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#it would have been perfect for the characterisation of all that
stevebabey · 1 year
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This isn't really a request (i don't even know if you're taking requests right now), but Summer Child by Conan Gray is THE Steve song, so i though I would mention it to you in case it inspires you at all, because I love your writing!
first: requests are a bit odd on my blog!! they're always,, sorta open?
but i like to take my time w pieces & recently i've been writing longer ones so sometimes asks sit in my inbox for a month+ before they see the light of day lol -- that being said i always love having ppl dropping in & asking my take on tropes and suggesting songs like this!!! pls i love talkin, especially bout steve hehe
second: OHO ok big brain over here. ur so goddamn right this is so steve coded /Aren't you way too busy, taking care of everybody, to take care of yourself?/ OOF it's now in my stevie playlist for sure. my next planned piece isn't angsty but who knows when insp will hit !!!
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sttoru · 4 months
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‘the king of curses doesn’t like sharing. especially not when it comes to his partner.’
☀︎|tags. heian era!sukuna x female reader. sfw/fluff ? ig. set in the heian era, duh. jealousy & possessive themes. size difference (reader gets referred to as small!). tried to be realistic w/ sukuna’s characterisation so. . . don’t be surprised to read about him killing somebody. therefore, mentions of blood. reader is implied to have a fear of blood (dw sukuna takes care of it teehee). reader gets called 'brat'. not beta read; this sucks ass.
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you were taking a stroll outside of the estate, the hem of the floral kimono you’re wearing lightly dragging along behind you. the weather was perfect with not a single cloud in sight.
a pair of silent footsteps follow yours and you sigh. even though it was an usual occurrence, you still aren’t used to having one of sukuna’s servants at your side at all times. your over protective lover insisted that it was for your own ‘safety’. as if anything or anyone could harm you whilst you stay within the four walls of the estate far up in the mountains.
sukuna is continuously busy and thus decided to assign you a personal maid that accompanies you and takes care of your every need when he isn’t able to. well - looking at the bright side of things - at least she tries her best to hide her presence from you. she tags along silently and only speaks when spoken to.
you stop near a sakura tree and tilt your head back to admire its beauty. after a few minutes pass, you hear a different pair of footsteps walking up your way. you turn your head and see a familiar male servant approaching you with his head held low.
his hands were holding onto a platter with a cup of warm tea and a few of your favorite delicacies. the brown-haired man greets you politely. maybe a bit too politely as his voice carries a bright smile, “good afternoon, my lady.”
you return the greeting with a smile of your own. it was like you to treat the servants around the estate with kindness and care — a total opposite of the king of curses. you take a pastry from the platter and look back up at the man, “thank you for bringing me these. i appreciate it greatly.”
the way you treat the ones of lower status has always been an admirable trait of yours. it might have stirred some forbidden feelings for you in the heart of the male servant. he knows that it was impossible - he’d seen how easily sukuna gets rid of those who get too close to you.
but, he isn’t here. the king of curses isn’t present in the current moment. the brown-haired male shifts in his place a little, fingernails digging into the material of the plate he was holding. he was going to do it — no one could hold him back. not even the maid who stood a couple steps away.
“y-you look very beautiful, my lady.” the servant stutters and bows his head at you. you are surprised to hear such a flattering sentence leave the lips of the man in front of you. none of the men around you had dared to be this straightforward in ages. they all knew the possible consequences that such actions could bring after all.
perhaps it was due to the absent intimidating presence of your lover. still, you can’t help but feel grateful. you giggle softly, covering your mouth with your free hand, “thank you so much.”
the male servant gulps at the sound of your laughter. ‘oh, how lucky the king of curses is - to have such a beautiful woman at his side,’ the man thought to himself. he was sure that he could treat you better than the indifferent sukuna himself.
he hesitates to continue the conversation for a second. there was an urge deep within him; to ask if you’d like to have some tea with him in the dining area. it would be extremely bold and maybe way out of line considering that you’re taken.
but, the way you reacted to his earlier compliment gave him a huge confidence boost. one that would sooner or later send him to his grave.
“would you perhaps be interested in joining me for a drink, my lady?” the servant asks and anything that happens after that instant, is all but a blur.
you can’t process the next few moments as everything happens way too fast. the last thing you remember seeing, was the servant before you. a sudden gust of wind passes by and the sounds of quick slashes fill your ears. you couldn’t figure out anything else as your vision gets blocked by something. or rather - someone.
a familiar and large hand covers the back of your head. the scent of the person holding you is also oddly familiar—a certain scent that made a shiver run down your spine from both excitement and light fear.
“sukuna?” you guess and guess correctly. your voice was muffled due to your face being smushed against his torso. you didn’t yet understand what happened, so you try to pull your body away from the king of curses, only for his grip on you to tighten.
sukuna’s face was as emotionless as ever. his eyes look down at the pile of blood near your feet — what was once a human being had now turned into nothing but a pure crimson liquid.
“foolish. absolutely foolish.” the king of curses grumbles, his tone filled with disgust. he doesn’t soften the grip on your body for even a moment. one of his four arms holds you captive against him, his hand firmly yet somehow tenderly cradling your head just above his midriff, “it seems that i cannot leave this place for a single second.”
sukuna glances at your personal maid who had been bowing to him the moment he appeared out of thin air. she could feel his piercing gaze on her and knew exactly what to do without being told: to clean up the mess that stained the garden’s pavement.
“sukuna,” you try to move your head again, but was still restricted. you let out a small whine in response. you just wanted to see your lover after spending an entire day without him. any thoughts about that servant from earlier had long vanished, “i want to see you. can i?”
the request is an innocent one. there isn’t a visible change in sukuna's expression, but the way you asked him that was quite. . . endearing, if he were to explain it. he would comply if it wasn’t for the literal bloodbath he created. which he doesn’t want you to witness.
“not yet.” he replies and effortlessly uses one of his arms to pick your small body up. your lover notices how you try to steal a glimpse at the scene behind you while he moves you around in his embrace. he grunts and gently smacks the back of your head, “no peeking, brat. do as told.”
sukuna knows how much you hate the sight of blood. he's being considerate towards you — even if you do not realise that just yet. however, he also does not have a single regret about murdering that servant. it was to be expected. anybody who dares to make a move on his woman should suffer his wrath.
plus, it's not like you don't know about sukuna's ruthless actions. you’ve come to get used to them; more and more male servants keep dissappearing without a trace after they’ve been ‘too friendly' with you. it's easy to guess who’s behind those disappearances.
it doesn’t bother you in the slightest. as long as you don't see it happening and as long as you get to stay under sukuna's care and protection - you don’t mind.
“can i look now?” you huff after sukuna has carried you away from the garden. the king of curses clicks his tongue at your impatience.
he sighs deeply before allowing you back on your own two feet, “i do not understand why you’re so adamant on looking at me, but fine.”
you waste no time and immediately open your eyes. your gaze doesn’t wander off towards your surroundings—it instantly settles on sukuna. he looked the same as usual; there was not a single change about his appearance and yet you find yourself smiling at the sight of him.
“i missed you.” you hug your lover and feel him returning the gesture a few seconds later. he looks the other way and may seem indifferent to your display of affection, though the man was secretly grateful for it. for you in general.
“mhm.” sukuna lets out a small noise of acknowledgment and that is all you get out of him. he doesn’t have to say much; his body automatically does the talking. he squeezes your body against his — your small frame disappearing behind his beefy arms.
the king of curses doesn’t understand why, but the way your eyes sparkle when looking at him, intrigues him. sukuna had never seen another human look at him like that before after all. they all cower in fear; except for you. you don’t show a single ounce of fear. thus why you are something - someone - he must keep for himself.
he has and will never have any intent on sharing you with anyone. you’re his, for as long as he exists.
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bugflies00 · 2 months
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OKAY so what ive been thinking about for ages is ctommy and being soft vs quiet . because i feel like it's one of those things in his fandom characterisation that sparks the most debate and in my opinion theres a huge difference between the two but i keep seeing people mix them together.
ctommy is soft but he's not quiet, and to disregard either of those things is what makes him less believable in fanworks imo
because on one hand, of course he's not quiet, that's the most obvious and i think one of the most commonly accepted qualms that we have with general fan interpretations of him. he doesn't just lie down and take shit, he's always committed to being an annoying shit, he's straight up rude so often, and even just. vocally. man's loud as fuck. i think that's pretty easy to establish .
but then what i find is that sometimes we veer into the other opposite, by completely denying that ctommy is also very soft sometimes. and by this i don't mean he turns into strawberry shortcake or starts being polite or whatever, but it's the fact that he's not just crass and rude. he's very considerate a lot of the time, he just shows it. uh. in his Own Way let's say. he cares for animals so so much, he's always so apologetic when he thinks he's hurt one of them, for fuck's sake he sung to the FLOWERS. he's very soft with nature, with things he's attached to, with things he perceives as weaker than him and needing protection.
the complexity of ctommy and what makes him so hard to grasp is that he's loud, he's brash, he is NOT a perfect quiet victim who suffers in silence, he asks for help, he's rude, he steals stuff, he's annoying as shit; but he's also soft, and incredibly empathetic, and he has no shame in showing that softness for animals or nature or his friends.
ctommy, and this is very much because cctommy himself acts like that a lot, is constantly vacillating between someone with the maturity of a thirteen year old boy who shouts and swears and pretends not to give a shit, and a boy who will stop everything he's doing to look at the sky or a flower or an animal (which does contrast his stereotypical rude teenager persona, because lots of aforementioned thirteen year old boys Would be embarrassed or whatever to do that).
he does BOTH. he's not just quiet and nice and sad and lonely; but he's not just rude and loud and """uncaring""" (if there is one thing ctommy is not i think we can all agree its UNCARING).
and i think this is why a lot of debates around "woobifying" ctommy (who remembers the july 2021 trenches . the butterfly clips.) tend to point any ctommy design that portrays him as soft, cozy, or even leaning into his feminine side as the be-all end-all of reducing his character.
in reality i think that misses the mark a bit because while there IS something to be said for sure about people turning ctommy into Blonde Anime Child #249824 and stripping him of his Very Vibrant character, i don't think that putting him in butterfly clips and skirts erases him in the same way. i think he could very much lean into that kind of thing . as long as he's still flipping off the camera we're all good
TLDR : fans strip ctommy of his loud-and-annoying persona but in avoiding that some forget that he's a character who's not afraid to be soft
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blluespirit · 2 months
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Overall NATLA Thoughts
Okay, now that I've watched the series, I can give my thoughts.
Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.
I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.
Having said that, I need to get my initial thoughts off my chest... here we go.
Things I thought were good:
Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.
Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.
Zuko and Iroh moments were great. Had me on the floor crying. As it should have.
The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.
The scenery was stunning. It just looked so beautiful. I loved it so much.
Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.
S U K I
The Freedom Fighters were ✨ perfect
They were so real for making Oma and Shu lesbians
Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.
I actually like the change they made that Katara is Aang's sole waterbending teacher.
Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.
Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.
In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.
I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.
Things I didn't like:
Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.
Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???
Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.
Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.
Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.
WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.
When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.
Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.
NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.
Bumi.... sorry I just didn't vibe with him at all.
Things I can't decide on:
Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.
I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.
Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??
Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.
Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.
anyway...
Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.
Enjoy it for what it is!
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garoujo · 1 year
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LIKE IT LIKE THAT — GENSHIN IMPACT
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feat : diluc, childe, scaramouche, kazuha + al-haitham.
♱ warnings — f!reader, how they like to have you, creampies, teasing, degradation, overstimulation, not proofread, multiple orgasms. / note: scara has finally made his way in 2 some hcs ! his characterisation is totally winged tho so just gimme a break sob <3
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・✶ 。゚ DILUC RAGNVINDR
the way diluc gives himself to you is rough, all sharp thrusts and heavy connections of his hips with yours as your thighs press against your chest — toes curling from where they’re thrown over his shoulders as his cock kisses deep against your sweet spots. he’s still acutely aware of his own strength despite the way you make him feel like he’s about to lose his mind, fingers twitching in your skin in time with the every needy press of your walls around him — like you’re basically begging him for more, trying so desperately to milk him.
“fuck me harder.. more!” you gasp as diluc’s lidded gaze looks over the way his movements make your features twist in pleasure, his cock grinding needy little sounds out of you that only make him up his efforts — his pace ruthless and driven by the way you’re grabbing and trying to meet his thrusts with humps of your own. “i know, sweetheart. ughhh—i’ll m-make you cum for me.” you drive him insane, still begging for more despite the way he’s got you folded in half beneath him already, body jolting underneath his as he keeps you in place with his strong grip.
but then you hear diluc groan before his hands move to grab and knead at your ass, angling your hips higher until he’s able to graze against the perfect, swollen spots inside of you that makes you almost see white. “now hold on for me.. this is what you wanted after all.” you have no choice with the way he’s fucking you into the mattress, your arms wrapping tight around his shoulders as he pins his chest against yours, letting you hear the hormone-drunken groans and grunts that drip from his lips. “that’s it, sweetheart. so remarkable.. e-everytime.”
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・✶ 。゚CHILDE / TARTAGLIA
he loves teasing you, prolonging the pleasure that only he can pull out of you because he knows how to make you feel even better, that was his priority after all.. to make you feel better than anyone ever could, like only he can. “oh? but you were so desperate for it a moment ago. so go ahead.. amuse me.” childe goads from where he’s got you bent over, letting his palm come down playfully on your ass as he urges you to drag your pussy along the length of his cock. you’d been so needy, palming his through his slacks until he would entertain you but now he’s only giving you what you want with a teasing smirk lacing his features.
tears prick along your lashes as you turn to send him a pleading look over your shoulder, begging him to fuck like you’ve craved and you swear the pathetic look only makes his smirk twitch and stretch even wider. “ajax.. please.” “i’m giving you what you wanted, arent i? and here i thought i spoiled you.” there’s a carnal drop in his tone, accompanied by a raise of his brow as his gaze darkens even more than normal — words followed by a languid roll of his hips that grazes his cock along your sweet spots almost too quick before he stops again.
you gasp, rocking your hips into his desperately in need of more friction and he indulges you, slightly, maybe it’s the way you feel childe’s cock throb with every connection of your hips with his or the way his eyes are narrowed on the spread of his cock, watching it sink into your pussy with every slow drag of your body. he meets your small thrusts with rocks of his own, easing you into a pace that is just enough to have you squeezing around him. every press of his cock is precise as he presses his palm between your shoulders blades to press you deeper into the mattress, followed by another deep thrust. “hey now, i know you can do better than that.”
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・✶ 。゚SCARAMOUCHE
“i’ve barely had to touch you, and you’re already so wet.” scaramouche grunts from where he’s got you spread along his lap, pretty thighs twitching either side of his own. he’s never had a woman moan for him like you do, to be so enamoured by his existence nevermind his cock as you bounce yourself on him — dragging your silky cunt along the length of him as he tries so hard to remain composed, not wanting you to see just how much you make him melt, make him weak.
“it seems you aren’t u-utterly useless.” he hisses through his teeth as he lets himself narrow his eyes up at you, a facade despite the way he feels like he’s about to pass out with how good you feel around him. but then your pace stutters, followed by another sinful swirl of your hips as your pussy grinds down onto his cock and scaramouche can’t hide the whimper that falls from his lips. his head lolls back as he pinches your clit between two of his fingers — like a punishment for making him feel so fucking good, it’s almost scary the effect you have on him, a feeling unknown, but one he never wants to forget.
but his mean touch makes you moan, shameless and needy and your pussy squeezes around him and he breathes out a chuckle at the doe-eyed look you give him, followed by another particularly sharp bounce of your hips against his that makes his jaw tighten with a hiss. “is this what i do to you? hm? tch—so easy to please.” scaramouche hums with another swipe of his fingers through your folds, smirking up at you as he meets your next bounce with a trembling roll of his hips. “a-all of your efforts.. hah, and i’ve still not cum yet.”
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・✶ 。゚KAEDEHARA KAZUHA
kazuha grinds his cock into you with slow, languid rolls of his hips, smearing kisses along your cheeks and jawline as you arch into him — feeling him explore the dips and grooves of your body as it rocks seamlessly with his. you can feel the way he loves you with every deep press of his cock into you, his soft pants mixing with the way your cunt squelches with every lewd, wet connection while his pelvis grinds intoxicatingly against your puffy clit, making pleasure heat and burst along your skin as the coil tightens in your abdomen.
“give me more of you..” kazuha hums, a breathless request that breaks into something needier when your pussy squeezes around him at the low drawl — his cock digging more pleasure out of you than anyone else ever could as you moan just as pretty for him. you feel his lips break into a grin against your cheek when he feels your thighs twitch around him, hooking around his hips to pull him closer as he grinds into you — digging his cock into you so good and precise that you swear you can see stars when your eyes flutter closed.
“a-ah.. i love you like this, let me hear your voice.” kazuha’s words are followed by a particularly sharp thrust, one that grinds the words out of you he so desperately wants to hear — a gasp of his name followed by a long, needy moan and he shudders above you before he presses another kiss against your skin. “more, just like that.”
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・✶ 。゚AL-HAITHAM
he loved the image of you beneath him, as much as he teased you — he couldn’t hide his want for you, constantly pushing his own limits just so he can discover more of yours, wringing orgasms out of you both until you‘re both spent and messy, just how he likes. “oh? tired already? and here i thought we were just getting started.” he grunts, his words followed by another thrust that squelches loud when his cock sinks into you, pushing out the accumulation of both of your previous orgasms as they pool on the bed beneath you both.
“do you honestly think i’d let you off so easy?” al-haitham’s almost babbling with the way his cock is so fucking sensitive inside of you, the tip probably a dark shade of red with how many loads he’s fucked into you already — but he can give you one more, your pussy is basically begging for it afterall, clenching and trying to keep him plugged inside everytime he draws his hips back. “h-haitham, too much!” you gasp as he rocks into you again, hissing through his teeth as he feels your walls tighten around the overly sensitive glands — making his arms shake from where he’s leaning himself over you. “come on now, i think you know me a bit better than that, sweetheart.”
it only takes a few more grinds of his pelvis against your clit to have you cumming again, duller than the last few but it still makes your toes curl from where you’re thighs are hooked around his hips — eyes fluttering closed as you try so desperately to pull more of al-haitham into you. he grits his teeth, silver bangs falling over his eyes as he lets his head drop to tease the shell of your ear with his next thrust — trying so desperately to stave off his own orgasm no matter how much the flames lick at his spine, letting his balls smack against your ass with his next heavy thrust that feels like it knocks the air out of you. “ever so obedient, and for such a pretty thing..“
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© 2022 garoujo. please do not copy any of my layouts or writing and translate or repost onto any other sites.
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where-dreams-dwell · 2 months
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*One Day Netflix Spoilers*
You can interpret it however works for you, and I don’t know how it played out in the book, but I loved the scene where Em and Dex got together.
Because Emma *chose* Dexter. When she didn’t have to, when she had other options, knowing all of his baggage, and knowing that they would probably be able to stay friends if she didn’t. And she still chose to start something romantic with him.
Emma was at the highest point of her success: a published author, signed for a second book, sent to live abroad in an exciting new city. And she’d started seeing someone who (from the little we see) is kind, charming, and cares for her. Emma is winning in every sense!
