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#but to pretend Disney is unique in this is ignoring like
zeldasnotes · 1 year
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ASTRO OBSERVATIONS PART 25 🐣
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Venus in the 10th house people easily get receptionist jobs and other jobs where they are the face of the company. They are seen as someone who will make the company look good.
”I dont care if SHE hates me, shes ugly” - My Libra Moon, Libra Rising friend. We were talking about some girls who dont like us, she cant stand not being liked, except if the person is ugly then its okey because to her an ugly persons opinion doesnt matter💀
Ceres conjunct Lilith is found in the charts of a lot of body activists.
I looked up the chart of a body activist who focuses especially on making new moms accept their post partum bodies, and she got Venus conjunct Knight(29391) in Cancer.
Virgo Risings give off that ”Im better than you” energy without meaning to. This is the rising sign most likely to be accused of being arrogant or having an attitude when they are just minding their business.
People with Moon Square/Opposite Mercury might struggle with oversharing and gossiping. They have a hard time processing information.
People with Venus aspecting Saturn have this style where they look dressed up but still look so casual? Like they have the perfect mix between luxury and comfort, especially if they have Taurus or 2nd house influence.
Contrary to popular belief Libras are not likely to be mean to you just because others are, thats a Capricorn trait. Libras are usually friendly and kind even tho they have some shallow traits. They are still an air sign and air signs wants to think for themselves. Capricorn placements are the ones most likely to pretend to dislike you because others dislike you.
If you got asteroid Achilles(588) in the 2nd house you could make money out of your biggest insecurities. You could write a book about your trauma.
Lilith in the 9th house can mean your partners family dont approve of you.
Ive seen so many people with inner planets aspecting Neptune who are soooo much more beautiful irl than on pictures. Neptunians are known to be photogenic but a lot of them are the opposite. You dont see the otherworldy energy surrounding them on camera.
Mars 8th house synastry can mean you find eachothers name attractive.
Adorea(268) conjunct Sun or Ascendant is such a blessed placement.
If you have Aura(1488) conjunct Neptune people might be completely mesmerized by you. You have this disney princess aura. 🪄
Ive noticed people who are into toxic positivity usually dont like 8th housers. 8th housers are so good at accepting that life is both positive and negative, they see the beauty in the wicked. Also 8th housers remind them of what they are trying to ignore.
Having an air sign Venus in the 8th house is not giving a fuck but at the same time crying over the person you dont give a fuck about.
Machiavelli(19730) conjunct personal planets can make someone an expert at getting ahead by using others. Very good at knowing who to use. Very cunning and can be very detached from others (CAN BE doesnt mean they will be)
I know we shouldnt judge people based on astrology but seriously never ignore someones North Node because what conjuncts North Node is a life theme. Whatever a person got conjunct their North Node WILL affect you if you are involved with them.
Transits affect your style a lot. The year transit saturn was going through my 1st house I dressed very businesslike and wore a lot of grey, black and white.
I noticed that the person who take your virginity often have their Mars in your 8th house.
Venus conjunct Venus can be a rivalry aspect in synastry because you both want to come across the same way. You see what the other person is doing. If one of you is fake the other will see it. Venus affects our personality and behaviour a lot.
I noticed that a lot of people with Scorpio/Pluto energy could never be friends with someone whos too ”innocent”. They need excitement and drama.
If you have Uranus in the 1st house it doesnt always mean that the ”unique” about you is seen. You might not have an unsymmetric face it can be that the Uranus effect shows up by your tongue being longer than the average length for tounges. which will not be seen. Can even be that one boob is bigger than the other. Or that you have a look that doesnt match what people from the same cultural background as you look like.
To my Moon/Pluto and Venus/Pluto people. Remember that feminine energy is threathened and can be competetive with you. That doesnt only include women, anyone can be feminine. So you will experience hate from feminine men too.
You have a bad feeling about a situation or a person? Ask a Cancer Moon. Trust me on this. And ALWAYS listen when a Cancer Moon warns you of someone. Cancer energy is PURE intuition.
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©️ 2023 Zeldas Notes
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yuurei20 · 7 months
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Jamil Info Compilation part 26: Jamil in the English-Language Adaptation
During Firelit Sky we learn that Jamil, much like Idia, does not like tradition and customs.
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He was rewritten on EN, however, into a character that prioritizes his history and chooses to uphold tradition.
Many of Jamil's lines were changed for EN:
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Original Jamil: If I did something like that and Kalim’s father found out, the Viper family would suffer for it.
EN Jamil: Not to mention the lecture I would get from my parents
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Original Jamil: I’m sorry, but I’m not going to put my whole family on the street because of my selfishness.
EN Jamil: I’m sorry, but it just wouldn’t be right.
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Original Prefect Option: That doesn’t seem like a responsibility that a child should be burdened with…
EN Prefect Option: I guess you make a good point.
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Original Jamil: That is the fate of those born a Viper.
EN Jamil: (removed)
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Original Jamil: A game of pretending to be masters and servants?
EN Jamil: (removed)
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Original Jamil: I’ve been a servant of the Asim house since I was born.
EN Jamil: I’ve always been loyal of the Asim house.
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Original Jamil: Masters are masters, and servants are servants.
EN Jamil: (removed)
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Original Jamil: And it would be unacceptable for a servant to refuse and order from his master…!
EN Jamil: And it would be unacceptable for an employee to refuse and order from his boss…
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Original Jamil: I’m just a servant.
EN Jamil: I’m just a dedicated employee.
(Jamil actually does use the word employee/staff when referring to other people employed by the Asim family, just not for himself)
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Original Jamil: The lord/lady of the manor
EN Jamil: your father/mother
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Original Jamil: Master
EN Jamil: Employer
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Original Malleus: …a servant of the merchant family, Asim.
EN Malleus: …the merchant family that employs you.
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Original Jamil: I have a generous master
EN Jamil: Kalim is a big spender.
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Master/servant is wording that has been taken directly from Disney’s Aladdin, but it gets removed very often from the EN adaptation of Twst, disappearing from Jamil’s dialogue in Book 6, Jamil’s birthday and Jamil’s unique magic in Book 5, though it returns in Book 6, so maybe it was judged to be more appropriate for the STYX staff member than it was for Neige?
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Question: If you had a parrot, what’s the first word you’d teach it?
Original Jamil: Probably “master.”
EN Jamil: Probably “Hello.”
Original Jamil: It's important to teach hierarchy, right?
EN Jamil: Is that…too obvious?
EN also has the one time that Jamil refers to Kalim with the “-sama” honorific removed.
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Though sometimes ignoring JP’s “-sama,” sometimes they don’t!
It has thus far been translated as “Master,” “O Great,” “Housewarden,” “O mighty,” “Count” and “Mr.”
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tvandfilmconfessions · 6 months
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Disney's upcoming movie, Wish, features a main character that is very much like the studio's other recent heroines, and this has invited significant criticism. Though not technically a princess, Wish's Asha feels like the next in the long line of female House-of-Mouse protagonists. The film's trailer features the girl singing to the stars in classic Disney fashion, followed by a few moments of quirky clumsiness. It's the sort of "adorkable" character that audiences have come to expect from the studio's heroines, and that's exactly the problem.
With the recent complaints that Disney has begun to stray too far from the elements that once made it great, Wish seems to be the studio's attempt to get back to the basics. The trailer features a traditional (less sympathetic) villain, a nod to 2D animation, a heroine with an animal sidekick, and what could be more Disney than making a wish on a star? In all, Wish seems like the animated movie many have been waiting years for. However, there is a particular aspect of Wish that is precisely the same as recent Disney movies like Encanto, Frozen, Moana, and Tangled—the heroine's personality.
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In the last decade or so, Disney has changed its Princess archetype. Rather than a princess with her head in the clouds, the protagonists of movies like Encanto and Moana are brave, eager to prove themselves, and a little quirky. They are clumsy, socially awkward, and unsure of themselves for most of the film. In Frozen, Anna stumbles all over herself, runs into Prince Hans, and awkwardly babbles about how "gorgeous" he is. In Tangled, Rapunzel knocks herself in the head with a frying pan. In Moana, the hero of Motunui awkwardly pretends she hears someone calling her to get herself out of a confrontation.
Now, Wish seems to be continuing the trend with its newest heroine. Right at the trailer's beginning, Asha rushes out onto a stage, screaming that she's "here" and clumsily telling the crowd she must catch her breath. Later, she is seen demonstrating some goofy martial arts for the king. In all, the new Disney heroine looks like a lot of fun, and the idea here is clearly a type of comedy aimed at children. However, it's difficult to ignore that when it comes to her personality, Asha feels the same as her recent Disney predecessors. This has become known as the "adorkable" princess trope, and it's beginning to grind on some audiences.
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Characters like Moana, Anna, Raya, Merida, Mirabel, and Disney's newest, Asha, are undoubtedly adorable, relatable, and a lot of fun, but the fact that they all have incredibly similar personalities has invited criticism. Disney has been accused of lazy writing since a cookie-cutter character is taking the place of a well-thought-out and unique heroine. At the worst, it can be considered misogynistic since the implication is that all girls and women have this personality type.
Still, these complaints are on the more extreme end of the spectrum. The most common assumption seems to be that Disney struck gold with a couple of "adorkable" heroines and has, therefore, been mass-producing as many as possible. This is especially frustrating with Wish since the studio has marketed the film as a return to the good old days, with 2D animated backgrounds and a villain that won't be redeemed in the end (like Raya and the Last Dragon, Moana, and Encanto).
Disney has followed through with its promises in many ways, but the studio seems stuck on this worn-out character archetype.
FULL ARTICLE CONTINUES
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blacksunscorpio · 4 years
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The Planets, Elevated
Sun
As the Most Elevated indicates a drive to express one’s creative essence and core ego values before the world. This individual will shine amongst their circle of peers. This person’s 15 minutes of fame can extend to a lifetime of fame in one area of life or another. The world is a stage they play on. They were put here on earth to display their creative gifts and talents. They tend to be leaders. Tend to be worshipped. Popular. If the elevated planet is conjunct the Midheaven, this is a strong indicator of celebrity. Martin Luther King had his Sun in Capricorn as the Zenith of his chart. Albert Einstein’s Sun was his most elevated as well.
Moon
As the Most Elevated is more inverted than the Sun. Whereas those born with the Sun highest in the chart can feel an urge toward leadership or expressing their egoic and creative impulses in a public way, those with the Moon highest are more often drawn to project their personality or their emotions into the spotlight. Many actors and musicians have this placement. Individuals with the Moon at the Zenith of their chart can become well-known for their nurturing talents. Their emotions. Their moods and the creativity surrounding them. Their temperament and what they create with them/ expressing their emotions to the public can gain them notoriety. The late John Lennon of Beatles fame had his Moon as his most elevated. Academy Award winner, Meryl Streep’s most elevated planet is the moon as well.
Mercury
As the Most Elevated indicates a native with an urge to project one’s ideas or verbal skills before the world. They will find many ways to get their voices out there or “broadcasted to the public”. The sign the Planet is in indicates how this will be done. This individual will be renowned for their linguistic, mental, and/or intellectual talents. Could become well known for their teaching abilities, writing abilities, communications abilities, or public relation abilities. Writer Sylvia Plath had Mercury in intense Scorpio as the highest planet in her chart.  
Venus
As the most elevated indicates a desire to project beauty and/or harmony in some way before the public. Widely desired/admired.  Marilyn Monroe was born with Venus as her highest planet, and she became virtually synonymous with mainstream ideals of beauty. They will be the Models, the creatives, The fashionistas, the person with a “nice girl or nice guy” persona.  This placement often leads to occupations directly or indirectly involved with aesthetics and design. Tom Hanks, widely considered as Hollywood’s nicest leading man [A Beautiful Day in the Neighborhood, anyone?] has Venus as his most elevated. Marilyn Monroe and David Bowie both did as well.
Mars
As the most elevated Indicates a drive to project energy and strength before the world. Muhammed Ali had Mars as his most elevated planet. Ruthless ambition. Renowned undefeated heavyweight champion in boxing. Martial arts ruled his life and where he received the most notoriety. Definitely a feisty placement as well as one that will make the native hard to ignore. This placement indicates a leader. The types to set shit off. The type to be the “boss” in whatever field of work they choose. Spearhead some sort of militant movement. The ‘Gangster” placement. Very often seen in the charts of those who take part in sports. Franklin D. Roosevelt had Mars as his most elevated planet and he was the driving for behind America’s decision to partake in WWII. Founding father of the Mafia Lucky Luciano also had Mars at the zenith of his chart.
