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delicrieux · 3 years

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☆ﾐ 𝚖𝚊𝚔𝚎 𝚢𝚘𝚞 𝚜𝚊𝚢 “𝚘𝚑”

PART 10: BIG DICK IS BACK IN TOWN

y/n is back in brooklyn for the holidays. thinking that a stream will make her feel less homesick for cali, she starts working on her famously titled hentai.free.srv. what was supposed to be a relaxing stream turns into a special delivery about two hours in.

─── corpse husband x reader ─── soc. media + written fiction! ─── word count: 2.2k ─── ❥ req: Here's one... You know those apps for delivery like Domino's or whatnot... What if reader is streaming Among Us with Corpse, and reader mentions they're hungry and Corpse offers to order them food, and readers like no no it's fine... Then there's delivery at the door (Corpse ordered beforehand)

author’s note: fucky format is also back in town baby!!! also if you find any mistakes - no u didnt <3 thank u everyone for enjoying this story sm i literally cant believe how feral yall going strawberry cow was a nuclear explosion im still recovering tbh. got an ask a while ago and decided to incorporate it into myso. happy holidays everyone! myso will continue on monday!

ultimate masterlist. ҉ myso masterlist ҉ previous. ҉ next.

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Indeed, being soft on any social media platform was the biggest disgrace and needed to be eliminated post haste. Moreover, it was a slippery slope - once you start flooding your timeline with cute imagery and heart emojis, what will stop you from posting inspirational Facebook quotes? Disgusting. If Rae were here, she would chide you (not you thinking about her as if she’s dead or something). For once in your life, you feel like you deserve it.

Alas, you hope this little chaos you’ve caused is enough to throw everyone off. The stans, especially. You know the hashtags, you’ve seen ARMY scourging for info online with the same fervor and ruthlessness 1 Direction fans hacked airport security cameras just to spy on the boys. If you had any dirty secrets online, they are out to the public now - thankfully, besides the Harry Styles stan account (with edits and all), you have nothing. Though, now that you think about it, exposed nudes would have been better than your Punk!Harry edit receiving almost a million views. God, your life’s a fucking mess.

Your fans aren’t the only ones out for info - you, too, are trying to decipher Rae’s message. Code: Barbecue Sauce. The two of you had come up with it roughly two years ago, around the same time when you promised that if you didn’t find significant others by the time you’re 40, you’ll just marry each other. It was one of the many rules found in your friendship codex. Barbecue Sauce signifies information - an exchange of information. And depending on how it ends or begins (”So I’m sitting there” alludes to Rae, “On my titties” alludes to you), secret data on that person is given away, usually free of charge.

But why? And to whom did Rae give away what? You had pestered her mercilessly and even sent some voice messages where you were crying. You were only crying because of a video of a grandpa smiling you saw on TikTok, but you are a snake, and so you put those tears to good use. If streaming doesn’t work out, you’ll just become an actress. Hollywood would love you. Your PR firm sure as fuck wouldn’t, though.

Rae was having none of it. She said you’ll figure it out eventually. Told you to channel your superior puzzle skills. You were quick to remind her that you can barely count to ten without having an aneurysm. Oddly serious, she admitted that she worries for you sometimes. Why only sometimes?! you demanded. She merely sighed. uttering under her breath something that sounded closely to “Boke.”

You leave her for barely a week and she’s already neck deep in the gay volleyball anime, hoodie and cardboard cutout and everything. Your life is falling apart.

But Brooklyn is nice. It had snowed when you stepped off of the plane. Thousands of snowflakes sprinkling into your hair, dotting your cheeks and nose. You missed this sight back in Cali. You missed your parents, too.

Home cooked meals, old sweaters, your old room and about 40GB worth of old high school pictures on your computer. You went through them all one night. Some were stomach churning, cringe inducing nightmares. You were especially fond of those. Texted some of your friends that were still in Brooklyn, met up, decided to bake. Bad idea, Rae was the resident chef back in Cali. Besides laughing till your stomach hurt, and almost burning down your kitchen, nothing all that significant happened. Somewhere down the line, at about 3 am, half-way through a cheesy rom-com you had the overwhelming urge to text Corpse.

That’s where the problems really started. God, you missed California, missed being in the same timezone with a guy you hadn’t even met yet, how embarrassing is that?! You missed skating around and taking pictures of the beach in the setting sun, sending it to him, silently wishing he was with you to admire the view.

You really want to call him. And to hang out with him. But for some reason, the thought of that springs up immediate anxiety and you shy away from asking. Him sending you cute good morning texts doesn’t help, either. Maybe it’s better he doesn’t know that you’re a blushing, stuttering mess each time you read “baby”.

Late evening. Your stream is already set up, people are slowly trickling in and you greet them with a grin and a soft “Hello! Hi hi!”. You did your best to make your room a perfectly chaotic backdrop - led lights, an embarrassing amount of anime merch and plushies. You always try to balance out your weeb side by dressing hot as fuck for your streams - today’s inspiration just so happens to be egirls. Mostly because you watched one too many egirl make-up tutorials on TikTok, and also because you’ve been listening to Corpse’s song all day.

Yeah, no, who are you kidding, you dressed up this way because you were hoping Corpse was watching your stream. You didn’t forget your cat headphones, either. You know he likes them. You want to make him suffer. Perhaps then, finally, he will ask you out, so you wouldn’t have to.

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“I feel like,” You start when you put away your phone, staring idly at the chat, “I feel like I need a new name for you guys. Calling you guys after two years of streaming is just... weird, no? I also don’t respect men so I don’t want to call you guys. Like, so many creator’s have, like, a name for their fans. Uhm, Cody Ko has the chodesters, Kurtis Conner has, uh, folks? Kurtis Town? Citizens! Markiplier has mommy issues--” You can’t help snorting, “So, I’ve been, like, thinking - I know, shocking! - so I was thinking I’m gonna name you cockroaches. Because you’re grimy little shits impossible to kill. And also then I can use the legendary Minaj meme ROACHES!”

Your stream enthusiastically echoes ROACHES, making the chat swim. Yes, if anyone would enjoy such a name, it would be your audience. You’re as equally proud as you are disturbed.

“Well, anyway.” Leaning back into your chair, you throw your arms out with a bright grin, “Big dick is back in town, baby! If you noticed the backdrops different, it’s cuz I’m in Brooklyn now. Don’t ask me when I will return to Always Sunny, I don’t plan that far ahead.”

While Minecraft boots up, you decide to answer a few questions.

r u dating sykkuno?

You want to smack your head into the keyboard, but as it is, you can’t exactly afford a new one, so you refrain, “No, Sykkuno and I are not dating, we are just good friends. Uhm, I’m not sure how much I’ll have to repeat this, but, we really aren’t, so if the roaches could chill - Oh my God, that sounds so stupid, I love it - uh, yeah, if the roaches could chill that’d be great.”

the roaches lmao sounds like we’re a sports team

“Oh shit, yeah it does, uh-- maybe I can make like, jerseys or something. That’d be cool, I think.”

how disappointed are your parents with the way your life turned out?

“My parents are actually not disappointed at all!” You say with a cute little smile, “Uhm, they’re both really proud, actually. They’re glad I found something I love doing and made a job outta it. Dad finds my Youtube videos endearing. Yes, they watch pretty much all of my videos, unless I explicitly tell them not to. And yeah, with all the fucks and thirsting for anime characters. Uhm, it was very embarrassing at first, but I mean, after a while, shame just...doesn’t exist anymore, I guess? Funny thing about my parents, actually, when they watch my videos-” You eye catches a comment, “Oh! No, they only watch my Youtube videos. They don’t know how to use Twitter, thank God. Uhm, anyway-- when they hear a name they don’t know, like, I dunno, Dabi, or something, they google--” You’re grinning by now, eyes crinkling, giggling softly, “--who that is, and buy me like, merch and stuff. It’s really cute.

can i be adopted by ur parents plz

will you and corpse ever collab?!

You were about to answer, though the man of the hour himself decides to do it for you.

Corpse_Husband: yes.

Okay, not to say your heart skipped a beat, but it totally did. With a pleased smile, you nod, like one of those bobble head toys sold at the dollar store. The motion is oddly reminiscent of Sykkuno’s own nod. Perhaps you had picked it up from him. The chat seems to notice.

pack it up, sykkuno

More questions pile about this mysterious collab you and Corpse are planning. Yeah, you’d like to hear more about it, too, since he single highhandedly decided one was happening right now. Corpse remains silent. Fine, keep your secrets.

“Okay, guys, oh, I mean, roaches, Oh my God--” You’re covering your mouth, giggling, “-calling all roaches, calling all roaches, calm down. Everyone grab a snack and a blanket I’m turning up the music volume so we can all chill. Entering chill zone. Entering chill zone. Roaches, prepare.”

we are prepared

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An hour or so passes and you grow hungry. It shows with the amount of cakes you had baked in your server. Currently, you find yourself throwing eggs at the wall of one of the renovated houses, your face scrunched in concentration and slight frustration. 24 of the 50 eggs have been wasted. “What’s a girl gotta do to get some chicks around here?” you had uttered under your breath, until, finally, a screech - the egg finally spawns a mob. Your mouth falls open, “Aww, look!” You approach it, so small, walking in zigzags beside you, “It’s a baby chicken! Die, bitch.” The baby chicken is no more as you swing your bedazzled (you have mods) diamond sword. You’re cackling by the time the dust settles.

y/n is a child murderer

“Roaches,” You address your fan-base, spurring another fit of laughter - you can’t get over the name, “I think I’m like, forgetting that eating in Minecraft won’t actually make less hungry in real life.”

take a break and go eat queen <3

“Fuck no, we starve and die like men. Now I actually really need another chicken.”

Another twenty minutes trickle by and you’re trying to lure back a panda from the jungle when there’s a knock on your bedroom’s door. Whipping your head to the side, you slide down your headphones. At the same time, your mom pokes her head through the ajar door, “MOM!” You scream, “Get OUT of my room I’m playing Minecraft!” But your yell has no actual bite to it, as you don’t manage to hide your smile. Your mom laughs, doing some sort of sign language and motioning for you to follow her with her head. That or it’s some sort of performative dance.

“I’m live right now,” You tell her, pointing at your screen. She knows this already, though, “do you want to say hi?”

The roaches spam the chat with friendly hellos. You mom, quite impatient now, waves you over.

“Sorry, roaches, mom needs something. Be back in a bit!”

Stopping the stream, you rush out of your seat and pleased she slinks into the hallway. “What’s this about?”

“Your pizza came.”

“My what now?” You echo, confused.

“Domino’s. You ordered pizza?”

“What? No? I was busy with the stream, I never--”

Thankfully, you had managed to grab your phone from your room before you exited. You almost choke on spit once you read the messages.

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You decide that it’ll be impossible to stream after experiencing what you had just experienced. You tweet out a quick apology to the roaches (God, that fucking name) and say that you had a breakdown but you’re okay. That is as a close to the truth as you managed to muster. It’s a sad sight, chewing and crying; your mom winced when she saw your state - disheveled hair and rundown eyeliner and everything. “D’aww,” She had muttered, caressing the top of your head, “don’t cry my little raccoon.”

If anyone was ever to ask you where did your chaotic nature come from, you’d answer with my mom. To make yourself feel better, you took a selfie - duck face and peace sign and the horrible 2000′s angle. Sent it to Rae.

looking hot, her message read.

thanks, was all you replied with.

You couldn’t just leave things as they were. Once you calmed down, you wanted to text Corpse, but how would you follow up the ungodly caps lock and screeching? Impossible. An idea sprung to mind, one that was brave. Taking the first step.

Instead of sending a text, you sent a voice memo.

“Thank you for the pizza, it was delicious.”

You voice still sounded a bit raspy. His reply was instant. Your heart skipped a beat. He sent a voice memo back.

“Glad you liked it, baby.”

He was going to be the death of you.

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tags (in italics is those i couldn’t tag! make sure all’s ok w your settings!) : @littlebabysandboxburritos - @fairywriter-oracle - @tsukishimawh0re - @ofstarsanddreams - @bbecc-a - @annshit - @leahh19 - @letsloveimagines - @bellomi-clarke - @wineandionysus - @guiltydols - @onephootinfrontoftheother - @liamakorn - @thirstyfangirl - @lilysdaydreams - @pan-ini - @mxqicshxp - @tanchosanke - @yoshinorecommends - @flightsandfantasy - @liljennyx3 - @slashersdream - @unknown-and-invisible - @sinister-sleep - @fivedicksinatrenchcoat - @mercury–moon - @peterparkerspjsuit - @unstableye - @simonsbluee - @shinyshimaagain - @ppopty - @siriuslystupid - @crapimahuman - @ofthedewthesunlight - @mythicalamphitrite - @artsyally - @corpsesimpp - @corpsewhitetee - @corpse-husbandsimp - @hyp-oh-critical - @roses-and-grasses - @rhyrhy462 - @sparklylandflaplawyer - @charbkgo - @airwaveee - @creativedogs - @kaitlyn2907 - @loxbbg - @afuckingunicornn - @fleurmoon - @yeolliedokai - @truly-dionysus - @multi-fandom-central707

more tags are in the comments bcs tumblr only allows me to tag 50 people max 💙

#corpse husband #corpse #corpse husband x reader #corpse x reader #corpse husband imagine #corpse social media au #corpse husband fanfic #social media au #corpse husband x y/n #corpse x y/n #corpse husband fic #reader #xreader #imagine #imagines #myso #make you say oh

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theywontletmebeprincipal · 3 years

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can you give me drowsy headcanons, ramble, or anything please, i am so deprived. do not be afraid to make it super long, the more the better, i just love drowsy chaperone and love to hear other people (plus you’re one of the only people i’ve seen who knows a lot abt it)

ASK AND YE SHALL RECIEVE

I’ll divide this into a few different parts, going from least to most excruciatingly sad :)

1. general headcanons

2. in canon things i noticed and think about daily

3. a full analysis of man in chair’s connections with the drowsy chaperone as an in universe show (trigger warning for abuse ment, alcoholism ment, suicide ment)

SECTION ONE: HEADCANONS

- okay the chaperone is trans I don’t make the rules

- also her name is ambrosia :) she forsook her last name :)

- she’s about 12 years older than janet and kinda hung with janet’s family after leaving her own for a while . essentially she’s a big sister to janet

- aldolpho has some lines where he asks if the bride is big and/or burly and while in canon this is supposed to show he’s kind of a womanizer I like to believe it’s because he was fully prepared to fight her if needed

- speaking of which Of Course janet is ripped she does gymnastics

- my batshit crazy headcanon for this show is that dee dee allen from the prom is a descendant of roman bartelli no I will not elaborate

- is aldolpho one of those bitches with pets that definitely shouldn’t be legal? yessir

- post show kitty becomes a star okay I just want her to be happy

- the “pastry chefs” do discover a love of baking post show and now run a shop along with performing in feldzeig’s follies which might maybe be a front for some crime too

- TRIX DROWSY AND ALDOLPHO WORLD TRAVELING POLYCULE CAUSING PROBLEMS ON PURPOSE

- underling’s name is james I will not elaborate on this either

- show never says what trix does so I’ve decided she’s an explorer. she charts maps and punches colonialists and drags her stupid friends along with her, the only bitch in the show with a braincell

- drowsy was a former vaudeville child star pre transition - she left the business but was a mentor to janet

- I do have a headcanon for mic’s name but in the spirit of every actor who’s ever played him I won’t fucking tell

SECTION TWO: SHIT I NOTICED

- robert refers to himself by full name a lot of the time which is v interesting given he’s named after the writer, bob martin (whose wife is also named janet van de graaf). the real bob martin is like five feet away at all times playing mic

- idk how to describe it but the dynamic kitty and feldzeig (VICTOR felgzeig. we have a name from one (1) line) have when talking to each other is so snappy and funny and good

- aldolpho’s lines in spanish are mostly romantic bullshit but his first one hints that he has/had a wife who, if we’re taking the translation literally, refused to touch him. yeah I’ll bring this up in analysis

- the “pastry chefs” provide liquor for the wedding even though it has absolutely no relevance to their mission of stopping it :)

- drowsy is like. SUPER endearing towards janet and despite her bad social skills it’s super clear she cares a lot about her

- robert speaks fluent french apparently

- everyone says “ew” after aldolpho reveals his affair with drowsy despite her being a certified milf

- the body language of drowsy in the end of the show where she takes mic’s hands and breaks the barrier between reality and fiction is just so good. she was iconic the whole show but I honestly think this final bit is what won beth leavel the Tony in the end