And she initially rejects Dexter. Her reasons make sense; she doesn’t feel he truly *wants* to be with her, just that she’s there and he’s lonely. She is sure of herself and her place in the world, and turns down the man she used to crush on because she wants it to be real. When given this opportunity were not shown a knee jerk, desperate, ‘oh my god, finally, yes!’ moment when he says he wants to be with her. She was NOT waiting on this, and she’s not PINING for him. It actually shows huge strength that when the man she used to like finally wants to be with her, she has the inner strength to say no and stick to what she deserves; a proper relationship with someone who truly wants her, not a placeholder.
Dexter lays his heart on the line, leaves himself competent venerable, and Em says no.
You could interpret Em coming back as unsatisfactory: a woman in her prime, going back to the man she’s been pining over most of her adult life. But it can also be seen as an empowering moment.
Emma knows all of Dexters issues and chooses him anyway. Dexter has literally just laid out his current headspace and issues, and it’s clear she was supporting him as the divorce was announced and agreed upon. And previous episodes show they’ve been close throughout Dexters marriage and fatherhood, with Em stopping in at his job and answering his late night calls. She’s been his best friend again for several years and knows his struggles, so she is going in to any romantic relationship with her eyes open.
Reducing Emma’s choice to being a silly or naive one I think misses huge parts of who she is, things which are key to her characterisation. Throughout the series she’s shown as intelligent, savvy, switched on and determined. Even when she’s unhappy or trying different things, she is sure in her conviction to do *something*. When she’s unhappy at the restaurant and Dex suggests teaching she makes a career change and trains. When she’s at her lowest (post headteacher affair and loosing Dex) she turns rock bottom into a spring board and tries once again to write her novel.
Emma is the embodiment of conviction. Whether it’s knowing what she wants or just knowing what she doesn’t, she is decisive and commits to her path. She’s the perfect foil for Dex who’s lesson across the series is to stop running from difficult feelings, and learn to process unpleasant emotions.
So she didn’t choose Dexter on a whim, and I love that they showed that. Em leaves Dex, turns him down, and goes to dinner with her lover in the city she’s loving living in, while doing the job she always wanted.
And she could have left it like that and they would have likely remaking friends. They did after that kiss at Tilly’s wedding, and after they slept together. So she has nothing to loose by rejecting him.
But Emma *chooses* Dex. She knows herself and what she wants, she knows who she is and what she is now capable of. What she wants, if it’s on the table, is to be with Dexter. So she commits to it.
They could have made her jump at the option to be with Dex. The writer could have had them get together when Dex was at the height of his fame or Em at the lowest point of her life. And either of those could have easily had a sense of fear on Em’s part: to be equal to Dex, to be good enough for him (in her head), to finally make it. But doing it this way gives her all the power, all the agency. And I *love* that.
From comments later it’s clear their relationship was good, they do work well together and they make one another happy. We’ll never know how Emma’s life could have gone if she stayed with Jean-Pierre. But the life she chose with Dex *was* happy. As Ian said ‘[Dex] made her so so happy’: wether you think she could have done better or deserved more, a life with someone who makes you happy… isn’t an insignificant thing.
We’ll never know if it was *the right* choice to be with Dex. But seeing how happy she was it’s clear it was a *good* choice. And that’s all we can ever hope for.
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prettyoatmeal · 3 months
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Hey there! I'm new to your work, but I love reading through it so much. I don't know if it's already been done, but could you do a part two of the pegging request with a few of the others (ex: König, Keegan, Roach, Alejandro, etc.)? I notice you do a lot of 141, so I didn't know if you wrote others. Just thought I'd ask. ^^
CoD Charatcers and How They'd React to Reader Asking to Peg Them (König, Keegan, Roach, Alejandro, Rudy, Valeria)
Warning!! nsfw, mdni, pegging, afab reader in mind using a strap, heavy dom/sub tropes, slight exhibitionism. A/N: Honestly, I'm surprised I didn't write one for König, but his time is now.. then plus some. Hi guys!! Its nice to see you again after a month (????)!!!
Part 2 to this.
Masterlist here!
***************
König I think would just be super confused at first. Not because he's against it, but because he's never thought about it before and is genuinely curious why and you'd find pleasure in that. He's supposed to be doing the fucking..? Why are you...? ...?!?!?!? And he's just scratching his head. But nevertheless, he agrees because he thinks he'd enjoy it though he can't help but be a little embarrassed because he's getting folded in half by his smaller partner.
Unlike Gaz or Soap, you'd need to be very gentle with him. He's a little bit tense when starting out. The lube is cold, the feeling of your fingers in him is unfamiliar, he wasn't used to bottoming like this. But he trusts you, so he isn't against spreading his legs for you.
Very quickly becomes very whiney once you start hitting against that perfect spot inside him. You feel him jolting a little, letting out a gasp and you know you got it.
His thighs squeeze around your sides, calves resting along your hips as you thrust into him with your bright pink strap. You thought it would've been awkward, not expecting the size difference and power difference to combine well, but it did. He keeps you close, his lips on yours at all times until he eventually buries his face into you neck only to moan and whine and cry into your skin.
All in all, it's sweet. He was definitely taken aback with just how much he enjoyed it, craving more and more from you.
"Schatz, p-please. Need more."
So you do the ol' reliable, placing a pillow under his hips, angling your hips just right. And it begins to drive him crazy. His pretty eyes roll back, his lips parted as he moans out your name over and over and over again like a mantra. His cock leaking like a faucet, his tip an angry red and begging for attention, a shiny layer of sweat covering both of you as your hips slap against his ass over and over again.
And it isn't long until he cums untouched, his back arching into the bed as he pulls you into a kiss and moans into your mouth.
**
Keegan is at I've seen characterised as a freak fr so I feel like he'd be similar to Gaz. If anything, he'd want you to fuck his brains out spontaneously.
He's very much the type to purposefully rile you up just so you'd end up pushing him up against the wall, or even tugging him by his collar to the nearest unisex bathroom. He can't help it! He's a massive slut for his lover. Therefore it's always a good idea to keep a strap on you where ever you go with him.
If you don't have any lube around, he's very adamant of you shoving your fingers into his mouth to slick them up. Maybe he'll even bite them a little just so you deliver a slap on his cheeks.
There's really no telling when he wants to stop pushing you. He'll actively fuck himself back on your fingers when they're inside him, going against anything you're telling him just so you be rougher with him. All in all, his main goal is for you to fuck him like you hate him.
With barely any prep, he lets out long whine at the first thrust inside him, wanting nothing more than to be used by you. One hand on his cheek pressing him into the wall, the other gripping at his hip as he arches his back into you.
"G-God, fuck. Harder, please!"
He's gets so vocal, barely able to keep his moans back. Lets out the sluttiest moans as he finally reaches down to quickly jerk himself off, spilling his load over the wall.
Definitely asks you to be rougher next time. He wants you to put him in a chokehold, wrap your hand around his throat and restrict airflow, bend him over and press his face into the bed, make him beg for mercy. Certified freak 7 days a week!!! Let's just hope you're ready to do all the chores around the place for the next couple of days because there's no way he'll be getting up without a stabbing pain in his ass.
**
Roach is really just a blank canvas character, someone that was created for people to insert themselves into his shoes. So with that being said, I'd think he's into it. Nuff said.
You wouldn't need to do all too much to get him to submit. If he's a blank canvas, then I'll make him into a masterpiece. First time with him would be the first time he's getting pegged, period. Unlike König who's a little tense, Keegan or Gaz who are a little too into it, Roach is a neutral.
It's easy to bend him over, press your hands down on him to keep his back arched like a cat, knead his plump ass a little bit. It's so cute that he'll take whatever you give him. Whether you're rough with him making him whine and cry, slapping his ass and spitting on him as you give him no prep, or coaxing sweet moans from him and praising him as you slowly push your slick fingers into his tight hole.
He starts getting so desperate, wanting nothing more than to beg for you to finally fill him as you press the tip of your strap. He wants to push himself back against it, his cock rock solid, dripping with his pre just at the thought of it. But he's too much of a good boy to do so.
So when you finally fill him with a quick thrust, it makes him go dizzy.
He's a real sight for sore eyes; ass in the air, your hands holding him arched and in place, his eyes fluttering closed as he buries his face into the bedsheets below him, the prettiest moans escaping his lips. Soft and breathy, his voice breaking every time you slam against his prostate. He's not as vocal, but there's no denying the sweet noises that are forced from his throat with every thrust.
He's such a sweet boy, completely melting into the bed as you lean down, a wide smile on his lips as you press kisses against the back of his neck.
"Please, please, please, please, please!"
He'd beg as you finally reach down to give his throbbing dick attention. He's definitely saying thank you after he makes a mess of the bedsheets.
**
Alejandro is another one where I don't see him enjoying it all too much. He prefers to do the actual fucking rather than getting fucked. He'll fuck you like it's his last day on earth, giving you the most mind shattering orgasms known to man. He's definitely a BDSM guy for sure, a rope bunny while at it. But when the tables turn, he's unsure about it. He really doesn't believe it's something he would enjoy.
Alejandro is proud of his masculinity, maybe he has too much pride, but being in a place of submission like that is embarrassing to him.
He'd feel awkward being in a place without control over himself which is why I feel the most he'll allow you to do is use your fingers.
Lubing your fingers up, he'll allow you to bend him over once, just once, and only to try it out. Safe word in mind, he caves and lets you bend him over the counter.
"No funny business." Out of everyone on the list, Alejandro is definitely the most hesitant.
Tensing up as you push a finger in, he almost backs out. But knowing how adamant you were about him trying out something new, he makes up his mind and lets you do your thing because he's thinking that just maybe he'll enjoy it.
Like every instance, you curl your fingers to press against his spongey prostate and he jolts in surprise. Hearing a barely audible, low 'fuck' coming from his mouth, you curl your fingers again only to be met with a whiney moan.
"Is that a good fuck or a bad fuck?"
"Good... good fuck, god, please keep going."
Jackpot.
