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inkskinned · 1 year

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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

#does this make sense #to do be deleted probably yikes #(takes a swing at a wasp's nest)#like i think ppl have started to just be really quiet when they like something 'problematic'#and im like... u can be like -#girl tswift NEEDS to just TAKE A BUS . LIKE?????????????????????#while also being like.#''she's a lot of fun''#if ur personal policy is that u don't support her for that reason that's great #but it's like. eating meat???#like yeah some people won't bc the environment. but the fact i eat meat doesn't mean i hate the earth #like i can say that i think the meat industry is HORRIFIC and also downright cruel to its employees #but like. still enjoy a chicken nugget....#there are people who choose otherwise. it's okay . we are people. i make like no money. u probably don't either #us fighting about whether or not it's Right To Eat The Chicken Tender just distracts from like.#actually turning your ire on the corporation #i hope it's clear what i'm saying here is like. when we fight each other for Purity Reasons #we are just doing the work of corporations . for free. like they WANT us to be doing this lol #it's the fucking DREAM of the upperclass that now ALL forms of responsibility fall on the individual

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redysetdare · 4 months

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I don't think a lot of people realize that lot of their advice to disabled people often boils down to "Get over it." they are trying to be helpful but their idea of helpful is "Just do the thing" because that's what they do. for them they just do things. It comes naturally to just do it.

They don't know how to bridge the gap between you and the task. For them the bridge is already pre-built and stable. For disabled people the bridge is run down, not well kept, it feels unsteady and is hard to get across without being slow and cautious - hell for some people there is no bridge and we need to build it ourselves but we don't have the bridge building tools and no one gives them to us.

"Just cross the bridge." They say before walking over their pre-built bridge. They never gave you the tools to build a bridge to cross.

#text #I hope this makes sense #disabled #neurodivergent #adhd #actually adhd #actuallyadhd #idk how to tag this post really i dont post a lot in disabled spaces...#by disability i mean all disabilities btw #i suffer from ADHD and chronic pain ad many other things #and all of them cause me problems that make it hard to 'just do it'#so hearing 'advice' that is just 'do the thing you're struggle to do' really gets on my nerves #especially when the people giving that 'advice' throw a hissy fit when i say that its unhelpful

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forsesam · 1 year

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part two!! isn't it fun how i always end up making bowser super derpy at the end of these?

(part one)

#having a lot of fun with this #i hope it makes sense lol #bowigi #bowser #luigi #spb #super mario brothers #fanart #my art

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flamingpudding · 6 months

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I am keeping him B

A/N: Stress late night writing, while I am supposed to sleep cause I still got work tomorrow but screw my life...

It all started with the disappearance of Box Ghost, followed by Spectra. Back then, Danny didn't realize what was happening, and he still blamed himself for that. What a fine bridge of balance he was....

The next to disappear had been Elli and Danny had mobilize whatever he could to organize a search party when he lost contact. After Elli, Ember was next. Maybe by then Danny should be realized.

Dan was the next in line of disappearances. Vlad was the one making Danny aware of it. Everything Danny had mobilized in his search for Elli was extended to find Dan now, too.

Shortly after Dan, Vlad also disappeared from the face of earth. If he hadn't already be worried Danny would have been now. His events tripled, sleepless nights followed, days in which Jazz practically had to force him to sleep.

One by one all the Ghosts Danny knew disappeared. Maybe he would have realized it sooner if he had paid more attention to certain things, to the news to politics, to anything really. Maybe then Danny would be noticed the appearance of Dalv.Co and his parents invention on the black market. The sudden spike in Meta traficing following or the sudden interest in Ecto-entities.

But he hadn't...

...and that probably what was what costed him too.

Because, one day, he woke up in a dark cell, still in his Phantom transformation but with a collar around his neck. It zapped him any time he touched it or tried to let go of his ghost form. It was like a reverse of the stupid taser Vlad had. There were no mirrors or anything he could use to see himself with, but he had a feeling that collar used Fenton tech. He also realized that he was in a more eldrich kind of transformation. His hands that usually were in white gloves when in phantom form were clawed and inky black with sparks that reminded Danny of the night sky's above Amity Park. He couldn't tell if he looked anything like himself or not, but judging by his hands, probably not.

That day, when Danny woke up in that cell, he realized the reason behind the disappearances of his family and ghost rogues. Just like there was a spike in Meta trafficking, the growing interest had also developed into Ecto-Entity trafficking and worse was, they weren't even protected by law. The Anti-Ecto Acts are making it not even a real or all too big of a crime.

Months passed, and Danny learned to shut his mouth and emotions out. He thought he was even in a state disassociation, Jazz would have been proud of him for his self diagnosis, maybe. With the passing days, Danny stopped remembering who owned him and who he was forced to fight. Sometimes, his eyes came to live when he met one of his old friends in the battle rings. Tho their fights were no longer a form or bonding, it still felt nice to sometimes feel the heat of Ember's flames, the sting of Skulkers blasters or even see a box get thrown at him.

