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olivianyx · 4 months

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OMGG I JUST GOT RESULTS WITHOUT BEATING MYSELF UP WITH ROUTINES 😭 + RANT ✨

HEYY LUVS! I JUST WANNA SHARE MY RESULTS I MANIFESTED WITHIN 2-3 DAYS! THIS YEAR'S GONNA BE MY BEST YEAR Y'ALL ✋AND GUESS WHAT I DID? NOTHING. LITERALLY NOTHING. NUH-UH. PERIODT.

⚠ LONG POST AHEAD, SWEARING ⚠

WHAT I MANIFESTED:

🪄 PASSING MY FRESHMAN YEAR WITH HIGH SCORES

🪄 MY FAMILY BOUGHT A NEW APARTMENT WHICH WERE PREPARING TO MOVE IN 3 WEEKS

🪄 ME GETTING INTO THE VOID STATE 😭 AND MANIFESTED CLEAR SKIN! (DAYUM GETTING INTO THE VOID IS DEFO VERY EASY OMGG)

🪄 GETTING LESS ANXIOUS LATELY!

🪄 MY GASTRITIS AND ULCERITIS GETTING CURED

🪄 GETTING MORE COMPLIMENTS IN MY UNI!

🪄 GETTING TALLER! I WENT FROM 5'3" TO 5'7" IN 2 DAYS 😭😭

🪄 GETTING DREAMS OF ME SHIFTING TO MY WR 🥺 (ACTUALLY RESPAWNING LOL, AS THIS THING IS REALLY CONTROVERSIAL IN HERE, PLEASE DON'T GET ME CANCELLED- I'M DOING DEATHLESS RESPAWNING ✋)

🪄 MY MIND IS SURPRISINGLY CALM 😌 THERE'S STILL INTRUSIVE THOUGHTS THO (THOSE ARE ANNOYING ASS BITCHES) BUT I JUST IGNORE EM LIKE I IGNORE PEOPLE AT SCHOOL 🗿

🪄 GOT MANY CONFESSIONS TOO 😭 AND I REJECTED EM ALL, CUS I JUST WANT TO BE SINGLE FOR THE REST OF MY LIFE ✋🗿 JK

🪄 GETTING COOL CLOTHES THAT MY MOM DENIED A LOTTA TIMES! (ACTUALLY I'VE ORDERED EM BUT STILL HAVEN'T SHIPPED TO MY ADDRESS YET LOL)

🪄 MY CRUSH BECOMING CLOSE TO ME HEHE 🤭 LIKE SHE DOESN'T CARE ABOUT ME MUCH, BUT LATELY SHE'S BEEN TOO CLOSE TO ME AND ALWAYS WANNA BE WITH ME LOL, 3 DAYS BACK SHE AND I WALKED HOME TOGETHER, WHILE WE GRABBED SOME SNACKS, SPOKE ABT EACH OTHER AND ALL (I FELT LIKE BEING IN A SHOUJO MANGA 😩)

🪄 A NEW PHONE! THAT SAMSUNG GALAXY S22 😩

I MANIFESTED EVERYTHING WITHIN 3 DAYS 😭 I REALLY CAN'T BELIEVE MY EYES, JUST. 3. FUCKING. DAYS. GODDAMMIT.

HOW I DID IT:

JUST FULFILLED IT IN MY IMAGINATION

YEP, YOU HEARD THAT RIGHT. I LIVED IN THE 4D REALITY, I NEVER GAVE A SHIT ABOUT THE 3D AT ALL. OK LEMME BREAK IT DOWN FOR Y'ALL SO JUST PAY ATTENTION FROM HERE ONWARDS.

🪄 SUPPOSE SOMETHING UNDESIRABLE OR UNFAVORABLE CIRCUMSTANCES ARE HAPPENING IN YOUR 3D. WHO'S THE CAUSE FOR THAT? YOU. 'BUT I DIDN'T IMAGINE OR THINK OF THESE 😭' BABY, YOU'RE THE SOLE CAUSE, EFFECT, AND THE SOLUTION. THERE'S NO OTHER EXPLANATION TO THIS.

🪄 AS WE ALL KNOW, 3D IS A MIRROR. RIGHT? WHATEVER YOU THINK ABOUT, YOUR ASSUMPTIONS, YOUR THOUGHTS, YOUR FEELINGS, YOUR PERSPECTIVE EVERYTHING WILL BE REFLECTED. SO WHY NOT THINK THE WAY YOU WANT SO YOU CAN EXPERIENCE THE SAME? GET IT.

🪄 IF YOU WANT TO CHANGE THE 3D, CHANGE YOUR 4D FIRST. CHANGE YOUR PERSPECTIVE TO HOW YOUR DESIRED SELF WOULD SEE THE WORLD. KEEP DWELLING IN IT. IF THE 3D SHOWS UNFAVORABLE CIRCUMSTANCES, DON'T FUCKING GET TRIGGERED. GO BACK TO YOUR IMAGINATION AND DENY YOUR SENSES.

🪄 EVERYTIME YOU SEE SOMETHING ELSE IN THE 3D, GO 'BRUHH THIS IS MY OLD STORY, I ALREADY HAVE WHAT I WANT, THIS IS JUST FAKE' AND MOVE ON. DISTRACT YOURSELF. CUS THE 3D WORLD WHICH YOU SEE IS AN ILLUSION, IT'S NOT REAL. IT'S YOUR CREATION, WHY WOULD YOU TRY TO CONTROL WHAT YOU CREATED? IT'S ALREADY IN CONTROL. YOU ONLY GOTTA REALISE YOUR GODSELF. YOU ARE THE CREATOR, NOT THE CREATION. STOP FUCKING VICTIMIZING YOURSELF.

🪄 I GET IT THAT MOST OF THE PEOPLE ARE CONFUSED BETWEEN LAW OF ASSUMPTION AND NON DUALISM. EVEN I WAS, BUT SLOWLY I REALISED THAT WE'RE ALL NOTHING. WE'RE JUST LIVING IN OUR OWN CREATIONS. VICTIMIZING OURSELVES IN OUR OWN CREATIONS. IRONIC RIGHT?

🪄 THOSE THOUGHTS, ANXIETY, FEELINGS, EMOTIONS ARE ALL IN YOUR PHYSICAL REALM. YOUR MIND, YOUR BODY, YOUR EGO EVERYTHING IS NO REAL, WE ASSUME IT TO BE. WE'RE ARE SHAPELESS, FORMLESS, WE'RE NOTHING! AND EVERYTHING AT THE SAME TIME. CUS EVERYTHING COMES DOWN TO ONE THING, I AM.

🪄 K Y'ALL MIGHT BE SUPER CONFUSED, WHAT I'M TRYNA INFUSE IN YOUR BRAINS. SO WHAT YOU DO IS, LIVE IN YOUR 4D.HOW? IMAGINATION. NO MATTER WHAT YOU SEE IN YOUR 3D, GO BACK TO YOUR IMAGINATION, AFFIRM OR VISUALISE. ANYTHING IS FINE BTW. JUST STAY IN THE STATE OF WISH FULFILLED.

🪄 STOP RELYING ON METHODS, FUCK THEM. JUST BE. DON'T TRY TO CHANGE SOMETHING WHEN YOU ALREADY HAVE THEM. JUST STOP, SURRENDER, STOP FIGHTING, STOP TRYING SO HARD WHEN YOUR ALREADY IT. SO GO LIVE IN YOUR IMAGINATION, FULLY SURRENDER. DO THINGS WHICH YOU LIKE. GO LIVE YOUR LIFE. TAKE YOUR POWER BACK.

LIKE AREN'T YOU TIRED? TRAPPED IN YOUR OWN CREATIONS? YOU CREATED THEM, YOU HAVE THE POWER TO CHANGE WHATEVER. TELL ME HOW LONG ARE YOU GONNA LIVE THIS BULLSHIT LIFE? YOU'RE REALLY GETTING COMFORTABLE BEING UNCOMFORTABLE. SO LISTEN UP, DO WHAT YOU LOVE, AFFIRM, VISUALISE, OR DAYDREAM, ZONE OUT, WHATEVER. ALL I DID WAS DO THIS MEDITATION IN THE MORNING, WENT ABOUT MY DAY WATCHING JUJUTSU KAISEN LMAO. THEN RANDOMLY AFFIRM, LIVED IN MY 4D, NEVER PAYED ANY FUCKING ATTENTION TO MY 3D, CUS I'M GOD. I REALLY LOVE VISUALISING, SO I PUT ON A SONG AND START DAYDREAMING IN MY ROOM SMILING LIKE AN IDIOT. ALSO, I DID SATS BEFORE GOING TO BED. THAT'S IT. THAT'S ALL I DID FOR 3 FUCKING DAYS, AND GOT WHAT EVER I WANT. ALSO I MADE A CUSTOM TAPE TOO (IT'S A GENERAL SELF CONCEPT ONE) I LISTENED TO IT FOR 30 MINS AND JUST WENT ABOUT MY DAY THINKING I HAD WHATEVER I FUCKING DESIRE, CUS IT'S ALL MY CREATIONS AND I HAVE IT ALREADY. THERE'S NOTHING TO GET, IT'S ALREADY IN ME.

LUV YOU, BYE 💋

#non dualism #law of assumption #neville goddard #reality shifting #affirmdaily #dream life #frequency #loa success #manifestations #manifestyourreality #scripting #3roe #self concept #higher self #consciousness #Spotify

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tkingfisher · 1 year

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So I write all sorts of things (fiction, fanfic, screenplays) and my mind is cluttered garden of flowers and weeds and shiny ideas, and I'm wondering how to form a writing practice to clear it into tidy rows? Is it possible to shepherd untamed ideas into order?

