Hey my lovely, could i equest a blurb where reader seeks one of spencer's hugs and he's all soft and mushy about it!! I just think he'd give really warm hugs and want one so bad!
shy!reader + post!prison Spencer have a hug
Spencer understands why you might find him intimidating. He did go to prison for a few weeks, and even if the idea of his being a potential felon didn’t scare you, there’s nothing wrong with being nervous around the unknown. You’ve had a few more weeks to get to know the others on the team. He tries not to take it personally that you’re closer with some of them than you are him.
Plus, you’re awfully shy.
Spencer’s been trying to communicate that he’s an idiot. He was shy, once, and he tends to be shy about things now, too, even if he’s taken to hiding that. He hides a lot, these days.
But things aren’t hopeless with you. You’re inarguably his best work friend now that Morgan’s not around, taking the desk next to his —through coincidence or insistence, he has no idea.
“What flavour do you have today?” he asks.
You show him your bag. The convenience store outside of work has the strangest sweets from all sorts of places. You’ve been bringing in a different bag each day, and you always share. “Today is apricot and peach ‘millions’,” you tell him, shaking the bright pink bag like a rattle.
Inside, the millions bounce against each other like miniscule polystyrene balls but with a heavier weight.
“Awesome!” he says, holding out his hand. “Please?”
You rip the corner and tip a generous helping of candies into his palm, doing the same in your own hand. “Ready?” you ask.
“Three, two, one.”
You both tip your heads back at the same time. Apricot and peach are similar flavours, and Spencer can’t tell the difference when they’re both in play. He can also taste apple juice and the sharp citric acid flavour they put in every candy.
He can’t tell if you like them. He quite enjoys it, will happily eat the leftovers if you’re not interested, but your attention isn’t on the candy when he looks up. You’re staring straight at him.
“What?” he asks, perturbed.
“Nothing, just. Had a rough morning. Thanks for trying the candy with me.”
He frowns. “I’m sorry. Let me know if there’s something I can do to make you feel better. I can make you a cup of hot chocolate?”
“Don’t worry about it.”
Spencer’s sure that to an outsider, he and the team appear to travel to a hundred cities a month. In reality, cases aren’t as densely packed, especially with the government expanding their profiling teams, and the majority of Spencer’s day is spent answering emails and giving advice to agents, law enforcement, and his colleagues. He doesn’t see much of you (where you’re forced to work ViCAP calibration as newbies usually are, almost like a hazing) but he does take you that hot chocolate around lunch time. Just to make sure you have the option.
It’s sometime past four PM when you appear again.
“Hey,” he says, turning to you where you’re paused behind your desk chair, “you're finally done?”
“Not yet. So many case files to transcribe, opinions to cross check, signatures and…” You wince. “It’s a lot. You already know.”
“I don’t, actually. I only ever had to do ViCAP as punishment, and I was extremely well-behaved. For a while, anyway.”
You hesitate with something heavy on the tip of your tongue. You’re like every profiler wherein your tells are self-identified and quelled, but you’re still so new, and Spencer’s an expert. You want to ask him for something, but you don’t think you’re allowed. If he presses the issue you’ll shut down, and if he offers you another cup of hot chocolate you’ll simply drink it without letting him in on the real secret.
Spencer waits.
“Spencer, you don’t have to say yes, just… You’re the nicest friend I have, and you always know what I need to hear. Um, I know you don’t like touching people and I wouldn’t ask you to if you don’t want to, but it’s been a really long time since someone hugged me, and…” Your voice gets quieter and quieter, until you’re whispering, and then fizzling out.
“You want a hug?” he asks, surprised.
“If that’s okay.”
“I give really good hugs,” he warns, climbing from his chair immediately, arms opened, an unmissable invitation. “You’ll never get over it.”
“Really?”
He can’t believe you came to him specifically for a hug. He’s gonna lose his mind. Gentle, Spencer ushers you into his arms, head quick to duck down, his thumb on your shoulder.
You could’ve asked anybody in the office for a hug. Penelope would have hugged your brains out. Emily, Unit Chief and secret sweetheart, would’ve taken you off of ViCAP and given you a loving pat on the back. But you didn’t ask Penelope or Emily, you asked him.
“You don’t have to ask me first,” he says quietly.
“You don’t like touching.”
“That’s more to do with germs, and I’m not worried about yours,” he says. “Unless you’re about to tell me you have a headache.”
“It’s like this pounding behind my eyes,” you say with a laugh.
Spencer smiles, his mouth and nose to the side of your head. He gives you a good ten seconds of quiet, his palm warming your shoulder, before he murmurs, “Any better?”
“You’re really warm,” you murmur back.
Spencer resists the urge to squeeze you. “It's the oxytocin.”
“Or you’re just really, really warm.”
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>> bones and ashes
⚔️ sukuna x fem!reader | warnings for: violence, mentions of death, possessiveness (sukuna is as evil as they come so basically every red flag under the sun), non-con that turns into dub-con (Stockholm syndrome), mentions of virginity loss, anatomically impossible size difference (if u know what I mean), blood play, etc | around 5-6k words | also important to note that I absolutely assassinated the canon lore in some points but bare with me
Sukuna doesn’t really have the ability to love. But he thinks he gets close enough when it comes to you. Of course, in his own twisted, macabre way.
