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#I know I've essentially posted this joke before but
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Anakin calling Obi Wan General in S2 Ep12 like is name isn't you're my dad! woogie woogie woogie :) (this also applies to the clones standing behind him)
part 1 (bc there's two parts apparently)
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decaying-church · 8 months
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Slasher Nsfw Headcanons
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(a/n: pretend I've been posting constantly this year :))
Pairing : Herbert West x male!reader, Vincent Sinclair x male!reader
Requested by @unspeakableoftheoscarwildesorr : Will you do a nsfw headcannons with vincent sinclaire and herbert west? It’s alright if you don’t want to. Please have a good day :))
Warning: bottom!slashers, top!reader, hair pulling, public play, Vincent's conservative upbringing, Vincent writes smut for you, bondage, mentions of chemical burns, getting caught multiple times (slight exhibitionist Herbert) sorry dan, breeding, aftercare
Characters: Herbert West, Vincent Sinclair
Vincent Sinclair
He likes it when you watch him work, hovering over his shoulder, sometimes leaning on the table next to him. It makes him nervous, his hands fumbling a bit. If you tell him he was doing good and his brain would shut off.
He loves it when you praise him.
He also likes it when you run your hand over his back, whether you're giving him a massage or just feeling clingy he won't be able to focus on anything but you touching him.
Definitely a virgin when you met, but he knows about the general action of sex. Like the thing goes in the thing and then a baby comes out.
An utterly submissive bottom.
Before you met he figured that if he ever did end up having sex then he’d be the one doing all the work, as men do. (mmmh, conservative, yee-haw upbringing)
But then he met you, and he loved you, and you were both men, so his picture of what sex should be was completely shattered.
If you're generally smaller than him, he’ll try and be dominant. It won't work, the second you flirt with him or make a suggestive comment he goes weak in the knees.
He will make a single attempt at being on top before metaphorically throwing his hands up and going “well I tried”.
If your bigger, there is no attempt, there isn't even a thought of dominance, you were bigger- stronger, therefore you could do whatever you wanted to him and he would not complain (he will never tell you this because he knows you’d tell him otherwise but it honestly added an extra layer of excitement to everything)
The town is pretty empty so the two of you could essentially fuck anywhere.
You once joked about fucking in the middle of the road- and even though you were just joking, the thought of you holding him down on the old road, in front of all those houses, fucking him without a hint of modesty or secrecy genuinely plagued his dreams for several nights.
In reality, you’ve fucked in the gas station, in the movie theater, in the church, and in (or in more risky cases, against) the various houses around town.
Personally, I believe Vincent can talk, he’s just severely traumatized and doesn’t do it often, most days he communicates though groans, gestures, and forms of writing or drawing.
So, sometimes, when he wants you to try someone very specific with him, something too specific for him to say out loud, partially because of humiliation, but also because speaking was difficult for him, he will write it.
And not simple sentences either, he will go on and on about what he wants you to do to him, he’ll draw pictures, he’ll rant on for pages and pages.
The first time he did this you nearly read it out loud, you got about half a sentence in before realizing that no one else (especially Lester, who was just in the next room) needed to hear what he’d written for you.
Of course, with a set of quite specific instructions, you were able to make his every fantasy come true.
Vincent can genuinely go forever, round after round after round.
After years of being a recluse, he has a limit for how long he can go without some kind of stimulation.
Really, finally having someone who wants him and loves him above everybody else makes it a bit harder to continue the streak of celibacy he had before.
He can go about two weeks before he starts outright begging you to fuck him. Again, in great detail.
He doesn't have any prior experience so you'll have to teach him quite a few things.
The first time he asked you to tie him up he brought you some old ratty rope that would have torn his skin the moment things got too intense.
You have to ride out of tow a couple of times for supplies.
He is heartbroken every single time you leave, he always half expects you to just keep driving and never come back.
You always come back, much to Bo’s, who has to put up with Vincent being agiant baby whenever you leave, relief.
(if you ever actually leave Vincent, Bo will hunt you down. Despite everything he does love his brother)
He has a pretty average set of kinks, he likes being praised, tied up, and fucked within an inch of consciousness. He like it when you pull his hair and call him pretty, he likes getting fucked in places he shouldn’t, and he likes it when you leave marks on him.
Aftercare fiend, he’s not a pillow princess but you’d think he was with the way that he’d just lay there, fully fucked out, waiting for you to take care of him.
If you’re someplace where you can’t fully take care of him, (I.e. any other place you’ve fucked outside of your bedroom) he will become extremely flustered. Because that means he has to travel however far away you are from your bedroom in this state. And you could be several houses away or just a couple rooms away but he doesn’t consider either to be more or less embarrassing.
The state he’s in could varies depending on what you did, he could just have ruffled hair and messy clothes, or he could be walking around with a limp with every inch of visible skin covered in bruises.
Herbert West
A very busy man that doesn't like being interrupted while working.
That being said, he will sit on your cock while he's working.
He’ll tease you, act like he’s ready to get his back blown out against his desk, only for him to keep you inside while he works, shifting every so often, fully ignoring how hard he was in favor of chemicals and mildly unethical plans.
You might be able to fully pull him away from work if you give him an explicit rundown of all of the things you were going to do to him.
It'll distract him to the point that he just gives up, grabbing you by the shirt and pulling you in for a kiss.
Most of your “interactions” in his lab were just the two of you humping like animals on the nearest flat surface, which could be anything, a desk, the floor, the wall.
The two of you had so many chemical burns that could have been avoided simply by moving to his bedroom, you think the two off you would learn your lesson after the first time- you didn’t.
Herbert did not care what Dan heard or saw.
This was his house too after all. He could fuck wherever he wanted.
You’ve be caught by Dan an embarrassing amount of times.
Herbert from time to time will treat you like an experiment.
Don’t be surprised if he strips you down and asks to run some “test”
Herbert really, really likes oral.
He loves it when you guide him, one hand in his hair, slowly pulling him back and forth on your cock.
He is not immune to pet names.
Honey, baby, sweetheart, darling. The list goes on.
While he certainly likes those names, nothing captures his attention quite like you calling him “doctor”
This would be extremely inconvenience if you also worked at the hospital (the number of quickies had in closets/labs/bathrooms is downright disposable)
If you don't, you do it purely to tease him.
Leaning in close, telling him all the disgusting things you want to do to him, then just, “come on, Doctor West, don't you think you deserve a break?”
Herbert is definitely a switch with a preference for power bottoming.
He's in control while also getting fucked sideways, it's perfect for him.
When he is feeling fully submissive he will beg you to breed him.
He knows he can't necessarily be bred, but he likes the feeling of you cumming in him over and over.
Every position he likes, he likes for a very specific reason.
He likes missionary because he can leave marks all over your back, he likes being bent over the table so he has something to rest against when his legs inevitably gave out, he liked getting fucked on the wall because he liked how frantic and desperate it felt.
He will not flirt or try and sugarcoat what he wants, he doesn't care who hears, if he wants you to fuck him, he's going to tell you.
Herbert says he doesn’t like slow sex, but there’s been a couple of times when he hits a road block with his research and he’s frustrated and overwhelmed by everything and everyone and he just wants you to make it better.
You can’t necessarily help with the research but you could help him relax.
The way he reacts to aftercare changes drastically throughout your relationship.
When you first got together, he didn’t want you near him, don’t touch him, don’t talk to him, don’t look at him. Even though his legs were shaking violently and his body felt like it was on fire he insisted that he could handle everything himself.
There was somehow always water and food for him though, he figured it was a coincidence (leave him alone, his brain isn’t working at full capacity at the moment)
Further into you’re relationship he will definitely still be a brat about it, but less so. He’ll let you clean him, feed him, praise him. And on some of the more intense days, you’re gonna be carrying him around like a princess.
He “hates it”, but the moment you try and leave him to fend for himself, he gets even more irritated.
If it’s one of those days where you’re both bone tired afterwards then he’ll let you cuddle with him, he won’t initiate it, but he’ll enjoy it .
Kinktober 2023
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siriusleee · 5 months
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For @glitterypirateduck Call of Duty Christmas Special. Author's Note: For the holiday season, I wanted to write some things for some of my mutuals I've met the past year I've had my blog. This is for @gazs-blue-hat, who is one of the most supportive people I've ever met. Christmas Song: Last Christmas Premise: You need a date for your family's Christmas dinner. Johnny is willing to be it.
This is stupid. The dumbest idea you’d had in ages, but the thought of going home this Christmas to see your sister snuggled up on the couch with her long-term boyfriend while your mother regulated you to helping in the kitchen was enough to make you do something stupid. 
It had started with a Facebook post someone else made as a joke. “$100 bucks and I’ll go to your family Christmas and pretend to be your boyfriend. $150 and I’ll kiss you in front of everyone and compliment your mom.” You’d sent a screenshot to Johnny, something quick, hoping he’d send a joke to make you feel better about the upcoming shit show.
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Christmas exploded around town - lights dripping from each tree, fake Santa’s climbing up trellises. And with it, your mood turned blacker each day. It seemed like every minute someone was messaging you for something new: don’t forget to dress up for the family Christmas photo, bring rolls, are you bringing anyone?, are you bringing anyone?, are you bringing anyone?.
The lowest moment was a phone call from your sister’s boyfriend. You answered the call at your desk, phone sandwiched between your shoulder and ear.
“What’s up?”
“Hey, I was wondering what your ring size is.”
Your fingers slow on your keyboard; through the speaker, you can hear the hustle and bustle of some shop. 
“I wear a size 8. Why?”
Silence. And then -
“I’m going to ask your sister to marry me at Christmas this year, and I know you guys are the same size. Don’t tell anyone?”
You had always liked your sister’s boyfriend, but at that moment you could have strangled him. Annoyed, you’d shoved yourself back from your desk, muttering something about taking a break. You slammed your phone down so hard, you were relatively sure that there was going to be a crack in the screen, but you were too bummed out to worry about it. 
Johnny found you at your post outside, an unlit cigarette held loosely in your fingers. 
“I thought you quit smoking, bird.”
His breath clouds around him, and he sits close enough to you that his knee rubs against yours. 
“I did. That’s why I’m just holding it.”
He winces at the tone in your voice, hand coming up to rest itself above his heart in mock hurt.
“Who pissed in your Wheaties this morning?”
“Bug off Johnny.”
He knocks his knee into yours, hands tucked beneath his armpits to keep warm.
“Christmas dinner?”
Your shoes tap a maniacal pattern onto the concrete as you try to figure out how to say it all, without sounding so horrible.
“My sister’s boyfriend is going to ask her to marry her on Christmas.”
Johnny ‘hmms’, chewing on his chapped lips.
“You can always pay me like you said the other day.”
“Shut up Johnny.”
Three days later, after all the non-essentials had been sent home for Christmas dinner your phone buzzed; you glanced down at the screen from your perch on the couch, half expecting it to be another annoying family member. 
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Your fingers tapped against the screen, trying to figure out a way to tell Johnny to knock it off, the joke’s not funny anymore. Instead, you find yourself tapping out the time and your address.
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Smoothing the wrinkles from your skirt, you start to think that maybe Johnny was just screwing with you - that this is all some elaborate joke and you’ll have to do this all by yourself. Maybe Johnny’ll laugh about it when the two of you return to work in a few days, maybe-
A tentative knock on your front door breaks you from your near spiral. Before you can talk yourself out of the entire thing, you fling the door open. Johnny stands grinning at you, hands tucked into the pockets of his dark jeans. His mohawk is freshly touched up, and whatever cologne he put on rolls off of him in hypnotic waves. 
“You look nice,” you say, words falling flat and lame between the two of you. But Johnny doesn’t seem to mind as he holds his arm out to you. 
“You look nice too, birdie. You ready?”
Johnny opens the car door for you. You take the moment it takes for him to walk around to his door to peer at the inside of the car - fresh vacuum lines cover the floorboard, and a new Wintergreen scented tree hangs from the review mirror.
“So,” Johnny says, climbing into the driver's seat, “tell me everything I need to know.”
You describe everyone on the drive there: your Aunt Mary, your Uncle Gary, your cousin with the glass eye who gets upset if you stare too long; your sister and her boyfriend. You point out each turn for Johnny, and with each turn of the wheel, your mood grows brighter. 
Until Johnny pulls into your parent’s driveway, right behind your sister’s car. 
“Alright, Bonnie?”
“Yeah, let’s just do this.”
You don’t get to open your door before Johnny hops out, pulling your door open and holding out his hand for you. 
The front door opens to an explosion of people and Christmas music. Johnny is immediately taken in by your aunts, and he suffers through the pinched cheeks, and he doesn’t mind when your grandma kisses him on the cheek. By the time he makes it back around to you, there’s lipstick smudged on his cheek.
“They love you, Johnny,” you say, reaching up to wipe the red smudge away. “I’ll have to pay you extra I think.”
“You think they’ll let me take an extra plate home as a tip?”
“Of course they will.”
The two of you hide out in the corner, watching the little kids run around with their new toys; one of the boys shoves a Nerf gun into Johnny’s hand, and you see a flash of fear cross all the kid's face when Johnny racks it with extreme precision, but Johnny still lets all of them tackle him.
Your sister and her boyfriend stand on the opposite side of the room, refusing to take their hands off of each other. You do your best to ignore them, but there’s a clock inside you, ticking down the minutes until you know he’s going to drop down on one knee. 
After Johnny fights off all the kids and returns to you, red from laughter, you don’t stop him when he grabs you around the hips, pulling you into the dining room with him. You hear the titter of your mom and aunt as they fawn over Johnny behind the two of you. 
You almost pull away from him, until he stops you in the hallway, pointing upwards to where your mom tacked mistletoe on the ceiling. You feel the blush creep up your neck, and try to send him a message that this is way out of the agreement for the night. When he kisses you chastely on the lips, you don’t say anything, but you can feel the huge grin on your face. 
He rests his hand on your knee throughout dinner and listens intently when your grandfather talks about his days in the War. 
It’s more than you could have asked for. And after dinner, when all the adults start handing presents over to each other, you know it’s about to happen. You see your sister’s boyfriend fidget with something in his pocket, and your stomach twists. You try to focus on the music pouring in a little too loud from the speakers, the Wham! version of Last Christmas, but you can’t take your eyes off the two of them.
Johnny’s hand taps against your elbow, pulling your attention away from what’s going to be the end game of the night. He’s holding out a little box towards you, wrapped haphazardly. 
“Oh Johnny, you shouldn’t. I didn’t get you anything.”
His grin is crooked as he shoves it into your hands. 
“I didn’t ask you to get me anything, birdie. Anyway, it’s part of the pretending, isn’t it? Besides you can get me on my birthday.”
You unwrap the box, fingers sliding beneath the too much tape, to rip the paper away until it falls to the floor and all you’re left with is a black velvet box.
“Johnny this is not funny, you jerk.”
His grin is infectious as you open it up, a little silver pendant sits nestled in the velvet, an ‘S’ charm attached the the chain. 
“Can I?” Johnny asks, and you nod, holding the box out so that he can take the necklace out. 
He puts it around your neck, calloused fingers soft against your skin as he does the clasp. 
The room explodes in cheers around you; out of the corner of your eye you can see your now future-brother-in-law on his knee in front of your sister, but you stare at Johnny instead. 
The last lines of Last Christmas fade from the speakers, Johnny’s hand interlaces with your own and he tugs you closer. 
“I think I want to do this next year.”
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simplydnp · 15 days
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hey there!
I kind of consider you the resident dnp expert (at least in dnp culture) so I wanted your opinion on a question that's been building for a while now.
What are the boundaries for dnp now?
There are so many things that I feel have changed even in the last four years: writing smutty rpf was Gross and Weird, along with art along that line, speculating about their relationship was ABSOLUTELY a no-go, all things that I see happening on Tumblr now. And I'm not saying that's a bad thing!! I'm just acknowledging things have changed over time. They're different people now and so are we, and the "we know you know" era is lots of fun.
I was browsing reddit today (bad idea, do not recommend) and came across a post from a new Phannie asking if DnP were in a relationship. And while I agree that we cannot say for absolute certain that they are, the responses had a VERY different vibe than on here, emphasizing how bad the speculation was (true) and essentially saying "don't even think about that, just enjoy their content." (or something to that extent.)
Which... is very different from this here website in which we joke about them being horney for each other constantly lmao.
Being a very rules-driven person, I like expectations to be made abundantly clear for pretty much everything. So that's why I want to ask: Is there a line here? Are we crossing that line? How defined is that line? (All of this, of course, I recognize is your opinion and yours alone, and if this is posted I encourage anyone else to share their two-cents in a respectful way.)
Obviously, trying to find out where they live/things like that is very clearly crossing a boundary. But is there some sort of limit or boundary I (and tbh the rest of the phandom), in your opinion, should be keeping in mind?
thanks xx
hi!
'resident expert' is a hefty title, i'm just here trying my best!
'what are the boundaries for dnp now?' is really a great question. cause the thing is, we used to know. there used to be a fairly well-defined and mostly agreed upon line, and ever since the dapg revival in particular, the line keeps moving.
i'll be honest, i never really saw phanfic as rpf, even though it is. my stance on phanfic is the same as dnps: it's a beautiful expression of art and creativity and is so, so important. they've always been pro-fic (even though we subjected them to some absolutely horrific crack fics), so i don't think 'smutty' fic has ever been gross or too far. they've given their blessing, and, as the conversation has been in fandom communities the last few years, rpf isn't 'for' the people in them, it's for the fans. so i digress.
art is much the same way. they love art! they even included art of them kissing in a tumblr tag video back in the day, so to say that's not allowed especially after they're out is kind of crazy to me.
i think the line with stuff like that was showing it directly to dnp--tagging them in explicit stuff, that kind of thing. but creating it? go for it! it's always been a green light. (i think fans have previously overpoliced this and we lost a lot of great fic, art, and community members over it)
browsing reddit is always a Choice. i've never participated on dnp reddit before but i am aware that it is an entirely different space than here. something that's important, i think (and i think you think this too as you're asking about them), is to respect the fandom rules of the place you partcipate in. tumblr is generally one of the most phan-positive places on the internet, especially publicly facing. we make a lot of relationship jokes, particularly because we run on the assumption it's already true, based on what they've both said publicly (mostly dan).
i won't comment on reddit specifically just because i'm not a part of the community there, but the speculation about dnp online was a Lot for a long time. but the worst part of it was the stalking, the digging into personal lives, the contacting family members--that is what was bad. dnp have always had a connection--and, honestly, they kind of love flexing it and kind of always have. they absolutely play into things now, but they certainly did even way before coming out too. i think a certain level of speculation was to be expected, especially in that era of online fandom. but it wasn't just the 'teenage girls' who cared, the media did too, and so did many others.
i think one of the biggest differences now is 1 the awareness of 'our' past and trying to make up for it, and 2 the broader societal conversations about parasocial relationships.
you see this reflected on the snippets ive seen from dnp reddit and dnp twitter. they tend to be Very 'cautious' about the words they say, often undercutting perfectly reasonable statements with 'but whatever their relationship is'. on one hand, they don't want to cross a line, and i can respect that. on the other hand... it's 2024 babes. they just put out merch of them holding hands. dan's directly, intentionally, and explicitly called phil a bottom on dapg. they reacted to all of the pinofs, made jokes about 'theyre touching', and even joked about the tackle being 'wrestling 👀'. dan posted half-naked catboy pics and showed us phil was taking them. the 'watch your step babygirl' tweet & their reactions to it. phil is credited in WAD. they're making threesome jokes about themselves as a unit. i could go on and on.
to me, there's a few things that have 'moved the line' for us, so to speak.