How do you manage all your wonderful worlds, characters and inspiration and not feel haunted by the story bits and pieces in your head? Any practical tips beyond dark magic?

Thank you, you are such a constant inspiration for me, both prose and just your presence. <3

*laugh* Oh god, Nonny, if I ever find out, I’ll tell you! When you read books, you’re getting the Instagram-filtered view of a writer’s brain, all the flowers that grew out of the compost heap, carefully composed and shot in optimal lighting. The real inside of my skull is a magpie nest of Neat Shit I Read/Saw/Thought Up While Lying Awake At 2 AM. There are characters and ideas in there that I’ve been trying to get into a manuscript since I was twelve and typing on an Amiga 500.

But, that said…really, I think it’s okay. Creativity is inherently untidy. The compost heap can be corralled into a very pretty box made of sustainably harvested materials, hand-stained by traditional artisans being paid a living wage by an employee-owned company, but as soon as you lift the lid, it’s all worms and coffee grounds and old potting soil and cow shit and the vegetables you swore you were gonna eat this time before they went bad. That’s what compost is.

Nevertheless, having been in the business for…uh…fifteen years now? (@dduane is snickering at me, I can feel it) and having written nearly forty books, I can offer three bits of something less than advice. It’s what I do. It may not work for anyone else, but it’s what I do.

Un-Advice The First: If you get a shiny idea and you are super excited by it? Go ahead and chase it. Pull up a new page in Word or whatever and slap down a couple thousand words while it’s exciting. I know that this absolutely flies in the face of common wisdom, but quite frankly, my enthusiasm is a much rarer commodity than my time, so if I’m excited about something, I write it down until I’ve taken the edge off.

Then I usually save it into a big folder called “Fragments” and go back to work on whatever I’ve got a deadline on. (Usually. Sometimes the edge doesn’t wear off, and I wind up with another book. Which, y’know, darn.)

There are vast numbers of people who will tell you that a shiny idea is a sign that something is wrong with your current project and the solution is to knuckle down and work! through! it! And those people are probably right for them, and I trust they know how their own brains work. Me, though, I got ADHD like a bat has wings. My hard drive is a vast swamp of story beginnings, neat ideas, random scenes. And that’s okay because I still get books finished.

In fact, it’s better than okay. Not that long ago, my agent sent a novella to a publisher and they said “We’ll take that novella and three more novels. What’ve you got?” And I ended up plundering my hard drive and sending the editor a good dozen random beginnings until we found one that we both liked, and then I wrote the rest of that book. And then another one. If I hadn’t had all those fragments lying around, though, it would have been a miserable experience of writing book pitches and trying to think of stuff I could get excited about. (This may not be how some editors work, but it’s how my editor and I work, anyhow.)

Un-Advice The Second: Trust that everything will find a home eventually.

This one is easy to say and hard to do because sometimes you get that overload that if you’re writing the book about, say, werebear nuns, you aren’t writing the one about the alien crustaceans. Or worse, you feel guilty. If you don’t use that one cool thing, was all that time you spent on it wasted?

Breathe. Be easy. Every single cool thing does not need to go into a single book. There is no sell-by date on the neat character. You will probably write many books in your life and all those random characters will find a home. (Seriously, the werebear nuns were lurking for like a decade.)

For me, at least, when I find the spot where something fits, it often snaps into place like a Lego. Easton’s backstory as a soldier from a society where soldiers were a third sex had been kicking around in my head for a few years, derived from about three different sources, and then I wrote the opening to What Moves The Dead and all of a sudden Easton was there and alive and they had strong opinions about everything and I had ten thousand words practically before I turned around.

You can also stave off guilt by writing some of your ideas in as highly personal Easter Eggs. A couple of my books have references to a white deer woman, a heroic deed done by a saint and the ghost of a bird, and a woman with dozens of hummingbirds on tiny jeweled leashes. Those are all characters and stories I’ve had vague notions about, but haven’t managed to work in anywhere or learn much more about. Still, the passing reference is enough to make me feel like I haven’t abandoned them.

(The advantage to this is that once you DO write those in, the readers are all “oh my god, she foreshadowed this a decade ago, she must have planned this all out in advance!” Then you look really clever and well-organized and no one has to know that you have no idea what you’re doing.)

Un-Advice The Third: Write the kitchen sink book.

At one point, I had so many stray ideas that hadn’t gotten into a book yet—the tree of frogs, the dog-soldiers, the stained glass saint, the albatross and the shadow of the sun, and also I wanted to write something with Baba Yaga—that I hauled off and wrote a book where I just put in everything and the kitchen sink. It’s called Summer in Orcus. There are bits in there that I had been cooking in the mental compost heap for decades, but that weren’t enough on their own to sustain a whole book. The phrase “antelope women are not to be trusted” showed up in my head some time in college. It’s a fun little book and I’m proud of it, but it’s very much a patchwork quilt of weirdness. But it’s also written so that if later on, an antelope woman shows up in another book in another context, that just adds to their mythology, it doesn’t break canon or whatever.

(Pretty sure I’m not the only one who has done this, either. China Mieville has said that he wrote Perdido Street Station because what he really enjoyed was writing all the weird monsters.)

So yeah, that’s my advice, for what it’s worth. Some days I just tell all the fragments and ideas that I promise that I’ll get them a home eventually but I need to write this thing here now. Sometimes I throw down enough words to get the story stabilized and then I’m okay to move on. Sometimes I write multiple books simultaneously.

Any method you use to write the book, so long as it doesn’t hurt you or anyone else, is a perfectly valid method. If anyone tells you different, you send them to me.

(…god, I hope that was the question you were actually asking, Nonny, and that I didn’t go off on a completely different tangent when you just wanted to know how I keep track of a plot or something.)

#long #rambling #writing

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phoenixyfriend · 2 months

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Why I think it's important to understand the geopolitical anxieties of Israelis

Oftentimes, it feels like even recognizing that those anxieties exist is viewed as siding with Israel in the current conflict.

And I think that it's... weird, to do that. Dismissing the anxieties wholesale makes it harder to resolve the situation. Addressing them directly is possibly the only way to resolve the situation, because America.

Let me explain.

This will have three parts:

Why the propaganda works

How it affects current policy

How we can pressure the (mostly US) government about Israel using what we know about propaganda

Why the propaganda works

A lot of it is just propaganda, yes, but a lot of it is based in history, and a lot is also sort of self-fulfilling at this point. They have had reason to believe that some of their neighbors want all Jews dead or gone for a long time (see: Syria, Lebanon, Yemen), so it's not that it comes from nowhere. When over half the population is either Mizrahi Jews who fled from nearby countries that were happy to have a place to kick their Jewish populations out to, or their descendants, it's not hard to see that 'if someone else is in charge, we'll have to flee again.'

You could tell the French in Algeria to go back to France, but are you going to tell Mizrahi Jews to go back to the ME countries that they left? Sure, some left willingly, but that kind of wholesale eradication doesn't happen unless there's some degree of systemic discrimination or threat of violence. You cannot send Yemeni Jews back to Yemen.

The threat is real. It is not as large as the propaganda claims. It does not in any way justify nearly 30,000 deaths, half of them children. But the threat is not just imagined.

The fact of the matter is this: the propaganda is fueled by actual violence and legitimate fears.

And unless those fears are recognized and accounted for, Israel cannot be talked down.

Being told that a threat does not exist when recent history clearly shows otherwise is not going to convince anyone. I cannot emphasize this enough: even if the far-right government is replaced tomorrow, those fears will persist.

Israel's current government is violently and militarily opposed to restructuring itself in a way that allows for either a secular democratic single state, or a truly free and independent Palestine in a two-state solution. Due to mandatory army service and large scale propaganda, many have been taught since early childhood that the only way for Jews to be safe is for Israel to exist and to be so incredibly overpowered for their size that other nations won't invade them. The fact that both distant history and more recent, across the world, is filled with antisemitic discrimination, feeds this paranoia. A lot of people are out to get them, and have been since well before Israel was established. The destruction of Judea, the Edict of Expulsion, the expulsion of Jews from Spain, pogroms, the Holocaust, the near-total eradication in Yemen, Jordan, and Syria, and so on... this shit keeps happening. Some of it long ago, some if it very recent.

But it does keep happening, and that is why the propaganda works. That is why the fearmongering has teeth. It has happened before, over and over and over again, and it is being loudly threatened again. The propaganda works in Israel, and it also works in Jewish communities, and non-Jewish people who just happen to hear it, based elsewhere in the world. Like America. (This is important.)

Before moving forward, I need to make this clear: There are Jewish Israeli activists, both within Israel and without, that are vocally against Israel's actions against Palestine. Some are organized, and some are individuals. Some stories even go viral: Israeli-born Natalie Portman's been criticizing Netanyahu for years and politicians have called for her citizenship to be stripped for it. Tumblr loves the story of the Swiftie Twitter that went to jail for refusing to join the IDF, and that's very common; plenty of young people get months-long prison sentences, sometimes multiple times. Right-wing mobs go after Jewish Israelis who speak in support of Palestine in any way, and these things get violent.

(In that same article, it also talks about how Israeli Palestinians are suffering much, much worse under the government's crackdown on free speech.)