Sukuna isn’t familiar to the concept of fondness, let alone anything more profound or meaningful than that. He knows want, desire, possession, curiosity even. But none of those feelings have ever tilted towards the side of affection, nor does he want them to. They’re all narcissistic pulses that keep pushing him forward — towards more power, more control, more of what he can become. He’s not even fond of his own abilities. Arrogant? Perhaps, but not fond. He can’t be fond of something he knows is not at its peak yet, that would just be weakness.
And Sukuna is everything but weak.
He sees you in a cold winter morning and he does what he knows best: he takes. Takes your pride, your virginity, your blood. Takes you like he took the lives of the rest of your village, paints your skin red and watches as the tears wash it away. Sukuna takes and takes until you have nothing left to give, just like he has done countless times before and yet… this time, something switches.
This time, he decides to let you live. Trapped in a dark cell, of course, but alive regardless.
The days move slowly, and you learn to mark their passing by the loud, clanking sound of a metal dish being thrown through a cracked door. The food is mostly raw meet and, after a few days of disgust, you cave in and eat a little of it. Not enough to be satisfied, not even close, but enough to keep you alive for at least a few hours longer.
Sukuna comes by in irregular intervals, and you soon give up on trying to find a pattern in his visits. You know it’s him from the way the door creaks open even further to accommodate his size, and you watch as his large shadow observes your movements for a moment before he kicks the disgusting plate towards you. Most of time time he’s there, you force yourself to eat, afraid of what should come if you turn down his unspoken commands. Once he seems satisfied, he exits without a word.
There is one single advantage in being in a windowless, isolated cell: you can’t hear what goes on up there. You’ve heard enough the day that Sukuna came to your village — the shattering screams, the pleads for mercy, the babies crying, the sound of wood and bone breaking almost too similar to differentiate. You saw creatures beyond your realm and heard awful whispers and threats; held you family as they died and gave up as the snow beneath your hands became as red as the burning sky above. And you know enough about Sukuna’s legend to be aware that it wasn’t an isolated incident.
When evil incarnate arrives, there’s not much you can do but surrender.
Though, when it comes to the legends, you thought that his palace was more of a manner of speak than an actual location. Once again, though, you’ve heard enough legends to know when to stop inquiring about the details.
Sukuna comes in after a week with a plan and a cloud of amusement over his head — frankly, given the state you were in, he thought you would be dead by now. Your stubborn hold on life is as impressive as it is pathetic.
“You looked so small when I first saw you,” his thunderous voice breaks the silence. There’s no food in his hands this time, only the fire cracking behind his form. You’re sitting down on the cold floor, back against the wall, and you don’t even bother looking up at him. “You look even smaller now.”
You don’t answer, because you don’t know what to say. Of course you’re smaller — you’re weak, starving, lacking movement and sunlight. Every muscle in your body aches and the aftertaste of dried blood never leaves your mouth. Smaller is a compliment; you wish you were just bones and ashes by now.
Sukuna takes a heavy step inside the dark chamber. “I killed everyone you’ve ever loved that day,” he says, bluntly. There’s no amusement nor sorrow in his tone — it’s a neutral statement. He lowers himself to your level and, on the corner of your eyes, you see his four arms. He is so wrong, even in a physical sense. Like the scar of something that shouldn’t even exist. “And yet… you live. Do you want to know why?”
You sneer. “I wish you’d just let me die.”
He chuckles, and one hand meets the side of your head. His fingers dig into the dirty, messy strings and pulls on the roots. There are tears on the corners of your eyes but you refuse to let him see them. “That’s exactly why you’re alive,” he says. “I knew you were ready to die when I saw you — all bloodied up, on your knees in the snow. It was quite a sight.” Sukuna’s voice is a malicious whisper as he comes even closer to you — he smells rotten. The tongue that licks up your cheek makes you want to puke. He tastes you the same way as he did on the first day, and you have no idea what he’s searching for. “Tell me, why were you so ready to give yourself to me? Most try to plead at least.”
“Plead for what? Your mercy?” The sarcasm is clear through your tone. The words you mean to say are knotted in the base of your throat and the odor Sukuna reeks is making you dizzy; making you remember everything that came before this. “I— I didn’t have anything else to live for,” you stutter. “You killed… you killed my mother, my father, my baby brother… why would I want to live without them? Why would I humiliate myself asking for mercy from a creature that clearly doesn’t have any to spare?”
Through anger, you look up at him. His eyes are flames bursting through the darkness, and they shine as your words settle on his skin. “Do you only live for love, my little dove?” He asks. “What a purposeless life you have.”
“Do you only live for hate?” You ask back before you can hold your tongue. Somewhere in your mind, you know that he’s capable of unimaginable evil, but you are beyond the point of caution. “What a purposeless legacy you’re leaving behind.”
This angers him. The corners of his mouth twists as he speaks. “You people fear me. Even the strongest of sorcerers doesn’t dare to go against me.”