Jupiter
As the most elevated Indicates there is confidence about matters of career or dealings with the public. As a result, this is one of the leading chart indicators of popularity and success, as well as general “good luck,”. Global awareness, travel, teaching, and philosophical/spiritual matters will be their forte. The “prophet” or “guru” aspect. Someone who’s calling in life may involve lots of travel or they can be a “citizen of the world”. Angelina Jolie has Jupiter at the highest point in her chart and not only was her film career a huge success, but she also became a bit of a 2nd Mother Teresa, traveling internationally to adopt children, and doing humanitarian work worldwide. There is also an interest in different spiritual teachings [i.e the Cambodian prayer tattoo on her left shoulder blade.]  This is one of the hardest-hitting horoscopic indicators of popularity and success, as well as general “fortune/luck” in life. Basketball heavyweight Michael Jordan has Jupiter at the Zenith of his chart as does Kim Kardashian. This is also an indicator of one who can become famous or well known for their ideas/thoughts on spirituality. If Jupiter is in Virgo, the native can become renowned for their writings on esoteric or spiritual matters.
Saturn
As the most elevated Like Jupiter, Saturn near the top of one’s chart can show considerable success and prominence in one’s life. But unlike Jupiter, this usually involves far more work and a few tough building blocks along the way. There’s a “late bloomer” quality to the lives of these natives. Many instances, they can experience great struggle in building their career and reputation — that constant ‘between a rock and a hard place”. Yet these people often live to see great rewards and prestige as a result of said hard work. The types to be in inevitable positions of authority in whatever they do but also the types to hold themselves to impossible standards. They must be the best. They will often become well known/ be in positions that involve structure. For example, Queen Elizabeth has this placement, I don’t know a life more structured than the life of a monarch. Spanish artist Picasso was born with Saturn in Taurus as his highest planet; he was subject to enormous criticism regarding his art early on, but eventually found prosperity and fame as a result of his discipline and productivity. Bill Clinton has Saturn at his Zenith and became the leader of the free world. Jazz musician Louis Armstrong rose from an intensely difficult childhood in Louisiana to become a pioneering artist admired by audiences all over the world.
Uranus
As the most elevated indicates a native who possesses a fiercely independent streak and a desire to pursue uniquely personal or unconventional life paths. The weirdo who becomes famous for being.. well, a weirdo. Needless to say, this generally makes it difficult for these people to adapt to rigid routines and structured environments, and in terms of career, they like to have/need as long a leash as possible. They think outside the box and as a result, can gain prestige for doing just that. The “fuck it I do what I want” aspect. This attitude may make them famous and even admired. Geniuses. Actor Steve McQueen had Uranus in Aries as his highest planet, and virtually became Hollywood’s poster boy for the ‘Rebel’ archetype. He also spent time in reform school as an adolescent. The late great Nipsey Hussle had Uranus at the Zenith of his chart and he lived his life in unapologetic opposition to the law being part of the Rolling 60′s Crip gang. You can see this rebel spirit in many of his songs that went platinum. Many Astronauts including Edgar Mitchell have this placement. Those with Uranus as their most elevated see “beyond”. This also indicates the maverick spirit of innovation. This placement is often connected to technology or the media [remember, Uranus has an ‘electric’ energy to it]. A prime example is Apple computer founder Steve Jobs who had Jupiter and Uranus in conjunction as his highest point.
Neptune
As the most elevated indicates a spirit of “reaching for the stars”. I see this planet most elevated in the charts of those renowned for their artistic talents. ESPECIALLY in music and the arts. Many actors have this placement, which is fitting considering Neptune is the planet of dreams/fantasy, and actors are paid to pretend to be someone else. Famous for the mask they wear. Powerful spiritual impulses. An inspiring individual. Can become famous/well known for their idealism or the spiritual messages they send out to the world. When well aspected or unafflicted it can indicate an individual who can become revered for their fantastical ideas. Walt Disney’s most elevated planet was Neptune and I feel many of us can agree that his classic works of fantasy shaped our childhoods. His billion-dollar empire still stands today decades after his death. Elevated Neptunian Bruce Lee not only brought martial arts to the attention of thousands but also expounded on its spiritual philosophy in writings and interviews. He even created Jeet Kune Do, a martial art deeply rooted in spirituality, wrote a book about it, too. 44th President Barack Obama has Neptune as his most elevated planet and his campaign slogan “hope” gave many just that during the 2008 election. An affliction to this most elevated planet can still make one very well known but not necessarily for the best reasons.  When afflicted it can be a dangerous placement and one can suffer or make others suffer from fanatical or delusional teachings. Cult leader Jim Jones had Neptune has his most elevated and his spiritual teachings resulted in the death of hundreds of naive and innocent people due to drugged [Neptune] kool-aid.
Pluto
As the most elevated indicates that an individual’s career or sense of “calling” will be involved with any or all 8th house dealings. Sexuality, death, transformation, secrets, the occult. Megan Fox has Pluto at the highest degree in her chart, though she is a Taurus, her MC is in Scorpio and conjunct her Pluto which is the most elevated. She comes off an undeniable Sex [Plutonic/8th house] symbol. Same for the late great musician Prince, who was very public about sexuality. Vladimir Putin, President of Russia has his Pluto closest to his MC and he was a KGB spy. This is definitely a placement of someone with considerable power. Not one to be underestimated. Capable of covert manipulation and may/can become famous for it. They may also become well known for dealing with dark matters. Jack Kerouac, who celebrated the bohemian “underworld” had his Pluto elevated. Mary Shelly, author of Frankenstein became renowned for a book that had to do with a monster made of dead bodies transformed through supernatural means. It is now one of the first books parents will read to their children on Halloween.
Honorable Mentions
There’s been an ongoing discourse about Asteroids/Hypothetical Points being considered “elevated.” It’s a topic of debate within the astrological community. However, if we are to entertain them, this is what they can mean:
Chiron
As the most elevated indicates a calling in life dealing with healing. Dealing with the pain of others and making things better for them. A teacher that is known for helping others find their way.
Lilith
As the most elevated indicates an individual feared and admired for their rebellious sexual spirit. The seductress/seducer. The individual can become loved or hated for their ability to put their wily charms on both men and women. Audrey Hepburn had Lilith at the zenith of her chart, quite close to Saturn near the MC.
Juno
As the most elevated planet may become famous for their marriages or whom they are married to.
Vesta
Famous for their devotion or well known for becoming homemakers.
Pallas
As the most elevated can indicate someone known for their wisdom. How they temper their instincts with discretion.
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mugiwara-rosewolf · 3 years
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Hi !! Can I ask for the letters O,T and V for Mihawk and a fem s/o please from your 100 followers event ? 😊
Hello hun, I'm sorry this took so long. My last computer crapped out on me and I had to get a new one. Took forever to get re-logged into everything & work on your request. --I hope you like it!
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O=Out of the Ordinary (What’s something they don’t normally do with/for their s/o?)
PDA. That's the number one thing. Anything else you want from him, he'll eventually agree to (with enough harassment and/or bargaining). The stoic man puts a lot of stock in the 'Lone-Wolf' vibe that comes with the title of 'World's Greatest Swordsman'. If people think he's a terrifyingly skilled monster living alone in a creepy castle, they're much less likely to bother the two of you at home. Much less make any trouble if the two of you go travelling somewhere.
Therefore, if you two are travelling somewhere together, he will usually walk beside you, or perhaps one stride ahead of you in particularly shady neighbourhoods. Only when he feels truly relaxed and secure in a public space will he let you exchange affection. Even then, it's rather limited to what could be considered 'gentelmanly' and 'sophisticated'. (He is one of the more bougie gentlemen of the seas, after all).
If Mihawk ever finds himself in a tactile mood, more often than not he will over you his arm. Holding hands delays his ability to reach for his sword. Not to mention the 'pancakes versus waffles' debacle all seems rather juvenile to him. He prefers locking arms because it feels classic and romantic (though he will deny ever thinking such a ridiculous thing).
T=Trust (How much do they trust their s/o?)
Once he determines that you are not a rival after his title--it is more than likely he will simply ignore you at first. Not out of malice, of course, but more out of oblivious boredom. He finds fulfillment in the challenge of swordfighting. Thus far, nothing has proved as satisfying or invigorating to him. Then you come around.
The best way to gain his trust is to just...be there. Become a constant in his life, ever-present like his home at the castle or the sword at his back. Imagine your developing dynamic as that between Howl and Sophie in Howl's Moving Castle (book more so than movie, but both are fantastic examples of unorthodox slow-burn romance).
Mihawk, lofty lord of swordsmanship that he is, is very discerning with his time, attention and trust. The best way to earn any of the above is to make yourself useful, necessary. Understand your uniqueness and find a way to apply those traits in a way that will make both your lives easier and/or more interesting. In fact, as counterintuitive as it may sound, the more traits you have in contrast with Mihawk, the easier it will be to build a connection. Variety is the spice of life, after all.
V=Vulnerable (How long until they can be vulnerable around their s/o? What are they like in this state?)
After a long time acclimating to your constant presence in his life, there will come a time when Mihawk will well and truly need you. As much as the stoic King of Swordsman may try to pretend otherwise--everybody needs somebody sometimes, even the infamous 'Hawkeye'.
When this time comes, it will completely upend everything the two of you have become used to, up to this point. For only a truly earth-shaking event or revelation could stir Mihawk to the point of explicit vulnerability. Perhaps a rival came close to taking his title. Perhaps something happened to his dear friend Shanks, or to his protege Zoro. OR--to make it extra spicy--maybe you found yourself in a spot of life-threatening danger and Mihawk had to make a last minute save. (Imagine that scene from Disney's Beauty & the Beast where Beast saves Belle from wolves).
Anyway you spin it, it would have to be an event that rattles you both. Mihawk would not feel completely comfortable sharing his thoughts and emotions if he was the only one feeling exposed. But after that moment you both are unguarded and unapologetically honest with each other, everything will change. He will never ignore you again, he won't just tolerate you but openly initiate conversation. Imagine discussing books, swords and world politics over a glass of wine and a crackling fireplace. You will both a part of the household, equal participants in each other's lives, thoughts and actions. Partners, from that moment on.
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neverland-nomad · 2 years
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I’ve been rewatching one of my all-time faves that you’ve probably never heard of. “So Weird” aired on Disney Channel from 1999-2001 and was way ahead of its time. (It walked so Supernatural could run.) Although it’s probably Disney’s best/most well-written series, they mostly like to pretend it doesn’t exist. Despite the company’s best efforts though, the So Weird fandom lives on and we’re SO PUMPED that the show was included in the Disney+ line-up that debuted two years ago. I rewatch it frequently and thought it’d be fun to do a series of posts dedicated to my favorite moments from each episode. If you’ve never heard of the show, I hope you’re inspired to check it out (just ignore that third season though 🤦🏼‍♀️🙄). Anyway, let’s start from the beginning…
So Weird 1x01 - Family Reunion
Fi’s sassy hello. That wave 😂
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Watching the series live, I always related so much to Fi…the “different” kid with the unique hobby who was a bit socially awkward at times. She had a certain maturity though, and I always loved that the adults treated her more like an equal than “just a kid.”
“Rat!” “Ghost!” “Floorboards!”
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This show was the perfect combination of serious themes and comedy. Some of the jokes may seem corny now, but it still makes me laugh. This particular scene was one I always found hilarious, especially Ned’s reaction. He shrugs it off like one of them coming through the ceiling was just par for the course with these kids. (It probably was.)
“I think about him too, ya know.”
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Jack and Fi’s sibling dynamic is my favorite part of the show. Although looking at it now, Jack almost seems a little OOC in this first episode (he’s normally not THAT mean to Fi). I have a headcannon that they had some kind of big fight beforehand and we were seeing the after shocks. They are polar opposites, both in personality and in how they deal with their father’s death. Jack is the skeptic and Fi is the believer; he’s quiet in his grief while she screams hers from the rooftops. For all their differences, they are fiercely protective and supportive of each other when it counts. This moment at the end of the episode is the first of many “truce” moments throughout the series.
