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#HAPPY ENDINGS ARE SUBVERSIVE
booasaur · 2 years
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The Boys (2019) - 3x08
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lambourngb · 1 year
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Chapters: 1/1 Fandom: Top Gun (Movies) Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Tom "Iceman" Kazansky/Pete "Maverick" Mitchell Characters: Tom "Iceman" Kazansky, Pete "Maverick" Mitchell, Original Male Character(s) Additional Tags: Manipulation, Trope Subversion/Inversion, Misunderstandings, Not Actually Unrequited Love, Angst, Angst with a Happy Ending, Alternate Universe - Canon Divergence, no beta we die like goose, Post-Movie: Top Gun (1986), Pre-Movie: Top Gun Maverick Summary:
From seresuns prompt list #74 - Hurt/comfort- A discovers B was threatened/coerced into sex with A by third party. I kept to the spirit of the prompt but not the letter.
 The overall military retention rate for the US is 55%, second worst in the world. One Admiral as an idea of how to increase that number, for better or worse.
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aahsoka · 6 months
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tragedy can be good, but not when it is out in there to be “”subversive”” and not because it makes sense in the story
I think we’re really mean to the word subversive. Being subversive is fine as long as you genuinely understand what you’re subverting and why you want to do that. Idk I think some people get really hung up on a ‘happy ending’ in some media where a tragic or bittersweet ending does actually fit the story 🤷🏼‍♀️
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primegrim · 2 years
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kisses her cheek platonically   //   @harbingertm​ !
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            A VERY happy sigh !   “   thank you ,  dear .   ”
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bisexualnonsense · 1 year
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My partner made a comment about how this episode fed into “bury your gays” and like, while his heart was in the right place with the critique, I felt so strongly the opposite way
Like on its face, yes, two gay men died…. But like, in a show about a zombie apocalypse where we’re tracking at least 1 Major Character Death per episode, Bill & Frank are triumphant compared to every other character. They got to live to be old and gray together after a life of relatively peaceful flourishing. They chose their deaths on their own terms, a luxury most people don’t get in this world. They got to die together, in each others arms, neither left to live and suffer alone. They got to go with dignity, autonomy, and love, in peace, together. They got to choose. They made their end meaningful. They were happy and satisfied and fulfilled. Everything that gay characters are so often not afforded in life, much less in death.
Not only that, but narratively speaking, their deaths were used in exact opposition to “bury your gays.” The trope was created to reinforce that being gay is a sin, that gays must die as punishment for their evil ways. It’s intended to be a narrative consequence, the moral of the story, a warning to its audience.
But the deaths of Bill and Frank were used as closure to a story arc about living a happy, fulfilled life with your partner. Even further than that, their arc was used to demonstrate that there is meaning in life because we choose to create meaning, that purpose is found in each other, in loving someone, even at the end of the world. They are held up as an example of what to strive for, of a reason to keep living, of something to pursue. It is completely antithetical to bury your gays and is in fact a brilliant subversion of it in that it grounds the purpose of the narrative itself.
Tl;dr: TLOU really said love wins.
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artbyblastweave · 7 months
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I think about Star Wars a lot more than I post about Star Wars, and I've had some free time recently to type up some thoughts on Episode 7 that've been swirling around in my head for a couple of years. There were a few ideas and plot beats, and moments of apparent self-examination in Episode 7 which I thought were fairly compelling, even though they ultimately paid no dividends:
First was Finn’s character concept. “Star Wars as experienced from the perspective of a Stormtrooper undergoing a crisis of faith” is a rich hook; humanizing and giving a face to what's basically the platonic implementation of the faceless mook. Unfortunately, the potency of the arc was undercut by the pre-existing textual ambiguity as to what stormtroopers actually are. Star Wars extended canon has settled on the idea that each trilogy features an entirely novel cohort of white-clad mooks, each with a fundamentally different underlying dynamic. The clones and the First-Order forces are different flavors of slave army; in contrast, the stormtroopers are more frequently portrayed in the expanded universe as military careerists, stormtrooper being a thing you work up to rather than a gig for a fresh conscript. A slave-soldier who defects is a very different character from a military careerist who defects, and they invite different analysis. There's a bait-and-switch going on here, in that Finn gestures in the direction of the familiar OT stormtroopers but can't comment on or examine them because he's actually part of a novel dynamic invented for the new movies. And there's one final nail in the coffin here, signaled by the number of times I've had to invoke the expanded universe so far. When Finn debuted, the racists were of course, legion, but I also ran into a number of people who were sincerely confused as to why they'd recast Temuera Morrison. Going off the seven films that existed at the time, it wasn't unreasonable to read the prequel trilogy as an origin story for where the OT stormtroopers came from. Going only off the nine films that exist now, it still isn't unreasonable! It's muddied from so many different directions by their failure to establish the ground rules in the mainline films before they tried to put on subversive airs about it. I am still irritated by this.
Next up is how Han Solo was written. I actually liked the tack they took with him quite a bit. Because initially, right, his role in the movie is just to be Han Solo. He's back, and he hasn't changed! He's still kicking ass and taking names, he's still the lovable scoundrel you knew and loved from your childhood- and the principle cast members react to his presence with the same reverence the film's trying to invoke in the audience, they've grown up hearing the same stories about him. Except that episode 7, at least, is also very aware of the fact that if Han Solo is still recognizably the same guy thirty years on, it indicates that things have gone totally off the rails for him. We find out that the lovable rogue routine is the result of him backsliding, his happy ending blown up by massive personal tragedy rooted in communicative failures and (implicitly) his parental shortcomings. It feels deliberately in conversation with the nostalgic impulse driving the entire film- here's your childhood hero back just as you remember, here's what that stagnation costs. And it also feels like it's in conversation with what was a fairly common strain of Han Solo Take- the idea that Ep. 6 cuts off at a very convenient point, and that Han and Leia's fly-by-night wartime relationship wouldn't survive the rigors of domesticity. Obviously, that's not the only direction you can take with the character; the old EU basically threaded the needle of keeping Han recognizable without rolling back his character development gains. But it felt like they were actually committing to a direction, a direction that was aware of the space, and not a reflexively deferential and flattering one, which at the time I appreciated! The problem, of course, is that for it to really land, you need to have a really, really strong idea of what actually went down-of what Han's specific shortcomings and failures were. And given the game of ping-pong they proceeded to play with Kylo Ren's characterization, this turned out to be. Less than doable.
Kylo Ren is the third thing about Episode 7 that I liked. His character concept is basically an extended admission by the filmmakers that there's no way to top Vader as an antagonist. Instead, they lean into the opposite direction- they make him underwhelming on purpose. Someone who's chasing Vader's legacy in the same way any post-OT Star Wars villain is going to, pursuing Vader's aesthetic and the associated power without really understanding or undergoing the convoluted web of suffering and dysfunction that produced Vader. It's framed as a genuine twist that there's nothing particularly wrong with his face under that helmet. Whatever it takes to be Vader, he doesn't have it, and he knows that he doesn't have it, and the pursuit of it drives him to greater and greater acts of cartoonish villainy. The failure to one-up Vader is offloaded to the character instead of the writers, and it was genuinely interesting to watch. For one movie. The problem, of course, is that if the entire character archetype is "Vader, but less compelling," you can't try to give the bastard Vader's exact character arc. You can't retroactively bolt on a Vader-tier tragic backstory when you spent a whole movie signaling that whatever happened to him wasn't as compelling as what happened to Vader. You can't milk his angst for two more movies when it's the kind of angst on display in "Rocking the Suburbs" by Ben Folds!
