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#they do often end up a main focus
donexmiras · 5 months
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I’m starting to kinda simp for ur characters but I’m afraid to because i don’t know which ones are personas or not
That's alright! Sona or not I'm fine with any simping of my characters 💙 (so long as they're the adults)
If you do wanna know all my sonas though, it's a bit of a list but! As follows:
Human(kind of..); Mocha/Latte, Latha/Ellise, Momo
Monster: Alkai/Altair/Aziral, Scout/Flout, Ridley, Muave, Raz, Axel, Fitz
There's at least one piece of art of all the sonas, except for Fitz and both Mocha and Latte, technically yes for Mocha but not an updated reference or actual tag
If you have anymore questions though, feel free to ask! ^^
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burntoutdaydreamer · 6 months
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Weird Brain Hacks That Help Me Write
I'm a consistently inconsistent writer/aspiring novelist, member of the burnt-out-gifted-kid-to-adult-ADHD-diagnosis-pipeline, recently unemployed overachiever, and person who's sick of hearing the conventional neurotypical advice to dealing with writer's block (i.e. "write every single day," or "there's no such thing as writer's block- if you're struggling to write, just write" Like F*CK THAT. Thank you, Brenda, why don't you go and tell someone with diabetes to just start producing more insulin?)
I've yet to get to a point in my life where I'm able to consistently write at the pace I want to, but I've come a long way from where I was a few years ago. In the past five years I've written two drafts of a 130,000 word fantasy novel (currently working on the third) and I'm about 50,000 words in on the sequel. I've hit a bit of a snag recently, but now that I've suddenly got a lot of time on my hands, I'm hoping to revamp things and return to the basics that have gotten me to this point and I thought I might share.
1) My first draft stays between me and God
I find that I and a lot of other writers unfortunately have gotten it into our heads that first drafts are supposed to resemble the finished product and that revisions are only for fixing minor mistakes. Therefore, if our first draft sucks that must mean we suck as writers and having to rewrite things from scratch means that means our first draft is a failure.
I'm here to say that is one of the most detrimental mentalities you can have as a writer.
Ever try drawing a circle? You know how when you try to free-hand draw a perfect circle in one go, it never turns out right? Whereas if you scribble, say, ten circles on top of one another really quickly and then erase the messy lines until it looks like you drew a circle with a singular line, it ends up looking pretty decent?
Yeah. That's what the drafting process is.
Your first draft is supposed to suck. I don't care who you are, but you're never going to write a perfect first draft, especially if you're inexperienced. The purpose of the first draft is to lay down a semi-workable foundation. A really loose, messy sketch if you will. Get it all down on paper, even if it turns out to be the most cliche, cringe-inducing writing you've ever done. You can work out those kinks in the later drafts. The hardest part of the first draft is the most crucial part: getting started. Don't stress yourself out and make it even harder than it already is.
If that means making a promise to yourself that no one other than you will ever read your first draft unless it's over your cold, dead body, so be it.
2) Tell perfectionism to screw off by writing with a pen
I used to exclusively write with pencil until I realized I was spending more time erasing instead of writing.
Writing with a pen keeps me from editing while I right. Like, sometimes I'll have to cross something out or make notes in the margins, but unlike erasing and rewriting, this leaves the page looking like a disaster zone and that's a good thing.
If my writing looks like a complete mess on paper, that helps me move past the perfectionist paralysis and just focus on getting words down on the page. Somehow seeing a page full of chicken scratch makes me less worried about making my writing all perfect and pretty- and that helps me get on with my main goal of fleshing out ideas and getting words on a page.
3) It's okay to leave things blank when you can't think of the right word
My writing, especially my first draft, is often filled with ___ and .... and (insert name here) and red text that reads like stage directions because I can't think of what is supposed to go there or the correct way to write it.
I found it helps to treat my writing like I do multiple choice tests. Can't think of the right answer? Just skip it. Circle it, come back to it later, but don't let one tricky question stall you to the point where you run out of brain power or run out of time to answer the other questions.
If I'm on a role, I'm not gonna waste it by trying to remember that exact word that I need or figure out the right transition into the next scene or paragraph. I'm just going to leave it blank, mark to myself that I'll need to fix the problem later, and move on.
Trust me. This helps me sooooo much with staying on a roll.
4) Write Out of Order
This may not be for everyone, but it works wonders for me.
Sure, the story your writing may need to progress chronologically, but does that mean you need to write it chronologically? No. It just needs to be written.
I generally don't do this as much for editing, but for writing, so long as you're making progress, it doesn't matter if it's in the right order. Can't think of how to structure Chapter 2, but you have a pretty good idea of how your story's going to end? Write the ending then. You'll have to go back and write Chapter 2 eventually, but if you're feeling more motivated to write a completely different part of the book, who's to say you can't do that?
When I'm working on a project, I start off with a single document that I title "Scrap for (Project Title)" and then just write whatever comes to mind, in whatever order. Once I've gotten enough to work with, then I start outlining my plot and predicting how many chapters I'm going to need. Then, I create separate google docs for each individual chapter and work on them in whatever order I feel like, often leaving several partially complete as I jump from one to the other. Then, as each one gets finished, I copy and paste the chapter into the full manuscript document. This means that the official "draft" could have Chapters 1 and 9, but completely be missing Chapters 2-8, and that's fine. It's not like anyone will ever know once I finish it.
Sorry for the absurdly long post. Hopes this helps someone. Maybe I'll share more tricks in the future.
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jinjeriffic · 2 months
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DPxDC and OOC
I've had a couple of posts cross my dash recently where people lament that a lot of the dpxdc fandom writes characters very OOC and how we're proliferating these characterizations among each other. I figured I'd add my own two cents.
I think the fundamental discrepancy comes from trying to reconcile two canons with vastly different tones.
Danny Phantom is a comedy superhero show operating on cartoon logic. Why do ghost experts Jack and Maddie never realize their own kid is a ghost? Why is the status quo restored at the end of every episode? Why does Danny shoot an ectoblast out of his butt that one time? Because it's funny. It's cartoony action fun where the plot is resolved in 22 minutes, there's never any lasting consequences and it's aimed at kids.
DC meanwhile wants to be taken Seriously. Heroes get beaten within an inch of their life, traumatized, killed and even the good guys do messed up things (often to each other). Yes there's action and puns, but also horrific violence, actions have consequences and it's (mostly) aimed at adults. When a main character dies the comics show their family and friends mourning and things are very dramatic. Even though at this point we, the audience can pretty much expect every death to be undone within 2-5 years of publishing, but I digress.
So how do we, the fanfic/fanart creators reconcile these differences when we make our crossovers? We either make DP more serious and somber, or we make DC more comedic.
Suddenly we have a DP verse where the Fentons' bumbling obliviousness is elevated to serious neglect or outright abuse. The GiW are no longer a minor annoyance, they are a serious threat with genocidal plans and a desire to vivisect the protagonist. When actions have consequences, we imagine Danny as dealing with serious PTSD from having to be a solo superhero and witnessing his family's death that one time (and maybe also getting vivisected). Danny is not just a teen superhero, he's now the Ghost King with serious responsibility on his shoulders.
On the flipside, if we make DC more comedic we tend to exaggerate character traits for comedic effect, focus more on the interpersonal dynamics (especially the Batfam) and have the characters act more casual and silly. Suddenly the Batfam goes from a group of seriously messed up individuals who have trouble communicating with each other and fight all the time to Batdad "Kids if you don't stop killing criminals you won't get dessert ffs" Bruce. Violence is played for laughs instead of taken seriously. Yeah they fight, but they still Love Each Other.
And THIS IS PERFECTLY FINE. It's transformative work! And trying to reconcile these disparate fandoms is hard! Fandom is a labor of love. We do it for free. We do it for our own entertainment. And no one is forcing you to read fics you don't like. DLDR and all that.
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ozzgin · 24 days
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Yandere! Werewolf Headcanons
I've been stalked by the guilty feeling that my Romanian Werewolf boy got a lot of backstory but not much romance or interaction. So there you have it: some headcanons featuring the ancient Beast, a post-kidnapping sequel.
Content: female reader, obsessive behavior, monster romance, mild NSFW at the end, ridiculously older yandere
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You followed the gargantuan stranger back into the city, leaving the bloodbath behind as if it was just a distant dream. Admittedly, you’d expected to be dragged into some mountainous cave or an abandoned mansion, not the cozy - albeit a little dusty - apartment on a main, historical street. On second thought, he did function as a human outside of his monstrous escapades, so it made sense. “Is this your place?”, you sheepishly asked while he wiped the thick layers of blood off him. “One of them, yes”, he answered curtly. “It’s central”, you remarked, trying to make conversation. “Well, I didn’t know about it back then. It’s been a few decades.”
Your ears perked up at the words. Gazing at his features, he didn’t seem necessarily aged to you. The deep creases contouring his face felt more like a sign that he’s lived sorrows beyond most people’s comprehension. “How old are you?” You finally asked as curiosity replaced your initial fear. He abruptly stopped his movements and leaned back, brows furrowed in deep contemplation. “I’m not so sure anymore. I was born in the 80s”, he concluded. “That’s not too far back, is it?” You inquired, this time more relaxed. “80 BC, I meant. You do the math.”
He freshened himself up as you counted the millennia on your fingers, frowning in confusion. He chuckled at your intense focus, then quickly looked up into the mirror. When was the last time he smiled like this? The reflection was a foreign sight to him. “We’ll get you everything you need tomorrow”, he continued, still in a daze. What a strange idea, having someone to speak to after an eternity. And suddenly, it occurred to him just how rusted his communication had gotten: “I’m so sorry, I haven’t asked for your name once”, he said, embarrassed. “It’s (Y/N). And you are...?" Might as well introduce yourself to your benevolent captor.
The dreaded question. How did they call him back in the day? He hasn't had anyone spell it out for him, nor did he feel the need at any point to say it himself. Why would he? He hadn't anticipated meeting you. With pursed lips, he searched his mind. Eventually, from the depths or memories, from days of yore, it made its way back: "Daos."
Given your first gory encounter (where he quite literally murdered everyone else), you were surprised to find out he's otherwise a calm and polite individual. Well, he's had centuries to mature, you suppose. You've also noticed he has that rather old-fashioned chivalry to him. He's very attentive despite his stoic demeanor, and often follows with acts of service.
"You're insulting me. I can carry this myself with ease", you'll argue. "I never doubted you can. Nonetheless, it is my wish to do it for you."
As the days pass, your reluctance seems to vanish as well. In fact, you've become particularly cheeky, encouraged by his warm, unperturbed behavior. Maybe you haven't gotten the worst deal out there, after all.
"You know, you talk like an old man", you've teased him once. He was visibly taken aback by your statement, and you could discern a faint blush on his face. "Do I? My apologies, I haven't spoken to anyone in a long time. I'm not familiar with modern speech. Have I embarrassed you somehow?"
