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thatqueercookie · 1 year

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Got tagged by @luckshiptoshore (I've got the same first two as you)

8 shows to get to know me!

1. What We Do In The Shadows. This show really does have it all. A queer vampire polycule. A couple that's been together for 300 years and is still in love. The absolute BEST will-they-won't-they on television bar none. Guillermo's character arc is the best growth I've seen in a character in some time. It's hella sexy at all times. Everyone is so perfectly flawed and complicated. This show has inspired me to write more fanfiction than any show ever has! Also it's HILARIOUS, and tragic.

2. Our Flag Means Death. This is the sweetest purest love story and reminds me that no matter what you hate about yourself, or what others hate about you, there is someone out there who will love you for all those things! The representation is off the charts in this show and my love for every single babygirl member of the crew is immense. The only downside in the fandom is the discourse about Izzy. Like seriously, just let him be a part of the narrative. He's fun to hate and he's fun to play with in crack fic/art.

3. Doctor Who. This show will always and forever pretty much be my religion. The messages of love and intelligence over brute force and cynicism are so great. And the message that every single soul in the universe MATTERS and is important and unique and beautiful. And these messages are delivered through a gender fluid intergalactic nerdy tour guide with an infectious sense of WONDER for everything who takes you through time and space battling fascism and capitalism in a mess of camp effects and plot holes. I have seen all the classic and new series and I'm working my way through the Big Finish audios and EDA books.

4. The X-Files. Probably one of the best shows the small screen has ever seen. It's scary, it's suspenseful, it's funny, it's romantic, it's smart. It has simultaneously the longest non-sexual, emotionally intimate marriage AND the ultimate sexual slowburn. I could (and have) watch every episode a million times and enjoy them just as much every time.

5. Star Trek. I love every iteration of Star Trek, but The Original Series is my absolute favorite. It just gives me so much hope for the future. That someday, after all the human race's growing pains, after all the war and the racism, sexism, and homo/transphobia, after the greed and the poverty and pollution, we'll LEARN. We can be better. We'll explore and we won't explore to conquer or assimilate; we'll explore to learn about life and it's complexities and become even better versions of ourselves. And the friendship and sense of family on the Enterprise is just so beautiful. Also Kirk/Spock are the best definition of soulmates I've ever seen. The alien cultures within the world of Star Trek are just so well built and thought out (much better than in Star Wars). As an anthropology major, this FACINATES me.

6. Good Omens. The longest truest love story you have ever seen and one of the only (alleged) representations of romantic asexuality I have ever seen. Aziraphale and Crowley, an angel that doesn't fit in in heaven and a demon that doesn't fit in in hell but they fit with EACH OTHER and they love earth so dearly. It's humanism vs. religion and we win.

7. BBC Ghosts. I'm a sucker for the found family trope and this show does it so well. They're FORCED to become found family because there is literally no way for them to leave. All the ghosts are such nuanced (and autistic) characters and Mike is the best husband. He's so supportive of his wife and her crazy ghosts. BTW the U.S. version can go suck eggs in hell.

8. Willow. A return to the fun fantasy genre and the power of love and friendship that doesn't take itself too seriously. It's also a sapphic's dream! A demi-masc princess and her lady knight in a love story that kiss in the very fist episode? YES PLEASE! And Elora may be the chosen one but she sure does suck at it at first, and I LOVE that about her! The chosen one shouldn't be a perfect magic user, they should need to learn like anyone else. And THRAXUS BOORMAN!!!! Witty, slutty, leggy, longhaired, bisexual scoundrel who deserves to be in every single fucking scene! BUT RIGHT NOW IT'S ON THE KNIFES EDGE OF CANCELLATION SO GO SUPPORT IT ON DISNEY+ RIGHT NOW!

tagging: @someguywife , @indashadows , @glitter-mouse , @blakbonnet @bootlegsun , @nandorisms

#tag memes

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graylinesspam · 9 months

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Words cannot describe how much I love your writing. I found your blog about a week ago and I was eating up all your Clone Wars fics ever since. (I was a bit self conscious about commenting earlier as English is not my first language).

Honestly you’re such a fantastic writer and you deserve so much more recognition.

Sleeping habits is my favorite work of yours so far and the last chapter is just a chef kiss.

It was sooo adorable, Ashoka dressed up as a cadet, little clones ogling her, Rex wanting to take a pic because of how cute she looked I just 🥹🥹

Gotta say I’m a certified clone stan and tiny clones just hit me right on the feels.

Also your portrayal of Alpha 17 is really great, “what a man” couldn’t agree more, he is one sassy king.

Anyway, If not for the language barrier, I would have written a whole essay on every little detail, every interaction, every dialogue that I enjoyed but alas. Just want you to know that the whole work is literally PERFECT. I would even go as far as to say it easily makes top 5 Star Wars fics I’ve ever read.

Btw can’t wait to read part 2 of the raging storm.

First of all, your English is literally perfect. Don't sweat it. And secondly. I will NEVER turn down an essay. You have no idea how much it fuels me when people tell me the little things they likes. If you praise my dialogue piece by piece I might just write a whole chapter just fueled by your comment.

And also thank you for reaching out to me. This is actually a first for me to find such lovely words in my ask box. Sleeping habits is definitely a fic that shows a lot of growth. I've advanced in my writing so much over the last year or two I've been writing it. That's what's given me the courage to tackle new characters like Alpha-17 and Shaak Ti who have difficult characterization. But I really love this fic and 'A Series of Interviews' I'm literally always thinking about them.

So anyways, thanks again for being so kind. I'm working on the next chapter right now, but I'm taking my time to really develop the theme I'm aiming for. Hopefully, it'll be a satisfying emotional arc.

#star wars #ahsoka tano #clone wars #sw tcw #tcw #anakin skywalker #501st #fanfic #captain rex #commander cody #Ask box

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bethanyeliseart · 4 years

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Rise of Skywalker, a movie I genuinely loved!

Ok so I've had almost a full day to think about my thoughts on Rise of Skywalker. Right from leaving the cinema, I knew that I loved this movie! Sure it had it's flaws but every single Star Wars movie does and I like to think the positives outweigh them. It had amazing cinematography, the adventure was there, and all the emotions that come with Star Wars.

SPOILERS AHEAD

I think first I'll talk about the flaws because I love ending things on a cheery note. First, Rose Tico was pushed to the sidelines and I wish we got to see more of her character arc. I think after seeing the backlash some fans had for Rose, JJ was afraid to have her in the spotlight. She could've done more. I would've liked to see her interact more with Finn even platonically. And interact with Rey.

Second, I'm a huge Anakin Skywalker fan so part of me feels like they disrespected his arc in this movie with Palpatine being back. I kinda felt like it was all for nothing. But then I did see some other reviews that said he brought balance for a long time, but balance isn't permanent. So that post brought me some peace on that, thanks to who wrote it (I can't remember who, sorry!).

Third, Ben Solo's death. So I'm not sure if I just hate it because I loved his character or if it really wasn't a good decision. Star Wars stuck to their algorithm of redeeming the villain but to only kill him seconds later. We already saw this with Anakin. Did we have to see it again? Then again it was really meaningful that he sacrificed himself for Rey. Maybe he's still alive somewhere, idk I'm in denial still.

Ok so now onto things I liked/loved which is a lot, but I'm not good with reviews so I might not name all!

First I must say that I loved Rey and Ben's relationship and chemistry. There isn't too much dialogue, but you can see how much they care for one another through expressions. Props to Adam Driver for conveying so much in just looks and actions. The way he looked when he found Rey's dead body was so heartbreaking. He looked so vulnerable.

Also the way Rey was so relieved to see Ben after he brought her back. She smiled like he was this bright light. And oh my, my heart fluttered when they kissed. It's probably just me being the huge romantic that I am, but that was one of my favorite parts. From the beginning they had a strong emotional connection. In TLJ we can see how strongly they feel for one another. Ben wants her to be by his side constantly and really opens up to her. Rey does the same. She let's her self open up about her past and desire to belong somewhere/someone to Ben. In my mind, the buildup was there. It saddens me that it had to be a tragic romance, but Star Wars always has that tragedy. Ben also showed that hope leads somewhere. Rey held onto hope that he would return to the light and he did. He was at peace when he died.

Second thing I loved was the trio of Rey, Finn, and Poe in this movie! We have been waiting to see them all in action together since TFA. And JJ did not disappoint. The banter between the three flowed nicely and was comedic. It felt like a family. It was also so nice to see Rey interacting with Poe! You can tell they have spent a lot of time with each other. For those who think Rey is alone, she has these two guys for her family.💛

The scene where all the ships showed up last minute gave me Endgame vibes and I loved it. Especially when the main theme started.

The entire be with me scene in the throne room was chilling and awestrucking! (wow that first part of that sentence just threw back to GoT😨) When Rey looks up into the sky and the lightning fades to the calm and serene stars I too felt so relaxed. The soft music was so lovely, John Williams never fails. Hearing the jedi voices was what had me smiling like an idiot, especially hearing Anakin's voice saying "Bring balance as I once did". (I guess that's proving that his arc wasn't completely ruined). I would've loved to see Hayden Christensen, but I appreciate that we got to hear his voice.

Was anyone else so surprised to see Han even as a memory? It's not even that I was surprised because of how it goes into the plot, because it makes perfect sense for Ben to look back and remember his last interaction with his father. His father would be the key in him returning to the light. It just surprised me because I did not expect Harrison Ford to show up on set of Star Wars ever again😂. It was a very nice and welcome surprise though. From the moment he killed Han, you could tell Ben felt regret and remorse. I also loved that Leia reached out to her son one last time, showing Ben that his family has not given up on him.

LEIA! It was so awesome to see her training as a jedi with a lightsaber! That flashback gave me so many chills. I loved how Leia continued to train Rey even though she knew she was related to Palpatine. It shows that Leia doesn't judge someone based off blood. Leia loved Rey and had faith in her. People can't help where they came from.

It was so sad to see Leia die but we all know it was going to happen. Chewie's reaction was so emotional and made me shed a tear. The galaxy will remember Princess Leia and Carrie Fisher forever.❤

The Ending

Overall, I loved the ending. Sure I'm still devastated that Ben is dead, but looking at the big picture it was good/satisfying.

People are saying that Rey didn't grieve Ben and she moved on too quick. I think she knows that he will always be with her because no one's ever really gone. He is one with the force. (Ngl, part of me likes to believe he is alive out there somewhere or waiting to come back).

Also as I said before Rey still has people she loves! Finn and Poe are still alive and there for her.

This is just the way I saw it, but I don't think Rey plans to stay on Tatooine very long/permanently. Rey didn't start and end the same way. She has a family now (Poe and Finn) and knows who she is. I think she went there to pay respect to the Skywalker family, it is where it all started with Shmi and her son, Anakin. She buried the lightsabers because they are no longer needed (her new lightsaber is beautiful btw) And don't hate me, but I don't mind her calling herself Rey Skywalker. She felt a deep connection to the family and both Luke and Leia took her under their wing. She doesn't care for/need the name Palpatine. It's not who she is. Which brings me to people being mad that Rey wasn't a nobody. I respect their reasons and everyone is entitled to their own opinions, but I don't think it hurt her character arc. Rey being related to the worst Star Wars villain and still not falling to his dark ways shows how strong she is! She defeated him and brought balance once again to the galaxy despite being his blood.

