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#he has braincells however they are very use-specific braincells
lets-try-some-writing · 4 months
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How good would the bots handwriting be?
In English? In Cybertronian? Why not both?
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On Cybertron, writing anything by hand was not exactly common. Technology trimmed the process down a great deal and writing by hand was seen as something reserved for the higher castes. A written series of glyphs was a material promise, something important and made only to be used in serious events. Otherwise most everything was done digitally to save time and improve efficiency. Autocorrect most certainly helped many a struggling writer back on Cybertron.
With this in mind, as resources cut short and Earth lacked the needed materials to make a surplus of datapads, handwriting skills became very clear. More so than ever once the children decided to try and teach the bots to write for possible cover reasons. One could never be sure when one would need a bot to sign them out of school early.
Arcee has the worst handwriting by far, a surprising twist considering her dainty digits and relatively small size. One would think writing would come easy to her, but she hates doing anything like that by hand. She can type quickly, but writing out anything on a datapad, much less paper of all things? No she would much prefer being on Shockwave's operating table over having to possibly write her report manually. The glyphs of the various dialects on Cybertron are too much for her and the hatred of writing transferred over to English even though it is FAR easier to write in. The team won't say it to her face, but her writing looks like chicken scratch in both languages. The children don't know she is garbage at writing in Cybertronian too, and the team are content to leave them with the thought that she is just bad at learning English.
Bulkhead and Wheeljack share one braincell on a good day, and their writing shows this. They write exclusively in the wartime Wrecker dialect that formed over the millions of years of conflict. No one but Autobots can even begin to read their writing as its all a strange deviation from Autobot encryption. Sure they can write in mainstream Cybertronian dialects, but it looks awful and honestly the team prefer having to put on reading glasses and stare at their encrypted writing over having to get out a dictionary to even begin to parse out their other writings. In light of this, they do not write in English when asked to use an Earth language. Instead, they like Chinese, Japanese, Korean, and other such languages due to the ease of which they find encrypting the writing to be. They are hated by Bot and human alike for their habit of making things more complicated than it needs to be.
Ultra Magnus writes in the most computer generated manner known to any of the bots. How he does it is a mystery. Yet somehow he got so used to manually writing out his signature that now his every written glyph comes out as if it were typed. He doesn't seem to notice or care for the team's gawking, and he absolutely refuses to write in English simply because he had no interest in relearning writing. The team don't know, but the real reason he doesn't want to write in any other dialect is because he purposefully trained his motor functions to only write in his very specific manner. To try and learn a brand new written language would mess that up and ruin his clean and crisp glyphs.
Ratchet is an odd ball in his writing. When in a hurry, his writing in both Cybertronian and English looks like the Doctor's scrawl that those outside of the medical field have no hope of figuring out. However when he's not in a rush, he has a very distinct method of writing his glyphs and letters. In Cybertronian dialects of any kind, he adds extra emphasis in places where there has been no need for further glyph usage since the age of Wrath. In English, he adds interesting swirls and excess E's absolutely everywhere as if it is an additional glyph meant to add meaning to the word. Rafael tried to correct him once. That didn't end well.
Smokescreen has never written anything in his life. He can type like lightening, but he was never schooled in traditional manual writing simply due to how time consuming it was and how unneeded the ability happened to be at his post. He can't do any writing to save his life, but he has managed to convincingly fake the ability to write when in a tight spot. He can scribble and make it look like REALLY bad Tarnian dialect. And since that particular script hasn't been used since the city was destroyed, most don't judge him for it. But Optimus knows, and when he has time, he does what he can to school the rookie. Rafael has also taken it upon himself to try and teach Smokescreen some English with limited success.
Bumblebee grew up under Optimus, and Optimus in turn grew up under Alpha Trion. The two have startlingly similar handwriting more often than not. They both know many languages and dialects and are fluent in them, they both share glyph usage preferences, and both are known for their regular language swaps in writing. The only way to really tell them apart is to look REALLY closely at either the curvature of a specific glyph in Ancient Cybertronian or to stare really hard at the way their write their O's and B's. Both write like they walked straight out of ancient eras of old on a good day and write like living dictionaries for pretty much any other dialect. The team and the children gave up trying to figure out who wrote what a long time ago. If they can't pick it up from the context of the writing, they can just assume its important regardless.
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abiiors · 1 year
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Wired Autocomplete
Matty Healy Drabble (fem! reader)
A/N: Definitely did not procrastinate by watching a shit tonne of these interviews in the name of “research”
There’s the use of Y/n a lot of times. Sorry, it’s based on the wired interview. I can’t really find a way around using it.
This is based on an ask! (My requests are open)
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‘Does Matty Healy…write his songs?’ That’s how the interview starts. 
‘Yes he does,’ you both say in response at the same time. 
‘He leaves his moleskins lying around all the time,’ you add on. Then you give him a theatrical side-eye, ‘drives me crazy, really.’
‘What?! You love peeking at my unfinished lyrics!’
You laugh and pick up your board again. 
‘Does Y/N Y/LN…have a boyfriend?’
You both look at each other and then look straight into the camera. It’s freaky how you share one braincell sometimes because what comes out of both of your mouths is a single, deadpanned ‘No’
‘We’re best friends really,’ he continues, in all his mock seriousness.
‘Roommates even,’ you add. 
It’s all in good fun, however. Your relationship is not exactly private, has never been very private. You both love to show each other off whenever you get the chance. Still, some people really do live under the rock…
‘Has Matty Healy…acted?’
His eyes go wide as he quickly says no. A bit too quick… Meanwhile, you make wild gestures at the camera, stage whisper “Waterloo Road” until he puts a hand over your mouth and both of you end up giggling like idiots. 
There are a few more questions after that about his music. Then there are a few more about your career and your life outside of the spotlight. It’s instantly noticeable to you how seriously he answers questions about his music. That’s definitely one of his most endearing qualities. Soon, that section is over and he picks up the next board. 
‘Up first,’ he announces and you do a small drumroll with your finger. ‘Is Matty Healy…gay?’
‘Aren’t we all,’ he replies. The crew laugh at that but of course, you knew that’s how he was going to answer that question. 
‘Is Y/N Y/L/N,’ you rip off the tape with a flourish, ‘...a singer?’
‘Uh…’
‘You should hear her in the shower, mate,’ he says with all seriousness, ‘the voice of an angel.’ The hint of teasing in his voice makes you whack him on the back of his head with the board. He laughs a bit, pretends to be seriously hurt but then he picks up his board again. 
‘Is Matty Healy…married…’ he trails off once the tape is off. 
Your eyes widen momentarily and his go to your hand, specifically to your ring finger. There’s a blind moment of panic when you think you’ve left the damning evidence on. 
‘No,’ he tries not to swallow audibly, ‘Matty Healy is not married.’
It’s not a lie…not exactly. 
But he’s about to be. 
The blinding diamond ring safely tucked in your purse is proof of that. 
He quickly moves on to the next question (Is Matty Healy an Aries? Yes he is, he even makes a face while he confirms that). The rising blush up his neck has not escaped your attention, however. 
You both know no amount of editing will stop the fans from reading into that look you just shared. 
***
Two weeks later, you get a notification from Youtube while you’re laying in bed.
“Matty Healy and Y/N Y/L/N Answer the Web’s Most Searched Questions / WIRED”
The comments are almost instantaneous. There are fans who think he’s hilarious. Then there are the people who think you two are adorable together and you make sure to like some of those comments from a personal account. 
That’s when you see it—
“Did anyone else notice the look at 9:56 👀”
It only has 3 replies right now. Not much traction but all 3 of them agree that there definitely was a look.
‘Look at this, love,’ you turn to him and make him take off his headphones. He lets out a proper chuckle once he sees the comment. 
‘Looks like the cats out of the bag, huh?’
It is and it isn’t. Who knows, maybe the comment will gain traction. It’s only been 9 minutes since the video came out. In the meantime, he grabs your hand and kisses it right above the ring. 
‘I don’t wanna take it off anymore,’ you say to him after a moment’s silence. 
He smiles at you—a genuine, dazzling smile—which ends in him giving you a lingering sweet kiss on your lips. 
‘So time to make it official?’ he whispers against your lips.
‘Nah,’ you laugh, ‘let the theories go wild for a bit!’
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tasklinemgr · 2 months
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My Satellite Investor Headcanons:
The Satellites have like, a sibling relationship to each other. They've known each other since childhood, but whether or not they grew up in the same household is something that they themselves keep ambiguous. Even in my more-serious-than-canon interpretations of them, they have this goofy evil henchmen vibe, and are very prone to bickering amongst themselves.
Although there's no serious animosity between them, the Investors can get a bit rough with each other, and have all been seriously injured by another Satellite before (and have gotten yelled at by Cosmo for doing this to each other). However, when they actually get their heads on straight and work together, they're a force to be reckoned with.
In my headcanon, skelecogs can't thermo-regulate the way other cogs can, and the Satellite Investors specifically are adapted to run best at lower temperatures. A reasonably sunny day could probably take them out.
Okay, onto each specific Investor:
Charon:
This guy's the oldest of the five, and is quite protective over his younger siblings. He's the one who's in charge whenever Cosmo isn't around, and is usually the one playing mediator in the Satellites' arguments. He's "the braincell" of the group, and (one of) the most charismatic, but his ego often gets in the way of both his intelligence and his charm. The man is a risk-taker, who tends to overestimate himself.
Charon feels more secure in his position than he probably should, and will often take the blame when his siblings do something to piss off the boss. He actually tends to butt heads with Cosmo, and won't hesitate in telling him when he disagrees with something he says. (Cosmo doesn't like this, but recognizes the utility in having an underling who will point it out if he messes up.)
Also, Charon has strabismus; he can't see very well out of his bad eye. He used to be insecure about it, but now, he actually treasures it as one of his unique features.
Hydra:
This is the type of guy who looks chill, in the single second before he opens his mouth and says the meanest shit you've ever heard. He's the second oldest, and is the type of brother who told his younger siblings really stupid things that they went on believing for years. He's argumentative, but unlike Charon, who genuinely thinks he's always usually right, Hydra does it just to get a rise out of people.
He'll be respectful towards Cosmo, but anybody else with any power over him is not necessarily safe from his aggression. (He does have some sense of self preservation). Hydra often insults the other Satellites in an attempt to encourage them to do better.
He always seems to be getting into Situations™️. Some of these involve other people, since he does have a bit of a "target on his back" but a lot of times it's just bad luck. Elevators love to get stuck while he's inside them.
Hydra has a tendency to chew on things; this is one of the reasons why he wears a bowtie, because he wouldn't be able to keep a necktie out of his mouth.
Kerberos:
This dude seems intimidating, but he's more bark than bite. I'm honestly torn as to whether it or Nix is older, and I'm tempted to say that they're the same age. Kerberos tends not to speak more than he needs to, and one of his favorite activities is to wordlessly pick up and carry his siblings in its arms. (In fact, Styx can often be found riding his shoulders).
He's just as prone to roughhousing as the other Satellites are, and while it actually tries not to seriously injure them, Kerberos tends to forget that throwing its siblings through windows is a bad idea. (And then he'll sweep up the broken glass with an sad look on his face).
He's an actions over words type of man, and while he never verbally apologizes for any transgressions against the rest of the Family, it will make up for them. Conversely, Kerberos expects any slights against him to be made up for, and if payback isn't given, he'll find a way to take it.
I like to imagine Kerberos being a little larger than he is in canon, just for fun. He has a pet dog, literally a normal-ass dog, that nobody knows where it came from.
Nix:
You may have noticed that I've never referred to the Investors as "brothers", only as "siblings". This is because Nix is a woman to me. She's the most independent of the five, and is the most likely to be off doing her own thing while the others are hanging out.
She likes to keep a bludgeoning instrument on her person, and is probably the most violent Satellite. Much like Kerberos, she'll retaliate when she feels she or the Family's been wronged, but she won't even give you a chance to make it up on your own terms. Nix is impulsive, and has a bit of an obnoxious side.
She's a secretive person, who doesn't really like talking about herself. Though the Satellites are very close, she doesn't trust her siblings the way the rest of them trust each other, and is a rather emotionally isolated person. Nix often speaks in rambling anecdotes, and she and Hydra both love telling embarrassing stories about their siblings.
Nix walks unusually quietly, especially for a cog, and will often use this to scare people, or to jump out from the shadows and bash someone's head in.
Styx:
The youngest of the Satellites. Styx likes to act like he's just an innocent little fella, but he's vicious. He'll make you think he's your friend, and then he'll stab you in the back and throw you under the bus. He's the most playful among the Satellites, but his games are often pretty cruel. Being around his siblings really brings out his childish side, and they all regard him as an "ankle-biter."
Many cogs find his natural demeanor uncanny, but he can turn down the weirdness if need be. Styx is a very powerful networker, who knows how to tell people what they want to hear. He's not ashamed to be a suck-up, if it'll get him what he wants.
Of the Family, he's the one who can most often be found working in the Pizzeria itself, hence why it's in his name. While it started as just some busywork assigned to the young and inexperienced guy, he's grown quite skilled and passionate about cooking. (If you break spaghetti in his vicinity, he will find you.) Also, he's great at turning on the Customer Service Mode.