1 - DAPG returning. for the last few years they specifically were not a duo (for projects) anymore. (and no, not because they hated each other). they just weren't. they wanted to focus on their goals and projects. they didn't have to resurrect dapg, but they chose to. marketing and money aside, they knew that if this went over well, it would well and truly revive the 'dan and phil' brand again. it would be specifically returning to being a duo in the public eye. (however they've also fully embraced this in all aspects, including merch, videos, and general attitude)
2 - pinof reacts. even though they'd been out since 2019, we hadn't had regular joint content from them since before that, therefore, while they had become more comfortable with themselves and their 'outness', we hadn't (in terms of them making explicit gay jokes together). so i really think dnp had to de-fang a lot of the 'theyre touching' of it all, because we didn't really know where we stood on it anymore. i think they succeeded, too. we couldn't be here, with the content of the last 3 months, without them tackling it head on (well, as head on as they're want to do).
3 - dapc. genuinely another big shift. they did this for the real fans. purely a passion project, and a specific choice in doing the handhold. they know what we're like. and this wasn't a brief, unplanned, unscripted moment. it's a specifically blocked out scene. they know it's opening a door, and they chose to. this is doubled by the fucking iconic merch selling, and furthered by phil's twitter likes of arguably romantic phanart, and then dan's full straddle like.
even throughout the current 6 months of revival, the line has moved. i don't know where it will settle. dnp keep moving it, in my opinion, and, genuinely, i don't think it's going to leave much to the imagination. as you say, obviously not the stalking or the contacting, but beyond that? especially here on tumblr? i wouldn't get too worried. obviously people will have their opinions, but as long as you're generally respectful and recognize that humans will see your posts and humans interact with them, i think you're good.
my rule of thumb is anything they intentionally put on the table, we can joke about or at the same level. but in terms of art/fic? go off, live your dreams. dan and phil would want you to.
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mint-yooxgi · 8 months
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Control - Yandere!Incubus!Jisung
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Yandere AU & Incubus AU - First Person POV
Genre: Mature, Smutty Themes, Internal Monologue
Pairing: Jisung X Implied Chubby!Fem!Reader
Words: 1,658
Warnings: Violent thoughts at one point and implied murder, very smutty themes (he's essentially in the middle of the act with you while this is going on hehe). Mentions of potential kidnapping, but nothing comes of it. This is a Yandere story, it will contain themes such as stalking, violence, obsession, possessive natures, and just general overall creepiness and swearing. You have been warned.
A/n: I'M BACK BABEEEYYYYYYYY!!!! Lmaoo it's been forever since I've posted anything, or at least, it feels that way, so I hope this can satiate you all for a bit. Things have been a bit slow, but I'm feeling good about this one, better than I have been with my writing for a while. Anyways, Feedback is greatly appreciated! Enjoy!~
The Tenth of The Feral Drabbles
You don’t know how long I’ve been dreaming about this… to complete ravage you and claim you as my own.
A blissful sigh escapes my lips as I look down upon the wondrous sight that is you, naked and spread out beneath me. Months of meticulous planning have finally all come to a head as I run my hands up your sides, caressing your body like I’ve always dreamed.
Finally, you are mine, just as I’ve always been yours.
Long since have I been watching you, keeping an eye out for anything and everything that might spark an interest for me in you. You see, my sort of clientele deserve a certain… care when I decide to take them on. The seduction is all part of the thrill of the game.
But you? Oh, you?
You are most certainly not a game. No… You are everything I’ve ever desired, and so much more…
All of the others were easy to figure out, some flowers here, some compliments there, and poof, I had them right where I wanted them. Yet, you made me work for it. You made me earn it, and by the time I did, I could never hope to accept anybody else but you.
You are now my sole desire in this godforsaken universe. The only one I will ever want. The only one I will ever need.
You see, Darlin’, you have this smile… A smile that just lights up the entire room whenever its radiance graces your features. It’s brilliant, and the first time I ever saw it, I was captivated. The way your eyes crinkle during such an expression of joy set my heart racing. An odd, and rather foreign feeling, as I’ve never experienced anything quite like it before.
I had to have it for myself.
Sure, there’s been other times where my clients have smiled at me - smugly, flirtatiously, genuinely - but none of them were you. You have a certain charm that’s addicting, and I couldn’t help but wonder what that smile would look like gracing your features because of me.
I wanted to make you laugh. I wanted to make you happy. More than all of that, though, I wanted to know what that smile would look like pulling at your features as you gazed down upon me, my tongue buried in that tight, wet heat of yours. Perhaps, even what it would look like as I intertwined our fingers together, hearing you sigh in bliss, begging me for more as I made you come over, and over, and over again. For me, and me alone.
That smile would become a product of my love for you, in whatever ways it could. Soon, it would be only reserved for me, and not that fucking coworker of yours that seemed overtly friendly with you. They really enjoyed cracking jokes, didn’t they? Not so funny when it’s their skull cracking instead…
But, I digress… what I had to do to ensure you fell into my arms after all this time is my own business. You don’t ever have to worry about a single thing.
You even seemed to have a soft spot for animals, so it became nothing for me to start walking the dogs under our care just as an excuse to see you. They love you, almost as much as I do, you know. They know you’re mine, and they’ll protect you, and care for you almost as fiercely as I will now. They know that no one is allowed to touch you but me. We have to protect such a delicate being, after all.
Gentle… you’re always so gentle…
But you have a dominant streak in you, don’t you, Darlin’? You enjoy taking control, especially earlier in the night when I had you in my lap. 
Fuck- just thinking about those plush thighs around me as your hips shifted above my own has me twitching again in anticipation. I can’t get the feeling of your hands off of my skin, your fingertips having burnt trails of passion all over my shoulders as you attempted to ground yourself by holding onto me. I can still see the way your head tossed back in bliss, your movements stuttering as you came just from the friction alone.
You don’t need to be embarrassed. I came, too. I always come, even just to the mere thought of you.
That’s just the effect you have on me.
Oh, but I let you have your fun. I let you take control, and was it ever a sight to behold. To be able to indulge with you in these desires of yours has filled me with no greater joy. Seeing you take control like that…
I was made for you, Darlin’, and you were made for me. Never shall we be parted again. I won’t allow it. You are mine, and I am yours. Now, until forever.
The shock on your face after I told you that it was now ‘my turn’, well… it still has such a warmth building in my chest. It made me think, though, that perhaps you’re not used to receiving the love you deserve. I’ll deal with those other fools that dared make you believe you weren’t worth the same love and care you show them later. Right now, I want to focus on you.
Oh, the way my body comes alive at the feeling of your hands all over me. Every stuttered breath, every whimpered moan, is yours. Your name is made to fall from my lips, as mine is made to be graced by yours. You should know, all of my reactions are of the purest variety I can offer, for you and you alone.
I just hope you will do the same, and from the way your eyelids continue to flutter in bliss, I can tell this will be the case.
That’s it, Darlin’, feel my hands caressing every part of you. Let your body come alight beneath my touch, squirming and begging for more.
I will give it to you. I will always give it to you. Right now, though, I want to take my time.
To think, someone who’s always prided himself on his professionalism could be reduced to mere tatters at the very thought of you. For too long I have been fantasizing about what I would do to you if given the chance - an occupational hazard, if I do say so myself - but never have I ever felt anything this intense.
My life is yours, Darlin’. You own my very soul. Every breath, every thought, every desire I have is yours. Yours to fulfill, yours to own, yours to keep. It always and forever will be.
Yes, feel my lips against your skin, feel the way my tongue darts out to taste your pulse. This racing heart, that hitch in your breath, are all because of me.
I’ve only just begun…
Let my fingers trace over ever dip, let my hands map out every curve. I want to find all the spots on your body that have you gasping, and then I want to make you tremble from the slightest of my touches. Let me please you in all of the ways I know how, in all of the ways that I am known for.
Darlin’, you know my horns are sensitive…
Oh, but you did that on purpose, didn’t you? Your playful giggle says it all. You still want to be in control…
Just relax, Darlin’. Let me take care of you.
The hitch in your breath as you see my fangs only makes my cock ache for you that much more. And that full body shudder at my nails grazing your sides? Perfection.
My breath hitches. You- you’re begging for me? You want me?
Who am I to deny the most beautiful divinity I have ever had the pleasure to lay my eyes upon.
Don’t be shy now, Darlin’. You asked for it.
Just look at the way my fingers sink into those luscious thighs of yours. Fuck- you really are made for me… and this gorgeous, weeping cunt… is this all for me?
All because of me? Darlin’, you shouldn’t have! You know how insatiable you make me.
I swear, you were created just to tempt me. To make me succumb to the deepest of desires so I could please you to the fullest extent of my own abilities. Every lick, every suck, is for you, and I can never get enough of this sweet nectar that flows from your very core, intoxicating me with just a single taste.
Give it to me. 
I want your everything.
You like when I growl against this pretty pussy, don’t you, Darlin’? Well, what if I pull you closer and do it again? Oh, that made you clench around my tongue, didn’t it?
Do it again…
Again…
More…
More! Give me more!
Feed this beast inside of me who yearns for you! 
Yes! Give your all to me! 
Let me see you fall apart on my tongue…
That’s it, Darlin’, feel the way I suckle this sensitive little clit between my lips. Moan for me as I let my tongue delve through those soft, wet folds of yours. Make me drunk on you, and then make it so I can never dream of wanting another. Only you.
I’ll let you in on a little secret… you already do.
Such a luscious body, Darlin’, and all mine to hold. All mine to touch, to please, to sink my fangs into and mark you as mine over, and over, and over again.
That right, grab onto my horns, pull me in closer as your thighs shake around my head. Don’t fucking stop until you’ve taken everything you’ve wanted from me, and then some. 
My body was made to please you. 
That is truly my greatest desire.
After all, Darlin’, you’re the one that’s still in control.
377 notes · View notes
bonkhrnyjail · 4 months
Text
sweet plum | chapter one
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pairing: pedro pascal x fem!reader (plus size)
rating: g (will become explicit later)
summary: you're almost late to work picking up coffee for your client.
a/n: hello hello! i've been posting this fic on ao3 for the past few months but had a request to post here as well, so here she is !!! this chapter is just a short and sweet intro to the story, future chapters are much longer. hope you enjoy :')
p.s. i wrote this WAYYYY before the starbucks boycott (like 9 months before) and will not be writing about starbucks in the future. free palestine. fuck starbucks.
Fuck.
You can hear the beat of your boot tapping the floor incessantly as you continue to check the lock screen of your phone, staring at the digits and jolting with every minute that passes.
You’ve never had to wait more than 5 minutes at this Starbucks, but of course the one day that your presence is absolutely essential on set, some freak decided to terrorize the staff by forcing them to remake his drink over and over, until he deemed it acceptable. You tried to intervene, but one of the baristas mouthed “It’s ok” to you over the maniac’s shoulder, so you let the situation run its course.
The curly-haired man working so diligently on your order finally calls out your name; you bolt upright and book it to the counter.
“Ok, we’ve got the grande Iced Blonde Honey Shaken Oat Milk Espresso,” he places the first drink into the carrier, “the, uh, grande Sweet Cream Cold Brew and… jesus I hope this one isn’t yours…” he lets out a chuckle, “the Venti Quad Espresso with two extra shots over ice.” He wiggles the drinks into the carrier and wedges a few straws in between the plastic cups.
“It’s not,” you manage through a chuckle, “My client needs his 'go-go juice'."
He throws his head back with laughter. Surely the joke wasn’t that funny, but you appreciate the flattery nonetheless.
“Here,” you hand the straws back to him. “Save the turtles.”
“Let me get you some napkins… oh shoot, we’re out. I’lll go grab some from the back.” He moves away from you quicker than you can stop him.
Fucking hell, you have to go now. You have 15 minutes until they actually start filming, and they need you for the inevitable touch-ups that the action of the scene will cause.
You can not fuck up this job. You’re nearly at the end of filming and you’ve been early, by some miracle, every time you were called to set. They took a chance on you, and you need to prove that they didn’t make a mistake.
“Here you go.” He emerges with a small bag in his hand. “I threw in a loaf to thank you for trying to help earlier.”
“Thank you so much, it was no problem at all,” you wedge the heavy drink carrier between your arm and your torso, “I really have to run, but I’m sure I’ll be back in the next few days, thanks again!” the words trailing behind you as you high-tail it to your car.
13 minutes.
You drive faster and more recklessly than you should, one hand on the wheel and the other stabilizing the drinks so they don’t skyrocket out of the passenger’s seat. As you finally pull into your designated stall, you see your client and his sidekick leaning on the car in the spot next to yours, motioning at invisible watches and tapping their feet. You’d think they’d be grateful that you just risked your job to get them their caffeine fix.
“I’m sorry! I’m sorry,” you shout as you grab the carrier and bag from your car and hoist yourself up from the seat. “There was this guy, he was being a total asshole, made them make his drink like five times. Here.” you hand each of them their drinks. “P, the fucking barista laughed out loud at your order. He said he was scared for your health.” 
“Listen,” Pedro takes a comically massive gulp. “I’m not as spry as I used to be, you know. I need a little help on that front.”
You chuckle and rustle in the paper bag. “Are either of you hungry? This guy gave me a cake slice but I’m not hungry enough for the whole thing.”
“We’ll split it.” Bella reaches into the bag and grabs the napkins, dispersing them amongst the 3 of you.
“Ohhhh ho ho ho… what’s THIS!” Pedro shouts, setting his cup on the hood of the car, holding his napkin up with two hands and clears his throat. “It was really sweet what you tried to do today. I’d love to repay you and TAKE YOU OUT SOMETIME?” his voice rising in pitch and volume.
He shows it to Bella and they start cackling. “It even has a little heart on it!” Bella exclaims through their giggles.
“Let me see that!” you snatch it out of Bella’s hands. The two of them start oohing and making kissy noises, prompting you to roll your eyes.
"What'd you try to do?" Bella pries. You ignore them.
“Are you guys literally 10 years old? Jesus.” you try to hold back your embarrassment as you examine the note. It has a phone number written at the bottom, signed with “xo”.
“You’re gonna call him, right?” Bella tore off a piece of the cake and passed the remainder to Pedro.
“No—” you hiss, instantly regretting the speed and intensity at which you responded. “I don’t know. Maybe? I guess he's handsome, but I don’t… know him… can we just drop it? We’re gonna be late.”
You want this attention off of you as soon as possible. You feel a hot flush prickle your cheeks and you turn your face away from the two of them, pretending to rustle through your bag and grab something.
“That's what a first date is for, dipshit! Man, you’re impossible.” Bella lets out an exasperated sigh. “Whatever,” they say, grabbing the napkin. “I’ll call him then, do it myself.”
You shake your head, chuckles still escaping your lips. “I think he might be a bit old for you, Bellie, but knock yourself out I guess.”
“That's not what I— You think I want a man? Please don’t insult me like that ever again.” Bella starts half-walking, half-skipping towards the elaborate set scattered with cast and crew. You follow their lead, Pedro trailing close behind.
“Hey, don’t listen to them. You do whatever makes you the most comfortable.” Pedro puts his arm around your shoulder and gives it a little squeeze. Your body shivers under the warmth of his touch and you manage a nod.
“Thanks.” you look up, finding him already gazing down at you, cocoa brown eyes twinkling and crinkled by a sweet smile.
“Anytime, sweet plum.”
. . . . .
chapter two
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lemurzsquad · 2 months
Text
Hand Sanitizer
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Pairing: Sakusa x gn!reader (platonic or romantic, up to interpretation)
Summary: You and Sakusa hate each other with a passion, and it's almost always a disagreement over hand sanitizer. So when you leave to wash your hands and don't come back, Sakusa learns why exactly you avoid using it so adamantly.
A/N: Okay so this fic. Hooooo boy. This fic. I've been wanting to write it for a while and finally have. It started as a "Reasons why I'm pretty sure Sakusa would hate me irl" and turned into this.
So I have a skin condition known as aquagenic wrinkling of the palms (or AWP), which affects my hands when they come in contact with water, which is what this fic is about. I never hear about this condition anywhere, and it's very lonely sometimes, and there's no real treatment for it (from what I've seen). So this is essentially a vent where I take my skin condition seriously for once instead of just making water allergy jokes to cope lol
(More info about AWP here)
Word count: 3898
cw: skin condition (non-graphic descriptions and discussion) (AWP - please read above), hurt/comfort, angst, crying, enemies to friends...?, emotionally constipated apologies from Sakusa, hand sanitizer is evil /j, vent, not proofread because I just wanted to get this done and posted to do literally anything else, (please lmk if I should tag anything else)
(Disclaimer: I am not a doctor, and everything written here is purely from my own experiences and observations. If you would like to learn more, please do your own research; this is not designed to be informative. It's purely for myself and for awareness.)
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You and Sakusa had never gotten along.
You were certain you knew when it started, having been completely oblivious of one another up until that point.
It was when you were both first years in high school, and there happened to be a lizard in the classroom. You, upon seeing it, immediately proceeded to pick it up and ask the teacher to let you put it outside, to which they agreed.
You came back to the classroom, dusting off your hands, when a curly-haired boy took it upon himself to comment, “Go use some hand sanitizer, would you?”
You squinted at him, partly confused as to why he was talking to you and how you had never noticed he sat there before. “No thanks,” you answered, “I'd rather just wash my hands.”
“I don't think just washing your hands would be enough,” he rebutted with a sharp look behind his bangs. “You probably don't even know how to properly wash your hands.”
“Well, too bad! I'm not using hand sanitizer!” You were starting to get annoyed, crossing your arms.
Somehow, that seemed to make him even more disgusted, possibly at the thought that you were spreading whatever it was on your hands onto your clothes now, too.
The two of you threw jabs back and forth until the teacher separated you, which you were both happy to oblige. The animosity between you never seemed to quite dissipate even as the year went on and you became second years. You almost felt bad for the misunderstanding, knowing it was entirely your own fault, but how were you supposed to explain to this random kid that you couldn't use hand sanitizer even if you wanted to? At least, in your head you couldn't.
At some point, you and Sakusa became something of enemies within your class—renowned ones, at that. People would often ask the both of you why you hated each other so much, but your answers were vague at best.
“He's just so pretentious,” you said once.
“They're just so obstinate,” he said once.
And thus, an impasse stretched between you. You hadn't even learned his name until months after your first encounter, too bitter to really care.
Despite the efforts you both went through to avoid being within the presence of the other, you somehow still ended up nearby. Maybe it was your teachers attempting to make you get along—maybe it was the universe laughing in your face.
Throughout that entire time, you still faithfully avoided hand sanitizer like the plague. The one time the nearest bathroom was out of order for a little while and you couldn't wash your hands, you used as little of the accursed substance as you could. Whatever microscopically thin layer that coated your hands there was, you shook it off almost violently, simultaneously disgusted by the feeling of something on your skin and afraid of what it might do.
The disapproving look Sakusa gave you when he saw that was palpable.
At some point, you hated each other mostly out of principle. You'd both kept it up this long—it would be weird to suddenly just let it go since your flimsy justifications seemed enough until now. To admit that you were being unreasonable would be worse than getting along, you separately reasoned.