How it affects current policy

The thing is, there are only really four ways for this to resolve:

Israel wins. They succeed in pushing Palestinians out of Gaza by killing anyone who doesn't comply, and take it over for themselves. (This is bad.)

Israel is cut off from any and all support from abroad, both 'here, you can help yourself with these guns' and 'here, we will fight your enemies for you,' and is very suddenly at risk of invasion, mass murder, and removal from the Palestinian Mandate by those groups they fearmonger about, the ones that include slogans like "death to Israel, a curse upon the Jews." (This is also bad.)

Israel is convinced to stop attacking Gaza, possibly through the threat of no more support, and settles in to figure out a solution with Palestine, whether two-state or secular single state or whatever, and normalizes relations with neighbors enough that they can start cutting back on their military. (This is the best option.)

A foreign power or coalition of powers invades and forces Israel to stop, and oversees a transition from military state to peaceful state while protecting from outside attack, like was done to Japan and Germany following WWII. (This one is... interventionism is bad, but also almost 30k people have died with no end in sight, so it's starting to look like a real possibility.)

We can all agree, I hope, that the first option is not an option. That is Bad.

I also hope we can agree that the second option is not an option. A number of Israelis may be settlers in the traditional sense of the word, but a lot of them are refugees from neighboring countries, survivors of the Holocaust, or descendants of such. "Just go back where you came from" doesn't work when many of them came from places that were also saying 'go back where you came from' because Israel now existed to expel them to. It's also been around for 75 years now, and some three-quarters of the population were born in Israel. Expelling them all, even the ones that were there before the early statehood aliyah? It's... I don't know. I understand in theory why some activists push for it, but I do think it is fundamentally different from any comparative colonization or settlement.

(Note: I do not include Israeli colonies in the Palestinian West Bank. Those do need to be returned to their owners. Give people their houses and land back.)

The third option is the one that most people, I think, would like to see happen. However, the Israeli government is clinging to the propaganda that they will be eradicated as a Jewish people if they do not forcibly take power where they can, and they are spreading it out among Israelis. Dissent by Israeli Jews may not be criminalized, but the society around them sure isn't receptive to it. The recent invasion of Gaza has also inflamed tensions across the region, which means that even countries which were slowly normalizing relations, or at least.

Netanyahu has not been convinced, and by all appearances cannot be convinced. The only thing that may force his hand is the threat of no more military aid, so he suddenly has to start conserving what missiles he does have in order to fend off a possible attack instead of continuing to hammer on Gaza.

Sounds great, right? This is why we are all (I hope) calling our senators or representatives or whatever your country has to tell them to stop supporting Israel monetarily or with military aid. This is why I keep giving suggested topics for Americans to call their senators about, even if I'm just one voice, and there are much louder ones saying the same thing, but better.

And yet, the Senate passed the aid bill. They snuck it into a Veteran Affairs thing as a last-minute amendment, but they passed it, and any failure in the House will have little to do with sympathy for Palestine and a lot to do with domestic border policy.

So... Americans are also pretty convinced of the whole 'if we stop supporting Israel, they will be invaded and killed off by the Iran-backed militias' thing. Many do feel sympathy for Palestinians, hence the 'Israel, you need to knock that shit off' comments, but they also are genuinely of a belief that the Israeli propaganda of 'we will be overrun by antisemitic Muslim extremist militias and exterminated like in the Holocaust' is true.

Like. Either they fear for Israelis due to the antagonistic forces in the region, or they belong to Christofascist ideologies about how supporting Israel is the way to avoid suffering in Armageddon.

You can't get to the latter on ethics or morality or whatever. You can only rely on ulterior motives (the border things) or telling them 'your reelection is in jeopardy, change your mind or you're going to be voted out.'

The former, though... you can. They believe the things that Israel claims and has been claiming since 1948, with regards to threats.

And if you acknowledge why the propaganda works, you can address it.

How we can pressure the government about Israel using what we know about propaganda

If you say that there is no threat to Israel from Yemen, Lebanon, Syria, Iran, or so on, you will be dismissed as an idealist who hasn't done any research. If you say that Israelis should be left to their own devices, you will be viewed as cruel, and if you say they should be removed and the land given back to Palestinians, you will be laughed away (silently, but it'll happen). You cannot convince the American government with these tactics.

What can you say?

Israel is making things worse for itself in regards to these exact threats. Pushing on Gaza is making neutral and nearly-normalized countries like Egypt and Saudi Arabia less inclined to get in the way of the 'death to Israel' militias. The campaign is creating a whole new generation of extremists who will join the militias out of a desire to prevent more of these deaths by Israeli hands, and that will only increase the threat to Israel.

Destroying Hamas isn't going to do shit if Hezbollah, Iraq, Iran, the Houthis, and so on, invade. Especially if twenty years down the line, all those orphans that Israel just created these past few months start a new Hamas for revenge because, hi, look how many orphans you just created.

Netanyahu is working against the interests of the Israeli people. He is trying to remain in power, and the Gaza war is a distraction from the charges being levied against him.

Netanyahu has a vested interest in seeing that Donald Trump is elected, as they are much closer than the at best strained relationship with Biden. This is very complicated but if your senator or rep is a Democrat, it is relevant.

Israel's continued offensive is leading to the risk of millions of Palestinian refugees entering Egypt and destabilizing them, which, in an already unstable country in an already wobbling region, is going to risk another war across the Middle East. The US still has not pulled out all troops from the last one.

The US cannot afford, monetarily or in terms of foreign relations, to aid in causing a new regional war.

If Israel slows, halts, and withdraws peacefully from Gaza, tensions will settle enough to avoid possible invasion by those hostile forces they're so worried about. The UN can, if necessary, deploy forces to maintain relative stability until peace treaties are worked out. We'd like to avoid option 4 if possible.

The only way I can see to convince the US government to stop supplying weapons to Israel is to push on the fact that continuing to do so will, due to Netanyahu and his party's actions, put Israel in more danger rather than less.

There are other things to say to your senators, and I'll be making a post about that soon (not today, but probably this weekend; stuff like Michigan, UNRWA, international reputation), but in regards to just the geopolitics surrounding the propaganda, this is it. This is why we have to understand it. Because the way we get the United States government to stop giving aid to Israel to defend itself is by telling them 'this is putting them in more danger due to their head of state's aggression.'

This was very long, but I've seen a lot of misinformation and a lot of generalization, and a lot of it is... not great. Well-meant, sometimes, but not great. I felt it necessary to be very clear and very specific. I'm anticipating a lot of comments to the effect of "you forgot about this" and "but that doesn't excuse their actions" and "well, not all activists believe--" and I know.

I know.

But I've had people say "Nobody is advocating for the removal of all Jewish Israelis" to my ask box hours after I was talking about Yemen, a country that enacted a removal of all Jews and largely under the control of a group that has a slogan about doing just that to the Jewish Israelis.

So let me be very clear that I have seen a lot on tumblr recently, a lot of it extremist, and I'm not pulling any of this out of my ass or making up a guy to be mad at. I may not know everything on this topic--I may not even know much at all, given that it covers centuries of conflict due to the Ottomans--but I've been listening to hours upon hours of news from a variety of sources (Al Jazeera, BBC, NPR, and more) every day just to make sure I understand.

Please trust that, even if I get some things wrong, even if I don't cite every detail or generalize just a bit here and there, that I mean well. Please trust that I am making this in good faith and am trusting you to respond to it in kind.

Call your reps. Write them an email. Donate to a Palestinian charity.

It's a slog, but we can make a difference.

#current events #palestine #israel #gaza #death tw #activism #united states #free palestine #politics #benjamin netanyahu #pro palestine #israeli propaganda #propaganda #phoenix politics #Not gonna include my ko-fi this time seems in bad taste

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cosmicdream222 · 5 months

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It’s not your fault you’re struggling, you were brainwashed by society

(A lil inspired rant)

.・。.・゜✭・.・✫・。.。.・゜✭・.・✫・゜・。.

The capitalist society we live in is based around one thing: selling. I’ve taken marketing classes before and one of the first things they’ll teach you is the basic formula for advertising: Problem - Agitation - Solution.

Explained in simple terms:

Problem: Figure out what problems people have. They also call this “pain points”. In other words, figure out what’s causing people pain, what’s making them anxious/depressed/etc and focus on those problems.

Agitation: This means making the problem worse for people. Rub it in their faces that they’re struggling and suffering. Make their pain worse so they feel like they really need a solution.

Solution: Your product, obviously. Now you’ve gotten your target audience super upset about themselves, you give them the answer, in the form of spending money to buy whatever you’re offering.

Master this and you’ll become a fantastic salesperson - and a shitty human. Yet this is how society operates. Literally EVERYTHING is built to exploit our pain.

Now, this is problematic in many many ways, but specifically:

It’s causing you to focus on your problems, identifying with a state of lack, making you feel not good enough as you are right now.

It’s causing you to look outside yourself for answers, hoping that whatever the thing is will be the magic solution to all your problems, and keeping you in a deferred state (not having it yet).

Being born into this society means you’ve been exposed to these limiting beliefs your whole life. Parents, teachers, the media, advertising etc have constantly repeated the same stories of “you’re not good enough right now, “you need someone else to tell you what to do”, “you’ll be happy once you have this thing”, etc (in various different words)

It’s all BS created to make us feel powerless. It’s brainwashing, plain and simple. It’s also proof that the law of assumption works, “for an assumption, though false, if persisted in will harden into fact.”

So if you’re struggling right now, it’s not your fault, and you’re not alone. You were brainwashed into believing you are powerless and miserable. But now you know the law, it’s time to take your power back.