It isn't long until he's jerking himself off, pushing himself back onto your fingers. He doesn't want the feeling to end, though he regains some of his dignity during his post-nut clarity.
"Maybe we can do that more often.. if you want to.."
**
Rudy is a tricky one for me. I'm not that much of a Rudy stan to have an opinion on him + pegging. But I've seen him characterised as a sweeter and more reserved lover. I feel he'd be more like Ghost. He'll take your fingers, maybe a vibrator, but he definitely isn't ready for your strap right off the bat.
He'll ask you to be gentle, face flushed and looking away as you slowly push a finger in him. Curling your fingers in just the right spot would make him let out an embarrassingly loud moan, looking away, his face flushed. Taking advantage of this, his eyes roll back as you abuse the hell out of his poor sweet spot. The feeling is new and strange but oh god, it feels so good. It's immediately too much for him, his cock pulsing and throbbing as he cums so quickly just from your fingers alone.
Switching over to a vibe would elicit the most humiliating noises from him. It's so cute because he'll beg and beg for you to go easy on him, his poor tip flushed and red as you overstimulate him. Torturing him as you press the vibrator against that perfect spot inside him, coaxing him to another shameful orgasm, precum running down the underside of his shaft as he thrusts his hips into the air, it drives him completely mental.
"P-Please! It's too m-much!"
"I'm not hearing red." and he gets so flustered, he's burying his face in his hands.
But red never leaves his mouth, this thighs clamping around your hand as he spills a second, third, maybe fourth load all over his tummy, but that's only if you haven't drained him for all he's got. He might just let you peg him next time.
**
Valeria is all for it. A girl has needs, sometimes a girl just needs to be filled with a strap, and she is A-okay with that. Val knows what she wants and she knows she's going to get it.
Power play is a massive thing with her. So even if you're the one gripping the back of her knees and slamming into her, he won't hesitate to remind you she's in charge.
She'll allow you to lay her down, slowly undress her, spread her legs. She'll let you fill her with your strap, make her moan under you as you hit all the right spots inside her. But you're not leaving her without the pure filth that escapes from her mouth between her heavy breaths.
"Always making me feel so good, sweet thing."
"No, you don't get to stop. I don't care if you're getting tired, this is what you wanted."
"Fucking into me like a bitch in heat."
"Pussy drunk slut for me."
"F-Fuck.. mmh, d-don't stop."
She tends to get a dirty mouth when she's close, almost begging you to rub her clit for her until she gives in an does it herself. You can't blame her, you just didn't respond fast enough!
But it's not enough for her until her legs wrap around your hips, forcing you as deep as possible as she squeezes around the strap and cums around it with a long moan.
After that, she gives you no time to react. You're getting pushed back onto the bed while she returns the favour until you're begging her to stop from sensitivity. But that's okay, because that's what she likes.
***************
After finishing this, I've realised I've put a lot more effort into this one than the 141 one.. whoopsies 😭
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animentality · 3 months
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Your post about Gortash being embarrassing and cringe and not realizing it is SO real to me. I think he is perfectly suave and charming to everyone except when it comes to someone he ACTUALLY likes, at which point his usual mask is useless because he has no idea how to cover up Real Feelings. The way he 🥺 and grins and blabbers nonstop to Durge at the coronation reunion is exhibit A for this of course. Personally I think he had no idea what was happening on his face during that, it just earnestly happened, and he probably THOUGHT he was being chill but he so wasnt. He is a 40 or 50 year old teenager with a crush and he’s clueless that it gets him acting like an idiot. Important Gortash characterisation (to me!)
It just makes sense to me given his history and overall emotional immaturity that he does not know how to express casual affection for something, let alone someONE. (And yeah the whole thing where he and Durge are both really smart people capable of near-flawless teamwork but they also genuinely make each other kind of stupid when they’re around each other. It tracks.)
He wooed Jannath with unimpeachable charm because he did not actually care about or love her (im really sorry Jannath 🫣) so he was just being a fake bastard, and thats easy. But real affection? Real love? He has no framework for that. Catch the Chosen of Bane in the most unbecoming act of ducking his head to hide his stupid smile after taking Durge’s hand in his. Embarrassing!
ANON, your mind.
It's powerful.
I am gnawing on the wonderful idea, because I love the concept of, Gortash is the perfect gentleman, he's great at copying others, at pretending to be a patriar, and exuding this carefully constructed charm.
He was raised by DEVILS. He was in a GANG.
He has Raphael's bullshit charm, and all these rough edges.
But he smooths them out, when he's trying to seduce rich women or arms dealer.
But that act doesn't work on the Dark Urge, of course, and he would never even try that sort of thing with them anyway.
Because anyone who seduces people for a living knows, not everyone reacts to the same tricks.
BUT.
Maybe he starts out trying to seduce them, by being cold and practical and intelligent...but then, surprise surprise.
it ends up not being an act. he finds the dark urge is warmer and more receptive than he thought they'd be, after decades of being alone.
and they have things in COMMON.
And he IS honest with them, as his partner.
And then, when he's NOT trying to seduce then....he accidentally seduces them...by being such a fucking nerd.
And THEN.
as you said.
He is SO dorky and cringe...because he's being honest, for one thing, AND he doesn't know how to act, when he genuinely likes someone, and isn't just trying to seduce them.
And he's THRILLED that that's what gets the Dark Urge hot under the collar.
The biggest freak in all of Baldur's Gate, meets the second biggest one, and they don't know how to act "right," but their version of right ends up being healthier than anything else they might have ever been capable of.
UGH, anon.
Do not SEND ME DOWN THIS RABBITHOLE.
You couldn't pry soft dorky lovestruck idiot Durgetash from my dead claws.
I think they committed horrible atrocities together.
I also think they were so sweet on each other, it would make Bhaal gag.
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theyoungeragrippina · 3 months
Text
🫶🏻 15 gentlebeard/blackbonnet fic recs
(17 if you squint)
hey legends, in this bittersweet period where a lot of a us are feeling gutted but simultaneously, rebelliously hopeful, i've emerged from my reading den to showcase to you all some of the brilliant talent we have in this fandom! these fics are some of the best of the best, and i hope you love them just as much as i do! <3
they are all complete, do not feature any ongoing steddyhands/edizzy/stizzy, and are above 20k words.
peruse part 1, part 2, and part 3 at your leisure if you want to compare our tastes/devour more fine literature, or check out my masterlist as an ao3 collection.
adrift between the dreaming seas by @dandy-pirate-time
49k, mature, locked
stede lives a cursed life on a moving island, until the monotony of his days is suddenly interrupted by the fearsome kraken.
this was such a fascinating & incredible idea! i love how it manipulates aspects of the original story and transforms them into parts of the cursed island <3 sweet & unique & magical. i want to hug poor stede.
Five Birthdays and a Funeral by @bizarrelittlemew
58k, explicit
"When Ed and Stede's friend groups merge, they meet at a birthday party, and Stede's life is turned upside-down. As they collide again and again, he not only has to figure out what Ed means to him, but what he means to himself."
stede gets to be oblivious and a bit of a silly goose as a treat. also: treasure hunts, lucius is the best, ed has a cat whom i would die for, such a sweet & heartfelt fic. you will be so unbelievably fond of this version of every character.
The Ghost of Frigate Point Lighthouse by @piratecaptainscaptainpirates
53k, explicit
"When history professor Stede Bonnet goes to investigate rumors of a ghost haunting the local lighthouse, he's thrust into a mystery centered around the ghost of one of the most famous pirates of all time."
was SO eager to read this and it did not disappoint!! it has everything - fun, magic, mystery, tired TA lucius, and a lil bit of seduction. good enough that i am worried the author may actually just be a sea witch recollecting events he personally witnessed.
Haunted by @thepirateroo
60k, explicit
"The Kraken is a famous spiritualist, working the music halls of 1920s London to help families communicate with their dead. But Stede Bonnet knows that underneath the fame and illustrious title, Edward Teach works as a ghost hunter, debunking the spirits he makes his living off."
this is, genuinely, in the top 5 fanfics i have read for any fandom EVER. i wouldn't bat an eyelid if i read this exact work as a published novel in a bookstore. the mystery is so good and had me guessing and re-theorising constantly, the characterisation is brilliant, and the emotions are perfect. i cried, i laughed, i felt sick with worry for the characters, and i couldn't stop reading until i was done.
haunt me, then by @hyruling
28k, explicit
"He releases the ropes slowly, barely registering the burn as they slip through his fingers. Then, fallible as Orpheus, turns to meet his ghost."
post s1 fixit fics ily. everyone needs some therapy. really VERY well written and a joy to read.
Homeward Bound by mari_who
51k, explicit
"In the long-ago year 2000, bouncy blonde boy-band member Stede Bonnet is 17-year-old Edward Teach's gay awakening. Decades later, Ed hears a voice he could never forget."
i said 'ohhh no poor ed/stede' so many times while reading this. a lovely exploration of emotion and human connection, and finding yourself when everyone else has always defined who you are on your behalf.
I just need some air by @cuddlytogas
26k, teen
"Stede Bonnet's been having panic attacks for almost as long as he can remember, suffocated by pressure and expectation... When [he] finally takes his life back — divorces Mary, moves to Melbourne, starts his own event management business — things get better, but he's still no good at parties. He still needs some air, even at the very events he's brought to fruition. Meanwhile, Edward Teach, renowned chef and owner of Blackbeard's Catering, is wondering why the newest bigwig in events still hasn't hired him."
zoomed through this faster than lightning mcqueen. such a lovely writing of stede, ed and the whole crew - it feels like there's depth in every character, even background ocs.
also fantastic australia rep (i was jumpscared by mention of the cotton on group) AND i've been to the bar the final scene takes place at!!!! most exciting reading experience of my life.
i'll be your treasure by @monksofthescrew
48k, mature
"Wasn't the Dread Pirate Blackbeard rumored to have a hoard hidden somewhere near Essex? It's a metal detecting AU. They're detectorists. They fall in love."
i LOVE this fic so much it is just,,,, so sweet. stede does self-discovery and is seduced. ed is a bit of a goose and i'm obsessed with him. doug and mary are lovely. alma is so cool and i love her.