Styx' body is built rather uniquely, in that he can very easily be taken apart and put back together. This makes him weaker, but also better able to bounce back from injury. (It's kinda like a cartoon skeleton who's always falling apart and reassembling himself). He's always missing a couple fingers, and Nix loves stealing his limbs and using them as weapons. There's usually a few spots of rust on him.
(psst, this took a couple hours of my life to write! if you think my opinions on characters are cool, you should consider reblogging !)
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finisnihil · 28 days
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god, I love your luocha posts.
I know, and I KNOW that hyv thinks that i would get luocha off my mind if they released a whole new planet n new quests...but it's not true. I'm so intrigued by that man and deep down I pray he doesn't turn out like otto. I love otto's character by all means, but at the same time I hope he's not just a rip-off, the story would be too repetitive. his relationship with the one in his coffin isn't exactly a close bond, his signature lightcone story confirms it, but the way the coffin responds to his caresses quite raises questions for me. he also made a "deal" about the coffin with someone, most likely in exchange of something, perhaps true immortality without the consequence of mara...or, even better, a cure for an illness. considering that his name isn't actually "luocha", and his name as we know it is only used by him inside of the xianzhou, it translates to "rakshasa/raksha" just like ggz otto's on his trip to the shenzhou. as far as I'm aware, the name raksha was given to otto by the characters because they weren't very familiar with europeans (?), correct me if I'm wrong. so, luocha might have some sort of illness, perhaps he's an emanator or a demon (reference to christianity perhaps) since the translation of his name "rakshasa" is a flesh eating demon from buddhist mythology.
jingliu said that they plan to "put the abundance in their grave" and i believe luocha's coffin plays a role in this. however, there's surely something alive inside his coffin already, which contradicts my theory.
personally, just like you said in your previous posts about that one relic set "knight of purity peace" or something similar if I'm not mistaken, he has ties to christianity, just like sunday, except that aspect of sunday isn't very subtle. I believe luocha might be motivated to achieve his goal of ending yaoshi by the destruction of his home planet. honestly, I hope it isn't like this, there are already characters driven by the desire of getting revenge, like nanook.
I'll be very glad if you responded to this, I want to know your opinion. I'm desperate to learn more about him, absolutely desperate. I may not know his lore, but I know for a reason that we luocha lovers share one braincell.
HELLO HI I HAVE BEEN SUMMONED!
First off I also hope he isn’t just Otto 2.0. I’ve said it before but I personally think what makes Luocha stand out to me is that he doesn’t seem to have as many strong ties to Kallen and as such so much of his character isn’t reliant on her. I really hope this is maintained because I like him and the independent traits he exhibits. He’s sus, yes, but he also goes out of his way to be kind in small ways with no intention of being repaid or recognized. Everyone calls him a villain because he’s an Otto Expy which I don’t care for because yes he is presented as possibly antagonistic but he isn’t villainous. Most of the other Expy’s got deviating characterizations and fates without compromising their foundational traits, I hope he does too.
Second off I don’t play HI3 but I know a little lore from research and I know Otto’s wiki noted that when he was a child he was kinda under house arrest because he was really sickly and his first meeting with Kallen was because she kinda climbed over the wall of the estate’s yard while he was being belittled by his brother for being outside instead of in bed resting and for being “weakly” and “fragile”. He does have an interest in immortality but we also see him condemn it somewhat because he has voicelines like this:
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His stance on immortality is a bit murky but yeah.
Anyways onto analysis because bestie you have asked the question I’ve been hoping somebody would. Luocha definitely has a bunch of Christian allusions and symbolism and it leads me to believe he’s an Emanator. One of my first posts on this site was the theory that he’s an Emanator and I’ve yet to make a post fully analyzing his allusions BUT he has a ton and what’s most specific is that he has Jesus allusions. For example, one of his Eidolons is a literal reference to the crown of thorns. He uses his rosary to heal implying a connection to a higher power is where he gets this power which he confirms. Yaoshi hates death, pain, and suffering and Luocha emphasizes he isn’t a fighter even though he can hold his own. Even his sword shows it, it’s an Épée, a kind only really good for small-scale conflicts as it’s primarily used for fencing. The artifact set I noted might be connected to him also fuels this.
If you asked me I suspect he grew up in a church setting like Otto did but instead of everything in HI3 happening again, the church caught the attention of Yaoshi. Yaoshi’s blessing brought Mara as it does and in the process Yaoshi took a liking to Luocha, probably due to his sickly nature as Yaoshi hates suffering. The Maiden and her knight destroyed everything to stop the spread and Luocha was forced to watch as a final witness, no longer having a home and doomed to be hunted like his god who brought devastation through salvation. Of course I have more in-depth thoughts but that’s for a post.
As for who’s in the coffin… I’ve actually spent hours collecting everything we know about the coffin entity and I plan to make that a post too lol I have a lot of posts I need to make but! You’re right! A lot of people keep saying it’s the Stellaron, Kallen, etc but none of those things align with what information we have about it. Mihoyo’s done a good job of keeping it under wraps and I’m excited to see what it is. Whatever it is, Luocha is delivering it for somebody else and he intends to take it straight to the Ten Lords. I suspect it may be another entity of the Abundance like Shuhu, but I don’t think it’s Yaoshi. Whoever it is, they are able to kill Yaoshi or be used for it.
I also believe Luocha is the one stabilizing Jingliu’s Mara like how Kafka stabilizes Blade’s but I’m pretty sure that’s basically canon.
Anyways thank you for the ask!!!! I love Luocha dearly and I’m currently trying to get as many Eidolons as I can so the brainrot is strong. Rest assured I have more Luocha analysis for the future rattling around.
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raspbeyes · 9 months
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A Long Winded Attempt to Understand Korekiyo (A Korekiyo Analysis)
How did i get here... (Why do i like this guy)
So cards on the table, i knew of korekiyo's whole creepy vibes far off in advanced before i ever touched the game. nothing in specifics, but i did go into v3 knowing korekiyo reeked of controversy in the fanbase. that resident creepy guy that stranger danger warns you of.
and yeah during my first playthrough of v3, to say i was distrubed puts it lightly. not only was he jammed into a pretty anti-climatic trial 3 (wow ur telling me the guy who started the seance MAY IN FACT be the one able to use it for his own nefarious reasons WOWOW), i was deeply distrubed by this man's blatant disregard for any human diginity or empathy.
only to see that somehow people liked him?! i chaulked it up to those people who just enjoy fictional serial killers, and since i dont enjoy that trope much, i left it that
so how did i end up late at night writing however long this post is going to be trying to analyze him
beats me but lets do a little superficial list for funsies before delving into more critical analysis territory :D
Kiyo can be kinda cool B) (in my subjective opinion)
His interest in anthropology is pretty cool and i like whenever he contributes his own musings about human customs and such. as disconnected he does seem from human life, there is an interesting paradox with his talent relating to observing human life. moreover, there's always something so amusing seeing such a collected character becoming excited over his interest, such as during fte and his talent lab during ch3 :D
small note, but there is something endearing during the ch1 investigation in his awareness of being the "creepy" one of the group. it shows his awareness of himself which idk its funny to me
He has a cool design (Minus the actual outfit for ... uh ... it's very uncomfortable parallels .____.) with him being the few dr characters who have an aspect of androgyny to themselves (aside from chihiro and sakura, but it's more like they conform to the opposite gender role than be in the middle). now while i will address why it gets more problematic, it's neat introducing a male character fully comfortable in showing feminine traits and feels no need to prove his masculinity to himself
initially, with a cast filled with either eccentric personalites like miu, kaito, or tenko to the more brooding characters like ryoma, maki, or shuichi, kiyo comfortabley takes a spot as a seemingly collected head, especially after the loss of kirumi and rantaro
again these are purely subjective, but now onto using a braincell >:)
tw: mentions of inc*st, grooming, and abuse
please click off if these topics cause discomfort to you
"I thought he would be popular"
Did you know that one of kodaka's favorite characters is korekiyo and that he was shocked by kiyo's lack of popularity
source: https://kaibutsushidousha.tumblr.com/post/187409893464/artbook-data-writer-team-interview
Kodaka: To me, the most unexpectedly unpopular character was Korekiyo Shinguuji, not Hoshi. I mean, his uniform is awesome and his unstable relationship with his sister feels like a classic underground movie. Shinguuji is one of my personal favorites and I thought he would be popular. But the people playing the game called him “gross” 
Which ... is weird especially considering the pretty abysmal character assassination near the end of kiyo's screentime in the game. Compared to prior chapter 3 killers, who usually tend to be the least sympathized for their double kills and very self-interested motives (celestia's being greed and mikan's being devotion for one person over her classmates ... and maybe lust idk??), kiyo ranks one of the worst. not just stopping at being a serial killer, he does it all for the love he feels for his sister.
Like idk about u but i would have just stopped at the serial killer part (which is an insane sentence for me to write lol)
But i think that it does make a bit of sense for kodaka's shock, as once u shift the perspective to being a writer, kiyo's character concept starts to make sense.
See i think when we consume stories, espeically linear stories, we have the subconcious assumption that the story beats we encounter had been created in that exact succession. We assume the writer creates the story in the exact linear progression of beginning, middle, and end.
but in truth, most creative processes don't work like that. ideas can date from the intialization of a story concept may not get implemented until the middle or even the end of a story. the ironic thing about stories is that even though they are a straightforward experience for the audience, they are all over the place on the writer's end.
so when we encounter the big trial 3 twist of kiyo's true nature, it feels very much like the the writing room also got to this point during drafting and had a conversation like
"Hmmm ... crap, now we gotta put a motive here. any ideas?"
"uhhh .... OH i got it. he's an actually a siscon serial killer who killed for his deceased sister :D i mean he's already creepy so it works"
"hmmm ... any other suggestions ... no? Alright sure let's go with that"
like yeah im sure no one actually thought this happened, but it definetely feels like that on the audience's side. for a character literal last 10% of screentime, the VERY LAST IMPRESSIONS OF THEM, completely make a sharp nose dive is pretty jarring. It's both parts boring because it just proves shady people looking like kiyo always should be suspected as well as shocking to know he was THAT creepy.
but let's actually shift to the possible perspective of the writing team
Amazing Monster, Wrong Genre
So what was the initial purpose the writing team had when conceptualizing korekiyo into the cast?
source: https://kaibutsushidousha.tumblr.com/post/169561747724/artbook-data-korekiyo-shinguuji
(btw shout out to this blog's translations for drv3 supplementary material it helped out a lot!!)
Kodaka: I had already decided to make chapter 3 feel like a Japanese horror movie, so I need a character who were familiar with nursery songs. As you presume, I decided to have a Super High School Level Anthropologist to fill that job.
From my understanding, it seems that in early on, kodaka wanted to have a horror theme for his new game's chapter 3. and that suddenly fully recontextualizes kiyo in this narrative. kiyo's purpose is to be the bogeyman of chapter 3, utlizing the dr formula of the double kill to heighten the feeling that a bogeyman has been let loose in the school, espeically in its most spooky chapter in the franchise.
we assume (lol im assuming u assumed this hahaha) that kiyo was first thought up as an anthropologist and then along the way of writing chapter 3, he was selected to be written off - since maybe the writing crew had no other major plot ideas for him - and just had a really strange motive stapled on.
but according to kodaka's words, korekiyo was primarily first to be a homage to japanese horror villains. kodaka really wanted this creepy atmosphere to the murder case, likely taking influence to japanese horror and its use of legends and folk tale to give his new ch3 killer a talent that can add to the overall vibe of the trial.
moreover, japanese horror is the largest influence for kiyo's conceptualization, as compared to other cultures' horror, japanese horror emphasizes supernatural and psychological horror most. The supernatural creature of the Onryō pops up a lot in japanese horror media (The Ring is the most popular example i know of, as well as the Japanese folktale, Yotsuya Kaidan), which usually is of a vengeful young woman who met an untimely death. They usually have long black hair that envelopes their face with sharp makeup to show their villainous status. This could connect to Kiyo's long black hair, a trait he shares due to his older, deceased sister.
Kodaka: Maybe it’s just me that loves this kind of underground story character too much. I thought he would be well-received among the fans of Suehiro Maruo’s mangas, but I still haven’t seen any comment saying that so far.
Now i dont know too much japanese horror media (probably cuz american lol) but Suehiro Maruo's name rang alarm bells in my head. To those out of the know and too lazy to search up, Suehiro Maruo is a prolific horror manga artist, being the mind behind the infamous book and subsequent anime adaptation, Shoujo Tsubaki. It also spawned the movie adaptation, Midori, which was banned across the world upon its release for its graphic content. This work is quintessential to maruo's works' general themes, centering on the outcasts of humanity, body horror, nihilism in the face of cruelty, and paraphilia.
So yeah ... really for the faint of heart and def would not recommend checking out at night time unless u plan on being an insomniac o__o
But it is very important in contextualizing kiyo if u take into account that Maruo's work may have been a major influence.