SECTION THREE: OH NO

before diving into the way the drowsy chaperone affects his character, we need to understand what exactly it’s playing off of. to fully understand mic’s attachment to the drowsy chaperone, we need to outline what led him to isolating himself and living in fiction to the extent that he does.

mic’s father left his family at an early age and his semi estranged alcoholic mother was the one who began his love for theatre. mic grew up in a broken household and eventually moved on to land in a one sided marriage, which lasted a few months until he slipped up and expressed his discomfort with the situation, after which he and his wife split. nowadays, he lives alone in his apartment surrounded by records he uses to escape to a better life - his favorite of which being the one his mother gave him, the drowsy chaperone.

symbolism in the drowsy chaperone regarding mic’s life can be split into two main categories - mommy issues and internalized homophobia. there isn’t nearly as much mom symbolism as there is the latter, so I’ll cover that first.

drowsy covers both bases, but she definitely has some undeniable mom symbolism going on. drowsy marries aldolpho and mom dreams of being swept off her feet by a latin lover, both feel they’ve wasted their chances at love, both drink to forget, etc. this is where the idea of the drowsy chaperone being mic’s ideal way for things to work out, a positive parallel, comes into play. given that we don’t hear too much about mic’s mom other than her connections to major life events and the record itself, we can assume they grew apart in one way or another. the key difference is that drowsy finds a happy relationship for herself and retains her bond with janet, unlike what we’re led to assume mom was like.

further elaborating on the drowsy chaperone representing mic’s ideal fantasy version of events is the wedding the drowsy chaperone’s plot centers around. here’s a list of the things that didn’t stop that damn wedding:

- a minister not showing up

- the groom cheating on the bride with the bride

- the bride having a complete mental breakdown

- indirect mafia interference

- direct mafia interference

on the flip side, what little mic says about his wedding indicates it sucked absolute ass. he spent the entire ceremony in internal distress as he went through with a life changing event he, at that point, knew at least a bit that he didn’t want. I think he also implies he had severe diarrhea on the wedding day? it gets worse when you realize mic’s relationship before the wedding wasn’t any good for him either - he was playing along the whole time because it would be cruel not to, right?

throughout the show, mic is pretty clearly shown as an extremely repressed gay man. there are five specific instances that point at romantic and/or sexual attraction to men directly and another moment outside of his commentary that pretty much confirms it if you look a little bit deeper. thus, here is what I propose - to mic, the drowsy chaperone’s wedding plot represents a world where he was able to ignore that part of himself and have a happy marriage with his wife despite all the overwhelming obstacles thrown at him. however, bits and pieces of that internalized homophobia manage to show themselves throughout the drowsy chaperone anyway despite its happy ending. here’s a rundown on a few significant instances:

- by the end of the show, the “pastry chefs”, who had literally been planning to kill feldzeig, have left their life of crime to perform with him. this symbolizes how in mic’s ideal world he would have been able to turn away from what he perceived at the time as living wrongly - his homosexuality

- at the same time, the “pastry chefs” have this line, spoken in regards to janet: “if she gets married and leaves the show... there ain’t no show.” this is a take on mic’s subconscious concern that he might lose himself if he goes on with his marriage pretending everything is alright - of course, as we already know, he doesn’t listen

- “cold feets” is a pretty obvious instance of mic’s hesitation

- aldolpho’s line in spanish regarding the wife who won’t touch him flips to reflect on mic’s treatment of his own ex wife - she was alien to him as a lover, just as aldolpho was to this woman

- janet recalls her meeting robert at a point in the show and states “we spooned, briefly, then he proposed.” though mic’s relationship pre marriage was much longer than that, it must have felt that way to him - just as quick and nonsensical as janet describes

- just as janet is caught in showbiz but has a toxic love for it, so does mic with his own repressed life

- janet has a line in “show off” that alludes to her experiencing harassment/assault: “I don’t wanna be cheered no more/ praised no more/ grabbed no more/ touched no more/ loved no more” , which I believe represents the way mic perceived his intimacy with his wife - labeled as love yet unenjoyable for him

- “I look into his eyes... I get all woozy. and that’s... love, isn’t it?” is another very clear nod to mic’s misconception of love based off the only thing he’s ever experienced, relationships with women he’s had to fake

- this is the part where I tell you the lyrics to toledo surprise are a metaphor for actively suppressing gay thoughts. I’ll just leave you with “if it tries to rise; don’t let it”. these lyrics are not comprehensive enough to make a dish - trust me, I have tried. it’s also notable that they serve a double entendre as instructions on how to beat the shit out of someone, but several lyrics are also directed towards the singer/audience. for example: “it’s a snap/ try it folks/ whip your whites/ split your yolks” is an easy metaphor for the unhealthy mental gymnastics required to repress oneself so wholeheartedly

it’s also worth noting the obvious just for the sake of it - mic copes with all this by isolating himself in a safe spot where he can use musicals to escape and live his ideal fantasy, even if it’s only for a short time. there are plenty of nods to this throughout the drowsy chaperone as well. in “as we stumble along” drowsy notes that “the best that we can do is hope a bluebird/ will sing a song/ as we stumble along” - to mic, musicals are his bluebird. while mic mostly indulges in these fantasies, he knows to a certain extent the sheer amount of time he’s spending in them is unhealthy. the first line of the show is “I hate theatre” and I think that to an extent? he does. obviously mic loves theatre as a concept, that can’t be denied. what he hates is the way he’s allowed it to confine him.

with all that out of the way, let’s move on to the most important moment of the show. if you’ve ever seen the show, you’ll know exactly which scene I’m talking about immediately. I’m referring to, of course, the infamous “l-ve while you can” scene. as janet stands at the alter she asks drowsy for one final word of advice, which is partially obscured by aldolpho dropping his cane. “l-ve while you can.” it’s a simple moment, but mic reveals to us that he’s been agonizing over it for years - did drowsy say “live” or “leave”? it occurs to everyone eventually, whether a couple days after the show like with me, or years after like with bob martin’s replacement on broadway that the most likely answer is that she had said “love while you can”. it’s this moment, when you realize why mic had never seen that as an option, that the drowsy chaperone’s status as a musical within a comedy within a tragedy is solidified. mic had no love in his life - his parents hated each other and he was forcing himself into relationships in which he felt nothing. to him, living and leaving were options, but loving never was. so he locked himself away.

as the final note on the record is playing, all power in mic’s apartment shuts down and the fantasy is ruined. the superintendent arrives and further invades his space, breaking the private sanctity he had built up for so long. she fixes the power and before mic can stop it from happening, the final note of the record plays. and the super recognizes it as a musical. she makes a remark about how much her wife loves musicals and leaves, completely unaware of what she’s just done.

mic sits in silence for a while. and then he begins to sing. gradually, the cast members begin to echo their songs, dancing around him but never touching him. then drowsy appears and sings harmony to mic. and she takes his hands. the show ends with the entire cast, including mic, taking off on trix’s airplane as the curtain falls, drowsy handing mic his record as the plane takes off.

some people interpret the ending as mic committing suicide, finally deciding between live and leave. I don’t personally believe that and neither does writer and original mic bob martin, but it’s still a valid interpretation. the drowsy chaperone’s ending is ambiguous, yes, but not to that extent. no matter what you believe the ending means, it was brought on not by the interruption of the fantasy, but by whatever realization the super’s remark about her wife triggered. as I see it, there are two main options here.

option one - mic realizes he still has time to live and to love. when he was younger the prospect of living as himself was unthinkable to him, yet now he sees that while he was spending countless years alone the world grew. drowsy offers mic her hand, an invitation to finally become what he had admired in her - someone who isn’t anywhere near perfect, but is damn well trying and living life without regret. he accepts.

option two - mic realizes that while he spent years alone the world moved on without him and he’s isolated himself so much from social interaction that he’d no longer be able to make a meaningful connection with anyone outside. so he stays inside instead, never trying, always trapped between live and leave. drowsy offers mic her hand - at least he’ll have a tune to carry with him.

I really want to believe we got option one. I think option one is the intended, really, given mic ends the show with a joyful goodbye to the audience. but the way that the ending is still left open for interpretation makes it so that we can never really know - we as the audience only get to be privy to a small part of mic’s life, and we don’t get the answers we want because at the end of the day they’re irrelevant to us - all we can do is make our own choice.

#the drowsy chaperone #musical theatre #musicals #broadway #musical meta #man in chair

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newmusickarl · 3 years

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If I Can’t Have Love, I Want Power by Halsey

Halsey’s evolution across her career has been quite something to witness. Having begun her career in pure pop territory, her artistry has developed over time with each new record seeing the American singer-songwriter up the ambition and scope of her music. Now with this her fourth album, Halsey has gone bigger than ever, teaming up with Nine Inch Nails members and Oscar-winning composers Trent Reznor and Atticus Ross for her boldest work to date.

Produced entirely by Reznor and Ross, Halsey describes this new record as “a concept album about the joys and horrors of pregnancy and childbirth.” Naturally with any concept record there is going to be a cinematic feel, however Halsey has gone one step further and even delivered a full theatrical film to accompany the album, the trailer for which you can watch above. Although I am yet to see the film, there is no doubt that the musical portion is a mightily ambitious and accomplished project, with each song seamlessly segueing into the next despite the array of styles and genres across each track.

It may still be a pop record at the heart, but with the masterful touch of Reznor and Ross, Halsey also brings in some industrial rock elements, as well as a bit of pop punk in places too. However, it is not just sonically that Halsey pushes the boundaries but also thematically as well, using the album’s concept to press the issue of feminism and misogyny within the lyrics. Arguably what’s most striking about this record though is how tightly constructed everything is here – under the watchful eye of Reznor and Ross, the dramatic production is inch-perfect.

Most importantly, the songs here are just fantastic, from the religious imagery and glistening synths that lace the wonderful melody of Bells of Santa Fe, to the raw, grungy guitars of You asked for this. There’s also the atmospheric piano ballad 1121, where Halsey really flexes her impressive vocal cords. Pulsating, stylish electro-pop single I am not a woman, I’m a god is another standout. Once you have been amazed by all of this, the gentle plucking and raindrop like xylophone of stunning closer Ya’aburnee arrives to really blow things away.

In a year packed full of outstanding pop records, Halsey has delivered, for my money, one of the best of the lot. With Reznor and Ross holding the reigns, they help Halsey deliver on her epic vision with both style and control. It’s one thing to attempt a record like this, it’s another thing to pull it off as expertly and vibrantly as this – hats off for this one!

Listen here

Screen Violence by CHVRCHES

Also delivering their fourth album this week was Scottish synth-pop group CHVRCHES who, whilst predominantly maintaining their vintage sound, have lyrically pushed themselves into darker territory on this new record. Probably their finest work since their debut, frontwoman Lauren Mayberry takes no prisoners as she tackles sexism and misogyny, calling upon her own experiences within the industry to really illustrate the issues being put front and centre.

This is highlighted best on electric single Good Girls, a track Mayberry wrote “after listening to some friends arguing about the present-day implications of loving certain problematic male artists – I was struck by the lengths that people would go to in order to excuse their heroes and how that was so juxtaposed to my own experiences in the world.”

Other highlights include He Said She Said, a glistening synth-driven pop banger that’s contrasted against razor-sharp lyrics with a defiant message at its core – catchy, but also powerful and thought-provoking. There’s also the superb collaboration with The Cure legend Robert Smith, How Not to Drown, which is a moody, atmospheric, and synth-soaked belter of a track. Although it is incredible right the way through, the real spine-tingling moment comes during the song’s outro thanks to the ghostly vocals of Smith being cast over some hauntingly melodic guitars. Outside of the singles, the rawness of heartbreaking closer Better If You Don’t leaves the biggest impression.

All in all, this album ranks amongst their best work and although it may not be quite as dramatic or impressionable as Halsey’s album, there’s still plenty to which you’ll want to digest and ultimately keep returning.

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How Long Do You Think It’s Gonna Last? By Big Red Machine

The National’s Aaron Dessner and Bon Iver’s Justin Vernon have certainly kept themselves busy over lockdown. It seems they weren’t satisfied with just taking Taylor Swift’s music to incredible new heights on 2020’s folklore and evermore, as they have now also released their second album under their Big Red Machine guise. The most noticeable thing about this second record is that the duo have extended their collaboration further this time around, bringing in renowned artists such as Ben Howard, Sharon Van Etten, Lisa Hannigan and Fleet Foxes, as well as two more collaborations with Miss Swift herself.

Given the talent involved, it is no surprise that this makes for a really special and stunning collection of songs. There’s wonderful electro-folk track Mimi, which sees singer-songwriter Ilsey Juber join Justin Vernon on lead vocal duties. Phoenix sees Robin Pecknold of Fleet Foxes and Anaïs Mitchell join in for a wonderful, horn-backed number. This track in fact isn’t the only time Anaïs Mitchell steals the show, as her beautiful, soothing vocal performances on opener Latter Days and closer New Auburn arguably provide the two best moments of the entire album.

The two tracks with Taylor Swift are also fantastic, with Renegade offering a sweet, pop cut that wouldn’t be out of place on either of Swift’s last two records. The better of the two though is Birch, a piano-driven, string-tinged ballad which sees Swift simply providing back-up vocals to Vernon’s haunting folky croons. It’s stunning and possibly my new favourite collaboration between the three artists.

Ultimately this is just a superb album, with Dessner and Vernon thriving alongside their chosen collaborators for a collection of songs that will frequently both move and astound you.

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Donda by Kanye West

Easily the most talked about album of the week, after several launch events and many, many delays, Kanye West finally released his long-awaited tenth studio album, Donda. Now anyone who knows me knows that I am not a fan of excessive, bloated albums, so with Donda clocking in at almost 2 hours long it was always going to struggle to win me over.

As expected, this is another West project that struggles with inconsistency, with moments of brilliance balanced out with plenty of moments that ultimately underwhelm. Although it has more high points than Ye and the production is more polished than Jesus Is King, there is no track as good as Ghost Town and sonically I found it less inspired than Jesus Is King in many ways. I’m not sure just yet if this is indeed the worst West album, but it is certainly down there in the bottom half for me.

That said, there are still some great moments to be found here. Once you get passed the massively irritating Donda Chant opener (honestly, so painful!), the Jay-Z featuring Jail offers an anthemic rock-influenced gem to get the album started properly. From there The Weeknd featuring Hurricane, the Lauryn Hill sampling Believe What I Say, the heavenly melody of Kid Cudi feature Moon and the organ-backed closer No Child Left Behind provide some of the other highlights. However possibly the finest moment comes in the form of Jesus Lord, a 9-minute epic that sees West deliver some of his best bars in years, returning to the social-consciousness that made him a star in the first place.

If you are a fan of West’s recent gospel-influenced work, then this album will reward you for your patience if you stick with it. For me, although there are some moments I enjoyed, the length was just too much, with this album having the same inconsistency problem that The Life of Pablo had but without reaching the same heights as that album did when it was at its best. Disappointing, but still somewhat worthwhile.

Listen here

The Awesome Album by Mouse Rat

And finally on the albums front, if like me you are a big Parks & Recreation fan, you’ll be pleased to hear that Chris Pratt’s fictional band from the show, Mouse Rat, have finally released their debut album this week. Featuring classics such as 5,000 Candle In The Wind and The Pit, this one is a lot of fun for fans of the show.

Listen here

Tracks of the Week

Good Ones by Charli XCX

Coming off the back of the definitive lockdown album How I’m Feeling Now that earned her both a Mercury Prize nomination and a place in my Top 5 albums of 2020, Charli XCX has returned with a new synth-driven banger that packs in an insanely catchy hook and wonderful 80s vibes.

Listen here

Family Ties by Baby Keem & Kendrick Lamar

Also making his return this week was King Kendrick who delivered a fantastic new collaboration with his cousin Baby Keem. Over a brilliant horn-driven beat, the two family members go toe-to-toe and bar-to-bar across this concise hip-hop banger.

Listen here

Alone by Rag N Bone Man & Nothing But Thieves

A remix of a track from Rory Graham’s latest album Life By Misadventure, this version sees Conor Mason of Nothing But Thieves join in on vocals, along with some triumphant rock production that replaces the stripped back nature of the album cut.

Listen here

Spirit Power & Soul by Johnny Marr

The brilliant first track from his forthcoming new EP, Spirit Power & Soul finds legendary guitarist Johnny Marr in fine form, sonically calling back to his days with Bernard Sumner in Electronic. Built on a masterful central riff, pulsating synths and a big anthemic chorus, it’s a belter!

Listen here

Nothing Else Matters by Chris Stapleton

And finally this week, we’ve had plenty of great, unique covers of Nothing Else Matters by Metallica already this year, with Miley Cyrus and Phoebe Bridgers already offering their own take on the classic song. However, I’ve always got time for another and this 8-minute epic from country singer Chris Stapleton is just as dazzling, thanks to some amazing bluesy guitars and his textured vocal performance.

