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end-otw-racism · 1 year

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End OTW Racism: A Call To Action

A fan protest against the lack of action from the OTW on addressing issues of harassment and racism on AO3 and within the organization

This is a Call To Action for Fans of Color and Allies

AO3 has acknowledged that they have a harassment & racism problem that its parent organization, the Organization for Transformative Works (OTW), needs to address. Currently, people can use AO3 to harass others through fanworks, comments, and tags. Just a few examples include: racist Untamed “spitefic” that used anti-Indigenous slurs and was written specifically to lash out at fans of color; a Transformer fic that used its Black-coded character to reenact George Floyd’s murder in July 2020; someone naming a fandom scholar who criticized their Nazi omegaverse fic in the tags of the fic specifically to incite harassment to the scholar; writers using racial slurs against commenters who pointed out racism in their hockey fic; and so much more.

In June 2020, after the murder of George Floyd, the OTW committed to addressing these issues. It has been nearly three years and they have not yet implemented any of the changes they promised, other than a blocking/muting tool that was already in development before 2020. We need to hold the OTW accountable to their own promises. (See the section further down on “Why Are We Doing This” for even more detail.)

As fans, together, we are powerful. We are organizing to protest the lack of action on promises made by the Organization for Transformative works to deal with issues of racism and harassment on their platform, Archive of Our Own.

We call on fans to do any or all of the following actions any time between May 17 to 31, 2023 to send a message to AO3 and OTW that we will hold them to their promises.

On AO3

Change the title of ten (or more!) of your most recent or most popular fanworks to include ‘End Racism in the OTW’ in the beginning, and provide a link to this post in your summary or first/top creator’s note

Post a new fanwork any time between May 17th to 31st with “End Racism in the OTW” either as the title or at the beginning of the title. The fanwork does not have to be long - it can be a 100-word fic, a quick sketch, a podfic of a ficlet, a 20-second vid/edit, a short piece of meta, etc. In the summary or first/top creator’s note, provide a link to this post

If updating any WIPs with a new chapter, add ‘End Racism in the OTW’ to the title and provide a link back to this post in your summary or first/top author’s note

Update your AO3 icon using the profile pic graphic in our Social Media Toolkit

Plan to maintain these changes until May 31, 2023, or longer if you wish

Send a message to the OTW asking for an update on their 2020 commitments!

For Readers: leave encouraging comments on fanworks with the "End Racism in the OTW" title to show your support of this initiative.

On tumblr

Reblog this Call to Action with the tag #End OTW Racism

Update your profile pics and banners using the graphics in our Social Media Toolkit

Follow this account for updates and signal boost our posts

On Twitter

Follow @/EndOTWRacism (remove the backslash) and signal boost our pinned tweet

Update your profile pics and banners using our graphics, and change your display name to include #EndOTWRacism

Use sample tweets and graphics from our Social Media Toolkit to tweet about your fanworks, and use the hashtag #EndOTWRacism

Help us make this a long-term campaign - sign up to help with other anti-racism projects and future actions!

What Do We Want?

Since their June 2020 statement, OTW has been working on updating their Terms of Service (TOS) to address racist and bigoted harassment, but with little transparency and only the vaguest of updates. It has been three years since their commitment to this update - we want to see the results of their work implemented in the next 6-12 months. Their TOS updates and complementary policies should include:

Harassment policies that can be regularly updated to address both on-site harassment and off-site coordinated harassment of AO3 users, with updated protocols for the Policy & Abuse Team to ensure consistent and informed resolutions of abuse claims

A content policy on abusive (extremely racist and extremely bigoted) content; by abusive, we are talking about fanworks that are intentionally used to spread hate and harassment, not those that accidentally invoke racist or other bigoted stereotypes

These points are not particularly new and are not our own innovation; please refer to Stitch's article written over two years ago, asking for several of these very things.

OTW has also already committed to various process-based actions for longer-term works towards centering antiracism, including hiring a Diversity Consultant. The last update that OTW published said that the consultant would be hired within the next five years (after already having had three years to work on it since their original commitment). That is not soon enough. We want to see the following process-based actions implemented:

Hiring a Diversity Consultant within the next 3-6 months

Committing to a policy of transparency on this topic, with quarterly updates on the progress of these projects including challenges and their plan for overcoming those challenges. These quarterly updates should be published on OTW News page and newsletters, not solely discussed in Board meetings

Why Are We Doing This?

16 years ago, Astolat famously published her manifesto calling for a fandom Archive of One’s Own. In that time, AO3 has grown to be a central pillar of fandom, likely far outstripping its founders’ original vision. It is more than just an archive now; it is a central hub of the modern fannish experience. AO3 and the OTW must continue to grow and evolve with fandom over time to remain a healthy and functioning pillar of fandom. To that end, there are several areas in which the organization, as it admits itself, is lacking.

In June 2020, in the wake of the George Floyd protests and the uprising of the Black Lives Matter Movement, The OTW published a “This Week in Fandom” referencing the works of Dr. Rukmini Pande and Stitch, among others in which they discussed ‘making change for a better society’ through ‘conversations about race and racism’. In response, Dr. Pande and Stitch submitted a letter to the OTW calling for a more formal public statement than an offhand reference in a News Roundup that only served to call for thoughts and discussion without any indication the organization intended to do anything, policy wise, to address the issues being raised.

Eventually, the organization did remove the references to the works of Dr. Pande and Stitch and then made an official statement on the issue of racism within the organization and AO3. In it, they identified several things they would be prioritizing to combat harassment and benefit users. Some of those have been implemented (notably those that were already under development). However as of this writing, little else has been done especially in regards to:

Improving admin tools for the Policy & Abuse team

Reassessing the current mandatory archive warnings with the possibility of implementing others

And, most importantly, reviewing the Terms of Service (TOS) to allow the Policy & Abuse team to address harassment that is currently not covered by the existing TOS

By their own admission, the current tools and policies of the OTW are not sufficient to deal with issues of harassment and racism.