So when you were paired up for a project, you couldn't help but grimace. Sakusa was the first to go up to the teacher about it.
“I can't work with them,” you heard him say. For once, you agreed with him.
The teacher, however, dismissed his concerns with a wave, saying, “In life, you don't get to pick who you work with. Sometimes you'll have to try to put aside your differences to get your work done.”
It sounded stupid to you, like some half-hearted excuse so they wouldn't have to rearrange seating or partners. But it's not like you had any place to argue, so you resigned to just sucking it up.
Instead of working together, you both divvied up tasks as quickly as possible and did what you assigned yourselves—separately.
All was going well; you ignored each other and worked on the project silently. Despite other groups discussing their plans and the room being filled with chatter, your share corner was dead silent save the sound of pen on paper.
Which didn't last long when suddenly the tip of your pen snapped off. The now open ink tube spilled onto your hands, and when you tried to minimize the damage, it only got worse. By the time you dropped the pen onto your open notebook, raising your hands in surrender, they were absolutely coated in black splotches. A sense of defeat washed over you as you watched your words get covered and your paper stained in ebony.
Taking a moment to glance at your already ruined hands, you just resigned to picking up the pen and throwing it out. It was your favorite pen, which was unfortunate. It couldn't be helped, you told yourself.
Sakusa had noticed you flailing about your desk, silently judging you for the clumsy mess you made when you should have just thrown out the pen the second it broke to avoid the noir crime scene that now covered you and your area. He scowled knowing you would now have to redo whatever you had written for the project.
It was nearing the end of school, the class you were currently in being the final one of the day. You approached the teacher's table and asked if you could go wash your hands. They checked the clock to see about twenty minutes left before replying, “Make it quick.”
You walked past Sakusa's desk on your way to the door. He made the snide remark, “You could get the ink off really well with hand sanitizer.”
It took everything in you not to snap back at him, but you just hurried past, careful not to touch anything on the way out.
Sakusa knew he would never understand you. From the moment you met, you stubbornly refused what seemed to be basic courses of action. Touch something dirty? Use hand sanitizer. Eating? Wash your hands before and after to keep from touching anything.
The couple of times he had seen you wash your hands, it was very brief, and you seemed to avoid using the air dryer, opting for paper towels that were arguably undoing whatever progress you made in washing your hands.
At the same time, you avoided any task that would require you to touch dust or water. You always asked to sweep or clean windows, so much so that everyone just ended up giving you those tasks to get you to stop asking. If you did get something on your hands, you immediately wiped or shook it off, seemingly disgusted. You would even briefly run it under water just to dry it on your clothes so they weren't wet. It seemed there were things worse than water if you were willing to rinse them off.
But it was still that one avoidance that came between you: the hand sanitizer. It was practically the same as water, and it dried quickly. Even if it was comparable to washing your hands, it was still much more convenient in most scenarios. Yet you continued to adamantly refuse to ever use it. At some point you declared, “I would rather die,” when he had tried to squeeze some on your hand, earning him his wrist grabbed and pushed away. 
He just didn't understand.
So when he found you sobbing in front of the stairs, opening your hands and clenching them closed into loose fists repeatedly, he was beyond confused.
You hadn't come back to class after leaving to wash the remnants of your broken pen, so the teacher decided it was your project partner, Sakusa, who should find you and return the belongings you left behind. He went over to your open notebook that remained just where you left it and noted the handful of words that were still visible. 
Sakusa folded the cover over, enclosing the now dried puddle of ink. The remainder of your things he scooped into his arms, leaving the room once the halls had cleared a significant amount. As much as he wanted to just leave your things and go to volleyball practice, he figured it would end poorly.
Plus, what could possibly have kept you out of class for so long that you would have left everything behind? There was no way it had taken that long to get most of the ink off of your skin, so either you had just skipped the last bit of school or something happened. Since you hadn't taken your wallet with you with your IDs (he checked your bag when he put the notebook back inside, sure that it was completely dry), he reasoned it was probably the latter.
“Tsk.” They would have been able to get it off with hand sanitizer, he thought, brows furrowed. This is such a waste of time.
Sakusa wandered through the halls when he didn't find you by the bathrooms. He was starting to think it was a lost cause trying to return your bag; he even had to text his cousin to tell him why he would be late. It wasn't until he got to a particularly empty hallway did he hear something.
Quietly, in a dark alcove with a set of stairs leading up, a figure was huddled against a wall. Their tears were soft but anguished, stifled because it was in the environment of school. Sakusa had tried to ignore them until he realized it was you.
You held your palms up just past your knees that were pressed against your chest. You opened and closed your hands, a fresh cascade of tears painting your cheeks as you choked back a sob. You pressed—with more pressure than could have been painful—your thumb into the center of your other palm, nails digging into the back of your hand. You set your closed eyes on your knees with the hope that it might stop the water that leaked from them.
Sakusa, with great caution, approached your hunched figure. He didn't want to, he really didn't. You were the person he probably hated the most at his school, but somehow he knew he'd seem like an awful person if he didn't at least give your belongings to you directly—he wouldn't give you the satisfaction of another thing to hold over his head.
And yet those thoughts went to the back of his mind when he crouched down in front of you. His mask and curly hair obscured his focused expression as he tried to study your current state. The moment you seemed to hear him there, you held your breath and repressed your already quiet cries.
When Sakusa got close, you buried yourself further in to hide your face behind your knees and clenched your hands even more.
He frowned and something in his chest tightened. His brows furrowed deeper over his eyes and he huffed. He saw your nails digging into the skin on the backs of your hands.
“That's going to leave a mark if you keep doing that.” It came out more biting than he had meant it, but he was being serious.
It was then that you could no longer hold back your sobs, almost choking on your own tears. The grip you had of your hands softened and unlinked; instead, you lightly shook them apart from each other. Sakusa had to take a moment to process, but it almost seemed like there was something wrong with them. 
He just wanted to get you to stop crying so he could give you your bag. As much as he hated the gesture, he asked, “What's wrong with your hands?”
You curled your lips in to bite down on them, fighting back hiccups. With your eyes tightly screwed shut, you upturned your palms.
The sight alone made Sakusa's eyebrows fly up in shock. 
He didn't mean to, but he grabbed your wrist to get a better look. Ignoring the ink stains that faintly persisted, there were pale, patchy splotches in the center of your palm and on the side edges of your fingers; there were even some tiny pale rings on the periphery of the bigger splotches. But underneath that, the skin seemed as if it had soaked in water for hours or maybe even days. Not only were there dozens of deep crevice lines trailing from the tips of all of your fingers to their bases but the lines on your palms were more prominent, surrounded by profound, dense wrinkles that spanned the entire surface.
His eyes darted around your hand for a few moments just trying to comprehend what he was looking at. It looked unnatural—it looked painful. And when he met your gaze, he saw unidentifiable emotions flash across it. Was it shame? Regret? He couldn't be sure aside from the blood that seemed to drain from your face.
You tried to pull your hand away, but Sakusa wouldn't let go. His eyes never left yours, searching for some kind of answer. When he couldn't find it there, he asked, “What happened?” It was soft, calm, and even, enough to make you tear up a little again.
The second time you tugged, he released your wrist. You pushed your thumb into your palm again, looking away. Hiding your hands away in the space between your stomach and where your legs were still tucked against your torso, you sniffled a few times and tried to even out your breathing.
“I-It's normal… it just h-happens when I-I touch water…” You stuttered and mumbled between hiccups.
“That is not normal,” Sakusa said a little too quickly and curtly, realizing it probably would have made it seem like he was berating you.
With another sniffle, you said, “It's a– it's a skin condition.” You started to scratch your palms partly out of stress and partly out of the persistent stinging. “It reacts to water i-if I touch it for too long.”
His eyebrows knitted in concern. “Was that from washing your hands then?”
You gave a small nod, still avoiding his gaze. “I couldn't get the ink off and ended up w-washing them for too long…”
“You could have just used hand sanitizer,” he said genuinely. For the moment, he almost forgot he was supposed to hate you, more focused on being worried than anything.
Your answer was your head shaking rather fervently. “No, I can't.” You lowered to set your forehead against your knees again. “Well, actually, I don't know. I-It just scares me and I don't want to r-risk any more pain than I already have. I haven't h-had good experiences with it…”
“What did hand sanitizer ever do to you?” It came out snarkier than Sakusa had meant. He slowly lowered himself to sit with his legs crossed in front of you, your bag still next to him.
You let out a heavy breath. “I was a dumb kid in elementary,” you started. “I had an obsession with scented hand sanitizer for probably a few months. I used it multiple times a day, and even though I don't know for sure if it's related, my hands got worse after that year I think. Only after that did I finally go to the doctor to get it diagnosed after my mom did a ton of research. I agreed to avoid hand sanitizer from then on. I just don't want to risk being in more pain…”
You both went silent.
“Oh…” It was all that left Sakusa's lips. A sudden wave of guilt crashed into him. All of the times he had berated you for not using hand sanitizer and all of his snide, rude, annoyed remarks resurfaced in his conscience. He felt terrible. He felt bad. Someone was hurting and all he did was throw lighter fluid on their problems—for months—and it seemed there was finally a spark to set it all ablaze. The thought that he started it all made it worse.
“Stop with whatever weird look you have on your face.” You squinted at him and his downturned, scrunched face. You'd calmed down enough to be making quips, it would appear. “It's not like I can do anything about it.” You shrugged, half-hearted.
He searched your face again for any sign of emotion aside from blank resignation, but he couldn't find anything. “Is there no treatment?”
You shrunk down further into your huddle, not vocally answering, but the answer was still clear.
Something about the whole situation made his heart hurt; it made him upset, he realized. “So what, you just have to avoid water?”
The nod of your head to the side looked pathetic as you avoided his eyes. After several seconds of silence, you said, “I used to love swimming. It's not like I can't, it's just… it hurts and it makes me feel gross. I don't even like the beach anymore because if I go in the water and get my hands wet, there's no real place to dry them off.” You laughed humorlessly. “It's stupid. You'd think I would get more used to it and get over it as I got older, but it just made me more upset. Why me? Why did I have to get stuck with a condition that's rare and isn't really bad enough for people to care enough to find a treatment? At least, it feels that way…
“I know it's awful, but I sometimes wonder, ‘Why didn't I get stuck with something worse? Then I might have a way to treat it. Then people might care.’”
You glanced up to judge Sakusa's reaction, instantly regretting spilling your feelings and questioning why you did. Tears threatened to flood over again and spill from your eyes. You felt helpless; not only from your condition but also from being stared down by the person you were certain despised you more than anyone. You were giving him more ammo to be disgusted and to detest you, too.
But you couldn't find his face. His ebony bangs hung down like a curtain and his mask further obscured your view, his downturned line of sight completely blocked out.
When the silence was beginning to crawl around on your skin and became almost deafening, you took in a sharp breath and held it for a moment before breathing out a tiny apology. “Sorry… you don't wanna hear about this…”
“No.”
“...No? No… what?”
“No…” 
Sakusa was struggling to get out the right words. How does he say sorry to you in a way that you might actually believe? How does he tell you that you're allowed to be upset, that you can talk about it? How does he make you understand that it's okay?
And how is he supposed to get you to believe it when it's coming from him?
His voice sounded almost angry but not at you—it was for you. “You can be upset,” he said between gritted teeth, hands clenched into tight fists. “No one deserves to have to live everyday avoiding something so common just to not be in pain. And no one deserves to have some jerk constantly making light of it even if they don't know.”
The way your eyes widened and water dripped down your cheeks in sudden streams said it all. “Oh…” was all you could muster before you completely broke down. No one you had ever told about your condition had seemed to fully grasp how much you were hurting inside, how every day was a struggle to avoid reminding yourself of how awful your hands were, how even looking at your own hands sometimes made you ashamed and loathing of yourself. It was a constant reminder that there would always be something wrong with you; you would always be broken, and there was no way to fix it.
Sakusa let you cry with the renewed emotional rush. He remained firmly planted where he sat, not moving an inch. He was not going anywhere.
And he didn't, even as your sobbing slowed to quiet sniffles and wiping mostly dried tears. It took a while before you finally muttered, “Thank you… No one's ever said that to me before…”
“Well, they should.” His words were curt but lacked any sharpness to them.
When you looked up to meet his eyes, he turned them away from you. Hesitantly, he uttered, “Look, I can't promise you that we'll get along, but I can assure you I'll try not to bother you anymore. No more stupid hand sanitizer comments anymore, either.” It was the only peace offering he could make for a chance to pave a path towards making amends.
You let out a breath through your nose that was close to a laugh before hiccuping, “Next thing you know, you'll be telling me we'll work on our group project together.”
“Don't push it,” he answered, quickly and humorlessly. It only made you laugh, although he couldn't comprehend why.
“It's getting late,” Sakusa tried to divert. “You should head home.”
You reached for your phone, and the little numbers on the screen confirmed his statement. Suddenly, a flash of panic crossed your face. “I don't have my bag,” you state frantically, “or any of my stuff.”
It was then that Sakusa held up the original object of his search for you, gently lowering it to the ground. “The teacher told me to bring it to you since you never came back.”
Relief washed over you in a calming rush, and you finally seemed to relax. You pulled your knees away from your chest and sat with your legs crossed. Confirming that everything was in your bag, an immensely relieved sigh left your lips in a gust.
“Thank you.” Your gaze was earnest, trying to convey just how much you meant your words to make sure it sunk in.
Sakusa just grumbled, “Whatever.” He was back to his usual self despite how he stumbled embarrassingly when he got up and realized his legs had gone numb. He reluctantly offered up his hand to help you stand, but you only looked at it for a moment, mouth pressed into a line, before you got to your feet on your own.
He pretended he hadn't tried to assist you, instead pivoting on his heels and shoving his hands in his pockets with a slouched posture. Without another word exchanged, you both headed towards the school's entrance.
The air fell into a comfortable quiet until then. When you did reach the entrance, however, you both stopped in your tracks. You turned to Sakusa, giving him a soft smile and a small wave, and headed down the street. Only when you turned the corner, out of sight, did he head back towards the volleyball gym. He was so horribly beyond late that it was almost laughable.
But he didn't care, knowing it meant someone was there in that very moment for you when you needed it most. So what if he also started to mend whatever nonexistent relationship was there in the process? What mattered was that someone told you that it was okay.
And Sakusa was okay with that. Being late to practice wasn't nearly as pressing as his long overdue apologies. What could be more important than that?
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Do not copy and/or repost!! Any likes or reblogs are appreciated, though! (c) 2024 LemurzSquad
146 notes · View notes
bella-rose29 · 5 months
Text
Pretty
Anthony Lockwood x gn!reader
requested by anon: Saw your post about Lockwood ideas so here's one! Reader and Lockwood have an extremely close call on a case and in the heat of the moment, Lockwood ends up kissing the reader.
Made this one gn since no gender was specified! hopefully I haven't messed up anywhere with that (pls let me know tho)
I am also so so sorry about how long this took anon 😭 I have nobody to blame but myself for that I won't lie
lockwood has his tea like Cameron and I'm convinced it's a fact
Word count: 3.4k
Warnings: swearing, they fight some visitors
Tag list: @anathemaloren, @augustisintheair, @avdiobliss, @dangelnleif, @el-de-phi, @ell0ra-br3kk3r, @informedimagining, @karensirkobabes, @mischivana, @mitskiswift99, @mrsklockwood, @mrsyixingunicorn10, @ran23sblog, @superpositvecloudshipper, @t2sh0, @taygrls, @tournesol77, @wandamaximoffbae, @whenselenefallsinlove, @wordsarelife
As always, let me know here if you'd like to be added to/removed from my Lockwood and Co tag list, or send me a message! <3
(not my image, also I'm fully aware of how many times I use this one)
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"Hey, I've just put the kettle on, d'you want tea?" Lucy chirped as Y/n entered the kitchen, paperwork in hand. They nodded gratefully, shoving the papers onto the table and flopping in a chair. "What's all that for?" Lucy asked, gesturing to the multiple files now scattered in front of Y/n.
"The case tonight. Lockwood's refusing to help me with the research, the little shit. Says he's got 'important business' to go on, whatever that means." They frowned, remembering how he'd been essentially ignoring them all day. "Did I do something to upset him?" they asked Lucy, looking up at the girl.
"Don't think so. Why?"
"Don't know. Just, he hasn't talked to me all day, so I-" Y/n was cut off by Lucy's snort of laughter, and their frown deepened. "What?! Why are you laughing?!"
"He hasn't talked to you all day? God, just tell him you like him already!"
Y/n flushed at her words, and threw a scrunched up piece of paper at Lucy. "Shut up," they mumbled, crossing their arms and slouching in their chair. Lucy only laughed more, handing over a cup of tea and sitting down next to her friend as she started to rifle through the papers. "What are you doing?"
"Helping you out, silly. If Lockwood won't do it, I will. You'll be so unprepared otherwise, and I can't have my best friend dying yet."
"Thanks, Luce."
"Sure," she shrugged, studying a news article. "Dunno why you like him though. He can be a monumental tw-"
"Hi Lucy, Y/n," Lockwood said, stepping through the door with carrier bags in his hands. He looked at them, wondering why they were suddenly quiet when he'd heard the two of them talking before he walked in, but when he saw the kettle boiled on the side that was ready for him to make his tea to his liking he forgot all about it. Dumping the bags, he moved to the cupboards and reached for the honey, pouring the right amount into the mug. Lockwood heard the scrape of a chair and a whispered protest as he added the white sugar (one teaspoon), and turning around he found Lucy getting up to leave and Y/n tugging on her arm and begging her to stay. Lucy had a wicked grin, though, and in one swift movement she'd unhanded herself from Y/n and skipped out of the door, and a moment later her footsteps could be heard on the stairs.
Y/n was glaring at the door, as if it would bring Lucy back to the kitchen, but when Lockwood sat down next to them with his cup of tea in one hand and the deft fingers of his other picking up a pile of papers, their expression immediately softened.
"Glad you finally felt you could grace the plebs with your presence, my lord," they joked, hoping he would apologise for being absent all day. He cracked a smile, shaking his head as he chuckled.
"Can't be around all the time, can I? You'll boost my ego too much."
"I would argue we reign your ego in. Honestly, I'm suffocating on it right now." Their eyes were wide in mock frankness, making Lockwood laugh more. "Seriously though," Y/n said when he'd calmed down a little. "Where were you?" They tried to not sound too hurt, but Lockwood picked up on it like he always did.
"I told you, I had important business-"
"What 'important business', Lockwood? Because I've had to do this research on my own, and there's way too much of it!" He at least had the good grace to look sheepish, scratching the back of his neck and mumbling something into his tea. George entered the kitchen then, pausing whatever conversation Y/n and Lockwood had been having. He stood in the doorway, picking up on the strange atmosphere but not knowing what to do about it, and shook his head as he went to make a sandwich. None of them talked, and George kept casting the two of them weird looks as he moved around the kitchen, looking like he wanted to say something but never getting that far, until eventually he finished making his lunch and left, closing the door with a soft click (and a loud protest from the hinges) behind him. Y/n had turned back to their papers, attempting to read over the documents and figure out the history of the building before they headed out for the evening. "Are you at least gonna help me now?" they sighed, looking back up at him. He nodded, washing out the mug of tea that he'd downed in the last few minutes.