Of course, he had tried to escape or save at least one of the others before, but whoever modified his parents' inventions knew what they were doing. All his attempts were met with failure.

But then the day everything changed came. Danny didn't know how long it had been, all he knew was that a stupid clown was his current holder. The guy spouted some nonsense or wanting to see how a bat, of all animals held himself against one of the strongest ecto-entiies. Danny really wanted to refuse, yell at that fruitloop of a clown and be done with the World.

But what he didn't expect to happen that day was the shock of electricity, the ricochet of a bullet, the crack of metal... and the collar falling of his neck.

Suddenly, Danny no longer felt like he was trapped in his own body, like he was just an onlooker, but at the same time, he had never felt this tired before. He stumbled forward his body losing whatever momentum he had before. It was a single arm that saved him from faceplanting.

"Fuck! That thing was actually a kid!"

"What?!"

"I am going to fucking murder the clown."

Danny blinked slowly as he felt his awareness sliding from him, yet he still couldn't help muttering at least something before the world would go dark. "Get in line, I really hate clowns, and he is the nightmare realm fodder."

Danny felt the arm holding him shaking, and he really wanted to close his eyes and sleep, but right before he did, in fact, black out from pure exhaustion, he heard one last thing. "I don't give a fuck, B. I like this kid so I am keeping him."

#danny fenton #dp x dc #danny phantom #dpxdc #dcxdp #crossover #jason todd #fanfic #i am sleep deprived #late night stress writing #hope any of this makes sense #Jason going to keep Danny #batfam to the rescue #once danny is awake again a lot of bad guys will wish he wasn't #random late night thoughts

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chloesimaginationthings · 5 months

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How come game Michael has all those bandages? I’m curious!

I got asked this a few times! Honestly it’s just a character design choice

To me, it makes sense Michael would have small bandages here and there on his skin, just from all his working with animatronics and snooping around. So the bandages are there to reflect that

#ask reply #dude just cuts his skin by accident a lot by poking at the robots #or the robots just jumping him pff #he isn’t ask skilled with mechanics like his dad just yet so he makes more mistakes #Michael and bandages just make sense from when he’s a kid getting into fights #to when he gets scooped and has to cover wounds #this is also a personal choice BTW cause I also just think it looks cool #I hope that makes sense and yall see the vision

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canisalbus · 3 months

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As I sit here tending to a nosebleed I think about how that was the first picture I saw of your characters. His open, almost casual self loathing resonated with me. So much of people with "gross" physical traits seeking love is explored only in metaphor, but here is art that shows it without shame.

Your dogs make me feel like a real human being. Thank you.

#thank you for your sweet words!#I don't mean to sound sentimental but it does mean a lot for me to hear #that there are people who relate to Machete and his multiple insecurities and weaknesses #in this case your body behaving in a way that is outside of your control is simply part of being a living being #if that makes sense #I hope you know you don't deserve to loathe yourself #I've struggled with the same thing and loathing yourself benefits no one #I hope you're doing well today anon you deserve good things #answered #anonymous

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munchboxart · 4 months

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Stupid comic about my stupid experience picking up this stupid game again

#now why are we making friend bridges in a collapsing castle #i wasnt planning to play it so soon but i only picked it up to see dmk's abilities again #bc his dark mirror mask was in RTDL DX and i was like wtf is this from #its rlly funny that the situational friends comes out of the sky but that makes sense in a collapsing building #i rlly like dmks mirror abilities a lot. i hope they remake amazing mirror. i bet he'd look so cool #kirby #dark meta knight #munch sketches #my comic #zan partizanne

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exilepurify · 1 year

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“You know a lot of big words.” — Determining Shigeo’s Kanji Literacy

An analysis in four parts:

Jouyou kanji and Japan’s compulsory education system, explained.

An introduction to the analysis—what I did and why I did it.

A presentation of data, evidence, and counterarguments.

The truth revealed: can Shigeo write a reasonable amount of kanji for his age group?

Jouyou kanji and Japan’s compulsory education system, explained

Let us begin this analysis by establishing a basic understanding of how Japan’s education system is structured.

As you may already know, only elementary school and middle school are compulsory in Japan, meaning that high school and college are completely optional. Therefore, compulsory education in Japan consists of grades 1-9, with grades 1-6 being 小学校 (primary school) and grades 7-9 being 中学校 (middle school).

The term 「常用漢字」(jouyou kanji, “Daily-Use Kanji”) refers to a list of 2136 kanji that the Japanese Ministry of Education requires be taught throughout education grades in Japan due to their importance and frequency of use in Japanese daily life. Knowing all 2136 is defined by the Japanese government as the baseline for basic, functional literacy in Japanese. The jouyou kanji list is further divided into two sub-categories: 「教育漢字」(kyouiku kanji, “Education Kanji”) and 「中学・高校漢字」(chuugaku • koukou kanji, “Secondary School Kanji”).

教育漢字 (kyouiku kanji, “Education Kanji”) (A.K.A. 学年別漢字配当表 [gakunenbetsu kanji haitouhyou, “list of kanji by school year”]) is the Japanese term for the 1006 kanji that are taught over the 6 years of primary school in Japan, grouped into different grade levels by difficulty and complexity.

