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#miniature renditions
sheltiechicago · 3 months
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Crested porcupine
A Veritable Aviary of Birds and Pollinators by The Paper Ark Are Small Enough to Perch on the Tip of a Finger
Nayan Shrimali and Venus Bird, of The Paper Ark, approach conservation and environmental activism on a tiny scale. The artists (previously) create miniature renditions of flora and fauna that harness the textured, buildable potentials of paper to showcase the beauty and singularity of threatened and endangered species.
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Great egrets
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Endangered pollinators
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Albino ruby-throated hummingbird
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Love Story
Colette is an up and coming actor, Harry is an international popstar who fell in love with cinema. When the pair work on a rendition of Romeo and Juliet, their worlds collide as feelings develop.
CW: Brief mention of dying, Smut.
Word Count: 11,860
Colette stepped into her dressing room, a lavishly appointed space designed to echo the opulence of the Verona in which her film "Romeo and Juliet" was set. The walls were draped in deep burgundy velvet curtains, softening the room with a rich, warm texture that whispered of hidden secrets and dramatic declarations. Golden accents framed mirrors and furniture, reflecting the flickering light from several ornately carved silver candelabras positioned thoughtfully around the room.
As she entered, her eyes were drawn to the vanity, an exquisite piece of craftsmanship with an expansive mirror bordered by tiny bulbs that bathed the area in a gentle, flattering light. Upon the surface lay an array of cosmetics and brushes, each laid out with precision, their handles catching glints of light like miniature scepters waiting to bestow their magic upon her.
The air was filled with a subtle scent of roses and myrrh, creating an atmosphere that was both calming and invigorating, as if the very essence of romance and tragedy had been captured and dispersed through the room. A large window draped with heavy curtains looked out upon a secluded garden that boasted marble statues peeking through lush greenery—Juliet's own secret sanctuary.
Colette’s costume hung on a dress form; it was a stunning creation of silk and lace, the fabric dyed in shades of moonlight and adorned with delicate embroidery that mimicked the intricate patterns of an Italian tapestry. The bodice was fitted, designed to accentuate her figure while allowing for the dramatic movements required in her scenes.
Next to the dress stood a pair of custom-made shoes, their leather soft and supple, seeming almost alive, like they were molded from a piece of night itself. They were embellished with small pearls and crystals, which twinkled like stars against the shadowy backdrop.
On a small table beside her plush, velvet-covered chaise lounge lay her script, its pages worn from use yet handled with reverence. It was flanked by a quill and an inkpot—an affectation provided by the director to inspire connection to the era they were emulating—as well as a delicate teacup painted with scenes from Shakespeare’s works.
Taking a deep breath to steady herself amidst this feast for senses—a real-life canvas painted with details fit for royalty—Colette prepared mentally to step once again into Juliet's world: one where love defied reason and every corner held both beauty and sorrow. She sat at her vanity, poised to transform under the artful hands of her makeup artist, ready to breathe life into Shakespeare's timeless lover once more.
The door to her dressing room opened with a soft creak, heralding the arrival of Madame Laurette, the makeup artist whose skills transformed actresses into visions from another time. Clad in a smock splattered with the remnants of foundation and rouge from previous masterpieces, Madame Laurette carried an ancient-looking leather case, which she set down with a practiced grace next to Colette.
"Ah, my dear," Madame Laurette began, her voice a soothing melody, "today we paint the tragedy and triumph of young love upon your canvas." Her hands were deft as they opened the case, revealing rows upon rows of pots and brushes, pencils and palettes; tools of the trade laid out like a surgeon's instruments, each with a purpose to bring forth beauty from bareness.
With delicate fingers, Madame Laureette applied a light moisturizer to Colette's face, preparing the skin like a primed canvas. She then used a sponge to dab on foundation that matched Colette's complexion so perfectly it seemed as if it were but a whisper on her skin. As she worked, she spoke softly about the character of Juliet—her passion, her grace, her strength in the face of despair.
Next came the eyes—windows to Juliet's soul. Madame Laurette chose shades that reflected the hues of twilight; dusky purples and soft blues blended seamlessly to suggest a depth of emotion. The eyeliner was applied in a fine line, accentuating the shape of Colette's eyes, making them appear larger, more expressive. Lashes were curled and coated with mascara that made them flutter like the wings of a night moth.
Cheeks were next attended with a brush dusted in rose-pink blush that brought a gentle bloom to her porcelain skin, reminiscent of English roses in bloom. It was as if Juliet herself had paused in a garden, momentarily caught up in thoughts of her Romeo.
Lips were not forgotten—painted in a soft red that was bold yet not overwhelming—a color that whispered of promises and kissed by starlight. As Madame Laurette worked her magic, the transformation from actress to character was nearly complete.
Finally, Madame Laurette set everything with a light dusting of powder which seemed to pull forth an ethereal glow from within Colette herself. Standing back to admire her work, she nodded slightly as if granting approval to proceed with the act.
As Madame Laurette packed away her tools and bid her farewell with wishes of good luck, Colette took one last look at herself in the mirror. Now staring back was Juliet Capulet: tragic yet triumphant in her love—a young woman framed not only by curls dark as raven wings but also by an aura of timeless romance that would soon spill over onto the stage under countless watching stars.
Her movements were infused with an anticipatory grace that seemed woven from the very threads of the narratives she was set to embody. The costume assistant approached, a vision of focus and professionalism, carrying the garment that would complete the transformation: a dress that seemed spun from moonlight and gossamer dreams.
The dress itself was a masterpiece of historical accuracy blended with theatrical flair. Its fabric was a whisper-soft silk that flowed like water over Colette's form, pooling slightly at her feet in a shimmering cascade of sky-blue. Intricate embroidery adorned the bodice, featuring delicate vines and flowers meticulously stitched with silver thread, catching the light with every subtle movement and suggesting a lattice of morning dew. Sleeves of sheer chiffon draped elegantly from her shoulders, airy and almost translucent, giving her arms the appearance of being wrapped in wisps of cloud.
As she stepped into the dress, the assistant deftly laced up the back, pulling the strings tight enough to sculpt her waist without hindering breath—a crucial balance for any performer. The final touch was a delicate ribbon tied in a bow just below her collarbone, a nod to youthful innocence and burgeoning romance.
Once dressed, Colette floated towards the full-length mirror, her steps tentative yet poised as though she were both discovering and remembering Juliet’s haunted grace. Her reflection seemed to transcend time; here was Juliet not as mere fiction, but resurrected in flesh and blood and silk, her eyes alight with both excitement and a hint of sorrow for the tale she was to live anew.
Taking a deep breath that lifted her chest slightly against the soft confines of her dress, Colette turned away from her reflection—away from Juliet's temporary shelter—and made her way out of the dressing room. The corridor outside was lined with flickering candles encased in glass lanterns hanging from ornate metal stands, casting shadows that danced like shy phantoms on the walls.
As she walked, her dress whispered secrets only she could hear, each step a murmur of silk. Exiting the building, she stepped out into an expanse that felt less like part of a film set and more like stepping through a wrinkle in time into Verona itself. The set designers had outdone themselves; cobblestone streets wound beneath balconies overflowing with ivy and blooms. Lamps glowed softly along pathways and a distant fountain murmured in melodious tones.
Here under the vast expanse of an artificial twilight sky beginning to pin itself with stars, Colette paused at the center of an old square waiting for Harry's arrival. In this moment suspended between reality and fiction—where night air kissed her cheeks as sweetly as any lover might—she was neither Colette nor Juliet but something timeless; a whisper of love’s eternal reverie waiting to be awakened by Romeo’s pledge beneath soft-footed shadows.
Colette felt eborn into another age and another life—her heart beating rapidly with anticipation and empathy for her character’s imminent joys and sorrows. She moved towards the set where artificial stars awaited their nightly audience and real emotions would stir under painted skies.
Just as the anticipation in the air reached its peak, Harry emerged from the shadows, a figure pulled from the very pages of Shakespeare. His costume was a masterpiece of Elizabethan artistry—velvet doublet embroidered with intricate silver threads that caught the light with every subtle movement, making him shimmer like a star newly born into the night sky. His breeches were of a similar rich fabric, hugging his legs with a precision that spoke of many hours spent in the tailor’s care. Upon his feet were boots made of soft leather that whispered against the cobblestones as he moved.
His hair, usually untamed and wild, had been tamed into soft waves that framed his face, echoing the romantic heroes of old. Around his neck, a heavy chain with a cross pendant rested against his chest, gleaming softly in the lamplight. His eyes, when they met Colette's, sparkled with a mixture of excitement and nervous energy—the perfect echo of Romeo’s own youthful vibrance and passionate soul.
As Harry walked closer to where Colette stood, waiting in her character's eternal reverie, his presence seemed to draw the very essence of the night towards him. The distant murmur of the fountain seemed to harmonize with his every step, creating a melody that resonated with the quiet rustling of Colette’s gown. Each element of the scene—the glowing lamps along the pathways, the soft rustle of ivy against stone—seemed to lean towards him, as if nature itself was eager to hear the tale these two star-crossed lovers would enact.
The square they occupied breathed with an air of ancient romance; it was as though they had truly stepped back in time and were no longer actors on a set but living embodiments of their characters. The buildings surrounding them wore age like proud badges, their windows darkened save for the occasional flicker of candlelight that suggested life continuing unaware inside. Above them, the crescent moon cradled stars that had witnessed countless tales of love and tragedy.
Harry reached the center of the square, his boots clicking on the cobblestones with a rhythmic certainty. He stopped before Colette, who remained motionless, her gaze fixed upon him with an intensity that belied the serene expression on her face. Her costume—a flowing dress of midnight blue, embroidered with tiny silver threads—whispered tales of bygone elegance as it caught the breeze, fluttering lightly around her ankles.
Clearing his throat softly, Harry began to recite Romeo's lines with a tender fervor that seemed to pull at the very air around him. "But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun." His voice rose and fell in perfect cadence, each word a brushstroke painting emotions across the canvas of the night.
As he spoke, an unexpected gust of wind stirred the leaves around them into a gentle dance, mirroring the turmoil brewing in Romeo's heart as he gazed upon his forbidden love. The scent of rose and old stone mingled together, casting a spell over the scene that was palpable. The director, hidden in the shadows beyond the set's makeshift lights, allowed himself a small smile at the authenticity of this moment—cinema magic in its purest form.
Colette responded in kind, her voice carrying back to Harry with equal parts longing and restraint. "O Romeo, Romeo! wherefore art thou Romeo?" She stepped forward slightly, her hands clasped before her as if to steady her racing heart. Her eyes never left Harry's, and in them flickered the fire of Juliet's love—a burning, all-consuming flame that acknowledged neither reason nor consequence.
The crew around them had ceased all movement; even those seasoned in film felt themselves caught in the spellbinding performance unfolding before them. The prop master forgot his duties for a moment, lost in the authenticity of Colette's accent and the palpable connection between her and Harry.
Above them, clouds began to drift across the moon's face slowly veiling and unveiling the celestial glow. This natural play of light added a dramatic flair to the scene below—an unwitting collaboration between man and nature that highlighted this poignant moment of shared solitude between two lovers cursed by fate.