+ the sequel! drift o'er the rolling hills, swim through the briny sea (made me cry. btw. doug keeps being the best.)
The Kraken's Sacrifice by @trinityofone
22k, explicit
"Every year, a person is chosen—supposedly at random—to be sacrificed to the Kraken, to quell the sea's worst storms and to stop the taking of ships... Stede discovers that there is much more to the creature than he was led to believe—and that they have a deeper connection than he could have ever dreamed."
i LOVED this okay. it was funny and sweet and gave an interesting spin to the ed-is-the-kraken genre. get both of these boys some self-esteem asap. also comes with art by @avatoh!!!!!
lovers in a dangerous time by @veeagainsttheday
52k, explicit
pacific rim au - "Edward Teach becomes a jaeger pilot, first with Izzy Hands and later with Stede Bonnet. It’s not easy trying to save the world and falling in love with your drift partner…"
made me feel every emotion under the sun, including foaming at the mouth jealous that i don't have a drift partner. absolutely, masterfully written. i've popped this link first since its the fic that focuses on stede & ed, but it was written as a prequel for:
+ catagory five: a shatterdome romance by @owlinaminor (27k, mature), which focuses predominantly on jim & oluwande, and which i also massively recommend reading (first). it's told through lucius' words and made up of journalistic notes and transcriptions, and its really terribly clever. i knew nothing about pacific rim before this, and now i'm really very invested. if i wrote something this fantastic (& creative & wildly unique) i would never shut up about it.
More of the Gravy Basket than of the Grave by @veeagainsttheday
36k, explicit
"Ed and Stede’s ‘unorthodox friendship’ ended four months ago when Stede left Ed without a word after Ed asked him to run away to a parallel universe with him. They’re thrown back together when they’re summoned to perform a supernatural exorcism at the Hillside Hotel during a blizzard."
this has got to be one of the coolest and most creative fics i have ever had the pleasure of reading. genuinely kept me guessing and so so intrigued, PLUS the most sweet stede & ed dynamic!!!
Nothing Missing in My Life by @semisweetshadow
63k, explicit, locked
"Hollywood action star Ed Teach is bored with his celebrity life. Everything changes when he meets Stede, a sweet extra working on the set of his latest film shoot. Stede doesn't know who Ed really is and treats him like a real person and Ed can't help wanting to keep him."
ed plays an action hero called jeff the accountant, and if that's not immediately the greatest synopsis ever idk how else to win you over. hilarious, clever, & so heartfelt. i gasped and said 'oh no' with a hand over my heart nearly as many times as i laughed out loud.
not pickles by smallestchurch
84k, explicit
"Ed's minding his business when the new neighbor's kid comes around holding a human puppet. It's creepy as hell, but as soon as the kid's father rounds the corner, Ed doesn't mind."
i actually feel a bit ill when i think about this fic because i love it so overwhelmingly. there's family, and healing, and good food and friends, and ed teach and louis bonnet become the dynamic duo they always had the potential to be.
Our Fangs Mean Death by @flawedamythyst
87k, teen, locked
"Master Vampire Blackbeard's afterlife is enlivened by the arrival of a new coven in town, lead by the self-styled Gentleman Vampire. Now here's a Master who doesn't mind shaking things up by wearing clothes 300 years out of date, buying a massive gothic mansion for a lair, and leading the most eclectic coven Blackbeard has ever seen."
ridiculously fun. this is the vampire novel/fic i didn't know i needed and i loved every silly second. stede really gets to fulfil his dad-ness. i'm furious i can't join the gentleman vampires coven irl, will just need to embrace the gothic vampire aesthetic in my own life.
Wayfaring by @justkeeptrekkin
35k, explicit
"The downside to being stuck on a desert island is that Stede's not awfully good at adapting. The upside is that he and Ed can finally have some peace and quiet– that is, if Ed ever wakes up from the gunshot wound in his stomach."
the sweetest desert island fic, feat. the cutest piglet in the world, a little bit of pining, a helpful skeleton named dusty, and some of the best & most accurately written stede and ed content ever (imo).
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asexualenjolras · 2 years
Text
One thing I will say about Spider's character in Netflix's 'Heartbreak High' is that his characterisation felt very, very real.
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We are shown that Spider has had a crush on Amerie for a while; the way he looks at her at the festival and the denial attempt he makes when Harper calls him out for it is a very high school boy response. These are both evidence of that. From this, we see that he has feelings for the girl that's been in love with his best friend for years. To her, Spider is her crush's friend and nothing more.
This could make any young boy feel quite inferior, and we see Spider compensate for that insecurity through (very problematic, very misogynistic) humour. It is suggested that Spider is a virgin that compensates for that by lying about having loads of sex (Jay from the Inbetweeners, who?), for example.
When Spencer gets the opportunity to sleep with Amerie, we see he gets performance anxiety. This isn't uncommon. He gets nervous and struggles to get an erection, despite wanting to engage in sex.
Again, we go back to the fact that Spider already has insecurities when it comes to his crush on Amerie. From his perspective, he's messed up the opportunity to win over the girl he's been in love with for years. And, to make it worse, she's laughing at him. Amerie then adds further fuel to that insecurity when she says she doesn't want anyone to know about their connection - inferring she's embarrassed by him.
Because of this, Spider puts up a barrier. He pushes Amerie away in defence and he treats her horrifically to try to protect himself. He over-compensates for his insecurities by bullying Amerie. This is, again, not an uncommon response that men have to rejection/unrequited feelings.
We know he didn't treat Amerie badly before the bedroom incident, we see that he's collected and calming when he meets with her and she's panicking. We see him feel genuine concern about Harper being missing, and comforts her, telling her she can stay with him. We see him pining for her throughout the whole series, even getting jealous of the relationship she has established with Malakai.
(Malakai is another example of Spider's insecurities; in comes a brand new student that is just as good as him at basketball and is flirting with the girl he likes that rejected him).
Because of the rejection, we see that Spider becomes cold, unfeeling and avoident towards Amerie. It's something we see all too much as women. You never know how men are going to respond when you reject them. Spider was such a good representation of one response men may have.
Spider White is one of the most authentic portrayals of a teenage boy pretending not to be hurt by a girl rejecting them. If he does end up with Amerie (this is Netflix, the app that paired Eric with his literal school bully before giving Adam a redemption arc, so I wouldn't put it passed them), I really hope that he has a lot of redemption. And I mean a lot. Because, while she wasn't the best to him in some regards, she did not deserve the sh*t that he put her through.
Mr. "I'm a feminist" needs a reality check before he deserves our Amerie. And so many people on this app need to realise that his behaviour was not okay. I don't care how hurt you are, you don't get to slut-shame and bully the person that rejected you.
Anyway, there's potential for his character and he would be a really good example of this behaviour being held to account. I don't care about Dusty and his redemption arc, I want a Spider redemption because he would be such a perfect example of what healthy redemption looks like (if done right).
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archiveofrasa · 3 months
Text
i see a lot of criticism about the friendships between the babel characters and how we were told a lot of things about their positive dynamic, yet shown barely any of it (but are instead mostly presented with the negative aspects). i don’t know if other people clocked this but i feel like it was intentional
rf kuang was commenting on friendships made through trauma-bonding: they were doomed from the start
tldr; the characterisation is (one of) the subtly(ies) people were looking for in the colonial theme. they criticise the latter but i love the fact colonialism is more of an upfront theme because lord knows i am tired of it being subtle so people can ignore it
robin says from the very beginning after they formed their little friend group:
“why had they been so quick, so carelessly eager to trust one another? why had they refused to see the myriad of ways they could hurt each other? why had they not paused to interrogate their differences in birth, in raising, that meant they were not and could never be on the same side?”
the next small paragraph goes into a raft metaphor about how they saw themselves in each other and that’s why they stuck together. they shared one thing they could not ignore – their otherness. their friendship was purely built on the fact they were discriminated against and that they had to spent the next 4 years with each other. their first pleasant conversation is them discussing how they were treated at oxford. of course, the characters didn’t see this because they had never really befriended people their age before. this feeling of belonging felt like love to them (considering their upbringings, ramy’s i will discuss in a bit)
it makes perfect sense why robin would repeatedly imply that they loved and cared about each other. in his eyes, they did. what was it they had if not love? robin, who has ignored so many problems in the past before babel as he knew it would cause him issues, wouldn’t address their friendship dynamic or how strong the arguments and animosity were. he, an abused child, would rather have this than nothing at all
in actuality (demonstrated, i think, through the photograph they took at the end of chapter 9), they were together because of academia’s and discrimination’s forced proximity. robin feels specific emotions about them that feel strong to him because he’s never experienced it before, but that doesn’t mean they are strong enough to keep them together, which is why when they see the photo, they feel weird about it because why isn’t it portraying their dynamic ‘correctly’?
it’s true that perhaps to get robin’s perspective across, it would’ve been good to see the positive aspects more but i think that would’ve made it harder for us to see how weak their friendship was. people wanted more positive to show that they loved each other, which isn’t the point rf kuang is trying to make
rf kuang chooses to show the negative aspects more because they show where their friendship will end up. when letty did what she did, i didn’t see it as a plot twist, i saw it as an inevitability. this was going to happen. honestly, i feel this with most of the ‘plot twists’ of babel except the end of book iii (i really didn’t see that coming). it was easy for letty to do what she does in book iv because their friendship had such unstable foundations. when they no longer benefitted her, she turned her back on them
the only dynamic i feel was actually strong was robin and ramy. i’m not just saying this because i think they’re queer lol. they were close not just because they were both men of colour and had similar upbringings – they actually liked each other. they admired each other and adored each other’s personalities, they bounced off each other and knew what the other meant when they spoke. when they argued, it was over something that actually considered each other’s beliefs and goals and desires, not over their differences.