The real truth is: You are the creator. You are in control of your reality. You don’t need anyone else to tell you what to do. You don’t need to buy anything or consume any more info. You are powerful and you already have everything you need right now!

Persist in your new assumptions and your new story. They may feel uncomfortable and untrue at first, because your whole life you have been taught the opposite. Like when you get a new pair of shoes, it might take some time to break them in and make them feel natural, but eventually they will mold to your body and be so comfortable you won’t even notice.

Sending so much love ❤️

#manifesting #law of assumption #loassumption #loa #loa tumblr

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r6shippingdelivery · 2 years

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There’s been a lot of talk about AO3 and censorship lately, due to one of the candidates to the OTW board. And I realised I have very strong Opinions:tm: about censorship and the freedom AO3 stands for.

Censorship is not a solution. It doesn’t work and it’s not even easily agreed upon where the line should be drawn. What some people might deem as immoral or reprehensible is not the same others will consider so. For example, you and me can agree that sexual stories about minors turn our stomach, yet other people would also include LGBT+ content there, even the sfw ones, and others might decide that any sexual content at all is immoral. So, how do we agree about what to ban, when nothing of it is even illegal?

because let’s be honest, it’s all fiction. As in, not real. Things like incest, rape and pedophilia are illegal irl, but not in fiction. Cause they’re not harming anyone. Really. You can find it disgusting, I certainly do, but I also recognize no person, no actual human, is harmed in the making of those stories. Because they’re made up and about made up characters. I won’t seek it out, and if I see someone making that kind of content I will most probably avoid them/block them (without harassing them), but they have the right to create any kind of fiction they want.

It always baffles me how readily understood that is when it comes to murder and violence in fiction. Nobody thinks that someone who writers murder mysteries or procedural shows really wants to go out and kill people. However, as soon as it’s about sex, people are up in arms ready to believe that those make believe scenarios are an indicative of someone’s real desires. Why is that? And since we’re on the topic of double standards: why are people clutching their pearls about fanfic, but literature gets a free pass, more or less? You go into a library and you’ll find lots of books with shocking and distasteful topics, including those that contain pedophilic content (like Lolita, to put a famous example), incest (Game of Thrones, among many others), rape, murder, etc. But they want me to believe that fanfic, the medium with severely impaired social acceptance and magnitudes smaller reach, is the actual problem that will “normalize” those ideas? Nah fam, I smell a moral panic, and people finding fanfic writers easier to bully into submission. Because this is all about controlling what forms of creative expression are deemed acceptable. Fanfic IS a form of art, popular art if you will, but still art. And by virtue of how AO3 is designed, it’s ridiculously easy to never see the kind of stories that you find objectionable.

Tags are a wonderful thing. I can specify what I want and what I don’t want in my story results when searching! Tags are the author being responsible and giving due warning. Especially the “dead dove: do not eat” tag, it lets you know that the content of the story will have questionable content, proceed at your own risk or keep scrolling. Same as the “chose to not use archive warnings” that one is a warning in itself that the story might contain triggering/upsetting content, and it’s the prerogative of each reader to decide whether they’re comfortable continuing reading or not. Ultimately, it’s all about taking responsibility for one’s decisions. People who are in favor of censorship in AO3 either don’t know how to control and curate what materials they access, or feel entitled to everyone else taking their morals into account instead of taking responsibility for their own experience in the archive.

None of the stories on AO3 is illegal. Fictional stories are not illegal, not even those dealing with unsavory topics. The archive makes people agree to continue reading whenever you click on a story with a certain rating (or without any rating at all, just in case!), so the reader is giving their consent to continue reading, they’re making an informed choice. Same as with the tags. They’re there, they’re a warning. If someone reads the tags, finds them displeasing and still continues reading, that’s on them. If I find a story with tags about rape/non-con, for example, I keep scrolling. Cause I know I will find the story displeasing and upsetting. The people clutching their pearls and going “but think of the children!” are, mostly, people who refuse that responsibility and ask the world to accommodate them and their morality. And then throw around words like pedohilia and accusations of “kiddie porn” careleslly, watering down the seriousness of such accusations. No, an explicit fanfic of twin, underage siblings going at it is not CSA. Cause there’s no real children involved in it. It might be disgusting for a lot of people (me included), understandably, but you can 100% avoid reading it and interacting with the people who write those.

Finally, let’s not forget the recent history of fandom spaces, shall we? LiveJournal and Fanfiction.net both had purges of content, after some campaigns for censorship gained traction and popularity. So now everything relating to certain topics is eliminated! Well, except that also includes communities of support for survivors of sexual abuse (it happened in LJ). Well, except that the people pressuring for censorship weren’t happy with the gay smut either, so a lot of LGBT related stuff is now also gone! (happened both in LJ and ff.net). Except, in some countries anything sexual at all, is frowned upon, so why not ban that too? Censorship supporters will always move the goalposts, forever shifting their aim whenever they accomplish something. Because it’s easier and more comfortable to make others conform to their standards than accepting some artistic expressions will be uncomfortable to some people. And trust me, none of them will care if the dark fic in question was written by a survivor of similar experiences trying to cope with their trauma or raise awareness, or if it was done simply for titillation or to safely explore different scenarios in fiction. And the topics that were banned in those websites didn’t disappear at all, they just weren’t properly warned for/detailed in the summaries, so anyone could stumblre upon them by accident. The complete opposite of what happens in AO3.

AO3 was created by people who lived through those censorship events in different fandom spaces, as a response to it. To seeing whole communities and swathes of fan content being unceremoniously deleted overnight. AO3 is an archive and an online library, not a social media platform. It’s a safe haven for anyone to host their fan creations, but that doesn’t mean it’s a safe space as people understand the term in other platforms. In AO3 you make your safe space by using the tags. Because that is the only real way we can have a safe haven for EVERYONE.

The thing about freedom of speech is that sometimes, you have to defend things you dislike (that, I repeat, are legal in this case), because experience has shown time and time again that as soon as you give an inch to the censors, they take more and more. And today they’re up in arms about “pedophilic fanfics”, but once that is done? It might be all nsfw content, it might be trans related content, it might be something else. But it will happen.

#ao3 #fanfiction #fanfic #censorship #freedom of speech #anti anti #okay I'm entering the discourse I'm sorry

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eamour · 10 days

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the bridge of events.

something that most of us eventually do or have done is try to "fix" a certain situation in our physical worlds. we have encountered something very unlikable and therefore want to "un-manifest" it by thinking of a way to do so. however, that's not your job. moreover, that's not your GOAL.

definition.

the "bridge of events" refers to the lined up situations you will have to experience or go through in order to reach the physical fulfillment of your desire. it's an unpredictable process that describes how, when and where you will receive your desire in the outer world, basically the "bridge" that's between your current and your desired reality.

disregard the bridge.

can you decide the way in which your heart's desires are going to come to fruition? most definitely, you can. but you don't have to. see, you don't have to come up with a detailed solution on how an unfavourable situation is going to change to a favourable one. you don't have to mess around with logical possibilities and realistic outcomes. actually, you don't even need to be bothered by it. you do not need to worry at all.

concentrate on the destination.

you only need to be concerned about WHAT you want, nothing and no one else. you need to focus on what's at the end of the line and fixate your mind on it. nail your thoughts on the version of yourself who HAS and IS what you wish to have or be already, and don't care about the obstacles in your reality. don't "reason" your way into obtaining your desire. go to the end and make sure to stay in alignment with that version of yours. dwell on that version. be it, be the end, not the bridge. do not wait or wonder. enjoy your desire. experience it in the mind. within an infinite range of realities, your desired one already EXISTS!

renounce all circumstances.

if you witness something that brings you off track or just generally throws you off your path, what are you going to do?

exactly, you are going to dismiss it. it's entirely up to you if you use a different term to deal with the outer world — such as ignore, renounce, abandon, neglect, reject, refuse — as long as you do not accept it as true.

whatever happens physically is none of your concern, none of your interest and not worth your time, energy and attention. do not let it get in your way. do not let it affect or influence your new, freshly established assumptions. because the undesirable reality that's currently being displayed isn't the reality you want to begin with. the reality you are manifesting ISN'T the one you are experiencing right now! it has nothing to do with you. you are not obligated to accept or associate yourself with it. it holds no truthfulness, no rightness, no correctness and definitely no realness. and remember: it does not serve as a form of validation either!

do not interfere with the physical. do not intervene. do not take action. withhold from any acts that do not take place in the mind. leave the world as it is, as the old reality doesn't reflect your new one anymore.

consequently, feel the way you would feel and then let go of it. you want to distance yourself from the story that's no longer yours. you no longer identify with that version of self anymore.

"the display of the old story and its circumstances isn't an invitation to return back to it."

persist in imagination.

let it come to pass. let it unfold in your reality. simply persist in your newly chosen reality. select your desired reality every day and don't stop. accept it as true, as correct and as real. your imagination is your confirmation. your imaginative acts are your source of validation. so have faith and trust yourself.

the thing is, if you continuously persist in your desired outcome, you are going to walk the bridge one way or another. your desire is going to announce itself and you will acknowledge it — there is no way around it! it WILL show up, and you WILL notice it. you HAVE to. that's the law!

with love, ella.

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sarucane · 5 months

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Why did Ed shoot Izzy then?