Every detail was perfect, the way the lamplight flickered as though trembling with anticipation; how a distant owl hooted right at Juliet’s tender confession; the subtle shift of fabric as Harry moved closer to Colette—contributed to an atmosphere thick with drama and history. Even those behind cameras or holding booms felt as if they were no longer just creating but witnessing something transcendent; a story retold yet forever new in its telling.
As Harry delivered Romeo’s pledge of undying love beneath Juliet's window conceived anew beneath towering oaks and ageless stone buildings, it was clear this was not merely a recitation but an act of truth.
The director, normally a stoic figure shadowed by the breadth of his responsibilities, allowed a rare smile to creep across his face as the final words lingered in the air, trembling like the leaves around them. His approach was silent, reverent almost, as if stepping into a sacred space that the actors had conjured with their spellbinding talent.
"Cut!" he called out, but the word was soft, filled more with awe than command. The silence that followed was profound, filled with the collective held breath of the crew before they erupted into spontaneous applause. The clapping rolled through the set like thunderous waves, each member expressing their unbridled admiration for what they had witnessed.
The director raised his hands, beckoning for quiet, his eyes gleaming with both pride and something akin to gratitude. "That," he said, his voice steady but imbued with emotion, "was nothing short of magnificent. Harry, Colette—I've seen many a scene in my years behind the camera, but what you both have delivered today transcends performance. It reaches into the core of what it means to be human; to love, to despair, to hope."
He walked over to the actors, who were still nestled in their characters' final embrace, slowly returning to themselves as they listened to his praises. "Colette," he continued, turning to her with a respectful nod. "Your Juliet is both vulnerable and fiery; you’ve given her a depth that breathes new life into Shakespeare’s lines. And Harry," he turned with equal admiration to the young actor whose eyes still held a glimmer of Romeo's passion. "You’ve played Romeo not just as a lover but as a warrior fighting against the inevitable tragedy of his fate. Exceptional work."
The surrounding buildings and trees seemed to absorb his words, casting longer shadows as if in agreement. The director then turned towards the crew members who had captured every nuanced moment on film. "And let’s not forget the incredible work of our crew—lighting, sound, props—this magic can’t happen without each piece falling perfectly into place."
He clapped his hands together once more, this time signaling an end rather than silence. "Alright folks, let’s pack up here—remember this feeling of accomplishment. We’ve got early scenes tomorrow and we need to bring this same energy."
As they disbanded gradually, whispers of praise continued amongst them like quiet ripples on a pond at dusk; everyone shared part of the triumph. Juliet’s balcony scene would be remembered not just for its beauty and tragedy but for its vivid realness that evening under the shrouded moonlight—an echo of love carried softly by the wind through the leaves of those ancient trees.
As the crew began to disperse, the air filled with the clatter of equipment being packed and the soft murmur of satisfied conversations. Harry and Colette slowly walked side by side toward the dressing rooms, their costumes slightly less pristine than they had been at the start of the day but still radiant under the fading sunlight. The path was lined with ancient oaks, their branches gnarled and stretched toward the sky like silent watchers of countless tales unfolding under their gaze.
Harry glanced at Colette, noting how the evening breeze gently lifted strands of her hair. She looked ethereal, a stark contrast to the raw intensity she had displayed on stage just moments before. "You were truly magnificent today," he said, his voice carrying a warmth that lingered in the cool air. "It’s amazing how you transform so completely."
Colette smiled, a blush tinting her cheeks. "Thank you, Harry. You were incredible as well. There’s a certain ferocity you bring to Romeo that’s both thrilling and heart-wrenching."
They reached the dressing rooms, tucked behind a curtain of ivy that draped over the stone walls of the old stage building. Its doors stood like portals back to reality from the whimsical world they had just left behind on set.
Pausing by her door, Harry shuffled slightly, a mix of eagerness and hesitation playing across his features. "Colette, I was wondering, would you... perhaps care for some dinner? There’s this little place I know nearby, quite secluded, perfect for winding down."
The offer hung between them like a delicate promise; a chance to extend the enchantment of their shared performance into the evening. Colette’s eyes lit up with genuine interest. "That sounds lovely, Harry. A quiet dinner would be perfect." Her smile was inviting, bridging the gap between their on-set romance and off-set camaraderie.
As they walked towards Harry's car parked under a canopy of whispering leaves, they talked about everything from their interpretations of their characters to trivial anecdotes from their daily lives. The restaurant was nestled in an alley illuminated by strings of faint golden lights that created halos in the misty night air.
Inside, they chose a corner table surrounded by bookshelves filled with worn volumes and odd trinkets—a cozy retreat from the outside world. As they ordered, they continued to unravel layers of conversation, each topic a stepping stone deeper into each other’s thoughts and dreams.
The meal was delicious—simple fare but made with care—a reflection of the restaurant itself. They laughed over shared appetizers and lingered over wine that painted their thoughts in broader strokes. The candlelight flickered across their faces, casting soft shadows that danced to an unplayed rhythm.
By dessert, Harry found himself watching Colette with renewed appreciation as she articulated her ambitions for future roles and her vision for modern theatrical interpretation. She listened equally intently as he described his journey through being a musician and his aspirations beyond.
As Harry and Colette lingered over the last sips of their drinks, the cozy warmth of the restaurant began to feel like a protective cocoon against the crisp night air outside. They shared a quiet moment, smiling at the serendipity of their meeting and the depth of conversation it had spurred. But as they rose to leave, pushing their chairs back gently against the worn wooden floor, the surreal bubble they had enjoyed burst with abrupt clarity.
Stepping out onto the alley, they were met not by the quiet of the night but by a sudden burst of flashing lights and clamorous voices. Paparazzi, having caught wind of their dinner together, swarmed around them like moths to a flame. Cameras clicked and flashed relentlessly, capturing every gesture and expression, as reporters shouted questions trying to pierce through the veil of their private evening.
"Harry! Colette! Are you two more than just co-stars?" one voice rang out, sharper than the rest.
"Is this dinner a sign of a new Hollywood power couple?" another chimed in.
Shields up against this intrusive barrage, Harry instinctively placed a protective arm around Colette’s shoulders. He guided her gracefully yet swiftly towards his car, parked under the now ominous canopy of leaves that whispered secrets in a tone much darker than before. Each flash from the cameras cast stark shadows on the ground and painted their path in fast paced steps.
Colette kept her head down slightly, her smile replaced by a composed mask of cordial indifference; it was clear she was no stranger to these encounters but nonetheless hoped they might evade them tonight. Harry muttered a polite "have a good night" as he helped her into the passenger seat of his car.
Inside the relative safety of the vehicle, they exchanged a look—a mix of amusement and exasperation—and Harry let out a sigh as he started the engine. The lights outside continued to flash through the tinted windows as he maneuvered out of their parking spot.
The drive back was quiet at first, as if they were both processing the sudden shift from intimate conversation to public spectacle. Yet soon enough, Harry turned down the volume on an ambient tune that had started playing automatically when they entered.
"That was intense," he said, glancing over at Colette with an apologetic half-smile.
"It always is," Colette replied, turning to face him with a resigned smile. "But hey, part of our charming careers, right?"
Harry laughed softly. "Yeah, charm is one word for it."
As the car glided through the dimly lit streets, the silence between them grew heavy with unspoken thoughts. Colette broke the tension first, her voice soft but tinged with a hint of frustration.
"I sometimes wonder if this is what we signed up for, you know? The constant scrutiny, the invasion of privacy... Is it worth it in the end?" she mused, her gaze fixed on the passing city lights.
Harry nodded thoughtfully, his grip on the steering wheel tightening imperceptibly. "I ask myself that question too, especially on nights like this. It's like we're always under a microscope, every move dissected and analyzed by strangers."
A sense of comfort blossomed between them, a shared understanding born out of their parallel experiences in the spotlight. Colette turned to Harry, a spark of defiance igniting in her eyes.
"But despite all of that," she continued, her voice gaining strength, "we can't let them define us or dictate our every move. We're more than just their headlines and gossip fodder."
Harry smiled at her resolve, a flicker of admiration shimmering in his eyes. "You're right, Colette. We're artists first and foremost, creators of worlds and emotions."
Their shared conviction filled the car with a renewed sense of purpose, a quiet determination to reclaim their narrative from the prying eyes of the paparazzi. As they neared Colette's apartment building, Harry parked the car with a sense of finality.
"Thank you for tonight," Colette said sincerely, turning to face him with a genuine smile. "Even the chaos at the end, I truly enjoyed our conversation and dinner, it was really good."
Harry returned her smile warmly. "Likewise, Colette. We are more than just co-stars caught in a media frenzy."
As Colette opened the door to her apartment, the image of Harry in his Romeo costume flashed vividly across her mind. His appearance had been a perfect blend of vulnerability and valiance, his attire accentuating the expressive lines of his body as he moved with an almost ethereal grace on stage. The sheer, soft fabric of his shirt clung to him as if it were part of his own skin, and the way the stage lights had caught the highlights in his hair made him look like a figure from an old-world painting—romantic and heroic.
Inside her quiet apartment, everything seemed too still, too empty compared to the warmth of Harry's presence. She tossed her keys on the table absent-mindedly and moved towards her bedroom, her mind replaying their conversation in the car. His words echoed in her ears, blending with flashes of his smile and the intensity in his eyes when he spoke about their artistry. It was as if he'd stripped away all the glitz and scandal that so often cloaked their lives, revealing a raw, sincere connection between them.
Colette tried to settle into bed, pulling her covers close, but restlessness took over. Turning onto her back, she stared at the ceiling, her thoughts spiraling around Harry’s comforting arm around her shoulders earlier that night. She remembered how secure it felt, a protective circle that shut out the incessant flash of cameras and curious stares. The smell of his cologne, a subtle mix of bergamot and sandalwood—seemed to linger on her skin, transporting her back to their fleeting moments of privacy amidst the chaos.
The more she thought about him, the more details came flooding in. How his lips curved into a smile just before he laughed, how his eyes lit up when discussing a particularly passionate scene. Even the way he held himself during their performance—confident yet tender—seemed etched into her memory with surprising clarity.
A sigh escaped her lips as she turned again in bed, fluffing her pillow in vain search for comfort. The digital clock on her bedside table glowed 2:17 AM; time was slipping by slowly tonight. Every tick seemed to resonate within the quiet room, each one reminding her of Harry’s gentle demeanor and unspoken assurances.
Why was it so difficult to push these thoughts aside? Why did every tiny detail of him seem magnified tonight? Colette knew that sleep would be elusive as long as these memories danced through her head, a sweet torment but a torment nonetheless.
Realizing that fighting it was futile, she sat up and reached for a book from her nightstand. Perhaps diving into someone else’s fictional world could ease her back from hers filled with all too real emotions spurred by Harry. Yet as she flipped through page after page, Colette found herself reading without absorbing any words. Her mind was back with Harry, reliving each moment spent together that day.
Finally surrendering to the inexorable pull of those memories, Colette set the book aside and allowed herself to reminisce about every glance exchanged and every laugh shared with Harry until tiredness eventually claimed victory over turmoil—a bittersweet end to an evening that neither camera flashes nor gossip columns could ever truly capture.
As the first rays of morning light began to filter through her gauzy curtains, Colette felt a tentative peace settle over her. The unavoidable sunrise not only heralded a new day but also the unavoidable return to set where today's scenes awaited her—scenes that would force her to bridge the gap between reality and fiction, between Colette and Juliet, Harry and Romeo.