He spends his free time reading, though he will frequently take you on walks. It's an interesting affair to say the least. You can feel the curious eyes of the passersby and hear their not-so-discreet whispered gossip. You can't truly blame them: Daos is enormous even as a human. He towers above everyone else with his imposing appearance. To match, his voice is deep and coarse as a result of not using it much until recently.
The ancient werewolf is a living history book. If asked, he will narrate to you important events or details you might be curious about regarding his culture. Once, when he'd been in a good mood, he even shared fragments of his life before turning into a creature. He'd been a high-ranked Dacian warrior, spending his days training or fighting. He still remembers the flag he carried with bitter fondness, yet another irony to his fate: a wolf-headed serpent. It was meant to showcase their way of life; barbarians with no fear of death. They'd greeted the Roman Empire with nothing but a sword and a shield, no shred of doubt.
He might've been betrayed by his people, but the pride remains. The pride of a soldier who's never known defeat. You learned quickly that his beastly form doesn't count as a significant change by any means, save for appearances. The man has brute strength even as a human. You'd once strayed from his view, and a stranger approached with a daring whistle, gawking you up and down. Before you could react, Daos clawed him by the throat. You heard the twist of the skin and the creak of the bones giving in to the immense pressure of his large hand.
"It's the second time I have exposed you to such unpleasant sights", he said, discarding the body as if it was any other garbage. "Forgive me, but I will not have you disrespected like this."
He is very much aware he's taken you away from the world out of his own selfish desire. The fact that you accepted it is more than he could ever ask for. That's what he keeps telling himself, even as his eyes wander to your lips whenever you speak. Or as his hand lingers a moment too long against the curve of your back. Or as he hungrily takes in your scent whenever you're nearby.
He might be unhealthily possessive of you, but Daos will never do anything against your will. No matter how obvious his urges are. In fact, no amount of flirting or teasing will shake his resolve. You will have to be very direct with your approval.
Once the reality settles in, he'll become extremely affectionate, bordering on obsessive. To think he could have you in every way possible. Oh, he's waited thousands of years for you. All the suffering, the loneliness, the anger, they're stripped of any meaning now that he has you.
The city strolls at an awkward distance have since become a habitual excuse to hold your hand and show you off to the mortals. The quiet evenings of passing time with a book now include your merely noticeable weight cuddled into his lap. You didn't expect him to be this adoring. Being touch-starved for millennia counts as one reason, naturally, but there's more to it, so much more. And it all leads back to you.
He is a little taken aback when you ask him to do the deed in his werewolf form. "Don't be foolish. I can't overcome my instincts as well when I'm a creature. I could harm you", he'll lecture you. "Besides, you can barely take it as it currently is", he'll add, smirking at your baffled expression. It seems he's picked up on your cheekiness.
After a lot of pleading and waiting for the right moment - when he's ravaging you in a daze - he finally agrees. True to his word, his tune instantly changes. The tender hold turns into a desperate grasp sinking into your skin, and the thrusts become irregular, almost frantic. His drool cools your burning cheeks as you hold onto the coarse fur, feverish and overwhelmed.
His golden eyes rest on the small human squirming underneath him, and suddenly, he can't help but notice: you have the perfect birthing hips.
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lecsainz · 3 months
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OMGGGG!!!! 🩷🩵 Love your work! Can you do a Percy X (halfblood of your choice) reader and maybe affection headcannons? Like how he stares at you 24/7 and maybe him falling asleep on our shoulder and all that!!!!
BEAUTIFUL GIRL
parings: percy jackson x fem!reader
an: two weeks without a new episode, I can't take it anymore 😭😭😭
summary: the one where you and percy met at yancy academy, and what your relationship would be like.
( my last work for riodanverse || go to my main masterlist )
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You met Percy at Yancy Academy, and well, you quickly became friends – best friends, to be precise, since your room was conveniently next to his.
When Grover arrived at the school, he became more than worried about finding two demigod kids together.
As you excelled in your studies – you LOVED studying – you decided to help Percy out. However, Percy always seemed too distracted, often catching him staring at you.
Percy looks at the notebook where you were scribbling math problems and realizes he hasn't paid attention to anything you were explaining for the past twenty minutes.
"So, um, how do you solve this math problem again?" He asks.
You point the pen at him with a stern expression. "Percy, we've been through this like ten times!"
Percy gazes at you with a mischievous smile on his lips because, by the gods, he finds you incredibly beautiful with the braid you decided to wear today.
"Sorry, got distracted. You look really nice today." Percy says, shrugging.
"Focus, Percy! We need to get through this." You roll your eyes, but your cheeks are flushed, and Percy still finds it adorable.
You throw the pen cap at Percy, lightly hitting him on the head when you realize he wasn't paying attention again.
"Ow! What was that for?" He puts his hand where the cap hit him and pretends to be in pain.
"For not paying attention! Now, let's get back to work." You stick out your tongue.
Laughing, Percy tries to throw the pen cap back at you, but you quickly dodge, and poor Grover ends up being the target.
You two became an inseparable duo, like shadows to each other, and constantly causing Grover massive headaches.
Percy would talk about you to his mom.
Percy hesitated for a moment before dialing the number. As his mother picked up on the other end, he launched into a torrent of words about you.
"Hey, Mom, you won't believe what happened today. So, there's this new girl, Y/N, and she's amazing. Seriously, she's the smartest person I know, and she's always helping me out with my studies. And she's got this incredible sense of humor. We're like a team, Mom, inseparable. I don't know how I'd get through the day without her."
Sally listened with a gentle smile on her face, recognizing the familiar signs of her son being captivated. She knew Percy well enough to notice the subtle shifts in his tone and enthusiasm.
"Percy, it sounds like you really enjoy spending time with this Y/N," Sally said, her voice warm and knowing.
"Yeah, Mom, it's like... I don't know. She's just different, you know? Everything feels better when she's around. I can't explain it."
Sally chuckled softly, recognizing the telltale signs of young love. "Percy, sweetheart, sounds like you might be developing feelings for this girl."
Percy stammered for a moment, realizing that his mother had caught on. "I, uh, Mom, we're just friends. Really good friends."
Sally's laughter echoed through the phone. "Alright, Percy. But remember, love has a way of sneaking up on you when you least expect it.”
When you first heard about blue food, you didn't believe Percy's words, leading to a heated argument. It all ended when Percy pulled out a pack of blue cookies from his backpack. To your surprise, they turned out to be the best cookies you'd ever tasted.
During one of your study sessions, Percy calling you a beautiful girl, and the nickname sticking because you blushed every time he called you that.
Percy only realized he liked you when they arrived at the camp and you wanted to help Percy defeat the Minotaur, but he wouldn't allow it because he had already lost his mother and couldn't bear to lose his girl.
He told Grover not to let you follow him and instructed him to take you safely to camp.
The air in the forest was thick with tension as Percy and you faced off against the looming figure of the Minotaur. Determination burned in your veins as you gripped your weapon tightly, ready to fight alongside Percy.
But before you could make a move, Percy's voice cut through the silence, firm and commanding. "Grover, take Y/N back to camp. Keep her safe," he ordered, his tone leaving no room for argument.
Your heart sank as you realized what he was saying. "Percy, I can help. We can fight this thing together," you protested, your voice trembling with emotion.
"I need you to stay safe, Y/N," Percy said, his tone unusually severe. "Grover will take you to camp. I can't lose you."
Tears welled up in your eyes, the raw emotion of the situation hitting you like a tidal wave. "I can't just stand by and do nothing while you face that monster alone."
Percy shook his head, a mixture of frustration and fear in his gaze. "Y/N. I can't risk losing you. Not after what happened to my mom."
A heavy silence settled between you two, the gravity of the situation sinking in. Percy cupped your face gently, his eyes searching yours. "I need you to trust me, okay? Grover will take care of you."
Tears welled up in your eyes, and you nodded reluctantly. "Just promise me you'll be safe, Percy."
He gave you a solemn look before pressing a soft kiss to your cheek. "I promise. Now go with Grover. I'll find you after this is over."
Grover approached, his expression mirroring the somber mood. "We should go, Y/N."
After that, you swore to yourself that the next time you saw Percy, you would tell him you liked him. That seemed like the smartest thing to do.
As Percy stirred awake, his eyes met yours, and a small smile played on his lips. "Hey, beautiful girl," he greeted, a newfound warmth in his tone.
You blushed at the endearing nickname he had given you, but concern soon took over. "I thought I was going to lose you," you admitted, holding a small cup of ambrosia-infused nectar.
His expression softened, his hand reaching for yours. "You're not getting rid of me that easily."
Relief washed over you, and you laughed, playfully nudging his shoulder. "Good. Because there's something I need to tell you."
Percy raised an eyebrow, curious. "What's that?"
He looked at you with curiosity, encouraging you to continue. With a deep breath, you confessed, "I... I really like you."
Percy's eyes lit up, a genuine smile spreading across his face. "You do?" he asked, as if surprised by the revelation.
You nodded, a shy smile gracing your lips. "Yeah, Percy, I really do."
"Well, beautiful girl, I think you're stuck with me now," he declared, a playful glint in his eyes. As you leaned in closer, he gently pulled you to lie beside him on the bed. When you rested your head against his chest, Percy winced in pain.
"Careful," he joked, "I just survived a Minotaur. Your head might be more dangerous than that."
You chuckled softly, and Percy couldn't help but smile despite the discomfort. "You know," he mused, "your laughter is my favorite sound in the whole world."
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spideyhexx · 5 months
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tw bit of dark coriolanus
Coriolanus thinking you and sejanus are so disgusting with how much you dote on each other. Maybe it’s jealousy or maybe coriolanus just doesn’t like seeing the affection and sweet words mumbled between you two but he’d never really figure it out.
He couldn't understand why someone like you loved Sejanus so deeply, but he always redirected his mind. To not dwell on it, of course.
He’d watch you two giggle and kiss and plan dates during your lunches.
Sejanus would talk about you more than half the time when spending time with Coryo. He'd tell him how he plans to marry you and how lucky he is to have found love with someone good to marry in their positions. Coriolanus thought weak of Sejanus, making his love for you so blatant and known, sooner or later someone could easily sweep you away.
Coriolanus felt like he practically knew you regardless of the fact he’d only had one or two full conversations with you. His views on you would be simple. You're high status, competition or equal to him, he wasn't sure. He thought you very beautiful, there was no doubt about that. He often wonders if you won over Sejanus' love with your body instead of your personality.
When him and Sejanus get closer and then ultimately spend more time together in district 12, all Sejanus can talk about was how much he missed you. And Coriolanus must admit to himself, he rather missed your presence, even though he barely spoke to you.
But this wasn't his main focus. In district 12, he was focused on Lucy Gray.
