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#the princess in the chest
penaltyboxboxbox · 6 months
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Lance Stroll photographed by Zak Mauger
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aerequets · 1 year
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i very much appreciate how Yor, the strongest character, is so feminine
she’s obviously the physically strongest, and arguably the most mentally and/or emotionally strong. what i really appreciate is that this strength and her femininity are complements, instead of the two being treated as mutually exclusive like in many other media.
yor is soft spoken and gentle and kind to others. she feels emotions strongly and cries in front of others and shows her happiness. she has a natural inclination to take care of others. she is good with children, she is great at housekeeping. she may not be good at cooking but by gosh she tries; she wants to get better. she assumes the best in others and finds other women pretty and kind and admires them. she’s family oriented. 
yor is also insanely strong. she’s gone through extensive physical training since childhood, has multiple scars, has dealt with all kinds of people. she can kick a moving car, incapacitate a whole cow, take down a whole fleet of assassins, etc, etc. the list goes on. but despite all this and all that she’s been through, she didn’t become a tough, sardonic, mean-lean-killing-machine kind of character.
 what i’ve noticed in a lot of media is that there seems to be this kind of tradeoff that people think needs to happen in order for a female character to get “truly strong”. basically feminine = weak and masculine = strong. the character cries? not anymore she will never crack that poker face ever! the character cares for others? psh what no, care for yourself she’s not your maid. homemaking skills? useless, all she needs is the strength of her Fists and Harsh Words. she’s not like other vapid girls, she actually cares about the Real Important Fight which, undoubtedly, is also male-dominated. 
of course, all of this is set up as an opportunity for the male love interest to come in and “break down her walls” because women are just waiting for the right man to change them, but i digress.
why? why are the things that are inherently feminine deemed as inferior? 
a good example i can think of is cinderella, or to be more specific, an opinion about cinderella that was popular (and may still be, i dont know tbh): she is weak for needing a prince to save her. 
lets break this down: this girl gets emotionally, phyiscally, and mentally abused from her childhood into young adulthood by the people who are supposed to care for her. despite all this, she remains kind towards others and attentive in what she does. she seizes what she believes could be her one and only chance at freedom, however fleeting, and ends up catching the attention of the person who is ultimately able to pull her out of her situation.
yes, she didn’t bust herself out of the house and shank the stepfam with her glass shoe. but does this mean she is weak? is that kind of emotional resilience within someone after years of abuse what can truly be categorized as weak? 
anyways, all this is to say that yor is built up as the strong one in multiple ways, and the narrative doesn’t act like her nonmasculine qualities are somehow reductive or lesser, and i very much appreciate how rich her character is. i like so many things about this series man im just
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prettiestplatypus · 1 month
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Surprisingly in the mode where examining the wrong thing can get you hurt, Detective Peach levels never have a treasure chest be anything but treasure XD
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rain1940 · 11 months
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Distracted Ariel
(Commission)
Have you watched the movie yet? Did you like it?