The day unfurled slowly, each moment stretching languidly as if aware of the weight it carried. Colette arrived on set, her heart thrumming a nervous rhythm against the cage of her ribs. The set was a meticulous recreation of Verona, the air perfumed with artificial blooms that lined the faux stone balconies. It was here, beneath a painstakingly crafted balcony, that she found Harry already immersed in his role, his eyes distant yet filled with an intense purpose.
As makeup artists fluttered around them like attentive sprites, dusting their faces with powder and painting their lips, the boundary between Harry and Romeo, Colette and Juliet blurred seamlessly. The director—a wiry man with a penchant for perfection—guided them through their positions with an authoritarian yet oddly paternal touch.
"Remember," he said, his voice low and urgent as if conveying a secret, "this kiss isn’t just about passion. It’s about discovery, wonderment. You’re unveiling layers of your soul to one another."
Taking their places, Harry extended his hand with a gallantry that could either be attributed to him or to Romeo—it was hard to tell at this juncture. As Colette placed her hand in his, their fingers tentatively entwining, she wondered if he felt the same electric surge that ran up her arm.
The cameras rolled silently, capturing every nuanced expression. Around them, the crew faded into obscurity; it was just Harry and Colette, Romeo and Juliet. As Harry spoke his lines—the words Shakespeare penned centuries ago—his voice wove around her heart like a tender vine. His gaze held hers captive and in that moment, under the watchful eyes of countless unseen spectators both present and future, fiction turned into a palpable reality.
With the gentlest of motions indicative of both apprehension and certainty, Harry drew closer. His breath mingled with hers—a sweet prelude to the imminent ballet of their lips. When their lips finally met in an embrace as old as time yet fresh like dew on morning leaves, there was a hush on set so profound that even the rustle of fabric seemed sacrilege.
The kiss deepened not out of direction but from an intrinsic need to explore the burgeoning emotion that had started off as an onscreen farce but had bloomed into something indefinably real. They existed in the breath between lines; in the silence between words—their world distilled into the small space between their intertwined fingers and mingling breaths.
As they parted—an infinity encapsulated in seconds—their gazes lingered longingly; not solely because the script demanded it but because their souls hesitated to disentangle.
"Cut!" The director's voice sliced through the thick curtain of emotion, abrupt yet not unkind.
Applause broke out among the crew, bringing Harry and Colette back from Verona to the soundstage. Yet something lingered in their shared glance, a spark that neither the stark lights of the studio nor the return to their own separate lives could dim. As they stepped away from each other, there was an awkward moment of hesitation, a mutual recognition of something undefined and new swirling between them.
The rest of the day passed in a daze of repeated scenes and whispered lines. Colette found herself more aware of Harry's presence, every look and every touch magnified under the scrutinizing lens of her newfound feelings. Off-camera, they joked and laughed, but there was an unspoken agreement in their smiles, a secret tucked away behind their lighthearted banter.
When filming wrapped for the day, Colette felt the exhaustion from emotional strain more than from physical demand. The carousel of her thoughts kept spinning as she drove home, the ghost of Harry’s touch lingering like a promise on her skin.
Back at her apartment, she knew she ought to eat something or perhaps review scripts for tomorrow's shoot. Instead, she found herself at her window, gazing out into the twilight cityscape, her mind replaying every encounter with Harry. It wasn't just their characters who had discovered new emotional landscapes; Colette feared she was standing on the precipice of a revelation herself.
Her phone rang, slicing through her silence. She hesitated before answering, half-hoping it was Harry. It was her agent instead.
"Colette! Todays news came in; you were absolutely sublime! Everyone’s buzzing about the chemistry between you and Harry," her agent enthused over the line. Though meant as praise, each word weighed heavy on her soul like stones filling her pockets.
"Thanks," Colette managed to say, her voice a mere whisper against the storm inside her. "That means a lot."
"Listen," her agent continued, oblivious to Colette's turmoil, "There’s talk already about future projects for you two—maybe even some endorsements together. This could be huge for your career."
Her career. Right. That’s what mattered. Yet as Colette ended the call and sat back against the soft cushions of her couch, she couldn’t help but wonder if perhaps this time, something else mattered more.
She finally allowed herself to consider the possibility that what was scripted for Romeo and Juliet might have woven itself into the fabric of reality for Harry and herself. Could life imitate art to such a degree? Or was it merely caught up in the whirlwind of creating something beautiful together?
The night deepened around Colette as she sat alone with her thoughts. She knew decisions lay ahead, decisions about how far she should let this potential off-screen relationship develop amidst their on-screen romance. Tonight though, she would allow herself one certainty: that in all her roles, both lived and acted, nothing had ever felt quite as dangerous or as genuine as whatever was unfolding with Harry.
The room dimmed further as the last strains of sunlight vanished, leaving only the flickering shadows cast by the streetlamps outside. Colette's mind, a whirlpool of longing and rationality, began to conjure vivid scenes of Harry reciting lines from their recent scenes. Each word, artfully delivered with his rich, emotive voice, seemed to echo through her now quiet apartment, filling the spaces between her scattered thoughts.
He had stood there on stage, beneath the opulent glow of the set lights, his eyes finding hers in the scripted moments that felt all too real. "But, soft! What light through yonder window breaks?" Harry's voice had quivered slightly with a passion that transcended performance. Colette remembered how her heart had leapt at those words, how the scripted distance between them seemed to collapse in a singularity of shared emotion.
As Romeo, he had been impetuous yet earnest, his every motion weaving a spell of youthful ardor and desperate love. And now, alone, she let her mind replay those scenes—his beseeching gaze, his hands reaching not just for Juliet but for Colette herself. Could it be that each line he delivered was an arrow aimed directly at her heart? The balcony scene unfolded again in her thoughts: Harry's silhouette framed by the mock Verona backdrop they had on set. "With love's light wings did I o'erperch these walls; For stony limits cannot hold love out," he had declared fervently.
Could stony limits hold her emotions at bay? Her career had always been a fortress of sorts—a necessity to keep vulnerability at bay. But Harry’s portrayal of Romeo dismantled her defenses brick by brick, not through sheer force but through the tender strength of shared vulnerability.
In her mind's eye, Colette wandered back to a moment during rehearsals when Harry had improvised—off-script yet profoundly resonant—speaking directly to her soul beyond the bounds of their characters. "And yet I wish but for the thing I have: My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite." How his eyes had held hers, unwavering!
The thought brought an unexpected tear to Colette's eye—a tear for the uncertain future, for the potential hardships they might face together or apart, but also a tear for the beauty of a connection that might just transcend the ephemeral world of acting.
Colette rose from the couch and moved towards her window. Gazing out into the starlit cityscape, she pondered over these newly tapped depths within her heart. Perhaps tomorrow she would make decisions with consequences she couldn't yet foresee. But tonight belonged to dreams and whispered lines—a night where Harry's recitations from Romeo and Juliet swirled around her heart like a sweet yet potent incantation. Tonight was not about contracts or cameras. It was about understanding that what they might share could be as profound and real as any love story ever penned—an ode not written by Shakespeare but lived by two hearts daring enough to explore it.
As the hours ticked by, the city outside her window slowly transformed. The glaring neon signs dimmed to a soft glow, and the relentless honking of cars turned into a distant murmur, as if even New York herself had decided to catch her breath. In that serene quietude, amidst the gentle rustle of leaves and the occasional chirping of a late-night bird, Colette's mind kept returning to Harry—to his eyes, his voice, his surprisingly delicate touch on stage.
She tried reading a book, but the words blurred into meaningless shapes as her thoughts danced back to those moments onstage when the air between them seemed charged with an electric intensity. It was in those moments when Harry's voice would deepen just so, casting out lines like spells that wrapped around her heart, binding it inexplicably to him.
Restlessness finally got the better of Colette. With a sigh, she set aside her book and picked up her phone. Her thumb hovered over Harry's contact—for a moment she hesitated—but then, driven by an impulse she neither questioned nor understood fully, she pressed call.
The phone rang briefly before Harry's familiar voice filled the line. "Colette? Is everything alright?"
"I couldn't sleep," she confessed softly, the words feeling both foolish and necessary.
There was a pause—a thoughtful silence—and then Harry’s voice came again, quietly intense. "Come over, then. I’ve been trying to distract myself with scripts and lyrics, but it seems tonight is bent on being restless."
A small smile touched her lips; relief washed through her in gentle waves. "Give me twenty minutes?"
"Take your time," he replied with such warmth that it felt like a hug through the phone.
When Colette arrived at Harry’s apartment—a modest yet cozy space filled with stacks of books and paintings that spilled from every corner—she found him sitting on the balcony overlooking the twinkling skyline. He had two cups of tea steaming gently on a small table between them.
As she stepped out onto the balcony, he rose to greet her with an ease that belied his earlier restlessness. They didn’t speak much initially; words seemed superfluous as they sipped their tea and let the city’s nocturnal symphony envelop them.
It was only after both cups were emptied that Harry spoke again, his voice soft but clear against the backdrop of whispering winds. "You know," he began hesitantly, "tonight reminds me of our final act last week—the way Juliet looks at Romeo with such... such unguarded hope.”
"Yes," Colette whispered back, feeling that familiar pull in her chest—the inexplicable connection that seemed to thrive in shared silences and stolen glances rather than grand declarations.
"Sometimes," Harry continued, turning to face her more fully now, "I wonder whether we’re more than just actors playing parts—whether some scenes bleed into reality without us even noticing."
Colette reached out then, touching his hand lightly. "Maybe they do," she said simply. And for a long while after that, they sat there together—two figures etched against a sprawling cityscape—finding solace in each other's presence and in the quiet conviction that tonight was not merely about roles or rehearsals; it was about discovering truths hidden within lines delivered.
As the night deepened and the city's sounds ebbed into a lulling quiet, the conversation between Harry and Colette drifted from their characters' tragic romance to their own realities—careers that were as dazzling as they were demanding, personal lives constantly scrutinized by the public eye, and futures uncertain but full of potential.
"Sometimes I think about stepping away," Harry admitted, his gaze locked on the distant lights. "From the music, from the films—just to see who I am when the lights go off."
Colette nodded. The vulnerability in his voice resonated with her own unspoken fears. "It's as though we're constantly wearing masks, isn't it? Onstage or off, it's hard to tell where the character ends and where we begin."
"Yeah," he sighed. "Tonight though, being here with you—it feels real. No scripts, no audience." His eyes met hers with an intensity that sent a shiver through her.
She smiled, feeling a sense of kinship forge deeper between them. "No masks," she whispered.
They sat for a moment in silence, each lost in contemplation of the rare simplicity this evening had brought them—a stark contrast to their everyday chaos. Harry eventually stood up, stretching his arms towards the starry sky before offering his hand to her. "Come on, let’s take a walk. The night’s too beautiful to spend it all sitting down."
Reluctantly leaving their secluded spot, they wandered down quiet streets lined with barely lit cafes and closed bookstores, their steps synchronized in comfortable silence. Every so often, Harry would point out an old theater or a quaint little art gallery he’d visited during his tours. Colette listened intently, her heart swelling with an affection that was new and yet profoundly familiar.
As they turned back towards Harry's apartment, he stopped suddenly under a streetlamp’s soft glow. "I haven't felt this... peaceful in months," he confessed, looking at her with an earnestness that made her heart skip.