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radiomayak · 3 years

Note

Why do you think it’s okay to write a representation of a country as a trans and homophobic person when they’re supposed to represent ALL of their population? LGBT+ people suffer in Russia, and making the rep of their country hate them is offensive. Also, your transphobic threads need to stop. It’s just painful to watch.

Thank you for your honest feedback! It’s really useful for me to hear how it’s being received (impact over intent.)

If you care to read more, I’ll be putting some of my intent under a readmore, but since it is bothering the community, I will cease creating content about those issues.

If you’ve found my content triggering or would like to receive support related to LGBTQ+ discrimination online, there’s a bunch of resources here: https://www.glaad.org/resourcelist As well as the TREVOR project hotline, which isn’t only a suicide hotline- you can call them for urgent support needs as well. They also have online chatrooms, text lines, and forum spaces to give and receive support. Read more at https://www.thetrevorproject.org/

Ivan is a bisexual man, so anything he expresses against the LGBTQ community is also something he’s holding against his personal self. The subjugation queer people face in some parts of Russia isn’t something I thought someone like canon Russia would choose to stand against via being socially active and out-and-proud, especially in the way he handles conflict through intimidation and threats before all else. So, while making this muse, I decided that he would be effectively stuck in the middle of those two worlds.

What leads me to have him express a level of homophobia is him having a big collection of interpersonal anxiety (read: coercive ways of communicating, abandonment fears, deep feelings of inadequacy) that he uses to squash or invalidate or attempt to suppress what he feels towards men. When he deals with women, he continually appraises the situation and himself through a lens of aggressive and polarizing sense of what is “masculine.”

As the muse developed, I became able to name patterns in how I was writing him that suggest mental illness— yes, that’s related to why he’s homophobia/transphobic. This muse is a person who has remained somewhat steadily resilient, but whose resources have dried up recently: effectively, he’s facing a lifetime of absent or otherwise poor interpersonal relationships all at once as well as projecting stigma about what it means to struggle this way onto himself. The stigma around mental health in Russia can’t be ignored either, and is constantly battling with what little self-esteem he has left. If he weren’t a nation, the level of neglect he experienced could have stunted his neurological growth, and it’s only the ability to absorb knowledge through a large number of people through mystical means that led him to be able to operate in a semblance of normalcy.

I work hard that any inclusion of transphobia isn’t a denial of identity, because Ivan does understand that level of the trans experience of being ____. Most of his comments are lack of education-type deals (and it’s no one’s job to educate him, but he is not educating himself or engaging in a lot of queer spaces for fear of retribution and simultaneously as a form of self punishment) like thinking of gender in a binary, referring to personal traits as gendered, deadnaming when referring to someone’s past… things that you learn quickly on queer platforms like here and TikTok and maybe even YouTube. Ivan is not engaging with those online communities, either. Even with interacting with nonbinary people, like he’s done in a few threads, he doesn’t question identity but he never seeks to expand his knowledge... he’s too busy shitting bricks about minor social conduct norms. His mental energy is going towards a state of psychological survival, not learning or connecting properly with other people.

Some people don’t think of things this way, but I like to think that nations’ metacognitive appraisal of why they’re holding an opinion cannot discern what is personal (like a specific memory of something that happened to them) or universal to their representative area (like certain folk songs Ivan can recall even without hearing them before, other pop culture, and publicly significant events like bread lines.) Ivan feels both the support within and around the LGBTQ+ community in Russia as well as the homophobia and queer erasure. Within his own experience set, he has to settle what it means to be a survivor of sexual assault and be attracted to people of that same gender and physique, and what it means to love another person when his idea of family is fundamentally coercive and rigid. People are complex, and we as humans lean onto attacking the other for a variety of reasons... I intended Ivan’s homophobia to clearly be about more than just the community it attacks, but I recognize using something like that, that causes real suffering and loss of life, as a theme that isn’t directly related to the betterment of human life within fiction can be exploitative and I apologize. Now for the stupid sappy bit I didn’t want to write because it’s so backhanded to claim to like something that hurts other people: As a queer person myself, I’ve also found it personally useful to admit to Ivan’s homophobia and involve it in his thinking, since I can fight back at cisheteronormative assumptions I make in my own mind and become a freer person, but I understand now that my actions are harmful and I will reflect on them.

#ooc #response #tw homophobia #tw transphobia

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there-must-be-a-lock · 4 years

Text

Spitting Venom (Supernatural x Criminal Minds)

Word Count: ~10,300 yikes

Warnings: Non-explicit violence, nothing more than you’d see on either show. More cursing though. Don’t even try to tell me Emily Prentiss doesn’t swear like a sailor.

A/N: This is for @stunudo and her “Lie To Me” Challenge! My prompt was the Modest Mouse song “Spitting Venom.” Thanks to @fookinghelljensensthighs for reading and exclaiming and also just loving Sam and Spencer with me.

This is part of the “Coffee & Psychopaths” series. It follows the events of Quitting, but you don’t need to read that to understand anything that happens here.

This centers around (and steals dialogue from) the events of “Slash Fiction” (SPN) and “Proof” (CM). In order to smoosh the timelines together right, I had to do some wibbly-wobbly timey-wimey stuff, so don’t think about it too hard. You should be able to tell from context clues, but for reference, the flashbacks (in order of appearance) correspond to “Shut Up, Dr Phil” (SPN) / “It Takes A Village” (CM), “To Hell... And Back” (CM), “My Bloody Valentine” (SPN), “Amplification” (CM), “With Friends Like These” (CM) / “Unforgiven” (SPN), “Appointment In Samarra” (SPN), and “Memoriam” (CM). Seriously, wibbly-wobbly. So much canon juggling. Just go with it.

“Just for the record, the weather today is partly suspicious with chances of betrayal.”

― Chuck Palahniuk

“Strap in, folks, we’ve got a weird one,” Garcia says cheerily, handing Spencer a paper folder as everybody else opens their tablets.

“I thought the Winchesters were dead,” Hotch says.

“That is part of the aforementioned weird, yes. Okay, for those of you who weren’t paying attention four years ago…”

Spencer opens his file, and Garcia’s words stop making sense, because that’s Sam in the mugshot.

His first instinct is to shout, This is a mistake.

Spencer’s stomach churns. He’s cold all over.

This feeling (betrayal, his brain supplies helpfully) is becoming a little too familiar, lately.

Garcia is showing a video: a bank, a group of people scared and screaming, two men opening fire. That’s Sam. His expression is stone-cold, maybe even satisfied, as he empties the clip into the crowd.

That’s Sam.

Garcia’s talking about M.O. now, or the total lack of a consistent one, and Spencer can’t listen. He forces his features into the bland, neutral expression that has made people underestimate him for years, and he takes slow breaths, trying to calm his racing heartbeat.

“Spence?” he hears, and when he looks around the table he realizes that it wasn’t the first time somebody said his name. They’re all staring.

“You okay, kid?” Morgan asks, brow furrowed.

“I’m fine,” Spencer insists, with a shrug.

“No you’re not, I know that face. Are you feeling okay?” Emily prods, and Spencer hates her for a moment, hates that she can still read him.

He tries to force a smile, but it feels stiff on his face.

“I know him,” Spencer blurts out. “Sam. Sam Winchester. He’s… he was my friend. Or I thought he was.”

There’s a moment of stunned silence all around the table. Spencer looks down at his hands, twirling a pen idly, instead of looking any of them in the eyes.

“Reid,” Hotch says quietly.

“We met at a… meeting,” Spencer says. He looks up at Hotch to make sure he understands, and Hotch nods. “About two years ago. He was only here for a couple weeks. We got along, though. We… he left. We kept in touch.”

“When did you last speak to him?” Hotch asks, frowning.

Spencer swallows around the lump in his throat. It’s taking his best effort to maintain his mask of composure.

“It was eight days ago.”

Hotch nods. “I’m assuming he’s already using a new number, but just in case, we’ll need you to give Garcia any contact information you have.”

Spencer tries to smile. “Of course.”

Emily asks, “And he didn’t say anything that would…”

“That would, what, tip me off that he was planning a massive murder spree?” Spencer says. His voice cracks.

“Anything that might be helpful,” Morgan interjects diplomatically. “Locations, names.”

Spencer shakes his head. “No, it was… we didn’t talk about that sort of thing. It was random, mostly. When something was on my mind that I couldn’t… couldn’t talk to you about, or - when I couldn’t sleep. But there wasn’t much small talk.”

“And you never suspected?” Garcia asks, wide-eyed.

“Do you really think that if I suspected -”

“We know that if there were any hints, you would’ve seen them. Nobody is suggesting that you should’ve known,” Hotch says firmly.

“I should’ve, though,” Spencer insists, with a hysterical edge in his voice. “There were so many things that he just… avoided talking about. He looked familiar, even! I kept wondering where I recognized him from!”

“Enough, kid,” Rossi interrupts. “Getting angry at yourself doesn’t help anybody. It was before you joined the Bureau, there was no reason for you to remember his face.”

“This is a good thing, right?” Emily points out. “The better you know him, the easier it’s going to be for us to catch him.”

“Apparently I didn’t know him, though,” Spencer says hoarsely. “I didn’t know him at all.”

“Are you going to be able to work this case objectively?” Hotch asks. “We’ll all understand if you want to sit this one out.”

Spencer stares at him helplessly. He’s not sure he knows the answer to that question.

“I remember Gideon talking about the Winchester case,” Rossi muses. “Couldn’t make head or tail of it, no apparent connection between victims, witnesses who kept changing their stories…”

“Your insight will undoubtedly be useful,” Hotch adds quietly.

Spencer grits his teeth, shock turning quickly to anger.

“I want to find him,” he says. He wants to know. He wants to hear the confession.

Hotch gives him one more steely, appraising look before nodding.

“Very well. Let’s talk victimology.”

* * * * * * * * *

September 2011 (eight days earlier)

“I don’t understand how she could do that,” Spencer says bitterly. “If I saw one of my friends hurting like that, and I knew something that would stop them hurting…”

“Shit,” Sam mutters. “I’m sorry.”

“Did they not trust me to keep the secret? Did they not think I could handle it? We’re a team. We’re not supposed to keep things from each other. Not important things, not like that.”

“Yeah, I hear you.”

Sam leans against the kitchen counter, watching Dean through the window. Baby’s hood is open and Dean’s wrestling with something inside, and Sam wonders, for the thousandth time, whether he’s imagining the wariness in Dean’s face whenever they talk these days. He can’t shake the feeling there’s something Dean’s not saying.

“I don’t know what to do,” Spencer says quietly, and his voice cracks on the last word.

“I don’t know if there’s anything you can do, except give it time.”

“I hate that answer,” Spencer says flatly, and Sam laughs.

“Yeah. But… I think hearing the truth is the hard part, sometimes. Or saying it. Right? It hurts like hell, and it’s going to hurt for a while, but now that it’s all out in the open… now it’ll start getting better. It has to.”

“I guess.”

“She thought she was doing the right thing,” Sam repeats. “Do you really think she’d do that, if she didn’t feel like she had a choice?”

Spencer sighs in a rush of static. “No,” he says begrudgingly. “But I think she had a choice. And now it’s my choice whether to trust her or not.”

“You’ll get there.”

“How do you know?”

“A very smart man once told me that’s what friends do,” Sam says wryly. “They trust each other.”

“Quoting me back to me doesn’t seem fair,” Spencer grumbles.

“Doesn’t make it wrong,” Sam retorts with a grin.

Sam watches Dean slam the hood shut, and he wonders why his brother has such a hard time trusting him.

* * * * * * * * *

“Are you kidding me right now?” Dean snaps, and the sneer in his voice makes Sam feel all of six years old again.

“No, Dean, I’m not kidding,” Sam says stubbornly. He leans against the doorframe and watches Dean pace back and forth, like a wild animal on a too-short leash in the tiny living room of Rufus’s cabin.

“Dead or alive, Sam. We’re wanted dead or alive. You try to talk to a Fed, which one d’you think it’ll be? They’ll have you pumped full of bullets before you can blink.”

“He’s got a point, Sam,” Bobby says quietly.

Sam rubs his eyes, feeling a headache building. “I trust him.”

“Yeah? Well, I don’t,” Dean retorts. “Who the hell is this guy, anyway? When’d you make a friend I don’t know about?”

“Is that what this is about?” Sam asks bitterly. “You’re pissed there’s something about me that you don’t get to control?”

“In case you hadn’t noticed, you don’t have a great track record here,” Dean spits, and Sam’s throat clogs with anger even before Dean says, “Whenever you’ve made a friend on your own, how’s that gone for you, huh? Meg, Ruby, Amy… two demons, a monster, and now a fucking Fed?”

Sam balls his hands into fists to fight the urge to start swinging. “Why can’t you just trust me? You don’t know Frank, either.”

“I trust Bobby,” Dean says. The I don’t trust you goes unspoken.

Sam clenches his jaw, breathing until he knows he can talk without shouting.

“Just go, then, Dean,” he says, quiet and venomous. “Go ahead. Do whatever you want. I’m going to call Spencer.”

Dean’s frozen for a moment, stone-faced. Then he whirls around and heads for the door. “Fine. I’ll check in when I get to Frank’s.”

Sam sits down on the couch, resting his head in his hands for a moment. He hears the dim rumble of the engine starting outside.

“I’m gonna use the landline, if that’s okay,” Sam says quietly.

“I sure hope you’re right about this, boy,” Bobby growls.

“So do I.”

He finds Spencer’s number on the worn slip of paper in his wallet, written down with the five or so others that he doesn’t want to lose, and holds his breath as he dials. He has a feeling Spencer might not pick up on the first try, if he picks up at all. For all he knows, Spencer’s on the job already, in Colorado with his team looking for clues that aren’t there.

He closes his eyes and thinks, please, and then Spencer picks up.

“Hi, Sam.” His voice is icy.

“Hey,” Sam says. There’s a long, weighted pause before he continues, “It’s not me.”

“You’re kidding me, right?” It’s clipped and robotic and forceful.

“No, look, I - it’s not me, okay? That’s why I’m calling. I’ll turn myself in.” Another weighted pause. Sam clears his throat. “Not to the police, ‘cause I’m pretty sure they’ll shoot me on sight, but. To you. It’s hard to explain, but I’m innocent, it’s someone else pretending to be me, so if you can get to Montana -”

“Montana?” Spencer interrupts incredulously.

“Montana,” Sam repeats. He hesitates. “I figured you’d be tracking the call, I used a landline to make it easy for you.”

“She’s working on it,” Spencer admits begrudgingly.

Sam feels a twist of guilt, wondering how Spencer’s coworkers are reacting to this… even worse than Dean, probably.

He hears a faint female voice in the background, too quiet to make out more than, “...not sure how, but…”

“Fine, then,” Spencer says quietly. “Montana.”

“Wherever you want, okay? I - I won’t put up a fight. Just…” Sam can’t help but laugh. “Don’t let them shoot me, okay?”

There’s a crackle of static as Spencer sighs. “We’ll call you with details when we land.”

A voice in the back of his head that sounds like Dean is shouting, this is a terrible idea.

Sam ignores it.

“I trust you,” he says. “And Spencer?”

“Mmhmm?”

“Thanks for picking up.”

* * * * * * * * *

May 2010

Spencer feels like he’s choking on the thick stink in the air. He looks around the packed dirt yard of the farmhouse and can’t find any relief; he’s surrounded by ugly raw grief, and he can’t stand it. Emily is consoling the crying girl. Hotch is talking to the locals, tying up loose ends. Morgan is staring numbly at the rows and rows of muddy shoes on the ground.

He knows he’s not the only one dealing with the weight of what they saw today. He should find Penelope, give her a hug, face this together, but he can’t bring himself to do it. Sharing this would make it a little too real.

Maybe it’s all the practice he’s had at being alone; his first instinct is to hide, when things start to get overwhelming, and to maintain a certain level of clinical detachment until he can make sense of what he’s feeling. He can dissect his own feelings. When his friends are hurting, though… that’s a different story. When he sees his friends hurting, he hurts too, hurts in a way that chokes him, hurts in a way that crowds everything else out, and all he wants to do is fix it. Even when it’s not something that can be fixed. It’s illogical.

Love doesn’t leave any room for logic, he’s learning.

He slips away, into the barn.

Dust motes and chaff drift in the scattered beams of light that cut through the empty space, swirling around him as he climbs the ladder to the dark drafty loft. Spencer sits down on the floor in front of the wall of drawings. He hugs his knees to his chest and looks, committing the clumsy crayon strokes to memory, because it doesn’t seem right to let all those empty shoes live on without also remembering this: bright color, crushing loneliness, constant fear.

