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#i don't think this is a profound take i think there are only so many tropes for protags of wuxia (&wider martial arts) media
tweetsongs · 1 year
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if xie lian and chung myung were in the same property you could NOT pay me to stfu about their cinematic parallels. two figures, one loathed by history and one loved by history. one the sweetest man you'll ever meet the other the most rat bastard man you'll ever meet. both failing to save their people and realizing the futility of individual power. one who ends up trying to dismantle his own/broad systems of power in response and the other enabling community empowerment (and also dismantling broader systems of power) in response. one who has people who understand him but resent him, the other with people who admire/loathe him but can't understand him. both meathead aspec martial arts nerds who ran into cultivation/taoism to avoid having to fuck.
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thebibliosphere · 1 month
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Whenever I talk about the medical neglect and ableism I've encountered as a victim of the healthcare system, there's always some cockwaffle who feels entitled to come into my inbox and make the argument of "not all doctors" while talking about how "people like them" (because it's always someone in a field of medicine who does this) are doing their best and it's really hard because so many people fake being ill to get on welfare (Yikes), but like, yeah, obviously #not all doctors, because if all doctors were negligent, bullying scum bags, I'd be dead.
But here's the thing: while I truly believe that the majority of doctors are doing their best in a system stacked against them and their patients, their presence does not negate the mass harm caused by the bad ones. And there are far more bad ones than you realize.
Fuck, John Oliver literally did a segment on this last week:
youtube
Yes, the truly bad, malicious doctors are in the minority. Most are just horrifically burned out and fighting a losing battle against a system, killing both them and their patients through a lack of funding and resources and profound overwork.
But the malicious ones do exist, and they will go out of their way to harm patients who don't kowtow to them.
I almost lost my life because when I was in my early twenties, I told a doctor I didn't think she was listening to me, and I disagreed with her assessment of my mental health (she was not a mental health doctor, and I was there for heart palpitations and chronic pain). She retaliated by putting "non-compliant" in my file.
There was also a fun little "doesn't show respect" note too that lives rent-free in my head because I know I wasn't rude. I was polite. I just didn't agree with her, and my refusal to accept her off-handed comment that "you probably have bipolar or BPD" (again, I was there for heart palpitations and chronic pain) meant I was "refusing care."
I wasn't. I just refused to be slapped with a mood/personality disorder when I was there because I kept fucking fainting when I stood up.
(Spoiler alert: it was dysautonomia)
That "non-compliant" marker followed me around for years. It followed me across an ocean and effectively ensured that any doctor I saw was going to treat me like absolute dogshit because no one wants to help Difficult Patients. It wasn't until I was so undeniably ill, literally on the brink of death, that anyone helped me.
I'm alive because of a good doctor. And all the good ones that came after him because of him.
So, I know they exist. You don't have to tell me that.
But I really fucking need you to acknowledge the bad ones and that you're part of a system with a long, long history of abusing minorities and vulnerable people. I need you to acknowledge that because it's the only way we're going to survive this godforsaken nightmare and make things better.
So yeah, #notalldoctors, but if you feel the need to say that because someone talking about being literally left to die by the medical system hurts your feelings, I'm going to have to ask you to take a step back and ask yourself if you're going into medicine for the right reasons.
Namely: do you want to help people, even the "difficult" ones?
Even the ones who might disagree with you?
Even if they're on welfare?
Even if they'll never get "better" in a way that means "cured"?
Just a thought. But hey, what do I know. I'm just someone who experienced hemolytic anemia because doctors kept telling me I was anxious and needed to exercise more 🤷‍♀️.
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azure-cherie · 7 months
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|𝑃𝐿𝑈𝑇𝑂 𝐴𝑆𝑃𝐸𝐶𝑇𝑆 |
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What does Pluto represent?
It represents regeneration, metamorphosis, to change and become into something new , it represents innermost feelings, what have you discarded, thrown locked away , it can show where your blockages might be , and acknowledging them and healing them will lead you to embody yourself more , the core step of regeneration is acception so accept yourself for all the darks and lights and greys they will show you your own soul beautiful, empowering, unfearful.
This post is based on what's observed if it doesn't resonate please check other placements 🌷 This post can be read for tropical as well as vedic astrology however in vedic the outer planets don't matter as much .
Tw : I have tried to be honest and some stuff can be triggering please know that these are general observations
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Sun 🌞
Conjunct: These people go through a lot early on , like rejections, rumours that their kindness is fake , as they get older they get famous for a new look of theirs for example, someone maybe known for being a chocolate boy when younger but they age like fine wine as they get older , they like to take major risks in life . Their energy stays hidden from people who don't appreciate it in a way they will only embody their true self when they're truely appreciated . Their inner child is oftentimes locked and can be accessed and healed through breathing exercises, sunbathing, helping out poor children or lost souls.
Trine : They are known mostly for having a profound balance in what they do , like a beauty with brains type of vibe , they get famous for things they do authentically , are you ready to show yourself to the world if yes it will take you for all that you got , now you choose . A good placement for bombshell beauties , they are known for their unique looks eg : Angelina jolie, grace kelly , really revolutionary.
Sextile: They have a very experimental fashion and with every look of theirs , their outlook towards life changes , change in styles give them growth . Might be kind of control freaks and perfectionists but they actually work best in chaos and unpredictability gains a lot for them. Men with this are known to be very brave and powerful. People with this take challenges and criticism very well and use it to their advantage .let go of the mentality that society will only love you when you have all of the best things , infact the people who love you will love you regardless.
Square: These people literally have cults , their views are so strong that only people who really want to believe and deal take them , they will throw your triggers at your face. Believers of tough love , they might be a little too misunderstood, it takes time for people to get through their layers . You may think , here finally i know this person, but you'll be shocked about how much more they have to offer .
Opposite: These people have a lot of internal struggles , they often choose the wrong people to trust , fame isn't the best thing for them , a quite luxurious happy life is something they are content with . They have a very sophisticated face , they have a look of I'm satisfied but watch me do more kinda face . They are often famous for their aesthetic choices . Tw : fame may lead to early death , unless they learn to navigate it .
Moon 🌙
Conjunct: People have too many views about them and their mental health, they may suffer from a lot but you don't have to remind them , they already know and are working. They have a great spectrum of emotions and can be well known for writing their innermost thoughts. Intuitive and good at channeling and connected to their daimon. Divine inspiration always leads them . They have a very enticing and captivating face . Sometimes their speech is confusing, but they are trying to do good for you , might be a little rough at times.
Trine : They are intellectual and can provide anyone with sufficient motivation to do something. Good at telepathy and communication. They hold the power to influence people for good and bad . Have an easy navigation about their emotions. Some people might hate or be jealous because of how well they can navigate their triggers.
Sextile: They are soft and pure hearted , oftentimes known for their activism and support all the people around them with open hearts , it's a good placement for psychologists . They are known to persist despite all the hurdles around them . They like punk rock , and like to speak on dark topics for the welfare of society . Liked by many because of their authenticity .
Square : They like to mainly stay away from social media , as too much presence leads to people building wrong assumptions about them . They have revolutionary and conflicting views about things . These people regret not taking the right action at the right time . Can turn out to be manipulative and self sabotaging .
Opposite: They can be narcissistic, too absorbed. Though they introduce new trails of ideas , their speech is oftentimes too extreme and unacceptable. They are well known for their work . Known for their sad personality they feel things really deeply and are often confused about their own emotions. They have deep voices. People can really relate to their cries for help , they just need to have peace with themselves, and know that not everything shouldn't be known by everyone.
Mars ♦️
Conjunct : makes one a visionary for change , sometimes destruction. They have violent control of their emotions. Feels isolated initially which they turn into super power and channel it through their art and daily life . They can give great advice on just about anything, people trust them but also fear them .
Trine : hates to be ignored , when someone disregards them they get in moods of ignorance . Likes attention. They attract men who are a bit passive aggressive. Good at calisthenics , a lot of people consider their body to be a piece of art . Prone to knee injuries.
Sextile : common placement for royalty and fame after marriage ( rich powerful men ) . The people with this placement need to learn to love themselves, can be too fixated on others to love them which in turn creates a void, when they are developed , they enjoy themselves a lot , a very nice business mind and can give a good sense of life and the game of it . Lowkey reminds me of Shera .
Square : They like boyish clothing, can be stuck in scandals for example : Mila kunis for her age, courtney for the m*****r of Kurt, Kristin Stewart for cheating . They have a great sense of confidence , people try to copy them a lot . Usually they are trend setters in rare sectors . They tend to have a pull for life and the purpose of it but are confused often .
Opposite: Gives one strong sense of justice , however at times it could bounce back on them , for example they raised their voice against some injustice, it indeed hampers their image . Being a mediator is a peaceful case for them but if they choose to go for their heart that is true, they experience turbulence , initially until they realise life is all about give and take . Might give you a square face and lean body .
Venus 🦪
Conjunct : god knows you know about the deadly charm they exude , when Venus is conjunct pluto every step that you take towards healing and facing that is coming towards you , you are blessed in beauty ( how don't ask me try ) you become so self assured and so much more confident, they also have an air of knowing a lot even though they are still learning holy shit the grasp they have upon us .
Trine : These people can really turn their hurt into their power , they strive to get something in life, they know that whatever happens they can get out of it, so beautifully reminds me of the phoenix , rise like a beautiful song .
Sextile : you're intense you're full of depth and beauty, they have deep philosophical and in the core know that money cant buy all happiness but it's essential for their survival, they know how to strike a balance in life and really are the masters of their own fate
Square : Venus and Pluto forming squares gives one a drastic drive to be their authentic self to accept themselves in all their forms be it good bad or weird they aren't afraid to go through the little deaths in the self discovery of finding themselves again and again . They have many aha moments as they are always learning something new about themselves.
Opposite: this placement could bring internal struggles about looks and money , they think they can't manifest money but it's already written, these placements agree for you to accept them and work with them for your benefit. However this could also lead to them having a god complex and a feeling that they can do no wrong .
Jupiter ✨
Conjunct : These people are one of a kind very wise and you know those kinda people who give great advice because they have f*****d up in real time so with all they have gone through they try to live the best lives for themselves and everyone around them , these people are also very lucky in gambling, lottery and stock market .
Trine : blessed in marriage and business with people who see themselves in their true aura and still choose to love them. These people are dominating and they know what they want , don't like people correcting them too much.
Sextile : with a trine in this position one might go through this thing of being bad or fluctuating with money , once you have a lot other time you're blaming yourself for spending too much but be assured that no matter what , what you lose you will earn it back again too . They like to help the oppressed and the outcast .
Square : when in square you really go through the challenging times , the key to why you're great is because you can always self discover yourself again that's why the people around you see you in such a light of a leader , you're like a hierophant to the lost people because you found yourself again .
Opposite: you might feel unlucky that your luck doesn't work in your favour but her we talk about the solution so the thing is you're meant to work alright this pretty much like working on a child , you have to love your inner child so much so truly . you work hard for the benefits they work a little late but they def work c'mon it's with jupiter ain't no way jup ain't blessing you.
Mercury 🖊️
Conjunct: they know that the emotions they have good or bad are a result of innermost issues , very aware of their problems and solutions . Makes one a very good person to go for advice . Good in the logical sector , they like to chill or spend time reading stuff. They study or seek mental stimulation in times of distress
Trine : they can bring out their innermost desires easily through art and literature, healing when it comes to skin is fast for them , their brains work in a very result oriented manner , they think about the consequences and possibilities before doing something drastic . Makes one a lover of fiction of all kinds .
Sextile : They really find inspiration in the things most people don't see . They pay attention to the things most people ignore and find a way to use it to get a hold of information. These are the people with a variety of information in all sectors ,though conjunction and trine gives the intelligence, they choose to restore more as a built mechanism to enchant people
Square: this gives a hard time accepting this for what they truly are might lead to some anxiety and adhd issues , this could make one scared of changes . Early age bullying could be seen but with time , the youth of mercury and the resilience of Pluto makes one a visionary, someone who knows so much.
Opposite: might have a hard time to channel logic , though their emotions are alright . Might fall for fake promises and they have to work on their people pleasing tendencies. This gives one a hunger to do better in life , eventually they see that all that their mind is feeding them isn't true and they can always do better than what they have been taught .
Saturn 🪐
Conjunct :makes one a very disciplined person , they strive to work hard . You know the lana lyric " I'm doing it for all of us who never got the chance , and all my birds of Paradise " like wise they work hard so everyone around them can be happy and healthy, they make great people to bond with if you wanna succed in life and are looking for like minded people.
Trine : they are very hardworking towards what they want very goal oriented people. One thing i have seen is they can never work unless their work space is really clean , an organised view of things make their mind work better . People see them as someone who can be stiff at times , you can sometimes let loose is alright and appreciated to enjoy life .
Sextile : This works kind of like Saturn retrograde, the initial obstacles remain while Saturn gives the bad later in life when one has proven worthy to have something . Since life has thrown away them a lot of times they learn to be really humble , and try to assess all the possibilities before being sad about something. They understand that life is what you make it.
Square : might have a hard time following routines , they blame their luck a lot for having problems . When they get into healing themselves they have to deal with a lot of intense inner conflict and they might not take it very well , however to have a strong mind one has to deal with this tw might fall into depression. They come out stronger than ever knowing the power of free will .
Opposition: they believe rules are meant to be broken and i believe though this is opposition and might be malefic but being with Saturn and Pluto this gives one a very idgaf mentality which it turns out good for most times as one doesn't spend too much time contemplating. Might ignore their problems at times . But once in life the urge to get their life on track will occur and they will set things right for themselves. They want what they want by hook or by crook .
Uranus 🪻
Conjunct : They orchestrate changes, they are potent in telling people why they should do some things and why some things will bring them the better , they can really motivate people to live life for themselves. Usually they have strong sense of justice and remain very grounded .
Trine : They are free spirited, charming people , one thing about them is they can really see what others don't they can really put up the themes regarding what's beautiful and what's ugly and bring it to the world , work really hard to bring about equality in the society .
Sextile : This is a placement for the psychics healers and mystical beings , they learn that their position in the world is to heal and through their consistent efforts they heal themselves as well as others . They might find themselves in a state of dilemma sometimes as they are always energized with new ideas , they learn to channel it eventually.
Square : people with this can be a little stiff and scared about changes , they want things to be the same but to realise life's all about changes and how good one does to cope with it . These people are also very good at keep people on their toes. They guide themselves back to themselves. With this placement you don't loose your sense of self.
Opposite: A lot of people have their eyes on them and every move they make so they feel anxious and try to avoid changes . This placement can make one a control freak but if you choose to have faith in yourself and flow sometimes in life you will see the beauty of things that aren't forced , changes are necessary, cultivate the courage it requires to change .
Neptune 🌀
Conjunct : makes one a good artist , bestows beauty , other worldliness . Your dreams make so much impact in you daily life . Manifestation is your power you make it work for you all the damn time . It could bestow good healing powers and career in the therapy sector of all kinds. And this gives so much mystery to people.
Trine : They find very creative ways to channel their energy, might make one a bit lazy . They can work their emotions in a very creative way and achieve great things in life on the basis of their belief systems . Also good at predictions and reiki and astrology.
Sextile : These people are always full of surprises they have so much to give to the world , often they can come off as delusional but eventually they prove everyone wrong by getting all they want . However to warn the laziness if given a chance to grow will grow, so avoid it and go make the life you deserve
Square :. They have bizarre dreams , they aspire for a dreamland and seek ways to make the world a paradise , this in positive sense as they work hard to do things their way . Their homes are always so pretty and decorated . They can make anyone relax and calm down from the chaos . To truly grow in life they have to move with wisdom and have to accept all changes and chances with bravery.
Opposite : tw , this could lead to some sort of depression, addiction or inner conflicts , they seem and feel lonely or left out , they are great artists but their minds might be a little dark place to be in . To channel this energy properly is one great thing to live with the darkness and transmute it into light is great . Be sure of what you want and never ever bow down to what is trying to bring you down
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ravengards-rogue · 2 months
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WHAT SET YOU FREE, BROUGHT YOU TO ME BABY.
rdr2 men + short blurbs about their favorite sex positions.
ft. arthur morgan, john marston, javier escuella, and charles smith.
✧ tags : SPOILER HEAVY, fem + afab!reader, unprotected sex, light angst (in the horny post is crazy im sorry fdkjjkds), very gendered language, javier says one thing in spanish (thank u @nanamimizz), a little sprinkle of plot with each (and some canon divergency), john co-parents w abigail, otherwise just horny. 18+
✧ wc : about 1.4-8k each (6.3k total)
✧ a/n : sorry for making a multi character post for the cowboy game its cooking me to death. my john bias is showing rip. title is from rebel yell by billy idol but i listen to the bvb cover
sorry about charles and javiers but if i edit this anymore im going to level an entire city using hollow purple technique. please rb if you enjoyed i worked kind of hard on whatever this is.
sorry for . the THIRD repost of this i promise i wont after this. its just really bugging me. PLEASE
.𖥔 ݁ ˖˚☽˚。⋆ ARTHUR MORGAN + PRONE BONE ; 
It’s an odd feelin’ for Arthur. 
