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#do you want a solid design for moon?
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i am going to scream
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ashwii · 4 months
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Masterpost WEEEE ₊˚.⋆☾⋆⁺₊
Hi :D I'm AshWii, and I make lots of fan art -w- I'll edit this masterpost depending on what I'm working on and/or I'm most interested in at the time. Mostly, I'm drawing TMNT content right now.
General Tags
All of my ROTTMNT works
All of my TMNT works
All of my VLD works
All of my Klance works
All of my OC works
General Artworks
All art I've ever posted (doodles, renders, and more)
Just my doodles and sketches
Just my finished and/or rendered artworks
Art tutorials and/or art advice
Personal favorites
Text Posts and Misc.
"Ash Rambles" (text posts)
"Ashask" (ask box posts)
"Ash Polls" (polls I've made)
Fanart people have made for me!
Personal Projects
Celestial Au artworks
TMNT:SN artworks
Night Time (ROTTMNT sona) artworks
If there is anything else you would like available on this tag list, let me know :D
More Info + Tags On My Personal Projects Under The Cut
Includes Celestial Au, TMNT:SN, and Night Time!
Celestial Au
All celestial au artworks
Celestial au info
Celestial au FAQ (masterpost)
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My "rottmnt celestial au" is an au where the turtles are portrayed as different celestial bodies. Leo embodies the stars, Donnie embodies the moon, Raph embodies the sun, and Mikey embodies the comets. No real lore here, mostly just fun shenanigans!
TMNT Sona
"ash sona"
All Night art/posts
All "sona fam" posts
An introduction to Night
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This is Night Time, my rottmnt sona! He was made in early 2023 when rottmnt sonas were everywhere XD He's heavily based off of my celestial au turtles — Star!Leo, in particular, felt to me like he was more or less already my rottmnt sona. However, it felt strange to make an "au Leo" my sona, so I tweaked him some. Night is the embodiment of night sky and all of the celestial bodies, not just the stars. He also has his own and unique personality, and his own way of thinking (as opposed to Star!Leo, who's just regular Leo with a star theme). Night is generally pretty quiet and collected. He has the vibes of an older, formal man. He enjoys his solitude and he is not a fan of talking to other people — he enjoys being alone with his night sky. However, when he's in the presence of others... he's a bit more of a prick and an asshole XD. He's very much and introvert and has a low tolerance for bs.
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idiot son by @viverrz
But you know... he can be a softie to others at times -w-
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other idiot son by @daedelweiss
TMNT: Splattered Neon
all tmnt:sn artworks
tmnt:sn information
Music and composition by @jokingmaiden
TMNT:SN is my own tmnt version :D I made my own designs for the boys and for the rest of the main cast, along with some other characters that are coming out soon :D If I'm being honest however, I still don't have a solid enough of a plot-line that can be put into a synopsis. I do however have a lot of bits and info about where I want everything to kinda go and what I want to do, and all of that information can be found in "tmnt:snINFO."
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nasa · 1 year
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Rockets, Racecars, and the Physics of Going Fast
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When our Space Launch System (SLS) rocket launches the Artemis missions to the Moon, it can have a top speed of more than six miles per second. Rockets and racecars are designed with speed in mind to accomplish their missions—but there’s more to speed than just engines and fuel. Learn more about the physics of going fast:
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Take a look under the hood, so to speak, of our SLS mega Moon rocket and you’ll find that each of its four RS-25 engines have high-pressure turbopumps that generate a combined 94,400 horsepower per engine. All that horsepower creates more than 2 million pounds of thrust to help launch our four Artemis astronauts inside the Orion spacecraft beyond Earth orbit and onward to the Moon. How does that horsepower compare to a racecar? World champion racecars can generate more than 1,000 horsepower as they speed around the track.
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As these vehicles start their engines, a series of special machinery is moving and grooving inside those engines. Turbo engines in racecars work at up to 15,000 rotations per minute, aka rpm. The turbopumps on the RS-25 engines rotate at a staggering 37,000 rpm. SLS’s RS-25 engines will burn for approximately eight minutes, while racecar engines generally run for 1 ½-3 hours during a race.
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To use that power effectively, both rockets and racecars are designed to slice through the air as efficiently as possible.
While rockets want to eliminate as much drag as possible, racecars carefully use the air they’re slicing through to keep them pinned to the track and speed around corners faster. This phenomenon is called downforce.
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Steering these mighty machines is a delicate process that involves complex mechanics.
Most racecars use a rack-and-pinion system to convert the turn of a steering wheel to precisely point the front tires in the right direction. While SLS doesn’t have a steering wheel, its powerful engines and solid rocket boosters do have nozzles that gimbal, or move, to better direct the force of the thrust during launch and flight.
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Racecar drivers and astronauts are laser focused, keeping their sights set on the destination. Pit crews and launch control teams both analyze data from numerous sensors and computers to guide them to the finish line. In the case of our mighty SLS rocket, its 212-foot-tall core stage has nearly 1,000 sensors to help fly, track, and guide the rocket on the right trajectory and at the right speed. That same data is relayed to launch teams on the ground in real time. Like SLS, world-champion racecars use hundreds of sensors to help drivers and teams manage the race and perform at peak levels.
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Knowing how to best use, manage, and battle the physics of going fast, is critical in that final lap. You can learn more about rockets and racecars here.
Make sure to follow us on Tumblr for your regular dose of space!
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uva124 · 3 months
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So yeah, I finished the drawing of Asha's redesign from Wish :D, maybe I'll make some changes in the future, but I'm happy to have finished it, it should be noted that I haven't seen the movie. , so I can't give my opinion on it yet, but I found it very interesting that their fandom is mainly made up of people who rewrote or made their own version of the movie, they are all very creative and it got me out of an artistic block. that I had a few months ago, but above all I found the rewriting of @annymation which is the one I have been most hooked on, so I wanted to do some redesigns of the characters coming out of its rewriting, that's why everything that has to do with the story of this version of Asha, as well as her personality and her world on which I base my drawing are the ideas and work of this account: @annymation
I'm just making a drawing of her character and how I would design her as well as sharing part of the process I had to do to draw her because, why not?
BOARD:
The first thing I had to do was put together a table full of references that reminded me of the character and things that I would like to add to her design, so I used milanote to do it:
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-Looked for some Asha's concept art and save the ones I liked the most, and add the main colors that I used in the design. -I also created notes to write down the personality of the character and some of his data to have a better guide, I did a little research and found publications that talked a lot about Asha's discarded designs and how Disney workers had put that she had tribe ancestry Amazigh on his mother's side and since his father was from the Iberian Peninsula, that's why the next thing I wanted to do is research more about their culture. -I am not an expert on this topic, nor do I belong to the cultures from which Asha has ancestry, so you can comment on any correction regarding this topic, I wanted to implement details of this culture to her design and I would really like to give a correct representation :)
HAIRSTYLE
Continuing with the theme, I saw that the hairstyles in the Amazigh culture mostly had this type of colorful decorations on their braids and dreadlocks, that's why I also posted these reference photos for Asha's hairstyle.
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-Finally I decided that Asha would not have all her hair full of braids or dreadlocks, but only a few accompanied by these decorations with a great variation of colors, although it was fun to sketch the many hairstyle options that I had in mind based on these concept art and other photos that I had saved
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TATTOOS:
-Another detail that I liked was giving Asha some tattoos with designs from the Amazigh culture, because I saw that it was quite common for women to get them, the tattoo on her forehead is a symbol of protection against bad influences, that's why the The middle symbol is responsible for deflecting it in the 4 directions, I also added a similar one in Asha's right hand.
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ASTROLOGY AND THE SPACE:
-An important part of Asha's rewrite is her knowledge of astronomy inherited from her father, especially with the stars for obvious reasons xd, so in addition to adding constellations to her dresses, research the meaning (or something like that) of the planets. Only 3 really reminded me of the character, which were: -Mars: Symbolization of the internal conquering function of moving forward, independent, self-determined, enduring failures with new energy, courage and energy to fight for your desires. -Saturn: Maturity, effort to solidly build realistic criteria, frustrations are transformed into objectives to continue growing, critical and realistic, far from getting frustrated when an objective does not work, you strive to move forward and obtain even more resistant and solid achievements, perseverance , and tenacity (I feel like yhis it the most similar to Asha :D) -Moon: protective role, feeling very vulnerable outside your known areas, feeling of security with your ties, importance of family ties. The one that reminded me the most of Asha was Saturn, that's why I drew those Saturn-shaped earrings :).
