#the original third robin | Explore Tumblr Posts and Blogs

wardencommanderrodimiss · 7 months

Text

In time, this world will take a dark turn; for now, in Southtown, fighting bandits, Chrom, Frederick, and Lissa gain a new ally.

-----

Plumes of dark smoke rise from the direction of the town. These blasted brigands made it before the Shepherds could intercept them, leaving Chrom scrambling to catch up. He can see the flames crawling up the sides of houses and devouring brown shingled roofs; no matter how fast they move now, there’s already damage done. Hopefully they can intervene before anyone is killed.

Chrom takes the lead and Lissa follows close behind Frederick, clutching her staff as though to use it as a club. The main cobblestone road takes them in toward the center of town, past hastily-abandoned wagons still laden with bounty from the fields. The center square, when it comes into view, shows more clear signs of daily life hastily interrupted: farm stands battered and overturned, crops littering the ground. At this distance, indistinct yells and screams reach Chrom’s ears. He is ready to charge into the fray, careful approach be damned, when a clatter of footsteps precedes a woman who throws herself around the corner of the house to Chrom’s left. She collides with an empty farm stand and then intentionally catches hold of it to bring herself to a stop. Glancing over her shoulder, her eyes catch on Chrom’s and the relief spreading across her face hardens immediately into a determined scowl.

“More of you damned brigands,” she hisses, straightening up. One hand plunges into her coat as though seeking a weapon, and she holds the other straight out, fingers splayed, straight towards Chrom. “Fine, then—”

A ball of lightning begins to form in her palm, crackling brightly and loudly sparking and snapping the way the flames do. She knows magic, and she probably means to kill them.

“Wait!” Chrom throws his hands up. He’d like to be ready to draw Falchion, but he’d like a ball of lightning to the chest even less, and if he goes for his blade she will probably strike. “We aren’t brigands! We’re Shepherds, here to help!”

“Awfully well-armed for shepherds,” the woman replies curtly, not lowering her hand even slightly. “Though you don’t sound like brigands.”

She shifts her stance and her long dark coat moves with her, revealing a glimpse of a blade sheathed at her hip. This woman is no ordinary resident of a simple farming village, that’s for damn sure. But she still hasn’t attacked him, so Chrom is optimistic about his chances to calm this situation. “So what do brigands sound like?” he asks.

“Plegian,” she says. Her eyes finally leave Chrom’s face, darting briefly across Frederick and lingering longer on Lissa, who takes up the rear. Surely she doesn’t think that a girl of Lissa’s age would be part of a bandit incursion? “You don’t, but you don’t look like knights - and certainly not like shepherds, either.”

“We hear that a lot,” Chrom says.

The lightning disappears from her palm, but her hand remains raised, still ready for the situation to turn south. She looks back behind her, toward the main square, as though expecting others to appear around the corner. When no one does, her gaze turns back on Chrom, cold and appraising. “Whatever you are, if you truly mean to help, your timing is perfect. These brigands think I’m their only opposition. You can easily ambush them while they’re preoccupied.”

“Wait,” Lissa pipes up from behind. “You don’t mean that you’ve been trying to fight a bunch of bandits all on your own! That’s crazy!”

The woman draws her hand back; her other still lingers inside her coat and the tome surely hidden away there. “What else was I to do?” she asks. “Let them run unopposed?”

“Surely the danger of such a venture has not escaped you,” Frederick says. He still looks wary of her - typical Frederick - but not as though he will be the first to strike.

The woman waves her hand dismissively. “Yes, yes, I know,” she says, and she sounds just as dismissive as her gesture was - sounds as though the danger of such a venture has in fact escaped her. “Now, they’re still going to be on guard waiting for me to attack again, but if you sneak up through here” - she indicates a thin alley between two homes that are thankfully not yet ablaze - “and I catch their attention from the main square and draw them toward us, you can strike from the side while they’re distracted.”

Her strategy, while simple, seems solid, and has more thought put into it than Chrom would have (his strategy being to run the bastards down immediately). There is just one key point that he objects to: “So you are going to charge them, alone.”

“I’m not charging them,” she reminds him. “I’m getting their attention and drawing them back, and I’m hardly alone if there’s an ambush waiting on my side.”

“That’s a lot of faith to put in strangers,” Chrom says. Her life in their hands, and they don’t even know her name. And she might be a stranger, but she’s fighting for the people of Ylisse; that makes her a friend to the Shepherds and the Exalt, and they’re short on friends as of late.

“So it is,” she agrees. Her expression doesn’t waver; her eyes don’t leave Chrom’s even as she says, “And you, girl with the staff - if this goes wrong, you might be my new best friend, not a stranger. Now shall we?”

She seems to have determined Chrom to be the leader of them. He nods and looks to Frederick. He does not appear at all happy, but he does not offer any verbal objection, either. Presumably he will go along with what Chrom goes along with, and Chrom is going to go along with this plan that is only slightly insane because he has no plan at all. “Let’s.”

The woman darts off into the main square, ducking around the broken farm stands as she moves between cover. Chrom wonders why she’s bothering, if she intends to get their attention, and several seconds later, as he advances down the alleyway, he realizes that she probably intends to make her approach appear less suspicious than an outright charge.

He really would have just charged, himself.

The alley between the houses, about two feet wide, is littered with debris. Chrom crouches behind the rainwater barrel that stands at the far mouth of the alley and presses his back to the wall. Further ahead lies the bridge across the river which cuts the town in half, and on the other side, the church. Two brigands, one with a large axe and the other with a sword, cross the bridge, yelling what must be every derogatory term to refer to a woman that exists. Moments later, a small javelin-shaped burst of lightning streaks through the air, slamming directly into the chest of the swordsman. He howls as he tumbles to the ground, still alive despite the force of the impact, and his companion continues on, disappearing out of Chrom’s line of sight.

Chrom gives himself another few moments, watching the swordsman return to his feet and put his back to Chrom. Then the sound of metal-on-metal rings through the air, and Chrom decides that is enough.

He throws himself forward from the alley, drawing Falchion. Now he can see the stranger, with a sword in her hands to parry the axe that bears down on her. The second brigand limps towards the duel and does not make it; Falchion tears through his back and he falls with a gurgling sound. The axe-wielding brigand, about to bring a second swing down on the stranger, hesitates and turns towards the sound. “What the—”

Falchion arcs through the air, meeting the chipped, rusting axe blade. The brigand’s face, contorted in fury, suddenly goes slack. He looks down; Chrom, however, does not dare take his eyes off the axe - not until it clatters to the ground from now-limp hands of a man with lightning magic still sparking in his chest.

“I killed two of them earlier, before I had to run and met you,” the woman says, lowering her right hand; in her left, she clutches a tome close to her chest. “I believe there should only be one of them left—”

She drops the tome and lunges forward. Chrom has no time to react and next he knows, she has knocked the two of them to the ground. Crackling flames burst in the air above them, right where Chrom had been standing; even from a few feet away, the spell warms the side of his face and he wonders what it would be like to have taken the full brunt of it. “I thought I killed two of them,” the woman amends, falling back onto the ground away from Chrom and fumbling for her tome again, and then with a wordless yell of anger she throws lightning right back.

Chrom scrambles to his feet. Across the square, he sees another man fall, a tome slipping from his grasp. “My apologies,” the woman says lightly, as though she didn’t just strike a man down with magic, turning her head to glance at Chrom. “I didn’t expect that.”

“That’s all right,” Chrom says. “I much prefer being thrown around a little to burning alive.”

“Glad to hear it,” she says.

“Anyone need help?” Lissa waves her staff about as she runs up, Frederick still doing his best to stay ahead of her and keep himself between her and any danger. It is, Chrom suspects, a losing battle, but Frederick valiantly fights it anyway, and for that Chrom is grateful. He doesn’t have to keep both eyes on Lissa at all times with Frederick around. “We’re all good?”

“The last man seems to have been the one giving orders,” says the woman, indicating the bandit lingering on the other side of the bridge. “Let’s see if he has any bite behind his bark.”

To the little credit that Chrom would give any Plegian brigands who are ransacking his halidom, the sole remaining man is not a coward who folds once he sees his backup is dead. Unfortunately this also means a second round of fighting, and more chances for someone on Chrom’s side to be hurt. And fortunately, when the stranger catches a thrown axe, it is with the inside of her billowing coat, and not any critical piece of flesh, and Frederick’s lance puts the bandit down before he can do any real damage to anyone.

And then there is no time to waste, as the town is on fire and the four of them cannot put it out by themselves. Lissa scrambles about trying to convince the townspeople that it’s safe to come out and help, and Chrom and Frederick search for any buckets; by the time Chrom returns to where he remembers a rain barrel, he finds that the woman has scaled one of the houses and stands on a roof about fifteen feet away from the crackling flames.

There’s something admirable in her audacity, that she’s running towards danger for the sake of helping others. That’s the kind of person who would be a good fit for the Shepherds. And Chrom’s no tactician or politician, but he can read the writing on the wall the same as anyone else: Plegia’s building up to something, and Ylisse needs to be prepared to fight back.

They need all the help they can find, here and everywhere else.

It is late afternoon before all of the fires have been put out and the wounded villagers treated. Chrom has not met a person who is not profusely thankful, offering anything they have as repayment. He politely refuses offerings of meager coin pushed on him - “it’s all we have but please, milord, you saved our homes, you saved us–” - to make his way back to the center of town. A man who had earlier introduced himself as one of the village elders greets them there.

“You must at least stay the night, milord,” he implores. “We would happily toast the valor of you and your companions with a feast - where has the last one of you gotten off to, do you know?”

Chrom looks to Frederick on his right and Lissa on his left and back at the older man. “You mean - that woman? She wasn’t with us - you mean she isn’t from here?”

“Goodness, no.” The man shakes his head. “We would surely know if we had any mages in town. I have never seen her before.”

Lissa has already begun to imagine, out loud, what sort of meal they might be having when there, rounding the corner, comes the stranger woman. She stops dead when she sees an already-assembled group of people staring at her, and she flinches when the town elder calls her over. Her eyes do not linger long on him even as he extends his grateful invitation to her; they rove, suspiciously, between all of them. “That’s a generous offer, sir,” she replies, her eyes finally settling on the village elder, “but I’m afraid I must decline. I’ve been away from home long enough and my mother will be getting worried.”

“Likewise, we must be returning to Ylisstol,” Frederick says - exactly what Chrom had expected him to say. They need to report back to Emmeryn.

Lissa, however, stops in the middle of a sentence. “Wait, what? Frederick, it’s nearly dark! We—”

“We will simply make camp where we find ourselves and hunt for our sustenance - as I believe you said that you would be ‘getting used’ to roughing it?”

Frederick has a point. She did say that, and from her expression, she clearly remembers saying that and can’t accuse him of making it up. “Frederick,” she says wearily, “sometimes I really hate you.”

The woman covers a laugh with her hand. “If you’re also heading north,” she says, “my mother and I live along the road back to Ylisstol. If we leave now, we should be able to make it before nightfall and you can have a roof to sleep under for the night - and I won’t have to worry if I run into another pack of brigands on the road.”

It’s a practical suggestion, but there’s something strange about the way she speaks it - a catch in her voice after she offers them her open door, and then the hasty addition. Like her offer of assistance would be too suspicious if she didn’t also gain something from it. Like people don’t help each other only for the sake of helping each other, like there always has to be a reward, but she was here in this town fighting bandits alone and might easily have disappeared without getting anything in return. And Frederick frowns, like he does find that offer suspicious, because he finds everything suspicious - that is Frederick’s way. And Chrom thinks of Emmeryn, and will do as his heart wills him, and he answers, “I think we all would be grateful for a roof after the day it’s been - my sister especially.”

“Hey!” Lissa aims to stomp down on his foot, but Chrom gets out of the way quicker than she can strike. “You - you shut it!”

The woman lifts her hand again, obviously shielding a smile from the way her cheeks rise to her eyes. “Oh, of course,” she says, lowering her hand and failing to compose her face into a stern expression as she tilts her body just slightly in towards Lissa. “He’s using you as the excuse.”

“Exactly!” Lissa cries, and the stranger’s mischievous smile widens and she doesn’t seem to think to hide this one. “Don’t listen to a word he says about me. He’s called me delicate before - delicate! As if!”

“Let’s not start this again,” Chrom says.

“Then maybe you shouldn’t have started it—!”

Frederick clears his throat. “That is generous of you, milady, but as you said - if we leave now.” He glances to the sky, tracking the position of the sun and the length of the shadows. “So we should, then, be off.”

The woman straightens up. “Of course,” she says with a sharp nod, and already her teasing feels distant or imagined. She dropped her guard and then snapped it back up, and that just makes Chrom all the more curious as to who she is and what her story is. “That we should.”

“My name is Lissa, by the way,” Lissa says. “And this is Chrom, my brother - you actually shouldn’t listen to anything he says, not just about me - and Frederick.”

Frederick gives a curt nod of acknowledgement. “Pleasure to meet you,” Chrom says.

“Likewise,” the woman replies. “My name is Robin.”

She has short hair, a pale, sandy blonde lighter in shade than either Lissa or Emmeryn’s. Her long, dark coat has maroon detailing along the arms and through the interior and, as she offers when questioned, more than a few pockets sewn within it. Frederick’s first line of inquiry - as suspiciously as he ever asks such things - as they set off down the road is where she learned to fight, and she reaches within her coat and produces a book on battle tactics. “My mother was a mercenary tactician, and a mage,” she says. “She taught me everything she knew, and the other members of her company taught me the basics of the sword.”