But Sejanus would talk about missing your kisses and then your touch and Coriolanus couldn’t help but get turned on by it. He felt disgusted with himself when he'd feel his cock twitch in his pants, remembering the way your lips looked and your bright eyes.
He would do his best to forget about these thoughts, push them aside while he deals with the more urgent situations arising.
And as we all know, Coriolanus’ betrayal towards Sejanus ends with his death. Coriolanus feels bad, even misses his friend and cries over him but he can’t admit it was his fault.
Once Lucy Gray leaves him and he's on his way back to the Capitol, he decides to meet with you.
You’re mourning and deeply upset over the loss of your love but who’s there to patch it up? Coriolanus Snow.
He never lets it slip that he may have something to do with Sejanus' death but not because he wants to hide it from you, but because he can't even accept that himself.
He invades your personal space when you are at your lowest. Picking up all the broken pieces.
He mimics the love he observed Sejanus give you and he's got you falling right into his arms in no time. Coriolanus does end up liking you more than he'd want to admit, but he does not let that cloud his thoughts the way it did Sejanus'.
And this path he took ends up working so highly in his favor when he finally gets to call you his wife and climb the social ladder with you, a prestigious capitol member by his side.
let's chat about coryo, or sejanus, or both, here :)
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clownsuu · 1 year
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Just a lil doodles smhhhh
cw: mentions of violence and distress. Also weapons-
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This is probably a good time to mention everyone’s jobs since I keep forgetting to mention it JDHDGDH
Wally: Da Boss (yeah no shid) he isn’t that merciful of a boss- can be very brutal with how relentless he can be and is a bit of a (non sus) sadistic a s s sometimes. Usually is playfully humorous initially, but can quickly go sour if he feels ever so slightly ticked. Preferred weapon: his eyes and his arms.
Barnaby: Body guard, boss’s left hand man, usually the one who talks for the boss. Sometimes he’s even seen as the “unofficial” boss of the whole group (which he likes to humor sometimes) but in the end he is possibly the most loyal out of everyone to Wally (man’s best friend after all). Preferred weapon is “da biggest gun we got!!!”
Howdy: Butler, bartender, boss’s right hand man. Will do basically everything anyone says (who’s part of the family) without question, however he will always take the Boss’s requests as main priority over the others. This will often keep him awake and exhausted, and a few new stitches to add to his collection. He has the lowest ability to think freely. Preferred weapon: Ice pick
Julie: Hitman A, interrogator, mad scientist really. Killing isn’t really too much of her thing, she prefers methodical planning and slow suffering with the use of chemicals and even random substances she can get her lil paws on. She’s not afraid to use anyone as a test subject, even if it’s her own members. preferred weapon: tranquilizers
Sally: Hitman B, intimidator, c h a o s. Almost the complete opposite to Julie. Absolutely chaotic and adores violent bloodshed to a point it’s theatrical. Usually is called if they don’t really need a clean kill. Can often be seen dancing and listening to music while on the job, often says it helps her focus (nobody really argues with it). Preferred weapon: anything blunt and/or violently loud (tasers, rocket launchers, fireworks) (sally is banned from using rocket launchers)
Poppy: Medic, crime scene cleanup, voice of reason, sometimes chef. She does ok when it comes to clean ups and stuff, however she has panic attacks and gets terrified when ever she hears screams of pain/torture, and freezes. Typically Howdy is there to help her snap out of it and help her complete her work, if not do her work for her. Everyone, even including the boss, is there to support her when she’s distressed (everyone would hug her except Wally. He does not like being touched unless it’s Howdy or Barnaby). Preferred weapon: n/a
Eddie: Messenger, delivery pick up/drop off, handler of the goods. He usually goes by himself, however after an incident where he lost his arm from a deal gone wrong, he is now required to leave with at least one of the hitmen (typically Sally). Very often does he get hurt in these trips and is usually always saved by Sally. Absolutely adores Frank for always trying to find the safest routes for him and wishes they had time together alone. Preferred weapon: a simple revolver
Frank: In charge of ordering goods, making contacts, being a voice of reason, basically just a manager. The most stressed member of the group. Rarely is he seen outside of the headquarters unless it’s to talk to well known individuals. He doesn’t usually talk to anyone besides Howdy (ranting at the bar about people), Eddie (telling him what he needs to get next), and Julie (normal convos and her asking him to order new chemicals for her next project). Every time Frank thinks he has an intimate moment together alone with Eddie, out of the blue Eddie would just randomly talk about how much he loves the family and how Wally is so amazing. The next day Frank asks him about it, it seems Eddie doesn’t remember what happened yesterday. Frank has the highest ability to think freely. Preferred weapon: a simple glock.
Home: Voice of reason. Preferred weapon: Wally
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blackpilljesus · 2 months
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I saw this from the female separatism subreddit & the responses are some of the biggest reasons for separatism et al (or extinction if I'm being candid here). Moids cant be reformed they are fully aware of the hell they force women to live in. MaIe achievement & happiness is rooted in female exploitation & life. Their glory days are based on our horrific days. No amount of love, kindness or facts will change maIes and we cannot happily or even neutrally coexist with them.
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Main points across answers:
Many want to experiment but not permanently be women
They dont want to be in constant danger or lose their autonomy at the hands of maIes for merely existing
They dont want to deal with childbirth (& periods)
They dont want to have to share spaces with species much stronger than them with ulterior motives
It makes me go crazy seeing people give moids benefit of doubt for their evil like "maIes just dont understand", "we need to teach maIes", or claiming that maIe violence is a result of maIes struggling with (expressing) their feelings. I get that women love maIes and it can be hard to imagine that people can intentionally be so evil but it is what it is. MaIes have no problems expressing themselves, abusing women is what maIes choose to do because they enjoy & benefit from it - that is their expression.
MaIes see the same news of women being abused, raped, and killed like we do except rather than be disheartened or alarmed they're either apathetic or satisfied. It isn't aliens that's committing GBV it's maIes & maIes have no problem reminding women of this when women anger them (such as rape threats & threatening women they'll end up on the news/true crime). The victim blaming, denial, and derailment of misogyny is part of the game to keep the system alive, they know the events occured & are a systemic occurence they just dont care. Hell not only do they not care, they rejoice in it or get off on it.
MaIes set up environments that work in their favour which simultaneously ensures that women will lose. They know women are set up to live in damn near impossible conditions for us. It's normalised for women to defenselessly share personal & private spaces with beings much more stronger than them with ulterior motives for us, it's trap. It's interesting how these moids aren't saying that they'll just cover up and *poof* harrassment gone, or they'll just pick a nice guy & they'll be okay. MaIes know the net negative they are towards women.
MaIes know that childbirth is a painful process & what do they do? Demand it happens and make it even MORE painful for women. MaIes that impregnate women do not love or care for them. Pregnancy itself is dangerous & sometimes lethal, often comes with a range of health issues, to cause someone to be in that condition especially in a environment where abortions are illegal is reckless & unloving. Now imagine how sinister & full of hatred one has to be to impregnate someone and abuse them on top of that. Many women risk their health & lives to reproduce with a Y and they get abused by said Y instead of being taken care of. Deranged.
Realising that maIes are aware of the evil they inflict is one of the things that radicalised me. It isn't a miscommunication or ignorance issue, their violence is intended. They want control. The cruelty is the point. Instead of wasting time & energy trying to change maIes or hope that they "understand" one day, focus on yourself & other women (who prioritise women). Moids aren't oblivious to female pain they enjoy it. A lot of women treat maIe evil like it's a mistake on maIes part but it's calculated terrorism. I know that this will go over many womens heads as they refuse to hold strong negative sentiments about moids as a collective so if you're not a woman like that, take this post as a sanity check. You aren't crazy, it isn't all in your head.
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cy-cyborg · 1 month
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How The Owl House did amputee representation right before Eda ever lost her arm - Disability in Media
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[ID: A screenshot of Eda from The Owl House, an old woman with pale skin, very large, grey hair and pointed ears in a red dress. Beside the screenshot on a dark pink background is text that reads "Disability in media, How the Owl House got amputee representation right before eda ever lost her arm." /End ID]
Dana Terrace's The Owl House has some of the best disability rep I’ve seen on a Disney channel show in a long time, with Eda, the main character’s mentor, being one of many stand-out examples.
Plenty of people have discussed how Eda’s curse and the loss of her magic can work as an allegory for disability and how refreshing it is to see a story (especially one aimed at a younger audience) who’s focus is not on her “overcoming” it, but learning to accept it as a part of her and go from there. Eda’s story tackles a lot of subjects that are often mishandled in other examples of disability representation, from the subject of parents who refuse to accept, to glass siblings and much, much more, The Owl House handles all these topics beautifully.
But one thing that dawned on me during my most recent re-watch of The Owl House is how well Eda (and later Lilith) worked as amputee representation, long before Eda actually lost her arm.
One of the side effects of Eda and Lilith’s curse is that sometimes their body parts, mainly their limbs, can fall off. It doesn’t hurt them, and Eda is seen removing them intentionally at multiple times in the series, but they can always be reattached.
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[ID: an image of Eda holding her sister Lilith's hand. Lilith is a pale woman with long, black hair, wearing grey clothes. She is looking at her other arm suprised, as her hand is missing. Luz, a Latina girl with short brown hair and a purple hoodie is looking on, smiling. /End ID]
While most likely unintentional, the way the show depicts this with Eda in particular is exactly what I wish more people would do with their prosthetic-using amputee characters.
Eda detaches her limbs, especially her legs, when they’re inconvenient or when she’s relaxing.
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[ID: an image of Eda laying on the couch in a bathrobe, her hair in a towel. She has taken her legs off, throwing them to the other side of the seat. /End ID]
The fact that this is mostly played for laughs is actually a good thing in my opinion (though obviously, the show’s overall tone is part of that), as it shows the audience who are mostly children and teens, that in a world of weird and downright scary (from the perspective of the characters) things, this isn't one of them. It’s just a thing she and Lilith can do, and it can even be funny.
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[ID: An image of Luz and Eda dressed as pirates. Eda is sitting on the ground, her legs detached and off screen somewhere. /End ID]
It does startle Luz and Lilith on a few occasions, but that’s more because they didn’t know the curse could do that, but once they’re introduced to it, it’s never really brought up as a big deal again.
I’d love to see more amputee characters who do this with their prosthetics. So often media is almost afraid to have amputees take their prosthetics off on camera or on the page. For some folks, our prosthetics are like a part of our bodies, but that doesn’t mean we never take them off. Show your leg amputee flop on the couch and throw their legs across the room. Have them go without on occasion, not because they have to, but because they just don’t feel like putting them on.