Several people who were involved in the founding of the OTW, including previous OTW Board members and staff on the original OTW Content Policy Committee, acknowledge that the founding of the OTW in 2008 and early board iterations failed us as a fandom by not doing enough, and by not even considering the way racism is perpetuated in fannish spaces, despite a long history of racism in fandom.

It has been nearly three years since the original commitment by the organization with little visible, measurable progress on these three crucial issues and a complete lack of transparency on where they are in regards to even beginning to deal with these issues. In fact, in Q&As, it was heavily implied by a member of the board that those calling for OTW to deal with issues of racism (which OTW had already acknowledged as a problem!) were not really fans but outside agitators.

This has cast significant doubt on the organization's sincerity and commitment to their stated goals, and on their position as leaders of a central fan tent-pole. Fans of color are not outsiders. They are right here, members of our community, and they are being harassed and targeted and driven out while space and platforms are being given to racists.

We, as fans of color and our allies, find the current state of fandom and current actions (and lack thereof) unacceptable. Fandom is our space, all of ours. We, as a fandom, have a right to a racism-free space and have a duty to our fellow fans to create that space. Unlike so much of the world, this is a space we can control and make better. It is a space we must make better. To read even more about this movement, visit our FAQs.

#fandom #ao3 #otw #EndOTWRacism #End OTW Racism #racism in fandom #organization for transformative works #archive of our own #antiracism #otw board

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theyilinglaozus · 10 months

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@userdramas get to know me bingo → season

#userdramas #userdramas bingo #cdramaedit #chineseartistsinc #cdramasource #perioddramaedit #till the end of the moon #the untamed #word of honor #nirvana in fire #ancient love poetry #my graphics #this post is brought to you by my hated of the new tumblr post editor!#i had a lot more typed out but it crashed the post everytime i saved it so :)

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wangxianficrecs · 1 year

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❤️A Burning Cold by MountainRose

❤️A Burning Cold

by MountainRose

G, 29k, wwx

Summary: Wei Wuxian never quite recovers from his brush with death as a child.

Mojo's comments: Oh, fucking hell. I was riveted from beginning to end. This was simply delicious and lyrically written. There wasn't a single bit I didn't love. I know nothing about Nirvana In Fire, but that didn't impact my enjoyment. (I think there were a few character cameos, but nothing more demanding than that.) In which wwx as a child is sick near to death by the time jfm finds him, and cultivates his core more to compensate for his physical frailty than anything else, which sends him down a different path than canon. (At one point, lan qiren watches 'as the world bends a little more under the tiny child's feet', because he is different and strangely powerful. In this world, wwx can be a warrior, when he's got the energy, but he's also a scholar and a strategist, and understands how to accept and appreciate help.

Excerpt: Madam Yu trains him sometimes, fierce and insistent. "Your body is full of qi, learning to put it to your sword should be easy. Try it, now." He is using that qi to breathe, he thinks, alarmed, but there is lots, and it would quite like to be everywhere all the time, so he nods. He flows into the sword form and draws the water in his mind's eye as though ink trails from the top of his wooden sword, gathering extra qi and giving it to the wood like you do to light a candle. The sword comes alive in his hand, no longer dragging behind his grip, but forging ahead and pulling him into the next and the next and the next-- He's left gasping and his core depleted, but he can't help but laugh in delight. Madam Yu grips him by the shoulders, eyes piercing and qi feeling out his. He gathers enough to steady his heart rate, but she can no doubt tell that he's at his limit. "Enough. Good. We will continue tomorrow." He nods, fuzzy headed. "I said enough, let it go now." He drops his grip on his core, letting it return to the depth of his belly, and all the strength goes out of his body. She sweeps him up into her arms and carries him away. He falls asleep before he knows where. The next day, he can hold the qi in his sword a little longer, and it sings to him 'I am here I am here'. He both lags behind the others his age and reaches far out ahead of them. His body feels like a paper shadow, but his core grows huge and wild.

canon-divergence, graphic depictions of violence, chronic illness, nirvana in fire fusion, character study, snow beetle poison, child wei wuxian, sick wei wuxian, hurt wei wuxian, recovery, found family, good madam yu, powerful wei wuxian, scholar wei wuxian, geniues wei wuxian, politics, growing up, @sharkbeneaththelotus

~*~

(Please REBLOG as a signal boost for this hard-working author if you like – or think others might like – this story.)

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earthtooz · 1 year

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fluff with a lot of angst, reader is injured and in hospital for one scene but it's not graphic, lovesick!bakugou

during the many years you’ve loved bakugou katsuki, you have only seen him cry three times.

the first time, you were alarmed. where you fell asleep on the couch awaiting your boyfriend’s return, you did not expect to wake up to the sound of sniffles and the sight of drying tears.

“katsuki? what’s the matter?” you asked cautiously, immediately sitting up to wipe his tears away.

your touch, like a healing balm to the blond, lets you treat him like glass when both of you know he is nothing akin to fragile.

“‘s nothin’,” he gruffly huffs, voice cracking a little.

“if you say so,” you murmur skeptically, knowing better than to prod when it’s bakugou involved.

“were ya waitin’ for me?”

you nod. “i thought we could eat together but- what time is it?”

“almost nine.”

“oh. i thought we could eat dinner together but your patrol must have ended a lot later.”

his heart aches pitifully, worsening when he watches you rub the sleep out of your eyes. “‘m sorry, i didn’t mean to come home so late.”