Wanting something, he means. Wanting anything as much as he wants you. He’s lived a less than quiet life up until now. And he ain’t the brightest, certainly, but living this kind of life teaches you many lessons. One of them being, it’s better not to covet anything. Coveting something you’re not entitled to, well—it’ll lead you places you wouldn’t want to go with a gun. 
Arthur has made the mistake of coveting love before, dreamed of a future so completely out of his reach he almost convinced himself it was possible. Dreamed of it so foolishly he’d even go visit a woman he very well ought to forget. It’s his problem, his burden to bear - always desiring outcomes unsuited to him. 
He’s just that sort of man he reckons. But he learned his lesson. He tries (tried?) to stay away from it after that. Tried not to pine too much for normalcy when such hopes had failed him twice. The loss of his child completely on his account and the loss of his love at the same fate. 
So, wanting you - well, he feels like the world's dullest fool. Really. How is it that Arthur had fallen in love with someone again? It had all just happened so quickly. You were another woman he’d saved from the O’Driscolls, though it wasn’t like you were no damsel. A lot of those men were dead by the time they arrived. That sort of perseverance would stick with you while you traveled together. Much like Sadie, you didn’t take well to housework - you liked to earn your keep. Though you’re not nearly so trigger happy. 
You’re quiet, thoughtful, well-read. Plus you’re good at making money. That’s why Dutch don't complain about you joining them, he figures. 
(Arthur tries not to pry into it too much at first, but he eventually learns that you’re gambling. Which is how you’re able to make such a fast turn around. A prim little lady like you makes for a fine poker player, and you love to play men out of their money. He thinks it’s one of the funniest and most interesting things about you. He can’t help but love you a little more for it. )
When the feelings in him start to stir, Arthur tries to overlook it. Arthur convinces himself, time and time again - that there’s no way he’ll grow more tender about you. Eventually, it’ll die down. You’re a decent woman is all, a kind one - who’s easy for him to love and even easier for him to confide in. In your time together, you often come to Arthur and you always seem to have some profound wisdom he is so sorely lacking. Someone easy to love, who does not expect much from Arthur at all. It’s only natural a lonely, covetous man like him would start to dream about you. He tells himself, it will pass eventually. Should he simply let it run by him, it will pass. But Arthurs a fool, you’ll remember. 
 Of course, by the time he understood all that - he already loved you enough that he couldn’t bear it. It was already too late and it wasn’t going to change any time soon. Especially not while everything changed around him. 
So, Arthur is undoubtedly a fool, but he’s lucky. He felt divinely blessed when you’d returned his feelings for him so politely. A coy little smile on your face, a laugh like you thought he was silly for being doubtful. Arthur tried to explain himself but you wouldn’t hear a word of it. Maybe that’s another thing he loves so much about you. There’s nothing he ever needs to explain. 
In any case, all Arthur seems to do lately is want you. Wants you when it’s inconvenient. Wants you before he wants liquor or a cigarette or some other vice. Any time anything goes wrong, you’re the first thing his mind can conjure up for relief. That pretty smile and that self-assured way of living. It’s hard to get time alone in camp. And Arthur is a man in love, so any touch could be enough to set him on fire. Last week you hugged his waist a little before giving him a kiss goodbye and he had to listen to you laugh yourself into a fit as he waited for…little Arthur to settle down. 
He don’t get many chances to be with you. Lay with you in that way that grown folk in love do. Though, if the two of you book it somewhere for a few days - the camp knows better not to ask where you’ve been. But it’s not often you get to really be together, where it’s peaceful to do that. Someone’s always hounding one of you to do something. 
Arthur is a lucky man though, like he said. Today he had time. Today he’s alone with you in a beat up little saloon and today he gets to do as he likes. He gets to be greedy. And it’s an odd feeling for him, really, to want something so bad he disregards everything else in the world for a little while. 
Feeling you, though - absolves the guilt for wanting. He’d be stupid to want you any less desperately. 
Arthur’s favorite way to have you is on your stomach. Laid flat, just barely pushed up against him as he fucks you deep. You’ll fuck like rabbits for a little while and Arthur will wear you out just like this, maneuvering you until you’re pinned all underneath his weight. You lose any fight you might have, too exhausted to worry yourself with pleasing him - and when you’re like that, you let Arthur take care of you. 
(He really ain’t talented at much, but he’s good with his hands. Being dexterous is part of being a talented shot. When Arthur has the time to spread you sweet in his lap and make you cum all over his fingers, he does so for as long as he can. At least until you beg him so sweetly otherwise. The same hands, soiled with gunsmoke, look so good so deep in you. At least in his eyes.)
Wet and pliable and helpless. Arthur loves you like that. He knows, he knows you’re anything but - but he’d be damned to pretend this don’t feel best. Tight, wet cunt so welcoming from all the pleasure he’s ripped out of you. Your bodies pressed together, your heartbeat pulsing through your skin. All sticky, honeyed need and animal desire as Arthur lets all of him sink on top of you. His heavy, lumbering form crushing you in - trapping you somewhere you can’t run from him. The curve of your spine pushed against his chest, ticklish. 
Every inch of his body that so wholly wants for you, Arthur aches to make you feel. Burn it in you lest anything happens that risks your forgetting. 
He can feel his hips meet your ass, backside squished against him - desperate for deeper friction. Whining. You’re whining to him so pretty, a pillow pushed underneath you to give friction to needy clit. 
Arthur can feel how much you want more. Maybe Arthur is greedy, but he likes that look much better on you. Your pussy is sucking him in so tight, silken walls pulsing with every shallow little measured thrust. Arthur lets his arm wrap around your neck, your face pressing into his bicep. You moan again and he laughs. 
“Arthur,” Your words come out in a messy slur. He lets his scruffy face press against your neck, a kiss behind your ear. He wants to kiss you all over. There’s not enough hours in the day. “Oh, god, Arthur,” 
“Still feels good, then, I’m guessin’,” 
“Shut up,” You huff and press your cheek into his arm. He doesn’t bother stifling his laugh. “Still feels…big. Stretchin’ me out—hicc—so much,” 
You really don’t try to rile him up - but you do a damn good job of it anyway. He groans, grunts as he pulls back and pistons himself in you. A gesture half-way between a kiss and the warning shot of a gun. The sound of skin hitting skin echoes, noisy and vulgar. Arthur don’t pay it much mind. He laughs against your shoulder.
“One of these days, that moutha’ yours is gonna get me in real trouble.” 
You giggle back at him 
“What kinda trouble is that now?” 
Even from your side glance, you’ve got that lovely little smile on you. Fuckdrunk and ingratiating, like you know he’s wrapped so tight around your fingers. And he is, like nothing else in the world could have him. A wave of possession curls up over Arthur, makes him press more of himself into you. Onto you. Another deep push of his cock, sliding against the tenderest parts of you. Staking some silent desire in you. He wants and wants and wants, and hopes that whatevers above him can forgive him for making the same mistake thrice. 
“Dunno,” Arthur comments, teeth grazing your shoulder and kissing the indentations “Got our whole lives together to find out, I reckon.” 
“I’ll hold you to it, Mister.” 
Arthur laughs. “Hope you do, Miss.” 
.𖥔 ݁ ˖˚☽˚。⋆ JOHN MARSTON + COWGIRL ;
John doesn’t say that he loves you lightly. 
Hardly a thing he says can be said that way. Could never afford too. In an alternate universe where nothing goes wrong in his life, maybe - but he has a hard time picturing what the hell that’d look like. A version of himself so untainted, without all of the violence and blood and gunsmoke? Foreign. John can’t picture it worth a damn. 
Who John is without a deadbeat father and a dead Ma is somewhere far beyond his reach. Ain’t nothing about his life, at any point, lighthearted. 
On top of all that mess, he’s got a boy at age four with a woman he ain’t married too. And that relationship is always on rocky waters, even though John’s decided to do right by his own flesh and blood sometime ago. Most things in the world he should feel good about he doesn’t, and most things he should understand render him clueless. He’s a mess on multiple accounts, and he still doesn’t know how exactly he’s meant to approach this life of his. He knows what he should do, but nothing about how to do it. 
John doesn’t come to love you easily ‘cause he wouldn’t know easy love if it hit him in his face. Quickly and painfully, but not easily. 
Your return to the gang was an odd one. You were an old presence and your disappearance was an even older story. John thought he’d never gonna see you again for sure. You’d been a part of the gang back long before all of the nonsense that took place in Blackwater and you left about the time Arthur’s boy died. John don’t remember why you left exactly. He thinks it was a fight with Hosea, of all things.
 Dutch weren't too happy about it neither, but Dutch back then didn’t make a show. 
So you left, and John buried every feeling he ever harbored. You found all them again up in Colter, where you’d been living out your days lately. According to you, in the middle of riding, you thought you’d heard Arthur. So, somewhat recklessly, you went chasing him. Didn’t matter if he was just something your mind conjured. According to you, if it was him, it was at least worth checking to make sure. You’d reunited with Arthur and after some tears, he rode with you back to camp. 
Upon your return, the gang welcomed you with open arms. 
You’d done a lot in your time alone.You spent most of that time just like that, a ghost wanderin’ the planes. You weren’t gonna stay with ‘em, but Arthur insisted and Hosea did too. That wasn’t enough to compel, so John was last to chip in. You should stay, at least until Valentine. 
(Silently he thought, you should stay so John can trace memories of you. It was so long ago, he should’ve forgotten all of it. You were a year older than John and always on his ass but easy for him to talk to. Didn’t fuss over his failures. You just barely grew into your womanhood when you set your sights on running away. You wanted more than this life, and John never really forgave you for it. His first heartbreak, maybe - but it’s all too blurry for that. 
You understood him though better than anyone, and one day you were gone. Nothing’s really the same.) 
You changed tremendously and not at all. He missed you. God, did he ever. Missed you a long time. Didn’t realize how much until you came back and everything in him felt right again. Your return stirred up old feelings and everyone noticed. He wasn’t trying to keep it a secret, but he really wasn’t trying to fall back into anything with you. Not how he did. 
Just like you did back then, you read John like an open book. And just like he did back then, he loved you all too helplessly for it.  It was just all too easy again, to be with you. 
You stayed out of the way at first, for the sake of his family. 
But, John ain’t a half-decent man even when he’s trying to be. So he set himself on being with you. It wasn’t easy - most things with him aren’t as you’ll see.  Having you around again straightened what was left of his common sense, at least. He told Abigail before telling you. He figured you wouldn’t even reply unless that was all out of the way. That turned out as well as you’d expect.
 It was settled between the two of you thereafter. He’s lucky she didn’t toss him into the street. 
Everything works out in a way. As best they can between broken people. You make peace with each other. His boy loves you like a third parent (you’re better with him than John is). Abigail commends you for straightening out such a worthless man though she’s a little melancholy.  John just tries to stay out of the way. You’ll be together in the end. There’s a plan with the five of you. 
But until it all falls apart, he doesn’t get all that much time with you. 
There’s moments like tonight, though. Rare ones. Together out robbin’, cooped out some place in the woods where no one is around. A place so shaded by nightfall that John can absolve himself of every sin he’s ever committed in his life and pray at the altar between your hips. John is convinced he might find worship like he’s always hearing about there whenever he touches you, the marred skin of his hands and knuckles reading the scripture of your body with careful precision. 
You might turn him into a literate man yet. 
John glances up at you. Only the light of the fire and the moonlight there to accompany as he watches you over him. You’re beautiful. John couldn’t picture a single thing more perfect in his life. 
Your hands against his bare chest, nails digging into the flesh as you lean forward. Your palm dug into the dirt, John finds his own hands rested at your hips. John looks at you awe-struck, cock twitching at the mere sight. His heart settles in his throat, but he’s calm all at the same time. With you, he forgets. All of it. The worst of himself. 
Bare naked and so close, he watches your face as you strain. You feel soft. Every inch of you in comparison to him is. A bead of sweat slides down the valley of your breasts. John cranes his neck up to catch it with his tongue, licking a stripe up to your neck - letting his teeth sink into the space between your jaw and neck. You want to make it last and John doesn’t blame you. It’s so rare you get to have each other so unrestrained. John can feel all the ways you want him, can see it in your face - all pinched with need. You’re holding yourself back, trying to get it to last as long as the night will allow. It’s cute in a way.
It’s different than how he’s used to seein’ you, all cocky or otherwise. You’re needy like this. Just needy. His stomach turns with lust, jolting through him like a strike of lightning. His cock twitches against your folds, sliding against them. Pure admiration watching the sticky mess of his pre-cum and your own arousal mix together and smear on your mound. You make a soft noise in the back of your throat, faint and tender as you fall forward just a little. John laughs against your neck. 
“Darlin’,” He says with a huff. Not malice. Something akin to bliss, where he can rarely afford it “Have I done something to piss you off today?” 
You pick yourself up and look down at him and frown. John kisses the corner of your mouth, resisting some crude desire to fuck up into you. 
“Just,” You grunt as the tip of his cock passes over your throbbing clit, your whole body wracking to a shiver. John looks awed. “Pent up. Goddamn it,” 
John figures it out quickly after that. It’s this part of it he likes. The proximity. The closeness. Feeling the tremble in your hands as they struggle to keep up right, muscles strained in your forearms. Being able to hold you, to keep the pace or let you take the lead. The clear view of your face as pleasure travels up through your spine and melts into you. He grabs your hips, the fat dimpling underneath his fingers as he moves you along. He can’t wait. You don’t bother to protest seeing John can’t seem to bear it anymore. You collapse into his chest, your tits pushed flat against his pecs.
His cock throbs near painfully, sliding against your soft cunt before finding himself lined with you. He thinks to himself that it’s this he was looking for, as he tucks your face against his neck and lets his tip stretch you out slowly. Such a vice like grip, stretching - resisting him like your whole body can’t anticipate the sensation of fullness. You gasp against his throat. 
“John,”  
What a sweet sound from your mouth, even sweeter as he bucks himself up. Keeps you steady and lets his cock stretch you full, feel you deep. “That’s right, my angel. Didn’t think you’d remember my name when you’re all worked up like this.” 
“You’re,” You gasp and John thrusts, thrusts hard until he’s buried to the hilt. You shudder, walls pulsing around him as he bottoms out and John laughs like the terrible man he is. He fucks you again, over and over - a wicked little smile watching “Awful. Just awful, John Marston,” 
“Ain’t that the truth,” He hums against your mouth as his hand snakes between your bodies, thumb rubbing against your clit. “Wonder what kinda woman that makes you,” 
“A foolish one,” 
John laughs. 
“I sure do love you for it,”
.𖥔 ݁ ˖˚☽˚。⋆JAVIER ESCUELLA + SIDEWAYS ;
Javier hasn’t thought about much other than surviving. 
It’s been like that. Been like that for a while, probably much longer than he cares to admit. He’s sure any sane man would suffer the same plight if they lead the same life. Anything but survival is little more than a pipe-dream, so Javier tries not to go for anything too strongly. In that aspect he’s like many of the members of the gang he’s in, perhaps that’s why he sticks to them. There’s that phrase Hosea’s always saying - that misery loves company. Javier will take any decent company he can get.  He’s desperate for it just like he’s desperate for most things - inwardly, silently. 
Some of that desperation may be symptomatic of who he is. After he killed a man in a crime of passion for a woman he loved and ran from a government who would sooner exile him than change, Javier decided to not dream anymore. Every revolutionary who dreams too hopefully pays the price in blood.
(Javier thinks there’s probably nothing in the world as true as this. A form of gospel. He remembers the first dream he ever had after his uncle passed. Not a nightmare but a dream. He remembers the exact feeling of waking up, cold and confused. What is a dream, except a memento of survivor's guilt that loyal people cling onto fruitlessly. When hope starts to feel like a debt he’s going to waste his life paying back, Javier loses sight of everything. The beginning of the end in some way.) 
His mind doesn’t occupy itself with anything bigger than that. Since Dutch found him starving, there was never a desire to try and live off aspirations. He pays his penance with loyalty and honor. Practices some form of humility and tries, not too desperately, to carve a place for him to fit. All without drawing too much attention or caring too much. If you ignore the bleeding in his fingers, his penchant for knives over guns, and his refusal to talk too long about the place he comes from - it’s nearly believable that none of it matters. 
Except loyalty. All Javier honors is that. It’s the only thing he has some part in choosing, so he choses it every time. Living like that didn’t make any difference to him. He was surrounded by mostly decent people. He didn’t hate the life he was living. 