There's a level on which I feel like Moff Gideon was a semi-successful implementation of Vader-Wannabe concept; he's the same kind of middling operator courting the Vader Aesthetic for clout, but he's doing it in the context of the imperial warlord era, where there's a lot of practical power available to anyone who can paint themselves to the Imperial Remnants as a plausible successor to Vader. Hand in Hand with this obvious politicking, Gideon is loathsome, which relieves the writers of the burden of having to plausibly redeem the guy; he's doing exactly what he needs to do and there'll never be a mandate to expand him beyond what his characterization can support. Unfortunately, the calculated and cynical nature of how he's emulating Vader precludes the immaturity and hero-worship elements on display with Kylo, which is unfortunate; the sincerity on display in Kylo's pursuit of authenticity is an important part of why he worked, to the extent that he worked at all, and it'd be worth unpacking in a better trilogy. As he stands Kylo is a clever idea, and that's all he is- he lacks the scaffolding to go from merely clever to actively good.
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My Two Cents On The “ Is David Tennant Queer” Drama
As some of you know, I spent a solid third of the past year working on a movie-length video essay about David Tennant. This video essay features an eight minute section titled “Gender, Vulnerability, and Why David Tennant Is A Queer Icon”, which does not speculate on David’s own sexuality, but discusses the queer coding and subversion of gender norms in plenty of his roles and his importance as an ally to the LGBT community. At the same time, I was also coming to terms with my own identity as nonbinary and bisexual, and it ended up playing a crucial role in me finally working up the courage to come out to my parents. Characters like Crowley and the Doctor, both in terms of how they present themselves and how and who they love, have been absolutely instrumental in me developing my queer identity, and my comments section was full of people who had had similar experiences, who’d realized they were trans, nonbinary, gay, etc thanks to David and his characters. And as a result, I won’t deny that if David himself were to be queer, it would mean a lot to me.
Do I think David is queer? It’s certainly possible. I see a lot of how I express my queerness in how david chooses to express himself, most prominently through his frequent queer coding of characters who don’t necessarily have to be played as such. This can especially be seen through his Shakespeare characters, such as Richard, Hamlet, and some would argue Benedick as well. When I was 15 I played Mercutio in Romeo and Juliet, who I chose to play as a closeted young gay man harboring an unrequited crush on Romeo. I think I saw this role subconsciously as an outlet for my own repressed queerness, both of gender and sexuality, as I had experienced an unrequited crush on my female best friend the previous year which I was still in denial about. I’ve described my gender identity as “a girl with a chaotic tortured gay man inside of her that needs to be let out every once in a while”, which has never been more true than with Mercutio- a character who I might add, I took a great deal of inspiration from David when playing! In terms of using roles as an outlet for one’s queerness, I could absolutelt see this being true with David, especially when it comes to Crowley, who seems to have had an impact on David’s style, behavior, etc in a rather similar way to how he’s impacted me. I don’t want to act like David wearing pink docs means he must be gay, I think people should be allowed to wear whatever they want regardless of sexuality, but taken in conjunction with so many other things about him, it does make one wonder, and the fact that a seemingly straight man has been so many people’s queer awakening is a bit puzzling to say the least. I won’t pretend that these “signs” (if you interpret them that way), haven’t been increasing somewhat in the past year, and if I got to share my own coming out journey with the man who inspired it, I would be absolutely thrilled. I also can’t specifically think of an instance where David has SAID he is straight, as opposed to Taylor swift, who has.
With all of that said, where I personally draw the line is when mere speculation crosses into interfering with the subject’s personal relationships and the sense that one is OWED something. I believe that what matters to David more than anything is being a husband and a father. I believe he adores Georgia and his children and would not do anything in the world that he believes would jeopardize his family. As happy as I would be for David if he were to come out (probably as bi) I realize that that would put so much unwanted attention on his marriage and family and I think that’s the last thing he wants. I don’t think it’s IMPOSSIBLE that he and Michael Sheen are having a passionate love affair behind everyone’s backs, but I absolutely don’t consider it my place to insist that they are, because as much as I may feel like I do, I don’t know these people! And besides, if David were cheating on Georgia, he really would not be the person I thought he was.
So many queer people see themselves in David and his characters, and that is beautiful. And I don’t think there’s anything inherently wrong with having theories that David might be queer himself. However, it must be acknowledged that these theories are THEORIES, and they should not be used to invalidate people’s real life relationships- after all, it’s totally possible to be bi/pan and also be in a loving and healthy heterosexual relationship like David and Georgia at least seem to be in! If David were in fact “one of us”, I would welcome him with the openest of open arms, but unless and until he himself decides to proclaim himself that way, I will not expect anything of him other than to be the incredible artist and person we know and love.
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whirlwindwonderland · 2 months
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What do you like about Princess Tutu (as someone who only knows the name)? What made you enjoy it?
Oh boy.
Okay so Princess Tutu is one of my favourite ever stories. And if I were to list everything I liked about it we'd be here long enough for you to actually go watch the show yourself.
Which you should do.
Because it's awesome.
But to sort of sum up my feelings... I like Princess Tutu because of how it chooses to tell its story. Every story is told a specific way for a specific reason, and Princess Tutu chooses the medium of a Magical Girl Anime about Ballet to tell a story about Love, Hope, and Willpower triumphing over Tragedy and Despair.
That's fucking genius.
It plays its premise completely straight. There's no subversive takes on the magical girl genre here. No turning to wink and laugh at the camera to try and save face. It's completely earnest, plays its tropes completely straight, and makes it all work together, and it all serves the main themes of the story.
You can really get a good summary of this in the main character Ahiru.
Because Ahiru, in the general space of the magical girl anime genre, is not an outlier from what I can tell. She's kind and she's sweet and she's a clumsy, and her power comes from her empathy and her love of others. There's a lot of characters like her.
But Ahiru is different because all of these things- Her empathy, her kindness, her silliness and innocence and clumsiness and big open heart, they all serve the themes of the story. Because when the main villain, the big bad, the thing you have to stand against, is a seemingly inescapable force of fate, pulling you down the path of tragedy, it takes a special kind of truly indomitable soul to fight back.
See, this is a magical girl anime built around the stories of ballet, and a neat thing that many don't know about ballet is that a solid 75% of what's considered the 'Classics' of the medium are tragedies. Swan Lake, Giselle, Romeo and Juliet, and La Sylphide are all referenced in the show proper, with Swan Lake and Romeo and Juliet being referenced particularly often. The overarching Villain of the story could be said to be this conceptual tragedy that Ballet seems so enamoured with.
But by applying the fixings of the magical girl genre to this tragedy, approaching this idea of roles in life being fixed like the roles on a stage, of working towards helping someone you love knowing that the result will ultimately be your demise, with the attitude of "I'm going to fix this problem with the power of love and friendship". you get a really interesting story.
Over and over again, Ahiru sees dangerous situations, and reaches out with a kind hand to help those involved. Over and over again, she succeeds. Over and over again, Ahiru almost falls in the face of the despair of her situation. And over and over again, her own kindness comes back to help her, as the people she's befriended come to her side, to support her, to catch her when she falls, and to give her the openings she needs to solve the problems.
Despite being told that her life is meant to be a footnote on the stories of others, that her role is one no one else would take because no one else would want it, that she can never share the love she feels with others, because to do so would literally kill her. Ahiru continuously chooses love. She never becomes bitter to her situation, and continuously chooses to do what she thinks is right, to be kind, to care, and to try to help, and it is this unfailing kindness that, in the end, forces the genre of the story around her to change.
By being unflinchingly and unfailingly herself in the face of adversity and a story that wants her to suffer, she inspires others to want to help her succeed. And in doing that, she forces a grand, cyclical tragedy, to finally resolve with a happy ending.
It's such a clever and beautiful marriage of two different storytelling mediums, and that's just the basics of what you can talk about with the protagonist. The rest of the cast is equally as interesting, and I love them all so very much.
I love stories about storytelling, stories about the triumph of hope, and stories about love and friendship, and Princess Tutu is all of the above. I honestly cannot recommend it enough, it's one of my favourite things ever.