The ending shot was beautiful and was a perfect way to end the Skywalker saga. The binary sunset and theme was ethereal. It's how the movies started and it's how it ended.

Star Wars is tragic, romantic, and hopeful. This movie showed all of those things. We lost Ben but he felt love again with Rey. Hope was restored with him turning back to the light and Rey defying expectations of a Palpatine. Personally, I loved this movie so much and it did not let me down.

Feel free to add anything you liked about the movie!

#rise of skywalker spoilers #tros spoilers #star wars #rise of skywalker #rey #reylo #ben solo #anakin skywalker #also would've loved to hear padmé's name mentioned #the galaxy forgot her #the rise of skywalker #rise of skywalker review

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popwasabi · 3 years

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Why I don’t give a fuck about canon

Recently, after randomly coming across some dope pictures of Transformer toys on Instagram that gave me a strong case of nostalgia, I was inspired to revisit an old childhood favorite in “Beast Wars.”

“Beast Wars,” in case you never watched or heard of it as a kid, is the continuation of the Transformer’s story set in the future as descendants of the Auotobots and Decepticons, the Maximals and Predacons, respectively, accidentally travel to prehistoric Earth to continue a centuries long battle between the two opposing factions.

There’s a lot of to digest there, so I’m not going to go into extreme detail over the plot, but the cast features colorful characters such as Optimus Primal, Cheetor, Rattrap, Dinobot and Megatron to name a few. They all have interesting and distinct personalities and generally play well off each other. It was a big part of my childhood and I collected an ungodly amount of their toys back in the day.

(This was my first ever Beast Wars toy and I think it’s beautiful.)

My rewatch though was…a mixed bag to say the least. The graphics have not aged well. The adventure of the week setup of the plot was repetitive and lacked real character development at times. There were characters that were added in last minute to the show clearly to promote a new action figure over the story on numerous occasions. Though I found the humor to still be pretty good, the action was stale and just lacked high stakes most of the time, save for a few episodes.

I was not shocked it didn’t land terribly well on my rewatch but you know what did? “Beast Machines!”

“Beast Machines” was the follow-up to Beast Wars that had the Maximals fighting on Cybertron where Megatron has taken control of the whole planet using a virus that changes Transformers into mindless drones to do his bidding. The remaining Maximals manage to survive however after Optimus discovers The Oracle which reformats them into animal robot hybrids that are both mechanical and biological. This sets them on a quest to stop Megatron and bring biological and mechanical balance to Cybertron once and for all.

The series is much more narrative based than the previous as it follows a steady trajectory to its epic conclusion. The animation is much sharper, and the soundtrack is fun as hell to listen to still. The pacing is much faster as the stakes couldn’t be higher for the Maximals and all the old characters from the previous grow in interesting ways and develop into more organic people (literally in some ways). Optimus is a more hardcore and emotionally damaged leader and Megatron goes from being something of a punchline in the previous series to a far more menacing and calculating nemesis. The story touches on themes of balance, authoritarianism, PTSD, love and reunion to name a few and for a kids’ show it is, dare I say…more than meets the eye.

I absolutely loved it as a kid and I might actually love it even more as an adult, so it was shocking for me, to say the least, when I read further into the history of the show, that a lot of fans straight up rejected it back in the day.

Common complaints I came across were they didn’t like how characters, such as Ratrap especially, “changed.” They didn’t like the new bio/mechanical Maximals and couldn’t believe that Cybertron was once an organic world.

Their big reason (in just about every forum and video I saw about it)? It didn’t adhere to “canon.”

Now, I’ll start this by saying there is no objective way to critique or even not critique a story. People can like or hate something for a variety of reasons that don’t follow a strict logical pattern. Gods know I have a few questionable/divisive favorites in my catalogue that I have written about here that are based on abstract ideas and personal experiences.

(The Matrix Reloaded is still great btw)

But I will say, if you judge a mega franchise’s latest entry on how well it is supported by established canon it is, in my opinion, a flawed way to critique a work of fiction.

Canon, sometimes referred to as “lore” by fans, is most often applied and used to describe the long running back stories of franchises that stretch beyond just the main books, movies or series, or even the original narrative of the plot. Star Wars, Star Trek, Lord of the Rings, and to a certain extent Harry Potter, all fall into this camp of series with so many interconnected parts, with more than one main character featured in each, that fans follow along this canon like ancient monks studying scripture and history books.

And they can be just as fanatical and over zealous about it.

(I wish they were more fanatical about proper hygiene or at least deodorant...)

My problem with the ways fans often view canon is that their conceptions of what a new story should be is based entirely on the past rather than what is happening right now with the story and what themes the writer is trying express with it this time.

They base their impressions of the story on external continuity more than the internal continuity.

Yea, the changes in a series like “Beast Machines” are jarring to say the least. Cybertron was formally an organic world like Earth? Rattrap doesn’t have confidence in himself and actually at one point sells out his comrades? Transformers can be biological now? It’s a lot to take in but when watching the story play out it’s not like these elements aren’t explained through the text of the new story.

Cybertron lost balance between its robot inhabitants and its biological life forms and its why it’s out of balance now, and Megatron is the logical progression of that inbalance. Rattrap is struggling to understand his new form, half his friends on the Maximals have been turned into drones, and the remaining team out loud say they don’t have confidence in him. He has PTSD from both the events of this story and the Beast Wars and feels insecure because of how others view him and that’s perfectly logical to not just the story but also the canon. If a fan is willing to give a story a chance they will see that the canon hasn’t actually been destroyed in much of any way and the logical progression is actually there if they simply listen to what’s going on.

(Seriously, it’s not that deep.)

Fans need to stop confusing a character achieving a franchise long arc with being “suddenly different.” In this way, criticisms of canon in new entries in long running series reveal that fans really just lack imagination to connect the dots. It would be like complaining that Luke Skywalker can’t become paranoid and make a grave mistake in judgment because people never change, nevermind the character already has changed a lot from his origins in “A New Hope” to where he was in “Return of the Jedi.”

(Oh wait, people did do that…)

But that’s not to say you have to like the new direction either. You can understand these changes and still be like “well, it’s not for me. I don’t care for a PSTD angle or a new origin for Cybertron,” but that’s whole lot different than saying the new series “rapes your childhood” or “Bastardizes the canon.” All the old canon you hold nostalgia for still exists. My love for “Beast Machines” is not harmed by the existence of newer Transformers properties that don’t meet what I look for in the series.

Too often, fans take changes to established “lore” very personally because it doesn’t fit their expectations or have the same nostalgic feelings they had before. When new entries in mega franchises occur fans often try to judge it by how much it is like what they watched before, rather what makes it different and what it is saying now. Again, you don’t have to like new directions in tone or character but consistency to established work DOES NOT equal good storytelling.

I have not been immune to this myself in the past, of course. Back in the day I wrote a 2500-plus word diatribe on “The Amazing Spider-man 2” that mostly went after how it changed the character I grew up with in a bad way and butchered the established back story I knew him by.

You know what other story doesn’t follow canon very well though? “Spider-man: Homecoming.”

(Now, hear me out...)

Spider-man in the MCU is generally agreed upon to be a good thing by fans. Both movies were big hits both critically and financially and fans often go as far as to say Tom Holland is the “definitive” Peter Parker.

But Holland’s Spider-man differs quite a bit from the comic-book webslinger. This Spider-man does not have a spidey sense. His best friend is not Harry Osbourne but in fact a retcon of a Mile Morales character. His father figure is Tony Stark, something that never happened in the comics, instead of Uncle Ben, which no matter what way you spin it is arguably his most important relationship in the series.

His character is a reverse of traditional Peter Parker too. Where comics Peter is a reluctant hero, who if anything hates being Spider-man and the burden of his responsibility, “Homecoming” Spider-man actively seeks out responsibility and in many ways enjoys his role as the famous webslinger. In fact, his whole arc is about him earning a spot as an Avenger. He wants to be THE hero and be worthy of it. It’s completely different from what we know of Spider-man.

(He just wants Tony sempai to notice him uWu)

Now I know some fans actually do complain about this Spidey from a “canon” standpoint, but most don’t. So why did this Spider-man get a pass for many but not “The Amazing” one? Quite simply it’s because stories, as cheesy as it sounds, are about feelings and stories like “Homecoming” tell a good story that effectively make those feelings connect with the audience.

We root for this Peter Parker and his journey to becoming an Avenger and successor to Iron Man because the story is told well, the emotions feel earned, and frankly both films are fun and enjoyable.

It’s easy to complain about canon for many nerds because it’s something tangible that they can point to and make a big stink about when they don’t understand why a movie isn’t reaching them. I don’t doubt that many neckbeards genuinely hate a film like “The Last Jedi” (Hell, I’m not a big fan myself) but when those same nerds enjoy something like “The Mandalorian,” a series that has its own loose relationship with canon and establishing new rules in the series, it tells me it’s not about the “lore” to them.

(Easy, fanboys...)

I have come to understand, in my growth as a nerd, that my problems with a lot of movies and TV shows in my favorite series rarely, if ever, have anything to do with the story not meeting some arbitrary guidelines regarding canon. It has more to with the story simply not connecting with me emotionally. The story isn’t drawing me in and keeping me on its narrative path. I’m not feeling the same magic that someone else might feel enjoying it because either a) it doesn’t feel earned to me or b) it just stylistically isn’t for me.

To paraphrase a line from another mega franchise, also owned by Disney, the canon is more like guidelines than actual rules.

(Didn’t expect to see ol’ Barbosa in this write up, did ye?)

It can show you where a story comes from but it isn’t law that you strictly adhere to it. Of course, when writing a new work in a popular series you should consider what came before it but I would like writer’s the freedom to try something new and most importantly fans to be open to it. You don’t have to like it but the idea that new entries in a story MUST remain strict to the canon is bull shit. Not even the original Star Wars trilogy adhered to its own canon perfectly, as clearly the writers were in fact making it up to a certain extent as they were going along.

(hmmmm...)

And that’s ok, because some of those changes were great! Made the story better and made the conclusion stronger.

Again, you don’t have to like every new entry that tries something bold or confrontational in your favorite franchise but if writers strictly followed canon to the T we wouldn’t have things like “Homecoming,” we wouldn’t have “The Mandalorian,” and we certainly wouldn’t have my favorite Transformers series “Beast Machines.”

Canon shouldn’t be a trap for writers and it shouldn’t be a litmus test for fans digesting it. There are so many better ways to judge a story than whether or not it fits neatly into established lore. A good story is a good story, regardless of whether or not it’s supported by something as static as canon.

“Beast Machines” has its flaws here and there, but canon isn’t one of them, at least not for me. Again, if you feel that the lore is important, that’s fine, you don’t have to ignore it but I would ask you to look beyond what came before when critiquing a new story.

Otherwise, you might miss something special that comes next…

Now then...

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gffa · 5 years

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hi! i really want to get into the EU stuff, but i have absolutely no idea where to start. can you point towards a few good books, maybe? thank you, and i absolutely love your account btw!