“it’s okay, i get it.”

“we can still eat together, if that’s okay,” he grumbles, looking away bashfully and missing the way your face brightens.

“that sounds lovely, i’ll go heat up dinner-“

“-no, i’ll do it. it’s my fault for coming home later, i’ll call you when it's done.”

bakugou is out of your sight before you can argue any further. as you watch your boyfriend disappear, you’re left pondering on the couch as to why he was acting so uncharacteristically. did he have a bad day? did something happen at work? was he unable to save someone? that’s can't be the reason, he always-

“dinner’s done!” your boyfriend calls from the kitchen, disrupting your thoughts.

when you asked, it didn't sound like he had a terrible day, in fact it sounds like he had a successful patrol, but you cannot fathom any other reason for his melancholy, but if he’s forgotten about it, then you will too.

but... bakugou doesn’t forget. he still remembers when midoriya first alluded to the inheritance of his quirk from all might, he remembers the night vision goggles kirishima broke when trying to save him that one time, he remembers your favourite things and what makes you happy; he remembers everything.

and he’ll never forget that the tears he shed tonight were over the fact that bakugou will never get to show you how much he loves you.

bakugou katsuki, for the first time, realised just how painfully human he is.

he has a heart that beats for you, limbs that longingly ache to be near you whenever he’s not, a mind devoted to you and a cursed mouth so incapable of expressing it all.

if he could, he would wrestle the night sky to give its stars to you instead because you love stars. you love the stupid things in life that bakugou can't give. he can’t give you everything you could ever want and with that realisation, bakugou discovered just how beatable he was.

you may never know the multitude of bakugou’s love for you, and that fact alone brings him to tears as he gazed upon your sleeping figure on the couch, resting peacefully until his arrival.

the second time, you wake up confused.

the lights in the room are dim, there's a machine beeping intermittently and you think it's a heartbeat monitor but you don't really think too hard about it because your body hurts.

you have to blink a few times to get the blurriness out of your eyes, but you eventually comprehend the sterile walls of a hospital room. then the memories come back one by one, a patrol gone awry, evacuating citizens and... ah, being slammed into a wall back-first by the villain. explains the pain.

then you register the looming figure beside your bed, a pair of widened vermillion eyes gazing into your own with untameable blond hair to match, you can't help the smile from spreading on your face when you see your lover.

"hey," you cough weakly, throat dry and scratchy from lack of use.

next thing you know, bakugou's bulky figure is draped over yours, forehead resting on your chest as his arms gently snake around your torso, bringing you into his chest and pressing himself firmly against you.

you feel him; his relief, his sorrow, his devotion, his painful sobs as he shakes against you and it kills you that the only thing you have the strength to do is run a hand through his hair. you want to kiss him, to tell him that it's okay and that there's nothing to cry about, that you're here and nothing will change that, but you're so very sore and barely in tact.

"don't do this shit again," he threatens weakly and you feel his tears seep through your hospital gown. "you had me so fuckin' worried, fuck you, fuck you, fuck you, i can't believe you'd do this to me, do you know how much it sucked to be without you?"

"sorry, katsuki," you whisper and he looks up at you, glossy eyes and quivering lip.

"promise me you'll never do this again."

cupping his cheeks with your hands, there's a rush of deja vu as your thumbs catch his tears. "i don't know how realistic that promise is given that this is my job-"

"-your job is to save lives, not go crashin' into buildings, idiot."

you laugh gently, a stabbing pain making itself known in your gut when you do. your wince doesn't go unnoticed by bakugou, who knows you better than the back of his hand and his heart lurches at the slightest evidence that you're in pain. "still, i won't make promises i can't keep, you know how our jobs are, katsuki."

he frowns, furrowing his brows. "then i'll promise to always be there for you. don't go where i can't."

"that's not realistic."

"watch me."

"okay then, deal."

there are questions you still want answers to, but for now, you'll let the blond continue crying with his ear pressed against your chest.

(you won't ever know about the few days bakugou has spent in your hospital ward, absolutely miserable as he looks upon your gaze with anticipation. he hates how helpless he is, that he can't do anything to rid of this horrible feeling in his chest but wait for you to wake up. he hates that he can't any semblance of peace, he hates the man that love has made him, but most importantly, he hates being without you.

you won't ever know the struggle it was to get bakugou out of your room for even just an hour. midoriya and kirishima had to wrestle him in hopes of getting some proper food together, and yaomomo and todoroki had to literally block the door with various items to prevent his entrance.

you won't ever know how alienated bakugou felt, unable to face your shared home without you in it. without your music playing, without your shoes messily thrown at the genkan, without your comforting presence to return to when all is said and done, there isn't much of a home for bakugou.

you won't ever know how desperately bakugou clung to your hand, fiddling with it whenever he needed a safe haven.

you won't ever know the amount of tears the blond had shed by your side, hunched over your bed, with nothing and no one to comfort him but the sound of the heartbeat monitor.)

the third time, you cry too.

it's your wedding day.

when the news first came out, japan practically roared with excitement and anticipation for the special day that their two favourite heroes would wed. the enthusiasm has not dimmed down even months later, and now, as you're one door away from your lover, you feel it buzzing in your bones.

it all goes by in a blur. one second you're about to trip over yourself in nervousness and the next, you're walking down the aisle with a stunned bakugou failing to keep his composure at the altar. despite the amount of close friends and family around you, all you can see is the love of your life who looks at you with unmatched adoration and affection in those ruby irises of his.

up close, however, all you can see are the tears forming in his eyes, and his first sniffle takes everyone in the room by surprise. no doubt, this is their first and last time seeing their beloved hero cry.

more tears are shed and then, it's just waterworks from practically everyone in the room as bakugou breaks down even more.

thank goodness for a private wedding because you know he is never going to live it down if the press got their hands on this image.

a close friend of yours hands you a handkerchief and you wipe away bakugou's tears with a teasing smile, unable to keep your wobbly laughter at bay as your lover- japan's symbol of victory and heroism, turns to nothing but putty in your hands. he lets you treat him so delicately because you've seen him at his lowest, most shaken, and most unlovable, yet still decided to stay.