Also it's hilarious. Where else am I going to get a cat ballet teacher that repeatedly threatens his students with marriage if they don't improve at ballet? Or a girl in a donkey costume delivering love notes all around the school? Or... Femio? Just Femio in general???
Great show. Go watch it.
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wileycap · 3 months
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Things that definitely happened Post-War in ATLA a.k.a. assorted headcanons that really boil down to "wouldn't it be neat/funny if...":
Zuko fought an inordinate amount of Agni Kais, to the point that some of the junior officials ended up thinking that it's custom to fight the Fire Lord every once in a while. He was notable for both never losing, and never seriously injuring his opponent.
Aang and Katara helped with the reformation of Ba Sing Se. They became friends with Joo Dee. Katara helped her regain her own memories, and her own name. Some of the women formerly known as 'Joo Dee' formed a theatre troupe, which produced highly subversive counterculture plays. Their anti-authoritarian nonconformist plays became a huge cultural movement, though they did face a fair amount of criticism from the more traditional groups. Aang loved them, and the patronage of the Avatar definitely helped them grow. They also produced a play on the history of the Air Nomads, at the request of Aang. Aang, of course, helped write it.
Sokka once hit his thumb with a hammer. This led to the invention of the nail gun, powered by pressurized air. Aang spent over four days bending air into canisters and pressurizing them. The invention never saw widespread use. The day after it was complete, Sokka drove a nail through his thumb.
That one old guy who ratted out Haru for being an earthbender stubbed his toe every single day for the rest of his life.
Lieutenant Jee resigned his commission. He requested that Zuko accept his resignation in person, and Zuko was happy to oblige. The moment his resignation was official, he went on a 45-minute tirade attacking the Fire Lord, which was never written down in its' entirety, but was described as "extremely vulgar, even for a sailor" by attendees, and mostly had to do with their time on Zuko's ship.
Toph actually ended up having a great relationship with her mom after a long and harrowing process. She competed in a couple more Earth Rumbles, and her mother was in the audience, cheering. She never really got along with her father, after the whole "hire two guys to kidnap her by any means necessary"-thing.
Momo started several diplomatic incidents. Future historians would forever puzzled by the many mentions of this mysterious 'Momo' in official documents, with the theory that Momo was the Avatar's pet being dismissed by the leading historians. Clearly, Momo was some sort of rebel leader - perhaps a Water Tribe extremist?
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rosemaryrockor · 1 year
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the way siobhan's character was played was a refreshing surprise, and i'm very happy that she wasn't posed as a minor villain. its extremely easy to introduce a group of three young girls and make them your minor villains, with little to no questioning from the audience as to your motivations. the subversion of her at the end makes that feel almost silly; siobhan is a little girl. obviously she isn't being malicious in calling Kat "kay-kay", or Raúl his deadname. obviously she isn't being malicious in believing the best in her parents. i enjoy her earnestness, and i enjoy that she chooses to change; it isn't a trait young girls are often afforded in media.
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charliemwrites · 5 months
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one idea The Bestie™️ and I like bouncing around is this: Captive!Reader who asks every now and then if she can go home. Kidnapper!Simon gives her the same answer every time: this is her home, stop asking unless she wants to be punished. But then she puts a different spin on it. She asks to be allowed to ‘visit’ her home. She says Simon can come with her, and she’ll be good, she promises she won’t run or fight or try to call for help or anything; she just wants to see her home again.
And Simon finally caves, and drives her to her home and walks in with her. Of course, he never lets her out of his sight, but he sees the way she relaxes. She’s clearly very comfortable and happy to just exist in her own space again after so long of being cooped up with Simon. Maybe she cries a few times at the way everything is exactly as she left it; at the way her bed is just as inviting and comfy as she remembers; at the way everything just seems to be waiting for her. But she made a promise, and she doesn’t wanna make Simon mad, so when he tells her it’s time to ‘go home’, she doesn’t bother correcting him. She just lets him lead her back to the car and drive them back to Simon’s house, but he notices the way she looks back at her home until it’s out of sight and stares glumly out the window for the whole drive.
Maybe he asks for ‘payment’ for taking her home for a bit, maybe he doesn’t (depends on how dark you want it) but at the end of the day when Simon and Reader are curled up in bed like usual she nuzzles deep into his embrace and dares to give him a peck. She whispers a soft ‘thank you’ for the little trip, maybe dares to ask if and when they can do it again. Simon hushes her and tells her to sleep.
The next morning, he’s up early, calling movers to gather up all the most important things in her home and bring them to him. She wakes up cuddled in her favorite blanket, holding her favorite stuffy, bathed in the light of her favorite lamp- all retrieved from her house.
~🦋
Ooooooh that’s such a bittersweet idea and I adore it. One of my favorite trope subversions, though rarely seen, is bargaining/negotiating successfully with the kidnapper. I love love love the idea of reader pleading for something reasonable, getting it, and then just accruing that good will for use down the line.
Chefs kiss, 🦋
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tolkienbrained · 2 years
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when i first heard about yoshiden i was like ok cool ship but it doesn't make much sense but THEN i started thinking about it and found and absolute goldmine.
first off, we all know or at least can tell that one of the main overarching themes in chainsaw man is the subversion of common shonen tropes (which fujimoto does wonderfully, mind you) such as "the perverted main character". denji is a subversion of this trope for many reasons which should be discussed in a different post but how wonderful would it be for the sex-crazed women-obsessed character to realize that, oh, maybe women aren't the only option and end up with a guy? i say bisexual denji rights. although to be fair it's true that so far there hasn't been any indication for this in the manga, i don't think denji is at the point where he has realized exactly WHY he's so obsessed with women (cough mommy issues and touch-deprivation).
linking that last point a bit with the Yoshiden Thesis™ we have the fact that a lot of his affection for makima in the first part was most likely linked to this deprivation of love as he grew up and possibly to his lack of a mother figure while he was growing up. and of course makima herself instigated this affection and knowingly manipulated denji. most women denji has known until now have used him, and hurt him in different ways (or just have been older women that shouldn't be messing with a sixteen-year-old anyway). in fact, the ONLY genuinely positive relationship with a woman denji has in part 1 is with power, and it's completely platonic. and it's not only women who have hurt denji, most people in part 1 (with some notable exceptions (aki and power my beloveds)) were not interested in denji, didn't want denji, just cared about chainsaw man and the chainsaw devil. yoshida is someone tasked with protecting DENJI and making sure DENJI gets to live a peaceful, happy life. he has shown a willingness to put up with denji's ridiculousness and has even seemed amused by it. it's too early in part 2 to honestly tell, but we could even say he cares about denji (or possibly will soon since fujimoto needs more characters to break denji's heart even more, fucker).
once again coming back to the "women-obsessed, sex-crazed" part, denji being deprived of affection made him grow up thinking that was the only way to show affection and love, possibly because of how media and society, in general, are very sexualised. a lot of his arc in part 1 was him realizing this isn't true, as shown in his relationship with power and aki. it would be a nice finishing touch to that arc for him to realize that not only are platonic affective relationships possible and just as important/fulfilling as romantic ones, but how romantic relationships also aren't just limited to women and sex by falling in love with yoshida.
of course all of this is talking from a fandom/fanfic standpoint. these are just the reasons why i personally love the ship and consume content on it, and i'm in no way saying "this is definitely going to be canon!!" lol. i went a bit off the rails here but i'm just obsessed with yoshiden rn.
TL;DR yoshiden FUCKS and would go greatly along denji's arc and the themes in chainsaw man.