Maruo's works aesthetics can already be connected to kiyo's design: Korekiyo's military outfit is very reminscent of showa-era outfits, a time period that Maruo's work takes heavy influence from. The bandages wrapped around kiyo's arms could also be drawn from maruo's interest illustrating physical deformities.
However, it goes deeper when u take into account of kiyo's own ... twisted love that defines his character. maruo's work depicts a lot of disgusting acts of "desire" (desire is an understatement), displaying the horrors of humanity to the reader. the writing staff may have noticed this attribute and thought that adding such an aspect to their own horror character could increase the groteque factor.
it can come across as the writers' own weird reasoning to just insert inc*st into this random character (tho im not at all defending whatever the hell was going on with the monokubs in ch4 ugh), but under this context, it seems more like the writing team wanted to replicate the horror maruo's work evokes. i mean, while maruo's work has obviously drawn criticsm for it going too far, there still are fans of his work who defend it by saying it is in the horror genre, so what do you expect?
so we have general japanese supernatural and Maruo's work, but there is one final ingredient to our kiyo character stew (hahaha get it cuz ... his exectuion ... melting pot hahah... ill see myself out) So moving across the ocean, we arrive at the classic American horror movie, Pscyho from 1960. Specifically to the horror movie's antagonist, Norman Bateman.
And yeah, the parallels between Korekiyo and Norman are very obvious.
Both are serial killers with quiet outer personas
Both have a split personality, specifically a feminine persona, that drives their killing sprees
both have inc*stuous (for norman, it is more implied and more overtly abusive) with the sole, older female figure in their life (kiyo's being his older sister, while norman is his mother)
And to prove that norman bateman directly inspired the writers during the creative process, the villain of the light novel spin-off, Danganronpa: Kirigiri, is called Norman with the practically same character concept from the 1960 film. And the writer of this light novel? No other than Danganronpa V3's co-writer, Takekuni Kitayama.
So what did this deep dive into korekiyo's character concept prove? really it is just to show that no, the inc*st wasn't this last minute character shift but something that is, whether we like it or not, the core of kiyo's character. kiyo is a monster, and thats the reason kodaka loved writing him. it is similar to why people enjoy horror antagonists. they are these interesting character studies that are worth deep diving into the worst of humanity and to watch how the tragedy of how this villain is formed.
in a sense, like how kiyo is obssessed with observing the beauty of humanity, kiyo's conceptualization is about the supposed audience is observing the horror of humanity seen through kiyo.
but there's a bit of a monkey wrench in all of this.
kiyo is a horror character stuck in a danganronpa game, which according to wikipedia is "a mix of adventure, visual novel, detective and dating simulator elements"
whoops
Danganronpa is a game, which if u haven't checked ... is about not knowing about the murderer that might be standing next to u, hence the "detective elements". So when you have this super cool, totally spooky character that you really wanna put into your new murder mystery game, you kinda run into the problem that you cant reveal he's this terrible person from the start.
Which is what causes Kiyo to go cold turkey for the first two chapters. they couldn't just reveal him to be a serial killer right away, otherwise the audience will say korekiyo is just another, less subversive genocide jill clone. but korekiyo is a horror character, who only work when the horror about them is revealed right away. watch any horror movie, and you would be pretty upset if the monster is revealed in the last 10% of the movie. while that makes sense for a mystery novel's culprit, it can't work for the horror homage kiyo is meant to be. horror works when the antagonist has a strong horrifying prescense that adds pressure to the mc. kiyo doesn't do that because he can't do that.
not to mention the "dating sim elements". the writing staff dont just have to find a way to fit kiyo into the unsuspecting cast, they also have to make him "likeable" to some players to consider him an option for free time. its where those superficial aspects of him that i enjoy come into play. some players enjoy those traits and as the dating sim formula suggests, will become attatched to kiyo in a positive way.
.... which only further ruins kiyo's horror set up. it is the root of the issues regarding korekiyo's character and what makes me liking him so complicated. kodaka and the team really wanted to have a culprit similar to their favorite horror media to slip into their ch3 mystery set-up. i bet writing his trial 3 breakdown was cathartic since they finally were able to write the whole point of kiyo's character from the start. but the problem is that because they had to work in the parameters of a dr game which demands opposing things from its characters (having room to grow and having something likeable/redeemable about them), they created a contradictory set-up for kiyo.
sure he was creepy, but after two chapters of him not doing much except showing that its the way he chooses to express himself, it felt to me that dr was trying to send a message to not judge a book by its cover. And thats a fine message, but it never was something the writers intended, so when they actually implemented their idea, the whole point of korekiyo's charcter become lost in translation.
Side tangent: ... the gender thing
(honestly idk how to feel about this section but this is more of my opinion and id love to hear anyone's take on this point)
Now dr has a messy track history with gender (oh boy im talking abt gender now oof). while chihiro and sakura both are extrememly likeable characters and have traits outside of their gender expression, it doesn't change the fact that the handling of chihiro's reveal and sakura's treatment from the rest of the cast throughout the games can come across as tasteless. though i'd argue that how kiyo's gender is handled is probably the worst.
so kiyo is meant to be a strong allusion to norman bateman, and along with it, him being the "mommy's boy". trope. another similar horror example is Jason Voorhees, the antag behind Friday the 13th. The trope usually features the male character having a controlling maternal figure, usually due to the abscense of a father figure. while it usually is played for laughs (not good either), in horror specifically, it usually is the reasoning behind why the male antagonist is a killer and inhuman. There's a strong implication that because of a strong female influence in these male characters' lives, they grew up unmanly and thus dysnfunctional, worthy of being ostracised for their lack of masculinity.
and while you can argue that ofc the problamatic aspect of the trope will be present with kiyo since he is meant to be a nod to this trope, it doesn't take away from how kiyo is treated compared to other male characters. it feels very much that because of his sister's overbearing influence (i will also get to her later), kiyo's understanding of himself has become warped, so thus his gender expression is called into question.
for one, he is the only masc character during argument Armament to have his defeat sprite sexualize him. now while all argument armaments seem to be the point to sexualize characters (unfortunetly ....) look at how kaito is potrayed compared to kiyo and the framing of their defeat sprites shows the difference. kaito still is shown standing and emphasizes how wounded he is, but because of kiyo's feminine nature, it is somehow okay for him to be potrayed in a position that emphasizes his weakness.
moreover, kiyo's androgyny doesn't seem to be a seperate part of his identity but rather all a memento to his deceased sister. he mentions that his uniform is selected by his sister, and he had chosen to grow out his hair also for his sister (though that was revealed in the spin off manga, which aren't exactly canon but it falls in line with how kiyo is written). Instead of his gender expression being something he chooses to do, it is because of his very toxic love for his sister. it feels like they had to justify his androgyny, which diminishes the value it has.
He wears makeup not because he wants to but because his sister persona wants to. Yes, it is because of him being a norman bateman refrence but it still leaves a bitter taste in my mouth that kiyo is demonized for being feminine.
"Apologize, apologize, apologize"
but okay, if he is meant to be the norman bates character, there is no evidence to show that kiyo's older sister was abusive ... except ...
I remember when i initially finished v3 and saw posts online about korekiyo, i was a bit baffled by him being a supposed "victim". nothing from kiyo's dialgoue ever implied that he felt mistreated by his sister. he's literally in love with her, how could he possibly be abused by her?
though isnt that the red flag right there? if kiyo was abused, he may not have known due to his infatuation. So time to do a deep dive about kiyo's sister.
We don't have much time with "her" (Kiyo's sister persona), so whatever we do get of her has to be chosen to effectively convey her who she is in such a short amount of time. Though it is not directly kiyo's sister, it likely is the entry point we have to understand how kiyo viewed her.
So when does his sister persona manifest? It happens right after kiyo starts to breakdown when kaito claims it is all clear how angie's murder was planned out, likely from realizing that he is practically caught at this point. Kiyo for the first time has lost composure in the game (in line with most trial 3 culprits) , with his sister interuppting then.
Sister persona: Sweet Korekiyo, calm yourself ...
Out of the gate, kiyo's sister persona's first action is to calm kiyo down, giving him a direct command.
Sister persona: Their words are all hollow. There is no meaning to them. You must teach these ignorant children a lesson.
Right after, kiyo's sister persona discredits everyone around kiyo to ensure he is calm, trying to place kiyo above them all by calling all his classmates children. I will touch back on this later.
Skipping ahead to after kiyo is accused of angie's murder, we get this exchange.
Korekiyo: N-No ... I'm not the culprit ...! S-So ... why is everyone looking at me like I am ...? Why! Why are they!? Why is it --
Sister persona: Calm yourself, Korekiyo.
Korekiyo: Y-yes ...!
Sister persona: You mustn't raise your voice. You mustn't stutter. You mustn't lose composure. You mustn't become flustered. You mustn't waver.
Again, the moment Korekiyo starts to lose his composure, his sister persona steps in to command him to stop. Remember, out of anything the writing crew could have written for korekiyo's sister, it was her few first lines where he gives command after command to korekiyo. And we see these commands already play out with kiyo prior in the game. He never has raised his voice nor stuttered prior to trial 3 (though i could be misremembering), so him doing so now shows he is stepping out of line of what his sister previously told him, hence why she has to reassert herself.
And Kiyo ofc fully submits to his sister, having regained his compsure right after.
Sister persona: Look at their horrid faces. This sorry lot is not worth agonizing over.
We see here again the sister persona pushing others away from kiyo and placing kiyo above them. Now while this can come off as kiyo indirectly telling himself he is better than his classmates, this is the second time his sister persona says something like this, meaning it had to have been a pattern in their relationship, where his sister would push others away, and in a way, isolating him.
Korekiyo: Y-You're right... Yeah ... You're right.
Aside from how it is clear how Kiyo shows his devotion in his "sister", it also shows how he corrects himself here. When his sister said to not stutter, he initally stutters before fixing it.
Also just hearing kiyo say "yeah" just sounds so weird to me. Idk maybe he's talked more casually prior, but i feel that it is only in this trial does kiyo's speech tend to break up and sound a bit more colloquial. normally i feel he would say yes lol. but i could be wrong
Sister persona: Well said ... Good job, Korekiyo.
Korekiyo: Yes ... thanks.
After kiyo regains his compsoure to claim he won't acknowledge shuichi's accusation, his sister persona compliments him, and again we see kiyo's speech slip to a bit more colloqiual when he says "thanks" rather than "thank you". It could be that he picked up his manner of speaking from his sister as well.
After the closing arguement, we see kiyo still in distress
Korekiyo: Uh ... Uuuhhh...
Sister persona: Sweet Korekiyo, there are times when it's necessary to admit defeat.
Korekiyo: A-Admit...? ... Yeah... Okay ...
But once his sister persona tells him to admit defeat, it takes him a few moments before finally admitting to the crime. It once again displays the level of control his sister persona has over kiyo, being the only way kiyo seemed willing to acquiese.
Again, the writing staff could have written anything here for how kiyo's sister persona would work, but they chose this kind of diagloue for her, where she primiarly praises kiyo, gives commands, and isolates him.
knowing that kiyo's sister grew up sickly and without any human connections, the story kind of writes itself from there.
Without any real friends, kiyo's sister was driven desperate for an ... intimiate human connection, and the only one she had would unfortunetly be her younger brother. Due to her being an older sister, she was very strict with him, but provided him praise and comfort to keep him around her. Furthermore, she would put down kiyo's peers by praising kiyo as better than them. The line where kiyo's sister refers to everyone else as children earlier rings especially strange since kiyo is the same age as everyone there. But it gives off the idea that kiyo's sister (who obviously would be older than kiyo's classmates) called them children to make kiyo feel he is more mature, which holds its own disgusting implications.
I don't think that kiyo's sister inherently meant harm to kiyo, but it is highly likely that in her desperation, she used her power over kiyo for her own selfish needs. It fits right into the tragedy you would see in horror, where the worst of humanity seeps through, culminating into the monster we would see as the antagonist of the fiction.
(Speculative tangent here lol: I think another interesting note is how kiyo's mind seems to break into two whenever he is put into high amounts of distress. I'm not going to engage in the whole "what kind of mental illness does he have" since a) im not qualified and b) i dont even think the writing staff cared tbh but whatever he has, it is clear he has to strict personas when under intense stress. When he was backed into a wall during the trial, kiyo claims repeatedly during both the trial and the arguement arnament that he doesn't know why he is the culprit. It does seem like classic denial from any culprit, but kiyo's is different as he is demanding an answer from his sister to assure him otherwise. he stutters more and can't form full sentences while his sister persona speaks fully and more like the kiyo we are used to. It does feel like he isnt fully aware of his actions, which lines up with him when he says later he lost his mind following his sister's death. To me, Kiyo attempts to emmulate his sister to stay in touch with reality as he viewed his sister as the one in control of his world. so when he can't react properly, his mind splits where his sister becomes very literal in his mind in order to soothe himself. likely due to his overdependence on her, he couldnt image himself seperated from the only human connection he had. all im saying is that his sister is the coping mechanism that a very unstable korekiyo needs in order to stay whole.)