Up next: 1x02 - Web Sight
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friendlycoffee · 3 years
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Okay, so... I’m gonna say it... I’m kinda feeling disappointed with the new Loki TV series. It started out promising, but I got the sense that a bit too much was being spelled out, and a lot of character growth felt more forced than natural.
I mean, Loki is someone who lies, even to himself. Having him just saying ‘oh yeah I’m insecure because of x reason’ every episode, without trying to brush it aside like ‘oh yeah I was lying’ and trying to play it cool while the audience knows he’s faking/in denial... it feels like they didn’t trust people enough to understand it, or didn’t know how to write that kind of character. Or to have him pretend not to care about people, when his actions clearly show the audience that he does... I mean, this is post avengers Loki. Having his character do a complete 180 so quickly just doesn’t feel right to me.
Not to mention, we’ve barely seen him do much lying/trying to manipulate people, which would have been far more fun to watch...
Also having read some of the comics (Journey into mystery/young avengers/agent of asgard) the latest episode also felt like a disappointment because there are some very interesting and heartbreaking arcs in there which would have been cool to see adapted... but kind of just got ignored.
And then to top it off, the line where Loki asked his counterparts if they’d ever met a female version of Loki, and they said something along the lines of ‘sounds scary’? And act like she’s unique? That really ticked me off? I know a lot of people were excited when they saw Loki’s TVA file and it listed his gender as fluid... so to have none of them go ‘oh yeah, I’m female sometimes’ or see no other Loki’s choosing a female form... idk, it’d disney so it’s not surprising but it still irritates me. Loki is canonically gender fluid in the comics. And states quite clearly that she is a she when in that form, and that both male/female form are equally her/him.
I mean... I’m going to keep watching, but my expectations are low...
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hafanforever · 4 years
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The Men with Two Faces
When Frozen was released almost seven years ago, I fell in love with it and the love hasn’t stopped since, especially with the following of Frozen Fever, Olaf’s Frozen Adventure, and last year’s Frozen II. I am very proud to be in this fandom and have enjoyed expressing my love for it by writing analyses about them, and my friends and followers can rest assured I will never stop doing it, especially as long as there is more material for me to discuss! 😁😁😁
One of the reasons I fell in love with Frozen was because of Hans and the fact that he was a surprise villain. Disney introduced him by making us think he was another typical heroic prince: benevolent, noble, brave, caring, selfless, and kind. Hans tells Anna that he is the youngest of 13 sons from the kingdom of the Southern Isles, and in being the youngest, he has apparently faced ignorance, neglect, and abuse from most of his brothers, if not his entire family. But then in the third act, we discover that Disney had purposely misled all other characters, and even the audience, about who Hans really is. He reveals himself as a truly ruthless, sadistic, dishonest, power-hungry, selfish, two-faced sociopath whose only goal is to become king and gain the status, power, admiration, and respect he apparently never received from his family, and would never gain as the 13th heir of the Southern Isles. So he plotted to take control of Arendelle by marrying into the throne. He initially wanted to marry Elsa just because she was the oldest and rightful heir, which would give him a legitimate chance to become king. However, he decided to pursue and marry Anna when he realized that Elsa was an antisocial recluse, and planned to kill Elsa to get her out of the way and rise to power with him as king and Anna as his queen.
When I first saw Frozen, I was very shocked that Hans was the true villain, though at the same time, there were a few moments that made me suspicious of him. After seeing the film a few more times, I realized there were subtle clues of his villainy in many of his preceding scenes, so his villainous revelation did not come totally out of the blue. But Disney using the twist and idea of having a hidden main antagonist, one that was a prince, who is stereotypically a heroic character in fairy tales, no less, was something I very much enjoyed about Frozen because it was something so new, different, unexpected, and very unique, particularly for a Disney fairy tale.
When I saw Frozen II, I wasn’t expecting it to have a villain, hidden or not, since the trope of surprise villains by Disney, which started with Wreck-It Ralph, had been waning and it was getting easier for me to figure out who they were. Needless to say, when Runeard was revealed to be the film’s main antagonist, I was very shocked. I wasn’t shocked in the same way I was when Hans revealed himself to be an evil prince, but for different reasons. For one thing, Runeard only appears on screen as a living character during Agnarr’s story about the Enchanted Forest in the prologue, then as a snowy ice figure Elsa discovers in Ahtohallan years after his death. He has the shortest time on screen than any other villain in the Disney animated canon, yet Runeard also has a major effect on the film’s plot. He is one of the few Disney animated villains who affects the flow of the story from the very beginning, and is rather unique in doing so because he is a POSTHUMOUS main antagonist, the first one from Disney animation. In fact, Runeard is the Greater-Scope Villain of the Frozen franchise as his heinous actions against the Northuldrans not only led to the main events of Frozen II, but also to what became of his bloodline and what led to the events of Frozen. The fact that Runeard has such a short time on screen while simultaneously impacting so much to the story makes his actions even worse than those of Hans.
While the revelation of Runeard being the main villain has received mixed reception from fans and critics like that of Hans did, I can still focus more on the positive about the former’s villainy than the negative. Heck, when you look at both films and both of their main villains, Runeard and Hans actually have quite a lot in common, even though Runeard is far less developed as a character and has a much shorter amount of time on screen than Hans.
Both are monarchs who present themselves as kind, generous, noble, charismatic, benevolent people to the public, while in private, they reveal that are really nothing but cold, obsessive, ruthless, sadistic, two-faced men who are successful in concealing their true dark natures in order to gain the trust of others for their own selfish interests and benefits. In fact, when they make their first appearances in their respective movies, Hans and Runeard wear their benevolent masks when they meet with people, and both are wearing gloves as they do so.
Both prove themselves to be very competent rulers of Arendelle (though Runeard was a true king of Arendelle while Hans briefly acted as its reigning monarch in both Elsa and Anna’s absence), and are kind and generous towards the people of whom they are in charge. In truth, however, both they are very power-hungry individuals who do not care for anything except the power they have/crave, and are willing to do whatever it takes, including treachery and murder, to get what they want and expand their power.
Both have brief scenes in which they reveal their true colors to a single person and sadistically smile as they explain how the plans they have set in motion will be carried out and satisfy their ruthless, selfish desires. The difference between them is that Hans reveals his secret to Anna as he indirectly attempts to murder her, while Runeard reveals his secret to his second-in-command and doesn’t try to murder him (though he apparently instilled fear into the officer and swore him to secrecy over the true purpose of the dam’s construction).
Both plan to kill people who they see as being in their way and a threat to their goals. They sneak up on their victims when they (the victims) are seated on the ground (Hans on Elsa, Runeard on the Northuldra leader) and raise their swords over the victims’ heads, ready to murder them. As I said in “Striking Resemblances”, the difference between both moments is that while Hans failed to kill Elsa due to Anna’s intervention, Runeard succeeded in killing the Northuldra leader because no one else was around to witness and intervene.
And while it’s not part of their characters and actions within the movies, both mens’ true natures were kept a complete secret from viewers prior to the release dates of their respective films, especially during promotional material. Hans was labeled as “The Nice Guy” in the first theatrical trailer for Frozen, while Runeard was completely omitted from pre-release storybook merchandise, and Jeremy Sisto was revealed as the voice of the character for the first time at the world premiere of Frozen II.
The fact that Runeard killed the leader of the Northuldra while Hans didn’t kill Elsa suggests that Runeard is potentially a darker example of what Hans could have easily become if he had succeeded in his goal to kill both sisters and become king of Arendelle. But in the months since Frozen II came out, another possibility on how Runeard is suggested to be a darker reflection of Hans, with the former having succeeded in the past where Hans failed in the present, has been suggested by fans. As I’ve said before, Runeard was the founder and first king of Arendelle. Prior to this accomplishment, perhaps like Hans, he was once a prince who was overlooked and neglected by his family, and he craved power, respect, and admiration after having never received them from his family and/or the majority of his kingdom. Or perhaps Runeard was just a commoner, a poor nobody who still craved power and respect after never having received it, or even anything fine and desirable, in his life...and he ended up getting what he wanted when he created his very own kingdom and was proclaimed its king. AND when he became king, Runeard was set on expanding as well as protecting his power, with his only concern being his own status as a monarch.
Runeard and Hans both have underdeveloped backstories as villains and what makes them as such, even though it feels easier to figure out that of Hans based on what he does reveal to Anna. But considering how much they do have in common, perhaps Runeard WAS once in the same position Hans used to be, and he managed to succeed where Hans did not. With all we do know about them, though, Runeard appears to be far more evil and despicable than Hans, given his bigoted, judgmental, paranoid, hateful behavior towards the Northuldra and the magical spirits and his actions against them.
Hans briefly gets his chance of being a leader when he takes over as temporary ruler of Arendelle in both Elsa and Anna’s absence. He successfully wins the hearts of the Arendellians by acting as a kind, caring, benevolent ruler during the harsh conditions brought on by Elsa’s magical winter. The fact that he earned the trust and respect of the Arendellians and acts very competent as a ruler suggests that Hans really could have been a very good king. However, as I said in “Tyrant Terror”, while Runeard was revealed to be a ruthless, power-hungry, obsessive king in secret, he used the same kind of benevolent mask that Hans used when he appeared in public. Runeard apparently was also very competent as a ruler since he knew how to run the kingdom while pretending to be a noble leader to the public. He led the citizens, the guards, and the castle staff on to believe that his kind facade was his true nature.
Because getting power and respect for himself was all that both men ever really cared about, I have absolutely no doubt that, had he succeeded in stealing Arendelle’s throne, Hans also would have become the same kind of secretly ruthless, power-hungry, selfish tyrant that Runeard was before him.
Now the biggest difference between Hans and Runeard’s villainy is what motivates them to carry out their evil plans. Runeard seeks to destroy the Northuldra because they have ties to magic, something he detests, fears, and towards which he holds bigotry, since he believes it to be a threat to his royal rank and authority. The fact that the Northuldra are peasants who follow magic rather than a government ruled by a king is also how Runeard saw them as a threat. He presumably believed that the Northuldra might try to use their magic to one day plot to usurp him and take over his kingdom. Consumed by his hateful, bigoted, and paranoid feelings towards the tribe and their magic, Runeard decided to destroy them to prevent any chances of them trying to destroy him first.
In Hans’s case, he obviously viewed Elsa as a threat to his plans since she was the legitimate heir of Arendelle, and he plotted to kill her to get her out of his way. When Elsa accidentally revealed her powers and caused the eternal winter, Hans was just as shocked as everyone else. However, while his motive to kill Elsa expanded so that he also wanted restore summer to Arendelle (and appear to be a hero in the eyes of the Arendellians for doing so), Hans was always presumably indifferent to Elsa’s powers. Throughout the whole movie, he never once shows any true feelings of prejudice towards magic or fear that her magic makes Elsa so powerful that she is a greater threat to his goal of taking over her kingdom than he initially believed. The best example of this is when he reveals his true nature and plans to Anna, who says “You’re no match for Elsa!” and Hans callously retorts “No, you’re no match for Elsa!” Hans knows that Anna means that Elsa is more powerful than him with her magic and she could use them to bring him down, but Hans is completely unconcerned and unconvinced about this concept. If anything, by this time, he has realized that Elsa was scared of her own power and of losing Anna...and he knew how to use both of her fears against her.
So unlike Runeard’s fear of magic being his overall motivation to destroy the Northuldra, I don’t believe Hans ever feared or was prejudiced towards Elsa for being magical. He only wanted to kill her just because she was in his way of gaining access to Arendelle’s throne.
As with any Disney villain, though, in the end, Hans and Runeard’s confidence and arrogance ends up being their downfall, and they end up being forever ruined due to their actions. Hans extinguishes all heat sources in the library, then locks Anna in so she will die from her frozen heart. But because Olaf helps her escape the castle, Anna intervenes in the nick of time when Hans attempts to kill Elsa. After the winter is lifted, Hans is humiliated and defeated when Anna reveals that she survived, and many witness the punch she gives him to his face. Hans is then apprehended, imprisoned on a French ship headed back to the Southern Isles, and banished from Arendelle forever. He is later shown working in the royal stables in his kingdom, cleaning up after the horses.