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desertomb · 13 days
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Figure Skater Peach ❄️
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izunias-meme-hole · 1 year
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Ganondorf Designs Ranked
(Part 2 here)
Ocarina of Time (Young)
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I like the outfit a lot. It compliments his buff body, the armor acts as protection, and some parts of it allow Ganondorf to be more mobile, which if fitting since he’s a theif. Also the Gerudo markings on it complement the outfit very well. However the head seems… off, mostly the hairline. Ah well we only see him with this design three times in the game anyway. 9/10 
Ocarina of Time (Timeskip)
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AH NOW THAT’S BETTER BY A LONG SHOT! The cape and newer headpiece makes the rest of his outfit seem more regal, while the yellow eyes make him look more demonic! Not to mention his head got fixed! His ears even got pointier in the actual game to further emphasize on how Ganon changed into a demon king! Also, can we please point out the long slicked back red mullet he has? 10/10
Wind Waker
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His armor got traded in for some regal robes, he’s still built like a tank, his eyebrows are smaller, and overall he seems less of an open menace compared to before. It’s more subtle now, which is fitting, since Ganon is a defeated king trying to revive his dead empire and restore Hyrule, just to take it over. I also really like the face shape he has. 10/10
Twilight Princess
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Regal, powerful, and commanding. Fitting for who Ganondorf it, but WHY is his hair curlled up? WHY can’t his locks flow in the wind? Still, Smash resued this design for a reason. 10/10
Hyrule Warriors
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I miss the cape, the Gerudo markings and the black armor on the Twilight Princess design, but DAAMN this is a glow up. The longer hair, and the golden gauntlets make this design for Ganondorf more regal than the Twilight Princess design, and helps it embody a lot more of Ganondorf’s traits. 10/10
Super Smash Bros. Melee
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I’m sorry, but the face somehow looks uglier than the OG Young Ganondorf. I like the realistic textures, but a lot about this design feels off. 7/10
Super Smash Bros. Ultimate
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This is the Young Ganondorf design with the face shape, headpiece, and cape of the timeskip design. AND IT WORKS. Also the addition of more black and grey on the outfit makes this design as good as the original GOOD OOT Ganondorf design. 10/10
Tears of The Kingdom
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A true tribute to a lot of Ganon’s past designs, and he looks more in touch with his Gerudo heritage than before. Also, I like the Wind Waker inspired face shape, the long red hair, and the samurai look. 10/10
Mummydorf (TOLK)
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He has the same outfit as his hydrated self, except it’s all torn up. His hair is longer too, and he looks gaunt as hell. Still this was a creepy as hell appearance. 10/10
Demon King Ganondorf
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This design embodies what Demise was, but at its core it’s still pretty much Ganondorf. The horns, water-like hair, yellow and black eyes, and gloom/malice robe that’s merged onto his skin all look demonic, but every other feature he had cement that it’s still Ganondorf. 10/10
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derrickwildsun · 8 months
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The obsession with wanting "consequences" to TOTK's ending are infuriating and shallow. (Massive TOTK Spoilers ahead)
"Why did they have to change Zelda back?"
Because her kingdom NEEDS her. Everyone, not just Link, is fighting together to get her back. NPCs tell you about things she did in between BOTW and TOTK to help them, stressing her importance as a leader. One of the schoolchildren waits outside her house every day in anticipation of her return. Speaking of which, Zelda was able to take her nerdy interests and love of learning and channel that love into bringing improvements to Hyrule via establishing a school and a research team. The kingdom is worse off without her. The title "Tears of the Kingdom" is important because the tears are Zelda's, and she IS the kingdom since she's all that's left of the royal family. It's kind of like the story of the Fisher King: the King is the land, and if the King is sick/ailing, so too is the land.
The main theme of the game is community. Director Hidemaro Fujibayashi had this to say about the game's core theme:
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Everyone working together to push back the forces of evil and save their homeland. It's emphasized that Link (and many of the characters, especially the sages) can't do the job alone; he needs help. This even extends to the ending. Link's Recall wouldn't have been sufficient to change Zelda back; Rauru and Sonia amplify his power the same way Sonia and Zelda amplified Rauru's light beam in the Gerudo Invasion memory. Likewise, Rauru and Sonia couldn't bring Zelda back because Link had the necessary ingredient: a motive in the form of his love for Zelda. Just like how Zelda found the necessary motive to unlock her powers and save Link in BOTW, so too does Link accomplish the same in TOTK.
Leaving Zelda as a dragon would have contradicted her character development in BOTW, which amounted to her learning to move past her failure and loss from the Calamity. She also, um, can't figure out "what kind of person she's going to be and what she is going to say" if she's a dragon. The end of her arc amounts to her taking up the role of leadership and restoring her kingdom with the help of Link, the sages, et al. Again, the theme of community, connections, and working together to overcome obstacles.
