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#AND THE SEXISM OF IT ALL
soldier-poet-king · 1 year
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Sexism? Implicit homophobia? Double standards? IN MY FAMILY?? 🙃🙃🙃
Bro 1 either got really drunk and stayed over at his friends (likely) or is MISSING (unlikely), but he didn't even send a text and didn't come home overnight and my mother is FLIPPING OUT and like low-key it's a little funny bc he's 23 and she's been letting him come home at all hours since highschool, I'm talking like, hes regularly crawling in when I'm getting up to leave for work, and sure he can do whatever he wants idgaf he no longer takes even a modicum of advice from others (tho it's super annoying when he wakes me up coming in at 4am since we're the only two in the basement)
HOWEVER, like, do u think he's gonna get any flack for this? Absolutely not. If I'm 30 min late coming home from work IN BROAD DAYLIGHT AT AGED 26 I get in SO MUCH SHIT. God forbid I fall asleep on the bus and forget to text that I'm running late. Or walking home from my Nonna's at night (less than 1 block) I have to text to say I lived, but none of my male cousins or brothers do, despite some of them being MINORS. Or like. I can't even take the subway at night without my mother constantly texting and begging me to let her pick me up like a child (aka tmg concert getting out at midnight but I very specifically stayed sober since I was alone) but nooo my brother can go bar hopping at all hours and she'll just. Go to bed and let him leave.
He can just do whatever the fuck he wants because he's a BOY and he's also our mother's FAVOURITE (the rest of the siblings all agree on that one, me and bro 2 are like 🤝 least loved & most criticized children solidarity), and he's also capable of SUCH anger, he's largely apathetic to the general world and highly selfish, but when he gets mad he he's MAD tbh I fear that anger a bit and so now no one will criticize him at all? He gets away with EVERYTHING and I can't even leave stuff out in the house where I LIVE WITHOUT GETTING SHIT
Also like he was living with his gf and not going to church and all that, and I literally Do Not Care At All, that's his business, but again the hypocrisy of it all from the parents, when theyre supportive of him - literally bought and moved their shared bed - even tho he's "going against their professed values" or however my father wants to phrase it, but god forbid I just EXIST as a queer person, even if I'm single. Like. HELLO???? I can never be out ever
Like yes I'm glad they're not assholes to him but also WHY DO I GET SO MUCH SHIT FOR LITERALLY MY BENIGN EXISTENCE
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silvermoon424 · 5 months
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One of my favorite genres of post is one man being like "the female orgasm doesn't exist. I would know, I've had sex with a number of women and they are BIOLOGICALLY INCAPABLE of achieving orgasm" and then a bunch of other guys show up to roast him
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kthulhu42 · 2 months
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"I get it. I do"
This entire post proves that you don't.
Women do not want a flower. We don't need a flower to appease us or validate us. We want actual, structural, institutional change. Because we are- from birth - subject to misogyny and sexism in every aspect of our lives. A flower is not going to change the pay disparity we face. A flower is not going to stop domestic violence. A flower is not going to help women suffering for decades due to medical misogyny.
We want to tear the system apart. You want a flower to soothe your ego.
We are not the same.
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florencemtrash · 2 months
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The Shadowsinger & The Inkbird: Chapter Fifteen
Azriel x Day Court Librarian Reader
Summary: Y/n's clairvoyance is a gift from the Mother, but it feels more like a curse. With the power to gain knowledge through touch alone, Y/n holes herself up in The Alcove and hopes her powers and parentage will remain a secret. But things will change after the Summer Solstice ball and a chance encounter with a certain Shadowsinger.
Warnings: ANGST... that's about the only major warning I can think of
The Shadowsinger & The Inkbird: Masterlist
Masterlist of Masterlists
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Jurian and Vassa took the attic and became scarce, but when night and day slid into one another you still heard her painful screams, muffled as they were by the magic that encased their room. It was a feeling more than anything else. A tension that gripped the House until it seemed to be sobbing. At sunrise and sunset without fail, Vassa’s body broke and rearranged itself, flesh turning to feathers and feathers to flesh. Before it had been a painless process where her body came and went in its various forms, but no longer. Now she felt everything alongside an itch deep within her bones that couldn’t be satiated by food or drink or anything else. 
Go to the lake! Her body screamed. Go to Koschei! And then punished her when she didn’t comply. Like a beast had sunk its claws into her flesh, its waiting mouth only inches away from snapping. To stay away was a slow, agonizing march to death. To move close would be swift, but final, and somehow Vassa knew that if she gave into Koschei’s call, she would be lost forever.
