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#gonna go far
sallyrooneygf · 2 months
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@serethereal || normal people (dir. lenny abrahamson, 2020) || noah kahan, paul revere || past lives (dir. celine song, 2023) || richard siken, war of the foxes || azar nafisi, reading lolita in tehran || call me by your name (dir. luca guadagnino, 2018) || thomas mcgrath, gone away blues || moonlight (dir. barry jenkins, 2016) || noah kahan, you’re gonna go far
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bulletsgirl · 2 years
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ppl who werent changed forever by youre gonna go far kid by the offspring when they were like 11 and insanely impressionable you just cant understand me
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paper-lilypie · 7 months
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an offering from a god
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sophie-baybey · 1 year
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Tumblr is going to become far worse over the next couple years leaning further into targeted ads, gathering user information, and generally no longer doing the Only Things This Site Does Right, and I would like to firmly predict that all of the blame will be put on the influx of twitter refugees, instead of the plain truth that tumblr has been shifting its goals for a long time now (banner ads, leaning into and owning the "hellsite" reputation, selling merch of old tumblr memes, experimenting with ads that cover a quarter of your screen while you scroll (although those are thankfully gone now)).
The tumblr staff have shown they finally understand their community, and as the website's reputation heals, shareholders and suits are going to push for more and more money to be squeezed out of this place. This path was set in motion long ago, and I'm going to be real grumpy when the blame all gets pushed aside to just point fingers at the twitter people.
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asoftepiloguemylove · 7 months
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to be loved is to be changed
Haruki Murakami South of the Border, West of the Sun // Robert Bly In the Month of May // Ocean Vuong On Earth We're Briefly Gorgeous // art: unknown quote: Fyodor Dostoeyevsky The Brothers Karamazov // @x2s (via @llovelymoonn) // Bianca Sparacino // Noah Kahan You're Gonna Go Far // Katja Kemnitz Too Much Love // Charlotte Eriksson Everything Changed When I Forgave Myself
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das-a-kirby-blog · 2 months
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get you a king who cares each and every one of his subjects
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precious idiots
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shevr · 10 months
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workout mix
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bakubunny · 4 months
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f!reader | thinkin abt this hc, but katsuki is roommates with denki. katsuki is pretty sure he’s heard denki’s girl cum more and harder than any girl he’s ever been with in his life. he’d never want to say it, but he’s questioning his sexual abilities with every passing orgasm, and he audibly witnesses a lot of them. sure, you always cum when he’s intimate with you - at least twice every time, he makes sure of it. but he’s never turned you into a complete mess like denki’s girl is every time they fuck or whatever it is they do.
so one day, katsuki finally bucks up the courage to say something to his best friend and admits he might want to do better with you in bed. denki is a little surprised and embarrassed; he never expected katsuki to be the one asking him for sex advice. he’d just taken the time to figure out what works for him and assumed that if anything, the roles might be reversed.
they talk, denki shares a little bit of what he does and eventually asks katsuki, “dude, when was the last time you slowed down and took your time?”
denki realizes the answer is probably never when katsuki spits back a defensive, “whadda ya mean?”
so he explains in more detail. katsuki takes mental notes.
・˳ . ⋆ .˳⁺⁎˚ ⋆・˳ . ⋆ .˳⁺⁎˚ ⋆・˳ . ⋆ .˳⁺⁎˚ ⋆
the next time katsuki’s got you in his bed, something is different. he’s a little too soft and a little too slow for your preference as he goes in for a kiss, so you pull him deeper. but he’s still got a measured pace, the way his hands are firm and trace your body like he means it. with him, sex is overwhelming and all consuming. it’s hard and fast and raw. but not today.
there’s a hint of impatience in his movements, but he stops himself; he spends extra time caressing your face, in the crook of your neck, mapping out every little spot that makes your breath catch just a hair or your fingers curl a little tighter and committing it better to memory. then his tongue is in your mouth, and he’s groping you over your clothes. a small whimper leaves your lips as you try to shift and get your legs around his waist, but he doesn’t let you.
realization hits when katsuki stops to look you in the eye. your cheeks are flushed hard, and it’s almost difficult to look back with how much heat is radiating between your legs. usually by now he’s got you half naked and grinding, or his hand is deep in your cunt. a twinkle lights his eyes, a boyish grin on his face. you pull him into you, pushing your face into his neck with a shyness you hadn’t felt with him in a long time.