EDIT: oh my god i just reread this and i mean fucks as in it's very cool not as in they're fucking each other i'm crying LMAO
EDIT2: seeing the recent chapters all of this is most likely going down the drain but i'm still shipping yoshiden idc
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tvlandofficiall · 28 days
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its so weird to me that people saw deltarune be a portal fantasy and think that he's going to conclude the story in the typical portal fantasy way, when this is toby radiation fox we're talking about, his whole thing is genre subversion
to be fair, i think a lot of undertale's subversive elements have been somewhat lost on players as well — not in a derisive way, but rather because of the fact that undertale itself has grown into an odd niche in the cultural zeitgeist. the game's almost ten years old now — a lot of people who played it during their childhood are going to be in their twenties soon (if they aren't already)! for many players, undertale was one of their first rpgs ever — and so a lot of the subversive elements likely went over their heads, given they hadn't much to compare it to. nowadays, players compare games to undertale instead — the amount of people i've watched hesitate in an rpg game to wonder "is this going to be like undertale?" is not an insubstantial one. undertale has become the archetypical rpg to many, which causes somewhat of its subversive punch to be lost on its audience in the process.
i think this is a part of why deltarune has also had its subversive elements overlooked. deltarune goes to great pains to draw attention to many of the same older rpgs — both in the broad strokes (such as playing with the idea of a battle between light and dark) and in the small and specific references (seam is clearly inspired by the look and affect of zelda's happy mask salesman, for example.) but many may be relying on archetypical examples of portal fantasy to guide their way because they didn't pick up on the subversive elements of fox's writing style at all. in many portal fantasy stories, the conceit is that the protagonist must overcome the fantasy in some way and go home — the protagonist must grow to fit in with our society. the fantasy is often merely a means or an obstacle to that end. but deltarune takes great pains to invest us in these fantastical worlds and the people that live there beyond the archetypical — lancer, spades king, queen, spamton, ralsei, and everyone else are not merely written and framed as such. they struggle under the role of being objects. they have feelings about the way that they must live and react to that in ways that are realistic and not always easy to grapple with. when their worlds fade away, the game takes the time to linger on it and frames the dismissal of fantasy worlds as "lesser" as suitably disquieting. at every turn, deltarune draws attention to the things we would normally take for granted in a portal fantasy story and asks us to take a closer look.
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Another case for Mild!Miguel:
HOBIE is the reason I think Mild!Miguel exists. Hear me Out:
Inversions & Parallels in ATSV
[A post where I talk about how the existence of Hobie's arc backs up and/or proves my Mild Miguel theory.
MEDIUM length, I talk about plot connections and writing stuff as well as my predictions for Miguel in BTSV.]
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Subversions: Character Building in ATSV
One thing that sets ATSV apart from a lot of other Superhero movies is that it's centered around not 'heroing', but the characters and the relationships they hold.
Each character in ATSV has a Subversion in their arc.
Subversions being the defying of the audience's expectations pre-conceived notion of a character. Almost every character we see experiences a conflict with how we first understand them.
Gwen goes from being closeted and closed off both emotionally and literally in terms of her Spider-identity. She starts the movie pushing away her close friends, and ends her arc embracing her dad.
With Jess, she is introduced as a family woman, who talks about her husband and child openly. When in reality, she's not a familial or a parental figure in the slightest.
Pavitr is introduced as a confident guy, who can effortlessly save everybody and still have time for school, a relationship, and a collection of streetdogs. But in reality, he's still just a kid who hasn't taken an L yet. He needs help, panics and sucks at hiding his secret identity.
Peter is shown as a happy comfortable new father who has perfected the art of being a full time dad and changing avocado poop pampers. But later, we see he's just a guy, still figuring this whole dad thing out.
With Rio & Jeff, they start the movie literally grounding Miles, and by the end, they're forced to trust him out there in the big world.
Even Miles experiences this, as he goes from a kid who wants to be apart of something bigger - before realizing that he only needs himself.
The writers of ATSV use these subversion in order to make three dimensional characters.
And Hobie Brown, may be the best example of this. The Writers preying on our pre-conceived notions of punk, and love triangles to give us a vision of Hobie before he even appears on screen.
In the film Hobie, is the only subversion that is purposeful. He's the only one doing this behavior on conscious effort.
Hobie is an outlier. His subversion is intentional - and doing this gives him enough power to exercise a lot of influence over the plot going forward.
Hobie Brown is the king of Subversion.
But who doesn't have a Subversion? Miguel.
But let's hold that thought for a second.
Parallels: Relationship Building in ATSV
All of the subversions are what cause conflict in plot. And in ATSV, ever character and their conflict, as an a equal reflection of their situation - A Parallel.
And the same way each character experiences a subversion, that leads to conflict -
Each Conflict has a Parallel situation that mirrors theirs.
And these parallels can help us predict the story.
Gwen & Miles Parallel each other:
Miles' family is desperate to be apart of his life, while Gwen's family - her father, openly rejects her. And in the end: Miles ends up as far away from his parents as possible, around the same time Gwen returns to her fathers arms.
Jess & Peter Parallel each other:
Jess begins the story with a hands-off mentoring approach - while Peter's is more emotionally driven. And in the end: Jess begins questioning her callousness towards Gwen, meanwhile Peter questions if his approach and babying of Miles is actually what he needs.
Rio & Jeff Parallel each other:
Rio starting the film being more stern on Miles - the last one in the guidance consolers office and the one to remind him of the cake. Meanwhile, Miles' dad is the one trying to cut Miles some slack. And in the end: Rio is the more open one - she's the one who lets Miles go with Gwen, and the one who hears when out at the end. Meanwhile Miles' dad is the opposite - ready to jump at the accusation of drugs. (lmao)
Hell, even characters that we see on screen for less than ten minutes could be considered parallels:
Pavitr & Margo Parallel each other:
Pavitr is inexperienced, but loving life. He's out in the field enjoying himself and his universe. While Margo is more experienced. She works the Go-Home Machine. But unlike Pavitr, she's not out in the field, and she doesn't enjoy her universe. By the end of their arcs: Pavitr is humbled and realizes there's some dark moments that come with Spider-man, and some close calls. While Margo regains her motivation and spark through Miles, heading out in the field again.
Every character has a subversion - Ever subversion causes conflict - and every conflict leads to a parallel. And through that, the story is made.
Just one problem:
Hobie doesn't have a Parallel. Neither does Miguel.
Why does Hobie - the only one who purposely uses subversion - not have a parallel?
If Hobie is 'The guy playing a pretentious fake punk based on people's preconceived notions of his ideology and appearance, who uses it to his advantage only when he wants to, and uses it for good - that results in a growth in community'
Where is 'The guy playing a pretentious authority figure based on people's preconceived notions of his ideology and appearance, who uses it to his advantage only when he wants to, and uses it for evil that results in a loss of community.'
Where is that guy? Can you find him?
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Oh, damn it's Miguel.
Story Structure in ATSV:
If we look at the story structure of ATSV not only do we see that there's subversions and parallels, but we see a hole in the story.
With each character going on an arc the completely subverts audiences expectations - Why doesn't Miguel? (he does.)
And with each subversion, in Hobie's case, if everyone has an reflection of themselves and their situation that tie them into the story by common themes - Why doesn't Hobie? (he does.)
Why is Hobie the face of 'fake rebel that leads to great purposeful action' - and there's no 'fake leader than leads to horrible un-purposeful action'? (there is)
Did the Writers just leave this hole, and not tie Miguel and Hobie's arc in the same way as everyone elses?
No. There is a connection there.
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Hobie is Miguel's reflection. Miguel is his parallel. Miguel's subversion is that he's not mean. He's putting on a persona.
Their parallel is - that they're both putting on an act. One for rebellion, one for order.
The difference is - Hobie enjoys his act, he uses it for good, and good things come of it. When he drops his mask as the 'fake punk', he does it out of the urge to empower himself.
Hence why he demasks himself in the comics.
And on Miguel's hand - He doesn't enjoy his act, he uses it for bad, and bad things come of it. When Miguel drops his mask and tells Miles two days, that is his mask dropping. It happens not out of empowerment, but vulnerability.
The whole scene in the lair is a purposeful ACT. That's why when he looks at Hobie (ironically, his parallel) he is able to turn it off immediately. Within seconds.
