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#i just want to emphasize how HARD this was to color
turtletoria · 2 years
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a mask of my own face
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hylianengineer · 10 months
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I need to get better at art really fast so i can make all the things I'm feeling
No writing isn't enough these are visual feelings
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vetyr · 13 days
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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT
Hi! Long answer alert. Once a chatterbox, always a chatterbox.
When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.
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I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.
Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.
For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.
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Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.
The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!
It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.
I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).
Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)
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luvrxbunny · 7 months
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gullible
Pairing: Miguel O’Hara x F!Reader
Prompt: Breeding
Warnings: 18+ MDNI, a lot of body descriptions, reader is on the curvier side, some grinding/dry humping, male masturbation (barely), ovulation, piv, unprotected sex (lmk if I forgot anything)
WC: 4.7k
A/N: lets say spider society is funded by the most rish spider-people and thats what the dinner was for. also this is long asf- i blacked out im so sorry 
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It’s a formality. This whole dinner party. It’s something Miguel gets invited to every year and every year he dreads going to it, having to play posh in order to get some extra funding from the higher-ups. Although, he doesn’t mind too much this year because he’s bringing you. 
He’s fidgeting, and complaining about his collar when you come out of the bathroom, you’re asking him if you look okay and he knows his answer before he looks at you. He knows you look good, he tells you so before turning to you and only reassures you upon gazing at the outfit. 
This dress is new, and you’re worried your tummy might be too big for it so you’ve thrown a coat over to hide it. Miguel knows what the coat is really for but doesn't mention it, not wanting to risk making you so uncomfortable you change out of everything. He compliments your new perfume instead, winning a confused smile from you. You’re fidgeting with the coat on the ride to the venue, saying that it’s itchy and you’re getting too warm. He suggests you take it off but you gently refuse and stop complaining. 
He gets dragged away from you the moment he walks through the door. He hates leaving you alone at these things, he knows you don’t socialize well and he knows the men here want a taste of you. He’s anxious to get back to you for the entire hour these deep pockets talk his ear off. He hasn’t been listening, he’s thinking about you. He’s almost overwhelmed at the love he has for you, he’s never felt this way before. He’s missing you even though you guys are in the same place, even though he’s only been away from you for an hour. He can’t get out of there fast enough, shoving the doors of the conference room open and searching for you immediately. 
When his eyes find you, they find that you’ve already taken your jacket off and you’re socializing with an entire group of people. They’re conversing with you comfortably. You bring a smile to his face as you laugh at someone’s joke. His eyes rake over your body, finally taking in your true outfit. 
It has him stiffening in his pants. You’re wearing a dark red pencil dress, the same color as his suit. It hugs your curves perfectly, doing justice to your plush thighs, your ass and showcasing the curve of your back. His favorite part though, is the way it hugs your front. Your boobs look great, sure, but it’s emphasizing the little pooch that sits at the bottom of your stomach. 
You hate it, saying it makes you look fat, that you wish you could get rid of it… but in Miguel’s eyes? It’s just proof you’re the perfect woman to mother his children. He came to this conclusion before he even knew about your tummy. He had seen your wide hips, your care toward others, how good you are with children, and decided he wanted you. 
Once he got you to date him, to fall in love with him, he found out about your little belly fat. You’d been sucking it in as much as you could whenever you were around him, sometimes wearing higher pants than necessary in hopes of the jeans pushing your stomach down. It broke his heart to hear you so insecure but there was also a little flame igniting in his stomach. 
The flame never left. He didn’t tell you about it, but every time he noticed your belly pushing against your tank top, or a tight shirt, whenever he felt your soft tummy on his hard stomach- through the t-shirt you insist on wearing while he fucked you- the fire raged brighter. He added it to the list of reasons you’d be an amazing child-bearer. He’s obsessed with the protective fat over your womb. 
He watches you cover your stomach with your arm as you laugh, not even realizing you’re trying to hide his favorite part of you. He’s walking over to you before he plans out what he’ll say. He just stands beside you, inhaling your sweet perfume, and waiting for you to feel his presence, it doesn't take long. You turn to him with a surprised smile and give him an excited hug. “Miguel!”
His heart expands at your excitement upon his arrival, he wraps an arm around your waist and presses you against him. Your voice is muffled as you speak to him. “I feel like I haven’t seen you in forever!” He’s not listening though. 
To any outsider, it looked like Miguel just really missed you, when in reality, he was making sure you could feel what you do to him. You let out a pretty sigh into his ear once you feel his bulge press into you. Your eyes are on his as you pull away, searching them for a reason as to why he’s hard but all he’s too busy taking in every piece of you. 
You’re both lost in your own world, you don’t realize the people you were talking to have moved on from your conversation, talking with some other people now and leaving you and Miguel to your moment. 
His hands are resting on your hips before one slides behind you, pressing his open palm against the small of your back before the other presses against your lower stomach, right over your uterus. Miguel can feel your stomach tense under his hand as you suck in, tightening your muscles but Miguel just tuts and tilts his head at you, disappointed. “Don’t do that, cariño. I love her.” Your gaze is on the floor as you listen to him, he sounds drunk, his voice is distant and hazy. 
His head is cloudy with fantasies. He can see your stomach, how it would grow and swell as you create his child inside you. He thinks about how beautiful you would look with your womb stuffed full of him. He swears she’s calling for him- your womb- begging him to fill her up, paint your walls white until his seed takes, maybe a little more after that just to be safe. 
You can see his thoughts racing, you can tell he’s working himself up, you just don’t understand what is doing this to him. His hand on your stomach is making you a bit self-conscious, but your muscles have been too tight for too long, and they give out. Your soft tummy relaxes and presses into his hand, pulling a relieved sigh from Miguel. His breathing picks up and his eyebrows furrow before he looks up from your stomach, looking into your eyes instead. “You know I love this, right?”
He looks back down at your belly as he readjusts his palm, opening his hand wider to cover more of your pooch. You whine and shift uncomfortably, the way his hand is resting over your womb is hot, it’s turning you on but you’re barely aware of that fact because anxiety is overrunning everything. You’re waiting for Miguel to slip up, for you to see a crack in his lies. You appreciate the attempt at making you feel better about your body but you don’t- you can’t believe him. 
Until you look up into his eyes. 
They’re drowning in need, his pupils entirely blown out, covering most of the red in his eyes. He’s gazing at you as he slowly pulls you in and presses his plump lips against yours with a moan. You pull away quickly and look around, a few people looking your way at Miguel’s louder-than-safe moan. You look back up at him to warn him, tell him to keep it down but the words die on your tongue. His eyes are hazy and confused, still looking at your lips like he can’t figure out why you pulled away. You smile at him incredulously and pull his hand away from your back but he whimpers when you try and take his hand off your womb. 
“Miguel, we’re public, baby.” Your voice is soft yet frantic, and his eyes are still begging you. “People are staring…” That gets a reaction, his face twitches and his eyes clear and harden a bit. He looks around the room with a snarl and you have to pull his gaze back to you. 
“Hey! What’s gotten into you?” The question hurts him a bit as he thinks it over, he really is trying to pinpoint why this is affecting him so much.  All he can focus on is you though, your scent enveloping him like a cloud. It smells like everything good, like flowers and honey, but also clean like soap and linen. It’s suffocating him, stopping all thought. 
“You smell so good, amor. What is that? I don’t recordar buying este para ti.” His voice is muffled as he buries his face in the top of your head, looking for the source of your scent. You’ve had enough, he’s doing all of this in the middle of the party, and you’re starting to feel a bit embarrassed. You’re pushing him back, slowly walking him to the edges of the party. You feel people staring until you finally hit a wall, pushing a grunt from Miguel. “What is up with you?” Your tone is gentle but you’re getting concerned, you’ve never seen him like this.
His eyes are shut tightly as his brows furrow and he lets out a pathetic whimper. “I’m sorry. I- I don’t know.” His hand leaves your stomach to bury in his hair and you instantly miss its warmth. You take a step closer to him, waiting for him to say more. “Can we leave? I think we’ve been here long enough, yeah?” He’s already pulling your hand to the exit. 
He’s silent in the car and on the drive home, constantly running his hand through his hair, and bouncing the leg that isn't on a pedal. You’re taking in his frantic state and notice that through all this, he’s still hard. “Miguel…” He gasps softly and turns to you for a moment. “What’s wrong?
“I don’t-” His eyes dart to your form. “ Your dress for one.” You glance down and wish you hadn’t, you see your stomach split into rolls, folding the fabric of your dress, accentuating the it’s softness. Your arms cross over it, trying to hide and Miguel groans.
“Don’t do that, I told you.” His voice sounds painful and strained. You look back at him to see a distressed look on his face and his hand palming his throbbing cock through his suit pants. “I fucking love her.” His breathing gets heavy, causing him to inhale more of your painfully sweet perfume. “What the fuck is that smell, baby?” 
You can hear him take a big inhale of the air in the car and a shiver runs up his spine. “I’m…” You struggle to round up enough thoughts to answer him, too distracted by the way he crushes his dick against his thigh and the little moans that accompany his movements.  “I’m not wearing perfume, Miguel.”
That's when it hits him. Why he’s so desperate for you, why your scent is clouding his every thought and taking over his mind… You’re ovulating. 
A broken groan rips from his throat at the realization, he speeds the rest of the way home. When you guys finally arrive he parks in the driveway and unlocks the doors, but doesn’t move. “I need you to get out, bonita.”
You feel arousal settle in your stomach as you press your legs together. Miguel’s head falls back, and his hair falls with his head, revealing his red-tipped ears. His hips are still gently thrusting into his hand, the other is squeezing the wheel so hard you thought it might crack. “I- I need a moment, baby. I’ll explain everything, just go inside and-” He lets out a breathless curse and his hips stutter against his palm. “And go change and just- just wait for me, okay? I’ll be there in a moment, go.” You’re in a trance as he speaks but the force in his command shakes you out of it. 
You leave the car silently and make your way to his place. You change out of your clothes in a daze, putting on a tank top and one of his sweatpants as you try to process what just happened. You grab a blanket and wait for Miguel on the couch. 
It’s only a few minutes before you hear his footsteps approaching the door. You stand in front of the doorway, oddly nervous as you watch the knob turn. His eyes meet yours the moment the door opens, his eyes stay on yours as he ducks through the frame, and takes his shoes off. They only tear from yours to take in your new outfit, your lower belly is the first place his eyes land. He gets that weak look in his eye you’ve been seeing all night and his breathing picks up.
Miguel notices the way your stomach sucks in for a moment before relaxing, letting your body be as she is and it making him feral. He needs you so bad, he wants to just take you right here but he promised you an explanation. His eyes flicker up to you and he takes a shaky deep breath and tries to keep his voice steady. “Have a seat, hermosa.”
He looks nervous, he keeps wiping his hands on his suit pants as you walk over to sit on the couch, he seats himself at the other end, across from you. You’re turned to him, legs crossed and laying in his lap. He turns to face you more and accidentally places your legs over his bulge, you can feel his thighs tense as he folds in half, letting out a choked moan that he tries to cover as a cough. You let him think he got away with it, he leaves your legs over his bulge, giving him enough stimulation to think straight. 
You’re looking at him expectantly, waiting for him to explain and he decides to just rip the band-aid off. “You’re-” Arousal stabs in his stomach at the sentence he has to utter. He bites into his lip and tries to regulate his breathing. “You’re o- ovulating.” Your legs shift in his lap as your expression falls, embarrassed. “And I can smell it.” 
Your legs pull out of his lap quickly and you bring your knees to your chest. “What?!” You sit up and tuck your legs under you, sitting on your calves. “You can smell it? I’m- God that’s so- I’m so sorry.”
His mind is getting hazy again without your contact. “No. Cariño, not that. It’s not like that.” He sighs at your confusion, he wishes you understood how desperate he was, maybe then you wouldn’t ask him to talk so much, maybe you’d just let him fuck you already. “It’s more like pheromones.”
His hand slides across the couch cushion, wraps around your ankle and slowly drags you toward him. “It’s a change in your personal scent. Your body is trying to trick mine into breeding you, and guess what?” He’s pulled you straight and is crawling up your body, slowly lowering himself against you so his bulge is pressing against your pussy, right over your clit.
 He’s so hard he’s able to split your lips, rubbing the cloth of his sweatpants against your naked pussy and you gasp at the feeling. Your hands slide up from his biceps to pull his head in, anxiously awaiting the rest of his sentence. He smirks at the eager look on your face and leans in, just inches from your lips, and whispers against them. “My body is so gullible for you.” You whimper.
You can feel your entire being heating up as he kisses you so intensely, like he’s trying to devour you. He’s groaning against your lips and licking into your mouth as he wrestles his jacket off. Your hands shoot to his belt and struggle to get it off, whining into the kiss when his belt gets caught on the loops. He smiles into you and his hands come to rest over yours. “Tranquila, bebe. I’m the desperate one, remember?”
You shake your head his words and let him take his pants off while you wiggle out of his sweats. He moans at your bare pussy and his arms give out for a moment, almost dropping his weight on you before catching himself. “N-no panties?” His fingers are on you, rubbing your clit and spreading your slick all over you, coating his fingers in it. He’s being downright messy.
“Miggy- Miguel, I need it so bad- need you so bad. I love you so much. You’re so-” Your mind is already gone as you grind up into his fingers, overwhelmed by the added pleasure of his desperation. He’s groaning into your ear as he humps himself against your thigh in time with his fingers. 
“I don’t know. I need-” You cut him off with a moan and he smiles as you apologize in between whimpers. “I think I’d need to cum in you, cariño. I need- My brain can only focus on-” He groans as you writhe against him, pushing your thigh into his crotch. His head lowers to rest against yours as his fingers speed up inside you. He can feel the way you’re coating them, soaking every crevice with your sweetness. He can feel the way they’re sliding inside you, the way your walls are squeezing him, it’s too much. “I can only think about cumming in you, bebe.” 
Truthfully, his thoughts were more focused on what would come afterward, watching you swell with his child but you guys haven’t even had a conversation about kids yet.
“No.” You whine at him, he feels sadness shoot through his stomach but he tries to mask it. “Just fuck me, please?” You’re looking up at him with puppy dog eyes, your hands around his neck pulling his face impossibly closer as your lips try and lock with his. He nods at you gently, he wants to give you anything you could possibly want.
“Okay, amor.” He kisses you quickly before taking his hands off of you and starts unzipping his pants, pulling himself out of his boxers while you wait. You watch him for a bit as he gets undressed before a thought pushes into your head.
What if I took my top off this time? 
You think it over for a second, you want to be yourself with him, completely and he’s explained his love for your tummy over and over again. 
What could be the worst that happens?
Images of Miguel’s face twitching in disgust flash through your head. Unrealistic scenarios of Miguel pulling away, starting to reject your advances and your kisses plague your brain. 
He wouldn’t do that. 
You take a deep breath and bite the bullet, pulling your tank top over your head quickly and Miguel freezes, causing an abundance of discomfort on your end. You thought this was something he’d want, something he’d like, now that you’ve exposed yourself though, he’s silent. 
You try to stand strong, but your hands are twitching at your sides to cover your stomach. You pray to whatever god there may be that you somehow gain the ability to read his mind, to see his thoughts, to force him to say something… anything. 
His cock pulsing. He’s never seen you completely shirtless, despite being together for over a year. He never wanted to push you, too scared that he’d push you away. He’s seen you with no top but only with a towel over your stomach, or pants pulled over your stomach as you change. But now? Her full glory was on display, there’s a little curve underneath, separating your tummy from your pussy and he’s in love. 
His eyes are zeroed in on your naked stomach and your hands come up to cover it, legs pulling inward as you fold into yourself. He can’t have that. “Don’t” 
His voice is sharp and dark, a strong command but you don’t listen, covering your stomach fully. “It was a bad idea. I’m so uncomfortable, Mig. Can-” You let out a heartbreaking sigh. “Can you just pass me my top?” You threw it down just out of reach and your hands are occupied covering your stomach. Embarrassment is coursing through every vein.
How are we gonna move on from this? I fucking killed the shit out of the mood. Fuck. God, I hate this. 
“No.” He’s moving back toward you, climbing up your body again, ignoring the obvious confusion you’re facing. You curl in even more which just upsets him. He grabs your leg and pulls, forcing you out of your ball before pinning it under his own. “Uh-” You let out a noise of surprise but Miguel pays it no mind as he reaches for your arms. He takes both of your wrists in his hand and pins them above your head, holding them there as he admires your tummy. 
Your heart is racing but you don’t struggle. Miguel is looking at you like to most amazing piece of art and you’d do anything- anything- for him to keep going. You feel yourself leaking between your legs as he just stares. His breathing is slow and shaky and his brows keep furrowing, like he’s having an internal battle with himself. He takes another breath and exhales through his mouth, letting his breath fan over your face before releasing your wrists and leg. 
He’s waiting for you to pull your hands back down, cover one of your most beautiful features… but you don’t. 
Instead, you wrap your arms around his neck and pull him in. “Can you please, please, fuck me now?” His face twitches before he smiles, taking a deep breath as he pulls away. He kisses your chest as he slowly rises, his hand already on his cock, pumping himself gently as he aligns himself with your entrance. You’re gripping the cushions with all your strength as he works himself in. 
He’s worried. You feel insane around him, the softest thing he’s ever felt, extra wet and open for him to breed you. His mind keeps wandering back to cumming inside you, even though you said no. He’s walking the line of some dangerous thoughts. 
I am stronger than her…
He shakes the thought out of his head and focuses on you. The way you’re moaning his name like it’s the only thing you know, your hips are growing frantic as the grind up against him. “Miggy-“
“Amor.” He smiles at the moan that rips from your chest as you bury yourself in his neck. His hips speed up at the sounds of your moans right next to his ear, your breath tickling the shell of it.  
“‘M gonna- “ Miguel cuts you off with a growl and his brows furrow. He doubles down on his thrusts, bringing his hands to the small of your back, gripping you hard and fucking you into his cock. 
It’s going to take a serious amount of focus to keep his orgasm at bay until you’re done. “Go- Fuck. No, just wait, baby.” You let out a confused noise at his command. He’s never asked you to hold it before. 
“Fuck! Mi- I don’t know how!” Your sentence turns into a sob as he watches your body tense up, pulling all your muscles tight and gripping the roots of his hair. “Haah- Miguel. Baby, I ca- an’t. Please let-“ 
A moan stops your sentence as Miguel presses onto your womb, forcing his cock against your walls, stretching you even more. You feel so full you don’t know what’s happening. Your eyes are wide as you stare at his hand, slowly looking up to meet his eyes. They’re frantic, desperate and wild when they meet yours. 
His panting aggressively, intermittently pausing so he can try and regulate his breathing. You’re staring into his eyes, shocked at his reaction and a smirk pushes its way into your face before you moan at him again. He pulls his hand away from your womb like it burned him and pulls out, gripping the base of his cock so hard it must hurt. 
You were so close, teetering on the edge, just hearing Miguel utter your name could’ve tipped you over… but he pulled out instead. “Miguel!!! Why? I- I’ve been good, haven’t I?” 
Your desperate pleads are worsening his situation. He ignores your words and starts rubbing your clit, his fingers moving over the little bud lightning fast. “I’m not punishing you, bebé bonita”
You whine at the love name and grip his arm, trying to pull him closer to you. “No puedo correrme dentro de ti and I’m… I’m too close right now, cariño.”
You’re trying to push his hand away now, shaking your head and whining. “S’okay”
Your yanking at his arm, trying to get him back over you. “Cum inside, Miggy.” 
His eyes widen and he doesn’t move. He honestly thinks he’s hearing things at this point, fantasizing without realizing but you’re look at him all shy and expectant. So you actually said something… “W-“ He takes a deep breath. “What?”
You whine at him and avert your eyes as your legs slowly spread for him. “You- You wanted to, right? I want it…” You whine at the thought. “I need it, Miggy.”
His vision blurs as he reaches out for you, lining himself up as quickly as he can. He can already feel his balls pulsing, tensing and preparing a load for you, for your pussy, your womb. 
It’s worse than the first time he ever had sex with you. Every nerve is alight, he can feel every little detail in your pretty, perfect pussy. On top of that, you’re moaning like he’s never heard before, louder, more high pitched, more desperate than earlier and they’d already shocked him then. He can’t. 
“Mm- Not- fuck. I’m not gonna last. Not even a min- shit. Oh my god, cariño. Not even gonna last a minute. Fuck me, niña bonita.” Your almost screaming his name at his words, his languid pace and the way he’s literally shaking for you. “Gonna- shi-it.” His words sound like broken sobs as his tip gently abuses your cervix. 