“what?”
you shake your head and kiss his neck, taking in the warmth of his skin and the way he sighs into your touch.
“need somethin?” he teases. his hand runs down your torso to grip your hip. the same hand slides under the fabric of your shirt to caress your side.
“no,” you reply quietly. “you’re usually a bit more… fast paced. that’s all.”
his lips are grazing your neck, his tone low and playful. “yeah. i’m tryin somethin new. got a problem with it?”
he’s kissing you neck again before you can respond, sucking and licking faint marks into a tender spot on your skin.
your breath catches. “n-no, not at all.”
“good.” katsuki puts his muscular thigh between your own and presses it to the damp heat of your cotton shorts.
a small whimper escapes your throat.
“now be a good girl n' grind on me, princess.”
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if you’d like to be added to my tag list, let me know. ♡
gremlins: @arlerts-angel @dcsiremc @darkstarlight82 @bookcluberror @neon-gothicc @zazter-den @breadandbutter33 @i-literally-cant-with-this @rinalouu @stvrfir3 @r4td0lll @emmab3mma @aria-chikage @mhadabiandhawks4eva @yazminetrahan @doumadono @dreamcastgirl99 @maddietries @jazzafayesworld @karebear5118 @unofficialmuilover @cherriluvs35 @erensslut @ruu-https @hana-yuri @keiva1000 @katsul0vr @trickster-kat @ayeohoh-blog @dinomeow @flamgosstuff @mistressreaper @angelltheninth @anonymously-ominous @amberexe2 @hisconsistency @nanamisbigassschlong @223princess @honeeslust @pastelbakugou @gold24fish @naughtygobbo @acenanxious @blumoonwisteria @chaos-gem @levizonlywife @kxtsxkii @nuttyunknowndetective @gold24fish
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little-pondhead · 6 months
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[sorry for the tiny text!!]
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Danny: Wait, how did you learn to do that???
Fright Knight: *violent flashbacks to Clockwork's Sailor Moon era*
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picklepie888 · 7 months
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Michael Kovach is the John Ratzenberger of indie animation.
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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ethosiab · 3 months
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HC10 doodles from watching cleo and zeds videos!
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avalencias · 7 months
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yes I was inspired by the latest chapter of this fic, no I don’t want to talk about it.
(fic by @picturesofthegoneworlds)
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cordycepspog · 1 year
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Things that absolutely fucked my shit up this episode, an incomprehensible list:
- Ellie liked the smell of Frank’s sleeping bag
- Joel still wearing Frank’s shirt
- Joel staying up all night to guard while Ellie slept
- “They’re not gonna hit you. Look at me, they’re not gonna hit you.”
- “Mom! Mom! Mom!”
- The way the doctor gave the lines “I delivered you. I held you in my hands.” and “I’m your doctor” so simply when asked for reasons why he shouldn’t be killed
- Ellie’s smile when Joel tried to tug the gun from her hand
- The way Joel bumbled his way through trying to make sure Ellie was okay, and ask if she wanted to talk about it after she shot Bryan
- All of the superhero drawings on the wall that Sam drew of him and Henry
- The mask that Sam had drawn on his face
Something about how everyone is undeniably human, and how unafraid they are of not shying away from that.
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raetttriestowrite · 1 year
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Me, an author, side eyeing my WIP: you're not going to do anything weird, are you? We've discussed this. There's a plan. We're going to stick to the plan, aren't we?
The WIP: *presents subplot, presents additional conflicts, presents character development, laughs in my fucking face*
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