Hi! Thank you for the kind words, I’m glad you’re enjoying the blog. ♥ Recommendations for EU stuff often depends on what you’re interested in, because there are a lot of books I really enjoyed, so I’ll organize them by era, since that’s how fans are often divided. I’ll also include comics, because often times the comics are some of the absolute best stuff!If you haven’t watched The Clone Wars and Rebels yet, those are absolutely the places to start as they’re key to the fabric of the bigger story, imo. Not that you can’t understand the movies without them or anything, but TCW is especially important for understanding just how grueling the clone wars really were. And Rebels is important for showing the fates of a lot of the TCW characters and seeing the Empire vs the Rebellion (it does a lot to flesh that out, too).PREQUELS:

Any of the Star Wars Adventures comics that contain the prequels characters are great. Well, ALL of the Adventures comics are great, but the prequels ones are adorable, funny, and yet really well-told. They’re light-hearted and largely oneshots, but the IDW comics have been incredible for still being some of the absolute best SW content out there. Especially a not-miss is #12-13 and the 2019 Annual for the Padme&Leia&Breha story.

Obi-Wan & Anakin comic by Charles Soule. A five-issue mini series that has the most stunning art of all the comics I’ve ever seen pretty much, it’s also a really good look at the time of Anakin’s apprenticeship and provides some interesting glimpses into their early days together.

Darth Vader: Dark Lord of the Sith comic by Charles Soule. This comic was an absolute phenomenon to read month to month and one of the comic series that I’ve spent the most time analyzing and felt it’s really held up to scrutiny, which shows just how much thought went into it. It’s 25 issues of Vader fresh off Revenge of the Sith, over the span of a couple years, and really does an AMAZING job of exploring Anakin Skywalker as Darth Vader, all the choices he made and the themes of the comic are all about showing he can’t admit to the HUGE mistakes he’s made. It was incredible.

Choose Your Destiny: An Obi-Wan & Anakin Adventure by book Cavan Scott. I’m not usually a fan of Choose Your Own Adventure style stories, but this one was worth it to me to get an absolutely DELIGHTFUL book with Obi-Wan and Anakin, who are cranky with each other, but ultimately show that they can come back together and obviously care about each other. Sprinkle in some other cool stuff (Jedi details, Bant Eerin being recanonized) and it was lovely.

Dooku: Jedi Lost audiodrama by Cavan Scott. If you’re interested in Dooku, Asajj Ventress, or the Jedi at all, this drama was pretty amazing, it gave a ton of worldbuilding detail, but also did a lot to fill in the backstory of Dooku and gave us a long look inside Asajj’s head as well. Qui-Gon makes some appearances, he has an amazing dynamic with Dooku, and my heart as always skips a beat for how much I love the Jedi.

Age of the Republic comics by Jodie Houser. Holy shit, these comics were SO GOOD. They’re a series of oneshots about the various heroes and villains of the time, a glimpse into the lives of all of them, and Houser really nailed it here. My favorite is the Obi-Wan one, because the conversation he has with Anakin about Qui-Gon is a must and delves deepest into the characters’ stuff, but all of them are worth reading.

Jedi of the Republic - Mace Windu comic by Matt Owens. A five-issue mini series that, okay, the art is Like That but the storyline really worked for me because it’s a really good look at Mace’s character and his belief in the Jedi Order and how he came to master himself and how the galaxy looks at Jedi. It’s woven around a fairly typical action plot, but one of the things that always strikes me is the compassion the Jedi show one of their own, even when they’re falling into darkness, as well as this is a comic about Mace Windu’s faith and his work to master himself and it’s SO GOOD.

Kanan: The Last Padawan comics by Greg Weisman. Stunning art plus a look at some of the characters/relationships that I want so much more of (TELL ME EVERYTHING ABOUT DEPA BILLABA) and more glimpses into life at the Jedi Temple, as well as telling the story of how the character went from Caleb Dume to Kanan Jarrus, all of it heartbreaking and so, so good.

While the Revenge of the Sith novelization by Matthew Stover is no longer canon, but it does an absolutely phenomenal job of breaking your heart all over again for the characters and expanding on everything that was going on during that time and really, really gets into the headspace of Anakin’s character in a way that was line-edited by George Lucas himself, so I think of it as having a lot of emotional truths to it, rather than being part of canon (which it’s specifically said as not being).

ORIGINALS:

The ongoing Star Wars comic (by Jason Aaron, then Kieron Gillen) + the original Darth Vader comic (by Kieron Gillen) are the absolute best place to start, they’re an incredible addition to the characters’ journeys between ANH and ESB. The two comics are meant to be read concurrently, so I recommend them together, they often show the same scenes from different points of view, but you can roll with either of them if they’re going well for you. They’re my favorite for what they add to the story.

Star Wars Battlefront II’s storyline can be watched on YouTube like a movie, which is about two hours long, has some fantastic characters (Iden Versio and Del Meeko are amazing, but also the brief storylines the OT trio have in the game are fantastic) and it does a really great job of helping to bridge the gap between the OT and the ST, explaining a lot about Jakku’s significance and how the First Order popped up.

From a Certain Point of View novel by various. MY FAVORITE BOOK IN THE EU, FULL STOP. A series of point of view stories from various supporting characters during A New Hope is exactly what it sounds like and, okay, not all of them worked out for me, some of them are very skippable if you’re not enjoying it, but the Obi-Wan one, the Qui-Gon one, and the Yoda one are all must-reads because they are HEARTBREAKING and fill in so much of what’s going on with those characters in the OT with regards to the PT events. Also the Motti one is the single funniest thing Star Wars has ever put out.

Lords of the Sith novel by Paul S. Kemp. While I’ve only read about a third of this one so far, I’ve enjoyed it a lot, as it’s a look at some of the worst parts of SW’s timeline, where Vader and Palpatine are at their worst, where Ryloth is suffering, but it’s done with deftness and gravitas, imo. Possibly better after you’ve seen TCW and Rebels because Cham Syndulla’s character will have more weight then.

Legends of Luke Skywalker novel by Ken Liu. This book came out around the time that The Last Jedi came out (or at least that’s when I read it, iirc) and it was a balm for my soul that needed Jedi Master Luke Skywalker. It’s an in-universe series of myths, so it’s not literal, it’s stories told about Luke Skywalker as he travels the galaxy trying to understand the Force and the Jedi. It’s lovely!

Thrawn novel by Timothy Zahn. I still think the first Thrawn book was really good (even if the shine came off the apple after that) and it does a fantastic job of setting up the character’s backstory, intro into the Empire, and creating the character of Eli Vanto, WHOM I LOVE. It’s a great read and some of the best of Zahn’s Thrawn work.

ROGUE ONE + SOLO:

The Rogue One novelization by Alexander Freed. I had trouble connecting to Jyn Erso when I first watched the movie, but the way Freed wrote her as this messy, complicated, thorny person who was trying to do the right thing was perfect for making me fall in love with her. (Freed is really, really good at writing messy, complicated, worthwhile women, imo.)

Most Wanted novel by Rae Carson. I loved this book a lot, where it’s a young adult novel set before the events of Solo and helps tell Han and Qi’ra’s backstory and is a great space adventure at the same time.

Catalyst novel by James Luceno. This does a really great job of bridging the Republic era with the Empire era, how the galaxy went from the Clone Wars to what we see in Rogue One, AND expanded a ton on Galen Erso’s character, his relationship with Orson Krennic and Lyra Erso and Jyn, so it made the R1 experience just a ton more valuable for me.

SEQUELS:

Bloodline novel by Claudia Gray. This book still does the absolute most to bridge the gap between the OT and the ST, to explain the events of what happened in that time period. Gray’s writing is best when she’s writing Leia as a character and this book works as a novel for her and as a story about the rise of the First Order and some of the problems of the New Republic.

Spark of the Resistance is a young adult novel (so about 200 pages) by Justina Ireland. I only recently read this one and I just thoroughly enjoyed it, it was Rey and Rose and Poe off on their own adventure, which was typical cute Star Wars stuff, but the chemistry and adorable banter between these three was so good I could have read an entire series for them! (I also liked her Lando’s Luck YA novel, if you’re interested in his character.)

Poe Dameron comics by Charles Soule. Soule’s writing is some of the best stuff in SW so far and he does an absolutely phenomenal job of capturing the charisma of Poe’s character, while also giving him an actual character arc to work through. The comics just fly by, they’re so good and so smoothly easy to read and so damn charming.

Cobalt Squadron novel by Elizabeth Wein. If you get the audiobook of this, it’s narrated by Kelly Marie Tran, who does a love job of reading it, and was a book that helped me just utterly FALL IN LOVE with Rose Tico. It’s a book that does a lot to explain her back story and who she is and it’s just absolutely wonderful.

The Last Jedi novelization by Jason Fry. If you really, really hated TLJ, this might not be the book for you, but I found it to be a book that helped fill in some smaller details that made the movie work better for me and got inside the characters’ heads just enough to help grease the wheels to put me in a better place with the movie, so I always really like it.

#fic recs #(not really but that's my tag)#novels #Anonymous

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witchylittlefox · 4 years

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My Thoughts and Feelings About Star Wars as of 2019

I held off sharing my complete feelings on this franchise/fandom because I wanted to wait for TROS to be out. since I have seen it now I’m ready to share how I feel about disney owned Star Wars, the fandom war, reylo, and TROS. Heads up these are my opinions and if we disagree that’s okay! But I would appreciate some respect when it comes to nasty comments because some of the things I’m going to say can be..... controversial in the reylo community.

Preface: I have been a Star Wars fan since I was 4 years old. I somehow figured out how to used a VHS machine and I would insert Return of the Jedi and rewind to watch it over and over again. To this day that movie is my favorite out of all of them. Star Wars was something my brother and I shared together and he would lend me all the EU books. I loved all the stories about Jacen and Jaina Solo at Luke’s jedi academy. I grew up with the prequels and yes, I am a prequel defender but they were corny as hell. So not to toot my own horn but I was very much invested in the lore and commited to the series before Disney bought it.

Disney Star Wars: Disney had absolutely no idea what they were doing with the movies (atleast when it comes to the Skywalkers + everyone related to the OT trio). They spat on the OT character’s legacy. They turn Luke into a character who seems to care nothing about helping his sister. No way in the world would Luke just throw a lightsaber off a cliff. Han and Leia are treated a little better (more so Leia), but Disney is passive agressive with them and make them out to be these horrible parents that decide to send away their son because they’re scared of him. No wonder Ben turned out the way he did. Rey, well......they could of written her better and don’t get me wrong I love aspects of her but this should of been Ben’s time to shine. HE should of been the main character of all the movies. Finn? Would of been cool seeing more perspective from an ex stormtrooper but nahhhh let’s just make him fawn over rey in the first one and then in the second give him this whole arc making us think he’s getting somewhere and then another badly written character ruins it. Poe? Well he atleast got more of an arc than Finn but he’s still so flat.

