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#black cartoon girls icons
dumpitos · 5 months
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venice-witch60s · 7 months
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ᗷᗴTTY ᗷOOᑭ ♥
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swegaxts · 2 years
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🦇 𝅄 ✿ ㅤ۫ㅤ¿ Dřꭤcūlꭤu᤻rꭤ 🎀 𓆇 ׄ⠀☂ ꒱
⠀🔮⠀Me gusta o rebloguea si guardas/usas.
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editfandom · 5 days
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The Girl from the Other Side, 2019
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shitedits · 2 years
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the girl from the other side: siúil, a rún
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yumyupperz · 9 months
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꒰͡𑁬̮̩࣪ ࣭ BLACK LEMONADE COOKIE FREE TO USE ICONS ࣭ ࣪໒̮̩͡꒱
﹙ summer soda rock festa﹚ ─ C.R.K LINEUP 1/3
꒰⠀ follow me for more if you like / save or reblog this post ⠀꒱⠀⠀
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cyber9bratz · 1 year
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i drew poopycat
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dezedraws · 1 year
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New Icon!
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softixal · 1 year
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💋🗝️🥀🕷️ - like/reblog if you saved
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passworldd · 2 years
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ostick · 9 months
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⁺˚*・༓☾ 𝕲𝖗𝖆𝖈𝖊𝖋𝖚𝖑, 𝖉𝖊𝖆𝖉𝖑𝖞, 𝖉𝖆𝖗𝖎𝖓𝖌 𝖆𝖓𝖉 𝖘𝖊𝖝...
𝕭𝖑𝖆𝖈𝖐 𝖂𝖎𝖉𝖔𝖜. 𝕬𝖗𝖆𝖇𝖊𝖑𝖑𝖆 ‧˚*・༓☾
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punkeropercyjackson · 4 months
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Duke Thomas should've been an official Robin.Duke Thomas should've gotten a full The Signal run instead of a miniseries and he should've been the protag instead of sharing it with Bruce.Duke Thomas should've had a longterm love story with a black girl that was as integral to his development and as much of her own character Princess Koriand'r is to Dick Grayson.Duke Thomas deserved multiple love interests and maybe even a male or nonbinary one.Duke Thomas should've gotten Black Bat/The Signal and The Signal/Red Hood books.Duke Thomas should've been a stepping stone in Jason Todd's redemption arc and none of the Roy Harper character assasination bullshit should've ever existed.Duke Thomas should've been friends with the Fox siblings and have his own Superfam counterpart like almost all the other Batfam does.Duke Thomas should get his own cartoon that has heavy themes of blackness a la Static Shock.Duke Thomas should've been appreciated as the iconic and unique and refreshing addition to Batman lore he is instead of being shoved aside in favor of misogynoir coated Batgirl x Robin 4ver bullshit and simplification of extremely feminist female characters to sell a fake girl power run and writing and drawing Damian like a white boy and to be replaced by white/white passing characters who have less potential to be interesting in their entire bodies than he does in his pinkie
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adarkrainbow · 3 days
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When I was a kid, I had the DVD of Disney's Little Mermaid and of course my favorite character was Ursula the Sea-Witch. One can say that she was the only reason I watched this movie as I really didn't care about the other characters.
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And of course a part of this was due to her insanely cool design. As a kid I always had a thing for "octopus-people", mostly due to the best villains of my childhood's cartoons being tentacled hybrids - from Poseidon's interpretation by "Mission Odyssey" to Bai Tza the Water Demon from "Jackie Chan Adventures". (There was also this one episode of "Moby Dick and the secret of Mü" which had a girl that turned into a deadly octopus because of some curse? I need to rewatch this)
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(I also thing these two cartoon series might have done something for me being into large-shouldered black-haired guys... Anyway)
But the best part of having the DVD was one of the bonuses. Because one of the bonuses was a full gallery of the dozens of unused concept art for Ursula, and this was WILD. Like seriously: before they settled on her iconic design, the creative team tried not only all sorts of body shapes and color palettes, but especially tons of different sea creatures to see which one would render the best. And let me tell you, this can give everybody inspiration for their own take on the Little Mermaid's Sea-Witch. Just look at some of them, they're crazy:
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yumyupperz · 9 months
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꒰͡𑁬̮̩࣪ ࣭ BLACK LEMONADE COOKIE FREE TO USE ICONS ࣭ ࣪໒̮̩͡꒱
﹙ summer soda rock festa﹚ ─ C.R.K LINEUP 1/3
꒰⠀ follow me for more if you like / save or reblog this post ⠀꒱⠀⠀
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veryloovy · 1 year
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Fun Fact: There's a small [citation needed] for Uzi actually being a Worker
Murder Drones theory time because this web cartoon has rotted my brain so bad after episode 4. This is like crack to me as I try to piece together what the fuck is happening.
