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#community publishing
galina · 1 year
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I was very excited to be invited to design the cover(s) of Resonance’s New Poets Anthology earlier this year. Here’s the printed work. Having attended every open mic at both Three Hounds and Matchstick Piehouse I can confidently say Resonance is the best poetry night in London, some seriously incredible poets come through and there are often unbelievably good first-timers too. The energy in the room is always amazing, but on the launch night for the anthology it was like a sparkler you could taste on your tongue and feel at the end of your fingers, pure magic
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peachdoxie · 6 months
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tfw no silksong
(links below the read more)
I Beat Path of Pain with a Guitar Hero Guitar by Mathulu
The Greatest Meme Speedrun by Skurry
Path of Pain but with 50 unkillable Primal Aspids chasing behind by fireb0rn
Hollow Knight - Kronk% (All Levers) in 1:15:18 by Quatopine
Path of Pain Blindfolded & Hitless [Day 211] by Connie Sparks
Hollow Knight, but I get teleported every 3 minutes by BlueSR
The Pacifist Challenge - Beating Hollow Knight Without Collecting Soul by Sample
Hollow Knight All Achievements NMG speedrun in 6:18:40 by Gusten
How I Beat Phase 1 of Hollow Knights Stupidest Boss (Orbsolute Radiance) by The 33rd Guy
Radiant Oblobbles - The Floor is Lava! Part 27 (Spelling the End for these Lovers) by CrankyTemplar
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concerningwolves · 11 months
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Amazon are upping their print costs for books, which means some (possibly many) self-pubbed authors may have to also up the cost of their book(s). I'd like to say now, to make it crystal clear for the record, this is not authors being greedy.
I think someone who looks up the royalty rate for KDP and sees "60% for exclusive publishing and 40% for non-exclusive" would think "Wow, these authors are getting paid good money!" but once you calculate the amount of the list price that Amazon eats after printing costs, that percentage can be literally pennies. The minimum, and I mean the absolute bare minimum that I could sell When Dealing with Wolves for after the changes is £12.48 – and if I did that, I would make £0.00. That's zero money. No royalties.
I repeat: 40% royalties on a book listed at £12.48 = nothing.
I currently have WDWW up at £14.00. My "40% cut" from that is £0.76. After the printing cost changes go into effect, I'll make £0.61 from each sale instead. I really don't want to up my prices, because frankly it enrages me that Amazon won't let me list my book for anything under £12, when the standard price of a fiction paperback in the UK is usually around £8.99 – but writing isn't my priority job, so I have that luxury. I'm not trying to make a living off my writing so much as using it to supplement what I make from the freelance career, which is a choice I made because I knew I could never cope with the workload required for a ""serious"" self-pubbed writing career without sabotaging myself. The £0.15 difference in royalties from one book sale isn't going to be the difference between me eating or not; it just really really annoys and disheartens me. (And, also, is further proof that I can't sustain a full-time writing career, because I'd run myself ragged for too little gain and then I wouldn't be able to eat).
But there are plenty of authors who are writing as their primary source of income, either because they can't do anything else or because they took the plunge they're building their career (and it shouldn't matter to you why someone is writing full-time, by the way. You want fiction media to interact with, then you need writers, and writers need to be paid in order to live in order to make more media). It's these authors who will have to up their book prices, and I feel in my bones that it's these authors who are going to face the backlash.
So, if you must be pissed off at someone, be pissed off at Amazon. The authors are probably pissed off, too (I certainly am!), so you'll be in good company.
(And if you can, buy the ebook version because we get better royalties, or see if the author has their own store where you can get the book, since they'll have more control over their own prices there).
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inkskinned · 2 years
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i. about 2 weeks ago, i was told there's a good chance that in 5 or so years, i'll need a wheelchair.
ii. okay. i loved harry potter as a kid. i have a hypothesis about this to be honest - why people still kind of like it. it's that she got very lucky. she managed to make a cross-generational hit. it was something shared for both parents and kids. it was right at the start of a huge cultural shift from pre to post-internet. i genuinely think many people were just seeking community; not her writing. it was a nice shorthand to create connection. which is a long way of saying - she didn't build this legacy, we built it for her. she got lucky, just once. that's all.