You’ve pulsing around him, trying everything you can to wait for him so you can milk him while he pumps you full. “I’m gonna cum. Fuck. I’m gonna cum in- in you, baby. Voy a follarte un bebé, amor. Te dejaré embarazada, te mantendré llena de mí en todo momento. Mierda. Te verás tan hermosa, manteniendo a nuestro bebé protegido en tu grueso útero. Oh, joder"
(“I'm going to fuck a baby into you, love. I will get you pregnant, I'll keep you full of me at all times. Shit. You will look so beautiful, keeping our baby protected in your thick womb. Oh fuck.”)
Your eyes roll back and the coil in your stomach snaps as Miguel rambles, hips thrusting into yours gently, his gaze on the back of his skull. You’re fucking yourself on him as best you can in this position. It’s awkward and over-exerting but completely worth it when you hear a whine of your name and Miguel’s cock starts throbbing inside you. 
Twitching once, twice, before hardening even more and pouring a torrent of cum into your waiting pussy. He’s the loudest you’ve ever heard. Moaning out your name on repeat, thanking you for letting him cum in you with a lot of other Spanish sentences in between. 
His hand presses to your womb as he winds down but his cock twitches out another load as he pushes down, fucking into you slowly again. “Te amo tanto, mi querida. No puedo imaginar la vida sin ti. Una vida en la que no tendrás mis hijos, en la que no estemos casados…” His entire body shudders as he finally stops pouring into you. 
(“I love you so much, my dear. I can’t imagine life without you. A life where you don’t bear my children, in which we aren’t married…”)
He leans down and kisses you slowly, eyes hooded but still focused on you. Your eyes are teary and trying to shut, exhausted from the entire night. Miguel keeps pressing kisses all over you as you drift off. 
“Un mundo sin ti es uno en el que no podría vivir, amor.”
(“A world without you is one I couldn't live in, love.”)
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Thank you so mcuh for reading! If you enjoyed, here's the rest of my Kinktober Works and be sure to check out my Main Masterlist!!
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heartlilith · 5 months
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Difficult Placements in the Natal Chart
*Difficult: defined as "not easy; needing effort or skill to do or to understand" 
I'm going to be discussing what placements I believe are more difficult to have in a natal chart. I just want to emphasize that this is my opinion (Tamra Judge voice) . Let's remember that all placements have their pros and cons, you are not defined by a few unfavorable placements. Of course, aspects and orbs matter... Chiron with 3 squares to your personal planets will be more difficult to handle than if you had Chiron trine Sun and Venus, for example.
One last thing: Difficult placements can be the ones with the most value. They teach you things, make you stronger, and they can make you an inspiration to people dealing with similar situations. Difficult placements have their positives too, which we will discuss.
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Sun conjunct Chiron: These natives go through a lot of pain, physically and emotionally. They go through many trials and have to learn how to heal again and again. I feel like the universe puts them through a lot so that one day they can help others, which is nice but damn. This aspect can easily make someone slip into addiction, depression, and bitterness if the energy isn't channeled correctly. These people are prone to psychic attacks that lead to chronic illness, specifically migraines.
Positives: Can become a healer, can help other people through their problems, can become an inspiration, selfless character.
Sun square/opposite Neptune: These natives struggle when it comes to their fragile ego. They are deeply sensitive and feel things intensely. They absorb energies meaning if they're around negative people, they themselves will become negative as well. It's so important for these people to be surrounded by positive and successful individuals. Sun square/opposite Neptune is also easily manipulated and taken advantage of since they tend to see the world through rose-colored glasses. Throughout life, this placement can make an individual feel unworthy and inferior which can lead to a victim mentality that's hard to break. Watch out for escapist behavior because these people are prone to addiction.
Positives: These people are very psychic and should work on their spiritual abilities. Becoming religious or spiritual can be very beneficial for them. They have the most impressive imagination and are super creative.
Capricorn Moon: I've noticed that people with Capricorn as their moon sign have difficulties with being vulnerable and asking for help. They are the people that hold their family and friends together - they are the strong one. Oftentimes, they become responsible too early in life, which probably cut their childhood short if they had one at all. Their sense of responsibility is their strength but its also a weakness; they don't want to be thought of as "weak" or "needy" so they hold their feelings in. Like Pisces, when their emotions come on strong they need an escape, Capricorns rely on work and their sense of duty. They are prone to becoming workaholics and will ignore painful situations by working all the time.
Positives: Likely to become successful career-wise, very driven and ambitious, people trust them, they make great friends because you can rely on these people.
Aquarius Moon: Similar to Capricorn, Aquarius Moons struggle with their emotions and how to express them. Their emotions might not even be felt in some cases. They look at things intellectually and in a detached way; they think "Should I be sad about this?" or "Am I supposed to be angry?". Growing up, they probably didn't have someone that they could emotionally confide in or even worse, they could've been punished for showing their emotions. I've noticed a lot of Aquarius Moons have a detached sense of family, they could've been adopted or they just feel "different", they could even look at themselves as the black sheep.
Positives: Can come up with creative solutions to problems, a great friend, nonjudgemental and open minded when it comes to others and their life experiences.
Moon square Pluto: This placement could've been the victim of abuse, especially from their mother. Their mothers could have struggled with mental illness and unfortunately these natives could've been the scapegoat and received the backend. Their mothers could be careless one second and the next they could become obsessive; the obsessiveness usually shows when the native leaves home and creates space between them. This leads to distrust in people, women especially. Moon square Pluto people cling onto any sense of control because they grew up in utter chaos. Unfortunately, these people can deem self destructiveness as "normal" since it was what they knew throughout their whole childhood.
Positives: If these people conquer the negative traits brought on by this aspect, they could become great psychiatrists or therapists. These people are devoted and loyal.
Moon square Saturn: This placement could've struggled with feeling unsafe in childhood; like they couldn't count on their parents. Their mothers were less affectionate than normal and they didn't receive the comfort that they needed, which leads them to being uncomfortable with affection in adulthood. They probably went through some tough changes in childhood which is why they loathe change as an adult. This placement could've felt like they had to parent their parent, specifically their mother. And their mothers could've vented to them about problems that they had no business hearing, cutting their childhood short. Their mothers could go to them for advice a lot of times. They could've felt like a burden growing up, usually an emotional burden but more likely a financial burden.
Positives: Strives to become successful, these people are independent and self sufficient.
Virgo Venus: Virgo Venus isn't too bad but can make a native struggle with self esteem issues. I put this on my list because these people attract lovers that need fixing. Venus in Virgo love to fix people and make them "better". The people they're trying to fix could be toxic and destructive; the "bad boys/girls". But having their partner in focus and ignoring their own needs makes them resentful after awhile. I've noticed this placement attracts creeps and stalkers as well because they have a vibe of innocence and purity. In love, they can grow to be very demanding and make their partners feel inadequate in the process. They also get the ick quite easily, meaning its easy to turn them off.
Positives: Is reliable in love, a lady in the streets freak in the sheets type, definitely someone you want to bring home to your family, will take care of you.
Venus in the 8th house: Venus in the 8th house natives tend to be possessive and jealous in love. It's not that they view their partners as property (they can but this placement alone doesn't indicate that imo), they are just extremely loyal and expect their partner to be as well. From my experience, Venus in the 8th house people are ready to give it all up for someone they love. They want to merge and become one with their partner. Their intensity comes from a good place but once a relationships ends, it can be very very painful for them. Love and relationships trigger transformations for these people and sometimes triggers transformations in their partners. They come out of relationships a stronger and better version of themselves but this is usually achieved through heartache. This placement also has a real fear of abandonment and will stay in toxic relationships for this reason.
Positives: Loyal and devoted in love, is a ride or die person. They are very alluring and magnetic. Not easily forgotten.
Venus in the 12th house: I believe these natives are too good for the world. I say this because, like 8th house Venus, they are ready to give it all up for love. Venus in the 12th house is self sacrificial to a fault, oftentimes neglecting themselves in relationships. Love can bring subconscious pain to the forefront, attracting lovers that make them face hidden problems they hold within themselves. Venus being in the house of the hidden, it's not uncommon for these individuals to be the "other woman/man" or be in secret relationships for whatever reason. They can be easily manipulated and taken advantage of since they're hopeless romantics. This can lead to them having to regulate how much love they have for someone; they'll hold back their feelings and needs in fear of being naive and walked on.
Positives: They love people genuinely and whole heartedly, they see the best in their partners, they form deep connections in love.
Venus square/opposite Saturn: These natives may have grown up in an environment that lacked physical affection. This creates a person that is uncomfortable in love and becomes very regulated with how they express their emotions. They may be inherently insecure when they're young which creates doubt around being loved; they're prone to thoughts like "why would anyone love me?" which then creates trust issues. These people also struggle with self-love, they have feelings of inadequacy and compare themselves to others a lot. Since they have low self esteem, they often attract partners that treat them badly and the worst part is they think they deserve it. These people aren't fans of PDA or physical touch and often express love through gift giving or acts of service.
Positives: Self sufficient, usually has a "glow up" later in life, once this placement is conquered (could be the second half of life) they are unstoppable and have so much love for themselves.
Mars in 4th, 8th, 12th house: Mars doesn't feel very comfortable in water houses, this is especially true if the native has a lot of squares and oppositions to their Mars or water house lord. Mars ignites the emotional watery nature of the houses which can lead to sudden outbursts. Mars in the 4th house natives could have dealt with a prominent mother who dominated the household (4th house). This could indicate that a father figure was absent or estranged. Either that, or his role was weak compared to the mothers. Mars in the 4th house could also signify an aggressive mother and hostile home environment. Mars in the 8th house natives experience extreme emotions a lot of the time, this can include anger, obsession, and jealousy. Since Mars is in the 8th house of transformations, you can expect these people to go through many many painful changes in their life because Mars here speeds things up. These natives are prone to accidents involving vehicles, tools, gym equipment, etc. so watch out for transits! Mars in the 12th house could suppress their martian traits; sexuality, motivation and anger... or it could be the opposite, they could become addicted to sex and have a wicked temper, depending on the sign and aspects. Trauma related to sexuality and the inability to stick up for oneself could be prevalent here as well, or they could be downright violent towards others. These people can either lack motivation or become extremely restless. They also probably have crazy vivid dreams and aggressive hidden enemies.
Side Note: Mars in water houses can either be horrible or not so bad, it really depends on the rest of the chart. I included this because the negatives can be extreme.
Mars square/opposite Pluto: These natives usually had a childhood filled with violence and witnessed a lot of strong emotional outbursts. This makes the native think that reacting aggressively or even violently is normal. They could've been abused by their peers, siblings or parents. As they grow up, physical violence, fights, and anger issues could arise. They can get offended really easily and people just assume they're picking fights. Has a lot of physical energy that can manifest as aggression.
Positives: If they channel their energy correctly, they could become talented athletes. Has enough energy to meet their goals and then some.
Saturn in the 1st house: These people have had it hard since childhood. These natives struggle to be comfortable within themselves due to being surrounded by critical people and even being bullied growing up. The judgmental voices they grew up listening to becomes the voice within. They could struggle with body dysmorphia and have deep rooted insecurities. They are confused within themselves and their insecurity could make them miss a lot of great opportunities.
Positives: These people often have a deep sense of responsibility and can be very successful in their career, depending on the rest of the chart.
Saturn in the 7th house: Saturn, the planet of restriction and blockages, sitting on the 7th house of partnerships can make a native go through a lot of trial and error when it comes to one on one relationships. These people could be shy and fear intimacy due to their self esteem especially when they're young. Since Saturn is very karmic in nature, these people could attract toxic relationships or partners that don't fit well with them in order to learn necessary lessons. These people should be careful of going into business with people and also should be careful of divorce settlements (sign that prenup!)
Positives: After Saturn return, these natives will finally meet an adequate partner and since the universe put them through trial and error, they'll be ready for it. Has meaningful life long friendships.
Chiron opposite ASC/Chiron in the 7th house: These peoples' lessons come in the form of lovers. Betrayal, deceit, heartbreak, and infidelity can make their way into these natives lives. It doesn't have to be those themes although it can be. Depending on the sign of your 7th house, those are the themes that'll teach you the lessons and open up old wounds. For example: Leo in the 7th house (Aquarius rising) you may attract and deal with partners who, worst case scenario, are selfish, egotistical, and want everything to revolve around them. This could trigger your childhood in which your parents fought with each other and forgot about you in the process. Another example is Aries descendent (Libra rising) you may deal with partners who are aggressive, dominating, and maybe even violent. This could trigger old wounds from childhood: maybe you lived in a home where domestic violence was prevalent. You get the idea.
Positives: You're not doomed in love by the way, it's just 7th house signs and their themes that will show up throughout your life. The examples I used were pretty extreme to get the point across. The positive here is that most of the time, the themes are much more discreet. For the 7th house Chiron in Leo example I used, it could be that your partner is self centered and you recognize and treat this. Could be an easy lesson learned (well it better be because if not it's gonna keep showing up).
Chiron in the 11th house: Chiron in the 11th house is a placement I personally have using Placidus. These natives never feel like they fit in, they feel like they're looked at as the outcast, like they don't belong. This is usually the consequences of being bullied as a child and made to feel less than. These people could go through a hard time in life where they have no friends and feel like they have no one to turn to. Loneliness could be a prominent theme in their lives especially when they're young. Chiron in the 11th house would rather have one on one connections than be part of a friend group.
Positives: Could be an advocate for people sharing similar experiences, knows how to be a good friend, values friendships and knows how to be alone.
Chiron conjunct Pluto: I have this one! I've noticed that certain painful experiences; death, heartache, betrayal, rejection affect me SO much. Growing up my mom would just brush these things off and say that they're a part of life. But to me, these things would happen and I would grow to fear them immensely. For example; my grandmother who I was super close to passed away when I was 17 and ever since then I've been terrified of my parents dying. Painful experiences really change people with this aspect, for better or for worse.
Positives: These people are forced to confront their deepest fears which in turn makes them stronger. They have the power to transform themselves after traumatic events.
Lilith in the 1st house: Lilith is the exact opposite of what "women should be" which rubs people, men specifically, the wrong way. It also rubs older generations the wrong way or whoever believes in traditional gender roles. Here in the 1st house, these natives embody Lilith which, you guessed it, rubs people the wrong way. They usually have trauma related to males trying to put them down or put them in their place, even as a child. Growing up, adult women could talk about them negatively as well. Everywhere they go, there's people that look at them sideways; they're either disgusted or intrigued. They often experience people hating them for "no reason". The real reason for this reaction is because they make people feel threatened just by being. They were also sexualized from a young age and could've had older people, mostly men, commenting on their bodies.
Positives: Extremely magnetic and alluring, blessed with beauty, intense aura and presence, always gets what they want.
Lilith in the 10th house: Similar to Lilith in the 1st house, these natives have a tendency to set people off just by being themselves. This creates a lot of disturbance in the workplace; people either love them or hate them but either way their reaction to them is extreme. Male authority can either sexualize them or belittle them making the workplace uncomfortable. Lilith being Lilith here, they may use this power to their advantage and climb the ranks so to speak. Rumors about them swirl around the workplace because people are just obsessed.
Positives: Strong people, very attractive, can use their good looks to their advantage, will grow to be a boss.
18° in Personal Planets/1st house/6th house/8th house: 18° is the shadow side of Virgo. Having this degree could indicate serious illness, tragedy, and critical misfortunes playing a role in your life. This doesn't have to be the native themselves experiencing these things, but it will affect them whether that be through family, a partner, friendships, etc.
Positives: I feel like this could be true but not always so if you have this degree anywhere you're most likely safe. But then again you might not be. Good luck. :)
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I'm definitely forgetting a bajillion placements but it's all so negative so I'm going to end here. I'm not trying to be negative I'm just shining a light on certain placements because they're fucking hard to deal with!!!
To the people that say no placement is bad or negative: how does it feel to have rainbows and sunshine shooting out of your fucking ass?! Be forreal.
Life is hard, we all know that. How could we appreciate the fortunes if we didn't have misfortunes? For all the negative there will be positive too. Here's to all of us and our shitty fucking placements 🎉
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bigfatbimbo · 2 months
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Soooo.. You have Girldick Lute, Boycunt Lucifer but what if we had Boycunt Vox? Since he can switch his head with newer models, what if he could do that with his dick too?
-Chronically online
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a/n — SHUT YOUR FACE. I don’t care that this probably isn’t plausible just don’t think too hard about it and it’s hot as fuck. Anyways… boypussy.
warnings — boycunt, obviously, dom reader, sub vox, small use of y/n, gn reader but small use of ‘mommy’
summary — Vox switches out parts of himself after new updates all the time. Surely that power can be used to your advantage, right?
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“You want me to what?” Vox nearly chocked oh his coffee and gazed over at you like you’d just proposed changing the color the sky on command.
“You heard me,” You smile over at him, clearly amused at his baffled expression, “Work your magic.”
The idea was simple, he’d switched out his head very easily for new updates, so surely the same could be done for other, more intimate parts.
From his expression, you figured two things; one, it was that simple and two, he was embarrassed at the idea.
Of course, it wasn’t the perfect environment to suggest switching out his dick for a pussy. You were in his workspace, alone in his large office. He sat his chair with his usual cup of pure black coffee. You leaned up against his desk and awaited a response.
“My dear,” he chuckled to himself, eyeing you with emphasized suspicion, “I don’t think you know what your suggesting—“
He waved his hand around to signify your silly idea, and laughed some more. Although he seemed relatively dismissive of the idea, his screen at brightened a good ten times since the offer, and his laughter was more awkward than amused.
“C’mon Vox. What are you, scared?” You poked, hoping to convince him to give the idea a second chance, “Think you can’t handle it?”
“Stop it,” Vox warned, rolling his eyes and turning away from you in his chair.
You get up off of his desk and walk up to the side of his chair, “And the idea of me having a way to fuck you better is appealing, is it not?”
That earned his silence. He took a long sip of his coffee, and after a moment’s consideration, he huffed.
“I’ll see what I can do.”
And he got to work pretty fast from, what you could tell. Of course, the subject wasn’t touched upon for just short of two weeks. You had actually forgotten about it for a while, in fact.
Vox, on the other hand, had not. He had been thinking about it a lot. So much, he’d started working on the little project you suggested, and finished it.
He was just waiting for the perfect moment to bring it up to you again. So at the end of a long work day, he heads home where you lounge on the couch and ask your usual inquiries about his day.
‘How was work?’ ‘It was fine. So-and-so pissed me off again.’ ‘What are you thinking for dinner?’ A normal, everyday, tame conversation like that took place. However, it took almost an hour after that for Vox to finally shallow his pride and tell you the news.
“You know, I worked on that little project you were talking about last week.” He was leaning back on the couch with a beer in his hands, your legs folded over his as you lay comfortably.
“Wait, do you mean—“ you say up with a start, smile spreading across your face, “Oh shit, Vox. Did you finish it? “
Vox simply scoffed, “Please, at Voxtech, are we not known for our innovative technology? And with my genius—“
“Shut up,” You claim over to him, switching positions so that his back was against the long side of the couch, “Let’s get these pants off of you, jesus christ.”
“Fuck, I—“ The new parts were already throwing Vox off, as he felt a small wetness form on the crotch of his underwear as you straddled him, “Eager, are we? How about on an actual bed instead, hm?”
“Damn, you’re right.” You admit, getting off of him before quickly pulling him up and dragging him by his hand towards the bedroom.
“I know.”
God, you couldn’t wait to fuck that smug attitude out of him. See, you have more than one advantage, other than having general experience with putting Vox in his place.
See, that poor baby has never had his pussy played with, but you were going to change that. God, he didn’t know what was coming.
On your way towards the bed, you can’t help but slam Vox against a few walls, kissing hungrily, pulling at each others clothing.
Finally, half naked you push him onto to bed, hand falling to palm his underwear only to find it already damp.
“Aw, baby. Wet already?” You smirk down at him knowingly. He hisses a response quietly, but you’re more focused on exposing his new parts.
When you finally claw his underwear off, you take a second to admire it; Vox’s perfectly carved pussy, quite literally made for you. All for you.
“Fuck, you did a good job,” you admire, grazing his softly glistening lips with your fingers. He sucks in a breath.
“Yeah, of course I did,” he mutters because gasping when you press your finger softly to his entrance.
“Drop the attitude, sweetheart,” You say, snapping your fingers back up and forcing him into his mouth. He lets out a muffled groan but subsides and begins to suck, anyways.
“You forget you’ve never done this before, baby. Don’t worry, i’m gonna make you feel good.” You coo, forcing another of your fingers into his mouth, getting them nice and wet.
“Good, good boy,” You coo down at him, slipping your fingers out of his mouth and inching them down his body, teasing his entrance softly before finally pushing your pointer finger in.
His breathe wavers, looking at you somewhat dazed. You swirl your finger around slightly, movement causing a dull aching for more in his cunt. Despite his minds protests, he lets out a whine.
“Yeah, I know baby. I know,” You lean down and kiss his neck, sucking on the soft skin as you push another finger into his tight pussy.