She reached for his hand, squeezing it gently. "Neither have I," she said. "It’s easy to forget what quiet feels like when your life is full of noise."
Harry nodded, his gaze lingering on her face as if memorizing every detail. "Do you think it's possible? To find peace amidst all the turmoil?"
"I think," she started, pausing to gather her thoughts under his attentive gaze, "it's about finding the right person to share in those quiet moments—the ones who hear the music in your silences."
A warm smile spread across Harry's face as he drew her closer. Underneath that streetlamp, amid the sleeping city and beneath an audience of stars, they found a momentary escape—not as Romeo and Juliet caught in Shakespearean tragedy nor as celebrities shadowed by fames relentless spotlight—but simply as Harry and Colette discovering solace within each other's company.
As they slowly headed back to his apartment, hands entwined with silent promises of more shared nights like this one, both understood that while their careers might pull them in different directions come morning, tonight was theirs—a night marked not by dialogues written by playwrights long gone but by honest words exchanged between two souls navigating through life’s vast stage together.
She felt the warmth of his hand in hers, the roughness of his skin against her own soft palm, sending shivers down her spine. She looked up at him, taking in the way he moved, so confident and yet so gentle at the same time. Colette couldn't help but feel safe in his presence. The sound of their footsteps echoed on the empty sidewalk, mixing with the distant hum of traffic and occasional howl of a lonesome siren. As they turned into an alleyway, she breathed in the scent of freshly baked bread from a nearby bakery, mingling with the stale smoke from a cigarette butt left behind by some passerby. The stars above twinkled like diamonds scattered across a midnight sky, their light guiding them home.
They walked hand in hand beneath the glow of the streetlamp, casting shadows on the brick wall behind them as they stepped forward. The rhythm of their stride became synced, almost like they were dancing to an unknown melody. Every now and then, Harry would point out constellations he recognized or make up stories about the ones he didn't, his voice deep and soothing like velvet caressing her ears. His laughter rang out when she teased him about his astronomical knowledge—or lack thereof—and she loved how genuine it sounded despite everything that surrounded them.
Colette paused for a moment to look at a painting on an old doorstep; it was beautifully executed yet marred by graffiti tags that told stories of love lost and hearts broken. Harry stood beside her, looking over her shoulder as if seeing it for the first time too. She noticed how his presence made even this decrepit alleyway seem somehow beautiful.
They continued walking, their steps echoing softly against the pavement as they neared Harry's apartment building. As they reached the front door, he stopped and with a flourish produced a set of keys from his jeans pocket. The metal jangled softly against each other as he unlocked it, and then they stepped inside out of the cool night air into the warmth of his cozy living room. Setting down her purse, Colette looked around at the familiar surroundings - the worn sofa, the bookshelf filled with favorite novels and framed photographs from past adventures, and the unlit fireplace waiting for winter evenings. The musty smell of old books mingled with freshly brewed coffee drifting from the kitchenette.
"Well," Harry began as he shut the door behind them, "I guess this is where our little adventure ends."
Colette's heart sank at his words but she forced a smile anyway. "Yeah... it was fun while it lasted."
"It always is," he agreed quietly, moving towards her and giving her one last hug before gently pushing her towards the door. "You should get some sleep though, early morning meeting tomorrow."
With one final wave goodnight, Colette slipped through the door and into the hallway, hearing it click shut behind her. Outside on the sidewalk, she took a deep breath of the cool night air and felt a slight shiver run down her spine as reality came crashing back in - work in the morning with its emails and deadlines and office politics. But for now, she allowed herself to linger on the memory of their night together: The taste of wine on her tongue still lingering; the soft buzz from alcohol fading; Harry's touch still lingering on her skin like tiny electric shocks. 
As Colette closed the door behind her, she could hear the familiar clicking sound filling her with a sense of finality. The night air was crisp against her skin, carrying with it a chill that sent shivers down her spine as she took in deep breaths of the city outside. Her mind was still reeling from the events of the evening; it had been an unforgettable journey into a world she never imagined existed. But alas, all good things must come to an end, and now she found herself standing on the sidewalk once more, back in reality. The neon lights from nearby stores cast an artificial glow upon the pavement as she stepped away from Harry's cozy apartment and began to walk towards home. The sound of footsteps echoed on concrete as cars honked their horns in the distance, creating a symphony of urban noise that surrounded her.
She could still feel Harry's embrace pressing against her back as if he were wrapping his arms around hers again, sending tingles up and down her spine with each step she took away from him. She could still taste the sweetness of red wine dancing on her tongue - its tartness mixing with the lingering taste of their passionate kisses as if it were a bitter-sweet symphony only they shared. She let out a soft sigh and looked up at the starry sky above; the sight always managed to calm her nerves but tonight it only served as a reminder that their time together was over.
The streets were empty save for a few late-night stragglers making their way home from parties or bars, their laughter and music fading into nothingness as Colette walked further down the block. A soft breeze rustled through trees lining the sidewalk, leaves whispering secrets only they knew while carrying with them.
Once Colette made it home she brushed her teeth and went into her cozy bed wrapped around in her favorite cotton pajamas, snuggling deep into the softness of her sheets. She reached over to her phone on the bedside table and saw Harry's name still glowing on the screen. A smile tugged at her lips as she remembered their last goodbye
As she drifted off, Colette imagines walking through Central Park once more. The crisp air rustled through trees, carrying with it the scent of autumn - earthy and musky. She could hear the sound of leaves crunching underfoot and see birds flitting from branch to branch overhead. They sat together on a bench, leaning against one another as they watched nature's greatest show for free. He held her hand closely, lacing fingers between hers as if they were always meant to be entwined like that. And then she felt a drop of rain on her nose, followed by another one on her cheek. They both laughed as they ran hand in hand towards his apartment; their shoes splashing through puddles left behind by an unexpected shower that cloud-covered sky promised earlier in the day.
Colette woke up with that same coolness brushing against her face but found herself alone in bed instead of curled up with Harry. The memory lingered like a fond dream but faded away with each blink until all that was left was reality.
Colette got ready and made her way over to the studio, today was the last day of scenes, and the scene where Romeo and Juliet meet their demise.
As she entered the bustling set, the weight of the final day pressed on her shoulders like a heavy curtain about to fall for the last time. The air was thick with a mix of excitement and melancholy, as everyone from the crew to the cast moved with a purposeful urgency, aware that this chapter was closing. Colette brushed past the props and costume racks, her mind still tangled in thoughts of Harry and the night that they had spent wrapped in each other’s company.
She found herself in front of her dressing room mirror, staring at her own reflection as she slipped into Juliet's intricate gown. Each layer of fabric seemed to wrap her tighter, not just in character but also in the realization that soon she would have to strip away this identity that had become a second skin over months of filming.
"Knock knock," came a familiar voice from the door. It was Harry, leaning against the frame with that charming smile that always seemed to disarm her.
"Hey," Colette replied, her heart skipping a beat. "Ready for the grand finale?"
"As I'll ever be," Harry said, stepping inside and helping adjust a loose strand of her hair. "It’s surreal, isn’t it? Feels like just yesterday we were stumbling through our first lines together and today we die together."
Colette nodded, feeling the corners of her eyes moisten. "I'm going to miss us—this."
Harry took her hand gently, squeezing it reassuringly. "The end of one story, Colette. Not the end of everything."
Together, they walked onto the set where the final scene awaited them—a beautifully tragic conclusion to Shakespeare’s timeless tale. The set was a somber array of shadows and light, perfectly crafting an ambiance befitting their last moment as Romeo and Juliet.
As they stepped into their marks, silence enveloped the set. The director called for quiet on set and slowly, every surrounding noise dulled into obscurity until there was nothing but the fictional world they were anchored in.
"Action!" came the resolute call.
The scene unfolded with an intensity that mirrored the raw emotions both Harry and Colette felt. They delivered their lines with a palpable passion, their voices laced with the poignant realization of both the characters' and their own impending separation. As Romeo, Harry took a vial of poison, his hands trembling slightly—a detail that added a layer of desperate realism to his performance. Colette, as Juliet, lay motionless on the stone-cold crypt, her chest rising and falling subtly, awaiting her final cue.
When it came time for Juliet to awaken, Colette's eyes fluttered open to meet Harry's gaze one last time. The sorrow in his eyes was reflected in hers; no longer just acting, they were living their characters' tragedy. As she spoke her last lines, a tear escaped down her cheek, blurring the boundary between performance and reality.
The potent mix of fiction and their personal goodbye charged through their final kiss, drawing a silent gasp from the crew around them. As Juliet drove Romeo's dagger into her chest, Colette collapsed beside Harry with a grace that spoke volumes of the artistry she had poured into her role.
For a few heartbeats after the director called "Cut!" nobody moved. The echo of their lines lingered in the air, heavy with the weight of finality. It was only when the applause broke out that Harry and Colette were pulled back from Verona to the stark reality of the studio set.
Still lying beside each other on the cold ground of the set crypt, they turned to look at each other one last time. The clapping around them faded into a distant murmur as Harry reached out to brush away another tear from Colette’s cheek.
“That was...” Harry started but seemed unable to find the right words.
“Beautiful,” Colette finished for him, her voice barely above a whisper. “And absolutely fucking heartbreaking.”
They helped each other up and took a bow to the crew whose cheers had now filled up space like light flooding into dark corners. It was over — their journey as star-crossed lovers had come to an end on screen.
Just then, the director, a tall figure with a rumpled look that spoke of endless days and sleepless nights, stepped into the circle of light. He adjusted his glasses, looking from Harry to Colette with an expression torn between admiration and the perpetual dissatisfaction of a perfectionist.
"Truly magnificent," he pronounced, though his voice carried a but that hung in the air unspoken. The crew quieted, sensing there was more to come. "However," he continued, casting a quick glance at the cameraman who nodded sheepishly, "we had a slight glitch with the lighting. One of our key lights flickered out right at the crucial moment."
A collective sigh rippled through the team, mixed with a few suppressed groans. Yet no one protested— they all knew the importance of getting it just right.
"We need to go for another take," the director declared firmly. The disappointment was palpable, but so was the resolve to perfect the art they were all crafting together.
Harry and Colette exchanged a look of weary determination. Without a word, they moved back to their starting positions beside the stone altar that served as Juliet's final resting place. 
As the crew reset their equipment, Harry glanced around at the towering set pieces that recreated Verona's gothic splendor. Artificial moonlight streamed through stained glass windows crafted from gel and plastic but beautiful nonetheless. Shadows danced along walls textured to look like ancient stone, casting eerie patterns that whispered of old secrets and timeless tragedies.
Colette smoothed her velvet gown—a rich crimson that pooled around her like spilled wine—and repositioned her hairpiece, tucking a stray lock behind her ear before she lay down once more on the cold faux-marble slab.
The props master darted forward to adjust the placement of the dagger—a replica so finely crafted it seemed as sharp as truth itself—before scurrying away as silently as he had arrived.
"Places everyone!" called the assistant director, a sprightly woman whose energy seemed inexhaustible. Her voice cut through the murmured conversations and last-minute adjustments, snapping everyone back to attention.
As silence reclaimed the set, encapsulating it in a tense bubble of anticipation, the director looked over his tableau one last time. Satisfied, he lifted his hand high then brought it down sharply.
"And... action!"
