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usernare · 8 months
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meltem akçöl gif pack
1,511 gifs of meltem akçöl in gülcemal. all made by me, like / reblog if you’re using or found this pack useful!
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ms-demeanor · 10 months
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Due to some stuff brought up in recent posts I believe it is time to once again extol the virtues of Ms-Demeanor's Patented Where Did I Put That Fucking Paper Organizational Binder.
Hello! I am a disorganized adult! This is the system by which I manage my important shit like pink slips for my car and medical records and tax information.
You're going to need:
A 3-Ring Binder
Transparent Sheet Protectors
Notebook dividers (optional but VERY useful)
A backpack (optional)
So the way this system works is you put the sheet protectors into the binder. You can either use the dividers to divide the binder into sections or you can label some of the sheet protectors to make different sections but what you are generally going to do is make sections of the binder labeled things like "taxes" or "vet" or "doctor" and put a few sheet protectors in each section.
Then all of your papers with important information get crammed in that folder. You don't organize them, you don't sort them by date, you don't alphabetize. You put things vaguely relating to taxes into the sheet protectors in the taxes section. You put things relating to cars in the cars section. You don't even attempt to make this readable - you're not using sheet protectors so that you can read each page and keep it legible, you're using sheet protectors because it's a cheap plastic bag that will sit nicely in a binder.
You CAN put stuff into the individual sheet protectors when you get it, but let's be realistic you probably WON'T do that, so just tuck individual papers into the front of the binder until you get to a critical mass of paperwork then take an hour to sit down and sort into categories and put it in the binder once every six months to three years (depending on how frequently you get paperwork). Sometimes these sections will outgrow their original allotted space - since my spouse had a transplant surgery the medical section has had to become its own folder - and that's okay. If you end up with multiple folders just keep them together (this is why the backpack is an option, and one I strongly recommend).
Because yeah, if my organization system relies on opening up a drawer and putting something where it belongs as soon as I get the paper, I will simply not be organized. It's not going to happen. But I can handle a messy stack of paper that sits in one place and grows until it is time to shove it into a binder. I can't organize things for thirty seconds a day every day but I can organize things for an hour once every year or so (maybe two hours every five years when I sort out stuff I don't need like copies of warranties for parts on a car I don't own anymore).
When my mom died she had about fifty pounds of paper files in her office that were neatly organized in a system that didn't make any sense to my dad, my sister, and I. I ended up sorting through those files for twenty hours, tossing out copies of paid invoices from ten years ago and student handbooks from my junior high school. I reduced one filing cabinet, two desk file drawers, and a foot-high stack to a six inch binder that I gave to my dad. My mom died five years ago; two months ago my dad asked me about a medical document and I was able to tell him to go look for it in the medical section of the binder. It was there, because ALL IMPORTANT SHIT GOES IN THE BINDER.
Where is my birth certificate? In the binder. Where is my tax return from 2017? In the binder. Where is the record of my dog's last rabies shot? In the binder. Where are the records for my life insurance? In the binder.
A lot of what people consider "being organized" breaks down to whether or not you can find the specific things that you're looking for. Does my binder look nice? Is it aesthetic? Does it have color-coded tabs and papers all laid out neatly? Absolutely fucking not. But if you ask me where to find a paper I know that I can do so within about five minutes of shuffling through the pile of letter-folded sheets that I pulled out of the appropriate section of the binder.
I've discussed the Where Did I Put that Fucking Paper Binder before, but now it is time to expand that concept to the Backpack of Important Shit.
You likely have Important Shit that does not fit in a binder. Some of my Important Shit that does not fit in a binder is stuff like jewelry and the spare key for my car. Other stuff - the reason I decided to bring this up at all - includes my backup hard drive and packaging (including product key codes) for pretty much all of the software that I own. This is also where I store printed out copies of the recovery codes for most of the online accounts that I have.
There's a lot of weird fiddly shit that we have to have that we might not access all that often. This is the kind of stuff that might end up in junk drawers or under sinks or in disused laptop bags or kicking around under a bunch of papers in a desk drawer.