Likewise, the owl house creators never shy away from showing Eda when her limbs aren’t all attached. A lot of media, and kid’s shows in particular, will avoid having an amputee character’s stump visible if they ever do take their prosthetics off - treating that part of the character’s body the same way they treat gore or nudity. I’ve talked before how this actually does have a real impact on how kids in particular react to amputees - I’ve legitimately had kids I worked with cry when I took my prosthetics off, then immediately calm down when they see there’s nothing "scary" under my socks. As much as I love How To Train Your Dragon, it’s very guilty of this. Hiccup looses his leg at the end of the first movie, and wakes up with his prosthetic already attached. The Netflix series has a few instances where he has his prosthetic off, but the camera almost always avoids showing it until he can cover it up again, or is super zoomed-out so you wouldn’t be able to “see anything”. To their credit, they do get better with this in the last movie (though it's still always covered), but for the majority of the series, they are very reluctant to have any shots where hiccup’s leg is in view without the prosthetic (unless they’re very far away).
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[ID: a screenshot of Hiccup from How To Train Your Dragon 3, a white man with short brown hair, and one leg missing, wearing armour made of black dragon scales and no prosthetic. He is holding onto toothless's head, a black dragon. /End ID]
Ironically, Eda does (permanently) loose an arm at the end of season 2, but I don’t really have much to say about her as amputee representation on that front, since she’s absent for a lot of Season 3, and when we do see her again, everything is so hectic, the story doesn’t really have any time to focus on her missing limb (which is reasonable). I will say, I do appreciate that they kept the amputation when she's in her owl-beast form in the finale, but there's honestly not much more to say about it. We do see her again in the epilogue after she’s had some time to settle into the amputation, wearing a hook prosthetic, but it’s, once again, too quick to really say anything from a representation standpoint. There's a few little nit-picky things I could bring up, like the fact they seemed to change the type on amputation she had (when she looses it, we see the split was very close to the elbow, but in the epilogue she has most of her forearm again) but those read to me more like animation mistakes or an odd prosthetic/clothing designs rather than a representation issue - and as someone who's worked in animation, given the stress the team was under for the finale, I'm not really worried about it. Like I said, it's more nit-picky than anything.
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[ID: A screenshot of Eda, her hair tied back and wearing a red robe and a hook for her right hand. /End ID]
Despite all that though, I still think Eda is still good amputee representation, but mostly because of how they depict her curse’s side effects rather than her actual amputation. She’s honestly one of the only characters that I think you could refer to as “amputee coded” (outside of maybe Teen Titan’s Cyborg), and I genuinely wish more creators would treat their actual amputee characters the same way the Owl House treats Eda in that regard.
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azrielfiend · 6 months
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hi. reminder/psa for ADHD rivulet.
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i recently had a discussion about headcanoning rivulet with ADHD. we discussed about how most portrayals of it are.... Terrible. lets talk about that.
"what do you mean?"
rivulet is often seen as the "ADHD slugcat" however. most of the portrayals that ive seen of rivulet having ADHD is because theyre an "energetic/speedy/hyper slugcat" or have "big eyes that looks neurodivergent" and thats all the ADHD trait that rivulet has. in which both of these reasons are just straight up terrible.
"why is this terrible?"
this portrayal of a speedy slugcat having ADHD just because theyre energetic/hyper is stereotypical. its harmful and doesnt actually show what ADHD is. there are more to ADHD than just being really hyper and impulsive. some of the stuff ive seen even infantilizes rivulet to an "owo cute hyperactive slugcat" which is gross!
"how can i make my ADHD rivulet better?"
first off, ADHD is actually a really overwhelming disorder. it can make you extremely sensitive to things whether it be touch, sound, texture, taste etc.
it can make you have sensory overload. you can feel overstimulated because of too many things! but you can also be understimulated when theres not much stuff happening. understimulation is NOT just boredom. it can leave you irritated for hours on end, and feeling unsatisifed with the things you do. and sometimes even feeling hopeless.
your emotions with ADHD are way worse too. theyre usually more sensitive and hard to control, rapidly changing and hard to predict. and with the already overwhelming issues from the previous point, yeah, its not great.
it can make your thoughts race or blank out, which makes it almost impossible to focus. it leaves you feeling frustrated because you are unable to finish your current task, even if it seems easy, like cleaning the dishes or making the bed. they are extremely overwhelming for a pw/ADHD. again, with all of the sensory issues mentioned.
ADHD also makes you very forgetful and prone to misremember even the most important things, such as meetings, work to do, etc etc.
and of course, hyperactivity. this also just sucks because you are unable to control yourself during bursts of hyperactivities and it makes you exhausted right after it happens. you might also potentially hurt yourself because being hyper can make you impulsive and do risky things.
plus so many more! ADHD has so many issues with it that i just urge you to research about it more before headcanoning rivulet as a slugcat with ADHD. (or any character with ADHD really.) but these are the main issues that me and the people i know w/ADHD has experienced.
im not saying that its wrong to have your rivulet as energetic/hyper/silly or with ADHD in general of course, no no no!, in fact its completely fine! but just please keep in mind when you are explictedly stating that your rivulet has adhd, dont give them only the hyperactivity trait and nothing else. dont call an energetic rivulet an "ADHD slugcat" just because its.....energetic. dont make ADHD this cutesy disorder that makes you excited and silly, because in reality, its really not.
thank you for listening to me ramble. its something thats been bothering me for a bit.
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lemonlover1110 · 5 months
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𝐂𝐡𝐚𝐧𝐠𝐞𝐬
Satoru Gojo
[Chapter 17] Father and Son
← Previous Chapter - Story Masterlist - Next Chapter →
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Pairing: Satoru Gojo x f!Reader
Discord +18 - Twitter - Ko-Fi
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Satoru tries to make up for the past four years of Ren’s life in a matter of weeks. His focus drastically changes, from his work to his son. He ignores the matter of so many people knowing before him, he avoids his mother and his so-called friends. His main and only priority is his son.
You both wish you could say that your relationship has gotten better, but you don’t really speak to each other unless it’s about the son you share. You’re hopeless that it’ll progress past what you have. Neither of you have the courage to bring up the situation, either way, your attention should be on Ren. 
Ren is finally meeting the man that he’s been dreaming of, and he’s getting to know his father after four years. You’re mostly excited for your son, while also regretting hiding it when you had the chance to tell him. Your relationship is the last thing on your mind– It’s certainly the last thing in Satoru’s mind.
He visits daily, bearing many gifts for his son. Satoru has become a regular at the toy store, buying something each day for his son, something that he thinks Ren would like. He hopes that material stuff will make up for the time wasted. Sometimes he brings some candy, but he doesn’t do it often. Satoru is still his father, he can’t just spoil him rotten, he also has to care for Ren’s wellbeing. He’s slowly growing accustomed to becoming a parent.
“What’s this, Ren?” Satoru holds up a cute white cat plush, one that Satoru always finds on the bed. He wonders if that’s the toy his son has had ever since he was a baby, he guesses it is since Satoru feels like he’s seen it in the background of a picture before.
“It’s whiskers.” Ren answers, taking the plush from his father and putting it back on the bed. That’s before he turns to other matters. Ren doesn’t mind sharing his toys (because you’ve been the one raising him), but whiskers is someone that Ren doesn’t like anyone touching. Anyone and anything can get the toy dirty, and when that happens, you refuse to let the toy on the bed, at least not before you wash it and get it clean again.
Satoru doesn’t bother to ask if that’s the plush that he sleeps with, because that’s most certainly a yes. Ren wants to talk about other important matters though so Satoru gives his undivided attention to his son. Ren then asks, “Are you sleeping over?”
“Uhm… No.” Satoru answers. You most certainly wouldn’t want that. Plus, Satoru has a wife at home who has her suspicions that something is going on. He doubts that she’ll care too much, but he wants to keep Ren protected from the world. If Sayo finds out, so does her family, and if her family knows, the whole world will know. “But I’ll stay until you fall asleep, Ren.”
“I want you to stay.” Ren sticks out his bottom lip, obviously disappointed that his father isn’t staying for the night. You let him on your bed all the time and you sleep together, why can’t he do the same thing with his father? Satoru can’t help but feel bad, so he thinks of how to respond to cheer him up.
You commented how you had plans of going on a small trip with Ren before summer ended, but summer evidently has come to an end. It’s colder now and the leaves are changing color. Satoru finally decides, “We can go on a trip soon, and we’ll be together all day every day.”
“Really?” The little boy’s eyes light up, making the biggest smile come to Satoru’s lips. Satoru now wonders how he was ever happy without him– Well, with you… But that memory slowly fades away since your relationship is now filled with awkwardness. Satoru nods his head in response. He can lie and make it a business trip, it’s not an issue for him really.
“We’ll have to talk to your mommy first, honey. Then we can plan it all.” Satoru answers, and Ren turns around to go look for you. Satoru feels awkward sitting alone on a bed that’s far too low and small for him. He stands up and follows Ren. They both look for you around the apartment until they land in your bedroom. The bathroom door is closed, and Ren immediately knows what to do.
Ren opens the door to the bathroom, and you immediately make eye contact with Satoru. Your face grows hot of embarrassment, and obviously Ren doesn’t see an issue with it. Ren’s issue is when he actually steps into the bathroom, and he just has to comment, “It stinks.”
“Yeah, I wonder why. Get out, Ren, and close the door!” You raise your voice, your embarrassment getting the best of you. Ren closes the door, leaving you to it, and Satoru chuckles. He ruffles Ren’s hair as both walk out of your bedroom.
“You gotta learn how to knock, baby. Give your mommy some privacy.” Satoru says, but it goes one ear out the other. Ren isn’t going to knock, you’re his mommy. If you want your privacy you better lock the door. They take a seat in the living room, where Ren grabs the remote to put on a movie. He knows how to get the movie he wants, even when he’s just learning how to read and spell.
“Where do you want to go?” Satoru asks, wondering where his son wants to go. Ren drops the remote on the couch, putting his tiny index finger on his chin, humming and tilting his head to the side as he thinks of the answer. 
“The beach.” Ren answers, but it’s cold. They can go out of the country though, go somewhere warm. He needs to talk to you first, of course. When you finally walk out of your bedroom (after mentally cursing your son for not having any manners when others are around), you go to the living room to see what they needed.
“What did you need, Ren?” You ask, and he looks excitedly at you. Satoru is the one that speaks up for him though,
“We want to go on a trip, can we?” You almost laugh since Satoru sounds like a hopeful child.
“Where are you two going?” You respond. You can’t really say no because Satoru is supposed to have equal authority as Ren’s father.
“Ren wants to go to the beach.” Satoru answers, Ren nodding in agreement. You cross your arms, your brows furrowing.
“It’s too cold to go to the beach, do you not have any other place in mind?” You point out, making Ren pout. The pout doesn’t last long though since Satoru says,
“We can go to another country. Somewhere warm with better beaches.” You’re certainly not convinced since you doubt you’re part of the plan. You’re not letting your baby boy in another country without you– Well, technically he’d be with his father, but you’re still not convinced. Until Satoru says, “Of course, you’re included! I doubt Ren would go anywhere without you.”