「中学・高校漢字」(chuugaku • koukou kanji, “Secondary School Kanji”) is the term for the 1130 kanji that students are expected to learn throughout middle school and high school. This list of kanji is not strictly divided by grade level, though a general grade level is often provided, because students in secondary school—whether it be middle or high—are expected to learn kanji more independently. Though the responsibility of learning these kanji is shifted from the classroom to the individual, the importance of knowing these kanji by the end of one’s education, if that be middle school or high school, cannot be overstated. Once again, these 2136 kanji are considered the basics of Japanese kanji fluency.

According to the “Kanji Frequency Number Survey/漢字頻度数調査” conducted by the National Cultural Affairs Division in 2000, in 385 books published by a major publishing company, 8474 different kanji were used (not including duplicates). However, speakers are able to understand 99% of them if they know the top 2457 kanji, and 99.9% of them if they know the top 4208 kanji. And as is true for speakers of every other language, people can generally read more words than they can write.

I determined the “grade level” of each kanji in this analysis according to the grade level provided in my Japanese-English dictionaries, but consideration will be made for Secondary School Kanji due to the lack of official grade divisions and the less organized circumstances involved with learning them.

An introduction to the analysis—what I did and why I did it

In this analysis, I focused specifically on Shigeo’s ability to write kanji, not to read them. This is most obviously because it’s much harder to determine whether or not someone can actually read something, especially in anime, without it being explicitly mentioned. However, it is also because the meaning of kanji can be inferred from knowing the meaning of radicals, and as mentioned above, it is common for people to be able to read more words than they can write. The true mark of knowing a kanji is being able to write it.

To determine Shigeo’s kanji-writing ability, I studied screenshots from a few scenes from the anime, specifically a couple of scenes from the Reigen OVA where Shigeo is writing a LOT, and a couple scenes from the regular anime where Shigeo is explicitly seen writing stuff down and the audience is shown the writing.

The data has been organized into two different excel charts—one for kanji he uses correctly, and one for kanji he doesn’t know or messes up. The kanji in each of these charts have been color-coded and organized by grade level, with readings, translations, and explanations provided. There is only one kanji in the entire analysis that is not considered a part of the jouyou kanji, and this kanji has been marked by “N/A” in the grade level section.

I will provide each chart alongside a percentage likelihood that Mob will know any given kanji from each grade level based on the information gathered from the anime. Please note that the sample size is obviously limited, but I’m working with what I have. If there is a kanji with some sort of detail worth consideration, I’ve marked it with a (**) in the chart and will explain below.

Lastly, I included kanji used in names in the chart here after some deliberation. Name kanji are tricky in general, because multiple kanji share the same pronunciation and people usually don’t know what kanji are used in someone’s name unless they are shown by that person (unless it’s some crazy common name like 高田 or 森 or 田中).

A presentation of data, evidence, and counterarguments.

Shigeo’s known kanji:

Shigeo’s unknown kanji:

IMPORTANT NOTE: There are one or two instances of Shigeo NOT using a kanji at all that I’ve decided not to include on the chart. This is because it is common for Japanese speakers to omit kanji for super common verbs and write them in kana instead, either for personal style reasons or for convenience. Since the verbs are so fundamental and commonly-used, it’s unlikely that they will be misunderstood or mistaken for another word if written in kana. So, if Shigeo wrote the verb for “to read” or “to eat” without using kanji, I didn’t include it, as I highly highly highly doubt he doesn’t know those kanji and I felt like it would unfairly skew the results against him.

米** = I don’t blame Shigeo for not knowing this kanji. It’s fair to assume that Mob might not have seen Mezato’s name written out and therefore wouldn’t know which kanji to use. On TOP of that, “me” for 米 is a special nanori (used for names only) reading and is super obscure and uncommon. I couldn’t even find it in my name dictionary by searching “Mezato”, I had to find her name written in kanji in S1E3 and go from there. I wouldn’t expect this kanji to be in anyone’s top ten possible kanji guesses for the “me” in “mezato”. I included it because rules are rules, but wanted to mention this to make it fairer on the boy.

世** = I want to make it known that Shigeo does successfully write this kanji in the image shown here, when he writes 「世紀」(century):

HOWEVER. However. He messed it up SO BAD before that I think it actually overpowers him using it correctly and brings it back around to a “not properly known” kanji, especially because it’s a kanji taught in second grade that he shouldn’t be messing up at all:

The subtitles intersect it but I’ve rewritten what Shigeo wrote there at the bottom. He tried to write 「世の中には」”In the world…”, but tried to write the kanji, messed up, crossed it out, and then rewrote it in kana. Didn’t even try to write it a second time. This is egregious and, in my juror’s power, cancels out his later usage. This would be like misspelling “world” in English. I’m willing to entertain arguments that he just wanted to write it in kana for some reason, but as it is now, I don’t think that excuse is compelling enough against such damning evidence, so in “missed kanji” it goes. (It’s partly cut off but what gets me is that it doesn’t even look wrong in the first place lol but if he crossed it out, it means he didn’t know it well enough, which allowed him to doubt, which is still damning enough.)