In a haunting moment, Colette delved deeper into her character, her eyes brimming with an unfathomable anguish originating not in physical torment but in the profound intertwining of loss and love. As she enacted plunging the steel through heart and bone with tragic precision, Harry’s response mirrored her intensity—his visage a masterful portrayal of despair and utter helplessness.
Silently, the cameras rolled, capturing each subtle nuance: the taut muscles beneath Juliet's delicate makeup; Romeo's trembling fingertips reaching across unseen barriers; Colette's quivering shoulders as she drew breaths heavy with sorrow. When she crumpled beside Harry once more, her descent seemed like a graceful surrender—a fragile leaf succumbing to its inevitable fall.
The seconds stretched endlessly until once again the director called out "Cut!" His voice broke through Colette’s final shuddering breaths and this time when he spoke there was no hiding his satisfaction. "Perfect," he said simply, nodding with fervor.
The applause that erupted was spontaneous and heartfelt, echoing around the cavernous studio like waves crashing against a shore. Crew members wiped away tears, caught in the emotional riptide of the scene they had just witnessed.
Harry and Colette, still entangled on the ground, finally allowed themselves a small smile—exhausted, relieved, and a little incredulous at the magic they had managed to recreate. As they stood up, their faces glistening with sweat and theatrical tears, they were enveloped in a series of eager hugs and congratulations from everyone around them.
The makeup artists hurried over with their kits ready to do touch-ups, but for a moment nobody touched Harry or Colette; it was as if their looks were sacred, perfectly capturing the essence of the poignant tragedy they had just embodied. The director approached them, clapping Harry on the back and kissing Colette on both cheeks.
"I couldn't have asked for more," he said, his voice thick with emotion. "You both brought Juliet and Romeo to life in a way I never could have envisioned when we first started this project."
Harry, catching his breath, nodded appreciatively. "It felt right," he admitted, looking down at his costume, stained with artificial blood that somehow felt all too real at that moment.
Colette brushed a tear from her cheek and laughed lightly. "I think I'm going to miss her," she confessed, referring to Juliet. "It's strange how a character can become a part of you."
As they made their way off the set, passing through the constructed archways and past the fabricated stone tombs, there was a collective sense of completion but also of loss; the world they had created was temporary, its dissolution inevitable now that the film was wrapped.
The wrap party later that evening was a lively affair held at a local venue adorned with replicas of props and costumes from the film. The mood was buoyant yet bittersweet as cast and crew mingled, sharing memories from months of hard work.
Colette found herself standing by a balcony overlooking the city lights, a glass of champagne in hand. Harry joined her soon after.
"It's going to be odd not seeing everyone tomorrow," he said, leaning against the railing beside her.
"Yeah," Colette agreed softly. "It's like saying goodbye to family."
They sipped their drinks in companionable silence for a moment before Harry spoke up again.
"What’s next for you?" he asked curiously.
Colette shrugged slightly. "A few scripts to read; maybe some time off. And you?"
"Same," Harry replied. "Though it'll be hard to top this experience."
They smiled at each other, sharing an unspoken acknowledgement of the journey they had shared. The night grew deeper around them as words gave way to shared glances and laughter from inside reached their ears—a soundtrack to endings and new beginnings alike.
“Why don’t we get out of here, go to my place for a while.” Harry said while looking over at Colette.
Colette glanced up at the stars twinkling above, considering his invitation. A gentle breeze ruffled her hair, bringing with it the distant sounds of celebration from inside. It felt like the perfect end to an intense and transformative day.
"Sounds like a plan," she replied with a smile that matched the lightness in her heart.
They excused themselves from the party, slipping away unnoticed among the throngs of well-wishers and fellow revelers. The city's streets were quiet as they walked side by side, their footsteps syncing in a comfortable rhythm.
Arriving at Harry's place, he unlocked the door and let them into his warmly lit apartment. Colette really examined the place. The space was tastefully decorated with various mementos from his travels and projects, each piece telling a story of its own. Colette wandered over to a shelf displaying several old cameras and script binders.
"This place has character," she commented, picking up a vintage camera and examining it closely.
"Thanks," Harry said as he went to fix them some drinks in the kitchen. "It's my little sanctuary away from all the chaos."
Returning with two glasses of wine, he joined her by a large window overlooking the cityscape. They talked for hours about everything—from their fears and dreams to trivial stories from set—each conversation thread drawing them closer, weaving a new layer into their friendship.
As dawn hinted at its arrival with a soft glow on the horizon, Harry poured them each another glass of wine. "To new beginnings?" he proposed, raising his glass slightly.
"To new beginnings," Colette echoed, clinking her glass against his. They sipped their wine in serene silence, watching as the city slowly came to life.
Harry's heart raced as he leaned in closer to Colette, his breath hot against her ear. "I have to do this," he whispered urgently, desperation lacing his words. Colette's eyes widened in surprise, but she nodded, giving him permission to continue. And with that, Harry pressed his lips hungrily against hers, pouring all of his pent-up desire and longing into the passionate kiss. Electricity crackled between them as their bodies molded together, fueling the intensity of their connection. In that moment, nothing else mattered but the taste of each other on their lips and the overwhelming need driving them both.
“I’ve been thinking about this since we filmed that scene.”
Colette's breath hitched at Harry’s admission. "That scene?" she inquired, her voice trembling with a heady cocktail of nerves and anticipation. He traced his thumb across the contour of her lips, nodding before reclaiming them with a renewed intensity that left no room for doubt.
"That damn scene," he murmured against the luscious curve of her mouth, his hot whispers making her shiver in response. His hands found their way to her waist, pulling her closer so she could feel every hard inch of him against the softness of her body.
Colette's heart pounded in her chest as Harry's thumb traced the contours of her lips, her eyes fluttering closed at the feeling. His hot whispers sent shivers down her spine, and she couldn't help but arch into him, seeking more contact.
"That scene," he murmured against her skin, his voice thick with desire, "made me want you even more." With that, he claimed her lips once again, his tongue diving deep into her mouth as his hands found their way up underneath her shirt. She moaned into the kiss, feeling his calloused fingertips brush against the underside of her breasts.
His touch sent electric shockwaves through her body, making every nerve ending tingle with anticipation. She whimpered softly against his mouth, clutching at his shoulders as he teased her nipples through her bra. "Harry," she gasped out between ragged breaths, her voice barely a whisper.
He pulled back slightly to look down at her flushed face. "Tell me you want this," he growled lowly, eyes dark and intense as they bore into hers. Colette swallowed hard before nodding frantically. "I do," she whispered back in a voice that shook with need.
Without further hesitation, Harry scooped Colette up into his strong arms and carried her over to the nearby bed. He set her down gently before kneeling down between her spread legs and gazing up at her with a hungry glint in his eyes. "You are so so fucking beautiful," he murmured approvingly as he ran his roughened hands up along the insides of her thighs until they reached their final destination: the lace-covered mound of between them.
Groaning lowly, Harry pressed his fingers against the damp material covering Colette's core and pushed them through the fabric to slide along her wet folds. She cried out softly as sensations she hadn't felt since that fateful day on set washed over her once again—sensations that only seemed to intensify now that they were alone together like this .
Harry's fingers slid deeper into Colette's wet folds, finding her swollen clit and circling it gently. She moaned loudly, arching her back as the sensations overwhelmed her. "You like that, don't you?" he growled, his voice thick with desire.
"Oh god yes," she whimpered, her eyes fluttering closed. "Please, Harry. I need you."
He pulled his fingers away from her core and stood up, pulling her with him. She stumbled to her feet, feeling unsteady from the intense pleasure he'd just given her. He backed her up against the wall, their bodies flush from chest to thighs. His hard cock pressed against her stomach, making her even wetter.
"You are so pretty, love.," he murmured again, his lips brushing against hers in a featherlight kiss. His hands roamed over her body, squeezing her ass cheeks and pulling them apart to reveal her tight little hole. "I want you to feel every inch of me inside you."
Colette shuddered at his words, imagining how good it would feel to be filled up by him. She reached down between them and took hold of his cock through his pants, stroking it slowly as she looked up at him with pleading eyes. "Please," she whispered again.
Harry groaned deeply and grabbed hold of her wrists, lifting them above her head and pinning them against the wall next to her head. His other hand slid down between their bodies once more, pushing aside the fabric of their clothes until he could position his cockhead at her entrance. He looked into her eyes for permission before thrusting forward powerfully into her tight heat.
She cried out in shock and pleasure as he filled her completely in one swift motion. He began to move inside her slowly at first, watching as she adjusted to his size. But soon enough he picked up speed, slamming into her over and over again with a roughness that made Colette's legs shake uncontrollably beneath him."Fuck yes!" she screamed breathlessly as he took control of their coupling completely."
She could feel every inch of him, stretching and filling her while also leaving her wanting more. His grip on her waist tightened as he picked up speed, slamming into her so hard that the bed shook beneath them.
"You like that?" he growled, his voice hoarse with lust.
"God yes!" she moaned back, arching her back to meet each of his thrusts. Her nails dug into his shoulders as she clung to him, unable to resist the overwhelming pleasure coursing through her body. He reached down between them and rubbed circles around her clit with his fingers, sending shudders of delight through her entire being.
"You're so fucking tight," he grunted, leaning down to capture one of her nipples in his mouth and sucking hard. The sensation sent electric shocks straight to her groin, making her even wetter for him. She cried out his name as he hit a particularly sensitive spot inside her, causing an explosive wave of pleasure that left her breathless.
Colette found herself begging for release as he continued to thrust into her unmercifully. "Please... I need you to cum with me!" She could feel herself getting closer and closer to the brink but didn't want it without him by her side. In response, he picked up the pace even more, driving deeper than ever before as they both neared their climaxes together.
Their bodies moved in a frantic rhythm, the sound of their heavy breathing and the soft thuds of flesh meeting flesh filling the room. Colette felt the coil of tension winding tighter and tighter within her, her entire being focused on the overwhelming sensations Harry was eliciting from her.
Just as she thought she could take no more, Harry’s movements became even more purposeful, his strokes deepening, each pushing her further towards that edge. His mouth left her nipple with a wet pop, traveling up her neck, leaving a trail of kisses until he reached her ear. His hot breath against her ear sent another shiver down her spine as he whispered, "Let go for me, love. I’ve got you."
And with those words, Colette felt the dam break. A powerful orgasm washed over her, waves of pleasure pulsating through her as she cried out his name, her body trembling uncontrollably. Harry followed soon after, his own climax overtaking him with a groan as he buried his face in her neck, his body shuddering against hers.
As they both regained their breath, Harry slowly pulled back to look at Colette, his eyes soft now with a tender glow. Gently, he pressed a kiss to her forehead before easing out of her and helping her lay down on the bed. He lay beside her, pulling her into his arms and wrapping her up in his warmth.
They lay there in silence for a moment, neither needing words to express what had just transpired between them. Finally, Colette turned to look at him, a shy smile playing on her lips. “That was…” she started but seemed lost for words.
“Everything,” Harry finished for her, smiling back. He tucked a loose strand of hair behind her ear gently. “You were everything, my Juliet.”
Colette snuggled closer into his embrace, feeling an unfamiliar sense of peace wash over her. What had started as an undeniable attraction had blossomed into something far deeper in these moments alone together. They both knew that what was happening between them wasn’t just fleeting passion; it was something that might just redefine their understanding of connection and desire.