Figured I'd go ahead and rant about this because once I started thinking about it, it took a bit to unpack, and someone might be interested? Eh, anyway

So the reason this is actually an odd moment is this: it comes across as careless, but Ed's real violence is never careless. Ed's violence is actually really precisely targeted. He has a reputation for violence, total strangers call him a "fucking madman," and he does do some stuff offscreen ("I have seen you maim a few people") but in terms of what we actually see on our screens Ed becomes violent himself very, very rarely.

But here, he shoots Izzy. A very violent act, done casually and to someone he knows personally.

Why? Izzy thinks it's because of Stede, says himself in this scene that the source of the poison on the ship is Ed's feelings for Stede, tells Stede Ed shot him "because I dared to mention your fucking name."

But that just doesn't track. Ed is clearly brooding over Stede at several other points, and he doesn't get remotely violent. He doesn't join in the fighting at the wedding when he sees the figurine that looks like Stede or throw it against the wall later, or even become violent in any of the scenes that figurine appears in. If anything, the evidence rather suggests that Izzy has mixed up "poison" and "cure": Ed gets notably more chill when he's looked at that figurine recently.

So why does Ed shoot Izzy here? And when Izzy came to him a few minutes before with "I have love for you, I'm worried about you," why did Ed blow him off, then get scary at something that did invoke Stede?

Well, because it's Izzy who's saying this. It's not Stede himself, it's the combo of Ed having Izzy and Stede in his head at the same time that's provoking violence.

Izzy set the terms for this relationship. Ed was vulnerable and open, and Izzy said that was a fate worse than death. Ed thought he was in a safe space, and Izzy threw shame and threats at him.

Ed conformed to Izzy's expectations, directly and completely. Izzy was clearly happy that Ed was cutting off his toe and making him eat it. Izzy set the rules, and Ed followed them. That's right down to the scene before this, when Izzy says that the crew are refusing to throw away the treasure and Ed says "and that's another toe." There are rules, they're being followed.

And then Izzy goes and tries to change the rules. Tries to encourage Ed to be vulnerable. Invokes the original source of the pain that made Ed vulnerable in the first place.

It's actually kinda admirable that Izzy does this. What he's doing is beginning to acknowledge how wrong he was before. But it's too little (he still thinks of Stede as a problem, not a solution) and far too late.

Ed's not going to take anything that hits him where he hurts from Izzy. He followed the rules--hell, he's still following the rules when he shoots Izzy, hits him on the same leg that was losing toes. He doesn't owe Izzy one iota of vulnerability. And more importantly, he can't become vulnerable with Izzy. The relationship is absolutely and completely entrenched. This story ends with one of them killing the other. And just like Izzy's the one who started them on the path of that story, now Ed's the one who's going to push it forward.

#ofmd s2 spoilers #ofmd #ofmd s2 #our flag means death #ofmd spoilers #ofmd meta #ed teach #izzy hands #I can't believe I went on for that long #well i found something else to rant about my spiral parallels are almost out so cool #ed totally didn't think for a second izzy was dead come on if he wanted Izzy dead he would have made Archie first mate #blackbeard

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aangarchy · 2 months

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Netflix atla live action review ep 4-6

So, they completely ruined Bumi. Spoiler warning.

The more episodes pass by the more confused i get with the choices that were made. I wrote down commentary for the episodes and the thing that i wrote down the most was "why does this happen?". The writing is incredibly confusing and messy, feels too rushed in some spaces and too slow in others. There's just... so much going on and so little at the same time. They brought in elements that in the OG don't get introduced until later in s1, s2, the comics, or even the legend of Korra. The reason these things get introduced so early here is not clear at all, because they don't serve any purpose other than to be an obstacle to Aang, Sokka and Katara on their way to the North.

Mai and Ty Lee are.. there. They get introduced earlier but they don't serve any purpose at the moment other than stand around, watch Azula train, ask questions so that Azula can give us the answers the viewer needs. My guess is they only got introduced for the audience who watched the OG to go "oh we know them!". We get the secret tunnel story earlier too, but it has absolutely nothing to do with love. Somehow "love is brightest in the dark" now correlates to the badgermoles being able to sense a human's emotion. It's a waste of a storyline, doesn't teach us anything about love, gives us Omashu lore which is useless bc neither Sokka nor Katara actually use love to escape the tunnels. Also Oma and Shu are lesbians now, but you only know that bc they changed Shu's pronouns. Wow, so progressive! We have lesbians in the story now! Boy do i feel represented as a sapphic!

We get Koh early on as well, but his entire gig got changed. Now suddenly he doesn't steal faces but he "feeds", and hunts using the fog of lost souls (which is tlok lore mind you) as a tool to trap humans. We introduce the mother of faces (comic book lore!), or rather pendant of her that Koh owns. There's no reason for her to exist in this story though other than to be an easter egg to everyone who read the search (Not even the majority of the fandom!) and to offer a solution to this problem we've created, which is Koh capturing our friends in order to eat them and us not being able to convince him into letting them go. There's no feeling of dread in the Koh scenes at all because the whole problem of not showing emotion is just not a thing now. No suspense, no fear, just a weird cgi clown face worm. The worm doesn't even menacingly circle around Aang to invoke a feeling of being surrounded, it just sits there. I also just don't understand why Koh is here already bc now who is going to give us information about Tui and La?

This decision also creates a problem that Hei Bai's story just isn't about Hei Bai anymore. We get fed a few lines from a talking fox about how the forest spirit got hurt, but there's really no solution? Aang buries a pinecone in front of the statue and tells him not to give up hope but he didn't even really need to do that, because Hei Bai wasn't the one kidnapping villagers! It was Koh. Why did we appease Hei Bai if Koh was the real villain? Hei Bai/Koh's story leads us to Roku, but Roku is completely useless. All he does is undermine Kyoshi's advice to Aang, tell Aang about the mother of faces pendant so he can appease Koh, and then we leave. I knew in advance Roku wasn't going to warn Aang about the comet here bc Albert Kim already told us working with a deadline like that with child actors is just impossible. But with Roku suddenly not being Aang's main Avatar guide he just gets nothing to do. There's no suspense in this part of the story either, bc the time limit of the winter solstice isn't a thing here at all. Aang also ends up flying over Fire Nation borders without issue, and gets led right into the sanctuary without the puzzle of figuring out how to open the door, and without the problem of Zhao's soldiers waiting for him when he comes out. It creates this issue of there not being any excitement, at least for me. I genuinely am getting a bit bored with the show, which was never an issue with the OG for me. There's a reason all of this extra material didn't get introduced until later on. There's too many characters and they all get too little time to really do anything useful, they're not fleshed out, the stories aren't thought through and it ends up getting very confusing and boring. I'm genuinely curious for the perspective of people who have never watched the OG cartoon, bc i wonder if they're even able to follow along without prior knowledge of this universe.

Bumi is just... not Bumi. They completely changed his character to be this bitter old senile man that resents Aang for abandoning the world. This doesn't make any sense because in this version of the story Bumi shouldn't know that Aang is the Avatar at all, because Aang was told right before he disappeared! So why does Bumi immediately know that Aang is the Avatar, and why does Aang immediately recognize him? Also the original point of Bumi's tests is to get Aang to approach fights and puzzles from a different angle, so he can learn versatility as the Avatar. But here the tests are just happening because Bumi is mad at Aang for leaving and wants to get back at him for being gone so long. He says some lines about Aang having to learn to make hard choices and you can't rely on your friends, but Aang ends up proving him wrong in the end! What is even the point of Bumi's part in the story now, except for him just being another obstacle on the way to the North Pole?

There's a lot of instances where I feel like the bond between characters gets completely lost. We barely spend any time with the side characters like the mechanist, Teo, Jet and the freedom fighters, and the people in the spirit village. It makes some scenes feel very out of place. These storylines all happen at once, and they don't get their individual moments to shine. We have no room to feel betrayed by Jet or Sai, because we barely got to know them to begin with. Jet and Sai only spend time with One member of the gaang each, but when their betrayals come to light the rest of the group acts devastated, as if it was their dear friend. Sokka also gets really mad about the Jet thing, but he only met Jet once when he smuggled them into Omashu, and Jet didn't even tell Sokka his name. He said it afterwards when Katara met him again. It makes absolutely no sense why Sokka is yelling at Katara for trusting Jet only bc she finds him attractive, when Sokka wasn't even there during all of that!

The sense of family between the gaang that we get from the original also just doesn't happen here. Especially because these characters so far have spent more time apart than together. Aang constantly gets separated from Sokka and Katara, leaving no room for them to bond. We get Katara and Sokka bonding, but they shouldn't need those types of scenes because they're already siblings (which isn't very clear in the show either btw!). I ended up forgetting that Sokka and Katara were trapped by Koh, bc we spend so much time away from them (a whole episode, which is now an hour!).

I have little to no criticism for the Blue Spirit story. Want to guess why that is? Bc they left it pretty much untouched. We even get a little bit of an extra scene, with Zuko and Aang talking while Zuko recovers after getting hurt during the escape. I liked this choice, especially bc it highlights how conflicted Zuko is.

This is where we get Zuko's backstory. I have one question here: why did they make Ozai more sensible and less ruthless? Was that a Daniel Dae Kim decision? Bc it feels like a Daniel Dae Kim thing to do. They're very on the nose with the way Ozai is abusing Zuko and Azula, but then they turn around and make this man visit Zuko after he burned him and praise Zuko about finding the Avatar. I understand that they did this to show how Ozai uses Zuko's accomplishments in order to push Azula, but even if it were to do that: the original Ozai would NEVER. The problem here as well is that they don't let the viewers draw any conclusions themselves anymore. They're holding the viewer's hand through the whole thing, leaving no room for nuance or doubt.