造** = Just like above, Shigeo actually does successfully use this kanji once in the show when he’s filling out his paperwork for the Body Improvement Club in S1E2 (forgive my awful kanji, it’s hard to draw on the phone lol):

However, that was not only on an official school document, it was also in the presence of a student council member and Saruta (#2 in the grade lol) so I have to assume he either asked someone for help or got corrected. Either way, the instance where he doesn’t use the kanji is when he’s in his bedroom alone, writing in his personal notebook—a much more casual environment, and one that takes place AFTER s1e2 (can’t argue he learned it):

This leads me to believe that Shigeo does not naturally know the kanji, as he can’t reproduce it in casual day-to-day or when alone.

焉** = This kanji is not only not included in the jouyou kanji, but it is also used in an obscure word. In fact, it took me a minute to locate it in my Japanese-English dictionary app. It is absolutely not reasonable to expect Shigeo to know this kanji off the top of his head, and he probably wouldn’t know it even if he were a kanji ace. It is included and working against him, however, because the kanji he initially tried to write in its place was 「円」, a.k.a. the kanji for YEN/¥:

Sure, 「えん」is a reading for「円」, that part makes sense. But 「終焉」means “the finals years in one’s life”, so I’m really struggling to understand why Mob would think the yen money kanji would be a part of that word and why he would try to write it with that kanji instead of just writing it in kana first, like the majority of the kanji he didn’t know. It’s truly an enigma to me. I’m bewildered he even tried that, and for that, I’m holding it against him.

BASIC STATS:

GRADE 1 KANJI:

- Total known: 17

- Total unknown: 0

- Grand total: 17

- Shigeo knows: 17 out of 17

- Percentage likelihood of Shigeo knowing a grade 1 kanji: 100%

GRADE 2 KANJI:

- Total known: 16

- Total unknown: 3

- Grand total: 19

- Shigeo knows: 16 out of 19

- Percentage likelihood of Shigeo knowing a grade 2 kanji: 84.2%

GRADE 3 KANJI:

- Total known: 13

- Total unknown: 6

- Grand total: 19

- Shigeo knows: 13 out of 19

- Percentage likelihood of Shigeo knowing a grade 3 kanji: 68.4%

GRADE 4 KANJI:

- Total known: 11

- Total unknown: 0

- Grand total: 11

- Shigeo knows: 11 out of 11

- Percentage likelihood of Shigeo knowing a grade 4 kanji: 100%

(Baby apparently had a great year in fourth grade.)

GRADE 5 KANJI:

- Total known: 3

- Total unknown: 4

- Grand total: 7

- Shigeo knows: 3 out of 7

- Percentage likelihood of Shigeo knowing a grade 5 kanji: 43.9%

GRADE 6 KANJI:

- Total known: 0

- Total unknown: 2

- Grand total: 2

- Shigeo knows: 0 out of 2

- Percentage likelihood of Shigeo knowing a grade 6 kanji: 0%

😭

GRADE 7 KANJI:

(No known or unknown 7th grade kanji found)

GRADE 8 KANJI

- Total known: 5

- Total unknown: 6

- Grand total: 11

- Shigeo knows: 5 out of 11

- Percentage likelihood of Shigeo knowing a grade 8 kanji: 45.5%

^ To Shigeo’s credit, this isn’t bad at all considering he’s only halfway through his eight grade year at this point in the story.

% OF JOUYOU KANJI SHIGEO KNOWS:

% known from observed data:

65/86

75.6%

# of jouyou kanji: 2136

75.6% of 2136 = 1615 jouyou kanji

Here’s a graph for your visualizing pleasure:

Finally:

(All values are rounded up)

There are 1006 kyouiku kanji. There are 1130 secondary school kanji. Because high school in Japan is not compulsory, we’ll assume that the secondary kanji are to be learned over the three years of middle school. That means about 377 words per middle school grade. If Shigeo is halfway through eighth grade, let’s say he should generally know 1006 + 377 + (377/2) kanji, which comes out to 1,572.

There are 80 kyouiku kanji assigned to first grade, which Shigeo should know 100% of—80 total.

There are 160 kyouiku kanji assigned to second grade, which Shigeo should know 84.2% of—135 total.

There are 200 kanji assigned to third grade, which Shigeo should know 68.4% of—137 total.

There are 200 kanji assigned to fourth grade, which Shigeo should know 100% of—200 total.

There are 185 kanji assigned to fifth grade, which Shigeo should know 43.9% of—81 total.

There are 181 kanji assigned to sixth grade, which Shigeo should know… 0% of…. 0 total.

This all totals out to:

80 + 135 + 137 + 200 + 81 + 0 = 633/1006 elementary school-level kanji. That’s 63% of the kanji required for elementary school.

(Didn’t include a calculation for middle school kanji due to having 0 data on seventh-grade kanji and also him being halfway through eighth.)