The Fandom Menace And the Fandom War: I decided after TLJ came out that I was not going to label myself in this fight. It seemed like (or atleast on Tumblr) that you couldn’t be a Reylo if you hated Rian Johnson. Rian was made out to be this “savior” of some sorts, just because he focused the movie to be more Reylo centered. YES he is talented. YES I’m thankful he gave us more of a Reylo plot, But jeez that guy is an ass (I didn’t want to cuss in this but oh well lol). Calling out fans on Twitter? Calling them names? Ridiculing Mike Zeroh? Which say what you will about Mike (not a huge fan of him tbh) but god he’s a fan of the series why are you making fun of him? But those people who are apart of the Fandom Menace are not innocent. A lot of them (NOT ALL, but most) only make videos on Youtube hating on Star Wars because it’s cool. They use the hate to get attention. I’m just not all about that. I agree with them on a lot...but seriously at what cost do we have to allow this. Both sides are annoying and immature and I choose not to take a side. I will like what I want about Star Wars and dislike what I want about Star Wars. I am not going to be a sheep. So yes... I am a Reylo, hardcore since TFA came out in 2015 and yes, I think Rian Johnson is a crappy person and I won’t be seeing any of his movies ever again (besides rewatching TLJ) because I don’t want to give money to someone who fuels the fan war. That being said, I dont support (whether that be my viewership or money) anyone who is in the “Fandom Menace” and does the same for the other side.

Reylo: The only thing I really cared about in this sequel trilogy was Reylo. I honestly started to care less about the other characters like Finn and Poe, which in my opinion is sad and just goes to show how bad Disney was at writing these characters. What got me so choked up about their relationship was how raw it was. It wasn’t some unrealistic clean romance. There was no love at first sight (at least on Rey’s end.. can’t say for Ben). It felt so real to me. They reached a level of intimacy that honestly in my opinion reached higher than sexual intercourse. Unconditional love is something that I hold close to my heart, it may be because of my faith, but the fact that Rey saw through Kylo and could see that at his core he was just Ben, emotionally hurt and lost, just wanting someone to believe in him. And she did! she believed in him when his uncle and mother easily gave up hope for him (again horrible character writing bc uhhh sry but isn’t hope supposed to be a theme with them???). And Ben loved her in return!! He protected her and not this stupid patronizing crap that Finn does (Which side note: THAT PISSES ME OFF SO MUCH LOL. John Boyega was wasted with this stupid character). Ben knew her strength and worth and only did what a man should do in a relationship, not overstep, not take control but add his part to the relationship, creating symbiosis. If you look up the meaning of “Dyad”, this comes up:

specifically, sociology : two individuals (such as husband and wife) maintaining a sociologically significant relationship

They are equal. No one is better than the other. They are two sides of the same coin and they complete each other.

And at last....

TROS: Well crap. This movie was...... not amazing. I will have to say that I have only seen it once at this point and may make an edit to it if I change my mind. Honestly though... I can’t see myself changing my opinion but it may happen after a second viewing. I had been following the leaks and yup pretty much all true. And yep... Ben dies. Not only does he die but he barely gets any time to shine when he is redeemed. I am grateful we finally got the Reylo kiss we all waiting for but did he really have to die??? I know lots are saying he didn’t die because we didn’t see him show up as a force ghost in the end but obviously there is no confirmation from Disney on this. The fact that he died for her to live just supports everything I have said above. But where was her emotion? I expected her to be crying? it seemed to appear like she couldn’t care less, yet she was the one who went in for the kiss first and then she seems to be fine when everyone is rejoicing and hugging in celebration? Why didn’t they add him in as a voice in her head or something (ooh fanfic idea! :) ) Why did Rey call herself Rey Skywalker?! I’m sorry but she DOES NOT desserve that title plus she is still a Palpatine! That does not change anything. Don’t get me started on Palpatine.... bringing him back was the dumbest decision ever and undid everything that Anakin did. Now I would of been slightly okay with it if they got Anakin in to help to defeat him but we only got his voice and a bunch of other jedi’s voices sharing words of guidance (which ngl it was nice hearing Ahsoka) but holy heck you could of atleast added ben to the mix. They could of both heard the voices and ended Palpatine together? Also what happened to Rey and Kylo fighting through the various scenes of the past movies? I thought that was a leak? They did absolutely NOTHING to tie up the OT and PT. It has no ties to PT, besides Anakin’s voice and some of the other jedi in the mix (Mace Windu, Ayala Secura, Yoda, Ahsoka Tano, etc..). I know I’m nitpicking but I am atleast grateful we got their voices I just wish we actually got to see their faces. That’s a lot of negatives though so here is what I did like:

Babu Frik.

Rey’s kind heart ( you see that when she greets the little girl on Pasaana, helps D.O. and the snake creature)

The banter between Finn, Poe, and Rey

C-3PO ( they really did him justice)

Ben (just all of him everything about him)

Lando was pretty good

Seeing Wicket at the end with his child ( I think that’s his child?)

Wedge Antilles showing up for like one second ( although that could be a negative because I thought he was going to be in it more because of the book Resistance Reborn. WHICH OH YEAH..... this movie retconned that book btw! So not only was it a horrible book but everything in it doesnt matter)

Conclusion: So yeah, I am not happy. But in the end I will always love Star Wars no matter what. This franchise has taught me so much about hope, love, and even redemption. It was such a fun ride on here. There were ups and downs ( anyone remember that Reylo discourse a while back lol) but we made it. Even though as Reylos, it didn’t end the way we wanted it... we still were proved right. We fought hard against the antis when they kept trying to tell us Reylo wasn’t a thing and boy were they wrong..... they were very wrong. I don’t know what the future holds in store for Reylo’s story or even Star Wars but all we have to do is look forward and have hope for Ben because just as the great Jedi Master, Luke Skywalker once said:

"No one is ever really gone."

May the Force be with you all.

#tros spoilers #the rise of skywalker #star wars #tros opinion #tros review #fandom menace #reylo #reylo fam

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lunahearts · 4 years

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Some Star Wars thoughts, in no particular order

Preface: I really liked this movie. Spoilers below, obviously, but not many more than what was already leaked. I try to keep stuff vague, so if you like... know a couple of big things that are being talked about (way too much for some reason honestly oh my god) and are trying to decide if you want to see the movie, this should be safe!

Okay first, to get it out of the way... some complaints

Finn should have had more screen time, as usual. I do like was done with him in general, but there should have been more of it, and his biggest hero moment unfortunately felt a little underwhelming. I’m also pretty uncomfortable/disappointed with how he seemed to be portrayed as having like this one-sided thing for Rey that was even framed comedically at times. That being said they end the second to last scene and strongest emotional beat on him and it was very good (and tbh the scene that followed felt more like a stinger to me, as far as I’m concerned the movie closes on Finn finding a family, and a happy ending, and I love that)

The whole thing was jammed with at least a movie and a half’s worth of plot. *looks at tlj* no idea how that could have happened. I think it does a good job with what it has to work with, and tight writing + good set up and payoff make it work most of the time, but... room to process their feelings, characters have not.

The kiss was stupid. It also, imo, was entirely fanservice and if you removed like two shots and replaced them with something platonic GIVE US THE FOREHEAD TOUCH TAKE I KNOW IT EXISTS then I think that Rey and Kylo’s interactions were very well done. It’s not romantic unless you are already looking for it to be romantic. Except for the kiss. Which was stupid and sudden and out of place.

Okay anyway I am gonna gush now

So first of all I just think the plot and pacing of this movie was really well executed. It wasn’t the most exciting or daring of plots, but also it didn’t need to be. The rule of three set up and payoff was outstanding though, and that’s really what carries it. A lot of the time it’s easy to see that payoff coming, or at least see that it is coming, but it mostly feels like being a bit spoiled for a really good story - even if you have a good idea where it’s going you can still really enjoy the journey. And you probably don’t know exactly where it’s going, anyways.

my favorite example of this is something they set up really early about Rey and Kylo’s force bond, and a thing it can do.

This first time it happens is a super fast “woah holy shit that can happen???” moment.

The second time its a “oh. oh no. it can happen and has happened in the worst possible way”

and the last time is “OH! OH!!! ITS GONNA HAPPEN ITS HAPPENING OH MY GOD.”

The THEMES. Holy shit the themes. This movie 100% sold me on Kylo redemption, as someone who was VERY uh... lets say I was very unimpressed by the idea of it going into things. And I’ll talk more about why I think “redemption” isn’t even exactly the right word, but for now yeah I’ll just say I really liked what they did with Kylo.

BUT ANYWAY THEMES. OKAY. I think it is so so vital and good to have a story so devoted to Doing The Right Thing. But not just doing the right thing. I think the absolute heart of the movie is just... no matter what you’ve done, no matter the mistakes you’ve made, choosing to do the right thing matters. It always matters.

Like okay I really think there’s a shift in how this movie deals with ye olde dark side compared to the first two, bc it’s very personal, and feels very grounded in trauma and fear and a phrase Liz said last night that I loved which is, “the seductive pull of despair.”

If I had to write is as a thesis statement I’d absolutely use that phrase, it would be something like...

“There is never a moment in which it is too late -- generationally, individually, or globally -- to resist the seductive pull of despair.”

But also like the other thesis is just “every good thing you do matters.” Which is probably one of my favorite power fantasies in the whole world.

Like there’s a group of people established at the midpoint of the film, who are just like, People Who Did The Right Thing. And they have been living ever since then taking care of each other, trying to unlearn the way they were raised, trying to resist despair in their own corner of the galaxy.

And like, in some ways it would be cool to just have them there! A nice story, a nice group of people, a nice expansion in the world of Star Wars. But that’s NOT where it leaves them, and very specifically there’s a moment in the final big confrontation where the big nasty man is like “do a thing! stop them!” and it doesn’t work specifically bc of an aspect of these people and the life they’ve built makes it not work. It’s funny and satisfying and a wonderful emotional payoff all at once.

And basically this is why the Kylo stuff works for me. Because it’s really not about him, it’s about Rey and Leia. It’s about Rey and Leia choosing to do good, and how that matters. If Kylo had stayed a shitty evil brat until the end, then their stories wouldn’t have been as powerful.

Kylo “I’m only here to reinforce themes” Ren

Okay but to touch a bit more on redemption, I really don’t think he’s redeemed. Or like, he’s not redeemed because it’s not about balancing anything out, or him going down in history as a Good Man, or other characters forgiving him. It’s about him spending the whole movie saying “you can’t go back Rey, once you do something bad you are bad and you can’t go back home.”

And they Rey does something bad

She does something bad and IMMEDIATELY LOSES HER CHANCE TO MAKE IT BETTER WITH THE PERSON MOST HURT BY HER ACTION

And then she does something good anyway

Because you can always do something good, and you can always go back. Even if you hurt someone you love. Even if you become, for a moment, what you are most afraid of. Even if you can’t unmake your mistakes. You can still do good. You can still make the world better.

And that is why he chooses to change. And that is a good reason to change. To see someone demonstrate that there is always room for kindness? To see that and find a hope you had lost years ago? That’s good shit! That’s what Star Wars is about babey!

Also the banter was back and good and the Trio Content oh my god. Thank you. Finally.

New droid is baby and I love them.

The new lady characters are obviously underdeveloped but I DO love them. There’s a moment at the end of the movie that makes me really hope that one of them gets a spin-off/sequel, and there is ample room for a standalone Poe prequel featuring the other one. I think they have pretty strong characterizations for the space they get.

also one of them gets an extremely good moment with Rey that killed me. Like don’t get ur hopes up for any actual content or conversation but it was one of those “oh I REALLY hope there’s fanfic” moments and I loved it.