You lingered at the base of the attic's staircase, your bare feet sinking into the soft rug until the sounds of cracking bones finally ceased. Three pairs of feet shuffled above your head and you heard Jurian’s faint whispers like a gentle push of air. When the door opened and Lucien emerged, you saw Vassa crumpled on the floor, now a bone-thin woman with dull, coppery hair and skin ravaged by scratches and pockmarks. 
“Shhhh. It’s ok.” Jurian whispered, encasing her in his arms. 
“I can’t,” her voice trembled. “It hurts. I-I-I’m burning.” 
“Y/n?” Lucien frowned. The door slammed shut with a bang and you jumped backwards. You clutched a velvet pouch close to your chest and then slowly held it out to Lucien. 
“It’s for Vassa,” you explained, trying to keep your eyes on his mismatched ones — one russet as river stones, one gold like the sun. He opened the bag and stared in confusion at the fine, white powder within, giving it a tentative sniff. “Morphine. Humans use it for pain.” 
“I know of it.” Lucien’s frown deepened. “They get addicted. Take too much and they die.” 
“She’s already addicted. That’s what’s happening isn’t it? Koschei’s drawing his power away to get her to return to the lake and every day that passes she’s dying.” Lucien tightened his fists around the bag, still skeptical. Vassa had endured enough. He didn’t want to have her endure this either. “The bag is enchanted and will never allow her to draw too much. Just enough to calm her hunger. If we’re lucky it might help her sleep too.” 
Lucien stood there, clenching and unclenching his fists from around the gold drawstring, waiting for Vassa’s cries to cease. But they never did. And there you were standing in front of him, unwavering and expectant. There was a glimmer of stubbornness in your gaze. A sign of the hours you’d spent researching Vassa’s condition and acquiring the strange human drug, and your disapproval if Lucien didn’t accept it. 
“Thank you, Y/n,” he whispered, “But please go. Vassa hates for anyone to see her like this. Even Jurian and I.” 
You swallowed thickly and nodded, disappearing down the stairs as quickly as you could. The next morning when the sun rose over the mountains and Vassa changed, you heard only the House’s usual breathings. 
The House buckled under the weight of the Inner Circle’s secrets and the sheer volume of history that had occurred within its walls and between its occupants. It utilized its magic in clever ways — your door opened with a creak that wasn’t there before so that Azriel would always hear your comings and goings. Lucien would suddenly find his door locked and the curtains drawn on the days when Helion made surprise visits to see Y/n. Nyx would find himself ushered around by a broomstick that swatted his ankles when the adults were discussing private matters. It was all a great deal of work. 
So it was a relief when Rhys and Feyre quietly moved their children to the House of Wind with Nesta and Cassian, and when Mor and Emerie took the final steps in emptying their rooms and went to hide out in their city apartment. It was even more of a relief when Helion returned to the Day Court, but not before throwing a heavy threat in Azriel’s face that if he should ever hurt his daughter again in any way, shape, or form, he’d strip the wings off his back. 
Meals at the House were tense, quiet affairs, something not even Feyre, Elain, and Nesta’s sisterly conversations or Cassian’s light-hearted humor could ease. Elain stayed close to Lucien’s side, one hand always on his arm or resting against his back or brushing against his, but that didn’t erase what the Blood Duel had done to his trust in Elain. He was kind, but guarded, especially when Azriel was in the room. But it was more than she could ask for because it was more than she’d ever given him in the beginning. 
You and Azriel were worse off.
You were speaking once more, but your words were always laced with a bit of apprehension and Azriel’s were always filled with sorrowful hope. Conversations were dull, short, and didn’t even begin to brush the surface of all the things you should have been talking about. You were terrified not of the Shadowsinger, but of his opinion of you. Did he want you so he could fix you? So that he could feel needed? So that you could be another one in a list of females he burned through? 
It never truly seemed like that was the case, but you also didn’t trust yourself when it came to your emotions. You had told him once that you couldn’t imagine having a love like Feyre and Rhysand’s, or Nesta and Cassian’s, and you still meant it. You were a matchstick and he was flint, and you didn’t know what would happen to you after he had lit you aflame. For all you knew, you were already burning and this wonderful thing you’d had with Azriel would live and die with nothing more than the memory of an embrace in Rhysand’s office to show for it. 