“I pity you and your ridiculous need for destroying what isn’t yours,” you spit. “And I hate you for keeping me alive. I hate you for everything you’ve done to me and to the people I love. And I hate that you even dare to come here and talk to me like I’m the smaller person for daring to care about something.”
The hands on your hair tighten and he pulls your face against his. Sukuna’s forehead is a furnace against yours, his eyes burn into your soul. “You little insect, I could kill you with a snap of my fingers if I wanted to.”
Your voice shakes but you say it regardless: “Do it, then, what are you waiting for?”
“No,” his answer is more cruel than death could ever be. And he knows that. “And you know why?”
“If you are keeping me alive to have your way with me, so be it, have it,” you say. The tears are obvious now. You wonder if he can smell how fearful you really are. “Violate me like you did before, I don’t care anymore, but just don’t keep me alive just to waste me away.”
His lips are touching yours now, but you can’t pull away even if you tried. Sukuna’s chest is heaving like he’s in the middle of a battle, his voice like a roar in your ears. “Then ask. For. My Mercy.”
“I w-would n-never…”
“Ask!” It’s a loud command that crashes against you like a wave. You sink like there is no adrenaline in your body to keep you afloat; the anger that moved you before is no longer within your reach.
The truth is clear: you’re human. He’s a curse — the king of curses, older than you could ever imagine; probably even more powerful than the legends you’ve heard. His eyes say that there are fates worse than death and you believe them. And maybe, just maybe, if you play by his rules, he’ll grow tired of you and let you wither away.
“P-Please,” you are sobbing now, tears falling down like a cascade. Sukuna licks them and hums in satisfaction, watching as you break apart into a mountain of hiccups and trembling limbs. “Please just… have mercy on me. I’ll do whatever you want just — please, stop torturing me like this.”
“Aw,” he coos. “Was that so hard?”
You want to say that yes, somehow, that took everything still left in you. You want to say that if he wanted to break your spirit, congratulations, he’s done it. But you don’t get the chance.
Sukuna kisses you with the same ferocity you expected, sharp teeth crashing against yours and tongue exploring your mouth with no prior warning. He groans as he tastes you — you, the blood in your food, the salt of your tears — and suddenly it’s all that he will ever crave again. You whimper against his lips as his two lower arms crawl up your thighs and hold onto your hips, pushing you against him as he stands up and presses you against the wall. You feel more caged now than you have felt these past few days.
“Silly little human,” he raps against your lips, then licks your cheek for more of your precious tears. He realizes how much he likes to make you cry. You wince and give out a little sob, which only makes him smile. Finally, his grip on your hair loosens. “What is my name?”
You blink, dumbfounded by the sudden question. “S-Sukuna…?”
He pouts. “Say it like you mean it or I won’t be so nice.”
“Sukuna,” you say more firmly this time.
“There we go, that’s a good girl,” he says. “See how things just work better when you don’t misbehave? Hm?”
You nod. He doesn’t like it. “Y-Yes, I see, I’m sorry.”
“Very good.” The hand that was on your hair moves to hold your face, and it’s so huge that you feel like it would crush your skull with one single movement. As the other two arms hold onto your thighs, the fourth limb squeezes your breast. “Now, this is what’s going to happen, my pretty little human,” Sukuna starts, “I will have my servants take you to my chambers. You will be washed, clothed, and taken care of. They will feed you proper human food this time, whichever it is that your heart desires. How does that sound?”
Sounds like a trap. “And, in return, what do I have to do for you?”
“What do I have to do for you…?” He raises his eyebrows.
“Sukuna,” you complete.
“There’s my perfect little girl,” he says. You hate that something inside you likes the praise. “You will have to wait for me there. Do whatever you prefer, but don’t leave my room. Any attempt at escaping or killing yourself will be futile, and I’ve already warned every single curse that your death will result in a much more dire future for them. So you will be brought back to me. And I promise I won’t be so nice.”
“I understand… Sukuna,” you correct yourself quickly. It doesn’t go unnoticed.
The hand on your breast squeezes tighter, and you bite your lip so you don’t complain. “I knew I was right when I brought you here, something made me spare you. Yet, I don’t know what it is just yet.”
Sukuna is a looming threat above you, his limbs trapping you, and his deep voice is like thunder about to break. You know why so many fear him — you fear him too. And the sooner you act like it, the sooner he’ll grow tired of you. Sooner he’ll realize he was wrong in bringing you into his fortress.
He smirks. “But I believe I’ll discover soon enough.”
- ⚔️ -
Sukuna’s chambers are as spacious and monstrous as himself — corners switching and adjusting like breathing flesh; furniture morphing into different shapes; the weird odor of something old; the feeling for something lurking. The large windows show a world between worlds; a reality that doesn’t seem right no matter how long you stare at it. His palace is in a dimension you can’t reach, and you give up on trying to understand it. If anything, the more you wonder about it, the more you shake under the weight of the sheer power it must take to keep it all existing like solid matter.
Your passage of time is morphed and unreliable, but you would guess that a couple weeks have passed by the time that you come to terms that, perhaps, Sukuna isn’t as easy to bore as you first expected. The fire in his eyes doesn’t seem to diminish as he sees you — if anything, his eagerness to have you all to himself only seems to expand — and the way he takes care of you makes you realize that he isn’t planning on letting you die anytime soon.