I love Rey [redacted] and I will have to write a whole other post about her maybe.

I thought Poe’s arc was cool! It wasn’t what I was expecting but I thought it was interesting and I’m always down for some “ur friends are here for you, you don’t have to and also literally can’t do everything on ur own.

That’s another theme of the film btw and its good

Most of the action scenes were just kinda “eh okay this is a Star Wars movie I guess they gotta do that now. Like fun and flashy but overall without much substance.

BUT I really liked the second lightsaber fight with Rey and Kylo. Good way to mix it up.

Leia...........

Leia good

You are not your blood! You are the family you choose. Thank u and also finally.

I really liked how this movie handled the Sith and the lore/perspective it added honestly makes a lot of Sith stuff in general make more sense to me. It’s one of those cool bits of lore that isn’t exactly a retcon but it is retroactive context that shows everything in different light. Or like maybe that’s always been the context but I think it’s more clear and upfront about it.

I cried at one part bc there were lots of different ship designs all on screen at the same time and it was like.... wow... star war.... star war good.

star war good

#tros #tros spoilers #this is very stream of consciousness enjoy I guess

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vanimy · 5 years

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What a clusterfuck

Coming out of my self imposed exile because I had to get this off my chest. Beware. Rant ahead. Spoilers abound. You’ve been warned.

Forget how I met your mother. Game of thrones takes the cake for Worst. Ending. Ever.

I’m cackling at how everything was basically spoiled for weeks. I was hoping against hope the spoilers were deceiving, that maybe they shot several endings or there would be a last minute twist in the finale. At this point I would’ve rejoiced at Jon and Dany becoming Night King and Queen.

But nope... the leaks were all true.

And I can’t even.

I’m not even going to talk about the previous episode which was full of stupid clichés and featured a complete 180 for Daenerys, or the gigantic plot holes (like Drogon not even attacking anyone after his mother got killed) or the fact that Bran of all people is on the throne at the end.

I’m going to focus on Jon and Dany because THIS is the hardest pill to swallow and one of the worst pieces of writing I’ve ever seen.

I’ll start by saying that unlike other people I wasn’t opposed to angsty endings or tragic endings per se. I mean, Hamlet is my favorite Shakespeare play, I love Greek tragedies and I could go on and on.

Heck, my OTP is Anakin Skywalker/Darth Vader and Padmé Amidala and the guy choked his wife in their last scene together so...

I’ll also mention I’m not opposed to powerful women being corrupted by power either. Heck I wrote an entire AU Star Wars fic with the woman in my OTP becoming a dark Empress.

But you know what’s the difference here?

Everything I just wrote about before, yep even my stupid little AU fic made for free in one corner of the Internet, MADE FUCKING SENSE.

Everything was written to get to those points. Darth Vader’s downfall had been a long time coming, it was the whole damn point of the prequels in the first place and the older trilogy was about to give him a redemption arc. So when Anakin snapped and harmed the love of his life, the woman he had been doing everything for in the first place, it didn’t feel wrong. It hurt but it was logical, it MADE SENSE. Watching the guy I was rooting for become evil felt horrible but I actually empathized with both sides, the good guy who wanted to bring him down because he’d gone off the rails and the good guy turned bad guy.

And you know why I still empathized with the good guy turned bad guy? Because he still felt REAL. He cried after killing people, he showed remorse, he screamed in agony when he’d thought he’d killed his wife. He had a redemption arc later on.

Here, NOTHING made sense. Daenerys’ fall wasn’t a long time coming contrary to what the writers want us to believe retroactively, especially in a world where EVERYONE has killed and executed left and right. There was NO sign of madness before the last two episodes. NONE.

Am I suddenly supposed to believe that Daenerys, who lived through tons of horrible things, who remained compassionate, who sacrificed her dragons and her people for a cause she believed in, who cried when Jon Snow deemed her his Queen, hoping she deserved it, whose good heart was what made Jon Snow fall for her, who was praised by Davos just in the premiere of this very season was a villain all along??

There was no reason for her to burn King’s Landing. No inner conflict was shown. Nothing. By then you could see Dany had ceased to be a full fledged character, she was written entirely from an outsider’s POV. She becomes mad because Jon rejects her (why BTW, we never get inside his head but that’s for later). And then after she snaps, there’s absolutely no remorse from Dany. We never get to witness remorse or sadness or conflict. Which goes to show how much this is badly written. Because you could get the exact same result but it would’ve been slightly better if only they showed Dany as a regular human being instead of an EVIL!QUEEN.

And how about Jon? Am I supposed to believe that Jon Snow, HONORABLE Jon Snow, who never could harm the chick he barely knew when he was with the Wildlings, could suddenly kill the woman he loved all in the space of literally two minutes ? His family? While she’s open to him and trusts him? While he kisses her?

KILLING HER THE EXACT SAME WAY HE WAS KILLED HIMSELF? BETRAYING HER IN THE EXACT SAME WAY HE WAS BETRAYED?

Again, they could’ve written a scene with Jon killing her after IDK, telling her he couldn’t stay with her after what she’d done, Dany going crazy, him defending himself or having to kill her because she was literally killing Arya or Bran or whomever? It could’ve been written in a way that stayed true to the characters. Not that I would’ve loved it but it would’ve made a little more sense.

See where I’m getting at?

Shit writing.

This show is so full of misogyny I can’t even. My sister is all like “but see Sansa’s Queen in the North so they can’t be misogynistic” and I want to rip my hair out. I’m so MAD. This show has been called out on its misogyny countless times from the very beginning (one of the reasons I wasn’t watching in the first place) for glorifying rape. Here we have two main female characters being BOTH mad queens. The end features a male king and a council full of white men. Dany becomes EVIL with no self awareness, no redemption, nothing. Because her character doesn’t matter in the end. When I wrote my AU fic with my female character going dark, it wasn’t just about the man (it triggered in part his own redemption but that wasn’t the whole point), my character didn’t stop being a character because she was going dark, she had feelings still, agency, self awareness and then a redemption arc. Where is it for Dany? Heck, I disliked the way the X men movies depicted Jean Grey and Wolverine’s relationship and how they destroyed Jean in the X3 movie but AT LEAST she had a little agency when she died, she was given 2 seconds to beg for her death, 2 seconds for us to know she knew how far she’d fallen. Dany didn’t get to have that. She got nothing. After 8 fucking seasons. She got nothing. Only Jon and Tyrion are considered tragic heroes who had to do what needed to be done. She ceased to be a human being. She died in the first 30 minutes of the finale and didn’t even get a funeral. How can you not see this as misogynistic? How?

I’m going to talk about Jon Snow now. Because sure Dany got dirty but Jon sure did too despite what some fans might think. He was given literally NOTHING to do all season long, the whole twist of the whole saga with him being a secret Targaryen didn’t amount to anything, he wasn’t even given ONE scene to reflect on what it meant to him to be a Targaryen or the fact Ned wasn’t his father, HIS story conclusion, the Night King saga, was given to Arya, he came off as weak all season with two recycled lines of dialogue, he had no moment of bad assery in battle, he was made a fool in the end since everyone and their dog were telling him Dany was eviiil and he didn’t believe them and he was wrong. He killed Dany in a cowardly way, betraying her and his oath, doing a 180 in the space of two minutes. He ends up being exiled going back to where he started. He was done dirty too. They betrayed everything about Jon. His loyalty, his need to do the right thing, the love he supposedly had for Dany. Everything.

What I thought was constructed writing wasn’t there either. And that’s also a bitter pill to swallow. What was the point of foreshadowing a wedding between Jon and Dany the whole of season 7 and the premiere of this season? What was the point of foreshadowing a child? What was the point of bringing fire and ice together? Of the prince who was promised prophecy? What was the point of Jon (Jon who used to be the moral compass the same way Ned was) defending Dany constantly throughout the season?

WHAT WAS THE POINT OF NED STARK DOING LITERALLY EVERYTHING HE DID? Like hiding Jon and defending Dany against Robert Baratheon ?

Was the moral of the story “Robert Baratheon was fucking right all along”?

WHAT WAS THE POINT OF JON BEING A TARGARYEN?

Remove that and you could’ve basically had the same fucking story. Jon could’ve rejected Dany because she was becoming cray-cray or because he couldn’t marry her or whatever. If he’d stayed a Snow it wouldn’t have changed anything.

The only good thing I can see after this shitfest is how much I don’t regret never bothering watching the earlier seasons and removing myself a little from GOT before season 8 came out. Oh and the enraged reactions all over the world. That too.

I’m still mad though. I can’t even picture what some of you might be going through after 8 seasons. I’m sorry for you guys who spent years watching this shitshow. *hugs*

#jonerys #got #got finale #jon snow #daenerys targaryen #bad writing #my tv shows reviews

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babevogue · 6 years

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Shows that made my 2017 better

So last year I made a list of shows that made my year better. Now I will say that 2016 was a FAR WORSE year than 2017 was for me. In 2016 I had academic pressure than was awful and I started a new school and all my friends ended up in different classes than me together, so that was fun. But then came 2017 and was all around just AWSOME and along with that awesome-ness came some amazing shows. Last year I just made a bullet list, but I thought that this year I should make some mini reviews, so here I go:

Fist off, my 2017 was dominated by animated shows/anime, so my eyes have really been opened to this amazing artform this year. HERE I GO:

My hero Academia/Boku no hero Academia

What an awesome show. I watched this in November/December and I love the premise, characters and plot. It has really breathed some life into the superhero genre and is an all-together fun look at what it would be like if everyone in the world had different super-powers. It has stunning animation and the manga is also super-cool and goes in a great direction. Both the anime and manga is super-recommended.

Favorite character(s): I love Todoroki, he is awesome (and I’m a slut for angsty backstory so…). Deku is great. Actually, can I just write every character here? except Mineta, fuck Mineta!

Greatest qualities about the show: The character dynamics! The way the characters interact with each other is immaculate and they just fit together great. I also really like how each arc is structured and paced.

Negatives: The girls are sometimes a little bit passive for my liking, and if there was an arc with Mineta dying I would not be mad.

Bojack Horseman

I binged this show and fell in love. What might just appear as just a wacky adult cartoon at first glance (and first couple of episodes) is actually a deep depiction of many modern-day topics and problematics such as depression, alcoholism, drug-use, sexuality, sex work, feminism, politics and of course life in Hollywoo(d). The human-like animals might be jarring at first, but it uses the character designs to its advantage with hilarious animal-puns and situations alongside making the show more lighthearted despite the shows heavy subject-matter.

The show is about the horse Bojack who was a famous sitcom star in the `90s and his slump of a life post sitcom star life and his journey back to stardom. The blend between humor and chilling, haunting realism is amazing to watch unfold alongside clever and real character development that is beautiful to watch. Ironically the most aesthetically absurd looking show on this list has the most realistic story. Great social commentary disguised as a comedy.

Favorite character(s): Everyone is flawed in Bojack Horseman, but the most interesting characters in this show for me are Bojack and Diane. So, I would say Diane is my favorite to observe.