“A tactician, huh,” Chrom says. “The Shepherds could really use one of those now.”

“Is that so?” Robin asks. “Is the situation with the brigands getting worse? The news we get from town was always of smaller incursions such as that, but nothing more.”

She’s eager for news from Ylisstol and hangs intently on Chrom’s every word about the progression of the situation with Plegia. If she lives a few hours’ walk from such a small town, it’s no surprise that she’s not up-to-date.

When Frederick returns to the question of her skills and Robin proves, among other skills, an uncanny knack for knowing where exactly in her tactics book to find certain references or information. It’s almost like a game, as Frederick or Chrom opens discussion of a cavalry or infantry formation and Robin immediately produces pages of diagrams in her book. As battlefield experience goes, she admits to having little - but Chrom’s recruited people to the Shepherds who have none at all, and Robin has already proven that she has quick reflexes and keeps a level head in a fight.

Gods, he’s really considering this. Ylisse is in dire straits.

“Have you always lived around here?” Chrom asks at a lull in the tactical discussion. Robin has a bit of an accent he can’t place; it isn’t the Plegian accent he’s familiar with, but she doesn’t sound quite Ylissean either.

The way she looks at him suggests that she knows the question buried beneath that: where are you from? A question of allegiance - though allegiance does not always correlate with one’s place of birth - but Frederick would probably be furious if Chrom didn’t ask before he asks his other question. “I spent my childhood in Ferox,” she says. “Until I was - eight or nine, maybe?”

Her pointed gaze lingers on Chrom for a moment longer, as if asking him if that answer is good enough, until Lissa pipes up, “Isn’t it cold in Ferox?”

“I have seen snow,” says Robin solemnly, “in every month of the year.”

Lissa scrunches up her nose. “That’s horrible!”

“It would have its charms, in moderation,” Robin replies.

“So, like, just a bit of snow sometimes would be nice,” Lissa says. “Like in the winter. Having a bit of snow in moderation in the winter, like we have here, is nice. That’s what you mean?”

Robin scratches her cheek. “Yeah, that’s - I deserve that, don’t I?”

“It was pretty silly,” Lissa says. “But you’ve sounded pretty smart otherwise, so it’s okay. You know how many silly things my brother says in a day–”

“None at all,” Chrom cuts in.

“—but without anything smart to balance it out?” Lissa continues, as though Chrom did not speak.

Frederick, as ever, stoically perseveres, his eyes on the horizon. Long ago he wisely chose that he would not involve himself in petty sibling squabbles. Robin, however, has not yet had cause to make that choice. “You’re awfully mean to your brother,” she says - as if she hadn’t joined Lissa in it back in town.

Lissa shrugs. “Yeah, but that’s what little sisters are supposed to be.”

Robin raises her eyebrows. “Is that so?” she asks, glancing to Chrom for confirmation, as though he’s going to say yeah, my little sister is doing exactly what she’s supposed to be doing every day of her life by calling me a dummy.

“Do you have any siblings?” Chrom asks. He thinks that her answer may clear the matter up quickly, or add a confounding new layer to it.

She shakes her head. “Just myself and my mother.”

“Lissa is convinced, that as my baby sister, it’s what she’s supposed to do,” Chrom says. “It does not mean she’s actually supposed to.”

Lissa skips up behind him and tries to kick him in the back of the leg.

“I still don’t understand,” Robin says.

“You won’t,” Chrom says. Lissa tries again to kick him.

“I find it better to simply carry on and not acknowledge any squabbling,” Frederick says. “It will pass momentarily.”

Robin nods and steps up beside him, leaving Chrom with room to try to ruffle Lissa’s hair while Lissa continues to try to kick him in return. A part of him has concerned himself with the impression that this will make on Robin, but she already seems to have taken easily to Lissa - and most of the Shepherds could be said to be a bit eccentric. If she couldn’t handle Lissa then what would her introduction to the other Shepherds look like?

He might be getting a bit ahead of himself.

Frederick and Robin are discussing weapons training, and if Chrom has heard right, Robin has been running the same drills since she was eight. “After we left the mercenaries, there was no one to teach me,” she says, and yes, that really does sound like it - and that means that Robin was a child traveling around with a bunch of mercenaries. Her mother worked as a mercenary with a child in tow. It’s impressive, Chrom thinks, if unfortunate.

He should just go for it. At a lull in the conversation, he clears his throat and steels himself. “Robin,” he says, and she sharply turns to look at him, eyes wide and then narrowing in suspicion. “I meant what I said earlier about the Shepherds needing a tactician. I know this is a very large thing to ask so suddenly of someone I’ve just met, but you’ve proven yourself willing and able to fight for the people of Ylisse - I’d be honored if you would consider joining us.”

“Join—” Her eyes widen again. “You want me to join your… Shepherds, as a tactician?”

“I do,” Chrom replies. “You are more than free to say no—”

“Milord,” Frederick says. “This is very sudden indeed.”

“I know, Frederick. But I said to you the other day - we have to be on the lookout for others willing to help us, no matter where we might find them. Even if your answer is no, Robin, and I’d understand that, I’d rather ask than wonder.”

Robin is quiet, her jaw moving like she keeps stopping moments before a question surfaces. Finally she says, “There are more than just the three of you, I hope?”

“Wh - yes! There are.” Her answer is a question that is not an outright rejection, so Chrom tells her a little bit about the others within the ranks of the Shepherds. He explains that they go wherever they’re needed, because the pegasus knights have to focus on the border and especially the Exalt, and with the situation with Plegia as it is, there’s more and more need to keep the Exalt protected. Robin is ready with a deluge of questions, but when she has exhausted them, she gives no further answer. That she has not outright said no bodes well - though Chrom tries to temper that hope. She has not said yes, either.

The sun is gone from sight and its light fading in the sky when Robin leads them off the road, into the trees. Frederick lights a torch which he carefully maneuvers beneath the hanging branches, and Robin conjures a ball of lightning that hovers above her head and illuminates little more than the ground directly beneath their feet. Chrom can sense Frederick’s ever-increasing suspicion - it would be easy for them to disappear here.

“Before we arrive,” Robin says, stepping over a tree root which Lissa stumbles on, “I should warn you that my mother is - well, she can be - she’s rather… brusque. If she starts to make you feel like you’ve personally offended her, you haven’t; that’s just how she is, I promise.”

She stops, holding up a tree branch to let the three of them easily duck beneath it. Lissa’s furious grumbling does not cease, but she grumbles something that might be a thanks in Robin’s direction. Robin smiles, just a little.

“Just as long as you’d understand some of the other Shepherds to be rather… odd,” Chrom says. He told her that the Shepherds have come from all manner of backgrounds, with all manner of skills. And while he’s sure that when he described Miriel as a scholar of magic, Robin can probably conjure in her head an image that’s similar to the real Miriel, describing Sully as a dedicated knight doesn’t capture what makes her Sully. And then what can even be said about the likes of Vaike?

Robin lets go of the branch behind him. “I think we have an agreement,” she says, and Chrom though he wants to does not ask if that is an agreement as someone who would be their tactician, because how weird the Shepherds are won’t actually matter to her if she never meets or joins them.

Lives alone in the woods with her mother is still very much not in the kind of recruit Chrom expected to be considering, to be hoping for, but - Ylisse is in dire straights, indeed. Lives alone in the woods with her mother is the start of fairy tales of witches who eat children.

And just as it seems that they will forever be surrounded by trees, just as Chrom is seriously trying to dig up the memory of any such witch stories, they step forth into a clearing. A fence, half constructed, partially circles a chicken coop, and past it sits a plain, weather-worn house. “Mama!” Robin calls, breaking the spell of the quiet hum of nature. “Mama, I’m back! And I brought company, so don’t be alarmed!” She glances around and stares at the chicken coop for a moment longer, and then yells louder, “Mama!”

The door of the house swings open. “I heard your squawking the first three times, birdie,” rasps a voice from within, and Robin’s magic lightning-light is joined by three small white flames which pop up into the air above the stoop. They illuminate an older woman with a stress-lined face and thin hair the same color as Robin’s where it isn’t starting to gray. “What in hell do you mean, you brought company?”

Robin holds out a hand and gestures to them. “Mama, this is Chrom, Lissa, and Frederick. They’re part of a militia and they helped me fight off brigands from town. I offered them a place to stay on their way back to Ylisstol. Everyone, this is my mother, Morrigan.”

Morrigan has the same cold and appraising glare as her daughter does. Even as she approaches Robin, her wary eyes continue to rove across Chrom, Frederick, and Lissa. She takes her daughter by the chin and turns her head side to side before she roughly lifts one of Robin’s arms away from her side, like she’s inspecting her. “Mama,” Robin sighs. “I’m not hurt.”

“Hmph.” Morrigan drops Robin’s arm and, over her shoulder, meets Chrom’s eyes with that withering gaze again. “Then I suppose I should thank these strangers for bringing my daughter home in one piece.”

“Not at all,” Chrom replies. “She helped us a great deal, as well.”

Morrigan’s attention snaps back to Robin. “Then you haven’t learned a thing from this, have you?”

Robin frowns. “What am I supposed to have learned? That everyone in town was right when they worried about being attacked? That I was right when I said they had no one to protect them?

“They did have someone to protect them!” Morrigan waves her hand through the air, a broad, sweeping gesture that encompasses Chrom, Frederick, and Lissa all. “But what of you, next time you go running off alone to defend strangers?”

She warned them that her mother was brusque, but Chrom starts to think she did not warn them that they would walk right into the middle of an ongoing argument.

“I’m not going to hide away while the countryside burns around us!” Robin says. Her gloved hands at her sides tense into fists, and she glances back at Chrom. “And I won’t be alone next time. They asked me if I’d come with them and help them fight, and I will.”

Chrom has spent this long waiting for her answer and now he’s been blindsided by it. “Wait,” he says. “You will?”

He’s not sure either of the women heard him. Morrigan stands statue-still, her expression unreadable; Robin stares back. “I know what you’re going to say,” Robin says, “and I—”

“Grab more firewood on your way in, if you please, birdie,” Morrigan says, turning away from her daughter and to the door. “Since I’ll be cooking up extra for our company.”

The door snaps shut behind her.

“Oh dear,” Lissa says.

Robin’s mouth, still open, closes slowly. She stares at the door. “That was,” she says, dragging a hand through her hair, only for it to immediately fall back into place over her forehead, “not what I thought she was going to say.”

“Er, right,” Chrom says. “Listen, Robin, I know I was the one to ask if you’d come with us, but if - I don’t want to be the person responsible for ruining your relationship with your mother—”

“Oh, it’s not you,” Robin says, directing them around the house to a pile of unsplit firewood and an axe, which Frederick immediately grabs and sets to work. Chrom takes the pieces he has chopped down to size, while Robin and Lissa gather the splinters into a kindling pile. “We argued before I left, too. She told me not to be stupid and risk my life, so then I snuck out and left before she got up the next morning.”

“You didn’t even say goodbye?” Lissa asks, her mouth hanging open. Chrom knows she is imagining doing that to Emm - how unthinkable to set off on a mission without their sister knowing. But Emm would never try to stop them, either; they all know what they must do for their people. They all agree on the responsibilities and the cost. Robin and her mother, evidently, don’t.

“We would have started arguing again,” Robin says. She picks up a sliver of bark that cracked off of a log and slowly bends it until it snaps. “I’d say I couldn’t stand by and do nothing; she’d say that it’s foolish to put myself into such danger for the sake of people who wouldn’t do the same in return.”

“What do you mean by that?” Chrom asks. “That - doesn’t seem right, to assume that of people without knowing them.”

“Yeah!” Lissa agrees. “Everyone in town was really grateful! They would’ve fed us!”

She turns a glare on Frederick, presumably for not letting them stay and indulge in that feast. Frederick, however, is not looking at her - and anyway, he would tell her anyway that she still has a roof to sleep under and someone else assisting with the meal, so she cannot complain. They could, he would say, be sleeping in the woods.

“Back when we were still with the mercenaries,” Robin says, “my mother saved every bit of gold she could. After years and years she had enough that every little town we passed through she’d ask around if there was enough room for a mother and her daughter to settle. But all the same people who gladly paid for her to risk her life and drive off a few ruffians balked at the thought of actually letting her - us - into their communities.”

She stares at the pieces of bark in her hands and drops them into one of the coat pockets where she has been gathering kindling. “It’s easy to be grateful to a stranger who sets off down the road at the end of the day; harder to welcome one into your peaceful village where you’ve known everyone since the day they were born. So we keep to ourselves out here, and she travels into town every week or two to trade, and we’ve always managed like that.”

“Until now,” Frederick says, “when we find you in a town under attack, rather than keeping safely to yourself.”

He does not try to conceal the air of mistrust which hangs around his words.

“Mama came home last week telling how bandit attacks are more and more frequent,” Robin replies, “and that people in the village are afraid that they’ll be hit soon. The forest out here will burn the same as a town if we hide away waiting for war to reach us. Or, I could go to meet it and perhaps make a better defense - I understand your suspicions, but all I can tell you is the truth. I heard they were afraid and I wanted to do something.”

“And the truth is, Frederick, that she helped us,” Chrom reminds him.

“And the truth is that the task of wariness has always fallen to me,” says Frederick. “Someone must be.”

“You and my mother are quite alike in that regard,” Robin says.