It wasn’t important. It didn’t matter. His directionless-ness, his floating. Hadn’t since he joined the gang. At least not to anyone but him. He didn’t know what he’s meant to do or if he was meant to proceed with this forever. He was (is)  loyal to Dutch. To the gang. 
He hadn’t thought much about what comes after. 
And it didn’t matter until he met you
He’d sworn off love after seeing where it got him, at least until he could love more dispassionately. When the women bring you back from their outing from Valentine and beg Dutch to let you stay, Javier doesn’t think much of it all. He thinks you’re pretty, if it counts for anything. But he doesn’t let himself linger on you too long. 
But that’s the sequence with you two, really. The whole time.  He doesn’t linger until he does. It doesn't matter until it does. He doesn’t think about you until it’s all he can think about. 
You go for him first. And it’s in little, unimportant ways that might not mean shit to you but mean a whole lot to him. You have some kind of tenderness about you that you wear deep, runs through your blood like love ran through his once long ago. Some softness he can’t really measure with his own. It’s not that that gets him. It’s that sometimes you look at Javier like he's … someone you want to see. He forgot what that was like all together. It felt foreign to him the first time it happened. Seeing how you light up when Javier is around. 
You wanted to see him. You noticed that he’s gone. If he sang by the campfire - you’d sit by him and listen.  If he was out in the trees keeping guard, he’d hear the soft call of your voice to Grimshaw ask Where’s Javier? And sometimes the girls will make fun of you - but you wouldn’t deny anything they said. It’s so small and ordinary. He would’ve never considered himself simple before meeting you. Nothing is simple. Nothing. 
(But then, Javier thinks of the kinds of songs he sings and the way he takes care of himself and the clothes he wears and maybe Javier has some kind of affinity for preciousness that explains all of it.) 
When Javier confesses his feelings for you - he finds the affair to be like most things between you. Ordinary love, not really between outlaws but people. It’s up against a tree while you share a drink and he’s looking at the curve of your mouth and the plum color Karen’s so kindly put on you. And his head fills with kissing you so he does. A breathless confession between alcohol stains and the feeling of your hands curled in the lapels of his suit. 
From there, Javier is your lover. He’s not interested in the business of secrets, but he tries not to let it show too much. Not that he doesn’t want to. He wants to show you off more than anything - at least some part of him does. But the other part wants to keep you away from prying eyes, keep his love for you only where the both of you can see. If he could keep that pretty lovestruck face you make all to himself forever he would. 
When he gets a chance to whisk you away from everything, Javier jumps at the chance. Not often, but Javier makes time for you. Makes time to indulge in love he thought he’d  never find again. 
That’s why he’s here with you in the middle of nowhere, a ghost town where no one knows you.. A reserved room with a bed and lowlights all to yourselves. 
Javier can’t keep his hands to himself and he doubts you expect him too. 
For Javier, this sense of proximity is what intoxicates him most. The warmth of your bare skin in the slivers of yourself exposed. Javier is fond of finding you like this after a long day of horse riding. Of sneaking touches to your waist as you push back against him to sleep, only to find his desire for you - laid clearly. He likes hearing you whimper feeling his length poke against your back, the embarrassment when it dawns on you that he wants you after all. Always surprised, even though Javier tells you it so often. Whispers it along your neck and shoulders whenever you’re at camp together.
You like the feeling of his hands so Javier always starts with them. He squeezes your hips. Planes his palms over your chest before squeezing your chest, pushing the fat between his fingers. You like the way  they look when they grope you, his chin resting against your shoulder as you spoon. In the lowlights of a cheap hotel - Javier gets the perfect view of your silhouette. Your body is sensitive over the fabric of your gown, heat prickling through you. 
Javier who is always so gentle with you, rouses so deep listening to your whining as he explores your body. The suffocating closeness of a single bed intoxicates him. 
“Javier,” Your voice is sweet and thin. Plays in Javier’s head like music and makes his mouth curl up into a catlike grin as you push back on him.  You look slightly over your shoulder, lips pushed into a pout. “Please,” 
He tugs at the fabric of your nightgown. The top half pulls haphazard underneath your tits, nipples perky and sensitive to touch while the skirt pools at your waist. What gets Javier like this is the desperation. Wanting so much but not being able to look too long. A way for you to mirror him, it’s a matter of possession. In some stupid way. Bunching your clothes up, pushing the fabric of your panties to one side, letting his arm wrap around your waist to touch and tease.  All of these are imprints of his longing, tucked faithful into your side as he whispers sweet nothings into your skin.
His cock twitches as it pushes past your folds with finality, your hands curling up at your sides.  You whimper softly, let your cheek rest against the sheets as Javier takes you on your side. Terribly close, you fuss as you feel him slide every inch into you slow, your hands reaching back for purchase. It’s the fit of you against him so perfect, the silent strokes of intimacy, the hush-hush giggles between the sheets that Javier loves most about fucking you like this. Too enamored with you to look too closely, he lets his eyes flutter closed. He could get drunk just being in your space. 
He carves out space for himself inside of you, feels your cunt accommodate for him like it loves him. A feverishness breaks out as his forehead rests on the space between your shoulders, an uncharacteristic whiny quality in his words. 
“Ser mío,” Javier says - as a reflection of what he really wants, to belong only to you. “Belong to me.” 
Darling as you always are, you nod softly. 
“All yours, Javier,” You whimper, finding his hand. “Forever,”
.𖥔 ݁ ˖˚☽˚。⋆ CHARLES SMITH + MATING PRESS ; 
Wandering. 
He’s been doing it his whole life. Not something he’s proud of. Or ashamed of either, really. Just how things have gone for him until now. Charles doesn’t think his life has been any better or any worse than anyone else's. At least not when he weighs it with the same kind of pragmatism he does most things. It’s been a hard life, and a miserable one in so many ways. Still, it’s not something Charles is too keen to dwell on. 
There’s just something thematic about loss in Charles' life in a way he finds completely unpleasant. It’s more constant than anything. Loss of his home, loss of his mother, loss of his father in an attempt to find what’s best for him. It’s some overarching message that hangs over his head like a shadow. Everywhere he goes, trying to rectify his own solitude seems to come back to him. It doesn’t help that it’s an unfair world to start with, and would’ve been if he had just been black or just been native. But Charles is both, and has lived a life that reflects that specific injustice thoroughly. 
There’s not really anything Charles can do about it, at its baseline. When he left his father, the name of the game had simply been survival. He was well-equipped enough for that at least. But after survival comes trying to live and trying to live isn’t something so simple. Jumping in and out of gangs who thought they could get away with slighting him or generally being surrounded by unpleasant people. Trying to find something in pages of book and scripture, or in the way water ripples when it rains. 
He’s never felt any one way towards the gang. Even when he joined them all the way back in the Grizzlies. Lost in the cold, they’d crossed paths as Charles was out hunting. A lot of it feels like a blur. Of all the folks he’s met in his travels though, Dutch treats him fair and the rest of them (or most of them) are decent, honest folk. Charles stays in the Van Der Linde gang for such simple reasons as trying to stay alive and be somewhere that isn’t actively hostile towards him. He’s a good gunman, and a better fighter. The inner workings of gang politics and forging connection isn’t at the forefront of his mind, with the exception of the kindest few. 
The Van Der Linde gang is just a place where he can figure out what his purpose is meant to be, even if he doesn’t find it there. He’s never expecting anything to come out from his loyalties to it. 
Of all the things Charles expects of his life in the Van Der Linde gang, love is at the very bottom of the list. 
Maybe it’s about time he stops being surprised by these things happening to him one or way another.
 You were a member of the gang far before him, and someone Charles took to quickly. You’d joined the gang not too long after John from what Arthur tells him. Though the brunette speaks about you more fondly than he does his brother. A problem child at the start, according to Arthur - always getting into all sorts of trouble. Something you seemingly feel embarrassed about now and refuse to bring up. Charles has a hard time picturing it having only known you as you are. 
The woman you’ve grown into is someone else completely, and Charles sees that in you all the time. Compassionate like Hosea but charismatic like Dutch, and clever. And you’re beautiful, too, though Charles feels a little shallow admitting that’s part of what drew you into him. 
It wasn’t Charles that approached you first. You were the one who spoke to him, as often as you thought necessary but never in a way he found invasive. He doesn’t know what it is exactly about you that charms him near instantly. You’re enigmatic to a fault. It’s like you always know exactly what to say and exactly when to say it. Even more than that, you’re a terribly pleasant person to be around. Subtly warm and free of assumptions. When Charles talks to you about anything, you listen without making him feel like it’s any sort of burden to you. You don’t pry, don’t make missteps. Treat him fair, and then some. 
It’s unbearably simple, just how quickly and how easily he comes to adore you.  And, in some ways, Charles knows better than to believe that his purpose is loving someone. There’s more to it than that, surely - after everything. 
But then, he’ll watch you do something. Watch you do some kind of menial work that he could do for you instead. Thinks of skinning animals for new clothes and chopping wood and rubbing the soap off of you and all of a sudden it makes him feel anchored. Everything he could do for you. You anchor Charles easily, with a wispy smile. Make him want to find purpose in life with you. He never wants to be somewhere you’re not. 
He confesses it to you just like that, and like you do with most things - you accept and reciprocate without making too much of a fuss. 
For Charles, making love is an extension of wanting to ground himself in you. A distant siren song - the intersection of lust and bone deep adoration. Like most things, you’re the one to approach first every time. A soft hand on his forearm, a whisper that you want him. It’s with ease that he draws you away. Drags from you camp during nightfall with his horse and blankets and picks a spot with the perfect view of the stars. 
Charles watches you under the glow of moonlight, his vision adjusting to you easily. Naked underneath him, laid on your back with your legs folded at your knees - heaving deep breaths. He can see the sweat beading down your skin, your chest rising and falling - and the perfect view of your pussy. His hands and mouth are wet as you breathe out. He finds himself smiling at you, his own erection pressed against your thigh, pre-cum leaking out in a mesmerized haze. 
You lift your hands up and he leans down, surprised as you wrap them around his neck and pull him closer to you. Your mouths meet like that, and Charles laughs against your lips as you kiss him so eagerly. You blink at him, pretty. You’re always prettier than he remembers you being the last time he looks. 
“Charles,” You frown at him. “It’s impolite to keep a lady waiting,” 
He kisses the corner of your mouth. “Sorry, my love. I don’t want to hurt you,” 
“Well, I’m fine with it,” You repeat, almost petulant. Charles frowns. “‘Sides, it ain’t my first time taking you, you know?” 
“Well, I’m not fine with it.” 
You pout, looking at him all endeared. Charles couldn’t help but love you even if he tried. “You ain’t gonna hurt me. C’mon. Please?” 
“Please, what?” 
You look at him aghast before breaking out into a faux-scandalized giggle. “Now you—please fuck me. Pretty, please.” 
Charles feels something tickling against his spine hearing you say it. He couldn’t imagine getting sick of you in his whole life.  “Yeah, that’s good to hear.” 
You make an indignant noise but it’s silenced quickly as Charles positions himself against your entrance. He has plenty of discipline when it comes to matters like these, but right now - he feels like he’s going to lose his mind. Not nearly enough patience to wait. He lets his hands go up underneath your knees just to have something to hold onto. 
You make a little gasp as the tip of his cock pushes into you. Your walls are so soft, likely after all the orgasms he’d given you prior. You stop him in a shocked gasp, and Charles immediately readies himself to pull out. As if sensing his hesitance, you shake your head. 
“Charles,” You gasp, the words caught in your throat and hoarse “Deep. Want it deep,” 
His abdomen tightens, cocking twitching hard at your words. He agrees silently to your desires. 
When it comes to sex, there’s very little Charles dislikes.
But this is his favorite. He’s simple but no other position lets him see you so close. He likes the way your eyes widen as he pushes up underneath your knees and folds you underneath his weight. How you look pinned down under him, the perfect view of your eyes rolling back into your head and the proximity from your face to his. He lets his cock stretch you out slowly, throbbing each time your nails dig desperately into arms trying to keep your composure. Fuck you feel so tight like that. Soft pussy, dripping and sticky. You suck him in relentlessly, and Charles groans as he bottoms out. You take every inch of him so well. So perfect like the rest of you. 
Your eyes flutter open as he stays there, buried in you in complete bliss. You’re dazed. 
“Kiss?” 
Surprise followed by adoration, he abides by your request easily. Overwhelmed with it as he presses a chaste peck to your mouth, he laughs. “As many as you want.”
Anything you want, Charles thinks, he would give to you. 
.𖥔 ݁ ˖˚☽˚。⋆
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oncomingnight · 9 months
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yandere! Scientist
Hello everyone, thank you so much for all of your support on my previous stories. I was extremely excited about writing this specific piece because it's sort of based on movie that's set to come out real soon. I hope you enjoy and feel free to send requests/speak to me in my ask box.
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You met Seán while you were both freshmen in highschool. you noticed he was relatively quieter than everybody else in the classroom. He was the most knowledgeable student in that damned classroom, he was just stealthy about it. The two of you really got to know each other when you were selected as partners, selected based on the similarity of your scores, percentages and your ability to learn certain subjects.
Even after the project was finished and graded, the two of you still kept speaking to each other. The reason for that was because he was absolutely and undeniably in love with you. It took awhile for it to click into your head that he was attracted to you, but when you finally realized, you couldn't be more ecstatic.
He confessed to you at the beginning of your sophomore year. Whilst you were putting some of your belongings into your locker, he showed up behind you with blood red roses in his hand, along with a comically large basket of gifts. A tea-stained letter was nestled into the folds of one of the roses, inside of it was him expressing just how happy you've made him for the past year. How he wants your love reserved for him and him alone.
"Hello, Y/n, I'm sorry to have caught you off guard. You don't have to say anything until after I'm done talking but I have to tell you now because it'll do no good to either of us to just have this rot within me. You've been the subject of my love and utter adoration for...oh, dear...it's been so long I've now forgotten. But, I'll have you believe that I have never and will never forget how sublime you make me feel. Every time I think of you, I can't help but smile and think of our potential future together. Y/n, I wish so desperately to take care of you, touch you, kiss you, to hear my name on your lips for the rest of time, only if you'll let me. Now I'm ready, what do you think?"
You were absolutely stunned to hear such profound declarations of love fall from his lips, even more so when the declarations were about you.
You stood there with your bouquet of prickly roses, woven basket full of all you took joy in. You opened your dry mouth and said, "I can't believe you said all that about me. All of this is so beautiful, Seán. So, what do I think? I'm not sure what I think but I know I want to be your girlfriend."
After high school, he immediately got down on one knee to ask you if you'd be forever his woman. His wife. Of course, your answer was a tearful 'yes' as you blubbered about how much you loved him and about how so happy you were.
Highschool sweethearts!
You've always known about his appreciation for science and his interest to pursue a career in that topic. You can only imagine just how thrilled he was when he got a position in a government facility with the job he's always fought for. He picked you up and swirled you around, causing you to become temporarily dizzy as you giggled at his enthusiasm. Seán doused your hot and flustered cheeks with kisses as he smiled at your precious laugh.
He was so glad he'd managed to get a PhD and job in something that would make him enough money to take care of the both of you, but, mostly you. He was so appreciative to you for staying with him for all these years, always his perfect girl, always so supportive, always giving him beyond helpful ideas + advice. You were perfect.
Eventually, the world was struck with a variety of struggles, mainly caused by powerful political figures that simply did not agree with each other. Many people were caught in the crossfire, protests began being organized, riots ensuing right outside of government buildings. What followed all of these events? Well, the only reasonable answer. War.
Because of this, your husband was called into office and put into a group of other physics scientists. They claimed they needed a defense weapon in case of everyone being put into a harmful and treacherous situation. Seán was made the head man of the project.
This worried you to the fullest extent, maybe you were being dramatic but your husband's position in the project could make him a direct target. When you shared your thoughts with him he couldn't help but give you a small endearing smile.
"you've always been a worrisome woman, haven't you? Nothing will happen to you or to us. I'll make sure of it, I'm benefiting them by building this damned thing, they wouldn't dare let anything disrupt our life, m'kay?"
"Seán, I'm not worried about me. I'm worried about you. Yes, you're benefiting them which is exactly why you'd be in danger."
"I can take care of myself, mo mhuirnín dílis. You've witnessed it, no? Don't worry yourself any longer."
Now, you may be wondering what he's talkin' about. Well, don't worry I'll tell you.
Seán had taken you with him to visit the small fishing town he had grown up in. After eating a delicious meal with your in-laws, Seán was invited by some old friends to go out and drink at an old and creaky pub. They have been asking to meet you and this was a chance for him to show you off to everyone in town, so, he accepted.
The night remained still and calm, despite the occasional roar of laughter that would occur at the table. It was fun, you were so glad Seán took you out to see where he was gifted with life.