He bites his lip, mind clouding up as your fingers pushed in and out of his slick folds. At last, a third digit was pushed inside him, making him moan needily as you finger fucked him.
You toyed with his clit, drawing out a long whine from him, pool forming on the bed below you. You began to finger fuck him fast, forcing your fingers in him aggressively.
”Oh god,” he whines, “Oh f—fff—fuck. That feels good,” he leans back into the mattress and lets out another moan and you speed up.
Your fingers slammed against him as the walls of his soaked pussy clench around you, “You look so stunning. You look fucking gorgeous having your pretty clit played with.”
The words come out as whispers into his neck, as you continue coating his exposed skin in dozens of hickeys.
He shut his eyes at that comment and let out a drawn out whine. He fully gave into your hands as his own came up to the side of his screen.
“You’re so good, sweetheart. Such a good boy. Tell me if anything hurts, m’kay baby?” You drone on sweetly, as if you weren’t roughly abusing his pussy with your fingers.
He whimpers, glitching out slightly, before grinding down on your hands. You continue like that for a while, pulling out moans of pleasure and curses from Vox while you harshly rammed your fingers further into his pussy.
However, after another few minutes you pull out with no warning.
“F—fff—fuck. Why’d you stop?” Vox whines and looked down out at with an outraged look on his face.
“Sweetheart, did you think I was going to let you cum yet? I’m even close to being done with you. And besides,” You draw your fingers up to your mouth make a show of sucking his cum off of them, “I’m still hungry.”
Your words very much implied what was going to happen next, and Vox felt himself get, if even possible, wetter at the thought.
“Fuck,” he didn’t think he could wait any longer, “Oh my god, please.” He spread his legs open to you, exposing his drooly, glistening cunt to you and inviting you in.
You take him up on the offer, diving your head down and close to the pussy. You kiss and suck a trail of skin in his inner thigh, making Vox hiss in complaint.
“Stop teasing! Fuck—zzch— fuck please, I’m ready,” he whined.
You click your tongue, “How impatient,” but your mouth waters slightly looking at his open folds, and you grow less patient yourself.
“Well maybe— Nngh!” Whatever retort he was about to make is cut off when he feels your tongue shoot into him.
He makes a loud noise of approval and you lap him up eagerly, drinking his fluids up like you were starved. His legs wrap around your head instinctively and he grips the sheets for support.
Your tongue explores his folds, licking deeply into him, and sucking on his puffy clit. If his brain already felt fuzzy but from the fingering, then it was completely mush now.
“Oh my fuck—ckk—y/n. Faster, y/n, deeper” he moaned your name like prayer as his whole body started to shake
The lights flickered around you, Vox’s screen glitched out to the point where you wouldn’t be able to see him clearly if your face wasn’t buried in his pussy.
His nails tore the sheets and dig into the mattress, but he didn’t know. He simply squirmed under your tongue and moaned at every hit against his clit.
Every now and then, a zap of electricity would sting your tongue. However, it didn’t slow you down, instead making your move faster. As you desperately lapped up every ounce of Vox’s cum and sucked on his pretty swollen clit, he cried out, feeling his climax build.
“Fuck, y/n. Mommy—“ He buffered incoherently, “mommy ‘m close.” He whined and squirmed, unable to sit still under the stimulation.
You slammed his hips back onto the bed, and he yelped. Finally, your tongue left his cunt for one single moment to deliver two words, “Do it.”
You didn’t wait to dive back into his cunt, just as he barely waited for the action to release all over your tongue. He let out one final cry while he did it, and whimpered slightly when you finally pulled away.
It’s then when you notice the lights around you were completely off, as well as the lights in the next room. Vox lays fucked out on the bed, face completely blue with ‘error’ on the screen.
Shit, you think, just from being eaten out? A swell of triumph overtakes you. You really tongue fucked him into oblivion. It’d be a lie to say you weren’t a little disappointed, as you were planning to break the strap out next.
Oh well. Placing one finally kiss on Vox’s forehead, you begin to clean up.
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a/n — This is probably like very incredibly undeniably similar to that boycunt Lucifer fic… because I didn’t go back and read it before this so…
yeah longtime reader, apologies. Not too proud of this one to be honest, even though I was excited to do it. Two words, ‘good enough.’
edit — also tagging @rosiethevoxobesser and @chronically1online because you two seemed excited and also deviously responsible for this fic your welcome
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the-returnofartemis · 5 months
Text
/ASTRO OBSERVATION 1/
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i'm excited to share my first astro observation! i'm still new to all of this but i’ve picked up on some things that i feel compelled to share. however, i do want to emphasize that my thoughts may not apply to everyone.
okay, so i recently remembered that as an INFJ, we are considered to be the rarest personality type. this got me thinking and i realized that most INFJ’s are either water dominant (cancer/scorpio/pisces), possess fixed sign placements (leo/scorpio/aquarius/taurus) in prominent planets or have prominent water houses (4H,8H,12H) in their big six. coincidentally, i happen to know to other people who are also INFJ’s, and we all have prominent cancer, scorpio and aquarius placements. 
✧ j-hope from bts is a well-known INFJ. although the accuracy of his birth chart is uncertain because there is no actual birth time, it revealed intriguing aspects. i mean, hobi’s chart indicates prominent water placements (scorpio and pisces stellium), alongside his aquarius sun!
yes, it is interesting to observe how neptune in the first house has a unique ability to draw in copycats but those with this placement were once copycats as well lmao.
‘the copycat becoming the one being copied’ trope is quite funny to witness actually
this behavior may stem from their struggle with their personal identity and appearance, leading them to shape-shift into the aesthetic or persona of someone they admire in that moment (this tendency is very short-lived by the way lmao). rather than taking the time to define their authenticity and discover their true selves, they find it easier to adopt the persona of another individual. sometimes, they rely so heavy and get caught up on external influences, that they lose the plot SO fast. but as individuals with this placement mature and come into their own, they come to understand that it’s fine to draw inspiration from others but recognize the importance of embracing their unique qualities and traits. it is this self-acceptance that allows them to become pioneers and set remarkable trends. 
✧ ariana grande: y’all can never make me hate her, i am so sorry lmao but of course, there is no denying that she has faced many accusations of being a ‘mariah carey copycat’ but it is important to acknowledge that she has now cultivated her own distinct singing style that has garnered widespread acclaim and popularity. in all honesty, she has become the epitome of having copycats, even to this day lmao. the sheer number of women/fans/people in general imitating her, from her hair to her fashion sense to her mannerisms, is just WOW. like, the way how she has garnered immense adoration needs to be studied (i mean not really because her scoprio midheaven + neptune 1H undoubtedly contribute to her appeal but still!) 
✧ kim kardashian + kylie jenner: when it comes to these two, there's not much that needs to be said lmao like their influence and presence in media speak for themselves. they have managed to create a significant impact, and it’s hard to ignore but let’s remember their roots and who they took their influence from.
✧ megan fox: she’s taken on MGK’s entire aesthetic. she has embraced his style and persona, and it’s interesting to see how it has influenced her own image, considering the fact that she is THE megan fox. even now, the timeless looks that she gave us in the late 00's are still being imitated!
in reference to my previous point, on astrology twitter, jade mentioned an interesting perspective that i completely agree with and feel compelled to share with all of you: having 12H placements can lead to losing the plot SO fast, so it’s crucial to be mindful. although the 12H is widely regarded as the most intuitive, spiritual, and governing the subconscious, it also represents the potential for self-sabotage and lose one’s sense of self. the influence of neptune, the ruler of the 12H, can create a distorted illusion and a tendency to view circumstances through rose-colored glasses. so, 12H placements, it’s essential to always stay grounded, and more importantly, maintain a strong sense of self to avoid losing sight of the goals and aspirations!
✧ an example of this is a 12H sun becoming egotistical and subsequently losing sight of their goals and aspirations, ultimately hindering their progress in life. 
(get well soon by ariana grande just came on and i dedicate this beautiful song to all, but more importantly to those with 12H placements. remember that you are strong and capable of overcoming any challenges that comes your way – you can conquer anything. stay positive and always take care of yourself. you got this! — sincerely, a fellow 12H 🫂) 
scorpio/8H moons are often labeled as “mysterious” due to their tendency to keep their emotions hidden from others on a daily basis. in truth, they rarely feel comfortable expressing their feelings, even to those they trust, as they fear burdening others. this tendency may have developed during their childhood, where they may have not felt safe or at ease in sharing their emotions, leading them to learn how to control and suppress them. however, if you manage to break through the walls of a scorpio/8H moon and they confide in you, it is significant sign that they felt truly seen and understood by you. this can lead to a strong desire to be in company of that person, as their energy provides a sense of comfort and less isolated. so, if you have a scorpio/8H moon in your life, they value you and treasure the connection you share. 
the infamous 22nd degree, commonly referred to as the “to kill or be killed” degree, is often associated with rare and extreme circumstances. being a capricorn degree, it genuinely has a favorable influence, especially in terms of one’s professional life. but, individuals with this degree in their chart may encounter ongoing challenges and be vulnerable to gaslighting. overcoming these challenges serves as a constant reminder to nurture their self-awareness and resilience.  
✧ example a: according to her birth chart, beyonce is believed to have three planets (neptune, pluto and chiron) positioned in this degree. in her latest film, “renaissance: a film by beyonce,” she courageously shares all the moments that highlight the constant challenges from those around, particularly her production team, who questioned her credibility and knowledge – she expressed that she always had to prove herself and felt undervalued in terms of her opinions.
i also just want to say that bey became artist that she is today by perfecting and learning every aspect of her craft throughout her extensive career. she has taught herself everything there is to know about showmanship, and to discredit her knowledge, especially to her face, is just crazy to me. her success is a testament to her hard work, dedication, and talent and she deserves all the recognition she has received.
✧ example b: chlöe (chloexhalle) has the degree on her lilith. unfortunately, chloe has faced relentless scrutiny and gaslighting since she entered the public eye. the placement of the degree on her lillth has made her a target for heavy negative judgement and projection, particularly in regard to her expression of her sexuality and individuality.  
i mean it when i say that it is truly remarkable to witness her immense talent and undeniable beauty, along with her incredible kindness. i honestly feel like the public wants to keep her in a box, hindering her from fully blossoming into the person she aspires to be. she needs that space and freedom to embrace her own journey of self-discovery and personal growth.
✧ example c: jungkook from bts has the degree on his sidereal venus – the degree on his venus suggests he might face challenges related to low self-esteem and lack of confidence in his own attractiveness. also, this placement can also indicate that he may experience situations were power dynamics within his relationships come into play. while details about his personal relationships are scarce, as they rightfully should be, it is evident that he faces an alarming level of compromise to his safety due to the actions of obsessive fans and stalkers. the behavior exhibited towards him, like, being mobbed at airports or these fans intruding his personal space by sending food to his house and even going as far as issuing death threats. as a relatively new fan, i can sense that this issue is more serious for him compared to other members. these fans seem to lack an understanding of personal boundaries and persistently push the limits, even after he has politely requested their respect, which is truly disheartening. 
it's quite likely that jimin and namjoon (other members of bts), also have this degree, given the challenging circumstances they have encountered and continue to face. 
i also learned that this degree can also symbolize power and the ability to have immense influence over others. those who possess this degree in their natal chart often hold positions of power and occupy the highest echelons of the social structure (hence the name, ‘to kill or be killed’). this degree is found in numerous royals, politicians, and highly influential celebrities natal charts: justin bieber, donald trump, kendall + kylie jenner, kim kardashian, barack obama, the british royals and more. here is a post that delves deeper into the theory behind the placement!
gemini placements 🤝 wearing different hats (exploring various interests). they cannot for the life of them confine themselves to a single pursuit, as it tends to become monotonous for them. this may seem unpredictable to others, but, for gemini's, it is a way of truly embracing life and ensuring that they savor every aspect of it, just as they should! 🤭
also, the gemini venus slander in the astro community is so ????? like, yes, an undeveloped gemini venus may struggle with indecisiveness and inconsistency, but it is important to know that a well-developed one can be an incredible partner and asset in a relationship. developed gemini venus partners are known for their unwavering commitment to nurturing a strong bond in their relationships. they will consistently strive to contribute in every way possible to ensure a lasting connection, thanks to the influence of their sidereal taurus venus (may not always be the case though). they value stability and security, and above all, understand the importance of forming meaningful relationships, especially when they feel like they share a profound intellectual bond with their partner – like, they would not take it for granted because they know that not everyone has the capacity or desire to engage with them in that way lmao. they will be there for you until they are convinced, based on their rational thinking (which also depends on the influence of other placements), that they have thoroughly explored every option and exhausted all potential outcomes. even then, it may take them some time to reach that conclusion because they will need to make sense of it all, so, they will make a point to have conversations with their partner to ensure mutual understanding before moving forward. building a strong and fulfilling relationship requires dedication, and a devoted gemini venus will their offer support in all aspects – whether it be physically, emotionally, or notably, mentally. honestly, they will go the extra mile to ensure that they’ll do right by their partner!  so, i beg, please, love us! 😪 lmao – sincerely, a gemini venus  
 also, a gemini venus + strong water placements (house/sign, especially in cancer/scorpio) … oh baby, just sit down and make yourself comfortable because you not leaving until there is a deep understanding of both the emotional and intellectual aspects 😭
the 3H, 6H, 10H and 11H are known as the GROWTH houses, where continuous effort is required to achieve meaningful outcomes.
3H → one must acquire skills, engage in learning and exploration, and find avenues to express the knowledge gained
6H → the importance of daily practice and consistent work on said acquired skills
when these houses are in alignment, they pave the way for recognition in 10H and 11H.
10H → gaining recognition
11H → benefits and influence that comes from being recognized
by pouring constant dedication into these houses, one can expect significant growth and positive outcomes!
jupiter aspecting ascendant/sagittarius rising/jupiter in 1H 🤝 bootylicious + hourglass curves! this can also manifest in having bigger than “average” features (example: big eyes, big smile, prominent thighs).
the “BODY SO TEA” phrase was literally made them lmao
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capricorn moons often tend to be the ones who frequently disappear without a trace. they carry a heavy burden of responsibility for all aspects of their life, and often possess a strong desire for control. when faced with a situation beyond their control, they can become overwhelmed with anxiety and allow their fears to take over, resulting in the ghosting. also, i noticed that they find it challenging to find any glimmer of hope in any given circumstance. even though it is widely believed that having the moon in scorpio is the most difficult, capricorn moons may have them beat. 
moon in 8H synastry is not for the weak—it is truly life changing. for this overlay to work, both individuals must have developed the ability to harness and channel powerful energy. without this, the relationship can feel unstable and unpredictable, with both individuals feeling like they're being pulled in different directions but haunted in love, in the best and worst way possible. it is worth noting that this overlay tends to have a strong impact on both individuals involved but it primarily affects the moon person.
✧ positive aspects: creates a deep emotional and psychological connection that allows both partners to truly understand connect with each on a profound level. this bond is so intense that it defies words and creates the desire to explore and uncover the depths of each other’s being. for instance, the 8H individual may possess an innate inclination to understand the moon and their innermost self, initially overwhelming the moon but ultimately embracing because of the sense of comfort provided by the 8H energy. this mutual willingness to explore and understand each other nurtures trust, openness and above all, an indescribable love within the relationship.
✧ negative aspects: gaslighting and power imbalance. the desire for control can create an unhealthy dynamic where both are constantly vying for power, leading to a breakdown of trust and emotional well-being. can also lead to being possessive toward one another that will result in the individuals feeling trapped. the possessiveness can stem from a deep sense of longing for each other, which will only further perpetuate the cycle of unhealthy dynamic (lovers to enemies trope + make up/break up). 
one comparison that comes to mind is the tumultuous relationship between olivia pope and fitz in scandal. if you’re unfamiliar with these two, i recommend checking them out on tiktok (despite their toxic tendencies, their relationship was a guilty pleasure for the viewers because of the intensity and undying love they had for one another. like, i don’t know anyone who watched the show that wasn’t a fan of olitz lmao) 
i also had this overlay with a former partner, and my goodness, was it something. he was the only partner i’ve had who could evoke such intense emotions in me and i found myself completely vulnerable to his touch (in a good way). the chemistry was so powerful, i really believed he was the one for me. but like i mentioned, as with any intense relationship, there were both positive and negative aspects to the connection. while the positive side was truly otherworldly, the negative ultimately won out and caused the relationship to come crashing down. i plan to delve deeper into this experience and share the do’s and dont’s of this synastry in a future post.
understanding astrology can be a valuable tool in gaining insight into your true self. to get a sense of the practice, i feel like it is essential or to at least explore “traditional” western (tropical + sidereal) and vedic astrology. each chart offers a unique perspective on your personality and life path, and by studying them, you can gain a more comprehensive understanding of your place in the world!
i have so much more to share but i’ll save that for another post. please remember that this only for entertainment purposes only and based on my observations! i’ve also linked the findings in case you want to read for yourselves. thank you so much for reading!
sending all my love, 
artemis x
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etfrin · 4 months
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❝ꜱᴏᴜʟꜱ ᴛᴏ ᴄʀᴜꜱʜ❞ — chapter eight | coriolanus snow
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「ᴡᴀʀɴɪɴɢ:」 SFW | Coriolanus Snow
「ᴘᴀɪʀɪɴɢ:」 young! Coriolanus Snow x fem! Reader
「ꜱᴜᴍᴍᴀʀʏ:」 Coryo wakes up in the hospital and finds you... oh! you guys share a bed btw <⁠(⁠ ̄⁠︶⁠ ̄⁠)⁠>
「ᴀ/ɴ:」 hope y'all like this!!
beta read by the amazing spectacular @nowitsmissing
series masterlist | navigation
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Coriolanus Snow could hear a certain buzz as he regained consciousness. He soon realized it was the noise of the machine attached to him. The groan he lets out is louder than he thought as he opens his eyes and begins to sit up.
He blinks, the dim light of the hospital filling his eyes up and it hurts. He looked to his left and saw the empty beds beside him, a few nurses fluttering around, not paying any attention to anything except their remaining work.
He looks to his right, and he won't ever admit the fact that his eyes watered. A few teardrops even rolled down on his cheeks without his consent. You were there, safe and present. Curled up in a chair, sleeping. He hissed softly as he wiped the moisture away from his face. He ignored the sting he felt whenever he moved. The wound in his back would surely scar.
At least it wasn't his face.
He stands up on his feet, his arm holding the IV pole for support. He wondered briefly if he should wake you up but decided against it. It certainly wasn't because you looked so pretty right now, he just wanted you well rested. That's it (not).
But his attention is stolen by his tribute on the TV. Lucy Gray Baird live on the screens of every TV in Panem. Even the nurses had stopped working to look at her. She held a guitar. Coriolanus was glad that Sejanus Plinth did one thing right in his life.
“Good evening. Capitol. Districts,” she said. Her fingertips were on the strings of the lovely guitar. “I wrote this song for a boy back in twelve. I hope he hears it.”
Then she begins to strum out a tune and a sweet melody begins to play with heartbreaking lyrics.
“When I was a babe, I fell in the holler
When I was a girl, I fell into your arms
We fell on hard times, and we lost our bright Colors
You went zu the dogs, and I lived by my charms
I danced for my dinner, spread kisses like honey
You stole and you gambled, and I said you should
We sang for our soppers, we drunk up our money
And one day you left, saying I was no good…"
He grinned, Lucy Gray certainly painted a picture of a heartbroken girl nicely. It would certainly win the hearts of the Capitol if the sobbing of the nurses he could hear was any sign. Plus, he was sure Sejanus Plinth would be blinded by jealousy. The thought made Coriolanus feel so much better.
Then his attention turns to you, your voice much sweeter despite being raspy, “It was a rebel bombing they said.” You continue, “They wanted to destroy the symbols of the Games. Marcus, Sejanus Plinths’ tribute ran away. And several died. We were lucky.”
You stand up and stretch your arms. And he hates himself for his eyes lowered to see the flash of skin you showed when your shirt rose. He swallowed and pretended that his increased heartbeat wasn't because of you.
You walk up to him.
“You were lucky,” you said, your hand caging his with a hold he cherished. You rest your head on his shoulder and both of you watch the song end together, and Lucy walks off stage.
You begin to explain again, “Tigris had to leave for work. Sejanus left to give Lucy Gray the guitar. They both were present and worried.”
Your head turns to his side, and you whisper, “You're not allowed to get hurt again.”
“I don't think I have that in control-” Coriolanus begins to say, his voice defensive. He could see the tiredness in your eyes. He could see you overwhelmed by what happened. He didn't need to ask ‘Real or not?’. He knew.
You squeezed his hand so hard that he saw white in his vision, a surprised groan leaving his lips. “You're not allowed to get hurt,” you emphasized. Your eyes narrowed in a glare, you looked a bit adorable with how worn out you were and Coriolanus wanted to smile at you. He decided against it when the hold got tighter and he was pretty sure his hand wasn't getting any blood flow.