Frederick nods curtly. When the four of them return soon to Morrigan with the requested wood, they find that she has not started food preparations yet; she has waited to ask for their help. And that means that Frederick has an excuse to hover by Lissa’s shoulder. Make sure she doesn’t hurt herself (of course she’s not going to hurt herself; she knows how to cook). Make sure everything that goes into the meal is something that should be there (Frederick would hover to keep careful watch of ingredients anyway, but he is polite enough that he would rather have the excuse).

(Chrom wonders if the reason that Morrigan waited was to give them the excuse.)

The house is not furnished for guests, and when it is time to take their meal, Chrom finds himself seated on the floor with Frederick and Robin. A stool in the corner goes unused; Robin had insisted that she did not invite guests in so that they could all sit on the floor, Frederick had insisted that Lissa and Chrom seat themselves before him, and Chrom had insisted that he couldn’t further impose on Robin by kicking her away from her own table.

“You’re all so stubborn,” Lissa says from where she sits above him at the table with Morrigan, and even though Chrom isn’t looking at her, he knows she is rolling her eyes.

“If they all wish to be so foolishly sacrificing, then that is their prerogative,” Morrigan says. She almost sounds as if she is making a joke.

Robin shed her long coat when everyone came inside, but she still wears her gloves. “Yes Mama, it certainly is,” she says, and as she lifts her bowl to drink the broth her eyes flicker towards Chrom in a way that he can only think means something like watch this or well this had to come back up sooner or later.

Morrigan sighs deeply. “So,” she says, her attention turning without even a glance towards Robin, “this militia of yours.”

She asks many of the same questions that Robin did, but every single one of them feels particularly pointed in a way that Robin’s didn’t. And that makes Chrom feel like every answer he gives is the wrong one, especially the times when Morrigan will glance at Robin and something will pass between them. But whether they agree or disagree with each other, Chrom can’t begin to guess.

Only once everyone finished cleaning their dishes does Morrigan finally address her daughter again. “You know what I’m going to say, birdie.”

“Yes, Mama,” Robin says.

“And you’re going to tell me none of it changes your mind, is that so?”

“Yes, Mama.”

“Then that’s it, is it not? If nothing I’ve already told you will stop you, then I’ve nothing new to say that will change your mind now. You well made your point running off like that.”

It is dark outside, and in the quiet inside, even past the windows, Chrom can hear the chirping and chittering of the insects in the woods. He almost wishes to grab Lissa and Frederick and drag them out into the night; this feels like a conversation that no one else should be privy to. Robin stands rooted in place, still holding a towel for drying dishes, staring at her mother who has crossed the room and opened a door on the far wall.

“You could at least give me your blessing,” Robin says quietly. “If I’m going no matter what, I could at least not feel like I’m abandoning you.”

“My blessing to throw yourself onto the front line of a fight?” Morrigan asks, her hand still on the doorknob, and Chrom glimpses what appears to be a bedroom past that. “I want you safe. I can’t tell you I’m okay with this.”

“We’ll burn the same out here as the towns do,” says Robin. “I would rather face the bastards with the torches - die on my feet if I would die either way.”

“There’s plenty terrible fates besides death. You know if you’re captured by those bastards, you’ll be lucky if all they do is kill you.”

Lissa shudders. As royalty of Ylisse, she would be spared from death by her use as a hostage, instead, but Chrom knows that he would rather die than be used against Emmeryn in such a way, and he suspects that Lissa feels the same. Anyone else - especially a woman - captured would face one of several other dire fates.

“I know, Mama.” Robin cracks the knuckles on her right hand. That statement, at least, seems to weigh on her; her words lack the same degree of confidence as her prior answers.

“You do know,” Morrigan agrees. “You’re a smart girl despite yourself.” She sighs. “You’ve my permission to take my damn coat with you, though I can’t fathom what you like so much about it.”

Robin straightens her shoulders. “It has good pockets for tomes and other books,” she says brightly.

“You know how to sew,” Morrigan says. “You’ve plenty of coats of your own to add book pockets to.”

“But this one already has book pockets,” Robin says. “And I know it’s sturdy enough to take whatever I put it through.”

Morrigan shakes her head. “That damned coat will outlive us both if you’re not careful.”

“I’m careful, Mama.”

“Hm.” With that, Morrigan disappears into the bedroom, leaving Robin staring at the door that closes behind her.

The only sounds that follow come from beyond the windows and walls of the house. Robin sets the dishrag down and starts massaging her hand again.

“You know,” Lissa says faintly, “you really don’t have to come with us.”

Robin shakes her head. “I told you this would happen no matter what,” she says. “We argued before I left; we’d still be arguing if I came back alone. She’s just trying to protect me but I can’t just - hide here. Meeting you was - it’s safer for me to go with you than to go off alone again. And I probably would.” She reaches towards a chair but as she lowers herself, she ends up on the floor instead, her back resting against the leg of the table. “I feel like I have to go. But I can’t be angry at her. She just worries. She never wanted me to have to fight the way she did.”

“I would hope that most parents should feel the same,” Chrom says, and he thinks of the mess that his father left Emmeryn and hates him again for it.

Robin’s mouth twists into a grimace. Is it over her mother’s protectiveness, or is it a thought about another parent? What brought Morrigan into the mercenary life - what brought the two of them out of Ferox to Ylisse, alone, instead?

When Robin next speaks, she has more questions about Ylisse’s military situation, and they discuss that such situation until she retires to bed in the same room as her mother, leaving Chrom, Lissa, and Frederick to the open floor of the living area. “Better than the woods, right?” Robin asks Lissa with a wink.

“Yeah, Frederick,” Lissa says after Robin has gone. “You wouldn’t have trusted her and had us sleep in the woods.”

Chrom wakes in the morning just before dawn. Lissa is still asleep and the bedroom door is closed; Frederick is nowhere in sight, but from outside comes the sound of axe hitting wood. Chrom eases open the front door - its latch already lifted - and around the side of the house finds Frederick splitting more large logs from the firewood pile.

“I woke when Robin left,” Frederick explains. “She said that she intended to go hunting and chop more firewood for her mother before she left with us. I am simply providing my assistance, as thanks for allowing us to stay the night.”

“That’s kind of you, helping out even though you’re sure she’s going to turn around and stab us in the back,” Chrom says.

Frederick frowns at him. “I am not sure of any such thing, milord. I am cautious, as is prudent, but I always hope that my suspicions should be proven wrong.”

“Frederick?”

“Yes, milord?”

“I was teasing.”

Frederick continues to frown, as though the very concept of a joke eludes him.

Almost all of the wood has been cut down to size by the time Robin returns with a wild turkey slung over her shoulder. She grimaces at them as she approaches. “What are you doing?” she asks, as though the answer is not obvious as Frederick brings the axe down on a long branch. As though the idea of someone helping her is still so inconceivable. “I said I would handle those–”

“I was already awake and with idle hands,” Frederick replies. “This way we will sooner be able to leave for Ylisstol - and consider this our thanks for providing a place to stay the night, as well.”

This thoroughly practical explanation seems to appease her, and without further protest, she simply says, “Thank you.”

On returning inside, they find both Morrigan and Lissa awake - though Lissa is yawning a great deal - preparing breakfast. “I wondered if you had run off with my daughter and left me this one as a replacement,” Morrigan says gruffly.

“He’d regret it if he did!” Lissa huffs, staring pointedly at Chrom, though Morrigan’s you could refer to all three of them.

Morrigan’s attention turns to the turkey that Robin hands her. “Birdie, why were you out hunting?”

“I wanted to make it easier on you when I left,” Robin says. “So you won’t immediately have to go yourself.”

“I’m not infirm, you know,” Morrigan says. “Really now, worrying after me when you’re about to go marching off to battle.”

“I don’t want you to think I’m abandoning you–”

Chrom really, truly wishes that they wouldn’t start arguing again, but he suspects if he tries to intervene, they’ll both turn on him instead. Lissa’s shoulders slowly hunch up towards her ears, like a turtle retreating into its shell.

“Hell’s bells, girl, I know you better than to think that.” Morrigan sighs and shakes her head. Her tone has less bite than it did yesterday. “Even when you left without a damned note, I didn’t think you were abandoning me. You know what your problem is, birdie?” She smacks Robin’s shoulder with the back of her hand. “You keep looking back over your shoulder while you’re trying to march forward and you’ll get nowhere for it.”

“You’d really prefer I just go?” Robin asks, sounding confused and, even more than that, indignant. “Just leave without any thought to what I’ve left behind?”

“Well, I’d know that you have some confidence in the choice you’re making,” Morrigan says, “if you’re willing to burn your bridges behind you.”

“I’m plenty certain of my path, Mama,” Robin says. “Even without starting any fires.”

Morrigan huffs and turns away. “Then I suppose that will have to be enough.”

Chrom wonders what ashes Morrigan has left behind in her time.

Within an hour, they have eaten and prepared to leave. Robin has to be assured several times that Ylisstol has several libraries and large bookstores before she is willing to remove some of the books from her pack and trade them out for extra clothes. Morrigan watches silently, grumbling some answers only when Robin asks her which tomes she would rather keep here. Despite his time with Ricken and Miriel, Chrom doesn’t recognize any of the tomes; he can only guess, based on the magic she cast yesterday, that the two tomes Robin selects, each emblazoned with a yellow rune on its cover, are probably Thunder magic.

He pulls Lissa and Frederick outside soon after, to give Robin and Morrigan a private moment to say goodbye. It gives Frederick one last opportunity for questions as well: “Milord, you are certain?”

“I am,” Chrom says. “She went out of her way to help, at great risk to herself. My heart tells me we can trust her.”

“Your heart, yes; and what of your head?” Frederick asks.

“My head is telling me that this situation with Plegia will not be so easily solved,” Chrom says. “We can use the assistance of anyone willing to offer it.”

“I like her,” Lissa says. “I think she’ll be a great addition to the Shepherds! You worry too much, Frederick.”

“I find that I worry quite the proper amount,” Frederick replies, “given the circumstances.”

The door creaks open, and the object of one of those worries steps out onto the stoop. Morrigan clasps one of Robin’s hands between both of her own. “I know, Mama,” Robin says, exasperated, like she’s said it again several times already. “I know. But I’ll be fine. I promise.”

“Hmph. I’ll just have to believe you, won’t I?” Morrigan pats Robin’s hand twice before releasing her, slowly, her bluster failing to mask her reluctance. “Goodbye, birdie. Don’t be a fool.”

“It’s not goodbye,” Robin says. “Ylisstol isn’t far. You know where to find us - and I’ll be home again, once everything’s calmed down.”

Morrigan shakes her head. “I don’t need you to home to stay. I just need you safe, wherever you are.” She turns her dark, piercing gaze over to Chrom, Lissa, and Frederick. “And I hope for all your sakes that I won’t hear that these skirmishes have turned to war.”

“The Exalt would say the same,” Chrom replies. And he - of course he doesn’t want war, either, but there well might come a time that these incursions turn to one, no matter what Ylisse - and Emmeryn - want. Emmeryn can hope, but Chrom has to prepare.

“Hmph.” Morrigan does not sound convinced, but she has not sounded particularly convinced by anything, especially not where the intentions of other people are involved. “But those fools in charge of Plegia hardly seem to agree, now do they?”

They call him the Mad King for a reason.

Robin steps back from Morrigan, slowly, and then another, until she stands with Chrom, Frederick, and Lissa. “I’m sorry I didn’t finish building the fence, Mama,” Robin says.

“Bah.” Morrigan waves a dismissive hand at her. The facade has sprung back up over the concern she showed mere moments ago. “If you apologize for everything you didn’t finish, you’ll be here all day. Get going, you fool girl. Stop looking back.”

“Yes, yes,” Robin says with a smile and a small laugh. “We’re going.”

“Thank you,” Frederick says, bowing to Morrigan, “for your hospitality. It is greatly appreciated.”

“Yeah, Chrom probably would’ve hunted us a bear to eat or something!” Lissa says. “Thanks for not feeding us bear!”

At that, Morrigan laughs, but it still sounds strained. Why wouldn’t it - she put these strangers up in her home and in return they stole her daughter from her. Chrom elbows Lissa, and to Morrigan, he says, “Thank you,” hoping she’ll understand that it is, really, about much more than the prospective bear meat.

He hunts normal animals, usually. Why does Lissa only remember when he brings down a bear?

“Bear’s not so bad,” Robin says, taking the lead out of the clearing to guide them back to the main road. The forest swallows them in an instant, the greenery pressing in on all sides. Robin weaves her way along a faint trail that Chrom can only see because he knows she’s following it; she stops and holds the branches of a bush back for Lissa to pass by.

“What?” Lissa says. “You’re crazy! No offense. I can’t believe we’ve let a lunatic join the Shepherds. We already have a lunatic leading us!”

“Very funny,” Chrom says, easing his way past Robin and waiting for her to resume her guidance.

But she stands there, eyes blank, and Chrom follows her gaze through the trees and the overgrown brush to catch a glimpse of the house out in the clearing, its front door already shut.

“Are you all right?” he asks.

She tears her eyes away and smiles at him. It looks strained at the edges, but the bright spark of confidence is back in her voice as she answers, “I’m ready. Let’s go.”