The truth revealed: can Shigeo write a reasonable amount of kanji for his age group?

Uh… no. Maybe? Well… probably not, no.

I mean, of course there are flaws with my methods. I had a super small sample group and applied the stats there to all of the jouyou kanji, which is almost guaranteed to be lower than reality. I just didn’t really have another choice. Also, I’m very certain that Shigeo MUST know some 6th grade kanji, even if in the results here I considered the probability to be 0%. That’s assuredly not accurate. There were just, by chance, only two instances of sixth-grade kanji in all of the sample writing and he happened not to know either of them. This is just for fun, anyway. I can say with confidence, though, that he certainly isn’t a writer, and he definitely knows less kanji than the average eighth grader, but I wouldn’t take my numbers for anything more than entertainment.

But yeah. Shigeo is…. a little kanji-impaired. Which explains why he struggled with Emi’s writing and is only ever seen reading Shounen Jump volumes lmao. I believe in him though. He makes it work. My illiterate king. Who needs the other half of your elementary sight-words anyway?

All jokes aside though, he really started to scare me with the 世 and 円 things 😭😭😭😭😭

#mp100 #mob psycho 100 #FINALLY IT IS DONE. This took me forever bc i’ve been SOOOO busy this past week #i’ve missed posting on here #so here’s a super long post as apology lol #i actually had a lot of fun with this #im so tired rn tho so i’m desperately hoping it makes any damn sense at all #our illiterate boy #i love him #like i said don’t take it too seriously. it’s all in good fun #kageyama shigeo #shigeo kageyama #mp100 analysis #mp100 meta #described in alt text

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astriiformes · 2 months

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Hi, i just learned about the scientific revolution in europe at school. Can you tell me why you dont think scientific revolutions exist? im curious!

So I feel like I have to lead with the fact that I'm kind of arguing two different points when I say scientific revolutions aren't really a thing

One is that I'm objecting to a specific, extremely foundational theory of scientific revolutions that was put forth by the philosopher Thomas Kuhn, which I think really misrepresents how science is actually practiced in the name of fitting things to a nice model. The other is that I think the fundamental problem with the idea is that it's too vague to effectively describe an actual process that happens.

It's certainly true that there are important advances in science that get referred to as "revolutions" that fundamentally changed their fields -- the shift from the Ptolemaic model of the Solar System to the Copernican one, Darwin's theory of evolution, etc. But there are historians of science (who I tend to agree with) that feel that terming these advances "revolutions" ignores the fact that science is an continuous, accretional process, and somewhat sensationalizes the process of scientific change in the name of celebrating particular scientists or theories over others.

Kuhn's model that he put forth in The Structure of Scientific Revolutions (which is one of those books that itself stirred a great deal of activity in a number of fields) suggests science evolves via what he called "paradigm shifts," where new ideas become fundamentally incompatible with the old model or way of doing things, causing a total overturn in the way scientists see the world, and establishing a new paradigm -- which will eventually cave to another when it, too, ceases to function effectively as a model. This theory became extraordinarily popular when it was published, but it's somewhat telling who it's remained popular with. Economists, political scientists, and literary theorists still use Kuhn, but historians of science, in my experience at least, see his work as historically significant but incompatible with how history is actually studied.

Kuhn posits that between paradigm shifts there are periods of "normal science" where paradigms are unquestioned and anomalies in the current model are largely ignored, until they reach a critical mass and cause a scientific revolution. In reality though, there is often real discussion of those anomalies, and I think the scientific process is not nearly so content to ignore them as Kuhn thinks. Throughout history, we see people expressing a real discontent with unsolved mysteries the current scientific model fails to explain, and glossing over those simply because the individuals in question didn't manage to formulate breakthrough theories to "solve" those problems props up the somewhat infamous "great men" model of history of science, where we focus only on the most famous people in the field as significant instead of acknowledging that science is a social enterprise and no research happens in a vacuum!

Beyond disagreeing with Kuhn specifically though, I think the idea of scientific revolutions vastly simplifies how science evolves and changes, and is ultimately a really ahistorical way of thinking about shifts in thinking. Take the example of the shift from Ptolemaic, geocentric thought to the heliocentric Copernican model of the solar system. When does this supposed "revolution" in thought actually start, and when does it "end" by becoming firmly established? You could argue that the publication of Copernicus' De revolutionibus orbium coelestium in 1543 was the beginning of the shift in thinking -- but of course, then you have the problem of asking where Copernicus' ideas came from in the first place.

The "great men" model of history would suggest Copernicus was a uniquely talented individual who managed to suggest something no one else had ever put forth, but realistically, he was influenced by the scientists who came before him, just like anyone else. There were real objections to the Ptolemaic model during the medieval era! One of the most famous problems in medieval astronomy was the fact that assuming a geocentric model makes the behavior of the planets seem really weird to an observer on Earth, referred to as retrograde motion, which had to be solved with a complicated system of epicycles that people knew wasn't quite working, even if they weren't able to put together exactly why. There were even ancient Greek astronomers who suggested that the sun was at the center of the solar system, going all the way back to Aristarchus of Samos who lived from around 310-230 BCE!