"sorry," he apologises as you dab at his tears, words reserved for you and you alone. "you're just so... divine. i can't believe i'm marryin' you."

you feel your first tear roll down your cheek and bakugou catches it before it can go too far, wiping it away.

"such an embarrassin' way to start our wedding," he grumbles.

"embarrassing for the both of us, but memorable no doubt," you try to reason.

"everything is memorable as long as i'm with you."

"such a sap," you whack his shoulder lightly. "have you been saving that line for today specifically?"

"you should wait til the vows. bet mine are better than yours."

"i didn't know you could be a poet."

"only for you."

"well then, i can't wait to find out what else you are, katsuki."

"i'll always be yours."

you laugh, "i'm glad to hear that 'cause i love you."

"i love you even more, i'm crying just to prove it."

"your tears are dangerous."

"yeah well, you're marryin' these tears so."

"like i said, i can't wait."

#don't talk to me abt this. this was so bad #lmk if there are warnings i missed #i'm pretty sure this is gn!reader i mean i'm gender neutral so hey if the shoe fits #bakugo x reader #bakugou x reader #bakugo katsuki x reader #bakugo katuski x reader #mha x reader #bnha x reader #bnha fluff #bakugou fluff #bakugo fluff #bakugo katsuki #my hero academia x reader #boku no hero academia x reader

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aro-ace-from-outer-space22 · 1 year

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The (Light) Saber method of watching Star Wars

Aka; how to give the plot twists maximum effect. A post by me, Space!

Episode Four, A New Hope

Episode One, The Phantom Menace (this movie is Bad, and also a lot of the aliens are just A Racist Caricature in a funny hat. But you probably need to know what happens in it for like, context, unfortunately)

Episode Two, The Clone Wars

Episode Five, The Empire Strikes Back

Star Wars: Clone Wars (miniseries, no longer canon but still very good)

Star Wars; The Clone Wars (TV show, seven seasons (yikes), but thankfully it’s a kid’s show, so they aren’t that long)

Episode Three, Revenge of the Sith

Star Wars; Rebels (TV show, successor to The Clone Wars but not as long)

Kenobi

Episode Six: Return of the Jedi

The Mandolorian

+ Watch episode seven and then like, enough fanvids and compilations of Rose Tyco to get a sense of her character and then decide what you think happens, it will be better than what they did.

#just add in Rogue One and Solo after episode four if you wanna see them #Rogue One is good. Solo is not.#Disclaimer: I have not seen Kenobi; Clone Wars; the last season of TCW or most of Rebels #So their placement in this list and my assessments of them are based on what I’ve heard/seen in fanvids and chronological order #(Also I read some of the Clone Wars graphic novels and they were good)#My stuff #star wars #i included a lot of basic information in the notes because this is ideally for someone who’s never seen Star Wars before #And knows as little about it as possible #Like I said; this is so the plot twists can have Max Effect #So don’t spoil anything #Except the twins thing; you should probably spoil the twins thing #(Note to self: move to top)#I just realized that this is basically the same method The Untamed uses #And like; that is not where I got this idea; I’ve had it since years before I ever even heard of CQL and just updated it for new stuff #But like; if it works it works

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kneelingshadowsalome · 8 months

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FATUM NOS IUNGEBIT 1/4

(König x F!Reader)

Summary: You have seen him in your dreams. The seer has divined his coming. But nothing has prepared you for witnessing him in the flesh. (Historical AU where König fights for the Roman Empire in an auxiliary unit, finds a cute barbarian woman and decides to keep her as his own.) Word count: 5.3 k Tags/warnings: 18+ ONLY. Spoils of war/enemies to lovers trope, graphic depictions of violence, historical gruesomeness, pining, odd banter, mixed feelings, romantic fluff, dubcon cuddling, eventual smut. Captor/captive dynamic. König is a brutal warrior... and a gentle giant. A/N: Lol what now? König dual wields 2 swords, goes Mike Tyson on his enemies, teaches his captive girl constellations in German, cuddles her and feeds her grapes, buuut mainly just tries to get into her pants (which historically did not exist at the time) A bit of a slow burn, but don't worry, they'll bang eventually ^^

AD 90, somewhere in the untamed frontiers of the Roman Empire…

The end of the world is here.

Not only have the crops failed for two years in a row, making chieftains beggars and beggars food for the fish, but now there are rumours that the god of war has arrived to destroy the land. The accursed Romans had turned their eagle gaze back to your land after years of sending their troops elsewhere, making it seem like they were not interested in your distant land after all. Untamed, they called it, harsh and barren and therefore inferior – your lush, abundant, beautiful land. No doubt they spat on it in their war councils because your roads were not paved, because your crops and villages were modest, and the women sometimes fought alongside men. Their storytellers immortalized false tales about you, calling you barbarians, but the only barbarians you could think of were the Romans themselves – crude, filthy and boorish creatures, drowning in wine and shit in their cities.

Rumours started to get fat and distressed when the troops approached your village. They said there was a giant at the head of the army, that the Romans followed a Titan's son who loved to eat men, torture women and impale children. They said he didn't accept proper food but preferred to eat his fallen enemies, washed his weapons with the blood of children, and split captured women apart with his cock, as long and sharp as his sword. They told that the Titan ordered his soldiers to poison the wells and destroy the growing crops with salt and vinegar. The rumours said that his tent was bigger than any chieftain's house and that he still struggled to stand at full height inside it.