Though he makes no further appearances in the franchise, Hans’s betrayal has undoubtedly ruined him forever and he will probably never be allowed to leave his kingdom in order to try his plot all over again. Furthermore, the allusions to and mentions of him in the sequel shows that he will never be forgiven by Elsa, Anna, and their family.
Despite having succeeded in murdering the tribe leader, the war that Runeard instigates leads to him falling off a cliff to his death and causing the angered spirits to cast a mist over the Enchanted Forest, trapping the people, including his surviving soldiers, in it for decades. Though he is long dead by the time the main events of the story take place, what remains of Runeard’s evil reign is finally brought to an end when Anna and Elsa destroy the dam. This act lifts the mist and frees the Forest, and a true union of peace is at last established between Arendelle and the Northuldra.
In life, Runeard had been desperate to protect his power, status, and legacy from being ruined by the Northuldra and their magic. But in great irony, his misdeeds caused his own fear to become reality (though not like he had envisioned), and his legacy is now forever ruined by his betrayal.
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crossiantgay · 3 years
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Stronger Than (These Emotions)
Based on the post by @roman-exe about logan romancing roman :)
@tired-logan-kinnie here ya go :D
Most recently, Logan had come across an epiphany. He found himself in a predicament, unlike one he was accustomed to solving. Bluntly, he had fallen in love. And he had fallen hard. He was in a unique circumstance; the person he would have asked for help with all of this, was exactly who he needed help with. He was in love with the epitome of romance. 
Now, to get the obvious out of the way, the best though most risky decision would be to confess his feelings. He could, of course, not speak of his feelings but he knew he could only suppress them for so long and they would come upfront eventually. And he’d rather confess them on his own accord rather than be embarrassed on a slip of the tongue. So, the only option was to confess his feelings. Alright. Now, begged the question of how. He could come right out and say it, and that would be fine. But just fine. It made sense to increase his chances of success, to confess in a way the prince would adore. Roman always talked about those grand acts of love, a prince sweeping a princess off her feet, the stories that Disney and fairy tales produced. Well, there was no way he could make a fairy tale of his own without use of the imagination, but Roman seldom let anyone in there besides Remus so that was unlikely. Still, he could try to win him over. He gnawed on his bottom lip. He was trying to woo the prince of romance. It would be difficult, true but then again Logan liked a challenge. 
    Upon reflection, his feelings originated in one brainstorming session. It was late at night and they had gotten way off track. Roman was rambling about something, editing a paper with a large red crayon and his eyes seemed to sparkle as he talked. His hair was mussed and dark circles were forming under his eyes, but he was just as animated as ever. He was waving his hand about eccentrically as he spoke, making edits with his other hand. Even this late at night, Roman still had the vigor he held early that day. Roman had a passion that none of the others seemed to possess. A deep drive, a fire to always push himself further and Logan admired that. 
    Then there was the incident on a summer’s day. Logan only remembered that because Roman had the blinds drawn wide open, letting the sun illuminate the room. Because of the summer heat, Roman had a fan haphazardly stuck out the window, only the screen holding it from falling (Logan thought it was a bad idea but Roman assured him it would be fine). Logan walked in to tell him something, only to find Roman working at an easel, smeared with paint and downing a loose white shirt that was also coated in paint. There were flecks of it in his hair, making that stick out at imperfect angles. Possibly the most astounding part was what Roman was working on. Before Roman was a vase of flowers set on a couple cardboard boxes and Roman had almost copied it to a tea, of course swapping out the amazon boxes for a white platform. To say it was stunning was an understatement. Logan was snapped out of his thoughts when Roman turned around and unconsciously ran a hand through his hair and grimaced as paint dribbled through his caramel locks, sticking it together in bright green and pink clumps. 
“Nice to see you here, Specs,” Roman said as he wiped his hands off on his shirt.
“Your painting looks phenomenal” Logan said breathlessly, ignoring the question. Even though Roman was extremely talented, he always fumbled at compliments. His cheeks tinted a rosy pink. 
“Th-thanks” He stuttered out and Logan smiled a bit.
“Of course” He shoved his hands in his pockets and looked around the room. They slipped into a conversation, though Logan was only half-invested, letting his mind wander. Roman was so talented, Logan was always stunned when he saw his latest creation. Though he also embodied creativity, he was always impressed when he saw what roman could make. Watching Roman measure out the dimensions for sketches, and combine what was such a natural and impulsive art form with rules and steps, was astounding. Roman was so spontaneous and less rigid than he was, but also followed rules and instructions like he did. Logan began to understand how creativity was intelligence being fun. 
    The next moment that came to mind was far more recently. Logan was sitting on Roman’s bed helping him clean out his closet. Logan was growing a bit bored watching Roman try on shirt after shirt. Logan was studying the bedsheets when roman came out in yet another outfit. 
“Well? What do you think?” Logan’s head snapped up and he had a snarky remark on the tip of his tongue when his breath caught in his throat and he felt his face heat up. Roman was in a red evening dress, which was very curve-hugging. Curves that Roman had. There was a slit cut down one side of the dress, what he believed was a ¾ cut; and it almost seemed to shimmer in the light. It was the perfect mix of elegant and sensual, and it sent a shiver down Logan’s spine. 
“Well-I-uh-” He sputtered as Roman grinned and spun around. Logan buried his head in his hands, pushing his glasses to rest in his hair. 
“I’ll take that as a good sign,” Roman grinned and ran into the bathroom to change. “This one’s definitely a keeper” 
It was about a half an hour past the incident, which he bet Roman would have called a broke gay moment they were almost done with going through his closet. Roman pulled out a hoodie from the back of the closet and looked at it suspiciously. He slipped off his shirt, not even caring about Logan's presence and slid on the hoodie. Logan recognised it immediately. 
“Why do you have my hoodie?” Logan asked, quirking an eyebrow. Roman flapped his arms in the oversized hoodie and Logan ran his eyes down Roman’s outfit. The hoodie fell a few inches above his knees and hung off one shoulder. Roman flipped up the hood and seemed to melt into the warmth. 
“It still smells like you..” He mumbled as his eyes slipped shut. “Like mint and dark chocolate” Logan saw Roman’s knees buckle dangerously and he bolted up, catching Roman and picking him up bridal style as Roman yawned. 
“Maybe we should stop for a bit?” Logan asked, the shock of the surprise not leaving his voice as Roman barely nodded. 
“Just for-” he yawned again “a short nap” Logan nodded a bit and sighed, setting him up on the bed and wrapping him in a blanket. 
“Will you help me finish when I wake up?” Roman cracked an eye open as he turned on his side, looking like a human caterpillar in the blanket. Logan nodded as he smoothed out Roman’s hair. 
“Of course” Roman smiled faintly. 
“Thanks hon-” He yawned again and fell asleep. That was the moment Logan should’ve known he loved Roman. How that pet name made him feel like he was on fire, how much he wanted to cradle Roman to sleep, were indicative signs of a crush Logan dismissed at the time for just being ‘a caring friend’. He could only hope that the others hadn’t discovered his apparent infatuation. If they had, well then he wouldn’t hear the end of it. At the end of the day, he was figuratively head over heels for Roman. He was so deeply in love with every part of him. His passion, his creativity, and he felt shallow for saying this, but Roman was objectively attractive. He didn’t know what he’d do if he didn’t express these feelings sooner or later. 
    The next morning he set his plan into action. He’d do just a few flirty lines and touches, just to figuratively test the water. Roman was stirring his coffee near the coffee maker and Logan walked by to get his mug, brushing hands with him. Roman looked up at him quizzically but Logan ignored him, pretending if nothing had happened. Logan finished making his coffee and went to walk away. As he did, he looked the princely side up and down which brought a pinkish tint to Roman’s cheeks. 
“You look cute today” He smirked and took a sip of his coffee, leaving roman baffled and blushing. He waited a bit before he made his next move, which was at movie night that night. Everyone was crammed on the couch, Virgil retreating to the corner with Janus and Remus on the edge and Patton on the floor because they ran out of space. They were all wearing their respective onesies and the horn of Roman’s beast onesie was poking into Logan’s shoulder. 
At some point into the movie, Roman shivered and Logan noticed, eyes flicking to him. Logan wrapped an arm around him, pulling Roman closer. Roman instinctively cuddled into his side before he realized what he was doing and locked eyes with Logan, blushing noticeably. 
“What? You looked cold” Logan whispered and Roman looked away, snuggling closer to him. 
    The credits were just starting to roll as Logan felt something tickle his jaw. Sure enough, a very sleepy Roman was cuddling him, caramel locks brushing against Logan’s chin and one arm wrapped around him, head nuzzled into his chest. Logan’s heart hammered in his chest at the sight and he blushed a dark crimson. Patton grinned and gave him a thumbs up as Janus started to bring Remus to bed. Virgil sat up and yawned. “You gonna stay down here, Lo?” 
Logan nodded and sighed. “I don’t think I have much of a choice” Patton nodded. 
“You two have fun!” 
“But not too much fun” Janus said instinctively and yawned. Logan nodded and put his glasses on the counter, trying to get into a comfortable position. He held roman loosely and his eyes slipped shut. 
    He woke up early the next morning, by the look of the clock around 4 or so though it was hard to be certain without his glasses. Thankfully, Roman was still asleep. He smiled a bit and played with Roman hair, pulling a blanket over them. Roman yawned and stirred, making Logan instantly curse himself. 
“Shh, shh, stay asleep-” Logan hushed him quickly, to no avail. 
“What? Why’d I-” Roman tried to sit up but Logan continued to hold him. 
“Just go back to sleep, hun. It’s too early I’m sorry I woke you up” Logan blurted out. 
“What’s-” Roman was slurring his words. “What’s goin’ on..?” He sat up and rubbed his eyes 
“I woke you up, I’m sorry it’s like 4 in the morning please go back to sleep” He said hastily and Roman sighed. 
“Tell me-” he yawned “in the morning” There was the warmth pressing against him again as Roman buried his head in the crook of Logan’s neck. 
Logan ran his fingers through Roman’s hair--how is his hair that soft?-- and smiled down at the boy in his arms. He would confess in the morning, right after Roman woke up he would tell him and get everything sorted out. 
But even Logic should be accustomed to the fact that not everything goes to plan. 
    Roman woke up at about 7 that morning, just as the kitchen was filling with people. He stretched, only to lock eyes with a very asleep Logan. He jumped as Logan’s eyes cracked open and he yawned. The memories of last night hit him like a brick wall and he felt his face heat up as he realised he had been cuddling with Logan all night. Logan’s shoulders relaxed and he smiled warmly at Roman, still laced with sleep. 
“Morning,Roro” He adjusted his glasses and ran a hand through Roman’s hair, somewhat fixing his bedhead (Which Logan would never say he thought was adorable). Roman was now a dark crimson, envying the color of his sash. It brought Logan a great deal of pride when he saw how flustered Roman was. 
“Is something wrong, my rose?” Logan asked gently. Roman shook his head and stood up, stuttering out an apology or two as he scrambled off to his room. Logan sighed, sitting up and started getting ready for the day. 
    Logan got to his desk and saw a note written in black ink. It read “meet me in the storage room, 8 tonight”. The note was written today and the writing was barely legible, looking like someone wrote it with their non-dominant hand. That, along with the fact the note was colorless, made it near impossible to tell who sent it. Logan made a reminder for himself at 7:55, this was far too intriguing to let go. 
    The work day seemed to pass by all too slowly, each minute dragging on for a few seconds longer, and all he could think about was who sent the note. By the end of the day, Logan was quite on-edge, being startled by even the drop of a pen. Finally, he heard the quiet beep of his computer, alerting him that the time of apprehension has rolled around. Not that he hadn’t been staring at the clock for several minutes now, anyway. He straightened himself out and made his way to the storage room. He fiddled with the doorknob for a few seconds, just now realizing how sweaty his hands were. He wiped his hands down on his jeans before jiggling the doorknob again, and the door swung open. 
    Roman was standing in the room, arms crossed over his chest and an unamused expression on his face. Logan felt his heart beat quicker and he put on the least-caring expression he could think of. 
“Greetings, Roman. I assume you’re the one that left the cryptic note on my desk?” Roman rolled his eyes before looking at the ground and shoving one hand into his pocket. 