Putting an end point to the Copernican revolution poses similar challenges. Some people opt to suggest that what Copernicus started, either Galileo or Newton finished (which in and of itself means the "revolution" lasted around 100-150 years), but are we defining the shift in terms of new theories, or the consensus of the scientific community? The latter is much harder to pinpoint, and in my opinion as an aspiring historian of science, also much more important. Again, science doesn't happen in a vacuum. Copernicus, Galileo, and Newton may be more famous than their peers, but that doesn't mean the rest of the Renaissance scientific community didn't matter.

Ultimately it's a matter of simple models like Kuhn's (or other definitions of scientific revolutions) being insufficient to explain the complexity of history. Both because science is a complex endeavor, and because it isn't independent from the rest of history. Sure, it's genuinely amazing to consider that Copernicus' De revolutionibus orbium coelestium and the anatomist Andreas Vesalius' similarly influential De humani corporis fabrica were published the same year, and it says something about the intellectual climate of the time. But does it say something about science only, or is it also worth remembering that the introduction of typographic printing a century prior drastically changed how scientists communicated and whose ideas stuck and were remembered? On a similar note, we credit Darwin with suggesting the theory of evolution (and I could write a similarly long response just on the many, many influences in geology and biology both that went into his formulation of said theory), but what does it say that Alfred Russel Wallace independently came up with the theory of natural selection around the same time? Is it sheer coincidence, or does it have more to do with conversations that were already happening in the scientific community both men belonged to that predated the publication of the Origin?

I think that the concept of scientific revolutions is an important part of the history of the history of science, and has its place when talking about how we conceive of certain periods of history. But I'm a skeptic of it being a particularly accurate model, largely on the grounds of objecting to the "great men" model of history and the idea that shifts in thinking can be boiled down to a few important names and dates.

There's a famous Isaac Newton quote (which, fittingly, did not originate with Newton himself, but can be traced back even further to several medieval thinkers) in which he states "If I have seen further it is by standing on the shoulders of Giants." I would argue that science, as an endeavor, is far more like standing on the shoulder of several hundred thousand other people in a trenchcoat. This social element of research is exactly why it's so hard to pull apart any one particular revolution, even when fairly revolutionary theories change the direction of the research that's happening. Ideas belong to a long evolutionary chain, and even if it occasionally goes through periods of punctuated equilibrium, dividing that history into periods of revolution and stagnancy ignores the rich scientific tradition of the "in-between" periods, and the contributions of scientists who never became famous for their work.

#SORRY FOR WRITING A NOVEL #i hope this makes sense and that i am not too deep in the history of science theory to give a good explanation #a much shorter tl;dr answer would be that my stance towards scientific revolutions is more skepticism than total rejection #but hyperbole gets the job done a lot faster haha #getting to the point that i really should have a #history of science tag

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kyodelika · 7 months

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youyouyoure just my type oh youve got a pulse and you are breathiiing

#sorry for the saint motel moment #i hope the joke comes through i tried to make it make sense #identity v fanart #idv #identity v #art tag #luca balsa #naib subedar #edgar valden #margaretha zelle #galatea claude #edluca #idv prisoner #idv painter #idv mercenary #idv sculptor #idv female dancer #ummmmmmmmmmm thats a lot of tags this time

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greasby · 8 months

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tanned to a crisp

#tf2 #team fortress 2 #tf2 fanart #sniper tf2 #my art #something ive noticed in a lot of fanart is a lot of people make the mercs quite pale #and its always bothered me because the lightest tone is scout’s highlights #and even then its not THAT pale #so i hope to see more fanart that doesnt wash them all out . because it doesnt make sense at all #and sniper bothers me most out of them (aside from whitewashing demo) because this man has spent most of his adult life in the outback #he would be tan as FUCK #also spy’s model has a very nice darker olive skintone and i see so many people make her SCARY white

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solarmorrigan · 5 months

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For the dialogue prompt, how about “What happened doesn’t change anything” for either Steddie or Newmann?

Thank you!

Hello hello hello I finally have something for you! I chose Steddie for this one, since I was on a roll. I hope this suits!

[post-S2 Steddie AU; CW: Outing, transphobia, some internalized transphobia; soft ending guaranteed, though]

When he sees Hagan meandering over towards them in the parking lot after school, his queen bee tagalong, Perkins, in tow, Eddie knows nothing good is going to follow. The way he feels Steve shift beside him says that he suspects much the same. The rest of the Hellfire guys, all gathered around Eddie’s van, talking and joking before heading home, have fallen silent.

It’s a small consolation that Hagan isn’t trailing Hargrove; since putting Steve in the hospital (briefly, Steve always interjects) last November, Hargrove has mostly given him—and the members of the Hellfire Club, once Steve had been taken into their fold—a fairly wide berth. Hagan, however, has had no compunctions about hassling Steve whenever he gets a bug up his ass about something, and he’s only become nastier since he started toadying for Hargrove.