But then
As you headed towards the friendly barmaid to make an order of crisps for everyone seated at the table. As you waited to be handed your order, a ragged young man that looked incredibly haggard for his age due to all of the alcohol approached you. You were sure he was just going to request assistance in catching a cab as he looked far too intoxicated to do it on his own. But no. He just wanted some action.
He pushed himself onto you with his flirtatious words but after you rejected him, you had angered him to an extreme point. He gripped your arm hard enough to bruise and spoke into your face with a horrid stench on his tongue.
"Now why won't you just shut your little mouth and please a man, hm?" He grinned maliciously.
Suddenly, you saw a quick flash of a fist show in your vision, not expecting it to be Seán punching the man with all the force he had in his slim yet firm body. All it took was one hit for the man to be on the ground, passed out. Yet, Seán didn't stop there and he wouldn't have stopped if his friend hadn't yanked him off the man. He was slamming his knuckles onto the man's pale face until it was almost fully covered in a crimson red.
You'd never seen him act in such a rabid way but you weren't angry at him. He was just protecting you. In an extremely visceral and self incriminating way. He didn't care, he's done far worse in defense of you but those were things he'd done in secret.
You were already far aware of how protective he could get and how emotional he was when it came to you. Someone could say something harmful about you and he'd mutter under his breath in anger, digging his nails into the palm of his hands, and eventually kiss your forehead before leaving the house to go do what he knew needed to be done.
When the two of you were intimate he'd cry at times while expressing his incredibly deep affection for you. He loved seeing you like this, furrowed brows, flushed cheeks, your huffs and puffs when he teased you. "I'd kill for you, y-you know that, yeah? Oh, A mhuirnín, I'd do anything for you. Absolutely anything."
There comes a lot of stress with his job, at times he'd return from work and burrow his head into your tummy, wrapping his firm arms around your waist. No matter how many times he messages you during work, no matter how many times he re-reads the letter you left him in his lunch, no matter how many times he calls you, he'll always yearn for your touch.
You lift his face from your stomach and remove his glasses, ruffling his dark curls after doing so. Your thumb gently swipes over his cheek, before leaning in and giving him a deep kiss. He melts into your touch and gives you a love-drunk smile.
His perfect girl.
The both of you would go on the loveliest getaway trips when he was able to take a break from work. You'd go to a restaurant and he'd hold your chin as he gently fed you pieces from the pasta you'd ordered, giving you time to chew and swallow.
When in clothing stores, he'd wait outside of the changing room on a cushioned seat, waiting to see his wife's lovely face and figure. He would never let you look at the price tags as that would discourage you from buying what you'd like, he didn't want that.
Seán has a habit of overworking himself to sketch out the building plans for the project he was assigned, he needed it to be perfect. This could change the future and if there even was a possibility that there'd be a future. You'd walk into his office, seeing his hooked nose being beautifully lit by the candle on his desk. He took a sip of his Bushmills whiskey before turning to look at you with eyes full of admiration. "You have to eat something, surely you know that. Plus, I made it so you have to eat it or else I'll get upset."
He's obviously very well known in the science world, I mean, his creation will determine the outcome of society. He's bound to get some recognition. People have come to be obsessed with the relationship the two of you have and the story of your love. Every photograph people see of the two of you, Seán is turned towards you with the most love sick look of them all. In photographs where he's alone, he may as well be the most stoic man in the world.
People would post slideshows of the two of you together and caption it with something along the lines of:
'me and him'
Others in the comments would practically point and laugh at the person with responses of:
'you wish.' 'y'all aren't that important ' 'try again' 'interesting 🧐.' 'Can you be serious...?'
This man is the most serious man in the entire universe when he's at work and surrounded with his partners. But, when he's alone with you? He's nuzzling his cheek into your chest, kissing all over you, kissing your hand, hugging you from behind, THE WHOLE NINE YARDS.
Seán is the type of husband to pick up your coffee + bakery order to wake you up with, leaves you gifts and notes to find around the house, takes you to the most wonderful places anyone could ever go to.
He's so glad he made someone like you his wife.
Forever :).
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vagabond-umlaut · 1 month
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meet you where the sky meets the earth
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to love is to listen to your heart, not your brain. to dream whilst in love, is to make your brain listen to your heart.
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▸ gojo satoru x fem!reader; former teacher x former student [gojo is six yrs older than reader]; bittersweet fluff; you're so in love w satoru, it shd hurt- but it doesn't because you've grown numb to the ache; one-sided feelings [are they really?]; few mentions of food; gojo calls you 'cookie'; this is way too tender even for me, istg; 1.5k wc
▸ belongs to the series 'you make my heart flutter and fibrillate' but can be read as a stand-alone fic if you wanna! 😊
▸ the header is from pinterest, the dividers are by @benkeibear, the characters used here aren't mine. pls don't plagiarise, translate or repost this. hope y'all enjoy reading this ❤️❤️
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the first time you think of marrying gojo, you're only twenty years old.
hardly the age to be dreaming of wedding bells at, right?
yeah, right. that's very, very right— still, your heart is your heart, just how your brain is your brain, the former easily swaying the latter by a few skipped beats— and you find your cheeks growing warm, laughs stumbling past your lips as you place the box of cornflakes into your shopping cart.
gojo sputters from beside you, eyes comically wide behind his shades as they dart from you to the elderly woman before.
you take a second to compose yourself before answering the ask that created this mess in the first place, a polite smile lining your face, "oh, no– not at all, ma'am! we're not married. i'm just an old friend helping him with the groceries, haha."
"oh," that's the only thing the woman says in reaction, kind smile now a tiny frown before it reappears. and she apologises, "i'm sorry, dears. just thought you two to be newlyweds from how giddy and loving you seemed to each other... time i went for an eye check-up, yes?"
"hey, please don't be sorry..." you start to say, but before you can get any further, the woman has already walked away with her shoppping basket.
you fall silent.
the same way the man next to you too has grown quiet, an awkward silence taking up the foot between you both. until you break it with a strained chuckle.
"we were acting giddy and loving to each other, eh?"
"were we?" comes the contemplative question to your comment. you look up to find gojo looking at you, the blue of his eyes weirdly bright in the dim lights of the supermarket as he repeats, "were we, cookie?"
yes. no. you don't really know—
yes, 'cause you know you love him.
not since forever, no, but close enough to it: your once-fascination for the supposed mortal deity of the jujutsu world, the mitochondrion on which the cellular structure of the society banks to survive; that grew into something made of wonder, respect and fondness, as you slowly came to know not only the icon but also the man behind it; that grew into something so profound, nestling deep within your existence– so much so that you feel the earth shifting on its axis everytime he calls you or grins at you or just looks in your direction—
no, 'cause you know you aren't loved back.
not the way you wish to be... not that you blame gojo for that, though!
you know he is way too busy to be thinking of such topics– what with being the strongest sorcerer ever, the head of the one-man gojo clan, the teacher to the first-years at tokyo high, the legal guardian– but in fact, the father figure to the two kids, 'gumi and 'miki– or maybe, just maybe, he is busy, alright, but not too busy— gojo simply doesn't see you that way; he sees you to be nothing but his former student— one he knows he can rely on to help with his children, or the groceries, or a variety of other menial daily tasks he can just hire help for—
you don't know.
yeah... you really, really don't know– and by now, you think you don't even want to know anymore. it's easy, it's safe, it's nice to remain not knowing. the word 'yes' comes with too many dreams– the word 'no' serves the perfect haven to nightmares.
the three words "i don't know" bear no such burden on their back– an untroubled answer you decide to offer, decide to escape using for the time being— until a slight knock on the head interrupts you, followed by an entertained set of chortles.
you peer up to find gojo beaming down at you, his eyes crinkled and cheeks dimpled. something twists in the middle of your chest, but it isn't painful; it's grounding. pleasant, even.
"it's too easy to get you worried, y'know? you're unbelievably easy to manipulate, heh."
"oh, am i now?" you retort, eyes narrowing into a cross glare– only to be betrayed by the fond smile grazing your lips not even a beat later. the man hums, grin simmering down to a knowing smile.
"mmhm," he says with that musical sway to his tone that never fails to make your fingers tingle, "you should have seen your face when i asked you the question– so pale and stiff– almost as if i was asking you to leave then and there, hearing that granny's comments—"
"you would have asked me to, if they were true– wouldn't you?"
gojo's smile vanishes in the blink of an eye. and you think the hand he has stretched out to the shelves of biscuits might fall too– but it does not, and you see him take a packet of your favourite bourbon biscuits followed by a packet of the digestives you've been forcing him to eat, and place them into the cart.
he checks the shopping list in your hand before he looks back at you.
before he smiles back at you: so soft, so solemn, so un-satoru— you instantly regret interrupting him with such a question.
but you do know how it is, don't you? what with a thudding heart and a thinking brain...
the handle of the cart digs deep indents into your palm as you press the weight of your worries into the cool metal and lean towards your companion on this grocery run, the same way a moth flies towards a flame, towards its doom–
"don't you ever dream of falling in love, gojo-san?" you let your voice drop to a murmur, audible only to you and the object of your desires, the subject of your worries, "do you not dream of a happily ever after with your 'one'– do you, gojo-san?"
"no," the response to your words comes in the very same instant. the man's shades slip a touch down the bridge of his nose as he pins his sharp gaze on you– though it can do nothing to hide the mild tremor in his grin from you when he says, "and i don't plan on dreaming ever. dreaming is only for fools with too much time to spare– do i look like a fool with too much time to spare, cookie?"
no. not at all. you don't. you look the farthest from it, in fact— is what you know you should say, and just drop the matter. for now. forever—
but you don't... just don't.
retorting instead, still a murmur but with the faint lick of a fire now, "and what do you suggest should be done to those fools, gojo-san? punished severely for their grievous crime of dreaming, hm?"
"oh, don't be too harsh," he tuts with a breezy chuckle, "what people do is honestly their business; one i've got no interest in interfering in— but..." his grin twists into something wry, a change you find tough to tear your gaze away from, "i don't think i would give such folks the time of my day– it's simply not worth it to talk with those whose feet are not on the solid ground, floating around meaninglessly in air–"
"why are you talking with me then?"
interrupted, gojo blinks. once, and twice, then thrice.
you watch your face crumple in the dark tint of his shades, withering and cracking in the dull light and stale air of this stupid supermarket; but definitely not as stupid as you:
messing things up when they're perfectly fine and alright, only 'cause you do not, rather cannot, keep your mouth shut, no matter what– all your inhibitions let gone of as your heart gains control over your brain and your stupid damned mouth—
you feel a tiny knock on your forehead, the second time this evening, followed by strands of hair being gently brushed away; too careful for your breath to not get stuck in your chest. you peer up at the man in front, teeth lightly gnawing the inside of your lower lip.
gojo's features shift into something between fond and worried– you just hope you aren't misreading him right now– the man tucks those strands of hair behind the shell of your ear.
his fingers still right above your jaw, touching yet not really touching, features finally, finally, settling into a smile– "maybe because i enjoy talking with you, cookie, no matter how foolish you are."
some people say, marriage is a holy act, a sacred institution, in and of itself— connecting hearts, binding souls– cementing the promises of staying together forever... whilst few see marriage to be meaningless— paltry affair of papers and signatures and people, none bearing any significance, 'cause nothing can, not when it comes to the matters of the hearts, neither in proving nor in disproving them–
no matter what people think, you think you will be okay, irrespective of whether you marry gojo or not, irrespective of whether gojo loves you or not– provided– and this is a weird, still important 'provided'—
you and he end up shopping together in the supermarket, feeling and seeming so happy and comfortable with each other— others mistake you for a pair of newlyweds, blissfully deep in love.
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tysm to my dearest andy [@andysdrafts], mimi [@avatarofstars] & dilay [@roseqzpd] for constantly motivating me while i was writing this. ilysm my darlings 😘😘😘
masterlist
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peachesofteal · 10 months
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Hey just wanted to say I love your writing!!! Somehow it fills me with a sense of contentment I haven't experienced before, maybe it's because I see so much of myself in darling from dead disco and I'm loving all the au drabbles too.
Can we please get a glimpse into what happened when darling saw them at the grocery store. Did she bolt the first chance she got? She's probably still heartbroken and emotionally exhausted but does she miss them? How is she managing motherhood by herself? Does she think Soap and Ghost tracked her down? Sorry for asking so many questions my mind is racing 💗
Hi love! Thank you so much for all your support, you're truly too kind. 🩵🩵 I'm so glad you're enjoying all these crazy little stories, it's definitely a treat to dive into.
Warnings-tags: 18+ Mature themes. Takes place after this.
It doesn't happen, quite like you thought it would.
You had expected to feel fear, when you saw them again. Expected to feel the nerves, the anxiety, the twisting in your gut when you finally laid eyes on them. You imagined those feelings would shift into anger, as they always do, the tidal wave of your rage's strength pulling you under, just as it did the night you left, nearly two years ago.
You're surprised when it's none of those things. You're surprised when it's... sadness instead. A profound sense of loss, the swell of it so strong it nearly knocks you off balance, while it brings tears to your eyes.
Your mouth hangs open in shock for what feels like too long, seconds turning into eons while you cradle the baby's head, brain sputtering while you try to process. They've done it. They've found you.
They're going to take her.
Except... they don't look like they're looking for you. They look they're just out, doing their shopping. They look like they're just... having a normal day.
And they look just as shocked to see you as you are to see them.
Bee gurgles in your arms, a happy song, and you bounce her instinctively, while you break your eyes away to look past them, at the other end of the aisle, and the towards the door. You should leave. The thought primes your muscles, preparing you to flee, when Simon's voice rings out over the dim grocery store music.
"Don't run. Please. Please, darling. Don't run." You hesitate, unwilling to leave the grocery cart, unwilling to try to run through the store, and stand frozen, rooted to the linoleum like you've grown there.
It's like Bee can sense the shift in your mood, can smell your distress, because her happy trill stops, and her face scrunches up like she's confused, before she starts to cry.
"Shhh, baby. It's okay." you hum, trying to rub her back to calm her, while your brain trips over itself trying to go a mile a minute. Run. Don't. Be calm. Panic. Scream. Cry. Run into their arms. Don't be crazy. Don't let them take her.
They're stepping closer now, easing up the aisle towards you, and you shake your head at them as a no. No. Don't come any farther. I don't trust you. Johnny tries to wipe his cheek inconspicuously, while Simon's got his hands out like he thinks he's about to catch a wild animal.
Maybe he is.
"Stop." you half yell it, the word bubbling up your throat and out like a barb, and it halts them in their tracks.
"Darling, please." Johnny croaks, his eyes locked on yours.
"Stop!" you say again, and step backwards once. Bee fusses, and Simon watches her. "I won't let you." you hiss, and Johnny's brow furrows in confusion, while Simon regards you slack jawed.
"Let us what?" He asks and you nearly laugh, except in the moment you realize your breathing is more shallow than normal, lungs tight and fighting your brain for air.
"Take her. I wo-won't." Johnny's face shifts into something crestfallen, something broken, and he makes a strangled sound. Like he wants to speak, but can't. It hurts you, wounds something deep, something you've buried, and for a fleeting moment, you want to comfort him. Want to reach out, and touch him. Only just to feel him again. Simon doesn't anything at all, just stares at you in shocked silence, his hands shaking.
"Darling, we would never-" Would never? Would never?! He seems to realize, what he's saying, and stops himself... before taking a deep breath and continuing. "We know you don't trust us. But-"
"No. That's enough." You take another step backwards. He doesn't stop.
"Please, we can at least try to help with-"
"I don't need your help." You spit, and try not to look at your trolley. It's full of Bee's food, puréed, organic foods and brightly colored snack packs, while your own is a smattering collection of bruised produce and discount rack canned goods. "We're fine." you double down, but your voice cracks with the weight of the emotions that you're staving off, and Johnny looks heartbroken. "I'm fine. I'm doing it on my own. I've been doing it, on my own."
"I know." Simon's voice is soft, gentle, the gravel pitch smoothed into something velvety, just for you. It tugs at you, stabs and twists, nips at your heart, while you try to build your defenses to keep it out.
"I don't need either of you. We don't. I'm taking care of her. And she's great, she's perfect." It's not a lie. She is perfect. An angel. Your inquisitive, sweet, beautiful baby. Your little piece of perfection. You do everything for her, sacrifice everything, for her. She's your world, and your her's.
But being someone's world who needs you to survive is hard. It's really, really fucking hard. And doing it on your own is even harder. No one understands, what it's like, and you feel so weak, so stupid, so beat down every day that sometimes, it's too easy to close your eyes in the bathtub. It's too easy, to feel like you did after she was born, alone in your tiny flat, with a screaming newborn, and no one to help you. No one to call. It's too easy to wish for terrible things, especially when you know she would be taken care of. When you know her dads would keep her safe.