I can fix hi - his writing i mean
So in a very twisted way, I don't hate the decision for korekiyo to have his story center around his inc*stuous love. It definetly took a lot of straining my perspective but i do see the remnents of korekiyo, a monster born from the monsterous actions in his life, working.
but you can't potray such a backstory within the last five minutes of your character's screentime. And especially with how heavy the subject material is, some level of foreshadowing is neccessary in order to feel like this plot detail is treated with some level of respect.
but obviously the writers can't. this is just some one-off trial they just wanted to write to be spooky, not this psychological deep dive into one culprit's backstory. But they should have realized that they don't have the time to properly set this up nor execute it , so i agree with most people when it is best to cut out the inc*st. kiyo's sister should have been set up a bit more, maybe in chapter 2, where kiyo speaks a bit more of how he is influenced by his sister in his wardrobe and his talent, so she is in the back of our minds. But kiyo could refer to her in the present, so the actual twist of chapter 3 is that she is dead and that kiyo has his sister persona.
I think the sister persona makes sense, since it adds to the supernatural theming of chapter 3 and pays off what is beneath his mask. It could be a simpler story of kiyo falling into grief for a sister he admired. Maybe he feels guilt over how miserable his sister's life was, thinking he is responsible for his sister's decline health cuz u know, he probably was a kid when his sister died and kids tend to blame themselves. Really just keep it to be a normal, albeit dependent, sibling love he has, where his actions spawned from grief, not this uncomfortable combination between grief and lust.
But if the writers really were insistent that on writing inc*st so late into kiyo's screen time, i have one last-minute fix.
Its that damn cg that plays in post-trial. you know ... that one which kiyo narrates his love for his sister. The one where we see said romance, and it has this whole flowery look to it. now it can be argued it shows how kiyo is an unreliable narrator, where he has romantisized his relationship with his sister.
but i dont care. its just gross to depict this unhealthy dynamic in such an ... irresponsible way. It is like the dr staff couldnt help themselves, they just had to draw kiyo and his sister practically naked. which like no ... just dont use this as an excuse to sexualize your minor characters AGAIN
In my concept, the image can be replaced by depicting a more grim image of kiyo's relationship with his sister. show her trapped in her hospital bed, sickly and her face obscured by her unkempt, overgrown hair. But kiyo sits close by, his face cupped in her palms, with just the two of them trapped in that hospital room from the rest of humanity, with only each other.
kiyo's dialogue can overall be the same (maybe tweak a bit to show his grief more) juxtaposing his idyllic recollection to the grimmer reality we are presented. Maybe it's not the best change, but what i wish they emphasized was less of the actual inc*st and more of the horror. u know ... the supposed basis of kiyo as a character.
so yeah ... i guess i am a korekiyo fan
Korekiyo is a character that when i say i do like him, it kinda means i like the concept of him and the few parts of him, not the whole disaster we got. i know dr always struggles in fully executing their cast of characters on account that, you know ... most of them gotta die. but i do think that if the writers recongized the limitations and adapted kiyo better for the dr story structure, kiyo may have been more popular like kodaka expected.
i dont need this super large angsty story of kiyo (thats what head canons are for anyway :D ) but what i did need was just a bit more respect given to his story and him as a character. not saying you can't give kiyo any moments of comedic relief (i think because they couldnt make him too obviously evil at the beginning, the writers ended up making him a kind of comedic character in how over the top creepy he is, which i think works), but dont give the audience such a last-minute character reveal that could break just about any character, regardless of how far back in advanced the reveal was planned.
anyway i dont have any proper ending for this and i have been writing for 3 hours so yeah ty for reading if u read this far :D
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reiiiei · 1 year
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but the thing is,
i don't believe diavolo is "canonically yandere"
and here is why:
first off, those admissions stated are not unique to "yandere" characters only. multiple characters have expressed wanting to keep mc to themselves, and given the chance, they would proclaim so. it can't be a fact contributing to diavolo = yandere if other "non-yandere" characters (say, mammon or asmodeus, or perhaps simeon) would or have already proclaimed such things. Obey Me is a romance oriented game. It is quite normal to hear/read lines of the sort, no matter the character archetype. I've played otome/gacha games including Solmare's games since back when they were still Shall We Date. edit: —and therefore encountered those same lines multiple times.
second, his character song. i genuinely believe his character song isn't meant to suggest that he's yandere. i didn't feel any of the sort. if anything, diavolo's character song instead feels likd desperation. like he was doing his best to sell himself to mc.
"Have you noticed? This is my charm."
"Please don't look away
I will catch your heartbeats
Say no more and come here"
"I'm a formidable No.1
The unmatched only one
Fear nothing and move forward
Run run run
Always singing with grace
La la la la la"
"I have nothing to hide, I am always honest
As long as I can, I will do anything for you
So yeah, "as an exchange"...
...may not be an appropriate expression
But I want that love from you in return"
Even the chorus feels like he was trying to convince mc and him both.
"Fear nothing and move forward." seems to be a message to himself, a reminder that despite possible, suggested fears of not being chosen, not being the closest to the player in comparison to the brothers, especially Lucifer.
It's very hard to explain and I probably should be doing my research paper instead but technically, he is the number 1. He's the prince of Devildom. He has the authority, the riches, the power. He's royalty. But compared to Lucifer and the brothers, he has barely any way to connect to mc. Not to mention that Lucifer is the more present and active forefront.
It's also like...like he thinks he needs to exchange luxury or material things to be loved.
Honestly I don't think I have enough non-neurodivergent braincells to be able to express my views on the matter clearly and concisely, so this ends here.
edit: i am back from first major hurdle of research study. right now i am not playing obey me. the way the writers handled the story and the individual character depths of all the male leads disappointed me, so i only come back for fanfic ideas because yes, despite what has happened in the story, i still love the characters. so yeah. as of now, these opinions are of what i know from the character song, and from side/event stories as well as devilgram and chats. before stopping, i did play obey me for the main story for three years though.
point one: it was not diavolo who was specifically responsible for mc's estrangement into devildom. mc was chosen by random and complete bad luck, mentioned by lucifer in satan's arc. even then, choosing did not fall under diavolo's responsibilities, but lucifer's. pretty irresponsible way to choose an exchange student, especially a human one, but diavolo wasn't even meant to be a dateable character back in the earliest part of the main story for it to suggest that diavolo has yandere tendencies. the only thing that implies is that demons overestimated humans and their ability to adapt/acclimate or simply did not care. however, this argument is only viable if the yanking mc from home thing one is referring to is not from season 1.
point two: the definition of a yandere is exactly, word for word, this: Yandere is a portmanteau of two Japanese words. The first is yanderu, which means “to be sick,” and the second is deredere, used here for “lovestruck.” A yandere is often sweet, caring, and innocent before switching into someone who displays an extreme, often violent or psychotic, level of devotion to a love interest
here's a longer definition:
Tumblr media
point three: there's a distinct difference between yandere and somewhat possessive or jealous.
point four: barbatos is def much more of a canon yandere than diavolo, and i am not against fanon/headcanon/au yandere! diavolo.
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i-have-no-braincells · 15 hours
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okay miscellaneous unova elite four headcanons let’s go:
-grimsley is always bisexual to me. however i vibe with both him being cis and him being trans headcanons. either way he’s always gnc to me though.
-caitlin is trans (mtf) and uses she/they pronouns. she and shauntal are also both lesbians to me <3
-marshal is panromantic asexual and i really like the idea of him being trans (ftm).
-grimsley enjoys classic horror films from the 80s-90s. yk the really cheesy horror films where some of them could barely be considered horror. i also think he enjoys musicals, but specifically musicals like phantom of the opera, jekyll and hyde, little shop of horrors, sweeney todd, the beetlejuice musical. he enjoys some recent horror films as well, but he thoroughly enjoys the cheesy, old classics.
-shauntal, on the other hand, loves the fucked up horror movies. she appreciates well done gore. she likes the stuff that would make most people cringe or look away. she’s a little freak who finds that shit incredibly fascinating. plus, it’s wonderful inspiration for her books!!
-caitlin is not a big movie watcher. she will watch whatever anyone else wants to watch because they will be falling asleep during said movie.
-marshal loves his classic karate and martial arts films. he’s a big nerd for them and owns several posters of said movies. however, you could also catch him watching a stupid rom-com… just don’t tell anyone!!
-shauntal has dabbled in a wide variety of genres when it comes to her writing. she specializes mostly in horror, romance, or a mix of the two. but no matter what genre she’s writing for, there’s always certain aspects and nuance to it that defies the stereotypes of the genre at hand. she also is a common author to see featured in the LGBT section!!
-grimsley collects playing cards. it’s not a very special or unique headcanon, but he has a wide variety of playing cards all from different places or themed around things he enjoys.
-caitlin has narcolepsy. i think this is a fairly common hc as well. since she’s often falling asleep and experiencing dreams, her dreams are prophetic more often than not. their psychic specialty is prophecy and interpreting prophetic dreams, however i believe she has the ability to do basically any psychic power one could think of. i like to think she’s a very powerful psychic.
-marshal and grimsley have a very unique rivalry to me. they’re best friends for sure, and honestly marshal is not as competitive as grimsley is. but those two fuel each other’s competitiveness to all hell. they have a running tally on how many times each other have won during sparring matches. they would also die for each other.
-speaking of which, marshal is very much the braincell of the elite four. i do think he’s a bit of a himbo, but he is actually the most responsible of the four and has the best coping mechanisms and self control (as a martial artist should have). he loves helping his friends and finds enjoyment in such.
-grimsley is likely the least responsible. he is by no means a bad friend, and he’s obviously very clever and smart. but he has a knack for disappearing without saying anything only to show up hours later. of course no one trusts him with financial advice. and he absolutely loves messing with and playing pranks on the others.
-shauntal is very caring and a bit of an older sister figure to marshal and grim. she’s also the oldest of the group. this doesn’t mean she doesn’t also like getting into mischief with grimsley, the two are partners in crime for sure. shauntal also has a bad habit of getting too focused on her writing and becoming a temporary shut-in.
-caitlin is reliable and trustworthy when she can be. the others are very aware of her narcolepsy and obviously don’t treat her like they’re helpless, but they do understand she won’t always be present. and they’re okay with that. they’ve known caitlin for ages now and so they know how to help, assist, and work with caitlin’s diagnosis.
-speaking of caitlin, she has autism. i see a lot of people depict her as very bubbly, but i see her as more blunt and monotone. along with her constant tiredness, she doesn’t have the energy to keep up verbal appearances, and so sometimes she comes off as rude or apathetic. she also has a very sarcastic sense of humor, which grimsley finds extremely hilarious. she makes him laugh all the time.
-caitlin’s style is very pink and bubbly and has the black cat personality, while shauntal has the black cat style and the bubbly personality. they are gay <3
UH I SHOULD PROBABLY STOP THERE BUT YEAH-
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taizi · 1 year
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give me something that’ll haunt me when you’re not around
chapter three: me and you and the whole town underwater
rise of the tmnt pairing: leoichi (leonardo / usagi yuichi) word count: 3k title borrowed from dark blue by jack’s mannequin post-movie
(previous) (next)
read on ao3
x
Usagi: Good morning Leonardo. Unknown: USAGI Unknown: there are so many snacks in here oh my god Unknown: what the hell 😭😭😭😭 Unknown: im heavily medicated its not fair to do nic ethings ill cry Unknown: tell ur aunt i said THANK YOU!!!!!!! and the blueberry buckle was SO GOOD😭😭 Unknown: i shared some w mikey and he wants the recipe like yesterday Unknown: we actually ate like. all of it in one sitting. raph was pissed lol
Yuichi lays in bed smiling at his phone for a while before he gets around to pulling his braincells together to form a reply.
He starts and stops typing so many times that it’s embarrassing. He’ll pretend he didn’t do that.
Usagi: Those snacks were specifically meant to aid in your recovery. Unknown: so idk how familiar u are w baby brothers but typically mike gets whatever he wants
Yuichi thinks of his youngest cousin Jomei. Tiny and soft, with huge gray eyes, and unfortunately already self-aware at four years old. If Mike—Michelangelo, Yuichi thinks he remembers the boy being called—is even half as powerful as Jomei, then Leonardo’s blueberry buckle didn’t stand a chance.
Usagi: Fair enough.
It’s a good thing he woke up early. He doesn’t get anything else done for hours. Leonardo is an enthusiastic conversation partner at all times, and his texts manage to translate that energy effortlessly.  
Typically, Yuichi lets his friends save their contact IDs in his phone however they want. Leonardo isn’t there to do it himself, but Yuichi makes the rookie mistake of giving him free reign anyway. So Leonardo insists his number go in under ⚡️⚡️NEON LEON⚡️⚡️ and Yuichi has something to roll his eyes at every time they message each other.
It also makes him feel warm. There’s an affectionate little tug in his chest at this clear proof of Leonardo in his hands.
Now that he has this unfettered access to the very same person he wants to talk to all the time, Yuichi checks his phone a lot more than he used to over the next couple days. He even keeps it in his waist apron pocket at work, which some of the other servers do, which technically isn’t against the rules because none of them have abused the privilege so far.