“What is with you, Logan? One second you’re giving me all the pet names like ‘my rose’ and ‘Roro’ and the next you’re acting like we’ve never met!” Oh. so that is what this is about. “Just tell me what’s going on so I can try to help, but I’m sick of this game of two-face!” Logan crossed his arms over his chest and stayed silent. “Because I don’t know if you love me or hate me, and every time I think I’ve done something wrong!” 
“You want answers?” Logan asked, monotone and Roman nodded. 
“Please, Logan! Just tell me what’s-” Logan cupped Roman’s face with both hands and kissed him. So this is what it was like to hold the whole world in your hands. They stayed like that for a few moments before Logan stumbled back as Roman pushed him away. Roman’s chest was heaving and a dark blush was spotting his cheeks. Despite all of this, he looked upset. Had Logan done something wrong?-
“Answers. Now.” Roman crossed his arms over his chest again. Logan scrambled to try and correct his thoughts. Now was the moment of truth, he needed something perfect to say or-or- 
“Logan, focus” Roman’s hands were on his forearms as he looked at Logan with soft eyes, very different from the wild and scared look in his, matching a spooked horse. If Roman truly loved him back, then he wouldn’t need some elegant speech to win him over. Just say what he thought.
“I-I don’t know the right way to say this, and I don’t think I ever will.” He looked down and wrung his hands, on-edge. Roman nodded slowly, his shoulders relaxing. “I love you, Roman. And I have for a while now” Roman’s eyes widened but Logan continued. “I love every part of you. Your passion, your creativity,” Logan laughed a bit “even your bedhead.” Roman looked away, the blush more prominent on his face. “All this time, I was trying to come out with some grand gesture to confess my love for you, something equal to the fairy-tale rescues you are always admiring” Roman went to step towards him, and Logan flinched involuntarily, incredibly alert and vulnerable now. A lot more than he was used to being. “And I’m saying you have to feel the same way, I just wanted to tell you how I feel. In no way am I expecting you to have the same-” Roman’s lips met his again. This one was soft and gentle, like the steady crashing of waves. Logan thought he might just melt into a pulled of stunned bliss as his hands slowly found their way to wrap around Roman’s waist. Eventually, Roman pulled away, a wide grin on his face, probably matching Logan’s own. 
“Hypocrite,” he muttered, a smile ever-present on his face and Roman giggled. Logan thought he was having a heart attack and had slipped into a coma. That was the only explanation, this was too perfect and sweet and somehow everything he ever wanted. He’d have to have one more kiss to make sure he wasn’t dreaming. And maybe another one after that. 
    Later that night as he was sitting on the couch with his now-boyfriend fast asleep and tucked into his side, he had finally found the state of Schrodinger's cat, had seen the dark side of the moon, and had found his whole world. And it could be summarized into one word. One glorious, extravagant word that represented someone who always made things more complicated than they needed to be, who wasn’t afraid to belt out musical ballads at ungodly hours of the night, and to him was the ying to his yang. To him, someone who was perfectly imperfect and someone he was certain he wanted to be with his whole life. And that person’s name was Roman. 
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trashmemes · 4 years
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NEW GIRL SENTENCE STARTERS   —   quotes pulled from season one of the fox series. feel free to make alterations.
i hate sleeping alone.
we tell each other everything. i’ve never not told you something.
you like me? you like my personality?
i just got out of a long term relationship and i don't know what i'm doing emotionally - or, let's be honest, sexually.
are you sure you're okay? you're walking like a disney witch.
i'm always the one who loves more. that's my thing.
my funeral is my time to shine!
when you care about someone, you do what's best for them - even if it sucks for you.
you don’t know how to be real.
what if i have some idea of love in my head and it's just totally wrong?
i can't believe i never noticed this before, but you are legitimately crazy.
you fold like a lawn chair - fold, FOLD!
i need you to teach me to be a douchebag.
please put some pants on. everything you say sounds really creepy when you're not wearing pants.
i can't just always say how i feel, okay?
you're allowed to be happy, but it's really annoying the way you're doing it.
we're open-minded people who do weird things to each other. 
i have a broken penis. don't pretend to know my pain.
saturday is a day for sleeping - and damn it, you will not take that away from me!
you were denied a cell phone, because you have the credit score of a homeless ghost.
i can't just jump into something if i don't know what's gonna happen.
that man wants to sleep with you.
you consider me a sexy man, correct?
i actually feel like i want something that lasts, and i want it with you.
families ignore things until they go away.
i hope you appreciate that i have kept eye contact with you this whole time and made no reference to the fact that you are basically naked.
THIS IS MY NIGHTMARE!
i just want to have a mature conversation.
put your shirt back on. please don’t make me laugh at you.
you don't have one-night stands. you get way too attached.
be optimistic? learn? we're all gonna die alone, so...
i'm like a sexual snowflake. each night with me is a unique experience.
you always see the worst in people!
can we take a minute to celebrate me?
if you guys let anything happen to her, i'm gonna come here and crazy murder you
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game-boy-pocket · 3 years
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Well, now that they're all finally out... my feelings on each of the new Smash Bros characters is this.
Inkling was inevitable. But that doesn't mean I wasn't thrilled to see them. Splatoon is a great new IP, though I personally worry about how similar the games seem to be 3 main entries in, but that's nothing to do with Smash. Fun to play but hard to learn. A- ( the minus is for no Octo alt ).
Ridley felt like he should have been inevitable, but was fighting against some pretty strong biases. But he finally made it and i'm very happy. I do think he could have been a tad bit bigger though. Even if they had to slow him down a bit. A
Simon very happy with this character, and honestly surprised he didn't get in sooner. Castlevania may not be as strongly associated with Nintendo as it used to be, but it's one of the first games that come to mind when you think of the NES as well as the SNES. He was in a TV show with Megaman and Pit for goodness sake. And I enjoy using him. A- ( minus is only for no chronicles alt )
Richter was a cool addition, if there was one other Belmnot to be added, i'm glad it's him... but I am more of a Simon guy. Side note, I wish they took the echo fighter character a little further. It seemed like branding clones as echo fighters is all it took to make people more accepting of the idea, only for them to just stop short of three or four new ones, and not even include super obvious ones like Shadow the Hedgehog or Blood Falcon. Anyway A- ( minus is for no symphony of the night alt )
King K. Rool being revealed was one of my top five Smash moments. Donkey Kong is not a neglected Nintendo franchise. But it has undergone some changes that long time fans don't care for, including the removal of the main antagonist, this guy, who has a gigantic personality. He's a very fun character and it's so good to see him come back ( pls appear in the next DK game pls pls pls ) He also happens to be very fun to play as. A++
Isabelle is where Smash reveals kind of started to lose me a bit. Animal crossing is a big series and all but I really felt like the one villager is all the game really needed to properly represent the entire series. You don't need a lot for Animal crossing. And the fact that Isabelle was a relatively new character, who seemingly snatched the role of series mascot from Tom Nook, well it kind of rubbed me a little wrong. She seemed unnecesary... but she is actually more fun to play as than villager, and she's cute. So I don't totally hate her. B
Incineroar was a poor way to end the base game lineup for me. Pokemon just isn't a very respectible series anymore in my eyes and Sun/Moon was the first game in the series that I found too boring to finish. Pokemon just doesn't excite me, and with each new announcement, I'm becoming actively disgusted by it. I would have loved a wrestler character in the game, but the fact that it had to be a pokemon kind sullied it for me. Yeah, I just can't pretend to like this inclusion even if it is a huge Nintendo IP. C-
Dark Samus is a character I am kind of indifferent too. I didn't think we needed her, but I think she's a cool addition to the game. A bit of a waste to make her an echo though, her abilities are very different from Samus in the games if I remember right, I honestly don't remember much of Metroid Prime besides the first one. Still, she's cool. B+
Daisy is an oddball for me. I know she is in Super Mario Land, but her main identity comes from the Mario Spinoff games, and I just don't play those games. They don't appeal to me. I like Mario platformers. And to me, if a character is in spinoffs almost exclusively, they don't count as core Mario cast members. And frankly it's a little odd to me that she's plucking turnips and summoning Toads. The citizens of Sarasaland are not Toads. And she wasn't in Mario 2... but she's not hurting anything I guess so B+, needed "Hi i'm Daisy" taunt.
Chrom is a Fire Emblem Lord alright. He's also an echo. So I don't care. C
Piranha Plant honestly felt like a little bit of an insult to me. I've always hated when Mario games start featuring low level mooks without names as playable characters in the Mario spinoffs while ignoring the likes of Wart, Tatanga, E. Gadd, or th extended DK/Wario cast or RPG characters. It's part of why I don't care about Mario spinoffs. That being said... it is, at the very least, extremely fun to play as. B-
Joker may very well be the most out of place character in this series. He's certainly one of them. Maybe I would feel different if I played Persona, but I don't. So to me he's like the worst thing they added to this game. D-
Hero felt like he should have been in Smash Bros before cloud did. Dragon Quest may not be as popular in the west as it should be. But it's definitely the most important and influential JRPG to the history of video games... that being said, I wish the DQ3 hero was the default costume. I really enjoy playing as him. A+
Banjo and Kazooie finally getting in is without a doubt my favorite moment in Smash History. Not even Sonic got me as hyped as they did. I wish there was a way to make younger fans see this character the way us old timers do without seeming like we're trying to force them to like him, but it is what it is. I love these guys and they're my most played character. A+++
Terry is a character i'm not familiar with. He just kind of looks like a bootleg Ken to me. I think they could have picked a better SNK rep. Metal Slug would have been nice, shooters are sorely under represented in Smash. Do we have anybody besides Samus representing shooters? And she barely qualifies. C
Byleth is a Fire Emblem Lord alright. But you know what, they're honestly the only FE character that feels like they're representing the gameplay of Fire Emblem particularly well while the others were just kind of generic sword slingers... that being said... was this the best way to end fighter pass 1? B-
Minmin was not a character on my Radar. I thought it would have been Springman or no Arms character at all... I am just happy ARMS made it in at all... but really, it should have been base game content. If only to support the new IP. A-
Steve was a character I was opposed to at first. I saw him as a rival to Banjo. And I also saw Minecraft as a dumb zoomer game. A joke. But people made compelling arguments for the importance of minecraft, how successful it is, I actually downloaded Minecraft on my Switch, played it, had a relaxing time, I still play it, and I was actually able to play with my friends who don't own Nintendo consoles. It has cross play. The cross play is really what won me over as it being really cool to have in Smash, as it really brought me together with friends. Steve is tough to use, but great fun, as long as it's against a computer. I can't fight humans for shit, hah. A- ( the minus is for that cursed short enderman alt )
Sephiroth rubbed me the wrong way. Another Final Fantasy character wouldn't have been so bad, but did it have to be another FFVI character??? Couldn't it have been something from before FF made the jump to total steampunk/sci-fi to better represent the series roots? He's fun to use but idk, I just take no joy in him... at least we got more FF music I guess. C-
Pyra/Mythra is a character I have zero opinion on. B ( for booba )
Kazuya is not a character i'm familiar with, and if there had to be another fighting game character, one from Namco, I feel like Soul Calibur should have been it. Bring the Link crossover back around. It seems Tekken has no presence on Nintendo as well... but whatever. I have no strong feelings. He's fun to combo with but I suck as him. B-
Sora makes me sad. I don't dislike Sora. He has a fun design. I like the idea of Kingdom Hearts... I just think the story of those games is very weird and dumb and confusing, so the games themselves are kind of overrated. I really think people only like it for the pretty character models and intricate costumes. I thought people liked it for the Disney stuff but I'm suprised to hear most KH fans seem to want more FF stuff and less Disney stuff??? The only thing that makes the game unique??? Should be dialed back??? That being said... I don't like Disney. It is an evil company. And Disney getting in bed with Nintendo makes me very anxious. D
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august-anon · 4 years
Note
Ok, so, winter prompts... I’m not the best at coming up with ideas... But what if the sides were doing a Christmas wish list sort of thing, and one of the sides rights down that they want to be tickled? (I’d imagine it’d be Virgil, but you can choose who it is I don’t really care)
Hey, hope you enjoy it! Thanks for sending in the prompt, my friend!
Joyful Noise
Fandom: Sanders Sides
Ship(s): Platonic LAMP
Characters (lee/ler): Lee!Virgil, Ler!Roman, Ler!Logan, Ler!Patton
Word Count: 1221 words
Summary: Virgil tiredly lets something slip on his Christmas list, but it doesn’t turn out as bad as he fears.