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Whereas Hobie drops his mask in times of trust or action and rebellion - Miguel drops his in times of apathy or vulnerability - aka HIM SHOWING MILES GAB'S DEATH.
Miguel's conversation with Miles here - is the only time we see him not putting on the 'evil, angry, grumpy boss' mask.
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He's vulnerable. This is Miguel unmasked. MILD MIGUEL.
While they were walking - Hobie takes his 'fake punk' mask off to be candid with Miles. He speaks honestly and offers empathy - and that is the GOOD inciting incident for Miles' rebellion.
Miguel is the parallel.
He purposely strips his 'fake mean boss' mask off in order to be candid with Miles. He speaks honestly and offers empathy - by telling him how long his father had to live (something he didn't have to do). And that empathy that Miguel gives is the BAD inciting incident for Miles' rebellion.
And when Miles is faced with the parallel of both Hobie and Miguel in rapid succession - it's enough to spawn him to escape.
Hobie and Miguel are opposing but mirrored forces on Miles.
Every character has a subversion. Every subversion causes conflict. Every conflict causes a parallel that spans action.
If Miguel doesn't have a subversion - and Hobie doesn't have a parallel, then how can those conflicts meet? Why this gap in the writing.
If Hobie does have a parallel, the only one left is Miguel.
But, if we're to believe that Hobie does have a parallel, and Miguel is that parallel - then naturally, they're mirrors of each other - and just like Hobie is - Miguel is putting on an act too.
And because the strongest representation of Miguel we see is anger, we know the anger is a mask for something else; aka MILD!MIGUEL
Which is what we see at the climax scene, the real Miguel.
Miguel and Hobie reveal their true colors at the same time, because they're parallels.
Hobie chuckles - the next shot - Miguel snaps.
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It's meant to show in that moment in those two shots, these two characters are at their emotional peak. A battle between the two of them - convincing Miles - that Miguel doesn't even know about.
Hobie wins in this moment, Miguel loses, and we see them completely demasked, come to find out - we were wrong, Hobie the one in control and calm - and Miguel is not, he's grasping for control in anyway possible and it's literally slipping from his hands.
There stories are linked, and they barely share any lines at all.
Mild!Miguel exists because Anarchist!Hobie exists.
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And all of this is why I think the following:
My predictions for BTSV:
Looking at Hobie's arc:
Fake Persona - Persuasive Set-Up (Talk with Miles) - Inciting Incident around Miles that leads to action (Miles breaks out, Hobie leaves to give Gwen the watch) - Self evaluation and commitment to the cause (joining the gang)
I think Miguel's is gonna follow the same thing
Fake Persona - Persuasive Set Up (This is Everything Speech) - Inciting Incident around Miles (Miles breaks out, Miguel snaps) - Self evaluation and commitment to the cause
Miguel re-evaluates himself and changes sides, turning the Societies resources on Spot.
Based on the subversions, parallels and plot arcs we see in ATSV, my most honest guess is:
Miguel is gonna redeem himself by choice very early into the film.
You know how the first half of ATSV is writen so when you rewatch it again, you'll see the complexities of Hobie's character?
I think the whole movie is written that way. So when you rewatch it AFTER Beyond the Spider-Verse, you can see the complexities of Miguel's character as well.
______________________________ THERE THATS WHY I THINK MILD MIGUEL EXISTS BESIDES EVERYTHING ELSE AND ALL THE VISUAL QUES AND STUFF. THIS IS THE MAIN REASON.
THAT'S WHAT I MEANT I'm so relieved to finally make sense of it. GOSSSSHHH
If you read this far, thank you for your time and entertaining me I'm SO SERIOUS THANK YOU
Please let me know what you think I'm DYING to know
Anyway closing RANT BELOW
~~~~~~~~~~~~~~~~~~~~~~~~
[Warning: I go Miguel Mode below]
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Thats why this WHOLE TIME I've been like he's RIGHT THERE HJSGDGKDS Cause like -- the story calls for it. if hes not faking why does he have that platform???? Why doesn't Hobie have a paralllel?? Like why is Hobie just this random ass OP character randomly dropped in for funsies - he isn't he's there to reflect Miguel's fake power. Hobie hides his true power the way Miguel hides his powerlessness AHHHHH
THATS WHAT IVE BEEN TRYING TO PUT IN WORDS!! THAT LIKE...I WAS WATCHING THE MOVIE *deep breath* I FEEL SO RELIEVED.
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I was watching the movie and feeling like somethings missing in the story - that there's a whole connection that's MISSING There's SOMETHING we're not getting - there's something there. Something that can tells us SO much about the next movie
and seeing peoples interpretations of Miguel made me be like no.... he cant be the only 3 dimensional one. Everyone is the OPPOSITE of what we think they are. Everyone.
And everyone has a parallel. And this is the connection that is missing.
tTHIS IS WHAT I MEANT HOLY FUCK I FINALLY FIGURED OUT HOW TO SAY IT.
When I say 'He's in the room with us, he's standing right there' - I mean 'His existence as a character is what completes the plot. Mild!Miguel HAS to be there logically speaking'
DO YOU GET WHAT I MEAN LIKE MILD MIGUEL AND MIGUELS ACT AS THE LEADER IS CENTRAL TO THIS MOVIE AND THE NEXT.
MILD MIGUEL IS GONNA BE A HUGE PART OF THE NEXT MOVIE
ahhhhhhhhhhHHHHHHHHHHHHHHHHHHH.
Anyway if you're still here after THAT Hello hi I love you - Please tell me your thoughts and if you think it makes sense!
Here's Hobie for your travels!
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Bye.
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livsmessydoodles · 1 year
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thinking about this scene today
this scene alone convinces me that byler is endgame bc you cannot make will actively say that hes not gonna fall in love and then write a whole plotline abt him being in love with mike.... just for it to not be reciprocated???
will is the only party member who's completely unexperienced with romantic relationships, which of course has to do with the fact that he's gay in the 80's, but this is a TV show. all of this is fictional so they can take whatever route they want with these characters, and making will continue to stay alone and suffer through unrequited love would be awful storytelling, especially when people claim that will moving on from his feelings would bring character development and growth.
wills feelings for mike arent there just to "show his growth". weve seen this kid go through hell and back yet even with everything kicking him down he stays strong and kind. hes the most selfless character in the show and always puts others needs before his own. in s4, they put a lot of emphasis in these character traits of his, and they're always picturing his love for mike as something selfless and pure.
now if his feelings are not reciprocated, how does this teach will a lesson that leads to character growth?? he already doesn't expect anything. life has shown him time and time again that he always gets the short end of the stick, why would he think this is any different?? making him have feelings for his best friend just to get rejected would just be a nail in the coffin, reaffirming to him that no matter what hes not worthy of ever getting what he wishes. this isnt character growth at all.
but if his feelings ARE requited, that gives us a twist to the story we havent seen. we would get to see actual growth for will, him learning to give himself value and realize that he DOES deserve happiness!! instead of leading into the expected spiral of bad things keeping up the consistency with everything else that has happened to will so far, finally giving him one good thing leads to us seeing a shift in his whole nature, and wed see him dealing with things he hasnt dealt with before!!! GROWTH!!!
besides why would they make such an intricate complicated storyline.... just to lead to a rejection we all saw coming? the GA expects him to get rejected. his feelings not being reciprocated would not be any surprise. but twisting those expectations in a way to shock the GA AND give wills character the happiness he so deserves after being through so much..... now THAT would be world shattering and a satisfying ending to both the viewers and will himself!!
this scene establishes a clear subversion trope, making us aware of how will believes he's never finding love, just for the show to later on subvert expectations and reward will with the love he deserves and never thought hed get🫶
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wangxianficfinder · 2 days
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In the mood for...