Yuichi will feel extremely bad and guilty if he’s the one who abuses the privilege and ruins it for everyone. But when it vibrates in his pocket while he’s going outside to dump the trash anyway, he might as well linger for an extra minute and check his messages, right? Right??
Once, Señor Hueso catches Yuichi lingering in the employee lounge after his lunch break is well over, moving at a snail’s pace back toward the dining room with his nose buried in his phone. He almost walks right into his boss’s chest, saved only by the last-minute sense of someone else’s immediate presence that Karasu-Tengu-sensei mercilessly trained into him years ago. So he freezes a few inches away instead and his eyes dart up to the skeleton yokai’s unamused expression.
Oh boy. Señor Hueso is generally a very patient person but he’s no-nonsense about work. Is Yuichi in trouble? Is he going to get fired?
“I’msosorry,” Yuichi whispers.
But instead of scolding him, Señor Hueso only gives a pointed look to the phone in Yuichi’s hands and says sternly, “You tell Pepino to give it a rest. He’s still recovering from a concussion, he doesn’t need to be staring at a screen all day, madre de dios. Please be a good influence.”
“You don’t know I was talking to Leonardo,” Yuichi says defensively. He has other friends he could be texting! Then he takes a second look at the older yokai’s face and backtracks immediately. “I mean. Uh. Yes, sir. I’ll tell him.”
“Good. Now you have tables seated in your section.”
It’s a dismissal if Usagi’s ever heard one, so he scurries into the dining room with five times his original speed, sending one last message before he shoves his phone away.
Usagi: Señor says no more screen time while you’re recovering from a concussion. ⚡️⚡️NEON LEON⚡️⚡️: what?? how even??? ⚡️⚡️NEON LEON⚡️⚡️: he doesn’t KNOW ur taking to me
Thank you, that’s exactly what Yuichi said!
He makes it a point to actually focus for the rest of his shift, but it’s a Wednesday afternoon, and things are slow. Sunita is off for the day, and Qiao is studying at the bar when they’re not actively pouring drinks, and those are the only two coworkers Yuichi is familiar enough to strike up conversation with, so he keeps to his own section and works quietly.
It’s been brought up a couple of times now, in passing—Leonardo’s condition. Apparently, even a month after the invasion, he’s still healing. Yuichi didn’t know the symptoms of a concussion could last whole weeks. He doesn’t really know much about kappa, or whatever manner of creature Leonardo and his brothers are, but for a head injury to be that severe…
Suddenly, the sight of Raphael’s damaged eye jumps to the front of Yuichi’s memory. The clean hole in the big turtle’s rock-solid carapace. What the hell could have done that? What happened to them?
His brain is coming up with nightmare fuel like that’s its job. Something horrible went down behind-the-scenes while Yuichi was completely ignorant—while Yuichi was waiting tables and getting into trouble with Kitsune and Gen and helping with the tomato harvest, Leonardo and his family were in almost certain danger. And Yuichi didn’t know.
He plops down on a stool at the bar at the tail end of his last break for the day, and Qiao wordlessly slides him a cranberry juice on the rocks.
“How do I get my friend to tell me about something that may or may not be a sensitive subject?” he blurts.
“Have you tried asking him about it?” the ram yokai replies in a tone that manages to be both over-exaggerated and monotone.
Yuichi doesn’t even know why he bothers. He taps his phone on the counter a few times, takes a big gulp of cranberry juice that he pretends is something much stronger, then goes for it.
Usagi: I need to talk to you. ⚡️⚡️NEON LEON⚡️⚡️: oooooo ominous Usagi: It’s not ominous, weirdo. I have to go now but I’m off at 7.
Any normal person would have taken that last text at face-value, but Yuichi isn’t dealing with a normal person, is he?
So maybe he should have been expecting it when he leaves the restaurant a few hours later and finds Leonardo waiting for him outside. He's leaning heavily on one of his katana, either in an attempt to look cool or because he’s having trouble staying upright.
Yuichi is not inclined to give him the benefit of the doubt.
“What the fuck are you doing here?” he blurts. His flat tone definitely does not convey his shock, but he’s feeling too much right now to articulate any of it properly.
Leonardo laughs out loud. It’s a different sound than it used to be—hoarse and a little restrained, like he’s trying to remember he doesn’t have to be quiet. But it’s still bright, and it still makes Yuichi’s heart do backflips in his chest.
He’s wearing a hooded sweatshirt that looks way too big to belong to him, a deep maroon color, repaired with clumsy pink stitches along the shoulders. One of the sleeves is hiked up to Leonardo’s elbow, due to the unwieldy cast on his left forearm, covered in doodles and stickers. The hoodie is unzipped down the front, so Yuichi can make out the cracks in Leonardo’s plastron, spiderweb lines cutting cruelly through the armored scutes. It’s hard to imagine the kind of pressure it would have taken to crush his shell—the same kind that drilled that hole through Raphael’s? What happened to them?
The skin around Leonardo’s neck and the side of his face is still discolored from what must have been pretty nasty bruises, and there are puffy red marks where scars haven’t settled yet. He looks older than the last time Yuichi saw him.
But he’s here. And he’s smiling, a footprint of that laughter left on his face. And now he’s—oh boy, now he’s starting to list to the side.
Yuichi crosses the distance between them at a run, catching Leonardo by the arm before he can topple all the way over.
“I don’t see what’s so funny,” Yuichi says waspishly, afraid to let him go.
“You wouldn’t,” Leonardo says cheerfully. He’s leaning heavily against Yuichi’s shoulder, his hand is shaking as he sheathes his katana over his shoulder, seriously, what the fuck is he doing here? “Everyone’s cussed me out at least once since I woke up. Add you to the list.”
Flustered, Yuichi says, “I did not do that.”
“You did! You said the fuck word!”
Yuichi rolls his eyes and begins the process of dragging Leonardo toward the nearest bench, staring down anyone who drifts into their path. The tree yokai already reclining there takes one look at Yuichi’s expression, grabs her bag, and takes off without a word.
Maybe he’ll feel bad about being impolite later. He doesn’t have any room for it in his brain right now. He doesn’t even think he remembers to breathe until Leonardo is safely sitting down, slumping onto the bench seat like someone five times his age.
Yuichi crouches down in front of him, giving him a hard look. If he needs medical attention, Yuichi will kick Run of the Mill’s doors down and drag Señor Hueso out here by his tie. Who needs a part-time job anyway?
But Leonardo seems to be okay now that he’s caught his breath, and he’s still grinning, like Yuichi is the best thing he’s seen in days.
“Do you use your scary face to get what you want all the time, or is this a special occasion?” the turtle asks coyly.
“I am beginning to understand why everyone has cussed you out since you woke up this morning,” Yuichi replies, sitting back on his heels.
Something tight that’s been clenched in his chest like a closed fist has suddenly loosened, a letting go when Yuichi didn’t even know he’d been holding on.
He’s missed Leonardo. Being around him has always been easy, even when looking directly at him is like staring into the sun, even when Yuichi’s words get lost somewhere between his head and his throat and he ends up spending most of their conversations just listening and watching.
“Not since this morning,” Leonardo interjects. “Can you imagine everyone getting on my case like that all in one day? That would just be bullying. I meant since the coma.”
There it is again. Little breadcrumbs, teasing scraps of information.
Yuichi gazes up at him, and has at least a dozen questions he wants to ask. That’s why Leonardo is here, even if he doesn’t realize it. Yuichi’s curiosity inadvertently dragged his friend from the safety of his home and the safe harbor of his family to the chaotic streets of the Hidden City.
The trip itself seems to have been hard on him, when usually it’s little-to-no-effort to step through a portal between one location and the next. His forehead gleams with sweat, and he’s still breathing a little heavily, like he just ran a marathon. He’s a pale shade of the vibrant boy Yuichi first met a year ago. He looks like he regrets bringing up the coma.
But he’s still here.
Abruptly, Yuichi doesn’t want to ask any of his questions. He just wants his friend to be here.
When Leonardo says, “Sooo, what’s so serious you dragged me all the way out here?” Yuichi pushes himself to his feet and takes the seat on the bench beside him with a theatrical sigh.
“Nothing, Leonardo,” he lies. “I just wanted to talk to you. You’re the one who jumped to conclusions.”
Some tense line in Leonardo’s shoulders that Yuichi hadn’t noticed before seems to go lax, even as he rolls his eyes. “I’m a ninja, we jump, it’s a whole thing. Anyway, more importantly, did I see a stall selling dumplings down the street or nah?”
“There’s no way I can convince you to stay on this bench, is there?” Yuichi knows the answer already and he’s getting up before Leonardo has a chance to say anything, offering him his hands. When Leonardo takes them, Yuichi hauls him up onto his feet.
They stand there together for a moment, neither of them letting go. Yuichi doesn’t even feel the usual need to spring away from him before he gets too close because he’s missed this stupid guy. And his stupid face, and his stupid big hands, and the stupid way Yuichi feels around him.
Whatever happened to him, happened. Yuichi can’t change that now. And if Leonardo wants to tell him about it, he will. But Yuichi gets the feeling that what Leonardo really wants right now is to feel normal. To feel like maybe one thing in his life is the same as it’s always been.
“Dumplings,” Yuichi announces, with all the enthusiasm of his little cousins faced with the unjust trial of bedtime. “If you fall on your face, I’m leaving you there.”
“If I don’t, you’re buying,” Leonardo quips back.
Yuichi scowls, remembers he’s still holding Leonardo’s hands, and then sort of forgets how to person for long enough that Leonardo lets go and goes a few steps without him. His brain literally goes offline for a minute. That’s never happened before.
“No it’s okay,” he hears Leonardo saying to someone on the street nearby. “It’s not his fault, he’s never been the same, you know, not since the storm.”
Fur bristling, Yuichi hustles to catch up, hopefully before Leonardo has done any actual lasting damage to his reputation. He has an image to maintain around here! He’s Usagi Miyamoto’s direct descendant, and Miyamoto was never anything but cool!
“Quit making up lore about me!” he hisses.
“Quit being weird!” Leonardo replies, clearly enjoying himself. “Dumplings!”
Yuichi scowls but falls into step beside him anyway. This is the guy he missed so much?
As soon as he has that uncharitable thought, he regrets it.
He thinks about April saying he always seemed pissed off to have Leonardo around, and darts a quick look at the striped turtle ambling along beside him. Leonardo doesn’t seem put off by Yuichi’s prickly attitude, but still—it wouldn’t hurt to make sure.
Yuichi waits until they’ve paid the elderly yokai woman running the food stall for two paper plates of crispy gyoza, so he has something to do with his hands, something to focus on besides his awkward tongue, to say, “I’m glad you’re back.”
Leonardo glances sidelong at him, crunching through a dumpling unselfconsciously. His mouth is full but his expression very clearly says ‘say what now?’
“Here, I mean,” Yuichi tells his plate. “Back here. I didn’t even know you were—I’m just glad you’re better.”
They walk the length of the block before Leonardo replies.
“I wouldn’t worry about us, Usagi. Me and my brothers can take a hit. You could even say we were made for it.” That’s a strange sentiment, and something bitter comes and goes across Leonardo’s face before Yuichi can make sense of it, as swift and darting as the little minnows that flit through the creek that winds past his family’s farm. Then Leonardo adds, sounding much more like himself, “My stupid arm is all that’s slowing me down now.”
“Considering it was broken in eight places, I would take six weeks in a cast as a solid win,” someone says from directly behind them.
Yuichi doesn’t jump in shock, he freezes, rabbit-still. Leonardo doesn’t seem surprised at all—he just groans theatrically.
“Oh nooo, it’s the consequences of my actions.”
Donatello snorts. Because that’s who it is, Yuichi realizes as he turns to get a good look at him.
“You can’t just run off, Nardo,” the purple-masked turtle says. His tone implies that this is not a suggestion. “You get why that’s uncool and unfair, right? Like, I don’t have to explain that very simple, elementary-level concept to you?”
“I left a note,” Leonardo argues in his own defense.
“You sure did,” Donatello replies, so level and calm that it sets Yuichi’s whiskers on edge, because that level calmness is very much a thinly veiled promise of bodily harm. “You left a note on your door that said “Do Not Disturb, Beauty Sleep in Progress.” And then you left one on your empty bed that you just drew a winky face on.”
“I realized I didn’t need any more beauty sleep, Dontron. I decided to save some for the rest of you sad scrubs. You’re welcome.”
“How magnanimous.”
Beyond the color-coded masks and the dramatically different body shapes and skin tones, there’s another easy way to tell the Hamato siblings apart; all of them have brown eyes in varying shades. Michelangelo’s are warm, tempered honey, while Raphael’s are darker and richer, edging into red.
Leonardo and Donatello, the twins, have identical golden eyes, piercing and impossibly bright even in the semi-dark of falling dusk. Under the warm lantern light, with their defining characteristics all but overshadowed, it would probably be easy to mistake them for a perfect mirror of each other.
But Yuichi could never make that mistake. Donatello’s eyes are different, because the way he looks at Yuichi is different.