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SUITS:
I looked for references and placed some on milanote, I noticed that the concept art was mainly divided into whether the dresses have lilac colors or warm colors, I decided to draw 2 models based on the discarded designs, although at first I thought of using only one color palette lilac and bluish, I realized that the reddish colors of her dress reminded me of Mars which has certain meanings that in my opinion coincide with Asha's personality. In the end I didn't decide what wardrobe she would primarily have 😅, but I like to think that in this version of Wish, Asha would have wardrobe and hairstyle changes like in some older Disney movies.
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-These are some of the concepts that I mainly used for my version of the dresses
FINAL COMMENTS:
I am satisfied with the result, it was fun to make all this, although what I researched mostly seems little, it actually cost me several hours and I did it at night, so as a funny fact the next day I was explaining all this information to my mother and I felt like I looked like that:
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(Make this drawing was so funny LMAO)
(Apologies if there are errors in my writing, English is not my first language and my writing is very basic)
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xitsensunmoon · 11 months
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Finally got my grade so I can be calm about showing this online lol. The short story about how I sneaked my blorbo and old concepts into my homework hehehe
@just-a-drawing-bean really helped with colours and details he was such an L bozo before lmao thank you smm<33
A random info dump about the setting of this world and Moon's design is under the cut because I can :)
The war between robots and humans yahooo
Sun, Moon and Eclipse all are androids, just very realistic ones, Detroit become human kinda type
All three are made to be assassins
Unfortunately, even tho they have obvious robot parts it's hard to tell if they're robots or not because it's very popular for humans to modify their bodies with similar stuff too. Close to Cyberpunk 2077 situation
Moon's hands weapon is called Ribbons<3
The wires-hair thing is absolutely controllable, can sting with poison from the needles on the ends or grab objects if Moon wants it to. It's also detachable so the man is still bald ahhah
The Ribbons can easily fold inside his arms, the blades themselves are just bundles of energy, not solid
His "shoes" are actually very sharp hooks, obviously useful in combat
His mask is present mostly for disguise, but it is his actual body part too
Will I make Sun and Eclipse designs? Maybe :) If feel like it lol (please don't come to my inbox asking for me to do it, you will demotivate me even more)
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goldenvulpine · 9 months
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ok here is a helpful guide for Superman fans in Tumblr when referring to different eras of Superman:
Golden Age Superman: Kal-L. The Original. Very cocky. Very charismatic. Couldn’t fly as a kid. Has no solid code against killing. Chaotic Good. Can actually fly now. Has a disturbingly high kill count. Loves Toxic Women (Lois Literally Drugged him one time). Literal WW2 veteran. Not from Kansas. Smallville, East Coast (likely New York). Is now married to Lois. Head of the Daily Star (not Planet). Is Power Girl’s cousin. Is very aggressive. Still saved people from suicide canonically. Canonically religious (Married Lois in a Kryptonian Ceremony). “What trauma?” Seen everyone he loves die.
Silver Age Superman: Kal-El. The Most Popular. Speaks fluent Kryptonese. Total “50’s Dad”. The Strongest. Also the most conformist. Strict Code against killing. Lawful Good. From Smallville. Is canonically Religious (For Rao, his culture’s God). Has multiple cousins. From Smallville, East Coast (likely Maryland this time). Says he wouldn’t hit a woman. Probably has. Sneezed a Solar System Away. Somehow the WEIRDEST one. Also the biggest Prankster. Was Superboy. Was part of the Legion. Saw Pa die. Refuses to acknowledge his trauma. Needs a hug but won’t say it. Works for the Daily Planet. Alan Moore loves him.
Bronze Age Superman: Kal El. Actually just Silver Age Superman but “weaker”. Still the Strongest. Your favorite writer’s favorite Superman. Neutral Good. Originator of the Clex Drama. Met God. Is a pure scientist. Has Three Canon Endings. All of them are literal tragic endings. Is best bros with Batman. Is the Original Nightwing. His cousin is the Second Nightwing. Dick is actually the Third Nightwing. Loves his bro Jimmy Olsen. Smarter than Batman. Made a vow to protect life. Newscaster. Grant Morrison and Mark Waid love him.
Dark Age/Byrne Superman: Clark Kent (Kal El). Still moody. Weakest Superman. Thinks he’s Neutral Good, still Lawful Good. Doesn’t like Krypton. Designer Baby. Best Journalist. Canonically a Porn Star. Died. Came back. Most insecure Superman. Loves ‘Murica. Killed like three people one time. Strict code against killing. “Superman is what I do, Clark is who I am”. Legion who? Superboy who? Supergirl who? Football Star. Pure Sarcasm. Agnostic. People say they hate him but is the reason Smallville, Man of Steel and STAS exist. Literally wants to fuck Jimmy’s Mom. Triangle Era (90’s) Superman: Clark Kent (Kal-El). Is less moody now. Makes more Jokes. Still a drama queen. Smarter. Stronger. Wants to write a Novel. Married Lois. Jimmy is the Best Man. Good Leader. True Lawful Good. The Superman you probably think of the Most. Coolest guy. 90’s Superboy (the best) 90’s Supergirl (Matrix). Was once Gangbuster (Chaotic Neutral). Mind so strong, he killed a psychic in his sleep without knowing it. Christian (Married Lois in a Church). Still knows Kryptonian Kung Fu (Torquasm Vo/Rao). Dick Grayson’s 3rd Dad. Tim Drake’s 4th Dad. Slept with a Mermaid in Collage. Is fun.
Post-Crisis/2000’s Superman: Clark Kent (Kal El) Retcons out the ass. Kara comes back. Knows Boxing now. Knows Kung Fu. Held a Black Hole in his hand. Destroyed Moons. Agnostic. Still Lawful Good. Loves his wife. Loves his adopted son. Chris Kent. His son is Nightwing. His other son is also Nightwing. Walked the earth one time because of war crimes. Saves people from suicide again. Was a Kryptonian general one time. Literal Genius. Smarter than Batman. Is the GOAT. Hates the President.
New 52 Superman: Clark Kent (Kal-El) Very cocky. Very charismatic. Couldn’t fly as a kid. Has no solid code against killing. Chaotic Good to Neutral Good. Lower kill count than Post-Crisis. Loves Toxic Women (Loves the craziest version of Diana). Had a Mid-Life Crisis in his Mid-20’s. Was a Wrestler. Talks like Jason Todd/Wally West/Nightwing/Peter Parker/every mid-20’s white boi in the 90’s-00’s. Everyone hated him. Wasn’t as bad as they say. Is the Andrew Garfield/Spider-Man of Supermen. Killed off without good reason.
Rebirth Superman: Clark Kent (Kal-El). Is literally just Triangle Era Superman. With kids. No Chris tho. Still Lawful Good. Strongest of the Post-Crisis versions. Tries to be a good dad. Is a decent dad. Except for the time where he left Jon alone. So he’s a bad dad. I’m still not over that. Bendis loves him. Says please alot. Watches Anime. Kind of a dead beat. I miss Chris.
if you want summations of other Supermen I didn’t cover you are welcome to ask.
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freemindedspirit · 15 days
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How do the BTS members show love? Just in general🌙 thank you in advance.
This is an old ask that has been sitting in my drafts for months if not years, i updated it and posted it right after For entertainment purposes only
Jin: He admires his person a lot.He will tell them how they are good at something, sincere compliments.Might try to do something and dedicate it to them.He is the most likely to lean into traditional roles to show love, for example how he takes care of BTS like an older brother.He will try to make the people he loves laugh a lot.He will act very confident and try to be a very fun person,as well as put effort for the relationship to grow and care for it in little things daily. Yoongi: heart eyes people, heart eyes ! his love is loud when you can recognize it. he's a logistics man, you know he loves you when you wake up with a full breakfast ready, a coffee to-go and your lunchbox in your workbag thanks to him. It's sharing a drink on the couch and chatting, him giving you advice based on his struggles to help yours. Daily love.
Hobi:Literally heard him scream lmao. Excited love with one good layer of coolness. "Jagiya, wake up, we are going on weekend", bc last night he decided to, since you seemed to be tired lately and needing sunlight. Knows your orders by heart but won't tell you, you will notice when he comes back to the car with the exact food you were craving at the moment and your stomach growls at the sight of your favorite take out.Will be shy at first to ask for attention or physical affection, but would be over the moon if you were to initiate it.
