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#To point of actually being able to remember it which I normally can’t
clefairytea · 2 months
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So I’m about to make a completely insane post. Excuse me.
So I got this comment on Peaks and Valleys the other day, on the chapter where Blue is in the airport and has to put all his Pokemon in holding.
Grabs this anon’s shoulders. I thought about this. I thought about this a lot. I went back and forth on it during this chapter so much.
And I actually concluded that the airline security does not necessarily imply this. While a lot of our real-world flight security was considerably tightened and comes as a direct result of 9/11, I don’t think that’s the case here.
I think this is actually much more mundane safety concerns. Even an incredibly well-trained and well-behaved Pikachu, if surprised by a bout of turbulence, might let off some static. That’s going to interfere with the equipment and make things unsafe.
What about the incredibly variable size and shape of pokemon - what happens if some kid releases Mom’s Nidoqueen or Wailord in the middle of a flight? That’s a big and heavy pokemon to suddenly have in an enclosed space where weight of cargo has to be well accounted for.
Even if you bring a small Pokémon, evolution could happen really suddenly - especially due to environmental effects. Imagine someone’s got their cute little Tyrunt next to them on the flight, it sneaks a rare candy or something, and next thing you know there’s a massive 600lbs Tyrantrum to deal with.
What about the effects on the pokemon themselves - moving quickly at high altitudes between different places and weather patterns is probably going to make a Castform kind of sick and out of sorts.
Pokeball locking, enforcing Everstone use, or having specific regulations about what Pokémon can go on flights and what can’t. Those could be feasible solutions but would also require a lot of overhead. There’s hundreds of different Pokemon, the average flight holds about 200 people, every single person could carry up to 6 pokemon with them. That’s a LOT of SOPs and guidelines to write, a lot of things to check, potentially a lot of things for passengers to get done (I didn’t consider this at the time because it was pre-Scarvio, but Everstones can only be bought in ScarVio at 3000 yen a pop - otherwise they have to be found in the wild. That’s an expensive and annoying thing to source for either passengers or the airline).
The most effective solution - short of forcing everyone to put their pokemon in boxes to get on the other end (and box software varies by region potentially causing complication, a lot of people would really resist this, etc), is just to securely hold all Pokémon in the same way apart from the human passengera until the end of the flight.
In conclusion: never think I didn’t excessively think about the implications of Pokemon air travel in my gay fanfic. I am insane and I did.
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eamour · 2 months
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mental over physical.
in my post called "feeling over desire", i have already talked about the importance of fulfillment from within rather than without. i went as far to tell you that when you desire something, it can only ever be fulfilled in imagination and not in your physical reality. today, i'll tell you why exactly that’s the case with the explanation of "states".
key points
key points from former post
you are desiring to feel (inner self), not to actually have (outer self). therefore, you seek fulfillment from within.
by wanting things physically only and refusing to feel good about already having them in imagination, you are conditioning your desires.
what you can’t experience within, you can’t experience without. that way, you are making yourself reliant on outer change.
it’s impossible to give you something you desire internally, externally. it won’t and cannot satisfy you.
your aim isn’t the confirmation of the outer world. it’s the confirmation of imagination and experiencing your desire‘s existence there.
determination of the physical.
first of all, states are crucial. a state determines your thoughts — along with your behaviour, perception, experience and reactions to the physical world — as they come from your feeling aka the state that you are currently occupying. this is important for you to understand because depending on which state you are identifying with, you will reflect it into your material world. conversely, that means that you can never express a state you are not already embodying mentally.
an unfulfilling state.
now, if you aren’t already occupying the state or embodying the version of yourself who has your desire, receiving it in the physical world will not and cannot satisfy you. if you are in an oppositional state, yet manage to obtain results physically, it won't be able to fulfill you. you need to get into the state of your wish being fulfilled FIRST and experience it in imagination BEFORE you can get it in the 3D. that’s also the way you normally go about manifesting things.
experience of a state.
it’s because you aren’t experiencing the outer world, you are experiencing your state. you can only ever experience your state. the outer world is just a conformation of the state you currently happen to be in. although the 3D is a depiction of your imagination, your state or who you are in imagination still determines how your outer world is going to look like.
inner feeling of desire.
again, to desire means to occupy a state, a desired state. when you desire, it’s coming from within, not from without. only your inner self can desire. because after all, your desire is just a feeling — a feeling only your inner self can feel. your outer self, on the other hand, can only give you physical insight on your inner self. and inner feelings can only be fulfilled with feelings from within.
my example.
i remember i was in a relationship once which was very perfect to begin with. however, somehow, i would find myself in a state where i would feel unloved, as if i'm being lied to or just generally doubt my partner’s adoration and affection for me. the more i felt that way and the more i persisted in it, i managed to pull them away — even though everything was seemingly perfect on the outside, it didn’t really feel as perfect on the inside.
see, your physical manifestation can be as desirable as possible but if you happen to be in a contrary state, you won’t be able to keep the physical, nor be content with it.
with affection and adoration, ella.
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sonarspace · 3 months
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Hi, I loved your Sukuna works ❤️‍🩹 Maybe you will take my request, what about Sukuna fluff when he is trying to comfort and support you while you’re sick? 🥺 And not like having a flu, but some serious disease? The image of him all harsh and cruel but having a soft spot for reader is doing something to me 😩
WHIPPED LOVERBOY
wc: 1.9k warnings: slight nsfw (f!receiving). blood (reader gets injured). nicknames? not proofread. idk what else to put here 😭 a/n: i think i've read something like this before on a different blog but i can't remember which so i changed it up a bit so as not to cause any problems. i hope you like it and i hope you don’t mind anon :3 a/n pt. 2: italics is for past events.
𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟
sukuna's known to be vicious. the ruthless king. he had no family, one or two friends. he didn't like the idea of forming attachments to anyone. but you. you were different.
he first saw you at a ball the neighboring kingdom held. you were sat by the piano in a light mint green dress that accentuated your curves. in your own world. you played gracefully. he couldn't take his eyes off of you. nobody could. when you stood up to bow, the crowd erupted in claps and cheers. you walked past him leaving him mesmerized. and when he first heard you speak his heart skipped a beat.
it still does. when you're laying beside him calling out his name softly trying to get his attention. "suki. helloooo. sukuna are you listening??" you sigh annoyedly. "yes woman. go on." he smiles at you.
"what are you smiling about?" you look at him confused. "it's not funny 'kuna. it was a really big lizard." he laughs. "you're cute. like a deer. wanna eat you" he grabs your face and starts kissing you all over. bites playfully at your cheek. you chuckle out his name. he pulls back from you slightly and holding eye contact with you he says "you're really pretty." he makes you blush and you try to turn away but he grabs your chin before you can. "and to think you hate being around people," you say to him laughing. "now now, i still do. you're the only one i don't mind." he says stroking your cheek. you hum contentedly.
there's a knock on the door. "master sukuna" a muffled voice calls him out. "be right back," he tells you as he puts on his robe and steps outside of the room.
he comes back after a few minutes with a scowl on his face “i have to leave”. you sit up in bed and look at him with a pout “how long are you going to be gone for?” you ask. he walks over to where you are and sits down “i’m not sure,” he murmurs. it was normal for sukuna to leave for a day or two to handle matters. the longest he’s stayed away from you was five days. but that was only because he had a bet with uruame.
“you’re whipped. guess you can’t stay away from her for longer than two days, huh.” uruame challenges him. “of course i can” sukuna replies with a scoff. “yeah? i bet you 5k, you can’t stay away from her for more than a week.” uruame laughs. “ahh that’s easy money,” he says and they shake hands on it. uruame was right. by the fifth day sukuna felt like he was going insane. he was standing outside of your room contemplating whether or not he should break the bet. he thinks fuck the bet, he needs to see his girl more than he wants to win a bet.
he comes into your room and the way you smile at him and run over to him has his heart melting. why did he even agree to that stupid bet he thinks. he picks you up and leaves kisses all over your face. you sigh as he kisses down your jaw. you stay like that a while. just kissing. looking at each other and smiling stupidly. "can i eat you out?" he blurts out and catches you off guard "damn 'kuna. straight to the point?" you laugh. "please sweetie. it's been a week." he whines almost. "five days, actually" you correct him and he raises an eyebrow at you.
"uruame told me. they bet me that you won't be able to stay away from me for longer than a week. honestly thought you'd be able to do it, but i guess i was wrong. didn't know my boy's crazy about me like this". you say your hand stroking his cheek. "that fucker probably thinks they're so funny going around making bets, huh. going to have to start getting serious again. you've made me soft, woman" he says jokingly. he doesn't mind it at all though.
he kisses you once more. groaning into your mouth. he gets down on his knees. pulling your panties along. leaves kisses up your ankle moving along your inner thigh until he reaches where you need him the most. your pussy glistening. calls his name. he gives it a soft kiss and your hips buck into his mouth. "guess she missed me just as much," he says from under you. he sucks on your clit and you whimper. your hands pulling at his hair. he hums in satisfaction when your hole clenches around his tongue slightly. as uruame suggested, he's whipped and he's completely okay with it.
he sighs as he holds your hand into his. his thumb stroking the back off your hand. “i thought if i stayed put and minded my business, they won’t do anything. but they’ve killed about 20 of my men. it won’t be long before they come here and try to wipe out the entire kingdom. so, i have to leave. i’ll be back as soon i can.”
“let me come with you,” you try. “oh baby, you know i can’t let you do that.” he smiles at you. your eyes move down to look at his hands clasping yours and you bring them up to place a kiss on the back of both his hands. “promise me, you’ll come back to me.” you look at him with tears lining your eyes. “baby i-” he tries to talk but you cut him off. “no sukuna. just promise me please,” you beg him. “okay. okay. i promise.” he gives you a forehead kiss and parts.
it's been two weeks since he sent a letter promising he will be back soon. over three weeks since he’s been gone. you missed him so much. you felt like you were going crazy waiting for him. a knock on your door has your heart beating faster. 'is he back?' you think to yourself. you unlock the door to see uruame. "uruame" you say cheerfully pulling them into a hug as you let out a breath of relief. sukuna must be close you think. “hi honey sukuna sent me. he wanted to let you know he'll be home in two weeks." you don't notice you're crying until uruame wipes your tears. "hey hey now. he'll kill me if he knows i made you cry," uruame holds you close. "he said soon. it’s going to be two months since he left. that isn't soon uruame," you mumble into their chest. "I know babe, he's just helping out the people who live near the border. most of their houses are destroyed, so he decided to stay behind to help them." your heart warms at that. you’ve been asking him to get more involved with his people so they could respect him more than they fear him.
two days till sukuna gets back.
you're laying in bed wearing his undershirt. his four week old letter in your hand. thinking of him. his touch. his lips on yours. his sweet words. his voice. as you go to blow out the candle by your bed, you hear a loud crash from outside. you go over to your window to see where the sound came from. as you open the window, the bells of the palace start ringing. to alarm everyone that there's a threat. uruame comes into your room to take you to the bunker. but it's too late. a cannon ball is coming your way in full speed.
your vision goes black. your ears are ringing as your eyes flutter open. you try standing up and through your bleary vision you can see uruame trying to make their way over to you. the ringing clears and you can hear uruame yelling your name. you try to take step forward until you notice the blood on the floor around you. your hand moves to your stomach. a piece of wood from the broken furniture poking into your abdomen. you look up to uruame who grabs you as you fall down to your knees in pure agony. "stay with me honey," they panic. they rip out a piece of cloth and wrap it tightly around your wound. "uruame, 'kuna," you try to speak but end up coughing instead. "shh honey. you're okay. i've got you. just keep your eyes open for me okay?" they ask you softly. and you nod. "tell sukuna i-" you're about to say but they cut you off "nuh uh. we're not doing all that honey. you're going tell him yourself. you're going to be okay, i promise."
sukuna's pacing beside your unconscious body as the doctor cleans the area around the wound. there was so much blood covering you. sukuna was on his way back tonight to surprise you. he reached the gates of the palace and saw a cannon ball launched towards his wing. your window specifically. his heart dropped to his stomach and he dropped off of his horse and ran like a mad man to get to you. he comes into see uruame carrying your body to the infirmary. "uruame!" he yells running over and taking your unconscious body from their hands. "fuck sukuna. i don't fucking know what happened. one minute everything was fine and then the next minute the room’s blown up and she’s on the ground,” uruame speaks hysterically.
sukuna hisses as the doctor finally pulls out the sharp wood from your abdomen. she doesn't know i love her, he thinks. she can't leave me. fuck. the doctor stitches you up quickly. and pulls down your (his) undershirt. "is she going to be okay doctor," his voice is gruff. "yes master sukuna. she's lost a lot of blood though. so it may take a while for her to wake up."
one day. two days. six days. it's almost been a week and you haven't woken up. he sits by your side the entire time. holding your hand. uruame comes into the room. "master sukuna. we found them." heavy bags under his eyes. "stay here. and call me as soon as she wakes up," he commands uruame and gets up to deal with the people who hurt you.
your eyes open. trying to adjust to the light you blink a few times. looking around. you see uruame's mouth dropped in a slight smile. "honey?" they call out to you. and you hum. their hands wraps around your frame hugging you tightly. “uruame,” you chuckle. “how do you feel?” they ask you leaving a kiss on your forehead. “thirsty,” you rasp. you quickly chug the glass of water they give you and ask “how long have i been asleep for?”
before uruame can answer the door bursts open and sukuna comes rushing in. blood splattered across his top. you didn’t need to ask him who’s blood was splattered across his top you already knew as he makes his way over to you. “sukuna,” you gasp happily. he sits down next you and grabs your hands into his. “my sweet girl. i’m sorry. i’m so sorry you got hurt because of me,” he apologizes profusely, looking into your eyes. “it’s not your fault ‘kuna. you didn’t know this was going to happen.” you try to reassure him. holding his face in your hands. you kiss his nose. and then his lips. “i’m glad you’re back and in one piece,” you smile against his lips. “never leaving you alone again for that long,” he promises quietly.
𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟
a/n pt. 3: hands still fucked up but i wanted to get this out as soon as possible, so im sorry if it’s not up to your expectations 💔. you can always leave some suggestions or any questions you have in my ask box titled “talk to me” on my blog page :).
© SONARSPACE 2023 | DO NOT COPY, TRANSLATE, OR REPOST MY WORK ON OTHER PLATFORMS!
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cheemscakecat · 2 months
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Scout unspoken character development.
So you remember how Scout was absolutely struggling to work out how to ask Pauling on a date, and didn’t have the confidence he needed to do it properly? In Expiration Date?
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*loud silence*
It makes sense that he’d struggle, because dating requires you to be more vulnerable emotionally and that’s like the last thing he ever wanted to do growing up. His brothers saw being emotional as a weakness, and he still thinks like that because those were his role models.
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That’s why he didn’t help Spy with the last wishes. He’s still got that mentality that he’ll be seen as weak if he admits that dying in three days bothers him. But if he makes fun of Spy in front of the boys, Spy’ll be the one seen as weak, not him.
To date somebody, you have to admit that you’re attracted to them, if not in love. He can’t admit that part, which is why he tries to be causal about asking Pauling out.
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Like, even when he can tell that he made Spy furious, the awkwardness of that emotional situation makes him try to laugh it off and stay casual, not give him pause.
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How much you wanna bet that “I’m sorry”, usually said sarcastically or with fake sincerity is the best he’d get from any of his brothers growing up? No discussion beyond that about what the brother should be sorry for, just “I’m sorry” because Ma is making me apologize.
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That’s why he just moved on with his request for help, instead of going into a deeper apology and acknowledging why Spy is upset. He doesn’t know how. He doesn’t know that you’re actually supposed to, and he’s not a weakling for feeling that way.
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He can’t accept the weakness of being bad with women, even though that’s why he’s in the smoking room asking for advice. That’s why he lies about the ratchet girl at the chicken place, who probably never existed.
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What’s interesting is that the only thing he retained from his dad’s training was the dancing, which is an expression of emotions. He started out doing a casual, cheery boomer dance that doesn’t require a partner, with no risk of hurting somebody else if you mess up. But the dance Spy taught him requires you to be careful and move with another person, and is a lot more romantic.