iii. to be real with you, i still struggle with identifying as someone with a disability, which is wild, especially given the ways my life has changed. i always come up against internalized ableism and shame - convinced even right now that i'm faking it for attention. i passed out in a grocery store recently. i hit my head on the shelves while i went down.
iv. he raises his eyebrows while he sends me a look. her most recent new book has POTS featured in it. okay, i say. i already don't like where this is going. we both take another bite of ramen. it is a trait of the villain, he says. we both roll our eyes about it.
v. so one of the things about being nonbinary but previously super into harry potter is that i super hate jk rowling. but it is also not good for my mental health to regret any form of joy i engaged with as a kid. i can't punish my young self for being so into the books - it was a passion, and it was how i made most of my friends. everyone knew about it. i felt like everyone had my same joy, my same fixation. as a "weird kid", this sense of belonging resonated with me so loudly that i would have done anything to protect it.
vi. as a present, my parents once took me out of school to go see the second movie. it is an incredibly precious memory: my mom straight-up lying about a dentist appointment. us snickering and sneaking into the weekday matinee. within seven years of this experience, the internet would be a necessity to get my homework finished. the world had permanently changed. harry potter was a relic, a way any of us could hold onto something of the analog.
vii. by sheer luck, the year that i started figuring out the whole gender fluid thing was also the first year people started to point out that she might have some internalized biases. i remember tumblr before that; how often her name was treated as godhood. how harry potter was kind of a word synonymous for "nerdy but cool." i would walk out of that year tasting he/him and they/them; she would walk out snarling and snapping about it.
viii. when i teach older kids creative writing, i usually tell them - so, she did change the face of young adult fiction, there's no denying that. she had a lot more opportunities than many of us will - there were more publishing houses, less push for "virally" popular content creators. but beyond reading another book, we need to write more books. we need to uplift the voices of those who remain unrepresented. we need to push for an exposure to the bigotry baked into the publishing system. and i promise you: you can write better than she ever did. nothing she did was what was magical - it was the way that the community responded to it.
ix. i get home from ramen. three other people have screenshotted the POTS thing and sent it to me. can you fucking believe we're still hearing this shit from her when it's almost twenty-fucking-twenty-three. the villain is notably also popular on tumblr. i just think that's funny. this woman is a billionaire and she's mad that she can't control the opinions of some people on a dying blue site that makes no money. lady, and i mean this - get a fucking life.
x. i am sorry to the kid i was. maybe the kid you were too. none of us deserved to see something like this ruined. that thing used to be precious to me. and now - all those good times; measured into dust.
/// 9.6.2022 // FUCKING AGAIN, JK? Are you fucking kidding me?
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rebeccathenaturalist · 8 months
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I have THE biggest, BEST news EVER--
I GOT A BOOK CONTRACT!!!!!!!!
I am exceptionally pleased to announce that I have just signed a contract with Ten Speed Press (a division of Penguin Random House) to publish...
The Everyday Naturalist: How to Identify Animals, Plants, and Fungi Wherever You Go!
It is slated for publication in early Summer 2025, and will be written for anyone who wants to be able to identify the living beings around them regardless of educational level or experience. A HUGE thank you to my literary agent Jane Dystel of Dystel, Goderich & Bourret LLC, and my editor at Ten Speed Press, Julie Bennett!
This isn't just another field guide--it's a how-to book on nature identification that helps you go from "I have no idea what this animal/plant/fungus is and I don't know where to start" to "Aha! I know how to figure out what species I'm looking at/hearing!" Those familiar with my nature ID classes know that I emphasize skills and tools accessible to everyday people. Whether you're birdwatching, foraging, or just enjoying the nature around you, my goal is to help you be more confident in figuring out what living beings you encounter wherever you go--and not just in the Pacific Northwest. 
The Everyday Naturalist will not only explain what traits you need to pay attention to like color, size, shape, location, etc. and how to use them to differentiate among similar species, but will also detail how and when to use tools like apps, field guides, and more. (And given the current kerfuffle about A I generated foraging books, I will of course include information on how to determine the veracity of a given book or other resource.) And my editor and I have already been discussing some great additions to the book that will make it even more user-friendly!
Are you excited about this? I certainly am! I wanted to wait until the pixels were dry on the contract before going public with this (though my newsletter subscribers got to hear about it last month, lucky them!) It still doesn't feel real, but I'm already working on the manuscript so it'll sink in soon enough.