"Why couldn't she come back with dragon features?"
Sonia explains that Recall recalls an object's memory, meaning the only result of the Literal Triforce of Link, Sonia, and Rauru using an amplified Recall on Zeldragon was to return her to the state she was before she ate the stone. This is why her stone is tied around her neck at the end. She couldn't have leftover dragon parts because she was never a dragon to begin with. Also, the greatest loss one could suffer from becoming a dragon is, as emphasized by Mineru, the loss of self, not the body.
"Why does Link get his old arm back?"
The amplified Recall restored it. Also, thematically, it works better for Link to grab hold of Zelda's hand with the hand with which he initially failed to grab her at the start of the game.
"Changing Zelda back nullifies her sacrifice."
No, it doesn't. She fully accepted she would never change back. She wasn't thinking about the possibility of Link saving her because as far as she knew that was impossible; she made her decision out of love for her kingdom and Link. In the end, she succeeded in her mission (as did Link). If she made the sacrifice with the assumption Link would save her, then I could see this argument holding water. But Link was never going to give up on her because he LOVES her. Even she's in disbelief at having changed back (and very thankful because now she's home). In the secret ending, she says, "I never thought I would stand in this place again." We feel the weight of her sacrifice in the final memory, and the ending provides an emotional release because we the player repay her for all she did to help us and because she more than proved her heroism. I liken it to the ending of Pinocchio (1940) wherein the Blue Fairy changes Pinocchio into a real boy as a reward for giving his life to save Geppetto's.
"Her not remembering being a dragon is a copout."
Mineru explains very clearly that becoming a dragon means losing one's self. You lose all your memories and indentity; you cease to be the person you were. So, yes, she wouldn't remember being a dragon flying around for centuries. But you know what she would remember because it happened before she lost all sense of self?
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Though not outright stated, it's clear from the character animation that Zelda was in immense pain as the transformation began to take effect. Also, you can tell she was absolutely terrified in that moment. She knew what she was doing was necessary to save her kingdom, but she's thinking, "Shit, these are my last few seconds before I lose myself forever. I'll never see my loved ones again: Link, Purah, Robbie, Riju, Sidon, the schoolchildren in Hateno, etc. And I'm doing this all on a MASSIVE gamble and act of faith that Link will find me, reclaim the Master Sword, and destroy the Demon King." That's not the kind of traumatic event you'd easily forget. She'll probably be contemplating "Wow, if Link hadn't been so determined, I wouldn't be here now and that would have been my last moment alive," for some time. And no, you don't need to see her suffering psychological effects in-game; that's best left up to the viewer's imagination; there's only so much story they can cram into the game before it's overstuffed.
"Why did Rauru and Sonia come back to restore Zelda?"
Because they loved her, and Zelda loved them. From the moment Zelda met them, they promised to find a way to return her home to reunite with Link. They have an emotional (and familial) connection to her. By helping Link restore her, they're extending a final act of love to the princess they adore so much. It's a beautiful sendoff to them, because unlike Zelda's biological parents (Zelda's mother died when she was six, and Rhoam was too busy being a king to actually be a father to her), they were able to provide for and help her on her journey. It would have been a mistake to not bring them back to wrap up that plot point.
I think a lot of nerds suffer from Cinema Sins/TV Tropes brain: only able to deal in the most literal without any room for meaning. "Punishing" Zelda for her sacrifice wouldn't have added anything to her arc, as the whole point of her character isn't to be a stoic symbol for her people to mindlessly obey. The game deals in second chances, not just for Zelda obviously but also for Link. Link gets a second chance at the end to catch Zelda to make up for not catching her at the beginning; that's parallel storytelling with actual deliberate meaning behind it. Otherwise, the story amounts to, "He fucked up and there's nothing he can do about it." Remember that much like Zelda, Link had enormous pressure placed on him from a young age. He was expected to carry his duties out lest the entire kingdom be DOOMED FOREVER. But with TOTK's ending, he can realize that he doesn't have to worry about that pressure since no one's forcing it on him anymore. He can shape his own destiny and bounce back from a mistake; he doesn't have to lose Zelda forever.