[ao3 link]
——————————–
Virgil didn’t know why Patton had insisted they all make Christmas lists. It wasn’t like Virgil even knew what he wanted, let alone how to ask for things.
And yet, he seemed to be the only one having problems.
Roman had passed out a copy of his list to each of them a few days ago, practically a scroll with the length of the parchment, written in his best calligraphy. Logan had given his out the day after that, typed neatly and formatted well, short and to the point. Even Patton had finished his, scribbled and scrawled in markets and full of doodles because he kept getting distracted. While the contents were technically the same, each of his lists were unique.
But Virgil sat there, barely days left, staring at the notes app he opened in his phone, the text blank. He had nothing. He didn’t know what to ask for.
He could just… wing it? What were things he liked? Virgil liked comfort items like blankets and pillows and stuffed animals. He liked spooky things. He liked Disney. He liked t—
Nope. Not typing down that one.
But what if he did?
Judgement impaired by the fact that it was three in the morning, Virgil hastily typed the word in and quickly clicked off his phone, tossing it to the side. He’d probably take it off in the morning, or at least before he sent it, but for the time being Virgil could at least pretend he was brave enough to admit it.
Even if just to himself for this time.
The next morning, Virgil groggily added a few more things to his list. Chocolate. Cookies. A new pair of headphones. Simple things that wouldn’t be too imposing or difficult to get him.
“How’s the list coming, kiddo?” Patton asked eagerly that afternoon.
“It’s, ah… it’s coming.” Virgil grimaced, suddenly self-conscious.
Patton gave a sympathetic pout and squeezed his shoulder. “If you need any help, let me know. I know it’s hard to think of things you want sometimes.”
Virgil hesitated. “I mean, I guess it’s pretty much done. I just don’t know if it’s good enough.”
Patton beamed and clapped his hands together. “I’m sure it’s perfect, Virge! Could you send it to us?”
So Virgil sent it that night, sending a screenshot of the list to each of them individually later that night. It felt too weird to put a Christmas list in the group chat.
After sending it, Virgil glanced the list over himself one last time.
-warm blankets
-fluffy/squishy pillows
-stuffed animals
-anything Disney
-to be tickled
-candy
-cookies
-a new pair of headphones
-a new phone case
—Wait. What?!
“-to be tickled?!”
Virgil forgot to remove that from the list! And it was too late! They’d all seen it by then, there was no taking it back.
Virgil was doomed. This wasn’t how he had planned to tell them. He hasn’t planned on telling them at all! How could he have forgotten to take that off his list?!
Virgil would just have to hope they didn’t notice, or that their eyes skimmed over it, or that they thought it was a joke. He ignored the tiny, desperate, hopeful voice in the back of his head, saying that maybe he’d actually get what he wanted.
He was a mix of mortified, relieved, and disappointed when no one mentioned it the next day. Or the day after that. In fact, Virgil had almost (almost) forgotten about it by the time Christmas Day finally rolled around.
And of course, the day started with Patton waking them all up far too early over his excitement for the holiday.
“Five more minutes,” Virgil groaned into his pillow, rolling onto his stomach.
“Now, Virgil,” Patton practically sang, “don’t make me take drastic measures.”
Virgil didn’t reply, which only made Patton let out a faux-displeased hum. Really, it sounded more fond (and almost teasing) than anything, but Virgil was too tired to place why that made a tingle go up his spine.
But then two hands slithered under his mound of blankets and scribbled at his right side and ribs and Virgil yelped, eyes going wide and jerking to the side so violently that he toppled off the other side of the bed.
Virgil popped his head up with a frazzled look, but was only met with Patton’s cheeky grin.
“Be downstairs in ten minutes, kiddo! There’s breakfast to make and presents to open!”
Virgil eyed the door warily after Patton left. Eventually he did get off the floor to toss his blankets back on the bed and Mae himself slightly more presentable. He didn’t want to know what Patton would do if he wasn’t downstairs at the end of his time.
Or maybe he did.
Either way, Virgil left his room and slowly started dragging himself down the stairs. Footsteps sounded behind him, but he didn’t pick up the pace. Not even when an annoyed, overly-dramatic sigh ruffled his hair.
But then two fingers jabbed into the flashiest part of his left side, then his right, then his left again, causing Virgil to make an embarrassing eep! noise and jerk away from where the fingers were. He barely swallowed down a giggle.
“Really, Virgil,” Roman said, finally gliding past him, “pick up the pace.”
Virgil grumbled some rude things when Roman turned his back, causing him to turn back around and point at Virgil threateningly before going back on his way.
Virgil stared after him, confused and suspicious, but his brain was still addled with sleep. Yet another poke to his side, this time closer to his hip, had Virgil jumping once more and spinning around to see who it was.
“You alright?” Logan asked, an eyebrow raised.
“I, uh, yeah. Fine.”
Logan hummed, That same teasing hum as Patton, and continued on his way as well. Virgil followed slowly behind.
The rest of the day went much of the same. Random, subtle teases, and pokes or tweaks out of nowhere, setting Virgil endlessly on edge. It wasn’t until halfway through opening gifts (when Virgil’s coffee was finally kicking in) that Virgil’s brain woke up enough to make the connection.
They really went and followed through with his mortifying Christmas list.
But the best part came after the gifts.
“I’m done waiting.” Roman announced loudly.
“Ro—“ Patton tried to start.
“Waiting for wh—ah!” Virgil cried out as he was tackled onto his back.
“To give you the best present of all,” Roman replied cheekily, and shoved his hands up under Virgil’s arms.
Virgil shrieked and tried to pin his arms to his sides, not bothering to hold in his joyous laughter. He cried out again as his arms were lifted above his head and pinned there.
Logan grinned above him. “Merry Christmas, Virgil.”
Virgil felt fingers start skittering around his knees and tweaking at the ticklish pressure points.
“Pat—!” Virgil squealed.
Patton giggled. “Now what kind of dad would I be if I didn’t get my kiddo what was on his Christmas list?”
Virgil burst into a new wave of cackling as six different hands targeted all-new sensitive places. He howled and thrashed, but he didn’t really want to get away or stop it, and they all knew it.
Needless to say, it was a very joyful Christmas that year.
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lixiefe · 4 years
Text
Can’t Touch-k.sm
Chapter Three: Touch as light as feather
Words: 1.6k
Warning: description of anxiety/ panic attack
SEUNGMIN WAS utterly fashionable, but he didn't go out much. So all his fashion-sense was invested into making suits look unique and contemporary; not at all in accordance to the classic black-white formal wear. Even if he wasn't quite interested in the meet-up, he still dressed himself rather well. A gray suit paired with an emerald tie and black silk shirt underneath.
It wasn't appropriate to say that Seungmin was nervous, because he refused to fall into baseless nervousness. But the possibility that people he was not close with might touch him, even for greeting, scared him. He was anxious and he knew of nothing that could get him away from this.
In a flurry of anxiety, he found himself stuffing a pocket hand sanitizer and wet wipes along with it. He breathed deeply, eyes closing and subtly opening again, seeing his godforsaken reflection in the mirror. With that, he somberly receded down to the living room where he found his mother; staring intensely into her smartphone, her nude nail polish contrasting her bright red matte phonecase.
At the sound of his footsteps, his mother looked up, eyes gleaming as she skipped towards her son. "Oh my god! You look gorgeous!" she beamed with glee, a happiness all too threatening in the latter’s eye.. 
Her gaze was of a proud mother as she ran her eyes from his head to toe. Seungmin found it strange how his mother somehow considered him to be the most enticing man ever, even though he couldn't see why. To Seungmin, she looked like she was about to drag him through the building and show off just how incredibly handsome her son was. And involuntary shudder spiked up his spine at the thought. However, he couldn’t suppress the achievement he felt.
"I am not gorgeous." Seungmin mumbled, a slight smile creeping up his face. It wasn't wrong that no matter how much he pretended that he hated compliments, it mystified him every time.
"Oh come on! I am sure Y/L/N is going to be surprised."
Seungmin inwardly cringed at that. He didn't want to impress someone who was being forced upon him. If anything he wanted to be Shrek, with layers resembling onions and filled with unfiltered disgust, so that she could reject him at once. It also fired up his senses on why she didn't refuse the connubial first hand. Maybe, maybe she also didn’t have a choice. But the wee grudge at the lack of protest from the other side wasn’t something he could ignore. But he wasn’t much different.  
Seungmin knew he was being a hypocrite but he couldn't help himself. Who would like it if they were to be married when they clearly didn't want to?
---
Seungmin was seated on the reserved table of his mother's favorite restaurant, tapping on his phone without looking up. It was to her great malevolence that he got to seat himself farther away from everyone, in a subdued corner. There was a blank seat between him and his mother, and he prayed to whoever that his mother doesn't make the girl seat there of all places when there were three vacant seats right in front.
It was then that Seungmin looked up from his phone when he saw people nearing their table along with a series of embraces and complements. They missed other this much in such a short time?
He put his phone down and looked up, eyes trailing on the young girl hidden behind the elder women. His brows furrowed in awe, trying to obtain as much view of you as possible. But all he saw was a section of silky waist length -- hair, which he found extremely beguiling. His eyes betrayed his own orders as they trailed behind your hair as you moved.
 He also noticed your subtle movements that gave justice to proper etiquette and upbringing. And all his momentary hatred seemed to vanish away as if it's existence was a lie. Which wasn’t much inaccurate. 
Finally, as the women dispersed from each other, Seungmin mentally gawked at you as you gracefully sat down right in front of him. You gave him a quick tense smile, folding your hands on your lap and looking down right away, wisps of your bangs falling in your eyes. You shyly blinked them away. 
Although he couldn't catch how you looked, Seungmin found your small actions immensely attractive. All through his years he never really focused on anyone, he couldn't. And now that he acknowledged there were people like you in the world, the confines of his office room seemed crooked, evil even. 
Seungmin couldn't help but admit that you were absolutely enchanting, even though his standards of ‘ enchanting ‘ was unknown to himself. And your peach dress contrasting your skin made you look even more gorgeous, a fairy in disguise. Undoubtedly, you were the most beautiful female he had laid his eyes on his whole life, aside from his mother of course. And he hadn’t even seen you properly.
But then again, you were so stunning that you might have had multiple boyfriends, or a ton of guys crushing on you, competing for your attention, he thought. And that didn't make him feel exceptional anymore.
"Seungmin, introduce yourself!" Seungmin shook away from his trance, blinking his eyes once again. He saw you abruptly lift up you head, your hair swaying in the act.
When he thought you couldn't get any prettier, he felt his heart skip a beat. You looked innocently evocative with facial features that were distinct; soft, with a touch of exuberance. Your eyes a magnificent --- that seemed to brighten with the reflection of light from above. 
How your skin glowed under the extravagant chandeliers of the restaurant and how your hair shined in the fluorescence, was a mystery to him. Seungmin figured his eyes were malfunctioning, hallucinating countless glowing sparkles that circulated around you like Cinderella’s magic heels.
But this is not some disney movie depiction?
He detected that you hadn't worn much makeup. All he could see was your lip tint, which had a glossy hue, making your lips stand out in the most sensational manner. Seungmin felt like he had forgotten how to breathe. Was it love at first sight?
No! Not in a million years. He mentally slapped himself. But he quickly zoned himself back to reality.
"Kim Seungmin. It's nice to meet you," he said, giving you a small tight-lipped smile. He didn't bring his hands forth for a handshake, since he couldn't muster to. Instead, he gave you a little bow to show courtesy.
"Kim Y/N. Glad to meet you too." You returned the bow and offered a smile, which Seungmin nervously returned along with another tentative bow. 
Now that you finally took a look, your mother was right. Your supposed-to-be fiancé was awfully handsome, with flawless skin and princely visuals. You noticed his dark brown hair pushed back with frails falling over his forehead, fashioning his hair in a unique manner. His mono-lid eyes looked unnecessarily glamorous and face pointlessly good-looking. Nonetheless, he was surely appealing in his own exclusive way and you couldn't help but admire him.
The rest of the lunch went by smoothly. You mother engaged into a heated conversation with her friend. It didn't seem like they could ever talk enough, much less catch up onto their lives.