Continuing on, no this theory is not me being on crack or whatever, I'm serious. There is one thing indicative of Workers that we've never seen with Uzi. More on that in the read more.
Ok so. We finally got to see Worker corpses naked for the first time and our understanding of the light on their chests is now completely different. The fandom used to understand them as diamond-shaped lights that glow in their set color. This is not the case, as these actually glow in the shape of the Worker or Disassembler icons.
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(You can barely find any good shots of the Disassembler version since J is totally covered up and you can barely see it on N and V. It's clearly meant to be the top part of the skull icon. The hardhat makes the Worker version easier to see while the skull is just lineart, so it's harder to see.)
Uzi however we've never seen this even though there's been 4 episodes of content now and we've seen in her in an outfit that revealed much more than her usual and still no glimpse. Her dressline and V's for the prom were pretty identical and yet we see it on V, whose icon is even harder to see in general. Check her concept art. Still no dice. Any promo art Liam's done and still nothing (note, he's drawn art where that black diamond feature is super exaggerated and still not put in any symbol there).
Am I going crazy or is this something intentionally not shown? It's especially weird since the Worker icon lights up more, so it's super obvious. Uzi just... doesn't seem to have one? That, or whatever it is, it's intentionally being hidden by that shirt that doesn't seem to really exist on her for any reason other than to cover that specific area. It's just so weird since most characters have this feature shown off, so it must be important, right? Girl, what are you potentially hiding?
Also if I missed an instance of her having this chest light please let me know this has been bugging me since the pilot and I am serious about that. If this is a future lore-drop thing then I will be glad I can say "yeah I picked up on this before it happened".
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mask131 · 1 year
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The evolution of Wednesday Addams (1)
We did the mother and the grandmother, now we need to talk about the daughter. In this month leading up to an entire television series centered around her, we cannot ignore who became one of the favorites of the Addams fans: Wednesday Addams, the only daughter of Gomez and Morticia.
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Wednesday’s original appearance in the cartoons of Charles Addams was iconic enough for it to never change across adaptations. A little girl dressed in a white-collared black dress that would be perfect for a funeral, with a thin body, pale face and sleek black hair. Note that while in all adaptations Wednesday has braids, here she does not: her hair simply parts and falls around her head neatly as if she had braids, even though she has not. Her appearance is very reminiscent, in miniature, of her mother’s - she inherited a pale complexion, black hair and a tight black dress, but all the morbid glamour of Morticia is gone to rather have a sort of mournful innocence with Wednesday. One unique trait however, which makes her stand out among the rest of her family, is the way her eyes are drawn. Two black dots, as if we were in a Belgian comic book. This makes her look much “cuter” and more “cartoony”, reinforcing again this sense of innocence and somehow setting her a bit apart from the rest of her grim-looking family... But we’ll come back to that later. 
It might surprise you to learn that Wednesday wasn’t originally a cold, stoic, cynical and emotionless girl. This is what the adaptations built through time but originally, Wednesday had... emotions! And not just quiet emotions, open and visible ones! In fact Wednesday smiled - and quite a lot. She showed through the cartoons a true childful glee and youthful energy in all her games and activites, be it wielding a crossbow, shooting the recreation hall monitor with arrows, or digging up bodies in the graveyard. Not only did she show joy, but she also showed anger: we have one notorious drawing of Wednesday screaming and kicking her bed due to being put on the roll of honor at school. Yes, in the original cartoons, Wednesday was able to throw a tantrum. She only shows in a few drawings a blank expression, but it seems to be usually in answer to things she doesn’t like much (such as being dressed up as an angel on Christmas). 
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Wednesday is seen throughout Chas’ cartoons partaking in various typical childish or girlish activites, but always with a twist. She reads books - but the book turns out to be “A werewolf in Paris” and briefly turns HER into a werewolf. She cut paper dolls - but mysteriously one in the row has three legs. She keeps watch for a bird-house in the tree... except the bird-house is a miniature replica of the Addams house, and it doesn’t attract bird but bats. Her father pushes her not on a swing-tire ; but on a broom-swing. And she is often seen playing with her dollhouse, be it for putting skeletons in a small closet or decorating the house for a funeral - sometimes, you can even see actual miniature human people living INSIDE the dollhouse. Chas often depicts Wednesday’s private bedroom (well, what seems to be her private bedroom, even though Pugsley sometimes sleeps with her in bed) - a lovely little decrepit room with an octopus painted on the bed, a cobweb-filled window, a private staircase to the attic and a bizarre mural depicting some sort of... humanoid-bird-like-child being... chased by a weird friendly spiky lizard and a snake... on what seems to be a beach? There must be some reference I am missing.