But we know that music is something he loves, to the point that he hopes his favorite musician is secretly his dad.
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But that’s not the only important development he makes in this short.
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Scout doesn’t know how to respond to that, because if he ever tried to bring up what one of his siblings did to make him upset, they’d just laugh at him or say “I said sorry, what else do you want?”. But he cares about this woman and how she feels, so when she brings up what he did to make him say more than sorry, he can’t just move past it like he normally does.
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He got so close to spitting it out! But what we did get is good progress, because he had to be more honest than usual. If she was paying even the slightest bit of attention to him, she’d be able to see what he’s trying to say.
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He’s trying so hard, she doesn’t even know. I hope that someday he finds a girl that does like him, because she sure as heck doesn’t.
What’s interesting is that we have voicelines that imply he’s getting less uncomfortable flirting, even if it’s in his usual Scout way.
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He didn’t act ready to take his shirt off around her in Expiration Date. That’s Scout getting more comfortable around her. So is him playing her dorky board game that his brother’s would clown him for looking at.
You have to remember, Scout is the youngest and considered the runt of the litter by his stupid siblings. He acts like he likes the way his arms look in Meet the Scout and talking to Spy in the smoking room, but he’s always comparing himself to other guys. He wouldn’t take that shirt off around most people, is what I’m saying.
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I hope someday Scout goes through the character development he needs to find a real girlfriend that likes him. [And also not rely on physique as a tool for flirting].
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shutupineedtothink · 7 months
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More Moiraine & Lan (and the Bond) thoughts, because I really just can’t help myself.
Just thinking about how we know every Aes Sedai and Warder share the Bond, but we don’t see any other AS/Warder teams using it as a form of communication NEARLY as much as Moiraine and Lan do.
Like these mofos are having full conversations with head tilts and tiny eyebrow raises and 3 seconds of eye contact from the jump. Sometimes not even looking at each other. And it’s extra great if you’re a show only like me because you only realize it when you go back later after all the stuff with the Bond is explained in 1x04/1x05. Like I remember thinking when I was first watching the pilot ‘wow, these two are really in sync, clearly they’ve known each other a long time,’ but it’s so much more than that obviously.
Now, one easy explanation for this is that we’re just seeing them the most, they’re main characters, and s1 especially does a lot of work hyping up the Bond and how important it is so that we get the full impact of them being cut off later. Makes sense.
But… idk like even Alanna and Ihvon and Maksim, who are actually in a romantic relationship, don’t seem to prefer the Bond as a way to communicate. We even see them have their little diplomatic discussion before Ihvon goes to follow Tomas. It’s an actual conversation. Maksim even prefers the Bond masked, so I guess in that way they kind of have to talk to each other.
Verin and Tomas are pretty quiet in general, but still it’s not emphasized that they use the Bond to communicate that much. Perhaps this is also highlighted by Tomas’s advice to Lan that the Bond isn’t the only common language they share with their Aes Sedai.
Except for Moiraine and Lan, it’s like AT LEAST 80%. It’s the primary way they communicate. Because 1. they’re both so naturally reserved on the outside (but feel very deeply on the inside), and 2. I imagine it comes in handy to be extra good at it when you’re on the road searching for the Dragon Reborn and you don’t want everyone around you to know what you’re about.
Then there’s Stepin’s comment from s1 to Kerene, “Can you imagine their dinners?” Which is funny but also very telling. To all the other Aes Sedai and Warders, Moiraine and Lan seem pretty cold and distant, to everyone else and each other. But again, that’s by design to protect their mission. They’re just having conversations no one else can see, even other Bonded pairs. It’s like most AS and their Warders use the Bond as insurance, a fail safe even, to understand and communicate with each other, with normal human communication (i.e. TALKING) as the primary method. But for Moiraine and Lan it’s the other way around.
My POINT BEING, that this adds weight to their storyline in S2. Like they are REALLY struggling because on top of everything else, this fundamental piece of their relationship and communication is just gone. And it opens a door for Moiraine to push Lan away, when she NEVER would have been able to before, practically or emotionally. And he reels from her attacks because he’s just not as good at understanding her without the Bond, when he would have seen right through that shit before, just from feeling alone. So Tomas can say to him, you need to really listen, but 20 years of shared emotional mind reading is not that easy to bypass. You don’t learn normal person communication skills overnight. Certainly not when there’s this gaping hole in your head/heart where another person you probably knew better than yourself should be but isn’t.
Anyway, I think it just adds even more credence to why they’re both so lost throughout most of S2, especially Lan. And what makes them so badass with the Bond but so absolutely uncoordinated without it. And why every other Aes Sedai/Warder thinks they’re fuckin weird. And why we love them, because who doesn’t want to be so fundamentally understood like that? Who doesn’t want their own secret language with someone that no one else really gets, but that person gets you on a level so real it can’t be replaced? That’s what we’re all reaching for, and that’s what they have with each other. For better or worse.
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slytherweasley · 8 months
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Hello could I get a draco Malfoy x reader story based on the song all too well by Taylor swift (if you have seen the 10 min short film could you base it around that where they are fighting) -@graceperry8
All Too Well (Draco’s Version)
For my fellow swifties <3
You were meeting his friends for dinner, you actually suggested it, a dinner party at your house to get to know them. You were at the point of the relationship where you’d been dating for a few months and were ready to get more serious. You were so anxious the whole day, you remember showering and feeling so anxious you felt like you were going to throw up.
You got out of the shower and made your way into the bedroom where Draco was getting ready. “I’m so nervous” you say coming up behind him and wrapping your arms around him. “Don’t be they are great you’ll love them” he spins you around and pulls you close to him pressing a longing kiss on your head. “Im not worried about me liking them, I want them to like me” “they will, I like you there’s no reason they won’t.”
Draco is 9 years older than you, which means his friends are older too, although you and Draco got along well you felt intimidated as they were approaching 30 you were just coming to terms with turning 21 shortly. You thought you wouldn’t have much to relate about.
The long awaited moment came and once you’d been introduced you served dinner. They were talking about their times at Hogwarts, it was nice to hear but you didn’t have much to add but you did your best.
“Draco was the best at Potions despite what everyone thought of Potter” Pansy says “Really? I didn’t know that! I was also top of my class in Potions” you say taking Draco’s hand “but Hogwarts changed changed a lot since we left, really it went downhill. You didn’t experience Snape the best potions master of the century” he avoided your hand placing it on the table. Your heart sunk to your stomach, no one noticed and the conversation kept flowing but you weren’t able to get over it.
You kept quiet the rest of the night. You cleaned up after they left and Draco was helping you. “You’re awfully quiet, what’s going on? Didn’t like my friends?” “No they were great” “what is it?” “You, why did you treat me like that? You just dismissed me the whole night, you dropped my hand.” “I can’t even remember that” “Well you did it” “It was probably an unconscious action” “it was full of thought and intention.” “Well I didn’t mean anything by it” “you definitely meant to make me feel like a child when you told me that after you guys left Hogwarts every year went downhill.” “You’re making a night about me and my friends about you! That’s so fucking selfish, I didn’t expect that from you” “it’s not about me it’s about you and how you are being a shitty boyfriend” “don’t put your insecurities on me! This is you, you’re being so selfish!” He spat.
Your eyes welled up and a the painful lump in your throat was about to be released. You turn away from him and continue cleaning to let out your tears. “Hey, I don’t want to fight” he turns you around and wipes your tears “I’m sorry, I was a terrible boyfriend” he knew how to guilt you “no, you’re not” you said trying to catch your breath. He pressed his lips to yours and made you feel like you were overreacting.
Things had changed, fights would start over small things until one day it hit the breaking point.
Draco was in his study working when you came in after not talking all day. You didn’t get into an argument you were just in a rough spot. “Hey baby” you say sitting on his lap, he didn’t wrap his arms around you and just let you sit there.
“I’ve been thinking for a long time and I can’t get it off my mind” “talk to me” you take his hand and he lets you. “I’m not feeling this anymore, us. We are disconnected. It’s not the same” you get up and gave him “are you about to break up with me?” “Yes, it’s done” “we are going through a normal tough situation it’s no excuse to break up.” “I know you’re trying to make this work but I’m over it, I’ve been through this at your age. If we had been closer in age maybe it would have been fine.” You weren’t even sad just mad. “Fuck this. Fuck you! You knew what you were getting into” “I don’t know what I was thinking, you’re too young.”
You just left and never came back. Never saw him again.
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thegoblinboy · 11 months
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Never Say Die [part 6]
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | you are here
Eddie looks up at the window, the one he is expected to climb and shakes his head no. Hands crossing over his chest as Steve’s stay on his hips in that Stance that Eddie’s only going to ever be able to describe as Steve. Eddie tilts his head, giving Steve a dirty look. No words are said but it’s obvious what he’s saying.
‘There’s no fucking way’
“Steve why can’t we just go through the front door?” Eddie whines. Throwing his hands up in the air. Feeling a few of his rings digging into his skin a bit uncomfortably. He’s being dramatic, but he’s sure Hopper wouldn’t be that pissed to find out Steve was sneaking out.
“Because, Hopper nearly strangled Mike when he snuck into the house that one time.” Steve comments, no more explanation or story telling about what happened. Only causing Eddie more anxiety, which seemed to be the point of the story as he tilts his head and looks at the other dumbly. “You’re dead man, so fucking dead. Don’t worry, I’ll make some arrangements and you can be buried next to my grave.” He jokes.
Before he’s moving, jumping up and climbing the pipe with such ease that it scared Eddie a bit. How the hell anyone got that good at breaking into houses, must have made some mistakes at some point right?
“Wait- how the hell am I supposed to get up there?” Eddie hisses. Staying as silent as possibly as he glares a hole into the others head. Watching the way the others hair moved and swayed a bit as he climbed. It was a tad weird to watch, as he was so sure the other put so much product in his hair that it was to stiff to move. At that thought, Eddie doesn’t remember the last time he’s seen Steve actually put anything in his hair. Steve’s head pops out the window, looking down at him.
Old Eddie would have made some stabs about how this seemed all familiar. King looking down at his peasants and all. But that wasn’t the case. Eddie had thought he was the sheep herder of the group, finding those who were lost and bringing them together to be something more. No, standing here and looking up at Steve for the numerous time that week has made him realized that Steve was the sheep herder. Finding those who were just as lost as him and showing them it was okay to be that way, and Eddie’s ninety percent sure that is what the man is doing right now with him. And he’s even more confident that if he walks into that house, goes into Steve’s room and stays the night? That Steve has officially brought him into the group.
Steve looks down at him with a charming smile, though Eddie could also tell that the other couldn’t see him that well from all the way up there. “I’m going to go unlock the door and let you in. Just be prepared to die.” Steve laughs gently. His hair was swooping over his forehead, doing something that Eddie wasn’t sure of. But it causes his heart to go into his throat, nod his head up at the other dumbly as he also secretly coming to a agreement with himself to never allow Steve to use anything ever again. By that he means, hair gel making his hair hard and perfect in place. Eddie didn’t like perfect, he liked whatever this Steve was.
Steve moves back into the house, disappearing from Eddie’s view. Eddie moves stumbling around the house. Hands shaking as he watches the front door open. Steve’s head poking out of the frame with a soft smile, quickly grabbing the others hand and pulling him in.
It felt like a secret romance, what those obnoxiously annoying teenagers did in those movies. Eddie had been convinced that he would never have a normal experience like this. Never have something that every normal teenager would have. Sure, it’s not romantic but it was something that caused excitement to go through him. Made him feel younger then what he has been for months. With the whole being queer thing he never thought he would be welcomed into anyone’s house. Especially from someone like Steve Harrington. It was causing him to have whiplash, along with the fact that he fully accepted not being a teenager ever again after everything with the upside down.
But here he was, stumbling along behind one Steve Harrington. Heart racing as he acts like this is more then what it really was. They make it to Steve’s room safely, both of them releasing a breath as they both softly laugh together. Both of their backs pressed up against the door, as something light shifts between them. Breaking through the darkness that they have both revealed to each other- well Eddie has revealed the last few times they’ve been held in private.
Steve’s smiling brightly, seeming more boyish then what Eddie has seen him like in a long time. He forgets the others supposed to be nineteen. But the way the other carried himself it was like he was in his forty’s. Just the other night the other had been whining about getting grey hairs.
Eddie returns the smile, feeling the scar on his cheek stretch to accommodate it. Before his hand is being let go. Realization hitting Steve who’s smile becomes more crooked. As if he was trying to hide himself. Eddie stays in his spot, watching the other move into the room. Kicking his shoes off before shutting the window that was still open. It was still dark in here, but the light from outside shined in.
“Can I borrow some clothes?” Eddie asks hesitantly. Watching the other glance over with his mouth partly open, breathing a bit heavy as he nods his head. Smile breaking across his face once more.
“Yeah, go ahead. Clothes are in the closet and dresser.” He hums. Moving and getting the bed situated.
Eddie listens, biting his lip as he finds a yellow sweater. Scrunching his nose up, he’s never seen the other wear it before. “Never see you wear this?” Eddie pulls it out. Watching as recognization hits Steve’s eyes at the familiar clothing.
“Hm- haven’t gotten a chance to. You can wear it if you want. Didn’t take you for a yellow kind of guy.” He teases. Eddie scoffs, looking in the closet for something else. Not finding anything as soft as the sweater he held in his hands. Groaning he gives into his brain as he moves pulling his shirt off. Tossing it to the floor. His bandages were finally off and the scaring was still healing.
Steve snorts, chuckling a little bit. Eyes on Eddie who feels a bit self conscious now as his face scrunches up in a agitated manner. About to snap at the other before the other interrupts him. Breaking Eddie’s defenses quickly, “Hm- looks like we have matching scars Munson.” Steve laughs gently. Moving and straightening his back up as he pulls his shirt up a bit. Sure enough he had similar scaring on his side. Causing Eddie’s face to blush as he looks curiously, though he catches sight of even more marks on the others skin.
He can’t help himself, pulling the sweater over his own body as he grins. “Holy shit- your scars look metal as fuck dude.” The sweater covers his eyes for a few moments, Steve coming back into his vision after a moment of seeing nothing but yellow.
This- this was another thing Eddie has noticed. The way the other curls into himself, the way he never takes his shirt off even though his wounds were healed and nothing was stopping him from swimming anymore. If Eddie had been waiting for this moment, to just give him a compliment. That was for him to know. And only him. His smile is genuine as he looks at the other man- who’s features are slowly softening around him. As if he was trusting Eddie more and more to reveal the boy that was locked far inside.
“Is- is metal a good thing? Or bad thing?” Steve asks. Confused as he looks over at Eddie. At any moment he looks like he was going to throw another layer of clothing on. Eddie smiles softly.
“It’s a good thing Stevie- now. Do you have a hair tie I can borrow?” Eddie asks. Watching the other get distracted for a moment before nodding his head and rushing out the door to return with a hair tie. Watching Eddie carefully pull his hair in a bun, before moving and throwing himself at the bed. After pulling off his, pants. Which he had done when the other was outside the room.
Eddies head lands on the pillow, taking space as Steve hesitates. Before pulling his shirt over his head. Leaving his sweatpants on as he climbs in the bed. Pulling the sheets over his body. Feeling their body’s heating each other up.
“So- king steve.” Eddie drags out. One hand gripping onto the pillow underneath his head. Smile growing as the other makes eye contact, looking suspicious as hell. “Pillow fight?” Eddie grins right as Steve’s mouth forms a no. The pillow is already out from underneath Eddie’s head and smacking Steve right in the face. His no now muffled by the pillows fabric.
Sorry about missing a few days, I graduated last night and was very busy :), though next part I plan on doing a flashback of Steve in the prison so that’s just a heads up.
Second, I’m currently working on the next chapter of bark at the moon for those who are waiting for that :) last but not least I hope you enjoyed this part.