#i started this fic two years ago. pretty much right after i finished my first fic introducing robin's mom #since it got me thinking about how chrom/robin would've met in the original timeline/what was robin doing out in that field #when grima whacked them with amnesia.#and only now. have i finished the last third of this fic. i've had this sitting mostly done for like. a year.#roddy fanfics #fire emblem chatter tag #fe #fe awakening mamabird lore #anyway Yes the actual prologue of the game is titled 'the verge of history' everything i do with chrobin is carefully overthought #also i love to write my fics with robin or corrin where i specifically mention facets of their appearances that are #Not in line with the default appearance. i love this for me. robin has short hair that's not quite white. corrin has black hair. hell yeah.

10 notes · View notes

nondidd · 2 years

Text

TWST oc scribbles and memes 😔

#silvia punyawong #cello calamity #twst oc #original character #roy robins #mullet Silvia is her in her third year 😔

87 notes · View notes

flamingpudding · 4 months

Text

Guys it's just merch

Danny watched with a smile hidden behind his mug of hot cocoa his new family. Originally he was only going to mess with them a little, since he wanted to keep his civilian live he gained with them but at the same time wanted to kind of provoke them to tell him about their night time jobs on their own.

Not like he could just flat out tell them he knew about their vigilantes lifes and that would be embarrassing to explain.

It's not every day that Danny's powers fluked on him, but with the stress of the past months, it happened. Right at a moment, he had to be clumsy and trip over his own feet and accidentally phased through a grandfather's clock, finding a hidden passage. Well at least he learned that way that Batman hadn't placed him with some other rich fruitloop that wasn't his godfather but well... with Batman himself and his family out of mask.

Yeah no, he did not want to explain that and hoped they would do that themselves. But apparently, they took Danny's statement of wanting a normal life a bit too serious.

Which brought him back to his current entertainment in the form of messing with his siblings.

"I don't get what the problem is guys. It's just merch." He chuckled slightly at the face Damian was making. While Jason chose to kick Tim under the table.

"Soooo how much merch on Red Robin do you have with this shirt now?" Dick asked instead with a bright smile, Danny still hadn't figured out how to tell what emotion he hid behind them sometimes.

"I think this is my third shirt of him." Danny mused, placing his cup back on the table and tapping his lip in a thinking motion. "Though I was going to pick up a couple of custom-made jackets of Red Hood and a Nightwing plush later today."

He acted like he did not hear the triumph like hiss of 'yes' from Jason as well as the very upset huff of Damian.

He just grinned at the amusement about how they apparently were competing over how much merch he owned of each of them.

When he found a Robin figure and several Robin pins mysteriously placed on his desk the next morning, he broke out laughing. Yet still just to mess with them gushed about his newly gotten merch to his family while sharing a knowing look with Alfred who knew he was just messing with them.

If there was a surprising amount of Batman merch, suddenly mixed into what he already owned the following week without his knowledge. Well, he wasn't going to complain about free stuff.

But he still would get a good laugh out of their reactions on the day he decided to full on dawn every piece of Batman merge instead of theirs.

#danny fenton #danny phantom #dp x dc #dpxdc #crossover #dcxdp #tim drake #damian wayne #jason todd #dick grayson #bruce wayne #the batfam think danny doesn't know about their vigilante lifestyle #and they are determind that it stays that way so Danng can have his normal life #but Danny alrwady found out ia clumsy accident #now he is just messing with them with the use of merch #he is also wondering how long it will take them to crack and come clean #he didnt think they would make it a competition of whos merch he owns the most of #random late night thoughts #late night stress writing

3K notes · View notes

deadsetobsessions · 4 months

Text

“Tim. Timmy. Ancients, kid, what are you doing?!”

Danny Phantom smacked away the instinctual terror of seeing an eight year old dangling out of a third story window.

“I gotta go take pictures of Batman and Robin! They’re out tonight!”

Danny thought that his barely healed vivisection wound might bust open from the sheer stress.

“Setting aside how you even know the patrol schedule of honest to god vigilantes, why’d you choose the window? The house is literally empty, just walk out the front door, for Ancient’s sake.”

Tim paused, a motion Danny was overwhelmingly thankful for, and blinked sheepishly.

“Um… for the aesthetic?”

Danny allowed the silence to settle between them before dropping his head into his waiting hands. Tim panicked.

“You- you can’t stop me!”

And yeah, Danny really can’t. In the months he’s been mooching off of the Drakes (not that they’ll notice), Danny’s learned that Tim Drake is nothing but relentless in the pursuit of whatever he sets his mind on. Whether thet might be putting hot chocolate in his cereal (which Danny doesn’t actually mind) or, apparently, stalking a pair of vigilantes.

He wanted to hack into the library cameras? Danny had to hover just to make sure the kid didn’t get caught after arguing for an hour about it.

He walked out of that argument with a loss, yes, but he also let Tim know that Danny cared about him. Danny also walked out of that argument with a new hatred for Janet and Jack Drake and his mind (just as diabolical as Tim’s) whirring with plans to haunt them.

Tim is never ever introducing his new little brother to Tucker. Ever.

“Okay. I don’t want to see you take unnecessary risks, but I’m also aware that I can’t really stop you. So. I’ll go with you.”

Maybe this is like… Tim’s obsession? When he put it that way, Danny lost the fight to prevent this tiny kid from what clearly is the only joy in his poor life.

“But…!” Tim’s eyes darted to Danny’s chest, the vivisection scars still fresh in his mind.

“They’re healed.” Danny pulled his dumbass little brother off the window sill, core settling as Tim follows willingly. “I’ll make us invisible and fly with you behind Batman and Robin so you can get even better shots. You can’t make any noise, though. That camera got a shutter sound, right?”

“Yeah!” Tim’s face brightened and Danny melted. He shoved a bottle of the (incredibly stinky but helpful in a pinch) ecto contaminated tap water into a backpack, along with some snacks and a blanket for when Tim gets cold. Danny’ll be fine, he’s got a Space Core. The cold his kind of his thing.

“Cool. We’ll stay out of earshot. If things starts to get too dicey, we’re heading home, okay?”

“Okay!” The look Tim shot him is full of trust and adoration and it makes Danny’s human heart squeeze painfully. “C’mon! I don’t want to be late!”

“We need to talk about your stalking tendencies later,” Danny said fondly.

“I’m not stalking them! I’m observing them!”

“Uh-huh,” Danny drawled, picking Tim up and making them intangible and invisible. “They’re not a bird observatory and also, even the birds in the observatory knows they’re being watched. Batman and Robin clearly doesn’t.”

Danny felt more than saw Tim’s pout.

He laughs as they fly just below the Gotham-brand of toxic smog. He waves to the City’s Spirit as Tim cranes his head around to catch sight of Batman and Robin.

“There!”

Danny obliged. With Danny’s flight, Tim got much better- much closer- photos than he would have originally.

Danny hung back as the pair of vigilantes swooped down to take care of a mugging.

“Wanna mess with them?” He grinned down at his little brother, canines glinting.

Tim looked up at him, admiration and mischievousness in his gaze. “Yes.”

Gotham parted her clouds in response to their glee.

——

Dick Grayson, AKA Robin, finally understood why criminals are so creeped out by him.

Other than the whole flippy child kicking grown people’s asses and winning thing, obviously (that, and Batman loomed menacingly behind him everytime a criminal even looked at Robin wrong).

Batman had picked up on it first, but the for entirety of their patrol, they kept hearing eerie little giggles and laughter. Haunting them. Never distracting. But persistent. And so creepy. He got goosebumps.

“B, I wanna go home.”

“Hm.” That’s a resounding yes if Dick’s ever heard one.

Maybe Alfred can chase away the giggles and chuckles.

Robin shudders and follows the Bat home.

——

Danny lowered the temperature as he held Tim up near Batman’s cowl so his brother could giggle menacingly. He knew for a fact that any recording device would get completely cram led by the sheer output of ambient ectoplasm he’s emitting. Plus, it freaked Robin out and raised the hairs on the back of the vigilantes’ heads. He tones it down when he noticed Tim rubbing his hands together.

He let out a quiet laugh, enjoying the flight with his brother in his arm and the light of the stars (thanks, Gotham) at his back.

——

Danny: oh, this kid’s got an Obsession, gotta let him do it safely, he’s a liminal from all that tap water

Danny: *forgets Tim isn’t a ghost nor is he from Amity and is therefore extremely breakable*

——

Danny and Tim: doing crime is a good bonding activity

Batman and Robin, who wants to say no it isn’t but they’re literally a pair of illegal vigilantes:

——

Dick as Robin: *cackles*

Tim, learning habits from stalking them: *giggles*

Gotham Criminals: *fear*

#danny phantom #bamf danny phantom #dick grayson #tim drake is a menace #tim drake #baby tim drake #Tim Drake is a little shit #Danny Phantom is a little shit #they’re messing with the bats #and getting away with it #inspired by dick’s iconic Robin cackle #that creepy lil shit #i love them your honor #they’re brothers your honor #Gotham’s F grade tap water #thanks scarecrow #Gotham’s tap water #dc x dp #dp x dc

3K notes · View notes

vinelark · 1 month

Text

i don’t remember if i ever shared this here, but a while ago i posted a little twitter thread about bats and gas station snacks and some very talented podficcers made a podfic of it! 🎧

[podfic] Jersey Vigilantes Don't Pump Gas by isweedan & reena_jenkins

original thread (text under the cut):

nested tweet reading: ever since i learned gotham is supposed to be in new jersey i can’t get this concept out of my head: [a badly drawn bumper sticker that says “jersey vigilantes don’t pump gas”] / quote tweet reading: the batmobile can’t just slip in and out of a gas station unnoticed. an employee HAS to go fill up the tank. meanwhile the tired night shift cashier knows the various robin eras because they come in to buy different snacks as time goes on.

one night while the manager is out filling *the literal batmobile* the cashier blinks and comes face to face with a child in a leotard and green boots, buying a pack of twizzlers. “thanks!” the first robin calls, somehow vaulting over two rows of shelves on his way out the door.

years later, after a stretch of quiet weeks, a new, curly-haired robin comes in and grabs a bag of flamin hot pepper puffs. the cashier doesn’t even think robin 2 actually likes them, but he looks really satisfied with himself every time he drops them on the counter.

(even after the second robin abruptly stops coming in, the cashier keeps slipping flamin hot pepper puffs onto their order list. no one else ever buys them, but it just—feels like the thing to do, somehow.)

a stretch of months without a robin, oddly tense. then the third robin appears, even smaller than the first two. he slips inside and buys a cup of black coffee and drains it in one go right at the coffee station, nervously eyeing the door like he’s afraid he’ll be caught.

the fourth robin, when she shows up, makes a beeline for the protein bars. finally, the cashier thinks, someone remotely sensible for this line of work. (though maybe not sensible enough—or maybe TOO sensible—because small caffeine robin is back a few months later.)

the fifth robin, when he first appears, approaches the counter. “you will direct me to the best snacks new jersey has to offer,” he tells the cashier.

“uh,” the cashier says. “i like sour patch kids, myself.”

robin 5 nods. “i will take a bag of sour patch children.”

(one night, not much later, red hood strolls through the door. the cashier has lived in gotham for over a decade now; they barely blink, even when nightwing bounds in after him.

“oh, shit, flamin hot pepper puffs,” red hood says. “i haven’t had these in ages.”

“aw, come on,” nightwing says, already holding a pack of twizzlers. “no one else can stand those.”

“why do you think i got them in the first place, dickhead?” red hood says. “to fend off new jersey’s number one snack thief.” and he buys buys every bag in stock.)

#feat. my own terrible art drawn in the notes app of a decade-old ipad #the joke being that you can’t pump your own gas in new jersey #which i’m sure has been joked about plenty before #anyway the podfic is a delight and every once in a while i remember about it and re-listen for a giggle #batfam #my fic #OBVIOUSLY BRUCE HAS HIS OWN GAS PUMP IN THE CAVE #or the batmobile runs on solar (because it’s sustainable and discreet NOT because superman thinks that’s cool)#but: imagine.

861 notes · View notes

dcxdpdabbles · 6 months

Text

Phantom's Number 1 Fan Part 3

John Constantine calls a joint Justice League and Justice League Dark meeting.

It's not something he wants to do. He barely works with the LJD, but at least that lot understands his work and knows what to do and where to go.

The JL members always ask questions and forget proper manners when working with the paranormal- John isn't the most well-mannered bloke around, but even he knows to permanently say goodbye to ghosts so that they don't follow him home- and it's like trying to teach an intern while dodging bullets.

He prefers to avoid the whole origination, especially since Bruce's death; everyone has been walking on eggshells, and there is a sense of disorganization drenched in grief that John breaks into hives just thinking about, but this is big.

Bigger than he can handle it on his own or with just the JLD. Even if the whole group gives the bats not-so-stable glances as they filter in.

John notices that one of Batman's brats is missing- the smart one- but he has heard that the kid suffered some kind of psychotic break from his father's death. It's sad, really, mainly because John used to believe that the third Robin was the one with the good head on his shoulders.

What's worse is that the Third Robin up and ran off, having gone off the grid when he refused to accept Batman's death. The boy hadn't said anything besides, "The portraits told me!" after having a miniature breakdown in his home.

It didn't help that around this time, the boy teammates had all dropped like flies except for one. So yes, John knows it wasn't a big surprise that he lost it, but it was still sad to see. Kid is only seventeen.

He hopes they find him soon to give him the help he needs. John would offer a spell to try and find him, but he needs to learn about the kid better, which means his spell can only point in a general direction.

Nightwing looked downright ragged, but losing a father on the battlefield and a younger brother to his grief did a number on anyone.