They sat in silence for a while after that, only talking when one of them found something interesting or worth making note of. Lockwood stopped rifling through papers at one point, file limp in his hand while he studied his coworker. "I'm sorry," he said, and although his voice was quiet it startled Y/n. "I just- I know I'm difficult sometimes- okay, fine, a lot of the time," he amended at Y/n's raised eyebrows. "But I really did have important business to attend to. I was stocking up on equipment for tonight. Not much, just a couple of flares."
"And that took you the whole day? George has only just come down for lunch and it's three in the afternoon."
"I was also..." he sighed through his nose, irritation flitting across his face. "I was also getting this," he said, rushing the words as he yanked something out of his jacket pocket. How he'd ever got the item in there in the first place Y/n had no clue, since they weren't aware of Lockwood having pockets that large.
"What is it?" they asked, skeptical of the rectangular object they now held. It had been expertly wrapped, with a nice little bow on the front, and when Lockwood simply gestured for them to open it they peeled the paper off, revealing the book inside. "Is this-"
"Took me ages to find a store that had it. I know how much you've been obsessing about getting it so I figured since I was out I might as well. I didn't realise how long it would take though, and I didn't exactly want to admit that to you either."
"Lockwood, you really didn't have to do-"
"Shush, or I'll return it." That shut them up, making them clutch the book close to their chest as if to prevent him from taking it away. "Come on. We've got work to do."
~~~
Half an hour later Lockwood was making another cup of tea for both of them, laughing as Y/n complained about some of the details (or lack thereof) in the building plans.
"I mean, there's an entire room that just... doesn't exist on the floor plans, even though we went to the house! How does that happen? It's not even an extension- oh, thank you," they were interrupted when Lockwood passed them their mug, hot tea warming Y/n's hands as they gripped the beverage. His hand lingered on the handle a moment longer than was necessary, his gaze catching on theirs, and Y/n held their breath when their fingers brushed. Lockwood seemed to snap out of whatever daze he was in, jerking his arm back, clearing his throat, and shuffling over to his own seat.
It was weird; they'd brushed past each other on the stairs and had curled up next to each other on sofas before, and held (very limited) eye contact every day (it was awkward holding it for more than a few seconds, even with Lockwood), so why was this time any different?
They spent the next few hours in more silence, the atmosphere mildly awkward as they worked, and by the time they pulled up to the house in the back of the taxi not long before sundown Y/n thought they might burst from the sheer amount of tension they could feel.
They had always been an overthinker, analysing minuscule details that, in reality, probably didn't matter, but for some reason stuck in Y/n's head for months after. It didn't help that they had feelings for Lockwood, since it made every touch or lingering glance have a stronger effect on their overthinking tendencies, and very often took them out of the real world and into their own head.
Which was unfortunate when they needed to be very much in the real world to fight Visitors.
In fairness, the man that owned the property had told them (with a shocking amount of certainty) that there were two Type Ones, one Shade and one Lurker, and while Y/n was inclined to disagree that he knew best, Lockwood was flashing a winning smile and grasping the keys, assuring the owner that Type Ones were nothing the pair of them couldn't handle.
They set up their chains and defences, did an initial reading of the whole house (the stairs came back as the coldest at nine degrees, with the upstairs family bathroom a close second at ten - worrying for the early hour), then returned to the kitchen and put the kettle on, cracking open a packet of biscuits.
"Are you sure about what he said? I mean he's what, late thirties to early forties? How reliable is he for identifying Type Ones if he won't be able to see them?"
"Look, we have no reason to distrust hi-"
"I literally just gave a reason."
"Okay, fine. No reason to distrust him yet. Everything we've seen so far from our initial readings is pointing to Type Ones, and we're Lockwood and Co. This isn't anything we can't handle." Y/n had been about to protest again, to say something about how the stairs and bathroom really shouldn't have been so cold this early on, but then he had smiled at them, one reserved purely for his friends, and they melted, all thoughts of danger gone out of their head.
Perhaps they should have fought harder against him, or perhaps they shouldn't have become too wrapped up in the moments from the kitchen earlier, but either way they didn't notice the Limbless until it had nearly pushed its misshapen body through their head.
~~~
Lockwood had shoved them out the way, their bodies rolling over each other as they tumbled down the hallway, the air shifting as the Limbless soared over them.
Lockwood ended up on top, his body shielding Y/n's, and he lifted his head up from where it had previously been in their neck, asking a desperate "Are you okay?" They nodded in response, too shaken to do much else, and then Lockwood was up, yanking their arm to pull them up beside him as he drew his rapier. Y/n did the same, hands trembling slightly as they finally registered the miasma that felt like it was suffocating them.
"Limbless, but we can handle that. You getting anything that can help?" He was referencing Y/n's Touch, but when they pressed their hand to the bannister experimentally the feeling of fear that washed over them was so strong they stumbled back, bumping into Lockwood.
"Shit, that was not fun," they said, grimacing at the headache they could already feel forming. "We can't use flares, Lockwood, it's too cramped in here. We're gonna have to draw it away if we can, then find the Source. It's got to be the stairs somehow, I just can't figure it out."
"Okay. Here's the plan," he started, but Y/n was unfocused, staring down the hallway over his shoulder.
"Lockwood?"
"You figure out where the Source is, I'll hold it off-"
"Lockwood?"
"-and then we'll be out of here and back home with a cup of tea within the hour."
"LOCKWOOD!"
"What? Why are you shou-"
Y/n grabbed his face in both of their hands, pushing him around to see what was behind him.
"Shit," he said, paling. Where there had only been a single Limbless to deal with before, the number of Visitors had gone up, with Shades and Lurkers that the owner had mentioned earlier joining the now two Limbless that were hovering at the end of the hallway. The feeling of miasma was washing over the two of them like a tidal wave, and Y/n pressed a hand to their mouth to try and stop throwing up. "We can still do this?" he said, although it sounded more like a question than an inspirational chat to his teammate.
"Lockwood, we need to just go. There's no way we can do this on our own, your pride be damned."
"Okay, okay. We'll collect as much of our kit as we can then, a lot of it is new and I don't want it being wasted. Do you think you're up for it? You look very ill," he frowned, concern for Y/n working its way into every movement of his body.
"Can't we just ditch the kit and get out?"
"As much as I'd love to, we are incredibly under equipped right now and have to pass through the kitchen anyway. We'd do well to have a few extra supplies on us, don't you think?" His voice was gentle, nothing condescending about his question, and Y/n found themselves nodding when he searched their eyes for an answer. His whole body relaxed, and then he was grabbing their hand and slowly retreating towards the kitchen, hoping not to alert the Visitors to their presence.
They were doing well, nearly past the kitchen threshold, up until Lockwood brushed his thumb over the back of Y/n's hand and they stumbled slightly, scuffing their foot on the floorboards and kicking a cabinet.
The Limbless (both of them) snapped their bloated heads to face the two agents, and Lockwood and Y/n only had a brief second to share a look when the ghosts came soaring towards them before he was tugging them into the kitchen, slamming the door behind them and rushing past the counter.
"Pick up what you can, anything to defend yourself with!" he shouted, wheeling around to grab a bag. They made a move towards the iron chains and added a ring to the circle that they'd already made, doubling up the strength of the invisible wall, then dragged in the kit they could reach and stood within the circle.
"Lockwood! Get in here!"
He made a mad dash for them, eyes wide and face flushed from the cold that was now creeping in to the kitchen. "Okay, what now? We'll be protected for a little while but we can't stay for-"
"Calm down, alright? We can sort out our kit in here, quickly, and then use the back door just there. We might have to leave some of these chains behind though, they're pretty heavy."
"Temperature's dropped significantly. That's not a good sign. Do you think there are more hauntings in here?"
"I wouldn't put it past this place. Besides, it's eleven. The others all came out quite early." They crouched down, starting to work methodically through the bags, but Lockwood stayed standing.
"What would I do without you, hey?"
Y/n tried not to flush at the compliment, remembering that the previous two times they'd been caught up in analysing everything that happened between the two of them they'd invoked danger, and continued going through the bags. "Can you help please? Instead of standing there like a lemon."
It took them five minutes to finish up, bags being zipped and thrown over shoulders, belts checked for stock and rapiers drawn. They would have to leave the chains behind, which was a shame, but necessary if they wanted to be able to move quickly. "On three?" Lockwood asked, glancing over his shoulder to check with Y/n. They nodded, bracing themselves for the run. Lockwood started counting down, and just as he said "Three" the kitchen door blew off its hinges.
~~~
"Shit! Go!" A Poltergeist, manifesting in the kitchen and manipulating the room if the many knives that were now floating in the air were anything to go by. The back door was only a couple of metres away, but the real question was whether they could outrun the blades.
They almost did, launching themselves out the exit and slamming the door shut behind them, and Lockwood breathed a sigh of relief until he saw the blood on Y/n's arm. "It's fine," they said when they caught him looking, moving away from the door. "We should get out of here."
He didn't say anything, instead sheathing his rapier and dropping the bag he was holding to grab Y/n's face and kiss them. Y/n almost dropped their own things, about to reach up and draw him in further, but he was pulling back before they could, picking up the kit and moving away from the house. "Come on! We need to find a taxi!" Y/n stood gaping at his retreating form before they heard the wailings of some of the Visitors inside and quickly followed after him.
~~~
The taxi ride home was awkward.
Lockwood wasn't looking at Y/n, and they were starting to feel increasingly uncomfortable with the amount of silence that enveloped the two of them.
"I'm sorry," Lockwood said, making Y/n jump slightly even though his voice was quiet.
"...What for?"
"For- I shouldn't have- I- For kissing you." He still wasn't looking at them, so he couldn't see the stifled smile on their face.
"It's okay, Lockwood."
"No, I should have just got us out of there instead of- I put us in danger and that was stupid of me," he turned to face them, expression earnest. "And I don't even know how you..." he trailed off, blushing.
"It wasn't... I wouldn't mind doing it again, if that's... where you're going?" Y/n was surprised at the confidence they had to admit that, given how bad they were normally at expressing their feelings for him. Lockwood blushed slightly, his cheeks tinted pink, and his eyes widened.
"Uh- okay," he said, hiding his smile behind his hand as he braced his elbow on the door. "Are you sure you're okay? You're bleeding a lot."
"I'm sure it's fine. I think it's only shallow, and most of the blood is dried now. If it'll make you feel better you can bandage me up when we get back."
"Okay. I'll put the kettle on, too. I really need a cup of tea right now."
~~~
True to his word, Lockwood put the kettle on the stove and grabbed two mugs out of the cupboard before heading to the bathroom for the medical kit. He then patched Y/n's arm up (who was right about it only being shallow, but that didn't stop Lockwood fussing over them), concentrating far more than he needed to but taking his time with the dressing in a way that made Y/n's heart flutter at his attentiveness.
Now they sat at the kitchen table with steaming mugs of tea, a plate of biscuits between them as they talked about both everything and nothing, the sun rising and casting the kitchen in a golden light. At some point Lucy appeared, making herself her own cup of tea and heading back upstairs to the attic afterwards, murmuring a sleepy 'morning' to her friends as she shut the door behind her.
Y/n shut their eyes, soaking in the freshly made cup of tea (Lucy had made a large pot for the three of them) and the small warmth that the sun pouring through the window provided. They could feel Lockwood watching them, and sure enough when Y/n cracked an eye open he was focused on them, a soft smile on his face while he sipped his tea. "What?" they asked, a smile of their own forming.
"Nothing. You just look really... really pretty."
"Pretty?" Y/n asked, and Lockwood blushed a little, spluttering as he tried to explain himself.
"I don't know how else to describe you! I can come up with something else if you'd prefer, I just thought it fit! You know, with the light on your face and you looked really peaceful and lovely and..." he trailed off into unintelligible mumbles, turning to stare at the thinking cloth instead of Y/n's face as his blush grew brighter. They laughed in response, leaning forward across the small space between them to grab Lockwood by the tie and pull him in for a kiss. It was short and sweet, but still left the two of them breathless and flushed, and the resultant smile on Lockwood's face was well worth the amount of nervous butterflies in Y/n's stomach.
"You're pretty too, Lockwood."
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majorproblems77 · 3 months
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ITS LU UPDATE TIME!!!
AND IT IS ALL ABOUT SKY AND IM SO EXCITED :DDDDD
You know what that means! It means a long post by me! :D
Cant wait to be excited about my blorbo for like 30 minutes, so sit get some popcorn and like some earplugs cause i will try to contain my screaming but I've been waiting for more Sky stuff and I'm so excited!!!!
For point, and because I keep forgetting, all the panels I'll be talking about belong to JoJo and @linkeduniverse
Let's do this!
Alright lets get this out of the way first, I love some parallels right, So as per usual, if I need a panel from anything prior I'll let you know where it's from!
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So what do you think he asked him.
Hey sir! Have you seen a guy with a big flag on his back going way to fast come through there?
Man is just like, oh yeah he went that way past the forge that your other weird fellows were at earlier.
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He run, Then he hero stop. Power pose activated, target acquired. Then he run some more
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Run my blorbo run!
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Genuinely interested in what exactly this is, Is it a map? Is it a list of places? Is it a paper with time shift shenanigans in it?
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I'm not versed in the postman, Is this normal, or did he do this cause he heard Sky and wanted him to think he was waiting?
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This face has be dead. (/pos) I love him so much my dear blorbo its been too long since we saw you last.
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Putting this together for 1 reason
Postman is a dick, Sky was so close, That can't be more than 10 or so metres at most. Poor man ran across Town out of town to catch up to you for you to go sprinting off into the woods, and my man is full on Olympic sprinting to deliver this mail geesus.
Also, the compulsory return of the king 🧍, Sky is the king of this pose and will not be beaten. Although Legend comes pretty close.
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God the expressions in this update are top tier, Sky is just so expressive. Right now, Man is thinking why he does this to himself.
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I'm fucking cackling, this art is amazing and Jojo's sister did an amazing job. Like I feel like I can hear this picture with that teasing tone that my siblings would use on me when we were younger. God I love it.
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So even though Sky is looking towards Legend here, so I'm totally under the impression that Legend said Wahhhh, and Hyrule said I cant run. As Hyrule was with wars When they got split up initally. Poor Sky, man has become the butt of jokes. Im glad Four is giving them a look, He doesn't look impressed. Its okay Sky, you've got a friend in Four behind you. :D
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War's is the real MVP of this arc in my opinion, Man has been in charge of the ragtag chain while Time has been out of action looking over Twilight. He's at the end of his tether.
Part of me wonders if this is going to impact his fighting going forward? Maybe he'll slip up because he's so stressed. He knows not all of them are knighted. These heroes he is with are NOT soldiers and he can't treat them as such.
And this sentence. Don't Interrupt! sounds like he is scolding rowdy recruits, rather than fellow heroes.
Which if you think about it, Sky is giving essentially a scouting report here, He scouted ahead and has returned to speak about his findings. War's is a captain, in his era he's a commanding officer. He's taken reports of this kind before.
Having a panel with Time, Wild and Twilight in Gives me more life than i think i give it credit for. (I am in the crowd that there's a family connection between these three.)
It's also nice to see Wild, like genuinely smiling.
Moving on
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Hero pose again! :D
I love this man
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These panels are very important to me so give me a moment while I explain.
Sky probably has her words engrained in his mind. You can see the questioning look, and thinking. "Is this going to work?"
That eternal dream That he's talking about, he knows her power is faded, but he's going to try anyway. I just didn't think he would use it to track what I can only assume is the postman.
It's really nice to have Sky's relationship with the master sword put on display. It means a lot to me and has brought me great Joy through this update.
He cares about her. And even if she can't talk to him anymore. He still trusts her to lead him true.
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And this panel breaks my heart! Something inside of him probably really hoped Fi would speak to him or give him more of an indication. Sky looks so sad.
I just wanna hug him, and tell him it'll be alright. He's probably thinking about turning around at this point. Maybe he's thinking about how some members of the chain perceive Fi.
A soulless weapon.
(Or maybe im thinking too much into this)
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The way his faith is restored!
Fi did lead him! She did! She's still there somewhere, and his shock! Oh my boy. My sweet blorbo,
And having used like super zoom on that last panel, MY BOY IS SMILING! :D
RUN BLORBO RUN I BELIEVE IN YOU!
(Also appreciation for the full body shot's we've got of Sky from this update, I love it so much I love him so much.)
Did I go hunting for the references, Yes I Did.
I think the following area is the area where they pull Twilight too, rather than the battle field and he then moved on from here to get to the battle field.
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From sunset pt4
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The pillar behind Sky has the only slant I can think of. It looks to be the same angle, but that could just be me.
If it is that location, it might be closer to that battlefield than we originally (Or at least I originally) assumed.
(If you've got any other places let me know!)
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God i love him
Blorbo beloved! Is about as shocked as i am with the whole Mailman thing.
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The confidence of this man is unreal. He's ready, he's moving he's going. He's going and ain't going to stop.
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Me absolutely yelling at how this portal looks, it so ANGRY, But we know the Shadow is pissed right now. And if the shadow is making these portals and he's angry. I think the chain might be in for a surprise as they move on to the next location.
Which if I have to be honest. I think is going to be Skyloft. I think we are moving into a Sky arch, having had a Twilight Arc. (I also really want to see Skyloft in this universe, and there's an opportunity here. We've had more master sword things. We've had Sky content. who knows where Jojo will take this next, but I'm excited either way.)
Finally back to the chain! :D
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The gremlins return :D
Wind's little 3:< face as he's thinking is giving the energy of an upcoming detective arch, He is thinking and he is thinking HARD okay.
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Poor Sky. Man has been running around doing all the hard work while the rest of them just enjoy themselves. Hyrule especially is kinda like 'Ohhh... our bad...'
It's actually a kinda guilty look, maybe he feels a little bad about the teasing from earlier?
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Now i gotta mention the potion thing, cause its just so damn funny not too. Sky my blorbo slow down you are gonna choke on the stamina potion.
But.
I want to focus on War's here.
And Wild too.
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These two. These two are important.
Wild has gone from happy and chill vibes to Oh shit real quick.
After everything he put into the Shadow, while the shadow was injured and watched as the thing exploded. It just decided to come back or something. And Wild, here I imagine is thinking, "How was that not enough..."
Now Wars.
War's is Stood not looking at anything, In fact, I think he's looking past Time. The last thing he said was a two word scolding but apart from that he's been awfully quiet. Now he looks like he's thinking. He's closed off, protective.
The only time I can see where he does this is when he's in what I'm going to call, 'Captain mode.' So, When he's flicked something in his head that tells him he has to be a knight.
He dosent do it often, in fact from what I can see he does it 4 other times.
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In order
Devine dark reflections pt 8 - when he's talking about knighthood with Sky and Hyrule
Sunset pt11 - When talking about Wild, and the fact that he's left
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Sunset pt13 - When speaking to Twilight about pulling his own weight
Dawn pt 2 - when Twilight is talking about the team they are.
And now here in Dawn 7 - Where they are discussing the fact that an enemy they fought escaped or survived.
All conversations I would assume a captain would have to have with his men at one point or another. I wonder what He's thinking here. It's got me thinking.
Woah, So this took me longer than I thought. I am on the 4-hour mark now. Lmaoooo
Hope you enjoyed it! Thanks for listening to me ramble for like 20 minutes.
And just remember
Sky is the sweet bestest blorbo beloved and I love him. :D
Thanks for coming to my tedtalk.