The loneliness is too much, after a few minutes. He pulls out his phone and closes his eyes.

“Hey, Sam,” he says. His voice cracks and wobbles.

“Hey. What’s up?”

“I’m just not having a great day,” Spencer says, aiming for casual, falling short.

“You wanna talk about it?”

“Not really,” Spencer says. His voice is thin and scratchy and small in the darkness of the barn, lost immediately in the blanketing silence.

Sam hesitates, and Spencer waits, hoping he’ll understand.

“If you could have one object from a fictional universe, what would you want? Has to fit in your pocket.”

Spencer lets out a grateful little huff of a sigh. “Obviously the -”

“TARDIS doesn’t count,” Sam interrupts, laughing. “It has to be portable in its normal everyday form, not just temporarily shrinkable.”

“Sonic screwdriver, then. Obviously.”

“Right? That’s what I said.”

“What else would there be?”

“Dean would go with a lightsaber,” Sam says, and Spencer can practically hear him rolling his eyes.

It’s the first time Spencer’s really smiled all day. “Based on what you’ve told me about your brother, that doesn’t actually surprise me.”

“Yeah. That’s Dean…”

* * * * * * * * *

There’s a dial tone. Spencer closes his phone and tries to breathe.

“Do you believe him?” Hotch asks quietly.

Spencer looks down at his hands, twirling his pen again, feeling claustrophobic with all their concerned gazes pinning him in place. There’s too much going on in his head, too many things trapped and buzzing inside him with nowhere to go, and he wants to start running but all he can do is shrug.

��I don’t know,” he says, voice strained.

“Even if he is telling the truth, there are parts of this case that just don’t make any sense,” Morgan says.

JJ adds, “If it’s a ruse, it’s a bizarre one.”

“Gut feeling, kid,” Rossi says softly. “Are we walking into a trap?”

Spencer wants to scream. Instead he says, “I don’t think he’d hurt me, but…”

“If you trust him, that’s good enough for us,” Emily says fiercely.

Spencer can’t help it; he looks at JJ before staring stubbornly down at the table again. The words burn on their way out: “This wouldn’t be the first time I trusted the wrong person, though.”

“We need to make sure we’re prepared for all eventualities, but I think it’s worth the risk,” Hotch says. “We can discuss it more on the jet. Wheels up in thirty.”

Spencer refuses to meet any of their eyes as he gathers up his folder and his bag. He gets out of the conference room before anyone can try to talk to him. His cheeks are burning, and his hands are shaking, and he’s already jittery but he really needs coffee; beyond that singular thought, his brain is stuck between stations, all white noise and useless static.

The coffee pot in the break room is empty. He’s glad; it’s good to have something to do with his hands, a ritual, a tiny piece of his life that he can still count on. Filter, measure grounds, fresh water…

“Spence.” It’s JJ, of course, and Spencer’s first petulant instinct is to ignore her. “Spence. Look, we gotta talk about this.”

“About what? The fact that one of the few people I still trusted turns out to be a serial killer?” Spencer says sharply. “It’s becoming a pattern, me trusting the wrong people. I’m getting used to it.”

“You know what I mean.” Her voice is low and soothing, like she’s talking to a victim’s family.

“I don't want to talk about it.”

“I get it, okay?” she says, still in that calm, professional voice. Spencer wishes she’d scream instead. He wants to scream. “You're disappointed with the way we handled Emily.”

He breathes in through his nose, out through his mouth, focusing on the steady drip of coffee into the pot.

“Listen, I have a lot going on, all right?” he says coolly.

“You know what I think it is?” He doesn’t look at her, but she continues anyway: “You're mad that Hotch and I controlled our micro-expressions at the hospital and you weren't able to detect our deception.”

It hurts. Her words bite down somewhere deep, venomous needle-sharp fangs that sink in and sting, and the toxic ache spreads through his system before he can take a breath.

“You think it's about my profiling skills?” he spits back. “Jennifer, listen, the only reason you were able to manage my perceptions is because I trusted you. I came to your house for ten weeks in a row crying over losing a friend, and not once did you have the decency to tell me the truth.”

Her expression is hurt, confused, and she says quietly, “I couldn't.”

“You couldn't? Or you wouldn't?” he snaps.

“No, I couldn't,” she insists. Her eyes are brimming with tears now, and Spencer feels a sick rush of satisfaction.

He knows it’s cruel, but he lashes out anyway: “What if I started taking Dilaudid again? Would you have let me?”

She recoils. “You didn't.”

“Yeah, but I thought about it.” It’s petty and it’s unfair and it’s vicious, and he doesn’t care, not even a little bit.

It stuns her into silence for a moment, and he turns to pour coffee into his travel cup, hands shaking so badly he almost spills.

“Spence,” she whispers. “I'm sorry.”

He whirls on her, almost shouts: “It's too late, all right?”

“Reid,” she says, but he’s already brushing past her, and he doesn’t stop.

* * * * * * * * *

February 2010

He’ll never forget the look on Dean’s face. He knows it a little too well, by now: disappointment, disgust. I expected better. This isn’t who I raised you to be. You’re not the person I thought you were.

“You know I couldn’t have gotten out of that bathroom on my own,” Sam says. “You know I wouldn’t have - I wouldn’t have done that. I didn’t mean to. I didn’t want to.”

Dean doesn’t trust him, though. He’s not sure Dean will ever trust him again.

Sam lets Dean lock him in the panic room. He doesn’t protest; he goes without complaint, head down, like a dog with its tail between its legs as it waits for a kick that never comes. Detox will hurt. It always does. He feels like he deserves that, though.

Dean almost says something, before he closes the door. The words catch on his lips and die on his throat, and he just shakes his head as he slides the deadbolts into place.

“I’m sorry,” Sam says, but Dean’s already walking away, and the hallucinations are already creeping in around the edges of his vision: his mother sighing sadly, his younger self shaking his head in contempt.

Sam sits down, curls up, and looks around at the bare walls and the locked door. The floor is cold under him, and he can already feel the chill sinking into his skin, down to his bones. He leans back against the wall and tries to breathe through the panic.

“I’m sorry,” he says, over and over again, but he’s not really sure who he’s talking to any more.

The hallucinations fade. The bloodstains won’t, not really. Dean will see those forever.

He can barely look at Sam when he finally unlocks the door.

Sam’s still itchy and wired, that night, even though the worst of it is over. Dean’s not even trying to pretend he’s doing anything other than keeping watch outside. He’s sitting in the hallway with a bottle of whiskey for company. Sam can’t leave, and he sure as hell can’t sleep, so he calls Spencer, and he doesn’t realize until it starts ringing that it’s two in the morning.

“Hi, Sam,” Spencer says, staticky and distant.

“Hey.”

“You okay?”

Sam sighs, stammers, stops, tries to start again. He doesn’t know what to say.

“Not really,” he manages. There’s another long pause before he can admit, “I fucked up. I keep fucking up.”

“Oh,” Spencer says softly. “Okay.”

Sam exhales. “I didn’t mean to.”

“I know. I believe you.”

“You’re the only one who does.”

“I trust you,” Spencer says. It’s so matter-of-fact, so easy, and it’s been a long time since someone trusted Sam like that. He didn’t realize how much he missed it.

“Why?” Sam asks. He tries to laugh, but it comes out wet and choked.

“That’s what friends do, right?”

Sam takes a deep, shaky breath and swallows down the lump in his throat, trying not to wonder if Dean’s still standing guard outside his door.

“Thanks for picking up,” Sam says, barely a whisper.

“Any time.”

* * * * * * * * *

They cuff his hands behind the back of the uncomfortable metal chair. Sam didn’t expect anything less, but he still hates it. They had the entire team except for Spencer there to take him in, and that was a few too many guns trained on him for comfort, but he’s alone now. It’s cold, and the walls are blank, and he shivers.

He’s spent too much of his life locked in cages of one sort or another.

When Spencer finally opens the door, Sam can’t help but breathe a sigh of relief, even as his stomach twists with nerves. He’d worried they would insist on sending someone else in.

“Hey, Spencer,” he says quietly.

Spencer doesn’t answer. He avoids eye contact as he sits down, settling in with his posture stiff and his hands clasped on the table in front of him. He looks like a different person from the one Sam first met; the jittery, fidgety, chattering Spencer is gone, and there’s an actual Fed in his place. Even when he meets Sam’s eyes, his expression doesn’t give anything away. He’s ice-cold and completely closed-off.

Sam tries to breathe.

“Where’s Dean?” Spencer asks bluntly.

“He’s at a friend’s, trying to figure out how to clear our names.”

“Why isn’t he here with you?”

“He didn’t think this was a good idea,” Sam says. “We haven’t had great experiences with law enforcement, but… him even more than me. I trust you. He doesn’t.”

Spencer’s eyes narrow. “You trust me.”

Sam shrugs helplessly. “That’s what friends do, right?”

Spencer’s face goes stormy immediately, and he leans closer, glaring at Sam with startling intensity. “Let’s get one thing straight. You and I are not friends. You’re a murderer, and the only reason I’m here is that I want to see what you look like when you’re telling the truth… because apparently you’ve been lying to me since we met.”

It’s not unexpected, but it still hurts. Sam hesitates for a moment before saying softly, “I’m not a murderer, and I haven’t been lying to you.”

“There’s video.”

“It’s not me.”

Spencer stares at him incredulously. “All that stuff you never wanted to talk about. All those times you talked about… being scared of yourself, worrying what you could do. What was that, then?”

“You wouldn’t believe me if I told you,” Sam says. He feels exhausted, suddenly.

“You’ve never even told me what you do for a living!”

“I can’t.”

“How am I supposed to believe you?” Spencer asks. He’s starting to lose his composure, an agitated edge creeping into his voice.

“Look, remember when you called me, and told me you might be dying?”

“How is that relevant?” Spencer hisses.

“I figured it out, afterward. Anthrax. Right?”

“How did you…”

“And you told me that you couldn’t give me details, and the details weren’t important anyway.”

“That’s right.”

“And I accepted that, because I trust you, and I trust that if you’re not telling me something, it’s for a damn good reason,” Sam says determinedly. “They tried to keep it out of the news, but later, once I knew you were okay, I did some digging, and I figured it out. Why didn’t you alert the public?”

Spencer looks utterly baffled. “Because people would panic. There’d be mass hysteria.”

“There you go. It’s the same thing.”

“It’s not the same thing at all,” Spencer exclaims. “I work for the federal government!”

“Look, I know you, okay?” Sam says desperately. “I know that your job is to notice the details that don’t make sense. Even when something seems obvious, you and your team pay attention, and you make sure everything fits, and you figure out the truth, not just whatever bullshit explanation seems easiest.”

Spencer nods slowly.

“That’s why you’re here, and that’s why your team didn’t shoot me on sight,” Sam continues. “And I know you’re good at your job, so I know you’ve noticed that there are things about this case that don’t add up. Okay? Why would I be here talking to you, if I was guilty? Did you ask yourself how I got to Montana so quickly? Did you talk to any of the witnesses from the old cases? Diana Ballard? Rebecca Warren? Did you try to profile us? Find any similarities in m.o. between all those murders? No. None of it made any sense then, and none of it makes any sense now. You know why? Because it wasn’t us,” he finishes.

“Sam. Maybe there are details from the old cases that don’t make sense, but…” Spencer trails off, shaking his head, like he doesn’t even know where to start. Then he stops himself, sets his jaw, refocuses, and when he looks at Sam again, there’s nothing but pure clear anger in his face. “Look me in the eye, right now, and tell me you’ve never killed anyone.”

Sam instinctively goes to tuck his hair behind his ears, but the cuffs cut the movement short. Spencer sees it. His face falls, bitter and disappointed.

“Yeah, that’s what I thought,” he mutters.

“I’ve never killed anything that didn’t deserve it,” Sam insists.

“Any thing? Really? Or any person?” Spencer asks. Sam doesn’t answer, and Spencer continues, rushing, like he can’t stop the words from coming out: “Do you know how many times I’ve heard a serial killer say that? Everybody thinks they have a reason, Sam, whether angels told him the guy was guilty, or… Satan was possessing them, or… a talking dog told them the meaning of life.”

Sam lets out a borderline hysterical laugh, and Spencer just stares like he’s completely crazy. Sam can’t blame him. He’s starting to feel crazy.

“Okay, here, look,” he says, in a sudden burst of inspiration. “Go through the old case files, look at the dates. Every one, I guarantee you, people were dying before we got to town. There’s gotta be a way to prove it, right? The murders started happening before we got there. Everything you’ve told me about Penelope, I bet she can do it, easy.”

“What, so now you’re telling me you’re some sort of vigilante?” Spencer half-shouts.

“Not exactly, no.” Sam’s starting to run out of ideas.

The door opens abruptly, and a stern-faced agent says, “Reid. A word?”

Spencer gives Sam one last look before he gets up. It’s a familiar expression: disgust, disappointment, you’re not the person I thought you were. Then he turns his back, and the door slams shut behind him. Sam can hear the click of the lock.

* * * * * * * * *

April 2010

He writes to her every day, pages and pages of words. He hopes she realizes that they all boil down to “I love you,” because right now, he doesn’t know what else to say.

“Hi, Mom, this is Spencer,” he says, “I just… I just really want you to know that I love you. And -” when he blinks away tears he can practically see her, her smile swimmy through the salt water, same as it looked when he was small and crying over a scraped knee, and if he keeps thinking like that he’ll never make it through this message. He pauses, gulps for air, steadies himself. “I need you to know that I spend every day of my life proud to be your son.”

She hasn’t taken care of him since he was small. Right now, though, he feels small and scared, and all he wants is for his mom to tell him that she loves him, and that it’s going to be alright.

“Reid?” Penelope whispers, and then he hears Dr. Kimura, and he doesn’t get to be a child right now; there’s nobody there to take care of him.

“I gotta go,” he says, and hangs up before Garcia can ask questions.

“Doctor Reid?”

“You look nice,” he jokes, with a watery laugh, and she smiles. “How are the patients doing?”

“Let’s worry about you,” she says smoothly.

Spencer forces a smile and shakes his head. “I actually… I feel fine.” It’s one of the most obvious lies he’s ever told.

“If you feel any pain, I could give you something,” she offers.

“No, I’d rather not take any pain medication.” His hands are shaking, but at least his voice sounds strong.

She looks concerned. “We can at least make you feel more comfortable.”

“I am comfortable, and I don’t want to take any narcotics,” he says fiercely. It’s not easy to say the words, but he feels better once he does; he feels proud.

There’s someone else he needs to call, Spencer realizes.

“Tell me how I can help,” Dr. Kimura says, and Spencer nods. First things first: if the poison is here, so is the antidote.

“I think the cure for this strain is in here somewhere,” he says, ignoring the way his chest aches.

“Well, shall I start here?”

“Yes, just… I just need a moment.”

Spencer looks down at his phone. He could call Garcia, again, have her save the message as a contingency plan, but he’s not sure he could handle her questions right now, and he can trust Sam not to push for details; he’s always been good about that.

“Hey, Spencer.”

“Hey, so, I can’t explain, but I’m not sure I’m going to make it out of this,” he says, stumbling over the words. “Don’t interrupt, I can’t - I just wanted to say thank you. In case I don’t get to say it again. Recovery was… I don’t… you helped. Thanks for always picking up the phone when I needed you.”

“Right back at you,” Sam says quietly.

It’s getting harder to breathe, and the panicked hammering of his heartbeat isn’t helping.

“Thanks,” he says again, and closes the phone without saying goodbye.

* * * * * * * * *

“Reid, you need to calm down,” Hotch says, as soon as the lock clicks behind them.

“I know,” Spencer says, rubbing his eyes, agitated. “There’s just… there’s so much that doesn’t make sense.”

“It’s more than that.” Hotch gives him one of those piercing glares he’s so good at. “You’re allowing your anger with JJ to cloud what you’re seeing in Sam.”

Spencer can’t really argue with that. He just nods.

“When this is over, I want you to take a couple days,” Hotch says. “You need some time to process.”

Spencer’s instinct is to argue, but one look at Hotch’s face tells him it’s pointless. He nods again, reluctantly.

“Garcia is checking into the pattern that he talked about,” Hotch says, as he leads Spencer back into the observation room. “She may be able to pin the Winchesters’ locations at the times of the original murders. JJ’s talking to old witnesses. There has to be something Henricksen missed.”

Emily, Morgan, and Rossi are clustered in the small, spare room, watching Sam through the one-way glass. Emily cuts herself off mid-sentence as Spencer and Hotch walk in.