Life in his chambers is far more comfortable, you admit, but it’s a prison nonetheless. Still, you can’t say that you are mistreated. In his chambers, you are bathed and clothed, well-fed and pampered. You soon come back to your normal weight and the fatigue leaves your body; there is more space to move, more things to do. The curses that come to check on you seem to be strangely kind and human-like, though you know it’s out of fear and not out of worry, and they keep your mind occupied with several stories and legends as the days move on.
Sukuna is more absent than you would have imagined, conquering and killing as often as he can. When he finally comes to you he is clean, recently bathed, but you can still see he is fresh from a battle, some mindless corruption beyond the horizon that you would rather hear nothing about. There are shallow scars and deep cuts that heal unreasonably quickly; dried blood that hasn’t quite washed away and ashes beneath his fingernails.
You ask whose village he has attacked this time, but he says it doesn’t matter, because there are no survivors.
“I never leave any survivors,” he completes, kissing your forehead, “besides you, my little human.”
You don’t push beyond that information, but the feeling of being special, chosen, starts to blossom like a dangerous rose inside your chest. It stings and stings, but grows regardless, and you see yourself less able to fight against his possessive claims. You start to enjoy them. You start to wonder if life beyond those walls is worth fighting for when you seem to have everything you would ever wish for right here.
You can always tell when Sukuna is about to arrive in this world because the atmosphere switches into something darker, heavier. The air seems thicker and the clouds beyond your windows start to bleed into a deep shade of red. Sukuna returns with the apocalypse on his back, and, when he does, he uses your body as he pleases.
Like the room around you, there is constant change. Sometimes it hurts like hell; sometimes it’s pleasurable. Sometimes you wish it would just end and you end up crying in despair; sometimes you look at him like you might get used to feeling him inside of you. Some days, Sukuna is kinder, more patient, taking time to adjust you to his enormous size and even makes sure that you enjoy it before reaching his end; fucking you full of his cum until you can’t think of one single thing besides him. Other days, you know he is angry just by the way he walks through the door — and, in those days, you are left bleeding and bruised as he uses your body in every single way until he’s close enough to satisfied. That, on itself, can take a long, long time.
You realize that, during those violent days, he could use one of his curses to please himself, but he prefers to use you — because you bleed, you cry, and you suffer. As long as your pain exists, his interest is unwavering.
However, like everything else, you adapt, get used to it. Routine becomes familiar and you learn the tell-tale signs of his rancid mood; learn how to make it a little better and what things to avoid. You stop thinking about getting away — you don’t even have anywhere else to go — and start longing for his presence as he takes more time to come back home. Sukuna is warm, safe; next to him you know you are shielded from any harm. When he appears, no one dares to look or touch you, no one speaks until they are spoken to. Just by being in his gravitational pull, you are protected and no harm will ever come your way again.
Even if it hurts, you start hoping that he won’t get tired of you.
Sukuna, on the other hand, isn’t quite sure how he feels about it all.
It’s not love — he has gone over that one a few hundred times already, has marked off every possible scenario and imagined every possible feeling, and he is sure it isn’t love. To be frank, he doesn’t even think he’s capable of it even if he wanted to, he sold his soul too long ago to even remember how normal humans love. But if it’s not love, it’s something similar — a kind of tenderness, fondness. He has a soft spot for you, to put it bluntly. Though not in the typical sense.
Sukuna adores you like a painter adores his favorite canvas; like an exotic bird in a cage — he adores you with possession, obsession, with the knowledge that you can’t ever get away from his grip. He is fond of you in a way that he would murder anyone who would even dare to touch what is his; but would never set you free. He can hurt you, he can tear you into pieces and build you to his liking. Sukuna can kiss you or bite you; hug or break you, but it’s because you’re his little pet and no one else’s.
He is fond of the way you bend for him; the way you look at him with sheer adoration in your eyes even after he has taken everything from you. He is fond of the way that only he could kill you; that your small life is in his hands and you thank him for it. Sukuna is fond of the way your tight little cunt stretches so wide to take his fat cock; lives for the little whimpers you give out and the tears that stain his satin sheets when he finally allows you to cum for him. If he could crawl inside your soul, he would. If he could take it and eat it and have you forever, he would.
He doesn’t know why he craves you so much, but he knows that nothing else gives him the same high anymore.
So he keeps you.
It’s a heavy stormy night when he comes back the next time, and his room is only illuminated by a few candles and the lightening from outside. You’re in his large bed, looking as small as that day in the snow, and there is a touch of worry in your eyes that he doesn’t miss. But he ignores it.
“Undress,” he commands.
You rush to do as he says, throwing the faint fabric over your head. It falls to the ground as Sukuna walks towards the bed, his massive weight making it dip under his knee as he leans closer to you.
“My pretty little doll,” Sukuna muses. “Missed me?”
He always asks that. And your answer is always the same.
“So much, Sukuna.”
It’s more honest every time.