Namjoon: He has a bit time projecting love currently, a mix of being busy, healing himself and finding himself back after it. Warm, burning love. Passionate but solid, like the crater of an active volcano. Wants to make a home together with his partner.
Jimin: out and open.Hugs, kisses, flirting, teasing, touches here and there. He is constantly around; giving attention and making sure you arent lacking in anything, wants to learn from you and teach you and spend time around you a lot.
Taehyung: Works for you, learns new skills to help you( and get compliments ), learns little things about you, how you like your tea, sandwiches, your favorite weather. Will give you small but expensive gifts as little tokens og his love, think small gold decorations pieces or stickers designed by a trendy fashion creator you like.
Jungkook: Chaotic love ?? At least at the time of this reading, it seems loving, passionate but chaotic. Like Seven is an extreme and parodied version of A Day in the Life of Jungkook's Partner when he Needs Attention. Childish sometimes, fun, intense, safe.New things, excitment,fires and burning stars. But at the end of the busy day, you both come back home to each other for a quieter adventure.
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batnip · 3 months
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I heard you mentioned deathsea.
I request your arti riv and saint designs for art purposes
Slugcat Shipruary , Day 14
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I LOVE DEATHSEA.
Yes. It's my favorite slugcat ship at the moment. My premise forthe ship is Five Pebbles before the collapse- after requesting Rivulet to get the Rarefaction Cell, requests again for Rivulet to go retrieve his citizen. His structure will become weaker without it's function, and his city will no longer be safe. Destined to collapse soon. So of course, Rivulet goes up through parts of the crumbling city to find Artificer. There is barely an enemy in sight, and the city is filled with small bits of the rot. They find Artificer, with them- the begrudging Artificer helps Rivulet back to Moon to help her. And as Moon regains some of her function, Artificer can find comfort in Rivulet's presence, and they both heal from past injuries. Whether it is mental or physical. While visiting Five Pebbles in his status in Saint's time, barely functioning- they find a frail fluffy slugcat. Artificer instantly rushes to save the smaller slugcat- corner by a pack of yellow lizards. Artificer and Rivulet tear through the pack, at each other's side, protecting the frail new discovery. The three gain an inseparable bond- whether it is being tied to the cycles- concern- or friendship and love for each other.
And.. an answer to the ask! I don't have solid designs for my slugcats. I'm still figuring out what I want to do for them- looking at other's designs and headcanons. I'm refining my personal au over time- still.. maybe it'll be done one day! ...And a big milestone for me. Thank you for everyone who helped me reach this, 100 reblogs + 500 likes!
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And to all, a Happy Valentines Day! Even if you don't have a partner, (Ace+aros, or people who are having no luck in romance, taking a break from it, etc). You are loved and seen!
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dazedandconfused-15 · 3 months
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Dom billy giving you a bubble bath after a long day at work, he sits behind you and rubs your puffy pussy calling you his good girl and ur just his subby girlfriend crying cus hes hands are so thick and perfect 😵‍💫😵‍💫😵‍💫❤️❤️
Here you go😇😝
Warning: 18+, sexual content.
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Dragging yourself to the kitchen, the full moon's leftovers from a restless night still haunt you. As soon as you got home earlier, you laid down on the couch to get a few minutes of rest. Surprise surprise, that turned into a solid hour nap. You hate leaving the dishes in the sink, so as soon as you see them you start washing them before preparing dinner later.
-Babe?
-In here! – you answer, rubbing your forehead with your arm. A lock of hair falls on your face and you blow it away.
Billy enters the kitchen and puts the house keys in the bowl, his eyes on you. -Hey.
You give him a tired smile, rinse a breakfast bowl under water, and place it on the dish rack. -Sorry, I forgot to wash the breakfast things. When I got home I just had to sit on the couch for a bit but fell asleep. I was exhausted.
Billy comes up to you as you rub a dish with the sponge. -Not a big deal. Leave it here, I’ll do it later.
-I’m almost done.
You sigh as he turns off the tap, resting a hand on your arm. -It's Friday. I’ll do it. Just c’mere.
You grab the towel he holds out to you, drying your hands. You turn towards him, finding yourself trapped between the kitchen counter and his body. His blue eyes roam over your face. He has a spot of motor oil on his cheekbone, which you brush away with your thumb.
-What’s going on? D’you have a bad day? – he asks as his fingers graze the skin of your hip under your shirt.
-No, no. Just...just a long one, that’s all.
Billy hums. He moves closer and kisses the corner of your mouth as his lips linger there, his mustache teasing you deliciously. You can smell the faint scent of cigarettes in his kiss.
-Alright. Let's get you in the bath. Relax a bit', huh? - he asks, his big hand goes up your back and wraps itself around the back of your neck, warm and reassuring.
A bath sounds like a good idea.
A few minutes later, your body sinks in the bathtub as you let the warmth of the hot water envelop you. The bubbles shimmer like iridescent jewels. The rhythmic sound of their bursting orchestrates a gentle melody.
-Aren't you coming? – you ask Billy.
He is sitting to your left, his arms resting against the edge of the tub. He reaches out a hand and brushes your lips with his thumb.
-I thought you wanted to be alone for a while.
You shake your head, kissing his thumb. Billy gets the message and stands up, undressing. When he sits behind you and grabs your hips, drawing you closer to him, you lean your back against his chest with a satisfied hum. His hands rest against your belly. You never cease to be amazed at how your bodies contrast with each other. His golden skin seems even more tanned against your fair one. Your legs trapped between his are small.
Wrapped in the warmth of his body and the warm water, you let out a long sigh trying to ignore the tension in your shoulders. You try to disconnect yourself from thoughts of work. It's no use at the moment.
-You need to stop worrying so much, y'know. - Billy says at one point. His thumbs draw circles on your belly, which relaxes your nerves a little. 
-I know. It's just...there's so much to do. I don't even know if it's gonna work.
You just opened a coffee shop in Hawkins. Things are going well so far, but there's still so much to do. Robin and Max are a great help. Taking care of the marketing and branding part has taken a lot of work, and you all really want this business to work. You are finishing up the recipes and adjusting some aspects of the interior design, but the pressure is a lot.
-Don’t be so negative. The food’s great. Have I tried it or not?
-Yeah...
He nudges your jaw with his nose. -And what did I say? Like the pancakes, what did I say when I ate those pancakes? You know I'm always straight-up with you, especially with this stuff.
You hum in acknowledgment, folding your left leg and resting it against his muscular thigh. -You loved them.
-That's right. I'm not the only one. When you guys gave Eddie one of those blueberry muffins? Man, he cleaned up the whole tray.
You let out a laugh at the memory of that episode.
-You worry too much. S'gonna be great.
-You're right. - you murmur, feeling tingles spread through your belly as his hands creep further up.
-Now you just need to relax. - his breath brushes your ear as his thumbs grazes your nipples, which immediately stiffen under his touch. -Yeah?
You nod, his thumbs sending direct signals between your legs as he rolls your nipples between them.
-Let me take care of ya.
A gasp leaves your lips as you feel his fingers graze the petals of your sex. His hand is big enough to cup it entirely. It is as if an electric shock is going through your body. You can feel the blood rushing down there as all of your nerves wake up from his touch. He knows your body by heart, knows exactly how to touch you, what gets you squirming for him. You had a couple boyfriends before him, but none of them was able to touch you like him. Not even close. And it wasn’t a matter of time either, because Billy got you gushing all over his hand the first time he touched you in that parking lot a year ago. His finger rubs your clit in slow circles, you can feel the wetness build up no matter the water surrounding you. You instinctively arch your back, seeking contact with his hand.
-You're so eager, aren't you? - Billy reprimands you as he bites your ear, slowing down his movements. -Are you gonna be good and stop moving?
-Huh huh. – you bite your lower lip as you strain to relax back against his torso.
You feel his hard length pressing against your lower back, and it only increases the need for release. His fingers are spread to each side of your labia, and he begins to slowly massage you up and down, your throbbing, hardened clit rubbing against the palm of his hand.
-Mh, yes. - you whisper with a gasp at his touch.
The water around his arm has cleared from the foam and you can see his large hand rubbing you, turning you on even more. His other hand is on your left breast, playing with your nipple poking out of the water.