“You okay, kid?” Morgan asks again, looking at Spencer like he’s a bomb about to go off, and Spencer tries to smile for him.

“All my time in the Bureau, I’ve never seen a case that made less sense,” Rossi comments.

They all look at Sam, who’s frowning down at the table, deep in thought.

Spencer clears his throat and asks, “Do you believe him?”

“I believe that he’s telling part of the truth,” Hotch says. “It’s what he’s not saying that concerns me.”

Inside the interrogation room, Sam starts, eyes wide, and looks from the door to the one-way mirror.

“Hey,” he barks. “Hey, I know you’re listening! It’s St. Louis. I figured out the pattern, and they’re going to St. Louis next.” He tugs at the cuffs, clearly agitated. “Come on. Can anybody hear me?”

“He’s genuinely distressed,” Emily says, frowning.

“If it’s a delusion, it’s a complex one,” Morgan adds.

The door swings open, and JJ starts talking before any of them can ask: “That was Diana Ballard. She swears up and down that it’s all a big misunderstanding, but she’s not clear on any of the details; she just said that she’d trust the Winchesters with her life. Rebecca Warren said the same. There was someone impersonating the Winchesters, back then, and she swears up and down that someone’s got it out for them now.”

“How did Henricksen not have that statement in his file?” Morgan asks.

“Maybe Sam’s right, as much as I hate to admit it,” Emily says. “Maybe this is a case of agents just wanting the easy explanation.”

“You guys are gonna want to see this,” Penelope interrupts, hurrying through the door as fast as her hot pink heels will allow, holding out her tablet.

“Another one?” JJ asks.

“Unfortunately, yes, and it’s a doozy. This just came in from -”

“St. Louis,” Hotch fills in grimly.

“How did you know?” Penelope asks, but she presses play without waiting for an answer, and they all cluster together to watch the grainy cell phone footage: Sam, leaning in close, giving the camera a smug smile before he opens fire.

“Is that really…” Spencer says numbly, looking from the screen to the window, where Sam is tapping his foot, impatient, undeniably solid and real.

“It’s real,” she confirms. “And to top it off, I found a call that the local brass dismissed, but I just talked to him a couple minutes ago and it sounds like the genuine article. A guy thinks he saw the older Winchester just a couple hours after Sam originally called us. He was at a gas station in, you guessed it, Montana.”

There’s a stunned pause, while everybody tries to digest that news, until Emily breaks the silence with a succinct, “What in the ever-loving fuck is happening.”

“I’m going to talk to Sam,” Hotch says.

Spencer’s acutely aware of everyones’ eyes on him again as he moves closer to the window. His reflection in the glass looks masklike and composed, but he doesn’t feel anything of the sort.

He’s kind of starting to believe Sam. That’s his first instinct, at least. Something deep in his gut is telling him to trust, but it’s being strangled by the suspicion and twisted fear that have been poisoning him slowly since Emily came back. Now that it’s in his system, Spencer’s not sure how to flush it out; it’s just in him now, like some sort of chronic infection.

* * * * * * * * *

March 2011

“I hate how often we see it,” Spencer says quietly. “It’s the first thing everybody thought of, with this kid, even though it wasn’t just schizophrenia, but… what’s the difference, between him and my mom?”

“Your mom has you,” Sam points out. He can hear the murmur of Dean and Bobby’s voices downstairs, constant and comforting.

“The headaches haven’t stopped.”

Sam grimaces. “No answers, still?”

“They all say there’s nothing wrong with me, physically.”

“Yeah,” Sam sighs. “That’s… kinda harder, isn’t it?”

“I hate not knowing,” Spencer fumes. “I hate that there’s no test for it. Even if it was a positive diagnosis, I’d rather have that, you know? I mean, that’d be awful, obviously, but… ”

“At least you’d know,” Sam finishes. “Yeah.”

“It’s like my brain may or may not be a ticking bomb. No way of knowing what’s hiding up there,” Spencer bites out, with a warped attempt at a laugh.

Sam can’t help but think of his flashback: coming back to reality with Dean pale and wide-eyed above him, the disorientation of feeling the solid floor under his back, the way his skin still burned. It felt so real.

He pushes those thoughts away.

“Like you can’t even trust yourself,” Sam says softly.

“Exactly.” Spencer’s voice is small and thin, and he sounds very young, suddenly. “My mom’s counting on me. What if… if something happened - I don’t know who would take care of her. Of us.”

“Your family,” Sam says, without hesitating.

“My team? Yeah, I… I guess so.”

“Your family,” Sam repeats. “Even if you can’t trust yourself, you’ll be able to trust your family.”

* * * * * * * * *

Sam’s heart leaps at the sound of the door opening again.

“They’re going to St. Louis,” he says, all in a rush, before the stern-faced agent from earlier can even sit down. The guy doesn’t bat an eye, just sits down calmly, pinning Sam with a stare that could strip paint.

“Sam, I’m Supervisory Special Agent Aaron Hotchner.” Sam’s heard Spencer talk about “Hotch,” and it all makes sense now. “What makes you think St Louis is next?”

“They’re retracing our steps,” Sam answers. “Dean and I, when we started working together. They’re hitting each town we stopped in. Jericho, Black Water Ridge, Manitoc. St. Louis is next.”

Sam holds his breath, hoping he won’t be pressed on his definition of working. He can see the moment Hotch comes to a decision with an infinitesimal nod.

“We’re too late,” he says. “We just got the news.”

“Shit,” Sam can’t help but mutter, and he tugs instinctively at the handcuffs, frustrated, done with sitting still.

“This means you’re innocent,” Hotch points out, clearly watching Sam’s reaction.

Sam can’t help but roll his eyes. “Yeah, but I already knew that. It’s… Iowa next, then. Ankeny, Iowa.”

“Very well,” Hotch says flatly, giving Sam a critical, evaluating look. “It’s very clear that you’re not what we thought you were, and you may be able to help us end this. Are you still interested in accompanying us?”

“Yes,” Sam replies impatiently.

“First, I’m going to give you one last chance to tell me the truth about what’s going on here,” Hotch says, in such a low, dangerous voice that Sam’s almost intimidated. “Otherwise, if one of my agents gets hurt because you withheld information, or if there’s even a hint that you’re leading us into a trap, I will shoot you without hesitation. Do I make myself clear?”

Jesus. But if the FBI can help him get to Iowa in time, with enough firepower to put a dent in the Leviathans, this’ll all be worth it.

Sam leans forward, as much as his cuffs will allow, meeting Hotch’s impenetrable glare with a determined stare of his own.

“Look, I could tell you more, but you’re not going to believe some of it until you see for yourself,” he snaps. “So as far as I’m concerned, the only truth that matters is this: people are dying, and we both want to put a stop to it. Now, are you going to waste time asking for irrelevant details, or are you going to choose to trust me?”

Hotch holds his gaze for a moment before nodding tersely. “Let’s get going, then. I’ll go get the keys.”

He gets up and Sam grimaces at his retreating back, twisting his wrist uncomfortably to get the bobby pin at the right angle. Then the cuffs fall to the ground with a metallic clatter, and Hotch looks back at him in disbelief. Sam smiles at him, equal parts sheepish and smug.

“I told you, full cooperation,” he explains, and Hotch shakes his head like he might just be a tiny bit impressed.

The rest of the team is waiting out in the hallway, some looking skeptical (tall, dark, handsome, eyebrows; Morgan, if Sam's guessing right), others nervous (pink pom-poms in her hair; that’ll be Penelope), but almost all with some degree of confusion written across their faces. Sam can’t exactly blame them. Spencer’s staring at his shoes, avoiding eye contact.

They’re a very clean, professional-looking bunch, and it’s making Sam incredibly uncomfortable, even aside from the obvious awkwardness inherent in the situation.

“I’m Sam,” he blurts out, and then winces. “Um. You knew that.”

“Yep,” Penelope squeaks. “This is weird.”

“Emily Prentiss, Derek Morgan, David Rossi,” Hotch says brusquely, pointing to each in turn. “Jennfer Jareau, Penelope Garcia, and you know Spencer. There’ll be time to talk more on the jet. Everyone, grab your things, meet outside in five.” He’s already pulling out a cell phone and striding away as the team scatters, and Sam feels sort of windswept in his wake; the guy’s intense.

Sam and Spencer are alone in the hallway. Sam’s stomach twists. This is familiar. This is another person he’s let down, and the bitter voice in the back of his head whispering you fucked up again is familiar too.

“I’m sorry,” Sam blurts out. “I know it doesn’t change anything, but… I’m sorry.”

Spencer looks up at him with a quizzical frown, head tilted. “I was going to apologize to you.”

Sam blinks. “Why?”

Spencer presses his lips together in a funny little grimace. Sam had forgotten that face, the weird things he does with his mouth when he’s not sure what to say.

“For not trusting you.” His voice is scratchy and uneven and honest, now that there isn’t any anger keeping it strong and sure. “I wanted to believe that you… that it couldn’t be you. When I saw the first video, that was my instinct. But my instincts haven’t been great, lately.”

Sam shakes his head. “No, you have nothing to apologize for.”

“I think maybe I don’t trust myself right now?” Spencer barrels on. “But there’s video, and... I trust Hotch. If Hotch believes you... yeah. I’m sorry.”

Sam’s not used to being forgiven so easily. It takes him a moment to remember how to speak.

“You gave me a chance,” he says. “Most people wouldn’t have even picked up the phone. And there’s still… I still haven’t told you everything, why would you -”

“There are a lot of things going on that I don’t understand, and I want answers, don’t get me wrong.” Spencer looks frustrated for a moment. “But… knowing that you’re not a murderer goes a long way. The details can wait.”

“When I start sharing details is when most people start running in the opposite direction,” Sam admits.

“I think that’s sort of a universal human experience,” Spencer offers. He looks like he’s trying not to laugh, now. “Or at least, the fear is. Nobody likes telling the full truth. It’s uncomfortable at best, painful at worst.”

Sam huffs out a laugh and swipes a hand over his face. “Yeah, okay. Got me there.”

“I’ll trust that you’re not lying if you trust that I won’t run,” Spencer says, and he’s not smiling now. He’s dead serious, determined, maybe a little scared.

“Okay,” Sam says hoarsely. “Deal.”

There’s an awkward moment where they both just look at each other, but then Spencer jerks his head in the direction of the front doors. “C’mon, we should go.”

Sam nods and lets him lead the way. “Should we - do you know where my phone is? I need to call my brother.”

“Garcia will have it.”

They walk out into the bullpen, where the team is bustling around, collecting their things, and Sam’s reminded again of how much they’re risking on his word. It’s overwhelming. His throat feels too tight.

“So, that handcuff thing,” says Rossi, tossing his bag over his shoulder and falling into step next to Sam.

Sam laughs. “Yeah, I can teach you. It’s just a bobby pin.”

“Might help next time I get kidnapped,” Spencer says, with alarming nonchalance.

“Would’ve come in handy a few times during college,” Rossi comments.

“You mean as a party trick?” Spencer asks him.

“Yeah. Sure, kid. A party trick.”

“...oh.”

* * * * * * * * *

November 2010

“Spencer?”

“I… is that you?” Spencer asks, so shocked he feels dizzy. It’s been six months.

Spencer’s first thought had been, ‘Weird, that's the second “just in case” call in a month,’ when he got the voicemail. He’d almost laughed.

Spencer had called Sam from the hospital, though, after the anthrax thing, when the antidote worked and he woke up.

Sam never called. Spencer assumed he never woke up.

“It’s me,” Sam says. “I’m so sorry, I -”

“What happened?”

“I was… sick,” Sam stammers. “Really… really sick. I’m sorry.”

Spencer has to pause for a moment to digest that. His head is spinning.

“What -” he starts, but he cuts himself off. He has some idea of what kind of sickness might cause someone to go away for six months, and it’s not physical. “Oh,” he says softly.

“Sorry,” Sam says again. He sounds miserable.

“No, don’t apologize,” Spencer protests. “You shouldn’t - it’s not your fault. I’m just glad you’re okay. I thought…”

“Yeah.”

All Spencer can say is, “I’m really glad you’re alive.”

“Me too,” Sam says quietly.

Spencer’s been wanting to talk to him for six months, but now he can’t think of anything to say. Eventually he just goes with the first thing that comes into his head: “You missed some really good episodes of Doctor Who.”

Sam laughs. “Yeah, I’ve got some catching up to do.”

Spencer closes his eyes and reminds himself to breathe. He’s never been so happy to be wrong.

* * * * * * * * *

“I can’t believe we’re doing this,” Emily says flatly, as Spencer brandishes the Super Soaker in her direction. “Of all the stupid fucking ideas.”

“Yup,” he says, popping the p and maybe kinda enjoying the way her eyes have gone all buggy. In a low voice, he adds, “Play along, remember?”

She casts a glance over to where Sam is busying himself with the rest of the water guns and a box of Borax. “As long as he doesn’t try to take my fucking Glock.”

“Nobody is taking your Glock, Emily,” Spencer says dryly. She shakes her head and goes over to join Morgan, Hotch, and JJ, who have already been outfitted and are standing at the other side of the parking lot. Garcia is sneakily taking a picture of them.

Admittedly, when Sam insisted that they make an emergency stop between the airstrip and the police precinct, Spencer wasn’t expecting Toys R Us, but he was also pretty gobsmacked when Sam started talking about monsters. He’d waited until they were in the jet to do so, which was probably a smart move. This isn’t the first time they’ve played along with a delusion in order to get answers, but it’s definitely the strangest.

Funniest, also. Spencer hopes Garcia got a lot of pictures.

Sam will definitely be headed to an institution, when all of this is over, and Spencer’s having trouble processing that, but… well, it’s not like Spencer’s unfamiliar with that sort of facility. Spencer’s just glad Sam’s not a murderer, and he’s ready to get Dean, arrest whoever’s framing them, and get some answers. He can deal with the rest later; there’s only so much he can handle right now.

It’s been a weird day.

“Okay, we’re ready,” Sam announces, passing the last Super Soaker to Spencer. “Bobby didn’t know where they’re keeping Dean, but I’m guessing the cells. I’ll lead the way. Don’t trust anyone, we have to assume the local cops are Leviathans, at this point. Stick together, don’t let them touch you. Clear?”

“And I’ll be right here with the emergency radio,” Garcia chimes in cheerily. “Thank God.”

Sam tucks his own water gun into the back of his jeans, hefting the fire axe he’d somehow stolen from the cockpit of the jet without anyone noticing. “Let’s go,” he says authoritatively.

“We’re right behind you,” JJ says, in her warmest, most soothing “placate the crazy man” voice.

Sam leads them around the corner and through the front door of the station, easing the door open without a sound, and they follow, entering the oddly quiet precinct quickly and efficiently.

Spencer can see his teammates starting to draw their real weapons; luckily, Sam’s too focused on what’s in front of him to notice what everyone is doing behind him. Spencer hooks a finger on the Super Soaker and lets it dangle from his left hand, drawing his gun with his right, and most of the team is doing the same, for the sake of appearances. Emily and Morgan just set their water guns on the floor.

“Dean?” Sam calls out.

“Sammy!”

Dean walks jauntily out into the bullpen like it’s a very normal thing to find a team of federal agents aiming their guns at him, but he does a double take, disconcerted, frowning for a moment at all the neon plastic toys on display. Then he recovers and turns a wide grin on Sam, who’s hanging back, wary.

“You brought backup,” Dean says, laughing. “Good, I’m hungry. I’m very glad you made it.”

“You’re not Dean,” Sam says, low and certain.

“No, I am not,” the man says, almost gleeful. “Close enough, though! I have all his memories, and I wanted to chat for a moment, before I eat you. I like my meat a little bitter.”

“What the almighty shitfire,” Emily breathes, but neither Sam or Dean pay any attention to her. Spencer has a hysterical urge to laugh, but he swallows it, heart pounding, not daring to look away from the insanity that’s unfolding in front of them.

“Dean thinks you’re nuts, you know.” The man’s eyes flick behind Sam, taking in the team fanned out behind him. “So do your new friends.”

Sam reaches behind his back to grab the handle of his water gun, but he holds it out of sight, still. Spencer keeps his finger firmly on the trigger of his real gun.

“Where’s my brother?” Sam snaps.

“Okay, okay, I’ll get to the point.” He’s wearing a smug, nasty smile, and this isn’t going the way Spencer expected at all. “Dean killed Amy.”

Sam seems frozen, completely paralyzed.

“There it is,” the man who isn’t Dean says, laughing. “Now I can eat you.”