Wednesday’s childhood however is far from being all gloomy sunsets and heavy rains, so to speak - she could be considered the least “lucky” of the family members. “Wednesday, child of woe”, and indeed in Charles Addams cartoons, instead of being a true predator like in future adaptations, Wednesday is often... a victim. She seems to be the “weak” link of the chain, a bit too soft and gentle for the habits of her own family. As seen in the tantrum cartoon, she gets on a roll of honor at school while her brother is a perfectly horrible brat. Several time she seems puzzled by her own abilities, such as the bizarre paper dolls. She is seen distinctively worried when Pugsley drives his toy car alongside the family’s car on the big road - while everybody else smiles and cheers. And Pugsley is seen actually trapping his sister alive behind a wall as part of his “games”... It shows that when Charles Addams did a grim parody of Mother Goose’s Nursery Rhymes (with Grandma Addams as the Mother Goose), Wednesday appeared as Miss Muffet, scared and distraught by the sudden apparition of a disturbing giant spider... She can’t even take a break on holiday, as a drawing of her on the beach shows her scared when a hand pops out of a seashell. It seems that poor little Wednesday is a magnet for weird, surprising and disturbing things.
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Now, despite all of this, one shouldn’t think that Wednesday isn’t a happy child. Far from it: she seems to be showered in love by many members of the family. Her father is especially close to her: he plays with her on the broom-swing, he does creepy shadow-puppets before she goes to sleep ; he sings the “This little piggy” rhyme to her when she goes to bed (note: it is canon that in this incarnation Wednesday has six toes on one feet)... Wednesday’s relationship with her mother seems much more distant and cold. Beyond one drawing where she is seen eating with her mother at a restaurant only for Morticia to ask for the leftover meat (in order to feed the vultures), there isn’t really any intimate, playful or loving actions between her and Wednesday. In contrast to Wednesday’s closeness to her father, this is quite jarring - but again, Morticia was designed as a cold, aloof, stern mother locking her own children in a chest when they need to be punished. The coldness of Morticia is perfectly expressed in one specific drawing: Wednesday, who just has been poisoned by Pugsley, comes rushing to her mother, only for Morticia to answer “Well don’t come whining to me. Go tell him you’ll poison him right back!”. Again, we see here how Wednesday, with her mind “too soft”, doesn’t fit immediately within the deadly and morbid logic of the family.
When talking about Pugsley, Wednesday seems to have a conflictual relationship with him (as all brothers and sisters do). As seen above, Pugsley is a bit of a bully-brother towards her, poisoning her or walling her in without Wednesday being able to do anything. He also seems to mock her when she gets on the honor roll at scholl... But at the same time, they appear very close in many other drawings, companions in mischief. They sell together poisons at a lemonade stand. They are seen tripping together the mailman, and she helps Pugsley put on a fake shark suit to frighten swimmers. They are even seen playing together at Christmas - be it warming the fire to burn Santa Claus if he ever comes down the chimney, or playing together at beheading dolls on Christmas Eve. To complete the family portrait, Grandmama is seen telling Wednesday lovely fairytales and bedtime stories where the dragon gobbles up knights and princesses before living happy ever after. Wednesday even seems to be somehow close to Lurch, as in some drawings she is seen holding his hand - while no other member of the family has any physical contact with the butler. 
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Charles Addams named Wednesday after the popular rhyme “Monday Child” that went as such:  “Monday’s child is fair of face, / Tuesday’s child is full of grace. / Wednesday’s child is full of woe, / Thursday’s child has far to go. / Friday’s child is loving and giving, / Saturday’s child works hard for a living. / And the child born on the Sabbath day / Is bonny and blithe, good and gay.”
As for the description he gave of her for the upcoming television series, here is what he had to say:
“Child of woe, is wan and delicate with her mother’s black hair and white complexion. Sensitive and on the quiet side, she loves the picnics and outings to the underground caverns often planned by Morticia and Gomez. She is a solemn child, prim in dress and, on the whole, pretty lost. Gomez is wild about her. Secretive and imaginative, poetic, seems underprivileged and given to occasional tantrums. Has six toes on one foot.”
A last interesting note: before Wednesday became the daughter of the “family”, she was originally conceived for a series of specific drawings about a little girl playing at jumping rope all alone in a city street - two drawings to be exact. One had the little girls completely exhausted, murmuring numbers beyond the two thousand as she kept jumping and jumping, with a passing by couple giving her worried looks. The other had the little girl jumping under a streetlight alone at night in an empty street, with a disturbed or distraught look on her face.
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