But oh how you ached to touch him again. To hold him like you had before and to have him return the gesture just as strongly. 
You stiffened when Azriel’s hand brushed your arm, warmth bursting out from the point of contact. 
“I’m sorry.” Azriel whispered, and he was talking about more than the wine he spilled when he reached over the table.
You spared him a glance, the first real look you’d given him in two weeks. The flagon slipped from his hands, and if it weren’t for his shadows catching it an inch above the floor, the room would have been doused in burgundy red. 
“Does Lucien know?” 
Rhysand looked up from his papers. Missives from the Darkbringer army and Illyrian troops up north clogged his desk, all begrudgingly accepting his orders to prepare for what could amount to another lengthy war. Letters thrown back and forth between the seven courts added to the chaos, all of them war-weary and desperate for a path that wouldn’t lead to bloodshed. 
You took up the center of his room and stood so quietly he hadn’t even noticed you until you spoke. It had been eating away at you for days since Lucien’s arrival. Every time you two saw one another or spoke, you tried to scrounge for clues that would reveal whether he knew he was Helion’s son and whether he might suspect you were Helion’s daughter as well. The other members of the Inner Circle had been tight-lipped about that secret, a skill you now knew they all possessed with alarming dexterity. 
“Does Lucien know he’s Helion’s son?”
Rhysand slumped back in his chair, rubbing his temples with one careful hand. Finally he said, “Yes.” 
The answer knocked the breath from your lungs. You’d been expecting the opposite. “Does he… does he know about me?” 
Rhys sighed and shook his head. You didn’t know whether to be disappointed or relieved. 
“How long has he known?” 
“Six years. Feyre was the one to tell him. She was actually the first of us to recognize the similarity, believe it or not. But then, no one ever dared to give weight to the rumors surrounding Helion and Aurelia Vanserra while Beron was alive.”
You rocked back and forth on your feet, breath shaking as it entered your body. “Six years. Six years and you never thought to tell Helion that he has a son? I thought you two were friends?”
Rhysand tensed. “I’m Lucien’s friend as well and he begged us to never speak of it - to live as though we’d never learned that secret. And I keep my secrets. We all do.” 
“You and your family have made that very clear in the time that I’ve been here.” 
“If you mean Azriel—”
“Don’t play dumb, Rhys, you know I’m talking about him.” Tears pricked at your eyes, adding to the humiliation that had coated you like a film ever since you’d seen his memories about Mor, Elain, and Gwyn. “I don’t—” You swallowed thickly, “I can imagine how you must have all been whispering behind my back about Azriel and I. How you must have found it so pathetic the way he charmed me when I was really his fourth choice.”
“That’s not true.” Was what Rhysand was going to say. But he didn’t need to. Azriel said it for him. 
Your face lost all color, any bravado melting away at the feeling of Azriel’s shadows wrapping around your ankles like ribbons of silk. You could feel him in the room and that quiet darkness he carried around with him as inherently as if it were stitched onto his body. 
Azriel was shaking. Shaking. With anger, turmoil, or grief — you couldn’t name it. All you knew is that one moment you were standing in Rhysand’s office, all velvet upholstery and suave, expensive taste, and the next you were in Azriel’s room. 
Everything smelled like mountain air. Maybe it was the gothic windows that stretched into the vaulted ceilings, stained glass opening out onto a personal balcony with deep blue curtains fluttering in the breeze. But you were sure that even with the windows barred it would smell the same. It would smell like Azriel. If you threw open his wardrobe you’d come face to face with a wall of black. Lots and lots of black. Black suits he hardly ever wore. Black fighting leathers. Black leather jackets for everyday. Black trousers. Black boots on the floor. Very practical. Very Azriel. 
If you dug through his dresser drawers you’d find black boxers and socks to match and no shortage of knives and daggers hidden behind wooden planks or in leather sleeves nailed to the bottom of his desk. But at first glance you only saw three weapons in plain view — Truth Teller, blade down and stuck in the wood grain of his desk beside a pile of reports, and two obsidian blades hanging from the wall beside his midnight blue bed in the shape of an “x.” 
The smell — Azriel’s smell — calmed you, at least up to the point where you turned to find him standing less than six inches away, hazel eyes boring into yours. Then your pulse skyrocketed. You were certain that if he only looked down to your heart he’d see it pounding against your chest like a drum skin ready to burst. 