I will, of course, keep you all apprised of my progress because this project is going to be a big part of my life over the next several months as I write and edit and write and edit and wash, rinse, repeat. So keep your eyes on this space for updates (and feel free to add yourself to my monthly email newsletter here, too!)
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Just a quick reminder that I will not tolerate bad-mouthing of traditional, indie, hybrid, online, fan-fiction, or any other type of writing and publishing on my blog, in asks, in the replies, or in the reblogs.
Furthermore, anyone who feels the need to disparage any type of writing or publication should take some time to educate themselves and do some self-reflection. What insecurities are these feelings masking? Why are they not confident enough in their own writing or path to publishing to be supportive of all types of writing and publishing? Why do they feel the experiences of some are enough to invalidate the experiences of many?
There is room for everyone in the world of writing and publishing. There's no reason not to be inclusive of everyone, all types of writing, all paths of publishing, and advice from every background and level of experience.
~ with love, WQA
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feelingthedisaster · 3 months
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debating wheter to use a pseudonym or your real name when publishing feels like "do i want to make sure my family is never going to found what i wrote?" or "do i want the teacher that critized my writing recognizing my name in a bookstore and get the revenge of my life?"
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impernious · 1 month
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At the Gates
If you've missed it until now, At the Gate is a high fantasy game inspired by media like final fantasy and books like the Ryiria Chronicles. We have an Ashcan of it live on DTRPG. Please use your dollars to check it out, which will help a girl get some eyeballs on her work! https://preview.drivethrurpg.com/en/product/475586/At-The-Gates-Ashcan-Edition?affiliate_id=245791
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writingwithfolklore · 2 months
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3 Important things about Traditional Publishing
                This post is for people who want to be traditionally published. If you’re down to Indie publish, or are only interested in posting your own fiction online—don’t worry about it!
                First things first, traditional (or trad) publishing is when you go through an editor at a publishing house and they publish your book. They also take a hefty percentage of the profits, but handle the editing, cover design, titling, promotion, etc. for you. Sometimes you may also go through a literary agent who will represent you (send your work and advocate for you) to publishing houses.
                Indie publishing (independent) is when you do it on your own, also known as self publishing. You have more control, but have to build a team behind you to help you edit, design, format, promote, etc. (or do it all yourself). and it can be difficult to get your book in places like book stores and libraries since they usually only do dealings with publishing houses.
                With that out of the way, let’s talk 3 important things I know about trad publishing.
1. Don’t share your work online
If you want to be traditionally published, don’t post any of your work online anywhere. Including little bits and pieces, including excerpts, including characters, including titles. Nothing. Keep it locked down.
                This is because many trad publishing contracts will consider you posting your work online as it being “previously published”, and may reject your work for that reason. To be on the safe side, don’t put any of your work online or submit it to other journals/magazines.
2. Be prepared to let go of some of the decision making.
When you go through lit agents and publishing houses, you give up an amount of creative control to get your work published. They just want to make it as good (and marketable) as possible, so trust that they know what they’re talking about.
                This means they may choose your title, you may not have any control over the cover image, they might even ask you to get rid of a character or change the ending or any other amount of larger edits. You are allowed to reject some ideas, but choose your battles. Taking this feedback and making these edits is what will get your work published, so if that is your goal, be accommodating, trust that they have so much experience and will make your work better.
3. You should NEVER have to pay them
If you’re paying a traditional publisher to publish your work, you are being scammed. The money works this way:
The reader buys the book for say $20.
To make this simple, let’s say $20 then goes to the publishing house.
They take 50%, so $10 goes to your literary agent (if you have one).
They take another 50% so $5 goes to you.
Never, ever should the money be flowing the opposite direction where you are giving money to these businesses to publish your work. I will say it again, if you are paying these people, you are being scammed.
This is really important, because I knew a girl who was working three jobs to get her work published. They were asking for almost 20K. My heart absolutely breaks for her—she just didn’t know that that’s not how it’s supposed to work.
Whether it’s 20k, $100, or 3 cents. You don’t pay them.
(Of course, if you’re in indie publishing this is a whole different story. In indie, you pay people to do any of the work you don’t want to do. If you need an indie editor, you pay them, if you want an artist to design your cover, you pay them. This rule only applies to trad publishing!)