Even the land itself seemed to bow before him. Good weather followed his conquest wherever he went; ambushes failed, scouts got caught and tortured, exposing more villages to pillage and ruin. Your brother told you to flee the village, but how could you survive without your clansmen? You didn't know how to hunt; you barely knew how to fish. Your task in the village was to gather clams from the shore, dye wool and help the old Seer. How long could you survive on sorrels and clams alone?

. . .

The old woman calls you to see her on the brink of war, and tells you to prepare for a ceremonial offering. Two horses, black as night if possible, brown at the very least, to appease the Great Mother of the Earth and quench her thirst for blood. If the Mother is satisfied with your offering, She will perhaps stop the approaching army or convince the Titan to leave your village alone.

She does a small rite before you, and you need to stay with her through her visions. You hate the smell of the leaves she burns, and try to cover your nose with your tunic to prevent breathing in the bitter fumes. The seer looks like she’s just lying herself down to sleep, but it’s always a burden when the spirits arrive and she starts to talk. You turn your back on her to coax them to rise: a mortal stare annoys the chthonic ones. You nearly fall asleep too as you wait, wanting nothing more than to go back to your own hut and have a good night’s sleep. Perhaps because you’re lousy tonight, and less vigilant as you should be, the spirits arrive sooner than either of you thought.

“He’s strong,” the seer croaks from the earthen bed, and you fight the urge to turn around and peek at the old woman, currently in the clutches of spirits.

“Invincible… Hungry... The horses…won’t suffice…”

She drifts someplace else, and you try to memorize every word, every intonation, as cryptic or as simple as they are, for later interpretation.

“I see you,” she says in a slightly more cheerful tone, which is odd because the old woman is never happy or satisfied, no matter how bright the sun shines or how much food there is in the storages and pits.

“Me?” You dare to speak even though you’re not allowed to disturb the spirits. You could slap yourself for blurting out a single word, but luckily, the hungry ones don’t attack you for your insolence.

“You.. will be his downfall,” she speaks as if you are having a conversation here. “Be there. When he arrives.”

“...Be there? Why?” You dare to utter again, more concerned about what the Mother implies than the potential fury of some lowly earthen spirits. You haven’t got the faintest clue about what She might be suggesting. Why do you have to participate in the battle? How can you be there without getting killed? You’re not a warrior… The Mother has it all wrong.

Suddenly, you curse the night, you curse the whole day, knowing your brother’s late proposal was perhaps a warning, a hint from the gods to leave, and leave quickly.

The old woman laughs dryly on the ground - the throaty, outright sick cackle makes you flinch.

You don’t like this... You don’t like this at all.

“Mother. What must I do?” You demand to know, thinking about how all the gods, spirits, old women, and Titans should go to hell.

“Become a tree,” the old woman offers as if it’s the easiest thing to do. “A flower. Me...”

. . .

You become a marten first, then a bird. Then perhaps a tree.

You climb a spruce and wait there. You wait until the sunrise; you wait until noon. You wait until you see the glint of the Roman spearheads and hear the sound of their march.

You’ve dreamed of the Titan ever since you left the seer’s hut. You’ve dreamed of him slaying everyone in the village; you’ve dreamed of him driving a thick spear into the ground and grabbing you with an intent to raise you into the air and impale you on it. You’ve dreamed of him behind you, above you, inside you. You wake up one morning only to see that half of the people have left. You don’t know where they have gone, and you can’t follow them even if you did because the old woman waits for you in front of her hut and gives you a nod the instant you walk into another beautiful, sunny day.

That’s why you’ve turned into a branch in a tree, but for what purpose, you have no idea. You can’t understand why you must be here to witness the world’s end.

Your men scream and shout and roar as they crash into the thick forest of spears. The enemy is silent: it’s eerie, how the world burns and falls into ruin around you, people are screaming; everyone who has a soul and a heart is screaming for Mother as they die, but the men behind the Roman shields refuse to emit a sound. They don’t curse or shout or summon their gods; they simply stand their ground and pant mist into the air as wave after wave of men break on their shields and die before their feet. Somebody loses his spear because it gets stuck between your clansman’s ribs, but the Roman simply draws his sword in its stead: it’s the only sound among the pitched wails that cut through the forest – the cold, clear ring of a gladius being pulled from its sheath.

That is why you flinch at the sound of the first shout, a brutish command that sends all the shields to the side, only to present more shields: the Romans switch positions in their formation as if they’re not even human beings like the rest of you, just a single enormous creature made of iron and leather and bone, operating it's flat forest of weapons.

And then you see him: the giant of your dreams, the hungry titan everyone has told you about. He rises from the tide of helmets like a summoned god, concealed as one of the soldiers and only now revealing his true nature. He stands at least two heads taller than the rest, pushes his own soldiers to the side and breaks out of the formation these vicious Romans love so much. You knew he would be strong and big, but you didn't know he refused to show his face… You wonder what kind of a monster hides behind the black cloth with nothing but two eye holes ripped on it. As if this man needed the additional effort to stand out from other soldiers...

He's like a God of War, just like the survivors said: his armour is of Roman design, but the amount of metal that had to be scraped together to cover this man's shoulders and chest must've demanded a fortune in gold. He doesn't seem to care about the Roman ways, however: he throws his shield away as soon as he's out of the cumbersome formation as if he has carried it only as a decoration up until this point. He draws another sword in its stead – if any other man did such a stupid thing, traded his shield for a weapon, you would snort. But not now.