He pants against your ear as he brushes your slit with his middle index finger and you automatically twitch with the need to feel him pushing inside your hole.
-Such a greedy pussy. - he rumbles. Then his words cut through you in his slow, accusing tone. -Can you feel how wet you are?
-Mh, just need it so bad...
-What do you need, baby? - he asks, knowing fully well what you want as he circles your entrance with his finger. Waiting for you to say the word.
-Your fingers. – you breathe out, and it takes all of you not to thrust your hips forward and swallow his finger.
-Where do you need 'em?
You feel your cheeks burning. You have always been shy. Billy is the opposite of you. Has always been. He’s all cheeky and uninhibited and doesn’t care if he falls into the vulgar. And he demands the same from you. You can't escape him.
-In my pussy. - you whisper, and he hums in appreciation, his voice rumbles against his chest.
-Atta girl.
He pushes his finger inside you, filling you to the brim. You gasp, tilting your head back, feeling the metal of his ring against your labia, waiting for him to start moving. And when he does, you let a low moan. You instinctively pull your right leg out of the water so that your calf rests on the edge of the tub to be spread for him and give him more access, water dripping onto the floor from your foot.
-Yeah, just like that. Open wide, baby. - Billy whispers, and almost pulls out his finger to add another one, tearing a high-pitched groan from you.
You lift your head from his chest, watching in rapture as his big fingers move in and out of you in the water, the heel of his hand against your pubis. The air in the bathroom is hot and humid, your body is on fire. A drop of sweat slides down you temple. You never want it to end, but at the same time, you feel the burning need to release.
-More. - you whisper, resting your head back against his shoulder. You move your hips to meet his movements, but as soon as you do Billy pulls out his fingers.
Your sex contracts around nothing. You feel frustration rising in you and you’re about to say something but Billy wraps his hand around your throat.
-What did I say? - he murmurs, his lips against your skin.
His voice is a warning in itself. If you move, he gives you nothing.
-Sorry. It just feels so good. Please, Billy.
You turn your head meeting his blue eyes, begging him with your gaze. You press your lips against his for good measure. Billy grunts, his tongue finding yours as he lightly tightens his hand around your throat. The pleasure and slight adrenaline of the gesture mingle, causing a shiver to run down your spine. His eyes lock into yours as he slowly pushes his three fingers inside you. Your eyes flutter as he fills you again. You feel him increase his pace and you no longer contain the sounds that leave your mouth, your breath mixing with his. Then he curls his fingers and hits the spongy skin inside you, and something uncomfortable mixed with something beyond pleasure makes you close your eyes. Your leg begins to ache from its position against the edge of the tub, but you can't bring yourself to care, desperate as you are for the release. Your hips though, start to move on their own again, meeting his fingers urgently.
-God, yes ... ah ...
And just like that, he pulls out his fingers again.
You turn to look at him, frowning in dismay. Billy shakes his head, his hand slowly rubbing your swollen sex. -You're not listening.
-I’ll listen! I promise. I won't move. Just, please... - you moan, straining not to move against his teasing hand.
His fingers linger on your swollen labia. -What a brat. - then he roughly pushes his fingers inside you, without warning.
You cry out against his mouth and he silences you with his lips. His tongue follows the movement of his fingers and you almost roll your eyes at how erotic and overwhelming all of this is.
-Can you stay put baby? Want me to make you cum? Huh? - he asks, curling his fingers inside you.
You answer with a noncommittal sound, your toes curling every time his fingers apply pressure against that patch of skin. You feel yourself reaching the end quickly, feeling like you’re sliding down towards the edge of a ravine with alarming speed.
Billy tightens his grip around your throat, forcing you to open your eyes. He looks at you under his long dark lashes with a certain hunger. -Want you to watch me when I make this pussy come.
-Huh huh. – you nod eagerly, your nose brushing against his. -Please, yes.
Your legs start shaking as he keeps hitting that sweet spot, the familiar warmth in your belly starts spreading until you can't take it anymore and you cry out, contracting violently around his fingers, your flesh pulsing rhythmically, your eyes nearly crossing from the intense and long pleasure, so good it almost hurts.
-Yeah, such a good girl. - he whispers, his fingers moving gently inside you as you ride out your orgasm. Your legs give out as you loll your head to the side against his chin, your eyes fluttering shut, feeling utterly spent. Billy kisses your forehead, his hand now gentle around your throat, his thumb caressing your jaw.  -You did so well for me.
You just let out a sigh, feeling lulled by the warmth of his body and the smell of his cologne surrounding you, feeling at home.
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elminx · 30 days
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April is a “3” Universal Month [4 (April) + 8 (2024) = 12 = 1+2 = 3] in an “8” Universal Year. 3 months are about connection and building – three can be a party OR a crowd, depending on your perspective. With all eyes on Aries season and the Sun, Mercury, Venus, Mars, Chiron, AND the North Node in Aries over the month, it’s more likely to be the latter. We’re focused on independence and our own journies during this time.
The Set Up
We begin the month with the Sun, Mercury, Chiron, and the North Node in Aries; Venus, Mars, Saturn, and Neptune in Pisces; Uranus in Taurus, and Pluto in Aquarius. That’s a huge cluster of planets all in sequential signs overstretching the last two and the first two signs of the horoscope. This shows that this is a fundamental shift and ending going on – likely in the world around us and our own lives. We’re also deep in between eclipses and entering retrograde season.
By month’s end, all of our personal planets except Mercury will have changed signs. The Sun will have moved on into Taurus, and Venus and Mars will have moved into Aries. Additionally, Mercury will have retrograded and stationed direct again.
The Nitty Gritty
All eyes are on the sign of Aries as it will be involved with most of the major astrological transits of the month. Ten of the fifteen total aspects in April are conjunctions and all but two will be found in the sign of Aries. That’s a lot. Expect the energy to be fast, dry, hot, and ornery all month long. Aries is a sign of endless ambition, or, at least, endless energy. Aries need focus (given by their ruling planet Mars) and an unobstructed pathway to be at their best. Neither of those two things will be in ample supply.
This is to say that this will be a rough Aries season. Everyone will want to be doing, going, and accomplishing but getting nowhere fast. There is a major culprit here as the energy of each astrological season is augmented by the planetary ruler of its sign (in Aries’s case, Mars). For most of the month, Mars will be mired in the watery depths of Pisces. While Aries is sign #1, Pisces is sign #12. Pisces has seen and done it all, or at least that’s what they like you to believe. Pisces doesn’t move fast, they abide like The Dude – they’d rather spend their time daydreaming and fantasizing than accomplishing much in the tangible world. Mars can’t find any solid footing in the sign of the fish and we all may end up feeling like we are treading water (or drowning) if we try to maintain too much control.
This is going to manifest as a shitstorm of epic-level temper tantrums.
Let’s be real here: Aries isn’t known for being the most mature sign.  That’s not what they are here for.   Astrology teaches us that all sign energies have a place and Aries’s is to be the trailblazer.   As Sign #1, Aries is SUPPOSED TO step out into the world on their own.   It is their cosmic design to run ahead and scout things out.   Part of emotional maturity comes from the ability to stop and consider how your actions affect another – although it’s a powerful skill, it naturally inhibits some types of growth and innovation.
Aries tends to keep its blinders on for a reason.   Nobody gets to the top of the mountain if we all slow down and keep pace with the person who can’t climb.   The mature Aries knows that they are wearing blinders and when to take them off.   
Most actual Aries types (Sun, Ascendant, Moon, or Mars in Aries, at least those that have lived long enough to have experienced a Saturn return) have learned this lesson.   The problem comes when EVERYBODY ELSE has to stew in this thwarted Aries energy.
I’d say pack your patience, but I doubt there will be enough patience to go around.
April won’t begin with a bang but with a liminal whimper as Mercury stations retrograde at 27° Aries on the first. We’re already deep in this story – Mercury has been in Aries since 3/10 (in its pre-retrograde shadow since 3/18) and will remain there until mid-May. This is a very long stay for our fast-moving planet which normally takes 2-3 weeks to transit a sign. This shows us that there is work to be done around Mercury in Aries themes: notably owning our voices and speaking up for ourselves. You can read more about the Mercury retrograde here.