I've already explained that the power Link, Sonia, and Rauru use is just an amplified Recall, but technical explanations aside, it's mainly the sort of scene that's driven more by emotions than by "logic." A good example of a scene that relies on the emotions of the story to carry it is the climax of Disney's Dumbo (1941). Animation critic/historian Michael Barrier writes:
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If you're the sort of person who questions why Dumbo is able to fly without the "magic feather" or how Dorothy Gale goes home just by clicking her heels and repeating the mantra "There's no place like home," you probably shouldn't be watching movies.
Special thanks to @avalypuff, @blueskittlesart, @thecagedsong, @aquaticpal, and @nolongerapileofashprobably for their posts on the subject; all of you made some excellent insights on the ending and how it ties in with the game's themes. I'll go ahead and link to said posts for further reference:
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fabiansartstuff · 3 months
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i hate that sonic characters have actual human hands couldnt they just have paws like normal animals
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me-beef · 1 month
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heres my bride and ugly ass groom pic. i love their love
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lildrea28 · 8 months
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Adora: (dies from lack of blood in the brain)
I mean, s-she's just. she's just so... HOT! 🔥
The ultimate f*ck me eyes.
I know I'm not alone in this,
top tier cat wife 10/10
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lilianscreations · 1 month
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Did you know? Snow Day is gonna give us a second Princess Kenny boss fight, as shown in the IGN preview video. It will take place in some sort of rainbow stage and she'll have the ability to charm the players.
Since is Kenny's birthday and Snow Day is coming, I have drawn teen Princess Kenny from my Snow Day/Stick of Truth AU. In this AU, Snow Day takes place 10 years after SoT, where new rules begin and darkness reigns (as far as I know)
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sethcoart · 11 months
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ew
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wolvmir · 2 months
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First in a series I started after I found out abt the show getting taken on for a second season
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lnbeep-art · 4 months
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Day 23 :: Bedtime Stories
Stories to help soothe a princess in her tower...
For LimeKnight!
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unexpectedbrickattack · 10 months
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heehee (pepstavo under the cut)
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#arts#mine#saucy#pepstavo#easing everyone in w the cute shit first#can u believe i forgot about this???? CAN U BELIEVE IT ???#this is like one of the first things i drew back in like April i think#i still love it tho#recently i have been drawing them doing some heehee shit instead of the cutesy shit so i need this to stay humble#remember my roots…#anyway if ur still reading this hooray u get bonus stuff like usual w my tags#giving him a huge praise kink. he is doing SUCH a good job he is doing the best job EVER#this would be a bit further in their relationship (pending™️) where the intimacy walls are slowly being worn down#so hes seeking out touch and affection and all that goodness instead of reflexively flinching away#and gus SEES this so hes trying so hard to encourage him like BLEASE….i did not dick around for months for this to NOT pay off#he is a patient man but theres only so much patience one Can have#and that patience IS rewarded#its funny bc i write gus as like. a top. a general Dom bc he is both patient and assertive#and hes met someone he GENUINELY w his WHOLE chest wants to bottom for and he cant do it bc this bigass dude is a lil princess™️#and so for now he is being the big boy but hes like counting down in his head when theyre able to get to a space comfy enough for him#where he gets to get his back blown out (its soon)#i hope that doesnt make it seem like hes only being nice to get dicked down bc he is actually always this nice#and full of love bursting at the seams#which results in endless praise and pdas and being a bit more playful than usual (bc he is a silly lil joyous gnome; its built in his dna)#so peppino will simply have this forever :)#okay mwah#i will slowly upload my stuffs since twitter is exploding and anyone who isnt niceys about this will be obliterated#like for reals
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maiaawhimsy · 2 months
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Wip progress
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