Standing between the Romans and your clansmen like a challenge, a threat, a deity, even the men possessed by the seer's blood spells hesitate to approach him. But when they do, the god unleashes carnage: the first warrior gets his stomach slashed open, and the two thick swords look like toothpicks when wielded by this man. A stomach wound is a gruesome, slow way to die - but just before the warrior's entrails spill to dangle between his feet, the brute grants him mercy by sweeping his head off with a single blow of his gladius.

A roar finally rises from your enemy: they cheer Death on as the head of your neighbour meets the mud next. The soil is already soaked in blood, but the Mother is hungry still. The forest booms with Her bloodlust as the god moves around like a slow tempest of muscle, metal and darkness: he breaks every Roman rule by fighting as his own man instead of demeaning himself as one of them, a lowly part of this odd metal beast before you. He sends a limb flying in the air with a swing of a sword; he uses the same weapon as a bludgeon to bash in someone's skull. He crushes a man's chest simply by sinking down onto one knee, breaking bone, tendon and flesh to splinters as a whole ribcage gets crushed under his massive weight.

Warriors flee before him, they fall under the combined wrath of the Mother and the Titan's sword. The dead seem to fall eternally, along with your heart, before meeting the ground with a hollow thud.

Your chieftain is among the last men standing, meeting this unstoppable foe with admirable courage. Not having succumbed to the spells of bloodlust in years, he meets his death as a seasoned but old warrior. With his fighting years behind him, your chief doesn't have a chance against this man, but you have to grant the beast a feather's worth of honour, because he recognizes your chieftain as the veteran he is and salutes him with his sword. Then he proceeds with the bloodbath: flinging your leader's sword and axe easily to the side, he walks straight into his arms like he would into a hug, grabs him by the waist, and raises him into the air like he's nothing but a child.

Your scream never leaves your lungs as you watch how the Titan raises the draping cloth from his face, just enough to sink his teeth into your beloved chieftain’s neck. The noise that erupts from your elder is not that of a man but a tortured animal. It’s not from this world, what you witness next: the giant tears a hunk of flesh from your chief like he’s a piece of roasted meat. Blood streams forth, his screams fade away all too slowly, and you hear your own weak wail in the air as the Titan lets go of the heap that used to be a strong male and a wise leader.

Your chieftain is dead; his essence spills to the earth in spurts to appease the God of War, who spits blood and flesh to the ground, making you gag into the cold spring air.

Then he raises his swords towards the sun, and the forest erupts into a roar with him: the thundering, ear-splitting cheer from his warriors makes the very earth quake beneath your tree. It seems to shake the branches of the forest, and before you know it, the giant’s howl of triumph breaks the one you’re curled around, and you fall, fall, fall into the mud beneath you.

You're not a tree anymore. No: you’re very much a human woman there in the dirt as the sound of shouting ceases like a distant dream.

And he turns.

Death turns.

Mother always said you were a curious creature, which is perhaps why you search for his eyes, even though you should be running. She also said you were a smart one, which is why you know that running is futile. Your limbs wouldn’t carry you far anyway. It is a cruel joke from the gods to have what little strength you have left pour out of you into the ground and up to the feet of the enemy who is already strong, both in body and in will.

The Titan looks at you with genuine wonder, a curiosity that surpasses your own. To your odd thrill, you find that his eyes are blue: the same blue of the sea which you used to collect delicious clams from.

The soldiers behind him shift with lust – their gear clinks as they devour you with unbridled hunger. The Titan is the only one who looks at you like you’re simply a cute little squirrel who happened to fall from a tree right there at his feet. Then his eyes drop to your breasts, and the familiar hunger that lives in men gives the ocean of his eyes a clouded look. When his stare finds yours again, he's a different man: the treacherous beast of your dreams.

You had hoped for a swift death… Violent but quick. But it’s clear that it’s not death he has in store for you as he takes a step towards you. It’s not a quick nor a slow death; it’s not death at all, because–

No.

You’d rather have your arms torn off and fed to the Romans rather than have him thrust the sword between his legs, his third weapon, inside you. If you’re going to die screaming, it will not happen on your back; you will not amuse this beast with your womanhood and tears.

You scramble forward to pick up something, anything: a bronze dirk from a fallen warrior. The giant’s eyes fall on the sad excuse of a weapon, then on the sorry excuse of you. He thinks you’re planning to fight him with that thing, and the corners of his eyes crease a little from the prospect of having to subdue you. You’re proving to be quite the entertainment, and you curse those eyes, looking so kind and lively when just moments ago, the same eyes were inhuman and possessed. His are the eyes of a wayfarer, a wanderer, not a soldier: you catch a hint of sadness in them and curse again.

He’s not human, you remind yourself and show him what actual humans are made of. What women are made of. You give him another name, Giant, because you’ve always feared giants and hated the stories about them. Dumb and reckless creatures they are, stupid destroyers who always place their trust in their size. You never meant to fight him, and he only catches up on it as you turn the dagger towards yourself and guide it to point straight at your heart.

You will be his downfall, just like the seer said.

“Nein–Warte,” the Giant speaks his first words, surprisingly soft to belong to a man like him.

The sorrow in his stare consumes you in full now. It gushes forth like a tide, causing your breath and hands to shake when they need to be stern. You straighten your spine, jut your chin forward, and call for Mother: you don’t even know if you’re yelling for your bearer, or the Great Mother, or the earth that gives life to all. Perhaps you call them all to gather around and witness your sacrifice, higher in price than any of the Titan’s offerings combined. The blood you’re about to spill onto the soil will surely appease the land and raise it to arms to finally fight against this beast.

He says something else just before you pull the blade back to strike it into your chest, and you curse for the third time in your mind: giants aren’t supposed to move that fast; they aren’t supposed to interfere in your last ritual.

