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#jay + the phantoms
avephelis · 2 months
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if you like silly gay people in love read @phantom-does-a-thing's They Ain't Casing Out Weddings the clothing descriptions have me in a chokehold
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evasive-anon · 4 months
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Jason was having a pretty OK time with the league of assassins, sure getting dunked in a lazarus pit sucked and Bruce turned out to be a scumbag who didn't care about him, but at least he isn't dead. He even liked most of the new skills he was learning there so on the whole being with the league seemed like a pretty good deal to him until Talia woke him up in the middle of the night and left him alone with two child assassins.
Or, a demon twins AU where when Talia realizes her father intends to have her boys fight to the death takes action first by deciding to take all her kids and leave the league. Talia either dies or is separated from them in the initial escape and now Jason just has a bag of supplies and a letter from Talia explaining the plan to get to Gotham. Jason has to get himself and two 7 year olds out of the Himalayas, across a desert, and over 12k miles to Gotham. Only now the league members hunting them down want them dead or worse and Jason isn't too confident that B will accept them given their kill counts.
Featuring:
Good Mom Talia. she loves her kids. Did she teach them to kill? Sure, but that's an important life skill.
Single Teen Mom Jason. He's the oldest and in charge but he also will not answer any questions about The Plan™ given he isn't committed to Talia's but also doesn't have a set alternative. Oscillates between looking forward to just dumping his new little brothers with Bruce so they'll be his problem and thinking of just moving somewhere random in the US and keeping them based entirely on how cute vs annoying they are at that time. Didn't realize how much he relied on Talia to help him with things until she is gone. He's really trying his best but he wasn't all that emotionally stable before this so hang in there.
Angry Smol Dami. He's still drinking the LoS punch and really dislikes that he is now considered a traitor. Can't stand that Jason won't answer any of his very relevant questions. Is actually very scared but will not show it. Misses his mom. Didn't even know he had siblings until his mom yoinked him out of bed that night and brought him to Jason and Danny and started all this. Physically the stronger twin. Thinks Danny is dragging them down in fights and also may blame him a bit because clearly his mother only did all this to spare him.
Danny, reincarnated with limited access to his memories and powers. Has been trying to keep his powers a secret. Talia knew about them but never told anyone but she may have hinted at it in her letter to Jason. Not the strongest physically but very good at stealth and social interactions. Didn't know he had and older brother or twin before Jason woke him up at Talia's instruction that night. Thinks Damian is mean and has faith Jason knows what he's doing even if that is very much untrue.
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The HC of Danny’s hair gaining white streaks but with him being in Gotham.
He keeps dyeing it back to solid black, because he doesn’t want to attract attention by resembling a rouge or vigilante. He has to touch up the roots every 3 weeks so absolutely no one knows.
At some point Danny ends up running out of dye and his roots start to show through so he makes an emergency stop out of his usual way to pick up more dye.
Danny ends up literally bumping into a man that sets off a light version of his ghosts in the hair dye isle, he hadn’t run into anyone that set it off in Gotham yet and ends up having no idea how to react. After a few minutes of uncomfortable staring and silence Danny just awkwardly asks the guy the first thing that came to his mind, basically asking the guy if he’s buying dye to cover up the evidence of his death too.
Jason is now panicking because this scrawny kid just:
1. Thinks Jason died (the kid is right, but he shouldn’t know that)
2. Admitted/thinks that he died (the kid either did die or thinks he did, both are concerning for very different reasons)
3. Has evidence of white in his hair just like Jason (the kids eyes are blue, so his bungee jump back from death’s probably not related to the pit. Hopefully)
And 4. looks like someone Bruce would kidnap off the street and put in a colorful costume (probably the most worrying. The kid looked like a strong wind would blow him over, he wouldn’t make it as a bat or bird)
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theandrosaur · 6 months
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I had these costumes ideas prepared for Halloween 🎃🍷
Kai is a devil king and Zane a disco ice vampire
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DP x DC Prompt: "Next Generation"
Okay, so, anyone even tangibly into DC knows the whole Gotham War arc really assassinated Bruce's character
But it's juicy fic material
After the whole adrenaline-induced panic episode, Jason leaves Gotham. He's done. He's done with Bruce, with Batman, with everything. And yeah, it was a little satisfying to hear about Nightwing beating Batman into the ground (over Jason! He might have wept a little at that) but it's not worth it to stay anymore
So he leaves
He travels for a bit, trying to figure out who he is without the whole Red Hood thing. Decides to go to college. Under a fake name, of course, he's got to make sure Batman can't find him. Jack sounds close enough to his real name. He chooses Fenton on a whim, he's seen it somewhere and it stuck.