John hates himself just a little for dragging the grieving family here. He does, but again, this is bigger than all of them. This is a matter of life and death- literally.

"Listen up. We have a bloody level ten on its way to Earth if it's not already here." His words cut through the muttering crowd, shutting everyone up. A level ten makes even the big, lousy Superman sweat. He snaps his fingers, allowing his magic to shift into the image of a King Phantom sitting on his throne- painted in the early 1200s and the picture that can be used to identify him.

The art style would have been almost modern if it wasn't for the unease that the painting could cause due to the glowing green from his majesty's portrait. They say the green was ectoplasm from the king himself- and that alone should warn others to not mess with him.

Everyone Justice League Dark member hissed through their teeth, sitting up straighter and a few even pale. John is once again grateful that they understand just how deep in shit they genuinely are.

"This is the Ghost King. He is not to be confused with a god or king of gods. He's something else entirely because he makes gods nervous. He is on his way here to kill whoever is dumb enough to threaten his pregnant fiancee, and I fear the rest of Earth will be collateral if we don't prepare-"

"That's Danny Phantom," A young voice cuts John off. He is surprised someone would talk over him in a level ten briefing. All eyes turn to Robin- er, the new Robin.

The kid is frowning at the image, his signature scowl already deeper than usual. He's also heard the new Robin was a spoiled boy who was not a team player.

"You know King Phantom?" John asks.

Robin nods. "Placeholder is obsessed with him. Half his room is covered with King Phantom's heroics."

"Do not call him that.," Nightwing hisses a second later. He frowned when Robin ignored him but returned to the room without further comment on the boy's cheek. "Danny Phantom is a low-level search and rescue hero. He pops up around the world but only sometimes interacts with people. Robin- Young Justice Robin- was obsessed with him."

The room gains an awkward weight as no one is willing to bring up the mentally unsound MIA teenager.

It's too bad for them. John has never cared about making anyone comfortable. "You said his room is covered in images of King Phantom?"

From the corner of his eyes, John catches sight of Zatanna's face. She's pale white, with a horrified expression as if though she was standing before the grim itself. Every other member of the Justice League Dark is in a similar state.

"Yes, he has a whole wall of posters and stuff." Nightwing conforms, and shit John knows who Phantom's after now.

The thing is, one just doesn't have pictures of King Phantom. No one knows why, but the Ghost King can not be documented. Not without having some kind of connection to the King.

Throughout history, the only ones who have ever had even one solid picture of the king- John's magic doesn't count cause he can't well hold the thing up forever- usually meant that the King would appear before them at one point.

There is also a myth if one could beat a member of the royal ghost family, then one wish is granted to them. If one can kill a royal ghost member, death can be overturned.

It's not true, obviously, for death is not easily beaten like that, but John knows that as an expert, would a mentally unwell teenager know the same?

It was also known that if the King appeared before you, something terrible would happen. The sighting of King Phantom often came as an omen and usually right before a terrible disaster.

In the last disaster, they lost Batman, and if King Phantom had shown up, where the Third Robin have spotted him? Where the Third Robin have thought the King could return the dead?

Not to mention the rumors!

King Phantom was hunting down a group of humans known as "The Bats." John hadn't put that much stock in that rumor simply because it could have been anyone- hell, when he looked up the bats seven different groups appeared, varying from boy bands to zoologists.

But if he placed the name "The Bats" next to the Third Robin's psychotic break, his obsession with King Phantom, and his intertwined fates...well, shit.

There is a slight chance that the Third Robin's fate could be intertwined with the Ghost King in a positive light, but John has learned to not be optimistic in his line of work.

"I think the Third Robin is gunning after the Ghost King's fiancee and unborn child in a misguided attempt to bring Batman back to life. He may have kicked started a war that humanity can not win," He announces. He hates to say. hates to even suggest it, but the needs of the many outweigh those of the few. "We have to find the Third Robin and attempt to stop him. If we can't reason with him, we must put him down."

Wonder Girl gasps a sob, pressing her hand against her mouth.

John hates himself a little more as she sobs; a few rushes to confront her, but no one is unaffected by the news.

"I'm ordering a hunt for the Third Robin," Wonderwoman speaks up to her steady leadership, returning everyone from their despair. "Every available hero will help. Do not use lethal force unless there is no other choice. We may be able to find him before King Phantom's armies arrive."

John just hopes they are not too late.

Meanwhile, across the plane of existence, unaware of the manhunt for his head, Tim Drake is trying to stare down a Yeti, attempting to put him in silk clothes that are just fabrics held together by strings.

"No."

"But-But- but you have such a flattering figure! You must flaunt it! The Great One will barely be able to contain himself if he sees you in this!"

"No. It looks like something you wear on a honeymoon to seduce your spouse. I'm not walking around in that."

"Well, you don't need to bewitch his majesty. You already have a child on the way." The Yeit mutters, considering the fabric in his claws with a frown. He is Frostbite's royal tailor and has been attempting to dress Tim for over an hour. Everything he's suggested so far looks like it came from those romantic fantasy games.

It's like they want to make him a sexy consort or something.

Tim's teeth grind against each other. He hates how often his role is reminded, how casually the yetis mention that Ra's expects a child from Tim.

He doesn't even know how that child will come to be, and it makes him sick. He's been bidding his time, waiting for his wounds to heal and to find a weakness in the frozen fortress, but so far, he is unsure how he will escape.

And Bruce is still out there, waiting for Tim to get him. He can't waste any more time here.

"How about this cloak?" The Yeti offers, holding up a dark metallic fabric that reminds TIm of his Robin cape. "If we are going for a more conservative look, something that screams power is just the way to make the masses wild!"

Ugh, he really needs to think of a plan soon.

#dcxdpdabbles #dc x dp crossover #Phantom's number 1 fan #Part 3 #The Justice League made the wrong conclusion #Or John made the wrong conculsion #Tim is still being pampered but now they want to show him off like a trophy husband they think he is #Danny is vibing while new Ghost King Lore is dropping

1K notes · View notes

greenwitchcrafts · 7 months

Text

October 2023 witch guide

Full moon: October 28th

New moon: October 14th

Sabbats: Samhain

October Hunter's Moon

Known as: Blood moon, drying rice moon, falling leaf moon, freezing moon, migrating moon, moon of the changing seasons, shedding moon, ten colds moon, winterfelleth & windermanoth

Element: Air

Zodiac: Libra & Scorpio

Nature spirits: Frost faeries & Plant faeries

Deities: Apollo, Astarte, Belili, Cernunnos, Demeter, Hathor, Herne, Horned God, Ishtar, Kore, Lakshmi & Mercury

Animals: Elephant, jackal, ram, scorpion & stag

Birds: Crow, heron & robin

Trees: Acacia, apple, cypress & yew

Herbs/Plants: Angelica, apple blossom, burdock, catnip, pennyroyal, sweet Annie, thyme & Uva ursi

Flowers: Calendula, cosmos & marigold

Scents: Apple blossom, cherry & strawberry

Stones: Amethyst, beryl, obsidian, opal, tourmaline & turquoise

Colors: Black, dark blue, Dark greens & purples

Energy: Artistic works, balance, creativity, harmony, inner cleansing, justice, karma, legal matters, mental stimulation, partnerships, reincarnation & uncovering mysteries or secrets

It is believed that this name originates from the fact that it was a signal for hunters to prepare for the upcoming cold winter by going hunting. This is because animals were beginning to fatten up in preparation for the winter season. Moreover, since fields had recently been cleared out under the Harvest Moon, hunters could easily spot deer and other animals that had come out to search for remaining scraps. Additionally, foxes and wolves would also come out to prey on these animals.

The earliest use of the term “Hunter’s Moon,” cited in the Oxford English Dictionary, is from 1710. Some sources suggest that other names for the Hunter’s Moon are the Sanguine or Blood Moon, either associated with the blood from hunting or the color of the changing autumn leaves.

Samhain

Also known as: All Hallow's Eve, Ancestor Night, Feast of Apples, Feast of Sam-fuim, Feast of Souls, Feast of the Dead, Geimhreadh, Hallowmass, Martinmass, Old Hallowmas, Pagan New Year, Samana, Samhuinn, Samonios, Shadowfest & Third Harvest

Season: Fall

Symbols: Apples, bats, besom(brooms), black cats, cauldrons, ghosts, gourds, jack-o-lanterns, pumpkins, scarecrows & witches

Colors: Black, gold, orange, silver & white

Oils/incense: Basil, cloves, copal, frankincense, gum mastic, heather, heliotrope, mint, myrrh & nutmeg

Animals: Bat, boar, cat cattle & dogs

Stones: Amber, anatase, black calcite, black obsidian, black tourmaline, brass, carnelian, clear quartz diamond, garnet, gold, granite, hematite, iron, jet, marble, pearl, pyrite, ruby, sandstone, sardonyx, smokey quartz, steel & tektite

Foods: Apples, ale, beef, cider, corm, fruits, garlic, gourds, grains, hazelnuts, herbal teas, mushroom, nettle, nuts, pears, pomegranates, pork, poultry, pumpkin pie, sunflower seeds, thistle, turnips & wine (mulled)

Herbs/plants: Acorn, Allspice, catnip, corn, dittany of Crete, hazel, mandrake, mugwort, mullien, oak leaves, pine, rosemary, sage, straw, tarragon, thistle, wormwood & yellow cedar

Flowers: Calendula, chrysanthemum, deadly nightshade, rue & fumitory

Goddesses: Al-lat, Baba Yaga, Badb, Banba, Bast, Bebhionn, Bronach, Brunhilde, Cailleach, Carlin, Cassandra, Cerridwen, Copper Woman, Crobh Dearg, Devanyani, Dolya, Edda, Elli, Eris, Erishkigal, Fortuna, Frau Holde, Hecate, Hel, Ishtar, Kali, Macha Mania, Morrigan, Nemesis, Nephthys, Nicneven & Rhiannon

Gods: Arawan, Baron Samede, Belenus, Coyote, Cronus, Dagda, Dis, Hades, Loki, Nefertum, Odin, Osiris, Pluto, Woden & Xocatl

Issues Intentions & Powers: Crossroads, darkness, death, divination, honoring ancestors, introspection, the otherworld/underworld, release, visions & wisdom (of the crone)

Spellwork: Divination, fire magick, night magick, shape-shifting, spirit calling & water magick

Related festivals:

• Day of the Dead- (Spanish: Día de Muertos or Día de los Muertos) is a holiday traditionally celebrated on November 1st and 2nd, though other days, such as October 31 or November 6, may be included depending on the locality. It is widely observed in Mexico, where it largely developed & is also observed in other places, especially by people of Mexican heritage. Although related to the simultaneous Christian remembrances for Hallowtide, it has a much less solemn tone and is portrayed as a holiday of joyful celebration rather than mourning. The multi-day holiday involves family and friends gathering to pay respects and to remember friends and family members who have died. These celebrations can take a humorous tone, as celebrants remember funny events and anecdotes about the departed.

• All Saints Day- is a Christian solemnity celebrated in honor of all the saints & martyrs of the Church, whether they are known or unknown

Activities:

• Dedicate an altar to loved ones who have passed

• Boil a simmer pot to cleanse your space

• Have a silent dinner

• Light a candle for your loved ones & yourself

• Decorate your house and/or altar

• Release negative energy & cleanse your with a ritual bath

• Pull tarot cards to see what may be in store for you ahead

• Cleanse, clean & de-clutter your space

• Leave offerings to the Fae

• Journal & reflect on your accomplishments, challenges & everything you did this year

•Go on a nature walk

• Learn a new form of divination

• Have a bonfire with your friends and/or family

• Carve pumpkins

• Express yourself creatively through art, music, ect

• Visit a cemetery & help clean off areas that need it or to visit a family member/ ancestor & leave an offering

• Hold a seance

• Bake spooky treats & bread as offerings

• Refresh your protection magicks, sigils & rituals

Samhain is a Gaelic festival on 1 November marking the end of the harvest season and beginning of winter or "darker half" of the year. Celebrations begin on the evening of 31 October, since the Celtic day began and ended at sunset.

This fire festival is celebrated on October 31st & is considered the Pagan New Year. It is the first Sabbat on the Wheel of the Year, a cross-quarter festival & the third (final) harvest festival of the mundane year. This is the time when the veil between the worlds of the living & those who have passed is the thinnest, which allows greater communication between the two

Some believe this is the time of the Goddess's mourning of the death of the God until his rebirth at Yule. The Goddess's sadness can be seen in the shortening, darkening days & the arrival of cold weather

Sources:

Farmersalmanac .com

Llewellyn's 2023 magical almanac: practical magic for everyday living

Wikipedia

Llewellyn's Complete Book of Correspondences by Sandra Kines

A Witch's Book of Correspondences by Viktorija Briggs

843 notes · View notes

cherryflavoredvamp · 1 year

Text

Don’t Threaten Me With A Good Time

Part 2

Pairing: Eddie Munson x Female reader

Summary: An innocent game of teasing your best friend Eddie drives him to the point of obsession and lust. Taboo as it may be, Eddie Munson can’t seem to keep his hands to himself when it comes you, his best friend who he's fallen head over heels for

Warnings: 18+, unprotected sex, Eddie is really slutty & irresistible, soft dom Eddie, condescending mean Eddie that's obsessed with reader, Eddie being a sweetheart too, mentions of Ronance, sneaky sex *Steve is in the same room as it’s happening, a lot of other sexy things that I want to be a surprise, etc.