Almost forgot, I wrote in Eddie’s point of view without thinking 😭 I hope it was still as enjoyable to read
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kedreeva · 2 years
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Why I’m Mad About Eddie
Okay, so, like I said earlier, I’m not mad about the fact that Eddie died, the fact that he died is NOT the source of my anger. I’m mad about the poor storytelling that led to it not even being a good death, after they set it up to be a GREAT death. I’m mad (furious) because I deserve to be heartbroken over his death, I deserve to have bawled my eyes out, I deserve the catharsis of a good character death, not this rage burning in me over the disservices done.
If you’re mad about it but can’t quite place why you’re mad (instead of heartbroken, like we deserve to be, I deserve to be suffering a raw, gaping wound in my chest right now!!!), maybe this will help.
I want to be clear at the start here that the following is not an analysis of Eddie as a person, none of this is going to be treating him as if he were a real person. This is about Eddie as a tool of the plot, as a tool of the writers, as a character within a story being told by people that should be able to do their jobs better. If you see me saying things like “Eddie did X” or “Eddie thought X” the intent is not that Eddie, the person, performed these actions, but rather that the writers wrote him as performing these actions.
So with that, let’s proceed.
The core of my problem with Eddie’s death is that the manner in which he died is trying to sell us the opposite message to what the narration showed us to that point. The way the death is set up, the writers are trying to sell us on the message “Eddie is a coward that becomes a hero when he stops running away.” Unfortunately for the writers, that’s NOT what the rest of the narration has shown us, so that message ends up feeling empty.
So let’s look at that. When does Eddie run away?
The first and biggest instance, the one he remembers right before he turns around, is when Chrissy dies. Now, we as viewers might be tempted to believe he “ran away” here, but that’s only even slightly true when we look at him through the lens of having experienced the other characters. Look at the situation objectively; he invites a nice girl he’s a little soft on over to buy some drugs to help her relax because she’s CLEARLY going through it. He leaves her alone for a few seconds to look for said drugs, and when he comes back she starts levitating with her eyes rolled all the way back in her head, and then all of her bones break for no visible reason, and her face implodes. I don’t know anyone who would stick around through that, that is objectively horrifying, so I don’t see taking off as a cowardly action AT ALL,especially since there’s no way for Eddie to know if whatever caused that will turn and do it to him next.
I’m sorry but a 20 year old kid still literally trying to just graduate high school, whose life has been Very Normal up until now (or at least, Very Mundane) is excused from taking off at this point, especially because what’s he gonna do if he stays? He cannot help her. He cannot call the cops himself; there’s absolutely NO chance a cop believes “officer she levitated and something invisible broke all of her bones and smashed her face in, it totally was not me” from the town drug dealer. They should because it’s literally true, but they aren’t gonna. They are going to, reasonably for the information they would have, believe he’s on drugs and killed her. And Eddie learning what actually happened after the fact? Learning it was a supernatural monster that he literally would have had zero power to stop? I can, a little bit, understand him feeling like he SHOULD have been able to do something, but narratively speaking from outside of the story, taking off wasn’t a cowardly move. That was the right move, and the only one he could have made. We know, and he finds out, that there was fuck all he could have done except leave to stay alive to fight another day.
Okay, so when else does he run, that would support the narrative that he’s a coward? He runs from the cops when they’re trying to track him down for murdering Chrissy. But… he didn’t murder Chrissy and, again, there’s no way the cops are going to just believe him if he tells them the truth. Also like!! Good for him for running from the cops, this is not the day and age to tell a story about how you should turn yourself in for crimes you didn’t commit. So that’s another example of Eddie bolting when it’s perfectly reasonable and ostensibly correct to do so.
So when else? Well, he runs from the jock pack when they come to try to kill him with guns. I don’t know about you but if I know meathead religious fanatics that hate me are coming for me with guns, I’m not sticking around to test the theory that I’m bulletproof. I’m getting the fuck out of there, and Eddie did too, and he was right to do so. That’s self-preservation. That’s the only correct move to make, again. Lose the battle, win the war.
As another example, my friend brought up the DND game where he advises the players to run instead of fight, and I can’t really take this one seriously because there’s no stakes and he’s the DM. If they fight or run, there’s no real life consequences. No one actually gets hurt, no one actually dies. DMs are supposed to give their players a little shit. They’re supposed to goad them a little. They’re also supposed to watch out for them; he’s got their info, he’s got imaginary Vecna’s info, he knows the odds. Any good DM wants the players to have a good time, not just have their characters die for no good reason and them be upset IRL(the irony here is outrageous, with that the writers of this fucking show should want the viewers to have a good time not just have characters die for no good reason and us be upset… but I digress). So imo, again, he’s not acting as a coward, he’s acting as a DM responsible for the good time of other kids he’s playing with.
Those are the major times I can think of that Eddie is shown “running away” and none of them are acts of cowardice. They are all reasonable, normal reactions to incomprehensible and/or dangerous situations. So where is the narrative that he’s a coward coming from?? Because you know what I see? I see exactly the opposite being told to us, in the chances he has to run away where he chooses NOT to run already. They play his death like it’s somehow the first time ever that he’s chosen to not run but it’s literally not even the second or third time!
He may not stay to fight an entire posse of armed jocks, but you know when he does hold his ground? When Steve is jabbing around the boathouse with an oar. Eddie doesn’t hesitate to defend himself at that point. He’s ready to fight Steve with just a broken bottle rather than bolt. He ran when he was panicked, terrified, out of his normal mind with confusion. But as soon as he has his feet under him and is dealing with something he understands? He holds his ground.
The girls jump into the water after Steve, and Eddie tells Steve after that, you know, what was he going to do, NOT go after them? And he’s kind of playing it like he didn’t have a choice because he didn’t want to be shown up in courage by the girls, but I’m sorry, an actual coward would not have gone after them regardless of reputation. At the very least, a coward would have waited in the boat, and reasoned to himself that, well, someone needs to be here when they get back, someone needs to be able to pull them out of the water etc (which imo isn’t even all that cowardly, that could be very helpful if they needed it). A coward does not dive into a pitch black lake in the middle of the night, to swim through the little fiery gate to hell at the bottom. That’s not cowardly behavior, even if it is motivated by not wanting to look bad in front of others. He is scared, terrified, and he goes anyway, knowing full well he might die. That’s literally the definition of bravery: being afraid and doing it anyway. And what’s more?? Is that by that point, they’ve explained the deal to him. He is informed about the Upside Down by then. He was told the equivalent of “hell is trying to break into our world and we’re the only people that know and we have to stop it but we might die” and he fucking goes anyway.
Which is like. The Mordor speech is another point. They explain to him the deal, and they give him an out when there’s no pressure. He can hide out safely here, they’ll go do what they do (what they clearly know how to do, have done before, and are pretty sure they can do), and he does not need to be involved. No one is currently actively in danger when they ask him. The people around him clearly understand that what they are asking is Big and no one there is going to blame him for saying yeah, I think I’ll stay here, good luck. THAT would have been the action of a coward. That would have been the point to run away, when he could have done so with some modicum of dignity. But instead, he stands up and he tells them he doesn’t want to do this, but it’s the right thing to do, and he’s going to do it with them. That is a hero’s choice. He knows there is a chance he will die, he knows there is a chance they all die, he knows there’s a chance it will hurt and be terrifying and that if they fail the world might end. He knows!! He knows because they told him and he says Alright, let’s do it. Bravery is not the absence of fear, it is being terrified and doing it anyway, and that’s what Eddie chooses in that moment and in the lake and at the trailer. Even if he’d run away the entire rest of the season before that point, THAT moment in the woods is the point Eddie decided not to run away. That is the point, narratively, where choosing to not run away mattered; when he knew the stakes and chose to stay despite them. That’s the point where Eddie decided, narratively speaking, to become a hero.
Which is kind of weird, because the writers shortly afterward try to sell us, the viewers, on the opposite message. The group comes up with the plan; Eddie and Dustin square off with the demobats while Steve, Nancy, and Robin square off with Vecna. Neither group can handle both things. Both groups are important to the success of this mission. The trio is going to be sneaking up on what is basically a sleeping target, and with the bats gone all they have to do is watch where they step. Eddie and Dustin, on the other hand, are going to be literally facing off against hundreds, if not thousands, of massive, demonic bats that want to literally eat them alive. And the writers look us dead in the eyes and try to tell us through Dustin and Steve and Eddie’s conversation, that this is somehow NOT heroic.
Excuse me?
If I was faced with calling hundreds of giant killer demon bats to me, I would 100% consider that a heroic action. That’s brave as fuck!! Eddie has seen those fuckers up close and personal! He knows the damage even just one or two can do. He’s WELL aware he ends up as lunch if he’s not good enough. But he does it. He plays right there out in the open and then he stands back to back with Dustin and fights the bats that get inside. They both fight like hell to keep the demobats’ attention and keep each other alive.
So, up to this point… the narrative has shown us that Eddie actually doesn’t run away. In fact, it’s shown us the exact opposite: that given information and a choice, Eddie chooses, repeatedly, to stay, to help, to fight. Eddie chooses bravery (being afraid and doing it anyway) SEVERAL times in major ways.
Which is the first reason why his death rankles SO MUCH. The writers tried to TELL us that Eddie was “redeeming” his earlier cowardice (running away) by choosing to stay and fight, but they told us this after spending all season SHOWING us the opposite. Bad.
But… that’s also not all.
While the mixed message of cowardice/bravery does suck, it’s not the only fuck up in this death. It’s the characterization fuck up, it’s the one that leaves me feeling confused and the action devoid of emotion; you can’t turn someone into a hero if they were already a hero. It’s an empty message. Hollow.
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The other major reason revolves around the plot.
Like I said above, the point where Eddie actually decided to stay and fight was during the Mordor speech. That was the point where he was no longer running. But, let’s pretend that this wasn’t obvious enough, or even that it’s “easy” to decide to stay when nothing bad is currently going on in their vicinity. Maybe the argument is that bravery only counts when the shit hits the fan. Okay. So when does the shit hit the fan?
The shit hits the fan when the demobats are breaking into the trailer.
Back up a little, for clarity. The PLAN goes like this: Eddie and Dustin distract the demobats, to buy the trio time to get to Vecna. When the trio reaches Vecna, the demobats will turn their attention away from Eddie and Dustin, and go for the house to protect Vecna. This is understood by all party members, and is incorporated into the plan.
Now, here’s what the writers tell us the characters “know.” Attacking Vecna will alert the bats, as will touching vines, and the bats will leave the trailer to go to Vecna if either occurs. The Upside Down creatures they are going to be dealing with are a hive mind- if ONE of the creatures notices them, ALL of the creatures will notice them (which we and they have also seen in other demo-creatures in other seasons, so there’s no reason not to believe this is true).
What this MEANS is that as far as the characters know, as long as the bats are at the trailer, the trio has not A) stepped on any vines or B) started the fight. This also tells us that the trio expects the bats to fly from the trailer to the house and that that time is immutable and factored into the plan already. It also means that Eddie and Dustin can be sure that as long as the bats are at the trailer, the trio is fine (see A and B above) and on plan.
So, that leaves us with this: as long as the bats are at the trailer, Eddie and Dustin have NO reason to believe the trio is off-plan or in need of anything. As far as the duo knows, the trio has not been caught by vines (they have, but there’s NO WAY for Eddie and Dustin to know that, and in fact they must assume the opposite given what we have been shown they “know” about how touching the vines will alert the bats). The demobats (according to what we have been shown the characters know) will remain at the trailer trying to get to them until one of three things happens- they acquire new prey (the trio), they kill the duo, or the duo escapes in a way the bats cannot follow and they give up (at which point they may or may not leave, if they have nowhere in particular to go, we don’t really know what they do without prey besides fly around I guess).
Given that the bats ARE still at the trailer (meaning the trio is on task and safe) and ARE still trying to get to Eddie and Dustin (meaning the immutable flight time between trailer and house has not begun)… what is Eddie buying time FOR? They have the bats’ attention whether or not he does what he does. The trio, as far as he has any reason to believe, is safe. They haven’t communicated any problems. And (and this is IMPORTANT because we are talking about the WRITERS) we, the viewers, are not shown any indication that the plan is delayed in a way the Eddie or Dustin characters would be aware of. Neither of them mention “it’s taking too long” re: the Vecna battle beginning. From Eddie’s POV, we are given NO indication whatsoever that there’s any REASON to need to buy more time. We are shown that the trio is in distress, being strangled by vines but a) Eddie doesn’t know that, because touching the vines is supposed to set off the bats and they’re still at the trailer and b) he cannot “buy time” against the vines strangling them because extra time won’t do anything for that.
Narratively speaking, there’s no good reason for him to try to buy more time in the first place, either from his POV or outside of his POV.
On top of that, we’ve reached the “the shit hits the fan” moment, when Eddie is staring up at Dustin, the demobats are closing in, and Eddie is faced with a choice- leave with Dustin (which is following the plan and is a good move to make) or stay and fight (or to “buy time” for whatever that means). He chooses to stay to buy time for the trio. My wife pointed out that she thought he might be buying time for Dustin, but I would counter that with saying that there’s no indication of that. Their mission is to buy time for the trio, and he doesn’t say “buying YOU time” he just says “buying time.” To me, this indicates he is attempting to further their original mission.
Now, don’t get me wrong here. Eddie’s attempt to “buy time” was not completely without merit, it was just completely without merit the way it was set up and fulfilled. And that’s because it came before his clear “decision” to stay and fight was shown to us in flashbacks, without any indication that more time was actually needed, and because what he did before fighting (staying, running) was not recognized for what it was.
Here’s the deal. They have two sets of time which they could choose to try to increase; the time they are holding the demobats’ attention and the time it takes the demobats to get back to the house. The former increases no matter what, as long as they are focused on Eddie. The latter ONLY increases if Eddie is in motion away from the house, thus leading the demobats farther away and increasing the time it takes to fly back. The literal ONLY way to buy time in that second set is to run away from the house, and keep running until he cannot do so anymore.
Which is WHY it’s so senseless for him to have turned around to fight in the middle of running. He cannot win a fight against hundreds of demobats. He just can’t. And they were going to give chase to him again momentarily whether he turned around or not, so the best use of his time and energy is in fact not fighting, it is putting one more foot and one more foot and one more foot of distance between the demobats and the house where the trio is going to be fighting. Running away is literally the best way to buy time and save them.
Not fighting, not hiding, not holding down the fort. Running. Away. The thing we’ve been told he does, the thing he believes he does, even if we’ve been shown the opposite. The writers set up the exact situation in which running away is literally the correct and best answer for how to save the group. And then they give the extremely mixed and empty message that actually, turning to face the monsters and fight them for no good reason is the heroic thing to do. But why? They show us flashbacks at that point that are supposed to tell us that Eddie is just now considering that he should stop and turn and fight. NOW of all times??? NOW is the first we are shown that he thought of it? The writers certainly seem to think that this is the point, because they are flashing us back now. But that’s ridiculous, narratively, because he already decided to stay instead of flee, back at the Mordor speech. He already decided to sacrifice himself back at the trailer. We’ve been shown that he only runs when it’s sensible to do so, and that he’s perfectly willing to be brave when it’s appropriate, especially if it means protecting others.
So one of my other friends brought up this: Eddie believes he is a coward, regardless of his actions. She pointed out that she could see where even if he was not a coward, he might believe it enough to do what he did. The problem with this is... Remember way back at the beginning of this post where I said I will be talking about Eddie as a character and a plot tool? Eddie "believing" he is a coward is taking Eddie as a person, not a character in a narrative. It is perfectly reasonable for a character to believe something counter to the narrative! But... it has to be shown that it actually is counter to the narrative. There has to be some indication, an acknowledgment from the narrative, that while this character believes X, the truth is actually Y. And that doesn't happen here. The indication we get is that the Eddie character believes the times he ran were cowardly and that the actions that get him killed are not, and the writers, instead of reminding us that's not actually true by what we've been shown, try to use flashbacks to tell us that we should agree because they think the narrative supports that conclusion. Except it doesn't. Despite their best efforts, the narrative so far has communicated the opposite of what they try to sell us at the moment of his death. They want us to look at those flashbacks, agree that he's been a coward, and be happy that in this moment he is turning around to become a hero. But Eddie didn't become a hero in that moment by turning around. Eddie was already a hero. Eddie has been a hero practically the entire season so far.