Important dates involving the retrograde: 4/1 Mercury retrogrades, 4/11 Sun conjunct retrograde Mercury, 4/15 retrograde Mercury conjunct Chiron, 4/19 retrograde Mercury conjuncts Venus, 4/25 Mercury stations direct It’s worth noting that from 4/15-4/17 and even a bit beyond that, we will be experiencing a major Aries stellium between retrograde Mercury, Venus, Chiron, and the North Node. These dates will be a big hit on your Mercury retrograde story, however that shows up for you.
Standard Mercury retrograde advice applies from 4/1-4/25 but most especially on the above dates: check your work twice, save often, think before you speak/send, and enjoy the strange winding path rather than worrying about your destination. Apply the above advice metaphorically and physically in equal measures. Mercury retrograde is a good time to focus on work you’ve already started: practice the words that start with re: review, revise, rethink, retrace…
As if to deepen the mood, Venus will conjunct Neptune on 4/3 in late Pisces. Que the mists and probably some waterworks, too. Even your emotions seem unreal. Neptune is considered to be the higher octave of Venusian energy – while Venus focuses on human love, Neptune can tap into universal love. Both are at home in the watery sign of Pisces (Venus’s exaltation and Neptune’s home sign). It could end up being a sweet day in amongst the muck. This transit will pass quickly.
On Thursday 4/4, Venus enters Aries and takes on her mantle as the Starlett.   Venus is in her detriment in Aries which is a fancy way of saying that the natural (giving/receiving) energy of Venus is at odds with the aggressive cardinal fire energy of the Ram.  Whereas Venus – especially in her rulership of Aries’s sun-sign opposite, Libra – is focused on connection and togetherness; Aries is focused on the self.   If you want to get along with Venus this month (work in the arts, fashion, or need to get along with people at all), maybe throw here a little something-something on and around this date.   Roses and red wine would do nicely.
Since we’re counting: Mercury isn’t at their best in retrograde, Mars isn’t at his best in the waters of Pisces, AND Venus is not at her best as she’s in detriment in Aries. We can presume that we will face some personal challenges with all our personal planets afflicted in some fashion.
Venus in Aries may make you want to make your mark or step out into the limelight. Spoiler alert: nobody is watching.
This leads to our total solar eclipse on Monday, 4/8 at 19° Aries. This is our major pain point of the month as it will be exactly conjunct to Chiron and closely conjunct to the North Node. This may be our major pain point for the entire year. Chiron is the Wounded Healer which shows that the pain can be healed but this comes with a major caveat: the way out of Chironian pain is THROUGH the pain. This isn’t the kind of situation that can be laughed away or repressed easily and there’s a huge danger here in trying to put a bow on a pile of shit and call it your new pet. Truth be told, with the North Node so closely involved, you may not be able to look away even if you want to.
This won’t apply to everyone, of course. And I don’t mean to be scare-tacticy here. If you don’t need deep soul healing, the above obviously doesn’t apply. But in this “post-pandemic” world, I’m not sure that I believe there is a person who doesn’t need some deep soul healing. This lunar event could really work for you, you just need to work for it.
As always, standard eclipse advice applies: eclipses occur on the nodes of fate – what happens in and around the dates of the eclipses should be weighed at least slightly more heavily than what happens during the rest of the year. If something suddenly enters or exits your life, pay attention and BELIEVE IT. This is our second to last eclipse cycle on the Aries-Libra axis and that puts a lot of strain on the dichotomy of selfness vs. togetherness. Stay aware of where you and your Others naturally fall on that scale. Retrograde Mercury is widely a part of this stellium (Sun, Moon, Mercury, Chiron, North Node) so try not to fight about it because there is no common ground to stand on right now.
If you’re traveling in the US to view the totality, stay safe out there and try not to travel on the interstate within 24 on either side of the event if you can. (and keep in mind retrograde Mercury rules travel so things may take longer than normal)
I wish I could say that we will get a reprieve but the consequences of whatever has just occurred are coming in hard on the back end with a rough Mars-Saturn conjunction at 14° Pisces on Wednesday 4/10. Saturn doesn’t mean to be nasty about it, but without lessons, you would never learn a thing. This will be a great cosmic pause. One of Saturn’s domains is time in the sense of limitation. As time passes, some choices become off-limits. Existence is fleeting.
Note whether that stokes fear or wonder (or both?) in your heart.
Situated in Pisces, the ruler of the 12th house, Saturn is working to reexamine some of our deepest-rooted trauma stories. The twelfth house rules the unconscious (where we store all of the things we don’t want to look at) and Pisces can sometimes be said to have accumulated all of the baggage of the signs that have come before it. This ties in with the pain point of Chiron in Aries which is getting triggered by all of our personal planets transiting over it.
The way to overcome some of Saturn’s inertia repeats the month’s themes: you’ve got to get into the shadowy bits of it and do that weeding. Saturn stops you so that you can dig into the ground and find the roots you have grown that are holding you back.
Cut them and grow new roots.
We won’t see another aspect for the rest of the week which is probably a good sign that we need to think about what we have done. (that doesn’t have to have a bad connotation)
There is a twisted-up knot that has something to do with the pain of aloneness that’s aching to come forth. A boil of some kind, even. On the week of 4/15, it comes to a head. The Sun has pulled away from Mercury, Chiron, and the Nodes but Venus has moved up to join them. In this way, that mid-Aries stellium stretches from 4/8 through to 4/19 as our personal planets apply stress and pressure to Chiron and the North Node. Or better said, Chiron and the North Node apply pressure to our personal planets.
Aloneness means a lot of different things to different people. An Aries type can think of nothing better, most Libras can think of nothing worse. That is the pressure we will be sitting under all month long. Aries and Libra are alike in many ways but, in this, they are divided. Errevocakly so. This will put a huge stressor on relationships between people with very different attachment needs and styles. I would expect some relationships to end permanently, especially those with one or more of the partners involved who have a personal planet Libra. Possibly Aries as well. I wouldn’t count out Cancer or Capricorn, either.
If it ends on the date of the eclipse, there’s no saving it. If it ends after that in the month, you may have a second or third chance. But what is happening right now has a reason. I think that is important to remember.
Spoken like a true Moon in Aries native: sometimes love ISN’T enough.
Sometimes you just need some space, yo.
it seems like everybody needs a healthy dose of empathy for their others but there is zero empathy to go around. Venus will be directly conjunct to the North Node AND Chiron this week – expect some theatrics. As I mentioned earlier, she’s in her Starlet form and let me tell you, she is not getting the attention she wants or deserves. Watch out. Venus certainly isn’t at her most vindictive in the sign of Aries, but she won’t think twice before slashing a few tires to get her point across.
The Sun enters Taurus on 4/19 which may be somewhat of a reprieve. It depends on how far you’ve pushed Venus though because she IS the natural ruler of Taurus, the Bull. Don’t wave any red flags for the rest of the month, okay?
Mars in Pisces sextiles Jupiter and Uranus in Taurus as well which is…interesting. Somebody could hit it big – Jupiter and Uranus form an exact conjunction on Sunday 4/21. If you need Chance to be on your side this month – on and around 4/19-4/21 are the days to choose. Watch out for overspending or overindulging during this time though, high reward tends to come with a lot of risks.
The Sun will be square to Pluto. Things are changing. If they are changing in your favor will depend on a lot of your perspective and your ability to duck and roll as the towers fall.
The rest of the month is a downward slope and as we shift out of eclipse season it may begin to feel quite pedestrian. It’s a much-needed break.
On Tuesday 4/23 we have a full moon at 04° Scorpio that may seem dark and dramatic, but it pales in comparison to the edgy eclipses. Just don’t actually tell Scorpios that I said they weren’t the best, okay? Stay aware of vindictive bitches, you know who I mean. Scorpio full moons can bring out the worst in people who are looking for somebody to blame. Mars, the ruler of our Scorpio moon is just barely still in Pisces, too. Expect it to be both heavy and wet. Maybe even a washout.
The rest of the month just rolls downhill as the energy finally begins to right itself. On 4/25, Mercury stations direct at 15° Aries. On 4/29, Mars enters his home sign of Aries. On 4/30, Venus enters her home sign of Taurus.
May will be a much easier month. We just need to get there.