Author's Note: This was originally going to be short & sweet, but I got too into it. Oh, and make sure to comment & reblog if you liked it. It really helps and encourages me to share my writing. Enjoy! <3

There’s been a change in Eddie Munson lately that you couldn’t ignore. Ever since you started hosting Friday get togethers at your new house, Robin and Nancy being your roomates, you noticed Eddie started looking at you differently. Robin and Nancy were too busy being lovebirds to note this change in behavior, but Steve was all too perceptive. The last two times he pulled you to the side to ask if there was anything going on between you two.

"No, we're just friends. I know he's been...off lately, but it's probably nothing."

"Maybe he has a crush on you," Steve nudges your elbow with a smile, you scoff at this.

"He does not," you assure Steve, laughing it off.

"He's been doing more than just staring you know, I see the way he passes you in tight spaces and always wants to sit next to you on our movie nights. And he stares at your ASS, like constantly. You need to talk to him, because if he's making you uncomfortable I'll kick his a-"

You interrupt Steve, "Don't. I'll handle this, I'll talk to him next week on movie night. Besides, I don't really mind it that much," you shrug and cross your shoulders, trying to sound nonchalant about this admission.

The truth was you really didn't mind at all, in fact, Eddie's longing looks and lingering touches ignited something in you. It was thrilling when he did it. Two weeks ago Eddie offered to help you cook dinner, hovering over you as you stirred the pasta. Eddie had dipped his head onto your shoulder and held onto your hip pressing himself to your ass, sniffing the pot of pasta, his head lolling over to ask you if you thought it needed more garlic salt.

"I don't know, what do you think? You think it smells edible?" You couldn't concentrate with him this close, much less answer truthfully. Your head was clouded with the closeness of him, the heat from the pasta fanning both of your faces. You felt warm in more than one place.

Eddie took the spoon and had you taste test, "hmm, maybe oregano," you answered.

"Here you got a little something," Eddie used his thumb to wipe away some sauce from the corner of your mouth, then proceeded to lick his thumb. It was almost pornographic the way he did it, sucking on his thumb for a brief moment that felt like forever. In that moment all you wanted to do was ask him to put his fingers in your mouth.

Then there was the time Steve offered to take everyone to the lake, Robin and Nancy had a date night already planned so they were out. But that left you, Eddie, and Steve being the only ones going.

"So, whose the third wheel in this situation," Steve joked while driving Eddie's van to the lake, you were in the passenger seat and Eddie was in the back. Eddie seemed to be distracted doodling in his notebook, maybe he was writing something, you weren't sure.

"No one's third wheeling, god, uneven numbers don't mean shit," you say rolling your eyes at Steve.

"You say that, but someone always feels left out when there's only three. Robin and Nancy somehow even it all out, maybe it's because Robin has enough personality to fill a room and make everyone feel included, and special, you know?"

"You're just pissy because Robin couldn't come," you tell Steve, he rolls his eyes right back at you and laughs.

"No shit, she's my best friend. I guess I'm still not used to not giving her rides everywhere, ever since Nancy got a car I feel like I don't see her anymore. It blows, but hey, seeing her less means I get to see more of you. That's always a plus," Steve says, and you're never really sure if he sees you as a potential love interest or just flirts casually. Either way, it made you blush a little.

"Yeah, you think so?" You say, blushing in the passenger seat.

"I know so," Steve smirks, glancing over at you and your heart jumps a little.

Eddie pipes up from the back, "get a god damn room, jesus christ," he tries to hide the hurt in his voice. The thought of you with Steve made him jealous, even though Eddie had a crush on Steve, he couldn't help being so drawn to you.

Steve pulls into a nearby gas station, "do you guys need anything, snacks, drinks? It's on me."

"I'm good," you say.

"Cherry coke," Eddie answers, Steve nods and shuts the drivers door, leaving you and Eddie alone in silence.

Eddie's the first one to talk, of course, "why do you get the front seat and I sit in the back?"

"What, do you wanna trade or something. I don't mind," you say turning to Eddie. Eddie's wearing a white tshirt and black swim shorts, you've never really seen him this casual and it's sort of taking you aback but you try not to stare too much at the way his white tshirt is see-through enough to show his tats underneath.

"We can both sit up front, how about that," Eddie lights up with the idea.

"How does that even work," you ask, a sassy tone resonating in your voice.

"I'll show you," Eddie says climbing out of the back and opening up the passenger door, climbing in and lifting you up to place you on his between his spread legs. "See, now it's fair, we both get to sit next to King Steve."

You can't help but notice how Eddie's hands rest on your knees, drawing little circles. For once, you're speechless and little do you know, it will take a week to process what happens at the lake.

It was nightfall and the three of you had made a fire, made smores and hot dogs, telling ghost stories and drinking wine and beer. When it hit 12 am Steve refused to sleep in the van like Eddie suggested because, "If I'm going to camp, I'm going to do it the old fashioned way on the ground in my sleeping bag. Enjoy the van, I'm sleeping next to the fire."

"Good for you, Harrington," Eddie says crawling into the back of the van where he had set up an air mattress with blankets and pillows, I'm not big and strong like you."

"Goodnight, kids" Steve says playfully before cuddling up in his sleeping back next to the dying fire.

"Are you coming," Eddie asks, you're standing right outside of the van, cursing yourself for not bringing a sleeping back. Eddie stretches a hand to meet yours and you take it, hopping in the back of the van with him where he shuts the doors and it becomes increasingly clear how close you two were on the edge of the air mattress.

"Thanks, by the way," you blurt aloud, "I don't really like the idea of sleeping on the ground anyways," you hold a pillow to your chest. You're wearing your bikini from the lake swim, feeling a little self conscious from the lack of clothes.

"Do you want my shirt," Eddie asks, taking his shirt off and handing it to you.

"Sure, thanks," you start to put it over your bikini but Eddie stops you midway.

"You shouldn't sleep in wet clothes, you'll get a cold. You should probably take this off," Eddie says tugging at your bikini string, untying the top for you and tossing it to the side of the air mattress.

You scoff in flustered disbelief, Eddie speaks up again, "put it on, sweetheart," referring to his tshirt. You did so, thinking that was the end of that. But Eddie wasn't done yet, he had to make you more flustered to make up for witnessing you and Steve flirt on and off throughout the night. It was driving him fucking crazy.

"This too," Eddie pulls the string to your bikini bottoms, tossing them on the mattress and fiddling around in his bag for a pair of his boxers. You're speechless as Eddie climbs over top of you and dresses you in his blue boxers. It felt so intimate, being undressed, and then dressed in his clothes. It was exhilarating as much as it was caring. Eddie had already changed out of his swim shorts and into sweats.

"Thank you," is the first thing you can think to say to Eddie, he's hovering over you, staring at how cute you look in his clothes. He thinks he could probably get off to just seeing you in his clothes alone. The thought of jerking off over you while he stared down at your body crossed his mind, the way your face would look so cute and shocked at the vulgar act. But he pushed the thought aside and put the idea in his spank bank for later.

"Don't mention it," Eddie says laying down next to you, "you're probably cold, aren't you?"

"Well yeah, the lake was freezing," you answer and then Eddie's pulling you to his chest to keep you both warm. You two were face to face and your jaw was agape at how forward and casual he was being simultaneously, Eddie laughs quietly and touches your chin. "What, cat got your tongue? What's wrong, honey? You can tell me," Eddie says in a mocking tone, his hand grabbing your ass shamelessly. He felt this was more subtle than jerking off over your body. "We're just two friends trying to keep each other warm, don't be weird," he's smirking at you and all you can think about is kissing that smart ass smirk off his face. It didn't help he was only wearing his sweats, he knew exactly what he was doing to you. It was time you one-upped his antics with your own.

You shiver, "I'm really scared, Eddie. Do you think it's safe to sleep in the woods like this, we're basically the textbook definition of victims in slasher movies right now. Can you hold me?"

The question stopped Eddie dead in his tracks, you asking him to hold you wasn't something he saw coming. "Oh, you're scared, huh" Eddie said in a mocking tone, jutting out his bottom lip in a pouted frown. "Poor baby, you're scared of the dark, aren't you? C'mere sweetheart, I'll protect you," Eddie said with a wolfish grin spread across his face. You didn't hesitate to jump into his arms, hugging his chest and burying it there for comfort.

"Thank you, Eddie," you say breathlessly and now he decides he's fucked. You were perfect. The more this happened, the more it didn't feel like a fun little cat and mouse game anymore. Eddie's feelings for you were real, the way he felt about you made that clear. But Eddie decided to stay in character, risking telling you his feelings just felt too...vulnerable? He didn't know, he'd never quite felt this way about anyone before. It was all new to him, the feeling of never wanting to let go and risk loosing everything. He wanted you to be his everything, but he forced himself to play it safe anyways.

"You are really cold, wouldn't want you to catch hypothermia," Eddie says, hands trailing up your shirt to grope your breasts and roaming down your hips leaving a trail of fire where he touched you. It felt like your whole body was on vibrate, "has anyone ever touched you there?" Eddie's said this while he snapped your underwear to your skin and you yelped in surprise.

"Ow, Eddie. I don't know what you mean," you said, the clueless act had Eddie's head in a spiral. He didn't know if you playing the same game he was to keep this going, to keep the excitement at a high.

"What are you saying, Princess? No one's ever been here, not even Steve," Eddie says teasing you, his finger tracing your slit over your underwear.

"No, Eddie. He hasn't," you kiss his jaw, "let's just go to sleep please."

"So he's never fucking touched you at all then, don't lie to me," Eddie's voice rises and he's clearly mad over something he's only imagined.

"We've hugged, that's it," you admit, that was a half lie. You and Steve had kissed but it was experimental and you both laughed about it afterwards, meaningless flirting suited your friendship you both decided. Steve did teach you how to kiss though, he insisted upon it, he kept saying how he knew all of these tricks and taught them all to you. It was hot, but still you only saw the flirting as just the way your friendship was, it was never serious, only fun. Eddie didn't see the flirting between you and Steve as fun and carefree though, he was jealous, jealous he couldn't have you for one. And jealous he couldn't have Steve either, but soon, he decided his hormones were driving him mad and there wasn't much else to do about it besides watch you like a hawk and to always be around so nothing happened between you two.

"Liar," Eddie says gritting his teeth, his hand sliding into your underwear to play with your clit while he seethed.

"Eddie what are you doing," you say, your pussy throbbing at the mere thought of Eddie being jealous, and the feeling of him inside your underwear made you hot. Suddenly, the freezing lake's cold wrath was gone, all you could feel was fire.

"You like it though, you like making me angry. That's why I have to punish you, baby, I'm sorry," Eddie said sinking two fingers in your hole, curling just right and just deep enough to make you squirm in his grasp. Eddie's other arm held you close to him, imprisoning your body to his.

"I'm sorry," you said and kissed Eddie softly, your moth open and welcoming his tongue. Eddie moaned into your mouth and wondered how experienced your really were, you knew how to kiss, that was certain. But the way you did it so eagerly, your tongue pushing his, and the way you sucked on his bottom lip made him groan.

"You're about to be fucking sorry, don't give me that pouty lip," Eddie fucked your pussy with his fingers relentlessly, wishing it was his dick instead. "On second thought, you shouldn't even get to wear my clothes. Take them off, now."

"Eddie please, why are you being so mean. This isn't fair I'm not lying," you say, but you were and he could fucking feel it in the way you stammered.

"Did you hear me, strip. Take off my fucking clothes before I make you," Eddie said, anger in his voice. You were so turned on your pussy squeezed his fingers and he gasped, "fuck, did you just squeeze me?God, that's so fucking hot. Now be a good girl and take these off," Eddie bit his lip, completely blissed out at the way you moaned his name and how wet you were for him. It was just like heaven.

"No!" You said, "you can't make me sleep naked!"

Eddie furrowed his brows, it was clear you were a brat and needed to be bossed around to get off. "Fine, I'll do it then," Eddie rolled you onto your back and tore your clothes off, he had never been this hot and bothered before and it was overwhelming but freeing. "You're sleeping naked with me as your punishment, when you decide to be a good girl for me I'll let you wear my whole fuckin' closet." Eddie hovered above you, pinning both of your wrists with his ringed hands, staring down at your naked body. Then the idea from earlier popped into his head again, he was going to jerk off over your body he couldn't resist the idea.

"Stay like that," Eddie said pulling his sweats down so his cock sprang free. Something in you couldn't help but wish he would fuck you right then, but Eddie started jerking off instead, staring at you. His cock hitting your stomach as he pumped it in his hand. "I'm going to come on your pussy, fuck baby you look so beautiful," Eddie spread your folds open with his fingers. Rutting against your clit with the head of his cock, "touch yourself for me." You did, you moaned Eddie's name and he lost control, your pussy covered in his come.

"Fuck," Eddie exclaimed, laying down beside you, scooping you up in his arms so your ass was to his front. Eddie sank two of his fingers in your hole, playing with the come on the outside and occasionally pushing the come inside you.

The two of you curled up into a blanket the rest of the night, Eddie fell asleep with his fingers inside you. You fell asleep speechless and wanting more.

Now it was movie night at your place again, it was dark and all the lights were out as you all watched The Shining for the fifth time. Robin and Nancy went to bed early, like usual whenever Nancy had work early the next morning. Steve was passed out on the loveseat, arms crossed over his chest, sleeping like someone's father that said "I'm just resting my eyes," then fell into a deep slumber, minus the snores.