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marvel-ousmondays · 4 months
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Iron Man (2008)
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As mentioned in last post, when I went to Iron Man I literally had no idea that such a superhero existed. (I thought Sherlock Holmes with RDJ came out first but apparently not so I had essentially no knowledge of the actor either.) My friends and I decided to spend the day out at the nearest town big enough to have a book store, craft stores, and a Target, as well as a Drive-In movie theater. I was now a college student and enjoying the freedom of no curfew, rebel that I was. I'm pretty sure the movie prior to Iron Man was the Narnia: Prince Caspian movie. I mention this because I hated that movie. It bastardized the book something awful and after the first movie was so faithful an adaptation, this was incredibly disappointing. However, this meant I was doubly primed to appreciate the awesomeness that Iron Man ended up being. I've watched it a few times since then, but usually as background to something else. I decided for this challenge I did REALLY want to watch the movies/shows. No other distractions- just it. I can take breaks (it took me 3 days to finish Iron Man due to various constraints last week) but when I'm watching, I'm JUST watching.
Here were my takeaways this time
The differences in Terrence Howard's Rhodey and Cheadle's Rhodey are always a bit mind boggling and part of what makes Iron Man feel really different from the later films. We're also just starting MCU so while they aren't LACKING budget, it's not the level it would be later. This doesn't hurt the movie at all for the record, if anything I think it meant the story had to be more well-developed and the actors better.
But this first film has a seriousness and a somberness that most of the other films only flirt with (notable exception being Infinity War of course).
The scene where Tony goes back to help Gulmira, Yinsen's home, and we see the 13 year old boy screaming and crying as his father is pried away from their family, the soldiers clearly planning to execute him and all the other grown men. The young boy tears himself away from his mother to his father, determined to keep him, to save him. His father, begging his son to go, so that he will live even though he knows- he KNOWS he will not. This moment of utter terror made personal just before Tony shows up is incredible and all the more so when put into historical context. The U.S. was still in Afghanistan and Iraq at this time and it was easy for citizens here to paint everyone in those areas with the same brush. But in this moment you CAN'T. You HAVE to see the family ripped apart right alongside the terrorists and be forced to realize that race, ethnicity, language don't make terrible people- actions do.
A common criticism of Marvel movies is they don't let a moment sit- that they always break a serious moment with a joke. But this one doesn't do that. There are multiple heavy moments- after Yinsen's death for one and when Pepper nearly quits (because she can't watch Tony self-sabotage and possibly die) and he tells her:
"I shouldn't be alive... unless it was for a reason. I'm not crazy, Pepper. I just finally know what I have to do. And I know in my heart that it's right."
This moment sits between them so clearly, so starkly and it is not ended with a joke, but with Pepper grabbing the flashdrive and asking what to do. (Thinking back, I'm wondering how many of those MCU "broken" moments are by Tony. He's the one uncomfortable with emotion. Him breaking those moments with humor is actually 100% in character. Something to pay attention to as I watch.)
Finally, and perhaps most importantly, some of the key themes of this movie just strike to the heart.
Death from a distance is easy to ignore or even be complicit in, but death up close rips us apart. Tony sold weapons that he knew took lives for years but it wasn't until he watched Yinsen die that I think he really understands what that means. Yes, his parents had died before but he wasn't THERE, he didn't SEE it. This death, this is the one that makes him really know what it means.
You don't have to change everything to be a better person. Tony is still self-centered. He still likes attention. He's still arrogant and as we will see next movie, open to playing the field as Pepper and him haven't committed. But not only has he stopped being complicit in the deaths of the innocent, he's taken on the mantle of protecting them.
Lastly, who the good guys are is largely a matter of perspective. This obviously gets hit harder again in Ultron (oh that glorious train wreck- I'm looking forward to writing about you), but it matters here. Tony was fine manufacturing weapons because he assumed he was supporting the "good guys", the 'Muricans. But not only was Obadiah dirty dealing, he is forced to learn the good guys aren't always as discriminatory with their weapon use as they purport to be. That it's easy to start painting with broad brushstrokes in areas where precision is actually called for.
Overall I'm really glad I PAID attention to this one this round. The grittiness and the depth really hit the way they did the first time or even more so. Onward to The Incredible Hulk, even though it's only semi-canon now.
Note for me:
Directed by: Jon Favreau
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directdogman · 9 months
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how involved was callum with nasa? he was president during the space race and personally sent norm on his mission but something that stook out to me was norm mentioning intell nasa info about man on the moon - neil armstrong - which happened 3 years AFTER he left earth. was history shuffled for callums sake, if it was important at all?
Disclaimer before I answer this: This is a nerdy DT lore question that is absolutely not essential to understanding DT lore and it's teeechnically slightly removed from the scope of the current canon (since it mainly relates to the actions of a character who Gingi has never met in-game), but it's a smart question so I feel compelled to answer it.
Answer: Your guess that the moon landing happened earlier in DT's universe than in ours, during Crown's presidency, is correct. It's funny, but I've got this rough draft of a joke post written that I never posted (involves DT characters having to pick their favourite Muppets. Yeah.) where Gingi (out of spite) informs Norm about the NASA Challenger explosion (a very specific malfunction/televised rocket explosion that occurred in the 80's in both universes, though the Bird Big Puppeteer died in DT's version of the event, unlike in ours, where that only almost (but didn't) happen.) ...which implies that, yes, with him not knowing about this event, Norm's intel obviously DOES cut out post-warp, meaning the moon landing itself was pre-warp by virtue of Norm having secret intel about it.
There are other big clues to an early moon-landing in other dialogue, but I figured I'd at least confirm your method of reasoning was also correct.
On the question of whether Crown really altered history: Yeah, history was shuffled to a large degree, certainly during Crown's term. while most events match up in timelines, Crown invested WAY heavier in certain technologies (mainly nuclear weapons + space flight), causing the US to hit certain milestones early (and even a few that we never did, when you consider the full extent of what Crown got done as President and then Honorary Leader of the UN!)
While I guess Crown's rigorous strides towards vast technological advancement was never outright stated in-game, I definitely implied it through Crown selecting Norm for the mission himself (which means Crown evidently had direct oversight on NASA projects.) There's also the very obvious (but easy to forget) point that of course NASA would not have gotten Norm to a wormhole before they reached the rock in earth's orbit! We're obviously far closer to our moon than any wormholes, and that also goes for the small sci-fi wormhole Norm traveled through which is not far from DT's version of earth (yet doesn't exist in ours.) If it was closer to earth than the moon, it'd definitely swallow satellites sent up by companies into space, which is funny and the kind of thing that would happen in DT's shitty world, come to think of it. But, yeah.
But yes, your question is entirely right for the reasons mentioned above. this might seem unnecessarily convoluted but there IS a reason why I constructed things this way (I know how it all connects in my head), but yeah, it's a little bit complicated to wrap your head around if you don't have surrounding context, and this kind of nitty gritty detail only really matters if you actually want to map a concrete timeline, or God forbid, deconstruct certain actions Crown took in office (some of which have never been directly referenced in canon DT material, but likely one day will be!)
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master-sass-blast · 4 months
Text
Let's Call it a Draw Between Us -Chapter One: Defeat.
Author's Note (uploading multiple works tonight, so I'm slapping this on all the fics I'm posting):
Uh... hi.
It's been a very long time. Longer than I'd hoped for, but suffice to say, this year hasn't gone according to plan.
In sum, I had a mental breakdown in Spring, got diagnosed with hypermobile Ehlers-Danlos syndrome in July, my husband totaled his car in September, I was sick for the whole month of October, my husband found a new (used) car... and then hit a deer at the end of November, and the insurance company ruled that it was totaled because the repair costs would be worth more than the value of the car.
Yeah.
There's been other shit, too, but part of what I've learned with the new diagnosis is that my body does not regulate or cope with stress well -which I sort of already knew, but it's to a vaster extent than I'd known. Essentially, this past year has just taken me out at the knees, and it will probably take my body a while to regulate and function well again.
I still want to write and post fics, but I now have a lot of anxiety around not being able to write and post fics (along with other things that my befuckened body interferes with), which is just... a lot. And frustrating.
I'm not throwing in the towel. But I also can't promise any sort of posting schedule moving forward. Right now, my body and brain are just too unpredictable, and I have to make sure I'm taking care of my basic needs (like eat and hygiene and sleeping, it's literally that difficult to deal with) so that I'm physically okay.
Thank you all for being so patient. I hope to see you more regularly in the coming New Year, but if not, know that I'm okay and still kicking, but that my body's just kicking back for the time being.
Much love and best of wishes to you all for the New Year!
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Summary: Sevika pines. She drinks. Then she competes in some arm wrestling and makes some very sapphic eye contact.
She loses, loses again, and then she wins.
Or maybe she wins all three times. It depends on your point of view.
(Basically just a very self-indulgent fic that spawned from an idea about Sevika and a big, buff Reader that I'll probably never get around to writing in full, so I wrote this as a way of honoring that idea.)
Pairing(s): Sevika/Reader.
Rating: M for some sensual themes and making out.
Word Count: 10.1k. Whoops.
You drive her to drink.
Speaking of… Sevika leans against the bar and snaps her fingers at Thieram. “Whisky, neat. Half a glass.” She narrows her eyes when he raises his eyebrows at her, then scoffs and goes back to staring across the room once he jumps to. Idiot.
She hadn’t expected much out of you after she first met you. Properly met you, that is. Technically, her first introduction to you had been in an underground fighting ring stocked by Stillwater’s hardier, more opportunistic patrons. You’d made quick work of the other prisoners, but Silco had wanted a proper evaluation before deciding whether or not to scoop you up, so in she’d gone. She’d socked you in the jaw, you’d suplexed her through a shitty wooden table. Good times.
She hasn’t had any complaints about you. You’re quiet, compliant. You don’t get drunk on the job, and you don’t start fights with the rest of the crew.
But that seems to be about it. You don’t really hang out with anyone else. You’ll talk to her every now and then, but otherwise you keep to yourself. You don’t play cards with the others, shoot pool, or share drinks. No swapping of stories, or exchanging inside jokes. From what she can tell, you keep to yourself like a hermit in an invisible cave.
Like a shadow, she reflects as you hang back in your usual spot (towards the back of the bar, tucked into darkness, where no one bothers you). If you’re not watching it, you forget it’s there.
She’d thought that was it. She’s seen plenty of people leave Stillwater and fall into violence, or inebriation, or withdrawn sullenness. She figured you were a tragic statistic –yet another to add to Zaun’s tally.
And then…
Her upper lips curls when Jinx comes bounding down the stairs. She tracks the blue-haired sprite across the bar, over to where you’re sitting, then scoffs when you greet Jinx with a small smile before glaring down at her glass.
It’s like watching a flower unfurl after weeks of frost. You smile and open up towards the sun of Jinx’s exuberance like you’ve been doing it your whole life, like there’s nothing more natural to you than beaming at Silco’s brat. And, sure, Jinx is a kid and she’s kind of cute, for a demented gremlin. But she’s still Jinx.
Sevika scowls down into her whiskey. Fucking psycho kid.
You’d called it kismet when she’d asked why you tolerate Silco’s batty brat. You’d lost your baby sister when you’d gone into prison, Jinx had lost Vi after the factory explosion, and then, years later, the universe had brought you two together and balanced everything back out, or fucking whatever.
She supposes it’s a decent arrangement. Jinx isn’t nearly as vicious and off kilter with you around, and you get all soft, and mushy, and happy, and pretty–
Sevika motions to Thieram to top her glass up again. Fuck me.
You’re protective of Jinx, too. Not that the brat can’t handle herself (Sevika has her new arm to prove that). But, she can still remember the night Finn’s gang had crowded into the Last Drop. They’d been obnoxious, and overbearing, and more than a little sloshed. Jacen, one of Finn’s “good buddies,” had slapped Jinx across the ass as a joke.
He’d done it in front of Silco. He was a dead man regardless.
Before anyone –even Jinx–could react, though, you’d lurched out of your chair, grabbed the sledgehammer you keep with you in lieu of a knife or a gun, and taken two long strides across the bar. “Jacen!”
Sevika’s core clenches at the memory. She lets out a harsh breath, then gulps down half her drink.
The crimson, glittering spray of blood through the air had been beautiful. Like gems cascading through the air. Jacen’s face had caved in on one side from where you drove the head of the hammer all but through it. He’d dropped to the floor in a heap, unmoving.
“Anyone else want to have a go?”
She’d gotten herself off to the thought of it that very night. The fury in your eyes, the decisive, powerful movements of your body, the splatter of blood. She’d climaxed harder than she had in a long time.
The whiskey burns her throat –expected and grounding.
She takes it without coughing or gasping. She’s been an expert for decades. Her jaw works as she finishes swallowing, and then she turns her head so she can watch you again.
You’re listening and nodding while Jinx rambles. There’s a certain attentiveness to your expression. Maybe it’s the angle of your eyebrows, or the soft, lax look of your jaw, or the brightness in your eyes. Whatever it is, it’s a total abandonment from both the harsh, dominating fury she’s seen from you, and the skittish, withdrawn apathy.
Something soft and needy aches beneath her ribs as she watches you with Jinx. Sevika grits her teeth and exhales with practiced languor. I’ve gone fucking soft.
Sevika doesn’t consider herself possessive. She visits the brothel far too regularly, and has more than a handful of casual “situationships” with different ladies around Zaun to be possessive. She’s not monogamous, at least. She doesn’t think of other people as property. The children of Zaun don’t have the luxury of such affluent detachment.
But she wants you. It’s like this thing that sits beneath her ribs and crawls around inside her. It’s restless, and writhing, and it gnaws on her bones like a feral dog in the dark corner of an alley. It keeps her up at night with racing thoughts, vivid hopes, and half-formed “what ifs.”
It also keeps her up at night because, more often than not, she winds up masturbating to the thought of you –like some starstruck, gods-damned teenager.
She’s not used to wanting –not for companionship, at least. She wants her freedom, wants her equality, wants Zaun to stand strong against those fucking Piltie pigs… but that’s about Zaun. There’s a certain degree of detachment there. It’s not about Sevika personally, the woman who is renowned at the Gardens, beats everyone’s ass in cards, and can drink any citizen of Zaun under the table. The woman who got blown up and survived, lost an arm and came back stronger, and practically rules the Undercity with a steel spine and a –literal–iron fist.
She doesn’t want for company. Any attention she wants, she can easily get. She doesn’t stay up half the night yearning for anyone, much less a… lover? Companion? Affection?
Sevika knocks back the rest of her drink, but the burning in her throat pales in comparison to the ache in her chest. Janna, kill me. Put me out of my fucking misery.
She wants you. She wants to get her hands on you, get you underneath her (or on top of her, she’s not picky), and crack you open. She wants to drink you down, watch all that rage and goodness and steeliness and softness pour out. She wants to find its source and let it all wash over her. She wants it –needs it–for herself.
She wants it to be hers, even in part. She wants to bask in everything you keep held back by your silent, stoic mask.
There’s a headache forming behind her left eye. Probably from clenching her teeth; ever since the scars on her face crystalized, the muscles on the left side of her jaw have been more sensitive to strain.
She’s not used to this –this, this insipid, endless pining. It’s been going on for months now, and she’s just about ready to put a fork in her eye just to make it fucking end.
She barks at Thieram to get her another glass. Drink until you feel nothing. Zaun’s oldest remedy. She leans heavily against the bartop, then groans beneath her breath. Might as well buy the whole bottle. Against good sense, she resumes watching you. Warmth spreads through her chest when you grin at Jinx, and she bites the inside of her cheek to keep from smiling.
“Y’know, somehow, I don’t think she’s going to figure out you like her just from you staring at her like a creep through a window.”
Sevika tenses, then glares at Ran as they sit down on the barstool next to hers. She picks up her refilled glass with her left hand and lifts it to her lips. “Fuck off. Nobody asked you.”
Ran stays where they are –a credit to their courage, at least. They smirk, then glance across the bar, to where you’re sitting, before returning their knowing, smug gaze to Sevika. “It’d be easier if you talked to her.”
“Shut. Up.”
“I’m just trying to save you the eyestrain.” They grin, thin and sharp, when Sevika flips them off, then lean against the wooden countertop. “Seriously, though. Why not ask her out?”
Sevika scowls and focuses on her whiskey glass, which is suddenly very interesting. “S’not that simple.”
“Why not?”
Sevika nearly kicks them off the stool and onto the floor (just for starters), but when she catches a look at Ran’s face and realizes they’re not teasing, she sighs and scrubs her face with her right hand. “I… I don’t know what she’d say.”
“Since when is that a problem for you?” Ran asks, face twisting with equal parts mirth and disbelief. When Sevika rolls her eyes, they shove her shoulder lightly. “It’s not like you ever have to work for it.” They pause, then smirk devilishly. “Maybe it’s weakened your game. Is that it?”
Sevika glares at them, then kicks Ran in the shin when they start snickering. “I’m gonna smother you in your sleep. And for your information, you giggling bastard, that’s not the problem.” When Ran swallows their smile and motions for her to continue (while rubbing at their shin), she huffs. “I –I don’t know if she likes women.”
Ran’s visible eyebrow arches. “You’ve seen her.”
“...Duh.”
“She likes women.” When Sevika grimaces, Ran narrows their eyes. “You think otherwise?”
“I don’t think she likes anybody,” Sevika admits; doing so is somehow both a relief and condemning all in one. “You’ve seen her around people. She’s not exactly interested.”
“Not everyone likes a girl in their lap the way you do.”
“That’s not the point,” Sevika snarls under her breath as she rolls her eyes.
“Then what is?”
It’s not easy to articulate. Sure, it’s an unspoken, universally acknowledged truth in Zaun, but that doesn’t mean anyone ever says it.
People go into Stillwater, and they come out –if they come out at all–different. Broken. You spent most of your life in that shithole –spent most of your teenage years there–at the anti-mercy of the wardens and other prisoners. It only stands to reason that any part of you inclined towards a relationship –or sex, or human contact–got snuffed out by the need to survive.
She feels bad for you, sometimes. Only when it’s too quiet, and she doesn’t have anything to do, and she’s not drunk and-or high enough to keep her thoughts from wandering to the dark, traitorously soft corners of her mind. She can almost see the child you started as –fiery, but so soft and good and kind–and it all got stomped out by the assholes ruling above them.
Sevika forces herself to loosen her death grip on the glass. Breaking it wouldn’t be the end of the world, but she hates picking shards out of the grooves of her mechanical fingers. “You haven’t seen her around Silver. She touched her shoulder–” she nods at you subtly “–without warning. I thought she was gonna break Silver’s fingers.”
“That’s Silver,” Ran says with a derisive curl of their upper lip. “She wouldn’t know the meaning of ‘boundaries’ if it rammed itself up her ass.”
They’re not wrong; the young woman’s brazen attitude is one of the things Sevika likes about Silver –albeit in small doses.
“She doesn’t talk to anyone,” Sevika murmurs, pathetic by her own standards. She’s worn down enough, though, to speak plainly. “She doesn’t go to any of the brothels, or take anyone home –and, yes, I’ve asked. She hates being touched, or being near anyone.” She presses her lips together to keep a pitiful smile back –she’d never forgive herself–then downs more whiskey. The burn of the liquor grounds her, brings her back to normalcy. “I don’t think she’s interested.”
Ran nods minutely, mulling the evidence over. They watch you for a minute, hawkish in their scrutiny. “She sits with Jinx.”
“Jinx,” Sevika grits out (both because it’s Jinx, and because of the implication of Ran’s observation), “is a kid.”