“I wouldn’t.” Ren affirms, and you laugh. 
“If you plan everything, then sure. We can go on a trip. You need to give me time off though– Paid time.” You say, and Satoru nods in response. He does pretty much everything you ask of him, and you certainly can’t complain about it. Ren focuses on putting on one of his favorite movies, and you begin to walk to the kitchen, asking, “Are you staying for dinner, Satoru?”
“Yeah.” Satoru answers. He’d definitely rather eat here with his son and you than dine alone at home. He helps Ren put the movie on, and they both begin to watch the movie. He’s watched this movie around five times the past week, and to be honest, Satoru is sick of it. But he’ll watch it because Ren loves it. 
He’s grateful when you call his name, and he has to tell Ren that you need him, so he can’t stay to watch the movie. Satoru walks to the kitchen, and he finds you trying to reach something that’s far too high for you. Satoru’s eyes land on the white bowl and he reaches for it before handing it to you. You mutter a thank you, and you expect him to go back to Ren, but he doesn’t. You then tell him, “That’s all I need from you, you can go.”
“Do you need help with anything else? You know I love Ren but… I’m sick of that movie.” Satoru answers, earning a chuckle from you. You think about what he can do for a moment, and he patiently waits for you to answer.
“You can make the salad, and then set the table.” You respond, and you think you’ll regret it for a moment. Satoru has had everything done for him, he probably doesn’t know how to cut a cucumber; but then you remember that he lived alone for some time, he had to cook for himself for a while. Satoru immediately gets to work, opening the fridge to get all the vegetables that he needs. He looks around the cabinets and drawers for the cutting board and knife, and he quietly begins to cut the vegetables.
“Have you talked to Shoko?” Satoru asks, washing the lettuce throughout. Pretty much everything is wrong between the two of you, but you can’t just stand in awkward silence every single day. You have to talk to each other, after all, you doubt you’ll stop seeing each other.
“I haven’t. I’m not going to for a while.” You reply. In Satoru’s eyes, she did nothing wrong. He’s glad that Shoko told him, otherwise, he probably wouldn’t be with Ren. But in a sense, he understands why you don’t want to talk to her. “Tell her to stop calling my phone because I’m not going to answer. I’ll call her when I’m ready.”
“I’m not really talking to her either.” He responds.
“Is it because she has the hots for your wife?” You blurt out, and you bite your tongue the moment the words leave your lips. Satoru’s brows raise, definitely surprised by your words. You can’t be serious, can you? Before he can ask more questions about it, you change the topic, “Speaking of… When are you going to tell Sayo about Ren? She’s your wife, she has to find out eventually.”
“Maybe after our trip… I’m not sure how to tell her.” Satoru shares, and you understand that it’s a tough situation. He has to figure out a way to tell his wife of almost five years that he had a kid that’s almost five– And he never cheated, he just found out about him. This was all before their marriage. It’s definitely hard. Satoru clears his throat, mustering up the courage to ask about Suguru, someone else that he has been ignoring. “So… How are you and Suguru? Are you still seeing each other?”
“We’ve been busy, but we’re still… Talking.” You answer. You won’t lie and say that you don’t feel nauseous every time you talk to him, your heart nearly beating out of your chest for the simple fact that you lied to him. He has to find out that you lied eventually. “Have you talked to him?”
“I’m not talking to him. I’ve been ignoring him. I’ve been ignoring everyone.” Satoru responds. He puts the knife down, watching you as you begin to cook. He bites down his lip, holding back on saying a couple of things that are on his mind. About this situation, about you and Suguru, maybe an apology. Satoru has been a complete mess with so many things going in his mind, but not voicing any of them. He does have to ask one question though, “Is Ren the reason why you quit school?”
“Yeah…” You feel embarrassed to say it. “I couldn’t afford both. It was either my baby or school, and that was an easy choice.”
“Sorry…” He mutters, and it’s barely audible but you hear it. You don’t really pay attention to it, in the end it was your decision. Given the option, you’d do it all over again. 
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spdrvyn · 2 months
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miguel and his sunshine human gf that loves to annoy the shit out of him and sometimes in order to stop her/calm her down he has to put her in an air jail 🤭
ardor and annoyance
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miguel and reader who's a bundle of energy and joy. having to tame your late night rituals is no easy task, but it's one that he's always willing to take. what's more important than having your dear lover in bed with you?
pure fluff. reader can be seen as either civilian/spider. is it really one of my fics if i don't write about how much miguel hates himself even by just a little bit
dividers by @cafekitsune
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What Miguel learned from being a leader, setting an example, being his mother's son, and serving as a hero was patience. 
It was a value that he had slipped up on from time to time, more often with himself. If he ever found himself at wit's end with someone else, he would mope until it passed or wait to get some precious alone time and healthily expresses his emotions by making a mess of his quarters and breaking down until he'd get tired and just sleep it off, restarting this precious cycle. 
Eventually though, he had begun to no longer exhaust himself by getting angry. Unless the entire multiverse was at stake (ahem), then he'd have to spring into action. But his main priority now is to fix the problem, get it over with, rinse, and repeat. 
When you entered his life, he realized that there was more to his ridiculous routines, more than his self-destructive attitudes, and that true patience came with love and caring as well. Obviously, he's light years away from being content with himself, but you redirect him, navigating through when that dastardly cycle repeats, so that you can wash it away and make him anew. 
Miguel isn't the only one that has his layers peeled back though, there's so much that he notices about you. That composed and mature persona that you set up for yourself, that has built good albeit only professional connections with the other spiders eases its way into a bubbly and joyful demeanor whenever you're around him. 
It almost didn't make sense, Miguel just seemed like the kind of guy to not want to do that with, to not want to relax around. He couldn't even relax on his own, the thought that anyone could feel comfortable in their own skin around him was shoved into the back of his mind. That connection that he so painfully needs is put aside for prioritizing the safety of everyone everywhere else. 
Your true nature is infectious, to his dismay. It's too difficult to avoid the care that you're so insistant on giving him, it started with working overtime, to enjoying working overtime, to going over to Miguel's place for work purposes, to going over to Miguel's place for non-work purposes to kissing him for the first time, and now you're dating. 
The catch with Miguel having let loose around him was that all that conserved energy circulated around his apartment, whenever he got home from another long day at the Society, he'd climb into you doing five different things all at once. Reading, watching a show, watching a baking show, baking a cake, and texting. 
It was hectic, nothing that he couldn't handle, but how you're not on the verge of collapsing probably deep into the trenches of the night concerned him. For slightly more selfish reasons, Miguel doesn't like not having you in bed with him. This wasn't as extreme as the missions he took up at work, but it was a mission nonetheless.
You're... Busy, Miguel doesn't know what with. He sees yarn, he sees cookie dough, he sees a laptop, tablet, phone, and headphones, and so many other trinkets that are buried under the pile that you've built on the kitchen counter. Your focus shifts between each individual station, and Miguel shifts closer and closer to you quietly. 
You're occupied on the laptop, occasionally looking at the stove while you're doing so. Then returning to your yarn and now knitting needles? Before mixing the cookie dough even more and even liking the mixture off of the spoon, humming to yourself contently. 
You don't even notice that Miguel is right behind you, until he secures you against his front and lifts you up with a squeal. 
"Miguel!" You whine, squirming against his solid arms. Your feet swing in the air and you try to push his hands away from your midsection, but there's no use in trying to free yourself when it's with him anyway. 
"Go to sleep. No más tonterías, cariño." His voice is fogged by sleep, as his grasp on you tightens. You turn slightly with what little space that you have and you can see his slumber muddled stature. Tousled hair, relaxed expression, eyes half-lidded, and he raises a brow at your staring. "What?"
"Nothing," you sigh, "I'll go to sleep, you just have to let me go."
Miguel shakes his head, rocking your swinging body from side to sidet to go along with it as well. "No, I don't trust you." There's a humorous fry to it, you accentuate the pout on your lips, and he laughs. 
It takes a little while for you to convince him to put you down, you can't say this is the most uncomfortable position for you. Whenever you're around Miguel, you always wind up in his arms one way or another, but this time that principle is just being used against you. The conversation shifts, less about your captivity, more about Miguel's day, your day, anything new outside, anything new in Spider Society. The position you're in, the silky nature in his voice, it gets you groggy and Miguel can sense it. 
He wins. 
He handles you to the bed properly now, laying your once tireless form onto the comforter as he tucks you in. You don't even try objecting anymore, the stove is still on, the video on your laptop was probably still playing, and that knitting project will have to remain unfinished until tomorrow, but it was fine. You know that everything is fine when Miguel gets into bed with you, pressing his lips to the top of your head in one long kiss. 
He wins this little dispute of yours, but you know that you've won at life knowing that your nights end like this, engulfed in his embrace, the sound of his breathing bringing you to a deep sleep as well. 
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impishjesters · 6 months
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I have this idea floating around in my brain for a while about a reader who likes to draw and because they have a crush on Jax they draw him. Jax eventually steals their notebook and probably teases them about it lol.
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Jax x Crushing!Reader
warning(s): innuendos, bullying/teasing, Jax note(s): Look it's me and Jax, there's gonna be innuendos or some spicy wording and bullying. It's like a packaged deal or something. A/N: If you see me mixing Angel Dust's speech into Jax, no you didn't. If you didn't notice, I don't know how to tease and not be an asshole, so pretty on the brand I guess.
Caine had given you a sketchbook upon request, it was a little different than an actual sketchbook but it did the job regardless. Ever since your arrival, your fingers have been itching to draw, there were so many new sights and so much new inspiration.
There were so many things, so why did it seem like the doodles of Jax ended up on almost every page?
Easy, you had a crush on the apathetic, mischievous jerk named Jax.
Why? Well, now that’s the million-dollar question. He’s not inherently awful, no, that’s a lie, he’s an asshole. You don’t really have a good read on him yet but he’s funny! That’s gotta be redeemable, right? However, his jokes are usually backhanded and often involve being mean at the expense of others.
Okay so he’s a walking red flag but there’s something about him that has you crushing on the purple bastard.
Looking down at the sketchbook on your lap shows another two pages filled with sketches of random things, though most of the page is filled with Jax. You had taken to sketching things back in the real world to remind yourself of home, but eventually, those sketches would involve Jax doing mundane things.
Thing’s like sitting at a table eating real food, though you took creative measures when drawing an open mouth on him, it still looked off but it was serene and domestic. Then there’s the little sketch at the bottom of the page of Jax leaning against a window and staring outside. You’d manage to nab the pose and angle when he was leaning against one of the many random geometrical-shaped things in the main room and later added in a window.
