To illustrate this post by @mayahawkse I would like to visualize to you the difference:
A post in 2023:
A post in 2014:
A zoom out of the same post:
This is what a community looks like.
See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.
It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.
Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.
If you want more of something, reblog it.
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Actually going insane over the implications of Jason asking Dick to be the Robin to his Batman in Battle for the Cowl.
Like I initially took it at the purely surface-level of Jason wanting a partner in the general sense. Which made sense, it's a huge responsibility and a lonely one so an assistant/sidekick/partner seems a no-brainer if you can get one.
But then I really thought about it, because Jason is not asking Dick to be his partner in the general sense; he's not even asking Dick to be his Nightwing. He's asking Dick to be his Robin.
And they both know exactly what Jason means: "Be the light to my darkness. Be the smile to my scowl. Be the hope to my fear. "
He's saying "Be 'Robin'; be the embodiment of Love and Justice and Goodness. Be the exceptional person that you have always been. Be the slightly-less exceptional person that I was when I wore your colors. Be the person that I was in the process of becoming and might have been (or might still be), if only Joker hadn't clipped my wings."
He's saying "I am prepared to become vengeance, become the Night. And I will go further than Bruce ever dared to, because it is what is needed. I will be the necessary evil. But you don't have to be. If Batman is Gotham's curse, Robin has always been its blessing. I will be the brutal punishment to our world, and I am asking you to be its incandescent gift."
He's saying, "Be for me, what we were for Him. Be my anchor, my comfort, my hope. Remind me what it's all for, why it's all worth it. And remind yourself as well."
He's saying "Be 'Robin' again--for both of our sakes."
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“It is better to know one book intimately than a hundred superficially” (Tartt, 31).
I am absolutely fascinated by the fame and reverence this quote from the Secret History has achieved. It terrifies me. Let me explain.
Who’s line is this? Oh, yes. Professor Julian Morrow. Julian, in his lecture on how death begets beauty, on how Dionysian madness lends immortality. Julian, who isolates the greek class, buries them in the glories of the past and in their privilege, and submerges them beneath illusions until his students can’t tell right from wrong and real from imagined.
These words are satire. This is NOT a lesson any teacher should impart, and should NOT be beloved and relatable. In one sentence, Donna Tartt summarizes the entire cautionary tale of the novel: the selective, warped, and obsessive view on life the greek class held, born from entitlement and cultivated by Julian, led the students to tear themselves to pieces.
What’s more, the way people quote it all the time makes this line all the more haunting. Widespread parroting of Julian’s teachings only reinforces Donna’s themes: human minds are easily manipulatable, it can be hard to think critically about what you are taught and what you read, and that the easy, self-assured conviction belonging to the reader that, “I, personally, would have behaved differently than Henry, Richard, Francis, Camilla, Charles, and Bunny” is nothing but another illusion.
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hey i just recently discovered your acc and I'm honestly in love with your work! I don't know if you do requests but just in case you do,could you maybe do a snippet of supervillain capturing hero and torturing for months until they suddenly got bored of them and ordered villain to get rid of them for good. Basically villain doesn't know that it was hero they were ordered to kill by supervillain and when they entered the cell where hero was to kill them,they suddenly recognize hero and become extremely suprised by what they saw. Villain for some reason can't bring themselves to kill hero and just stands there for who knows how long whilst trying to decide what they should do as hero just layed there slightly unconcious full of bruises,wounds,cuts, burns and dried up blood all over their body. Sorry if this was long hehe,feel free to continue it (if you want to of course) :)
welcome to the gang, glad to have you here!! thank you for the request, i hope you like it :D
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A curse tumbles from the villain’s mouth before they can stop it.
Of all the people the supervillain has caught, has been bragging about catching, why was it hero? The hero should know better. The villain knows they know better.