Eddie had made a point to sit close to you, draping his arm around the couch adjacent to the loveseat. When Robin and Nancy went off to bed, Eddie seemed to inch closer and closer until he was thigh to thigh with you.

"Are you cold," Eddie asked you, his arm moving to hold your waist, pulling you closer for warmth.

"Yeah, it's always really chilly in this room," you drape your leg over Eddie's thigh as casually as you can manage.

Eddie's eyes drop to your thigh, taking in the sight of your tiny pj shorts that left little to the imagination. "I can warm you up," Eddie said eagerly. You bit your lip and nodded at him.

Movie nights were like sleepovers occasionally, Eddie was dressed in only a pair of boxers like usual. It was normal, Steve wore his old basketball shorts shirtless too, it's not like Eddie was being inappropriate. He was comfortable in your home, that's the way it was supposed to be. You only wondered if having these thoughts about your best friend was also the way it was supposed to be. All you could think about was the way he was in the van, you wanted to see that side of Eddie again.

Eddie reached behind him to grab a fuzzy throw blanket and placed it over you two, his hand going back to squeeze your waist, and then your thigh, rubbing you there. His eyes were trained on the movie, trying to look distracted while his hand kept inching toward your heat. Suddenly Eddie's hand rested on your clothed pussy, his fingers curling so that you could feel his middle finger poking at your hole slightly, still unmoving to do anything else, the two of you stayed that way for a few minutes in silence, neither of you saying anything like it wasn't happening. You felt your chest rise shallowly and your hand reached inside Eddie's boxers where your hand rested on his hard cock.

Eddie took this as a chance to slip his hand inside your shorts, his middle and index fingers curled inside your pussy. Your hand moved under the covers, stroking him while you two kept your eyes fixated on the movie. But all you could think about was how Eddie's fingers were slowly fucking your underneath the blanket.

"You're so warm. Do you wanna cuddle, I need more heat," Eddie said, what he really meant was he needed more of your heat, specifically the heat between your thighs.

"Mhm," you lay down, Eddie spoons you from behind, covering you two up with the blanket and making sure Steve was still asleep.

Eddie nuzzles into your neck and kisses you, his hands reach up to cup your tits. Eddie keep one hand up your shirt, his other hand pulling your shorts off, all the sudden you feel Eddie's cock slot between your thighs. You gasp and Eddie covers your mouth and shushes you, "shh, this is the best part, sweetheart," Eddie refers to the movie while his fingers work your clit expertly. Eddie kisses your cheek and then your mouth, "need you to keep every part of me warm, hm?" Eddie whispers this into your ear, then slams his cock into your wet hole, wanting nothing more than to hear you moan with his hand over your mouth. Slow, hot, and wet strokes of Eddie's cock fills you while he keeps his hand over your mouth to keep you from waking up Steve.

"I've wanted this for so long, baby. You have no idea how long I've waited to feel this pussy, I knew you'd be ready for me. I can't seem to keep my eyes off you ever since you sat on my lap two months ago when we were playing cards. I know you didn't mean to, but you kept wiggling around. I know you felt my dick digging into your ass, that's when the secret touches started. You didn't tell anyone about that, did you?"

You shake your head no, you didn't tell Steve about the touches and when it actually started. You knew he wanted you, it was all about the back and forth game you two were playing, the secrecy. He'd touch you accidentally, and you'd do the same back, feigning innocence to keep the ongoing game more exciting. You had him on edge, waiting for the right moment to act on the desires that clouded both of your minds.

Eddie's hand still clasped over your mouth he spoke about that first night, "at first, I thought it was an accident. But once you felt my cock get hard you kept wiggling and then you, fuck- you really started humping my thigh. You rode my fucking thigh when everyone was too drunk to notice, I jerked off in your bedroom that night. Hand down my pants, I came in my own pants. I stained my underwear and left early, holding my jacket over my front. You knew exactly what you were doing, don't act so surprised that you love my cock inside you. You've been waiting for it for so long," Eddie whispered in your ear, giving you full body chills.

Eddie spoke again, "when I let go of your mouth, don't make any noise. Just do what I say, and I might go easy on you." You do what he says and turn to face him, he turns you around to face him and hikes your leg over his hip and you sink down onto him, letting Eddie fuck you as fast and hard as he wants. You can't help yourself, you smother Eddie in kisses all over his chest, neck, and end at his lips, you suck on his tongue and you can hear a deep moan come from him. The two of you go wide-eyed and glance to see Steve stirring under his covers, you and Eddie pretend you're sleeping, Eddie covering both of you up to your necks. You two close your eyes and pretend to have fallen asleep, cuddling innocently, as Steve wakes up and makes his way to the guest bedroom.

You start to move but Eddie grabs your ass with vigor and slams you back down on him, "I didn't say to move, baby. Be a good girl and don't torture me any longer, please." It's demanding, but mainly pleading of him. Eddie's desperate to keep this going for as long as possible.

"I'm not going anywhere, Eddie," you kiss his cheek and Eddie smiles at you, wide and Cheshire-like, like he's up to something.

"So you're saying you're my little cockwarmer now, guess that's better than cock-tease," he chuckles and you swat his arm. "Hey, I like you whether you're a cockwarmer or cock-tease, as long as you're near my cock we don't have a problem," Eddie laughs at his own ridiculous statement, being that he was still completely serious in all he was saying though.

"I'm going to miss our little game though, that was so exciting," you say grinding yourself on Eddie.

"I bet you do, you just love to torture me don't you, babydoll. We can play games all you want, that's fine. But the more you tease me the rougher I'm going to be, you know that though, brat," Eddie chokes you, bringing your lips to his for a passionate steamy kiss.

"Don't threaten me with a good time, babe."

#my fanfics <3 #eddie munson fic #eddie munson x reader #eddie munson x you #eddie munson x y/n #eddie munson x yn #eddie munson smut #eddie munson #eddie munson x female reader #perv!eddie munson

6K notes · View notes

piratefishmama · 7 months

Text

Nest | Part 11

A Steddie A/B/O ficlet

“Doctor Owens?” The enquiry followed three firm knocks on the slightly ajar door to Owens’ office, his open door policy ensuring the door remained open whenever possible, only when he was in a meeting, or absent from the office, was it ever shut.

“Come in” Owens lifted his gaze from the papers atop his desk to look at the Beta who entered carrying a small manilla folder “Ah, Miss Buckley, what can I do for you?”

“You uh… you told me to inform you when Eddie dropped into the third stage of his heat? I… may have forgotten to do that initially and uhm… he dropped about four hours ago now?” In Robins defence, Steve had been lingering around the cafeteria instead of going home and well… she couldn’t just leave sad Steve on his own. He had those puppy eyes that made everything hurt an he was clearly trying to hide how distressed he was, it wasn’t working at all, but he wouldn’t leave so— “Steve’s been… distressed so I’ve just been a little—” distracted.

“Yes, yes of course he is, of course, he’s out of the room then?” Owens was already rising from his chair, this was… uncharted territory at Nest. A pair of scent mates separated from each other so late into the heat was… okay so anything regarding scent mates was kind of uncharted territory, so to have an observable pair?

Goldmine. It was like a goldmine, but the gold was knowledge, and he was an academic!

“Yep, he’s not left the facility though, he’s just—he’s just in the cafeteria.” It wasn’t too far away from Eddie’s room. And he was bumming everyone out.

It stank of musty, mouldy bread and nothing was bringing him out of it.

“So he could leave without negative effect, good. Good okay, that’s good, walk with me Miss Buckley.” Robin stepped out of the way to allow the elder beta to pass by, quickly closing the door behind them, she hurried to fall into step beside him.

“I wouldn’t say there’s been no negative effect, Steve is—well he’s a mess, and I dunno how Eddie’s doing if—if he’s doing well at all I mean, before the cameras turned off it looked like he was crying an—”

“I merely meant negative as there were no violent outbursts, that Steve was able to leave without being physically harmed, or without Eddie trying to harm himself. I understand there’ll be some distress from both sides of this. Do you have the measurements from the levels in the room?” She handed the file to him, allowing him to check over the enclosed documents with an experienced eye. “…These… are… from how long ago?”

“I got them about ten minutes ago.”

“And you say he’s been dropped for about four hours now?”

“Yes.”

“…Shit.” And the pace picked up into a jog, all the way to what looked, for all intents and purposes, like a closet. Robin had passed by that door, pretty much every single day since she’d started her job, it had a keycard slot on the door like most doors in the facility, but nothing else, a completely ordinary closet.

Except Owens had the keycard to it. “Uhm—” they stopped outside of it.

“Do me a favour Miss Buckley, go get Steve for me, okay? Bring him here and uh… use this on the door when you get back.” He handed her the keycard after using it to open the dark room, stepped inside, and closed the door behind him, leaving her alone in the hallway staring at a little blank plastic card. It had no room number on it, no identifying marks, just… a completely blank, white card.

Somehow she felt like she held the key to the universe. And while she was not prepared for that level of responsibility, Owens had given her a task, and the task involved getting Steve, she could get Steve.

Even if Steve had to be dragged from the cafeteria stinking of mouldy bread, releasing thee most pitiful whines as she dragged him by his hand down the hallway back to that room, going a little bit of a longer route around because the original route passed by Eddie’s room and that’d have just been a disaster.

He was a big alpha! She didn’t want to have to bodily shove him down the hallway away from the room!

That’d have been way too much like a cartoon where someone tried to push a big box or a boulder and just. Ran in place for a bit before flopping to the floor in exhaustion. She wasn’t built to force Alphas into doing things.

He was only allowing her to pull him because he was so sad.

He was breaking her heart, it sucked. But they made it with only limited staring from other staff members which was nice. “Robbie where are we?”

“Owens’ special closet I guess, I dunno he just told me to bring you here.” Keycard inserted, door unlocked, and the dark room had been lit up by a single overhead light, Owens, back facing them, sat in a chair at a desk with many monitors but only one on. “Doctor Owens? I’ve brought Steve” The Beta in charge switched the monitor off and turned to face them.

“Well, you weren’t kidding about the distress, eugh, come in the both of you, bit of a tight squeeze but please close the door behind you.” Robin and Owens weren’t exactly the biggest of people but Steve… Steve was pretty broad. He was the one taking up all the room. “Alright… after today, you both should forget this room exists, usually to enter this room, you need be a Beta, to have several degrees in medical sciences, a psych evaluation every two months, and consent to random spot checks on all your electronic devices both personal and professional done by an external government official. Really only I’m qualified to be in here. Now I only bring you both in… because Miss Buckley, you are closest to Steve, and so could probably get through to him in a crisis, and Steve… because this pertains to your scent mate. Normally, you… really shouldn’t be in here.”

Silence, complete silence, both beta and alpha staring at him in wide eyed confused silence. At least Steve’s sad alpha smell seemed to be dissipating with the distraction.

He continued, “Miss Buckley, the readings you gave me were… strange, usually at this point in an Omegas heat, in layman’s terms, the ‘sexual pheromones’ in that room should be in the red.” Four hours in? That room should be drenched in ‘I’m ready for a knot!!!!’ “It’s not, not even close. It reads like he’s having a nightmare. And these levels here, this… this shouldn’t be so low either, this is unprecidented” he pointed to another bar neither were close enough to read the label of.

“Sorry, sorry, what is this room?” Steve was too busy staring at the papers in Owens hand in complete bafflement as if staring longer would make it make sense. Robin was focused more on the monitors.

“This is a secondary monitoring station, none of the monitors are currently on because you are not qualified to see into those rooms. In cases such as Mr Munson’s, difficult cases, there’s a health and safety addition to the admission papers, it simply means a qualified person is allowed to observe in the third stage of a heat to ensure the omega remains safe during it. Mr Munson is aware that this is in place, and consented to it before his heat began.”

“And… an you’re the only one allowed in here?”

“I’m the only one with the keycard yes, I’d like that back now.” He held out his hand and motioned to give it back, which she did. “Thank you.”

“Why are we here?” Steve finally managed to speak “what’s… what’s this got to do with me?”

“Steve… Eddie isn’t using the heat aids.” Owens reached back behind him, and clicked that monitor back on, going against pretty much every single rule in the rulebook just to show one very soul crushing, grainy image.

Eddie Munson, wrapped up in a weighted blanket cocoon, pressed into the corner of the room away from his nest, head down, face buried in the fabric of the blanket, shaking like a leaf desperately holding on through a hurricane.

Steve was out of that room before either of them could stop him.

Part 13

#PirateWrites #NestFiclet #Steddie #CW: A/B/O #No Upside Down AU #Omegaverse #Omega!Eddie Munson #Alpha!Steve Harrington #oop

617 notes · View notes

robin-buckely · 11 days

Note

hello! I love your edits and I wanted to know, for the "Steve Robin and Nancy" Gif you posted.. How would I go about doing something like that? More specificly, the bottom two where it says "Height Difference" and where it labels them as "Princess, Jock and Loser"

Thank you! Sorry this took a while to answer. I finally had time to sit down and write this. Link to original post.

Quick notes: I'm using Photoshop 2021 on Mac and working in video timeline. Must have basic gifmaking skills and know how to use layer masks. This is primarily a gif layout and text tutorial.

Fonts used in first gif:

Pea Wolfe Tracks — link here

King & Queen — link here

Fonts used in second gif:

Kiera — link here

Post — link here

Ellianarelle's Path — link here

Heina's hurry — link here

I used a light leaks/film texture, ripped paper textures, folded paper textures, and transparent pngs (arrows + post-it notes + smiley face).