 You also glanced at Seungmin occasionally. He was constantly texting someone on his phone, who you guessed to be his associate. You weren’t keen on disrupting whatever conversation he might be having. Now, you were the only one sitting straight and only perceiving your surroundings. The decorum of place was without a word very luxurious, so high class compared to you.
No way did you fit in here.
You were about to take a tissue from the decorative container, not acknowledging that Seungmin had reached out for one as well. You felt your hand brush with his fingers for a brief moment, touch as light as feather. But he pulled his hand back almost immediately. Your eyes fixated on his changed movements, observing. 
And you noticed that his demeanor had become a tad bit panicky; anxious. One of his legs shaking underneath the table as his gaze vacillated through the conserved area every second. You didn't know if he was just nervous or if there was something going on, something you had no idea of.
At that very moment, he excused himself to the washroom, leaving you with your running thoughts and unconfirmed assumptions.
Seungmin hastily went inside the washroom, immediately fishing out the patch of wet wipes and using one to sanitize the area your hand touched his. He rubbed multiple times before using a liquid soap to clean his hands further. He felt panic set within his chest and the more he rubbed the more ease he felt. Thriving for the burning feeling in his chest to go away, he continued to cleanse his hands for a solid thirty seconds.
He was discombobulated. He felt like he needed to constantly clean himself to not contaminate someone else with germs, similarly the other way around. The only thought in his mind was that, it couldn't happen again.
 He couldn't touch you, because he felt so disgusting and out of place that it was an abstract prohibition for him. And the thoughts were so indirect and repetitive that it made him dizzy. He knew he was fidgety with touches, but what the fuck was this feeling? It was intense to the point it made him feel like a maniac on loose.
He looked at himself in the mirror and spotted a glisten of cool sweat forming on his forehead. He wiped them away with another wipe and went back to the table.
Why was he so riled up? 
As soon as you saw Seungmin entering your line of view, you had your eyes totally set on him and his every posture. He timidly sat down in front of you and proceeded to finish his meal.
It bothered you when you saw that his middle and index fingers were faintly reddish, as if he’d scratched them. You didn't recall any reddish patch on his hands when he reached out for the tissue. But you didn't give it much thought at the moment. Maybe on his journey from the washroom to here, a mosquito had bit him.
Even though that could be it, you couldn't convince yourself.
a/n: I feel like it’s very messy... 
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mileycfan4eva33 · 3 years
Text
Fandom: One Chicago and SVU
Title: Silence Equals Death
Chapter 1: Dear Diary
P O V: Sylvie Brett
A/N: Boy, I am getting sick of these things. But, I'm too paranoid not to write it down. Here are the usual disclaimers, I do not own any of the One Chicago/Or SVU characters that glory goes to Dick Wolf and NBC. Trigger warning for a sexual assault/ rape towards the end. Whose Point of View would you like chapter two to be in; Kelly's, Matt's, Stella's or Kat's, Or Hailey's? This fic will be told through multiple views and be a joint between PD/ Fire and SVU. Reviews are fires to my soul; please leave one. Thank You.
Gaffney Chicago Medical Center
Dear Diary, today is January 31, 2021; it is 12:56 am; I am in Chicago Med. I have to write this all down before it becomes a twisted blur of fragmented memories. Tonight was a nightmare, and a dream all rolled into one. Sitting here now on this cold steel trap of a bed, I am in disbelief that any of this happened, but it did, and it shouldn't have; if I had been smarter, more robust, less drunk, none of this would have happened. I only have myself to blame. It all started so innocently.
Now everything is such a mess; how did this happen? I am not a lovesick teenager, and I shouldn't be making these types of mistakes. If only I could turn back time and not get so damn drunk, but I can't, so here it is, the sick truth of what will surely end my career. The authentic story as only someone who lived it can ever tell it. No Disney fair-tales here, just honest raw truths, every word you will read is what happened to the best of my recollection someday I will gone, and I want my truth out there, so no woman ever has to bear witness to the pain of being raped, and thrown away as if she is the villain.
I am not the villain, but can I say I was a victim?
Sofitel Chicago Magnificent Mile
20 E Chestnut St, Chicago, IL 60611
January 30th 2021 9:35 pm
"My money's on you finding exactly what you want."
Matthew Casey's rugged, sexy voice purrs in my ear. I can't remember when he said that or why the hell he said it; my mind is toasted with the large amount of alcohol I have poured into my body. I can remember what he said after, though, because it's what I deserve. Matt had no idea back then that all I wanted was for him to say he loved me, to tell me I am beautiful. To reassure me that these butterflies I have been feeling forever are not just in my stomach, not only carrying my heart away, but they are in his as well.
He didn't, not then and never since it's been at least two years since he said those words to me. Two years since I felt a brief flutter inside my heart telling me that my feelings for Matt had changed from friendship to something a little less platonic. "God, there ain't enough alcohol inside this damn hotel to take my memory away from this pain."
"I hear ya' sis." Stella Kidd motions for the bartender to bring us two more rounds as she settles against the counter inches away from me, her elbows propping her up. "You look flushed, Brett. Are you feeling okay?" Stella's gorgeous brown eyes are wide in concern as she glances at my body my cheeks are burning, I can feel the heat descending from my head to my face making me sway in dizziness a little as I try to remember how to breathe. Funny how a normal body function can sometimes take so much damn effort it hurts. I need a minute to do nothing, not to feel, think, talk, react or breathe, but of course, I can't have that minute, not with Stella on the case. "Yeah, girl, why wouldn't I be okay?" I fake a laugh, which I don't think fools her even for a second.
"Uh, I am so over these damn things Sylvie, I thought with COVID we would escape this bullshit this year." Stella slides down my shot glass to me as she tilts her head back and chugs her shot of whiskey with one gulp. "Yeah, I would have thought so too; nothing I hate more than a bunch of grown-ass corporate men in suits pretending to give two craps about us little people."
"Amen, sister." Stella clicks her empty glass against mine before I tilt my head back and swallow the rush of warmth that leaves me dizzier; maybe I shouldn't have skipped two meals today before coming here after having no food yesterday. "So what's up with you and Kelly?" I turn my head to my right to catch Stella's eyes, glued to her boyfriend Kelly Severide, chatting with District Chief Steve Walker. Fire Commissioner Carl Grissom and the Deputy Director of Finance Gail McLeod. "Kelly's looking dapper Stella; I think someone is going to get lucky tonight." I hold my hand up to signal the bartender for another round; he fills our glasses quickly, much to my pleasure. "Yeah, from your lips to Kelly's ears, please, he's barely touched me ever since he found out that some people may take offense to me being promoted because we're together."
"Aw, man, I'm sorry he's probably just worried Stella, he loves you Kelly doesn't want to be the reason you fail because we all know you deserve this promotion. At least he cares enough to say the words out loud." I swallow the shot feeling my eyes burn badly as tears filter out. "Aw man, this shit is strong. Phew!" shaking my body out, I signal for another, hearing Stella laugh. "Still regretting telling Matt how you feel?"
I pause for a moment before I answer; how should I respond? Do I regret telling Matt how I feel? "Hey bitches." I'm saved from answering as Leslie Shay comes stumbling over, wrapping her arm over my shoulder and squeezing between us, holding her phone up with her left hand. "Smile bitches." Stella and I hold our full shot glasses up. I love this bartender; he is on his game tonight; we smile and lean into Shay, who is reeking of Tequila. "Give me some love, sugar babes." Yeah, she is drunk, sugar babes? Where did she even come up with that one? We smile brighter even though neither one of us feel happy at this moment; her eyes are on Kelly, who isn't even looking our way, and I lock my eyes on Matt, who is dancing with some woman I have never seen in my life.
The woman is drop-dead gorgeous though five-foot-nine inches is my guess she appears to be Lebanese or Latino with long caramel hair flowing down her back past her waist the silk wrap dress she is wearing clings to every unique curve on her flawless body. Matt's arms are wrapped around her waist he's dancing close with her, my heart races so fast I feel the room sway. "Love is a journey, Sylvie, don't give up yet. I know this moment sucks. I get it hurts worse than anything you've ever experienced. When it gets too heavy, when it feels like the weight of this pain is crushing you, remember the pleasant moments, the breathless enthusiastic moments. Matt's alive, and so are you as long as you live, there is hope."
I wish I could smile at Shay as a thank you, but I can't muster the strength even to attempt a smile. Seeing Matt dancing with this woman is killing me slowly; who is she? Where did they meet? Why did he choose tonight to bring her on a date? Knowing I would be at this stupid First Responders training shit, is he trying to make me jealous?
"Your Casey is out there, Sylvie, but you don't have to change who you are to find him." Gabby's words from five years ago come back to me; she did not know just how right she was when she said them to me; hell, I didn't even know back then that the man who I would want to be by my side forever, the man who I would spend countless sleepless nights crying my heart out over was her Casey. Talk to God, Sylvie, get your head straight; this is crazy pinning over a man you pushed away yourself.
Sometimes I feel so cold the way steel must feel left outside to fend for itself against the weather elements. Some days I feel broken, I forget what living is for, I forget how to breathe or even why I should keep living. Today is one of those nights; seeing Matt with this woman is breaking me; I can feel every string of my heart aching, pulling, and twisting as it stretches my entire inside into a giant trampoline my stomach turns and painfully contracts reminding me.
I am alive
Every ache and every pain reminds me I am breathing, but why I can't seem to grasp it. I'm not suicidal, but I'm finding it hard to find a reason to keep my head up when my brain is screaming at me to run away, to bury myself in Tequila and cuddle under the covers till all of the daylight fades away into a blur of a drunken haze.
"Another shot, bartender."
"Name is Josh." I turn away, not caring, seeing only Matt as he lifts his finger to wipe out a stray hair off the woman's face. I can barely breathe every effort is a raspy painful burn that leaves me gasping, trying to fight off this fresh wave of tears. "Close your eyes, Sylvie, and fucking hold it together for a few more minutes; for God's sake, don't let the man see you cry."
Shay slips her arm around my back under my armpits, quickly leading me out of the ballroom where the music is playing louder than what you would expect at a training seminar. "Remember what I said to picture the pleasant moments." "I can't, Shay..I... can't breathe." "Shh, hey, it's okay. I got you." Shay gently settles me onto a couch inside the ladies' room, handing me a cold bottle of water, which she's already taken a few sips out. Still, she lifts to my lips before I can stop her; the cool liquid splashes over my chin, dripping down what gets inside my mouth is refreshing and helps cool me off, allowing me to breathe easier. Leaning back against the wall, I close my eyes, trying to regain some gravity; my knees are trembling, leaving me feeling as if I will collapse if I try to stand.
I want to kick myself for falling so hard for a damn guy who I knew would never love me back. I knew I shouldn't have pushed Matt, yet I ignored every one of my instincts and went full sped ahead. God, I will remember that day forever- I had been avoiding Matt for days ever since the accident. Mainly because I had my suspicions that Matt hadn't just been lucky in getting to me so quickly, part of me hoped and yes, as vain as it sounds prayed that Matt had raced to me, that the thought of me being in peril had somehow overcome Matt's heart running his blood in fear.
I told myself I was crazy even to think such stupid school girl thoughts. Matt is our captain; it made perfect sense he would be worried about Gianna and me; we're part of his team, nothing more. The job of the captain is to make sure all of his team comes home safe at the end of every shift; Matt's lost too many people in his days, he fears losing anyone, so of course, the entire team raced to us when they heard 61 was in an accident.
I had myself convinced Matt came to me out of loyalty out of duty, not because he was in love with me, I am stupid for even thinking for one mil-la-second that Matthew Casey would ever love me as anything except a friend. I was doing so damn well, too, until Blake Gallo blew up all my rationalization with his account of how Matt jumped out of a moving truck to get to me. Me, not myself and Gianna but only me. Brett, I have to get to Brett, that's what Gallo recalled Matt saying.
Shattered
Read more and please leave a review at https://m.fanfiction.net/s/13807832/1/Silence-Equals-Death
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msindrad · 4 years
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If you like the series just ignore me (or don’t and learn something about some freaking great movies that are subsumed under the title the Dollars trilogy)
Anyway, as I’m in a bad shape today, I’ve decided to watch that Mandalorian thing that has been bombarding me with its ads on all my devices for ages now. I wanted to do it just because somebody here on Tumblr had brought up how many parallels – that’s a very nice way of talking about this kind of atrocious thoughtless plagiarism, btw – there are between the Dollars trilogy and the series in question. So, I had seen a lot of similar screenshots before I sat myself down to watch the thing, but, girl, I was not prepared to see this product.