The Details
4/1 – Mercury retrogrades 27° Aries 4/3 – Venus conjunct Neptune 28�� Pisces 4/4 – Venus enters Aries 4/6 – Venus in Aries sextile Pluto in Aquarius 4/8 – Solar eclipse 19° Aries, Sun conjunct Chiron 19° Aries 4/10 – Mars conjunct Saturn 14° Saturn 4/11 – Sun conjunct retrograde Mercury 22° Aries 4/15 – retrograde Mercury conjunct Chiron in Aries 19° 4/17 – Venus conjunct North Node 15° Aries 4/19 – Sun enters Taurus, retrograde Mercury conjunct Venus 17° Aries, Mars in Pisces sextile Jupiter in Taurus, Mars in Pisces sextile Uranus in Taurus 4/21 – Sun in Taurus square Pluto in Aquarius, Venus conjunct Chiron 20° Aries, Jupiter conjunct Uranus in 21° Taurus 4/23 – Full moon 04° Scorpio 4/25 – Mercury stations direct 15° Aries 4/29 – Venus enters Taurus, Mars conjunct Neptune 28° Pisces 4/30 – Mars enters Aries
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karoochui · 6 months
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Oh god look at the halloween boys🥺🥺
I love them so much your design is AMAZING
Whats their au tho?
Runs up to you in a cold sweat and screams in your face
Okay so crazy thing is this AU follows directly after my original pizzaplex AU. Well okay maybe not DIRECTLY after since the sun and moon designs you see are them after like. Thousands of years. Im still working with it but the premise is the world they live in is an odd mix of ancient/modern world stuff and futuristic magic. And since its a two parted story the follow up AU is called ": ROUND 2". so i guess you could call it that if you like. Im still working on an origin AU name though. (Ill edit the tags for these posts when i get it).
And yes these guys are much more fucked up mentally because they had to get through a mutative apocalypse to get there and pretty much everything is re-evolved in some way. It happens some time after the plex burns down so up until that point the timeline is relatively the same (unless i change it, at least). Its inspired of how adventure time did their stuff except we arent doing the princess and candy stuff kinda magic. So yes humans are still a thing, just sparse.
And the reason they practically look the same after thousands of years is bc idk Rule of Cool i do what i want. The changes for them are more internal anyway. Or deeper than internal. However you wanna call it.
It includes themes of reincarnation, specifically with the reader. And yn actually dies the night of the gregory's break in to the plex. (Yeah the first part does NOT end well).
It will lean towards romantic but not until after a LOT of work. You fucking die for christs sake. Not that you remember that. However it will be mostly platonic/pining, because i like the chase more than the real thing when it comes to reading or writing, funnily enough. Im not as familiar with writing romance as i am with drawing it so that might also be a part of it.
Theres more i could say, but i dont wanna say too much. Mostly because i'm not sure yet what parts are susceptible to change. As for everything I've said here though I think it'll stay pretty solid.
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wildwoods-sworn · 1 year
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I wish people would describe Roots of Pacha in terms other than "Stardew Valley but stone age". Surely there are shared design elements - farming gameplay, festivals, heart events. But those same things are also present in Harvest Moon, which gave rise to farming sims as a genre in the first place.
But Pacha is more than capable of standing apart as its own thing. It has vibrant worldbuilding, lovable characters, and it's proficient at giving familiar gameplay mechanics a unique flavor. You want to grow crops? First, you'll need to find them in the wild, and if you grow that particular species enough, you'll domesticate it, visibly changing it. And it's not just old tired potatoes either. Did you know what millet is? Me neither.
Pacha goes above and beyond when it comes to quality of life features. It just released, and it already has some options that took Stardew years to introduce (gift preference tracking, summoning your mount), or some that exist in SDV only through mods (tracking characters on map, time speed control).
But the side of Pacha that impressed me the most is just how dynamic the world is. The village is always growing and changing. You don't feel like the sole driver of progress for the community, but rather a part of it. And by some coding witchery, character dialogue reacts to everything that happens: heart events, new technologies discovered, your relationships with other characters, and even the pet you just adopted.
It's just all around a solid title that deserves recognition for doing things in its own way.
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shkika · 3 months
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So I've been hurting my brain thinking about this, and since you seem to be an absolute lore god about this game I thought I'd ask you for theories.
So NSH, out of the 4 canon designs you see in game, has the fanciest clothes of them, I mean he has a scarf and embroidery (I assume based on the sleeves) while the others just have a simple poncho.
Based on SRS' concept art mentioning that they wear a simple poncho to indicate a similar age to Moon and Pebbles, I assumed that NSH maybe was the youngest of the 4 and that newer iterators had more complex clothes. But based on how he speaks about being angsty as well in the begginning, comparing himself to Pebbles current behaviour it makes me think that maybe that wasn't the case. Maybe it's the other way around and older iterator have more complex clothing designs, but then it doesn't make sense how Moon is the group senior and he isn't.
Maybe I am just reading too much into it and it's just a matter of his creators giving him something more stylish.
ps. I love your iterator designs.
LORE GOD??? That is so funny that's an insane thing to call me, I'm very honored to receive this title. Though I am just a little guy that loves this game too much!
Anyway sure let's talk about that! I cannot say for certain what ponchos are based on design wise, but I can speculate and in this ramble I will also go over some iterator age shenanigans.
Ramble below!!
Let's go over ages first. Moon is easy to pin point as the oldest in the group. She existed when iterators were few in numbers and has the bad case of "we didn't think that far ahead" so she has some problems.
I'd put Suns after her if we keep the intent of their concept art being a vaguely similar age to LTTM. I think that is a very neat idea and it ties well with their parallels that they have in game. Aside the obvious Sun and Moon dynamic, they are both mentors to Pebbles. (sidetracked but it is quite funny how you could say Pebbles flew too close to the Sun it's quite funny. I would assume that's why SRS is named that)
We have no canon or out of game or pretty much any evidence (as far as I know) for either NSH or CW, but for convenience sake I'll put them after SRS.
Then actually I'd put Pebbles. I know he is often made out to be the youngest iterator and perhaps I am missing something. But even though he is much younger than the rest of the group , given how NSH speaks about him.
And I'd place Innocence as the youngest. She's not important in this exact ramble, because she has no canon design, but I know there are some people that might disagree with me?
The reason I think so is because The House of Braids (That you can see on FP playing Artis campaign) is well on Pebbles. So he needs to exist for the pearl to exist.
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And this ancient from the House of Braids has apparently donated all their possessions to that project. The unbuilt UI.
Alright talked about their ages. So clothing? Well I don't have much solid evidence sadly. As underwhelming as that proobably is. You can take it two ways though!
You can discard what is being said on the concept art (as concepts can come and go when creating characters) and say that clothing has nothing to do with when an iterator was made and more so with the individual colony that built them. Colonies can be VERY distinct as we can tell from some of the broadcasts in Spears campaign. It'd make sense.
Or if you want to keep the ages= type of robe concept, you could say FP is an exception as he was made to be in Moon's likeness or by the same colony as Moon. So they wanted them to be similar.
Personally I find it funny if NSH just told his creators that he too wanted to be a fashion icon.
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whirligig-girl · 8 months
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Star Patrol rocket Piccard-5 encounters an artifact of the incredibly powerful White Marble Civilization. circa 2169, colorized & shipgirlified.
Commission for @foxgirlchorix, based on a render by Holly for @torchship-rpg
This is some of my best rendering work ever! These commissions do have a knack for putting me out of my comfort zone enough to continue developing my technical skills and style.
Image ID: Digital art of two ship girls in a black and blue nebula background. One girl is a very large solid white marble statue with a naked feminine form, pitted and cratered with meteoric impacts, drifting belly-down though space. Instead of a face, her head has a large hole which glows yellow-orange, with a white marble sphere held in space outside of it. A green tractor beam is being emitted towards the second girl, a Torchship named Piccard-5. She is a silver girl with her body resembling a star patrol jumpsuit. Warp drive rings circle her waist like a hula hoop. She is wearing a spherical ball helmet. She is wearing white rocket boots. She has glowing red-orange radiator panels as wings on her back. The white marble sphere's tractor beam is slowly disassembling her into individual hull sections, disconnecting her radiator wings, removing her boots to reveal the rocket propellant inside her legs, and taking her body apart. Piccard-5 is reacting with a worried or confused expression. End Image ID.
Artist's notes and concept sketches in the read more:
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When this render was posted Levana immediately had the idea to make it one of a series she was planning on commissioning me for, of shipgirls based on Torchship's Star Patrol (and alien) rockets. So we quickly brainstormed how it would go down and what she could afford price-wise.