Sam draws his water gun so quickly it’s just a blur of neon orange, and then the man (thing, Spencer corrects himself frantically) is smoking. He’s smoking and sizzling wherever the water touches, and he’s screaming, looking just as stunned as Spencer feels in the split-second before Sam swings the fire axe and chops off his head with one powerful blow.

There’s a moment where everything seems to slow down, like Spencer’s moving underwater, as he takes in the black goo pouring from the stump where the creature’s head used to be.

“What in the almighty motherfucking shitfire,” Emily says again, into the momentary silence.

“More incoming,” Sam snaps. “Heads up.”

Then everything speeds up, too fast for Spencer to process, and it all blurs together: he’s holstering his gun, spraying water at something that’s wearing Sam’s face, as someone screams. Glass shatters, somewhere. Out of the corner of his eye Spencer sees Morgan pulling the station’s fire axe out of its case, whirling around without hesitation in a spray of black goo, and he keeps getting caught in the water pistol jets but it’s better than all those goddamn teeth, what the hell, in the massive mouth that just appeared, so he shoots, what, how, and then -

And then it’s over as suddenly as it began.

It’s over.

Spencer’s heart is racing. He’s surrounded by puddles of water and puddles of oozing black, Morgan’s clutching an axe like it’s a life raft, and everyone is okay. Spencer looks around frantically, double-checking, but everyone is okay; they’re still standing, at least, although JJ, greenish-pale, looks like she’s seconds away from keeling over in shock.

“Back here, Sammy!” comes a muffled voice from the back of the station. Sam casually wipes the blade of his axe on the side of his pants, expression unreadable. Spencer watches him clench his jaw and take a deep breath.

“Sweet baby Jesus,” Rossi mumbles.

Sam’s face is blank as he looks around, taking in the mess and the team.

“I told you so,” he says mildly. Then he steps over the headless remains of a monster and goes to get his brother.

* * * * * * * * *

November 2009

He doesn’t bother trying to go back to sleep after the second nightmare. He goes outside instead, sits on the curb in the parking lot, looks up. The stars are barely visible with the Vegas light pollution, but it still helps to be outside. He can breathe a little easier.

There’s this tightly-knotted mess of rage in his chest, sitting on his ribcage like a tumor, poisoning him slowly.

It’s almost four in the morning, and he has no idea where Sam might be, or what time it is there. He takes out his phone anyway and fires off a text.

You awake?

The phone rings less than a minute later.

“What’s up?” Sam asks. He doesn’t sound like he was sleeping.

“I’m in Vegas,” Spencer says softly, and then realizes that doesn’t mean anything to Sam. “It’s where I grew up.”

“Win big on the slot machines?”

“I guess. I won two thousand dollars today, actually. I… I gave it to a prostitute,” Spencer admits. He adds hastily, “Not for sex.”

Sam laughs. “Right.”

There’s a moment of silence. Spencer could make small talk, now; he could pretend he called for no reason in particular. Sam wouldn’t believe him, but he wouldn’t question it, either.

He takes a deep breath and spits the words out fast, before he can regret letting them loose. “Apparently my dad lived really close by my entire life, even after he left my mom and me. I didn’t know. He never told me.”

“Shit,” Sam says.

“He was keeping tabs on me my whole life,” he says. His voice gives him away, breaking and rasping, and it hurts to keep forcing the words out. “He read all my articles, my dissertation, everything I ever had published. My friends seem to think I should be happy about that.”

“That’s bull,” Sam says firmly.

“Why wasn’t it enough?” Spencer whispers. He’s been holding that question in all day, and it’s been choking him.

His lower lip is wobbling. He’s glad Sam can’t see him. This is the sort of honesty that’s much easier from a distance; Sam might hang up right now, but at least Spencer won’t have to watch him walk away.

“Do you think they know?” Sam asks. “How badly they messed us up, I mean.”

“Do you think they care?” It comes out more bitter than he intended. Spencer makes a face and looks down at his feet in their mismatched socks. “I think that’s the important part. If he cared, I could probably forgive him, but… I don’t think he does. Not really.”

“Yeah.”

Spencer takes a breath. The anger is gone now. He doesn’t like how hollow he feels in its wake, but he does feel lighter. He feels better.

“Thanks for listening,” he says. “It helps.”

There’s a long pause, and Spencer thinks maybe he should hang up, now, try to rest even if he can’t sleep.

“Want to hear a joke?” Sam asks. “I tried to tell Dean, but... I don’t think he got it.”

“Sure.”

“How many existentialists does it take to screw in a lightbulb?”

“How many?”

“Two. One to change the light bulb and one to to observe how it symbolizes an incandescent beacon of subjectivity in a netherworld of cosmic nothingness.”

Spencer laughs, grinning up at the stars. “That’s good. I’m gonna steal that.”

* * * * * * * * *

Sam sighs as he closes the door of the precinct behind himself. They’re not totally done with cleanup, but all Hotch’s wild-eyed muttering about paperwork is starting to make him anxious.

Also, every time he looks at Dean, he feels sick.

He sits down on the bench that’s out front, under a little awning. The sky is dark with clouds, and the air is thick, threatening rain, so humid it seems hard to breathe… but maybe that’s the shock setting in.

He barely gets a minute of peace before Dean comes out to find him.

“Hey,” Dean says cheerfully. “Ready to go? I’m starving, and I don’t want to be here when that bunch starts asking questions. Pretty cool, though, having an in with the FBI. Definitely makes life easier, bein’ dead again.”

He’s standing there on the sidewalk with his hands in his pockets, grinning like it’s just another day. Sam’s chest hurts.

“Don’t,” he says quietly.

“What’s up?” Dean asks, frowning.

“You killed Amy,” Sam says, and he watches Dean’s face as he realizes, the way he shifts his weight uncomfortably.

“Listen, Sam...” he says.

“No, you know what, don’t,” Sam spits. He knows the drill. Dean thought he was doing the right thing, he made a choice, he had to take responsibility if Sam couldn’t. Sam looks at his feet and says, “I don’t think I can be around you right now.”

“So… what, you -”

“You should go,” Sam says. He looks up and searches Dean’s face for some sign of guilt, remorse, empathy, but Dean just looks resigned. Sam wishes he would just start screaming, or throw a punch so Sam could hit him back. It’s not fair that Sam’s the only one in pain right now.

“Okay, Sam,” Dean says, and he turns to go. Sam watches him walk away.

He’s not sure how long he sits on the bench, watching people pass. The sky is getting darker by the minute.

Spencer doesn’t announce his presence when he comes outside, just sits on the bench next to Sam and waits quietly.

“He killed my friend,” Sam mumbles, without looking at him. “She was a monster, but she didn’t… she didn’t mean to. She didn’t want to hurt anybody.”

“Let me guess, he thought he was doing the right thing?” Spencer says wryly.

The lack of pity in his voice makes it easier for Sam to keep talking, and sarcasm feels better than grief. “Shocking, right?” he says. There’s a low rumble of thunder overhead, and they both look up at the sky. “I didn’t have many friends, but… I liked her.” The grief seems to be creeping in whether he wants it or not.

“I’m sorry.”

“Thanks.” Sam’s throat feels tight. “He’s my brother, I just… I’ve fucked up in the past, I know I have. But I always feel like I have to earn his forgiveness. It feels like I’m always asking him to give me another chance, to trust me again, and… and he still doesn’t really look at me the same way. Then he pulls something like this, and I know, one way or the other, he just doesn’t trust me. He thinks it’s okay to lie to me, because I don’t deserve the truth.”

Spencer doesn’t say anything, just makes an unhappy, understanding sort of sound. The first fat raindrops start to fall on the concrete in front of them, and they’re both quiet for a moment.

Sam smiles in spite of himself, remembering. “She changed her name, since I met her. Her name was always Amy, but she changed her last name to Pond.”

“Cool,” Spencer says.

“Yeah. I mean, no, she wasn’t cool, neither of us were, but… yeah.”

Sam can breathe a little easier, now.

“What are you going to do?” Spencer asks.

Sam looks sideways at him and sees the way his mouth is twitching. “Don’t.”

“Nothing you can do, is what I seem to remember you saying,” Spencer says innocently. “Give it time. Right? Does that make you feel any better?”

Sam laughs, burying his face in his hands. “That was fucking useless advice. Fuck, don’t ever listen to me.” He wipes his eyes. “This just sucks.”

“Yeah, it really does,” Spencer agrees. It’s pouring steadily now, rain streaming off the sides of their little awning. “Apparently Hotch thinks I should run away from my problems for a little while, give myself time to process, so I’ve been ordered to take a couple days off.”

“JJ, still?”

“Yeah. I think maybe he’s right. But… I was going to rent a car and drive back to DC, instead of taking the jet. Make a couple detours. Get some space. Give it time. You could come, if you want.”

Sam turns to him, surprised, but Spencer looks sincere; he’s giving Sam one of his trademark anxious not-quite-smiles.

“I was just going to hotwire a car,” Sam blurts out, and then winces. “That might be a better idea.”

“I’m going to pretend I didn’t hear that.”

“I guess you probably have some questions,” Sam says reluctantly.

Spencer grins. “Harder for me to run away if we’re in a moving vehicle, right?”

Sam laughs, tucking his hair behind his ears. “Yeah, guess so.”

“After today, I’m not actually sure I want to know all the details,” Spencer says, wrinkling his nose. “But I do have some questions.”

“Anything you want to know,” Sam promises. “The truth. I promise. I should’ve… I should’ve told you sooner.”

Spencer shrugs. “No, I’m pretty sure you were right, I would’ve run away screaming.”

Sam laughs and rolls his eyes, and they sit there in silence for a moment, watching the rain start to slow. The clouds are already starting to blow over.

“Never tell the truth to people who are not worthy of it.”

― Mark Twain

You can now read about the road trip right here!

#criminal minds fic #spn fic #supernatural x criminal minds #sam winchester #spencer reid #spn #cm #crossover

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gwoongi · 4 years

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best years

jeon jeongguk / reader genre: best friend au, bff-to-lovers au, fluff, angst, guk is pining rating: general words: 2.6k warnings: its a short little fic, sort of like one chunk of a big chocolate bar and im gonna slowly feed u one chunk at a time until you’re sick and full a/n: a squint into the mind of bff jeongguk who will star in an eventual “idol best friend” series that i routinely dream about but have always felt it disrespectful to write about but at the end of the day everything i write is fiction and jeongguk would probably be less offended by a “canon divergence bff au” than he would reading my drug addicted rockstar au so :-) read it & weep folks

Jeongguk’s always been scared of the rejection he might receive from you. He might be a dream for fans across the world, but there’s a split second where Jeongguk feels like he might not be good enough for you. He’s the world to other people. But you deserve the whole galaxy, and he’s afraid that’s something that he might not ever be, even with the money, and the fame, and the doubts he tries to hide.

Jeongguk was taking a pretty big risk, he knew that. It was risky taking any step out of his house at any moment, even on the days where it was pouring outside; he’d think he was safe until he made it to the end of the road, earphones snug in his ears, and the flash of a camera behind the shrubs in the corner of his eye blinds him back to his front door in a twisted shame.

Granted, he’d expected it to be worse as he booked a plane ticket and made a rather hasty, in-the-moment journey to the airport and on a plane with no layover. Usually when Jeongguk takes a journey overseas, there’s at least one or two fans hiding in the corner of the suites waiting for him, or someone on the plane who’d recognise his face. For this, he’d suck it up and take a photo. It was better to have good PR, and be a little bit pissed off that he’d been discovered, than to have bad PR and to be known as the member of BTS who didn’t give a damn when the ‘real’ reasons for travel were taken away.

But Jeongguk thought the risk was worth it this time. The plane touched down in Manchester, and from there, it was an hour long train journey to a station he didn’t know anything about to meet a friend of yours he’d only seen in Instagram pictures. You were at University now, a face he saw on a screen rather than a face he quite literally woke up next to months before. It had been four months since Jeongguk had seen his true best friend, and fuck anybody who was going to make him wait a second longer before seeing you again.

You were his greatest risk, but it was worth it. You were worth it.

“Fuck, it’s insane to actually be meeting you right now.” Frank is a good guy, ginger with circle glasses rested on the end of his roundish nose. He led Jeongguk out of the train station, offering to pull his suitcase for him. “I mean, I’m a huge fan.” Followed by a sigh and a quiet, “Who isn’t…?”

Jeongguk smiled at him, squinting in the sun as it hit his eyes in the direction of Frank’s face. “Thanks. I hear a lot about you, too.”

Frank grinned, whipping his head towards Jeongguk. “All sexy and scandalous things, I hope. You know, none of us believed Y/N when she said she knew you. We thought the pictures were Photoshopped, you know how she is.” They both paused by the side of the road going one way only, “Shit, she’s gonna freak out when she sees you.”

That was three minutes ago, but Jeongguk’s still playing that sentence on a loop. He walks alongside Frank down one of the streets, past a redundant furniture store that quirks his brows. A man stands in the doorway, a cigarette out of his mouth and ash dropping to his toes bare in sandals. It smells like doughnuts, and weed, and he smiles brightly. He’s missed the UK, and how unbelievably shockingly awful it is when you’re not looking at picturesque photos of London online.

“I thought you’d know that Y/N’s my best friend,” Jeongguk says thoughtfully. He pauses as Frank does as a car zooms past when they’re about to cross. “I mean, people know. The photos got leaked, all of them.”

“Hey, give me a break,” Frank says dramatically. “I only became a fan three months ago. And yeah, I figured. Finally, I understood why all the white girls studying Korean here wanted photographs with her and to be her best friend…”

Jeongguk frowns. “Is it bad? She doesn’t tell me this stuff on the phone. I mean, they go crazy on Twitter when she posts pictures and we interact, but I didn’t…”

Frank shakes his head and grins at Jeongguk until the words die out. “Nah, don’t panic. It’s not that bad. If anything, she might get a kick out of the fame. Trust, there’s always gonna be the girls who hate her because she’s friends with you and that’s like, what, threatening to their fantasy? But she loves you a lot, and a friendship like yours...it’s kinda like family, you know?”

Jeongguk feels his stomach flip, kind of like butterflies. These butterflies are sour, his heart racing that extra bit quicker. He likes the sound of family. He doesn’t like the way Frank implies it, because if Jeongguk is ever going to consider you as family, it won’t be as his sister. You’ve never been his sister, even when you were part of his family growing up. There were times you came to all of his Korean family events, the times his family called you their own, but you were never his sister. It was different to that, you both knew it but never acknowledged it.

Frank makes small talk until they make it to the student accomodation you currently live at, and because Frank knows basically everybody, a student comes to the gate to let them both in. They’re nice, big and pretty-skinned, wearing an Aston Villa shirt that Jeongguk remembers looks a lot like your Dad’s back in the day. Might be the same, might be a vintage.

He smiles at him, because maybe this guy knows Jeongguk, but the guy just turns back into the common room and doesn’t come out again. Frank doesn’t live here, he lives in a flat of his own around the corner, but Frank might as well be a resident here. He lets himself in towards the lift and shoots a text to one of your flatmates.

“Apparently she’s in the shower,” Frank says casually. He locks his phone, taps his foot as the lift rises, “Let’s hope she doesn’t stride out completely stark naked as you’re in there.”

He almost blushes, “Ha, yeah.” He declines to mention the times you two have showered together, the time you went skinny dipping together when you were fifteen. Those were things that might end up getting misunderstood, and those are his memories he’d like to keep hidden and secret. He says nothing, nothing but a thank you when he enters your flat with Frank and takes a different turn to the left as Frank goes right, towards the kitchen.

Your room is at the very end, your name on the door in stickers from a set you got from the 99p store, and from inside, he hears the music in the bathroom. The door opens silently and closes with the same volume, and Jeongguk manages to wheel his suitcase to the end of the bed and plonks himself down. As expected from pixels on the screen, your room looks better in person- white walls and a bed set that’s white with a peony pattern. Above your desk, Jeongguk recognises all your photos together, new polaroids of you and the friends you’ve made at University who Jeongguk always felt kind of threatened by. He smiles to himself, and rests his neck at a strange angle against the wall your bed is literally attached to. From here, he can see the bathroom door in the mirror on the opposite wall, but he knows you’ll only see his feet when you come out.

Speaking of which; the Fleetwood Mac song ends suddenly and the shower water has stopped running. Jeongguk hears the toilet flush and his heart starts to race. Four months of falling asleep on Facetime and texting when there was no time left in the day, and now, here he is, on your bed, waiting for you to step out and...and, then what?

Maybe you didn’t even want him here. Maybe you were happier now that Jeongguk was in Korea and you were still at home, in a new city with new friends and a new life. Maybe the memory of Jeongguk was burdensome. Worse, maybe he was something you felt you had to remember but didn’t really want to.