As the night deepened, outside the confines of their intimate world, the city's sounds blended into a distant hum, almost like a lullaby meant to soothe them in their post-climactic serenity. Harry lay there, feeling the gentle rise and fall of Colette's breathing against him, his thoughts meandering through the events that had led to this moment.
After what felt like an eternity bathed in silence and warmth, Colette stirred slightly, breaking the magical spell that had enveloped them. She lifted her head to meet his gaze, her eyes reflecting a mix of wonder and a hint of vulnerability. "Harry," she whispered, her voice barely audible over the quietude. "What does this mean for us? For tomorrow?"
Harry’s heart tightened at her words. Tomorrow. With their lives so deeply entrenched in public scrutiny and their careers always on the line, the weight of reality began to dawn on him. Yet looking into Colette's hopeful eyes, all he wanted was to delay those worries, to live in this bubble for as long as they could.
He brushed his lips against her forehead softly, choosing his words with care. "Let's not think about tomorrow yet," he murmured softly. "Tonight, it’s just you and me. No labels, no expectations. Just... us."
Colette nodded slowly, nestling back into his chest. "Just us," she echoed, allowing herself to be enveloped by the warmth of his promise.
They stayed like that for a while longer until sleep began to claim them, their bodies entwined in a quiet promise of the now with thoughts of tomorrow held at bay. 
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Kaiju Week in Review (March 10-16, 2024)
"It looks as though its Japanese producers, assisted by a stray American—fellow named Terry Morse, who is an alumnus of Hollywood's Poverty Row—made a close study of the old film, "King Kong," then tried to do substantially the same thing with a miniature of a dinosaur made of gum-shoes and about $20 worth of toy buildings and electric trains." —Bosley Crowther, reviewing Godzilla, King of the Monsters! for The New York Times
"The special effects are hardly special, but hey, what do you expect in a Japanese monster movie?" —Tony Kiss, reviewing Godzilla 1985 for the Asheville Citizen-Times
"Sure it's bad filmmaking. Sure it's a guy—actor Tsutomu Kitagawa—clad in a nearly vintage latex Godzilla getup and stomping through Tokyo, knocking down cardboard mini-buildings and upending toy-sized cars with his gnarly feet. But that's the point." —Bob Longino, reviewing Godzilla 2000 for The Palm Beach Post
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Godzilla Minus One won the Oscar for Best Visual Effects at the 96th Academy Awards, sending a stunned Takashi Yamazaki (VFX supervisor), Kiyoko Shibuya (VFX director), Masaki Takahashi (3D CG director), and Tatsuji Nojima (VFX artist/compositor) to the Dolby Theatre stage. Said Yamazaki, reading from prepared comments in English, "To someone so far from Hollywood, the possibility of standing on this stage seemed out of reach." I could scarcely believe what I was watching myself, despite having given a presentation for a Wikizilla stream mere hours before on Minus One's very real chances of beating more expensive American contenders. Everything I said about its nomination goes triple for its victory; we'll be talking about this one forever. To those of us who remember when Godzilla was basically a joke in the American consciousness (including my Wikizilla colleague Darthlord1997, who had a speech of his own prepared), it's the ultimate vindication.
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Never one to rest on his laurels, Takashi Yamazaki directed an ad for Ajinomoto about food waste which released this week. It features the unsubtly-named Foodlosslla attacking Tokyo and facing an Ultraman-esque defense team. As with Minus One, the ad's visuals are a clever combination of high-end (a detailed CG monster) and low-end (dropping plastic fruit on top of fleeing extras).
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Last year, the 4Kids Flashback podcast interviewed Mike Pecoriello, producer and writer for the company's renditions of Yu-Gi-Oh! and Ultraman Tiga, and he delivered some major news about the latter. Although only 23 episodes of Tiga aired in the U.S., 4Kids dubbed the whole thing. At the time of the podcast's recording, he thought he made copies of all the episodes, but while that doesn't seem to be the case, he did provide 4Kids Flashback with the series finale. It's a good deal more serious than the episodes which aired, with the quips kept to a minimum. Let the hunt for the rest commence!
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SciFi Japan has details on Kaiju Yarrow, a Japanese comedy doubling as a tourism ad for the city of Seki. The premise is very self-aware:
KAIJU YARROW! is set in Seki City, Gifu Prefecture. One day, 30 year old Ichiro Yamada, who works in the tourism department of a government office, is ordered by the mayor to produce a "local film.'' However, Yamada, didn't want to produce the typical "mediocre local movies'' that are everywhere nowadays, so he comes up with the idea of making a "monster movie'', which has been his life-long dream. However, his dreams develops into a major incident involving the city government...! Will Yamada be able to complete his life goal of making a monster movie??
Junichiro Yagi will direct; YouTuber Gunpee will star. Unknown quantities both when it comes to kaiju, so how this will turn out is anyone's guess.
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Tickets for Godzilla x Kong: The New Empire have gone on sale in the U.S.—and as a reminder, the brief GKIDS theatrical release of The End of Evangelion wraps tomorrow.
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meowjuniper · 13 days
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ones own miniature horses (individuals bellow cut)
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rainbow mane 6 rainbow mane 6
some headcanons:
pinkie pie: has dwarfism. is audhd :3 aroace + lactose intolerant (sorry weird al) her and twilight are qprs \o/
applejack: deaf/hard of hearing. unspecified chronic pain disorder (won't admit this) dating rarity and rainbow dash, separately
fluttershy: committed goth. turned batpony, born a pegasus. autistic (obviously) has arthritis. is also dating rainbow dash
rarity: has fibromyalgia. has bpd (beautiful princess disorder/j) if you complain about her being green idgaf + idgaf. dating applejack
rainbow dash: ambulatory wheelchair user (injury caused damage to her hind legs. after PT, she can still stand and walk, but it causes pain) adhd and dyslexic. (fun fact; her wings are modeled after real bird wings specifically built for speed!) dating applejack and fluttershy, separately
twilight sparkle: has vitiligo and type 1 diabetes. autistic (duh) and OCD. never becomes an alicorn because im still an alicorn twi hater 10 yo me was MAD! (in my rendition alicorns cannot be made, only born. twilight faces discrimination of sorts for being the first non-alicorn princess of canterlot) (yes this makes flurryheart not special idgaf fuck that baby 🖕) pinkie's qpr
thank u for reading if u even care
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bijoumikhawal · 10 months
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Talking about the Qabā'. Again.
The last time I talked about the Qaba was in another post where i was very excited to have found a miniature from either Syria or Egypt that matched an extant piece of fabric from a close time period. Today I'm going to talk about the garment itself more, and it's relatives. The impetus for this is that a few months ago, I was scrolling through hanfu blogs- if you've read the article I published in Egyptian Migrations, you know I have an interest not just in Egyptian fashion, but how other cultures navigate fashion, both in their unique subcultures and traditional styles. While doing so I came across the tieli (貼裏), and quite liked the look of it, so I searched up the garment and began looking more at it. As I was scrolling through the many pretty pictures, I realized hey- I've seen this before. This looks a lot like that coat with the red foliage pattern!
Turns out this was because they're related.
They're not the only ones either- the Qabā' (as both Farsi and Arabic call it), the Tieli, the Indian Jama, the Korean Cheolik, and more, all bear a resemblance to each other. Covergent evolution happens plenty of course, but in this case there's something of an established link. In fact while doing my research, I found a paper specifically about this garment family (The Dress of the Mongol Empire: Genealogy And Diaspora of the Terlig by Woohyun Cho, Jaeyoon Yi, and Jinyoung Kim), though without explicit mention of the Qabā'.
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The name and garment Tieli come from the Mongolian Terlig and Jisün (also called a Zhama (诈玛 or 詐馬), establishing a possible linguistic connection to the Jama) during the Yuan dynasty. Like many Mongolian traditional garments, it's well suited to horseback riding, which which what many Mamluk depictions also show the Qabā' being worn during. It could be round or cross collar (the combination of the two is unique to the Qabā'). The key features of the garment were a knee to calf length skirt that was gathered or pleated, a close fitting bodice cut separate from the skirt, close fitting sleeves, a corded waist which usually lead into the ties that closed the garment. According to the aforementioned trio, the garment was originally made of hides, and the waist detail found in the original Terlig, lost in other cultures renditions, is an indication of this. The Terlig, known before this point, was introduced to China, India, and Korean when the Monglian Empire was an active political entity in the 13th century and onwards, and this is the case for this style of Qabā' as well. During the 13th century, the Ilkhanate was established in the former territory of the Khwarazmian Empire, after a political incident where the Shah ordered the execution of a group of merchants sent by the Mongolian Empire lead to a long military conflict. The Ilkhanate went on to control large portions of Turkey, Syria, Iraq, and the Caucasus, as well as Afghanistan, Turkmenistan, and Pakistan. Ultimately the Ilkhanate tried, but never did, conquer Egypt, which was ruled by the Mamluks at the time.
However, it did leave a cultural influence behind. Reference to this origin for this style of qaba can be found in one of the two names for the Qabā': al-aqbiya al-tatariyya or qabā' tatarī, meaning the Tatar coat or Tatar way of wearing a coat. Tatar, in this instance, is being used to refer to Mongolians. A similar distinction can be found in the Jama, where Muslims fasten it on the right in the Mongolian style (brought to my attention by the paper mentioned before). The tatarī is fastened in the same way, ties on the wearer's right of the body. The other style of Qabā' (al-aqbiya al-turkiyya) is the same, but fastens on the opposite side of the body. The Mamluks preferred the tatarī, but it was not the exclusive style worn. Along with this, some Qabā' fastened in the center front.
The Jisün was a type of Terlig, made of one color of silk and gold, worn as a robe of honor by officials during the Yuan dynasty. During the later Ming dynasty, it became the dress of certain military officials. It had different varieties for seasons and social status. It also progenitated the Yesa (曳撒), which was longer and more widely worn than the Jisün. The Feiyufu (飞鱼服) was a Ming variant of the Tieli, and another type of honor robe. The Qing dynasty Chaofu also seems to have taken the terlig into account when it was designed.
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The Cheolik has a crossover collar, pleated skirt, and may have quite long, wide sleeves. Political marriages with Mongolian courts likely helped this garment take root. This garment is still worn today as Korea, like China, has revitalized its traditional clothing. It is mostly by women today as far as I can tell, though historically it was a masculine garment. It has a longer hem than the Terlig. It also sometimes had a higher waistline.
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The Jama was introduced by the Mughal dynasty, and unlike the other garments listed here which typically used rectangles and triangles for constructing clothes, the one pattern I've seen for it taken from an extant garment (as opposed to being a guess) shows a skirt made of gores and set in sleeves with a gusset. Another example, laid flat, shows rectangular sleeves with a gusset, but the skirt cannot be determined. It was later renamed to sarbgati. It typically has a crossover fastening, though I have seen one that closed in the center front. The ties are especially prominent and decorated, which overall is not the case in the rest of the garment family. Gold bands on the sleeves and collar are sometimes found as decoration. It also has a longer hem and higher waistline than the Terlig.
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In my previous post I noted a similarly to this robe and the Central Asian and Persian robes I'd seen from a different century, but was hesitant to connect them. Now I'm sure of a connection. The waist seam is confirmed! There are still several stylistic differences, though:
1. The Qabā', in Syrian and Egyptian depictions, typically combines a round neckline with the cross over collar. The Persian Qabā' typically does not have a round neckline.