The villain’s never seen them so… defeated. They’ve thrown their fair share of punches, of course, but they’ve never quite managed to have them half-conscious on the floor like this. Crimson paints their skin in crazed patches, black circles smudged underneath them, rope digging violently into their already reddened wrists. The hero lets out some half-hearted noise as the villain nudges their clothes back to survey the damage better.
Bad. Very bad. It’s a miracle the hero’s still alive, but that’s what they do, isn’t it? Survive despite the odds. The villain gets back to their feet with a scowl. Where the hell did the supervillain find them? Why would the hero let this happen? Probably to protect some random civilian, the villain knows that, but still.
The hero’s eyes open, kind of, unfocused and glazed over. They get a front seat view of the villain’s shoes and, for whatever mindless reason, weakly reach their bound hands out towards them.
The villain takes a half step back, more on instinct than anything, and despite the lack of… well, anything in the hero’s expression, they can somehow still see the slight distressed crumple of their face.
Fuck. Their heart stings, even though it knows better.
No, they think sourly. You’re here to get rid of them. Don’t show weakness. Show [Supervillain] what you are.
The villain’s dagger is inside their coat. It’d be so easy. Nothing more than a shallow, red line across the hero’s throat. Easy. Kind. Merciful.
They step forwards again, ever-so-slightly, and bend back down to the hero’s level. Their hands are where they left them, abandoned in their desperate attempt at connection, and the villain nudges their foot between their fingers in potentially the biggest show of compassion they've ever have.
It’s a kindness, right? The hero would appreciate it. It would be the nicest thing the villain’s ever done for them.
But it wouldn’t, even the villain knows that. The hero doesn’t want to die any more than they do.
Every passing second is throwing more doubts over what they’re doing here. They need to make a choice before the supervillain decides they’ve been down here too long. They need to act before they can change their mind.
The villain pulls their blade from inside their coat,
and cuts the rope at the hero’s wrists.
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where can we read hoofology? or is it just concept ^_^
Atm there's a sorta precursor chapter to explain the setup and a shitty halloween special from 3 years ago, before I got fixated on other things entirely and lost motivation to keep working on new chapters ... so It basically is a concept story rn
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DP Prompt
Danny Fenton dies.
He dies at the age of fourteen. He dies with the cosmos filling his lungs, the world holding its breath, stars in his hair and infinity in his eyes before everything crashes down into agonized screams.
Danny Fenton dies and yet it feels as though he had finally woke up. He dies and yet he doesn’t, a star collapsing into a black hole only to form a galaxy. He dies and he lives, teetering the edge, never more one than the other.
He lives and yet tastes the ashes of a supernova. He lives yet feels the call of the abyss, the stars calling, calling, always calling.
He lives, yet he dies, the echoing cries of the end of it all ringing through his ears. Danny lives, yet he doesn’t, only one world in a cosmos that beckons.
Danny dies at fourteen.
Blood like glittering starlight dances down his hands, body colder than anything on this world yet hotter than the sun. Spilled cosmos that stains the mortal realm, begging to leave the confines of the ground, to fly amongst the sky, higher than any cloud.
Danny dies at fourteen.
Every breath in is the birth of another realm, presence tickling at the edge of his mind. Every exhale a death, a blackhole swallowing yet another world. Dust and ash catch in the back of his throat, crystals of frost glistening at his lashes.
Danny dies at fourteen.
Yet Danny lives.
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Thinking about ‘The Long Game’ and how the Doctor says Adam is Rose’s boyfriend and she immediately says “not anymore”
And just the entirety of her on-off relationship with Mickey
I feel like there’s something to be said too about how it’s implied Jackie is always with a new man...but she always loved Pete
Idk where I’m going with this exactly but I feel like dating for Rose must have been a very casual thing she learned from Jackie, I really never even got the sense that she and Mickey were in a serious relationship (neither one of them treated it that way honestly)
Maybe it’s why it’s so impactful when she talks about how the Doctor isn��t her boyfriend because he’s more important than that
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