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And that’s just… the problem. The writers completely failed to communicate the messages they wanted to communicate, and this meant that the things they SAID to us were hollow compared to the things they SHOWED us, and also ill timed.
Hope that helps.
This is part 2, that I added in a reblog but I'm including here now so I don't have to keep looking up the reblog:
Oh my god I'm sorry, I'm apparently not finished, a 4500 word dissertation was apparently not enough to locate all the things they did poorly with regards to Eddie's death and storyline.
I messed up, I looked at this purely from the perspective of Eddie as if he was in a vacuum, and he's not, and the entire- the whole entire season, everyone's plotline revolves around how running (or walking) away is the right decision sometimes. The literal threaded theme music through the season is 'Running up that Hill.' And yeah, some of the message is that at some point, turning to face the music (I'm sorry) may be necessary, but not until you're prepared to do so. Not when you're alone (at least not unless you're alone and cornered). Not when doing so will get you killed.
In Max's storyline, it's actually vital that she run away. She's the party's zoomer, running and being fast is built into her character design. Running from Vecna is what saves her life the first time he comes for her. Listening to a song about running away keeps her safe until they have a plan. More importantly, running to her support group, to her friends, to help so she's not alone, is what saves her fucking life. When she finally does face down Vecna? She hides. The plan is to have her hide out in the school dance gym, where she won't have to fight. Hiding, after spending all this time running, is good and right!! When she must be alone with no one able to help - just like Eddie being alone for Chrissy, for the cops, for the jocks - her job is to run, to hide, and to wait for support. Running is good because fighting alone is bad.
El's big moment with Papa this season? It wasn't when she fought him. It wasn't when she faced him down, those were the lead ups. Her crowning moment with him was when she ran from him. It was when her support group reached her and she looked at him as he was dying and asking her to stay, and she walked away from him. She was not the one to take him down. She tried facing him. She tried fighting him. It didn't work. Leaving, running away, was what finally got her free of him (and this also tracks with season 1, where literally the entire show launches because she ran away from danger and found support to stand beside her). And she was right to do so! I cheered so loud when she left him to die in the dirt. I rooted for every step she took trying to escape him. Running away was good and right because fighting alone is bad.
Jonathan, Argyle, Mike, and Will all ran away from the bad guys, taking the pizza truck and fucking booking it out of there to safety. They spend most of the season on the run! And you know what? It takes them right where they need to be, to catch El when she's falling. Running when you can't beat the odds is right and good. Running so you can fight another day is the smart move, sticking together and finding your group members is the best course of action.
Hopper, when he is alone in Russia, isn't about to take on the entire prison. What's his plan? Fucking run the fuck away!! Of course it is!! That's the only sensible plan he can possibly have! Running away from that danger is right and good! They only go back when he finds the others and they have a plan.
Go back to season 2- when does Will really get into trouble? When he takes the bad advice from Bob that he should turn and face his attacker. When he stops avoiding the mind flayer, it takes him. Bob's advice could have been good advice... in a mundane situation. But they're not in a mundane setting. They're in a supernatural horror setting, and turning to face the monsters when you're alone and have no plan gets you killed. His mother moves him all the way across the country to get him away from it, and granted it finds them anyway and they do end up going back, but... it's after they find Hopper. Joyce left after losing that part of their support network. El, as part of that section of the story, faces her attacker (the school bully) alone, and both times it gets her into worse trouble than walking away, even getting her arrested, taken away from the group and ultimately getting the group chased after (hey look running away) by people who try to kill them.
Just about the only character that routinely snatches up a weapon and stands their ground seemingly on instinct is... Steve. And you know what? He repeatedly gets his ass kicked because of it. He gets his ass kicked so many times it has become a running joke that he can't win a fight. It's become a staple of his character, even to the point of Dustin, in season 3, straight up making a plan that outright involves Steve not getting into a fight (and ironically that's the one human fight he wins) because that's a bad plan. It's a last resort. Fighting is what they do when they've exhausted all other options and have no choice (and this is also a message repeated many times throughout the series, as "this sucks and we don't want to/shouldn't have to do this but there's no one else and no choice, we have to fight").
Over and over and over and over the writers show us "running away is sometimes the right choice to make" and yet... And yet they tell us "Eddie Munson is a coward for running away." Why? Why is he any different than literally anyone else? Why, when he is alone and cannot possibly win, is he the only one punished for running away until the group can find him? He didn't run away when it mattered! He chose to fight with the group when it would make a difference, when they had a plan and were able to support one another. Narratively speaking his death was a horrible mixed message compared to the narrative of the entire rest of the season, and every other character.
Anyway I've run all the way up this fucking hill, I guess I'm gonna die on it.
-----
Allow me a few more minutes of your time, I know this is long already but hear me out about a couple simple changes to the narrative that would have shifted everything:
Imagine if you will, that we have everything set up the same, right up until Dustin goes through the gate into Eddie’s trailer in the real world.
And then imagine that this is the point where Eddie pauses, and remembers being in this very same fucking trailer with Chrissy and being helpless. There’s nothing he could have done then. Imagine getting the flashbacks NOW, while he’s still in the trailer, and his decision hinging not on his guilt over running (which was reasonable) but on his helplessness in that moment. He couldn't save Chrissy but he can save these people, here, in the now. Imagine him remembering the trio talking the timing of the plan over, and imagine Eddie communicating to Dustin in the now that “It’s been too long. The bats should be heading for the house by now. They need help.” and imagine him telling Dustin that he’ll get the bats out of there, lead them away, buy time, and that Dustin needs to go help the others. In no way does he want to send Dustin to do this, in no way does he want to endanger Dustin, but he’s the only one there is and the fate of the fucking world may depend on the party succeeding. That, and it’s currently far more dangerous right now to be demobat bait.
Imagine that he gets out of the house, and onto the bike, knowing full well that if he doesn’t get the bats as far away as he can as fast as possible, the bats may see Dustin (which incidentally places the emotion of the moment on a character we know and love and are also invested in, instead of some random person we had for half a second 4 seasons in). Imagine that he’s desperate to buy that time because it matters now, the stakes of him buying time are so fucking high now. He’s learned to run, and now running is the thing that is going to save the others, maybe the world. He’s running knowing full well that running may get him killed, because the bats are faster than he is, but the group needs him. Running, in this moment IS an act of bravery. This is what he can do, he’s supposed to be good at it. So he does it.
And imagine the moment the bats do catch up, and they do drag him off the bike, and there’s no help coming, and imagine that he literally walks backward deeper into hell while fending them off, fighting tooth and nail for one more foot of distance, and one more, and one more, because the farther he can walk, the farther the bats are from the trio and from Dustin. The more time he can buy for Dustin to reach them, the better their chances of surviving are, even if Eddie doesn’t.
And imagine that this makes a difference. Imagine Dustin reaching the group and pulling out one of the firebombs from their dropped packs, and burning the vines into releasing the trio, and someone demands to know where Eddie is, and Dustin telling them he’s being a hero, don’t waste his sacrifice, and he looks like he’s gonna cry but they don’t have TIME. And Vecna is aware of them now because of the firebomb, but when they get there, his attention gets yanked to El arriving in the Upside Down and challenging him and he can’t split his attention. So they attack him while El is attacking. Maybe it trades off where he’s focusing. Maybe their attack is what distracts him just enough for El to hear Mike and get out of her vines after Vecna was starting to win.
And maybe none of that makes a difference in the end, maybe what ultimately happens to Eddie doesn’t change. Maybe Eddie does die knowing full well that that was the inevitable consequence of his choice. Or maybe they beat Vecna fast enough the bats drop and he lives. At that point, living or dying is narratively the same intensity (although obviously I would prefer he live, I would have accepted and mourned if he has died, instead of being full of rage). Either he died an actual hero whose actions really did buy time and allow the party to survive, or he lives knowing that sometimes, actually, running is the right choice, if it means surviving to continue the fight.
So. That’s why I am mad about his death. Not because it happened, but because it happened in such a completely senseless and ultimately useless manner. He didn’t buy time. He didn’t actually save anyone. He didn’t even really complete his own narrative arc the way it had been set up. He just died and we’re being told we should be very proud of him and terribly sad because he was a hero, and instead I’m mildly disgusted, disappointed, and furious at the inability of the writers to tell a coherent story about his death.
Hope that helps.
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Kang’s gradual and complete breakdown
On rewatch, we were given a significant number of clues as to how bad Kang’s mental state is going into his conversation with Grandma Ging:
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First, he stops and looks in on his dad. It’s easy to imagine that Kang is remembering how excited he’d been at the newfound hope that they might be able to repair their relationship, but that now seeing him on life support, Kang’s wondering if he’ll ever get to talk to him again.
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Then, Grandma Ging tells us two pieces of what I think are critical information — Kang was supposed to stay in the house but he left in the middle of the night.
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The last time this happened, when she was in the hospital and the dad stayed, we know it was only Kang and Sailom in the house. So now, we can infer Kang would have been all alone with all those big, dark, empty rooms. He would have had nothing to think about but his dad is possibly dying and how he pushed Sailom away. He would have been helpless but to remember how Sailom was with him the last time — how back then they were on the cusp of becoming boyfriends.
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Then, Kang asks this. He outright tells us he couldn’t sleep and he needed comfort.
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We know Kang has trouble sleeping when he’s anxious.
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It’s not hard to imagine that he’s been like this every night since Sailom packed his things.
@criticallyobs speculates in their reaction episode that “hug you to sleep” might have been something Kang did with his mom.
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He’s also asked that of Sailom, on a night before important exams. (I’m not crying at the idea that Sailom has taken on a role Kang’s mom used to play!! My screen just suddenly got blurry!!)
So before she ever brings up Saifah, we know (1) Kang probably hasn’t slept in days, (2) Kang is anxious, (3) Kang has been drowning in worry for his dad and thoughts of Sailom.
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Well, then immediately after he came to her for comfort, she asks him about the subject that’s been torturing him. And look at him — he looks sick at the idea.
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He is a relatively simple thinker so he asks this. In his mind, why would Saifah confess if he were innocent? This is a great example of a situation where he would normally lean on Sailom to help tease out a complex topic but can’t anymore.
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And then, it gets even worse. Because if he didn’t want to talk about Saifah when he walked into the room, do you know who he really didn’t want to talk about? Saifah’s brother.
Grandma Ging is telling him here, Saifah would not have done this because not being in our home badly hurts Sailom. Someone who loves Sailom would not want to see him hurt.
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I feel like any time I defend Kang I need to put these screenshots in, because not doing so would seem like trying to hide these words. Which again, are terrible.
But I said before, in ‘In Defense of Kang’ that what Kang is actually doing here is (obnoxiously) trying to justify his own actions to himself. He’s leaning on words he’s probably heard from his dad. He CANNOT have been wrong about Saifah. That is impossible to think about, because then it means that he threw the person he loved into a “difficult situation” for absolutely no reason (leaving aside the fact that he handled the situation badly even if Saifah were guilty). Grandma Ging has just point blank told him, if you love someone you wouldn’t do something like this.
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This is Kang’s face immediately after he gives that little speech. He doesn’t believe his own words. He very clearly feels worse than he did before he walked into the room.
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He already knew on some level that he made a mistake in sending Sailom away the night Sailom first left.
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But this is when the full magnitude of his actions start to hit him.
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Kang had already been grappling with the knowledge that he’d badly wronged Sailom when Sailom called him. He got to experience exactly one second of hope that Sailom wanted to reconcile, only for it to turn into a waking nightmare. This initial anger is his fear and self loathing bursting out.
((I do want to caveat before I continue that I do not believe it is entirely Kang’s fault that Sailom turned to escorting. Sailom turned down a genuine offer of help from his friends.
But Kang’s actions indisputably played a role. And he was forced to see in horrifying detail the consequences of him depriving Sailom of his support.))
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Seeing Sailom scared and groggy and confused, shirt still hanging open from his near assault showed Kang in painful detail exactly how badly he failed to take care of the person he loves. In the face of this, anger so so quickly gives way to overwhelming regret.
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Kang’s breakdown here is the final escalation of how he’s already been feeling since the moment Sailom walked out of his house. The escort scene gave the final blow necessary for Kang to shatter. It ensured Kang will never ever forget the importance of his role as a protector.
However, Kang had already been well on his way here for days.
(Find Sailom’s version here)
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spidercookie18 · 6 months
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𝒀𝒐𝒖 𝑪𝒂𝒏 𝑹𝒖𝒏 𝒃𝒖𝒕 𝒀𝒐𝒖 𝑪𝒂𝒏’𝒕 𝑯𝒊𝒅𝒆
The Lost Boys 1987 AU set in modern time. None of the boys died, and all the Emersons/Star/Laddie/Frog brothers are vampires. This is explained later…
Tags: Halfing vampire, mentions of killing, swearing, scenting, biting, smut, dp, oral, creampies, choking, degradation, praise, spanking, smoking, use of y/n, afab, use of she/her. Warnings: This chapter is basically 97% porn 3% plot. MINORS DNI Summary: Y/N apologizes to Marko, David is behind her every step of the way ;) Word Count: 7k Previous chapter here: Next chapter here:
“No one should suffer what I suffered. I still dread those scenes when man killed man. I lost my parents, most of my family, by running away.” — Milkha Singh
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Chapter Four
After some light arguing, and some teasing, David agreed not to rifle through your things again…for the time being.
You got dressed and packed your bag for what you were sure would be another overday stay. You remembered to burn the old vial necklace you had before you left, and then locked up. David took you to a burger joint and you both sat on the curb near the bike, eating burgers and fries.
“Thank you, these are really good,” you licked your lips and picked up another fry.
“Told ya, they’re solid, it’s no ‘Charlie’, but it’s good.”
You laughed and had a sip of your drink. You shifted to one side and pulled your shorts down a bit. David noted that that was the third time in a few minutes that you’d adjusted your clothes.
“Yeah, it’s that damn thong you wanted me to wear,” you snapped at him.
He laughed, “you don’t like it?”
“No, it’s cute, but it’s just annoying,” you shifted again in your seat.
“Well, I’ll just have to take it off ya then,” David said, slipping his fingers down the back of your shorts to pull at the thong.
You yelped, “David!” And arched away from him.  
“Sorry, sweetness, couldn’t help myself.”
He chuckled and went back to eating his burger. He watched you from the corner of his eye; you looked happy sitting next to him, just doing something normal for a change.
“What David?” you asked, noticing him watch you.
“You got a lot of shit at your place,” he said bluntly.
“Okay, you’re one to talk, you’re actually a hoarder.”
“Am not,”
“Who’s Michael?” You asked, poking fun at him, “should I be worried?”
“Wait, did you go through my stuff?” David turned in his seat to question you.
You shrugged, continuing to eat.
“Don’t go through my things,” he hissed.
“Oh, but you can go through mine?” Your mouth full, you sipped on the coke.
“All you said was ‘not to break anything’, which I didn’t,” he reminded you.
“Fair enough,” you put the empty fry cup in the bag.
David turned back in his seat and got quiet, like he was thinking. “Eh, you’ll meet Mike n all of em soon enough.” He picked up his soda and took a sip, “I’ll take ya along on laundry day, how about that?”
“Oh, so you guys do do laundry,” you giggled.
“We don’t smell,” David rolled his eyes at you.  “But my point was… where’d you get all that stuff?”
Without turning, you replied to him, “thirty-five years is a long time to be on the run, David,” you wiped your mouth with a napkin.
He shrugged, “you got sticky fingers,” he chuckled.
“I did not steal that stuff!” you shouted at him.
“Then how did you-”
“I bought it, stupid.” You put the empty burger wrapper in the bag, “also, plane tickets aren’t free.”
He looked at you confused, “what do you mean you ‘paid for it’?”
“I work, duh.”
He stared at you for a second, “what work can a halflin’ do?”
“Kinda what you guys do, but for money.”