“She is,” they agree, unfazed. “But, clearly, she’s not entirely opposed to all human contact.”
Like I don’t fucking know that. Sevika clenches her teeth together to keep from snapping. She’s observed the same damn thing, and it’s what keeps that whining, consuming, itching ember of hope burning in her chest.
Ran watches Sevika for a moment, then continues when she doesn’t say anything. “She sits with you.”
“That’s different,” Sevika says on reflex.
“I don’t think it is,” they press. “She never sits with anyone else. It’s either on her own, with Jinx, if she’s here, or with you.”
“I–”
“It’s not like she’s in it for playing cards,” Ran continues, staring Sevika down when she tries to argue. “And she doesn’t drink much, either.” They prop one elbow against the bartop. “Frankly, if you’re not here, then she isn’t. She only bothers hanging around if you’re here.”
“That’s–”
“She talks to you a lot, too,” Ran drawls, tone both teasing and reflective. “The rest of us are lucky to get a word or two from her, but she’ll talk the whole night with you.”
“I’m–”
“She lets you touch her, too. I’ve even seen her touch your shoulder in return.”
“If you interrupt me again–”
“Quit moping,” Ran says, voice flat and final. “Ask her out, or get over it.”
There’s a lot she could say to that. First of all, no one accuses her of moping. But she tucks it away for later; she doesn’t want to start kicking Ran’s ass in front of everyone, because that means the trigger point for said ass kicking will inevitably become common knowledge. Her feelings are nobody’s business but hers. Second of all, no one but Silco tells her what to do, and that’s only for work. She is the only damn master of her personal life, thank you very fucking much. Third, she knows for a fact that Ran spent nearly two years pining for one of Silco’s assassins, so they’ve got zero room to talk shit.
Sevika downs the rest of her drink, then motions for a third refill. “She’s not interested.”
Ran stares at her for a moment. Then, they scoff and shake their head. “You’re an idiot.”
Sevika glares harshly at them–
The door to Silco’s office creaks open, then thumps shut, followed by the man himself quietly descending the staircase to the bar floor. “Jinx.” He finishes buttoning his trench coat shut. “Pack up your things. We’re going home.”
“What?” Jinx’s face screws into the picture of teenage consternation. The baby fat on her cheeks makes her look younger still. “But–”
“It’s alright.” You quickly and neatly arrange her blueprints and drawings into a single stack, then hand them to the blue-haired youngster. “We can talk later, okay?”
Envy curls in Sevika’s gut when Jinx hugs you and you reciprocate with one arm. She turns away and hides her scowl behind her glass. Fucking brat.
Silco addresses the rest of his crew, “I trust that you’re all competent enough to avoid burning the place to the ground?” He arches his good eyebrow, then smirks when a mix of serious answers and half-drunk jokes rise up from the crowd. “Good enough.” He turns to face Sevika and tosses her a key. “You decide when the bar closes.”
She catches the key with her right hand, then flips Petrichor off with her left when they start grumbling under their breath about Sevika being in charge. She raises her glass to Silco in lieu of a spoken fair well, then knocks the rest of it back when he leaves out the rear with Jinx in tow. “Fucking finally. Theo! Put something good on for a change.”
“Are you having another?”
Sevika looks down as Silver –one of Silco’s personal spies–materializes at her side. She eyes the younger woman –her tight dress, high ponytail, and alluring make up–then looks away. Not with you. “Probably not. Best to take it easy.”
“Since when?” Ran mutters under their breath.
Sevika subtly kicks their stool, then looks down when Silver situates herself between her legs.
“You sure?” Silver pouts –which does stir something in Sevika, given Silver’s plush lips and deep-colored lipstick, but it’s not the something that she wants tonight. Silver bats her eyelashes a little, then smiles coyly. “Could be fun.”
Sevika bites back a scowl; she doesn’t want to put Silver off permanently –not yet, anyway. She wracks her brain for some sort of believable excuse that even Silver would accept–
As fortune would have it, one falls into her lap.
“–pretty sure I hit three-fifty yesterday–”
A collective chorus of groans alerts Sevika to the newest problem –chiefly, that Arik is bragging about his “gym gains.” Again.
Nevermind that she could break him over her knee like a fucking twig.
“It’s taken a lot of dedication and hard work.” Arik stretches and flexes, preening while everyone else rolls their eyes. “I don’t want to brag, but I’m probably the strongest member in the crew.”
Sevika arches one eyebrow in judgment; it’s ludicrous, considering that he’s ignoring her, the bouncers, Leon and Boris, and Lock, Silco’s mountainous, tattooed henchman that works security at the Shimmer plants. Why do we even put up with you?
Theo barks out a laugh. “Fat fucking chance, dickwad. No way in hell you’re the strongest person here. Pretty sure Miss Silver could knock you on your ass.”
“I’d take that bet,” Silver chimes in, twirling a lock of her straight, powder purple hair around her finger.
Arik pouts, looking like a spoiled teenager. “Oh, yeah? Who’s strongest, then? You?”
“No.” Theo shakes his head. “I don’t have delusions of grandeur like you. Nah, it’s probably…” He looks around the bar, eyeing the bouncers, then Sevika, before twisting in his seat so he can see the back of the bar. “Actually, it’s probably Mouse, here.”
It takes you a moment to register the nickname foisted upon you by the rest of the crew. You lift your head, blink a few times, then straighten up. “What?”
“Cuntface here–” Theo jerks his thumb over his shoulder at Arik, who sputters and wheezes like a dying engine “–thinks he’s the strongest person in the crew. I wagered that title would probably go to you.”
“Oh.” You look around at everyone, then nod. “Okay.”
Arik huffs and crosses his arms over his chest. “There’s –there’s no way to prove that! Size isn’t everything!”
Sevika bites back a smirk as every single woman in the bar glances at each other and rolls their eyes.
“You’re shitting me, right?” Theo sneers at Arik. “Look at her, and look at you. It’s not going to be much of a competition.”
“You can’t prove that!” Arik insists, expression petulant.
Theo swivels in his seat to face you again. “Can you knock him out to shut him the fuck up?”
“No one’s doing that,” Sevika pipes up when everyone starts chattering and laughing excitedly. When people start grousing, she levels the room with a hard, final glare. “We’re not paying to get blood out of the floorboards. Again. If you all want to be idiots and knock the shit out of each other, you do it on your own time and floors, where I don’t have to clean up after your fucking mess.”
There’s a lull, and for a moment it seems like that’ll be it–
Silver perks up. “What about arm wrestling?”
“Hey,” Ran drawls, eyes lighting up. “That could work.”
“Anything to get this moron to shut the fuck up,” Theo grumbles.
Arik pouts, but says nothing.
When she realizes everyone is looking for her –presumably for permission, not that anyone’s ever bothered asking before–Sevika waves one hand dismissively. “Knock yourselves out.”
You watch as a table is cleared and Theo all but shoves Arik into a chair. When everyone looks expectantly at you, you shoot a wide-eyed, somewhat panicked glance her way.
Sevika offers you a half smile, then shrugs as if to say ‘it’s your choice.’
You shrug back, then sigh before standing. You stride over to the awaiting table and sit opposite a very grumpy, red-faced Arik.
Sevika shifts on her stool so she has a better view. Heat unfurls in her core as you prop one elbow against the table. She watches the way the thick muscles in your arm and forearm ripple with each movement. Damn.
Arik shifts in his seat. His eyelid twitches as he eyes your arm and hand. “I– I don’t know–”
“Take her fucking hand,” Theo growls.
Arik swallows hard, then props his elbow on the table and takes hold of your hand.
“On go,” Ran declares –they’ve left the bar and now stand beside the table. “Three… two… one… go!”
It’s not even a competition. If anything, it’s almost pathetic.
Arik tenses his arm –then squeaks when you push his hand down so fast he nearly falls out of his chair. The back of his hand hits the wooden surface of the table with a dull thonk. He lets out an angry snarl, yanks his hand away, then lurches to his feet and storms off with such force that his chair topples to the floor.
Everyone else cheers and claps as the front door of The Last Drop slams shut behind Arik.
“Fucking finally,” Theo mutters before running one hand through his curly hair. He looks at you and smiles appreciatively. “Thanks for shutting him up. Want a drink?”
You lean back and away. “I –I’m good, thanks.”
“That wasn’t even a challenge, though!” Silver pipes up, pouting.
“We already knew it wouldn’t be,” Theo fires back drily.
“But,” Ran interjects with a wry edge to their voice, “if we’re really trying to figure out who’s strongest…” 
Sevika presses her lips into a thin line when they turn and look directly at her. Don’t you fucking dare.
“Do you think you could beat Sev?”
Traitor.
You look at her, then lean back in your seat and grin. “Oh, yeah. Easy.”
Sevika feels her brows rise up, and she grins back despite being annoyed with Ran literal seconds ago. “Really? That’s the stance you want to take?”
“I mean…” You shrug and smirk. “It’s the truth.” You raise one eyebrow as buzzed laughter and inebriated runs through the gang. “What, you're too scared to test it?”
Them’s fighting words. Sevika cocks her head to the side, smirks right back, then shoves off her barstool and stalks over to the table.
Your eyes light up as she sits down across from you. You lean forward, prop one elbow on the tabletop, and grin. “It’s nothing personal, Sev.”
The crooked angle of your grin makes her heart flutter in a delightful, squirmy manner. She swallows hard, forces down the childish feelings of elation, and props one elbow on the table without dropping your gaze. She smirks, and revels in the way your eyes dance in the bar lighting. “Nothing personal, sweetheart,” she fires back, making sure her voice comes out lower and huskier.
Your grin broadens. You clasp her hand and squeeze tight while Theo counts down…
“Three, two, one–”
Oh shit.
It’s like shoving against a wall. Granted, Sevika’s shoved, kicked, and punched a number of walls in her day. She’s left her mark –even broken a few–on nearly all of them. She likes to think that she’s a reasonably strong, generally indestructible motherfucker.
You watch her for a few moments, expression placid –save for the smug, wicked, coy, sexy smirk on your lips. You let her try for a little longer, then inhale sharply and blink rapidly. “Wait, did we start already?”
“Fuck you,” Sevika grits out without any real malice.
You grin, showing a brilliant, alluring flash of teeth –and then you push.
“Shit.” Sevika strains against your arm.
To her credit, she feels your own arm waver slightly; to your credit, you brace your muscles, and it’s like pushing against a wall again.
She grits her teeth and tries to up the ante again. She curses when it doesn’t work, then grunts when you push her arm down another fraction of an inch.
“You okay, baby?” You grin when everyone else laughs (it’s a mix of delight and shock). “It’s okay if you need to tap.”
She grins back. Right now, she doesn’t care if she loses. Frankly, if you keep flirting with her like this, she’s the real winner in this scenario. “Keep it up, baby. We’ll see who taps.”
It’s a lost cause. You take your sweet time, push her hand down smooth and slow, and talk a lot of smack all the while.
She’s got less than an inch between the table top and the back of her right hand, now. You’re not even actively pushing, more just keeping her pinned at that point. She grunts, then laughs when your arm doesn’t budge. “Come on, you cunt. Just fucking finish it!”
You laugh in return and wink. “You’re getting tired in your old age, Sev.”
She grins. “Say that again and we’ll take this out back, bitch.”
You wink –then shove the back of her hand down against the table.
The crowd clustered around the table breaks into cheers.
Sevika can’t find it in herself to give a shit. Yeah, she lost, people are teasing her for it, whatever. She’ll kick their asses later, if she feels like it. Right now, you’re laughing, and smiling at her, and she technically got to hold your hand. That’s all she really cares about.
“What about the other one?”
Sevika blinks a few times, then frowns, confused. She looks up at Theo. “Huh?”
“Her other arm.” He’s talking to you, but he turns and gestures to her mech arm. “What about that one?”
“Uh…” Trepidation flashes across your face as you eye her prosthetic. You cringe and lean back in your chair. “I doubt it.”
It’s fair; her mech arm is reinforced, has motors that work the joints the way her muscles used to, and it’s heavy as shit. She’s crushed bones with her mechanical hand, just by clenching her hand into a fist.
But, still. In for a penny, stupid ways of flirting –all that shit.
She props her metal elbow on the table, resulting in a muted thud.
The table quakes beneath the weight of her arm.
She grins in a way that she hopes is taunting and enticing. She holds up her left hand and waggles her fingers. “You scared, sweetheart?”
Your eyes flash. You run your tongue along the inside of your lower lip. You brace your forearms against the table as you eye her metal hand. You hesitate, pressing your lips together, then say, “Just don’t crush my hand.”
“Nah.” She shakes her head. She’s not out for revenge.
Your shoulders relax. You cock your head from side to side, stretching your neck, then put your left elbow on the table and clasp her mechanical hand. “Bring it on. Sweetheart.”
It’s a more even match; she’d certainly hope so, given the fucking mechanical arm.
There’s a vein popping out on the side of your neck. Your face is pinched, expression one of intense focus and strain. The muscles in your arm and forearm stand out in full, glorious relief, defined and rippling as you fight against the force of her arm.
Her arm isn’t shaking this time, at least; such are the merits of steel reinforcement bars. But she’s not moving your hand, either. Sevika growls. The motors in her arm whir as she pushes harder.
You grunt and shove back. You bare your teeth. Your gaze is locked on where your two hands are joined. Your hands trembles from the sheer force of your exertion–
And then her hand lowers an inch.
Everyone else gasps. Exclamations and expletives roll through the bar.
“Fifty gold pieces says Mouse does it,” Theo says. 
“Bullshit,” Ran fires back. “She’ll get tired, first.”
Kharim pulls out a pad of paper and a pencil. “That’s fifty on Mouse, so far. Do I hear one hundred?”
“I’ll put twenty on Sev,” Silver says with a sweet smile.
“Really?” Sevika grunts as she pushes harder against your hand. “Only twenty?”
You let out a breathless, strained laugh –then push her hand down further.
“Who’s got another fifty on Mouse?” Kharim asks.
Too late, she realizes her prosthetic arm is actually working against her, in this situation. She has to work against the weight of the mech arm –which you can use to your advantage, naturally. The built in mechanical safeties are hosing her, too. Her arm is designed such that, at certain angles or certain levels of exertion, the gears and motors will give to whatever she’s working against. It prevents damage to the internal mechanisms and bending the internal support structures. It’s invaluable for the longevity of her prosthetic, but it also means she can’t mindlessly strain against your hand like she could with her right arm. Her only hope is that her left arm can outmatch yours in raw strength.
Normally, she’d go all in on that bet. Normally –unless her opponent was doped to the gills on Shimmer–there wouldn’t even be enough force in the picture for the failsafes to override the locking mechanisms.
You growl, teeth bared in a glorious snarl, and shove her metal hand lower.
She can’t even find it in herself to be mad. One, she’s not some mealy-mouthed bitch who needs to be the strongest person in the room at all times; she, unlike some people (Arik), is confident in herself and her abilities. Two, it’s frankly impressive. It’s an unrepentant display of raw strength, and she’s not above respecting it. Three…
It’s hot.
She’s torn between focusing on resisting you and watching the muscles in your arm flex. Her mild buzz isn’t helping, either. In hindsight, should’ve stopped with the second glass. It’s taking far too much focus not to just gawk, to grin and simper like an idiot, and she likes to think she still has her pride –which is also why she’s not just giving up. After all, she has her pride. Sevika growls when you force her hand lower, then doubles down and pushes back. Maybe not for much longer, with how this is going. Fuck.
You grit your teeth. There’s sweat glistening along your hairline (which might be her only other saving grace, since her mech arm can’t get tired). You snarl, then grip her hand tighter.
Sevika swears when her arm suddenly jerks downward. She nearly topples out of her chair, saved only by managing to plant her feet beneath the table. She catches herself, blinks–
It’s over.
You shove her metal knuckles against the table with a thud –hard enough that the wood dents inward where her steel knuckle guard hits the surface.
The crowd goes nuts, loses their minds, whatever. If she’s being honest, she’s really not paying attention to it. A distant fragment of her brain registers the squaring of bets, exchanging of coin, but–
You’re still holding her hand.
A larger, deeply buried part of her is furious that she doesn’t have better sensory input on her left hand. She can detect pressure and temperature, rudimentary shit, but she can’t feel the calluses on your palm, or the precise texture of your skin. She can’t really gauge how thick your hand is in hers.
You’re still panting, somewhat dazed as you stare down at your joined hands. Slowly, your eyes trace up the line of her mech arm, up to her face, where you take in her stunned expression. You swallow, quick, then grin.
You’re breathing hard. Your skin glistens faintly with warmth. Your hair looks tousled, slightly sweat trapped. And your grin practically glows.
It’s the closest she’s ever been to seeing what you look like after sex. Sevika can feel her mind filing every single detail of how you look away for future masturbatory reference. She grins back, slow and a bit dazzled. “Shit.”
You let out a soft, quiet laugh. You drop her gaze for a moment, but when you look back up your eyes shine unabated joy.
You’re not looking away. You’re not pulling away. You’re not letting go of her hand.
Do it, a voice that sounds irritatingly like Ran’s whispers in her mind. Do it, you fucking coward. Sevika licks her lips, then leans forward, hoping that she comes across as conspiratorial and collected. “I–”
“Aw, don’t feel too bad, Sev.”
The sudden intrusion feels more like an assault. Fake, sweet perfume cloys at her nose. There’s arms around her neck, and unwanted weight in her lap.
Silver’s face looms into view. She peers down through her lashes, lips posed in a perfect, alluring pout. “It’s not–”
Whatever else Silver says goes in one ear and out the other. She’s looking over the smaller woman’s shoulder, instead.
You pull your hand back across the table. Your smile slips away, and your shoulders bunch up ever so slightly. Back to the usual mask of the careful, quiet mouse.
Godsdammit. Sevika shoves Silver out of her lap and stands with a snarl. “Fuck off.” She stomps away and up the stairs, to where Silco’s office and a few private rooms are. “Everyone, out! Tonight’s done!” She ignores the groans and jeers following her, storms into Silco’s office, and slams the door shut behind her so hard that it rattles in its setting.
Silco’s office is mercifully dark. Quiet.
Sevika collapses onto the quilted velvet couch tucked into the corner of the office. She drops her head into her hands and scrubs at her face. Janna’s left fucking tit, that was a disaster. She sits up, only to slump against the couch like a dejected teenager. This is never going to work out.
If she was anyone else, she might cry –out of sheer frustration, if nothing else. Since she’s not anyone else, she helps herself to a cigar from Silco’s stash.
She only gets as far as rummaging through his desk for the cutter. (Jinx must have absconded with it. Again.) Something in her hindbrain makes her go still; an old, well-tested instinct that says ‘something isn’t right.’
Sevika freezes. Her eyes scan the darkness for any signs of intruders, or one of Jinx’s traps. She strains her ears; aside from the faint, scuttling noises of stray pests, it’s silent.
Too silent.
There should be more talk coming from downstairs; she hadn’t really expected everyone to listen to her when she ordered them all to clear out. There should be music playing, people arguing, clacks from the balls on the pool table. At the very least, there should be complaining and the noises of a final clear down.
She’d half-expected Silver to follow her upstairs. Or maybe Ran, at least. But there’s no sounds of someone climbing upstairs, or Silver’s high-pitched voices, or even creaking floorboards in the hall outside.