The bathroom door opens and in two seconds, the light is shut off and he hears you sigh.

“Frank, you gotta stop letting yourself in here without telling me,” your voice says. “Good thing I’m semi-decent. Usually I’m not.”

“No fun,” Jeongguk teases, and silence follows. There’s a pause in the room, and Jeongguk cocks his head with his left cheek on his shoulder, waiting for you to click and appear in front of him. Suddenly, there’s small but quick thuds across the carpet and Jeongguk feels his chest tighten with a nostalgic feeling as you come into view with wide eyes, damp hair and nothing but a bra and those stupid black worn leggings you refuse to throw out.

The grin that reaches Jeongguk’s eyes now aches as he laughs at you, at the way you gape in his presence. It takes a moment, a moment of what feels like could be the rejection that Jeongguk absolutely fears, but then you smile so wide that Jeongguk feels it in his stomach.

“Holy shit!” you exclaim loudly, bringing a hand to your mouth as you hurry towards the bed. It dips beneath your knees and Jeongguk rises up to a sitting position. “What the fuck!”

He laughs out loud, and when you’re next to nothing away, Jeongguk wastes zero time in bringing you into his arms, tightly hugging you.

“Careful, my hair’s all wet,” you squeak.

“Don’t care.”

He really doesn’t. There’s probably going to be a damp spot on his clothes after, but that’s okay. You groan loudly with happiness as you hug him in return as tightly as he is hugging you, your weight on his lap and your arms around his neck. Jeongguk smiles so wide, sighing with content into your neck. Here, he smells the marshmallow wash on your skin, the fragrance of your hair that kind of reminds Jeongguk of cabbage patch babies.

“You smell good,” he mutters. You laugh quietly, squirming when his nose sniffs across your neck like one would kiss. “I don’t.”

“You do, you always smell good,” you reply. One sniff, he laughs, “See!”

“Mmm,” he plays along, “the sweet smell of planes and trains and jetlag.”

That makes you laugh, and at the mention of jetlag, Jeongguk realises he could probably fall asleep like this given the chance. He has missed this, missed you, so fucking much. The emotions are overwhelming.

Jeongguk kisses behind your earlobe, and just underneath your jaw. That’s new. Jeongguk was a cheek-kiss kind of best friend, but never this. You’re not complaining. Your head drops to one side, almost giving him more access to the space free, and he occupies it. Those fucking butterflies; Jeongguk feels sick with nerves as he kisses you, under your chin and across your neck, on that spot on your collarbone you found out tickled after Seven Minutes in Heaven in Year 8. Maybe your fingernails in his hair are a way of you telling him to stop- it’s something he can think about tonight if he can’t fall asleep, something he doesn’t care to think about when he kisses on your actual jawline, to your cheek and the corner of your mouth, your cupid's bow.

He moves away with a blush that matches your own, but maybe you can’t see his in the colour of your fairy lights. He plays with the confusion as he moves the hair that's across your face around your ears, smiling and raising his eyebrows. Jeongguk convinces the role of casual to perfection and bites back a sour taste when he notices you’re the same. Casual, unmoved, maybe even like it didn’t mean a thing.

“Your hair is so fucking wet,” he sniggers boyishly.

“I told you,” you shrug. You shrink, relaxed, “Fuck, Guk, why are you here? I mean, I’m literally so happy, but...Are you gonna get in trouble for this?”

“I dunno,” he admits. “Maybe, probably. I mean...the guys know I’m here. Hoseok drove me to the airport with Jimin.”

“That’s not what I mean.”

Jeongguk sighs loudly. “Yeah, I know. Frank told me all about the girls.”

“Little fucker. Is he here? I’ll punch him for mentioning it to you. It’s honestly fine. Girls will be girls.”

“You’re my best friend for life, it’s important to me that you’re not uncomfortable by it-”

“I’m not,” you assure him, hands trapped in his hair. “Damn, this got long. Didn’t look long over the phone.”

“Was growing it out,” Jeongguk replies. “Heard you fancied Keanu Reeves, couldn’t handle the competition.”

“Ha!” you retort. “Simp.”

“For you,” frowns Jeongguk dramatically.

Conversation fizzles comfortably, to the point where you both forget that Jeongguk’s underneath you and your legs are wrapped like a koala around his middle. The fact that this is normality for you both is ignored. You’ve done worse things together. Jeongguk even knows that the bra you’re wearing now is one he bought for you. That could be why Jeongguk feels the way that he does, why this confusion wraps around his body and traps him. Jeongguk knows that the butterflies in his stomach don’t just appear because you’re his best friend he hasn’t seen in a while. He knows what they mean when they flutter when your name pops up when you’re calling him, when an interviewer tries to catch him out by bringing you up in another interview that you don’t need to be mentioned in.

Jeongguk knows that coming here was worth the confusion, and the nerves, and the fact that this will be a headline when it gets out. JEON JUNGKOOK GOES TO UK TO VISIT HIS BEST FRIEND...BUT ARE THEY MORE? Or worse, NETIZENS HAVE PROOF THAT BTS JUNGKOOK IS DATING HIS BEST FRIEND Y/N…

He doesn’t want to hurt you. That’s how he feels scared. For you to be scandalised by an article online that caught him out in his feelings, he knew it wasn’t fair. Jeongguk might be too afraid to say he’s in love, and too afraid to find out if you feel it too, but he’d risk those feelings and the headlines if it meant spending one more day with you.

Jeongguk’s got a week and a half with you. Something’s gotta give within this week. He doesn’t want to go back to Korea with more regrets than he came with, and for now, he’ll just have to swallow those butterflies back down when they pour out of his mouth. Right now, he can’t afford to be caught out. It has to be known on his own terms, when the timing is perfect. It has to be perfect, because it’s what you deserve. It has to be perfect, because if it isn’t, then Jeongguk doesn’t think it will be worth it.

Losing you to a headline and a butterfly is out of the question. One tries to escape when you hop off him and shrug on a jumper from out of your wardrobe. If you noticed his unease you didn’t mention it. He wants to cry, wants the confusion to go away for the night so he can enjoy it.

Fuck.

For now, he thinks as he follows you with an arm around your shoulders out of your bedroom and towards the kitchen to meet the others, he’ll just have to fake it til he makes it. Just like always. Put on a face, put on a show, until it all feels worth the spillage. He can’t let the butterflies escape yet.

It has to be perfect, and he’ll have to be patient.

#jeongguk scenario #jungkook imagine #bts imagine #bts #bts scenario #jungkook #jungkook x reader #jeongguk #jeongguk x reader #jeongguk imagine #jeon jungkook #jjk #jeon jeongguk #bts x reader #bts fluff #jungkook fluff #best friend au #idk what this is its shit

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portiaofbelmont · 3 years

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How to make a novel playlist

I love my novel playlists. I love the way they completely immerse me in my project (I make them for all projects I expect to take more than a week) and make me look forward to writing it. They're fun to make, a great way to remember each story you write, and make you feel really productive.

So how do you make effective playlists?

By far, the best novel playlist I've made is this one (Apple Music). I usually listen to classic/hard rock or classical (because I'm contradictory by nature), so the more contemporary Saint Motel and Grouplove on this playlist were a fun change. So that's something I suggest: Make it a different genre from your usual music tastes. If you listen to rap, make a blues or folk playlist.

But don't sacrifice overall vibe to make it different. Only add songs if they fit the feel of your book. For an apocalyptic urban fantasy story I recently wrote (or started to write -- I was forced to take a long hiatus and lost interest in the story) ((I'm going back to it at one point though it was hella fun to write)) the playlist was mostly classic rock, even though that's my main listening taste, because that fit the story best.

But you want to make sure they're songs you've never heard before -- or at least don't remember hearing. If you add a song you listened to with your ex, then every time it comes up in the playlist you'll stop writing and start thinking about the harsh breakup you had a month before and have to take a break so you don't start crying. (I've never done that before. Never.) Make sure there are no memories - even happy or mundane ones - attached to a song.

That's all and well, but how do you actually make the playlist?

Here's a step by step.

Figure out what vibe you want (this is probably easiest in realistic fiction/mystery/thriller/anything that happens in the real world, and hardest for fantasy/sci fi writers. for my fantasy, I typically choose a vibe that fits the MC (or at least most of the pov characters) the best. basically what the MC would listen to if they lived in our world.)

Google "[my vibe] songs" (you'll have to choose whether you want songs with or without lyrics here. I like my songs to have vocals, so I type "with words" at the end. Quora is a great resource for this, or other forum-type sites. here are some things that come up when I googled "mystery songs with words": - Sound of silence, Ania - Comfortably numb, Pink Floyd - Show me the meaning of being lonely, Backstreet Boys add the first three or four songs you find and like to your playlist.)

Find more songs like that (spotify is great at this. unless there's been a sizable update recently, if you scroll to the bottom of a playlist you created there should be a list of songs similar to the ones you've chosen, and you can pick from there. if you're on apple music (like me), you can right click on each song and press "make station" to find similar songs. this can take a while, but I suggest having at least an hour's worth of music.)

Curate! (write along to this playlist, even if you're only making an outline. if any song jolts you out of the zone, or if you just feel like it doesn't fit the vibe, remove it from the playlist. and if you ever hear a song that you think would work, add it to the playlist.)

I hope this helps, and happy writing!

#i know i'm a loser for using apple music shut up #if anyone wants a novel playlist hmu i love making these things #amwriting #novel #writing tips #writing advice #writing

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writefightandflightclub · 4 years

Text

It’s Complicated (Llewyn Davis x reader)

Summary: It’s a chilly autumn morning, and reader is studying in the apartment, waiting for Llewyn to wake. The relationship? Complicated. The topics? Complicated. But Llewyn is a soothing presence all the same, especially when he sings for you.

Author’s note: I’m doing soft blurbs this week bc you all deserve a hug from one of our fave fictional husbands. Let’s all destress and be comforted one blurb at a time, okay? (I’m doing these quickly so I can complete as many as I can for you, so they’ll be a bit scrappy, please forgive!) Ok, turns out I LOVE writing melancholy, autumnal Llewyn? Who knew? And I like how this turned out!

Song: I imagine him singing Karen’s Dalton’s Something on Your Mind for you, because it’s melancholy and it reminds you of him.

Warnings: it’s fluff, sweeties, with mentions of smoking / cigs, couch-surfing.

GIF by @realoscarisaac

Your head feels full. You’re not sure you can cram any more in there. You huddle over the books on the desk, wrapping your worn, cosy cardigan more tightly around yourself to guard off the late autumn chill of your apartment.

You look down at the page with a sigh, closing your eyes for a minim as the symbols seem to blur before you. Time for a break, perhaps. You concede, setting your pen down to flex your cramped-up hand, massaging over the callouses on your fingers which have developed from so much note-taking.

The roughness of your typically soft hands reminds you of Llewyn. Of the callouses formed on his deft guitarist’s hands from plucking and strumming. The way his roughened hands have a gentle scent of loose tobacco and metal when they cup your face. It shouldn’t be pleasant, but it is, somehow.

Somehow, it is.

Distracted, you glance over to his figure, still sleeping late on your couch, shadowed and illuminated by the slatted blinds.

Llewyn.

It’s... complicated.

Despite the fact you’ve shared some... choice embraces, you can never quite coax him into your bed to sleep. Can never coax him into defining what he is to you, or you to him. He comes and goes from your sky like an unreliable moon; sometimes his face is full and shining for you, but mostly it is shrouded.

Llewyn doesn’t know how to move forward -only in circles- and yet you are grateful any time he cycles back to your door, stuck in this endless loop while you strive to study and carve a path for yourself.

Your eyes wander over his profile, and you smile softly at the sight of such a sleeping beauty. Then, you tread softly towards the open-plan kitchen, your slippers shuffling against the wooden floorboards.

You set the water to boil, shoving your hands in the pockets of your cardigan, which Llewyn sometimes borrows when he is chilled to the bone. You find a telltale packet of filters buried deeply in the pocket which show he’s been at it again. You smile to yourself, holding this tangible sign of him in your grip for a moment. You like finding traces of him, and lately you find them more and more throughout your apartment as each stay extends a little longer.

The bubbling and soft howl from the kettle wakes Llewyn gently, and he throws the crook of his elbow over his eyes as he stirs, squinting as his eyes adjust.

There’s always that recognisable moment of confusion on his face when he first wakes. A slight jump in his body and a quick scan of the room; likely, while he tries to remember where the devil he slept last night.

His eyes settle on your figure as you lean up against the counter edge, your back to the cabinets. You’ve been caught-out watching him, but you don’t try to hide it, and he looks right back out of one opened eye.

Whenever Llewyn sees you upon waking, you imagine the faint flicker of a smile on his face. You wonder whether he’s glad to find himself waking up with you. Musicians dream of a life on the road, don’t they? But not like this. Not cycling through apartments within a 4-block radius. You wish you could be home to him. You’re so determined to study and realise your dreams, and oh, you wish he could have his too. You wish you could build a dream together. Would, if he wanted to.

You never want him to leave.

You turn to pour him a coffee as he continues to shrug off sleep, setting it down gently on a stool beside him once it’s brewed. He stretches his arms above his head, yawning emphatically.

“Morning,” you greet fondly.

“Morning,” he greets back, and to your surprise he wraps the rough pads of his fingers around your wrist as you saunter past him, sitting-up to bring your hand towards his lips and to plant a small quaver of a kiss to your pulse point.

He looks up at you forlornly, before burying his head into your stomach, his thighs opening so you can stand in between his legs as he wraps his arms around your waist. He holds you tightly.

A rest.

Llewyn? It’s... complicated.

You hold him in turn, tussling then soothing his crotchet black hair as he rests his face against your belly. You squeeze and release, and when he lets go you imagine the faintest hint of a smile at his lips again, curving like a slurred note.

Wordlessly, you settle yourself back into your desk chair and rebury your head in your books as, behind you, Llewyn throws off his blanket and treads to the bathroom in nothing but his white tee and patterned boxes.

You are vaguely aware of distant clattering and running water, until padding footsteps signal his presence in the room again.

“Somewhere to be today?” you ask without turning, scribbling down some notes as you hear him redressing in his clothes from the pile they form on your floor.

“Yep. Busy day. Walking around,” he says despondently. He has nowhere to be then. You know, therefore, that what he really means is: “Getting out of your way while you study.”

You turn towards him as he perches back down on the couch, beginning to pull on his worn shoes.

“Stay. It’s better when you’re here.”

Stay, Llewyn.

He looks up at you, eyes surprised as they connect with yours. Surprised as if no-one has said anything quite so kind to him in a long time.

“Easier to study,” you backtrack. It’s complicated, after all. “Your presence it’s relaxing.”

You don’t tell him how you have come to loathe his absence.

He looks outside at the cold, considering it. He looks at the warmth in your eyes, considering it. Then, he opts to stay.

“Ok,” he says plainly, his curls falling over his forehead slightly less despondently than usual, you imagine.

You turn back to your books, the faintest hint of a smile on your own lips now. With a second wind, you read greedily through some more of your textbook, hearing Llewyn intermittently slurping his coffee behind you.

His presence really is relaxing. He’s slow and easy and never frantic. Familiar, like a folk song. He was never new to you and he’ll never get old. He’s home.

“How’s the studying going?” he enquires gently, in his smoky, sleep bedraggled voice.

Your lips quirk up at the parallels. “It’s... complicated.” You guess your love life is a lot like organic chemistry, in that sense.

“You’ll make it,” he reassures. “I know you’re gonna make it.”

“And so will you, Llewyn,” you add to counter the evident implication.

Llewyn huffs out air -pfft- in well-rehearsed protest at your sentiment, but he doesn’t bite back, like usual. You hope he’s starting to believe you.

You would build a dream together, if he wanted to. You’d make it together, you know it.

You hear him set the cup down, and absent-mindedly you begin drumming your pen on the desk.

“Would some music help you study, angel?” Llewyn asks, coming alive along with the rhythm. You hear the chaotic thrum of guitar strings as he reclines on the sofa, settling the instrument on top of his stomach, already having guessed at how you’ll respond.

“Yes. please,” you say, turning you head towards him for a moment and delivering him a bashful smile.

He’s called you angel before, but usually only in the depths of the night. Or, in a smoke-shrouded Gaslight when you offer him a couch for the night once he’s run out of options. Never like this, his face shining.

He picks out the rhythm of the song you were batting your pen to -one of your favourite records- and begins gently strumming the chords.

It’s better when you’re here, Llewyn. Stay.

“Song for my genius,” he says, and your heart swells like a chorus when he calls you his.

More pages and notes of both kinds flow, along with time, as the soothing sounds of Llewyn playing spur you on.