Anything else important that I missed?
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zillanovikov · 1 year
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okay
okay okay OKAY
I wrote a book about what it feels like to try to get an agent to notice your novel
and what it feels like to start doing activism and find friends who share your values but also lose friends who don't
it's written in the form of unhinged query letters
and then somehow rysz merey wanted to publish it with the tRaum books press for queer agenre books
and rachel a rosen designed me one of the greatest covers of all time, with blackout poetry:
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and then rysz was like, did you want an even less hinged cover for the special edition since it won't be censored by amazon and rachel was like, i can do fewer hinges, and this happened:
[tumblr won't let me blaze this post with the special edition cover so um if you want to see it you need to click the link here, do it, I promise it's worth it, this is Art, maybe not safe for work tho, don't click it at work]
if you enjoy print books or capitalism, click here to buy it, the indie links have the special cover
if you would like to read it but would not like to pay money, you can get a review copy if you promise to post an honest review somewhere, this link will be live for a month or so but if you want it after I close the link, message me on tumblr or shoot an email to nightbeatseu (at) gmail (dot) com
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flowerprose · 1 year
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Are you currently published or publishing a novel in 2023? Are you a writeblr or active writer on tumblr?
Hey everyone! I want to dedicate two months in 2023 to reviewing the published works of indie and self-published authors of tumblr. The current state of the publishing industry frustrates me as both a consumer and future author, but I see the imaginative works of so many fellow writers through this app and hope that we can collectively shine a spotlight on the talent showcased here. My reviews will be posted across social media platforms and shared on all major book review sites (like Goodreads, Amazon, B&N, Indigo).
I do not want free ARCs or copies of your work. I personally believe it’s important for us to increase the book sales of smaller, debut authors so they can find a larger audience. I will pay for all of my copies, as I have the means to do so.
I do want you to please reblog this post and share the title, link, genre, and description of the book you have published or will be publishing in 2023.
Feel free to use or adjust the below sample template, or respond with your own.
Please reblog and boost!
Author name:
Relevant social media: (any social media you would want potential readers to seek out)
Book title:
Genre:
Word count:
Summary:
Trigger warnings:
Publication date: (if known)
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novlr · 6 months
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How to create a Copyright for my fiction novel?
For example:
All right reserved. This is a work of fiction...
(I forgot all of it)
In August we wrote a beginners guide to copyright, in which we talk about whether you need it, how to get it if you do, and what information you should include in a copyright page. We've even given you a downloadable template that you can customise to your needs for both fiction, and non-fiction books! Click the link below.
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goodluckclove · 2 days
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i did it. Blind Trust is officially, totally, fully edited and ready to be published. On my doc it's 436 pages and 185k words. I've probably read it five times. My take? Everyone's struggling and confused, but they find time to be happy, goofy little weirdos.
I like them a lot. I hope you will too. I hope you aren't sick of hearing about it because next month is time to figure out the self-publishing process.
But first I am entitled to listen to my own advice and get myself a reward. I'm thinking tiny hamburger!
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kjscottwrites · 6 months
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Well for one I'M not going anywhere, but lets say for no particular reason that Tumblr does bite it...
I don't mean this as any sort of doomsaying, because I'm staying here and will stay here indefinitely. This is where my community is. But, I am curious if people are feeling inclined to relocate!
Feel free to add your other socials to this thread as well!
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wingsdippedingold · 9 days
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Help??? I think this is by definiton a negative effect of booktok? Obviously men grooming women started since men were thing, but now media has convinced women that it’s okay and attractive? It also permits the behavior of younger men by saying “we prefer older men because they’re more mature” no babe they’re just better at manipulation 😭, saying that just allows guys to get away with shitty behavior longer. Younger guys are equally bad they just don’t have the skill to hide it yet (obviously I’m referring to men like this, not all men do not come at me with not all men)
But seriously?? all the girls genuinely frothing at the mouth and not as joke is concerning. Now if they were like 30 and the guy was 45 whatever, but these are TEENAGE girls who would legitimately jump at the chance of dating a man 20 yrs older than them
Also fuck Rhysand, he 100% would say that to his 19 yr old wife
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zmwrites · 3 months
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friends: what are your favourite ways to shorten a manuscript? crutch words to demolish, sentence structures to remove, scenes to cut…. all suggestions are welcome!
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