2. The Qabā' usually has what looks like a gathered skirt, not a pleated one, as the Tieli does. The Terlig sometimes has a gathered skirt as well, as does the Jama.
3. The Syrian and Egyptian Qabā' is decorated with strips of gold, not with a cloud collar. The Persian Qabā' often has a cloud collar, which it inherits from the Terlig, and I have seen an Angarkha from Lahore with a cloud collar as well. It sometimes has bands. The Seljuk Qabā' sometimes has bands, and sometimes has a rank badge (more commonly found in Chinese court dress). As an aside, I recently found a British drawing (from life, presumably) of an Egyptian envoy in a garment similar to an Angarkha as well...
4. The Qabā' in Syrian and Egyptian depictions often retains the knee or calf length good for horse riding that many other garments in this family moved away from.
5. The Qabā' most likely does not have the corded waist found in the Terlig. There is a gold band around the waist in some depictions that could be a braided waist, but could also be a belt. Unfortunately I don't know of any extant examples from Syria or Egypt that would clarify matters. There is an example which might be Persian that does show this corded waist. Most depictions have no waist detail other than an indication of a waistline.
As far as I know, while this robe spread a little into the Balkans and Eastern Europe (the cloud collar has appeared in some Christian Iconography and a few examples of Terlig like historical garments exist), it did not spread much further west or south of Egypt. However, given the Qabā' has been excluded from discussions of the Terlig's many sons already, it's possible I simply don't know about it, as further iterations in Africa would be excluded as well. As always, I welcome people bringing their own findings to the table.
Further reading: The Dress of the Mongol Empire: Genealogy And Diaspora of the Terlig by Woohyun Cho, Jaeyoon Yi, and Jinyoung Kim
Mongol court dress, identity formation, and global exchange by Eiren L. Shea
https://sartorialegypt.wordpress.com/2022/12/03/a-brief-discussion-of-a-mamluk-robe/ - prev post
http://collections.vam.ac.uk/item/O480307/gown/ - the cloud collar angarkha
https://www.newhanfu.com/6021.html - Discussion of the tieli and yesa
https://www.jstor.org/stable/41917645 - Terlig discussion
https://www.jstor.org/stable/43957434 - general discussion of Yuan clothing with a nice example of a terlig
https://en.unesco.org/silkroad/silk-road-themes/mouvable-heritage-and-museums/robe-decorative-braided-waist-band-0 - Terlig example
A Preliminary Study of Mongol Costumes in the Ming Dynasty by Luo Wei
https://m.terms.naver.com/entry.naver?cid=46671&docId=563301&categoryId=46671 - Cheolik
Arab dress: a short history; from the dawn of Islam to modern times by Yedida Stillman
https://lugatism.com/outer-garments-in-the-mamluk-sultanate/#3-_Qaba_qba - the Qaba and other dress in the Mamluk era
https://www.agakhanmuseum.org/collection/artifact/robe-AKM677 - a robe which may be Persian or Central Asian with the corded waist
Additionally, blogs like @ziseviolet and @fouryearsofshades post about hanfu, including the tieli and yesa.
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loving-n0t-heyting · 7 months
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finally finished pokemon black & white 3: genesis, a romhack of crystal version by azurekeys (github repository) (assuming theres not remaining postgame i havent discovered yet). its a sequel storyline with new protags and several new npcs (including a bare midriff mean girl rival that i think might appeal to a large segment of the site population here), and is set a few yrs after B2/W2 in unova
the painstaking recreation of unova in the crystal engine is superb, not least of all bc the "down"grade from the uncanny semi-3d graphics of gen 5 to the soothing blocky 2d of the crystal engine is a clear visual improvement. compare the rendition of village bridge between routes 11/12:
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for me, at least, this scratches the same pleasant spot in my brain as careful miniature recreations of cities in model train setups, or reconstructions of whatever setting in minecraft. this ofc also involved a reworking of several later gen pokemon (and moves and items &c.) as sprites, which i think was mostly executed wonderfully. check out the games rendition of sylveon for example (yes ik, shes from gen vi, but then so is fairy type generally; would you really not include fairy type?):
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anyway, if this sounds like yr sort of thing, you should go check it out!
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heavenlyakin · 3 months
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The party died down two hours ago, but there’s always stragglers.
You drop another dozen red solo cups into the trash, looking around at the endless task ahead of you. Why did you keep hosting? You weren’t sure. Your roommates didn’t mind too much. After all, you’d watched two of them run off with one of the volleyball players and lock themselves in one room.
Opening your bathroom door, you find Atsumu in the tub, a drink still in his hand.
“Get out,” you hiss, his brown eyes meeting yours with a lazy smile on his face.
“Join me! I was just about to start singing my rendition of Josh Groban’s “You Raise Me Up”. I know you know that one!” He laughs, as if he’s made a hilarious joke.
You clench your fist, closing your eyes and forcing yourself to inhale and exhale slowly. Your ex has never known good boundaries. Showing up here and meandering up to your private restroom was proof of that.
“Please leave. I want to shower and go to bed.”
“Do you not miss me?” He asks, his voice different from before.
A wave of emotion washes through you. Of course you do, how could you not? But is now the time to rehash this. You’d broken up with him for good reason and him showing up to your party wasn’t a reason to get back with him.
He’d left you, gone off to chase a dream that ended with a torn ACL before he could qualify for a college team. When he called to give you the news he’d asked if you were happy he’d be coming home. How could you be? The one thing he wanted wasn’t you, and now it wasn’t even something attainable anymore. He’d given up. On you and his dream.
“Whatever,” he throws back the rest of his drink and crumples up the cup before tossing it towards the miniature trash can you keep next to the sink.
As he passes by you, something in you makes you stop him. You grab his bicep, the muscle always surprising you when it flexes.
“Wait,” you say, looking up at him now.
His dark eyes are stormy with something… perhaps regret? He doesn’t say anything, waiting for you to make the move, if there’s going to be one. You hesitate, letting him go and shaking your head.
“Never mind.”
He slams his hand on the door. “God damn it, ——-! You can’t punish me forever!”
Tears threaten to spill out of your eyes. Isn’t that exactly what you plan on doing?
“I lost you and everything else all in one month and you’re the one thing I can get back.”
“Thing.” You laugh. “I’m just a thing to you, aren’t I?”
“——-,” he sighs. “I didn’t mean it like-“
“It doesn’t matter how you meant it. Stop coming to my fucking parties. Stop showing up in my bathroom. Stop! Just leave me alone.”
He storms out of the bathroom and through your bedroom. You hear the door slam, rolling your shoulders and letting yourself sink into the floor with your back against the cabinets beneath the sink.
You didn’t want him to leave but the idea of being his consolation prize isn’t exactly your idea of a good time.
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The Planets Suite (Gustav Holst):
2 Submissions
Last win – Pictures at an Exhibition (Mussorgsky, orch. Ravel)
The Bakshi Lord of the Rings set "Mithrandir" to the theme from Jupiter! It's very touching :)
honestly magical. dramatic start, Jupiter both breaks my heart and makes me feel alive, the fading chorus at the end is like floating away into space. I don’t have a favourite recording. However I should mention that Melodica Men did a wonderful rendition of Jupiter that I’d like to share (they did Mars too but I like this more):
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The Nutcracker Suite (Pyotr Ilyich Tchaikovsky):
1 Submission
Last win - Swan Lake Suite (Tchaikovsky)
I know the poll is over now but some extra propaganda for nutcracker is the duke Ellington arrangement like he really did an entire big band arrangement of this random Christmas suite and it's SO GOOD
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gay-dorito-dust · 2 years
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Idea by @thingy-mar (idk if this is what you wanted.)
Bring me a dream
“You don’t…remember your dreams?” Morpheus asked of you one day, his curiousness peaked when you relied this piece of information to him in a moment of security. “No, I don’t, try as I might but there’s nothing tangible for me to grasp ahold of to relay in my waking life.” The lord of dreams and nightmares didn’t speak, only listening to your every word intently, “Whether it’s be a horrific nightmare or the most beautiful dream…I can’t remember any of it even if I awake in tears.”
You looked over at him, feeling a little downcast at the thought of lacking the ability to relive your dream through verbal methods as brief flashbacks blare at the forefront of your mind like a miniature movie of sorts that only you could bare witness to. It must be nice to relive the best parts and fear the worst that came with dreaming; you knew you weren’t the only one who couldn’t remember their dreams nor nightmares but yet you couldn’t help feeling as though you were missing out on something truly spectacular.
Morpheus thought for a moment before speaking, “I could help you remember.” He offered offhandedly as though he was lending you aid in finding a lost cat or misplaced rucksack. To this, you were quick to decline, “oh I couldn’t ask that of you, after all my dreams aren’t probably all that worth remembering if I can’t recall even the slightest of details.” Not that you would admit aloud but you were certain that this was Morpheus’ way of opening up to you and gaining your trust by offering up his services he’d deem fit for your situation. It was sweet and all but you were being serious when you told him that it probably wasn’t all that intriguing if you couldn’t remember even a lick of it.
Besides he’s probably already seen them and didn’t think much of them and this was more out of pity as to quiet your restless thoughts. “Morpheus?” You called out to him when you noticed that the man has stopped walking to stare into the side of your head with his dead set gaze that would be enough to put anyone on edge. “Your dreams are what artisans could ever hope to achieve in a lifetime; they are the muses of the greatest authors and poets of human history as they write volume after volume, sonnet after sonnet, rendition after rendition in hopes to even capture a mere fraction of their true beauty.” Morpheus told you as he reached for your hand, “your nightmares strike emotions within me that make me feel the need to protect you,” he scoffs, “however if I recall our first encounter as clearly as you do, then protection the last thing you’d need.”
You chuckled, reminiscing the moment you met the darkly clothed lord after misinterpreting him as a creep stalking you. You chuckled even harder when remembering how profusely you apologised to him after clearing the air between the two of you. “You still have the scar? Or have you healed that entirely?” Morpheus instinctually reached a hand towards the strands of hair that concealed his hairline fondly. “Though the scar may have healed, the memory remains like one.”
“I’m sorry.” You said meekly, easing up when the male merely shrugged in a silent notion that bygones were bygones, causing a sense of relief to relive the tension within your shoulders. “My offer still stands, I can make you remember your dreams if you so wish to behold their beauty firsthand.” Morpheus states after a brief moment of silence. If there was one thing you’ve come to notice about Morpheus it was how tenacious he is when he willed himself to be. It was admirable in the best of moments but a nuisance in the worst. “I’d prefer if I viewed them through your point of view, you make them come across as quite mystical.” You jested lightheartedly.
“That’s because they are.” Morpheus replied as though it was obvious. As though it was law and it made you flattered to know that the lord of where dreams and nightmares thrived seemed to take interests in yours the most out of the millions he’s seen. “Allow me to show you.” He said as he pulled out his pouch of sand, pinching it between his fingers as he blew it gently into your face, causing you to fall into a slumbering state.
Tag list: @mess-in-side
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frostbitegator · 5 months
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Video ID: A miniature protogen rides a small three horse merry-go-round in VRChat in front of a VRChat themed Kmart store, while a calliope rendition of Andrew Sister's "The Blonde Sailor" featured in Roller Coaster Tycoon plays.