Eventually, he starts to sing-along, filling the chords you hadn’t realised were so empty until his voice furnished them - just like he’d filled your heart even though you hadn’t realised that was empty too, before him.

You can’t help but set your pen down again to listen to him. Absent-mindedly, you massage the callouses of your hand once you’ve done so and it reminds you of him. Makes you think of his rough yet nimble fingers on those strings.

You turn towards him, and this time you look at him forlornly. It is you who shuffles your chair closer to him where he lays, scooping up his wrist to plant a quaver of a kiss on his pulse point.

Your eyes rest on each other’s for a minim. Four beats of your heart, although it picks up in tempo the longer your eyes connect.

A faint smile passes over Llewyn’s face as he brings his hand to cup your face. His fingers smell like loose tobacco and metal, and it shouldn’t be pleasant but it is, somehow. Somehow, it is.

You and Llewyn?

It’s... complicated, but you wouldn’t have it any other way, because you know that eventually, you will solve it.

Right now, though, his face is shining at you like the moon, and you believe what he said; that you’re going to make it. You believe him, ‘cause it’s better when he’s here, and you think you can even coax him to stay, to build your dream together.

#llewyn davis x reader #llewyn x reader #llewyn fluff #llewyn davis fluff #inside llewyn davis #inside llewyn davis fanfic #llewyn davis fic #oscar isaac

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bellatrixobsessed1 · 3 years

Text

From Chin To Yon Rah (Part 25)

The drizzle grows into a hideous storm. Thunder vibrates the framework of the small in.

“We’re lucky that we did all of our trading yesterday.” Min-Ta muses.

“Would have been a hassle in this weather.” Hao-Bai agrees.

Azula keeps to herself, eyes fixed upon the harbor, upon the boats that bob precariously against such aggressively tempestuous waves. And she finds that her mind is wandering again. Wandering to a time when she had insisted that her command held more value than the whims of the tides. In retrospect, she understands why the man was so hesitant to port--steel or wood the waves can tear it to ribbons.

And she finds herself torn between being thankful that she had stayed just a day longer to help the couple and wishing that she were well out into the ocean. The ocean where the waves would pull her under and into darkness. A darkness that is kinder than the sort that she knows. The sort that stirs within her. She thinks that she would rather find herself battered by the waves than by the thoughts in her own mind.

“Beautiful, isn’t it?” Min-Ta asks as she rubs circles upon her baby bump. “And powerful.”

Azula nods, “storms are...fascinating.”

“You’re a lightningbender, aren’t you?”

She nods.

“You’re a force to reckon with then.” She laughs.

And Azula wishes it were true. Had she been a force to reckon with then she wouldn’t have been reckoned with. She wouldn’t be in this village… “how long do you think it will be before the storm passes?”

The woman shrugs.

“The folks who tend the docks seem to think that it could be a good week before the waters are safe to sail. A seasoned sailor told ‘em that clouds like these mean that it’ll get sunny and then stormy again at the snap of your fingers.”

Azula nods. She supposes that she will have to get used to syrup and the smell of resin. It isn’t such a difficult task; the scents are cozy enough and she is in pleasant company. Comparatively speaking, this inn is akin to her palace. She lays back, rests her hands upon her middle, and closes her eyes. It has been such a long time since she has slept on a real bed. Even if the sheets and pillows are slightly tattered and worn, it is the most comfort she has had in ages.

She lets the relentless batter of the rain lull her to sleep, with any luck, when she wakes, the soreness in her muscles will have alleviated.

.oOo.

There is a duration of sunshine, but she can see concrete clouds on the edge of the horizon. A second onslaught waiting to be unleashed. Despite her apprehensions about the coming storm, she follows Hao-Bai along the gravel path.

“This place is one of my favorites.” He gestures to a ramshackle looking eatery. “It’s where I met Min-Ta.”

Azula furrows her brows, “is this your birth town?”

“Indeed it is. I was here when it was just a handful of small timber houses.”

Azula nods. And how the place must have changed. A few timber houses has become a decently sized village with several inns, restaurants, and shops. She comes to find that the people who live there are a friendly bunch with a sense of community that is hard for her to fathom.

When the storm gives pause they gather at the center of town to exchange stories and meals. To give gifts and make banter. By now she thinks that she should be used to being the only firebender about, and yet she still feels out of place and out of sorts. Everyone here seems to know everyone and she knows no one at all save for Hao-Bai and Min-Ta.

Nobody says it but she can feel it; they don’t want her here. It is her eyes, her golden fiery eyes. There is no place for a firebender in a village like this. She is a match surrounded by firewood and they know it. They regard her like such--with fear based respect.

They offer her meals and lodging not because she is traveling with Hao-Bai and Min-Ta nor because they enjoy the stories she tries to share over meal times but because they regard her as a volatile thing, an explosion waiting to happen and claim everything they adore.

And suddenly she feels as though she hasn’t changed at all. That she is the same woman who left her mark on Omashu and Ba Sing Se. The same woman who swears by and lives for intimidation. They certainly tread around her as though she is.

She knows that it is nothing more than a stereotype, but it stings all the same. Stings when, deep in the back of her mind she doesn’t think that she will ever be rid of who she used to be. Deep in the back of her mind she thinks that she is one more tragedy away from regressing, from letting her heart grow ugly and cruel again. Shielded. Stony.

.oOo.

It is her last night in this village. And it is a gorgeous night. The clouds have finally cleared away. The last roll of thunder had boomed an hour or so ago, she can only see the storm as a series of flashes far off over the open ocean.

And this is where she stays. Alone on the beach, the lively chatter and music feels just as distant as the storm clouds. She props herself up against a decent sized boulder and stares up at the stars. She wonders if the stars can bring her closer to the spirit world, if she could look into them and coax a conversation with her old friends and lovers. With Atsu and Caihong and the child she never got to meet.

She remembers hearing about cosmic energy and its influence on the universe. She wonders if this cosmic energy has arranged itself in a position to specifically antagonize her…

“There you are.” Hao-Bai chuckles. “The wife was getting worried.”

Azula shrugs. “I’m alright.” She isn’t sure if she is lying or not. Sometimes she is alright. Sometimes she is able to put Wujing out of her mind. Sometimes she is able to make herself feel grateful that she had gotten even just a small taste of what it was to have a home and loved ones. Sometimes she is able to shape a new future for herself in her mind.

Tonight isn’t such a night. Tonight she isn’t okay. Tonight she would like nothing more than to run out to the waves and let the tides pull her away…

“Why don’t you join the rest of us?”

“They don’t want me there, Hao-Bai.” She frowns. “They don’t want firebenders around.”

The man is quiet for a while. “You have the wrong impression. They know that you don't mean any harm, that you’re just passing through.” He pauses again. “The people in this village are...kind to a fault. They don’t want to get attached to someone who is just going to leave them. It hurts too much.”

Azula nods, “in other words, they’re an intelligent people.”

Hao-Bai chuckles, “you have a long journey ahead of you, come back and enjoy a meal and good company while you can. I have a surprise for you.”

A long journey. He doesn’t know the half of it. Or maybe he does, maybe she has given him just enough hints for him to know that she has been on a journey for some time now.

She follows him back to the village to the lively music and the tantalizing scents of kebabs and fruit platters. To the everpresent odor of syrup and resin. Min-Ta greets her with a hug and gestures for her to have a seat near the bonfire.

She must admit that she is impressed by the size of it; she hasn’t seen such a hearty and large blaze since the last Fire Nation festival she’d attended.

“We’re just about to begin story swapping.” Speaks a man, an elder who she assumes is the host.

She nods, “why don’t you share a little something before you leave?”

Maybe it is because she knows that she won’t be staying long enough for pitting looks or maybe it is that she needs to alleviate some of the pressure. But she shares the story of Wujing’s collapse. The tale of why she can’t stay in the Earth Kingdom any longer.

She thinks that she has well and killed the mood until Min-Ta confesses that this is her third pregnancy. That she fears for it because she had miscarried the first two. And the liveliness dies away for a swapping of tales each as dismal as the next.

And she understands what Hao-Bai had meant by kind to a fault; it is nothing like the Caldera City and nothing like Wu-Jing. These people cry together. These people laugh together. They hurt and rage together. They love and joke together.

And sometimes they do it all in one night.

Hao-Bai hands her a pipa. “I carved it myself, out of the first tree you helped cut down.” He explains. “Play it when you have something that you can’t express with words or when you need something kind to think about.”

By the spirits she could use something kind to think about. She isn’t practiced by any means, but she plays a song. The only one she has ever heard played on a pipa. These people laugh together, cry together. And they make music together.

In a night they had mourned for one another and by its end there was music and jokes. A sense of lightheartedness.

That night she learned that each little town has its own special flavor.

.oOo.

It is almost mesmerising to watch Azula interact with Caihong. The way she cradles the girl against her chest and strokes at her hair. The way that her light voice softens further still when she assures the child that she is safe now.

He is plenty aware of Atsu, plenty aware that she has probably helped tuck the boy in time and time again but until now those were just words on parchment. Just visuals in his mind like a charming fictional tale.

“You live here?” He hears Caihong ask.

“I live here.” Azula confirms.

She seems to perk up, “yer a palace gardener! Ya didn’t tell me that you was a palace gardener!”

“I’m not…” she trails off. “It’s a hobby, not a job.”

“Then how come you get to live in the palace?”

Azula is quiet for a while. “I’m the princess, Caihong. I’m supposed to live it the palace.”

Caihong tilts her head and then shakes it. “Nope, yer Rikka.”

“My name is actually Azula.”

She shakes her head again. “Nope. Rikka.”

Azula sighs. “I suppose that you can keep calling me Rikka. But other people are going to call me Azula because that’s my name.” She pauses and with a hint of a devious smirk adds, “and you’re going to look ridiculous because no one else here knows that I was ever called Rikka.”

Caihong narrows her eyes, “no, yer ridiculous. And also yer dumb. So there.” She folds her arms and sticks out her tongue. And yet the child makes no attempts to wiggle her way out of Azula’s grasp. In fact she nuzzles herself closer.

To himself, Sokka quirks a brow. Children are strange little beasts. In one breath they hate you and in the next they’re begging for bedtime stories and lullabies. This child has just been rescued from a slave trade and she is being difficult. And somehow, Azula seems to take it better than he would have.

“If you say so, Caihong.”

“Mmhm, I do say so.”

“What do you want for supper, Caihong? Do you want me to try to make turnip stew how your grandfather did?”

“No one makes it like grandpa!” She declares. “But you can make turnip stew, Rikka.”

“Alright, come on then.” She hoists herself to her feet. .oOo.

Her mind is full to bursting and she thinks that the only thing keeping it from doing so is Sokka tagging along next to her. She has too much to think about. Too much at once. Caihong’s face is a gift and a destroyer in one. She is more than grateful to have the child back, a child she cherished as much as Atsu and Juro. But staring at that face is like staring at the past. At everything she has lost and worked hard to put behind her. Staring at that face is cutting open an old scar that has only just begun to heal.

And so, as she stirs the ladle around the pot, her mind goes back to something else. Another thing that disturbs her but not quite as deeply; she had enjoyed it. She had enjoyed bringing the slave trader to his knees. Enjoyed the taste of battle and victory on her tongue.

Perhaps this wouldn’t trouble her so much if she hadn’t been so sure that she had left that side of her behind. But it is still there. It is always there. It will always be there, waiting to emerge.

She swallows hard, she thought she had changed. She thought that she was better. But she is still angry. Angry and ready for war. She can make all the changes she wants but she will always be ruthless at her core.

And now, combing Caihong’s hair and stirring the stew between brushstrokes feels like an imitation. A mockery of motherhood. It feels false, however genuinely she cares for the girl who kicks her small legs at the air.

She scoops a liberal amount of stew into the bowl and sets it before Caihong, “don’t eat too fast, it’s…”

Caihong shoves the spoon right into her mouth.

“Hot.”

“It’s fine.” Caihong insists through watery eyes.

Azula ruffles her hair. “How about you take it a little slower.”

“I can handle it!” She declares. But she doesn’t pick the spoon up again until the steam stops rolling.

“Thanks Rikka!” She declares between spoonful.

Azula forces a smile, while her stomach drops. Agni, she wishes the girl would stop calling her that. It hurts in such a particular way. “Did I make it like Ojihara did?”

“Mmm mmm, nope! Not even close! But yours tastes good too.” She grins.

Apparently the kid is more resilient than she. Or maybe she thinks that her father and grandfather will be coming back too. It is just one more thing for Azula’s mind to do circles around.

“Well, now that you’re all done I think that it’s time for bed.”

.oOo.

It is twice as disorienting to see Azula tucking the child in. To see that soft smile as the girl giggles and laughs, “this bed is huge!”

“And it’s all yours tonight.”

“Where are you going to sleep?” Sokka asks.

“You have room?”

“No!” Caihong shouts. “Rikka’s gonna stay with me! I don’t wanna be alone.” She tugs at Azula’s sleeve.

“I’m giving you this whole big bed and you’re telling me that you want to share. Since when do you like sharing?”

“Since now!”

“Alright. I’ll stay with you.”

The child is beaming again. This time she throws her arms around Azula. The princess smiles and scoops her onto her lap. Quietly, she reaches behind her and finds the badger-mole. She plops it onto Caihong’s lap.

“Bao!” She yells with delight.

Azula nods, “Bao will keep you company while I get ready for bed.” She looks up. “Sokka is here too but Bao is a lot smarter.”

“Hey!”

She brushes her fingers over his hand as she exits. And he wishes that she hadn’t left him. Now the girl is staring at him with those big bright green eyes and all he can do is manage a toothy and awkward smile that coaxes her to say, “you looks stupid. Are all waterbenders weirdos?”

“I-I’m not a weirdo!” He throws his hands up.

“Mmhm, you are.” She gives a firm nod and then gives Bao a shake. “Bao thinks so too.” She hold up the stuffed animal and in a much lower voice says, “that’s right Caihong, water guy is a weirdo.”

He folds his arms across his chest as the girl continues to have a back and forth with the stuffed animal about how he is a ‘strange and silly man’. He wonders if the girl has always been so blunt.

Azula returns several minutes later barefaced, with her hair in a ponytail, and tucked into a very cozy looking night robe. She sits herself upon the mattres. “Did Sokka behave?”

“I guess.” Caihong grubles.

Azula quirks a brow. “And what about Caihong, did Caihong behave.” She opens her mouth but Azula cuts her off. “Or did Caihong call Sokka a weirdo several times?”

“Caihong didn’t do that! Bao did!”

“Oh? Is that right?”

“Yup, Rikka, it’s right.”

.oOo.

Caihong’s sleep talk serves as a backdrop to the chaos in her mind. To the turbulence that threatens to break forward. Perhaps Sokka has sensed it too because he has made himself comfortable in a chair at the corner of the room.

She rubs her hands over her face. She could have had this. She could have had it every night with Atsu and Juro. She could have been so happy and so very nearly untroubled.

She could have been a mother leading a perfectly quiet and mundane life. She could have been Rikka. But she is still Azula; life is forcing that much upon her while flashing in her face who she could have become.

And she resents it. She resents life. She resents the person she is.

She rubs her hands over her face, she knows that she shouldn’t resent the person she is. Before, Hajime and Seukhyun had assured her that she is a good person. Sokka reminds her as much now. Deep down she is beginning to struggle to see herself as evil through and through. Deep down she is able to piece together all of those small deeds that seemed to mean so much to people like Min-Ta and Hao-Bai. And deep down she is well aware that she has been defying her upbringing and the monster that life is trying to fashion her back into--the path that it is trying to put her back on.

Deeper down she is still afraid that all of her hurt and pain will come back and bring the worst of her back. Deeper down she is afraid that she won’t be able to stop it. Deeper still she is afraid that the process has already been set in motion.

She is scared.

.oOo.

Sokka wakes late into the night to the sound of music. The charmingly melancholic tune. It has the feeling of watching a warship depart and then return battered and broken. The same energy as a light rain that sets the world a glimmer while ruining a sunny outing.

It is beautiful and broken. Depressive and joyful.

He makes a point of rustling his clothing as he walks so that she doesn’t jerk when he sits upon the mattress and wraps his arms around her middle. In a few final notes, the song dies away.

She puts the pipa aside and leans into him. He wants her to talk, to give him a problem to walk her through but he doesn’t think that she is in the mood for conversation. So he instead wipes away several silent tears and holds her hand until she finally falls into a much needed sleep. He finds himself toying with her hair until he too is able to drift off.

The pipa melody lingers in his dreams.

#Avatar The Last Airbender #Azula #Sokka #Sokkla #Fanfiction

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