I just finished episode 7 and 8 and I have Things To Say. None of which are good. Writing it down is challenging so it might take a day or two.

#atla #avatar the last airbender #avatar #netflix atla #atla netflix #natla #netflix #atla live action #atla live action spoilers

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riize119 · 4 months

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Soulmate! Anton⋆｡𖦹°‧⊹₊ ⋆

Soulmates work in the oddest way

• There isn't a set way to how you're supposed to find them or just know who is for you

• As far as you know, anyway

• Everyone else in your family either has the distinguishable mark on their body in the same place as their soulmate, or were given a time and place to be that suddenly appeared whenever the universe decided that they were ready

• You, on the other hand, had not even a single clue

• But you didn't mind

•You thought that it was kinda boring to just know who it is anyway

• Where was the adventure? The thrill of piecing it all together for yourself?

• Of course, there's always the problem that you get it wrong and have to try again but

• Whatever!!

• Right?

• As for Anton, he's been in shock ever since he was ten years old

• A rare soulmate story for some couples ends up being that one has known forever while the other had no idea

• In this case, it’s you having no idea.

•Anton, knowing, and being terrified to tell you for almost a decade

• It probably wouldn't have been such an issue if you two weren't best friends throughout your entire childhood

• He often doubted that you were his soulmate, only because you just seemed to show zero interest in him in t h a t way

• But you only did that to not be selfish

• You liked Anton. Actually, you loved him

• He was your closest friend and no matter what the situation was, your spirits were always bright and happy whenever you were with him

• You always heard that those kind of feelings were perpetual whenever you were with your soulmate, so you found yourself wondering if Anton could be yours

• But years have passed with no hint towards it being true, so you pushed the intruding thoughts away every time you saw him

• You were content with just being friends though

• And oddly content with not finding your soulmate if you were happy enough with the friendship and life you already had

• Which made Anton worry

• The simple solution would be to just tell you the truth

• Pros: you two are soulmates and live happily ever after

• Cons: the universe messed up and that turns out to be a big joke and it's his fault for messing things up

• Now, he knows that's elaborate, but still can't help but question why you've never asked him yet

• So here comes the help of Sohee, the "golden boy" of your trio, as you both like to say

• He always has the best advice and outlook for everyone around him, so what better thing to do than ask him about this?

• The only thing is is that he already can see that you two are meant for each other

• Neither of you had said a single thing about it, though. Not until Anton’s last thread of hope started to fray

• "So.. you've known for several years...”

• "Yes"

• “And you haven't said a single thing to them?"

• “Right"

• "Well why not?"

• "Because I don't know if they're my soulmate"

• “…”

• And Sohee just stares at him for a while before nodding his head and continued eating

• Because “how else am I supposed to help Anton if Anton won't believe first?”

• So, Sohee apologizes to the universe for interfering with the work of fate first before talking to you

• He hates seeing his friends in this position, especially if it's an issue regarding their entire life

•And he texts you randomly

• “You never talk about it, but I wanna know. Who do you have a crush on?"

• Getting the notification scares you because???

• Why would he suddenly ask you this?

• But you still reply,

• "We can't have crushes, remember?"

• In which he comes back with

• "We're only human. We have crushes, so who's yours?"

• Some time passes before you say anything, quickly becoming anxious

• You've never felt scared to talk about Anton before, so why now?

• "You can't tell Anton...”

• And you explain every bit and ounce of your feelings for him to Sohee, who is smiling so wide on the other end (as he screenshots every message and sends them to Anton in real time

• Who then proceeds to panic

• Even though it's confirmed that you definitely are his soulmate, he's scared that you'll be mad for not telling him sooner

• And also mad at the fact that Sohee told him after you asked him not to

• So the next time you see Anton, he looks almost queasy from how much he's holding in It worries you, so you just ask

• "Are you gonna be okay? You don't look well...”

• He stares back for a while, not really processing your question and almost tuning out the entire world to focus on what he had to tell you before it really made him sick

• He couldn't even hear himself when he told you, his mouth going on autopilot until he saw your reaction

• Not the reaction he was expecting though

• Seeing you smile so big and bright and then laughing at his change in expression from scared to confused still worried him, but in a different sense

• "God…..I've been waiting for you to tell me for so long!" You said, immediately going to hold both of his hands in yours

• And the shock that immediately ran through his body caused him to freeze before he could say anything to you

• The shock being that your reaction was positive after he already rehearsed your rejection

• "But…how did you already know?" he asks

• You laugh a little at how oblivious hes been all this time

• "I've always felt it. I just wanted to spare myself of embarrassment if it wasn't you and just boldly stated that it is. I should've known though...but you, on the other hand, have know this forever and still never said? Why?"

• He gets nervous again, thinking about how silly his reasoning was

• *I just didn't want it to make things awkward for us, you know?"

• You nod while smiling at him again

• "But fate makes it so that everything works in our favor. It was gonna happen sooner or later, and I guess later is now"

• Finally getting a smile out of Anton, he holds your hands tighter, swinging them a little, side to side, before asking his final question

• “I really do love you. Even before I knew we were soulmates, I liked you so much it was almost embarrassing..do you think that if fate didn't exist, we'd end up together still?"

• "I was already daydreaming about us being together before all of this happened, so of course” you tell him, making his expression brighter by the second

• "So now that it's official, we've gotta go tell Sohee thank you" he said, standing up and holding just one of you hands now to lead the way

• "..he sent you my confessions, didn't he?"

• "Let's not worry about that until another time"

#anton #riize au #riize anton #riize imagines #riize x reader #riize fluff #riize #riize soulmate au #kpop imagines #anton imagines

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curseanon · 23 days

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The Issue with Eden Polycule

So I wanted to articulate my thoughts on a relationship that ive seen in fandom spaces and lots of fan art or fanfiction. I don’t have any opinions or problems with Adam/Eve/Lucifer/Lilith, but I feel like there are some implications and tropes that we should be more careful about when it comes to Eve/Lucifer/Lilith or even just Eve/Lucifer. Before getting into it though, just a disclaimer: this post is not about polycules in general. It’s not my cup of tea personally, but ship whatever you please! This post is just me rambling about my own thoughts. Feel free to have your own interpretations. ALSO! None of this justifies Adam’s behavior. He is responsible for his decisions, including his cruelty towards people, language, and his decision to essentially wage mass genocide each year. And this post isn’t to say that this relationship drama is the sole reason why he ended up doing exterminations.

1. I don’t really like portrayals that have Lucifer/Lilith (L/L) sleeping with Eve and having her cheat on Adam, especially when it takes place in Eden. I’m afraid Vivzie might have this narrative take place in HH, but doing so does a real disservice to Eve’s (and Lucifer’s if he acted alone) character by having her be willing to cheat, and also does a disservice to Adam by having him be cheated on for reasons that are probably not entirely his fault. Not to mention a lot of media where this happens often has the tone of just “haha let’s cuck Adam twice,” which comes off to me as petty and unfair. Not only is it not a funny joke, but it essentially reinforces and justifies Adam’s misogynistic tendencies later. Especially the ideas that women are promiscuous, always willing to cheat and be unfaithful. The narrative would do nothing to disprove this if BOTH of Adam’s wives did in fact cheat on him.

2. Another thing about Eden. Lilith was Adam’s first wife, literally created for the purpose of being his partner. This is also pre-Apple, meaning that Adam has no concept of right vs wrong. The way he acts, if he truly was controlling and mean and the story book wasn’t exaggerating (which I doubt), is entirely the programming of the angels and the way they tolerate or enable his behavior. Assuming we went with the theory that Adam never ate the apple, it’s the same situation with Eve if she left him and/or cheated with L/L. The way I see it, Lilith’s cheating on Adam is not justified, even if she disagreed with Adam on certain things.

3. I also want to note that cheating on one’s partner is not a justifiable punishment for Adam’s behavior. Whether pre or post apple (now assuming he did eat it), I see it as fighting fire with fire, and all it usually does is create even more hostility and problems than if the person just clearly broke off the relationship first. L/L/E runs the risk of inadvertently encouraging unfaithfulness in relationships and marriages as solutions to a problem, but this is rarely the case. As stated earlier, it only makes Adam justified in acting the way he does. And with that justification, is he really in the wrong for how he treats women? What reason does he have to change his behavior if he is right about them? I could probably accept both wives leaving him if the purpose is to justify Adam’s behavior and not just mock him, to show how morality is not just black and white and the villains sometimes have justifiable reasons for thinking the way they do. But it still seems very shallow on Lilith and Eve’s parts.

4. This part is just my opinion on L/L/E, but I don’t find the idea of Eve getting with the people who caused her to lose Eden very convincing. L/L are the reasons her and Adam were cast out of the garden and made to live for centuries laboring to survive, farming cursed ground and painfully delivering several children. Not to mention the bringing of sin and death into the world, losing Abel at the hands of his brother and Cain being cast away to wander the Earth. All the suffering she faced in life and the suffering of all of her descendants, all of humanity. Her sleeping with Lucifer makes no sense to me unless he seduced her (when she was more naive, maybe even pre-apple) intentionally, either for the purpose of hurting Adam or if he did just love her also, which makes him complicit in ruining someone’s marriage. None of this fits with Lucifer’s character, a malewife who adores his Tall Queen and comes off to me as being very loyal. The idea of open marriage is better, but Adam does not seem like the type of guy who likes to share anything, and his marriage is very clearly between Adam and Eve. That controlling personality indicated by the story book leads me to see him as likely having some jealousy and possessiveness (though not in extreme ways).