(World source)
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palmofafreezinghand · 5 months
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twilight advent calendar - day eleven: Besides painting, what art forms does Esme enjoy? How do you imagine her art room/setup looks? (prompts here)
Art forms Esme enjoys, and a little bit of her history with art: 
There are very few mediums she has not tried at least once. 
As a child she doodled on every scrap of paper she could get her hands on. As she got older she found the small details portraiture required particularly enticing, she’d nervously slip someone a portrait she had sketched of them or their loved one. Her grandparents were the ones to purchase her half-used paints at a church rummage sale, she rationed them as if they were gold. 
She never considered what she made art. Her mother found her little hobby frustrating beyond belief. The woman had tried to teach her daughter the finer hobbies expected of her, needlework, knitting, the piano, anything that would stop Esme from donning her paint-stained too-short dress and climbing to the top of a tree to “sketch the birds.” Esme did not take well to knitting or cross-stitch as she grew. Her grandmother had barely taught her to sew and only after Esme ripped one too many of her handmade dresses did her mother force her into sewing her own wardrobe. (This backfired when Esme discovered how to sew pants). 
When introduced to an eternity of free time she did not revisit these art forms, in fact, she had barely remembered how much she once enjoyed art. She only picked up a pencil again when Edward forced her to, desperate for her to find a hobby and stop bothering him.
She swore Edward to secrecy, knowing Carlisle would run out and buy far too many supplies. He kept her secret but bought the supplies himself. After her initial irritation wore off she was quite grateful for the gift and needed more paint quite shortly after. 
Her love of interior design and architecture made itself known when she found a dollhouse in the attic, left dusty and broken by the previous owner. She renovated it in secret, compelled to finish the project for some reason she could not quite place. Turns out she had a knack for that too. 
At first she thought her skill was one nonexistent but two nothing more than vampiric ability. Carlisle and Edward spent one afternoon attempting to paint a simple still life with her help and she dropped that second suspicion. 
Oil painting is her first choice when it comes to paints. She loves the ability to jump back into a painting after a few weeks. Nowadays, in her scarce free time, she has been experimenting with water soluble oil paints, much to Carlisle’s amusement who had only just become used to the constant smell of linseed oil. Although he will not lie and say he mourns the constant worry her rags will start a fire, again. 
She sculpts and brings an at-home kiln with her on most moves, although she has to be cautious because she has also started a fire with one of these. She enjoys sculpting people the most. She has made countless ceramic renditions of her husband’s nose, face, hands… 
She has experimented with 3D printing and glass blowing but is still new to the medium. 
Miniatures are still a constant in her art, but these days they look more like architectural models than dollhouses. 
There is a camera with her almost all the time. The rest of the family likes to sneakily take photos, knowing she won’t discover them for a little while. They all know better, Emmett learned the hard way, not to go through any of her SD cards. 
On the few rare occasions she has showed her art in galleries she prefers to exhibit installations rather than collections. Her personal favorite she managed to convince Edward to write and record a score to play throughout the gallery. 
She eventually found her way back to knitting and crochet, but never had the passion for it. 
When Renesmee was born and in her growth spurt Esme sewed constantly, building in growth tucks into every garment, knowing any dress would need to be let out within days.
As Renesmee grew up Esme picked quilting and needlepoint back up. While she no longer had any memories of her own grandmother teaching her to thread a needle and the importance of a thimble, but it makes her feel closer to the woman she doesn't remember as she is asked to be a grandmother herself.
A few details about her workspace: 
 In her dream world, she would have a stand-alone studio and a space to create in the house. Her family is inspiring and simultaneously a huge hindrance to creating.  She naturally gravitates towards picking properties with an old gardening shed, carriage house, and dilapidated guest house/cottage she can renovate to have perfect natural lighting, ample soundproofing, climate control, and ample storage. (Until she has to very quickly renovate a guest house as a ‘welcome to vampirism’ gift). If she has a stand-alone workspace she will settle for working in the family library or at the kitchen table (which are all specially designed to convert into drafting tables when needed). 
 The walls are white and the only art hung on them are her current work in progresses. There are a couple of framed photos on her desk: one of her and Carlisle, a candid of her and Edward taken by Carlisle in 1931, one of the entire family, and a print of the first painting of hers she thought truly resembled her son. She is very particularly about lighting and has OttLites scattered about both her workspace and the house.  
Everything has a place, but that place changes frequently. She reorganizes any time she is stuck on a piece. The family knows to keep their distance if they hear her vacuuming out drawers and moving dozens of paint pots. 
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predalien · 1 year
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What would a male Yautja's genitalia look like?
Fortunately for us, we have a pretty clear picture, believe it or not. Tehe.
‼️BEHOLD‼️
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StudioADI created some miniature predator sculpts to aid in scripting and production of the 2004 AVP movie. (They were originally intended to walk out naked in a scene where they emerge from cryosleep, which was later removed from the movie script entirely. That’s the origin of this specific photo.)
So, I guess this is basically canon? But this still is just one rendition of what their genitalia possibly looks like.
Actually describing it, I honestly couldn’t tell you what’s going on here. Look’s like everything is already pre-packaged in a pouch though, just like my disgustingly delicious frozen dinners. So at least they don’t have to wear jockstraps and speedos 24/7. Good for them. 👍👍
Quick update, totally forgot about this conversation I had a million years ago regarding more of their biology. Goes way more in depth!
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lithiumcreepblog · 8 months
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Steve Harrington & Jonathan Byers’
The Great American Road Trip
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Day 1. 07/21/1993. Chicago, IL to St. Louis, MO.
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Day 1: Jonathan and I are on the Route 66. Finally. We have been planning this trip for a while, and we’re going from Chicago to Santa Monica the whole way through, then visiting Argyle. I’ve been wanting to go on a cross country road trip for a long time, so it’s great that we get to go now. We stopped by a vendor at the pier first and got some sunglasses for the road. Jonathan said I’m too obsessed with sunglasses. I don’t think so though. It’s not my fault I look incredibly cool in them. He looks really good in them too, not that he’ll ever admit it. He wouldn’t let me take a picture of him with two sunglasses on at the same time, but he looked pretty silly. We drove for a few hours to Springfield where we stopped for a quick lunch at a diner. Actually, Jonathan drove and I provided meaningful commentary the whole way. Jonathan also won’t stop filming everything he sees with his video camera… he’s making a film later of our trip. Robin told me I should keep a journal too, write down stuff I find interesting along the way. Which I saw a lot of. One of which is this big statue called The Gemini Giant in Wilmington. He had an astronaut helmet that looks more like a mask for welding, but it was pretty cool. My favorite stop of the day was the detour to the old brick road which is part of the original stretch of the Route. We’re already out of Illinois and made it to St. Louis even with all our stops. But it was already dark when we arrived so we’ll have to see the Arch tomorrow. I’m absolutely wiped because I took over the driving role after Springfield, but today was more fun than I even imagined.
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“Do you really have to record everything?”
“Oh yes, this is very important. We’re capturing the essence of Americana… gorging yourself on a hamburger with bacon. Pure American decadence.”
“Give me that, I’m not being the only one with my mouth open on camera.”
“Alright, alright. Here you go, get a shot of our milkshakes together.”
“So, Jonathan. Tell the camera, how have I been as a road trip companion so far?”
“Hmm, very distracting.”
“What? I’m offended.”
“Don’t look at me like a kicked puppy, I mean it in a good way. I’ve just never seen you this lively or taken with anything, that’s all. This is about fulfilling your dream as much as it is about mine. It is like being a kid all over again, isn’t it? Going places we’ve never been before and seeing new things. It’s just hard to focus on the road when your eyes are lighting up beside me with every weird landmark we pass.”
“Nice save there, Jon. I am glad we get to do this together. It’s already some of the most fun I’ve had, and you are a great partner to go on a road trip with.”
“Likewise, Steve. I can’t believe we’ve never done this before.”
“And why don’t you give us something from that book of yours as parting words for anyone who might be seeing this?”
“I don’t think we’ll be showing this to anyone but sure… let’s see… okay, here. ‘What is that feeling when you’re driving away from people and they recede on the plain till you see their specks dispersing?—It’s the too-huge world vaulting us, and it’s good-bye. But we lean forward to the next crazy venture beneath the skies.’”
“Alright… I think I understood what that means… now, back on the road!”
Steve & Jonathan listen to this on repeat for about 5 times before they both grow tired of it. Steve then wonders if there are any other songs about Route 66 to which Jonathan goes on a 15 minute long lecture about the origin of the song, from Nat King Cole to the other renditions. Steve listens with a fond smile as Jonathan becomes more animated behind the wheel, and plays the tape again just for the fun of it.
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Souvenirs obtained: one fridge magnet that says Route 66 Illinois for Joyce, one miniature car to put on Steve’s shelf, one postcard set for the memories.
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arthistoryanimalia · 1 year
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#FantasyFriday anyone? Check out this amazing 17th c. Mughal miniature painting!
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A floral fantasy of animals & birds (Waq-waq) early 1600s India, Mughal Gum tempera & gold on paper 37.6 x 26.6 cm (14 13/16 x 10 1/2 in.) Cleveland Museum of Art
"Derived ultimately from a conflation of medieval Persian and Qur'anic sources, including descriptions of the mythical island of Waq-waq inhabited by half-plant/half-animal creatures, this extraordinary painting depicts a plant that brings forth animal life in multiple forms. Playfully rendered with animals both real and mythic and birds that seem to effervesce away as they break free of the stems, this brilliant rendition of a life-giving plant maintains its compositional integrity, even as it sprawls across the page. This painting was made to beguile courtly connoisseurs who would gather to admire the wondrous images in an imperial album."
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Something I’ve Been Working On...
In giving someone ideas on how to participate in Tamlin Week, I stumbled across a 3D modeling site called Hero Forge (most commonly used for making TTRPG printable miniatures). Without going into great detail, I’ll give you the short version and say that I’ve been making ACOTAR characters with the program ever since! I’m not planning on printing them, but there are other hobbyists like me who use this program just for designing and posing characters. The program does have its limits, since the characters and components were designed to be solid enough for 3D printing, but I think the available options (with continuous updates!) are well worth the trade off. :)
I want to share all of my renditions of these characters on a sideblog (eventually), but for now, here’s a sneak preview:
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Characters belong to Sarah J. Maas. Character models belong to Hero Forge. The artistic interpretations of said models belong to me. :) Please do not repost. Thanks for looking!
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💭✨🌟Twas the Night Before Site Placement🌟✨💭
Twas the night before site placement and all through the town, not a critter was stirring, not even a hound.
The bug nets were hung above the beds with care, in hopes that Francisco would be fair.
Los gringos were nestled all snug in their beds, while visions of duros danced in their heads.
When out on the roof arose such a clatter, I sprang from my bed to see what was the matter.
Away to the window, up flew a bat, through a hole in the concrete, and out ran my cat.
The nearby trash fire aglow, gave the lustre of midday to objects below.
When what to my wandering eye should appear, a miniature chiva to carry away all my fears.
What a little old driver, so fantastico. I knew in a moment it must be Francisco.
More prepared than ever, they think they are so clever.
Now safety! Now Security!
Now LCF y LCC!
On Leyla! On Kenia!
On Kristen y Sara!
To the mountains of Chiriqui
To the sands of the Azuero
Dash away! Dash away!
Dash away Los aspirantes de Los Mortales.
I made this little rendition today and was met with an overwhelming response from my fellow trainees. Real post to follow.
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