“That’s not true,” he repeated earnestly. “And don’t you dare believe it. Not even for a second.” 
His eyes jumped back and forth between yours and before he could stop himself, his hands were grasping yours in a gentle hold. The leather gloves were soft and supple beneath your fingertips. You wanted to rip them off so you could feel his scarred hands again. 
“You weren’t meant to hear that,” you whispered, suddenly feeling small. That angry humiliation went up in a puff of smoke and left you shy and uncertain. 
Azriel gripped your hands a little tighter and you watched as tendrils of shadow worked their way up your arms and got lost in your hair. “But I did,” he said breathlessly, “And I need you to know that it’s not true.” 
“Azriel—”
“I know—” he was shaking his head, “I know what Helion said and I won’t lie and tell you that I’m perfect or that I’ve made any smart decisions about love in the past — I’ve not make a single one — but… but Y/n you’re not a fourth choice. You’re not something broken that I’m trying to fix or some fantasy I’ve fallen for.”
His hands shook and despite the gloves his hands still felt sticky and wet. Slick with your blood. The burning scent of iron in his nose.
“You’re the most real thing in the world to me. You’re—” You’re my mate. The words crawled up his throat like acid and it just felt wrong. He would say those words to you. He would. But not now. Not like this. He came up with something else. “Y/n, please tell me you believe me. Please.”
And there you were. Falling all over again. Burning like a matchstick on fire. The flames slowly eating away at you bit by bit. You wondered what would happen when you finally hit the ground, or when you ran out of length. Would he still hold you like this? Would you still feel real to him? 
“How am I meant to know, Azriel?” 
You’d always been good at books. You knew the ways in which these stories worked where the themes and plot points had been preordained and written with the purpose of being tied up in a neat package by the final page. People were very different. They were unpredictable and chaotic and they could lie through the skin of their teeth and believe they were telling the truth. And that was the problem wasn’t it? Because you still believed every word that came out of Azriel’s mouth, and his hands still felt like they were keeping you tethered to this earth when sometimes your powers and the memories that came with them made you feel like a whisper on the wind. Weightless and at the mercy of something you couldn’t control. 
“You can trust me. You can know for yourself.” 
He pressed your hand against his cheek and you wanted to cry at the faint pricks of stubble beneath your skin and the sharp curve of his jaw. 
He wanted you to use your power on him. He wanted you to learn all the ways he wanted you. All the ways he loved you.  
But you couldn’t do it. 
Azriel panicked when you remained silent, staring at him and at his hands like you were frightened. All at once he was back on the streets of Velaris, cobblestones shaving away at the skin of his palms as he dragged his way up to you inch by bloody inch, fighting against a body that was too broken to move. 
He couldn’t remember what it felt like when he’d stabbed you through the chest and dropped you on the street. Everything between the moment he saw Andrian’s clear-cut eyes to the moment he saw Rhysand’s horrified gaze was fuzzy and dark. But that made it worse because now in his nightmares he could imagine all the ways he’d hurt you, each version teeming with the same level of horror and possibility as the previous one. 
He let you go and hated himself when you stepped back, your hand slipping away. 
“I won’t… I won’t hurt you again, Y/n. I swear on my life. I’ll-I’ll make a bargain, I don’t care. I would sooner die than let something like that happen again.” 
I don’t know what I’d do with that kind of love. If I’d be able to handle it. It might be too much for me.
“Y/n, please.”
 I am not broken. But I am afraid. 
You fled from his bedroom. 
The air had a bite to it now with winter descending. The snow line on the mountains dipped lower and lower each day, creeping like ivy down a brick wall. 
Elain never wore gloves. Not when she was gardening. It was something she and Ione had in common. She liked the feeling of her strong hands, the callouses on her palms and fingers that she’d earned all on her own. She grunted, slamming her shovel into the soil and feeling the microscopic chips of ice give way when she kicked down on the blade. It was too late in the season to be planting tulip bulbs. If she’d been in Velaris she would have done this four weeks ago. But it was alright with her. She knew the value of hard work, and she had enough hope for the future to believe that even though she was late, she’d have something beautiful to call hers come springtime. 
“It’s time for that conversation I was telling you about,” she said cryptically, as was her way. 
Lucien dropped the final basket beside where Elain now knelt in the dirt, her pale pink dress dirtied and littered with her own handprints. The brown bulbs rolled around like oversized chestnuts, the kind that he’d be roasting over a fire right now if he were still in Autumn Court. Instead he was here, lingering in a Court that had never felt like home. Then again… he’d never felt at home in Autumn, Spring, or the Human Lands either. 