Jack Fenton goes to college. He makes a friend. Falls in love, even. He marries, settles in a small town somewhere in the Midwest, and has two children whom he loves more than anything. Life is good, and he's happy
Until years later, Amity Park gets its own ghostly hero and Jack only has to look at him once to recognise him, and well, what's a father supposed to do?
Not fuck with his son's fear responses, that's for sure
He may not have been Red Hood in years, but he's not going to let his son do this alone.
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stealingyourbones · 7 months
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Short DPXDC Prompts #916
Jay "God refuses to strike me down" Garrick is just waiting to randomly keel over one day. He's 116. He has a magically lengthened life but he has no idea how long he'll stay alive. Unbeknownst to him, Clockwork has a particular fondness for him and refuses to let him die.
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wasabe777 · 5 months
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rotten-to-the-lore · 2 years
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he would say these, booboo stewart told me himself /j
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operafantomet · 3 months
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MY CHEMICAL RAOULMANCE (...hussarlicious...!)
Vale Ridout and Corps de Ballet, Hamburg
Steve Barton, West End
Hwang Gun Ha, Seoul
Jemal Felix, West End revival
Fred Silveira and ensemble, Sao Paulo
Joe Griffiths-Brown, West End revival
Jay Armstrong Johnson, Broadway
Joe Friffiths-Brown, West End revival
Michael Ball and Rebecca Caine, West End
Jeremy Taylor, West End
Jeremy Hays, Broadway
Alexander Lewis, World Tour
Greg Mills, Kyle Barisich, Carrington Vilmonth, Paul Schaefer and Jeremy Stolle, Broadway
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The Descendants Trilogy and Julie And The Phantoms
Or as I like to call them -
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the “Kenny Ortega, For The Love Of God, Just Let Booboo Stewart Kiss A Man” collection
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phantomstatistician · 4 months
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Fandom: Ninjago
Sample Size: 4,198 stories
Source: AO3
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ahalliance · 2 months
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finally getting around to posting @etoiles-week :] day 5: injury
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elithemiar-blog · 2 years
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WELL THIS DIDN'T TAKE LONG TO COME BACK TO:
Another dpxdc prompt
Danny, Sam, and Tucker are slowly dismantling the GIW due to their unethical approach on researching ghosts, potentially putting themselves in trouble with other agencies and even the JL. The GIW believe they can easily lie their way out of an investigation by hiding information.
At one of their locations, Jason is being experimented on which causes him to gain ghost abilities and possibly become a halfa, but due to the stresses his body takes from the various testing he doesn't know how to use them properly. The antiecto cuffs keep him down.
Tucker finds info on Jason, a file about PROJECT JULET ROMEO [military codes since the GIW are all for that. Juliet is substitute for Jason and Romeo is substitute for Resurrection]. Finding out that its a person. The trio rescue him and somehow get away to heal him, probably by Frostbite.
Eventually Jason is healed and works with the trio to get that branch of government defunded by calling the JL himself or while still fucking around with Batman in Gotham. But helping the trio became top priority. Maybe he just stays in Amity.
If going the with JL ignoring Amity, Jay scathes them with a lecture.