“Fine,” he agreed, “I won't get hurt again.”
He knew it wasn't in his control. But for you, he would try. There was no way to rationalize why so he put the promise he just made to you to the back of his mind.
Your hand loses the death grip and you gently make him sit down on the bed again. “Ma I mean Sejanus’ mom sent some food for us. She's sad that she couldn't visit,” you said.
“Ma?” He questioned.
“She told me to call her that. I had plenty of dinners at Sejanus place.” You answered.
“Plenty, huh?” He muttered it was so obviously jealous that you raised an eyebrow at him. You dig out a container from a bag and place it on your lap. In your hand, you had utensils for one person.
“Feel free to invite me to yours, Snow.”
But he couldn't, and that increased his jealousy even more. Sejanus could feed you steaks, and sweets and what could Coriolanus feed you? Expired milk and cabbage soup. He didn't say anything further, letting the hurt fester in his heart.
He decided to give you something else instead.
“Coryo…” he whispered, his eyes vulnerable, “Call me Coryo from now on.” Coryo was a nickname for his friends and family. Something intimate to him, something he owns to himself. And he was giving it to you and hoped that you accepted it.
“Coryo,” you tried out, and it sounded perfect from your lips. It sounded so much like the fate he avoids, that he looks away. He blames his blurry eyes on tiredness.
“Now eat,” you said, taking his attention with the spoonful of rice you held in front of him.
“I can feed myself,” he said. He wasn't that hurt. He could move his limbs fine. He can feed himself. He is not a child. You don't have to treat him as one.
“Don't care, Coryo. It's for me rather than for you,” you stated, “Please, Coryo.”
He doesn't argue. He doesn't know what to refute when your eyes turn pleading. And he knew that you were making the impression so he would give in. And so he did. Who was he to reject you after all?
He lets you feed him the rice and chicken gravy Sejanus's mom cooked deliciously. It was hundredfolds better than anything Coriolanus could compare to. He will remember to pass his thanks to Sejanus.
After the box is devoid of any food, it's returned to its place in the bag. And you curled up in the uncomfortable seat again. Coriolanus didn't like it very much, it was obvious it wasn't the most luxurious place to sleep in. Surely, your back and neck will hurt when you wake up tomorrow.
He moves himself until there's space in his small, hospital bed. He pats the space. “Come here,” he said. Before you could protest, he adds, “It's for me rather than for you.”
You don't argue with him, instead you slip him beside him. Your body against his in the small bed. He lets out a shuddering breath that you don't notice. His arm is under your head, being used as a pillow. In a sense, you were cuddling with how quickly your legs had tangled with his and your arm was over his torso. He felt caged, and he never knew being caged could feel good not suffocating. It could feel safe.
You made him feel safe.
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NEXT PART
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seospicybin · 6 months
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DON'T THEY KNOW IT'S THE END OF THE WORLD?
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PART I
Lee know x reader. (s,a)
Chapters: Part II
Synopsis: Making a contact with an ancient object, you meet a demon who takes form of the man you desired and forces you to commit terrible acts to stop the world from ending. (14k words)
Author's note: I indulge myself with a spooky fic and demon Minho in it. Read with cautions and enjoy x
Based on an episode of Black Mirror. Content warnings: Violence, gore, mentions of abuse, assaults and graphic imagery. Reader's discretion is advised!
"Carving is easy. You just go down to the skin and stop." - Michelangelo
-
Oh, no! You're doing it again.
When you think you're talking in your head, you're actually talking loud enough for everyone in the room to hear. It's even worse that your voice is echoing in the big chamber of the empty gallery.
They seem to not care about it or pretend to because Kim has just walked in to check everyone's work. She's your friend from art school turns an art dealer and she has a way to control everyone around her.
"I told you to let us do it for you," she says, clicking her tongue at you and crossing her arms in front of her chest.
The gallery is having some of your pieces of art displayed for the exhibition tonight and you want to make sure that they're presented the way you envisioned it.
You carefully step down the ladder and stand next to Kim, looking at the sculpture you made of a man holding an arrow with an apple stuck at the end of the arrow.
You hear Kim dreamily sigh then look at you, "You're going to sell..." She pauses to emphasize the word she's going to say next, "Big!"
Money isn't the reason why you create these sculptures but you need it in order to keep being able to do this. You have no idea how expensive a block of stone is!
The reason why you made these sculptures is because this is what you love doing: envision your imagination onto a block of stone and you carve it to bring it to life.
Why did you choose stone as the medium? Because they're durable, stubborn yet resilient. It takes time to create one sculpture but once you've seen the result, you forget about the hard work behind it.
Kim puts her hand on your shoulder and snaps you out of your reverie, "Stop worrying about your sculptures," she says.
She turns you around to force you to face her and puts her other hand on your shoulder, "Go home. Get dressed. Put some color on those cheeks. Have a pre-party with a glass of wine or two."
Dressing up sounds like a lot of work, you'd rather stay in your dungarees and striped top, "Can I just wear these?"
It's like she has just heard someone dies, Kim's hand flies to her temple and screws her eyes shut for a second, "Trust me when I say that the people coming tonight wouldn't expect the artist behind these magnificent sculptures to look like Chucky," she says with a sneering smile.
She squeezes your shoulder and tilts her head to the side, "And that's me putting it the nicest way possible because you're my friend."
It's still a mystery how you ended up friends with someone like Kim, she's the opposite of what you are, an extrovert, a tolerable narcissist, she likes attention and is forthright to the point it's borderline insolent. You're so used to her audacious way of treating you and the blunt words that come out of her red-lipped mouth.
She's been like this even before you met her and you are the friend who likes to suffer in silence, you think that's why you became friends. Nevertheless, Kim treats you better than she treats anyone else for that matter.
That explains why the gallery staff are so afraid of her. It's always best to get out of her way unless she wants you to be there. You pick up your bag from the floor along with your jacket.
"I'll go then," you meekly say.
She grabs your elbow before leaving, "Go home," she says with a glare.
"Home. Not your studio," she says again, making it clear to you.
She knows you well enough to know that you like spending your days in your studio instead of your apartment. You sling the strap of your bag on one shoulder, "Go home. Get dressed. Come to the exhibition late," you repeat the things she wanted you to do.
Kim smiles and gently cups your cheek, "Good girl. Now go!"
Once you get home though, you spend hours just sitting in the emptiness that lingers in your apartment that is too big for one person to live in it.
This is why you prefer to stay in your studio, you like to keep your head occupied rather than being alone with your thoughts like this.
And your thoughts, they're mostly of unkind things and...
Your phone rings from inside your bag and steers your mind back to your head. Without having to look at it, you can tell who it is. There are no other people who call you daily except, well, if it's an emergency call.
"Are you getting ready yet?" Kim goes straight to the point.
"Uh... yeah, I just showered, I—" you jolt awake from lying down on the sofa.
"I'm having problems picking what to wear," you add a laugh in the hope of sounding convincing.
There's a wave of laughter from her end of the phone call before Kim talks to the phone, "Stop joking. Do you like it?"
You get completely confused because she suddenly compliments herself out of the blue, "Huh? What?"
You can hear her dramatic, low sigh and you can imagine her subtle eye roll as she's doing it, "The dress. The one I hung in your closet," she tells you.
You quietly trudge your way to the closet and open it to find the said dress.
"Yes, it's beautiful!" You hurriedly say, not wanting to let her get suspicious as she waits for a response.
"Aren't you lucky to have me as your friend?" she exclaims, sounding so confident with her words.
"I am the luckiest," you tell her as you observe the dress and already regretting hastily approving the dress as you notice it has a plunging neckline.
"I know," she brags and her smirk flashes through your head.
In the background, you hear something is calling her and Kim answers with a shout, "I'm coming."
She dramatically sighs before talking to you, "Work is calling. I'll see you tonight, okay?"
"Yeah, sure, see you tonight!" You're more than relieved to end the phone call with her.
It's too early to celebrate as she hasn't ended the call yet and she always ends the call first. You have an inkling that she'll call your name.
Indeed, she is.
"Hey, don't forget to take your meds, okay?" She says.
That's probably the only yet the most endearing thing she does to you and what makes her your friend.
"Yeah, don't worry about it," you tell her.
It's time to fully assess the dress and you're in awe of how much skin you'll show if you're wearing this. Of course, you have the option not to wear but it all comes down to wearing the dress or facing Kim's wrath.
The former seems to be the safer choice and also because you're not a confrontational person, you like to avoid conflict.
Not wearing the dress means you're going straight into conflict and you don't want that.
With a defeated spirit, you put the dress on even though you have no idea how to move in such a tight dress. You summon up your below-average make-up skill for tonight and put some colors on you.
Not forgetting Kim's words, you take your medicine and wash it down with a long gulp of water. You give yourself a few minutes as you wait for the medicine to work while you sit on the couch holding a glass of water in both hands, staring out at the view from your apartment.
Kim insisted you take this apartment when you're okay with living in the studio. Not only that it's too expensive of a place to live on your own but a big place only makes you inexplicably lonely.
However, after seeing the view from up here, you feel like you're not part of this world in the most humbling way. Seeing the city and the buildings look like pieces of block makes you realize that they don't matter that much. They're all just... material things.
You sigh as you get hit by a wave of melancholia and you take it that the medicine is working.
-
Uncomfortable walking out of your apartment in your dress, you put on a coat as you leave the apartment with the sounds of your heels clicking against the floor.
The owner of the building passed away yesterday, there are so many guests visiting the penthouse where he lived. The first elevator that arrives on your floor is crowded so you skip on getting on that one. You patiently wait for the next one to arrive while clutching your purse in front of you.
A minute later, the other elevator arrives and the doors slide open, you see there's someone else inside. You believe he's been from the penthouse from how he dressed in all black.
You look down to avoid eye contact and step inside, standing at the back of the limited space while trying not to look at the man's face on the reflection from the mirror that walled the elevator.
Arrived in the main lobby, the elevator dings open and the man doesn't waste time but walks out with hands shoved inside his coat pocket.
You fix your coat before stepping out and you feel your feet kicking on something, it's clattering across the floor. You bend down to pick it up, something that you guess is a pocket watch.
Your first thought is that it belongs to the man and you look around to see if he's still around to give it to him, but he's nowhere. It's as if he's gone with the wind.
"Miss, your driver has been waiting outside!" The concierge informs you from behind his desk the second he sees you.
"Yes. I'm coming!" You hurriedly shove the pocket watch inside your purse.
As Kim instructed, you come late to the exhibition and it's already filled with people dressed so impeccably for the occasion. You take a deep breath before entering the scene that is the least you wanted to be.
You take your coat off and hand it to the girl handling the coat check, along with your purse. You feel naked even though you're not, but it's not just the dress, being in the crowd is not your forte.
The first thing to do in a situation like this is to find Kim. You avoid making contact with everyone you're walking past as you look for her in the crowd. It's not hard to spot her when she's always the center of attention anywhere she is.
"There she is!" She gasps the moment she sees you're coming her way.
She puts away her champagne flute and walks up to you, embracing you like the trophy you are, "My rising star!"
Kim puts her hand on the small of your back and smiles brightly while discreetly judging your look.
"Isn't she amazing?" She brags you off to the group of people she's talking to.
You can only sheepishly smile next to her and avoid everyone's eyes.
"She is the artist behind those magnificent sculptures," she adds with that saccharine smile of hers.
They're starting to throw praises at you and you can hear all of them talking at once, making you more uncomfortable staying in there.
You take a step back but Kim's hand does not allow you to escape, she glances at you and takes the cue.
"Excuse us," Kim says to everyone, "Enjoy the exhibition!"
Kim steers you away and pulls you aside, before you can comment on her choice of dress, she snatches the chance from you.
"You could've picked nicker shoes," she whispers through her gritted teeth at you.
You automatically look down to see your heeled shoes which you think match the dress you're wearing.
"I–I think it's—"
She cuts through your words, not giving you a chance to explain. She grabs you by the elbow, "We have no time to change it," she says, then steers you somewhere.
As Kim continues to brag you around like you're the art piece instead of the artist, you start to get that feeling that she's using you.
As a matter of fact, she used you to propel her career as an art dealer. Ever since you agreed to let her sell your art for you, her career took off.
You're more than happy to be of help but she does everything extra and she's been taking you to meet a lot of people that their faces started to blur and it's getting overwhelming that you need to get out of it.
"I'll just—" You barely finish your sentence when you walk away and find somewhere to gain some composure.
You keep walking until you find the restroom and push yourself inside, lock yourself in one of the stalls just sit on the toilet, and just breathe.
You hear the ruckus outside the stall and someone probably needs to use the toilet, you reluctantly get up to start heading outside.
The plan to leave unnoticed comes to a failure when Kim is already there right outside the restroom, "Where have you been?"
You take a deep breath to calm yourself and try to explain, "Kim, I don't think I can do this anymore. I—"
Then again, she never let you finish your sentence, "One more. I need you to meet your new potential buyer."
You grip the side of your dress and you feel like tearing it apart, "No, Kim. You know how I do with people, I don't— I just want to go home," you desperately tell her just to let you go when you're an adult and can do whatever you want.
Kim lets out an exaggerated huff and sends her fringe flying off her forehead, crossing her arms in front of her and you know what's coming for you.
"You think I'm doing this for me?" She asks.
Actually, yes. The initial plan is to sell your art but in the end, she makes it all about her.
"I'm doing it for you!" She says, turning it all on to you. She always finds a way to turn it all on to you, making you feel guilty and defeated.
Talking back to her means that you're saying yes to war and you don't want to fight a losing fight. You fist the fabric of your dress trying to suppress the anger brewing inside you.
"Just one more person," you meekly say.
Her face softens at the sign that you're once again giving her the power, "That's right. Just one more and I'll let you go."
You finally let go of your dress and you wipe your sweaty palm down the back of your dress as she guides you back to the gallery.
"All you have to do is stand next to me, smiling and explaining your art to people," Kim instructed like that wasn't what you've been doing all night.
Except that she forgot that you need to fake all of that.
Kim takes you to one of your sculpture displays and three people in suits have been waiting, talking with drinks in their hands.
"Hello, gentlemen," Kim says with an extra polite voice that makes you shudder at how fake she sounded.
"Heard you're looking for the amazing artist behind these beautiful sculptures?" She continues, presenting you like you're the one who's about to get sold, not the sculpture.
One of the three seems to be the one in charge with a stance that oozes confidence and power, a smirk that only someone who grew up with a silver spoon stuck to his mouth can master. He looks years older than you but his face shows no fine lines but that's just because he never had to frown in his life.
"I adore your art so much," he praises with a teeth-baring smile.
Kim turns at you and introduces him, "This is Nicholas de Ville from the de Ville family."
The way she enunciated his last name only means that this person holds importance and she expects you to impress him.
He holds his hand out next with an expensive, shining wristwatch decorated his wrist, "I'm Nicholas de Ville. You can call me Nick."
He may seem nice and polite because all privileged people learn manners but they only apply that lesson in real life occasionally.
You take his hand or else Kim will force you to do it. You shake his hand for a while and accidentally meet his gaze as you try to take your hand back.
"It's a pleasure to meet you, Mr. de Ville!" You say as politely as you can.
"Nick, please!" He insists with a smile.
"And the pleasure is all mine." He adds with a smile that says so many things and they send a chill down your spine.
Kim lets go of her hand and lightly touches you on your arm, "Mr. de Ville wants to know more about your sculptures so..." she quietly pushes you his way.
Nick courteously laughs and says, "Would you be kind enough to give me the tour?"
You consider it for a moment but seeing Kim's glare, you know you have no option.
"Yes, sure, I would love to," you answer with a strained smile.
"Great! Please, lead the way!" Nick says.
When you think the other two are coming with you, it's just you and Nick, walking through your sculptures and you explain each one without trying to bore him like Kim has taught you a few times.
"... it's inspired by the Greek mythology. The apple in the arrow means that when it comes to love, we know no rules, we follow our desires—"
Nick is too busy looking at you instead of looking at the sculpture you're tirelessly explaining to him. Guessing that he isn't interested, you stop talking altogether.
"I'm sorry if I'm rambling," you sheepishly say to him and keep looking at the sculpture.
"No, no, that's okay," Nick says with a smile and takes a stand close to you, also looking at the sculpture.
"Your art is as beautiful as you," he says.
You're getting uncomfortable at how close he is with his elbow brushing yours. You nervously swallow air and lowly mutter, "Thank you."
Nick takes it the wrong way. He takes it that you're replying to his flirtation when you thought he was earnestly complimenting you, he starts to place his hand on your shoulder.
You reflexively shrug his hand away but that only sends his hand down to your back where he can touch your exposed skin. As his fingers make contact with your skin, you take a step back until his hand drops.
"I'm sorry," you regret apologizing for something that you didn't do wrong.
He looks at you as if he didn't just do something wrong or touch you without your consent. You feel repulsed by yourself and take another step back, "I'm sorry, I just need to—"
You keep walking away, away and never looking back.
-
The musty smell and dust that hang in the air welcome you to the studio.
You take your dress off the first thing you do when you get there and put on any clothes you can find in the dresser, a black T-shirt and worn-out jeans.
You put your earrings inside your purse and the pocket watch you collected earlier spills out of it, falling onto the couch.
You're intrigued to see inside the locket to get a hint on who the owner is, you're trying so hard to open it with the strength you have but it won't budge.
Exhausted from trying to open the antique-looking object, you give up and walk over to the sculpture you're working on. You put the pocket watch down on the table next to your carving tools, then pick up a chisel and a hammer.
For every hit of the hammer, you feel like unleashing something that makes you feel lighter and lighter and makes you hit the chisel harder and harder.
You eventually get exhausted and take a step back, leaning against the table while looking at the unshapen block of stone in front of you.
You grope around for a bottle of water and take a sip, putting it down as you wipe your mouth after. Your fingers nudge something as you place your hand on the table, it's the pocket watch blinking under the fluorescent light.
It seems to be calling for you, inviting you to try and uncover the mystery inside.
Looking at the small chisel next to it, you decide to give it another try by prying it open with the chisel. You slip the sharp end in the crack and use your strength to push it open only for the chisel to slide to the slide, cutting the side of your finger.
You drop the pocket watch as blood drops from the wound onto the table. It's not the first time you injured yourself, you know what to do. You go to the bathroom, wash your finger under the running water then grab your first aid kit from the drawer.
After tending to your small injury, you decide to not continue working when you're angry. You take another sip of water and lie down on the couch.
With the quiet that hangs in the room, you slowly drift into sleep.
-
SEVEN DAYS TO THE END OF THE WORLD.
The darkness greets you even though you have opened your eyes.
Pretty sure you kept one of the lights on when you went to sleep but it's all dark now in the room, you can't see anything but lights that shine through the cracks of the blinds.
You slowly get up from the couch to turn the light on, carefully walking to where the switch is, and once you flip it, lights flood the room.
The first thing you see is the pocket watch that is now open, you walk over to the table and pick it up to see inside that it's just a normal watch but it doesn't have numbers on it like all watches have.
You close it and see that your blood tainted the lid, this time, you can easily open it without a hassle.
"Hello!" A voice says.
Surprised to hear a voice coming from it, you drop it back onto the table. A moment later, you laugh it off, thinking that you misheard it considering that you just woke up from sleep.
With hesitancy, you pick the pocket watch again and look at it. Your thumb wipes the glass cover of the watch.
"Hi, Hello, I'm Minho. I'm a demon. You anointed this talisman with your blood so now we're bound together and—"
It speaks again and in response, you hurl it across the room until it hits the wall and drops onto the floor. You stand there, frozen on your feet, and wonder...
"Look, I've got a whole introductory speech here," the voice says again, coming from the part of the room where the pocket watch is.
For protection, you stand behind the open bathroom door and look at the pocket watch talking like a lunatic you are.
"We got to work together," it says.
You whimper hearing the voice again and you know that it's real, you're not making this up.
"Can you pick me up? Just pick me up. Come on, pick me up! Please?" It demands.
You take cautious steps to get to where the pocket watch lies on the floor.
"That's it, come on. Come on. I won't bite, I promise. Come on," it says as if it could see that you're coming to pick it up.
You swallow air and slowly bend down to pick it up from the floor, holding the pocket watch in your hand.
"As I was saying, you anointed the talisman and the rules are you've got to carry out three human sacrifices over the next seven days or else the world is going to end," it speaks again.
That's a lot of information to take in, not to mention that you're already having a hard time wrapping your head around the fact that the pocket watch is talking to you.
"W-what?" You breathlessly say.
"If you want me to help you, you need to permit me entry."
Entry? That sounds like a bad idea. You just stand there and look at the pocket watch.
"Do you permit me entry? Yes or no?" It asks.
You shake your head and convince yourself that maybe it is not real.