“You eat people for money?”
“No,” you rolled your eyes at him. “I kill people…n’ sell their parts,” you said, plainly.
“You WHAT?”
You took a long sip from your drink, and began to explain, “when I left Monty, none of the people he dealt with would work with me- I can’t even be mad at them; hell, I wouldn’t have wanted to work with me either. But because I knew how to make those kinds of…connections, I was able to make some money. Whatever the pack wouldn’t eat they would sell to certain… buyers.”
“Buyers?”
“Mhm, if you have enough money, you can buy all kinds of crazy shit. I had this one guy the other day wanting Orc tusks. I’ll tell you, that job fucking sucked.” You laughed.
“Wait,” David was still confused by how casual you were being, “you can just buy parts? Like black market type stuff?”
“Um, kinda, that stuff is used more for surgeries and medicine, my stuff is more niche. I’ve had people ask for body parts of old lovers, or enemies. Sometimes they’ll want dragon eyes, or maybe a rich farie wants to eat some specific part of some specific person, or sometimes rich humans want to mount a werewolf head in their parlor.”
“Dragon eyes?”
“Not the kind you’re thinking of…”
David was taken aback at this new revelation, he didn’t really consider the lives of other night creatures often, and he especially never thought people hunted them for parts. “Do you ever hunt vampires?” He asked, sheepishly.
You shook your head, “nah, I try to steer clear of vamp nests, you just never know who knows who, ya know?”
“Huh.” David stared at the ground, pushing a pebble around with his shoe, pondering. He looked back at you.
“What David?”
He scooted a bit from you, “you’re kinda scary,” he said, and you busted out laughing.
“Shut up!” You laughed out and pushed his shoulder. “Relax, I’m not hunting you,”
“Sweetness, you couldn’t take me down,”
“David,” you patted the gun in your tote, “I already did.” You reminded him, and he scoffed.
“I let you,”
“uh-huh, whatever helps you sleep at day, sweetheart.��
David huffed at you, luckily, he thought your attitude was cute. He stood up and stretched. You loved watching him; there was something about David that just, enamored you. His arms went high over his head, and he grunted as he stretched; you watched as his shirt raised up just a little bit and exposed his tummy.
Such a cute treasure trail, you thought as his arms came back down to his side.
David raised an eyebrow as he watched your eyes fix on his belt. He smiled, “looks like I gotta get you home.”
You blushed when you realized he caught you staring at him. David extended his hand out to you, and you took it; he pulled you up off the ground, and close against his body. He growled low against your neck, nuzzling your skin; you could feel him inhaling you.
“David,” you said meekly, “people are watching,” you squirmed against his hold.
“Let them look,” he began to suck hickies into your neck.
You mewled, you weren’t going to get free from him, you knew that, but you could at least have some privacy. “David,” you whimpered, “please...”
You felt his teeth scrape against your neck again, and he swiftly picked you up, and placed you on the back of his bike. He pulled you by your jaw and kissed you, and you moaned against his lips. “Ohh, sweet thing, you’re gonna get it.” He swung a leg around the bike and revved the engine. He kicked the stand up and waited for you to put your arms around him, the second you did, he took off. The bike sped off down the street and within a few minutes you were rolling up to the cliff above the lighthouse.
David parked the bike behind the rocks where it normally was, and he noticed that Marko’s bike was back in its spot. His mood shifted, and he turned his head to look at you,” you’re still going to apologize to him.”
“I know, David.”
David offered you his hand as he got off the bike. You took it and swung your leg off. You watched as David pulled his cigarettes out of his jacket. He put two in his mouth and pulled out his lighter. He lit the cigarettes and took a few short puffs to ignite them. He put the lighter back in his pocket and pulled one of the cigarettes from his mouth and handed it to you. You smiled at his trick and took the cigarette from him. He took a long inhale and walked you down to the edge of the stairs.
When you got to the first step, David started floating above it, “you want me to carry you?”
 You chuckled, when he wasn’t being a menace, he was actually quite sweet. “Thanks, but I can do it,” very lightly, and barely noticeable, you floated above the wood, and down the stairs.
David was grinning, ear to ear, “ha-ha! I didn’t know you could do that!” He floated in front of you and landed, waiting for you with open arms. Your heart glowed at how proud David looked, “sweet thing, what else can you do?”
You chuckled as he rubbed his thumb over your cheek; there was a loud noise that came from the cave further in, and the both of you looked towards the flickering lights, “I’ll show you another time, okay?”
The two of you walked inside, and your mind raced with what you would say to Marko to get him to forgive you. David helped you down the rocks into the main cavern and you saw Marko, laid up against the couch blowing up puffs of grey-white clouds. He was blasting rock music and as you got closer, you noticed he was smoking a joint.
“Marko,” David called to him over the noise, “we’re home!”
Marko half turned his head to see who it was, then rolled his eyes and turned back around. He huffed and pressed himself further into the arm of the couch. David puffed on his cigarette and walked over to the old boom box, to turn it down.
“Hey!” Marko protested.
David motioned for you to step forward, and you took one last drag from the cigarette before you tossed the butt in an old tin can. You walked in front of where Marko was sitting, and he looked at you from the corner of his eye.
“Marko…” you fiddled with your hands, “I’m really sorry for being a brat to you earlier.”
He took a long drag from his joint as he eyed you, then turned and blew the smoke in your face, “fuck you.”
“MARKO,” David shouted at him.
“That’s not a fuckin apology, she’s not sorry!” Marko hissed at David.
David started to move towards the couch to continue yelling at his brother, Marko kicked his legs off the couch and sat up to defend himself. The boys were yelling all kinds of nonsense at each other, none of which you paid any mind to.
All you did, was kneel at Marko’s feet; he wanted an apology, so, you’d give him one that’d shut him the hell up. The boys quieted as they watched you, you knelt in between Markos legs and held your closed hands in a prayer to your forehead. You looked down at his feet and gave him what he wanted.
“Marko, I’m so sorry for my behavior earlier. Thank you for taking care of me… I’ll never disobey you, or lie to you again,” you looked up at him with puppy dog eyes and pouty lips. “Please…forgive me.”
The boys stilled, watching you in silence. David had no idea you would take it that far, and Marko… well, he really enjoyed that.
He gulped and shifted in his seat. He didn’t know if it was the weed, or that desperate look on your face, but he loved the way you looked groveling below him. He leaned down, and inhaled the joint, his hazel eyes looked over all your features, and he slowly blew the smoke out on your face. You winced, coughing lightly. Marko chuckled and sat back up in his seat. He spread his legs in front of you, and you noticed the tent growing in his jeans.
“Marko?” David called to him, standing behind you, “is there something you want?” You could hear the smile in his voice.
Marko smirked, his eyes locked on your, “you really want me to forgive you?”
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You were ordered on the bed and positioned yourself on all fours. David sat behind your ass, and Marko stood in front of you by the bed, still smoking his joint. He slowly crept on the mattress in front of you, his knees on either side of your hands and softly angled his hips up into your face.
You knew he would enjoy taking out his frustrations on you, especially since you would be ‘apologizing to him’ the way he wanted. You felt David kiss up your thighs and pulled your shorts up by the belt loop, the seam of the denim rubbing against you. You moaned and wiggled, you could hear him chuckling now. He rubbed his fingers along the seam against your clothed pussy and felt you get wetter with anticipation.
Marko looked down at you from where he was on the bed, he was clearly still very upset with you; you swallowed hard in your throat and felt your cunt clench around nothing. You felt David’s nose press up against your pussy, and you whined. Your mind was fuzzy from the smoke, and you felt Marko place his hand on the back of your head. You’d noticed him shifting around on his knees and the denim creaked from the push of his erection. He rubbed his hand over his jean covered cock, and slowly undid his buttons and belt. You gulped at the worry of your punishment.
Marko was smiling that devious grin down at you, as he slowly freed his cock from his jeans. He wasn’t as big as David, he was a bit shorter, but still very thick, his veiny cock curved up, and had a bulbous, red head, that looked heavy as it bobbed up and down.
He pressed it up against your nose and held you against his shaft.
He wanted to degrade you; he was going to embarrass you in every way he could. He was furious at you for stepping in between him and David. He was his second in command, he was the one you should have been submitting to. Instead, he had to baby your ass, while you got him in trouble. Marko gritted his teeth. He licked the tips of his fingers and tossed the dead joint from his mouth. He was going to make you regret pissing him off, he would burn that lesson into your body.
Marko pulled your hair and you winced, he pushed his tip up against your lips and rubbed his precum along your smile. “Put your tongue out,” he ordered, and you stuck your tongue out for him. You flinched when he tapped his cock on your lips and tongue. “Oh, don’t you like that?” Marko mocked you, “how about this?” He pulled hard on your hair, and when you opened your mouth to protest, he shoved his cock deep into your mouth.
“Mrmph,” you moaned around him; David was having fun slowly stripping the clothes off of your body. You could feel his hands wandering around your cunt and ass, but your attention was somewhere else.
Marko made shallow thrusts against your mouth and held your jaw so you would look up at him. He wasn’t as big as what you were forced to take last night, but he was damn near as mean about it, and he was mocking your every sound.
“Ohh does the princess not like that?” And he would shove his cock in deeper, and harder than before. He pushed you down on his length and held you there, you felt your lips hit against his base and his pubes tickled your nose. You struggled against his hold, and when your eyes began to roll back from lack of oxygen, he took you off in one quick movement.
“Aaaah,” you gasped, and Marko laughed at the saliva that connected you to him.
He watched as the string of drool got thinner and thinner and finally dripped down your chin, “you look good like that,” he was wearing that shit eating grin of his, and he rubbed his tip across your mouth and cheeks to spread the saliva.
You grimaced and tried to pull away from him, so he gripped your chin, pried open your jaw, and shoved his cock back into your mouth. He held you by either side of your face and fucked his cock down your throat. He was going to make you pay, and he laughed at the tears that prickled the sides of your eyes.
“You’re going to be good from now on, you hear me?” The words he growled out accentuated by each thrust, and you moaned in agreement against his length.
David was having the time of his unlife watching the two of you have fun with each other, if he had thought for even a second, that you didn’t want this, he would have stopped. But he could tell how much you were enjoying apologizing to Marko by how wet your pussy was getting. David had pulled your panties off and watched your love drip down your cunt. “Fuck darlin,” he sucked in through his teeth, and started licking slow stripes along your slit.
You moaned on Markos cock, “fuck, David, you really got her going there,” Marko bobbed your head along his length.
“Do you like all the attention you’re getting, Y/N?” David chuckled as he shoved a finger inside you.
“Mrmph! Mhm-mhhh,” you moaned eagerly.
Marko loved how soft and warm your tongue felt on the underside of his cock. He pulled you off of him with a pop and he moved your sweet dirty little mouth to lick his balls while he jerked off on your face.
You licked, and sucked, and swirled your tongue on his balls, trying your best to be apologetic for your behavior earlier. “Ohh, fuck, David I think she’s really sorry man,” Marko laughed out. He loved the way your eyes rolled back as you licked at him from below.
“Good,” David shoved another finger inside your cunt and scissored you open, “now she’ll know not to be a little shit.” He said sternly as you clenched around him. “Oh, sweet thing, are you gonna come already?”
Marko looked down at you as your eyes began to cross.
“Mmhm,” you moaned with his balls in your mouth.
“Fuck, David, I think I’m close too,” Marko moved you from his balls back to his cock, you gasped as you were repositioned. Marko was deep in your mouth, against the back of your throat making quick shallow thrusts.
David chuckled, “are the both of you going to come? Already?” You and Marko whimpered unanimously, and David chuckled, delighted by the way the both of you squirmed. “Tisk, tisk”, David shook his head in amusement. “Well sweetness, if you wanna come you know you gotta beg,” he shoved his fingers deep into you, curling them and pushing you further on Markos cock. You came off of Marko’s length with a pop as you turned to look at David.
“Please,” you begged out, a breathy pant. 
David smiled into your skin as he pressed kisses on your thighs, “not me, darlin,” he pushed you forward on the other vamp’s cock as he curled his fingers in you.  
Marko rubbed the back of your hair, he chuckled when you looked back up at him, puppy dog eyes trying to win his favor. “Get back to it, principessa.” He slipped your mouth back on himself, and you wrapped your tongue around his tip.
“Pwease,” you mumbled, still lapping at his tip. Your eyes were shut now, brows scrunched up in want; you focused on giving him pleasure, so you could get some.
You both moaned and whimpered, your lips pressed to his base, begging for your release. Marko whined, his face contorted with pleasure, “come for me, bella,” your walls spasmed around David’s fingers and Marko’s fingers intertwined with your hair as he shoved himself deep into your mouth to spray down your throat.
“Fuuuuuuck,” Marko moaned as his hips stuttered against your lips. You felt your whole body shake from your own orgasm, and you tried not to choke on Marko’s cock, it was so much come, you couldn’t swallow it fast enough. Marko pulled out from you and jerked the last few sprays in your face. You flinched as it hit your nose, and cheek, and the boys laughed.
Marko sat back down on his knees, clearly spent, while David turned you over to your back. He moved from his place between your legs, walked over to the side of the bed, and sat down next to where your head was. He wiped off Markos cum from your face, with his fingers and pushed them into your mouth.
You swirled your tongue against David’s gloved digits, “good girl,” he said darkly. He pulled his fingers from your mouth and moved his hand to your throat. “Now,” he let his other hand travel down to your cunt and rubbed your clit gently. “Are you going to be good from now on?”
You whimpered and nodded, “mhm”.
David squeezed harder on your throat, “is there something you want to tell Marko?” David pressed harder on your clit, and your hips started squirming on reaction. “Sweetness?” David called to you.
“Yessir, m’sorry Marko,” you choked against David’s hand. “I’ll be good…I promise,” Marko smiled, and David leaned over to kiss him.
You watched from your place below the boys as they licked each other’s tongues. You whimpered; watching the boys make out, while David choked you and played with your pussy, felt too good. Your hips bucked against David’s hands, and he pulled away from Marko.
“So fucking needy,” Marko said as he kissed down David’s cheek and jaw; the boys were looking down at you now.
Tears ran down the corner of your eyes and David finally pulled his hand from your throat. You gasped, and David moved to kneel above you at the top of the bed. His legs on either side of your head and pinned your wrists down. Marko walked to the other end, between your legs and started to lazily stroke his cock in his fist. You picked your head up and looked down at Marko, he threw his jacket to the wheelchair that was still by the bed and pushed his jeans further down. You looked up at David as Marko began to take off his shirt, your eyebrows knitted with nervousness.
“If you want to stop darlin, say so now,” David pressed a kiss against your forehead. Marko leaned down and ran his tongue over your wet slit.
“F-fuck!” You looked back down at Marko; his tongue was thin and forked and he slowly flicked it across your clit.
Now, he could smell you. The scent of your arousal, and the scent of your skin, he felt a heat grow in his chest and cheeks.
Was this what David had been smelling? He thought as he let his tongue lap up your love, no wonder he was going crazy.
He looked up at you, his beautiful hazel eyes turning gold and red, his nostrils flared as he savored your scent.
More!
He swirled his tongue in and out of you, it felt so odd and so fucking good. You pulled against David’s hold as you mewled and bucked your hips against the curly haired blonds face.
“Maarkoooo…” David called to the other vampire. He could hear his brother beginning to slip away, and called him back before it was too late.
Marko looked up at David from between your legs. He reluctantly pulled his tongue from you. He sat up, crawled onto the bed, and held his cock in his hand, he rubbed his thumb over his tip. He bit his lip; silently begging for your permission. You nodded softly to Marko, and he eagerly pushed himself inside you.
You moaned so sweetly for him, you felt so warm and nice against him. Marko pushed into you to the hilt. He pushed your shirt up over your breasts and pulled your hips down to him. He was a tits man, and he was going to love every second watching your beautiful pair bounce up and down for him.
“Aaah, Marko,” you whimpered as he bottomed out in you.
“Fuck,” he sucked in air through his teeth.