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laziarteest · 13 days
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Look guys, it's Jay Walker
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boyfridged · 1 year
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see, the thing is that (up until countdown at least) there’s no symmetry in jay and bruce's respective ways of grieving.
jay is perpetually trapped in the bargaining stage of grief, trying to reach out to bruce from beyond death.
bruce is way past this. he has settled into a quiet, passive type of mourning, devoid of hope for a reunion. and to stay in this state, he had to necessarily disregard jay’s true image – an image of an earnest, bright child, his son. the memory of jay has been reconstructed in his mind a thousand times and sealed in a folder labeled as “soldier” (or even just a personal failure). it's ugly. it's unfair. it's a coping mechanism.
so to me, the issue isn't that bruce wants his dead, sweet little boy back – the issue is that he barely remembers him. if he did, maybe he would be willing to take a leap of faith and search for that person in jason who came back. but he's not even trying to reconcile the image of 15yo jay with red hood – or rather, maybe the image of a volatile kid that he created in his grief fits with the red hood a bit too accurately. maybe it's a bit too convenient. it works perfectly well for his own self-preservation and sanity, to think that jason has been doomed from the beginning.
jason, on the other hand, is cursed with remembering. one of the very sparse concepts that i found interesting in rhato was when in #3 (2011) jason chose to give up on his happiest memory – skipping patrol to watch a movie with bruce. maybe it's because recalling these tender, sweet moments is what gives him hope, and motivates him to keep bargaining and trying to reconcile with bruce. and bargaining with reality is exhausting. the readers and jay know that it's a lost cause – both because neither bruce nor jay are the same people anymore, but also because, ironically, batman, the symbol of hope, doesn't have any left when it comes to getting his son back. bruce, in his grief, essentially closed the door. jay, in his grief, is banging on them.
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agentofteamvaliant · 10 months
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Musicals Aren't Supposed to Have Encores | Luke Dunphy x fem!reader
Based on season 4 episode 14 of Modern Family: "A Slight at the Opera."
Warnings: None? Two eighth-graders kiss a few times... does that need a warning?
Word count: 2,052
Summary: Luke and Y/n step up to new roles in "The Phantom of the Opera" performance their middle school is presenting. Cam doesn't know what to do when the audience calls for an encore at the end of the show.
A.N.: Notes vs notes became a very hard thing to keep track of while writing this. Because I had notes, as in musical notes that you sing or play. And notes, as in theatre notes, directions as to what to do, and ideas of what needs to change. The struggle of being both a music kid and a theatre kid is real.
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"What do you mean Genevieve is sick?" Cam exclaimed to the girl's mother over the phone, "First our Phantom falls ill, and now our Christine? Does the world think our theater department is filled with actors?... No, of course, I'm sorry. I hope she feels better soon."
Theatre never goes exactly as planned. You're bound to have bumps along the way. Cam was prepared for that. He had backup props and backup lavaliers. What he hadn't prepared for was for both his Phantom and his Christine to get sick.
Having already found and lost hope in having Luke play the Phantom, Cam felt he was running low on ideas and patience. So, he turned to his assistant director/stage manager: Y/n.
"Well, Y/n. What do you think?" Cam asked.
"About which?" she replied, "We've got a couple problems right now."
"Either. Any. All. I don't know," he was obviously at the end of his wits.
"I think that you should show Manny the video you have of Luke so that he can see what you want him to be doing," she offered.
"Alright," Cam agreed, calling Manny over to watch the recording, "And what about Christine? I hate to say it, but Genevieve was the only soprano we had who could--"
"Luke has to do it," Manny cut in, before rushing off to undo the damage he had done.
"Well, that solves that problem," Y/n said cheerfully.
"I doubt any of them even know all the words, let alone the right notes, the right timing..." Cam trailed off, "Luke could you run 'The Phantom of the Opera,' please?"
"The whole show?" Luke asked, surprised.
"No, the song," Cam clarified with an exasperated shake of his head that looked much more like Mitchell's mannerisms than his own.
"Uh, sure, yeah. I don't know my cue without Christine's part, though."
"Y/n, could you sing Christine's parts until I figure out a replacement?" Cam requested turning to her.
"Well, I don't normally... but I guess I could... I do know the words, and the notes, and the timing and blocking... Sure." She replied.