So Eddie expects trouble, but he hadn’t expected–

Hagan starts small, crowing about how Steve has finally found his rightful place: among the freaks. Steve doesn’t give anything away, no displeasure, no anger, just bored indifference – the same mask he’s always hidden behind (the one Eddie had learned pretty quickly to see past, once he knew what to look for). But Hagan pushes.

“I guess the freaks already have a king,” Hagan snipes, cutting a glance at Eddie, “but I’m sure he needs a lady to rule by his side, right, Stevie?”

It seems like an unoriginal sort of dig—calling Steve a girl, how creative—except Steve goes pale. The mask slips, showing wide and frightened eyes for just a moment, but for Hagan, who’s known Steve for years, it’s long enough. He knows he’s hit something good.

“Do all your new little friends know, Stevie-boy? What makes you fit right in with them?” Hagan glances around the group, apparently enjoying the fact that if looks could kill, he’d be dead four times over. Then he leans in and practically spits at Steve, “Do they know that they got into your pants, you’d be less of a King Steve and more of a Queen Stacy?”

And that does it – shatters Steve’s mask so thoroughly that he actually takes a step back, staring at Hagan with a kind of disbelieving betrayal frozen on his face.

The full meaning of the words hits Eddie about three seconds before Hagan hits the side of the van, one of Eddie’s hands fisted in the front of his t-shirt and the other held firm at the base of his throat – not hurting, exactly, but heavily implying that he could.

Eddie doesn’t even have to reach for one of the many theatrical voices he uses to rile people up or cow them into submission; he’s so thoroughly taken by a type of rage he hasn’t let himself give into in a long time that his tone comes out perfectly threatening all on its own.

“If you ever repeat what you just said to another person, I will find out, and I will make your life a living hell,” he hisses.

Somewhere behind him, someone—it might be Jeff, though Eddie isn’t sure—clears their throat, and when Eddie tosses a glance over his shoulder, he finds the rest of Hellfire standing firm at his back (even tiny underclassman Gareth, with his arms crossed and the meanest look on his face the poor kid can muster).

“Ah, my apologies,” Eddie says as he faces front again, flashing a manic little grin, “we will find out. And we’ll ruin your life, Hagan. Same goes for your girlfriend.”

Perkins, who had been standing off to the side as the snickering peanut gallery right up until Eddie had pinned Hagan to the side of the van, makes a choked noise of offense that goes entirely ignored.

“Tell me you understand, Tommy-boy.” Eddie punctuates the command with a flex of his fingers near Hagan’s throat, until Hagan reluctantly nods, and Eddie releases him. “Glad we’re in agreement.”

Hagan and Perkins hightail it the other side of the parking lot, leaving them be with nothing more than a nasty look from Perkins, but no one is much in the mood to chat after that. No one really knows what to say – except Steve, who offers a quiet thanks to the rest of the guys and, having caught a ride in with Eddie that morning, then asks to be taken home.

Even with the radio playing quietly as Eddie drives, the atmosphere in the van feels silent and stifling.

Asking Steve if he’s alright feels like kind of a ridiculous move. Eddie wouldn’t be alright if he was in Steve’s position – hell, Eddie’s not alright. He’s pissed. But from the way Steve is sitting rigidly in the passenger seat, staring out the window like Eddie is driving him to his execution, Eddie’s anger—even on his behalf—isn’t what he needs right now.

Slowly, Eddie forces himself to let it go (for now, at least for now) and follow the familiar roads home.

It feels perfectly natural to simply head back to his place, where they’d been planning to go before that shitshow of a confrontation, though the surprise on Steve’s face when they pull up to the trailer says that he’d thought otherwise.

“You could’ve just taken me back to my house. I wouldn’t– I’d get it,” he says, and Eddie frowns at him.

“Did you want to go back to your house? We can hang out there if you want, I just figured…” Eddie tilts his head regarding him carefully. “You seem more comfortable here.”

Steve stares at him for a long moment, blank and uncertain, before he breaks back into motion with a shrug. “Okay,” he says, moving to get out of the van.

They head inside and nod a quick hello to Wayne, who looks like he’s just woken up in preparation for his shift, and then they go straight back to Eddie’s room. Eddie’s bag goes on the desk, but Steve’s goes by the door. Eddie sits down on the bed (admittedly one of the few places to sit, but also an invitation for Steve to come sit next to him) but Steve – Steve hesitates before leaning up against the wall, by the door with his bag, arms crossed and gaze cast towards the floor.

He looks ready to run at any moment, and Eddie sighs. This thing between them is new – so new that they’ve been afraid to put a label to it, dancing around each other uncertainly for months before sharing their first kiss barely a month ago. They’ve spent almost every available moment since with their hands on each other in some way or another, though Steve has been a bit skittish about moving past making out (Eddie had thought that maybe it was the unfamiliarity of being with another guy, but he thinks he might have a better understanding of the picture now).

Eddie doesn’t want to break things by pushing too hard, but somehow, he thinks leaving it unaddressed would be worse.