He hums, satisfied, and smirks as he pushes your hair away from your face. “I have something to tell you, and I think you will like it,” Sukuna says. You look at him with wide eyes as he settles over you, his four arms caging your body as you lay down. The mouth on his stomach open and closes, a large tongue coming out before it vanishes again — it always does it when he’s particularly excited. “Would you like to know what it is?”
You know he will tell you regardless. Like all the tales of his battles, he lives for the glimpse of horror in the back of your eyes. “Yes, Sukuna.”
“Seems like you are famous now,” he starts. You furrow your eyebrows. “Sorcerers are trying to save you. The poor little human girl that Sukuna took as a prisoner months ago.” He kisses your neck, then licks the skin. You shiver — months, it has been months then. “Two of them tried to enter my domain today, stupid little insects,” he continues. Another hand lands on your exposed breast, playing with your nipple. “You have no idea how enraged that made me, my little human. To have someone try to take you away from me; to try and to enter my domain and take you from me.”
His voice turns into a growl by the end of the sentence, and you feel the familiar pulse of terror running through your veins. He’s in a bad mood, that’s obvious, but there’s something hiding beneath that as well.
“What did you do to them?” You ask. “Did they get in?”
Sukuna chuckles darkly, and the hand that was on your breast now settles on your clit, massaging it softly. “I took care of them, my sweet thing, of course,” he says. Your breath hitches at the slow pleasure of his movements, and your eyes flutter shut. “No one will ever take you from me.”
“I don’t want to lose you,” you say without a thought. In your heart, you feel it’s wrong. But without him, you have nothing. “I’m yours forever, Sukuna.”
“I know you are,” he answers.
Sukuna holds you by the throat as he kisses you — not enough to suffocate you, but enough to make you a little dizzy. Your eyes cross mindlessly as his tongue invades your mouth; a deep groan coming from his chest as he tastes your lips. He always kisses you violently, possessively, like he wishes to suck your soul out of your chest. Beneath his size you can only shrink and hold onto his large biceps, the wetness between your legs growing as he takes what is his.
He pulls back, ignoring the string of saliva that connects you two. “Pretty little thing,” he muses, shoving his middle finger inside your mouth. “Suck for me.”
You do as he says and he smirks at the feeling of your pretty lips around his large finger. Soon enough, the same digit is invading your pussy, curling up so quickly that you see starts at your peripheral vision.
“Relax or it’ll hurt again,” he says — not like he cares about it. “I want you to remember tonight.”
“W-Why?”
“Because I’ll make sure that you’ll be mine forever,” he says, a devilish smile on the corners of his lips. “So no one can take you from me. No one would even try.”
Your breath is getting heavier, and you don’t even register what he’s telling you — he could do a billion things to you and you’d still let him. The time spent only in his company made your resolution vanish, and you became exactly what he wanted you to: another possession for him to do as he pleases. Because of him, you have nothing else. Besides him, you have nothing.
“You’re not cumming around my finger tonight,” he says and quickly removes his hand from your cunt. You whine at the sudden emptiness, walls spasming around nothing, but you know better than to protest. “It’s going to be around my cock, you got it?”
“Yes, Sukuna,” you say.
“Good girl,” he muses. His lower arms move to undo his pants as his mouth attacks yours once again. His sharp teeth drain blood from your lips and he groans at the metallic taste; drinks the little sob of pain you let out. “You’re all fucking mine. Forever,” he growls, “I’ll make you live forever with me.”
Months ago, that would be torture. But now, “It sounds like heaven, Sukuna,” you say. “I love you.”
Your vision falls to where his hands are working. His cock is massive, bigger than your forearm, balls swinging out of his shorts and falling heavy under his shaft. Your entire body tingles in anticipation as he strokes himself, aligning his cockhead with your opening. “Tiny fucking cunt,” he curses, rubbing it against your soaked folds. “I’ll train you to take my cock even better than now, kitten.” Your mouth falls open as he starts to push in and it hurts — no matter how many times you’ve taken him, it always burns. “Way too fucking tight for my fat cock, you know that?”
“I-I’m sorry, I’ll do better-“
He chuckles. “I fucking love it.”
In one strong motion, he shoves himself as deep as he can, pressing against your cervix as you whine at his size. It isn’t fair — it’s so thick you can’t even breathe, you can feel him in your stomach, pressing and pulsing until you can’t think of anything but the sheer size of his massive cock inside your poor little hole. Your walls hurt to accommodate his girth, stretching as far as they can, but it never seems like it’s enough.
“It’s t-too big, Sukuna,” you whine. And it is. You know he must be doing something to your body so you can even be alive right now, because it’s not humanly possible to take such a big cock. “I c-can’t…”
His hand lands on your head and pulls at the roots. “You are my special little human, my obedient little girl,” he reminds you. His cock throbs inside you and you whimper, the small movement alone makes you drool. “You will do anything I tell you to do.”
You nod. “Y-Yes.”
“So when I tell you to take it….” He rolls his hips even deeper and you call his name so loud that you’re sure the entire world will hear it. “You’ll fucking take it.”