Especially now. Where Leonardo was delighted to see Yuichi for the first time since before the invasion, Donatello is looking at Yuichi like he’s a clear and present threat.
Yuichi doesn’t know what Donatello has to feel threatened about. He has a good grasp of his own abilities and he’s self-aware enough to admit that Donatello could definitely take him in a fair fight. Any of his siblings probably could, up to and including his sister, out of stubbornness and spite alone. Yuichi is the one who feels hunted, like a tiny fluffy animal that was just sighted by a bored, hungry hawk, all because of the cold, calculating gold in Donatello’s eyes.
Then Leonardo plants his good hand on the side of his twin’s face and shoves it an arm’s length away. Donatello sputters and flails, and Leonardo talks over him with the ease of years of practice.
“Thanks for the dumplings,” Leonardo tells him. “See you when I’m finally un-grounded, someday seven years from now.”
Yuichi nods, offering a little wave. He watches Leonardo unsheathe a katana and form a bright, spinning blue portal with one swift downward slice through the air. Donatello is griping at him in harsh undertones, and Leonardo is giving back as good as he gets, but it doesn’t escape Yuichi that Donatello has gravitated protectively to Leonardo’s bad side, and Leonardo is leaning his weight against his brother like he’s actually much more tired than he was willing to let on.
Leonardo needs a break. He needs fresh air. He needs to—to not disappear again, even if it probably won’t actually be for seven years.
Before he can second-guess himself, Yuichi blurts, “I’m off on Friday! You should come to the farm. One of our tokage’s nestlings just hatched so we have babies to play with and they’re really cute!”
Donatello makes an antagonistic noise under his breath and hauls Leonardo through the portal. Before he disappears, Yuichi watches Leonardo’s whole body light up, a grin splitting his face in half.
“It’s a date!” Leonardo calls cheerfully in the seconds before he’s gone.
The portal closes. Yuichi stares at the empty space where it used to exist while the word “date” bounces around in his head like a free-floating balloon filled with screaming instead of the more traditional helium.
Usagi: Important time-sensitive HYPOTHETICAL question Usagi: When you make plans with your friend and he calls it a date, how do you ask what he means by that without sounding like an insane person?? SUNA: oh my god!!!!!! ꒰☉ェ☉꒱
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a-gal-with-taste · 2 years
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The Idiocy of Youth (young!Silco X F!Reader)
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Summary: Drunken shenanigans' are far more Vander and Benzo’s style, so you don’t worry too much when Silco takes a night out on the town. Then, Silco comes home the next morning, with new, permanent, accessories to show off. (Wordcount: 1.7K)
Warnings: SFW, suggestive/implied language, humor, crack taken semi-seriously, bickering, established-relationship, tattoos, alcohol, drunken-shenanigans', Feral Zaunite Revolutionaries, I blame @ink-and-dagger for leaving me to ponder a-very-healthy amount about DWM!Silco... specifically, his roses (thanks a lot, now do it again)
Theoretically, when it came to intelligence, Silco was supposed to be the one who had it in spades in the leadership of the rebellion. Not a big-stretch of the imagination - the man seemed naturally keen in observation, and using every detail he could find to his greatest, and most beneficial advantages. More fox than human sometimes. Definitely sly, angular and speedy enough when he had to be, not to mention how unflinchingly he would lay in-wait, and pick apart every weakness his opponent - or prey - had, before making his move.
With such aspects in mind, it's reasonable to think that Silco would be one of the more notoriously-ingenious men leading the rebellion.
Staring down at him, where he's slouched over your couch with a towel over his hips in place of his clothes, clearly still reeling from last nights drink, and grinning dazily up at you like you're his salvation, you doubt the man has a single braincell left.
"You're a goddamn moron."
"Heh... good morning to you too, sweetheart... can I get a kiss?"
A kiss with your fist, perhaps, but he looks pathetic enough even without a well-deserved bump to the temple. "An absolute idiot," You insist, setting the cup of water down beside the couch, and making no effort to muffle how hard you set it down, despite his wince. "Please tell me you didn't go streaking."
At your half-pleading tone, Silco seems to sober up a bit, struggling onto his elbows before brushing the longer, wilder dark locks out of his face to look up to you, almost scandalized, "No. I had an unfortunate run-in with the gutter, they're in the tub to soak." The Son of Zaun attempts to lift himself further, but a pale-green coloring crosses over his face, encouraging him to lie back down.
"Idiot," You say, with sparse sympathy as you hand him the water, ignoring his pleading look from sea-foam green eyes that have no right to look as pretty as they do. "No," You say immediately, when he doesn't lift his hand to take the glass himself. "You're a grown man, Silco, take your own drink..."
"But it would be so refreshing to come from your hands-"
"It's your brain that's drunk and useless, not your hands..."
"I hardly need reminders on the abilities of my hands, dearest," Silco makes an attempt to croon salaciously in-time with his hand reaching down to skim along your hip within reach. His voice sounds more slurred than seductive, however, and with an eyeroll, you spare yourself by slipping a hand beneath his head to raise it, and bring the water to his smirking lips. 
Your half-tempted to drown that taunt dancing on his lips, and instead refuse to indulge him, thoughts trailing with your gaze as you ponder who convinced Silco to do this. Buffoonery like a drunken-night on the town was a game for Benzo and Vander - you have no idea what they might’ve said to your boyfriend, in order to get him to come out to play-
Thoughts screech to a halt. Leaving skid-marks on your suddenly empty mind, as your gaze hones in on the Zaunite’s abdomen, and you barely even notice that your grip about the water glass has gone slack, until Silco sputters indignantly. 
“Ack... sweetheart, when the hangover hits, I'll have learned my lesson, no need to waterboard me-”
“What, the fuck is that?”
You don’t wait for an answer, clumsily setting the glass aside before taking hold of the towel Silco had in place of pants, your owlish eyes growing wider at the sight beneath. Not because it’s nothing anatomically about him that you haven’t seen before, far from it, but because of the two, twisting and fresh additions adorning his skin.
“Sweet Janna...”
“The awe is more than appreciated, but it hasn’t changed in the last twenty-four hours, my lovely-”
“I’m not taking about your Silco Junior.” You dropped the towel back down like it burned you, gawking at your partner with no shortage of scorn. “You got drunk, and then went to go get inked?”
Silco’s inviting, toothy grin that’s putting his chips and his canines on full-display, falls into a pout as he works his elbows out beneath him again, lifting, and then hastily lowering himself back down with a protest from his head and stomach. “I got intoxicated after. Sober, I am not, but even so I am not completely devoid of my logic and good-sense-”
“Apparently you are.” Admittedly, you’re thankful that it wasn’t an intoxicated head on his shoulders that had made this decision, but it was the fact it was his normal head that had run off, gone to get inked, and stumbled back to your shared apartment. For the seemingly most-intelligent of the Children’s leadership his recent string of decision-making was making you question if he ought to be demoted from such a status.
After giving your forehead a much needed-rub, you parted your fingers to glare warily through the digits, and grow more tired at the sight of an honest-to-the-gods pout on thin lips. “You don’t like it?” He asked, somewhat offended, even as his fingers trail down the bare expanse of his structured abs - crossing over scars you know by heart, and suspiciously fresher ones you have yet to become acquainted with - before nails trace delicately on the reddened-raw skin where flesh as met with a tattoo-needle.
“I thought you would - I was thinking of you when I picked it, you know,” Silco said, his tone attempting to be nonchalant, but perhaps he was so genuinely hurt by your lack of wonder, because than he added, “You are no fun.”
“Yes - I'm a party-pooper for not applauding my boyfriend for stumbling home, drunk, naked - “ “Never deterred you before.” “- and freshly inked.” You finished, speaking over his unhelpful commentary before you paused, raising your gaze back to his. Considering there was nothing to be done about the new tattoo now, you had decided to become more intimate with it’s visual - begrudgingly, you could admit that it was a gorgeous piece. 
Twisting vines full of thorns, flowers worthy of Topside-beauty in full bloom at the divots of his hips. It would be deserved, but you managed to resist the urge to run your fingers over the still-healing flesh, surely sore from the ordeal of the previous night, even if it’s owner was still too intoxicated to notice the ache. For now.
“And what do you mean, you were thinking of me when you got it?” 
Silco looks at you almost strangely, and, foregoing his own bodies protests, manages himself to sit up. Once upright - and most of the the green fading from his skin, his hand comes out, fingers curled patiently as they await you. Suspicious as you are, you don’t leave him waiting long.
“Roses are for the romantics, which, I seem to have fallen into,” He muses, a bit quietly as he guides your hand down to brush against the outward-petals of one of the flowers. You resist briefly when you feel the muscles jerk beneath your touch - apparently the leftover drink hasn’t rendered his pain-receptors fully immune yet - but the long-fingers keep curled around your wrist, squeezing as if in assurance, until you begin to trace the red of the rose in earnest. 
“You... got tattoos across your pelvis to symbolize the romantic part of your life?” Maybe he was intoxicated when he got the idea for these. “Okay, pretend I'm convinced... why there?”
“Thought you might like a sight that’s reserved only for you,” Charmingly, he must think he is, as he once again gives you a grin that borders on coy, turning even more fox-like as he attempts to guide your hand further down. “I even got a little trail for you to follow-down, sweetheart...”
What, to his rose-garden?  "You're a goddamn moron.” It’s a little less scathing and more affectionately than before as you snatch your hand back, reaching up to flick him across the forehead with your fingers, before pressing a bid firmer. “Mr. Romantic my ass,” You teased as you pushed him back down onto the couch, much to his chagrin and also unspoken relief, as the green edges to his face quickly receded as soon as his head was propped back onto the armrest. “Think you just wanted some justification to act like an idiot.”
“I’m hurt.” Silco said flatly, even as he raised his head up enough to follow the fingers that card through the more rebellious locks of his hair, smoothing it back along his scalp as he sighs rather melodramatically and, blessedly, a bit sleepily. “I do this grand romantic gesture for the love of my life, and all she does is mock me.”
“Next time, do a grand gesture that doesn’t deserve my mocking,” You shoot back with a smirk, unable to resist ruffling his hair slightly. “Or at least one that won’t leave you couch-ridden for the weekend.” Unsure if he was able to stand upright with such fresh inflictions to the more delicate part of his body... if not, it was only karma. Still, you had a little pity left for the fool - at least he didn't get your name plastered onto his skin.
“Huh.”
“Mmhm... okay, my precious summer-rose, I'm gonna get you some water.” You ignore the loud, flabbergasted scoff he makes at your new choice-nickname for him, but before you get too far, he makes one last request to save face in this otherwise failed-attempt to impress you. “Find, If I must deserve mockery, do I not also deserve a kiss for surviving such insults?”
“No,” You tell him honestly, just before leaning down to brush your lips over his hairline. “You’ve earned the mockery. We can revisit the prospect of kisses after you’re sober.”
Predictably, the dark-haired fellow makes an attempt to raise up and follow the path of your lips, but the last of intoxication seems to be fast-fleeting, as he bounces back onto couch with a nauseated, and petulant expression. “Sweetheart, I can’t believe you could be so cruel, and to the man you love.”
“Don’t pretend that’s not why you love me.”
“Of course I do... and I have the flowers to prove it.”
And, until the buzz of alcohol leaves him with the regret and aching, healing skin to deal with for the next few days, Silco also has the lack of brains to show evidence as to how those roses got there in the first place. Sure, perhaps it was more than slightly inspired by feelings of romance... but, the idiocies of youth seem to be the deciding factor.
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Taglist: @sweatandwoe  @mazikomo  @betasuppe  @bb-8  @syx-00  @ironandglass  @dropssofjupitter  @agoutighost  @lackofhonor  @ellhd-imagination  @atalldrinkofcaprisun  @wanna-plan-world-domination  @zillahvathek  @littledollll  @aboveasphodel  @ladykatakuri  @intpthinkinginquiet  @beansandmorebeans  @my-awakened-ghost  @rosemariner  @soullessbody   @marina-and-the-memes  @livingandlivid  @gooseberries88  @yes-these-obsessions-are-healthy  @sengawolf  @bloodmoon-bites  @shuttlelauncher81  @stabmemaybe  @of-the-argonath  @masterjedilenaaa  @foppishish  @dad-dumpster  @beef-bakery  @nyx2021
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rubykgrant · 1 year
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Do blorbo bleebus for grif
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Grif is barely "intense", but boy oh boy is he complex! He has a fairly tragic backstory... him and Kai being orphans is questionable, they definitely had parents, but those parents weren't very caring or dependable. He's like, kinda been involved with violence and such, but isn't especially motivated to kill, so I hesitate to call him a "murderer". I have so many little things in common with Grif, it is both funny and sad. He's friend-shaped, the braincell-haver of Red Team (Simmons would HATE hearing that, but... yeah). He sits pretty much dead-center on a lot of scales, because he's actually capable to go in either direction; he can be focused on one single thing for an extended period of time with no other thoughts, or have TOO MANY thoughts all at once. Lots of people complain about him, but also can't help but like having him around. He's oblivious and stupid in some subjects, but almost a genius in others. However, he is very much Just Some Guy in a down-to-earth way. He's only slightly bad company when he's just defaulting to being selfish (but has a caring side he doesn't like to show). He can actually figure a lot of things out, and knows how to use what's around him to his advantage. Grif has sooooo much trauma. So MUCH. When he isn't trying to act too cool to care, he's surprisingly nice. He's at peace with life in a general way, but in a LITERAL way he's an enemy of god. Also, f*ck the rules! Like most of the characters, I like imagining scenarios where bad things happen, but then it gets nicer. Less trauma for this man, but please let him have some romance already. Some SPECIFIC MAROON ROMANCE (I know, I'm predictable). He has a family and friends, but I'd like to see the realization that they all REALLY love him. Grif gives me lots of inspiration for art and writing, so he filled that row almost all the way up.