It was embarrassing that almost more than half of the pages in the book involved Jax to some degree. Some pages weren’t even subtle, the whole page taking up a detailed portrait version of the male. Sometimes you even got creative and put him in different clothing.
Thumbing through the pages you saw there weren’t that many empty pages left. You’d need to ask Caine for another one and figure out what to do with this one. It couldn’t be left out in the open, you knew Jax had keys to everyone’s room and wouldn’t put it past him to go snooping. He’d already questioned you about the sketchbook before.
You’d been so focused on the sketchbook that you hadn’t noticed the man of the hour walking up. Jax noticed your intense focus and peeked over to see the infamous sketchbook on your lap, and with practiced ease managed to yoink it right off your lap.
“Well, well, well, what do we have here? You finally showing me what you keep your nose buried into?”
A yelp left you, stumbling to get on your feet you rushed to him and began swatting at the book and of course, he’d keep raising it just out of reach. “You took it! I didn’t say you could look at that!”
“Nah, pretty sure you said I could look at it.” He continued to lower and raise the book as you jumped to grab it. Sure he was curious before, but with a reaction like that? How could he not be even more curious? What kind of seedy shit were you drawing? Or perhaps some spicy nonfamily-friendly content?
Jax ignored your frantic words and opened the book to a random page, he was going to tease you about whatever dumb stuff you drew since you always had your nose in it but all he saw were sketches of himself.
A normal person might get embarrassed and hand the book back, but he’s not a normal person. It’s a little freaky, he won’t lie. A glance downwards shows him you’ve gone silent in front of him, simply staring down while he invades the privacy that was your sketchbook.
Your face is red and you look like you’re going to cry any second.
He’s a jerk, he was going to fuck with you, and he still is, but for the moment he’s taking in all the creative little pieces involving his face. Ya know, he never really thought much about how he’d look in other clothes. Gotta say he looks pretty snazzy in something that isn’t these shitty overalls.
“You know if I didn’t know any better,” his fingers still flip through the pages as he steps closer, circling you. “I’d say you like me.”
“I don’t.”
The reply is rushed and he rolls his eyes at the blatant lie, he’ll humor you this time. “Oh yeah? Does that mean you’ve got sketchbooks for everyone else too? Cause I’m pretty sure this is the only one I’ve seen you with.” He taps a doodle on the cover that gives away it’s the same notebook he always sees you with.
Tears trickled down your cheeks, you knew he was a jerk but this felt like too much. You just wanted your sketchbook back and to run away to your room, maybe pin something in front of the door that would render even the key useless.
His eyes roll the second he sees a tear, he’s not really seeing the problem here. You’ve got a book full of creepy—okay not completely creepy, he’s a good model so good on you for seeing that—sketches of him and he’s truthfully honored. It’s clear that you didn’t do this with everyone, so he’s honored to be your little model. Besides, it’s not like you actually have a crush on him, right?
Minutes tick by of him simply eyeing you, you’re still crying and it’s starting to get a little ugly and snotty, ugh. But you aren’t trying to further deny his little comment about you liking him. He’ll have to have a little talk about that later, what you could possibly see in him because he knows that you aren’t a sadist—oh, are you a masochist? That’d explain a lot.
Jax sighs and closes the book but doesn’t hand it over, simply putting the free hand on his hip. “You know if you wanted to see my face all you gotta do is ask. I’ll gladly show you this handsome face any day toots.”
Of all the things you thought he’d say, that wasn’t it. “H-huh..?” You embarrassingly wipe away the tears and snot before looking up at him.
“You heard me. Ya know I love this face too, very handsome. Maybe we can get Caine to put up some artwork in the tent of yours truly.” Jax wouldn’t consider himself vain, but you did have a way of making him look more, dare he say, attractive.
“I-I don’t… I don’t understand…” Was he still making fun of you?
He rolls his eyes before playfully hitting your head with the book. “Jeez, and here I thought you were smart.” Jax leaned over like he was speaking to a child and pushed the book to your chest. “I’m saying, the next time you wanna draw me I’ll give you a front-row seat. Maybe even take it to the bedroom so we won’t be disturbed.”
You push the book into his face to cover up that growing smirk and blush furiously. “Wh-what?! N-no I-I don’t…!” It’s hard to tell if he’s being serious or not in his offer to model for you, especially with the bedroom comment.
“C’mon, clearly you got taste. I mean that book is filled with sketches of me. I’ll commend you on your immaculate taste.” Jax taps the book before playfully bopping your nose. “At least let me give you the pleasure of seeing me close up. I’ve never been a model before so you might have to get a little hands-on to get me the way you want me.”
As the innuendos continue your face feels like it’s getting impossibly red and warm. Somehow this is worse than him telling you a sketchbook full of his face is creepy, in fact, you’d almost prefer it because your poor little heart can’t take anymore. You let out a yell and it stops his tangent but that stupid smirk of his never disappears.
“Offer still stands. You know where to find me.” Jax turns away but not before throwing a little wink over his shoulder. He still plans on pestering you about what you see in him, but for now, he’ll cut you some slack. You’re about as red as Ragatha’s hair and as much as he loves to see it, he didn’t plan to get this sidetracked when he saw you on your own.
He’s got a sucker to prank.
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Note
saurrr what do we need to do to get that deleted scene??? 👀🤲🏼
beg.
LJHDFJGHKJ KIDDING you asked and i shall serve with not only the deleted scene but two bonus scenes:
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from the fic guerrilla (serialkiller!dr.yunho x writer!reader)
wc: 4k
notes: surgeon yunho who just so happens to be a serial killer (a vigilante with morals if you must), reader is a writer working on gory crime fiction novels, they are housemates, fluffy stuff, talks about therapy, questionable morals, honestly very questionable morals, smut at the end (minors and anyone not comfortable with dark themes do not interact with the third section
"oh, you're home. almost didn't hear you," you said when you spotted yunho coming down the stairs. in the past few months, you had learned quite a few habits of his, one being that he could be as silent as a feather at times.
which was a bit scary, but you supposed it was just a natural skill of his.
"of course you didn't. you were humming something while you cooked," yunho stood near the counter, looking around and you muttered a silent curse- no wonder you didn't hear him. "need help?"
"yeah, if you could just set the table," you said and yunho obeyed instantly, taking out the utensils and scooping the dishes while you told him about your day- mail arrived, you befriended a stray cat that has now found home in your backyard, you went shopping for grocery today and got the stuff yunho had requested you to buy for him.
and while you ate, yunho said his thanks for saving him a trip to the grocery store and told you about his day- he went to assist a professor from his previous job in a complicated surgery upon his request. you told him he looked fond of that professor and he admitted that he owed most of his surgery skills to him and he often called him to assist him.
and just like that, you finished your meals and you started clearing the kitchen and washing the dishes while he went to the backyard to bring the laundry inside. it was the weekend and you wondered if yunho would join you in the living room just to hang out or watch something. or would he be too tired and just say goodnight and leave?
he stayed. he slumped down on the couch and took out his phone, probably responding to texts. you silently joined on the other end and turned on your laptop which opened to your document and reminded you of the question that had been looming over your head the entire day. you glanced at yunho but he seemed absorbed in his phone and you sighed- maybe you'll just ask him tomorrow-
"is something the matter?"
he didn't have to be that observant. you straightened. "nothing. just wanted to ask you something related to the book- but it can wait."
"you can ask me, y/n."
"you seem busy and tired, though..." your voice faltered when he shot you with a challenging look.
"never too busy for your weird questions."
"oh," you laughed a little and when he set his phone aside to focus on you, you stifled a satisfactory smile. "okay, so remember what i told you last time? the cop who's also a criminal, he's targeting the main character- the detective now. he finally baits her into entering the abandoned warehouse where she thought she would find some druggies."
"yes, and the warehouse doesn't have much space to run because of the abundance of shelves so when she's looking around, she keeps thinking she's hearing something- which is actually the criminal riling her up and waiting for the perfect opportunity to strike."
"yes," you smiled. "now, he's going to attack, and another unfortunate cop who accompanied our detective is going to get killed by him while trying to protect the detective. so that gets the detective all messed up in her head and she's lost her gun but there's a dagger lying on the floor- remember the dagger i showed you for reference?"
yunho nodded and you continued. "the detective aims to hurt the criminal, not kill, but the lines must be blurred so when she is questioned about her motives, she wonders if she actually intended to kill the man."
"because there's the fact that the criminal is her colleague and that could have worsened her anger. she might have actually wanted to kill him," yunho recalls.
"exactly," you shift in your position so your legs are tucked under you. "now... where would the detective stab him? self defense, anger, confusion, all these elements."
yunho hummed in thought, his eyes running all over your body. something you had noticed that whenever he answered one of your questions, he would envision them on you. that might have made you a flustered mess in the beginning when his eyes would fixate on a spot on your body but it didn't really bother you anymore- you supposed as a surgeon, he got lost in vivid imagination or something.
"there's quite a few ways we could achieve that, but i think if you can narrow it down, it might help."
"somewhere near the heart? throat? something that would disarm the criminal immediately," you said.
yunho nodded slowly, his eyes fixated on your neck now and you subconciously adjusted your shirt. he finally met your eyes. "i think this spot might do the trick."
yunho fisted his hand but outstretched the index finger. "suppose this is the tip of your dagger, right? you would want to stab right here," he turned his hand to touch the space between his collarbones. "this spot is tricky because for males and females, it's not the same."
"oh?" you touched that same spot on yourself. "how so?"
"males usually have a thicker clavicle," yunho explained, stretching the collar of his shirt to expose his collarbones. "the gap between the two may be wider but it's definitely easier to stab a man here than a woman."
you touched your own collarbones for reference in confusion and when yunho had enough of your struggling, he scooted closer and touched the space between your collarbones with his finger. "this part. v-shaped, right? it's a bit straighter for men. so if your criminal was a woman, i'd have you stab them... right here," yunho trailed his finger up and dug it in that spot. you nodded. "the clavicle is a bit narrower in females too," he trailed his finger along your collarbones. "and positioned at a more diagonal angle-"
he didn't realise when he started rambling but when he met your eyes, he found them wider than usual and your lips parted, and only then did he realise the proximity between you two. you gulped and he felt that movement on his finger still situated on your skin and his own lips parted in surprise, his mind going black when your gaze fell down there.
and if that damned phone hadn't buzzed repeatedly, he would have done something about you. he definitely would have, ignoring all his strict rules, because there was no way you didn't feel a certain way about him. he was sure you did, especially now. especially when he drew back to check his phone and heard you let out a deep breath. you had been holding your breath all this time.
"i, uh... i have to take this call," he pursed his lips.
"of course," you nodded.
"i hope that cleared your confusion?" yunho dared to ask and when you stifled a smirk, he got his answer.