Greatest qualities about the show: The way it discusses social issues. Its stunning and thought-provoking.

Negatives: It’s a little bit slow and odd in the beginning and some might find it a little too sad.

Rick and Morty

I discovered this show around Easter time and WOW! No show like any other on this list handles surrealism and absurdist comedy, parody and satire quite like Rick and Morty. The show about the scientist Rick and his grandson (with his grand-daughter Summer joining inn somtimes) Morty going on wacky space adventures. Ricks dick-ish nature contrasts Morty’s wide-eyed curiosity turned cynicism perfectly. The show has fun world building, alongside a great blend between one-off adventures and overarching plot. Visually the show is both stunning and disgusting making it an interesting aesthetic journey for the viewer. Funny, crazy and surprisingly deep at times. And btw watching Rick and Morty does not make you smarter nor require you to be a super-intellectual.

Favorite character(s): Morty is always delightful.

Greatest qualities about the show: Its really funny and has really great world building/concepts within the show.

Negatives: It sometimes boards on a little to gross and has some growing pain in the start.

This is kind of a shout-out to a second season of show from last year’s list so:

Stranger Things 2

Such a good “sequel”. I enjoyed every moment of the show (even the controversial Chicago episode). The characters developed, the plot developed, the new characters were amazing and tone and aesthetic from the first season was carefully preserved and used immaculately. The 80`s reference game was just as strong. For anyone who has lived under a rock the last year and a half the show (first season at least) is about the mysterious disappearance of middle-schooler Will Beyers. The year is 1983, location Hawkings, Indiana.

Favorite character(s): Steve Harrington deserves the world in season 2. I also really like Mike.

Greatest qualities about the show: Addicting story. SO BEAUTIFULLY SHOT! Amazing acting from everyone.

Negatives: Ok, I lied the Chicago episodes stagnated the plot to some extent. I just don’t hate the episode as much as everyone else.

And last but CERTANTLY not least:

Ok so I’m cheating on this one I watched this show in January but I watched the first episode in December so I’m including it and also I’m so in love and I wanted to include it here rather than next year’s list because I want it fresh in my mind.

Fullmetal Alchemist/Fullmetal Alchemist: Brotherhood

So, this entry is technically 2 shows. One was created in 2003 based on a manga by the same name but diverges from the manga around the half-way point because it ran out of material to adapt and goes in its own direction. The other is from 2009 and is a straight adaption of the manga. This creates 2 shows with the same central characters, plot and starting points that diverges GREATLY from each other and they are both amazing!

The plot goes like this; In a world where alchemy developed, you cannot create something with alchemy without having the materials that equals to what you want to make. Example: if you want to create a radio you need all the materials that make up that radio to create it. This is known as equivalent exchange and it cannot be broken.

When the young brothers Edward and Alfonse Elric’s mother dies they try bring her back using alchemy. In the process Edward loses and arm and a leg while Alfonse loses his entire body and is only left with his soul which is now bonded to suit of armor. The brothers must seek out a way to find a way to get their bodies back.

IT IS AMAZING! Both versions are amazing, but I slightly prefer the 2009 version also known as Brotherhood. It explores dark and philosophical themes and questions such as mass genocide, the life of the military, PTSD, fascism, war, politics, what is god/playing god, what is the price of a soul is, loss and most importantly daddy-issues.

There is no end to how much this series deserves praise (mostly referring to Brotherhood here). From the way its gorgeously animated, to the pacing, the way it handles it subject matter and issues and has relatable characters. The character development is perfect, and the plot never meanders or goes into dead ends and concludes beautifully. Even the attention to details is impressive with examples such as the way it shows the characters physically aging and demonstrating where in timeline the scene takes place with subtle hair changes. Fullmetal Alchemist (brotherhood) is like watching someone pouring all the puzzle-pieces out on the table and watching someone cleverly and creatively putting them together, thus creating a magnificent art-piece in the in the process. I would also like to mention one of the most amazing aspects of both versions being the way female characters actions, traits, part in the plot, abilities and dialogue are some of the best female writing I have ever seen. Ironically enough in a work marked towards teenage boys.

Favorite character(s): Fullmetal Alchemist is the kind of show that I like to call having “parks and rec”-syndrome, where genually love everyone, however If I have to pick I might say Winry. I absolutly lover her and I think she is a great role model, hillarious and greatly written.

Greatest qualities about the show: The way it deals with its subject-matter. And also everything else about the show, but especially that.

Negatives: Nothing about the show, just a little girl and her dog that im a little tierd being meme-ed to death on reddit but also kinda laugh so im a little bit conflicted, but there is no negatives that I can think of.

That was it, bye-bye 2017, I watched some fine televison in your year, and I hope to find some just as good in 2018.

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punkascas · 7 years

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Fic Author Interview

tagged by: the wonderfully talented and incredibly sweet @amirosebooks ❤

tagging: @iggyw @tenoko1 @casolantern @schmerzerling @amazinmango @serricoj @rainbofiction @coffeeandcas @topaz-eyes @angelofthemoor @culumacilinte @coplins

im going to do this from the slightly broader perspective of creative writing in general (since i write fic but i also write scripts and things for my job). also this is v long. sorry.

What inspires your work most? (The show it is based on, the actor who portrays a certain character, maybe the character itself…? It could even be an experience.) so generally my inspiration is (in order): (a) my own life experiences, (b) some kind of commentary i want to make about the source material or about fiction or fandom in general, and (c) the characters themselves and the aspects i love in them, especially trying to find ways to play with the duality of their personalities, the good aspects and the negative ones. i’ve known for a long time that what drives me to create is that i want to make other people feel less alone. you know those times to read something or there’s a line someone says, and you’re like, yes, yes, that’s me; no one’s ever gotten that before or at least never put it so perfectly into words, whatever that experience/feeling might be. i want to give people that moment with anything i create. there’s also a lot of things that i’ve experienced in my life that come up relatively often in fiction, or at least in fic, and a lot of it usually is off-putting to me. it never resonates. it’s melodramatic or simply inaccurate, and i think is often written by someone who doesn’t have the lived experience to pull from. so i always want to add my voice to the pile and benefit from my own experiences to make those kinds of tropes and situations more realistic and relatable -- to me, but hopefully also to others. like generally every character backstory or character arc i write in fic is something pulled from my own life. like it’s probably twisted or adapted somewhat, because i’m not into being autobiographical. but as an example, in faith healer, this bit: Memory degrades with time. Maybe as a child he knew that somehow. He knew that there would be a second, slower death across time, as she became more of idea than person, and so he clung onto specific moments as a talisman for Mom: I had a mom once; this was my mommy. He remembers her hands best. The way her skin was thin and dry, but her fingers strong, and the way they'd close around his hands. The way she would press in love and good luck and humility when he misbehaved with a squeeze to his chubby, too small hands. Second best he remembers her laugh, the way her mouth moved around a smile, the warmth in it, tinged with embarrassment whenever someone startled it out from her. The rest of the memories are vague, more like facts he can read out of a mental police blotter than lived experience. She used to wear some kind of fleece robe in the winter, thick and pilled, creating a soft cushion between her breasts for his head to rest when he sat in her lap for a story. He thinks the robe was red. She used to bake things from scratch and used to let him pretend to help. On Sundays she did laundry, down in the basement. He followed her once, asking when Dad would come back, and she paused on the landing, basket of clothes cocked on her hip, and wouldn't go any further until he went back upstairs. The basement, she said, was too dangerous for him, dark and damp. She wanted him to be safe. She always cut the crust off his sandwiches. that is my experience of my grandmother’s death. when she died i knew i would forget over time the specific details of her, so i picked a couple to remind myself of daily so i’d never forget them. and that was her hands and her laugh. and i do have that memory of her doing the laundry and standing on the landing to the basement asking her where my dad was and when he’d be back (he was on an 18 month voyage to africa - my dad is a sailor). and she did always cut the crusts off my sandwiches for me. (and btw i can’t ever re-read that passage with crying.)

What is your favorite fandom to write for? i mean, usually whatever my main fandom is at the time? which right now is spn. i did also enjoy writing potc fic and RDJ films sherlock holmes. i like writing characters who have a very strong but also very biased or unusual perspective on the world. they make for good unreliable narrators, which is something i love doing.

Which perspective do you prefer writing in? (First-person, third-person) always, always, always third-person limited is my go-to. i only write in first-person if the original source material is written that way (like ACD Sherlock Holmes) and i want to do a pastiche of that style.

Do you prefer writing reader fics or OCs? no. full stop. (okay, one caveat: i do like kidfic, but i am also SUPER PICKY about reading it bc im always looking for some accurate representations of parenthood and what it’s like to have a child. like kids are hard??? they’re hard and they make you worry and they drive you crazy and they have their own, weird, stubborn, fascinating views on life and the world. they’re not perfect angel children who exist only to be cute or ridiculously amazing mary sue geniuses. so yeah a well done kidfic where the kid is an OC i will read.)

Do you prefer writing longer works or one shots? given that every single WIP i have right now are fucking, horrible, lengthy novels,i want to say i prefer writing one-shots. i want TO BE ABLE to write one-shots. i used to do???? but yeah, i guess i really do enjoy plotting and world-building, which lends itself to creating monster plot bunnies instead of short stories or quick scenes.

Do you take requests? i do! do i ever actually get around to writing those requests is another question. but absolutely. send me prompts. ask for timestamps. if it speaks to me, and especially if it’s something i think i can write in less than 1000 words, i’ll most likely give it a go.

Do you enjoy getting random Asks? yes! always! i try to respond at least with in 72 hours. but yes please COME TALK TO ME ANYTIME.

What inspires the names for OCs (or extra character names) in your works? Do you pick them from real life or just select them at random? A mix? so with fic, i never really write OCs, or if i do, they’re p much a red shirt or like extra #243 or smth and therefore don’t have names. if a character has spoken dialogue or no on-screen dialogue but some impact on the plot, i’ll try to “cast” that part with a character from the source material. for example, in the family business (which i realise isn’t posted yet), there’s some issues with a rival gang that need resolving. i cast the head of the rival gang as a well-known character from spn that has generally served a rival or an enemy to the boys on the show. i like doing that bc i like the parallels it draws, especially when working with an AU, and the ability to explore characters and dynamics from a slightly (or not slightly at all but in fact completely divergent) angle. i follow the philosophy that part of the real cathartic nature of AUs and part of why we write them is the ability to offer commentary on the source material. that a good AU should offer commentary on the source material. they're both metatexts and paratexts simultaneously. the one caveat to this, again, is kidfic, because i like and i do write it (i’ve just never finished any of those fics enough to publish them). and then i try to name kids in the way i think their parents would name them. i try to put myself in the character’s headspace and try to figure out what name(s) would appeal to them. and if we talk about work, and the scripts i write, i mean all of that is basically OCs. so far every script i’ve written while employed by my current firm, i always stick in at least one instance of one of my dogs’ names. i also will make subtle film or tv references. like the script i just wrote, there were three characters, and the first character had already been named harold by our content lead. so i named the other two perry and harmony as a reference to kiss kiss bang bang. i’ve done all the clones from orphan black as OC names. i’ve done members of radiohead. if one of the scripts im writing already has a theme built into it for a specific pop culture reference (like yesterday one of the scripts i wrote was using yoda speech and star wars analogies as part of its marketing and engagement strategies) so i’ll name characters in line with that pop culture motif (so the star wars themed script has luke and ben and daisy and carrie as characters).