Apr 24th
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1. Hellooo! For the next itmf I was wondering If you had any fanfics that a) explored other adults finding Madame Yu's abuse and them trying to help him (especially if the adults are LQR or NMJ), If they are modern AUs better but if not that's okay ofc or b) a fanfic with focus on wwx's fear of dogs in a not so comedic way (preferably set during the CRA)
I'm okay with both os and multichapter ffs! Thank you ♡!!! @menimimimeni
1A)
Come Around and Stay by trippednfell (M, 160k, wangxian, modern, slow burn, kid fic, found family, it gets worse before it gets better, PTSD, blood and injury,   dissociation, trauma, angst w happy ending, musicals, alternating pov, JC & WWX reconciliation, hurt/comfort, panic attacks)
Where is home? by SpicyRamen_10969 (M, 80k, WIP, WangXian, Modern AU, High School, Implied/Referenced Child Abuse, Implied/Referenced Homophobia, Coming Out, Not Jiang Family Friendly, Supportive LQR, Good Sibling LXC, Fluff, Angst with a Happy Ending, JC Being an Asshole, Possible Smut?)
🔒 To Speak Up by Vrishchika (M, 7k, WangXian, Modern, Child Abuse, Implied/Referenced Child Abuse, Child Neglect, Not Jiang Clan Friendly, Not YZY Friendly, Not JC Friendly)
🔒 The Second Hand Unwinds by trulywicked (E, 56k, WangXian, JYL/JZX, WIP, Time Travel Fix-It, Not JC Friendly, Not Yunmeng Jiang Sect Friendly, Not Jiāng Family Friendly, Not YZY Friendly, Time Travelling LWJ, Protective LWJ, Fluff, Minor Angst, Minor Character Death, JGS is his own warning, Wooing, LWJ is romantic af, Inventor WWX, Genius WWX, Cloud Recesses Study Arc, Implied/Referenced Child Abuse, Protective Gusu Lan Sect, Supportive LXC, Good Uncle LQR, WWX Protection Squad)
🔒 Warming up (to him) by barisan (T, 9k, LQR & WWX, WangXian, Hypothermia, Cloud Recesses Study Arc, Temporary Character Death, Medical Inaccuracies, YZY Abuses WWX, JFM Bashing, pre-wangxian, Good Uncle LQR, Angst with a Happy Ending, Hurt/Comfort)
🧡 To have and to hold by Moominmammashandbag (M, 78k, WangXian, Canon Divergence, Angst, Hurt/Comfort, Major character injury, CQL verse, Happy Ending)
💙 Holding shreds by barisan (T, 5k, WangXian, Cloud Recesses Study Arc, No Sunshot Campaign, Body Swap, Not for sexy shenanigans, Chronic Pain, Hurt WWX, Hurt LWJ, Implied/Referenced Child Abuse, Abusive YZY, Bad Parent YZY, Bad Parent JFM, Good Uncle LQR, Hurt/Comfort, Medical Inaccuracies, POV WWX, Angst with a Happy Ending, Not Jiāng Family Friendly, Tooth-Rotting Fluff, Getting Together, Smart WWX)
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2. Hi, I'm ITMF juniors fics, I'm looking for mainly lsz x ljy fics that also contain jrl and ozz as characters. Most fics I don't include ozz so please help. Also I don't mind any relationship btw the juniors except lsz x jrl cos they're kinda cousins. I'd just prefer lsz x ljy. I've read all the junior fics by emmagrant01 already. Thanks! @purplefuzzypickle
Chosen Not Fated by useless_slytherclaw (E, 131k, LSZ/LJY, JL/OYZZ, WIP, Heavy Angst, Soulmates, Soulmate-Identifying Marks, Canon Universe, Minor canon divergence, Friends to Lovers, Mutual Pining, Angst with a Happy Ending, Trope Subversion/Inversion, Defied Trope, Grief/Mourning, Hurt/Comfort, Slow Burn, First Time, Making Love, Canon-Typical Violence, Politics, Night Hunts) this author is lsz/ljy focused in general if you want other works but this one definitely has the four playing major roles
Between the Candle and the Sun by Legume_Shadow (T, 304k, LSZ/LJY, WangXian, JL/OYZZ, JC/LXC, JYL/JZX, LJY & JL & OYZZ & LSZ, Angst, Friendship, Slow Burn, Falling In Love, Enemies to Friends to Lovers, Only Endgame Pairings Tagged, Mian-Mian is a Badass, WN is a Badass, Protective WQ, Most people live, Ensemble Cast, Gūsū Lán Forehead Ribbon, Demonic Cultivation, Action/Adventure, Juniors on an Adventure, Alternate Universe, Inspired by “The Long Ballad | 长歌行”) is more plot-centric than shippy but the romances are there
anyway, here’s wuji by kakikaeru (T, 18k, ZhuiYi, WangXian, Post-Canon, Canon-Typical Violence)
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3. For the next itmf: Do you have any ff with wwx mourning his parents? Or talking about how he only knows the bad things and no one tells him the good things?
🧡 Stunted, Starving Juvenility by TomatenMark (E, 786k, WangXian, WIP, Fix-it of sorts, Talisman master WWX, Not JFM Friendly, Study Arc, Getting together, Fluff and Angst, Engagement) (link in #10) Has a bit early on where WWX comments to LQR how little he knows about his parents & LQR tells him stories about them
Melancholy by MissCellophane (G, 2k, WangXian, LWJ & WWX, Grief/Mourning, Melancholy, i guess this could be considered, Cloud Recesses Study Arc, Pre-Relationship, Canon Compliant, In a way, Based on a Tumblr Post)
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4. Hii!! for the next itmf can i please request fics with wwx/wq mad scientist duo besties vibes?? i just love them so much!! also, an additional request of yunmeng pride dynamics, and brotherly feels <33 thank u so muchhh!!! @flexibleracoon
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5. not sure if you already answered this but is there a lwj yiling laozu au?
Until The World Embraces Me Home by azri (T, 5k, WIP, WangXian, Canon Divergence, YLLZ LWJ, LWJ Has No Golden Core, Role Reversal, Not LXC Friendly, Not JC Friendly, Not cultivation world friendly overall tbh, Sunshot Campaign, Friends to Lovers, Temporary Character Death, WangXian Get a Happy Ending)
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6. this is for itmf ^^ do u have any favorite long fics where cssr and wcz is alive? thank you!
We Meet at the Thousandth Step by Admiranda, Rynne (T, 288k, WangXian, CSSR/WCZ, WIP, Canon Divergence, No Sunshot Campaign, CSSR & WCZ Live, Rogue Cultivator WWX, Different First Meeting, Night Hunts, Genius WWX, Inventor WWX, Plot, Romance, Drama, Fluff, Strangers to married, Unresolved Sexual Tension, Unresolved Romantic Tension, Everyone Lives AU, Developing Relationship, Minor Violence, Case Fic, Mystery, Flirting, WWX's Canon-Typical Flower Flirting, Arson, There Was Only One Bed, Getting Together, First Kiss, Meeting the Parents, Resolved Sexual Tension, Resolved Romantic Tension, WWX Is a Good Big Brother, New Relationship Bliss, Chinese Mythology & Folklore, Blood and Injury, Yiling siblings, Married WangXian, Honeymoon, Wangxian's Baby Fever)
Cartwheels In Cloud Recesses Series by ShanaStoryteller (Not Rated, 23k, WangXian, CSSR/WCZ, CSSR and WCZ Live, Cloud Recesses Study Arc, Cloud Recesses Shenanigans)
Wújī by FairyTaleDreams (M, 43k, WIP, WangXian, Canon Divergence, WCZ & CSSR Lives, Rouge cultivator WWX)
Building a home by R95irth (T, 586k, WCZ/CS, WangXian, Canon Divergence, Time Travel Fix-it, Angst with a happy ending, Family fluff) Focuses on the "adults" of mdzs and has so much wcz and cssr! Explores their backstory and family history as well!!