"She's beautiful, love." Johnny says, jolting you from your thoughts, and you can't help but nod in agreement.
"You've done so well." Simon murmurs and you slam your eyes shut. Don't. Don't listen to them.
"T-thank you." It comes out as a cry, tears you can't hold off anymore, and they both step closer, close enough that they're maybe two arms lengths away from where you stand. "No!" you croak, and Johnny covers his face with a palm, while Simon's face twists like he's in pain.
Seconds pass, and Bee still fusses in your arms, her body wriggling in your grasp, while Johnny takes long, deep breaths.
"Are you taking care of yourself?" he asks you softly, after he rubs his eyes. "Are you okay?"
"I'm fine. Li...like I said. We're fine." You choke it out, and Simon shakes his head. Like he knows. Of course he does. They can see right through you. You have to get out of here. "We should go."
"No, wait." Simon tries to step closer, but Johnny grabs his wrist.
"At least, let us buy your groceries." Johnny tries, but you shake your head.
"No."
"Darling, please. Please." Simon latches onto your trolley, making it immobile in his grip, and you shake your head back and forth.
"She needs to go down for her nap." You grit out. You can feel your own tears on your cheeks, and you try to ignore it, try to ignore everything except for your mission. Escape.
"Can we... get your phone number, at least?" He tries.
"That's not a good idea." I have you blocked on everything so not sure what purpose it would serve, either.
"You still have ours, right? In case you need anything?" Johnny asks gently, and you nod.
"You can call us, any time. Day or night." Simon rushes out, like he's a bit frantic, stumbling over the words. He releases the trolley finally, and you pull it away immediately. "For anything. We'll be there." Bee cries, screams, lungs screeching and you pat her back.
"Okay, thanks." You don't say anything else before you turn, swinging around and beelining for check out, all while trying to remember to breathe and soothe your crying baby.
Fuck. Fuck, fuck.
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giddyfatherchris · 5 days
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📱skz texts —how they react/comfort you (when you're going through a rough patch with a friend)
| including. bang chan, lee know
warnings. mentions of homophobia, anxiety and depression (but not going in depth with any of these subjects)
a/n. FINALLY!! channie and lee know’s part babyyyy honestly i kept procrastinating but today i decided enough is enough.😤 again, these are not in order but i cannot be 🎶booOoOoOthereeeddd🎶 so :) hope you enjoy mwah xxx
changbin, seungmin & i.n
hyunjin, han & felix
Lee Know
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He knew from your texts you were not in your normal state. You were usually such a bubbly person, but when you answered so drily to his questions, he knew something was wrong.
As he waited for you to come home, he couldn't help but pace in his apartment. You weren't living together yet, but you spent so much time at his flat that you claimed it as your second home comfortably. In the 15 minutes it took for you to arrive, Lee Know had prepared himself for many scenarios, but he could have never predicted how you opened harshly the door and slammed it shut. Your ritual of crouching on the floor, calling for his three cats, was brutally ignored as you stomped to the kitchen.
"Hi, baby." He tentatively tried. Cautious, he kept his distance as you grunted in answer. You opened the fridge door, looked for a milli second before you closed it, then repeated the same process with the pantry. You made yourself a glass of water, didn't even take a sip, and grumbled as you looked in front of you, not really seeing anything. You abandoned it on the counter, ready to stomp away, when Lee Know put himself in your trajectory.
"What's going on?"
You would have kept walking if he hadn't grabbed you by the shoulders and blocked you from carrying on.
"Uh?" you looked at him as if you were just now seeing him. "Nothing, something at work, it's enraging." 
"Then please tell me so I can know who to kill," he replied in an equally angered tone. His hold on your shoulders tightened slightly at the thought someone had hurt you. 
You looked at him, surprised. "What, kill someone?" 
"Please, Y/n. I've never seen you like this. I don't know what happened, but for it to put you in that state, I'm guessing it's pretty serious." 
He had to pull it out of you, but you finally explained how you discovered one of your coworkers, who you considered a friend, was, in fact, a raging homophobic, queer-hating asshole. When you first heard him comment on someone else wearing a rainbow pin, you had laughed it off, thinking he was being dumb, but he kept adding on, and you realized, horrified, that he was being serious. 
Cherry on top, when you told him you were pansexual, he had stared at you with this idiotic air and asked if you were attracted to kitchen appliances. It ended up with you terminating that 'friendship' and leaving the office completely enraged. 
Your boyfriend listened carefully to your story. His piercing eyes set on you when he finally stated, "I have no idea how you managed not to smack him in the face." 
You let out a dry chuckle, telling the story again only egged you on, and brought up a familiar gloom you hadn't felt in a while. Immediately, he noticed the change in your demeanor, how the burning rage had simmered to a profound sadness. "Hey, it's okay, you can report the bastard, you know. He can't go around saying stuff like that."
You wrapped your arms around your middle, your lower lip softly shaking as you exhaled. "It's been a long time since I've been directly in contact with someone like that. I'm mad at myself for not seeing it maybe others knew, and they considered me badly for hanging out with him. I feel so bad."
He pulled you to him, softly resting his chin on top of your head. "Some people are really good at hiding who they truly are. He never said anything before, you never could have known."
"I know, but I somewhat feel like a traitor to my community," you covered your face with your hands before hiding in his chest. "Is that dumb?"  
He softly pushed you back and leveled his gaze with yours. "That is a little dumb because you did not betray your community, okay? You can't betray someone if you've also been fooled. And you know what's the best thing to do now? Report his ass. I'm sure if you do, there will be others who feel comfortable speaking up."
Your eyes lit up at his suggestion. "You're right. I want queer people to feel safe at work. The thought that I might have been seen as someone who would threaten that makes me sick. But if I speak up, that could change. Maybe we could even create a comity to do sensibilization about homophobia in the workplace." The gloom in your eyes was replaced with a fire. "One thing is sure, I won't let it happen again.
He gave you an adorable grin as he softly grabbed your chin. "My little fighter, I'm proud of you."
Your eyes disappeared into a happy smile as you hugged him again. "Thank you for always supporting me, although I am slightly scared of how little it took to convince you to kill someone." 
He laughed before grabbing you over his shoulder and whispered with a diabolical expression. "You shouldn't." 
Because really, there shouldn't be a doubt in your mind that this man was ready to make anyone who hurt you pay a terrible price. 
Bang Chan
The leader rubbed his hands on his face in an attempt to wipe away all the exhaustion. He looked back at his computer screen, feeling a violent cramp in his head causing his eyes to squeeze shut of their own accords. 
"Okay, okay. I get it. No more computer today."
He grabbed his phone before getting up, pleading his eyes to survive one last exposure to the light of a screen. He clicked on your name and quickly typed in, asking you what you wanted to eat for dinner but all signs of fatigue disappeared once he saw your answer. Worry replaced any feelings in his heart, his tired eyes fixed on the device.
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What could have happened for you to be so down? He knew you were dealing with a difficult friend lately, but could it have gotten this bad so quickly? He wondered if he should push it, ask you more, but as his eyes started burning again he realized it would probably be of no help and he should wait for you to get home. Chan looked around the apartment, an uneasy feeling in his chest, a restlessness agitating his limbs. You were hurting and he couldn’t stay still, waiting for you to arrive. Then it clicked, he looked at your messages once again, closed the app and started dialing a number he was starting to know very well. As the line rang, a smirk slowly took place on his full lips.
You tiredly entered your apartment, welcomed with a delicious aroma. You kicked your boots off, more than ready to change into comfortable clothes and hug your boyfriend. 
Your heart melted at the sight waiting for you in the kitchen. Chan, his sleeve rolled up, showing his strong forearms, was very focused on the pots and pans burbling in front of him. He softly hummed to the soft jazz music playing in the background, completely oblivious to the world around him. You silently walked to him and wrapped your arms around his middle, loving how his strong back felt on your cheek through his clothes. 
"Jesus! You scared me," he whined, still, you could hear the smile in his voice as his hands wrapped around yours. "How are you?"
You didn't answer, feeling tears prickling your eyes and that burning sensation in your nose when you knew you were about to cry. You buried your face in his clothes, hoping it would muffle the sound of your sobs. 
"Y/n?" he quickly turned around, realizing you were far from okay. "Hey, baby what's going on?"
Violent sobs shook your body as you slid to the floor engulfed in Chan’s reassuring embrace, allowing you to let it all go. Once you calmed down enough to take a big breath, he asked again. "Baby, what happened?" 
Softly, he brushed his fingers through your hair. He was a calm and reassuring presence for you in all the chaos. You knew you could trust him, knew you could tell him anything and he would be there for you.
"You know my ´friend’, our relationship was already rocky, I knew that, but I thought it was getting better. When we studied together the other day, we talked so much, about anything and everything and even personal stuff. I thought we were getting over that petty argument, but today I heard them tell other people from my classes how I was faking my anxiety disorder and depression symptoms. They said I only did it to get attention and that I- I was an addict." Your voice broke on the last word, horrified that such words could have come out of their mouth.
Chan had to fight everything in him not to go after them right now. If there was one thing he despised it was when the ones he loved were hurt. He couldn't bear it. He knew how hard it had been for you to get a diagnosis and start taking medication. How could someone be heartless enough to make such comments? 
"I heard some of the people in the group defend me, but still... I can't believe it. I'm so stupid, I never should have told them about it."
"Y/n. You are not stupid. They are the assholes. You are not stupid for trusting someone you thought was a friend okay? I don't ever want you to think you are stupid for that."
You looked at him with teary eyes. He felt himself melt and soften, all anger disappearing when he realized how badly you needed him. "You are not stupid. You are not faking anything." he softly stroked your cheeks, wiping away the tears as he did. "I'm so proud of you for reaching out for help. I'm proud of you every damn day, and you know the people who really love you do too." You closed your eyes, relishing in his warm touch, allowing his soft voice to erase every doubt and fear. He softly kissed your forehead, "Okay?"
"Okay," you whispered. "Thank you I don't know what I would do without you."
"You would still do amazing because you are one of the strongest person I've ever met."
You chuckled at his comment. "You're so cheesy. Still, I'm pretty happy to have you." You lifted your head towards the stove. "Especially if you tell me you've been cooking for me." You took a deep breath in, finally registering what it was you were smelling. You looked back at him, already smiling, a look of surprise on your face. "Is- is that my mom’s… How, how did you do it?"
A proud and satisfied expression was printed on his features. "You wanted your mom’s spaghetti so I called and asked her to help me make it. Turns out the recipe isn’t that hard." He tucked a piece of your hair behind your ear while you stared at him like he was the most magnificent thing you had ever seen, which he was.
"I can’t believe you did that. My mother has never told anyone her recipe!"
"Yeah, about that. I might have had to make a deal with her to get it…" You rolled your eyes, ready to hear some embarrassing stunt your mother pulled on your boyfriend. "I had to explain why I wanted the recipe, and she might have made me promise we’d go visit your family in two weeks while you’re on spring break."
You squealed and wrapped your arms around his neck, asking him a thousand time if he was kidding, if this was really happening, while he promised over and over again it was. You pulled back to look at the satisfied smile growing on his lips. Chan was a sure value in your life, maybe the only true one, and as you looked at him, his dimpled smile and the satisfaction he had in preparing all this for you, you knew this was it. He was everything you would ever need.
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microcosmicheart · 1 month
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Where does your power lie? + What benefits you reap
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You. *everybody claps*
1 2 3 4
Pile 1
10 of Cups, Page of Cups, Temperance.
Your power lies in your emotional control. Where some people freak out, you can remain calm.
I’m seeing people may look to you for solutions or leadership despite you not actively stepping into that role.
You have the maturity and balance of an elder, opening your heart readily and easily, but just as easily keeping it close to you.
You can be professional with those you don’t like.
Your benefit:
You’re a master of either your mind or your words.
You may be able to think rationally during stressful times, or be able to defend yourself verbally against others no matter how pissed you are.
Pile 2
2 of cups, 9 of cups, Queen of Pentacles
Your power lies in your depth and ability to give love from an endless source.
You’ve met yourselves on a deep level, or spend a lot of time nurturing yourself. Your heart is BIG
You don’t need anyone to cosign or affirm you because you’ve already had any necessary conversations with yourself. Because of this, you're capable of tremendous love. You can give and give and give without exhaustion because there's enough room for everyone!
You're the epitome of nurture not only for yourself but for anyone you love on as well.
Your benefit:
Your loving nature can take you anywhere you please!
I don't mean this in a kiss ass or manipulative way, but in the sense that your heart makes people want to give back to you without you even having to ask.
You definitely leave a profound impact on people you encounter.
Pile 3
Fool, King of Pentacles, Strength
This is a very powerful group. Your power is you.
Your interests, endeavors and desires all have a magical quality to them. This is my star pile.
This energy actually reminds me so much of the inspo for this reading, Wang Yibo.
You'll always reap the rewards of your hard work and labor, and you have endless, boundless potential.
You're resilient and you're ready to do what has to be done in order to achieve your goals, dreams and desires.
Your benefit:
Your outcome is harmony
This is not to say you won't deal with the bullshit of life along the way, but as long as you're working toward something, you'll achieve it no matter how long it takes.
Pile 4
Queen of Wands, 9 of pentacles, Queen of Swords
You’re IT simply put.
You may be in a very competitive environment where people are waiting for others around them to slip up but it’ll never be you. You stay on top of everything you own and are in charge of; and whatever it is that you do, you do it well.
You are consistent, fair, and in charge in a way that sets you apart. You also hold an air of regality that's easy to spot and for some, feel before you arrive somewhere.
Your benefit:
You literally have no need to defend yourself despite being in such a competitive environment.
For most, with such immense pressure they’d be looking over their shoulders trying to prevent others from interfering while also doing their work, but not you!
Your results speak for themselves and to be honest not many people want to see you fall! Some see you as an inspiration or view your work as spectacular.
Specifically hearing “pride of our division/department”.
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msmysticfail · 3 months
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Sun in the houses: 7-12
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Sun in the 7th house:
Sun in the 7th house are generally very well-liked and popular people. A Sun in the 7th house cares a lot about others, as it's in others that they assert themselves. They are people who need to be close to others, whether with their close friends, their family, or their romantic interest.
Because the other person's opinion is so important to them, they can sometimes be shaken by what other people think of them. They are people who are generally always well-groomed and presentable because they like to make a good impression.
In the work environment, they are people who generally have many friends and colleagues and are always aware of all the gossip that is going on. They are pleasant, lighthearted people who generally do not have a fixed opinion about something or someone, but they usually can make friends easily. They don't like arguments, or they try to minimize them as much as possible. They have a good style in general and they love to receive compliments.
I am a reflection of the other person: this may be their unconscious motto. They always want to be accompanied, preferring to go out with someone. Romantic relationships generally have a great importance in their life, since love, affection, romance and the well-being that the other can provide to them are things that are good for the Sun in house 7.
Sun in the 8th house:
People with the Sun in the 8th house are profound, you may think you know them, but in reality you only know what they let you know. They are observant people, before acting they observe everything around them, almost always going unnoticed. Because they have this type of nature, these people generally have an arsenal of information about the people around them and, with that, this is where the Sun in the 8th House stands out, as they have a ace up in their sleeves to deal with both their friends and enemies.
This silent observation usually extends to the work environment, where the person generally knows how to influence or even exercise control over their colleagues or subordinates.
People in this house generally go through long periods of emotional retreats, just like the 4th house, however these retreats are focused on oneself, on one's soul. They are constantly changing their emotional and psychic skin, they need to get rid of old emotional baggage and open up to new things, as this house also talks about Scorpio, a sign that governs detachment and symbolic death.
These people tend to act silently in the "dark", as they don't like others knowing what they do or don't do.
With a deep and fixed concentration, when they are interested in something or someone, these people put all their focus on finding out everything about it. For the 8th house, no information is enough, they always want to know more. With great intensity and vitality, they are magnetic people, who know how to attract others, stirring them up.
Sun in the 9th house:
These people take great pleasure in being in contact with knowledge, whether it be expanding their mind and soul through readings, colleges, seminars, or even taking trips that can enhance their spirit. They are people who have a need for questioning, seeking to understand society and the world through large lenses, which is why they often seek religion or greater contact with the divine, through practices such as meditation or yoga.
They love moving around the city where they live, the wider they get to know it, the better, generally they have already seen most of the state they live in. They are people who are generally light, not attached to others or to intense emotions, they generally only cling to what they believe in, as they need a motto to live by.
These people generally exude lightness, always bringing a smile on their face or making a joke to their group of friends. They probably have a travel itinerary programmed somewhere in their mind, because contact with the outside world, something that is greater than what they already know on a daily basis, is very important for a sun in the 9th house.
They are also people who seek justice, since they spend so much time philosophizing about life and the things that surround it. Professions that involve law, travel, other cultures are excellent for them.