Thanks for asking~
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gnxkun · 6 months
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what's this? we finally have an intro for kun? shocking, i know but at least i'm finally getting to it after like 100 years lol really though, i'm going to keep this short and simple (mainly because i'm tired atm and don't want to use my last braincell to do this when i could be doing sentence starters). down below i'll list some facts/what to know's about kun here, and as always if you'd like to plot feel free to like this post and i'll slide into your dm's! c:
the eldest son that comes from a family of wealth. his father being a renowned lawyer and his mother being a famous pianist.
[TW START: mentions of death ahead] he was previously engaged, set to be wed by summer of 2020, however due to a fatal accident on the day of the wedding kun lost the love of his life. afterwards he sort of just became emotionally detached, some even spreading rumors that he had gone 'insane' after his love passed. [ i would honestly love to have a 'look alike' of sorts for a plot i have in mind so if anyone is interested just let me know! ] [TW END]
due to some disagreements concerning kun's future, he fled his home one night and decided to visit a pen pal from korea in order to get some time away from his father and figure out what he should do. whether it was giving in and becoming a lawyer just like his father wanted, or doing something that he himself wanted. it was during that time which kun was convinced by his pen pal that he was visiting that he would go through all procedure's needed and move to korea, more specifically gaenari.
after going through all of the necessary steps, kun became a resident of korea in the winter of 2022, though due to being mostly closed off from the world and keeping to himself people tended to avoid him saying that he was a strange individual. 
despite the many new rumors started about kun, many looked past all of this when he became the veterinarian at pet shop & supplies all thanks to being a very capable vet.
aside from going to work, kun is hardly ever really seen out and about unless his best friend happens to drag him along to parties/clubs. though even then he usually just sits off in a corner of the room rejecting anyone who tries approaching him. [ open for a friend, possibly his pen pal, to be the one who drags him out at times ! ]
even though kun tends to distance himself from humans, he's got a major soft spot for animals which leaves him defenseless most of the time. if you manage to spot him with some stray animal, you might just see a faint smile.
despite not becoming a lawyer like his father wanted him to, kun still knows quite a bit about the law and can easily talk his way out of most situations, or even help others but it would take a lot of convincing to have him speak up for someone, especially if he doesn't know them.
he has a cat that he adopted upon arriving in gaenari named 'Mao' (no one ever said he was creative with naming things even if he is smart in other areas lol).
really i'm open to any and all sorts of plots for kun, angsty, enemies, acquaintances, etc... it may take a bit for him to really open up to people again, though it doesn't hurt to at least try... right?
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childeproof · 9 months
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on this post i’ll be answering the cat questions for childe! been thinking of him lately anyways, lol.
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tabby cat : is your f/o snuggly? are you? if so, what are your favourite ways to cuddle?
yes to the first & second questions! we’re both pretty physically affectionate in general so snuggling & cuddling occurs often when we have down time together. idm whatever but childe has a preference for resting his head against my body (shoulder, chest, stomach, lap/thighs, etc) when we cuddle.
ginger cat : who is the most intelligent? who is the sensible one? or do you share one braincell?
we’re both smart & dumb in our own ways.. like we don’t share one brain cell, it’s not that type of vibe but where one of us fails the other excels, y’know? plus we’re the type of people that both enjoy learning new things regardless. verdict: neither of us are super smart but neither of us are super dumb.
calico cat : do you consider yourself lucky that you met your f/o? do they consider themselves lucky that they met you? why? 
my s/i for genshin (specifically the one that ends up with childe) is currently unnamed but the answer is NO. he does not consider himself lucky to have met childe, only because luck never had anything to do with their situation. they met during their youth while training in the fatui (childe went on to become a harbinger, my s/i was a high level grunt before faking his death to escape). it’s a bit of a sour memory for my s/i, them meeting. childe, however, definitely considers himself lucky to have met my s/i. he feels like a part of him that would’ve been lost was briefly saved by how kind my s/i was. that part of him died the moment my s/i left.
tuxedo cat : do you both prefer fancy dates where you dress up, or casual dates? 
childe prefers fancier dates because he likes to spend & he likes to show off, i prefer casual dates but i don’t mind being pampered. we usually just alternate date ideas!
black cat : do either of you like haunted houses? or does either of you get spooked? if so, how do you comfort your f/o / your f/o comfort you?
childe would like the haunted house, i would refuse to go. i think if i went in and someone scared me i’d whip around and punch them. instead of haunted houses we watch scary movies (easier to digest) and childe wraps his arm around me whenever something uncomfortable happens. i’m not scared of movie gore much, just jump scares!
white cat : are your f/o’s eyes particularly striking to you? in what way? do they find themselves captivated by yours, in turn? 
YES they are so interesting because they lack the sort of “light” that other people from his source have. childe’s eyes are like a deep, terrifying ocean. they remind me of deep sea exploration, the horrors of the unknown. they’re very captivating. childe only admires my eyes when we cuddle, he’s not particularly fascinated by them (and that’s ok!). he likes my glasses, however.
tortoiseshell cat : who has the worse temper? can you get snippy with each other?
childe has the worst temper especially when he can’t understand why i’m doing something. we both can get pretty snappy & heated when it comes to arguments, lol, but it’s something we’re working on. we try to hold hand when we argue because it’s a small reminder that we still love each other (and it helps to remind you not to say something you don’t really mean).
siamese cat : who is chattier/louder, you or your f/o?
childe.
persian cat : are you a high or low maintenance couple? who has the most rigorous grooming routine? do you help each other?
hmmm.. i would say low maintenance. i have the more rigorous grooming routine just bc it’s self care for me to put effort into myself & he doesn’t help bc i don’t want him to mess any of my stuff up! but he does call me cute afterwards ^_^
maine coon cat : are you a stay at home couple, or do you like going on trips together?
we love trips! my dream vacation with childe would probably be a cruise somewhere nice, i’ve been on cruises before and it’s AMAZING! he’d definitely enjoy it! sometimes he goes afk on the fatui & whisks me away on vacation suddenly :]
bengal cat : do either of you have a particular love for swimming? do you like to take baths or showers together?
childe can swim but he doesn’t do it as a hobby, i can swim (barely) so neither of us are really into it like that. we do bathe together from time to time just to save time & water. it can get romantic but most of the time we’re just doing our business and getting out.
sphinx cat : who prefers wearing sweaters the most? neither, both? do either of you knit? would you ever wear matching sweaters?
i don’t like the texture / feeling of most sweaters #autism so probably childe! i don’t knit, i sew. childe doesn’t knit but his mother does. we would not wear matching sweaters (again, texture issues), but we would wear matching tshirts (which are better anyways).
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I saw the stuff you tagged as "April mood board" and omg I need to know more about him IMMEDIATELY!!!! like whats up with the cannibalism thing, in what positions at is he "insane and nice" and is April the one who's unhinged or the one who finds that attractive in others?
General warning: this is definitely going to include discussions of cannibalism and general death.
Well, there was a /j added for a reason because April is not a genuine cannibal, however he has, under one specific circumstance, committed an act of cannibalism. I never really elaborate in the novel why, it was a throwaway line, but in my head:
Whilst he was still quite young, he got lost in a forest that has incredibly hallucinogenic properties for three days. Starving and, quite frankly, tripping balls, he ate rotting human skin that he mistook for a dead animal (which really isn't even the most traumatizing thing that has happened to this man, but it might be up there with the most disgusting).
Having said this, April is a little unhinged, and I'm not entirely convinced he wouldn't try again sober. Either way, I'm not writing actual cannibalism no matter what, that's too much for both of us 😅
Insane and nice: April is…very unable to think about self-preservation. This makes him act in very odd ways, like testing poison and subsequent antidotes on himself, taming violent and poisonous creatures, and generally running head first into all kinds of danger.
But despite the fact he’s equal parts homicidal and suicidal, he’s genuinely quite caring in his own ways. He’s very protective over plants and animals, and children, and would do anything to protect his friends (read: family). 
As for the unhinged, no he's absolutely unhinged, but he does find that attractive in others, too. I would say I've never remotely written a character as genuinely unhinged as April is, but his QPP, Ember, is just as bad except he acts like he has two braincells to rub together (he does not, most of the time).
When I (Ash) first sort of drafted April, he was a lot more stereotypically “insane”. He was sort of the embodiment of intrusive thoughts, but now he’s a lot more developed he’s leaning more into the “boy needs someone to get him into therapy stat” territory.
He’s very, very traumatized and now his fear response is next to non-existent, it means he acts in odd ways when it comes to death. Sometimes he also forgets that other people are actually scared. I think that’s why he keeps Edward as his assistant – that man is just a ball of anxiety!
Anyway, if you want to know more about him, I have reams to say about April, he started as a more comic relief character where people side eye what he said and quickly became a main character. His layers have layers now. He’s got a whole arc and everything.
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thenopequeen · 3 months
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remember how I said I had some idea for newsiecraft!Refuge residents? yeah here's the two children + the single adult who holds the braincell
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Nip/Nipper - she/her - aíma demon - 16
'aíma' means 'blood' in greek, which is exactly what her species of demon is known for: being able to track anything she has tasted the blood of. Their species is also known for cannibalism, but rotten flesh works just fine. Nip ended up in the Refuge after running away from her family, who had rather... medieval ideas what a lady should be like. While she was brought back to her family only weeks after getting brought into the Refuge, she ran away yet again after Sticks got out, this time disguising herself as a boy. This works scarily well.
Sitcks - he/him - plantborn - 20
Plantborn are a rather special species. There are two types of plantborn: specified or broad-ranged. Broad-ranged plantborn cannot create any plants, but know what every plant means, how toxic it is, and anything else about it the second they lay eyes on it. Specified plantborn can create plants, however it is limited to specific groups. This also goes for knowing things about plants automatically. Sticks is a specified plantborn, and specializes in poisonous berries. Sticks is pretty lucky, because plantborn have no visible inhuman features, and as such was able to actually age out of the Refuge without struggle. However the second this happened Nip came by and crashed as his house. He's just accepted it, he basically became the parental figure of everybody at the Refuge anyways.
Patrica - she/they - enderian - 10
Patrica (or Patty, as Crutchie calls them) was brought into the Refuge when she was very, very young, and at the age of 7, had her eyes removed to be sold. Mostly enderians do not survive this, but Patrica did. She's considered the younger sibling of literally everybody at the Rufuge, which she's fine with. She was a only child anyways, and her family wasn't very nice. She is also unable to teleport because she has never eaten chorus fruit, which gives enderians said ability. Despite being fully blind, she has figured out how to work her way around the Refuge without struggle. She does have a fair amount of water burns, but this is due to her being the punching bag to the older kids who misbehave. Most of them are able to take punishments, but Synder knows to use the helpless kid everybody fawns over instead. Cuts a lot deeper.
--
Nip and Sticks were bunkmates with Jack the first time he was placed in the Refuge, and this is how they became friends! When Nip was informed her parents would be coming to pick her up, she made a deal with the other two to let her bite them on the wrists, so she'd find them after they all got out.
Nip and Sticks were also the ones who started calling Jack 'Cowboy'. They find it very funny, Jack doesn't.
Patrica was one of the first times that Jack realized how dangerous the Refuge was, because Synder allowed the blinding of a seven year old. Patrica was the first kid Jack took under his wings.
Sadly, these three don't reunite with Jack until after the newsies get to Dogwarts, because there was some... stuff that came up. (read: Nip's family getting in her business, and Patrica getting really sick from lack of chorus fruit). That being said, they track Jack down and then fall back into place of being chaotic siblings to him :>
Wait, ender pearls are their eyes? I thought it was more like actual pearls, irritations in the digestive tract or something. That's why you can sometimes get more than two. Or is it that enderians have actual eyes of ender for eyes?
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arguablysomaya · 3 years
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batfam fanfics that don't have enough fucking attention
alright i'm finally doing it gents listen up
1. Bang, bang by @Ididloveyou_once
Summary: ‘You shot me!’ Jason gasped, stunned, ‘Holy shit, you actually shot me.’
Tim’s eyes widened and he froze. They stared at each other for a second, dumbstruck and then-
‘Don’t tell Bruce.’
Or: The family enjoy a normal movie night. Except Jason has a gunshot wound and Tim’s the only one who knows and oh- that’s because Tim’s the one who shot him and they really, really need to find a way to leave before anyone finds out.