(unlike letty and ramy, letty and victoire and maybe even robin and victoire, though i think they lean more to ramy/robin than they do to letty/anyone lol. ramy and victoire have a dynamic that i personally feel like robin didn’t really see because ramy understood victoire in a way robin couldn’t. you kind of see it when robin is the one who letty complains about ramy/victoire to, but that’s it i think?)
speaking of ramy, linking it back to their perspectives of love, it makes a lot of sense why he caused the most disruption in the friend group. he’s the only one with an actual family that he stays in touch with. he knows what love feels like. so of course he’s the one that is strongly anti-empire, compared to robin and victoire who have been emotionally manipulated in their childhood by said empire, the one who argues with letty the most. he still feels what robin and victoire feel, of course, but to a lesser extent
honestly i don’t know how to end this analysis, i just think rf kuang is a genius lmao but i may add more onto this as i continue to reread the book we shall see
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asoulwithadream · 6 months
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okay my expectations for thirteen were pretty low, since as someone relatively knew to the series i'd just heard bad things about both her and chibnall's writing. BUT I'VE BEEN SO PLEASANTLY SURPRISED???
i fucking love thirteen. she's the perfect mix of human and timelord, and i mean that metaphorically. she's kind of the only doctor so far i've actually been able to relate to? she acts the exact way i would act if i were the doctor. the little arm swivel with the sonic? naming things willy nilly? she has the genius, the perfection, and she lacks is social contexts realistically but she still recieves love for it. shes loved for all her flaws, the same flaws i have, and it makes me feel loved. shes funny, she has morals, shes smart, she takes her time, she prioritises her friends, her goals are always to reunite and save as many possible.
she is a unit of a character and i love her. if you haven't noticed, i haven't quite been able to put her characterisation into words because shes so special to me that i think that if i did it would leave me head forever. if that makes any sense.
but i think what made me realise this is the speed i've been going through her episodes? in the past i've noticed that i haven't been really watching dw daily with the other doctors: obviously it was close, especially for the good story arcs and dramatic moments. but sometimes i'd stop in the start or middle of a season and just leave it for a bit before coming back.
but the MINUTE i saw twwfte (which perhaps may not have been the best introduction so far, but even so) i was hooked for some reason. and i just kept watching and watching and loving almost every episode and just watching. and of course i have my complaints but gosh this is good, you know what i mean?
and i have midterms!!!!!!!! i have a quadratics test in two days!!!!!! i don't have time to watch the haunting of villa diodati! but look at me go.
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SWEETHEART — ARTHUR PENDRAGON
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→ pairing: arthur pendragon x princess!reader
→ description: as a child, you had spent countless summers in camelot, your whole youth characterised by infatuation with arthur pendragon. though the feeling was mutual, your responsibilities as princess of your own kingdom meant that you had not returned in years. arthur had always held hope that one day you would reunite — but when you do, news of your betrothal leads him to believe he may have lost you forever.
→ warnings: angst at first, happy ending!!, merlin being a little shit stirring prat (who i adore).
“So this is the Princess Y/N we’re talking about here?”
Arthur scoffed at his friend’s teasing grin, rolling his eyes at the way Merlin’s arms crossed over his chest.
“The same Princess Y/N with whom you’ve been in love for… quite possibly all of eternity? Who you’ve spoken of constantly since we met? Who you’ve not seen in years except for in your dreams?”
“Alright, alright, Merlin,” Arthur warned, “Yes it is that Princess Y/N. And you’re not to say a word to her. I have waited a long time for this moment and you will not ruin this for me.”
Merlin smirked, uncrossing his arms to raise them in a show of surrender, “I won’t, I won’t.”
There was a moment of silence — Arthur pausing to heave in a deep breath as it dawned on him that you really had just arrived back in Camelot.
It had been almost five years since he had seen you.
Your father and his had been close friends and allies since their own childhood, and so you and Arthur had grown incredibly close.
Too close, perhaps.
You were his first love, and he yours, and having given each other all of your firsts you had both assumed that one day you might wed and rule both of your kingdoms together.
Instead, you had not been back in so long that he had begun to fear you never would.
As the only child in a rare kingdom accepting of a female heir, you had been in training to become queen upon your father’s death since you reached 17.
As a result, you’d not had the free time to visit Camelot, much to your dismay. Arthur too hadn’t been able to visit you, and so contact had ceased entirely as you went about your busy lives.
To say you missed Arthur was an understatement — he had been your absolute world.
From the days of chasing him through castle grounds and giggling under tables, to the days of lovelorn stares and stolen kisses, the arrogant prince would remain the love of your life for as long as you would live. You were certain of that.
And to now be returning to Camelot after all of this time, you were utterly terrified — even more so given the news that you were returning to share.
As soon as you caught sight of Arthur amidst the throng of knights your heart raced impossibly fast; Faster even than it already was at the thought of seeing him.
Now, it was real.
“Is that her?” Merlin pointed a finger directly at you, causing Arthur to twist on his heel and spot you and your guards (though not before grabbing Merlin’s finger and twisting his arm for daring to point at you).
Your pace quickened as you watched his eyes widen, and leapt straight into his arms when you reached him, though you knew this was not something you should be doing in public — even if you were tucked away where only the other Knights of Camelot (and Merlin) could see the encounter.
“My Lord,” you beamed, pulling back from the embrace to take in the sight of the man before you. A man still just as perfect as he once was.
“My Lady,” he smiled, his cheeks rosy as the sound of your voice washed over him still, though he would claim it was due to the cold, “I—I almost fear that I am simply imagining you or that it cannot possibly be you.”
You giggled, biting your lip as you felt his eyes linger intensely on yours, “It’s me, Artie. The same old Princess Y/N/N. Could we talk, perhaps, in private?”
He quirked his brow as he looked down at you, before nodding and leading you elsewhere. You noticed what you assumed to be his servant following close behind, but Arthur dismissed him with haste and he hovered seemingly just out of earshot instead, “Don’t worry about Merlin. I’ll introduce you after.”
You grinned nervously, still taken aback by even being in his presence.
“Little has changed, I see,” he laughed, before leaning to whisper, “You are still as beautiful as ever.”
“Unfortunately, Arthur, that— that’s why I am here,” you frowned at the ground, refusing to catch his eye again, “In fact, a lot has changed.”
“What do you mean, my love?”
“Arthur I—, I—, I have come here to bestow an invitation upon you.”
Arthur’s face twisted in further confusion, a frown set on his face as your words worried him, “An invitation?”
“To my wedding,” you gulped, watching the colour drain from his features as you spoke the dreaded words, “I am to be married in a fortnight.”
Arthur took a step back and you could now no longer feel his breath fanning across your face. You had waited an age to be reunited and to be doing so on these terms was agonising.
“This must be a joke, Princess. Tell me it’s a joke. Please, tell me it’s a joke?”
The tears that had been pricking at your eyes fell freely now as the weight of your confession crashed down upon you.
You would never love a man like you loved Arthur — it was an impossibility and you knew it. Your betrothal was merely the result of your father’s ill health and the influence of your fiancé - his closest advisor.
You were all but trapped in this engagement, and you had to make that clear to Arthur.
Your father had intended to send his Knights to invite the Prince and King Uther, but you had insisted upon breaking the news yourself.
Some small piece of you hoped that Arthur would object so profusely that he would instead beg for your hand — because you knew your father’s love for Camelot might outweigh the influence of Lord F/N and he might change his mind.
But you feared that this was merely a pipe dream, knowing that Arthur’s pride might in fact act as a barrier to his honesty.
He had missed you immeasurably too, of course, and Merlin’s prying eyes and ears couldn’t let Arthur be so silly. He might know Arthur to be a prat, but he wasn’t about to let him waste his chance at getting you back.
Besides, he knew he wouldn’t be able to cope with the moping.
“Arthur, I’m sorry—,”
“Who is it? Who is he?”
“I don’t—,”
“I must know.”
“It— I— I am to be wed to Lord F/N…”
Arthur’s face almost seemed to wash with relief for a moment, before the former strained expression returned. Sure — he could assume you weren’t in love with your betrothed, but regardless you were getting married to a man that wasn’t him.
“Is this a strategic marriage, would you say?” Trust Merlin to interject so impertinently and at such an awkward time.
You looked taken aback, perplexed by the servant boy’s apparent lack of manners, “Excuse me?”
“Apologies, my Lady, but I only ask for the Prince’s sake because I fear he won’t, and I know he wants to. Desperately, actually,” the cheeky grin on his face and Arthur’s wide eyes told you this behaviour was not unusual of him, “Is this marriage purely for the sake of your kingdom, then? Or a love match?”
Of course he knew the answer. It was clear as day — every bordering kingdom knew of your father’s declining health, and of Lord F/N having worked his way up to become his closest confidante.
“Artie— You know I love my father dearly,” you were practically pleading with him as you began to answer, addressing him instead of his servant, “And he cares for Lord F/N. I do hope that one day I might love him. Until then… Well, you have to understand that I have no choice.”
The frown on Arthur’s face was an agonising sight for you to see.
“I’m surprised there was no marriage alliance between your kingdom and Camelot, my Lady,” Merlin continued, still smirking, and Arthur elbowed him in the side, “Ow! I’m just saying… I’m sure the King would have obliged. His heir, wedded to a woman who will also be Queen in her own right. Two kingdoms so aligned. More power. Seems a no brainer to me. But eh, a wedding is a wedding to me! Even if it should be Arthur you’re marrying.”
Arthur looked distraught by Merlin’s outburst.
You couldn’t figure out what to say.
“Right. Leaving you to it. I’ll be just over there.”