You could feel David shifting around atop you; you were surprised at how patient he had been this entire time, maybe this was his way of making it up to Marko for how he snapped at him earlier.
Marko wrapped your legs around his waist and started slow thrusts, you moaned, and he gripped his fingers into your flesh. It was a nice change of pace from last night, they both felt so good. From where he was hitting you, Markos tip dragged slowly against your sweet spot.
“Marko,” you whined, and pulled against David’s hold on your wrists.
“Easy, sweet thing,” David said gently, “just enjoy it.”
Marko picked up his pace and you could feel his balls slapping against your ass. The noise coming from you all was so lewd, you and Marko were moaning and gasping with the feel of each other’s bodies, and David was humming contently at the sight before him. Marko pulled your legs from around his waist and sat up with your legs parallel to him. He dug his nails into your thighs and started fucking you harder.
“Ahh fuck!” He’d stopped being gentle and was fucking you akin to how David was the night before. “Marko!”
You could hear your own mewling in your ears and David had moved to hold both of your wrists with one hand to cover your mouth with his other. “Noisy little thing, you don’t want to wake the neighbors, do you?” David chuckled.
“I want to hear her,” Marko panted out.
David looked up at him,” yeah?”
“Yeah,” Marko nodded, and David took his hand from your lips.
You moaned a symphony of the boy’s names as you came undone for them.
“Fuck, she’s squeezing me so tight,” Marko winced as he held your legs close to his chest.
“Yeah, but it feels fucking good, don’t it?” David looked down at you.
Marko started licking and nipping at your legs.
“Aah!” You cried out as he began to sink his fangs in.
“MARKO,” David shouted. Marko looked over at David, confused by his anger. “No blood,” he shook his head slowly and you could feel his low growling rumble through your upper half.
Marko reluctantly retracted his teeth and continued to suck marks along your legs.
“Marko,” you whimpered under him, you felt so good squeezing his cock, so warm, and soft, and wet.
“Fuuuuck,” he growled, moving your thighs off his chest, and your legs draped across his elbows. You could feel yourself bouncing in the bed when his hips came down against your ass. It was so hard, and deep into your heat. The plat, plat, plat, that came from Marko’s thrust against you was barely louder than your moaning.
“Harder!” you screamed as you raised your hips off the bed.
“Oh, is that not enough for you?” He lifted his arms and pulled your hips up to his level and railed into you. You moaned and whimpered as the boys enjoyed your reactions. David freed his cock from his jeans and started slowly jerking himself off with his free hand, while Marko fucked you dumb. He thrusted hard against your cervix, and you begged for his cum.
“Please, I want it,” you called out to Marko, and began begging for kisses.
David leaned down, shoving his tongue into your mouth. You tasted yourself on his lips, and he tasted Marko off yours. Marko pushed hard into your warm cunt and painted your insides white; he bent over you to suck on your breasts as he came.
Marko pressed his hips against your ass, and moaned as he filled you past your brim. You whimpered and David kept shoving his tongue down your throat.
Poor Marko slumped against your form, it had been so long since he’d shared someone with David, he loved sharing with him. He pushed up from where he was on the bed and brought David in for a kiss, you’d have felt left out if Marko wasn’t still throbbing inside of you. You wiggled against David’s hold and the boys chuckled as they pulled off of you.
You were more than satisfied with how the night was ending. The two vampire boys enamored with you, kissing, and licking all over your body, their sweet moans captured on yours and their skin. The warmth of the friction, the bruises and marks, the beautiful noises that echoed through the cave…
But David had to greedily end your happiness, “oh sweet thing, you’re not tired yet are you?”
With that, Marko pulled out of you, and pulled you over him. He laid back on the bed, and his come started dripping down your cunt onto his cock. You were back on all fours, and he was on his back on the bed. David pushed your ass down, your knees slid out and Marko’s cock was stuffed back in your pussy. You whined as David quickly moved behind you. He pushed down on your back and angled your hips up. He climbed over you and Marko, then lined up with your entrance. You were still hazy, coming down from your high when you realized what was happening.
“David, wait,” you tried to turn your head.
“It’s okay sweetness,” David said as he teased his tip against your skin.
“We’re gonna make you feel real good,” Marko said, pulling you down to him for a kiss. He tasted like weed; he was so greedy with how he kissed. His lips crashing against yours, his tongue eagerly pressing into your mouth, biting, and sucking your lips, you finally pulled away from him with a loud gasp when David pressed into you.
“Fuck, fuck, fuck, David!” You screamed and moaned and wiggled against the boys as David’s cock bullied its way into your pussy.
“Hold her Marko!” David ordered him.
“Comere bella,” Marko pulled you back to a kiss and you whimpered against him. Your eyes were all the way back in your head, and your arms and legs shook as you tried to stay up right. The sensation of both the boys stuffed into your cunt was overwhelming. It was painful, and it stung at how stretched you were, you felt the tears come to your eyes and you sobbed into Marko’s mouth.
David finally stopped when his cock wouldn’t go in any further, nestled against Marko’s, the boys stilled to let you adjust. You were still sobbing and whimpering into Marko’s mouth when they finally checked on you.
“How’s she doing?” David asked Marko.
Marko pulled away from you and watched as the drool dripped out of your mouth and your eyes crossed. He chuckled, “I think she likes it,” Marko called to him. The boys slowly started to move in and out of you.
“F-f-fuuuuuuck,” you moaned, and tears started streaming from your eyes.
It was more pleasure than you’d ever felt, you tried to keep yourself from coming, because you knew your cunt would clench around them and squeezed even tighter. You didn’t want them losing control right now, so you just focused on breathing.
You panted, hard, and your fingers gripped into the sheets. When David pulled out, Marko pushed in, when Marko pulled out, David pushed in. They worked together to make you cry out with pleasure, they knew just how to make you come undone for them.
With a scream, you tore at the sheets in your hands, and you felt your knees buckle below you. You slumped against Marko’s chest, and he looked down at you from where he laid.
“You’re tuckering her out David.”
“She’s a big girl, she can take it.”
David slipped his fingers down your shoulders and around your arms. He grabbed around your elbows and pulled your arms up and behind you. You huffed and David sat back with your wrists in his hands and your arms pulled straight back. From where he was leaned back, he had you sat up, it was almost a sadistic form of cowgirl, except you were double stuffed with two big vampire cocks.
“D-D-David” you whined. Your head falling up, and felt the tears roll down towards your ears.
You could hear him laughing behind you, there was little you could do but pant and come. Marko gripped his nails into your hips and thrusted up into you. He loved watching your breasts bounce up and down, he was starting to be glad that David brought you home.
Marko sat up and wrapped his arms around your waist, he was sucking marks into your breasts now and you could feel his teeth on your flesh.
“Marko!” You sobbed.
David was too wrapped up in the feeling of your wet cunt around him to notice what was going on in front of him. Your scent in the air made the boys start to slip away from you, they fucked roughly into your cunt, and their movements became more erratic.
Poor you, you didn’t know that your scent was a damn vampire aphrodisiac.
Marko bit down, it was taking everything in him to keep from breaking the skin, but he was going to get as close to that as he possibly could. You looked down at the curly haired blond, you could barely see his golden eyes from how they were fluttering shut. He growled into your soft mounds, you could feel the rumbling rip through your chest, and he pulled tighter around your waist.
David could only hear three things at this very moment, the sound of his grunting, the sound of your heartbeat, and the sound of his hips slapping against your ass. Nothing else mattered to him. He was sharing his mate with his favorite brother, Marko, and David could tell he was starting to love you too. You felt so good around him, and he loved how Marko’s cock felt rubbing against his as well. He was going to abuse your body every day for the rest of your life if he would have it his way. He felt you spasming around their cocks again, and he laughed deep from his chest; he loved how easily you fell apart for him. He let your arms drop, and you slumped against Marko’s chest.
He leaned forward against you and licked the shell of your ear, “you comin again sweetness?” You just panted and whimpered for them, David chuckled, “you’re already getting used to us playing with ya, huh? Your sloppy little pussy loves sucking on our cocks, eh? Just a fucktoy aren’tcha?” He felt you squeeze against their cocks, “oh? You like being bullied, darlin’?” You squeezed again.
David looked over your shoulder at Marko, who was still sucking marks into your breasts. His golden eyes glossed over in lust; David could only imagine the look that was on your face, or his. He chuckled, his two favorites, both so wrapped up in their own pleasure to think of anything else, to notice anything else. With the way you were sucking them in it was a wonder how they both lasted so long. You felt Marko’s hips begin to falter, his nails gripping against your waist, and both you and David felt him throbbing as he came again.
Marko made such cute noises as he came, he grunted as his hips stuttered against you. His soft panting and whimpering into your skin was endearing, then he fell back hard against the bed. He was the one thing keeping you sitting up, so when he fell, so did you. You pushed your hands to Marko’s chest, trying to push yourself off, but you were stopped by a large hand on the back of your head.
David didn’t stop, he was merciless. He pushed your head down in a warning to not move, and he pulled your hips up and off of Marko. He fucked you against the other vampire.
Your top half was slumped against Marko, who was still panting from his own release, and you could feel the cum dripping down your thighs. David’s hips were smacking hard against your ass, the way his cock dragged slowly out of you, and slammed hard into you. His cock bullying its way into you, as you wiggled your hips, trying to get him to stop. His tip hitting your cervix hard with each thrust. It was torture, your poor cunt was so abused by this point, you could barely think with how sensitive you were. You were panting, trying to catch your breath.
“You’re finally quiet? Sweet thing? I wanna hear you!” David said, slapping your ass.
“Aah!” You moaned.
“More!” David yelled, smacking your ass again.
“Fuck!” You could hear some rustling behind you, and you felt David smack your ass again, this time it stung more, much more.
SMACK.
“Fuck! David!” You screeched. David had taken his belt from his jeans and was hitting you with it. You felt tears begin to prickle your eyes again, “please!”
SMACK.
“David!” You were crying now, your ass stung and the way the pleasure mixed with the pain… your eyes rolled back into your head, and you felt the tears roll down your cheeks.
David didn’t entirely like hurting you, but the way you clenched around him when he did… it was too good for him to stop.
SMACK.
“You really like getting bullied don’t Cha darlin?” David’s hand kneading the plush of your ass. “Dirty little whore, loving out cocks.” His hips pistoning against you as he continued to degrade you, “my good slut, our good slut. Come on sweet thing, tell me how much you love getting fucked dumb on my fat cock.”
Marko had finally caught his breath enough to look down at you, he saw you crying. He was a sadist, but after how good you made him feel he wanted to help you enjoy the pain that was being inflicted on you.
“Look at me, bella,” he called to you. His eyes were a deep golden color now, his voice was like silk, and you couldn’t help but listen to him. “Just enjoy it, principessa,” he called to you.
You were so weak, you let your mind slip under his control. The last of the pain quickly turned to pleasure, and you felt the knot in your stomach tighten. Marko smiled at your fucked out expression and pulled you into a kiss.
SMACK.
You felt David’s belt come down hard on your ass again, your legs shook, and you fell deeper into Marko’s kiss.
You moaned and screamed against his lips, you felt your orgasm crash into you, your heart felt like it was going to pound out of your chest, and this intense wave of pleasure washed over you. Your eyes crossed, your toes clenched, your whole body shook; suddenly, everything was hot, then everything was wet.
You heard David moan out behind you, and his thrusts became sloppy, and finally he pressed hard into you. You felt his spurts deep against your cervix and his hold on your hips felt like it was going to bruise, if not make you bleed.
He held himself against you for a second, then slowly, so tortuously slowly, pulled out of you. He watched as your cunt twitched around nothing, and the cum dribbled down your clit, and onto the bed.
“Fuck,” David panted out.
Marko pulled from the kiss, and you felt the fog in your mind begin to dissipate. The sting on your ass came back, and the welts from where the boys’ nails dug into your skin burned. But the ecstasy that pulsed from your cunt, it was all worth it. David was chuckling behind you now.
“What?” Marko called to him.
“She made a fucking mess of my jeans,” David moaned in delight.
“Did she?” Marko peered out from under you, sniffing the air. His eyes rolled back at the scent of your love, and he let out a low groan.
David swiped his finger across his pants and licked your taste off his digit. “Mmhm, my sweet thing.” David helped roll you off of Marko and pressed his index and middle finger into your mouth. You softly sucked on his fingers and pressed them between your tongue and the roof of your mouth. He smiled down at you, and Marko put himself back in his jeans.
David watched as your eyes softly shut and you gently stopped sucking on his fingers. He wanted more of you, but he knew you were done. Marko rolled off the bed and walked over to the wheelchair to pick up the rest of his clothes. He slid the shirt over his head and then put on his jacket; one arm in, and then the other, he looked over to David, who was still leaning over you in the bed.
Marko watched David smile down at you, he placed a soft kiss to your temple and covered your naked body with one of the blankets that was on the bed.
“David?” Marko called to his brother, he could usually read his mind, but right now he had closed himself off to Marko.
“Shh,” David hushed him, still watching you as you drifted off to sleep. After a moment, David turned to Marko, the look on his face a graven sight.
David knew he wouldn’t be able to keep you a secret from Max forever, and God forbid that psycho, Montgomery, came looking for you and the pack got caught in the crosshairs. He didn’t know what to make of it, but he knew Marko would be able to at least calm his nerves; maybe even offer some advice.
David stared at his brother, unsure of himself, “we need to talk.”
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dragonsdendoodles · 24 days
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similar vein to that other ask but opposite, what do you think enoch and horace would argue about non trivially, like the worst disagreement theyve had
Oh good lord angst time. Buckle up kids today we’re going over why my friends yell at me. Fair warning this one’s also gonna be long
So there are two scenarios. One where Horace is the one hurt, and one where Enoch is.
I think whatever it is either way, it started small. I think generally they’d be good at communication, having picked that up from Hugh and Fiona, but it was, at the time, a small issue. It was not a stupid issue, because if it were a stupid issue it would turn into an argument about the argument itself.
The two things that made the first scenario significantly worse:
1. We have seen how Enoch is just in general. He has zero filter and he’s a jerk and sometimes it’s funny and sometimes he takes it a bit too far. I think, very similarly to myself, he can’t actually tell. He can tell when he’s hurt someone, but he doesn’t actually know what it was that hurt them. We’ve also seen him argue with people quite a lot, which leads me to believe he can be pretty volatile.
2. My headcanon for Horace being upset is that whenever he is, he gets in his head until he’s convinced himself that if he voices his concerns with whoever upset him (especially Enoch) he’s either going to be yelled at again and it’ll go nowhere or he’ll bother them more by bringing it back up and that combined with blaming himself for the whole thing means that eventually he just kind of shuts down. Stops talking. Waits for it to go away.
Normally, if I were writing them in this fashion (surprise surprise, I have a fic draft where I am,) Enoch would pester Horace about whatever he’s upset about until he fesses up, they talk it out, kiss a little, after an hour of trying to get this out of him it’s over in ten minutes.
However, if they were to get into a Big Actual Fight about whatever it was, I think Enoch would not have the patience to sit and deflect Horace’s “I’m fine/nothing’s wrong/you didn’t do anything/I’m just being stupid”s for as long as he usually has to. If Horace’s stubbornness wins out instead of Enoch’s and Enoch is both upset that Horace won’t ever fucking talk to him and doesn’t have near enough patience to keep pushing the issue to be able to have the information to resolve it, Enoch decides fine. If you’re going to be like this, then I’ll let you fucking be like this until you can be a fucking adult and actually fucking talk to me. Except that doesn’t come out like that, it’s Enoch, so it comes out as insults. Horace snaps back because the insults were uncalled for, Enoch snaps back because oh we’re doing this now, and neither knows who raised their voice first but now they’re both yelling. It gets messy. Someone gets called unreasonable, the other asks why he’s even still with him if he’s so horrible, the first asks why the hell he’d even say that when he knows why (the answer is he’s not, they’re both just pissed off and throwing words at each other to see what sticks,) it goes on for maybe twenty minutes tops. They get tired of crying and screaming at each other so depending on how bad they need one, one of them hugs the other and they actually talk about it or one of them goes away to calm himself down and process everything and then they hug and talk about it. Things are a little shaky for a while, but for the most part they’re just relieved it’s over and for some reason the other is still here and still loves them and isn’t leaving anytime soon. They apologized, they solved the issue by sitting down and talking about it, so for the most part everything’s okay now. There might be a day or so of walking on eggshells for fear of it happening again, but for all the hurt and all the shouting, chances are they don’t even remember what they were arguing about in the first place.