🔒 the world wags on by justdoityoufucker (orphan_account) (T, 5k, WCZ & WWX, WCZ & LQR, LQR/WCZ, Canon Divergence, Pre-Canon, Not Everyone Dies AU, Not Jiang Clan Friendly, Past Child Abuse, Canon Jiang Family Relationships, Parent-Child Relationship, Pre-Relationship, Not for Madam Yu fans) wcz only
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7. any jealous lan wangji fics? thanks for ur work!
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8. in the mood for any funny or crack fics of wangxian or even the juniors? thank you!
Losing My Mind by pupeez4eva (T, 6k, wangxian, JC & WWX, Humor, Protective JC, JC drinks a potion that lets him hear people’s lustful thoughts, Teenage LWJ has a lot of feelings, Canon Divergence, Cloud Recesses study arc) JC drinks a potion that allows him to hear people's horny thoughts & has to deal with Wangxian's whole deal
❤️ The One-Body Problem by metisket (T, 29k, LJY & WWX, LJY & LSZ, wangxian, possession, cohabitation, Mojo’s bookmark)
Jiang Cheng the Virgin by x_los (T, 2k, WangXian, JC & WWX, JC & WWX Reconciliation, Mpreg, Accidental Baby Acquisition, Crack, Galaxy Brain Shit)
Transcend by covalentbonds (Not Rated, 7k, WIP, WangXian, Post-Canon, Fluff and Humor, Smut)
Help, My Dad Is Fucking Someone My Age!! by sweetlolixo (T, 3k, WangXian, LSZ & LWJ, Canon Divergence, Humor, Crack, Fluff, Romance)
The Chase by JiangChengLotus (T, 2k, JC & LWJ, WangXian, LXC/JC, Humor, Chaos, Light-Hearted, Crack, Family Dynamics, LJY is JC & LXC's Child, LWJ and JC sharing one braincell, Bickering, LWJ is lazy)
只羡鸳鸯不羡仙 by RoseThorne (T, 1k, wangxian, animal transformation, ducks, crack)
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9. ITMF - Do you have any fics where a modern AU Wangxian meets canon Wangxian? Or any AU meets canon, really.
Key Differences by pupeez4eva (T, 5k, WangXian, Humor, Dimension Travel, Crossover, Drama!WWX meets Novel!WWX, Public Confessions, Post-Canon) not modern AUs but some dimensional time travel ones
River Stones by littlesystems (M, 18k, WangXian, Time Travel, Post-Canon, Cloud Recesses Study arc, Junior Quartet, Oblivious WWX, Suffering LWJ, Voyeurism)
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10. Hello, can you all recommend me some fanfic, long as possible (100k+) no modern pls I'm desperate 😭 @lanwuxian0725
🧡 Stunted, Starving Juvenility by TomatenMark (E, 786k, WangXian, WIP, Fix-it of sorts, Talisman master WWX, Not JFM Friendly, Study Arc, Getting together, Fluff and Angst, Engagement)
💖🔒 love, in fire and blood by cicer (E, 360k, wangxian, Canon Divergence, YLLZ WWX, Arranged Marriage, political scheming, Gratuitous Domesticity, Mutual Pining, EXTREME SLOWBURN, the inherent eroticism of the forehead ribbon, The Mortifying Ordeal of Being Known, neither wwx nor lwj want to be Perceived, but sorry kids! it’s gonna happen!, rated E but the the NSFW stuff doesn’t begin until chapter 19!, bottom LWJ in chapter 20 and 27)
💖 Magical Marriage Ribbons Series by starandrea (Varies, 1m, WangXian, Canon Divergence, Accidental Marriage, Fluff, Happy Ending, Telepathic bond, Kink Negotiation, Family Drama, Magical Pregnancy, Dual Cultivation, Shapeshifters, Modern with Magic, Immortality, Yilling Wei Sect) there's a modern part in part 20 and part 35 onwards according the tags but otherwise should be in the canon times, I think. It's been a while since I read this
The Scarlet Lotus by rainbowninja167 (M, 137k, WangXian, Marriage of Convenience, Secret Identity, Fix-It, Angst with a Happy Ending, It Gets Worse Before It Gets Better, Canon-Typical Violence, canon-typical war crimes, Yunmeng Bros, the mortifying ordeal of getting seduced by your own husband, nonlinear chronology we die like cql, just kidding nobody dies in this fic, Slow Burn, Mutual Pining, Miscommunication)
Teen Project to Change the World by animeloverhomura (Not rated, 810k, WangXian, watching the series, BAMF WWX, Fix-It, JGS is his own warning, Attractive WWX, Homophobia, disturbing imagery, WIP)
🔒 Share Your Silence by Terri Botta (Isilwath) (E, 138k, WangXian, Romance, Everybody Lives AU, Canon Divergence, LWJ Has Feelings, Protective LWJ, Burial Mounds Settlement Days, LWJ Stays at the Burial Mounds, Burial Mounds Ensemble as Family, WangXian in Love, YLLZ WWX, Lan Clan Elders are Assholes, Minor Transgender Character, Qiongqi Path Divergence, LWJ loves his bunnies, Explicit Sexual Content, Plot What Plot/Porn Without Plot, Burial Mounds, Original Character(s), Drama, NMJ Qi Deviation, Awesome WQ, The Wen Twins, Wen JunZhu | MinYue (OMC), Wen YanJeng | MinYi (OMC), Fluff and Humor, Fluff, WWX Has Feelings, Original Female Character(s), Lotus Pier, mention of non-con roleplay, Sexual Roleplay, NMJ Needs a Hug, Nie clan sabers, Unclean Realm, Protective NHS)
❤️ Tragedy is Not the End by Hobbsy3 (T, 358k, wangxian, Time Travel, Torture, Hurt/Comfort, Golden Core Reveal, Canon Divergence from Qiongqi Pass, Angst with a Happy Ending, Implied/Referenced Rape/Non-con, Yunmeng sibling bonding, good dad wwx, good dad lwj, JZX Lives, JYL Lives, Junior Quartet Dynamics)
the same moon shines series by sami (M, 799k, wangxian, time travel) check individual tags from the works
The most dangerous thing is to love by KatAnni (E, 113k, wangxian, JYL & WWX & JC, WWX & WQ, JYL/JZX, JC/WQ, golden core reveal, fix it, everyone lives au, angst w/ happy ending, hurt WWX, found family, implied/referenced torture, implied/referenced cannibalism, PTSD, golden core transfer Fix-It, major character injury, WWX has a new golden core, asexual JC, whump, marriage proposal, wedding night)
Cultivating immortality by KizuKatana (E, 231k, WangXian, Canon Divergence, Rogue Cultivator WWX, Mutual Pining, BAMF WWX, BAMF LWJ, Angst with a Happy Ending, Hurt/Comfort, unreliable narrator, Found Family, First Time, novel canon relationship dynamics)
❤️ Gentians in bloom by teawater (M, 251k, wangxian, Canon Divergence, AU after cold spring, Political Marriage, Dysfunctional Family, Implied/Referenced Self-Harm, Fix-It, Hurt/Comfort, LQR bashing (not really), POV Multiple, Implied/Referenced Suicide, Eventual Happy Ending, BAMF WWX, JC is actually a lot better than canon, Implied/Referenced Child Abuse, YZY bashing (again not completely))
A Narrow Bridge by FrameofMind, Jo Lasalle (Jo_Lasalle) (E, 700k, wangxian, time travel fix-it, slow burn, getting together, first time, pining, pining while fucking, burial mounds settlement days, angst w happy ending)
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11. Y'all give me LIFE! Thank you for all your hard work! I saw a fanart on tumblr of bb!LWJ and it put me in the mood for any stories featuring the baby!Jades which are NOT de-aged stories. Just wee lil' boys being cute? Bite-y A'Zhan? 🙏 @kimboo-york
💖 An Unexpected Visitor by Hauntcats (G, 8k, QHJ/Madam Lan, wangxian, fix-it of sorts, not Jiang friendly, not jin friendly, happy ending)