-------------------------------------------
[bonus scene that takes place after the big revelation]
it's been a long time since you woke up feeling like there was a weight on your chest, unable to breathe properly, hair matted to your face and your head spinning.
a nightmare. no-
a memory.
you checked the time- it was almost 4. you shook your head- maybe you should have pushed yourself to stay awake until you passed out so you could have a dreamless sleep. you always slept better when you were tired- not the healthiest habit, but that was how you overcame your sleeping struggles as a teen when your father passed away.
would you have to do this all over again?
you managed to walk to the toilet to wash your face, staring at the sink for the longest time and letting the water run through your hands as if it could wash away the weight of what you had done before finally snapping out of it and turning the tap off, exiting the toilet to go to the kitchen. you took a deep breath and sat yourself on a stool in the kitchen, taking small sips from your glass.
you could not go back to sleep now. not anytime soon.
you briefly wondered when yunho got home- was he home yet? lately, you had been going to sleep at odd times so you didn't run into him much, but you couldn't sleep for long- you would always wake up, just like you did tonight. the nightmares were plaguing your rest hours-
the glass slipped from your hand and crashed on the floor loudly, making you squeal a little. you winced at how loud it sounded in the dead hours of the night and you tried to find a spot on the floor that was not covered with shards- how exactly were you going to put your feet on the floor with all the glass around you-
"y/n? is everything okay?"
you sighed internally. "did i wake you up? i'm sorry, the glass just slipped."
yunho turned on a light and surveyed the mess. "stay right there, okay? don't move- i'll get the broom."
you nodded and waited until he started cleaning the shards from around you, making sure he got everything and then running to your room quickly to get your slippers. you thanked him, taking the broom and dustpan from him this time, spotting a tiny shard at the other end of the kitchen.
"were you asleep? did i wake you up?"
"i got home like, an hour ago," yunho said. "was just scrolling a bit. are you okay, though? you look pale."
"yeah, i'm okay," you put the broom in a corner and washed your hands. when you dried them and turned, you noticed yunho watching you intently. "what?"
"did you have a nightmare or something?"
he always knew. somehow, he always saw through you.
"is it that obvious?" you let out a short laugh. "do i look like a mess?"
"i mean..." yunho stifled a smile. "you usually do look like a hot mess..."
"lovely to hear that," you nodded and he grinned, stepping forward and encasing you in his arms as he peered down at you.
"won't you talk to me about it?"
"what's there to talk about?" you cocked your head and yunho's heart sank a little at the way your eyes went blank. "i killed a man, yunho. again. of course i will have to live with the consequences now."
yunho licked his dry lips and he knew you had zoned out at the way your gaze was fixated on his face. "can i ask you something?"
it took you a moment to come back to your senses and nod. yunho took a deep breath. "do you regret killing the man who almost killed your father?"
"everything went wrong after i did that-"
"but if you could go back in time, would you change that?" yunho asked.
"no." you were sure you would make the same decision. "because if i had not done that, he would have killed all of us."
"so... do you regret killing the man from a few days ago?"
"not at all," your response was quick. "he was going to kill you. i would have done the same, no matter who it was."
yunho brought his hand to your cheek and caressed it, his eyes full of love. you continued, "but that doesn't change the fact that i have killed people."
"i know," yunho said. "you will have to live with that for the rest of your life. it won't get easier, it will always hang like a noose over your head. but if you keep all of this to yourself... it will only get harder, y/n."
"i just... i don't know what to do," you exhaled a deep breath, looking away. "i feel so helpless. you've done so much to help me, hell, you almost took the blame for it, but still..."
"all these feelings are normal," yunho took your hand and started guiding you to the couch in the living room. you both settled down close to each other with yunho's hand on your shoulder, his thumb caressing your neck. "but if it's troubling you to the point of nightmares... why didn't you tell me earlier, y/n? if there's anyone who can relate to you..."
"it's you, i know," you smiled a little. "and i'm okay, for the most part, but for a while that night, i really thought it was all over, and that scared me so much, yunho."
"it's okay-"
"it's not the remorse that's eating me up, see?" you let out a short laugh. "it's... the fact that it's not the remorse eating me up but my selfishness when i was scared that you were going to take the blame and i would have to pick up the pieces of what was left all by myself. that your friends would hate me for the rest of our lives. that you would rot away in prison, like my father did, and i would never get to touch you again. it's wrong, isn't it? that this is the product of my nightmares and i don't need to sleep to feel this? does this make me a monster, yunho?"
if yunho could tell you how he felt at that moment, perhaps you would cower away, but he just had to ask you something. "do you still think you're the monster when i'm right in front of you?"
you looked at his unbelievably soft gaze and furrowed, somewhat confused brows. the dim lights from the kitchen softened half of his face, but even the shadows on his face didn't change who he was. you found his hand on your neck and held it, pressing your lips against his palm.
"i have killed more people than i can count, y/n," yunho continued, his voice pained. "but if that means that the world is somehow safer, i will continue down this road no matter how weary i get. does that make me a bad person or a good person? i realised long ago that i needed to stop categorising myself into one category, however... i sure as hell wouldn't call myself a good person," he let out a short laugh and you shook your head.
"if you weren't a good person, you wouldn't have tried to take the blame for me that night. and on that note... what were you thinking when you did that? without hesitation? can you imagine how wrong it could have gone if you got caught at that time-"
yunho leaned in and captured your lips in a deep kiss and thought it took you by surprise initially, you quickly melted in his grasp, your heart fluttering uncontrollably at the way he held and kissed you. when he drew back, he lingered for a few moments before looking at you.
"i would have done that anyway, no matter the consequences," he told you and you smiled sadly. "for you... i would do it again. so will you listen to me? will you let me help you?"
you nodded and he pulled you in for a hug. you scooted closer, almost sitting in his lap as you wrapped your arms around his waist, fisting the material of his sweatshirt.
"i know how hard it is to live with what we have done, no matter how we feel about it or think we feel about it," he caressed your head. "we think we have it all figured out. we think we'll be okay but really... it's still a human life, isn't it?"
you nodded- he was absolutely right.
"i harboured so much negativity in myself when my parents were killed. i thought if i would face their killer, i would not hesitate to kill him, but i did, and it cost me my sanity for a good while. if it weren't for hongjoong and mingi helping me figure out everything that was going on... i would have been so lost. i still think i am- the twisted, monstrous part in me is okay with what i do-"
"please don't call yourself a monster," you whispered. "you're anything but."
yunho embraced you tighter. "thank you for believing in me, but you should also tell yourself that."
and that's when it all made sense, what yunho was trying to tell you. it wasn't okay, it probably never will be, and it never should be. that's what you have to live with, and that's what will ultimately differentiate you from the actual monsters in this world.
"how do i convince myself i'm not the same as them?"
"that's what i'm here for," yunho laughed and you joined, drawing away from him. "but actually... i have a suggestion for you."
and that's how he told you all about mingi, the psychiatrist and the therapist who would never judge you no matter how dark your deepest thoughts and desires were. the person who would be able to understand your situation better than anyone else in this world since he was also a part of what yunho did. and most importantly, the person who wouldn't convince you to be someone you weren't. someone who wouldn't put you high on a pedestal or push you to your lowest. you adored the look on yunho's face when he told you all about his friend and you thought that mingi must be an admirable person if yunho believed in him so much.
and that night, he made a vow to you- he would always be there for you. he would be there to help you with the nightmares because he wished someone was there for him too. he would make sure you get proper sleep, and how couldn't you, if you were in his arms, safe and secure? how couldn't you, if you were showered in kisses before you fell asleep? how couldn't you, if you were enveloped in his scent that felt like home now?
the nightmares wouldn't easily stop but at least you wouldn't feel alone now, and that was all that mattered.
----------------------------
[something romantic but unhinged bc man now that i'm writing guerrilla again i wish i made it even longer LMAO]
[mdni!] [and do not interact if you're not comfortable with dark themes]
"yunho, what if your dark fantasies take over while we're having a moment and you kill me or something?"
yunho almost choked on the last sips of hot chocolate you had made him and he put the cup down on the table before shutting his eyes, inhaling and then opening them to glare at you.
"what stupid book are you reading now, babe?"
you pursed your lips in guilty admission. "you don't need to know that."
it had been a good few months into your relationship with yunho now, and he knew to expect odd questions like these way before that. when you first moved in, the questions had been related to your crime fiction wip but now that you were comfortable with him...
too comfortable, he thought. you couldn't ask something like this while you were seated so casually, defenceless across the couch with your legs in his lap while you used your tablet probably to edit your current draft.
"but do you think it happens? do you have moments like those when you... you know."
"when i what?" yunho smirked. he could play this game.
you immediately knew the mood had changed when his eyes glinted playfully. one thing about yunho was that no matter how strange or ridiculous your questions were, he would always answer.
"i won't judge you, i promise," you laughed a little. "but do you ever want to? or do you think others do?"
"words. i need you to say it out loud," yunho sat back cockily while his hand rested on your thigh, squeezing it almost suggestively.
and you knew it could only go one way from here. one thing about yunho was that no matter how strange or ridiculous your questions were, he would always answer-
practically. whenever he could, practically.
"if you're about to see if you feel like killing me right now, no thanks. and for your information, i can fight back."
"can you?" yunho scoffed.
"i've killed two men."
yunho laughed mockingly at that. "two. such a cute number."
your heart sank at that but you tried to lighten the situation. "okay, yeah, i should probably stop reading stupid books-"
"do you want me to check and see, though?" yunho cocked his head dangerously, removing his hand from your thigh only to hold your hand and pull you closer.
"geez, you really take answering my questions so seriously," you teased. of course he would never hurt you, but the thought of where this could lead to excited you in too many ways and you internally slapped yourself. "i guess i'll find the answer if i live to tell the tale?"
yunho pulled you properly in his lap, one hand stationed across your legs to keep you close to him while the other hand stayed on your neck, his thumb caresseing your adam's apple. you loved putting yunho in this headspace, when his gaze darkened as he thought about all the ways he would mess with you.
"do you know how easy it is to take someone's life if you press this wrong?" yunho pushed your adam's apple with his thumb just a fraction. "even just a little pressure can make it difficult to breathe."
you twisted away from him to put your tablet away and then put your own hand on his neck to feel his adam's apple. you pressed it a little just like he had demonstrated and nodded in understanding.
"it's ironic then, isn't it?" yunho looked up at you. "that some of the most sensitive spots on a human are around there?"
before you could ask him to elaborate, he pulled you closer to kiss you on the side of your neck and you gasped when you realised where this was going. he didn't stop there, though, no. he flipped you effortlessly so your back was flat on the couch and he was on top of you. before you could process anything, he was back to peppering kisses along your neck, planting a rather long one right on your adam's apple before finding your sweet spot and continuing to kiss and suck there.
your back arched in pleasure when one of his hands went to hold your waist but found your bare skin instead, your shirt having ridden up. you squirmed under him, one hand at the nape of his neck. when he was satisfied after earning a loud moan from you, he drew back to admire the bruising mark on your neck.
and then he grinned at your breathless form.