5. The only other option is Lucifer sleeping with Eve after her death and if she goes to hell, since we know Adam and Eve lived a thousand years married together on Earth, starting humanity. But I don’t see any reason for this. We need much much more information about Adam and Eve’s relationship and all four of their relationships’ to each other in general first before we can talk more about this. But until then, I don’t see any reason to break up Adam and Eve unless there’s some importance to it in the narrative. For me, I see Adam’s womanizing in heaven as a sign that Eve is probably not in heaven. And thinking that he’ll never see her again because “Hell is forever,” he eventually becomes bitter and jaded over thousands of years and decides that his relationship with Eve must be over then. Possibly the same case with Eve in hell, somehow leading up to sleeping with Lucifer. But considering she’s no where to be found with L/L and Lucifer only references her once, there seems to be zero indication of anything between them.

6. To briefly touch on the idea that once in heaven, Eve eventually left Adam because of his horrible personality and womanizing. This is still possible, but it seems like WAY too big of a personality shift to go from married and raising a family for a thousand years to suddenly being a massive asshole and a philanderer. Something must have happened that magnified all the worst aspects of his personality. There’s no way he is the same today as he was in Eden or on Earth. If he is, that’s just shitty lazy writing on Vivzie’s part and Adam is nothing but a one dimensional villain with no depth at all. Massive waste of a character with huge potential.

Tl;dr This post is already too long so I’ll just summarize everything. Although I agree that Adam is definitely an arrogant and annoying villain, Lilith and Eve cheating on adam is unjustified imo, there is no reason for Eve to cheat on Adam or leave him at all from what we can tell now, and her having any relationship with Lucifer also makes no sense considering what his choices turned her life into. But let me know your thoughts on all this, if there’s some point you want to make or a disagreement on something else!

#hazbin hotel #eve hazbin hotel #hazbin hotel eve #hazbin eve #hazbin hotel adam #hazbin adam #hazbin hotel lucifer #hazbin hotel lilith #hazbin lilith #hazbin lucifer #adam x eve #eden polycule #hazbin headcanons

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bigcowboydyke · 9 months

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about your disability pride month post: is there anything important/significant you think people should take notes on when writing a character with an upper arm prosthetic? (like starting from the elbow if i phrased correctly)?

Yeah! I think the biggest is that you ought to consider first, esp if its an OC, your reasoning for making the character disabled- you wanna make sure you're not fetishizing or exploiting their disability to prop up abled characters. I've got a list of questions for authors to ask themselves along those lines that I can post or dm

Secondly, you have to consider what level of realism you wanna go with. If you have a character where, in universe, the prosthesis functions in exactly the way an arm does, you could just go with that if you want - it's the path of least resistance, right? BUT you ought to consider that most prostheses in media exist in that way AT THE EXPENSE of good representation of disability. Erasing disability or "curing" it with magical prostheses IS a form of ableism that is so pervasive it just goes unnoticed by most. I believe personally that disabled bodies are worth portraying well even when the creators of the source material did not do that. SO if you want to go with real well thought our representation, here are some common things I think authors and artists often miss (specifically as it pertains to upper limb prostheses):

1) I already said this, but seriously, I cannot emphasize enough that upper limb prosthetics ain't cheap and are usually uncomfortable. Your character, if they are poor, or even like middle class, won't have access to multiple high tech popular mechanics cover story type robo arms. Even if they did ...

2) Not all limb different folks use prosthetics! I personally have used multiple and I disliked them. I tried very hard to learn, but there are multiple requirements to be able to use each model and sometimes, a lot of times actually, limb different people - especially people without a hand or an arm function Better without prosthetics. Be aware in your art that limb different people are Whole. How you ask can somebody without an arm, say, do all that stuff?

3) Consider the idea of adaptation in your writing and art instead of relying only on magicking disability away with prosthetics. Disabled People live in a world full of barriers and tend to be Very creative about navigating it, adapting to our environment through just being a little clever about how we do things is the biggest way i see other people with upper limb differences interact with the world. There are three main ways that we go about this without prosthetics: Using adaptive equipment, Finding an alternate method, or as a last resort, asking for help.

Example 1: I have like 1.5 arms ok so obviously only 1 hand, and I need to clip my fingernails every once in a while. The obvious solution to me, while it may seem gross, is just to bite them off. Bad habit, but efficient. I could use those horrible little nail clippers, with my remaining stump and a little finagling but it takes forever. I could also get some adaptive nail clippers - they make great big handled ones for ppl that can't grab the little ones. Or, I could ask my partner to trim them, but I'm usually too proud to do that. Let disabled people have their flaws too lol!

Example 2: I love to rock climb. This is where adaptive equipment comes in. I could slip off a rock climbing wall pretty easily right? So bouldering (rock climbing without harnesses) is totally inaccessible to me. But if I go to a gym that has harnesses, then that's fine - they catch me if I fall and that's adaptive for me.

Adaptive equipment comes in many shapes and sizes and can be regular items repurposed.

3. If after all that you Must create art or write about an OC or preexisting character that uses upper limb prosthetics, consider that in general, limb different people's prosthetics are not equivalent to having two arms. Prosthetics are only practical for limb different people if they enhance your life or are useful in some way, however, getting one high tech enough to do that is unlikely because they are expensive. There are different groups, clinics, and charities that make lower cost options but they tend to be much lower tech than is depicted (and often are clunky). My first prosthetic was a long flat piece of metal, similar to a doctors tongue depressor, attached to a plaster cuff velcroed around my stump. The idea was that since I had a little bit of stump poking out, I could pin objects against the metal and it would work like a crab's pincers. It was okay, but I did accidentally smack many. Many. Things with it, including my own face and since it was metal, that was unpleasant. Obviously hindered more than helped. Also it did not look even remotely like a hand.

4. Which prosthetics you can get generally depend on what you got on you. Literally. Bodily. With upper limb prostheses, If you don't have an elbow or wrist, your options are almost exclusively limited to the pricier electric options that are both super futuristic, unavailable to many, and also like new car priced. Many of the manual, non-electric models depend on the ability to flex a wrist or elbow, so if you have those things are a little more accessible overall. It also matters whether you are born limb different like me, or if you are an amputee. Amputees are more likely to be candidates for prostheses than people like me because they have all those preexisting muscles and nerves for prosthetics that are higher tech and require surgical attachment Also prosthetics might be an easier learning curve, and more useful for somebody who has been abled bodied than it would be for somebody who never had that limb in the first place.

5. This is a little thing and ... Not to get too medical with it ( and neither should yall) but limb different people often have physical changes associated with lack of or loss of limb. If you do not have a limb, you are not going to be developing the muscles that are surrounding it in the way an a nondisabled person would. Again for example I have 1.5ish arms which means I've got plenty of stump on my "affected" limb. Even when I did Varsity sports and everything, I was never able to get beefy on that side. It is a pet peeve of mine that many people do not seem to get this - Most art I see of vash the stampede has him with two super beefy shoulders and like yeah i get it that's hot, but if hes got roughly the same amount of stump as me, he probably shouldn'tlook like that. Another thing in this vein is chronic pain is associated with limb loss and limb difference- I have it and its reasonable that any prosthetic user or nonprosthetic using limb different person is more likely to have it. Again these are little things but if you're looking to do good representation you need to consider that limb difference is not just a cool little stylistic choice to make a character look tough or what have you - limb loss and limb difference mean that that character will not only think differently than abled bodied people, but move differently, pose differently, have different routines and preferences than are ever represented in most media. Disability is not a style, and it's not a diagnosis, it's an identity. It's important above all to be respectful of that by letting go of centering able-bodied expectations and aesthetic in your art and writing. Hard to do but i believe in y'all!

Hope that helps! I've also got a bunch of links to go along with these points, if you want them lmk! I'm always happy to take asks about this stuff!

Tl;dr please consider making characters that don't use prosthetics, or don't use them excessively because it's more realistic, better representation, and makes me, a disabled dyke on the internet, really happy.

Lastly if y'all liked my advice and appreciate my time you are always welcome to tip me for it - my c*sh*pp is $neptunedrive

#cripple your art #disabled characters #vash the stampede #trigun #character design #disability justice

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basedhighsenberg · 8 days

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I have a theory that the reason we keep seeing so many stories about female teachers sexually abusing male students is because we're witnessing a sort of... personnel plateu in the field of teaching. The POSIWID result of the current education system, if you will.

Education these days is a field absolutely dominated by women, arguably in part because the modern education system is tailored towards female learning methods and not male ones. This has been a hot debate for a while now as people have been asking why male test scores have been dropping so much compared to female scores which have been doing very well. But, not what I'm focusing on right now.

There's an old stereotype about some men who were popular jocks in high school, who peaked there mentally and emotionally and spend the rest of their life trying to relive and recapture those glory days- where they received lots of praise from their friends and family for being a good athlete, also lots of positive attention from female classmates. Hence we find all of these older dudes who still wear their varsity jackets and constantly try to pick-up younger, high school aged women.

How does this relate? Some women do so well while they're in school and get such positive feedback for doing well, that they are drawn to the field of education as a career- which makes sense, if you're a good student why wouldn't you make a great teacher? If you're a great highschool athlete, why wouldn't you make a great real world athlete?

I believe the "female teacher sexually abuses younger male student" is a rough equivalent to the washed out highschool jock. You're taking an individual who has never known more praise than when they were participating in this system, giving them an authoritative roll in this system, and then they immediately start trying to relive the days when they were praised constantly, including seeking attention from highschool aged males to make up for the lack of attention they are receiving elsewhere.