You don’t even have the ability to answer as he starts to pound deep inside your soaked cunt, hard and violent, as he is. Your vision is blurry with tears as you look down to see his massive cock bullying itself again and again inside your cunt, taking everything you have to give.
“Look at me when I claim you,” Sukuna warns and you do it instantly. Your legs wrap around his hips and he squeezes your ass so hard it will bruise. There’s a malicious glint in his red eyes that never quite goes away, no matter how much he tries, and now it’s deadset on you. “My precious little girl,” he calls, voice strained with pleasure. You can tell from the way his cock throbs that he is close, but it doesn’t matter. He just keeps going. “You told me you love me. Do you only live for love, kitten?”
“I live f-for loving you, S-Sukuna,” you respond automatically. “I live for you.”
Sukuna groans like an animal — he adores what a stupid little fuckdoll he has turned you into. He can never get tired of this; he can never let it get away. “You’ll die for me, kitten?”
You nod so quickly you get dizzy. “Yes, a-anything… I’m yours f-forever.”
He calls your name like he has never done before, a little insane, a little sweet. If the sheer size of Sukuna’s genitals aren’t anything to go by, he cums a lot — it oozes out of your cunt before he’s even halfway through, cock throbbing and leaking again and again until you’re filled to the brim. His huge balls smack against your ass as he continues to bully himself inside you, a little more desperate now, intoxicated by his own pleasure.
There’s no rest, there never is. He only takes and takes.
“I’ll make you mine,” he groans.
“I’m yours, Sukuna, I’m yours…” you repeat like a broken record, half-aware of your own voice through the loud moans and hiccups. You watch in ecstasy as he uses one of his sharp nails to cut the palm of his hand, blood oozing out of it and dropping on your breasts. It’s like you know what he will say even before he says it. “You want me t-to-“
“Drink it.”
Perhaps you should be scared, but you’re not. Your mouth opens without a second thought and he presses his large palm on your lips, muffling your moans and allowing the hot dark liquid to invade your tongue. Sukuna’s blood is thick and it tastes like poison, but you do as he says, liking his flesh and drinking it until he seems satisfied and takes his hand away.
It strikes your body like an arrow, straight through your chest and expanding like deep roots. You feel as his blood burns your insides, changing something in your very existence. It’s hard to think through the sensations — the pleasure building up, the venom running through your veins, the mixture of devotion and fear that dances inside your mind. Your vision is double, black around the edges, and you think you might be cumming but you’re not sure you can even feel your body anymore. Sukuna’s voice echoes muffled in the background, and you can see his mouth moving in slow motion, but you don’t understand his words. You think you are crying. You think you can’t breathe. You think you are dying and being born at the same time and you don’t know why you feel so grateful for it all.
Your lungs are on fire and your throat is dry. You try to speak, but can’t. You have the vague flashback of the time your uncle made you drink alcohol, it burns just the same, but this time, no one is laughing. This time, you’re dying.
“… at me.”
This time, Sukuna’s voice rings sharp and clear. You stare at him, confused, as the flames inside your chest slowly subside.
“Keep looking at me,” he repeats, commanding.
You try to nod, but your head doesn’t move. You can’t see the room around you anymore. “H-Hurts,” you manage to get out.
“I know,” he says, and there’s a touch of softness in his voice you don’t ignore. “Focus on me. I’ll make it feel better.”
And that’s what you try to do, even if your soul seems to be floating miles above your body. You look down at where he is still moving in and out of you, at the white-coated mess that drips from your hole and soaks your inner thighs. It doesn’t seem to hurt as badly now, like your body is changing to accommodate him even better — in fact, it feels like heaven.
You look up at him, dumbfounded. “I t-think I’m going to cum, Sukuna,” the words come easier now, and you feel like you can move again. Though, it still feels like a dream. “It’s so g-good.”
“Cum on my fat cock, then, make me proud,” he coos. You close your eyes and nod, trying to focus on the paradise that blooms between your legs. You feel every ridge and vein of his massive cock; hear the lewd squelching sounds of his cum leaking out of you. It comes to you faster than you would have imagined, washing through your body like a wave as you cry and shake miserably. “That’s my girl, fuck, there we go, that’s my perfect little girl.”
The spasming of your walls manages to milk more cum out of him and he groans loudly as he releases inside you once more. Sukuna cums so much it makes you breathless, filling you again and again until he’s satisfied and the sheets beneath you have no salvation left.
“There we go, take everything,” he says in a strained groan, “every fucking drop inside this tight fucking cunt.”
Sukuna looks absolutely insane above you — fucking his cock so hard into you that it seems like he will never have the chance again; eyes blown wide and his teeth clenched. You cum again, this time a little softer, as you feel his thick cock shoot a specially large amount of cum inside your pussy, and wait until he’s done using your body.
Eventually, he settles, pressing his forehead against yours and looking deep inside your eyes. The redness in them is shining like flames, watching every movement of your face.
“Feels weird,” you say. “I feel dizzy.”
He chuckles and removes himself from you. Another white-hot wave gushes out of your cunt, and he sits back to watch it drip. “There we go, it wasn’t so bad, was it?”
You swallow, your tongue is still numb inside your mouth. “It was horrible, Sukuna. I felt like I was going to die.”