Sun in the 10th house:
These people need to feel useful. Their goals, no matter what they are, are very important to them. Because they are at the top of the zodiac wheel, in one way or another these people attract attention, whether at work, at home as a figure that everyone admires, or in their community. The10th house is about the collective, the social, society in general and these people shine for the collective. A Sun in the 10th house has a strong but cold light, in the sense that they have a rational mind, which calculates all strategies before acting on their purpose.
Ambition and focus are the two words that define the people of this house, no matter how hard things may be, this person will move forward with their ambitions, preferring to fail while trying rather than never trying and failing. They are generally very strong people, they can handle more than most people can. These people real enemies are their fear of failure and their arrogance. If they listen to it then they will probably stop presenting themselves to society out of fear of failing, of not being good enough, and if they listen to their arrogance they can and will, over time, lose their brilliant charm, since everyone can clearly see who they truly are, since the 10th house is the highest house and the sun shining here shows everything to everyone.
Romance, friendship, calm and peace can take second or third place, being successful in their life is one of the most important thing for them, no matter the cost.
Sun in the 11th house:
They care about the collective, they are usually people who are volunteering, whatever the cause, they are generally recycling their trash, using sustainable food and clothing. Because they see society as their home, it's very important to them to feel included in it.
They are cool, intelligent, political and critical. You can't change the opinion of a Sun in the 11th house, unless you're smarter than them, but they can change yours. They are people who communicate well, they know how to win people over through their ability to argue and debate.
As this is a cold house, governed by the Air element, they tend not to get attached to emotions or people, as everything tends to flow in this house. They are not really interested in trying to keep someone in their life, unless other aspects say otherwise, they let things come and go freely, and generally expect the same from people, as they hate feeling trapped, contained.
They are people who think a lot about the future, always having a project in mind for 10 or 20 years from now. The interesting thing is that they don't just care about their future only but about the future of the collective as well.
A Sun in the 11th house is liked by many, they're important to people, be it their friends, their online network, their community, etc. They have their tribe but they also moves around others, without necessarily getting attached.
These are people who love to have some connection with electronics, the internet, in general.
Sun in the 12th house:
With a gigantic intuitive capacity, people who have the Sun in this house are generally able to see people's intentions, generally understanding their motives too, even if it's bad. Focused on their emotional and inner life, just like the 4th and 8th house, these people spend more time in their heads than they actually do in the world around them. They are quiet, usually a whole universe of intricate thoughts are going on in their head, so it can seem like these people are not really present. When they are present it's for a short time, as they prefer to be physically present, but mentally absent, generally. When they are present they are observant, preferring to listen, absorbing what the other person has to say, which is why they are great listeners.
They need time alone, it is essential that a Sun in the 12th house finds space to be alone with themselves, or they feel drained and worn out.
In the work environment, unless other aspects indicate, they do not have a very strong presence, preferring to follow orders, not questioning too much. It is vital that these people can transcend the mundane day-to-day life with some solace in the arts, be it music, cinema, literature, etc.
They may suffer from health problems if their body does not obey a certain level of rest and relaxation.
They are artistically gifted, whether they know it or not. Use and abuse the arts, write, dance, free yourself and you will find a precious outlet to deal with your day-to-day life in a more practical and centered way.
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comicaurora · 3 months
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These have been pent up for a while, so there's a whole list lol. Some are Aurora, some are not.
1) Can lacrimas carry out multiple purposes at once? Or will they blend them? I'm assuming that this is possible, considering that the automaton in the ruins was using a lacrima as a brain
2) Has anyone tried to make tools or weapons out of lacrimas? I'm talking like chisel that needs no hammer. Or maybe a Fire lacrima on a bow that sets your arrows on fire
3) Can you engrave runes on lacrimas to make them affect themselves?
4) Where can I read more about the Twins? If I'm not wrong they're the creator gods, aided by the Light dragon and the Void dragon to create life, but I might be getting a wrong read on that
5) Since we see Erin successfully become the first Void mage, does that now mean there's potential for him to make a Void lacrima? The dragon probably won't allow it, but still
6) What exactly does elemental corruption of each element do? Fire literally burns you up, as we saw in Arc 1. I can infer that Life likely makes you a chimera. Void corruption makes you a cave crawler. But what do the other one do? Does Earth make you a statue? Does Wind disintegrate you, Thanos style?
7) Now onto the non-Aurora questions, is your art vector or raster? I believe it's vector, but it's always better to confirm
8) What are your opinions on reading into the environment and the character design to infer things about the character themselves? In any type of media
9) Have you played Baldur's Gate 3?
10) Do you have any music that you'd recommend? I've listened to every song I liked so many times that I hate them now.
11) I'm new to Tumblr, anything that I should know? You don't have to answer this one if you don't wanna. I think I know some of the basics already. Reblog what you like, and avoid the terfs, right?
You might be able to tell that I like the idea of the lacrimas a little bit. Just a teensy bit. The artificer in me definitely isn't obsessed. I appreciate any answers you can give :3
Cheers!
Ooh, lots of stuff!
Yes, it's possible. A lacrima can be engraved with multiple spells, set in a casing engraved with commands, or some combination of the two. Typically, all spells engraved directly on a lacrima will activate at once when the lacrima is "switched on", but a spell can be quite complex, and conditional activations are possible - "if-then-else" statements, basically.
Yes, magic items exist.
Generally no. If the lacrima is disrupted or broken, the spell generally stops functioning, so a self-affecting lacrima will run only as long as it takes for the lacrima to distort or break.
There's an extra lore page about them!
He probably could if he wanted to (and the Dragon allowed it) but Void energy is very dangerous, so he likely doesn't want to.
Each form of elemental corruption agitates the presence of the element in the mage's body. Earth corruption can damage or alter bones, encourage unhealthy petrification of soft tissues, etc. Wind corruption can have physical effects but it often most obviously produces breakdowns in the person's ability to speak or understand language. Lightning damages, numbs or intensifies a person's physical senses.
Raster, I draw with CSP's digital pens. I've only very briefly experimented with vector art - I don't like how it simplifies the lines.
I think it's a fun school of analysis but, like all literary analysis, it runs into trouble if it tries to lock down exactly what the writer was thinking or intending (which is an objective fact that one can be incorrect about) rather than trying to analyze the story on its own and what meaning might, intentionally or unintentionally, be factoring into it.
Nope
don't trust my taste in music it's 90% nu metal and sonic OSTs
Like what you like, reblog what you want, generally it's considered dubious form to add a comment to a reblog unless you have something profound to contribute (commenting in the tags is fine), steer clear of discourse and callout posts and generally the sectors of the site that are constantly on fire, blocking someone for any reason is 100% fine
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aida-sparks · 4 months
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Eddie liked Buck from the start, but where are we now?
I've convinced myself that Eddie liked Buck from the very beginning - but only subconsciously. I mean, look at how he's watching Buck in 2x01, even as Buck is being bratty as they work out.
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Even though Buck has been anything but kind to him up to this point, Eddie's more miffed than angered by it. Maybe a little disappointed too.
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We all know by the end of 2x01, Eddie wins Buck over, and they both quasi promise to have each other's back. And then the rest of their story so far has many important and telling moments, but what if we fast forward to season 6 episode 15 and that loaded graveyard scene? Is this scene the moment where Eddie Diaz finally *consciously* realizes that his feelings for Buck are not only platonic? It was such a layered scene. Of course, there is Eddie's shellshocked reaction to Buck's proclamation that Natalia, the death doula who he just met, really sees him (bites lip in agitation), but beyond that...
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It's clear that Eddie goes on to have a profound revelation after Buck says that. But what does it mean?!
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He tells Buck, "You haven't been the same since it happened. But how could you be?" as he turns away and processes something internally. Perhaps something about himself as well. Eddie actually looks a little startled. A few seconds later, he reassures Buck that he doesn't have to be anyone for anybody and that experiences like this change them. He goes on to ask Buck what changed in him. I think the moment Eddie admits Buck hasn't been the same, he realizes that he has changed too. Exactly how is not made clear. Even Buck's own response to Eddie's question is vague (he says he feels like he cheated death). How did Eddie change? How did Buck change? The writers don't commit Buck and Eddie's feelings clearly in dialogue, so fans are forced to speculate, and it's why the general audience members, who don't rewatch scenes and lean in hard to the characters, think us buddie shippers are clowning half the time. *deep sigh*
But being left to my own speculation, I do think Eddie's revelation here is at least partly related to Buck. He looked disappointed when he learned Buck was starting something with Natalia. He looked hurt when Buck said she "sees him" -- and maybe those reactions surprised something in Eddie. I don't think the man he was raised to be would have recognized those feelings; he wouldn't have admitted to feeling them on a conscious level. But of course, that's why "change" is a theme in this scene and Eddie has looks like he's putting 2 and 2 together. Part of me feels Eddie was in touch with his feelings for Buck well before this episode, but then I don't know how else to interpret what the graveyard scene was meant to be if not Eddie coming to terms with the fact that he may be in love with his best friend, even as said best friend proclaims he has a new love interest in the picture. This take could set up Eddie secretly pining over Buck in season 7 quite well, though. Oh, my angst-ridden heart. I'd love to read others' thoughts on this! I'm glad I joined tumblr to read all the buddie and 9-1-1 meta out there. Forgive me if it looks like I don't know what I'm doing. I don't. I'm still new around here.
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sunshine-jesse · 3 months
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In defense of Andrew Graves: Facing Yourself​
Alt title: Andrew Graves: The Will to Plow Her
I think my analysis of Andrew is one of the best essays I've written so far. But since then, I think I've expanded my understanding of his character in a way that urges me to add on to my prior essay. What I intend on doing is further fleshing out my reading of Burial, and going deeper in detail on why I think Decay ends up panning out the way it does. This essay will end up sharing a lot of text with my prior one, but will add enough scattered throughout that I think it merits a complete reread instead of just scrolling down and seeing what's new.
I've focused a lot on Ashley in my past writings. She's my favorite character in the story (and depending on how episode 3 pans out, maybe ever) and I'm pretty mortified by how some parts of the fandom have reacted towards her, so I pretty much made it my life's mission to push back against that. From highlighting the ways Andrew mistreats her, to coming up with justifications for her behavior that aren't just being a manipulative bitch, I really wanted to prove that a more favorable picture of her could be painted than most were willing to.
But in doing so, I've left Andrew in the dust.
In highlighting his flaws and the ways he mistreats Ashley, I think I've implied a level of intentionality to his actions that I don't believe he has. When I say that Ashley did nothing wrong, it's in direct response to the idea that she holds the most responsibility and agency in how their dynamic plays out, when in reality, I believe she has very little. Most of her actions in-story are in reaction to a variety of stimuli that come directly from Andrew, that he has control over and are aware of how Ashley feels about. His refusal to use clear and direct language to deny her most toxic tendencies causes her more and more stress as time goes on, and instead of giving her clear answers he opts to be catty, passive-aggressive, or, at his worst, threatening. Never direct and never clear, except when establishing boundaries over his name after the choking scene. Andrew fails to help Ashley be better in some frankly depressing ways throughout the whole story, especially in their childhoods, so we never get to see where she'd fall short if given a better influence.
...
Kind of. More on that later!
In mentioning his thing about preferring to be called Andrew instead of Andy, I also implicitly mention one of the places where Ashley falls short in their dynamic and could stand to do better: recognition.
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This scene says a lot. It's the most heartbreaking scene in the game, if you ask me, and probably the single most profound and well-written moment in the entire story. I could write a whole 2000 word essay on it alone, but I've already said most of what I have to say about it through what I've said in other essays, so I'll spare you all that. Instead, I'll use it to highlight something:
"I had fun."
Their dysfunction is fun to her. She's so used to abuse and alienation that even the most awful, stressful (as far as we know) route of the game is still fun to her. And that's not a sign of her being a secret evil sociopath or whatever; that's actually not abnormal behavior to develop for a lifelong victim of abuse. Those highs and lows, those strong emotional highs and lows are -addicting-. They're -fun.- Part of why abuse victims get into so many abusive relationships is because it's easy to pick up on those patterns of thought and take advantage of them, and the cycle of abuse is often furthered when a victim of abuse tries to draw out mutually abusive behaviors in someone with no interest in having that kind of dynamic.
This is where I'm willing to acknowledge Ashley's manipulative tendencies. Not just as a matter of controlling Andrew for its own sake, purely out of jealousy or possessiveness, but as a matter of trying to further the only dynamic she's ever known in her life. Better the devil you know, right?
That push and pull- that emotional rollercoaster- is all many of us know. And it's all Ashley knows. This dynamic is something she's so used to that she reacts incredibly harshly to any attempt to change it, because she doesn't know that things can be better. Because of this, she refuses to engage with who Andrew really is, and tells herself- and him- that she *hates* Andrew:
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This scene is almost as heartbreaking as the above one in a lot of ways.
Andrew putting his foot down about the Andy/Andrew name dichotomy wasn't arbitrary and it wasn't just about his comfort. It was about Andrew giving a clear indication about what needs to happen for their relationship to improve. He's recognizing the cycle between them and wants to put a stop to it, because he's confident that things between them CAN get better and evolve into something healthier. Ashley, not understanding that their dynamic can get better, because their "fun" little push and pull of abuse is all she knows, rejects that. She rejects the unknown, and says- in Andrew's mind at least- that she'll never accept that new dynamic, nor will she accept who he really is.
Ouch. No wonder he looks so sad in that screenshot.
They have a conflict of understanding here, and I think it's fair to pin most of the responsibility on Ashley. Andrew was clear in what he wanted, and Ashley just... Didn't. She didn't see the importance of it ("...whatever that means in practice") and didn't really ask. This gap in communication, perfectly displayed in this scene, is likely what causes the Decay ending. He wants things to be better, and wants to treat Ashley better, and whether or not he understands the ways in which she communicates with him is in part what determines what he sees her as.
But there's a lot of evidence that he always wanted things to be better, that he always wanted to treat her better. But external factors have made it very, very difficult, and I think there are two key points in which he started to shed the importance of those external factors and seek that better relationship, both of which happening in the apartment: The killing of the warden and the 302 lady. In the first case, he was forced to do it to protect Ashley in a way he hadn't done before, or depending on how you look at it, since the death of Nina. But the intentionality was the key point here. After this point, he calls Ashley Leyley, which may or may not seem important at this point, but it's something I'll draw attention to later, so keep that in mind.
Next is the killing of the 302 lady, which is the much, much bigger point. We don't learn much about it until later on- as at first he just gives an excuse about the nail gun that doesn't line up with what we see on the map- but during the dream, it's revealed it was a calculated, intentional killing that he did to make sure there was no evidence left behind, and because Ashley (supposedly) would've wanted him to do it anyway. I say supposedly because Ashley herself doesn't seem to ever want Andrew to kill for her past Nina's death, because he only ever kills for her to defend one or both of them. If you want more evidence that violence for violence's sake isn't something she wants, look at this part in the final dream:
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A knife isn't what opens the door, despite it being placed on the ground in that very map. While it seems obvious that the knife (violence) would be the key to solving the puzzle, it's put there explicitly to show you that it isn't. It's not what she wants; what she wants is a flower.
So, why is this important? Why am I centering Ashley- again- when this essay is supposed to be about Andrew?
It's because these two killings are when Andrew's self-delusion over who he really is starts to break down. It's still there, mind, as he still relies upon Ashley as an excuse to justify it, but, as well as what I've said before, the name ultimatum is an implicit confession that the normalcy he finds comfort in is starting to lose its grasp on him. There's a lot that's been said about Andy being something close to a "moral impulse" for Andrew, given his child self's reaction to Nina's death being the only thing he does that approximates a normal moral response to his and Ashley's actions, but if you do think that- which I think is a reasonable thing to think even if I don't necessarily agree- there's something you must also keep in mind:
-He- is the one who doesn't want to be called that anymore. -He- is the one who wants to let that moral impulse go, and Ashley is the one making it difficult.
That reading is assuming that Andy is a moral impulse, which I think is... either wrong or too simplistic. Every time I see that reading, it's from someone who's trying to paint him too sympathetically and absolve him of most moral responsibility. I also find it infantilizing to equate morality with childhood in such a way? But that's another tangent that I didn't sign up to talk about. What I do think, however, is that it's a useful framing device to display his own relationship with morality; the allegory to his child self doesn't have to be there for the general pattern to exist.
When Ashley starts to grill Andrew over the killing of the 302 lady, he gets mad. Very mad. Ashley sees it as pointless, as him covering his own ass, but he genuinely did it for her sake, because he thought that's what she wanted, and that it'd make her happy. But what makes her happy isn't violence- or any similarly extreme action for that matter- it's attention and validation. Something he's always reluctant to give her, despite the fact that he always chose her over the alternatives. But despite making that choice, it's always empty and meaningless, because in Ashley's mind, he never did it for her sake.