"You have to say yes. Just say the word yes."
This is not real, you tell yourself out loud.
"Or let's do this, if you say yes, I'll... I'll stop, okay? I'll go away. You'll never hear from me again like this didn't happen." It persuades.
This is not real, this is not real, you chant in your head.
"Just say yes. Say it! Say it. Say it. Say it," it chants louder and it starts to fill your head, endlessly echoing.
You want it to stop so you impulsively say, "Yes."
The chants stop and the light flickers off, filling the room with darkness again. You whimper in fear as the pocket watch starts ticking in your hand.
You hear something deeply breathing a few feet from behind you. Curious, you spin around on your feet to see what it is, but you can't see it as it's lurking in the dark
However, you feel good about not being able to see it as fear creeping up inside you. You walk backward until you hit the wall behind you.
"Hey, come on, what's the matter?" The thing says as he takes a step forward, revealing his form to you.
The first thing you can make out the shape of that thing is two long horns on his head and two red eyes.
"All right. I lied about going away," he says in a deep, growling voice.
"My regular appearance is a bit too much for this realm."
He takes a step back and disappears in the dark. After a while, he takes another step to the front and has already taken a different shape. He looks normal now, as in looking like a human and not just any human, he looks like...
"I peered into your soul and apparently, this is a physical look you find appealing so..." he says with his arms spread out and a proud grin on his face.
"I don't know. Let me have a look!" He walks over to the mirror hung on the wall next to you.
He looks just like the sculpture you made, he has a sharp nose, chiseled jaws, and a hair color as intense as red roses go. You feel a mix of fear, awe, and confusion inside and it's getting overwhelming.
He leans close to the mirror and fixes his hair, "Wow!"
He seems impressed by how he looks, "Okay, isn't it what you want?" He turns to you.
Not getting an answer from you, he smiles, then says, "Uh... I mean, I can work with this."
You can only whimper with your mouth parted open, having a hard time wrapping your head around this situation. If it's happening or not, is he real or not, did you take your meds or not?
"You have to calm down so we can talk. Just talk to me!" Minho says, noticing that you're in a state of panic.
For a split second, you see his eyes flash like those belonging to feline creatures, gleaming like two marbles in the dark. You can feel cold sweat on your back as you slump down against the wall until you're sitting down on the floor.
He squats down in front of you and reaches for your head but you're quick to dodge away from it.
"You know, we have got to work together," he assures you.
It's not fair that he has a face that came from your imagination, it gives you a sense of familiarity that lures you to give in. However, you're not sure if you should be giving in to him.
You bang the back of your head to the wall, close your eyes, and repeatedly chant like it's a mantra, "You're not real. You're not real. You're not real."
But that is not enough to expel him. You open your eyes and still find him there. hand and a grin.
"Like I said, we have got to work together," he tells you again.
To give you the space to gather your thoughts, he walks around the studio while talking, "You marked the talisman. I don't make the rules."
With the lights turning back on, your eyes can easily follow his figure going around the room and looking at the sculpture you're working on.
His fingers slowly graze the rough surface of the carved stone and then he turns his head at you.
"Basically, we need to deliver three human sacrifices by next Friday or else it's..." he informs you again as if you haven't heard him the first time, "burning skies time."
You can feel anxiety rising inside you and your throat is closing up, making it harder for you to breathe.
"I sense you need convincing. Uh..." Minho walks up to you again and offers his hands to you.
You look at his hands for a moment before letting him help you to get up from the floor. You imagine your hands reaching for fragments of your imagination but instead of that, you feel his warm skin and firm grip as he hoists you up until you're standing on your feet.
If he's not real then how can you hold him?
He looks at you for a second to make sure you're okay then nods, "Let me show you how this will play out, alright? What will happen if we don't succeed," he says.
He walks to stand behind you and puts a hand in front of your eyes, "You ready?" He asks, his hot breath fans your neck as he speaks.
You're not sure what he's asking you to get ready for. You're not even sure if you're living the reality right now.
"Ready?" He asks again and once again his breath tickles your ear.
"3, 2, 1!"
As if you're being transported to another time and place, you open your eyes to see fire. It's the studio but it is on fire.
"This is what we're dealing with!" Minho says but you can't see him anywhere.
Fire is everywhere and you can feel the heat of it burning your skin and thick smoke filling your lungs that you start coughing, retching for air.
"Scorching wall of flame. It's agonizing death for all and so on," he continues.
You're flailing around to get air, walking to the window to open it only to find it hot to touch and you see that the whole city burns with you. You hear people screaming and sirens blaring everywhere but anywhere you look, it's just blazing fire.
You get away from the window until your back hits the table behind you and snaps you back to reality. Your head turns to the side and see Minho there, leaning against the table next to you.
"See, burning people they smell like... a burnt slice of meat on a griddle. It's better if you dissociate from it," he coyly says.
The images are so vivid that you feel the need to escape it, run away from here and so you do. You make a run to the door and he's already standing there next to it.
"If we're being honest, I don't want the apocalypse to come about any more than you do," he says.
You turn the knob and open it, running through the hall that leads to the exit door. Yet Minho is already there too.
"So let's stop it happening, you and me, mmh?" He says to you.
"All we have to do is deliver three sacrifices in seven days," he pops at the end of the hall.
You yank the door open and find him standing outside the door.
"It's only three killings," he says with a malicious laugh.
You rush to climb down the steps trying to escape what you know is like trying to get out of your head, it's inescapable.
"Animals don't count. You have to do humans," Minho informs at the base of the stairs.
You hurriedly unlock the iron gate and pull it open, running into the street in the middle of the night but of course, he's already there too.
"We can do like one kill a day but I'm good with one kill in two days and—"
You decide to go the other way from where Minho is standing and just aimlessly walking to avoid him. You know the neighborhood but not as good as when it's at night.
You walk down the stairs that lead to the riverbank, feeling more afraid of Minho instead of being mugged at night.
"That is fewer people than die falling off ladders in the same time period," Minho magically appears on the stairs, leaning against the railing.
"You'd be less lethal than a ladder," he adds with a sly smirk.
Your eyes are watery either from the cold wind or the anxiety taking over you. You sniffle before talking to him, "If I talk to you, you're real so I'm not going—"
You walk away before you can finish your sentence and walk along the riverbank, hugging yourself.
"Well, we started conversing already so that ship has sailed."
You can't believe that he's still following you when he knows exactly why you are trying to get away.
"No, it hasn't," you persist when you know he's right.
"Oh, oh yes it has," he talks back with a mocking tone.
You stop on your track and grunt in frustration, bending down to pick whatever is close to you.
Minho stops walking as well and says, "Don't worry. We're a team. I'm on your side, you know?"
He takes a step forward and keeps talking, ignoring that he's the reason why you're so frustrated.
"Let's just get kill number one under your belt, mmh?" He says in a softer tone.
You turn at him, your finger pointing right at his sharp nose and sternly tell him, "You can stop it because I am not killing anyone!"
You take a deep breath to calm yourself down and try to face him again, "You're not real so I don't why you keep talking to me," you snarl.
Minho coyly smiles at you and calmly responds, "That's what I'm here for. Moral support!"
He takes even a closer step to you and lowers his voice, "So, just hold on to that rock and hit someone with it!"
You get confused by what he said, "What rock?"
He eyes your hand on your side, "The one in your hand, love!" He answers.
You don't even realize you've been holding it until he pointed it out. The moment you know, you can feel its weight in your hand.
You gasp in surprise and glare at Minho, "I'm not doing what you say."
You hear footsteps coming from under the bridge and turn around to see a middle-aged man, "Are you alright, Miss?"
But Minho sees it as an opportunity, he stands and looms behind you, whispering evil things into your head.
"Mmmh... yeah," he hums in victory.
"He's perfect. No witnesses. Talk about beginner's luck," he whispers to you so close that it feels like he's living inside your head.
You feel his hand resting on your shoulder as he further persuades you, "Just one quick pop to the head and you're done."
For a second, you wanted to do what he said just so he could stop bothering you. However, the conscience in you is talking you out of it.
You walk toward the man and try to seek help from him, "Please, make him stop!" You say, gesturing to Minho who's standing right next to you.
The man looks confused by what you said and asks, "Make who stop?"
Disoriented by what's real or not, you keep looking back at Minho, then at the man, getting pushed to where you hit your limit.
The man walks up to you, feeling more concerned for you that he asks again, "Is everything alright?"
The relentless demon he is, Minho stands close next to you and whispers, "Would it help if I told you I can see into this man's soul and he absolutely deserves to die?"
This time you know it's his way to get what he wants, to get you to do the deed. You look away and hastily shout, "Shut up!"
Yet Minho keeps talking about the man as he's giving you a stare, one that you're way too familiar with, and convinces you that he thinks you're crazy.
"He has a wife and a daughter, you want to know what he does to them?" Minho's words hold intense hatred in them like you can feel the bitterness of it on your tongue.
You look at him to see if he's just tricking you to kill the man, "Don't trust me? Well, get a load of this!"
Minho covers your eyes with his hand again and this time, images of the man abusing his wife and daughter over and over again that you can't bear to watch anymore.
He snaps you back to reality again and says, "You'll save them both from years of pain, shame, and guilt."
Fueled by the rage from what you've seen through Minho's vision, you launch yourself at the man and hit him hard on the head, sending him tumbling to the side and into the river.
You stand there watching his body sinking into the water until the air stops bubbling to the surface of water and that's when you're certain that he's dead.
The man is dead.
Despite the shock, you manage to walk away while still carrying the rock in your hand, and once you realize you've been holding to it long enough. You throw it into the river then break into a run back to the studio.
You vomit everything into the toilet bowl once you're back in the studio, retching nothing but saliva and air.
Minho is standing at the doorway of the bathroom as he says, "It takes some used to but a couple more of that and I'll be out of your hair," he says.
You flush the toilet and sit on the bathroom floor, looking at him with teary eyes and the shock that hasn't left your body yet.
He pulls out the pocket watch and shows you that the Roman number written inside has gone one line, "See? One line has gone which means one sacrifice registered. Two to go."
You get up from the floor and drag yourself to the couch, feeling so drained by whatever has driven you to do unimaginable things, one that you thought you'd never done in your life.
-
Morning has passed but you can't find the energy to live for the day.
You're lying down on the couch watching the sky turn brighter with every hour passed. It hasn't sunk in yet what you did last night. It feels like a dream but at the same time, you can still feel the weight of the rock in your hand.
Minho has been quiet but you know he's lurking in the room and he decides to interfere by standing in front of you.
He tips his head to the side and asks, "How long are you going to stay like this?"
He then sits on the other end of the couch and says, "Well, you have to, at least, do whatever it is you do as a sculptor. You can't have people getting suspicious."
How come he takes it lightly? How did he get so calm after telling you to kill a man and watch you doing it?
"Fucking shut up!" You shout at him.
Talking to him makes everything unbearably real and it makes you recollect what happened last night. The guilt, the disgust you feel for yourself, the blood on your hands, you can see everything now under the daylight.
"I killed a man," you croak, saying it hurts that tears start to crawl out of you.
"I've killed someone," you meekly say with a tear rolling down from the corner of your eyes.
"Yeah, but that was hours ago," Minho nonchalantly says.
"I keep feeling the crack of his skull on the rock," you pause to sniffle and turn to look at Minho, "I did that."
But he wouldn't get what you feel because he's not a human in the first place. Minho is a demon.
"It's your fault. You're not even—" You stop talking because it's no use to talk to an entity that knows no compassion.
You brush your hair to the back and deeply sigh. Turning your head at Minho again to ask, "Why is this happening to me?"
You use the heel of your hand to press on your eye to stop crying, "I'm not a bad person."
"No, no, no," Minho quickly denies.
He moves to stand behind the couch and leans close to you, "It wouldn't work if you were. It has to be someone corruptible," he explains.
Your forehead wrinkles and forms a questioning look on your face, trying to make sense of what he said.
"If you think about it, what's happening here, it reflects really well on your character," he says with a smile.
What he said only assures you that you are a bad person. What you did is the reflection of what you truly are, a bad person.
You nod and wipe your wet cheek with the back of your hand. You get up to sit on the couch and grab your purse, rummaging inside to pull out your phone.
"What are you doing?" Minho asks with a panicked voice.
You dial the police line on your phone and show it to him, "Calling the police."
He jolts on his feet and sits next to you on the couch as you hit the call button.
"But why?" He asks.
You can hear the dialing tone ringing so close to your ear, "So they'll arrest me," you simply answer.
Minho nervously chuckles, "Then you won't be able to do the other sacrifices," he reminds you to rethink your choices.
"Good!" You shortly respond, trying to stay in your right mind this time.
"Then the Apocalypse will happen and billions will die. I know, I know, I get it. You don't want blood on your hand but if it saves billions..." He's babbling, desperately trying to stop you from turning yourself in.
The way he puts it that way, he makes you choose the lesser between the two evils. 
"Hello, police department, may I help you?" The operator speaks on the phone.
Kill three people who deserve it or save billions of innocent people?
You find yourself hanging up the call and putting your phone away, once again failing to do the right thing.
"See? You're a good person!" Minho says as he exhales in relief.
To be honest, you don't know what's good or bad, right or wrong anymore. It's one big blur to you.
You feel frustrated once again, you feel like a failure but on the bigger picture, you're trying to stop the world from ending.
But can you really save everyone?
-
You can't wait to dwell on everything in the comfort of your apartment. Before you can do all that, you need to set boundaries with him. You face him and look him right in the eyes, "I have six days to kill two more so please, give me a break for now."
Minho gets quiet for a moment before nodding in agreement, "That's fair."
Feeling the need to wash yourself from whatever it is clinging to your body, you get a shower and take your meds to help you decompress while sitting on the end of your bed in your bathrobe.
"I don't know why you take those pills," Minho says as he enters your room.
You quietly sigh at him and say, "Can you at least give me a few minutes until it's working?"
"Want to wash it down with wine?" He offers, showing the bottle of red in his hand.
You shake your head, "I can't drink alcohol after taking antidepressants," you answer, not sure why bother answering him.
"That sucks!" He says and puts the wine bottle down on top of your dresser, "I was thinking we could celebrate our first kill."
You feel a little faint at the mention of the word kill and celebrate being put in one sentence. You climb onto the bed and pull your duvet, "I need to rest."
Minho appears at the end of your bed, looking down at you with his dark, wide eyes, "That's right. We have a lot to do tomorrow."
"Can you turn the lights out for me?"
"Certainly."
The room turns dark but you get a newfound comfort in it.
"Goodnight," Minho's voice caresses your ears like a spring breeze.
You don't want to get used to this but you feel inexplicably at ease that there's someone else with you in this vast emptiness.
"Goodnight, Minho."
-
SIX DAYS TO THE END OF THE WORLD
You jolt awake to the sounds of your phone ringing on your bedside table and you know who it is without having to look at the contact name. Your fingers are tapping the phone screen as you squint your eyes to make sure you hit the accept call button.
"Yeah?" You ask as you put the phone on the side of your face while you're lying on your side with your eyes closed.
"You're still sleeping?" Kim asks, noticing the sleep in your voice.
"Mm-mmh," you hum in answer.
"You know what time it is?"
"I don't know. Nine or ten?" You wildly guess by how badly you want to go back to sleep.
You hear her sighing from the other line of the call, "It's almost 2 in the afternoon," she says.
You force your eyes to open to check the time yourself and see that it is indeed two in the afternoon.
"Oh?" You innocently gasp.
Realizing that may piss her off, you hurried to shift the conversation elsewhere, "Yeah, uh... why are you calling again?"
You fear that she's going to be mad about you abruptly leaving the exhibition or worse if she knew about Nick. You hold your breath, anticipating her answer.
"Oh, yes, I have good news," she says with a smile that you can feel from your end of the line.
"You sold four sculptures, darling!" She squeals.
That's exciting news but you don't have it in you to participate in that excitement, yet you feel relieved you can properly breathe at ease.
"That's... That's great!" You meekly say while raking your hair to the back with your fingers.
"I've been calling you since yesterday, you know that?"
"Oh? I, uhm..." You take a moment to think of an answer.
Summoned a demon? Found out that you have seven days to the end of the world? Killed someone to stop it?
"I needed—"
"Never mind!" She rudely cuts you off, "Guessing from how tired you sounded, you must be going straight back to work, huh?"
The sculpture is still a chunk of unshapen stone but yeah, you worked on it just a bit. Well, a work is a work.
"Yeah, I-I did," you sputter your answer yet thankful that all of her guesses are off the mark.
"I'll come with the paperwork tomorrow. For now, you can rest now or work some more, knock yourself out," she says, couldn't care less about what you're doing now that you've made money and she got to feed on a few percent of it.
"Thanks, Kim!" You say, because it's better to always be on her good side.
"Oh, come on! We both working hard," she kindly refuses but you know she feels entitled to this.
"Let's have a dinner to celebrate," she suggests.
"Yeah, yeah," you half-heartedly answer.
"Talk to you later, okay?"
"Okay."
"Bye!"
You don't even bother to say it back knowing that she'll hang up right after she said her bye. Since you've woken up already, you sit up on the bed and pull your knees up, hugging your feet as you gather your thoughts.
In your peripheral vision, you see a flash of red from the doorway of your room. You turn to look and see Minho standing with the side of his body leaning against the doorframe.
The all-black outfit he's wearing makes his honey skin glow and his hair look like a blazing fire under the sunlight. He smiles once he notices your eyes are on him.
"Morning, sunshine!" He sweetly greets you with a smile that is a little unsettling but a whole lot attractive.
He crosses his arms in front of him, exposing the veins coiling his forearms, "Oh, wait, it's way past noon," he says with a grin.
Looking at him only reminds you of the responsibility you're carrying on your shoulders: saving billions of people from being incinerated.
"Are you always like this or...?" Minho asks, breaking the silence that hung in the room as you think of the dire situation you're in.
Minho approaches you and stands at the end of the bed, "You can't stay in all day. We only have five and a half days left," he reminds you of the time-sensitive quest you're in.
The only way to save those billions is by killing three people. That's the only thing on the pro list, there are just too many cons, mainly on the killing part. The only good thing that comes out of it so far is that you only need to do two more killings.
God! What have you become?
"What should I do?" You hopelessly ask him even though it's a bad idea to ask a demon such a question.
"Just carry on as usual so the people around you don't get spooked," he answers.
It's you and him, him and you, there's no one else you can seek help from.
Minho is right. You can't just sit here and watch the day goes by or else the thing you've done would come to a waste.
You slowly scoot over to sit on the edge of the bed and rub the sleep of your eyes, not ready to face the day when you know you only have six days left to stop the end of the world.
"And while we're going on about the day we can decide who to kill next," Minho adds.
The devilish grin looks beautiful on his sculpted face but everything he says sending a chill down your spine.
-
"Oh, an old lady!" Minho exclaims as an elderly lady enters the elevator.
You silently watch as he scoots closer to her and smells her head, "She smells like... oh! She's sweet."
You silently groan in the corner watching what he's doing.
He places his hand on the lady's shoulder and says, "She can't stop thinking about the end though. She can't wait for it to come."
He looks at you with that wild grin plastered on his face, "You'd be doing her a favor."
You lightly shake your head at him to make him stop playing around the poor lady but he doesn't get the clues.
"She dreams of death. Even now—"
"Shut up!" You say through your gritted teeth.
The old lady turns to look at you, "What is it, my dear?"
You quickly put on a smile for her, "Oh, nothing," you politely say.
Minho walks up to stand next to you again and whispers in your ear, "Just do it. No one will miss her."
"Shut up!" You whisper back while throwing daggers with your eyes at him.
"She's nearly dead already!"
Thankfully, the elevator dings open and shoots his idea down as you step out of the elevator.
"We need to start to pick someone!" He persists as he follows you walking in the lobby.
Minho is such a nuisance.
It's hard to ignore him when he keeps talking, making remarks about everyone he sees, and constantly around you the whole time.
It's when you're working on your sculpture that you get to immerse yourself in your work and disassociate from reality.
All you hear is the slamming sound of your hammer on the chisel and pieces of stone falling onto the floor. Looking down at the mess you made, you spot one particular piece of stone lying close to your feet. You stare at it for too long you get the recollection of that night.
The weight of the rock in your hand, how you bashed someone's head with it, and the splashing sound of the man falling into the water, all of that vividly playing in the back of your head.
You stagger backward and drop your chisel onto the floor, the clattering sound echoing in the spacious studio.
"I've been meaning to tell you this," Minho appears from behind the sculpture, startling you.
"We should order food," he suggests.
You put away your hammer and take off your mask, walking to the mini fridge to get a bottle of water.
"You're a demon. You feed on..." You think for a moment to finish your sentence as you unscrew the cap of the bottle.
He snatches the flyer stuck to the fridge door and asks, "Pizza?"
You close the fridge and walk over to the couch, plopping yourself down before chugging some water into your system.