The important canon point and headcanon for the second option: Horace is shown in (at least my reading of) the books to be a bit of a people-pleaser. He does not like confrontation, he does not like upsetting people, he is too anxious and would much rather just Not Deal With That. Because of this, I am of the opinion that when he is in a particularly anxious mood or if he can sense that something is going wrong and he needs to fix it, he’ll make something up to hopefully dissipate the situation. (Think Dear Evan Hansen but on a lesser scale. It would not go farther than one person in this instance.) He knows it’s a terrible habit to have, and he is genuinely trying to fix it, but occasionally something slips out involuntarily and he feels horrible about it.
The biggest problem with that, other than the habit of being a compulsive liar: it doesn’t work. It works on people he doesn’t know, because they don’t know what his face means when he says something and then immediately gets even more nervous, but his friends and Miss Peregrine absolutely do. He knows they can tell and he is genuinely trying to fix it, so he just as quickly apologizes and corrects himself. It still hurts the other person, but it’s better than doubling down, which used to be how that would go because this all started to get himself out of trouble.
It hurts everyone involved and Horace absolutely hates that he does it, but the worst person he could do it to is Enoch. Because now his own boyfriend can’t fucking trust him and if there is one thing that pisses off Enoch more than pretty much anything else, it’s being lied to. And Enoch can and will call him on it. Immediately. Horace is doing his best to stop that from happening and chooses his words very carefully when he’s nervous in an effort to prevent it, but occasionally he gets paranoid that he’s done something Enoch won’t like and then he gets careless and forgets and then it’s just about getting out of this and uh oh.
When that happens, Enoch stops talking to him for a while. If Horace tries to say something, they fight about it and it’s an argument Horace cannot win because Enoch’s right. He should be able to trust and be honest with him, but for some reason he was scared enough to convince himself he couldn’t, and now Enoch can’t trust him. Once Enoch comes back from processing everything, they have a serious talk about why he said what he did and the thought process behind it and why Horace thought lying to him about whatever the completely innocent thing was would be a good idea and this cannot happen again. Horace understands and apologizes and tries to make up for it because that’s all he can do, and Enoch’s still upset about it for a while, but eventually he trusts Horace again and the issue is resolved. Neither of them feel good about the situation until it’s all but forgotten in a few weeks, after they’ve built that trust back up.
In writing this I realized that one can very easily lead into the other, so for all intents and purposes if we start with one and it becomes two, the argument stays two and two cannot turn back into one. It’s no longer about whatever actually caused it, it’s about the fact that now one of us is just saying things to appease the other and that habit happens to be the one thing that had it been literally anyone else that relationship of any kind would have been over.
Neither of these happens often. They are very good at communication generally, having been friends and best friends long before they were boyfriends, so 99.9% of the time if something happens that would cause an argument, they sit down and actually talk it out and it’s fine. This is just that .1% where it gets pretty bad. They understand each other better than even they think they do sometimes, so they come out okay, if not for a couple bad memories. They do talk about those bad memories sometimes as well, especially if it started with an insecurity of one of them, and they make sure that whatever it was all is forgiven and nothing is permanently damaged. If there’s damage left over, they talk about it immediately and do whatever needs to be done to resolve it. Neither holds grudges against the other.
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cherrysoojins · 10 months
Text
💌 𓂂 ⟢ 🕸️ ♡ ☎️
SPIDERMAN ! smau.
one. ch. 1 ! what to do when she texts? (but you can’t talk to her normally)
being spider-man comes with a lot advantages, but those advantages can have their disadvantages. like jung wooyoung not being able to show up to study groups to be able to see the girl he’s crushing on big-time.
— please revert back to ( master list ) for warnings !
jung wooyoung knew how to talk to people, don’t get him wrong. in the case of MBTI, the first letter definitely started with an “E” for extrovert.
especially as your friendly neighborhood spiderman, he had to put himself out there at least a little bit.
“hey there!”
“how ya’ doing today?”
and a little bit of, “hey! since i’m spiderman can i get a lick of that ice cream bar?” to random little kids who were walking with their parents. he never got a bite of the ice cream, but he sure as hell got a stomp to his foot by an older woman in high heels.
so much for being their damn hero.
nonetheless, he knew how to talk to people. put him in front of a random person he’s never spoke with before, in or outside of the spiderman suit, and he could talk to them for many hours on end, even if he was the only one really doing the talking.
he could do that to any person in the city of seoul, or even outside.
except for one person.
you.
instead of a random person, put him in front of you and suddenly he’s a middle school boy realizing pretty girls actually do exist and they aren’t just a figment of his imagination.
he can still remember his first time bumping into you. a red, blushing mess who stumbled over his words just at the sight of you as he helped you pick up your textbooks because his shoulder roughly slammed into yours, causing you to drop them.
it was his spiderman-ly sense of duty to immediately bend down and help you out, but the second he looked up to utter an, “i’m sorry” it definitely came out as something like, “i’m, oh my god, sorry.” if he remembers correctly. and if choi san was true to his word and did overhear him say that, and wasn’t lying to make him feel even more embarrassed about his first encounter with you, then yeah. he was pretty sure he said something like that. which in hindsight, could definitely be played off as he felt really bad to anyone without context (you, who smiled and accepted his apology, brushing it off in the sweetest way ever).
but if you had context, you would realize the struggle he had taking his eyes off you and how his mind took one hundred million pictures of just your face alone so he could remember it and a recording in his head of your sweet, soft voice saved into “the best sounds ever” files in the front of his mind in second place.
the first best sound is when someone calls him handsome, but your voice extremely close behind that one!
he also tries really hard to remember the soft feeling of your hands brushing against his and the smell of caramel radiating off of you.
point is, he can not talk to you like he can talk to anyone else. he absolutely cannot formulate a proper sentence without at least slipping a cuss word in there because his own thoughts cloud over what he actually wants to say (which is you’re so freaking pretty and have the best personality known to man-kind and he has this insane, school-boy crush on you even though he hardly knows you, but that’s whatever) whenever he sees or communicates with you and he has to hold himself back.
this sort of thing doesn’t only happen in person either, no. it’s clear when he is perched on the roof after doing his city patrol and saving a cat from getting eaten by a dog while thinking about you because you loved cats so much, your family even ran a cat rescue center, and then his phone vibrates with a message.
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jung wooyoung can talk to people. even more so text, he can most certainly text. he types everything he would say to the persons face, and it’s a habitual thing, especially when choi san is your best friend.
but he knew that one day, that habit will somehow fuck something up.
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now he’s done it.
and now that’s he’s done it, there is unfortunately only one option left in this god forsaken world that could help him.
choi san.
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now, there were two ways you would answer.
“oh…”
or,
“sorry did i disturb you? you don’t have to answer if you’re busy, we can talk later! or not at all if you don’t want to!”
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or both, either way, that’s a bingo for him for guessing.
but god, were you the sweetest person on earth. especially to wooyoung, who you hardly even know and this is probably just the way you text and talk to people you don’t know, he guarantees you’re different with your actual friends, but for goodness of all cats well being you acted like such a saint and he loved every minute of it.
except when he made stupid texting mistakes and made you feel bad.
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he was wearing his underwear. he needed some luck on patrol today.
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jung wooyoung can talk to people, he really can.
but talking to you was like asking him to join the avengers. it takes time.
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💌 tag list — @luvvvlyjoong , @92dzgf , @yeomingis , @hwasboyfie , @wooyoluvrr , @shingsoluvely , @jaerisdiction
send an ask or a private message to be added or removed from the tag list ! if your name is red and bolded, it means you may have some settings on that will not allow me to tag you! & as always, if i missed your tag, let me know!
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jazztag · 4 months
Text
A Cure for Solitude VII
W slips in and out of conscience for the majority of the trip. To the point where nothing feels real, only the pain. He grips desperately on M as if he were about to fall into the dark pit, as if not held. His memories mix with each other, sometimes becoming nightmares all of a sudden. He remembers being laid on a soft surface and suddenly feeling very cold again. His hands extend into the nothingness, searching for something to hold. It’s worse than hunger. Oh, so much worse.
The Medic observes the creature curl and tremble in his bed. There’s nothing he can do aside from making sure W doesn’t hit his head against the headboard. But nothing more. And he feels terribly guilty about it. He sits in a chair by the bed and looks at the zombie. A million thoughts run through his mind.
W won’t die. Of course. But his condition, like all the others, will torment him to eternity, making him seek meat to calm his hunger forever. Normally, the Medic wouldn’t think twice about it. Just zombies being zombies. But this one’s special, isn’t it? This one's self-conscious. This one not only feels pain but also fears and cries about it.
W opens one inflamated red eye and looks in his general direction. He has started to take big breaths, and for a creature who doesn’t actually need to breathe, this says a lot about his bad condition. “T-tall Ma-an”, says between cries of pain. M gets up and walks towards him, crossing his arms and standing tall on his side.
W looks straight at him, and his lips curl upwards. He struggles to smile, and with both hands in a plea, he starts to mumble.
“What…? What are you saying?" asks M, getting close to hear what the creature is saying. Between sobs and kind smiles, the zombie pleads to him in whispers:
“P-please. Em-m. E-em p-lea-ase”. The Medic gets even closer to W, so he can practically count each of his freckles sprawled around his purple skin. ”Ple-ase, end h-hurt. Stop-p it-t”
“I can’t, W. I’m sorry. I-”
“P-please. K-kill. M-me”
The Medic gets up. Furiously, he grips at his hair. He gets away from the bed, but after a couple of deep breaths, he turns around. W is still struggling under the blankets, fighting against what probably could be considered hell.
“Fuck, fuck, fuck,” mumbles M, starting to walk around the bedroom. His eyes focus on every notebook page pinned to the wall, all of them covered in scribblings, equations, and other information, all gathered from last year's research. Each one of them documenting a case study, each with results, samples, and tests. With descriptions and possible vaccines to try on new subjects. Each one of them bringing him closer to a cure.
And then, there’s W. A creature not like the others he has operated with. The actual first one with consciousness. And fuck it, for the first time, killing him is not an option, even if the zombie itself is begging for him to end his existence.
He can’t. He can’t manage to do it.
There’s something in W that makes all this research more valuable. That makes all these years of searching and testing worth it. Whatever the heck has happened with W, it has turned him into something different from all the others.
The virus has mutated in him.
W’s cries for help get louder, and the Medic sits again in his chair, surrending. For the first time ever, his humanity is being required for him to take a decision. No more operating on living creatures. No more beheading them when the vaccine fails, and his frustration makes him punch the wall and burn all his failed notes. This is him, now, in a room with a not-really-much-of-a-zombie pleading for him to end his suffering.
M looks at W. And wonders which of the two of them is actually human. What even means that? M starts to tremble. Has he forgotten? He gets up, and with trembling hands, he picks up a vial with a clear liquid inside. With a syringe, he pinches out the contents and approaches W.
He has to do it. Or he will never ever again be able to call himself the Medic. A Medic watches out for his patient at all costs. He can’t get egoistical in a moment like that.
Still trembling, he sits on the edge of the bed, and grabs W by the arm. The creature is burning up and can’t no longer focus on anything other than mumbling nonsense. His hazel eyes suddenly fall into M’s blue ones, and the Medic tries not to shake when he pinches W with the syringe and whispers:
“I’m sorry”
W doesn’t flinch when he feels the liquid entering his body. His mind relaxes bit by bit, and suddenly the blackness overcomes him. And finally, peace.
Taglist: @whump-blog @cupcakes-and-pain (comment to get added/removed from the list!)
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strscrossed · 6 months
Text
high school reincarnation ficlet // part 1
honestly i wrote this through a mental illness flare up and the need for mikasa to be cared for so i apologize if this sucks. i'll do a part 2 if you guys really want it. anyway this is that scene where lara finds mikasa drunk at a party. enjoy.
It was your average high school party. Teenagers were getting drunk, others were disappearing into any available room with a door. There was nothing special or unusual about it. 
Well there was one thing. 
Lara wasn’t much of a party girl, she only went if she was invited out by some cutie but her date was nowhere to be found and any thought of him disappeared when she saw Mikasa Ackerman slumped in a corner after clearly too many drinks. 
Lara didn’t know her well but she knew two things: first, she was a girl with a lot of problems and she only knew that through the words of casual acquaintances. Second, Eren Jaeger was in love with her. 
The third reason was that she was a completely normal human being with a shred of decency. The girl was babbling something incoherent. She probably couldn’t tell her ass from her elbow at this point. 
The girl's hair and face already had traces of vomit. She had to keep her conscience. She breathed through her nose as the girl pukes her guts into the bowl. 
Lara didn’t know her story much. If they were talking about their previous lives, she knew even less. Mikasa wasn’t her friend. She wasn’t really an acquaintance. They hardly looked at each other and that was mostly because of Mikasa’s discomfort and Lara’s respect for her boundaries. 
“Come on,” she whispered. “We have to get you cleaned up.” 
“Wanna sleep,” she mumbles. 
“We can’t. We have to get you cleaned up and get you some water, okay?” 
Mikasa didn’t answer. She wasn’t able to stand. 
This was insanity. From the few words she’d heard from Porco Galliard, she had a bit of a drinking problem which Eren was trying to fight all on his own. He’d apparently been successful. Until tonight. 
She didn’t want to call him. Hell, she didn’t even know he’d pick up. 
Worth a shot, right? 
To her surprise, he actually picks up? 
“Lara?” there was a mix of surprise and irritation in his voice. She could only imagine why. She’d heard Mikasa’s phone buzzing in her pocket a million times. 
“She’s here,” she answered, cutting right to the chase. 
Pause on the other line, “Where?” 
She could hear the cautious relief in his voice and she really did not want to do this to him. 
“Party,” she mumbled. “She’s completely trashed.” 
There was silence on the other line for a few seconds. She heard a sharp inhale and she knew that he was pissed. She didn’t want to be here when he arrived but she couldn’t leave a drunk girl by herself at a party like this. 
��Send me your location. I’m coming.” 
The line went dead and Lara sighed. Mikasa was practically lying down on the floor and it was difficult not to find the whole thing sad. Last life, she was one of the strongest soldiers from Paradis Island. Sure Lara didn’t live long enough to see how it ended but Eren had told her enough. She experienced just enough. 
It was hard to believe what a hot mess she was in this life. 
“Come on,” she sighed. “You’re Mikasa Ackerman. You’re so much more than this…” 
It sounded stupid coming from her mouth. She was the one that knew her the least. 
Mikasa snorted but refused to talk. Fair, very fair. All things considered. 
Lara sat next to her, hugging her knees to her chest. She smiled down at her, “I know what you might think of me and I know all of this is worthless coming from me. I don’t even know if you’ll remember any of this, but you are. Everyone says it and I believe it. But girl, you need to pick yourself up again. Eren won’t give up on you, but he can only do so much. You can’t tell me you’re happy being half conscious at a party where you hardly know anyone?” 
It was official, Lara sucked at pep talks. 
Mikasa looked up, her eyes glazed over. 
“It just helps me forget…” 
Lara didn’t have an answer for that. It was just understandable. She continued to sit next to her and made sure she stayed conscious. 
-
Eren was angrier than a bull when he pulled up to the house. He’d been trying to get a hold of Mikasa all night. They had a small argument earlier and Eren wanted to make it up to her by bringing pizza and her favorite movies. 
Only to find that she wasn’t home. 
She ignored his calls. By the time Lara called, he was halfway to an anxiety attack. 
He was relieved that she was alive but he was pissed. So very, very pissed. She promised him that she would stop. She promised him that she would at least try. More than her though, he was pissed at himself. 
He pushed his way through the crowd of wasted idiots. 