He straightened up and wiped his hands clean on his trousers, golden and russet eyes trailing over the River House’s grounds for this mysterious person he was meant to speak to.
There. 
The faint swishing of black robes behind a dark green topiary tree. He should have known Elain had been talking about you. 
You cracked your knuckles and rehearsed the words you’d scribbled out earlier that day and then set to fire in a maddening loop. You’d been restless with the truth of Lucien’s parentage and you couldn’t believe that the others had held their tongues so readily. As it was, without Azriel’s company to help quiet your mind, you’d dug into this new piece of information like a starving animal and couldn’t let go.
Was this a good time to tell him? Would there ever be a good time to tell him? You had no idea. 
Somewhere in the attic, you knew Vassa was itching to take to the skies like the burning comet she was. Every night she shivered in Jurian’s arms, the morphine barely able to take the edge off the humming in her bones, and every morning she let him lock her away in her cage. It was getting worse and worse trying to keep her from succumbing to Koschei’s influence. Even now you thought you could hear her keen cries whistling from the attic like ten thousand arrows launched into the air. 
Somewhere else, in a secret, hidden place you knew nothing about, Andrian had finally been imprisoned. Andrian with his bent neck and silver, candy-floss hair and bloody little hands. 
You shivered and jumped back five feet when Lucien called your name, kind eyes narrowed in concern. His shirt was loose and open and the sweat on his body rose like mist off his skin. He was his mother’s son first, Helion’s child second, and fire still ran through his veins. The chill did not touch him. 
He tipped his head to the side, red hair spilling out from the messy way he’d tied it up and away from his face. A brutal scar ran through his eye like a fissure, starting at the center of his brow before clawing its way down his jaw like a lightning strike frozen in time. But for all the cruelty he’d been dealt with in life, his eyes were gentle, even the mechanical one that whirred and flashed in the sun. 
They were even kinder when he looked at you. You with your inquisitive gaze and curious nature, like a stray cat that couldn’t help but linger too long at doorways. One foot inside, one foot ready to run and hide. He’d caught you watching him at dinners, and he’d catch himself staring when you walked around the house with a book in your hand, so utterly absorbed that you would bump against doorways and bang your hips against sharp corners. 
“Elain told me about you. Did you know that?” 
You blinked in surprise. “What did she say?”
“Elain… Elain doesn’t always speak clearly. Much of what comes out of her mouth can feel eerie or discomforting. But, she told me before we left for the Night Court that I would be happy I came. That I would never regret the things I learned on my trip.” He tilted his head even further, looking more and more like a fox with each turn of his face. “And she mentioned a bird. A bird with ink-tipped wings and eyes like a crow.” 
You flexed your fingers, well aware that the tips were smudged with ink, the nails bitten down to the quick. 
“Someone clever and cautious who’d been hidden away their whole life and needed to see the sun.” 
You felt stripped bare. That strange vulnerability that comes with being summed up in so few words had you feeling airy. Like one sentence could be enough to carry the weight of the three centuries you’d lived and never buckle. 
“I know you’re Helion’s son. I recognized it the moment I saw you.” 
Lucien stepped back, scarlet brows shooting up into his hair with alarm.
You hesitated, then continued on cautiously. “I recognized it because I would know my father’s face anywhere.” 
<- Previous Chapter Next Chapter ->
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Author's Note:
I KNOW IT'S A CLIFFHANGER ENDING BUT I NEEDED TO BREAK EVERYTHING INTO CHAPTERS SOMEWHERE AND I'M GOING TO TRY AND GET CHAPTER 16 UP BY WEDNESDAY SO I DON'T LEAVE Y'ALL HANGING FOR TOO LONG. HAVE MERCY!!!
The good news is that Chapter 16 is already mostly written, I just need to edit it all to make sure things flow smoothly. Also, LUCIEN KNOWS NOW AHHHHHHHHHHHH
Sorry for the Azriel angst... but it's delicious, no?