And hoo boy, does he not like it being framed like this.
He is perfectly willing to do whatever it takes to keep them happy and safe... but only for her sake. It has to be for her sake. He still needs that traditional role, and he still needs to have a narrative in which he's the good guy- a protector. Because it can't be for his sake. It can't be because that's what he wants. He has to uphold that romantic (in the literary tradition sense) ideal. His darkly romantic idealistic streak colors many of his actions and beliefs. This is most plainly visible in his quip about a double suicide being romantic, but it's also visible within the symbolism present within his dream, such as how he can only pave his own path in blood unless Ashley lights the way. It's visible within his appreciation for poetry, and it's visible with how the cultist within the dream speaks in Shakespearean English.
But the transient nature of this ideal is also revealed within this dream, because there's never a cohesive, guided path, even with Ashley there to light it up. Contrary to Ashley's dream, where you literally have maps showing you where to go, Andrew's dream has many more dead ends and no map to guide him. The symbolic role he acts out gives him no clarity, and there's no overarching narrative; merely a bunch of disconnected symbols.
This is contrasted with Ashley's dream, which has narratives so clear that the story literally gives the dream an episode title.
In a sense, he wants to view himself as an actor acting out a role in a story. He wants his life to be poetic, to represent something greater, and to have a cohesive narrative. This is why he's so disconnected from his true desires: He's more concerned with acting as a representative of an ideal than a person with agency. But every time the mask drops, every time he stops acting, his true self becomes visible. He naturally settles into being comfortable around Ashley, in treating her with warmth and kindness, and their banter becomes much less toxic. As intent as he is on acting out his role, it does nothing for him, and as his dream sequence shows, it doesn't even form a cohesive narrative, because he can't act one out. It's too contrary to who he really is, and what he really wants. But that idealization doesn't just apply to himself, it also applies to Ashley. Specifically, who Ashley is, vs who he wants her to be.
In his unique dream sequence, he sees two versions of Ashley; the child version of her- Leyley- and the adult version of her- Ashley. And the differences in the ways he interacts with the two of them are stunning. Leyley is an obstinate, annoying child. She's the one he NEEDS to take care of, and he hates that. He hates Leyley for what she did for his childhood. He hates that he needs to provide for her. He has the option of trying to kill her, even, over something as small as a candle!
But in the room with all the murders, the gilded cage, he sees Ashley as an adult. This version of Ashley is stuck in a closet that he himself has to open- and to choose to see. Their interactions are calm and friendly. She teases him a bit, sure, but she's still helpful, and they have fun together. He doesn't need her, and she doesn't need him. He needed Leyley- needed the candle- but here, there are other limbs strewn about for him to take. And, crucially, he doesn't even have the option to kill this Ashley for one of the limbs.
And during the choking scene, he lets her go the moment she acknowledges that he doesn't need her anymore. This is the first time we know of that he seems comfortable enough to set a clear boundary, which is acknowledging that their prior dynamic is dead and that they're now Andrew and Ashley, not Andy and Leyley. It's a bit late to express a clear boundary -after- literally acting like he was going to kill someone, but it's the first time we know of that he sets a clear standard for what, in his mind, would improve his relationship with Ashley.
After all, what he wants is to want her, not need her. He wants Ashley for Ashley's sake. Not for what she can provide him. He doesn't even need her for sleep, he just wants her. But Ashley has trouble acknowledging this, because he's never before shown that WANT. Only a NEED. She keeps trying to find ways to make him need her, because she's never seen what his desire for her is really like. She's only ever seen him desiring someone else, someone other than her.
She's only ever seen him as Andy, because she's never truly seen Andrew, only the violence he can inflict on others. But Andrew can see both:
He can see Leyley, the needy, bratty child who always needs his attention, that he needs to provide for. The one he hates and wants to get rid of. The one he kills for to protect.
And he can see Ashley, the one who engages in friendly and cute banter with him. Who comforts and shows him physical affection. The one he loves. The one he kills for to make happy.
He just can't choose which one he wants to see. Every outside influence- from his parents, to Julia, to Nina- makes him see her as Leyley. Ashley herself makes him see her as Leyley too, whenever she brings up all the things he did for her, and calls him Andy, his child self, instead of Andrew, his current self. And as long as he sees that child, he feels like one too, and can never give Ashley anything that comes from the heart.
But he really, really wants to see Ashley as an adult. He wants to take pride in her, how much she's grown, and how driven and competent she really is.
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But god damn, does that bitch ever make it hard, because there IS no real difference between Ashley and Leyley. She's grown and changed over time, taking more adult (and stereotypically feminine) responsibility upon herself, but the fact that her temperament and personality hasn't changed much obfuscates that growth. When you talk to Ashley in the closet during the dream after getting the limb, Andrew asks Ashley to come out of the closet, but she refuses to come out because he won't invite Leyley over to play, which is a pretty strong metaphor for how he interfaces with different aspects of Ashley's personality and refuses to accept others. But the reality is that he needs to accept both, or rather, see her whole self as Ashley, rather than just the parts he likes.
In the end, it's him who has to make the choice how to see her. Ashley can only see what she's been shown, but Andrew can choose.
And in the basement scene, he makes that choice.
If Ashley refuses to leave him alone with their parents, that's it. In one of the most critical and important moments of his life, she couldn't give him the space needed to make up his own mind. She couldn't treat him as an adult. She couldn't see him as Andrew. If she does give him that choice, she chooses to acknowledge that Andrew is an adult who can be trusted to make his own decisions, even though she (perhaps foolishly) believes that this choice lines up with her own interests. And frankly it does either way, but in accepting their mom's offer, her chooses to see her as Leyley once and for all. He chooses not to reciprocate what Ashley showed him. He does it because he needs to, not because he wants to. Because it's his duty, not his desire.
This is what results in the Decay ending. Through his inability to see Ashley as an adult, he surrenders his agency and views all of his actions as an extension of his responsibilities, his role, which he no longer wishes to uphold. He dissociates fully from who he really is, acting in accordance with that disconnected, barely-cohesive narrative that exists only within his mind. The game starts to resemble the heartwrenching tragedy that many seem to take for granted that it is, as their dynamic fully doubles down on its painful toxicity. And, in an example of a poetic book end, Ashley's dream shows a double suicide, closing the book on their tragic tale.
It's tragic. It's heartwrenching. It's poetic. It's beautiful.
...Except it's not. Not at all.
It's actually fucking stupid, pointless, and brutal, and Burial shows us that. When we view their spiral as beautiful, we project the same darkly romantic ideal that Andrew possesses onto the story.
But the actual reality is horrifying.
Ashley spends most of Decay terrified of Andrew, the one person she found comfort in. He acts cold, distant, and aggressive towards her, showing pointless cruelty instead of any warmth. All she wants is comfort; all she wants is to not die. She doesn't want to engage in this death spiral at all, and, in her dream sequence, shows none of the same willingness to die alongside Andrew that Andrew does with her. The moment we stop focusing on the end of the Decay dream sequence, which has very striking imagery, and if you choose not to shoot, one of the most beautiful scenes in the game, we can see it for what it really is:
A scared animal running away from a predator.
The moment you see Decay through Ashley's eyes, and not the perspective of some romantic ideal, Decay becomes terrifying, tense, and painful. There is no catharsis to be had in this tragedy. It's easily avoidable as long as Andrew chooses to engage with reality, and not the empty promises of his mother and incoherent narrative of his ideal.
Finding beauty and meaning in tragedy is how we cope with the harshness of reality. But there is no coherent narrative to the tragedies we experience, just like there's no coherent narrative to the ideal Andrew wishes to uphold. It's something we create- that he creates- but it's not something that actually exists.
And when Andrew casts aside his desire for that ideal, and the responsibilities it shackles him to, it grants him clarity that he never had before. He sees the world for how it really is, and acknowledges that nobody- the least of which their mother- is as different from Ashley as they pretend to be.
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They're no better than her, and he's tired of people pretending that they are. People are all the same, no matter what ideals they try to uphold and represent. They still sacrifice others in the name of advancing themselves, still punch down whenever they can, and still lay blame on those beneath them rather than try to take control of their lives. They just use those ideals to justify themselves, but Ashley, and now Andrew, reject even the need for that justification.
This is why I believe the story is nihilistic. Not in that it asserts the inherent meaninglessness of life, but in that it grapples with the ideals we uphold and how they obfuscate the reality of the world we live in. The story, intentionally or not, highlights how ideals are often but a pretense we use to justify what we were likely going to do regardless, and how holding to them too strongly can lead to our ruin- and how monstrous they make us look to those who do not share them.
Consequently, this is how I view the part of the fanbase who thinks Decay is a good ending.
(the characters themselves represent existentialism rather than nihilism but i couldn't really fit that analysis in here without it feeling forced so i might cover that another time)
From that point on, their relationship becomes a lot more friendly, lighthearted, and playful. They ironically start acting more like children, but to quote CS Lewis:
"Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence."
He's not ashamed of being playful with Ashley, or showing affection towards her. He's grown up. He finally sees her, and himself, as an adult- although he still doesn't show that in full until much later on (more or that later). But in Decay, he still sees her as a child, and to an extent, probably himself. Let's compare the ways in which he reacts to being called Andy. In Decay, he lashes out at Ashley and gets angry, even threatening her. But in Questionable Burial, he calmly says that Andy is dead and doesn't need Ashley's comfort, but still tries to reassure her that she's still needed. He's not ashamed of or hostile towards their prior dynamic, because he's grown past it. He still acknowledges Ashley's need to feel needed, but here, he recognizes its importance to her, whereas he was hostile towards it before.
It's a display of respect towards her feelings.
This interaction doesn't happen in the Sane ending, however. He doesn't play games with her and is just a lot less fun to be around all together. Why is that? Because he still hasn't yet shaken viewing Ashley as Leyley there. He still views her as a burden, as someone who needs taking care of. He's calmly accepted that, too, mind you, but he lacks respect for her because she's still a child, in his mind. But in Questionable?
The vision did more than just make him extremely embarrassed and lay his deepest desires bare. It forced him to recognize Ashley as an adult. When choosing between "Never" and "Never say never," if Never is chosen, the burden of thought is lifted off of him. But if Ashley chooses "Never say never!", he has to reckon with the fact that Ashley is an adult, someone who can consent to those kinds of things. Someone who MIGHT. Someone who has agency, and can make her own decisions. And more importantly… someone who can trust him to make his own.
Whether he desires sex or not is secondary; he's always had those feelings and has always been ashamed of them. But now that the part of him where that shame came from is dead and buried, there's no childish impulse to grow up. There's no attachment to the hate and bitterness he had before. Look at what he worries about when he picks up that she's uncertain or confused about who he is now:
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It's her feelings.
He wants to be fun to be around. He wants to make Ashley happy. He loves her, and not as a romantic interest or even as a sibling. He loves her independent of all that baggage.
He loves her as a person.
Their relationship runs contrary to societal ideals in some pretty huge ways. So contrary, in fact, that it's hard for some to accept it as anything good, that it can ever be best for the people involved. It's incestuous. It involves them killing and eating their parents. It involves them distancing themselves so much from society that it's hard to believe they'll ever fit in it again. It's chaotic, it's messy, it's codependent, and maybe even toxic. And yet, here they are. They're coexisting. They're happy. They're healing. They're navigating the world in the only way they can: together.
Meanwhile, in Decay, Andrew refuses to allow himself to get closer to Ashley. He surrenders all agency to her, buys into his own narrative, drinks his own Kool-Aid, and may or may not condemn one or both of them to death in the process. Like it or not, the only path where Andrew takes ownership of his life is the one where he's closest to his sister. It's the one where he decides where they will go next, the one where he decides his own feelings matter, and acts in accordance with what he wants instead of how he thinks he should act.
His agency, his freedom, and his growth don't happen in spite of his codependency; they're happen because of it. They can't grow alone. They can't heal alone.
In reading the story, one must interrogate how important those societal ideals are in the face of the realities of what makes people happy. Are those ideals worth upholding in spite of this? Can we really allow people to fall through the cracks in the name of social norms? Can we blame people for taking rash actions when the social contract has failed them?
Or are we so blinded by those ideals that we can't see that people can be happy while blatantly disregarding them?
All I know is that in Burial, Andrew, having cast aside normalcy, now appears to be truly happy for the first time in his life.
Who are we to take that from him?
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sky-is-the-limit · 4 months
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It’s up to you, any kind tbh<3
Well, you're leaving it up to me so you know what that means...
🔞 NSFW headcanons ahead. More specifically,
Kinks I think Phillip Graves would have:
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➳ Orgasm Play
Specifically denial. It would be his favourite activity on his days off. Why? Denying orgasm can be a profound way to build tension, make sex last longer, create and prolong desire. It would be his expertise, torturing you like that to have you beg and beg for him to let you finish.
It would feed the dominant Commander inside of him to watch you struggle and whimper while trying your hardest to convince him that you deserve it. "Only good girls get to cum, baby and you were nothing but a filthy slut tonight."
The mascara running down your cheeks along with hot tears, sweat forming on your skin like raindrops and your voice strained from pleading would only fuel him to do it more, again and again until he was satisfied enough with your efforts.
➳ Degradation
His favourite. Both verbal and physical. Yours too, don't deny it.
His Southern accent would be dripping like hot wax on your skin whenever he'd whisper against the shell of your ear pure filth, even in public settings. He would love to do it in a room full of people just to watch the goosebumps decorate your skin and desire pumping like hot blood visibly on your face.
"Who was that, huh? You can't help but act like a little slut to whoever gives you attention. Who do you belong to." His arrogance and ego would set off his jealousy quicker, wishing to put whatever man dared to make sweet eyes at you under the ground and teach you a lesson or two.
He would adore it if you played along, acting all helpless and eager for his touch “Treat me like the little whore I am, Commander.” He would drag your ass into the parking lot and fuck you against the side door, in plain sight.
His mouth would put the worst sinner to shame. "You dirty little whore, you love chocking on my cock, don't you? It's the only thing you're good for." His tone pure mockery for your fragile dignity and he'd love every second of corrupting it.
Physical degradation too. Having you on your knees for way too long or cumming all over your body and refusing to let you take a shower just to see his far you'd go for him.
➳ Impact Play
Phillip Graves would be a traditional man. Don't imagine whips or paddles with him, just his large, strong hands.
He would have a fascination with your ass, firmly grabbing it whenever you'd straddle his lap, playfully slapping it when you'd pass by in front of him and, oh, his favourite..
Discipline. "Actions have consequences. Now strip and bend over my knee, doll." In his office, in the living room, he wouldn't care. You defied him? Made him jealous or worried? He'd have you count out loud while spanking your behind so intensely that you'd feel the sensation for the next days to come.
➳ Restraints
Handcuffs would be his favourite. One tool, many positions. Cuffing your hands to your front or back to have you only use your mouth when sucking him off or binding you on the bed to restrict your movements whilst he'd fuck you merciless would be the most common.
It'd be another way for him to assert dominance and power over you, whether he'd be using softer materials or metal handcuffs and ropes, that would be judged by the environment or your behaviour.
If you were good for him, he'd cuff you to the bed bare naked and spend precious moments kissing all over your body, stimulating your sensitive areas and giving you pleasure after pleasure without you having to lift a finger.
If you were in need of discipline and a reminder of who's in charge, Graves would not just restrict your arms but legs as well to make the build up even more torturous and unbearable to break you down completely before using you as he sees fit.
➳ Power Exchange
He does it with his soldiers, he does it with his enemies, he does it with the world. What makes you think that you'd be an exempt?
For Graves it wouldn't be just a sign of respect but also one of his biggest turn ons. To be called 'sir' from your sweet lips and watch your attitude change entirely to please him and show submission? This man would be over the moon.
Call him by his rank and he'd make sure that you wouldn't be walking properly the next few days.
➳ Sensory Depravation
At its core, you're giving up control to another person and allowing them to take control. His favourite would be a blindfold, specifically his tie. Imagine him fully dressed in a suit, his white collar shirt undone at the top to show off his defined chest and the red silky tie that was decorating it now over your eyes.
When you’re blindfolded, all of your other senses become enhanced. Graves' touch on your skin more acutely, smells become more vibrant, and orgasms can even be more intense.
The arousal rushing through his veins would be enough to send him over the edge. Just sight of you fully naked on the bed, not knowing what his next move would be, your surprised sighs and gasps whenever he'd decide to touch you.
➳ Brat Taming
I'm a firm believer that this man was born to be just that. He would enjoy the bickering, the sarcastic remarks, the delusional idea that you could have the upper hand in any way with him and the journey to have you begging on your knees to be forgiven for your attitude.
He'd find it thrilling for you to attempt to disobey or question his dominance just to have it proven to you over and over again. All the playfulness, the cat and mouse play would fuel his passion and sex drive even more.