When I do big commissions with new characters where I'm creating the design without an existing OC reference, I charge extra for character design. That doesn't just go to waste! Here's the concept art page:
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The White Marble shipgirl is inspired by the Eerie and Enigmatic Empty Vessels by @murmurlilies, which Levana really likes--if you look at her blog you might see one of those posts reblogged multiple times. I wanted to pay homage to the eerie and enigmatic empty vessels without directly ripping them off! The first sketch on the upper left is imagining the girl poses by breaking her arms into segments and moving them around, but that never looked quite right to me. The second is basically just a direct study of the empty vessels (with a ball head). The third is after a little more refinement--I liked the cute hair on the empty vessels so I wanted to keep the head mostly intact, and I found a way of keeping the silhouette of the jagged angular hips on the empty vessels but in a very different way! Meteoric impact damage, just like on the original Torchship render. I also used an edited version of one of the Empty Vessels drawings for the thumbnail sketch in the lower right out of laziness.
There's also a sketch of what Piccard-5 looks like when she's not being disassembled. Piccard-5 has a rounded main hull, so it looks much more like a regular space suit helmet than the frustum-shaped helmet on the Newton-2 shipgirl I sketched a while back. The Newton-2 shipgirl had heat radiators as wing shapes on her boots, but making them actual wings on her back makes the disassembly image all the more unsettling.
I changed the hairstyle on the white marble girl when I drew the main drawing because I wanted to evoke like, greco-roman marble statues, and so a curlier/braided look worked better than the cute pixie cut of the empty vessels. I'm really happy with how the final product looks. I knew I wasn't gonna be able to half-ass it with the rendering, you know, just a little shading along the edge; this required a lot of careful thought and it was a lot of fun to do! Especially where the craters interact with the terminator (line between light and dark), just like on the Moon, which I have a lot of experience sketching (see below--the following sketches were made while looking through telescopes at the Moon at night)
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Here's a WIP of just the line-art:
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and with the basic shading done on the marblegirl
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I started with like, a cel-shaded look (?), and then went in and softened the edges, then went over it again to fix the craters. I also added the marble texture to the unshaded base layer.
For the Piccard-5 girl, I spent a lot of time trying to get the pose right. I wanted it to be a little stiff, she's in a suspension beam after all, but not too stiff? And I had to decide like, what pieces should be detached, and where should they be going. In the render, hull pieces are often displaced towards the side, but when doing that to a humanoid, it ruined the pose too much, so i avoided doing too much weird stuff to the torso and kept the disassembled pieces largely to one axis. The cross sections are hollow because they're ship decks. She's a spaceship, not a robot girl. The warp ring was suspiciously untouched by the dissassembly beam in the original render, but i had the marble girl pull a few pieces off of it in my drawing.
Probably the one thing that isn't based on something happening in the render is the belt. Like, rockets don't have belts, cosmonauts do! So that was a fun little touch.
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senkusphone · 4 months
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Happy Stone Day, everyone!
On this day, when celebrating the onion man is what most people indulge on, let's also turn our eyes to the fascinating civilization that is Ishigami village, in this mini post (compared to what I usually do anyway).
Starting with the reason I am doing this in the first place, Stone Day. It is a celebration from Ishigami Village that takes place in January 4th, which happens to be Senku's birthday, likely an easter egg left by Byakuya in the hundred tales. Unfortunately we weren't shown anything regarding what this celebration involves.
As the manga itself points out, Stone day is significant in several ways, for one, 1/4 is i-shi in japanese, which also means Stone. It is Senku's birthday (and if you've been following me you'll know that the day Senku was born in, January 4th 2004, was the day that Nasa's Spirit rover landed on Mars).
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Another tradition is of course the grand bout, which there isn't much left to say about since it was explained in detail in the series, even down to its specific rules
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Rule 6 is the only one that wasn't relevant in the series as far as I can tell.
It's been also vaguely implied that there are other fighting tournaments that take place in the village, which makes sense, since why would you keep an open arena just to use it once very 20 years or so?
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(Sideways to save vertical space, Suika will pray for your neck)
However it's never explained how this tradition started to begin with; did it exist in treasure island and disappeared after the Ishigami branched off, or did it start with them in the mainland?
The society structure of contemporary treasure island is substantially different, with a number of small villages that are all (at least in theory) managed by a centralized government composed of the master (or "head" much to our amusement) and the prime minister, where most power is held by the master, who also serves as the main religious figure, being the one who largely keeps the hundred tales, which are passed from generation to generation along his lineage.
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In Ishigami village things kinda flipped and thus spawned a system that is at least half matriarchal so to speak. Now political power is split between the chief and the priestess, where the chief holds most executive authority while the priestess holds most of the religious power, and it is the lineage of the priestess that keeps the tales and that power in-family, with the chief being some allegedly suited rando from the village.
Even though it's the obligation of the priestess to marry the chief, she is rarely if ever shown as a subordinate to him and both can be seen directing the village, which I think it's very interesting. The anime went as far as expanding on this, by implying that it was Ruri who told Kokuyo to abdicate his position to Senku.
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Sneakily she gets to keep being the priestess without having to be engaged, and we see her taking leading roles from then on.
Now I've talked about religious figures but what is their religion to begin with? Hard to tell, we know that they believe in multiple gods who control the forces of nature such as lightning. Similarly it's also been shown that prior to Senku's arrival, they believed themselves to be the only humans on earth, at least some of them believed the earth was flat, and most bizarrely, they believed the moon was something akin to a floating lake, owning to its small apparent size, however that works.
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Perhaps they took note of how water tends to form spheres due to surface tension? This reminds me of how some scientist a few centuries ago (but idr who at this moment) believed the moon to be a solid mass of congealed air.
The last thing I want to bring up is the Ishigami village rope, reportedly made with a special technique that's unique to them.
It is also said that the rope reflects rank and profession somehow, but this is not reflected in any noticeable way on the series itself. Boichi probably hadn't been told about this when he designed all 40 known villagers in the span of one week.
The rope is worn somewhere around the body, and it contains a single red thread spun into it, serving as a symbol of kinship among them.
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For now I'll leave it at that, as it's getting pretty late in the day, and pretty much all of this is written on the wiki article to begin with. Hope you enjoyed it, I'll see you all some other day.
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herrscherofmagic · 5 months
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A look at the past & future of Honkai design: Simplicity vs. Complexity (Part 1)
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Link to the YouTube channel of the person whose thumbnail I yoinked off of Google Images for this; it was the best image of the new Hyperion that I could easily find which is why I used it for this.
TL;DR:
Original Honkai Impact 3rd designs tended towards large, simply shapes that gave battlesuits (and other stuff) a strong "mecha" vibe. Many newer designs are trending towards more complex designs that do away with these simple and recognizable shapes, instead using more overlapping textures and ornamentation to create detail. Some designs balance the two, using large and relatively simple shapes that still carry enough detail to stand out as newer while still keeping the original vibes.
Because of this, I think there's gonna be a very clear visual split between Part 1 designs and the APHO+Part 2 designs because of this split between simplicity & complexity, and some Part 1 designs feel off because they stray too far from the original design motifs, making them feel out of place even if they're still good designs on their own.
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I've been thinking a lot about the design philosophy of Honkai Impact 3rd for quite a while now. As someone interested in concept art and illustration and who's played video games for more than 3/4ths of their whole lifespan.
And obviously I'm not alone in this, given how often I've seen discussion of Honkai's character design. Whether it was the march of the pastel battlesuits or the techwear of the part 2 cast or the upcoming Garuda Fu Hua battlesuit, many people have had many opinions both positive and negative.
But I've wanted to do a sort of "deep-dive" for a while now, because I think HI3rd is a really interesting case where we can see the co-existence of (sometimes drastically) different designs made years apart from one another. It's normal for the style of a franchise to grow and change with time- my personal example is Halo, with obvious differences between Halo CE, Halo 3, and Halo 4 in mind. But typically that has been done over the release of different games over many years, not so much in consecutive releases within the same game. HI3rd's not alone in this regard, of course :)
I don't want to label anything as "bad" or "good". I can like or dislike something, and that's my personal opinion. Of course I COULD try to label designs as bad or good, but I'd want to back that up with serious analysis and get the opinions of other players, and that's way too much effort for a reddit post. Instead, I want to present some different designs in Honkai and share my thoughts, so others can feel free to agree, disagree, elaborate, etc. More of a matter of casual discussion rather than trying to present some solid theory, I guess you could say?