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transwolvie · 1 month
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Got notes again on my post abt how Falin's Girl Autism is romanticized to the point where people who don't really know or understand her are trying to propose vs Laios's Boy Autism being seen as an active threat even though the Toudens are literally so fucking alike and like. Yeah. Gdhdh I have nothing to add I was fucking right and I like that Ryoko Kui created such loving and similar siblings so that she could comment on how their autism and hyperfixations are so clearly filtered through a lens of how people see them due to their gender as well
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scuderiakarts · 5 months
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Certain sections of F1 media literally can’t breathe without denigrating Susie Wolff. When she got appointed managing director of F1A - it’s because of Toto. When F1A has success - it’s because she’s married to Toto and he’s influenced the other teams. When Toto is accused of something unethical - “did you know his wife works with the FIA?” [even though she’s not involved in this at all and is not accused of having leaked information]
Susie Wolff is a racing driver in her own right. She’s been a successful Team Principal in Formula E, and CEO of a racing team (one that was in direct competition with Mercedes might I add). She was a Formula 1 development driver and the first woman to drive in a Grand Prix weekend for more than 20 years.
She has a career that she’s earned on her own, completely separate from who she chose to marry, and the reduction of her to just “Toto’s wife” - including by other F1 Team Principals - is such blatant, ugly sexism.
“Imagine if Geri Horner was working in F2?” If Geri Horner had Susie’s resume I would love for her to be working in motorsports because we need more women in motorsports at all levels, including at the top?
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muffinlance · 3 months
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Wait, what’s going on with Embers???? That fic has been on my read later list since 2021, what’s happened with it???
Brief overview, then I'm likely never touching this topic again, because this is not a Drama Blog:
Context: Embers is a super old AtLA fic that was written during the early fandom days, read widely at the time, and was the origin of the widely-used fanon name of "Wani" for Zuko's ship (kind of by default that it was one of the first popular fics to give his ship a name, I think?), even though most fic writers don't seem to realize it's from there anymore.
"What's Going On": I used to include a link in all my stories to it, because I believe in crediting other writers for borrowed elements, and I was using "Wani" in all my fics. But BOY did I not want to be sending readers that way anymore, so I've adopted a new name for Zuko's ship, and removed all Embers links.
None of the criticisms about Embers itself are new; I'm assuming they date back to when the fic was being written, because this isn't an "it aged badly" thing, this is an "actually yeah this gets worse the longer you think about it and I shouldn't have ignored my bad feelings just because some of the worldbuilding was interesting" thing.
An Incomplete List of Why I Made the Change:
I don't actually like the story that much anymore, and don't want to rec it
I tried to re-read it recently to see if some things were as bad as I remembered and it turns out they were So Much Worse Oh Yikes. More specifically, the treatment of Katara and Aang and their respective cultures has... rather a lot going on. One example: The Fire Nation and Air Nomads are both given multiple backstory elements in an attempt to make the average Fire Nation soldier's participation in the genocide/war in large part the fault of the Avatar and the Air Nomads themselves, and also fully justified from the Fire Nation perspective. And I do mean fully. One of its core tenants is "People from the Fire Nation (and only people from the Fire Nation) who don't follow orders Literally Die, therefore murdering pacifists and babies and continuing the war (and their regularly scheduled war crimes) is the only thing it is physically possible for them to do". I cannot emphasize enough how literal that is.
Also the name "Wani" means "Alligator" and is... objectively a pretty lame name for Zuko's ship? Where's the personality, where's the deeper meaning, where's the resonance with Zuko's themes? @tuktukpodfics initially thought I was calling the ship "Wanyi", and that's what I've switched to, because it is Objectively So Much Better. In their words: “Wànyī (萬一): Literally ‘one in ten thousand,’ ‘perchance.’ Used grammatically in Chinese to mean ‘what if’ or ‘just in case.’ I think a ship called ‘The Perchance’ is perfect for a boy clinging to false hope.”
TL:DR; I don't rec Embers anymore, because I don't actually like the story anymore, and there are things about it that get worse the more I think on them. I've removed links to it and renamed Zuko's ship to "Wanyi" ("The Perchance") because our boy deserves a ship name that reflects his character arc.
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gay-jesus-probably · 4 months
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I like the general fandom trend to just take the plot of Hyrule Warriors as a loose guideline at best and just use the whole concept as a good excuse to get blorbos to interact across timelines, BUT I'm very disappointed that everyone is missing the comedic potential of a very specific squad of characters:
Young Link (aka Mask), who walks out of the nightmare of Majora's Mask and immediately gets portal kidnapped into a temporal war, takes one look at the whole mess and decides that you could not fucking pay him to admit to being the resident expert on Time Shenanigans. He introduces himself with the title of Hero of Termina, and definitely doesn't have any other ones, that would be crazy. Hero of Time? Never heard of him.