“Hey Jaeger!” someone called out but he didn’t bother looking. He was here to take Mikasa home. That was all. 
He knocked on the bathroom door and he heard some shifting and whispering. He impatiently jiggled the doorknob, only for Lara to open the door. She looked tired and a little sad, if he was being honest. 
But when he saw Mikasa lying on the ground, barely conscious and drunk out of her mind, he wanted to cry. The beautiful center of his entire universe, his love, his home just lay there. He was still pissed but the anger washed away into overwhelming sadness and concern. 
“Is she…?” 
Lara shook her head, “I kept her awake. She needs water and some food though.” 
He crouched down. Her eyes were glassy and when she looked up at him, there was no light whatsoever. It killed him just a little more. 
“Mikasa?” he asked, softly. “Can you hear me?” 
He almost didn’t hear her ‘yeah.’ 
It was too much so he gathered her into his arms. She was frighteningly light. 
He was about to walk out but before he did, he peeked over his shoulder. 
“Thank you.” 
Lara nodded, giving him one of those small smiles, “Take care of her, Jaeger. But take care of yourself too.” 
Whatever that meant. 
He was entirely unconcerned by the looks he was given as he exited the party, Mikasa safely in his arms. 
He pulled out and it was any wonder that he was able to drive because his tears clouded his vision the entire way through.
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do you think leonardo or comte is older? i can’t remember it being specified but i’m not sure. i mean we have leonardo’s age but how old is comte??? i haven’t played comte’s route so idk if cybird mentioned it or made one up but his real historical birthday/place was pretty much unknown i think??? thoughts?
I always thought Comte was the older of the two? But to be honest I was never sure if that was just my bias talking or it was actually the case. So naturally, because I am So Normal, I did a little digging through all the stories I've read up to this point to see if there were any concrete indicators. The most promising lead I was able to find was from the "Tell Me Your Story" collection event.
Meta under the cut, since I was left unsupervised and it got long:
The contents that are most pertinent to what I have to say are as follows:
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In this story, Comte speaks a little bit about his childhood because MC found him playing the violin. He talks about how he originally trained as a young boy on an instrument called "a rebec." Mind you, Comte says that he still has the first one he ever bought--he remembers because he acquired it the day he was told he would stop aging forever. In due course he takes it out to show her--and later plays for her, at her request.
Now, looking at all the facts. The violin was said to be introduced between 1540 and 1560, roughly speaking (I'm not a historian, this is all based on rudimentary research). This doesn't tell us too much though, as Comte does say the instrument he trained on and first purchased was much older. Many sources show the rebec dating back as early as the 10th century (meaning anywhere from 900-1000) in Spanish courts, a supposed mashup of the Arabic rebab and the Eastern European lira. The clearest written records (the few that exist) begin from the early 12th century and on, though it was at the height of its popularity towards the 15th/16th century.
Aside from the fact that that's fuckin crazy, that would place Comte as being born anywhere from 900-1100 (1200-1500 at the very latest). Now I know what you may be thinking. How the hell does that narrow anything down, Minnie?
Given the cultural implications surrounding the rebec's emergence, the context actually does allow certain tentative conclusions to be drawn. I've seen indications that musical talent with a rebec was considered a big deal as an indicator of wealth/higher status in the earlier years of that time frame. Taking Comte's childhood into account--that he was raised to effuse aristocratic breeding and poise--I think that makes it highly unlikely he was learning when it was most associated with street performers (during the latter portion of my posited time frame). Everything about Comte's family pretty much screams old money (aka wealth they were born into, not curated during the rise of the mercantile class trying to be posers), so I really can't see them raising their son to play commoner music.
Another very telling bit lies in the phrasing of how he found the instrument: "he discovered the old rebec among other goods from a foreign trader." Remember that in the latter end of the time frame, it was so commonplace it could probably be found among local vendors/craftsmen--there would be no need for them to be imported from foreigners. I imagine his family only had access to the instruments in accordance with their social standing; naturally the rich would have their connections, but not just anybody would have the money or means to get their hands on one.
If my beginner's dive isn't too far off the mark, that would make Comte anywhere between approximately 400-1000 years old. I get this hunch that he's probably somewhere in the middle, I just don't know where exactly. I wish I had a better estimation since that's a pretty huge range, but considering the lifespan of the rebec it's hard to tell.
The only great anachronism in all this is the existence of Comte's pocket watch which was gifted to him by his tutor (I believe that's what she was, I know it was one of the human people in his house when he was young). The first pocket watch is said to have been created in Germany in 1510 (and shortly after distributed in Italy), but honestly it feels a bit out of place compared to all of the other evidence available to us. If that's the case, then Comte could have been born in the 1490s (since he received it when he was like 12, somewhere around there). Honestly I do feel the game suggests that he's older than that, so there's some dissonance there. But I leave that up to personal interpretation, since I'm not 100% sure about it either.
Lowkey, I feel like they might have gone so hard with the timepiece imagery for Comte that they forgot the historical practicalities attached to them, so that's half the reason I don't know what to do with this information. I get that vibe of like something something rich people cop out, unless purebloods have weirdly long childhoods--
Leonardo I don't have as many receipts because I'm just a poor Comte stan trying to live (his collection stories are pain), but if we go by the indication that his in-game life loosely follows the historical figure and simply continues on with his faked death, that means he was likely born somewhere around 1452. I can't remember super clearly, but for whatever reason my only memory of age indicators for Leonardo was around 400 or so (which tracks with that interpretation). That would actually make him potentially younger than Comte, younger than I initially anticipated. Or, if Comte was born on the latter end of my estimations, they are at the very least close in age.
Also please don't hesitate to let me know if I'm missing any receipts on Leonardo, I have only one brain cell and she is trying so hard, my friends
As to the place of Comte's birth I haven't the slightest clue about that. It's pretty obvious he's of European ancestry, but as to where he was born/raised exactly, it's difficult to tell. Given all the talk of the rebec there's a decent likelihood he originates from the Mediterranean area/Southern Europe, as it is an Arabic instrument by origin that was adapted into something new by Spain. (This could mean he was born anywhere between France, Spain, Italy, or even the countries a little further up or closer to the Middle East.)
I considered Northern Europe/England, but honestly the evidence doesn't really seem to lean in that direction. Comte mentioned that he once lived in England and made friends there, but the way he talks about makes it sound like he was a visitor/traveler, not a native. And frankly, Comte isn't insufferable enough to be English lmao, he has a conscience. There is actually some tentative evidence for Irish descent, as the vampy mind persuasion/compulsion is termed "geas" in the game, which is a word that stems from Irish gaelic/folklore. The only reason I don't think there's a real connection is that there's no further evidence tying Comte to Ireland; and I don't think the etymology necessarily guarantees ancestry (though there is something to be said about the Irish gothic and vampiric origins).
Admittedly it feels like the game makes his nationality vague on purpose, and I think this has a two-part intention. The first is that historically he was shrouded in a great deal of mystery, so it only makes sense they would be reluctant to name a singular place. The second is that--and I don't remember where the screenshot is, I saw it a while ago--the game describes him as belonging to no one place (that he belonged to all and none). Keeping his character construction in mind, I feel like this aligns with his general theme of contradiction. He's a greater vampire who prefers to keep company among humans, he's a powerful being with a fragile/sensitive heart, he has strong convictions but hesitates constantly, he's able to blend in almost everywhere he goes but never truly feels like he belongs. It would only make sense, narratively speaking, to keep with that motif/trend.
Also quick aside, because I can't help the music nerd in me. Rebecs are bitchin?????? Holy shit slay. Fun fact: they appear to have been primarily used for festivities, played for dancing. That gives a whole new impression to the fact that he bought one the moment he found out he would never age any further. I guess I just think about how that's a pretty joyous purpose for the music (beyond the pedigree aspect). That he clung to this specific artifact as a way to remind himself of his connection to humanity, that it was about people gathering and enjoying each other's company (and yet at the same time, all the political games that come with such leisure)...what a reflection of who he is today. I think it's fascinating how much people are at the heart of his personal motivations and feelings, considering how easy it is for purebloods to become lone wolves (power and secrecy would lend itself to that.) Instead, Comte chooses to hide in plain sight and actively works to stay engaged in the times and among the population. Then again, if I were hundreds of years old I would probably also beg for a distraction from the encroaching madness so like ajkhslgfkjhfslakjh it's very sweet but also mood...
In short:
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Thank you for the ask, lovely!! 💛💛💛💛 I hope this answers your question? I love any excuse to talk about my one and only 👀💍
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nhasablogg · 1 year
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I dont wanna monopolize all your prompts but maybe a short one where Spencer won't/cant go to sleep/is drinking too much coffee to stay awake so someone tickles him to tire him out? Or just to convince him to get some actual rest?
-M
Fandom: Criminal Minds
Characters: Hotch, Reid
A/N: This is probably ooc, but I don't CARE I wanted to write about Hotch and Reid. Also tweaked the prompt a little, hope that's okay!
Words: 1.3k
Hotch didn’t make it a habit to profile his profilers. It didn’t seem ethical, especially not if it didn’t affect their abilities to work. Which was exactly why it took him slightly too long to realize that Reid was sleep deprived.
“How many hours of sleep per night does a person need to function normally?” he asked him that afternoon.
Reid looked up from his paperwork, one hand gripping his fifth cup of coffee. “Between seven and eight depending on age.”
“I see. And how many do you get on a nightly basis?”
Reid straightened, his lips pursing. “I sense I made a mistake.”
“How many, Reid?”
“Mmm.”
“Reid.”
“Maybe two?”
“Two?”
“Not every single night of my life!” Reid scrambled to add. “But. Recently.”
Hotch rubbed at his temples. “Jesus. For how long?”
“A couple of weeks.”
“Reid. You need to lay off the coffee.”
“It’s not because of that,” Reid said, holding up his hands. “It’s the only way I can focus during the day. It doesn’t matter how tired I am at night. I just can’t seem to sleep.”
“Nightmares?” Hotch remembered when Morgan had approached him about it a few years ago, when Reid’s nightmares had started.
Reid shrugged. “Partly. I’ve been able to handle them before, though.”
“We experience new things all the time. It’s nothing to be ashamed of if you find it harder now.”
“I’m not ashamed.” But he wouldn’t meet Hotch’s eyes now, turning back to his pile of papers.
Hotch huffed, wondering how to approach this. It wasn’t as if he could physically make sure Reid was sleeping.
Unless…
“I want you to take a nap right now.”
Reid turned back to him. “Sorry?”
“We have a couch and a quiet room for a reason. This job’s demanding. I order you to go to sleep.”
Reid held up his cup. “But I’m five coffees down,” he said weakly.
“Then starting tomorrow you’re not allowed to have any more coffee past noon and will take a nap after lunch.”
“Sir, with all due respect-”
“No arguing.”
Reid’s mouth snapped shut, but Hotch caught him mumbling something along the lines of “Morgan will tease me to death” as he left him.
And Morgan did, stopping only when Hotch shot him a look the next day. “I think I should enforce this rule on everyone if I’m being honest. I doubt you’re taking care of yourselves as you should.” Everyone squirmed, refusing to look at him. “Hm. Reid, come on, the room is ready for you.”
“Do I have to?”
“Yes. You look exhausted as it is.”
“I’m fine, Hotch, I promise.”
“Didn’t I say no arguing?”
Reid sighed, following Hotch into the room. It was nothing special really, but it had a couch by the wall, a table and a chair for when you needed complete privacy while working or eating, and a small window with the blinds closed, just in case you needed daylight. Hotch rarely was in here, and he had no doubts his agents barely knew of its existence.
“There’s blankets and extra pillows,” he said, pointing to a basket. “You get an hour.”
“What if I can’t fall asleep?” Reid asked quietly, arms crossed. Holding himself rather than displaying defiance, Hotch noted.
“Just resting is also good for you.” Hotch softened, taking in the young agent. How much he’d seen much too young. “Please try, Reid. Please.”
Hotch left him before he could reply.
*
Reid found him 27 minutes later, hair somewhat unruly and his eyes containing something that nearly scared Hotch a bit. “I can’t. Hotch, I can’t.”
“Reid, Reid, calm down. What is it?”
“I can’t sleep.”
“Reid-”
“I just can’t, I-” He ran a hand over his face. “It’s not that I don’t want to.”
He saw the frustration in the kid now. How he probably spent weeks trying and failing to get the rest he needed. How that was slowly etching itself into his bones and spilling over.
Hotch sighed, wondering if he was crossing a line. “Come with me.”
They went back to the room and Hotch had him sit down next to him on the couch.
“Relax,” he told him. “It’s okay. I want to try something.”
“Okay.”
“I do this to Jack when he can’t sleep. I know you’re not a child,” he added when Reid opened his mouth. “But I think this could help as long as you’re not uncomfortable with me touching you.”
“Uh.”
“Or we can get someone else to do it. Maybe Morgan.”
“What exactly do you have in mind?”
“Jack relaxes when I stroke his back,” he explained, finding himself smiling softly. “I figured sometimes you just need to know that someone is there. It also helps you relax.”
Reid exhaled. “Is that- something you want to do for me?”
“Of course.” Hotch said it with no hesitation, although still wondering if it was appropriate. But their job literally involved them sleeping and eating and crying around each other. He saw no reason why this would be different. “If you want me to.”
“I guess it can’t hurt,” Reid mumbled, suddenly blushing and turning away from him. “I, uh, should I lie down?”
Hotch hadn’t thought of the details. “Yes, I’ll- I’ll sit on the chair.”
“Okay.”
It was awkward, as they shuffled to get in position. Hotch wheeled the chair over, realizing it was probably much too high for him to comfortably touch Reid, but it would have to do. Reid was facing the back of the couch, visibly tense and waiting for Hotch to approach.
“Just tell me if you want me to stop, okay?”
“Are you gonna keep doing it until I fall asleep? Because that will probably take hours.”
Hotch really hadn’t thought this through. “I’ll do it for a bit just to help you relax, okay?”
“Okay.”
“I’m gonna touch you now, okay?”
“Okay.”
It was strange, to be petting your co-worker, but to be fair it wasn’t the strangest thing he’d done for this job. Reid lay completely still as Hotch let his fingertips run over his back, over his spine and shoulder blades and the nape of his neck. He shivered slightly, which made Hotch smile. Despite everything Reid hadn’t lost his humanity.
“How’s that?”
“Feels good,” Reid mumbled. Hotch could imagine him blushing, eyes closing and mouth slightly agape.
“And a little weird?”
Reid breathed out a laugh. “And a little weird,” he agreed.
Hotch laughed too, running his fingers down Reid’s spine toward his lower back. “Well, hopefully you’ll relax anyway- oh.”
Reid had twitched away from him with a yelp, glancing back at him briefly enough for Hotch to catch his panicked expression. “Uh.”
“Did I cross a line?” Hotch asked, equally as panicked.
“No, no, I just- Ugh.” He turned back around, pressing his face to the couch. “I think I’m good now, sir, thank you, you can leave now.”
“Reid, what-”
“I’ll fall asleep in no time.”
“Reid.” Hotch grabbed his arm. “What happened?”
Reid sighed. “It’s stupid.”
“If I overstepped-”
“You did nothing wrong, it just tickled.”
“Oh.”
Oh.
“I didn’t know you were ticklish.”
“How could you have known?”
“I’ll be more careful. Is it just your lower back?”
Reid didn’t reply instantly. “My sides. Back ribs. Shoulder blades if you’re being very gentle.”
“I see.”
“Neck too.”
“So I have about one fourth of your back that’s safe to touch,” he joked and Reid groaned, clearly embarrassed. “Sorry. I’ll be careful. Although it would have been fun to hear you giggle.”
“I don’t giggle.”
“I’m sure that’s a lie.” In a moment of rare playfulness, Hotch gave Reid’s side a poke, earning something akin to a shriek. “Sorry.”
“You did that on purpose.”
“I think I know what to do now next time you refuse to sleep.”
“You wouldn’t.”
“I would. Now be still and let me continue. I promise not to tickle you.”
Reid did. Hotch deserved a medal for keeping his word.
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