"You need to eat so you can—"
"Kill?" You finish his sentence.
Minho scrunches his nose and sits on the armrest of the couch next to you, "I was about to say think but yeah, that too," he says.
You untie your pinafore and throw it aside, he isn't wrong to say that you need to eat. What's the point of saving the world if you're going to die of starvation?
You let out a sigh and grab the flyer from his hand, typing the numbers on your phone screen.
"Cheese pizza, please? With a lot of pepperoni!"
How can you believe that he's a demon when his choice of pizza topping is like a toddler's?
-
"Good evening, Miss!" The concierge greets you as he sees you enter the door.
"Hi," you greet back, impatiently wanting to get back to your apartment to dwell on your fate again.
"Miss Kim came by and dropped something for you," he informs, taking out a big envelope from your mailing box.
There's a faint sound coming from the small TV tuned to a news broadcast when you come to the desk to collect it.
"Here it is, Miss," he slides the big brown envelope across the shiny surface of the desk. There's a note on top of it which you immediately recognize as Kim's.
You open to do a quick check on what's inside when you hear a glimpse of the news from the TV.
"...man found dead in the river has been identified as Ben Watson, a financial officer of a bank company, leaving a wife and a seven-year-old daughter who has been notified about his tragic death..."
You glance at the small screen and see the photograph of the man you killed that night. You can't possibly be wrong about this when you remember the horror on his face as you lifted the rock before swinging it hard to his head.
"Is there anything wrong, Miss?" The concierge asks.
You snap yourself out of your daze and put the envelope close to your chest as if someone about to steal it from you.
"No, no," your voice is quivering in panic at the sight of the man you killed.
"Thank you," you abruptly the conversation with gratitude and walking fast to the elevator.
The warm water doesn't work to calm you down when you're tainted inside. You feel filthy, inside and out. You feel sick seeing your reflection in the mirror.
You've been holding your medicine in your hand but you need something stronger, you ditch the pill and run to the kitchen.
You pull out the wine you have in the kitchen cabinet and drink it straight from the bottle, chugging it like it's water. You gasp when you stop drinking, taking the bottle with you as you sit on the sofa while you're still in your bathrobe.
"This is how you're going to end the day?" Minho asks, taking the bottle of wine from you to take a sip.
"Can you stop talking about killing for just—" You choke on air as anger bubbles up inside you.
Minho holds his hands up in defeat and leans back on the sofa next to you, "I'm just saying..." he meekly says.
The silence only resides for a minute until he speaks again, "Look, the earlier you get it done—" he stops talking when you shoot him a glare.
You take the bottle of wine from him and take a long gulp, a drop of wine escapes the corner of your mouth, dripping down your chin.
You aggressively wipe it with the sleeve of your bathrobe and recline on the sofa, looking out at the city lights that look like pinpricks in the dark of the night.
"I'm crazy..." you sadly remark.
Those words remind you of a sobering fact that what people think of you: crazy.
Ever since you were still an art student, people often found you talking to yourself in class, always in your little world with your imaginary friend. That leads you to this solitary life because normal people avoid crazy.
"People are right about me. I'm crazy," you state again, and saying it out loud makes your heart aches.
Minho turns his head and looks at you with his dark eyes that weirdly provide you warmth, "You're not crazy."
But why would a normal person kill a person because a demon told him to? You don't even know if he's real and not a product of your imagination.
"I'm a murderer..." you say with a heavy sigh and an even heavier heart.
He scoots closer until he sits close next to you, his shoulder bumps with yours on the big sofa that could fit five people. He looks at you and gently says, "Yeah, but not a crazy one."
Minho has a way of looking at bad things positively. You chuckle at the irony of his words. You can't tell if you should be happy that you're not crazy or sad that you're indeed a murderer.
He slumps down on the sofa to be on the same level as you, also turning his head to look at the view, "Want to know something?"
Instead of answering, you take a sip of the wine. You know he'll keep talking even if you refuse him.
"This is actually my first assignment," he shares.
He drops his hand on the space on the sofa, merely inches away from yours, "It's more of an initiation, sort of earning my wings."
You look at him and get a little taken aback by the proximity you can see yourself in his eyes. You almost forget what you were trying to say to him, "What are you trying to say?"
You look away because he looks exactly like the one you envisioned on your sculpture, divinely beautiful that it's hard to comprehend.
"I'm saying that I'm new to this too," he answers.
Again, you can't tell if you should be happy or sad to know that. Strangely though, you find comfort in his words.
You look at his hand splayed so close to yours and it evokes the curiosity in you that needs to be fed. You gently flip over his hand and gently slip your fingers on the spaces between his fingers, you can feel the warmth and the roughness of his finger pads on each finger.
Minho is real, he's real, you perpetually assure yourself.
You glance at him and he's looking at you, your eyes meet in a tender gaze.
"Are you real, Minho?"
You're aware of how much that question weighs. If the answer is no, you know the insurmountable pain you brought onto yourself.
He slowly blinks and you can see his dark lashes fanning out so beautifully. His crimson-red lips open and says, "I'm as real as you want me to be."
Words aren't enough to convince you. With the despair filling your heart, you lean in and innocently put your lips on his. It's a kiss that feels more than just a physical act, one that you didn't know you needed.
After getting the reassurance that you need, you pull away. However, the hand lingering on your jaw tells otherwise. He touches your face with just his fingertips yet it's enough to send a tingle inside.
Slowly, he leans in to kiss your closed eyelids ever so softly and before you know it, he brings your face closer to place a tender kiss on your lips. 
And for the first time in your life, you feel the warmth no one has ever given you.
-
FIVE DAYS TO THE END OF THE WORLD
"You wake up early!" Minho says as you dress up to get ready for the day.
You ignore his words, continue collecting your things around the room, and put them into your bag.
"Are you trying to match your clothes with me?" He says, looking at your all-black outfit while sitting on the headrest of the sofa.
This morning, you woke up on the sofa still in your bathrobe and a blanket covered your body. The first thing you remember is you kissed him last night and somehow, it convinces you to keep going with the quest.
However, you still feel conflicted with what you do. You need to make sure of one thing.
"How about this handsome fucker?" Minho asks, pointing to the other person riding the elevator with you.
The man looks indeed handsome, he dressed so impeccably when it's only ten in the morning. He catches you looking and smiles at you.
You politely smile back and look away only to face Minho who's standing on the other corner of the elevator.
"He'll be losing his hair at the age of 32 and spends the next 29 years taking it out on his wife," he whispers even though no one can hear him but you.
The taxi ride to the hospital only takes fifteen minutes and you know where to go right away from the array of flower arrangements outside the separate building from the main hospital.
"Please tell me you're not doing what I'm thinking?" Minho asks in a concerned voice.
You wish to be able to shut him up for a few minutes until you can find what you're looking for. The hall is packed with people in black attire to what you can safely assume are the guests of the mourning family on the two funeral services being held by two different families.
You read the sign that leads to the Watson family yet pretend to be the one visiting the other family. Before you can sneak into their funeral service, you see someone taking the daughter outside.
"This is a bad idea!" Minho panickly says.
It's kind of alarming to hear because it's the first time he sounded genuinely concerned. You follow where the little girl is being taken and turns out, she's being taken to the park outside, probably to avoid her feeling overwhelmed.
"You're not a relative. People will get suspicious of you!" Minho nervously whispers.
You come over to the two men chatting and kindly ask for a cigarette even though you don't smoke. You stand at the other side of the door and take a drag of the smoke to be seen convincing.
"I know you're worried..." Minho sighs.
He stands next to you with his head hovering close to your ear. He takes a breath before talking, "She's not in mourning. She's not not mourning," he says as you both quietly watch the girl sitting on the bench and drinking a juice box.
"Happy that it's finished but sad that he's dead. But it has finished!" He emphasizes the last word.
You take another drag and accidentally do it excessively, sending you into a coughing fit.
"You spared her another five years of it. A lifetime of therapy," Minho explains, "a lifetime!"
You look at him to see if he meant what he said. He's a demon after all, the vision he forced you to see could be misleading, a trick to make you do what he says.
He looks back at you and smiles, "She's a mom at 29. A nan at 57," he shares.
See? He knows how to comfort you even though you don't ask for it. You give up on pretending to smoke and stab the cigarette butts onto the big ashtray. You shove your hands into the pocket of your jacket and start walking away to the parking lot.
"Why are you telling me this?" You curiously ask.
He nonchalantly shrugs as he walks next to you, "I just thought you'd like to know."
-
"Did you see that?" Minho shouts as he leisurely watches TV with his feet up on the couch.
You pretend not to hear him and continue sculpting, hitting the hammer harder, louder to drown out his voice. As if he read your mind, he appears behind you and places both of his hands on your shoulders.
"You should see this!" He insists, steering your body and making you watch the TV.
It's a broadcast of night news about climate change and he magically changes the channel to show news about nuclear testing.
"It's manifesting. Do you understand?"
Minho keeps switching the channel to show you every bad there is happening in the world, everything that shows the sign that the world is close to ending.
You lightly shrug him off and say, "We got this kind of news a few years ago but—"
Minho holds you by the shoulders and shakes you awake, "This is real. We don't have much time and you're the only one who can stop it!" He reminds you of the harsh truth.
Somehow that only makes you question why you have to be the one to bear such responsibility. Billions of people on earth and they chose you?
"I'm not ready yet. I'm—"
"Don't you want to see that little girl live her peaceful future?" Minho asks.
This is where you know he's being the demon he is, using your weakness to his advantage and making you give in to the temptation.
It's not so much a temptation when you have no other options, it's killing or being engulfed in flames on Friday. You muster up your courage and think of something to do.
The first killing was what Minho said it was: a beginner's luck, the man happened to be there and an abusive bastard, even in his grave, he shall not rest in peace.
This time, you plan to do it meticulously and without mistakes. You walk to the kitchen and pull open the drawer, taking out a knife you occasionally use to cut your sandwiches.
Minho shakes his head in disapproval of your choice of weapon, "You're not a knife person," he concludes.
You look at him, demanding an explanation behind that haste conclusion.
"It's messy. You could hurt yourself," he explains.
That sounds right. You put the knife back into the drawer and look around the studio to find potential killing weapons.
Minho leans into your side and whispers, "Let's choose something that is more you!"
You look at him and see that he's eyeing the table full of your sculpting tools.
You pick up the medium chisel and show it to him to seek his approval. You meet another disapproval as he strongly shakes his head.
"It's too specific. They'll know it's you. You're the only sculptor living in the area," he gives you an insight into how the devil's mind works.
You must admit that he just saved you from making a mistake. You pick another weapon that you're familiar with but also gives you the upper hand to do the killing. You pick up the hammer and turn around to show him.
A smile rises on his face as he nods in approval, "That's you! You're a basher!"
You bring the hammer close and observe it, it feels good around your hand since it's a tool that you work with most of your life.
"You've had the practice now. It'll be easier this time," Minho says with a sinister smile.
You want to believe his words so much but the nerves get to you. Your breathing becomes erratic once you realize what you're going to do with the hammer.
Minho puts his hand on the small of your back and holds you steady, "Liquor courage! That's what you need! Booze!" He suggests.
"I don't keep any alcohol in the studio," you meekly say.
Considering that sculpting involves a lot of sharp objects, it's wise to not keep anything that would dull your focus.
"Also, I just took an antidepressant an hour ago," you inform him.
"Oh, shit!" He curses and leans his body to the back, against the table.
Minho crosses his arms in front of him, then rubs his chin as he thinks of something. He then leers at you with a smirk dancing on his face, "Well, do you want a drink?"
-
There's a bar a few blocks away from your studio.
You got here in need of liquid courage and there's plenty of them here. You plan to only consume enough alcohol just to calm the nerves but not too much to lose your focus.
It gets you anxious to step into a new environment. You decide to go straight to order drinks.
"Whiskey, please?" You say to the bartender with a handlebar mustache.
Bartenders tend to remember the faces they have seen and yours must not have registered into his memory bank. He puts away the cloth he's holding.
"You want ice with it?" He asks.
"I'll have it dry," you answer since you came here for the alcohol, not for refreshment.
"Easy, love. We have work to do," Minho reminds as he props a hand against the countertop.
Knowing that one drink wouldn't be enough and you don't want to bother the bartender again for a drink, you decide to double.
"Make that two, please!" You hurriedly say before the bartender starts making your order.
"You don't have to get one for me," Minho grins at you.
The bartender takes another glass with him to finally fill them with your choice of potion.
"I didn't," you whisper back at him.
You immediately pay for it and bring your drinks with you to the empty spot in the corner of the bar, hidden behind the pool table.
You slowly sip your drink and feel it running through your system, stripping a layer of senses off of you, making you less aware of your surroundings.
"Okay, you see anyone tasty?" Minho asks as he sits next to you.
He cranes his neck looking for the next human sacrifice among the people who are enjoying their concoctions. His finger points to the guy with a beanie and drinking a pint of beer.
"Oh, that one perfect!" He exclaims.
He stacks his hands on top of the table and leans forward as he further speaks, "Burglaries. Mostly target the elderly. What do you reckon?" He turns to you for opinions.
The alcohol is not quite there yet so you take a longer sip. You feel the alcohol burns your throat and you wince from the bitter aftertaste.
"No?" He asks as he looks at you.
You know he's asking about the human sacrifice, not the alcohol but the answer is the same, "No."
Minho moves on. His eyes are pacing around the room to study people and check their backgrounds with his evil power.
He taps your shoulder as he finds his next candidate, "See that girl with the pints?"
You can easily spot the girl with curly hair, carrying two pints of beer in her hands.
Minho leans in close to your ear to give his intel, "She went on holiday when she was 12 years old and saw her sister drown in a swimming pool."
He suddenly lowers his voice as he tells you the rest of the story, "She could have pulled her out but she just stood there and watched."
Maybe it's true that people are the scariest.
They may look ordinary and good and all yet inside, lies this darkness that they buried deep inside them. If Minho hadn't told you, you would have taken her as a pretty girl with a nice smile and nothing more.
Minho pulls at the sleeve of your shirt and points to another guy, talking to his friend by the pool table. You're about to wave him off again until the guy turns his head and you know who it is.
"How about him? He likes to secretly film girls by drug them and once he—"
"Sent a girl into overdose," you finish his sentence.
Everyone knows who Tim Shaw other than a student in our faculty and more importantly, people know what he likes to do to innocent girls yet no one dares to make him take responsibility for what he did.
Until one night, he drugged a girl and left her on the cold floor of a club, unconscious. There's no evidence that he drugged her or it was he drugged, ended up with him getting dropped off of all charges.
You have one more drink to finish and you gulp it in one go, wanting to use this opportunity to get back for what he did to that poor, innocent girl.
Minho triumphantly smiles, knowing that you have set a target on Tim's head.
"I think we have a contender," he concludes.
-
Tim is exiting the bar and you take it as an advantage.
You don't need to lure him out, you wait a minute before you follow him outside to not seem conspicuous. Once you're outside, you look side to side to see where Tim is going.
"Perfect location. No witnesses," Minho answers as you both find him turning to the back of the bar.
Tim seems to hear your rushed footsteps and turns around to see you. He seems to be taken aback and you doubt that he'll recognize you. Being crazy has its advantages, you're off the asshole's radar.
You nervously laugh as he looks at you. You quickly think of something to say, "Oh, my God! It's really you, Tim!" You say with fake enthusiasm.
"I'm sorry but who..." he gets all defensive.
"I'm—" You don't know how to explain yourself other than 'the insane one from art school'.
"Oh, wait, you're that girl, the sculptor, the... uh," he brakes before he can say the infamous title of yours.
"The freaky one?" You playfully say.
He bursts into laughter and nods, "Hey, don't get me wrong. I like freaky," he says.
Minho points to the carts of empty bottles and gestures for you to use them instead of the hammer inside your bag that weighs your shoulder the longer you're carrying it.
"I was just getting a drink but it doesn't feel good drinking alone," you lie even though that's how you prefer to enjoy your poison.
"Yeah, I bet," he says with a grin that showcases his whitened teeth and malicious intent.
"How about drinking at my place?" He offers.
"Home turf. Even better," Minho comments, appearing behind you.
You don't want to seem desperate to be with Tim because honestly, you're just stalling to find the perfect opportunity to kill him. It's time to put what you learned from Kim into practice.
"I, uhm..." you rub the back of your neck and shyly smile at him, "I don't think that's..."
As you pretend to consider his offer, he's secretly checking you out. His eyes travel up and down your body, you bet he thinks of lewd things even though you're dressed like a bible salesman with the same outfit you wore to the funeral service.
He takes a step forward and smiles at you, "I live not far from here. You can easily crawl back here if you think I'm a bad drinking partner," he seduces.
Tim must have thought you were as gullible as the other. Oh, he has no idea the surprise you have for him!
"If you don't mind, yeah," you say with a low giggle.
"Okay," he says with a triumphant smile.
His house is indeed only two blocks away from the bar and he keeps boasting about how he owns a house from his inheritance and the rising price of property these days.
"Please, come in!" He lets you into his house.
You step on a crumpled beer can as you enter the living room and are horrified at the amount of trash littering the place.
"A few friends and I watched a football match last night," he concisely explains.
He takes off his jacket and hangs it on the coat rack, "How about we drink in my room?"
You uneasily glance at Minho and he nods. You look back at Tim then put on a fake smile for him, "Yes."
He leads the way up the stairs and you follow him, climbing the steps with the hammer getting heavier and heavier inside your bag.
Tim turns around and sees you being hesitant, "There's no need to be shy now," he says with a lopsided grin.
You respond with a smile, keeping your head tilted up, and continue climbing up the stairs.
"Now!" Minho orders.
"Hit him with the hammer now!" He says again so close to your ear.
Your head snaps in his direction and hisses through your gritted teeth, "Shut the fuck up!"
Tim catches you talking and looks over his shoulder, "What's that?"
"Can't wait to see the bedroom!" You lie and add a giggle to sound convincing.
He smirks at you before pushing the door to his bedroom, "Come on in!"
His room is less messy than his living room in which he helplessly tries to make it seem tidy by flattening the pile of his duvet.
"You can sit down here," he says, patting the space next to him on the bed.
"You're not really going to have sex with him, are you?" Minho asks as he quietly watches you from across the bed.
A deadly glare is enough to answer him and he immediately refrains from pressuring you.
"I was just checking," he adds.
It's when you're in his bedroom that you start to fear Tim, not when you know what he is capable of. But at the same time, it fuels your hate fire, it reminds you of the reason why you need to eliminate scum like him.
"You keep your alcohol in your room?" You ask.
It's obvious that he took you here for different intention. He's taking you here for the sole reason that is to ruin your life.
"Oh, yeah, the drinks," he smacks his lips together and awkwardly paces in the room.
He reaches for the portable speaker on top of his dresser and turns it on, "You can wait for the drinks while listening to music," he says.
You nod, "That sounds nice!"
He gets out of his bedroom and heads back downstairs. While he's doing what you believe is spiking your drink with substance, you think of a plan on how you're going to kill him.
First, you take the hammer out of your bag and practice your swing. You get panicked with each second passed and haven't found a way to catch him off guard.
The footsteps on the stairs signal you that he's on his way here. You decide to do the classic way by hiding in the back of the door, planning to strike him from behind.
You see his figure entering the room, carrying two glasses of drinks in his hands, "It's your lucky day because I found a bottle of—"
Without thinking, you swing your hammer hard and hit him right on the side of the head. It's a weak blow and you can see that from how he's staggering backward, still conscious.
There's no turning back now that you have done it. You come charging at him, attacking him while he's still disoriented from the first blow.
He collapses onto the bed and not giving him time to recover, you keep hitting his head with the hammer with blood splattering the bed and wall with every swing of the hammer going onto his head.
You whimper as blood gets on your face and see that Tim is lying cold on the bed, dead. However, you land another blow just to make sure you've done it and leave no room for mistakes.
"You're good, you're good," Minho says from across the room.
That's when you stop and take a step back. It feels like your soul has left your body, you suddenly feel drained and the hammer drops onto the floor.
You look at the mess you made, the bloody mess and dead body, your life that is once far from all of it. Your throat suddenly closes up and you find it hard to breathe.
After a moment, Minho gets to your side to say, "You can't have that lying around," he's eyeing the bloody hammer lying on the floor.
With your mouth gaping for air, you bend down to pick it up and shove it back into your bag.
"Cleans anything you touched," Minho instructed.
You take a handkerchief from inside your jacket and use it to wipe surfaces you probably made contact with even though you're sure there aren't any.
You leave the bedroom after wiping the handle of the door and make a turn to the stairs when you hear the front door creak open.
You peek from the top of the stairs and someone is turning the lights in the kitchen.
"Get out before he sees you," Minho whispers.