"that was so out of the blue," you laughed.
"i'm nowhere near done though," yunho kissed your temple, trailing his lips down along the angles of your face and then kissing your jaw sweetly. you brought your limp arm up to fist his shirt and crash your lips on his because he should stop teasing you already. yunho smiled into the kiss before responding enthusiastically and you tasted chocolate on his lips which made you hum in satisfaction.
yunho took that as his cue to escalate things further. while he kissed you, he let his hand travel down your body until it reached the waistband of your shorts. he broke the kiss to look at you and make sure you were okay and when you nodded, he pulled them down a bit to slide his hand down and he looked at you in surprise.
"you're soaking wet," he laughed a little. "tell me, which part turned you on?"
you slapped his hand and he laughed louder, pecking your lips and drawing away to lock eyes with you just in time to see your reaction when he slid a finger along your slit. he captured your gasp in another kiss and soon, things got all heated up. the sound of your moans were swallowed in his kisses as he slid two fingers knuckle-deep inside you and started thrusting them, curling them inside to earn loud gasps from you.
"so responsive," he praised, trailing kisses down your neck again and finding another spot to suck at. it was good that you mostly stayed at home, you thought. he had a thing with marking you and you could only imagine how much a hassle it would have been to cover it on a daily basis.
"yunho," you gasped when his thumb started circling your clit. it hadn't even been that long that you started getting more physical but he sure knew all your buttons. "please."
"please what?" he breathed against your adam's apple, reminding you once again how this all started.
"i'm so close," you moaned.
"already?" he tsk-ed, kissing the protruding spot on your neck. "how badly do you want it?"
you cupped his face and kissed him in answer, your tongues colliding in the passionate makeout which only sent another wave of arousal through your body and you shivered against him. he knew you were close so he drew apart and made you rest your head against the cushion again.
"you asked me about my dark fantasies, right?" yunho almost whispered and you nodded, anticipating what was next. "not the darkest fantasy, but a good start- choking."
you frowned- choking was pretty common... no?
"there's a very subtle difference in choking for pain and choking for pleasure," yunho explained, his hand around your neck now, his other hand still rubbing your clit in circles, his fingers pumping inside you slowly. "and sure, choking is common, but sweetheart..."
yunho pressed the sides of your throat for a second experimentally and you gasped. "feel that? see how everything you feel inside you becomes heightened but your senses grow numb?"
"yeah," you breathed, squirming under him- you were almost there. "pleasure."
"and if i pressed like this," he said, gently squeezing from the front- so gently that you almost didn't feel anything. "it would be to kill you. how faint is the line between pain and pleasure, y/n?"
you didn't realise when yunho sped up his fingers thrusting inside you but you were almost out of breath now and when he flicked your clit and provided the friction it needed to get over the edge, right when you could feel your orgasm beginning to wash over you, he leaned in to whisper in your ear-
"do you think i have dark fantasies like that?"
and you almost wouldn't have heard him because he pressed the sides of your throat, choking you right as your orgasm washed over you and your vision darkened, your back arching against him. everything was so heightened- yunho on top of you, his fingers inside you, his hand palming your clit, the other hand squeezing your throat like a choker necklace, his lips on your temple in a kiss, his thighs caging you, but the most heightened of all-
his question, the itch in your brain yet to be scratched. it clouded your thoughts as you took deep breaths to recover from the orgasm, as he kissed you everywhere and drew back to clean his fingers with tissues.
"so..." you breathed. "you won't be answering that, will you?"
he only smirked. "answering it would kill all the fun."
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nanowrimo · 9 months
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How to Use Meal Scenes to Develop Characters, Relationships, and Your World
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Worldbuilding can sound complicated, but why not make it a little more simple by focusing on food? It may be the domestic touch you need! NaNo Participant Lacey Pfalz talks about using meal scenes to develop your world and your characters.
There’s one thing that remains a universal human truth: we love food! While our perspectives on food might differ, people all across the globe gather together during mealtimes — and thus, mealtimes are made memorable.
Meal scenes can also help your story in a few key ways, especially if it’s fantasy, science fiction or historical fiction.
Meal Scenes for Worldbuilding
If we’re using food for worldbuilding purposes, does that mean we can say we’re worldcooking?
Just kidding! Worldbuilding, especially in historical fiction, science fiction, and fantasy, is an integral part of what you must do as a writer (In truth, it’s also important for writers from other genres, but we’re specializing in these three today).
Meal scenes can be an important part of the worldbuilding process. Food is intrinsically tied to a culture or a country, or even a small region. That’s why it’s important, when building your own world, to take time to figure out the bare minimum of what your characters will be eating.
Let’s do an example. Your world is fantasy, your kingdom set beside a wide river. Perhaps your capital city, where much of the action is located, is surrounded by wetland.
If this is the case, what types of food would likely grow there? Seafood, fished from the large river, might be your characters’ staple proteins, while rice might grow better than another grain because of your kingdom’s wetlands. Fruit, perhaps even coconuts, might be the sweet stuff your main character loves to devour.
Remember that your world directly affects what types of food your characters will be having: is there coffee in space? What about in Byzantine Turkey or your new riverside kingdom?
Shannon Chakraborty does a phenomenal job with this in her fantasy series The Daevabad Trilogy, which is set in the eighteenth century across the Middle East. Her first book, The City of Brass, is especially good at showcasing the often-fragrant dishes of the various cultures across this region of the world (some copies of the book even have a short list of recipes from the book that foodies can try whipping up for themselves).
While her book is set within the fantastical world of the Djinn, her food is based upon recipes that have been preserved for centuries.
There’s one small reminder with all of this: it’s important not to get too caught up in describing each dish so much that you end up taking the focus away from the characters in a meal scene. Meal scenes can be breaks from fast action, but they should also continue the plot.
Meal Scenes for Developing Characters & Relationships
Character development can be hard, especially if you have a handful of characters that you love! But in order to make your readers love them too, you have to show them interacting with the world around them.
That guy we love to hate? Maybe he’s a loner who has grown up eating by himself. Having him forced to sit and eat with a group of people who have known each other for years might be an awkward moment for him, but it helps readers to learn more about his own worldview — and it might just help get him out of his shell, or at least off the love-to-hate list.
Besides helping you develop a single character, writing meal scenes with some of your characters can also help readers learn more about the relationship between your characters.
Let’s say you have your main character, MC. MC leans over and steals a French fry from her best friend. There’s no issue, right? That’s because they like each other, and the best friend has likely eaten with MC before, and knows she enjoys stealing food from other people’s plates.
But when MC tries it again, this time with the guy sitting next to her, he whacks her hand to stop her from stealing. This sparks an argument that seems, at least to everyone else watching it, pointless, but readers will know from the rest of the story that they’re the enemies-to-lovers trope. This argument is just one of many before they finally acknowledge their feelings towards one another.
See how that worked? A meal scene wasn’t useless; it pulled the story along by giving readers another taste of the enemies-to-lovers trope that so many enjoy reading.
If you need a more visible example of how this can play out, try watching a movie like Pride & Prejudice, (the book is amazing, but I’m suggesting the movie as a visual aid). The movie does a great job showcasing just how different the members of the Bennet family are individually, how they act around each other, and how they act around company.
There’s often little action in meal scenes, so they’re not meant to be overused. The plot should also still be there — take the cringey proposal scene between Mr. Collins and Elizabeth in Pride & Prejudice, for example, which follows directly after a meal when the rest of her family abandons her. In this case, the plot (and Mr. Collins’ advances) ruin her meal.
Perhaps your meal scene is the much-needed respite in between battling fierce aliens for planet Earth, or the first time your main character’s enemy-to-lover has entered her home. Either way, meal scenes are an important way to immerse your readers in what kind of world they’re imagining as well as showcasing how your characters act and — more importantly — how they act around each other.
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Lacey Pfalz is a travel journalist by day, hopeful author by night. She belongs to the class of graduates she dubs the Class of COVID-19, having graduated with a double major in history and writing at Wisconsin Lutheran College in 2020. Her writing passions include fantasy, science fiction and historical fiction (with a little bit of romance, of course!). As someone with a physical disability, it’s her dream to write a fantasy series featuring a main character like her. Header Image by Jack Sparrow
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sketchy-tour · 3 months
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ALRIGHTY! Time to formally reintroduce yall to my silly idiot OC Dandy!
and by that I mean, I redid their ref art, tweaked their bio, and finally made a ref for their stupid pajamas! Wanted to do other fits for them but aa another time. Brain is mashed potatoes.
Anyway, Dandy is my silly WH oc who's main theme is self care/self love messages shown through the imagery of gardening! Meant to be a sort of "garden of the self" sort of deal. They go by ANY PRONOUNS! She/her or He/Him, or They/Them are all correct and okay to use when talking about them! (I just tend to default to they/them) Putting their full bio under the break!!! So you can read it all there!
"Resident gardener of Welcome Home, Dandy Leon is a curious but careful presence among the others in the neighborhood. They enjoy the quiet and spending their time tending to their various flowers. While a little shy around their fellow neighbors, they open up quickly when asked about their garden. Despite their more introverted disposition, they're always determined to make every day just dandy!"
It’s presumed that Dandy makes appearances only in the later episodes of the show’s run. But in old scripts found with them, it's shown that they moved to Home specifically because they were interested in the local plant life there. The episode that featured their move in seemed to focus on them slowly warming up to the others in the neighborhood, as their shy nature made it difficult for them to properly meet everyone. When asked as to where they lived before moving to Home, Dandy mentions living in a farm town far away, simply deeming it "far more south from here!" A lot of their dialogue also mentions their father, though he's never named but instead mentioned passively as Dandy would often use phrases like "Well it's like my pop always said-" when speaking to the other puppets.
During their short time on the show, Dandy's segments seemed focused on care for their garden, the language hinting that the flowers were more a metaphor for taking care of oneself and well being. Other characters can be found pointing out how much better Dandy’s garden looks when they’re feeling happy, but also comment how wilted it becomes when they’re shown to be a bit more downtrodden. They feel strongly about how important it is to be kind to yourself, even if it’s a skill they’re shown to still be working on themselves. Their confidence is something they also struggle with, seemingly a character meant for shyer audience members to attach to and grow alongside with. Dandy is often depicted in illustrations with Frank, getting along quite well in the show, often joining him and Julie on small escapades. Before the show's end however, most of Dandy's screen time is with Wally as he tries to get Dandy out of their shell more to spend time around others.
Interestingly, what pronouns were used for them seemed to change between the show's episodes and illustrated materials. While neighbors would refer to them as 'he' during the show, most art pieces seemed to refer to Dandy as a 'she'. Whether this was simply a miscommunication between teams or a printing error is unknown.
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