"Since you want to be a brat, tonight you will only speak when spoken to unless I tell you otherwise, you are going to learn to watch that little fucking mouth of yours, understand? Now come here and put it to a better use."
All the taunting, pushing boundaries, and really testing the Commander's limits in hope of causing a reaction would only unlock his filthiest fantasies and excitement.
"Oh, yeah? What’s the worst that can happen, Commander?" Oh, you have a long night ahead of you.
➳ Gun play
This would only work if you were under his command. It would start with you interrupting him when he's performing his sacred gun cleaning ritual. He'd have you sit on his lap and rub the head of his gun against your clit as though it was a harmless toy then force you to take it in your mouth and lick it clean.
The motions of your tongue sliding up and down, your lips wrapped around it without breaking eye contact would be enough to have him come undone in his pants.
Just the sight of you recieving pleasure from a weapon that took lives not so long ago would flip a switch in his brain chemistry, turn him into an animal and fuck you in a way that would guarantee you needing to be carried out of there.
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Communication Barriers
fezco x fem!reader
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summary: you and Fez's relationship after he goes to jail; a collection of calls and letters shared between the two of you.
warning: fez's in jail, reader's a RN, mentions of death, hospitalization, violence, jail stuff (obv)
wc: ± 2770
a/n: had to do a lot of research for this one so forgive me for any inaccuracies. Also ashtray is alive bc i said so ;) and pretend mouse is dead or something idk he doesn't really feature here. don't think too deep about the plot and technicalities of it idk either man💀
gif not mine, all credit to original creator.
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Receiving the first letter from you was Fez's moment of realization; not when his sentence was read to him, not when he arrived in the cold cell for the first time, not even when he was woken up at 6AM sharp the next morning and immediately forced into the strict schedule of the institution.
He realized at that moment, staring down at your pretty handwriting on the piece of paper you've cut and folded neatly, that he was in prison, and that it would be a while before he'd be able to see you, or smell you or feel you again. His heart ached as he read line after line on the paper, imagining your sweet voice reading it to him.
The only piece of comfort he received was at the bottom of the letter; it was your number written down neatly, with a messily drawn heart and your name to end the letter off.
Having your number meant that you could be added to his approved telephone list, and that he'd finally be able to call you. You had been lucky enough to already have a landline so that you could receive collect calls, and had started working on registering so that he could call you on your cell aswell.
After Fez was arrested, you moved into his house to take care of his grandmother and of Ashtray, who you almost lost due to custody issues. After a shit ton of paperwork and many visits from social workers, you were approved as Ashtray's legal guardian. The fisrt few weeks after his arrest were easily the worst. Ash ending up in the hospital, having to clean up the aftermath of the raid and having to tell everyone about what happened.
You could so clearly remember the night before the raid too, before everything had taken an ugly turn. The two of you were sitting on the couch, watching an old movie and finally getting a moment of peace after everything that had happened with Mouse. He had held your hand in his and told you that night that he wanted to marry you one day.
Just wait till everything calmed down, then we gon' start plannin' you a big ass wedding.
You had laughed at that moment, telling him that the two of you still had lots of time. Now, sitting on the same couch, the soft glow of the television on your face and a profound feeling of loneliness, you couldn't help but think back at that night, and the promise he had made you. The space next to you on the couch that he usually took up, was empty, and you could feel your whole body yearning for his warmth.
The ring of the telephone woke you from your reverie, making you jump a little in your seat. You checked your wristwatch. 8pm exactly. You shot up in your seat and quickly moved to the wall where the phone hung, swiftly picking up the phone and placing it to your ear.
“Hello, this is a prepaid call from—”
Fez's smooth voice rang through as scratchy audio as he stated his name and surname. You almost wanted to start speaking immediately from excitement, even though you knew it was prerecorded.
“—an inmate at San Francisco County Jail, California. To accept charges, press one. To refuse charges, press two.”
Your hands were shaking as you pressed the button and placed the phone back to your ear, waiting impatiently for his voice to come through.
"Hey ma," he softly drawled through the receiver. "Fez, hi baby," you said softly, your voice audibly quivering. "You alright?" he asked, having heard your trembling voice. "Yes, yeah of course," you said, trying to pull yourself back together, "I should be asking you that. How are you?"
You could hear him sigh on the other side, and it broke your heart. Of course he wasn't alright, you thought, he was in jail. "I'm better now that I get to hear your pretty voice," he said. You couldn't stop the smile that crept onto your face. Leave it to Fez to still be a flirt regardless of what situation he was in.
"I'm so glad I get to hear your voice too, I missed it," you said, twirling the cord of the phone around your finger. He hummed in agreement. "How's Ash," he asked after a short moment of silence. "He's at a friend's, spending the night," you said, "he's alright. Just misses you. I sometimes don't know what to talk to him about, I don't really know what he likes. Sometimes wonder if he even likes me."
"He does, just don't know how to show it y'know," Fez said, "How about everyone else?" You took a breath before talking again. "Everyone's...okay considering the circumstances. Rue's been doing so good. She looks much better, happier." You could hear his hum on the other side. "How bout you?" he asked. "I'm writing in a few days," you said softly. "Oh yeah? You nervous?" he asked. "A little, but I'm more excited to just finish," you replied.
You were working towards finishing your ADN, and hopefully soon after finding a job as a nurse in LA. If you did well on this test, you could be calling yourself a RN soon. You were excited, but realizing you won't have your boyfriend there to celebrate with dampened the mood a lot.
"I know you gon' do great ma, gon' be the sexiest nurse in LA," he said. You could hear the smile in his voice and a matching one stretched across your face. "Shut up," you laughed. "I'm serious. Gonna be causing heart attacks and shit, walking around there with your fine ass in them scrubs." You couldn't help but laugh at his ridiculous claims. "Well, I'm not gonna be a very good nurse if I'm causing heart attacks," you said.
"Nah, you gon be the best nurse, I know that," he replied, "But you're okay, right?" he asked again. For a second you wanted to say no, that you weren't okay at all. That you missed him an ungodly amount and that you were stressing about what the future looked like for the both of you. But you didn't, because you didn't want him stressing about you, because he probably was stressed as hell himself. "I'm alright," you said. "Alright ma, I—"
“You have one minute remaining,”
The operator spoke into your ear. Your heart started aching all over again. For a while you had forgotten that you couldn't just talk forever, that he wasn't there with you.
"I gotta go, ma, but I'll call you back soon okay? Look out for me. And goodluck on that test, know you gon' ace that shit," he said. "Thank you baby, goodnight. Love you," you said, rushing the words before you could get cut off. "Goodnight, pretty. Love you."
The buzz from the telephone indicated that your call was over. You quietly put the receiver back on the wall and made your way to the bedroom. The soft dip of the bed next to you, once filled with Fez's soft, warm body was now vacant and cold. Sometimes it felt like him leaving also left a emptiness in your heart.
You didn't want to dwell on the feeling for too long, forcing yourself to stay as optimistic as possible. For Ashtray, for Fez, but mostly for yourself.
⋆˚⊹
You always looked forward to receiving letters from Fez. The messy handwriting had become like a second language to you. He usually kept his letters quite brief, always preferring to ask you what was going on in your life. They were usually written on whatever piece of paper he could find, and sometimes on a piece of neatly cut paper, feint and margin, and always signed off with a stay safe, love you.
In his most recent letter he had asked you for a few photos of you and Ash, so that he could put them up in his cell. You had gotten three pictures printed for him. The first one was a picture of Ash you had taken of him. It was a candid of him at a baseball game the two of you went to, where he was smiling and cheering.
The second one was a picture of yourself, one Fez had taken himself, and later sent to you, telling you how pretty you looked. It was one of the only candid photos of yourself that you thought looked nice, mostly because he was the one who had took it. The third picture was of you and Ash together. You neatly wrote the dates on the back of each picture and added a small message to the last one.
When Fez got your letter with the pictures, he beamed with happiness, finally being able see your faces, even if it was just on a photo. He flipped each picture around when he noticed the small scribbles on the back. When he read your message for him, he could feel the unshed tears pooling in his eyes.
He pasted each photo on his wall proudly, and slept peacefully that night, maybe the best he's slept since being there, your message replaying in his mind all night:
Don't loose faith. We love you, and we're waiting for you.
⋆˚⊹
When you arrived home for the night, you were more than ready to get into bed and call it a night. The only thing that was preventing that from happening was the bunch people currently standing in your living room.
When you opened the gate and door and went inside, you were bombarded by a handful of confetti being thrown your way and a yell of surprise! The suprise party your friends had thrown you for your birthday was a very pleasant suprise. Your initial reaction was a scared yelp, followed by an attempt to get the bits of confetti out of your face (and mouth).
When you realized what was really going on, your heart swole with joy and gratitude at the sentiment. "Thank you so much," you managed to squeak out. Everyone laughed at your obviously suprised reaction and soon you were bombarded by everyone wanting to give you hugs and wish you a happy birthday.
You managed to make your way to the kitchen, where an array of snacks were displayed on pretty pink paper plates and platters. Everything looked so yummy, but what caught your attention was the cake that was proudly displayed in the middle of the kitchen table. It was homemade, covered in a thick layer of white icing with pink and purple icing decorating the surface in shapes of little flowers. In the middle happy birthday was piped in cursive.
"Hey, Y/N." You turned around to find Rue standing with a small gift bag in her hand and a shy smile. You were so preoccupied trying to talk to everyone that you hadn't even noticed her between crowd. She looked nice, her pretty curls framing her face, wearing her usual get-up of baggy jeans and an even bigger t-shirt, her black Converse along with the maroon zip up she always wore.
"Hi Rue! It's so nice to see you," you smiled before going in to give her a hug. She returned it shyly, before pulling back and smiling at you. You truly were happy to see her, especially now that she looked so much better. "I, uh— I got you this. Happy birthday," she said handing you the small baggie.
"You didn't have to," you pouted, but taking the bag from her anyway, and placing it to your chest in appreciation. You always cherished every gift given you, no matter how small or big, and you already knew you'd love whatever she'd gotten you.
"I wanted to, it's not much anyway," she shrugged. "Thank you so much, I'll open it later tonight," you said. "Did you plan all this?" you asked, gesturing to the decorations that hung messily around the room and the people moving around. "No," she shook her head, "Ash did." That came to you as a major shock. "Ash?" you asked dumbfounded. As if on cue, Ash made his way towards the kitchen to the table of snacks.
"D'you plan all this?" you asked him quietly. He only nodded, peering towards the table once more. You wrapped your arms around him and placed a big kiss on his buzzed head. "Thanks, big guy. I really appreciate that," you said, tightening your grip on him and swinging you and him back and forth.
"Alright alright shit, lemme go," he said trying to sound irritated, but the small smile on his face betrayed him. You let him go and smiled down on him. "You're welcome," he said softly, "but you better eat that cake, I baked that shit myself."
"Actually, I helped," Rue chirped in. You smiled at the two, before you were getting called over by one of your friends. You thanked the both of them again before making your way over to your friend.
After a little while you made your way over to the couch, paper plate with a big slice of cake in your grasp. You've been on your feet all day, so you were dying to sit down a little. Rue was also sitting on the couch, by now probably ready to go home.
When you joined her, she gave you a small smile before turning her body a bit towards you. "Has Fez called you today?" she asked. You shook your head, swallowing down the last bit of cake you were eating. "No, I don't believe he will. He already called me yesterday." Not having Fez here for your birthday really bummed you out, you weren't even planning on celebrating this year. You knew it just wouldn't be the same without him, but the party had lifted your spirit a bit.
After everyone (finally) left, you found yourself in your comfiest pajamas, laying on the couch and watching TV. You hadn't even had the energy to clean up the decorations, and you found yourself laying in a living room full of pink confetti and streamers.
You were on the verge of falling asleep when the loud ring of the phone caused you to shoot up on the couch. You were so excited when answering that you hadn't even given him time to greet first.
"Hi Fez," you said. He could hear the cheerfulness in your voice, practically beaming through the phone, and it made him happy knowing that you were happy, even though he couldn't be there with you. "Hey ma, happy birthday," he smiled. "Thank you so much," you said contently. "How was your day?" he asked softly.
"It was fine," you said, "I got a suprise party. Ash planned it, can you believe it?!" You heard his light laugh on the other line. "Oh yeah? Told you he liked you." In reality Fez knew about the party his brother had been planning. He told him about it the previous week when Fez had called, but he wasn't going to tell you that.
He knew Ash actually liked you, because he told him, way before he was arrested. Sure it took him a while to get used to you once the two of you started dating, but he quickly grew fond of you the more time you spent together.
"I guess you were right," you said smiling. He hummed in agreement. "Y'know I would've spoiled you rotten if I was there, right?" he said softly. "Of course I know," you replied, "You always treat me right."
"That's right, and when I get outta here we plannin' that wedding, baby. Don't think I forgot," he smiled. "I'll be waiting," you said softly. The two of you talked a little more, and you called Ash to get a chance to talk to him aswell. You said your goodbyes before you made your way to the bedroom. That night as you laid your head on the pillow, your mind buzzed with ideas and fantasties of what your wedding might look like one day.
⋆˚⊹ part two
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ad-hawkeye · 23 days
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Alkaid's Destiny's Call Endings
A transcript of each ending can be found below.
ASTRONOMER ENDING
Ever since he was a child, Alkaid has always harbored a profound fascination with the heavens above. Gazing into the sky, he could sense the endlessness of the world beyond the curtain of the sky.
When he grew up, he bought a small telescope, which shortened the distance between him and the sky. Through it, he could see beautiful stars traveling along mysterious tracks in space.
Eventually, Alkaid's unwavering passion led him down the path of becoming an astronomer. Countless complexities created a cascade of numbers, constructing a ladder that propelled him toward the stars.
There, he watched the birth and death of the stars as if he was watching the blossoming and withering of a flower.
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FLORIST ENDING
After reaching the age of 18, Alkaid became the owner of a flower shop. He named his store "Aurora," a name he held dear, even though its profound significance remained a secret, intertwined with the threads of destiny.
He looks after the white roses, lilies, and daisies in his floral shop. He treats these delicate flowers as cherished companions, joyfully passing them into the hands of those who appreciate them properly.
"Do you have 319 white roses in stock?"*
"I'm afraid we don't at the moment. But you can leave your contact details and I'll call you to pick them up in three days."
"Okay. Thank you." The girl nods and leaves her contact information.
Alkaid takes the note and repeats her name under his breath - "Can I call you... Miss [MC Name]?
*March 19th is Alkaid's birthday.
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TRAVEL PHOTOGRAPHER ENDING
Alkaid has visited countless places.
To him, the world contains both perils and marvels. In his eyes, the allure of a place grows exponentially with its danger and inaccessibility.
Fearless and resolute, Alkaid willingly embraces risk to experience the world on a personal level. He captures these extraordinary locations through the lens of his camera, cherishing them as souvenirs.
The sight of snow-capped mountains always leaves him awestruck. As Alkaid sets up his equipment, a girl walks into his camera frame. With a canvas in her hand, she trips over and falls down in the snow.
"It's too dangerous to traverse this mountain on your own," Alkaid says as he runs over to help the girl.
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RACE CAR DRIVER ENDING
As the race car reaches its maximum speed, a whirlwind ensues. The boundary between life and death is so close, and fate can be heard screaming.
Alkaid can't say for sure why he fell in love with this feeling. It only lasts for an instant, but still leaves him in deep fascination.
When the car reaches the finish line, Alkaid's soul finally finds solace. Mr. McGrath, the "Best Driver of the Year", smiles gently as he received a starry candy bouquet.
"Congratulations, Alkaid!"
Alkaid looks at the girl. Again, he feels the thrilling sensation he'd just experienced. But this time, it faintly whirls around his heart.
He asks the girl, "May I have your name?"
"My name is [MC Name]," she replies.
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PSYCHOLOGIST ENDING
Alkaid first became interested in psychology because he wanted to understand himself and other human beings.
Later on, he discovered that the world is a vast ocean where everyone is surrounded by water. People affect and are affected by each other. There is no shame in misfortune and feeling emotions. Reconciliation is a long process. Emotions, just like many things in the world, are contagious.
Although, ever since he became a psychologist, Alkaid thinks he's adapted very well.
"Next, please."
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PILOT ENDING
Countless choices in life often originate from fortuitous encounters. Yet, this choices often carry a sense of destiny.
Planes mimic the graceful flight of birds as they ascend into the heavens. Bound by the pull of gravity, they persistently strive to soar higher and higher.
Whenever he soars into the sky and glides over the horizon, and whenever he sees a glimpse of the glow at the end of the world, Alkaid is reminded of one afternoon from many years ago.
Through torrents of rain and storms, he unfurls his wings, determined to fly into the heavens and safeguard the land beneath him.
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