Sukuna smiles and uses two fingers to push some of his cum back inside you. “I can promise you it was better than when I did,” he says, and you’re confused for a moment. “But now we don’t have anything to worry about anymore, my sweet thing. Those pathetic little sorcerers won’t want you.”
“H-How are you so sure?” You ask.
“Aw, my sweet, stupid little girl.” He pouts, condescending as always. “No one will want to save a curse now.”
Your eyes widen. “Did you…?”
“I told you.” Sukuna licks his own blood at the corner of your mouth. “You are mine forever.”
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I know I’ve mentioned this plenty of times before but I’m still kind of annoyed by how the fanbase just kind of completely declawed the four lords and placed the entirety of the responsibility for their wrongdoings on Mother Miranda.
The Baker family are great, I love them, they’re an incredible unit of antagonists who are intended to be very sympathetic, at least for the most part. Jack and Marguerite in particular have lost all control over their minds and their bodies, turning into extremely violent murderers and cannibals who threaten and attack their own family, kill anyone unfortunate enough to come across them and, especially in Marguerite’s case, lose complete autonomy over their own bodies. Marguerite turns into a walking bug hive who’s only purpose is to feed her family and birth her new children. Jack is an unstoppable murderous force of patriarchal violence who has so much fun chasing down and harming his victims, which in the Daughters DLC includes even his own daughter. The exception to this is obviously Lucas, who has been cured of his infection and his acting of his own free will. All of this is caused by Eveline, everything Jack and Marguerite do controlled by her, and yet Eveline is just as sympathetic as the rest of them. She’s a ten year old girl. Even Jack, who has watched his family and their victims suffer because of her infection, doesn’t seem to hold any of it against her. She just wants a family of her own, after all. It’s a complex and tragic situation.
The four lords, while I suppose being similar in structure, are not the Baker family. Not in dynamic, not in character, not in the kind of tragedy that they embody. I could talk for a while about just how completely different they are, but I don’t know if I really need to.
The Baker family are so tragic because they were just innocent bystanders trying to help a woman and a little girl they found in a shipwreck out in a storm. That’s the only reason they ended up in the situation that they were in. While the lords have similar origins, being victims of Mother Miranda’s experiments to bring her daughter Eva back, an important distinction between them is that in the case of the lords, all four of them are still acting of their own free will. Yes, Mother Miranda has undeniable power over them. She leads the cult they are part of, she has control over the village, she is their superior. However, I really dislike when every negative action by the lords is pushed onto her, as if the lords are not all grown adults who are for the most part acting independently of her.
With Alcina, she is the head of her own extremely brutal crimes. I think a lot of people have forgotten quite how horrifying the situations of the maidens are, possibly due to the prevalence shipping between Alcina and the maidens, and though we have minimal information what we do know is very frightening. Alcina uses her work force like livestock, draining them for their blood in a cellar full of horrific torture devices, and leaves their corpses to shamble around, armed and ready to attack any unwanted guests that have slipped out of the daughter’s clutches so that Alcina still doesn’t have to do her own dirty work, given how highly above everyone but Mother Miranda she appears to view herself as. While yes, Alcina does need human blood to survive, her methods are brutal, and none of this has been enforced upon her by Mother Miranda. Similarly to Jack on occasion, she takes a great deal of pleasure in hurting and attacking Ethan as he runs from her. Additionally, everything she does to Ethan is against Mother Miranda’s request. While yes, it is retaliation after he killed Bela, the part I often see people leave out is that Alcina is equally as upset that he entered her property and was attempting to steal from her, and she isn’t just after him to kill him.
Alcina has also been an active participant in aiding Mother Miranda with at least one experiment, considering that I’d how she got her daughters. While I’m sure her strong admiration for Mother Miranda and Mother Miranda’s power over her has absolutely had an affect in this, that’s not something I’ll deny, Alcina is still a grown woman and in her written entries about this shows no qualms about her participation in this. Her general attitude towards others, using young women as a good source and turning men into scarecrows, also leads me to believe that she does not exactly care who gets hurt or taken advantage of when it comes to her and Mother Miranda’s personal endeavours.
Donna and Moreau are the two more sympathetic people within the four lords, but they are not innocent. To start with Moreau, he’s desperate for Mother Miranda’s approval, as well as the other lords. He’s insecure and lonely, and he’s doing what he has been instructed by Mother Miranda when it comes to protecting the flask. However, he does also take quite a bit of joy in trapping Ethan in the reservoir and swimming after him with the intention to eat and kill him. Moreau though, given his conditions and circumstances, is the one I think is the least to blame for what he does.