But the worst of it is that even when he finally subdues you, even as he wrestles the blade away from you, he ends up drawing a large gash on his forearm… As if he is trying his best to protect you from accidentally cutting yourself.

. . .

You are brought to his tent, screaming.

It’s not as big as a chieftain’s house; it’s barely the size of yours. But it is larger than the tents you saw when you got carried there: as a spitting, screeching, hissing package of what these brutes would no doubt consider a true barbarian woman with uncivilized manners and a fuckable cunt. They will talk about you around their campfires tonight: about you getting broken in by their true commander. It’s enough to satisfy them for now: to imagine their champion to fuck you bloody and sore. And who knows: perhaps they’ll receive the scraps if the Titan gets tired of you.

The precious dagger is somewhere in the mud, probably trampled there like it’s nothing but a piece of worthless metal. Your own trampling is only about to begin as the Giant marches into his abode and sends the men away, giving you uneasy looks in the process, perhaps checking if any of them had enough time to have a go at you. Luckily for him, you’re in the same condition as he left you: legs together, safe and pretty, because he bound them with a rope along with your hands. You are nothing but a delivery, thrown on the floor of dirt and a few animal skins. He just nods at you, happy to acknowledge that you are untouched by the others, as if it would somehow be worse for you to be raped by ten of those petite men than be raped by him: a cruel, bloodthirsty Giant with a giant cock.

Your ankles and wrists get sore as you watch him doff his armour. He takes off the helmet, the belted straps, the segmented plates of his shoulder guards and the heavy Roman cuirass. The gods have truly favoured this man, not only gifting him tremendous height but insurmountable strength too. His muscles are large and lean and quiver with latent power as he moves; his back is so broad it almost competes with the wide mouth of the tent. He doesn’t seem to suffer from the cold either, but he keeps his mask on for whatever ghastly reason. Even if there is a monster under that mask, his body speaks of virility: he’s a man in his prime, a giant at his strongest, making you feel like an elf, a tiny little creature in the feet of this man who must be descended from titans indeed.

You continue to watch as he washes his hands in a small basin, cleans his mouth and neck, too. You reckon the water in that bowl is blood red and dark when he finally dries himself with a white cloth. He stands before you in nothing but his mask and the dark red tunic he had under the armour. He ties it from the waist with a simple leather belt, and it only now makes sense to you why Roman soldiers dye their clothes red: you’re pretty sure you can still see the darker spots on the hem of that tunic, the ones that used to be the lifeblood of your clansmen and kin.

He has the audacity to ask you - wordlessly - to clean his wound, the one you caused him. He sets you free from your bounds, and you are given fresh water and another cloth. He even opens a smallish wooden box of salve that has a familiar smell to it: pine tar and honey, used by your people to treat minor wounds and prevent bad spirits from getting into the wound. You wonder how he even knows about such a balm: is this warrior a Roman at all, or is he some odd creature hauled from the edges of the world to fight for them? You wonder if he has made the salve himself, extracted the tar from the pine and foraged the wax and honey himself, then cursed with his coarse language when he got stung by multiple bees…

You drive away the thoughts that threaten to make this brute human by snorting at his injury. The damage he gave to himself when he tried to guide the blade away from you at the price of his own blood.

It still troubles you that he did it. Even a tiny wound like this can bring any man down if it starts to fester. The cold winds and rains of spring can easily get into the gash and make it rot.

The idea of this giant being forced to his knees because of some filthy dagger wielded by a squirrel of a woman makes you smile inside. It would be a fitting fate for this man. But the vision also makes your heart sting. The thought of him dying of a simple flesh wound, alone and far away from his home, makes your heart grow kinder than it should.

You decide there is nothing you can do but treat his arm, strong and scarred from previous battles. He sits down while you get to stay on the ground, and you try to ignore it that your face is now level with his groin. He sits with a wide spread in those powerful thighs, and you wonder if it's because the rumours about his cock are true. You keep your eyes everywhere else except the hem of that tunic and what's going on under there. He purrs at your touch, making it clear that it doesn't need much more than your soft fingertips to get him hard after a triumphant day on the field of battle.

The wound is not deep, but you clean it carefully, trying to ignore the way his eyes seem to bore into you as you take care of him. Your hand is somewhat steady as you treat the damage with the nice-smelling salve, but you flinch as his hand suddenly meets your cheek. You look up at him, heart plummeting, thighs instinctively pressing together from the gentle way with which he cups your face.

“Schön,” he says, again with a tender voice and an adoring, almost worshipful stare. You don’t have a clue what he’s saying, but you know now for sure that it's not the tongue of the Romans he speaks. The scent of pines and bees lingers between you as he brushes a thumb over your lower lip. You are weak enough to give him a breath, a helpless, hot little exhale that meets his hand like a gift.

“Schön wie eine Fee,” he rumbles, sounding intoxicated or like he's under a spell of sleep.

“What the hell are you saying,” you whisper in your own tongue: just a meek little sputter, a tiny, horrified breath, but the giant’s eyes narrow with a smile.

“Sie redet,” he says happily, and your shoulders sink – you are on the verge of screaming from frustration alone. Whatever you do seems to only amuse this man, and you snap your mouth shut. Your cheeks heat up with recurring waves of odd fever. The ground beneath your shins is all but warm, and yet you feel warm all over: a dangerous sign, you know, and oddly tied to the peculiar bodings you have seen all week.

Because there have been many omens in the air lately.

It’s just that none of them were portents of war.