Tetra, who is a kickass pirate captain with zero patience for people trying to shove her into the Designated Princess role, and realizes immediately that Oh Fuck, this Hyrule has a lot of Ideas about how the Hero and the Princess are supposed to properly play their parts, the second they realize she's technically a Zelda they're gonna shove her in a goddamn dress and damsel her again, that's not happening. So she's definitely just a really cool pirate captain, nothing else going on here at all, definitely not the heir of the Hylian royal family in her time, that'd be crazy.
Ravio, who is literally just a palette swapped Link, meaning that the second his hood comes off, things are gonna get Awkward. There's no way in hell he's dealing with all that Hero baggage, that's Link work, so that giant bunny hood/mask is practically superglued to his head, and he's not taking it off for love or money.
Spirit Tracks Zelda, who is just in the Phantom Armour the whole time, and passing herself off as just a friendly ghost posessing a suit of armour to help the Hero of Spirits. Of course she isn't Princess Zelda, that's ridiculous, if she were a Zelda then people would start getting really weird about her technically being dead, and boy does that ever sound like a whole Thing she doesn't want to deal with, so she can't possibly be Zelda, she's just a nice ghost knight. Also, her teenage grandma is here, and that's kinda weird, so it's easier to just not admit to being royalty and avoid that awkward conversation.
Finally there's Sheik, who is not the Princess Zelda of the era straight up abandoning her war torn country for months at a time so she can risk her life in extreme cosplay for no clear reason, but is instead the actual Sheik from Ocarina of Time, who just beat Ganondorf like a month ago and is still trying to process what the fuck to do now. Also, he's been pretending to be a boy since he was ten, and is realizing there's a pretty good chance that he isn't pretending anymore, so that's a whole other can of worms. But for the last seven years of his life, being Princess Zelda meant certain death, so he's not really inclined to introduce himself like when in a new and stressful situation (not to mention he might actually just not be a girl named Zelda anymore), so he automatically introduces himself as just Sheik the spooky ninja man, and fuck he's in too deep to back out now, looks like he's committing to the bit. If you think you sense the Triforce of Wisdom on him, no you don't.
Cue shenanigans as the five of them attempt to hide that they're all actually kind of A Big Deal. The group motto is "Nobody says shit", which is usually delivered as a frantic hiss whenever someone slips up. Just the reunion between Sheik and Mask alone would be absolutely buckwild given how they parted, and how they're both frantically pretending to Not be involved with each other. For added hilarity and/or drama, Sheik gives his semi-bullshit cover story of having just been a friend of the Hero of Time, then runs into said Hero of Time and they both have to desperately pretend not to know each other, because if anyone picks up on the mountain of baggage between them then Mask is busted, and he won't hesitate to drag Sheik down with him out of sheer spite. Not to mention the weird balance of Sheik being used to this Link being a teenager that's actually a small child, and now has to adjust to Link who is a small child that's actually a teenager.
Also, i really feel like we're all missing out on the comedy potential of Ganondorf recognizing Young Link on sight and the two of them immediately launching into a grudge match with some extremely personal and specific insults on both sides. Meanwhile literally everybody else is just standing there watching, trying to process the fact that out of every single person that's been pulled out of time, Ganondorf only has personal beef with a literal nine year old.
I just feel like we're all really sleeping on the potential for Shenanigans here. The whole thing is an absurd mess, why not have some fun with it?
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thisismisogynoir · 1 month
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I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.
#was going to make a post about how much i hate that women aren't allowed to hate their oppressors but i decided to spin it into something#positive instead#this is supposed to be the feminist site that makes reddit mgtow piss their baby diapers so let's go back to despising men and not coddling#their feelings and let's dye our hair blue while we're at it#i am so tired of this new wave of guilt-tripping and gaslighting women who hate men and don't trust or want to be around them#i hate how we're made into villainesses or the problematic ones for not valuing them in our lives or for wanting to guard ourselves or be#safe from our oppressors#and i'm tired of people who don't know the first thing about feminism being like 'BUT THAT'S TERF RHETORIC WHAT ABOUT X MINORITY MEN'#guess what women can also be x minority that you're trying to protect the men of and we get to hate men too#trans women are included when i say women btw and trans men are included when i say men#if anyone has the right to hate men more than anybody else it's trans women esp trans lesbians because they put up with so much shit#from men that even cis women do not and they especially know how vile men are behind closed doors#so#terfs fuck off#radfems fuck off#and if anybody tries to make this post more appeasing to men or 'not all men's this post you are getting blocked and hit with a hammer#feminism#misogyny#sexism#patriarchy#tw men#tw rape#tw abuse#misandry#terfs dni#radfems dni#feminists need to go back to being scary and unpalatable for men none of this 'but some of them are good!' bullshit#men are entitled to nothing from us#and if you try to prove me wrong then you are just proving my point if you have nothing good to say then simply keep scrolling#ok? ok.