The two walked over to the piano to practice. Y/n hadn't gotten more than four lines in when the whole theater was staring at her. Cam realized that maybe his Christine had been hiding in plain sight just like his Phantom. Her vibrato was perfect. Her voice paired perfectly with Luke's. Y/n and Luke looked up shocked when the entire ensemble came in perfectly on cue to find that Cam was conducting them like a choir. Y/n smiled at Luke, as they turned so the entire cast was rehearsing together. When they got to the part where Christine climbs up in notes, everyone's jaws hung open. Y/n herself was a tad surprised at how cleanly the notes came from her chest. Sure she loved to sing. Sure she had practiced this entire musical what felt like a million times. But to hear it in a theater. To hear how creepy her friend Luke could sound, perfectly portraying the Phantom. To hear the song all around her. It felt unreal. Especially when she got to the E6. She knew that for Genevieve they had lowered it, but she also knew that she could hit it. So, she ditched the note Cam had given the original Christine and chose instead to follow the regular notes of the song.
"Y/n," Cam started once the song was over, "You need to play Christine. Your voice is perfect. You know all the directions I gave. You understand what I'm trying to do with this show. Please, we need you as Christine."
"Okay, okay," she replied quickly.
They were very lucky that the costumes, which had been brought in for different actors, fit Y/n and Luke almost perfectly. Everything after casting Y/n had been rushed chaos. She had called her mom to bring her a pair of white heels since the original shoes didn't fit. But she neglected to tell her mom why she needed the shoes, simply insisting that the show sounded amazing and her family just had to come. Standing backstage, Y/n and Luke were talking while she used safety pins to shorten his cape. They didn't exactly have a replacement stage manager after all and she had offered to continue with both roles.
"You look really pretty," Luke commented as she stood up and handed him his pinned cloak.
"Thank you," she replied, a slight blush creeping onto her cheeks, "you should wear suits more often, you look quite dashing. I'd lose the mask though, your face is too cute to be covered."
Now it was Luke's turn to blush. He knew that Y/n was good at flustering people, of course he did, they had been best friends for years and she was his long-time crush, but he had never found himself on the receiving end of her flattery.
"Hey!" She called out quietly to one of their castmates, "That's not where that prop goes. Go put it on the prop table where it belongs."
"You know we're supposed to kiss, right?" Luke asked when Y/n turned back to him.
"Yes," she answered, "Poor Genevieve and Marcus, do you think that's why they're both sick? They had to kiss so much in rehearsal."
"Oh yeah, poor things, they had to kiss someone over and over again," he said, sarcasm dripping off every word.
"Careful," Y/n chided, "I'll kiss you over and over again."
"Like that's a threat," Luke snarked, before remembering who he was talking to, the confidence leaving him at once, "--I mean, we should probably practice at least once. Just, so we're on the same page. Know what to expect."
"Hmm, probably," she said slowly, before grabbing his hand and pulling him toward her.
Y/n kissed him gently, sweetly. And then it was over, and Luke decided he would do whatever it took to be able to kiss her again.
"Alright," Cam called, all the actors gathering around, "Uh... Luke, Y/n if I could talk to you for a moment after we're done. Alright, everyone, this is going to be great, there's nothing more we can do at this point. I know we've had a few hiccups, but I think we've come out stronger. So, good luck. Just, don't think about the audience. Be loose, speak clearly and enunciate, and have fun. Break a leg!"
When he had dismissed everyone else, Y/n and Luke walked over to Cam.
"Ah, good," he began, "I just want you to know how proud I am of you. And I wanted to make sure you didn't have any questions. Last minute confusions?"
"Nope," Luke said.
"None," Y/n confirmed.
"Good, good. And the kiss, I know we didn't talk about it. You're both alright with it?"
"Yep."
"Yes. We made sure to go over that with each other. We're on the same page. We know what to expect," she clarified, smiling at Cam, before looking at Luke with what he swore was a smirk.
"Wonderful. Then I'll go introduce our show, and we will begin," Cam said before leaving with a flourish.
The show was going perfectly. The audience was already captivated and they were only five songs in. When the iconic opening notes to "The Phantom of the Opera" began to play Y/n could feel people shift in their seats. She felt the pressure to perform the song well but didn't find herself nervous. One glance at Luke told her he felt the same way. Hearing how their voices melded together perfectly, Y/n was filled with giddy happiness. She couldn't have really explained it, but it pushed her further. When she began her climbing notes they were even stronger than they had been earlier.