This fic is fucking hilarious and the characterization + banter is on point. i have a bit of a soft spot for schemes <3
2. four brothers, one crush, and absolutely zero braincells to be found by @Ms_Trickster
Summary: Tim: i need to know what’s the best way to a boy’s heart
Damian: Easy. The best way to someone’s heart is through their ribcage. Everyone knows that.
Damian: Come on Timothy, I expected better from you.
Dick: I-
Dick: Try again
Tim is having boy troubles.
Tim goes to his brothers for help.
Tim...did not think that plan of action through.
(In which the batbros give Tim advice on relationships, told entirely through texts.)
Again, fucking hilarious. the chat titles are SUCH a nice touch and it really feels like authentic sibling silliness
3. Night at the (National) Museum by @collectivefandomstuff
Summary: Tim finds himself having, once again, been dragged into the social event of the season. As he slowly dies of boredom and the physical exertion of not rolling his eyes, he bumps into his fellow prisoners brothers and they decide to do something about Bruce’s tendency to trick them into going to these things. More specifically, they decide to cause as much trouble as possible in the hopes that Bruce will just straight up stop inviting them. [cue mission impossible theme]
“We could call in a bomb threat?”
“That’s imaginative.”
“Ok, then we get paintball guns and go to town.”
“Also unhelpful.”
“No, wait! That’s actually a good idea!”
“Really Dick? You don’t think people are going to ask questions if the Waynes start literally hunting socialites for sport?”
I. Love. Schemes. also the writing style is so good omg if i could write like this i'd literally die happy lmao
4. Cingulomania (Sometimes, Dad Needs a Hug) by @charleswaterloo
Summary: ‘Right,’ Tim said, in the voice he used on missions, ‘we’re going to have to call in an expert.’
*
‘Hey guys!’ Dick said, voice slightly crackly over Tim’s phone speakers. ‘What’s up? I’m not supposed to visit until tomorrow - is something wrong?’
-
Something is seriously not right with Bruce. They’re a family of detectives and no one can figure it out. It’s kind of embarrassing.
They’re all starting to get worried.
-
(Sometimes, Bruce needs a hug.)
ok this fic is just really fucking sweet and sometimes a bitch is soft okay?
5. After the Fall of Olympus by @/killthespare
Summary: The League has fallen. The team is dead. All that’s left is for Dick Grayson to pick up the pieces and move forward.
Easier said than done.
this fic is literally a must-read in the dc fandom it's not done yet but holy shit. basically goes through young justice and other arcs if the league had died while dick was robin. perfect if you liked young justice and convoluted plotlines, and this fucking fic kicked my emotional ass SO hard
6. And The World Came Crashing Down by @One_annoying_bird
Summary: When Dick and three of his siblings find themselves within the wreckage of a collapsed building, Dick makes the executive decision for himself to be rescued last.
Even if his injuries really demand for him to be first.
Not that he'll let anyone know that last bit.
Fuck me dude. i'm always a sucker for whump
7. Asimov's Integral by @sElkieNight60
Summary: Tim is an unwanted android, a Robo-Child. After being sent back by his parents, his last and only hope rests in the hands of a man still grieving the loss of his own son.
“I didn’t ask for a replacement,” Bruce barked. “I don’t want a replacement! You can go back and tell the RCO I don’t need a replacement.”
Bruce Wayne didn’t want him. If Bruce Wayne didn’t want him, he’d be sent back and dismantled.
this one hurt me <3 android AU, tw for tim absolutely abysmal mental state and attempted suicide
8. Midnight Book Club by @badwolf36
Summary: “Dick is a lying liar who lies,” Jason declares, drawing his knees up to his chest. His ribs are screaming in that very special way that lets him know at least one or more is bruised (or, more likely, cracked).
“Dick wasn’t the only one who turned you in.” Cass says, now tracing ‘moron’ onto his forehead. “Also, Alfred.”
___________
Cass and Jason discuss books as they wait for Jason to be able to stand up after taking a brutal hit.
this one's a really sweet, quiet piece about jason and cass's relationship (which i absolutely love) and cass's characterization is spot on perfect
9. You fuck with them, you fuck with me by @oclark1226
Summary: When Batman's out of the country for Justice League business, it falls on Dick to find his missing brothers. Once he does, however, he nearly loses control fighting their kidnapper. He has to deal with both the mental and physical consequences of that fight while helping his brothers heal. Includes some soft Bruce tending to both of his eldest boys because they need some hugs and they support him in return.
now this one is simply criminally underrated. hella protective dick, which is my lifeblood, and some of the most well-written hurt/comfort i've read
10. Conflict Resolution by @anicomicqueen
Summary: It started off as a quiet Sunday morning, until Timothy and Damian decided to take their argument outside.
who would i be if i didn't end off with some fluff?? this fic is literally catharsis and i cherish it so much plus its hilarious
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narrators-journal · 3 years
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Hello, I hope you are well, can I ask Yandere Akutagawa who probably hates you for how you make us feel? I may degrade you but get mad if someone else does
I hope this is good and is what you wanted! I'm a little rusty with Yandere content, so it might be a bit subtle here. I hope you enjoy nonetheless!
As a new low ranking mafia goon you had expected some harsh bullying from your coworkers, but that didn't mean you couldn't despise them for it, or have the occassional breakdown in the headquarters bathroom or something. That was actually how you'd met your first friend-like person in the organization, Higuchi had found you fighting to not cry in the bathroom one day, and instead of belittling you for the moment of weakness, she gave you a paper towel to dab the tears from your (s/c) cheeks and assured you that she understood your predicament.
In all honesty, the harassment wouldn't be that bad if it weren't for one specific man. Akutagawa Ryuunosuke.
Akutagawa was a violent, hostile, rabid dog of a man who took any possible chance to insult you without mercy. It didn't even have to be anything that would get you into trouble or annoy him, he would belittle anything he could about you as a person, not just your work for the mafia. It had quickly lost all of the leeway you had for newbie-hazing. At least now you had a reason to blame for the prickly mafioso hating your guts. Turns out he isn't a fan of his fashion being labelled 'hot topic tween goth.' After that, you just avoided him as best you could, which seemed near impossible with how much he continued to pop up in your life, even after you'd insulted him.
Of course, Mori would pair you with the goth pretty frequently despite your reluctance, Akutagawa had a pretty variable set of jobs he could be assigned to and thus would be a good on-the-job teacher for a newbie such as yourself, but after you'd insulted the goth he didn't leave you alone like you might've thought he would. Instead, he seemed to pop up a lot more frequently, even outside of the jobs you were paired with him on. Of course, you would see the pale vampire at the headquarters when you weren't working with him, but now you had gone from seeing him maybe once a week for a task or to retrieve or deliver ill-gotten cash, to seeing him a distance behind you in the hallway of the headquarters almost every other day, or in one of the spare sitting rooms the goons had overtaken and claimed as a sort of 'break room' on nights when you'd stay super late into the night and should've been alone.
However, you couldn't really accuse the hostile man of stalking you just to glare at you or spit insults. After all, Higuchi had always had a very valid point as to why you were running into him when you brought the occurrences up, and you'd be labelled a loon for thinking he'd been trailing you just because you had spotted him in the grocery store. So, you opted to keep your mouth shut and just ignored him whenever you could get away with it.
Though, every once in a while a snide remark or two slipped out, like one had on the day he limped into the headquarters after another spat with his rival, Atsushi Nakajima.           "You look like a cat's half digested dinner," you snorted, watching the wheezing vampire flop into one of the fancy velvet chairs in the empty break room. He was still glowing a pretty vibrant red, with his coat ribbon lashing like the tail of an angry cat, but he ignored your comment and instead focused on wrapping his slashed up arm and leg in bandages. Then, just as you were beginning to leave the room to find your own place to do some paperwork, you felt fabric slither around your neck to tighten into a razor-wire choke-collar and yank you none-too-gently over to the chair Akutagawa sat in.
You weren't likely to cut an impressive figure with your (e/c) eyes wide with shock at the sudden attack, and fear at the feeling of Rashoumon's sharp edges biting into your (s/c) skin to draw blood under your bully's cold, humiliation-filled glare,          "I think you're beginning to forget your place here, newbie." He spat, his raspy growl dripping with venom, "Not only do I outrank you, but I am much stronger than you. You are nowhere near Jinko's strength, fucking Higuchi is more of a threat to me than you are, so the next time you want to feel more significant than you are and insult me, I suggest you have a fucking grave dug beforehand." He got right in your face as he spoke, barring his teeth at you with sin-worthy wrath in his grey eyes, but, just for a moment before the lethal ribbon threw you away as easily as he would a gum wrapper, he hesitated. It was brief, only a few seconds, but Akutagawa's anger lessened, and instead he leaned forward just a hair. Just as quickly as it appeared though, the moment was gone. His fury returned with a vengeance and the ribbon that held you captive launched you across the room, sending you sliding across the floor and into the wall hard enough to crack it just a bit.
You took the hint and scrambled to your feet as soon as you got some air into your lungs, coughing and wheezing as you fled the room before Rashoumon could be sent through your spine next.
Admittedly, being snippy with the vampire after he'd already been embarrassed like that hadn't been a shining example of your best timing, but you tried to move past it, and that weird moment of hesitation, and label it a learning experience. Your fellow goons however, caught wind of your confrontation and did not give you such kindness. They instead turned it into more ammunition for snide remarks about how intelligent you were.
          "Hey! Look who just walked in!" A goon you had yet to learn the name of almost crowed one day when you were eating lunch in the breakroom, just trying to watch some tv before your next job when Akutagawa had come in. "Hey, (y/n), wanna try and see if he'll knock your braincells back into place?" You just glared at the man while he continued to call you stupid and just try to instigate whatever fight he could it seemed. You didn't fall for his trap though, keeping your mouth firmly shut and not responding to his insults or assumptions of how masochistic you were. No, you instead simply returned your attention to the tv and blocked out Akutagawa's existence until you finished your lunch and left for your job.
Thankfully, it was a solo mission, a new extension of trust from Mori, and a prime chance to not only prove yourself, but to get away from the assholes you worked with. So, by the time you returned to the mafia headquarters, you were feeling pretty good and had almost completely forgotten your earlier run-in with that asshole of a goon around your lunch time.
Of course, the sky was dark by the time you returned from the job, so on top of your improved mood, you were also spared further heckling since everyone else had finished their work and gone home for the night. So, you were gratefully able to fly through the report you had to write about the mission, and cataloging of the goods you'd distributed without issue. It wasn't until you stopped by the bathroom to change out of your clothing and into some more comfortable, not-dirty clothes before your walk home that you smelled the stench of blood.
It hit you like a brick as soon as you had opened the bathroom door. The whole bathroom reeked of the dizzying smell of iron and death so badly that it poured out into the empty hallway. All it took was a few steps inside to investigate for you to spot the source of such a strong stench. A corpse huddled into the far corner across from the stalls.
Through your stinging tears, you could see that it was likely one of the other mafia goons, and judging by the one bloody tuft of hair you could see amongst the chunks of flayed flesh...it was the same goon that was messing with you earlier. Since your only identifier was the shredded and blood soaked suit that the heap of shredded flesh and spilled entrails somewhat wore and a bit of hair, you couldn't say for certain, but something in your gut told you it was the same man.
      "You know, you should really grow a spine." You whirled around to face the doorway as soon as the raspy voice spoke, (e/c) eyes wide and your hand instantly falling to the small pistol you had at your hip. But, instead of some demented intruder out to murder any mafia goons they found, you were instead met with Akutagawa. Your worst bully.
For a moment, all you could do was stare in shock, your brain frantically scrambling to recollect its composure under the pressure of an almost primal terror, just letting you stammer out a shakey,         "What?" before your legs began to turn to jello, the thick blanket of coppery blood in the air making your stomach want to escape out of your mouth. However, you put your hand on the cool glass of the sink and bit back the urge to vomit. The last thing you wanted was to give the sadistic mafioso more ammo against you in his harassment, and if he was the goon-slaughtering-psycho, you didn't want to go out because you were too busy retching to defend yourself. However, he didn't attack you. He just stood in the doorway and glared at the mutilated pile of flesh as if it had insulted his family for a moment before speaking again,         "You're supposed to be a mafia member, (y/n), you can't just let people use you as a doormat, it reflects poorly on the organization." he chided with a derisive sniff, "Grow a damned spine and begin to stand up for yourself. No one's going to 'defend your honor' like this..." He trailed off, fixing you with a cold, irritated look for a long moment before he turned on his heel with a huff, "Clean that bastard up, before he stains the linoleum anymore than he already has."
With that, Akutagawa stomped off back to wherever he'd come from. Leaving you to deal with the bloody carnage you'd discovered, and to ask yourself why he had even been here. It was the middle of the night, most everyone should be home by now, but the goth had appeared only a moment after you'd entered the bathroom, how had he shown up so quickly? He didn't bring Mori or anyone else, so it wasn't like he'd discovered the body first...
You got a sick feeling that he'd been the one to leave such a nightmarish scene. And that he'd been waiting for you to find it or something.
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