“Look, we don’t have to talk about it,” he says, watching Steve, though Steve still isn’t looking back, “but if you want to…”

Steve shrugs. “I wasn’t hiding it from you,” he says, finally glancing up at Eddie. “I mean, I was, but not– I was going to tell you.”

“You don’t owe me any kind of explanation,” Eddie says.

“You would’ve found out eventually, either way.” Steve lets out a sound that suggests he may have been trying to laugh. “But it was – I should’ve been the one to tell you. That was – that was mine to tell.”

A little bit of Eddie breaks as Steve’s voice does. He’s almost vibrating with the desire to hold and to reassure, to go over to where Steve is standing, still propped against the wall, practically curling in on himself (trying to make himself smaller), but he’s not sure how well it would be received. He tries words, instead.

“Steve, I’m so sorry–”

“That was the one thing,” Steve snaps, anger tearing across his tone, “the one thing Tommy would never touch, the one thing that was off limits, even he knew– and he just–” As quickly as it had come, the anger goes, taking Steve’s energy with it. He presses the heels of his palms into his eyes and lets his hands slide down to cover his face; when he speaks again, he sounds small. “I wasn’t ready.”

Eddie couldn’t keep himself from crossing the room if he’d tried – though isn’t trying, after that. He’s up off the bed and into Steve’s space before he’s even realized, and it’s probably only his proximity that allows him to hear what Steve says next.

“I’m not ready for things to change between us.”

“Steve,” Eddie says, low and careful, “what happened doesn’t change anything.”

Steve pulls his hands away from his face with a derisive little huff of a laugh. His cheeks are red and his eyes are bright; he’s not crying, but it looks like a near thing.

“It’s – like, I get it. You’re fully into guys, and I’m…” He waves his hands down at himself, sharp and frustrated. “Most people wouldn’t call me a real guy, if they knew.”

“Since when am I most people?” Eddie asks. “You say you’re a guy, you’re a real guy, fucking end of. Anyone who thinks otherwise can fuck off.”

Steve scoffs, rolling his eyes, clearly trying to hold back a much more emotional reaction, and Eddie chances resting his hands on Steve’s shoulders. Steve doesn’t move away, even eases a little into the touch when Eddie starts circling his thumbs at the skin right where his shirt collar ends.

“You don’t have to believe me right now,” Eddie says softly. “But I like you, Steve. I like you, andI’m gonna stick around and prove it to you.”

Something about the declaration makes Steve’s eyes snap right to Eddie’s, searching, anxious and cautiously hopeful, and Eddie lets him look. Whatever he’s after, maybe he finds it, because he uncurls from himself a little after that, just enough to lean in for a hesitant kiss that becomes much more certain when Eddie himself doesn’t hold back.

Eddie pulls Steve back over to the bed after that, poking and prodding him around until they’re both settled, Eddie’s back to the pillows and Steve’s back to Eddie’s chest (Steve’s never said as much, but Eddie’s gathered that this is one of his favorite positions to cuddle in; he doubts if Steve’s spent much time being the little spoon).

“Tell me something else,” Eddie says, once he’s got his arms wrapped securely around Steve’s waist.

“What?” Steve asks.

“Tell me something that you want me to know.” Eddie leans forward to press a kiss to Steve’s temple. “Anything.”

For a moment, Steve is quiet, thinking as he traces absent patterns over Eddie’s forearms. “I could tell you why I picked Steve,” he says finally.

“If you want to, I’d love to hear it,” Eddie says.

“It wasn’t because it was sort of close to my… old name. That was actually kind of a coincidence.” Steve lets his head fall back against Eddie’s shoulder, the tension that’s been wound through him for the last hour finally starting to ease. “Steven was my grandad’s name.”

“Yeah?” Eddie prompts softly.

“Yeah. My mom’s dad. I used to spend a lot of time over at his house when I was a kid. Before he died. I kind of got the feeling he liked me more than my parents did.” Eddie gives Steve a squeeze around the middle. “But he used to tell me all these stories about fighting in World War II. Probably not very age-appropriate, now that I think about it, but at the time I really ate it up.

“He didn’t really, like… glorify it, I don’t think? He just kind of told me what happened, good or bad, and whatever the story was, I always thought he sounded, y’know – strong and brave. And when I wanted to pick a new name…” Steve shrugs against Eddie. “I kind of hoped he wouldn’t mind sharing his with me.”

“Bet he’d be honored,” Eddie says, giving Steve another little squeeze.

“Some days I’m not so sure,” Steve says quietly.

“Well I am. I’ll just have to stick around and prove that to you, too,” Eddie says decisively.

Briefly, Steve’s hands tighten where they rest on Eddie’s arms. “I like the sound of that,” he says, and Eddie turns so he can press another kiss to the side of Steve’s head.

“Good,” he says. “Me too.”

#221expressions #steddie #steve harrington #eddie munson #transmasc steve harrington #stranger things #does this make a whole lot of sense? probably not!#is it some really soft hurt/comfort though? yes.#tw outing #tw transphobia #solar wrote #answers from solar #this is the last fic for this round of prompts but I'll have a few more soon I hope?

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