Arthur shooting daggers at him had clearly finally hit him, and he scampered off, leaving you and Arthur staring intensely into each other’s eyes.
“Do you think…” you began, your voice barely a whisper as you looked down at your feet for a moment, “Do you think that he is right? Your servant? Do you share his belief that our fathers would agree to such an idea?”
Arthur fought the twitch of a smile threatening to erupt on his face now that you’d expressed even the slightest hope that that could be an option for you.
“I do,” he nodded, capturing your hands in his as he spoke, “And I’d be lying if I said that I hadn’t hoped I might have the chance to propose that while you were here. I’m not the childish boy I once was — well, for the most part — and to marry the woman I love as well as strengthening my kingdom? I can think of nothing I’d like more.”
You tried desperately to suppress the butterflies in your stomach at the sound of the words “The woman I love.”
“But would King Uther agree?”
Arthur scoffed, “My father despises Lord F/N, the meddlesome bloody fool. He would have us married today if it pushed that man into obscurity. He’s the reason our kingdoms have become so much less closely allied in recent years. Our fathers rarely see each other because of his interventions.”
You gulped, taking stock of what he had just said and pondering what this might mean.
“And that’s the truth?”
“Would I ever lie to you, Y/N/N?”
At this you sighed — you knew he wouldn’t. You knew he was always honest with you, even if you were the only person who ever had the fortune of being graced with this honesty.
You glanced around you, acknowledging that nobody was looking but your guards, and pulled him behind a wall nearby into the quiet of where Merlin had previously been lurking.
Your hands found his jaw and you tiptoed to kiss him, breathless at the spontaneity of your actions. He was quick to kiss back (and as good of a kisser as you remembered!) and before you knew it he had your back against the wall and deepened the kiss with parted lips.
You were like this for a few moments, before you placed a hand on his chest, feeling the fast thrum of his heartbeat, and shot him a beaming smile.
“Well, what are we waiting for? Where might we find your father?”
———
ok so i had so much fun writing that !!! i hope you enjoyed, i could make this a two parter if anyone would want? (either about them discussing w uther or about the wedding itself? please let me know if you’d like either of those!)
requests are still open as i’m finally back writing, but in the meantime here is my masterlist!
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royboyfanpage · 1 month
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Hello, please don't take this the wrong way but when I first started getting into comics I really disliked Ollie for how he treated/reacted to Roy and the whole drug thing but many years and more experience later (I know the characters a bit better now and stopped reading bad takes on tumblr) I'm realising that theres a lot more nuance and apparently they've got a really close relationship these days?? So I was just wondering if you might be able to explain that to me because I'd love to get into more arrow stuff (honestly mostly fanficton because lbr comics are crazy confusing and expensive) but I'm struggling to shake the assumptions I made about Ollies character when I was younger
Hi anon! Thank you soooo much for this ask, I've been looking forward to answering it for hours and now I finally have the time. Ollie's one of my favourite fictional archers, and I adore talking about him at any opportunity because he is SUCH a nuanced character. So here's-
Why Oliver Queen Doesn't Suck
Mandatory disclaimer that this is my own opinions, other people may have different interpretations which is totally fine! Ollie's been around for over 80 years, there's a lot of content to read and a lot of conflicting characterisations, so other people may see him differently than me. Also disclaimer that much of this was written from memory. I fact-checked the date of Nixon's declaration of the War on Drugs and the Denny O'Neil quote, but the rest of this was from memory. Apologies for any innaccuracies, both for comics and context.
Now that that's out of the way, lets talk Snowbirds.
In order to discuss Snowbirds Don't Fly, one of the most important things to factor in is context. I understand it can be difficult to see through the historical lense of a time period in which the majority of people on this website, myself included, were not even born let alone reading comic books. However, it's still crucially vital to discuss what was going on in the real world at the time of its publication in order to engage in a rich discussion of the comic. Snowbirds was published the year that the War on Drugs officially began following Nixon's declaration of drugs as "public enemy number one" on June 17th 1971, just under two months before the release of Snowbirds part 1 in August of that year. At the time, drug addiction was very much seen as a moral failing, and the war on drugs focused heavily on the incarceration of drug users (particularly ones that the US Government wanted an excuse to lock away such as people of colour and pacifists against the war in Vietnam, but that's not relevant to Snowbirds.) While Snowbirds was absolutely not a perfect comic, it was created to show a more humanising side of addicts than the usual demonisation seen on the news. In the words of writer Denny O'Neil, “we chose Roy [...] to show that addiction was not limited to 'bad' or 'misguided' kids.” It was created to show that addiction was not a moral failing, and that anyone could fall into it due to circumstances, even someone we've already accepted as 'one of the good guys' for the past 30 years. Roy was used as the symbol of a good kid who made a bad mistake in order to humanise real young people who'd gone through similar circumstances. And where there's a kid, there's a parent, which is where Ollie came in.
Now, I very strongly believe that Ollie was not written to be the bad guy of Snowbirds. Not only was he also an established 'good guy', but he was a symbolic stand-in for much of America at that time, including the people who would be reading it. And, while Green Arrow is very much a character who brings with him a lot of strong political takes, villainising their readerbase would be a step too far. Ollie was a stand-in for the concerned and ill-informed parent, a character who's consumed all the anti-addict propaganda being spread at the time and internalised it. That's why the fact that it was his own ward struggling with addiction was so poignant to the story. Ollie was forced to re-evaluate his worldview after seeing someone who he knows isn't what the media says addicts are struggling with addiction. Snowbirds has such an interesting character arc for Ollie, seeing him struggle to combine the ideas of what he's heard and what he's actively seeing in his mind.
Now, the most infamous part of Snowbirds is, obviously, the slap. Full disclaimer, I am not saying that Ollie is in the right for that. He was 100% undeniably in the wrong for how he responded to Roy's addiction. However, I think a key component of comic books that people tend to ignore is the component of marketing. The writers wanted this comic to sell. It was a very important story for the time, and with the amount of comics being released it was crucial to them that people actually found the comic and read it, especially since it was one of the first comics released outside of the strict rules of the Comics Code. And what would catch readers' eyes more than seeing a superhero hitting his sidekick whilst said sidekick is surrounded by drugs? I'm not trying to discredit the panel, it was obviously a very significant part of the story, but there were external factors at play too.
A lot of the development of Roy and Ollie's relationship is seen in comics released post-Snowbirds, but even in the comic itself there's clear development, particularly at the end. Snowbirds Don't Fly is a character arc for Ollie of him adjusting his worldview in order to grow and better himself after recognising his own biases. And people tend to forget that Snowbirds ends with Roy hitting Ollie back, and what does Ollie do? He listens. He lets Roy get his frustrations out, and listens to Roy's perspective, and he's proud of him by the end of it, proud of the young man he is.
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Okay, now that we've gotten Snowbirds out of the way, let's talk about-
Post-Snowbirds
There's a common misconception that Roy and Ollie having a close relationship is a recent development, which just isn't true. While it could've absolutely been explored in more detail, it's clear that Roy and Ollie reconciled post-Snowbirds. The earliest example that comes to mind is 1993's Green Arrow vol 2 #75, wherein Ollie and Roy refer to each other as father and son.
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Keep in mind that this was written by Grell who is, at least in my opinion, one of the best references for Ollie. While they did have some issues in the later issues of the run preceding Ollie's death (the causes of the conflict I'm unsure of, they were on rocky terms during Connor's introduction but I don't know why, if anyone has context for that please let me know but that could've just been a choice Dixon made), it's clear to see that Snowbirds was not something that permenantly damaged their relationship. Ollie put in the effort following his actions, to better himself both as a father and as a person, and Roy recognised that and forgave him. Parent/child relationships are hard anyway, let alone under the circumstances Roy and Ollie are under as heroes, and the fact that Ollie actually recognised his own flaws is far more than many parents do.
If we go later, we can see Roy talking fondly about Ollie whilst Ollie was dead in Titans (1999), fondly recalling memories with him from his youth, as well as keeping a photograph of him on his wall.
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While Roy does recognise that things with Ollie weren't always perfect, he does also acknowledge the good times between him and Ollie, and it's clear from the way he speaks that he holds a lot of love for him.
Later still, when Ollie returns from the dead, the duo reunite with fondness
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One thing particularly that stands out to me is that, at this point, Ollie was missing many of his memories and Snowbirds was still fresh in his mind, with him bringing up Roy's addiction multiple times throughout Quiver as if it happened within at most the span of two years. Despite this, he still embraces Roy and treats him with love, making it clear that Ollie loved Roy even near to the Snowbirds era. There are more instances I could go into in Green Arrow (2001), but I'm running out of free time, so I'd highly recommend reading it :)
Aaaand later still, Ollie openly admits to having fucked up with Roy during Snowbirds.
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He admits his failings, and demonstrates that he's got Roy's best interests at heart. He's not being selfish, he's letting Roy have his moment in his initiation as Red Arrow and staying in the background because he believes that's what's best for Roy. And-
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He openly states that he loves Roy.
There's more in the current continuity I could reference, but I don't have the time to go through them right now and I'm definitely more familiar with content pre-52 (particularly 1994-2004 is the ten years I'd say I know the best), so hopefully this is enough.
Roy and Ollie's relationship isn't perfect. It has clear ups and downs, which is what makes them so interesting! Oliver Queen is a very loving, yet very flawed man, and to go either way of "evil abuser" or "perfect father" discredits who he is.
Anyway, your faves don't have to be unproblematic to love them. Ollie has a really compelling character arc during and after Snowbirds, and I like him a lot :)
For further reading, check out my masterlist on my pinned post, particularly Oliver Queen's B- Parenting, Snowbirds (1), and Snowbirds (2)
Edit: In the original version of this post, I incorrectly credited Mike Grell for the introduction of Ollie's socialism and giving away his money. While Grell did expand the concept, it was first developed by O'Neil. My apologies for the misinformation.