Donna is hard to discuss because we know so little about her. Her parents are dead, as well as whoever Claudia was to her, she communicates through Angie and she can cause those who enter her house to hallucinate. According to Mother Miranda, Donna is severely mentally ill and that is what has made her an unfit vessel. I think a lot of people took this to mean that Donna is unaware of what she is doing, that the hallucinations she is showing Ethan are frightening, but after having been a fan of this game for years I just can’t agree with that anymore. Donna intentionally lures Ethan into her house with visions of his supposedly dead wife. Donna is going after fears she likely knows Ethan has, making him relive Mia’s death, take apart a mannequin of her, listen to her voice panic over something being horribly wrong with Rose, all building towards the horrifying baby that chases him through the house. There is no way Donna doesn’t understand how what she is showing Ethan is distressing, especially when you consider that, given how she can make herself appear and disappear at will within Ethan’s vision and that Angie is sitting in the hallways stationary and unspeaking, Donna was likely close by Ethan at all times and could see and hear his frightened reactions to what she was intentionally showing him.
Donna’s death is upsetting, but Ethan was not just chasing her down and killing her. Donna was attacking him, or at least she was controlling her dolls to do so. It’s still a hallucination, but Ethan doesn’t know that. When faced with a threat that is keeping you trapped and trying to end your life, you will likely try to get away or try to fight back, as Donna is doing to Ethan after he starts to attack her and Ethan is doing to Donna when he thinks his life is still in danger. I would also like to remind everybody that Donna communicates through Angie. What Angie is saying, that’s Donna. Angie doesn’t talk or move once she’s dead, it is Donna who controls her.
Lastly, Heisenberg. I think Heisenberg is the one of the four most entrenched in headcanons. Headcanons are fine, I am never in this post trying to suggest they aren’t, but my issue comes in when people use them to try and change the canon of the game. For example, it’s fine to believe that Heisenberg was experimented on by Mother Miranda as a child, but that isn’t canon. It’s fine to believe that Heisenberg mourned the deaths of his siblings, but that isn’t canon. The opposite is, with Heisenberg not viewing the cult as an actual family and being very openly mean to all three other lords, even Donna and Moreau who seemingly haven’t done anything to slight him. While his goal of killing another Miranda is a very understandable and sympathetic one given what she has done to him, using a six month old baby as a weapon and trying to bring her father into the mix only to try to get him killed when he denies him is not. I cannot overstate quite how little Heisenberg actually cared for Ethan and Rose’s safety when it came to his goal, and given that we are playing as Ethan, Rose is the priority.
Heisenberg has built an army of corpses he has presumably stolen and desecrated. This is kind of fucked up actually, and done completely independently of Mother Miranda. He also puts Ethan through a very dangerous lycan gauntlet before he even reaches the factory, which makes it even stranger to me that people seem to interpret Heisenberg’s deal as something that would have benefitted both him and Ethan and as if he ever had Ethan’s safety in mind.
All four of the lords have tragic aspects to them and there are definitely reasons to sympathise with all four. They’re victims of Mother Miranda, who knows they will all be killed. She wants them to be, giving her less to deal with by the time she has Eva back. They never meant anything to her. Not Alcina or Moreau, who were desperate for her attention. Not Donna, suffering from her unspecified but apparently severe mental illness. Not Heisenberg, who was seemingly her favourite creation. However, all of them are grown adults who do their own bad things independently of her.
And it’s fine to still like them. It’s fine for them to be your favourite character. It’s fine to have happy or nice headcanons about them or want to kiss them or be their friend or to want them to have survived. It’s fine to like characters who do shitty things. It’s to be expected in a game series like Resident Evil. It’s a horror game series. People are going to do bad things.
I just find it so boring when people take away all their bite. What makes a character like Lady Dimitrescu so fun it’s that she’s completely over the top. She’s campy and ridiculous, her castle layout makes no sense, she’s got three kids made of swarms of flies dressed like a set of goth triplets, she’s a lesbian who’s castle is full of naked statues of women, she turns into a big dragon and laughs maniacally while flying around and trying to eat you. She’s evil and it’s fun. It’s the same with Heisenberg. He’s a campy show off with a fun voice and a massive hammer he never actually uses. He can control metal. He looks like a cowboy. He pronounced Miranda in a funny way. He talks to you over an intercom while trying to get you killed. They’re fun and evil and they fight over who gets to kill Ethan like they’re two little kids. It’s absurd.
What makes a character like Donna so scary is that she’s silently working in the shadows, unassuming at a first glance and unseen for most of the time in her house. She is the least threatening of the four upon first glance, and yet she has undeniably the most frightening part of the game. Pretending as if Donna is completely unaware of what she is doing and babying her like she is an incapable child waters her down completely and takes away from the effectiveness of her character.
Villain characters are great! They’re very often the highlight of the story they are in, and they aren’t real! The four lords especially are often so completely exaggerated in what they do as well. It’s fine to like villains! It doesn’t make you bad! Characters can be bad people and you can still like them!
It’s just frustrating seeing a group of very fun and exciting villains, all designed with different aspects of horror, all over the top and campy and stupid and fun, all doing their own set of fucked up things, watered down to a set of poor innocent victims who have never done any wrong ever. If you want Jack and Marguerite, take Jack and Marguerite. Lady Dimitrescu loves killing and eating women and Karl Heisenberg turns corpses into soldiers. They’re bad people and they do comically exaggerated bad things. If you can’t stomach liking a character like that, horror is probably not the genre for you. Unless it’s Resident Evil 7, I suppose, but apparently tall women aren’t hot when it’s Marguerite Baker crawling on the walls.
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