They had taken an intermission between the two acts, and Y/n was enjoying some lemon honey tea, while a speaker next to her played "Something to Believe In" from Newsies. Luke was sitting in a makeup chair, across from her with his own cup, fidgeting as prosthetics were being applied to his face. In between taking sips of tea, the two were softly singing along to their favorite musical number, causing the poor kid trying to do Luke's makeup to continuously snap at him for moving his head.
"And if I'm gone tomorrow"
"What was ours still will be"
"I have something to believe in"
"Now that I know you believed in me."
Out in the audience, Haley had arrived during intermission and was now entering the theater with everyone else.
"I left the house as soon as I got your text," Haley exclaimed to Alex, "I can't believe Luke is playing the lead!"
Backstage, Cam called quietly: "Curtain's up again in five! You're doing great, y'all!"
Finally, they were reaching the end of the play. Alex was clinging to Haley's arm, practically holding her breath. By that point she had all but forgotten that her brother was playing the Phantom, having become deeply invested in the story. Not until Christine was standing, turning the Phantom to face her, did Haley lean over to Alex to whisper: "Can you believe that's Luke?"
Then, Christine kissed him.
"Oh my gosh," Alex exclaimed lightly to her sister, "They like each other."
"Who?" Haley replayed, "The Phantom and what's-her-name?"
"No, Luke and Y/n."
"Oh, yeah, duh. They have for years."
Then, Christine was kissing him again.
The curtain came down and then raised again, leaving the cast to bow. They led the audience in applause to the sound crew, the lighting crew, the musicians, and then Cam who joined them on stage. The curtain went down again, but the audience's applause didn't die down with it, rather it picked up. A few parents in the audience called for an encore, and soon the entire theater joined in.
"We don't have an encore," Cam quickly whispered to the cast, "Musicals aren't supposed to have encores. But they seem to really want one, does anyone have anything?"
"We do," Luke said, looking at the girl next to him.
"We do?" Y/n questioned, her eyebrows raised.
"Sure, 'Something to Believe In,'" he told her, before turning to Cam, "From Newsies."
"Are you sure?"
"We know the whole thing by heart," Y/n assured him.
Cam walked out in front of the curtain.
"Well, ladies and gentlefolk. You asked for an encore, so an encore you will receive," as Cam spoke, Manny ran to tell the pianist what the encore would be.
Cam continued, "But first, I'd like to thank my terrific cast for getting over humongous hurdles, especially my incredible leads, who only stepped into their roles today, having previously not been a part of the cast, but the crew. And who, just now, pulled an extra song out of their hats, like theatre magicians,"
He looked at the pianist asking, "We're ready?"
The pianist confirmed he was, indeed, ready.
"This is 'Something to Believe In' from Newsies," Cam said with a smile, before walking off stage.
The curtain had risen again, revealing that the mobile set pieces had been removed. There stood Luke and Y/n, the former of which had changed slightly: he had ditched his suit jacket, rolled up his sleeves, messed up his hair, and was standing so the audience could only see the normal side of his face. Their plan was to run the scene from first line to exit, and that's exactly what they did.
Sitting in the audience, Alex and Haley quietly squealed to each other. For years, they had been having monthly movie nights, just Haley, Alex, Luke, and Y/n. And each month, they watched one of four movies. Newsies being one of those movies. They had often joked that Y/n was like Katherine, joining another family. And each time "Something to Believe In" would start, someone would say it must be one of the best love songs ever, and the rest of the kids would agree.
Boy, did the two actors have fun with it. The nudging, the kiss. The playful looks turned to silent flirting. Everything they wanted to do in their own lives, and the song required all of it. When the curtain lowered for the final time, the audience erupted in cheers. Backstage, Cam ran to Y/n and Luke, engulfing them in a hug only a proud director/uncle could give.
I don't own Modern Family or any of its characters/plots. I don't own The Phantom of the Opera or any of its characters/plots/songs. I don't own Newsies or any of its characters/plots/songs.
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