Sevika pulls out a knife she keeps tucked in a sheath hidden behind the waistband of her pants. She creeps forward, deadly silent, until she reaches the door of Silco’s office. She gingerly places her right hand on the doorknob, until it’s completely encapsulated by her grip, then slowly turns the handle. Once the latch is fully retracted, she tucks herself behind the door and inches it open. She waits for a beat, then another, then peers around the corner.
The bar is empty.
Now that the door’s open, she can hear the sounds of someone rummaging around the main bar floor. There’s no conversation, though; it’s too quiet to be the usual crew, for another matter.
Sevika stalks down the hall. She quietly, efficiently clears each room before she passes it, until she reaches the end of the outer wall, where the balcony begins. She tucks herself into the shadows, then peers around the corner.
You’re down on the bar floor, putting the remaining chairs up on the tables.
Sevika watches you for a moment, somewhat dumbfounded. Where the fuck is everyone else? She blinks, until her brain finally processes that The Last Drop has not been broken into by assassins or other hooligans, then steps around the corner and into the full light of the bar. She taps the railing of the balcony with her metal hand to alert you to her presence. When you look up, she gestures around aimlessly. “Where’d they go?”
You look around, then back up at her and shrug with one shoulder. “You said to get out.”
“Doesn’t mean they’d actually listen.”
Your gaze cuts away from hers. You duck your head, then go back to putting up the chairs. “Might’ve pushed ‘em. Enforced the order.” You give a one shouldered shrug. “Thought you wanted ‘em gone.”
Sevika grunts and nods. Fair enough. At least, now, she doesn’t have to deal with Silver lingering around. For lack of knowing what else to do, she watches you as you continue tidying things up for the night. “We don’t pay you to do that.”
You shrug; your back’s to her, now, as you work your way around a circular table. “Doesn’t really matter. Thieram deserves a night off, every now and then.”
There’s not much point in loitering on the balcony and staring at you like a mooning idiot. She strides across the length of the balcony, tromps down the stairs, then crosses the distance to the table you’re working in three strong steps. She grabs one of the remaining chairs, flips it upside down with ease, then hooks the seat of the chair on the table top.
You go still for a moment. You watch her, gaze following her every movement, until you relax again and resume working. “‘M sorry ‘bout earlier.”
She nearly trips over the chair she’s picking up. Sevika stalls, blinks, then sets the chair back on the floor and levels you with an incredulous, confused stare. “What?”
“For kicking your ass.” The corner of your mouth briefly ticks up in a self-satisfied smirk, but it washes away to true contrition. “Wasn’t trying to humiliate you ‘n front of everyone.”
“I–” She pinches the bridge of her nose. Can’t imagine where that narrative came from. “I’m not. You didn’t.” She hangs the chair from the table, then scoffs, indignant. “Fuck’s sake, I’m not Arik.”
You smirk, but stay still as you watch her for a few moments. “You were mad about something.”
“I was mad at Silver,” Sevika grouses, careful to avoid making eye contact. And her lousy sense of timing.
You let her get the last few chairs, opting instead to grab a tray and collect stray glasses and empty beer bottles. “You two okay?”
She snorts. “We’re not involved enough to be ‘okay’ or otherwise. We’ve fucked before. End of story.”
“...Did she do something to you?”
The tight, lethal quietness in your voice gets her attention. She straightens up, meets your gaze, and shakes her head. “No. She just gets on my nerves now and then, s’all.”
You grunt, understanding, then add a couple more glasses to your tray before carrying the lot over to the bar.
Sevika grabs a couple stray, half-empty bottles of whiskey, tequila, and vodka, then follows partially in your wake. She stops at the bar counter, watching as you round the end so you can dispose of the beer bottles and set the used glasses in the sink. She sets the half-consumed bottles on the counter, then leans against the neon light-edged lip while she watches you. “Gotta say, it was pretty impressive.” She smirks when you half-turn, brows lightly drawn together, then waggles her metal fingers. “Figured I’d have you licked.”
You snort, then shake your head. “Might’ve.” You set the last of the glasses in the sink, then drop the beer bottles in the recycling can. “Probably would’ve if we’d gone longer. You’d have me beat on stamina.”
She can’t stop her automatic, teasing, too sultry for its own good reply. “Oh, I doubt that.”
You do a quick double take.You stare at her over your shoulders, eyes the size of dinner plates. Then, your lips press together before quirking upwards in a shy smile. You laugh softly. “Yeah, well, your mechanics would’ve won, in the end.” You toss the last of the bottles into the recycling can, then turn and step to the bar. “Figured it was just best to–” you draw your fingers across your neck in a quick slash and click your tongue “–cut things quick, override the locking mechanisms.”
“Smart,” Sevika purrs.
You lick your lips, then grin. You eye her for a moment, shifting from foot to foot –then, you grab the remaining bottles and crouch so you can stow them beneath the bar counter. “Course, helps that you’re shit at arm wrestling, too.”
“Excuse me?” she laughs, caught off guard and bemused. “Run that by me again?”
“You’re shit at arm wrestling.” You chuckle as you stand. “Your form’s terrible. Makes you easy to beat, even if I wasn’t stronger than you.”
She grins wide, exhilarated. Fighting words. “Oh, is that how it is?”
You plant your palms against the bartop. “‘S how it seems to me.” You smirk –which grows into a smile as she looks you over–then prop your right arm against the counter. “I could show you a couple tricks. Improve your odds a bit.”
She takes the bait like the happiest, dumbest fish that ever lived and sets her right elbow atop the counter. “Teach me your ways, oh wise one.”
“Right off the bat–” You reach forward and adjust the angle of her arm. “‘S really not about raw power. I mean, it helps, but angles are a lot more important.” Your hands slide along the length of her arm, adjusting things until you’re satisfied with how she’s positioned. You nod to yourself, then move to her wrist. You hold her right hand with both of yours. “Gotta think about how you’re holding your hand, too. Too many people wind up pushing with their forearms. Means that they got their hands at the wrong angle, most of the time. You want to be pushing with your upper arm and shoulder.”
“Whatever you say, coach,” she drawls, layering on the sarcasm to –hopefully–hide how breathless she is.
You snort, then lower your left hand and grip her right hand with yours –assume the position. “Alright. Try now.”
She does –not with as much vigor as she used in the initial match, but she still puts decent effort into it. Her eyebrows spike high when she feels less strain than earlier. “Shit.”
You flash her a lopsided grin. “See? Knowing what you’re doing helps.”
“Bite me.”
You fake a grimace. “Not until you shower first. I don’t know where you’ve been.”
“You implying something?”
“I’ve seen how many people you can beat up in a week, Sev.”
She chuckles, then shrugs in concession. “Fair enough.” She grips your hand tighter and smirks wickedly before shoving against your hand, hard. “Hope you’re ready to join the list–”
You grunt –then brace against her onslaught and force her hand the other way.
“Shit!” Sevika strains against your hand, but it’s veritably useless as you slowly push her hand downward (at least you have to work harder for it, this time). “Son of a bitch –motherfucker!”
“Still stronger than you,” you fire back as you finally pin the back of her hand against the bartop. You smile, impish and sweet. “But that was a good try.” You grin when she glowers at you, then toss your head back and laugh when she flips you off with her left hand.
She can’t think of a retort; the wrestling tugged your shirt off kilter, and your laugh exposed something new –fresh, smooth ink along the side of your neck, previously hidden by your collar. She stares, tracing the way the tendrils of the flowers curve around your neck and down your clavicle before disappearing under your shirt. “That’s new.”
You look down at her, blinking rapidly, then crane your neck to look down when she gestures loosely at your chest. “Oh. Yeah.” You shrug with the opposite shoulder. “Wanted to do something for myself. Cover up some of the shit I got inside.” You hesitate, then swallow hard and ask. “Do –do you wanna see the rest of it?”
“Sure.” The meaning of your offer doesn’t really hit until you let go of her hand so you can start unbuttoning your top. Sevika locks her knees to keep from toppling over as all the blood rushes Southward from her head. Janna, help me.
Mercifully, you only undo the top three buttons on your shirt. Unmercifully, that gives you enough leeway to push the right side of your shirt down over your shoulder, revealing more of your chest and your neck.
Oh, and the tattoo.
It’s pretty. It’s a good piece, too, done by someone who knew what they were doing. The design is a dense cluster of flowers that fans up the side of your neck and down over your collarbone.
“That’s real pretty,” Sevika ekes out, voice gone to gravel. She reaches up to touch it, but catches herself before her hand leaves the bar. Don’t startle her. “Do you mind?”
It takes you a moment, but you look down when she gestures with her flesh hand. “Oh.” You let out a soft, trembling breath. Your throat flexes as you swallow. “Yeah –go for it.”
Everything that follows feels like a dream. The world seems to take on a warm, golden hue that overpowers the glaring neon lights and the dark shadow of night outside. It feels like she’s moving through molasses, achingly slow as she lifts her hand towards your neck.
Your skin is unbelievably soft beneath her fingertips. The lines of ink stretch slightly as she traces down your neck and over your shoulder.
“This okay?” Sevika murmurs.
“Yeah.”
Something about your heavy, trembling exhale makes her look up.
You’re staring down at her with wide, dark eyes. Your lips are parted, and you’re practically panting despite standing still.
But you’re not pulling away. You’re not shaking. If anything, you’re practically melting beneath her hand. And your gaze is locked on her face –practically zeroed in on her mouth…
Oh.
She owes Ran a drink. Or another kick in the shin. Maybe both.
This, however, is at least more familiar territory –so long as she plays her cards right.
Various options flit through her mind, but they all desiccate before they reach her tongue. She quickly finds herself locking up instead as she tries to figure out what the fuck to say. Shitshitshitshitshit–
(She’s never been more grateful that you kicked everyone out. Ran would never let her live this down.)
“Ask her out, or get over it.”
Sevika swallows hard. Go big or go home. Not like the world’s gonna end if she says ‘no.’ She clears her throat. “Anyone ever tell you that you’re really fucking attractive?”
“I–” Your eyes go wide as you sputter. Your gaze flicks between her eyes and her mouth. “Not –no. Not really.”
“Shame,” Sevika drawls. She traces her thumb down the stem of one of the flowers inked into your neck, then looks back up at you. “You’d think they’d have eyes. I’ve noticed since the first time we met.”
You snort, equanimity somewhat restored. “What, in an illegal prison fight club soaked in the blood of others?”
She smirks and winks at you. “You made it work.”
You draw your lower lip between your teeth as you smile. You duck your head bashfully, then brace your forearms against the countertop –which puts you closer to her height. “I hope you won’t be offended if I say that I didn’t notice you ‘like that’ from the start.”
Her gut drops. “Oh?”
You shake your head, gaze still glued on the countertop. “I was, uh, a little concerned with surviving –making sure you didn’t knock my teeth out with your metal fist, that sort of thing.” You let out a little laugh, then look at her. “But I noticed later.”
Warmth blooms in her chest and abdomen. She grins, soft and slow. “Really?” Her grin grows when you smile shyly and nod. “Well, shit. Lucky me.” She strokes her thumb along your tattoo again; satisfaction curls in her stomach when you shiver.
“I–” You lick your lips and look at her eyes, then her lips, then back up, then back down again, then back up again. “I don’t…” Your gaze locks onto her lips when she smirks; your pupils blow wide, and you let out a ragged, heavy breath. “I’d really like to kiss you right now.”
Heady elation blooms in her chest and quickly spreads through her body. “That,” she murmurs as she slides her fingers beneath your chin and leans in, “sounds great to me.”
Your lips are soft against hers. Hesitant. You freeze, scarcely even breathing.
But you’re not pulling away –or panicking–so she decides to stay the course. She presses her lips a bit more firmly against yours, then smirks when you let out a quiet moan and angle your head towards hers. There we go. After a few moments, she breaks the kiss and pulls back incrementally to assess your interest level.
You’re trembling. There’s a faint glow of sweat on your forehead. Your breaths come ragged and fast, chest rising and falling heavily. Your eyelids are half-lidded, pupils blown so wide that your eyes nearly look black.
Before she can do anything, you lean in and kiss her again; this time, it’s her turn to moan against your mouth.
It’s clumsy. It’s easy to tell that you don’t have much –if any–experience in this department. But your unabashed eagerness more than makes up for lacking finesse.
Sevika gently grasps your jaw with her right hand, guiding you through the series of kisses that follow. She carefully angles your head as she pleases, and pulls back intermittently to both catch her breath and see what you’ll do. When you keep following her lead, she decides to nip at your lower lip –just to see if it’ll draw you out of your shell more.
You let out a throaty growl when her teeth graze your lower lip –and then you pull away.
A mix of disappointment and fear flash through her stomach –but it all drains away when you vault over the counter and land next to her. She smirks as you crowd into her space, but frown when genuine trepidation settles over your face. “What?”
Your brows pinch together. “I–” You clear your throat when your voice cracks. “I don’t… I don’t know what to do with my hands.”
Oh. That’s all. She smiles, lax and confident, then places her hands on your broad shoulders. “Touch me, sweetheart.”
“Where?”
She slides her hands down your chiseled arms, then takes your hands and places them on her hips. “Anywhere.”
You’re too still at first –nerves driven by inexperience. But you loosen up when she nips at your lower lip again. You draw in a guttural breath, then squeeze her hips tighter when she curls her fingers into your waist. You press closer to her when she slides her tongue against yours. When she slides her right hand up the back of your neck and tugs at the soft hair at your nape, you growl, then slide your hands around her ass and squeeze.
Finally. Sevika moans softly and arches against you. She wraps her right arm around the back of your neck, so she can keep you close, and rests her left hand on your hip. She plunders your mouth with her tongue, then moans again when you grope her ass more firmly. She hooks one metal finger through one of the belt loops on your pants and tugs you closer –then gasps when you shove against the bar.
You crowd against her, kissing her fiercely, eagerly. Your hands cup her ass and lift, forcing her onto the balls of her feet so you have better access to her.
Surprise flits up her spine. She’s not used to being in this position; most women come to her to be manhandled, not the other way around. But she can see the appeal of it; there’s a certain giddiness in the gut that accompanies it, like the hang time from jumping across rooftops.
The kiss devolves into something artless and hungry. The two of you meet each other in the middle, pressed against each other like teenagers in a closet.
She’s starting to get into that state where she feels like she’s melting into you, and vice versa. The bar, the faint drone of passersby always present in the Lanes, the buzz of the neon lights that wrap around the bartop, the arm wrestling match less than an hour ago –all of it’s gone, blurred into background coloration like splotches on one of those fancy, impression-type paintings, for which Pilties drop the equivalent of a Trencher’s life earnings (and then some). There’s that familiar, ravenous ache in her cunt. She ought to ask you back to her place; The Last Drop hardly seems poignant enough for your first time. But the notion of stopping your eager exploration of her body is downright offensive –especially when your open mouth catches her jaw and sends arousal curling through her gut.
You pause when she tips her head back. A few ragged pants fan across the sensitized, blood-hot skin of her neck. You swallow, then clear your throat. “I –is this–”
“Yes.” She curls her right hand around the back of your neck, then gently presses your forward until you lean the rest of the way in and press your lips against her throat. Her eyelids flutter as you trail soft, closed mouth kisses over the hollow of her throat. She moans softly, and her fingers curl into your short hair. Fuck. She waits for a bit, letting you explore, but pipes up again when she feels you growing more hesitant –nerves winning out over exploration. “Use your tongue.” She shudders when you lick beneath her jaw. “Attagirl.”
The praise does something for you. You moan into her skin, then repeat the motion again. You swirl your tongue against her throat, mimicking the way the two of you had kissed seconds before.
“That’s it,” Sevika encourages you, eyes rolling back in her head. She rolls her hips against you, then groans when you press closer, neatly pinning her against the bar. “Good girl.”
You whine, loud and broken, then lift. You half lay her out on the bar, then support the rest of her by locking your arms just beneath her ass. You bend over her and bury your face in her neck, devouring her like a starved stray.
Sevika locks her ankles behind your back. She clutches at the back of your shirt with her right hand, and braces herself against the bartop with her left arm. She’s in the perfect position to grind against you, so that’s just what she does.
A small, idle fragment of her mind notes just how great this is. Yes, she enjoys having her way with women –and she’ll get to you soon enough–but there’s something to be said for receiving. It’s a new spin on “being eaten alive,” and she’s never been happier to be dinner.
She slides her fingers into your hair when your mouth trails lower, towards her clavicle. “Good girl.” She gasps, then tightens her grip on your hair when you drag your teeth over her collarbone. “That’s it –good girl, good girl–”
You moan and grind your hips against hers–
Something crashes in the alleyway outside. There’s a loud slam, followed by the crystalline crack of shattering glasses. An enraged, muffled shout ensues, followed by more heavy thudding.
You both freeze.
She recovers first. A few minutes of hearing proves it’s just a couple of angry drunks going at it –she can hear slurred, if muffled, arguing and grunting that accompanies being punched. Idiots. She turns back to you–
You’re completely stiff. Your eyes are wide, gaze flicking around the bar. You’ve gone from holding her to gripping the edge of the bar top.
Sevika winces faintly when she hears your knuckles crack. She opens her mouth to reassure you–
Another thud makes you flinch –and then you press down against her.
Sevika grunts. She tries to sit up, only for you to push her back down. She stops struggling when you use your arm to cover the top of her head. What the–
There’s something so deeply protective about the gesture that it makes her brain short circuit. You’re literally covering her with your body, as though the ceiling’s about to collapse on top of the both of you.
It’s sweet. It’s also bewildering because nothing bad is fucking happening. It’s just drunks in the alley; they’ll probably pass out long before they could ever beat each other to death.
Sevika gingerly splays her fingers against your back, between your shoulder blades. She murmurs your name, but gets no response –not even a glance of recognition. Her stomach drops when another round of shouting makes you flinch. She feels your chest push against hers as your breathing speeds up –and okay, that’s enough, time to divert things. She says your name, louder this time, then carefully cups the side of your face with her right hand. “Hey, baby. It’s okay. Just look at me, alright?”
You jolt when her thumb sweeps across your cheek. You do look down at her, though, and let out a shaky breath when you meet her gaze.
She revels, just for a moment, in how quickly you melt again under her attention. You’re still tense –you haven’t let up your death grip on the bar top–but your shoulders loosen up and your breathing slows a bit. You swallow hard, then lean every so slightly into her touch.
Focus. She can already feel herself getting sucked back into dreamy, brainless bliss. Focus, focus, focus. She blinks hard, then clears her throat. “Hey. Let’s get out of here, yeah? My place is quieter.” She pushes up on her left arm so the counter isn’t digging into her back. “More comfortable.”
“Oh.” Your eyes go wide. “Uh–”
Sevika swallows a grimace. Shit. Maybe Ran was right; she’s rusty, too eager, and now she’s pushing too fast. “It’s okay if you don’t–”
“No, no,” you cut her off. “We can –I just–” You set her down, then lick your lips as you rock from foot to foot. “My bed’s probably bigger.” You shrug and shove your hands in your pants pockets. “That’s all.”
Only several years of playing cards keeps her from sagging in relief. She nods, trying to process as panic flashes and ebbs, then takes a moment to study you. She notes the tightness in your shoulders, the way you’ve got your head ducked, and presses her lips together faintly. “I don’t want to make you do anything you don’t want to do.”
Your eyes flash, and you step closer to her. “It’s not,” you growl, “an issue of want.” You swallow, then let out a self-deprecating laugh –which, fortunately, prompts you to relax a little. “I just won’t know what I’m doing, s’all.”