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cool-fancier · 7 months
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Love's Continuous Determination
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Synopsis: Despite difficulties, your love for Bada Lee remains and acts as your compass and anchor. Her imperfections make her human, and your presence improves the world, demonstrating the power of real love to overcome obstacles.
There had been numerous times when it would have been simpler to let go in the complicated web of love. There were many reasons to stop loving Bada Lee and run away from the complexity and uncertainty that came with it. Nevertheless, out of all those things, there was one that kept you strong—a love that was stronger than the oceans and a link that was unbreakable despite the difficulties of life.
Your journey with Bada had been erratic, characterised by the ups and downs of challenges in life. Your hearts beat in perfect unison as you danced through life together, and there were times of laughter and joy.  However, there were also times when you cried, felt distress, and faced obstacles that seemed impossible.
You frequently found yourself in situations when it would have been simpler to say goodbye, such as crossroads. The world frequently urged you to let go and choose an easier way. But each time, you fought back.
You stayed because Bada had a way of making everything brighter and of making every second you spent with her seem like an endless moment of enjoyment. Her laughing was your favourite song, her smile was your daybreak, and her love was your anchor in a stormy sea.
You stayed because you found a home in her arms—a place where you could be who you truly are, where your insecurities were accepted, and where your dreams were supported to reach new heights. Her embrace was a haven from the chaos of the outside world.
You stayed because she was beautifully imperfect, and it was those flaws and imperfections that made her human. She could be upset and vulnerable, strong and fragile, and you admired that about her. You appreciated every aspect of her because she was a mosaic of contrasts and a masterpiece of complications.
You stayed because you had faith in the healing power of love and believed that your powerful connection might rebuild even the most shattered pieces. Together, you battled life's storms, and through each one, your love grew stronger and more strong.  Your love has been transformed into something unbreakable in the fire of adversity.
And so, when the world questioned your choice, when it gave doubt upon your love, you remained unwavering. You were aware that the world might have a thousand reasons against your choice, but there was only one thing keeping you there: your undying affection for Bada, which was so strong and pure that it overcame all challenges and doubts.
In the end, your love for Bada acted as your north star, compass, and cause for existence. It was an unbounded love that defied logic and explanation. Because you had made the decision to love her for eternity rather than simply a lifetime, it was a love that kept you by her side until your final breath.
Your love hasn't changed over the years, which is proof of the heart's immortal power. It was a love story that overcame the odds and demonstrated that real love could outlast all obstacles, including a million reasons to give up. In the end, you made the decision to choose love, and that decision was crucial because it brought you to a love that was limitless, eternal, and well worth all of the difficulties you encountered.
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perenial · 9 months
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gene im so glad you said this cause I haven't seen anyone else comparing it to the book as source material for like character and tone but i am So sure that if terry was alive the season would not be like this but i fear good omens fans dont realise how big a factor the lack of terry's influence is?? or like they forget that good omens was never just neilman???
ok before i go any further: i rly don't want to detract from anyone's enjoyment of the season and everything im going to say comes from a place of love for a) the original novel (& season 1 to a certain extent bc it got me back into it lol) and b) tv as a medium so like peace and love on planet let people enjoy things etc etc
but
like u said, terry's influence on the book was enormous – what makes gomens gomens is the balance of his genuine warmth and precise understanding of humanity tempered with neilman's sardonic voice and general like.....savvy approach to storytelling? i guess u could call it? anyway what rly helps the book is that it took them years to write it, passing ideas back and forth and rewriting each other's work until their voices blended seamlessly and a well structured capital-s Story was created. when i praise the book for being self-contained i think a huge part of that comes from the circumstances in which it emerged: two authors with complementary styles writing in a v particular time period where they had both the space to play with their ideas and the constraints of the novel as a storytelling format from which to craft something extremely specific.
adaptations are a tricky business and a tv version of gomens produced literal decades after the book was always going to have some unique challenges, but i don't think that's a bad thing bc the challenges could prove to be creative opportunities to take both the established audience and those new to the story by surprise. my biggest hot take here is that i don't think translating a story into a different medium means it has to follow the original narrative exactly, bc each medium has its own ways of communicating information and these structures, rules and traditions in turn inform what that story is. what matters more than following a story beat-by-beat is capturing what that story is about at its core, what themes and messages and ideas it works through and how.
all this is to say i never expected tv gomens to be a perfect reproduction of the book and if it had it been, it probably would have been worse off for it. that being said, there are parts of the book – like u said, its tone and character – that needed to have some fidelity in order to pull it off, and for the most part s1 did that bc it was still working predominantly within the bounds of the novel & its core ideas. while i did have some issues w how neilman & amazon adapted some details and characterisations, i generally rly liked s1 – it reminded me of why i loved the book and it was just generally fun to watch.
s2 was. not that fun to watch
a few positives before i go ham w the critiques:
the hair & makeup + costumes were fantastic (although i feel like s1 was slightly better re: makeup?)
the sound design & score made some of the more awkward scenes bearable and thats no mean feat imo
david & michael gave incredible performances w what they were given – michael especially managed to salvage aziraphale enough that his complete 180 didnt feel completely tonally dissonant (more on this later)
the detail of the sets is NUTS and i genuinely want to see more of hell bc of how intricate and fun the props look
i actually like gabriel/beelzebub!! their getting together montage worked for me, although they could have spent sliiiightly more time establishing what it is they like abt each other so much + why gabriel wanted to stop armageddon 2.0 so suddenly
the opening scene, although not on par w the novel's & s1's, was visually gorgeous and thematically resonant (although neilman owes me royalties for ripping it off from this shitty fic i wrote back when raphael!crowley was all the rage lol)
now w THAT being said:
like i said yesterday, the pacing was fucking awful. flashbacks are hard to work w at the best of times and the way they were used in this season felt so needless, especially the 40s one in ep 4 that takes up like 90% of the episode. in both flashbacks + present day there were scenes that dragged for no real reason, dialogue that looped back around on itself to stretch out the runtime, and weirdly enough places where there should have been character & plot work where there just,, wasn't any?? for example, maggie & nina's night locked in the café – some parts of the dialogue in later episodes made out that they'd had some rly deep conversation abt how they feel about each other or even that they'd had an affair, but that isn't clear from those scenes in the café. i'm not saying we had to see that conversation in its entirety but that there needed to be more connective details – either in dialogue or direction – that gave that part of the story coherence.
(there were pacing issues w the editing too but i don't want to jump down the editor's throats on this one bc im more focused on writing & direction issues)
the second major problem that i mentioned in my tags yesterday is the protagonist shift, which is an issue that started in s1. aziraphale & crowley are side characters in book gomens – significant ones, yeah, but still somewhat peripheral to adam (& anathema who counts as a deuteragonist imo). this works incredibly well w who they are as characters: they're Just Some Guys who happen to be involved in this epic biblical-level bureaucratic nightmare and importantly, they don't want to be in the spotlight. the arrangement was created so that they could explore what it meant to be themselves away from the Big Narrative; literally any time they get involved in larger affairs is bc the plot is alive and caught them unionising on company time. the last fucking chapter is adam (& god) being like haha u guys are alright keep it sleezy and letting them go. like. hello. neil u let them go.
but then!! tv gomens s1 does something interesting at the end w the body swapping addition that i dont totally hate – it gives aziraphale & crowley the extra bit of character work that brings them slightly more adjacent to their book selves. see i kinda view tv a/c as the younger, less settled versions of book a/c; they're still caught up in the immediacy of being key players and haven't fully realised that earth is their home. i haven't watched s1 in a while but one scene i remember rly clearly is crowley throwing all those astronomy texts in the air and angsting abt when he was an angel; i remember it bc his anguish in that scene feels a lot newer and rawer than book crowley's feelings about falling. when tv a/c do their bodyswap, it gives them the chance to land a blow against heaven/hell in a way that solidifies their allegiance to earth in a way that more closely resembles what book a/c have been abt the entire time (still adjacent, though. not parallel).
the reason why this works is that it does one final pivot to orient aziraphale and crowley as almost-main characters in a manner that makes sense in relation to a) their book selves and b) the position the tv show has placed them in. a combination of factors made tv a/c feel a lot less mature than their book counterparts but at the end of s1 they're sort of facing the same direction the book ended in, albeit through their own flashy late 2010s means.
when s2 was announced i was.......apprehensive bc to me, that felt like a satisfactory ending. i get the impression that amazon saw how wildly successful the adaptation was and was like oh shit we could make way more money out of this and neilman, having all those undead darlings that he and terry killed in the process of whittling the book into a workable novel, jumped at the chance to resurrect all those half-realised ideas. but not only were those ideas probably discarded for a reason, they've either been laying in wait for years unworked or they're new inventions, which means they weren't molded in the way that the book had been. like i said before, book gomens underwent years of rewrites and creative collaboration, and i think that process was what made it so good; s2 didn't have that. even if some of terry's ideas made it into s2, his influence is still missing bc he and neilman weren't in dialogue the same way they were in the book (and in some ways s1 bc i know terry was involved in the process of adapting gomens to screen before his death).
i don't think it's a case of newer fans forgetting terry so much as it is the context of terry's involvement being so removed from the current circumstances that certain aspects & discourses (i.e. is the s2 finale queerbaiting (no), does binge watching change the viewership experience (yes), etc etc) about the show overshadow other discussions that would usually be taking place. and before anyone says it's a case of neilman forgetting terry, i definitely don't think it's that either bc thats. yknow. wildly disrespectful. but also there are larger systems and structures at play than one writer no matter how much beef i have w him and his decisions, bc ultimately he's just one guy (a powerful and wealthy guy, but just a guy) and there's a wider cultural shift happening rn towards rehashing old stories without understanding what made them successful in the first place, and that same culture just doesn't allow for much, if any, constructive discourse analysis
so yeah
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