What I will say is I intend to label designs based on whether (or how) they fit into HI3rd's aesthetic(s), so that's the main point- not so much whether an individual design is good or not.
To start with, I'd like to talk about the simplicity vs. complexity of Honkai designs because I personally feel like this is the biggest problem I have with HI3rd, outside of story issues that is. Not because of designs being "good" or "bad", but because I feel like Mihoyo has been moving towards a new design philosophy that's different from what I loved most about HI3rd when I first started.
I opened with the comparison of Hyperion because I think it's a perfect example of this concept, and if we can understand what the difference is with Hyperion then I think it'd be more apparent with battlesuits as well. I also have another image that highlights some of the biggest differences between the two models:
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I had mixed feelings about the reveal of the "new and upgraded" Hyperion during the moon arc. It's a neat design I'll admit, but I felt like it deviated a lot from the original Hyperion, not as a difference in fidelity and detail but rather as a difference in the fundamental design of the ship.
What I like so much about the original Hyperion is, as you might have guessed by now: its simplicity. Hyperion was comprised of much larger, blockier shapes with more clear silhouettes. It's actually the same reason I love the design of Halo's UNSC frigates, funnily enough. I'm a huge sci-fi fan and I absolutely adore spacecraft and vehicle design, so I really appreciated the design of Hyperion cause to me it felt very original.
The new Hyperion retains most of the same characteristics, and it's still recognizable as a version of Hyperion. But it bothers me just how much the design was changed. Many of the simple shapes of the design were broken up into smaller parts or almost totally changed, like the cannon going from a sleek polygonal barrel to a spikey... thing.
To me, it feels like Hyperion was redesigned with the idea of trying to make it more "futuristic" or "tech-y", or perhaps it was even designed with some retro anime motifs in mind like the Space Battleship Yamato. But it seems as though this was done by adding many objects that broke up the original silhouette, as well as inventing lots of new detail instead of adding details to complement what was already there. The shape of the winglets was greatly changed; the vent-like structures were totally changed; the barrel was completely changed; most noticeably, the bridge was drastically changed.
The new Hyperion model is technically "better" in terms of fidelity and the amount of detail it has, no doubt about it. But I think changing the fundamental shapes of Hyperion so much really hurts the charm of the original design, to the point that I was actually quite disappointed to see that Mihoyo used the new Hyperion design in the CG of the Captainverse Hyperion farm event. It seems as though Mihoyo wants to consider this as the new default impression of Hyperion, and not a special one-off thing from the moon arc.
I think this can be seen across other aspects of the game, too. In general Mihoyo has moved away from simple designs and towards complex designs, and I think there's been a lot of hits and a lot of misses with this.
For instance, I'd like to compare the three Herrscher Kiana battlesuits: HoV, HoFS, and HoFi.
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There's a clear trend of an increase in complexity across the three battlesuits. HoV's design uses fewer and larger shapes, HoFS adds more and smaller shapes, and then HoFi is almost totally devoid of any large clear shapes.
To me, this is what distinguishes a battlesuit that "feels like Honkai" from one that doesn't.
Everyone starts the game in Chapter 1, and most long-time players have spent more time with older battlesuits than newer ones simply because they were playing the game before these newer battlesuits were even released. I think it's safe to say that even though HoFi is the grand "Kiana in her greatest form" battlesuit, most players will still have seen HoV's design more often because of the years that it's been around, and its prevalence in story content.
Most of those older designs were rooted more heavily in the mecha vibes early Honkai had. For instance, even though HoV is obviously not wearing a mecha battlesuit, the large blocky shapes are still reminiscent of armor, two examples being the large frames on her wings and the large white pad-things(?) on her sides. There's other obvious cases like White Comet being a skin-tight battlesuit which used glowy energy bits for its attacks, but I use the example of HoV because it shows that HI3rd was fully capable of creating battlesuits within the mecha theme without being limited to literal "mecha" designs. HoV's battlesuit is far from mecha in its nature, yet still fits perfectly with that aesthetic.
HoFi has pretty much none of that, though. It's a pretty design for sure, but it's also nearly completely divorced from that original aesthetic. There's few easily-recognizable shapes on her design, with the (very little) clothing she wears being almost entirely detail and ornamentation. It definitely fits the "Princess Kiana" or "Goddess Kiana" theme in isolation, but I don't think it delivers on that theme in the context of Honkai Impact 3rd.
Yet look at HoFS. HoFS definitely has more detail than HoV. Yet there are still lots of large blank areas that define clear forms; for instance, the armor on HoFS' waist. It's reminiscent of that of HoV while still adding more detail. This gives that same effect of a slight mecha vibe. It's still an appealing design and it still feels more modern than HoV, but it also manages to retain much of the same design language.
That being said, I have to admit I ADORE the Honkai wings that HoFi has, though I wish they were a little higher in the air. That's one thing that I think Mihoyo absolutely nailed with HoFi, and I wish more of that aesthetic was kept in the rest of her design.
What's also interesting is that (in my opinion) neither of the other two main Herrscher Trio designs suffer from this. For instance, consider Mei's battlesuits:
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I've included Lighting Empress as a reminder that old =/= good. I'd like to make it clear that just because it's an "original" battlesuit doesn't mean it's a good one. I said before that I didn't want to label stuff as good or bad but this is a clear exception and I hope y'all can understand why, lol
We can certainly argue about whether HoO Mei's design really fits the image of Raiden Mei. It's a vast departure from her other battlesuits when it comes to her palette, for better or for worse. I didn't like it at first but it has grown on me, and I think part of that is because of that concept of simplicity vs. complexity.
HoO has way, way more detail than the other two Herrscher Mei battlesuits, no doubt about it. But it also retains many large and recognizable shapes. Nothing on this battlesuit is bulky like HoT or other older battlesuits, but it still gives off the feeling of being armor despite being so thin. Much of the detail is created not by overlapping layers of ornamentation and texture, but rather by using intricate shapes with clear silhouettes and light detail inside that outline.
And HoTr is obviously a mecha design, so I don't think we need to elaborate on that one :)
The point is that it's absolutely possible to make detailed and beautiful battlesuits without getting rid of the original shape language that HI3rd was built on. HoFS is a bit dated now but still much newer than HoV, yet it keeps the vibes. HoO is also far newer, yet it still fits the theme of battlesuit. HoFi, though... not so much.
Finally, I want to talk about the elephant in the room: the Part 2 character designs.
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Once again, here's the link to the YouTube video by Matt Is Playing, where I pulled this image from!
Much like HoFi, there's very little trace of the OG Honkai mecha aesthetic in these battlesuits. It's not to say that they are inherently bad because of that* , but it doesn't quite feel like "Honkai Impact 3rd".
*except Dream Seeker, I'm sorry but what the heck is going on there???
But the thing is that this design philosophy isn't even new. In fact, it's years old by now... because we see this in APHO.
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For a long time now, APHO has had battlesuits that tip-toe on the very edge of the original Honkai aesthetic. So the designs of Part 2 aren't actually some new and drastic shift in Mihoyo's design philosophy- rather, it's reinforcing a design philosophy that was introduced with APHO.
These new characters all feel out of place if we compare them to the original battlesuits. They don't use the same simple forms, instead using dense and overlapping details. But if we compare them to the APHO cast, they fit right in. We can argue about the merits of the new character designs in other terms, but I think these discussions have to keep in mind this context.
I'd say the APHO designs work well in the setting of APHO because they're following the same aesthetic. As we enter Part 2 and once we see more of the story and setting of Part 2, it's very possible that these new character designs will feel more natural and more like "Honkai Impact 3rd".
But it's a different Honkai Impact 3rd.
This is why I think the idea of "simplicity vs. complexity" is so important to understanding Honkai Impact 3rd's designs. I think Mihoyo might be trying to emphasize two different phases of Honkai through this design philosophy. These are going to be two very different halves to the same game, with the designs of Part 2 possibly becoming as distant from Part 1's designs as Part 1 is from HSR.
You have the OG mecha action vibes from the good ole St. Freya days, and we have the sleek tech-wear of the era of exploring Mars, world-hopping in the Sea of Quanta, and fighting literal aliens.
For better or for worse? Only time will tell.
As a bonus, I'd like to include some extra comparisons, though I won't be adding any more analysis. It's more about having extra examples to keep in mind. Also, I think these ideas can apply to enemies and weapons as well, but that's a larger discussion I'm not yet ready for so that will come in a follow-up later on!
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