The solution to all of this? Simpler than you think- ban public schools.

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onlycosmere · 2 months

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Least Favorite Novel of the Cosmere

GodsShoeShine23 : I'd say Alloy of Law. I just honestly didn't really care about Wax and Wayne until they were more fleshed out in Shadows of Self and Bands of Mourning. For Once, Brandon kind of just threw us right into the action from the get-go, but did so in a way where I had no real motivation to root for the main characters of the book other than them being the main characters of the book.

Brandon Sanderson: I wonder sometimes if I should do a full-on rewrite of Alloy. It would also be my vote for weakest Cosmere novel. (I think it's probably my weakest novel overall.) The big problem came from it being a short story, that became a novella, that became a fun little novel not meant to do any heavy lifting. But the series went from there to get some of my strongest books, as I fell in love with world and characters, and became a full-blown era rather than a pit stop between tow large eras.

So you have something weaker, meant as a kind of "Secret History" novella, to a load-bearing pillar of the Mistborn series. And it's the place where already (coming off the main trilogy) where people were the most likely to abandon Mistborn as a larger mega-series. So I have my weakest cosmere book in a pivotal place in the sequence.

The solution could be to just take it and give it a ground-up rewrite with more depth of characterization and narrative rigor. But then, we have the problem of their being two significantly different versions of a book, which causes other logistical problems.

GodsShoeShine23: I find it hilarious that the one time I’m not praising your novels, you end up stumbling upon my comment, lol.

In all seriousness, I thought Alloy of Law was still a pretty fun read. I like the expansion on the magic system that was built up in Era 1, and Wayne honestly ends up being one of my all time favorite characters in the cosmere. I always thought to myself that Alloy of Law read like a novella, so it’s actually interesting to see that it was originally based on a short story idea essentially.

I will say this though; I expected to see most people vote Elantris as the weakest book as seen in the comments, but I honestly found it to be much more entertaining than people lead me to believe. Hrathen may be my favorite antagonist you’ve written, and I’m wondering if more will be revealed about his charcater in the sequels.

#mistborn #the bands of mourning #elantris #cosmere #cfsbf #brandon sanderson #branderson #wob #kind of #long post

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pascaloverx · 23 days

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OUR SECRET — MYG

chapter seven

Summary: You and Yoongi are having an affair. No, you are not being his lover. But the world is not ready to know that an idol is dating someone. So you two were doing your best to make sure no one found out. Until he breaks up with you. His mistake.

Author's note: This fanfic will contain inappropriate language and intimate moments between some characters. Be warned. I will let you know if anything becomes inappropriate. Please enjoy this Yoongi fanfic.

PREVIOUS NEXT

To marry without love must be terrible. To marry with love seems better, but everything depends on the conditions in which one gets married. If you're stressed because you're about to give birth to an unplanned daughter with a love that no longer serves you, and a fake marriage is your only solution, marrying seems like hell. Unfortunately, you're discovering this the hard way. At least you and your daughter are doing well health-wise. Namjoon and Jin keep checking in to make sure you're taking care of yourself, while Hoseok and the younger ones try to help with the marriage. The fans of the group that your daughter's father is a part of have surprisingly accepted well the fact that you're pregnant with Yoongi and that you're getting married. Everyone bought into the story of marrying out of love and the pregnancy being the result of a cute hidden formal relationship. The wedding with Yoongi was quick and without much fuss. Your belly is too big, time is short so a short wedding was perfect.

"I think this is the last box. Who knew I'd be moving into your house, pregnant with your baby and married to you. It doesn't feel real." You say organizing your last moving box while Yoongi organizes the baby's room.

"I finished setting up our daughter's room. I think it looks nice..." Yoongi comments as he watches you organize the rest of the clothes in the wardrobe.

"Can we talk for a bit?" You ask, sitting down on the corner of Yoongi's bed, which will soon be your bed together.

"We've barely been married, and we're already going to have a serious conversation?" Yoongi tries to be funny, but you look at him somewhat indifferent.

"I think some things need to be talked about. We're almost at a stage where another human being will depend exclusively on us. I think it's important that you know you'll have to be involved in Ji-soo's life. And I know it's premature, but I think Min Ji-soo, a beautiful name, and since I'm carrying her, then..." You speak defensively but without getting worked up.

"You notice that in this relationship, we should be a team and not rivals, right?" Yoongi speaks, taking a strand of his hair that was touching his eyes, while you look at him. You don't know if you're mad at him or if you agree with him.

"This whole situation is crazy. I dated you because I loved you and now we're married and I feel like I'm at the point where I'm stopping loving you. We need to fix this before the baby arrives." You say getting physically closer to Yoongi, your hand held his.

"What is your suggestion?" Yoongi asks holding her hand. A silly smile appeared on his face and you felt shy for a moment.

"May we try to be peaceful with each other. Maybe we can be bold too." You say, raising your hand to Yoongi's neck, pulling him into a kiss. A kiss that reminded you of what it was like to love him, making you feel intoxicated by the sensation of kissing Yoongi.

However, a sudden pain makes you pull away from Yoongi, letting out a groan of pain. It almost felt like your baby was kicking your belly, but usually, that didn't cause such intense pain. When you look down, you see blood on your pants, staining the floor of the room. Yoongi looks at you terrified, and you feel a sense of panic engulfing you.

"Yoongi, I'm not feeling well. I think there's something wrong with our girl." You say, feeling another pang of pain in your belly and slowly becoming dizzy. The pain was so intense that you almost blacked out when trying to stand up.

"Jagiya, listen to me. Let's go to the hospital, but I need you, for the sake of our daughter and yourself, to try to stay conscious." Yoongi says, grabbing the bag they had prepared for the baby and the car keys.

"If something happens, take care of our daughter for me. I know you'll be a good father." You say, feeling like you'll lose consciousness soon. The little strength you have, you use to gently touch your belly, as if saying goodbye to your little girl.

"I don't know what you're talking about. You and I are going to be great parents, together. I promise you that everything will be fine." You hear Yoongi say, so you look at him and touch his face. A last caress before the uncertain end. And then everything fades away, and you see nothing more.

To be continued...

#yoongi x reader #min yoongi x reader #bts fanfic #min yoongi fanfic #min yoongi x you #min yoongi #jungkook #kim namjoon #kim seokjin #taehyung #jung hoseok #park jimin #bts series #bts angst #yoongi angst #min yoongi angst #ex to lovers #future parents au #Spotify

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indiepressrevolution · 1 year

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It's ZineMonth!!! Lets talk about some cool games!!

There are so many awesome games crowdfunding right now that today we're just going to talk about 10 cool games that are currently crowdfunding on Crowdfundr! I'll be making more posts about more games in the future, and if you know of a cool game that's currently crowdfunding please add it on to this post!!

Grotty Gobbo's Tea Grotto lets you take control of the cosy Tea Grotto as you blend tea and build a community around you. Make friends, drink tea, go on an adventure, and stay wholesome.

The River Spirit is a guidebook for a solo journaling experience that uses a deck of cards to help you create memories of your hometown and the community found there, only to remix them into new stories and eventually sacrifice those memories for the greater good.

Tangled Blessings is a magic academy horror RPG for 1-2 players that uses tarot cards to reveal your fate.

On the eve of your final exam at Brackroot Academy, what mysteries, secrets, dread, and drama will you recall from your last four years of schooling?

In Dinocar, you and as many friends as you can gather will work together to map out a snippet of that world. You’ll paint a map, draw landmarks, slap buildings into place, and take turns going on chaotic road trips and commutes. At the end of a game of Dinocar, you’ll have a story to tell and a wonderful map to either frame on the wall or stick to the fridge.

Necro Mech Synthesis is a Bonepunk RPG about ghosts piloting mechs via possession! Fight in a world abandoned by God and defend Lady Death herself against the remaining three horsemen of the apocalypse!

Echoes in my Hull is a solo journaling game about remembering the people we have lost. Use a deck of tarot cards to become acquainted with your crew and ultimately be the last existing record of their lives.

GRANDMOTHERSHIP is a sci-fi TTRPG about senior ladies in space. Get in trouble, crochet a new scarf, go ballroom dancing, and find solutions where everyone else has failed.

My Mother’s Kitchen is a solo journaling game about traditions, change, and cooking. You play as the author of the original family cookbook, robbed of memory and trapped on Earth as the spirit of your cookbook. Act as a guardian for your family, and try to remember why you’re bound to the book as you guide your inheritors through centuries and generations.

WANDS & LASERGUNS is a high-intensity solo roleplaying game about being a wizard trapped in an anti-magic future. Pit your old-fashioned wits and wondrous new technology against diamond-studded nobility, cybernetically enhanced gangs, dirty cops with a vendetta, and high-fashion psychopaths. The struggle is real when you're far from home.

Derelict Delvers is a thrilling, action-packed sci-fi roleplaying game that immerses players in a struggle for survival and profit. Players take on the roles of elite space troopers, scientists, and engineers who must explore derelict spaceships and space stations in order to scavenge for supplies, salvage for weapons and valuable resources, and ultimately, hunt down the monsters that threaten the very existence of mankind.

Still not enough games? Check out Crowdfundr's Tabletop Nonstop page or the ZiMo official website for more!

#indie ttrpg #crowdfunding #zine month #zimo23 #ttrpg #tabletop nonstop #IPR Remarks

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