We'll start with this gif.

Make your gif! The gif here is 540x600px. I color and sharpen it to my liking. Go to image > canvas size > change height from 600 to 770px. I left the anchor in the middle, though it doesn't really matter.

I drag and drop my folded paper texture and change the layer order so it's under my gif. Then I change the blending mode on my gif to Screen so the texture shows through the gif, but I keep the texture at 100% Opacity and Fill.

Now I move my gif around and add my ripped paper textures. I wanted to give it a sort of poster-like feel to it, so I made more room on the bottom for my main text and ended up with something like this. Blending mode is set to Lighten for the ripped paper textures.

I then use layer masks to hide what I don't want shown and add my light leaks/film texture. Blending mode on light leaks/film texture set to Pin Light, Opacity: 50%, Fill: 70%.

I use Levels and Brightness/Contrast adjustment layers to darken the gif up a bit more, then I add a patterned paper texture. Blending mode for patterned paper texture set to Lighten, Opacity: 100%, Fill: 75%. Result:

Now on to the text!

I'm going to be honest here, a lot of this was clicking around until I settled on something I liked. There's three layers to create this text effect. The font used here is King & Queen.

For the first text layer, the font color is set to black (#000000), font size: 87 pt, leading: 80 pt, tracking: 25.

Layer styles used here are stroke and drop shadow.

Text Layer 1

Stroke settings:

Size: 1px

Position: Outside

Blend Mode: Hard Light

Opacity: 40%

Overprint: unchecked

Fill Type: Color

Color: #5911ed

Drop Shadow settings:

Blend Mode: Difference

Color: #2d5ba8

Opacity: 85%

Angle: 70°

Use Global Light: checked

Distance: 7px

Spread: 0%

Size: 6px

Contour: Cone - Inverted

Anti-aliased: unchecked

Noise: 0%

Layer Knocks Out Drop Shadow: checked

Blending mode for text layer set to Overlay, Opacity: 100%, Fill: 85%.

Warp text settings:

Style: Wave

Horizontal: checked

Bend: +60%

Horizontal Distortion: +10%

Vertical Distortion: 0%

With all those settings applied, the first text layer looks like this:

Duplicate the layer, clear all layer styles, and change the color for the second text layer to white (#ffffff). All other text settings (including warp settings) should stay the same. The only layer style then applied to this text layer is stroke.

Text Layer 2

Stroke settings:

Size: 1px

Position: Outside

Blend Mode: Difference

Opacity: 100%

Overprint: unchecked

Fill Type: Color

Color: #d48f16

Blending mode for the second text layer is set to Difference, Opacity: 90%, Fill: 100%. Nudge the second text layer a bit so the first text layer is a little more visible or move to your liking.

With both those layers active, it looks like this:

Duplicate the second text layer, clear layer styles, and change the color of this third text layer to a dark grey (#1a1919). Again, all other text (and warp) settings should stay the same.

Layer styles applied to this layer are stroke and gradient overlay.

Text Layer 3

Stroke settings:

Size: 1px

Position: Outside

Blend Mode: Difference

Opacity: 100%

Overprint: unchecked

Fill Type: Color

Color: #d48f16

Gradient Overlay settings:

Blend Mode: Difference

Dither: unchecked

Opacity: 100%

Gradient: #cd3f00 > #ffdb5d

Reverse: unchecked

Style: Reflected

Align with Layer: checked

Angle: 90°

Scale: 100%

Blending mode for the third text layer set to Exclusion, Opacity: 100%, Fill: 100%. I also moved the third text layer around, down and to the right a few pixels to give it that 3-D Word Art effect.

With all three text layers active:

Next are the arrows.

Take your transparent pngs and place them to your liking. Blending mode for these is set to Difference, Opacity: 100%, Fill: 100%.

Command + click on an arrow thumbnail to select all the pixels in that layer. This is why the image must be transparent!

With that selection made and on a new blank layer, right click the selection and click on stroke. Settings for that are width: 2px, color: white, location: center. Move that a couple of pixels over.

Do this for all arrows for a total of 6 layers for arrows. I group them together to keep my workspace clean, then I duplicate my arrows group with no further changes made to the second group to get what you see in the final gif.

Next is the smaller text. It's three separate text layers for each word, so I can move each of them around to my liking.

Font used is Pea Wolfe Tracks, font color: white (#ffffff), font size: 24 pt, leading: 6 pt, tracking: 25. Bold and italic options checked. I set the blending mode to Difference, Opacity: 100%, Fill: 100%.

And that's it! That concludes the tutorial for this gif!

Now on to this gif.

We'll start with the background gif. There are three separate gifs. You could make them one gif, but I wanted the option to order them differently if I needed to.

All gifs in the background are the size of the canvas: 540x770px. Color and sharpen to your liking, but keep them all black and white. To get the blurry effect go to filter > blur > guassian blur. Set radius to 7.0 pixels. Add this to all three gifs.

Then I add two folded paper textures. Blending mode for one set to Lighten, Opacity: 60%, Fill: 100%. The other set to Screen, Opacity: 70%, Fill: 90%.

I found this tutorial a while back for a halftone effect. They include links to the halftone pattern used here as well as textures and gradient maps not used here.

I'm only using the halftone pattern here.

Pattern fill settings:

Angle: 66°

Scale: 8%

Link with Layer: checked

I also added a gradient overlay layer style to the halftone pattern which gives the gifs the color you see above.

Gradient Overlay settings:

Blend Mode: Overlay

Dither: unchecked

Opacity: 100%

Gradient: #0059ac > #a33600 > #e6b801

Reverse: unchecked

Style: Linear

Align with Layer: checked

Angle: -100°

Scale: 100%

Now on to the square shapes with rounded corners. In the interest of keeping this tutorial short(er), I found this tutorial on youtube that explains how to make squares with rounded corners.

I set my stroke size to 6px, stroke color to white (#ffffff), and fill to no color. I don't use the stroke layer style to make the borders of the shape like in the video! I'm only linking the video to show how to curve corners with square shapes.

Note: Be sure you know how big or small you want these to be and how they're going to fit on your canvas in order to make all the shapes and edit them. It can be tedious to change the settings.

Duplicate and resize to your liking.

In this instance, I wanted to make three squares total, so I had to duplicate twice and resize until I had something I liked.

Settings for the shapes used here are:

Innermost shape: W: 200px, H: 280px, corners: 50px

Middle shape: W: 220px, H: 300px, corners: 60px

Outer shape: W: 240px, H: 320px, corners: 70px

Once I have the size I want for all three shapes, I group them together to make a set and duplicate that group twice, then adjust each set on the canvas for my layout.

What the sets look like all together:

Colors used: orange #e47100, blue #0062d1, yellow #ecac00

To add color to the shapes, either change the color of the shape itself or use layer styles. I used layer styles.

Note: I didn't add the colors until the end after I knew what gifs went where and what color scheme I wanted, but I don't want to add more images than I need to here.

To keep this short, I found this tutorial on youtube that explains how to wrap text around a shape. However, I wanted the text to align on the outside where the white line is and not the green line (left image):

So I created another shape just inside the innermost square and used that as a path for my text (right image). Adjust the text to your liking until you have your text where you want it. Refer to the video tutorial if you need help moving the text along the path!

You don't need the shape path once you have your text where you want it, so use the layer visibility tool to hide it. You can hide your other shapes too so you can work with your text.

Do not delete your shape path!

I duplicate it once I start working with my "jock" text since all the sets are the same size. The "loser" text has to be worked a little differently, but we'll get to that later.

For the princess, jock, and loser text, there are two text layers to create the overall effect. For both layers, font used is Kiera, font color set to white (#ffffff), font size: 60 pt, blending mode set to Normal.

I added a gradient overlay layer style to the first text layer which I'll call the base layer. Opacity for this layer is 100%, Fill: 100%.

Base Layer

Gradient Overlay settings:

Blend Mode: Normal

Dither: unchecked

Opacity: 100%

Gradient: #f0b002 > #e7f0fd

Reverse: checked

Style: Diamond

Align with Layer: checked

Angle: 90°

Scale: 100%

The second text layer is your stroke and drop shadow layer. For this layer, opacity is set to 100%, Fill: 0%.

Stroke and Drop Shadow Layer

Stroke settings:

Size: 2px

Position: Outside

Blend Mode: Linear Light

Opacity: 100%

Overprint: unchecked

Fill Type: Color

Color: #0064cb

Drop Shadow settings:

Blend Mode: Difference

Color: #fb7c00

Opacity: 100%

Angle: 30°

Use Global Light: checked

Distance: 5px

Spread: 0%

Size: 0px

Contour: Linear

Anti-aliased: unchecked

Noise: 0%

Layer Knocks Out Drop Shadow: checked

End result looks like this:

When I make my shapes visible again (minus the one I used as a path), I get this:

The shapes are clearly in the way of the text, whether they're above my shapes layer or under it. I use layer masks to hide what I want, so the text is legible. It looks cleaner this way and I wanted the text to be a part of the shape itself. I do that for each rounded square.

Now on to my smaller gifs. I like to crop, resize, sharpen, and color separately because my laptop and Photoshop would kill me if I tried to do it all on one canvas. I use the size of the middle shape for my gifs (220x300px), so I can have a little wiggle room when adjusting. I then use a layer mask to hide the parts of the gif that are outside of the shape.

A quick way to do this is to command + click on the thumbnail of the innermost square. With that selection made, I got to my gif layer and add a layer mask. Sometimes you need to invert it. Use command + i with the layer mask selected (not the gif) to invert the layer mask.

I repeat this process with my Steve and Robin gifs. I have to go back and forth with all the layer masks to hide parts of the gif/shapes I don't want for each set. It's kind of a long process, but not all that difficult. I label and group my layers together as I work to keep things clean and it helps me keep track of what I edited and what needs to be edited when it comes to things like this.

The picture below shows where I hid the bottom right corner of Nancy as well as the shapes that make up her set using layer masks. I also did this with the Steve and Robin sets, hiding the bottom left corner of Steve.

Similar text settings used for jock. The gradient overlay layer style for this base layer is different than that of princess because of the positioning of the text. Again, same as princess, two text layers are used here. Blending mode, opacity, and fill for both are the same as the princess text layers as mentioned before.

Base Layer

Gradient Overlay settings:

Blend Mode: Normal

Dither: unchecked

Opacity: 100%

Gradient: #007aec > move bottom middle dot to 80% > #e7f0fd

Reverse: checked

Style: Diamond

Align with Layer: checked

Angle: -140°

Scale: 100%

Stroke and Drop Shadow Layer

Stroke settings:

Size: 2px

Position: Outside

Blend Mode: Linear Light

Opacity: 100%

Overprint: unchecked

Fill Type: Color

Color: #a05700

Drop Shadow settings:

Blend Mode: Difference

Color: #ffba00

Opacity: 100%

Angle: 30°

Use Global Light: checked

Distance: 5px

Spread: 0%

Size: 0px

Contour: Linear

Anti-aliased: unchecked

Noise: 0%

Layer Knocks Out Drop Shadow: checked

Image 1: We start with Robin.

Image 2: To make the loser text, I had to create a new path.

Image 3: I make it so the text is on the inside of the path instead of the outside. (Hint: Refer to video tutorial if you don't know how to do that.) I then adjusted the tracking between the letters in the word "loser" so they didn't look so squished together.

Image 4: Then I use layer masks to hide the parts of the shape I don't want shown.

You can then hide the path or delete it. You only need it if you want to adjust the placement of the text. I keep it (hidden) just in case.

Text settings for loser are just like those for princess. Blending mode, opacity, and fill are also the same.

Base Layer

Gradient Overlay settings:

Blend Mode: Normal

Dither: unchecked

Opacity: 100%

Gradient: #eb6400 > #e7f0fd

Reverse: checked

Style: Diamond

Align with Layer: checked

Angle: 90°

Scale: 100%

Stroke and Drop Shadow Layer

Stroke settings:

Size: 2px

Position: Outside

Blend Mode: Linear Light

Opacity: 100%

Overprint: unchecked

Fill Type: Color

Color: #e1a900

Drop Shadow settings:

Blend Mode: Difference

Color: #0068de

Opacity: 100%

Angle: 30°

Use Global Light: checked

Distance: 5px

Spread: 0%

Size: 0px

Contour: Linear

Anti-aliased: unchecked

Noise: 0%

Layer Knocks Out Drop Shadow: checked

Next are the post-it notes! This is probably the easiest part of making this gif. You just have to repeat this process for however many post-it notes you're making.

Image 1: To start, place your transparent post-it note where you want it. You can also rotate it if you'd like.

Image 2: Then create a text layer and write what you want. Font used here is Post. I wanted this text underlined to give emphasis, so I click on the underline option. I also adjusted the leading because I wanted more space between the word and the line. Rotate the text so it looks like it's written on the post-it note. Note: It looks better if you choose a font that looks handwritten.

Image 3: I wanted another line to give emphasis to the "Dingus!!" text and make it seem more handwritten. I use the line tool to create another line.

Image 4: Then I adjust that line to my liking.

Fonts used for notes: Post, Ellianarelle's Path, and Heina's hurry

Repeat this process for all post-it notes!

That finishes the tutorial! (And I hit the 30 image limit lol.) I hope this helps. If you have any further questions, feel free to send an ask or IM and I'll try to answer to the best of my ability.

Happy photoshopping!

151 notes · View notes