If your story(ies) have OCs, are their appearances based on real people or celebrities? If so, who? as mentioned above, i rarely include OCs and if i do, they’re unimportant stand-ins. so i never give much thought to how they look. offspring in kidfic i do think about how they look. if the actors who play the main characters have children, i’ll start there. like for dean and cas, i always look at jj and west and maison and try to figure out what a kid with some of those combined physical features might look like. i’ll also look at photos of the actors from when they were kids or teenagers and try to decide if these two people had a kid, what features would that kid inherit. for work, casting people depends on client expectations and design direction and budget, so it’s a different ballgame.

How long have you been writing fanfiction? i think the first fic i published was in 2002 or 2003. so 15 years i guess??? how has it been 15 years dude.

#tag games #kat talks #writing stuff #i heart fandom

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songofanothersummer · 7 years

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Fic meme challenge

@loved-the-stars-too-fondly tagged me because this lovely lady knows just how much of a nerd I am :P While I need to catch up with both Agents of S.H.I.E.L.D. and her fics, I will fulfill my meme duty to discuss my 5 favorite fanfics of the things I’ve written:

A Heavy Inheritance: This fic came to me while listening to The Force Awakens OST, sparked very specifically by the short reprise of Leia’s iconic theme during “Farewell and the Trip”. It reminded me of Leia’s journey, not just in the original trilogy, but what we learned of her mother Padmé and how that may have carried over into the birth of her own son. Thinking about this fic still makes me emotional, and while I wish I could edit a lot of it, I am still incredibly proud of this piece and the emotion it still evokes in me (and seemingly others, as well)

Fatal Flaw: I wrote this a mere 36 hours after seeing Rogue One for the first time. I was interested in what Bodhi’s relationship was to Galen and what it took to convince the pilot to turn traitor and aid the rebels in acquiring the Death Star plans. Like A Heavy Inheritance, this piece also gives me all the feels. Like, all of them. I think the writing is far superior than A Heavy Inheritance, but most of my pride comes from what I feel like is a mastery of voice? After reading through the comments I’ve received, and even some of the written Star Wars material (like the Rogue One novelization by Alexander Freed and Catalyst: A Rogue One Novel by James Luceno), despite some differences, I seem to have done exceedingly well at capturing the characters despite only having seen the movie a grand total of one time when I wrote this.

The Splendor of Lost Hearts: Speaking of character likeness, I feel like this fic came out of straight up no where but is by far the only well-written Dragon Age related fic I’ve ever created. It focuses around Blackwall’s character arc in Inquisition, despite how disputed and underappreciated it is, but I feel like it does him justice while also conveying why I enjoy his character so much. I don’t know, he sounds like he came straight out of a 19th century novel and I wrote it that way, all brooding and anti-heroic. This fic just happened one day, too. I didn’t plan it. I triggered an in-game conversation (party banter) that just got me thinking, and this was the result. I think this is still some of my best work. Perhaps better than the last two fics, too, actually.

Double Exposure: I apologize profusely to anyone who intended on keeping tabs on this fic because I haven’t updated since December (I am so, so sorry *cries* I wrote myself into a corner I don’t know how to get out of!). Aside from that, I was sort of surprised no one else had come up with this idea though. It’s based around the game Life is Strange and focuses on the idea of both possible endings happening in concurrence with one another. Keeping the two timelines in order is the most difficult part, hence my update delay. But I promise I will update soon!!! Especially since they just announced a prequel to this game (!!!).

Out of the Abyss: This has been a long time in the making. I first started writing scenes for this story in 2006 (uh… yeah). This is my first foray at anything resembling a novel, which is part of why I am so determined to see this project through (since I want to write my own novel(s) one day…). It is an attempt to novelize (and reconcile) the plot of Knights of the Old Republic II: The Sith Lords, and I even intend to extend this story well into what may have been a potential Knights of the Old Republic III (not really resembling the Revan novel or the Revan DLC in SWTOR, like, at all but more so building from actual in-game info and conversation trees than the latter two examples). I’m about 46k words in and about a million more to go :) I’m actually planning on writing some more now before I head to bed.

bonus: Around this time last year, I started writing a second-person POV fic surrounding an imaginary (self-insert, I guess) reader and Sam Drake from Uncharted 4: A Thief’s End and it somehow ended up being about ~50 pages but I never ever posted it and it remains unfinished. I’ve only just considered picking it up again solely for the sake of having completed what would essentially be a novella… We’ll see what happens, though.

I’m tagging @the-girl-that-no-one-ever-knows because I at least know you write fic, too, (which I need to get around to reading as well, btw!) but anyone else that writes should fill this out too <333

#about me #writing #fan fiction #star wars #kotor #rogue one #dragon age #dragon age inquisition #life is strange #I apologize for any typos and promise I will fix them tomorrow...#uncharted #uncharted 4 #big huge super nerd

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dorotheian · 6 years

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So finally I can put my own two cents in on what I saw in Last of the Jedi.

I understand why people would be put out by it. IMO, it’s between a rock and a hard place: multiple perspectives, not enough time—barely enough to round it all out at the end (I kept wondering when the endpoint was going to be), and relying on a thematic/mythic approach that slides over certain cause-and-effect holes. But since when has a Star Wars movie not relied on all the dominoes being lined up just so? And is simultaneously trying to show what happens when the dominoes aren’t stacked neatly? It’s taken almost too far. I’m just gonna accept that the timescales were VERY generously stretched.

Poe’s and Finn’s sides of the conflict were comparatively—perhaps equally—weak. Rey carries the movie; but she’s not even doing that much until the end. Poe and Finn are much more active. Rey has the luxury of time and contemplation which they do not have: they, like the Resistance, are moving in “real time,” getting messy, making mistakes, living on a wind and a prayer and the conviction that if they follow their inner compass, it will all turn out right.

The heroes are contrasted with their leadership. Rey/Luke, Kylo/Snoke, Finn & Poe vs. Leia and Harlo; and right up at the end, it’s Hux/Kylo (Hux is doing his best to knock out Kylo—to be continued). ALL of these leaders are deeply flawed, and I think the movie was attempting to explore those flaws. The flaws of too much experience, and too little; of long service, and temporary roles; of not recognizing one’s place, and struggling to impose an unnatural chain of leadership and command (Harlo and Hux).

In Leia’s and Harlo’s cases... *sigh* Yup, they held onto that idiot ball. Leia’s displeasure should have focused more on taking away Poe’s command (if that plot point had to be there to begin with) than a stupid face-slap. If it is in character, a face-slap reveals Leia’s weakness as a commander in using such a crude and despotic crutch. Then Harlo was abrupt, condescending, and overly secretive. There was no need for her to hide her own plans except for extra drama in the late reveal. Admitting in private that she likes that hot-shot pilot in no way makes up for unnecessarily abrading him in public. Whether Poe is ranked as a soldier or not, Harlo made the mistake of treating Poe like a soldier when he is a fully actualized, free-thinking leader. It cost valuable time. It was a rookie mistake; she stepped in to an interim temporary role and held the reins too tightly. I sympathize, because temporary authority is a deuce to handle, but it in no way excuses her. Nor do I think Poe did right in undermining her; but he was making decisions in real time to save the Resistance. (Interesting parallel in Star Trek Discovery, btw.) I don’t like Harlo’s interpretation of Leia’s favorite saying: there’s no need to manufacture ignorance to spur creativity and faith. Creativity thrives on the facts. Faith does not rise on command. It can be encouraged as a culture but not manipulated or demanded in a battle. Leia, meanwhile, seems to have mellowed in her wisdom: she has grown cautious and withdraws her support too early. Nevertheless (in private) she trusts in and relies upon her fully grown, free-thinking pilots to make their own decisions. (Leia. Leia. Come on now. Show some class. You can’t have it both ways.)

Finn’s arc is plain messy. A cantina, again? OK, it’s a high-class one, we’ll call it a casino. WHATEVERRRRRR. How easy it is to hate decadent rich people; they’re dismissible stock villains. It was too convenient, too chancy. Why couldn’t we have gone to the Star Wars equivalent of Wall Street?!! That’s my main huff. I think Finn and Rose as characters were okay. I don’t like that Finn gets pre-emptively attacked so early in both TFA and TLJ. I wish Rose and Finn could have met a different way. Given in-universe reasons, I do understand Rose’s attack because Finn was acting twitchy and evasive, she’s apparently found other deserters, she’s a good soldier, etc.: she’s no dummy and she did the genre-savvy thing. It’s just genre-savvy to the wrong story. Finn, meanwhile, is canonically terrible at explaining why he’s doing what he’s doing—his first instinct is to make excuses and hide his real intentions (he probably learned that for survival on the Death Star, let’s be real) even if those intentions are good and sympathetic. He just assumes that nobody will listen to him right off. So I don’t blame Rose; I blame the writer who put Rose and Finn in that awkward situation. Rose doesn’t taser Finn because he’s black per se, but she is a bit quick to the punch, and that’s the problematic part. Real black people do get killed because they aren’t afforded the benefit of the doubt. In-universe, if she didn’t taser him right quick, she’s obviously a slacker at her job; if she does, she’s a racist bitch. There’s no good outcome to that situation. Oh, another thing I noticed: Finn doesn’t have time to enjoy himself at the cantina, but Rose can take all the time she wants rescuing the alien steeds? *rolls eyes* Yeah, knock that off. Spare me. It wasn’t funny. It looks bad. I will be disappointed if Finn/Rose is chosen as endgame over Finn/Rey. Fandom is of course free to do and enjoy almost whatever it likes, but I think that making that choice in canon would be cowardly.

Poe bought time. He didn’t have a mission to complete. Finn bought time, and did complete his mission. In terms of story impact, Finn has more. Both are equally mixed up in enjoyment and sensibility of plot. Are their plots racist? *takes a deep breath* Yes, kind of. In a “white women wield power recklessly” sort of way, and in a “white woman author wrote some insensitive situations” kind of way.

Now, onto Rey and Kylo. Despite my wishes, they got center stage. To my surprise...I’m okay with what they did with it. I think the directers put enough bait for Kylo and Rey to exist as a dark ship... perhaps unfortunately... buuuuuuut! I still think Kylo/Rey isn’t romantic. Rey is way more fond of Poe or Finn than she is of Kylo. (Personally, I like Kylo’s face, but I did not really need to see him topless? Not a sexy torso? It was plainly framed and barely romantically coded. Methinks it was restrained for a reason.) I like the argument that this movie is about Rey willingly becoming the bridge for Kylo to get out of the abusive hole he’s stuck in: not immediately, but someday. She sticks with her boundaries, and she respects the shaky place where Kylo stands. Rey will not throw herself or the galaxy away for Kylo. Rey will not give Kylo a free pass for his beliefs and choices. The ball is in Kylo’s park. He must see that empire is not the answer to peace for himself before there is any more cooperation. They have reached détente.