The cranes started to mate early this year, and you have found a lot of clams from the shore every day. Even your brother encountered a boar with nine piglets; everyone celebrated him as some holy man who had seen the Great Mother when he returned to the village that day. The wind started to blow from south soon after, and the moon has grown along with your womb: this morning, on the brink of war, you woke up wet and restless.

All the omens speak of fertility, of growth, of a new cycle and of birth: of spring and life. There’s nothing about death and decay, nothing except what the people have told you about… him. The death himself. The war god.

“König,” he says as if he can hear your thoughts and wishes to correct them. You look up and see he’s pointing to himself, or rather, holding his hand over his heart. You fight the urge to scoff at the gesture. As if this beast had a heart…

“König,” he repeats the word and pats his chest, and you realize he’s trying to tell you his name. You wrinkle your nose in distaste, and he smiles. It’s easy to tell when he does, even with the cloth that covers his face: you can see the joy clearly from his eyes, the boyish grin that must be occurring under that mask.

“Du?” He points at you next, inquisitive. He has an odd way of pointing: with two fingers, slightly crooked, and you understand very well what he’s asking of you. You refuse to tell him your name, however, settling for pouting a lip at him next. The smile in his eyes only deepens.

“Fee,” he pokes you gently on the shoulder and leans back in his odd Roman chair, seemingly content with having now named you.

And Mother was right: you are curious, so incredibly curious to know what this beast has chosen to call you and why. Are you a rat to him…? Some bird? Perhaps simply a girl?

He is so pleased with your conversation that he pours himself some wine and drinks the whole cup with one gulp. Great, you sigh inside your head, a beast and a drunkard. He pours another cup and tries to offer it to you, and when you don’t make a move to grab the clay mug, he brings it to your lips. You entertain him with a tiny sip: you’ve heard of wine and know that Romans are fond of it, but you have never tasted it yourself.

The tart, bitter flavour almost makes you cough. You thought wine was supposed to be sweet: everyone always describes it as something like milk or honey or juice from an overripe apple. It very much is not, and you almost choke on it and then make a wry face at your captor. He - König - only laughs. It’s another thing that catches you off guard: first those boyish, sad eyes and now this hearty, grown man’s laugh. You have proved to be such an amusement to him that he doesn’t force you to drink any more wine and enjoys the rest of it himself.

Then he rises and makes you shrink from him again, towers above you for a moment, and looks at you with that warm curiosity that makes your heart race.

“Müde?”

He tilts his head, the bag of darkness shifts, the blue eyes behold you fondly, and for some reason, you whimper an answer to yet another question you can’t even understand. He takes your little squeak as a yes and falls to crouch before you, then raises a massive hand to the leather strings that keep your demure little dress up.

To your horror, he pulls the knotted tangle open before you can stop him. Your dress falls from your shoulders and drops to pool around you, and you simply and verily stop breathing.

His eyes wash over you, he examines every little part of exposed skin like an entire treasure chest has suddenly opened before him. You pray to all the gods that he would find it in his heart to be gentle tonight. Your nipples perk up – from the cold or from his stare, you don’t know.

The rough callous of his palm meets your breast and encloses it in warm support. He cups you, weighs you like he would a fruit, and then he squeezes you, rather hard, too: a deliberate attempt to make you squeal again. He replies to your pathetic mewl with an approving rumble, and you look up at him with all the helpless tenderness of the Mother, hoping that Her gentle pleas might persuade this man not to hurt you.

“Please don’t,” you whisper, and his eyes dart to your mouth, to your eyes, then back to your lips again. He immediately softens his touch. Then he lifts you from inside your poor dress, picks you up like you weigh nothing at all, and carries you to his broad bed, the sturdiest you have ever seen.

This man feels like the strangest of fates, like a hopeless destiny, as he sets you on the skins and straw mattress, right next to your fluttering heart. Your insides ache as he undresses before you, entirely without shame. He’s hard under the tunic he rips off and tosses on the cold ground. Your eyes are glued to the legendary cock you’ve heard so much about, the cock that splits women apart: and it’s true that it's huge. It resembles the ones you’ve seen on horses, not on men, and your thighs are glued together as he comes next to you while that pale, monstrous cock sways long and heavy between his thighs. He moves you around a little, and you squeal from how weak you feel: weak as a mouse as he covers you with one of those rich furs he has in plenty on the bed. Then crawls under it too, right next to you.

Your heart almost wrenches itself out of your chest as a strong arm pulls you against him: the swell of your ass meets his thighs, solid and broad like treetrunks, and your lower back meets the hot, almost too hot horse cock. It starts to leak and throb against your skin the instant your flesh is pressed against his. You try not to whimper and moan as the Giant, König, curls around you like you two have always done this.

He takes a long, earnest inhale from your neck and hair, rumbles deeply and contently, and tightens his grip. Apparently, you smell and feel good…

You wait and wait to be plundered and raped, but König only settles for holding you tightly, like you’re a children’s toy made of the softest straw and purest undyed wool. You relax slowly, and he purrs against your back, starts to fondle your breasts, ardently, until your body betrays you and you find yourself wet again; he squeezes and squishes your teats slowly, approvingly, then pinches your nipple once before finally falling into a heavy, deep sleep.

…

Please forgive your author for any historical inaccuracies and other silly things you find facepalmable <3 During this time König would've probably spoken some form of Old Saxon but since I'm not a TOLKIEN we have to settle for modern-day German here. I don't have a taglist for this fic so please check my pinned masterlist for future updates.

Translations

Nein, warte - No, wait

Schön - Beautiful

Schön wie eine Fee - Beautiful as a fairy

Sie redet - She talks

Du? - You?

Müde? - Tired?

#könig fanfiction #könig x reader #könig x you #könig #könig cod #konig x reader #könig smut #könig fluff #historical au #Roman soldier!König #könig x female reader

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