“I can work with that.” Sevika closes the distance between the two of you, gripping your hips when you bend down and kiss her again. She savors the feeling of your lips for a moment, then pulls away and grins up at you. “Lead the way, sweetheart.”
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teruthecreator · 11 months
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(tw for racism, pedophilia, transphobia, child impregnation mention)
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yeah idk why y'all read this
i was originally going to just post this and have some tags with my reasonings, but i realized that opens me up to too much bullshit from people who may think i'm being unnecessarily mean or whatever. so i'm going to explain exactly why the screenshots above are something i hold issue with.
firstly, and i just want to get this out of the way, this post is not intended to be a hit piece against the creator. i've seen how she reacts to any mild-mannered or slightly joking criticism, so i know this post is probably going to not land well. but it isn't my intention to make her mad or anything--she's writing a piece of content for the internet, which means she is just as open to criticism as any other poster. and what i intend to go into in this post is criticism. i'm allowed to do this, as that is the nature of the internet. people are allowed to critique whatever they please, and if you don't want critique then you shouldn't post. simple as!
i am also making no attempts to posit myself as better than the creator. i'm not doing this for clout or moral superiority or any of that dumb shit. i simply want to discuss something that's been bothering me for a bit, while simultaneously warning people who haven't read this yet (who may be sensitive to the issues above) to steer clear. if things like casual racism or transphobia aren't properly tagged, then readers who are affected by such things run a risk reading this! same goes with people who are triggered by lewd content involving minors. i wanna make sure people are getting a more critical scope of this work than what has been hoisted up by others.
okay, now that i've gotten that out of the way, i'm going to get into my points.
firstly, the subtle and not-so-subtle racism throughout this fic, especially in relation to serizawa. i'm white, so there is only so much i can speak on without trampling over the words of other fans of color, but some of this feels so blatant it's odd it hasn't been noted earlier. it's important to note before i go into it that serizawa is specifically written as half-black half-japanese for this fic, in case the screenshots don't make it abundantly clear. but there are just too many moments of casual racism in this fic. i'm not talking about the plot point of serizawa being bullied as a kid for being mixed; i'm not mixed, so i can't speak on the accuracy there but it is well-known that black people face a lot of racism in japan. i'm talking about how it seems everyone else has these racist moments that aren't acknowledged by serizawa or the narration as being bad.
reigen hypothesizing over serizawa's exact ethnic background is just strange. yes he's a fairly observant guy (he has to be, with his job), but there is no canonical evidence to suggest he would immediately jump to theorizing whether serizawa is american or not. and the way it's posed in that first quote--"he has darker skin and the kind of hair texture that would likely indicate African ancestry"--is not great. that's an extremely inappropriate way to bring up someone's race. i don't think most people would stare at someone and be like "hmmm well your nose shape and hair texture would suggest you're of this race". it's racial essentialization that is only slightly covered up by the excuse of "oh he tweets in english". there are some other smaller moments of questionable wording, like calling serizawa's afro "sloppy" when it isnt (which btw there's another issue with the creator only referring to an afro as a "fro". it's a hairstyle; you're allowed to use the actual name of it). even if reigen cuts his hair in canon, he never states it's because serizawa's afro looks sloppy. (also there's something to be said about the casual racism baked into making your employee cut his natural hairstyle for a job, as that is a very real issue many black people face when wearing their natural hair or even protective styles in the workplace.)
i'm especially bothered by toichiro's very casual racist remarks. toichiro in this fic is a general bother of mine (most of which can be boiled down to "he would not fucking say that"), but the way she chooses to characterize him in relation to serizawa feels gross. calling a black man a slave should be a very obvious red flag, but also saying serizawa (again, as a black man) has a "brutal masculine appeal" is also extremely stereotypical and racist. and really there is just no need for it; toichiro's actions in canon prove how shitty of a guy he is without the need for him to be racist (along with other things i'll get to in a bit). as my girlfriend put it: he doesn't need to be a member of the fucking kkk to show he's a bad guy.
there's also, again, the very casual racist remark of calling serizawa a "dog". i don't care if that isn't the intent; when you are writing a character of color you need to be aware of your wording, even in insults (unless she intended to make tsuchiya racist, which i don't think she did).
secondly, the eugenics/child pregnancy bit. it is surreal to even have to write this, but i seriously do not understand the purpose of either of these bits in the story. they are so minor yet so jarring you can't help but wonder why they're there. once again, i do not think you need to have toichiro doing esper eugenics just to prove he is an evil guy. he has nuance, and by making him casually reference child pregnancy (like that isn't an INSANE thing to say) reduces that nuance to nothing. that's the only reason i could see why that bit was included: to make toichiro look worse. but, even still, the author is running the risk of potentially triggering victims of csa or people who don't want to see that by not properly tagging the mention of it (or, at the very least, warning readers in the intro notes). the only other explanation for it would maybe be shock factor??? but that's a pretty shitty thing to use for shock factor, if i'm honest. also the fact that the esper eugenics was referenced again in a more recent chapter just has me very disturbed and confused. there isn't a canonical explanation for why we see less espers who are women than espers who are men, but that doesn't mean we need to jump to fucking Eugenics. it's weird!
thirdly (and this is probably one of my biggest problems and the main reason i wanted to make this post), the weirdly lewd/sexual language shou uses constantly, along with referring to reigen as a pedo or a creep at several points. frankly, i think it's pretty fucking gross for someone in their near-40's to be writing a 12-year-old talking so casually about sex like that's normal. which, i'm sorry, but it's not. yes, teens know about sex and like to joke about lewd shit. but a 12-year-old is not about to make references to a grown man's virginity. 12-year-olds draw dicks on their desk bc they think it's funny. 12-year-olds say the word "buttfuck" because it has the words "butt" and "fuck" in it, and those are the two funniest words on earth to a kid that age. i literally do not understand the purpose of having shou be so lewd all the time. for one, it doesn't make sense for his character. shou is shown time and time again to be extremely mature for his age, but that maturity extends to shit like assembling a counter-terrorism unit and extending a hand to his father to allow him to try again. and even then he's still just as naive as any other kid his age! the omake where he's telling his guys to go to the "far right corner" based on ritsu’s advice proves that he still has plenty of blindspots that are indicative of his age. leaning into this raunchy, lewd version of shou is just weird. and, again, i think it is made a bit weirder given the author's age!!! not ageshaming or whatever--i'm 23 and i write fanfic, clearly i cannot judge there--but it is just extremely inappropriate in my opinion. also having shou be more versed in sextalk than serizawa is odd too and speaks to a larger issue of serizawa's infantilzation throughout this fic, but that's something i can get into in another post if people want an explanation.
also, the way she constantly calls reigen a creep and even has him being accused of being a pedophile during the twitter cancellation is extremely inappropriate when, again, there is NO CANONICAL BASIS FOR THIS! everyone just calls him a fraud and a scammer during separation arc; there is never a reference to reigen being seen as a pedophile in that arc. and, yes, while there are versions of mob psycho where reigen is very clearly written as a creep (looking very specifically at the netflix adaptation), that doesn't mean it's good. honestly, the creep mentions all just feel like really poor jokes that do not land in the slightest.
finally, the transphobia (aka WHY IS SHIMAZAKI A CHASER). i literally do not know what else to say other than: why? why is this a thing? why is he a chaser? what is the purpose of this? is it a joke? i feel like it's supposed to be, but seeing as the author is cis i don't think that's a joke she should really be making. it not only comes out of left field, but it's just kind of a weird thing to ascribe to a character for no reason. not to mention, it's uncomfortable! trans women deal with enough creepy antics from cis men in real life--why must they be accosted by this guy too? it's just weird and uncomfortable.
i wanna round out this post by saying, once again, that i'm not trying to attack anyone with this post. but i do hope people come away from this with a new perspective on this work, and maybe think twice before recommending it uncritically to someone. to the author specifically, i hope you can read my post without rage or indignance blinding you. i might be a little blunt or rude in parts, but it's only because i'm passionate and i don't mince my words when it comes to things i'm passionate about. to the readers, understand i am not judging you for reading this fic without noticing these things. your own life experiences will give you certain blindspots and there's nothing wrong with that. i have plenty of blindspots of my own! it's what makes us human.
there is more i could say, but this post is long enough. i ask that if you come to me in my inbox or in dms about this that you treat me with respect, as i will do that for you. writing something like this took a lot out of me, as i'm usually not so open about my opinion on shit like this.
have a good day :-)
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ingravinoveritas · 9 months
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The people that keep saying not to ship Michael and David together in real life because of their relationships to Georgia and Anna are also the same ones who keep begging to have the two girls appear in the next season of GO as a couple because of Anna’s little joke of making out with Georgia. Seriously people saw that tweet of hers and immediately decided to ship them together and call them the “ineffable wives” but Michael and David have come out with soooo much more adorable moments of the love and joy they have for each other and everyone starts saying that it’s disrespectful to ship them when their “married” to females in real life 🤷‍♀️ I mean…. The hypocrisy is astounding and disturbing on levels I can’t even comprehend. The fact that Georgia, who is known to search her and David’s name on Twitter and answers back to anyone that tags or even mentions her didn’t even acknowledge Anna’s tweet says sooooooo much about this “best friend dynamic duo”. The fact that Anna is resorting to jokes about kissing another woman just for attention also…. WHEW. If this isn’t the biggest cry for attention I don’t know what is. And the fact that people feed into her attempts also and are petitioning for them to kiss and show up in GO!
Lord. I've seen so much talk about casting female actresses in regard to fem-presenting Aziraphale/Crowley over the past week, and while it is disappointing, I am not at all surprised. The first inkling I had was upon seeing the reactions when a behind the scenes photo of Crowley as Bildad the Shuhite was posted just before the release of GO 2:
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It seems that a lot of folks were expecting/hoping for fem!Crowley, as we saw in Golgotha in season 1 (on the right), and when that turned out not to be the case, the reaction was to call Bildad!Crowley ugly, to say that he should shave, and other comments essentially making fun of this particular look. Obviously, much of this could have (and likely was) made in jest, but the overall consensus was clear: You can't be feminine with a beard.
(Which...I'd like to see someone tell that to Michael Sheen, because yes, the fuck you can...)
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So from the outset, I was already bothered by what seemed like the hypocrisy of on the one hand celebrating a show where the characters are genderfluid/nonbinary by definition, and then on the other hand getting upset when one character doesn't fit into a prescribed, conventional idea of femininity.
When Neil subsequently mentioned that there had been a storyline for female-presenting Aziraphale and Crowley in the 1960s, it was dismaying (but again, not surprising) to see these same fans casting female actresses in the roles. Never mind that you already had David playing female!Crowley and Nanny Ashtoreth in season 1. Never mind that both Michael and David have played...well, "drag" doesn't seem like exactly the right word, but they've played women, and brilliantly subverted gender roles in their own ways. There is no reason to think that they couldn't do a fabulous job as fem!presenting Aziraphale and Crowley, except that (again) some fans seem to have a specific idea of femininity that they think does not or cannot apply to Michael and David.
Which then brings us to the apparent clamoring for Anna and Georgia as female Aziraphale and Crowley, which has again left me scratching my head. In all of the tweets and hubbub, I have not seen one person say why they think AL and Georgia would do a good job in said roles--like, "Oh, Georgia was so good as [insert role]" or "I loved Anna as [insert role]"--only that they would be "so amazing." This leads me to think that the only reason these fans want AL and Georgia in the roles is because they are Michael and David's partners. They are assuming that this is somehow a guarantee of the same profound understanding of the characters and their connection, despite there being no evidence of such a correlation. (I mean...I fooled around with my former grad school professor last year, but that doesn't mean I have a PhD...)
What it also seems to indicate is that these folks are not thinking of what is best for the characters, either, or indeed if playing female!Aziraphale and Crowley is something AL or Georgia would even want to do. Neil recently said that Georgia turned down a role in GO 2 supposedly because the character was older than her and she didn't feel it was appropriate. If this is the case, why would Georgia want to play the role of a middle-aged character? Because that is what Aziraphale and Crowley are--ageless celestial beings, yes, but beings who have chosen to present as middle-aged. That is a key part of who they are, so to have the female versions of them played by younger actresses makes no sense and seems downright disrespectful.
There is also what you said, about AL's cringey tweet from a little over a week ago. Georgia could have absolutely responded to or acknowledged it by now, as she has responded to several other tweets since then...but she hasn't. Not a reply, not even a 'like.' And I agree with you that that seems to speak volumes, and that it would probably be a good idea if people looked beyond the Staged-driven narrative of "Georgia and AL are BFFs" to see how Georgia actually seems to feel about her.
(And to echo another thing you said, I will never understand how it is somehow completely fine for fans to ship Georgia and Anna/want to see them make out despite neither of them showing that level of affection toward each other or having any visible chemistry, yet not okay to ship Michael and David who do have that chemistry and have been making their feelings for each other very obvious for the last several years...)
So yes, those are my thoughts on the whole female Aziraphale/Crowley fancasting situation. I just hope that if we do get them as fem!presenting in season 3, that it is Michael and David, because there is no way any other two actors could give us what we got with Aziraphale and Crowley the way Michael and David did. I guess we'll see what happens...
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I've seen a couple posts where you've been tagged and the car make and model are pretty clear in the photo, like a shot of the back where you can see the badges. Do you still like pinpointing the year and more specific model details in those posts? Or do you prefer a challenge? Do you wish people would check the badges first? What's your favorite kind of post to be tagged in?
Thanks for all you do! You're one of my favorite gimmick/hyper specific accounts 💕
it’s less a matter of preferring a challenge, and more a matter of it not feeling like i’m at all necessary when the answer is more or less in the post already. like it’s cool to be able to narrow down the year(s) but it really just doesn’t feel like i’m adding anything. i don’t mind it though, and they’re quick and easy since most of the work is done for me and i just have to figure out the years. what i am getting a little tired of is people tagging me in posts where the full punchline or a major part of the original post is the year, make and model of the car. i’ve replied to them with joke responses before but now i know i’m only being tagged asking me to make a punchline for them like “car” and like. it can be funny and i appreciate what they’re goin for but it’s not the point of the blog and there’s only so many times i can make essentially the same joke. im also a little tired of people tagging me in like wide shots of a whole highway or a full parking lot. i don’t mind group shots and i like the challenge when i have the time but sometimes it’s like ok i’m not here to do a little dance for you. if that makes sense
i like the ones where it’s not obvious that there even is a car, or where it’s not at all a major component of the post. it’s cool when i can i’d a car in a photo where the car is the focal point. it’s funny when you have to go back and be like “wait there was a car in that post???” and i live for the bit
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magentagalaxies · 3 months
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making my own post bc i have thoughts and i don't want to keep having to go back and forth with tags and replies on someone else's post:
anyway original post i started this conversation on: @charlotterenaissance
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my tag essay:
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@liliana-von-k's reply:
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(all this context is bc i have even more thoughts so i thought i should make my own post)
anyway to respond to that i 100% agree!! it also reminds me of something from my very first conversation with bruce (when we did a zoom interview before we knew each other) which idk if i've posted this aspect of before: i forget what my exact question was but i essentially brought up this kind of paradigm the KITH's female characters are often discussed in and how it's kind of strange comparing it to the actual representation of female characters in the show. like, sure dave "passes" the most as a conventionally-attractive female character, but also i'd honestly say any of the kids in the hall can pass as female, not even just from a genderqueer perspective but from a not all women are "conventionally attractive" perspective. like i know cis women who have a jawline like bruce's or a nose like scott's or any other feature that isn't seen as "feminine" from (often white-eurocentric) beauty standards and many of them are gorgeous.
and the fact that KITH's female characters are often discussed through a lens of "who plays the best woman" (meaning the one who "passes" according to beauty standards) is as frustrating as it is fascinating bc i really do think it points to the way the media tries to comprehend this gender nonconformity and shove it into a box they can understand. because the kids in the hall have already destroyed the most obvious box their female characters could be put in - yes, they are male comedians, but even though the most often way society rationalizes men dressing femininely is as a comedic act (whether as a man purposefully trying to elicit comedy via feminine actions and dress or via a man who genuinely enjoys feminine expression being made an object of ridicule via comedy), the kids in the hall break this framework (this "binary", if you will) by being comedians who are in control of the audience's laughter, but playing their femininity as genuine. you don't laugh with them at their femininity because they do not laugh at femininity, but you also can't make their femininity the subject of ridicule because their position as comedians means they are at once in on the joke and steering the joke in another direction. this technique is more subtextual (and likely subconscious) in the portrayal of female characters, but it's a tactic scott knowingly (and expertly) employs when playing buddy cole
so since the "men in dresses equals comedy" box is eliminated, cishet society feels the need to create another box for them to rationalize this gender nonconformity in, by attributing it to a spectacle other than humor. so they decide to instead view these gender transgressions through the lens of beauty and sexual attractiveness. this also helps rationalize any confusing attraction a cishet person has to one of the kids in the hall dressed as a woman - they pass too well, or at least whichever one you're attracted to (most often dave) does. making a spectacle of the kids in the hall playing women eliminates any confusion or implications that maybe gender and sexuality isn't as rigid as we think, by othering these performers as a special case and convincing yourself that there is no real woman who looks like dave foley in drag, and if there was she would be cis.
it's a slightly better box to be in than having the femininity be the target of ridicule, but it still misses the point that the femininity explored in kids in the hall is not meant to be othered. it leaves out so many of the show's most iconic female characters - fran is not glamorous, but she is a realistic woman. chicken lady is more chicken than lady, but she is still a well-written female character - and reduces others to their attractiveness when the sketch itself is not about that at all. and when i brought this up to bruce he sounded as though he had been waiting for someone to make this analysis, because even though the guys joke about it themselves it is at times uncomfortable to be in an interview that focuses so much on how the interviewer finds dave in drag sexy, or picking apart which physical aspect of the guys passes best. i think i remember bruce saying something to the effect of "no one's asking which one of us is the most hot playing a business man, but that's just as different of a person from us as playing a woman"
and it's interesting to think about this in the context of how the media in general treats people who identify as women in this framework of focusing on physical attractiveness all the time. in recent years, this behavior is more widely known to be sexist af so the overtness has declined (tho is it absolutely still present to some degree), but since the kids in the hall are all male it's fair game to make these sorts of comments about their female characters to their face, because it's spectacle and separate from them. even the exact same people who would call out a comment being made about a cis female comedian are often oblivious of how it could potentially apply to these male comedians, or have other bizarre lines within their ability to rationalize this gender nonconformity for themselves.
take the "wedding dresses" sketch that was censored from the amazon revival for example (this sketch was showcased at sketchfest's "scenes they wouldn't let us do" and has appeared in kith live shows since 2015). this sketch was censored because even though amazon would let the guys play women (and even then it was often an uphill battle), they would not let the wedding dresses sketch air because it featured men wearing wedding dresses in a comedic setting. the rule of thumb seemingly is: men wearing dresses is always comedic (and therefore transphobic), unless he (typically dave foley) passes too well, in which case trans people have nothing to do with the conversation. but the fact that they were men dressed femininely was never the point of the joke, it was the idea of a wedding dress, a significant garment symbolizing an event meant to be only worn for one day, being these guys' everyday wear and all the conflicts and community that came from that. it was an ode to the outsiders, a celebration of those who live and present unconventionally. and the fact that it's never about gender is in itself the most upliftingly genderqueer thing of all.
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