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daftmooncretin · 3 months
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if captain kirk irresponsible? why huge baby cow eyes???
if captain kirk bad captain? why-
you thought i was gonna talk about his voluptuous titties fat ass sparkling personality and unflinching moral character ? no.
if you say kirk is a bad captain i will kill you. I will shoot you into space like they did to bill shatty when he wouldn’t shut tf up about going to space
except unlike bill shatty ill send you up naked and defenceless into the vast chasm of space your lungs will explode and your eyes will fall out or some shit (i saw that in a doctor who episode)
kirk drift is getting out of hand and my response to this is ending all kirk drifters and repopulating the earth with kirklophiles such as myself and my dad paul.
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whetstonefires · 9 months
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Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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kthulhu42 · 9 days
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"I can't pretend you are a bunny, bunnies are a real thing"
... unlike women?
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transmascissues · 1 month
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i could honestly write a whole essay on how the internet’s obsession with romanticizing ‘girl dads’ while simultaneously making fun of ‘boy moms’ and gender reveal parties is directly related to a pervasive lack of care for trans men&mascs even among supposedly pro-trans people.
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kitmarlowe · 1 year
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“We all change, when you think about it. We're all different people all through our lives. And that's okay, that's good, you've got to keep moving, so long as you remember all the people that you used to be. I will not forget one line of this. Not one day. I swear. I will always remember when the Doctor was me. ”
MATT SMITH AS THE ELEVENTH DOCTOR (2010-2013)
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daisy-mooon · 8 months
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"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck
#pjo fans stop being weird about black annabeth challenge IMPOSSIBLE!!!!!!!!!!!!!!!#first off annabeths race isnt important to her story. annabeth could be any race. her skin colour doesnt actually impact her. her hair does#now im not blonde but im a white girl so let me explain why some pjo fans need to stfu. i have grade 9s. im called stupid for my appearance#im not insulted bc im white or bc i have blue eyes or brown hair. im insulted bc women are judged on their appearance. im insulted bc SEXIS#annabeth isnt really called dumb for being blonde. shes called dumb bc shes female. and ppl are more likely to stereotype women than men#this is especially true for black women! whatever sexism white women get is always horrifically multiplied for poc women#black hair frequently gets called unprofessional untidy unhygienic etc. its VERY likely that show annabeth has been called dumb for her hai#does this make the casting “accurate”? no. but castings don't have to be accurate. they have to ADD to the character.#annabeth being black ADDS to her character because it showcases how women (esp black women) are devalued for their appearance#movie annabeth wasnt bad for having brown hair or white hair she was a bad adaptation bc she was ooc#i just think its ironic that a core aspect of annabeth was being judged for her looks. and now show annabeth is getting judged for her look#like. you guys really missed the point here.#anyways disagree all you want but book annabeth is still blonde. no one is erasing her. theres a new PJO book w blonde annabeth SEPTEMBER 2#GO READ CHALICE OF THE GODS IF U WANT BLONDE ANNABETH OMG! adaptions and source material can be separate and coexist!#rant over sorry#pjo#percy jackson#annabeth chase#pjo show#percy jackson and the olympians#the lightning thief#discourse#shitpost#percy jackson show#pjo discourse#riordanverse
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vidduality · 3 months
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It's disturbing how much rage bait ONE line said by a young teenage girl in an EW cover story with so much other content can generate. Dozens and dozens and dozens of click bait articles, rage video analyses, and SO many angry meta posts with people practically ready to tear Katara's actress apart with their bare hands. All for having the audacity to say that she found some of Sokka's more brazenly sexist lines "iffy" in the OG cartoon. She implied it wouldn't translate as well in a live action and that they had toned it down, and you'd think she announced the Avatar is going to be a warmonger the way the internet's turned on her.
This week's fandom discourse has been about as low key and rational as S1 Zuko being offered some calming Jasmine tea...
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