotally nearly every account of a childhood i’ve read by an adult who was raised as a child by older siblings has either alluded to or outright described 1. a much better childhood than their caretaking sibling(s) got, 2. because their sibling(s) shielded them from the worst neglect or abuse.
with that in mind and taking into consideration things like the different reactions to the package from tai (this will cheer ruby up vs ooh, something from home!) and yang staying behind at beacon when tai takes ruby to visit the memorial stone, and now these clear differences in how the girls feel about the boba shop (yang: unsure, downplaying the surprise, maybe it’s dumb / ruby: boba!!!) which probably reflect their emotional experience of the outings with dad (yang: fun, happy that ruby is so excited, not that special otherwise / ruby: magical)…
well, let’s put it this way:
yang did not have a real caretaker starting from age five, when she became the de facto main parent to her three-year-old sister with at best sporadic breaks when qrow wasn’t too blackout drunk / tai was having a good day.
ruby had a primary caretaker who struggled but was always there (yang) and a dad who had to work a lot but made time to do special things like the boba trips so that he could spend quality time with his family (tai). plus an uncle she sometimes needed to help her sister deal with.
yang being parentified has the effect of insulating ruby from the severity of tai’s neglect; in a functional single-income household where one parent stays home and the other works to support the family and both parents are adults who chose this dynamic and enjoy their respective roles, the working parent is not bad or neglectful simply because they aren’t around during the day to take care of the kids, and they can foster close, loving relationships with their children by making the most of the time they have at home. the childhood ruby had was a dysfunctional imitation of that dynamic.
and then factoring in the summer-vs-raven projection, when tai was around he focused on bonding time with ruby moreso than yang.
the net result is that the harm to ruby is much more invisible (yang by virtue of being a child herself could not provide ruby with healthy parent-child boundaries or the emotional stability children need from their parents to feel secure and develop good emotional regulation; tai’s favoritism of ruby being intertwined with idealizing of summer fucked ruby’s sense of self really badly; in the first few volumes ruby feels hurt and bewildered every time yang acts like her sister instead of her parent).
ruby sees clearly and states in volume nine that yang raised her; i don’t think she would have been able to articulate that so plainly in volume one, and this is something she’s come to realize after leaving home / living independently. in v1 it’s “yang used to read to me when we were little” and i’d bet that’s how ruby would phrase everything yang did—as discrete habits, not the combined pattern of “yang raised me.”
whereas yang like. the first thing she does at beacon is try to step away from ruby: encouraging her to meet new people then ditching her to catch up with friends, not wanting to partner up with her for initiation… much as yang loves her sister and enthusiastically supports her, it’s also pretty obvious that yang saw beacon as an opportunity to focus on herself for once. which says to me that she’d already grasped that their home life was messed up and that she needed to break those patterns once she left.
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