That’s a pure experiment setting, mind you. I have exactly zero concrete knowledge about the SW movieverse, so, I’m pure tabula rasa in that sense. Never seen Firefly or the like, too. All I see is the story in front of me – the directing, the script, the performances etc. And it’s bad.
We have a literal ‘guy walks into a bar’ situation. Except there is no real anecdote/punchline after that set-up, it doesn’t pay off, okay. A couple of aliens/weird but still humanoid creatures threaten/torture somebody in that bar in plain sight. Because they’re bad, you know. And they threaten this other alien by telling them that they’ll be eaten alive and stuff. Because they’re bad, just in case you didn’t get it. Offensively bad, have no doubts about it, otherwise the subsequent brawl will be kinda less impactful, right? Right, yeah… Then, the protagonist enters this fine establishment and his entrance causes the drink of one of the torturers to spill. For this reason, the torturers approach him, momentarily forgetting about their victim and clearly looking for a fight, but “Mando” remains silent, the bartender tries to interfere and deescalate the situation when the aliens crowd Mando. Then, one of them scratches his armor, and only then he brutally fights back, using a mug that he’s given by the bartender to make the first hit.
Now, why is this a sub-optimal introduction to a character, imo, boring and blunt? It’s a terribly missed opportunity in characterization. Why not asses a situation verbally? Make a comment about these a-holes? Make a joke? Instead, he’s just being _mysterious_ samurai type until it’s stupid to let himself be insulted any further by these aliens.
Also, you can argue that the protagonist here just isn’t the type to mix up into random fights that aren’t in any way relevant for him personally or won’t get him paid (he’s an assassin or the like, right?). So, then, he is the type who doesn’t care whether somebody will be tortured in his vicinity? Are we supposed to be rooting for him? (And, yeah, I know what the deal with this tortured guy was, but it doesn’t make the scene anymore interesting, damn it!).
Remember Joe in AFOD? He also seemed to be keeping his head low after he witnessed the conflict between the Rojos’ people and Marisol and her family. But the key word here is “seemed.” He wasn’t okay with the situation at all, he was calculating his chances, and towards the end of the film he did free Marisol and her family just because it was the right thing to do (and he later suffered some brutal punishment for the goodness of his heart) and because he had seen such situations before and couldn’t let the familiar scenario happen on his watch again. That’s a smart, brave, compassionate, and humane hero. He is also humane because he has learned from his experiences. He saw it happen before, maybe he actively disregarded a similar situation back then and regretted it a lot. Maybe somebody with whom he sympathized suffered, and it’s the reason why he is empathizing with this family of strangers and risks his life for them. Either way, he _is_ fighting the injustice, and he’s doing it as a good tactician.
(Note: I don’t have to explain any of these to my Jusitfied people because the show is a fantastic example of how to do even the shortest scenes funny and/or meaningful. Remember the disabled hacker’s escape from Raylan? That time when Raylan got his ass kicked by two random drunks in a bar for trying to defend the honor of an unknown woman? The introduction of Bo? The introduction of Loretta? Of Carol? How in a brief exchange we learned everything we needed to know about the dynamics between Helen and Raylan? HOW JUST ONE SINGLE LINE from Arlo told us everything about their relationship with Raylan during their first encounter after decades of not having sent one kind thought to each other? I mean, common!!! All you got to do is to think when writing a scene to make it interesting and to know what your characters are (and to have found something interesting about them in your head in the first place).)
On the other hand, let’s take Manco and Mortimer. They also get into conflicts and irritate people in the bars they enter in FAFDM, right? But they do it actively, as any protagonist/deuteragonist with personality should. And so, they do it by being two bad-ass professionals and also two little shits.
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Manco? Walks into a bar, casually figures out that the sheriff of this town is bought, provokes a fight, interrupts a card game and makes a bet with the wanted criminal, wins that game, beats the shit out of the guy, kills his henchmen. A quiet type, barely says three phrases during the scene. Also, a few minutes later, he disgraces the bought sheriff by stating his disdain and demonstratively throwing away his star.
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Mortimer? Lights a match off the hump of an unhinged criminal to look at his reaction and assess how serious the game of the gang is this time, uses his cigarette to light up his pipe when the hunchback blows the first match out, actively causes the whole gang to leave, reaches several conclusions during a very short interaction, comments on how somebody with a gun wouldn’t allow themselves to be insulted like that in front of everybody. And when Wild approaches Mortimer after recognizing him as the smoker who humiliated him before in another scene Mortimer at first pretends that it didn’t happen and they’re complete strangers. Then, when it doesn’t work, he implicitly admits having humiliated him before and laughs at him. And then, when Wild provokes him Mortimer savagely humiliates him AGAIN.
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Now, that’s writing, that’s characterization with unique colorful personal responses. And it’s entertaining, ingenuous, and suspenseful. In one word: creative.
Also, lol, 
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I guess, you dropped your Josie Wales, Disney. Shame on you. 
And I have nothing against homages or citations, re-inventions, etc. Everybody quotes everybody (e.g. AFOD is inspired by Yojimbo, but those are two completely different movies for different audiences!). But if reiteration is mindless and doesn’t re-invent a single thing, then it’s just stealing and disgustingly pretending like you have the mental capacity to understand what you’ve stolen.
ALSO ALSO this series managed to incorporate in the final product three things that I hate the most in film/on TV: 1) stupid plagiarism 2) RUSHED WESTERN YOU IDIOTS YOU DON’T RUSH A WESTERN UNLESS IT’S A COMEDY AND EVEN THEN YOU THINK HARD BEFORE DOING IT 3) no goddamn light on my screent!! you think if I can’t see your idiotic story I won’t judge it, that’s the plan?!
Ridiculous.
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everyone talkin about the king jumpin off the building at the end of fallen kingdom and how sad it is but everyone is forgetting the part from take back the night where the master villager guy was crushed by the spike flail. like fellas. the king survived. he survived the entire thing, but that master guy is like actually dead. 
you know what? time to do a rundown on this original minecraft plus one parody series (take back the night, find the pieces, and dragonhearted are all original songs)
so first of all, let me point out something about fallen kingdom. people dont seem to notice it in the first listen and sometimes they never figure it out but the majority of it is actually a flashback. notice the king’s beard is longer in the night time scenes and everything’s broken. like, of course the king isn’t dead. how would he be walkin around after all that shit happened in the destruction if he was??? anyway, lets move on to something i spent too much time writing.
those songs introduced so many characters that are all unique but arent explored really at all (mostly because the songs dont tell much of a story. just the bare minimum because thats about as much as you can do with minecraft parodies.)
 like the guard with the nose itch,
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these fellas
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and the archer
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like you cant really notice it while youre dancing and stuff but these guys are pretty cool to me. notice in the second image of the guard, his mustache is bigger. this shows that time has passed from the flashback on the left and the flashback on the right. it’s showing how the characters age. might just be me but that sort of thing really shows that these characters have lives. the pigs you can tell someone put effort into their designs and the archer you can kind of tell he’s confused and has seemingly never really had to shoot at anyone before
and then onto the more “subtley characterized” characters
the queen
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you can tell all the violence is too much for her. she cries as she watches her husband take the sword and go outside. other characters in reaction to the mobs simply grabbed weapons and fought back whereas the queen was just crying. granted we dont see many citizens fighting back against them at all but you get my point.
the three villagers from the search party
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you can tell the white and green ones are more experienced. the brown one seems jumpy, frightened, and confused. the white one silently grieves when the green one tells them that the mother is dead.
...and now onto the more heavily focused characters
the pig king
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surprisingly, the pig king isn’t really shown to do much other than sit around. they make it seem like he’s the one in charge of everything though. he’s important but he’s not shown as much. just wanted to get him out of the way cause this was a cool screenshot
the pig commander guy
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this guy just screams “cocky bastard”. literally every time he’s onscreen he either has a smirk or is reacting to something else. bonus for his little science man on the right. he doesn’t show up again (to my knowledge) but you can tell exactly what kind of character he is. we’ve all seen the “science man raises one finger as the boss ignores him” scene. anyway, back to the cocky guy.
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this scene really i think shows his character the best. mustache man here is cornered and afraid and resorts to crying and giving up. this pig guy mocks him for a second before raising his sword.
the trio from the beginning of find the pieces
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the chef is another character you can kind of get. like, he’s your basic “happy neighbor pal” or.. or just you know. “the buddy”. he’s sittin there cooking and he’s real happy about it until the hero bursts into the room and he drops the bowl. he takes a second to see who did it and when he sees the hero he laughs about it. like a “ha ha classic hero”. his expression on the bottom is a fading smile after the hero explains a dream he had. this is important for later so hold onto that.
the farmer.
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you can tell he’s just done with life. he’s living basically on autopilot at this point. he looks like he’d wear the “i really wish i weren’t here right now” pin. you can kind of see bored and “done with everyone’s shit” and maybe a bit of vague “nostalgia sadness” yknow? also, this is off-topic but this panel makes for a great meme template. go ahead and use it please thank you.
the scientist
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honestly? this guy doesnt have any characterization other than “i am the smart”. like he’s just the guy that gets the scroll off the shelf and tells the hero about the kingdom. but i do really like this character nonetheless. you really know exactly what kind of person he is because you’ve seen this kind of person so many times before.
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ok so. remember before when i was talking about the chef and told you to remember something? notice the colors of these three’s robes. these might be the same villagers from the search party. this could explain why the hero went to these three villagers and why the cook lost his smile when he heard the hero’s story and why the scientist had a map and knew about the kingdom. the farmer was the confused jumpy guy before but now it seems like nothing can phase him. this might be because he didnt really get to do anything and he wasn’t involved as much because he was just the backpack guy. ‘s also why he doesnt do much here either. that might be a stretch but idc man let me theorize.
also they show up again later
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the scientist is the one designing all the iron golems and planning where they patrol during the big fight scene in dragonhearted. the scene is set up in a way that makes it seem like he is crushed and killed by big robo pig herobrine. this is not the case though. 
all three are seen later in the final scene. theyre not dead (thank god)
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anyway lets talk about the master
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sorry for the weird stretching btw i edited all this in paint from screenshots. anyway uhh so the master. you get a little bit of characterization here from him. a lot of these characters are stereotypes but that’s really expected considering this is a minecraft parody series. theres not a whole lot of talking you can do. this guy is literally the master guy in an action comedy. you can tell what kind of action comedy master you get from this scene alone. he makes the hero stew so he’s obviously a very caring master, and the following scene shows that he has a sense of humor, but hides it just to look cool. the moment he notices someone see him laughing he pretends it never happened. also a small detail here i wanna point out real quick. i love that the villagers can separate their arms here, but i ESPECIALLY love when they put them together. like, they dont always do it but they still do. i just love it. anyway...
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because of this and the fact that the hero and the master were pretty much the only two in the song for a while there, it actually stings when the master is killed. the hero’s reaction is DEFINITELY a factor in this too. this guy was like a second father to him and now this is the second father he’s lost. FUCK i love these songs SO MUCH. i wonder what it would be like if the master ever met the king
note: i didnt characterize the hero, the king, or herobrine given that they are the main main three characters. you can probably figure out their personalities on your own. (well, almost all of them. herobrine doesnt really have much of one other than “occasionally turns into a disney villain when he finds out the king took the eye out of the portal”)
anyway uh, another thing this series really does is just visuals. cool lookin scenes all over the place here.
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like look at this shit. especially the ones from dragonhearted. i think that picture of the golem was used everywhere for a short time and i dont blame them. its an epic shot and i love it.
...and i didnt even include the two classic scenes that you can visualize in your head at any moment
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these two moments are so fucking powerful you don’t understand. like look at these. god. shit, this is just.. hhhh i love this series so much. you know, sometimes i like to think of stupid theories... like imagine if revenge was actually part of this series. it has no effect on the story but it seems to follow the same “rules” (all characters are in hardcore mode is a big one). idk maybe they did happen in the same universe but steve is just a great ancestor to the king or something. anyway, thats all the energy i can spend on one post. it took an hour and a half to write this and grab the screenshots. feel free to add on to this list of things we all love about fallen kingdom and the others.
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