Luke carried on in his way like a grand old grizzled idiot. Kylo’s backstory reminds me more of Jason from the Jedi Academy books than anything. Be that as it may... I grasp in concept why Luke fell to the extent he did: he had a serious crisis of temptation and intent. But emotionally speaking, it’s a lot harder to accept. Why was he of all people susceptible to that temptation? I have only two plausible explanations. 1) Time, age, and possibly an inappropriate station for him—teaching seemed right, but it probably wasn’t really his thing for one reason or another; 2) he trusted the Jedi way and its biases too much, and misunderstood Force presentiments, partially incurring his own tragedy. (Kylo was set up, but he still made his own choices.) He trusted the Force more than he did his own knowledge of the people around him. And even acknowledging that on some level, Luke’s still susceptible to those prejudices! Look, if the Dark and Light are part of the same continuum like you say, why’d you freak out about Rey’s and Kylo’s being naturally drawn to the dark? Plain hypocrisy and superstition make Luke unable to keep a level head. Between them both, Rey and Kylo have a better grasp of the proper place of presentiments than either Luke or the Jedi Council ever did. Rey and Kylo both saw a future biased by their own perspectives. But, knowing the possibilities, they carefully acted on a new present independent of both their visions on a foundation of trust in one another. Both were right, but not completely so—and as it should be.

But I am glad Luke died the way he did; letting Kylo make his choice and rage and do his worst, but by also taking the consequences out of his hands. He made sure Kylo grasped the depths of his own brokennness, and kept Kylo from sullying his hands again. Luke chose to die like Obi-wan chose to die—in confrontation with their past, and falling not on their apprentices’ lightsabers, but at peace with themselves and the Force. It is not precisely self-sacrifice. They purposely make death their last lesson, their last gift of peace and hope, to their wayward pupils. Their life and their death are two things their apprentices could not spoil because Luke and Obi-wan chose in the end not to let them. In doing this, they reclaim ownership of their own choices and their actions, of their own burden of responsibility for the path that their lives took, and assert that these hold more power than their apprentices’ mistakes. It is not only acceptance and forgiveness, and a hope that their legacy lives on even after their death, but a confrontation and a refusal to let their apprentices continue to fall down the path of murder. They deny them this step of depravity.

Rey’s parents? Meh.

#star wars spoilers #probably the one and only essay I'll write on the subject

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izloveshorses · 7 years

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Alrighty so while I’m thinking about it here’s basically every element from Beauty and the Beast that I adored

can I say how surreal it was to be in a theater packed with young girls of all ages wearing yellow dresses with their Belle barbies

not to mention all the adults and people my age who’ve been singing Be Our Guest for eternity were all so excited

it was almost like when The Force Awakens came out and Star Wars was alive again and everyone, old and new generations of fans, gathered together.... ya know what I’m talking about? where everyone in the room is buzzing with anticipation

the CGI wasn’t as terrible as y’all thought, y’all need to have a little faith sometimes lol

the casting was excellent!!

i know people have mixed feelings about Emma Watson playing Belle but I honestly wouldn’t have casted it any other way. She’s always been a women’s rights activist, a bookworm and a thinker, and a strong role model for young girls. and her favorite princess was always Belle I mean come on. and her singing voice was so incredible!! that was what I was most looking forward to in this movie and it did not disappoint

she also said in a buzzfeed interview that she imagines Belle would open the Beast’s library to the public and start a school!!! How rad is that?? HEADCANON ACCEPTED

shout out to Dan Stevens for waltzing in 10 inch stilts while wearing a 40 pound body suit

ok Luke Evans and Josh Gad must’ve thought they were in Dirty Dancing because they had the time of their lives

and Luke was pretty attractive. just sayin

overall, the cast was really diverse! not one but two interracial couples! and in general there were a lot of poc in the village featuring a wonderfully sweet librarian dude

Everything about Belle’s character was fantastic I’m not kidding

i think the town had such a consistent routine that she could precisely time when the morning rush started?

despite the village blatantly gossiping about her she was still so nice and polite to everyone

so??? much??? sass??? it was unreal??? When Gaston asked why she wouldn’t go out to dinner with him he assumed she had plans but she was just like “No...” and she didn’t even explain further how freakin savage she shot that boy down

(a few more examples bc this girl was on fire) “Why would I be startled? I’m talking to a candle” and “Is that a joke? are you making jokes now?” and my fav “’Maybe you just haven’t met the right man?’ ‘It’s a small village Gaston, I’ve met them all’”

this is Elizabeth Bennet level Jane Austen would be proud

they touched on how women were expected to have kids in their late teens/early 20s and she’s like “screw that” yeah girl smash that patriarchy

how on earth did it take me 17 years to realize she’s considered odd because she’s the only literate girl in the whole village???????? how did I, a history buff obsessed with the French Revolution, never make that connection before???? this isn’t specific to the new film but still I applaud it good job disney

she was an inventor!!! i don’t know if i’ve ever been happier than when i saw her solving equations and tinkering and making a washing machine so she can read and get chores done simultaneously. emma totally had something to do with this decision absolutely no doubt

she doesn’t ride her horse sidesaddle and that was like a huge faux pas for ladies back then (again, smashing the patriarchy one step at a time)

SHE WAS TEACHING ANOTHER SMOL GIRL HOW TO READ!!! THAT’S SO IMPORTANT AND PRECIOUS I’VE BEEN UNABLE TO THINK OF ANYTHING ELSE SINCE THAT MOMENT

she planned to escape the castle from the beginning and was really creative about it, and no matter what she always found some sort of weapon lying around lol (a random stick, a chair, a pitcher Belle what would you do with that) but she was always prepared to defend herself with somewhat of a plan and attempt at thinking ahead

She was really curious about the curse and asked questions about it to figure out this mystery herself

she was always problem-solving and trying to find a solution to situations and that was so cool girls need to see that strong female leads aren’t always the ones that can fight, but girls with wit and bravery

there was lots of nice background info on characters that otherwise wouldn’t exist, like Belle’s mom’s death, why Maurice chose to stay in that boring village and Adam’s dad being a jerk and turning him into a monster (no pun intended)

Mrs Potts giving us a reason why the entire castle was cursed, not just Adam. They didn’t do anything to stop Adam’s dad from corrupting him and man that’s some heavy stuff

I feel like each character, especially the servants, were so much richer and stronger and more complex, and the stakes were higher bc each time a rose petal fell they became less and less human

even the enchantress had a name and she was gorgeous?

they went pretty dark in this one... like something caused that tree to fall in Maurice’s path and back into an upright position. the wolves wouldn’t cross the gates because of some boundary. the way the whole castle shuddered with each drop of a pedal. i could go on... and the added character depth really helped that dark stuff too

THE MUSIC!!!! WAS SO GOOD!!! I’ve had the album on repeat for.... four days now and I’m not sick of it yet?? please send help

seriously, they did an amazing job. it was perfectly balanced w both old an new songs, and neither of them overshadowed the other. each song got it’s spotlight, they honored the old ones while including new original ones that were awesome (cough forevermore cough cough)

Gaaaaaastonnnnnnnnnnnn omg that sequence was awesome. honestly i think everyone in the theater tapped their foot when he was stomping and dancing on the tabletops

Belle was really good too to me because i’m a nerd for that set design

Days in the Sun is extremely underrated!! but yes, Forevermore is breathtaking it’s growing on me more and more each day

lots of rotating cinematography and spinning i’m a nerd i love it

the costume and set design.... holy crAP it’s stunning

i read somewhere that Belle’s casual getup has large pockets for her books and she has part of her skirt pinned up so she can ride Philipe easier and that’s beautiful

each scene was packed with tiny details that most movie makers overlook and I’m so impressed???? not just visually but there were so many sounds that truly made it feel real like in the village I’d occasionally hear a crying baby or a dog barking or just constant chatter and that’s stuff you’d expect to hear in a crowded village square

the little twinkling lights during the ballroom dance was probably my favorite i may have cried

No one ever say anything bad about Belle’s dress again IT WAS SO GORGEOUS it floated across the floor like a bundle of sunshine

and there were so many details in that scene? did anybody notice her gold earrings she wore they were wonderful

her hairstyles throughout the whole movie were so cute (esp at the end with that updo!! and that pretty flower dress I need it)

the historical accuracies??? unreal??

so much baroque architecture with all of the elaborate gold designs ahhh i love it

half of it looked like a rococo painting, the other half a neoclassicism painting

girls weren’t allowed to be educated so that’s why Belle was hated so much--and so cool--and ohhhh my mind is blown why did i not understand this until now

lol a giant chunk of France was illiterate at the time too so LeFou realizing that halfway through trying to spell Gaston was hilarious

actually the mob song in general is scarily accurate. what starts with a small discomfort turns into irrational fear which turns into extremism in crowds and they did the stupidest things like “hey there’s a monster that we’ve never seen or heard of and it’s never attacked us before but LETS KILL IT” seriously the French loved mobs

they included a lot more intimate moments w Belle and the Beast to build up their relationship more carefully

Belle almost in tears when she was in that library because honestly same girl

my favorite moment in the entire movie, although small, was when they were in the library during “Something There” and she just kept grabbing book after book and he was walking behind her holding this massive stack that was so cute

honorable mentions: when the Beast shook his head like the horse omg. and I freaking cackled when he threw that giant snowball at her face

when they were in Paris, and Belle figured out that her mother died of the plague and she said “let’s go home”

she just rode off while still wearing her ball dress

“no time to change gotta go save my pa i’m keeping this btw”

and then she strips down to her undergarments because they’re about to go after Adam and that’s the final straw nobody messes with him under her watch she has to save him and, sorry, but she won’t let a big bulky dress get in the way of that despite how beautiful it is

Belle participated in the climax fight scene she was not taking any of Gaston’s crap

and then Adam was like “stay there I’m coming” and she completely ignored him so she could step in if he needed her

“I am not a Beast”

the transformation scenes were amazing

LeFou’s character arc was surprisingly great! and I support him and his boyfriend

that one growl at the end... you know the one... I’m very confused why was that so sexy is that bad

there were so many moments where i got goosebumps and sudden tears from the swelling of the orchestra or a certain chilling line and i was just so moved by this movie

in every showing that i went to there was a massive applause from the crowd and i love it you deserve it disney

I'm running out of adjectives

There was hardly an aspect that I disliked. Maybe more of Mrs Potts would’ve been nice, maybe Belle asking Adam to grow a beard was a little strange, maybe Ewan could work on his French accent a little more (don’t get me wrong I love this man but it could use a little more work... other than that his acting was superb). my complaints stop there! I honestly loved this film so much and I’d been pumped since I first heard about it back in 2015. It didn’t disappoint! that means a lot coming from a person who had insanely high expectations for it.

#I'm sorry i saw it 3 times in one weekend so i had a lot of time to think about this and the list kept growing #but if i see another person calling belle a furry or saying she has Stockholm syndrome will fight #i think I've listened to the entire album at least 20 times today #AND I KNOW SHE'LL NEVER LEAVE ME #EVEN AS SHE FADES FROM VIEWWWW #i think i'm going insane #batb #batb spoilers #disney #emma watson #I'm sorry again bc my thoughts are a jumbled mess lol so it's not quite in complete chronological order #beauty and the beast #beauty and the beast 2017 #batb 2017 #personal

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