It's bad when he needs to whisper like that even though no one can hear or see him, but you. The adrenaline is still pumping and you make the most of it by bracing yourself to make a run down the stairs and to the front door that is only a few meters away.
You take a deep breath before quietly descending the stairs without making any noise. You can feel your heart beating in your ear yet you keep going as the door is only a reach away.
You successfully land on the base of the stairs when your bag accidentally hits a flower pot, sending it breaking into pieces on the floor.
"Tim?" The man calls.
He looks at you with confusion drawn on his face, "Who are you?"
It's too late for you to break into a run as he sees your face and officially makes him an eyewitness. You can't leave an eyewitness, at least, not until you've done all three human sacrifices.
Is it necessary to kill him though?
You can think and consider as much as you want but it all comes down to the one question: kill or end the world?
-
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haykawas · 5 months
Text
✩•̩̩͙*˚ THE ART OF (NOT) PULLING YOUR BEST FRIEND
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summary : You've always been good at hiding your feelings for your best friend, but when Satoru finally manages to land a date with the girl of his dreams, something seems to shift inside you. But don't worry, you have another best friend there who's more than willing to care for you.
word count : ~ 11K for all routes that are out, ~ 2.8K for this part. tags : best friend!to lovers, modern AU, best friends gojo & geto, fluff, angst, eventual smut, drama, love confessions, multiple choices standalone.
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It is known that blue is your favorite color.
Blue like the sea. Like the sky on a particularly hot day. Blue like the feathers of a magnificent peacock, and the flesh of a ripe blueberry.
His eyes are blue. They’re this piercing, icy blue you can’t seem to get away from wherever you are. – It is a coincidence that they are your favorite shade of blue, too.
You don’t know when you started liking the color blue with so much passion, and you think maybe you always have. Yet you don’t do anything about it, you don’t go out of your way to profess your love for it. You don’t seek it out and won’t admit it’s the only color that’ll ever make you feel the way you do when you look at it.
It’s okay. There are many other shades to love. It’s just disheartening that it seems to be the only one that suits you so well.
And it is this same shade of blue that is sparkling in Satoru’s eyes, screaming ‘victory’ as he comes back to your table in a confident stride. The wide grin that is stretching his pink lips is triumphant, and you know what this means.
He actually did it.
He slams the piece of paper on the table, leaning at your level to rub it in your face, his sunglasses threatening to fall off his nose. – He always looks so cute when they do that, his nose slightly scrunching to keep them from doing so.
“Ha! You owe me ten bucks.”
You roll your eyes at him, clicking your tongue in annoyance. “I’m sure she took pity on you. That, or it’s a fake number.”
You hope it is, but you would be a fool to believe that. Just a look at your best friend would be enough to understand the fact that he could get anything he would ever want. Like he loved saying, his face card never declined. – To your dismay.
“Oh I knew you’d say that, so I called the number just in case. And guess what?”
“Ugh, Satoru? That’s fucking insane.” You cringe without waiting for him to finish what he has to say.
His eyes widen comically, pointing at you with accusation. “It’s not!”
Suguru also grimaces,  “It is. Creep.”
You grin and silently mouth back the word to your white-haired friend, mocking him.
Satoru rolls his eyes, already exasperated with the both of you, “Whatever you say. While you nerds are gonna be drowning in your video games, I’ll actually be getting some action tonight.” He winks, emphasizing the word action and you feign a gag. And you don’t have to try too hard for it to come out as genuine.
Suguru chimes in, sighing, “Just don’t come crying to us when she ghosts you, man. Again.”
You hum, your chin propped up on your hand, “He sure knows how to pick ‘em, hm, Suguru?”
“She’s different, guys, come on!” He whines.
“Weren’t the three other girls before different too?“
“I believe they were!“ You say, feigning the act of pushing imaginary glasses up your nose. Suguru chuckles, and you grin at him.
“Well, y’know…” He trails off, sighing in defeat because he knows he’s been cornered. “I just really don’t wanna screw this one up.”
You raise an eyebrow, a forced smile on your lips. “We’re just fucking with you, ‘Toru.” You smirk, “But don’t worry, we’ll keep the ice cream ready just in case you come back with your tail between your legs.”
He groans, “I swear you two are perfect for each other. Always teaming up on me like that! What have I done to deserve two mean best friends?”
Suguru looks at you in amusement, and you instantly meet his eyes with a cheeky grin of your own. 
“Two pretty best friends.”
At this meaningful exchange, Satoru groans, throwing his hands in the air.
“See? My point exactly!”
You can’t help but let your lips curve into a half-smile at his antics, and you don’t notice how your eyes seem to shine so much brighter when they are laid on your best friend, but Suguru does. He knows you by heart, having spent so many days and so many nights by your side. 
At the time, you and Satoru came into a package deal as much as Satoru and him did. Naturally, after spending so many years by your side, he understands the mechanics of your brain. Sometimes, such as now, he even senses something’s wrong before you even do.
Right now, he knows that your heart aches. That it must be clenching painfully in your chest, that you must be punishing yourself for not feeling happy for your best friend when he’s been meaning to ask this girl out for weeks now. But how could you, when the mere thought of him touching and tasting someone else’s skin makes you feel like you can’t breathe? Like always, Suguru can’t help but want to protect you.
So he calls your name, and when you turn to him, he leans in to whisper in your ear, “Hey, you really okay with this?”
You try to muster a grin, though it doesn’t quite reach your eyes, and like always he sees right through you. “Me? Why wouldn’t I be okay? ‘m just worried he’ll get his hopes up for nothing, that’s all.”
He lifts a brow not quite buying your act, but he doesn’t say a thing, and you’re thankful for that.
“What do you say we give him a taste of his own medicine then?”
You arch a brow in confusion, and he waves a hand before explaining himself. 
“Remember when you used to date this Nanami guy and Satoru constantly crashed your dates with phone calls and weird texts?”
“And when he actually showed up out of nowhere at the theater and shoved himself between us! I swear I was gonna rip him to shreds.”
“You gave him the silent treatment for a week after that, I thought I was gonna go crazy with his constant blabbering.” He groans, his almond eyes slightly crinkling as he reminisces your high school days.
You scoff, amused, “He always had some lame excuses, too. Nanami ended up breaking up with me 'cause he thought I was cheating on him with that fucker.” 
“So what do you think? Up for a little fun?” He says as he looks at you with mirth in his eyes, waiting for you to catch on. When you do, you can’t help but gasp at the implications of his words.
“Are you serious?”
He grins cheekily, “Let’s go to the same place he’s taking his date, but in disguise.”
“That does sound fun…” Suguru looks at you with anticipation. “But it’s very childish.”
“Yep.”
“And he might see us.”
“That’s a possibility.”
“He’ll be pissed, too…”
“Oh, he will.” He smirks and you can’t help but mirror his expression.
“I’m in.”
“Hey! What are you two whispering about?”
“Hm? Just girl talk, you wouldn’t get it.” You answer, and you hear Suguru snicker in the back. You also can’t help the cheeky grin forming on your lips when you notice Satoru’s expression, but you don’t give him time to argue. “Hey, where did you say your date was, again?”
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That’s how you find yourself standing before the restaurant. You can’t help but scoff at the sight.
“Papa’s, seriously? It’s like he’s begging to get dumped!”
Your eyes shift to Suguru, and you burst out laughing at the sight. “You look absolutely ridiculous.” You say with a grin, and he mirrors your expression with a raised brow.
“Oh, and you don’t?”
Your eyes meet and you try to hold it in, – you’re smiling so wide it hurts your cheeks. Suguru turns his neck and averts his eyes so he doesn’t laugh, but you can see the grin stretching his lips.
“The mustache is killing me, man, I’m gonna blow our cover!” You laugh, “Take it off.”
“And ruin the vibe I went for?” He shakes his head, “Just say you want to sabotage me.”
“I do! You look way too hot in this, our cover will be blown immediately!” You tease.
He arches a brow, a hint of amusement gleaming in his eyes, “Do I now?”
“Uh uh,” You nod, “I’m this close to calling off the operation just so I can rock your world.” He lets out a deep laugh, hiding his mouth with the back of his hand as his eyes crinkle in amusement.
You return his smile.
What should have been a depressing evening turned into one of the funniest nights of your life. You would try your best to keep yourself from laughing while Suguru would act all serious, without a hint of a smile. He plays his part so well that he makes it even harder for you to keep up your facade. Your laughter echoes through the streets as you try hard not to attract attention, failing spectacularly when you happen to catch a glimpse of Suguru’s costume, –  especially his top hat. 
He has to be the only person in the world who’d think of dressing up as freaking Abraham Lincoln to spy on someone.
After this night, the bond between you two grows even stronger. Late-night conversations become the norm, and you’ve grown used to hanging out without Satoru.
It’s also due to the fact that Satoru would always find himself too busy to spend time with you, for some reason. He also misses on movie nights, and Satoru usually never misses movie nights.
You suspect it has to be because he’s seeing that girl from the Café.
You don’t want to think about it. Nor do you want to think about the distance that is growing between you. Yet you can’t deny that you miss him.
You miss him terribly, because he’s always been the only constant in your life and now it seems like he isn’t anymore. You’ve always shared everything with him, and him with you, so having him act so cold towards you feels strange. It feels like a knife in your heart.
You exhale, your finger hovering over the send button as you contemplate whether to send the message. Even if you don’t think you’ve done anything wrong, you refuse to let miscommunication come between the two of you.
you SATORU . you still coming tonight???:p
No. Too casual.
you wyd tonight? still on 4 movie night?;)
Ugh, too horny.
you Are you coming tonight or are you still avoiding us?
Hell no. Too truthful.
you you coming tonight?
Sent. As soon as you hit the send button, you throw your phone on the couch and bury it under a mountain of pillows. You sigh, feeling slightly stupid for freaking out over such a simple text.
But you never fight with Satoru, this is something you just don't do.
You’re so lost in your own embarrassment that you don’t see the screen of your phone light up, displaying Satoru’s contact name in bold letters.
satoru yeah i'll be there
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The scent of sugar fills the kitchen, and you’re lost in thought as you watch the bag of dried corn turn into sweet treats under the microwave’s heat. You sigh for what feels like the hundredth time tonight, and Suguru groans at the sound.
“My mom used to say sighs brought out the devil.” He lifts a brow. “At this rate I’ll have to incense the whole house when you leave.”
“Your mom’s way too superstitious, and you know that.” You roll your eyes. “But if the devil’s real I hope he takes you first. You’re a pain in my ass.”
He hums with a small smile, “Seems like you’re in a mood to me.”
“Classy. And a bit sexist.”
“You know what else’s classy? Not burning up the only bag of popcorn we have.” He throws with a smirk as he leaves the kitchen.
You curse at him under your breath and make quick work to retrieve what can be saved. When you’re done, you meet him on the sofa, and find him already sprawled out.
He scoots over to make room for you, and you let yourself fall on the cushions, propping your legs on his thighs. You place the bowl between the two of you, and there’s silence before you hear Suguru snort.
“I tried, okay? It was all burnt!”
“You’re so not talented at this.” He bites his lip to avoid laughing, while his gaze keeps flickering from the bowl to your eyes.
“Stop looking at it!” You move the bowl out of his sight, “You won’t have any if you keep making fun of me.” You threaten, and Suguru retreats, his hands raised in mock surrender.
“Alright, alright! Give it back and sit down, the movie’s starting.” 
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“I wish someone loved me like this.” 
You don’t realize you’ve said this out loud until you feel Suguru’s burning gaze on you. You don’t know if it’s because you’ve suddenly blurted out a lame, depressing confession, or because he thinks you’re crazy for saying it when you’re watching Shrek.
“I’m sure there is.”
You scoff, “Yeah, right.”
You turn your gaze back to the TV, but you can’t ignore the look he’s giving you. You try to ignore it, but he doesn’t let it go. And you know he has something to say. Something you won’t like.
“What?” You finally blurt out, appraising him with narrowed eyes.
“When are you going to tell him?”
“Tell who?”
“Don’t play dumb.” He gives you a blank stare, unimpressed by your act. “Everyone and their mother knows you have it bad for Satoru.”
“Suguru…” You groan.
“Go on, tell me I’m wrong.”
Your mouth opens to try and muster up a lie, but you can’t come up with anything. You can’t lie about this, and he knows it.
He smiles, “See? You can’t even deny it.”
“He has a girlfriend.”
“Oh, did he tell you? Or did you just pull this one out of your ass?”
You roll your eyes, pushing him away. He chuckles, enjoying the sheer embarrassment displayed on your face. 
“You know he didn’t. But come on! You and I both know he never misses movie night, and he’s been bailing on us for weeks now.” You frown, “What kind of best friend does that?”
Suguru hums. “Yeah, sure. A best friend.”
You look at him with arched brows. He’s testing your limits, and while you’re used to this side of him, you’re not in the mood to play. At this point, you’ve both drowned out the sound of the TV, you glaring at him for forcing you to face the truth, and him just waiting for you to come to terms with your own feelings.
You let out a humorless laugh, throwing your hands in the air, “You know what?” 
“Yes, I’m in love with Satoru! So what? Do you expect me to run to his house and confess my undying love for him before it’s ‘too late’?” You exclaim, and you’re too engrossed in your speech to notice Suguru’s panicked expression as he looks over your shoulder, or his hand gestures signaling you to cut the conversation short.
You don’t realise you’re no longer alone until the sound of movement startles you. You turn around with a jump, and what you see makes your blood run cold. Satoru is standing in the doorway, his presence having gone unnoticed until then. You can see the shock on his face, a mixture of surprise and confusion.
You’re paralyzed. 
You feel like the sick butt of a joke. And if the fact that your childhood best friend heard you profess your love for him wasn't enough to make you wish you were dead, it’s the look on his face that crushes you the most.
His eyes search for yours in hope you’ll explain yourself, and it makes you want to disappear from the surface of the Earth.
You never wanted him to know. You never wanted him to look at you like this. Like… he pitied you.
Suguru extends an arm to hold you back, but he’s a few seconds too late. You can’t bear this, so much that you don’t let anyone say a single word before you flee the apartment, ducking under Satoru’s arm without sparing him a glance.
You absolutely won’t stand there and listen to him apologize for not feeling the same way you do.
You refuse to feel your best friends’ sorry glances on you as they comfort you. You know it’s cowardly, that you should just stayed and talked about the elephant in the room, or just lied your way out of it.
You didn't, though. You fled, and the shame is eating you alive, but you couldn't stay there.
Not today. Your dignity won’t let you.
Yet, it seems like fate has other plans for you, because you hear quick, familiar,  footsteps hurrying towards you.
And you know it’s him. 
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Him? What do you mean by him? Help a poor writer out!
Suguru Geto, who else?
Of course it's Gojo Satoru.
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hello hello, welcome to my standalone first choose your own adventure!! there are three routes to this story (one has two possible branches), two are already out, one is coming soon! i absolutely loved working on this, although this took lots of time. i hope you enjoy it!
rbs are much appreciated <3
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zombieunicorngamerzu · 5 months
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“HEAT WEEK”
(Warnings - Aged up characters to 18, Werewolf heats, threesome, Dom Wednesday, GIP switch Enid, breeding, penetration, p n v, anal, love confessions, soft to rough sex, strapons)
The last thing you expected today was to have your door knocked on while you were studying, plus it was a Saturday, there were no classes and you didn’t really have any friends, you were more of a loner that people liked.
Getting up from your bed with a look of slight confusion on your face as you walked to the door and opened it you were more than surprised at a slightly disheveled looking Wednesday, which was shocking because Wednesday always looked perfect, but now she seemed… nervous Mabye?
“Y/N, I need to talk to you.” She spoke with the same monotonous voice she usually does, only it was hinted with a haste.
You just raised a brow, opening the door for her to come in, “Okay?” you drew out your words to try to emphasize your confusion as Wednesday walked past you without a glance before stopping in the middle of your room to speak, “Do you know what season it is?”
Her question stunted you mentally, it was so random so you just answered, “Fall?”
She just scoffed and rolled her eyes, “Yes, it’s fall but also it’s mating season for the werecreatures.”
Your eyes widened in acknowledgment before your let out a auditable, “Ohhh…” before speaking again with a sorry smile, “You struggling with Enid?”
Wednesday frowned immediately, crossing her arms in defense, “Absolutely not, I can take care of my lover perfectly fine, exceptionally actually… which is why I came here.” She nodded with a sigh before looking up at you.
You were even more confused now, “What do I have to do with your love life?”
“Y/N, are you really so dumb?” Wednesday sighed out in annoyance as she rubbed the bridge of her nose, she wasn’t good with acts of affection or confessions so she just said it how it was, “Both me and Enid want you to come to our dorm to have a threesome and possibly explore a relationship after that.”
You froze, Jesus Christ that was blunt. But that’s what Wednesday was if anything, blunt and well- honest to you at least. It came as a shock, both Enid and Wednesday did treat you well when you came across them, you just didn’t leave your room much or speak with anyone, but you didn’t know they liked you. Mabye you should have learned from the heart eyes from Enid and the gifts from Wednesday at your doorstep every Friday.
“You like me?”
Wednesday just nodded and stepped forward to gently take your hand in hers, “Yes, okay? I do, is it that hard for your thick skull to comprehend that someone could like you?”
You swallowed at the closeness and her words, blushing at how close she was now, looking up at you, her lips inches from here as she stared at your lips before leaning in and pressing her lips against yours.
You kissed her back tenderly before pulling away slightly with a blush, speaking so soft, “Thank you.”
Wednesday just smirked, “Don’t thank me yet, come on, Enid’s gonna break out of those ropes and come find us herself if I take too long.” Wednesday spoke out before pulling you out of your dorm room and practically dragging you to hers.
As soon as you got in the door the first thing you say was Enid naked on her side of her room that was decorated with adorable items and colors, she was tied with her hands up against her headboard, her chest heaving, her body sweaty, and her cock painfully hard, her hips bucking with need as she whined through a muzzle Wednesday must have put on her.
“You put a muzzle on her?” You look at Wednesday who shrugged, “She’s a biter when she’s in heat, so unless you want her teeth sinking into you, the muzzle stays on.” She spoke firmly making Enid whine pathetically from the bed, your eyes flickering to hers. As soon as you met her eyes your expression softened, “It’s okay, Enid, I’m right here.” You spoke through your mind, that was your powers, telepathy, and other things being a witch entailed.
“Take your clothes off.” Wednesday interrupted your thoughts with her order, making you jump before blushing as you nodded timidly, hesitating enough for both Enid and Wednesday to notice, surprisingly enough as you were distracted Wednesday must have untied and unmuzzled Enid because the next thing you knew gentle hands went over yours that were clinging to your shirt.
“Y/N, if you don’t wanna do this I understand.” Enid spoke so gently as she took your hands in hers with a soft smile, she was still sweating and panting with need, clearly uncomfortable, and yet all she cared was your comfort.
You shook your head, “N-No, it’s not that, I just- I don’t really like the way my body looks.” You admitted shamefully, it was your deepest secret, you struggled with a eating disorder and bad body image issues your whole life, making you either binge or starve, so sometimes you were curvier and other times you were thinner, you were kinda in the middle right now but it still made you feel self conscious.
“Y/N, your beautiful, how can you even think stuff like that!” Enid looked so shocked, even Wednesdays eyes widened from where she stood behind her. Wednesday was extremely hard to read but now that she just heard you practically say you hated yourself, it only made her love for you grow as she stepped forward, “Cara Mia, you are one of the most beautiful women I have come across and I mean that in many ways, you are genuine, authentic, you don’t care what others think of you, you are always trying your best, and your body… Cara Mia, if you hate it, I adore it.”
Your eyes watered a little bit at both of them, you thought you were just coming here to fuck, but no, their actually saying sweet things enough to make you almost cry, wiping your eyes before Enid took your hands to pull them down and kissed both of your cheeks, “Your so pretty, Y/N, will you let us show you how pretty we think you are?” She asked with a adorable little smile.
With both of their reassurance, especially Wednesday’s you felt better about about letting them both undress you, Wednesday’s gentle pull of your shirt above your head while Enid Kneeled down to take off your bottoms, sliding the fabric down your thighs while practically drooling with the need she felt for you but she knew she had to look up at Wednesday for permission, “Wednesday please, can I?” Enid pleaded.
Wednesday just rolled her eyes with a nod at Enid’s eagerness before Enid was burying her face between your thighs, making you gasp as she darted out her tongue in a long lick through your wet folds, making you shutter, but Wednesday held you up. You could only moan and thread your fingers into Enid’s hair while she worked her tongue back and forth against your clit, “Fuckkk, Enid- I-Oh my god…” You whimpered out, making Wednesday smirk, husking out as she looked down at Enid, “Yeah, good at using that tongue isn’t she? Like a mutt.”
You shuttered at the whiney moan Enid let out against your clit at a Wednesday’s degradation, watching as Wednesday pushed Enid closer to your cunt when she saw you start to shake, practically barking orders at Enid, “Don’t you dare fucking stop until she comes or you won’t be tonight at all.”