When we were small by deliciousblizzardshark (T, 7k, LXC & LQR & LWJ, LQR & WWX, LQR & JFM, implied WangXian, Modern, Kid Fic, Good Uncle LQR, Neurodivergent LWJ, Baby LWJ, Baby WWX, Parenthood, Homophobia, Implied/Referenced Child Abuse, POV LQR, Implied/Referenced Underage Sex, Grief/Mourning, Emotional Hurt/Comfort)
🔒 Life is Like a Stranger by through_shadows_falling (T, 69k, wangxian, Kid Fic, Child LWJ, Child WWX, First Meetings, Canon Divergence, Cute Kids, Orphan WWX, Autism Spectrum, Fix-It, Emotional Hurt/Comfort, Alternate Canon, POV LWJ, Growing Up Together, WWX raised at Cloud Recesses, Fluff and Angst, Hurt/Comfort, Puberty, Growing Up, Coming Out, teenage angst, Wet Dream, Pining, This fic gets a little raunchier as the kids become teens, But it won't get too explicit, Slow Burn, Friends to Lovers, Spanish Translation, Brief mentions/moments of WWX kissing others in chapter 22 but only on the cheek, also characters kiss WWX on the cheek in chapter 23, but his real first kiss is with LWJ, Перевод на русский | Translation in Russian)
Tiny Little Boy by Dyapaya (G, 2k, Age Regression/De-Aging, Kid Fic, Cute, Fluff, No Plot/Plotless, just cute, LWJ bites people, Nobody is Dead, Everyone Lives AU)
🔒 Natural Communication by salakavala (G, 2k, LXC & WWX, Modern, LXC's pov, Kid LWJ and kid WWX, Fluff, Biting, LWJ bites)
藍色的花,紅色的蘭 {Lan se de hua, hongse de lan} by Admiranda, AshayaTReldai (M, 45k, WIP, WangXian, Orphan WWX, Friends to Lovers, Childhood Friends, wwx raised in the lan clan, softer lqr, Good Uncle LQR, Good lan clan, Good Older Sibling LXC)
A Baby Dragon’s Guide To Seducing Your Huli Jing by sweetlolixo (M, 102k, wangxian, Fantasy, But still in the Cultivation World, Dragon LWJ, Fox WWX, Younger LWJ, Older WWX, Fluff, Humor, Eventual mpreg, Angst with a Happy Ending, Best Boy A-Yuan)
🔒 Hope series by RoseThorne (M, 61k, wangxian, WIP, Transmigration, Time Travel Fix-It, Illnesses, Family, Scars, Memory Loss, Angst, Crying, Music, Nosebleed, Fear, Recovery, Nightmares, Sharing a Bed, Flirting, Emotional Hurt/Comfort, Good Parent YZY, Referenced Sexual Slavery, Blood and Gore, Monsters, Sexual Tension, betrothal, Arranged Marriage, Adoption, POV Third Person, POV Alternating, Implied/Referenced Abuse, Implied/Referenced Child Abuse, Good Parent LQR, Clairvoyance, Butterfly Effect, Kid Fic, Epistolary, Food, Secrets, Resentful Energy, Cultivation Sect Politics, Character Death, Resentment, Anger, Explosions, Yīn Iron, Grief/Mourning, POV WWX)
Snow Burns and Fire Falls by Liebing (T, 12k, wangxian, Fluff, Fox WWX, fox LWJ, snow fox LWJ, red fox WWX, Childhood Friends, Orphans, LXC is 8 years older than LWJ, LWJ and WWX are besties, LXC is the best big brother, WWX is adopted by the Lan clan, Happy Ending, Sweet, soft, Cute, Fluffy, Jealous LWJ, WWX has the whole of cloud recesses in love with him… baby LWJ is pouty, LQR loves WWX, Literally everyone loves WWX, The entire Lan clan: we would die for little WWX, Thwarted dog attack, LQR trying to arrange marriages, Time jump forward, No one is harmed in the dog attack not even the dog, Clan leader LXC, Jealous WWX, Oblivious WWX, love at first kiss, Wangxian fox babies)
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12. Do you guys know of any fics where Wei Wuxian gets to act a little insane, you know as a treat? (Like when he's pretending to be Mo Xuanyu) (Also thank you for all these posts, y'all are amazing!)
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13. ITMF! I was wondering if anyone has something focused on how most adults in wwx's life have failed him? Like, it could be post canon or during cr study arc, I just want it to hurt but to have a good ending (the larger the word count the better!)
Thanks!
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14. Hello! ITMF wangxian harry potter au fics please? 🥹 Thank you so much for your hard work!
Unheard Voices, Open Ears by vamprav (M, 50k, wangxian, HP Fusion, YLLZ WWX, Ghost Cedric Diggory, HP Gets Therapy, Trauma, Healing, Rituals, Horcrux Destruction, HP is a Horcrux, HP Has Nightmares, HP Has a Crush, Immortal LWJ, Immortal WWX, WWX Has No Golden Core, Sentient Burial Mounds, Nonbinary MXY, MXY Lives)
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15. itmf for fics like the stone-filled sea? thanks <3
Not quite sure what #15* is specifically looking for, but if it’s juniors having feelings about wwx being demonized, I recommend:
Proximity To Knowledge by ChilianXianzi (T, 7k, wangxian, Post-Canon, Married Wangxian, Chief Cultivator LWJ, Teacher WWX, Inventor WWX, And his research assistant Lan ducklings, LQR is not a good educator, the kids are alright, WWX did online learning before it was cool)
Rotten Work by ShanaStoryteller (Not rated, 63k, wangxian, JL & WWX, post-canon, Protective WWX, Protective JL, POV JL, JC & WWX Reconciliation, eventually, Reluctant Matchmaker JL, this kid is doing his best, Pre-JL/LJY if you squint)
❤️ The One-Body Problem by metisket (T, 29k, LJY & WWX, LJY & LSZ, wangxian, possession, cohabitation, Mojo’s bookmark) link in #8
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16. Do you know if there are any fics where JC and LWJ bond over looking for WWX while he is missing/dead. Then they break-up when WWX returns and hide their past relationship from WWX (end pairing LWJ/WWX) @bunnyanon
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17. Hi wonderful people here! You are doing a stellar job with this blog so thank you very much! I'm in the mood for fluffy modern WangXian, just happy stuff. Especially if either WY or LZ are nannies, that would be great! Thanks so much in advance! @nebuluscharlie
spoke like we meant it by BlackWiresOnHerHead (T, 10k, WangXian, Modern, 5+1, Fluff, oh my god they were roommates, Friends to Lovers, Getting Together, Pining, Cuddling, Accidental Confession, Humor, Abandonment Issues, Light Angst) I don't have any nanny fics, but some great, fluffy modern fics
whiskey neat (you're too sweet) by mercurygirlwt (M, 1k, WangXian, Husbands, Established Relationship, Implied Sexual Content, Body Worship, Sort Of, No actual sex, Domestic Fluff, Fluff, WWX's general battle with insomnia, Teasing, date night :))
Contingency Plan by krispy_kream (M, 8k, WangXian, Fluff, Getting Together, Friends to Lovers, Friends to Husbands to Lovers, Hand Jobs, Mutual Pining, Marriage of Convenience, (the convenience is that they're in love), Podfic, Podfic Length: 1-1.5 Hours, Podfic Available)
Covered in Bees by ScarlettStorm (T, 8k, WangXian, Modern, Beekeeping AU, Meet-Cute, Comedy, Fluff, Bees, come for the flirting, stay for the bee facts, and the bee puns, kinkmeme fill, no actual kink)
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If you didn’t get an answer to your ask here, don’t forget to make use of @mdzs-kinkmeme and MDZS KINK MEME on Dreamwidth. Authors actually do use them for ideas. You may get what you order!***Your prompt doesn’t have to be kink! Fluff, crack, whatever - it’s all good!***
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