Enid whimpered at the thought of not being able to cum, her tongue definitely worked quicker, her cock throbbing painfully, leaking pre-cum all over the floor as she ate you out with vigor, making you shake before you were tensing with a loud cry at the rough feeling of Enid’s tongue dragging back and forth over your clit before she sucked, making your eyes roll back with a moan as you came, and Enid licked up every drop.
“That’s it mutt, clean up her mess, good girl.” Wednesday muttered before shoving Enid away from you, barking an order to get back on the bed as she snapped, making Enid whimper and obey immediately before Wednesday turned your head, her eyes softer as she glanced at your lips and kissed you before pulling back, “You ready for more, sweet girl?”
God… you were getting whiplash at Wednesdays mood swings, just nodding dumbly as you leant your head back on her shoulder. She guided you over to the bed, making sit back against her bare chest with her sitting behind you, arms wrapped around your waist as she kissed your shoulder and explored your skin, squeezing your breasts, stroking your hips, rubbing your stomach before sliding her hand down further to touch your clit, making you gasp from the sensitivity, but she soothed you with a kiss to the shoulder, “Shhh… Cara Mia, let me have my turn.”
You whined when you felt Wednesday’s fingers dip down to your entrance, you were wet, but most of all sensitive, moaning as she pushed a finger and then two inside you, working them at a steady pace, jerking her hand with her palm rubbing your clit, fingers curling repeatedly against that sweet spot deep inside you… gods… she played you like she played her violin, and you were singing all the right cords, your orgasm building quick until it slammed into you harder than the last, crying out as you arched and shook, Wednesday’s moan sounding out in your ear as she felt you clench around her fingers and soak them with your cum, a smirk on her face as she praised you, “Good girl…”
You were a trembling mess when she slowly pulled her fingers out, you didn’t know if you could take more, but you knew more was coming when Enid scooted up, leaning over you to kiss you deep and tender before pulling back with a soft anxious voice, “Tell us if your uncomfortable, okay?” You just nodded with a soft shaky sigh, looking down to see Enid’s cock looking painfully hard, dripping pre-cum, speaking out softly, “It’s okay, I-I want you, i-I want you both.”
The smile that grew on both of their faces made your heart melt, Enid looked at Wednesday once again for permission which she responded by nodding and kissing your shoulder, mumbling out, “Fuck her good babygirl, make her cry for us.” The tone in which Wednesday husked that out made a shiver go down your spine before you were caught off guard by Enid sliding her tip against your slit, making you jerk with a gasp before Wednesday’s pulled you back more firmly against her, “Don’t squirm, Cara Mia, just focus on the pleasure.”
You nodded before closing your eyes to focus on the feeling of Enid’s cock slowly stretching your hole, groaning out a moan of pleasure as she started to push in slowly, Enid’s sweet whiney moan sounding out as she whimpered at your heat, pumping her hips with quick breaths, biting her lip as she shuttered, “Oh God… Oh my God! Wednesday, she feels so good, oh fuck..” Enid sounded like she was about to cry, you stroked her back and that made her shiver with a growl of pleasure as she shoved in deeper, her cock filling you up, every inch stretching your tight cunt around her before she started a punishing pace.
You whimpered and whined as you held onto Wednesdays hand while Enid pounded into you, her hands on your hips to keep you pinned down as she slammed her cock into you at a ravishing pace, the stretch around her thick cock, the fullness, the feeling of her grazing against your gspot every time she thrusted, it was building you up quick, your moans getting lower and more primal along with Enid’s growls made Wednesday moan as she slipped her hand down to rub her own clit, her eyes locked on you two as Enid fucked you ruthlessly.
It was clear all three of you were getting close by the sounds of your moans, you saw Enid struggle her page getting sloppy before she pleaded out, “Wednesday, please, please can I cum in her, please!” The sound of her begging to cum in you made you groan out, the thought of feeling her seed squirt and fill inside you made you cry out and cum on the spot, which in return made Enid cry out in surprise as she thrusted in deep, cum shooting inside you faster than Enid could squeal as Wednesday moaned out shakily at the sight and sounds, all three of you finishing together, trembling, panting, whining, whimpering, or moaning…
It took a few minutes for things to calm before Wednesday spoke out in monotone, “Enid, did you just cum without my permission?” The silence was deafening, Enid’s face pressed against your breasts as you felt her tremble and whimper out, “I’m sorry, I couldn’t help it.” Wednesday just scoffed before sitting up, getting up to slap Enid on the ass which made her Yelp and buck into you again, making you whine from the fullness already, you we’re already spilling cum out around Enid’s cock all over the sheets.
“Stay.” Wednesday ordered Enid as she got up, you watched her walk over to the dresser with soft moans as Enid grinded against you to continue your pleasure, Wednesday pulling out a thick strapon with a bottle of lube which only made Enid whine, “Wednesday please…”
“Shut up.” Wednesday barked as she strapped it on and walked back over slowly, settling behind Enid while she was still inside you before you noticed this whole time Enid had been wearing a buttplug, listening to Enid whimper and feeling her shiver and twitch inside you with a groan as Wednesday pulled it out of her to replace with the tip of her lubed up cock, her voice dark, “Your gonna keep fucking our precious girl while I…”
Wednesday rubbed her hand over Enid’s soft ass, slapping it harshly which made Enid Yelp louder before she cried as Wednesday shoved her cock in her ass. Enid clung to you like a lifeline, whimpering as she started to thrust so she had to meet Wednesday as she fucked into Enid, making her cry, “Wednesday…” She laughed at Enid’s crying before kissing her back and thrusting harder which made Enid lurch as you felt her cock twitch inside you as she screamed, cumming again so hard inside you, feeling her cum fill you until you were achingly full, Wednesday ramming her hips into Enid’s ass as she came before moaning herself at the sight, her voice breathless… “Fuck, we’re doing this more often.”
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kalims · 1 year
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[ 10:50 ] — leona kingscholar needs to stop using his authority for you
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"what the hell is this,"
you can't help but blank out at the several savanaclaw residents all individually holding fans that vary in size and color. they're all lined up in a surprisingly coordinated line and are currently heaving their items upwards to downwards repeatedly.
basically they're fanning you?
despite your clear equally confused and horrified reaction leona lays down in a long, comfortable chair a few distances away from you. it might be a good point to add that he's also receiving the end of cold air the students are generating so you can't help but think that he's obviously the person behind this.
apart from the backround characters who are sacrificing sore arms at his expense. leona had taken it upon himself to get comfortable, his hands are behind his bed. he peeks them open to cast you a glance. "what?"
your movements stutter from pointing at the students behind him and then at leona, holding a lost face. "uh—you can't just force your residents into labor," you wince and emphasize with the pained grimace one of them displays.
heck, they're getting red in the face.
leona, who raises a brow at you like he didn't do just that pauses at you before scowling. "weren't you the one complaining all about the heat yesterday? I'm doing you a favor that's all," he explains and your jaw drops.
but that was normal! who would even assemble some type of.. club dedicated to fanning people? you just said it in the moment as an expression!
plus it really was hot. at this point if you told leona it was too cold he'd probably get about a hundred heaters installed in the dorm.
"but that was literally a joke, If I knew you'd do this to these poor students I wouldn't have said it at all," even if you're technically siding with them they still manage to side eye you a look that tells you they're offended.
and from your experience they probably think that you saw them as people who can't handle the heat.
figuratively and literally.
leona and his acts of service can get a little out of hand after all. you promised you'd be careful with whatever you'd say but it's hard now when you honestly just wanna joke around.
last time you jested about a room in savanaclaw that isn't leona's he actually made it work and boom, there's now a vacant one beside his own. though leona said that there's no need because you inhabit his own room so much that you can practically call it your own.
which isn't exactly wrong..
"you guys can go, if you want," you gesture at the group who falters for a second.
then leona looks at them over his shoulder.
"anyone?"
they all stiffen up and yell. "no dorm leader!" and another exclaims something about being glad to even work for leona while the others quickly fall into sounds of agreement.
you huff at leona who's thoroughly enjoying the artificial breeze created by human labor. his hair is flowing with the direction of it which gives you all the more reassurance that he's enjoying this much more than he bargained for.
"you're scaring them," you deadpan, and he shrugs. "fear demands respect, they respect me that's all,"
"aren't you gonna join me?" he tilts a head to an open space next to him and you're surprised he hasn't taken up the space all on his own and actually reserved a spot for you.
you clear your throat and cross your arms. gee, whatever this was is oddly enticing. you can feel how much heat your body lost from being hit by the side of the wind. you're no longer sweating profusely at the attacks of summer and can only daydream at how heavenly it would be if you were in the middle.
... you're starting to see why leona looks like he's enjoying himself.
"why should I?"
"it's my gift to you, isn't it rude to disregard it just like that?"
oh wow so this whole thing was a gift?
"is this a trap? I know, those fans are poisonous aren't they?"
he deadpans at you. "if I wanted to kill you I'd have done it another way, plus,,, it's not everyday I'm in a good mood enough to spoil you,"
"you call this spoiling?!" in your idea it's quite far from it but whatever he says..
you'd call it forced labor.
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note. this is basically leona taking everything mc says too seriously. he's such a simp fr
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kienansidhe · 3 months
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i like how the nimona movie like. emotionally it feels like a sequel to the comic. like obvis its the same core characters and a lot of similar events so its not literally 1000 years after the events of the comic, but like tonally, thematically, it feels like it.
i liked the way the comic was a bit darker, both in terms of the characters moral complexity and in the way the ending was sadder, still hopeful but more the world isnt ready yet, theres hope for change but we arent quite there yet, nimona cant come back yet, shes still an outsider and cant live with her friends in the open even tho she knows they love her. its more the world as it is now.
i was a little frustrated at first at the way everyone is much less morally complex in the movie, theres a lot more clear cut none of the good guys ever did anything wrong rlly, it felt a bit sanitized (not rlly surprising given. you know. cost of being made by a big studio. but still disappointing). but at the same time theres some different themes being explored, and then the overall throughline is more hopeful.
i like how by making ballister both a man of color and more strongly emphasizing his background of poverty and how hard he had to work to make it as a knight, the way he is much less aware of the structural problems of society and tries to cling for awhile to oh its just the director who is the problem, it rlly gets into the model minority myth, the way you grow up being fed this lie that you arent being oppressed, that you just need to work harder, to prove to your oppressors that you arent lazy or lesser, both for yourself and for others like you. ballister in the comics already knows the system is broken, his quest is not to clear his name in the eyes of a flawed legal system, hes floundering but he knows the government is rotten. movie ballister is more naive, has to be guided to see that this is bigger than his own problem of being framed.
i like how nimona gets to be a hero in this story. the comic was a story of one person seeing the humanity in a monster, in a nimona who is much more angry and bitter and lashes out much harder. both stories have the theme of being saved by a single connection, by someone seeing you, acknowledging your personhood, but the comic sort of ends there. maybe someday the rest of society will understand, but they dont yet. maybe in another thousand years.
and then you get the movie, where nimona is softer (emotionally maybe bc of the comic thousand figurative years ago), but also sadder, less bitter and more despondent. its been another thousand years and she still isnt accepted. but things are different this time. nimona has enough hope that ballisters love and acceptance makes her want to save people, to change their perception of her. and she DOES everyone sees her as a hero she gets little kids making we love nimona drawings and its like ahhhhh this is the fulfillment of the promise at the end of the comic it feels SO good it feels like closure it feels like hope i love it so much!
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janmisali · 10 months
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the official jan Misali styleguide
so uh I decided to compile together a bunch of rules that I've come up with over the years for myself for how I write videos. this is not comprehensive and is unlikely to be genuinely useful to anyone (very few of these are things I'd consider to be "good advice" for anyone else who wants to make videos, they're mostly just how I personally do things), but here we go anyway!
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text should be typeset in Noto Serif by default, using other fonts for their specific aesthetic effects on a case by case basis, always presented in contrast with Noto Serif
text should be white, on a black background, with keywords highlighted in teal (#008472)
text should use justified margins, unless this looks bad or is too hard to do with the specific program being used
the pronoun "I" should always be capitalized
proper names should usually be capitalized, but may be left in lowercase to convey a less formal tone when appropriate
the name "jan Misali" should be written with a lowercase "jan" and a capitalized "Misali", following toki pona capitalization conventions (and in general, all toki pona text should follow toki pona capitalization conventions, only capitalizing proper names)
brand names with irregular capitalization such as "YouTube" should always be in lowercase ("youtube") as a sign of disrespect
words may be capitalized for Emphasis, but this should be avoided sentence-initially
avoid capitalization for any other purpose (such as sentence capitalization or all caps) unless this is done to imitate a specific style meant to contrast with the default Misalian style
in addition to the aforementioned teal-coloring and capitalization, words may also be marked as emphasized using italics
these three styles of emphasis should be used for different purposes: teal for keywords (emphasis primarily to aid in reading), italics for spoken stress ("normal emphasis"), and capitalization for the Other Kind (meant to get the reader to slow down and pay attention to the Specific Wording of the emphasized section, but without drawing immediate visual attention to it in the way teal text does)
punctuation should only be used when it is strictly necessary for the text to be parsed or when it conveys meaningful information about how the text would be read out loud (the apostrophe does not count as punctuation for the purpose of this recommendation; it is included as part of the spelling of words it appears in)
the word "amateur" should be spelled "amature" without explanation
numbers should be written out in full as words, unless they're being used for alphanumeric codes, entries in a numbered list, years, or a video about math
text should be written word for word as it would be pronounced out loud, including filler words ("um"s and "like"s) and contractions, following the manner of speech outlined in the next section
narration
everything should be written in a formal but conversational tone, with hesitations, filler words, and stutters carefully inserted to make it sound less "written", as though the narration is one continuous unscripted infodump
however, nothing should ever genuinely be unscripted. everything should be phrased very carefully to convey information precisely and efficiently in a way that is easy to understand
there should be some sort of attempt to pronounce non-english words authentically, especially with proper names (unless there exists a common-enough anglicized pronunciation that you can be confident is more likely to be understood)
nothing should be written in a way that assumes that the audience knows less about the subject matter of the video than the narrator, except in very rare cases where this assumption is appropriate (such as when using an explicitly educational style, or when the subject is so niche that acting as though everyone already knows about it would be actively detrimental). information should always be presented as though it's a recap of common knowledge ("right?"), something that the narrator only learned relatively recently ("apparently"), or something that the narrator is unsure of ("I think")
jokes should never get "in the way" of the actual video. they should serve a purpose just like everything else. (the key question to keep in mind here is "if someone doesn't find this funny, what could they take away from it instead?". the answer should be something like "it would just be information presented in an unusual way" or "it would just be an awkward transition between two unrelated topics" or something. if the answer is "nothing, it would just be a joke they're not getting" then it had better be a really funny joke to justify its existence.)
calls to action should be avoided. the video should respect its audience members to make decisions for themselves, and only directly tell them what to do in exceptional circumstances
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ginariima · 6 months
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Chimata is pretty neat :) SO I just want to talk about Chimata for a lil bit because I think she's pretty cool. First off is her design, it's a rainbow design which most of time can look really ugly. Due to a lack of color consistency making it really hard to focus on the character. However, Chimata's design circumvents this by using colors' natural values.
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Some colors are just naturally darker (or have lower values) than other colors. Chimata's design uses these natural values. Just in case if you're a bit confused, I have all the colors all the way to the top right, yet, some of them are still darker.
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Our eyes naturally tend to look at what is the lightest. In this case, you're going to look at Chimata's center, her face and her white coat. Then they're going to travel downwards to the yellow, portion, then to the blue/green, then to the purple. Then again from chimata's center, your eyes travel to the orange, and then to the red of her arms.
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This is such a clever way to do a rainbow design and I love it so much cause of that. It might still look off to some people though because of the really high saturation, which is why some artists desaturate her colors just a teensy bit. Ok now i wanna talk about her theme, "Where is that Bustling Marketplace Now ~ Immemorial Marketeers", specifically the Rainbow-Colored Septentrion version of the theme. Unlike most Touhou final boss themes, these theme feels desperate and powerless. The closest theme that I think gets to the feeling of desperation this theme has is Sukuna's theme with it's final part. Zun described the song as being split into two halfs, a 'wailing' section and a 'upbeat' section. The trumpets that appear 50 seconds into the song which really emphasizes that wailing part, they're slow and completely cut off the climax that the song was building up to at that point. Then once more, it builds tension up and up again, but once more it fails to capitalize on it and goes into THE BELL SECTION (my fav part !) A calm before the storm before the actual climax with a cool fast piano! This part always feels like a last resort, I know to many it sounds upbeat but to me it always sounded desperate. It has barely any long notes, and is a super frantic. The melody also has this funky lil shape I like Picture from chronondecay's transcription of Chimata's theme
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The melody is constantly going up and down in fast sucession. The stops within it, especially with the zunpets, feel like gasps of air to just barely continue. Until it falls down again into a repeating zunpet part that sounds like it's trying to recapture the feeling of the previous section, but just can't. That thing this song does, of rising to a climax that just doesn't come is so cool in my opinion. It feels so desperate and confused as to the direction of where it has to go. Showing Chimata's feelings during the incident where she is completely at a disadvantage due to the pandemic of the outside world, and being a newcomer to Gensokyo. She's trying to survive, but doesn't know how to go about it. Well thats my best try at an analysis of a song 😎 since my knowledge of music just comes from looking at midis lol. I'd like to talk about some of her story stuff too, like the incident and her relationship with Megumu that get's explored in Lotus Eaters but I AM TIRED. Instead of doing my homework thats due in 5 hours I did this for like an hour so I'mma stop for now. Hope you all like Chimata a bit more!
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eddiediaaz · 6 months
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hi lovely!! do you have any tips on making cool fun and sexy typography?
hey joanna!! this made me giggle haha, i'm not quiiiite sure how to answer that, but here are some tips i keep in my when i do typography, and some examples:
FONTS
don't be afraid to "shop" for fonts and try funky fonts you've never used/seen. i often try so many before settling. i almost always use at least 2 different font for gifsets, even 3 sometimes. i think a good font pairing can do a lot for a gif. it's usually something like:
serif + cursive/funky fonts (example)
sans serif + cursive/funky fonts (example)
serif + sans serif fonts (example)
two different cursive/funky fonts (example)
or even simply the same font but all caps + all lowercase (example)
in case you're unsure where too start or want inspiration, here's a great resource: usergif's font pairing guide and its fonts page
BLEND MODES & LAYER STYLES
i think playing around with different blend modes and layer styles will always elevate your typography game, in my opinion. it's usually a bit more dynamic than just an opaque color. tho this minimalist typography can also be really good.
when you double click on a text layer, you get all the layer style options, as well as the blend modes. a very popular layer style is setting the layer's blending option to difference, paired with a color and/or gradient overlay (often set to multiply/color dodge). a drop shadow is also important so the text is more easily readable. we often see a black soft drop shadow, but don't hesitate to be creative with it, for example a thick, hard line, colorful drop shadow.
i feel like this step often takes the most time for me because the possibilities are endless. definitely play around with layer styles, especially drop shadow, color overlay, gradient overlay, stroke. and also try different blending modes for these settings.
as for the layer's blend mode, also definitely play around with them. and keep in mind that the text's color will also give a different result, it doesn't have to be white + blend mode set to difference, even tho this is a classic that works well.
TEXT WRAPING & POSITION
a great feature on photoshop is definitely the text warping tool. to access it, right click on a text layer and go "warp text". from there you'll get a few different styles and setting sliders. my favorites are flag and wave (example). you can always go back to edit these settings once they're done by right clicking again. and you can even keyframe/animate these settings!
typography doesn't always have to be centered and straight, i often prefer it on a side and rotated a little. you can easily rotate typography by selecting the layer(s) and hitting ctrl + T. you can also play with the skew and pespective after hitting ctrl + T by right clicking the canvas and clicking on either. these will give different ways to move your text.
SIZING
i love playing around with different font sizes, it makes the typography more interesting in my opinion, and it's a way to emphasize some words.
so for that reason i usually put each word on a different layer so i can edit each word separately. sometimes i will also put each letter on a different layer, because it can be interesting to offset/rotate some letters sometimes (example) (another example).
i often pair a quite small serif or sans serif font with a much bigger funky font (example). and often that bigger font will also have different sized words (example). i play around a lot with this!
ADDED EFFECTS
there are some things than can be done to enhance typography:
adding a colorful rectangle block behind the text (example)
using text symbols such as quotation marks or backets (example)
using lines around the text (example) (another example)
these can definitely bring typography to a different level
MORE RESOURCES
great font website
usergif's typography tag
my fonts tag
this is all i can think of right now, i hope it helps :D if you have any question on a specific text effect let me know, i can definitely make a tutorial!
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