It doesn't matter so much when that weird fiddly shit is a set of hex keys or a utility knife or a protractor or a copy of a student handbook but it DOES matter when it's something that you might need to put your hands on in a hurry. If your computer crashes, you're not going to want to track down the software in the back of a filing cabinet and the backup drive from somewhere in the bowels of your desk. If you lock your keys in your car you are not going to want to figure out if your spare is in a junk drawer or the old purse where you keep semi-important stuff or the tin on your desk that has buttons and pins and headphone covers. Just put it in the Backpack of Important Shit and when you need it you know where to look.
So anyway, if you are a person who is a minor disaster who has trouble finding important things when you need them please don't think that you have to get your life together and have a nice organized filing cabinet or clear plastic bins full of documents or a neatly divided storage closet where everything from board games to backup drives has its own neatly labeled place. Just assign ONE LOCATION for important shit and start putting the important shit there. It doesn't matter if you have a filing cabinet where you keep old copies of homework and printouts of online orders and family history records - you do not need to keep everything that is file-able in one place and depending on what level of catastrophe you are it might be detrimental to you if you try to do that. It doesn't matter if you have a jewelry box where you keep your collection of gauges and wrist cuffs; if you are going to stress out about where grandma's ring is when you're digging through your collection of cheap earrings and silver pendants then *do not keep grandma's ring or any other Important, Vital, Cannot Be Lost jewelry in with your day-to-day wear*.
I live someplace that has fires. My binder got upgraded to my Backpack of Important Shit when the fires were getting uncomfortably close to the house I was living in and I wanted to have one bag to grab if we had to get out fast. Once I did that, I never took the binder out of the backpack and the backpack has now made three moves with me and has meant that I've had my birth certificate handy when I needed it in the middle of a move between two states, I was able to provide a history of my cholesterol panel going back six years to a visiting nurse, and I was able to give the exact names and contact info of my spouse's previous surgeon to the hospital when I had unexpectedly moved to a new state with three bags and my work computer at the beginning of the pandemic.
Get yourself a backpack of important shit and a folder of where the fuck did i put that paper. It is so much easier to search a backpack for important shit than to go through an entire house and it is so much easier to flip through a binder than it is to dig through a filing cabinet.
Anyway good luck and happy adulting.
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munson-blurbs · 3 months
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Living After Midnight (Failed Rockstar!Eddie x Motel Worker!Reader)
♫ Summary: Being a perpetual people-pleaser meant that you were constantly putting others before yourself--particularly your parents and the eccentric guests who stayed at their motel. But when a surly and mysterious musician checked in indefinitely, he flipped your whole world on its head. (3.1k words)
♫ CW: slowburn, strangers-to-lovers, angst, drug use, parental conflict, poverty, eventual smut (18+ only, minors DNI)
♫ A/N: Thank you to my numerous beta readers, including but not limited to @the-unforgivenn, @lofaewrites, @lokis-army-77, and @corroded-hellfire, and to @hellfire--cult for the divider. I am forever indebted to y'all.
chapter one: room for one more
It was always the quiet nights, wasn't it? The ones where the only sounds came from cars barreling down Queens Boulevard and splashing through puddles left by an earlier rainstorm, or from the clock ticking on the wall. 
The ones where your mind wandered until you’d thought yourself in circles, overanalyzing every last decision you had ever made.
The ones where you allowed your guard just down enough that the slightest oddity threw you off-balance—something or someone out of place. 
It was during the quiet nights like that night where you should have expected the unexpected, because New York City never stayed still for long. 
The evening’s sluggishness was normal; tourism always slowed in the springtime. The newest shows on Broadway were already months old, not to mention the warmer weather brought both an uptick in crime and pollen count. If out-of-towners were going to schlep to the East Coast, they’d prefer to see the cherry blossoms hours south in Washington, DC than to get mugged on the 1 train. 
Business picked up in the winter months when people flocked from around the world to witness the Thanksgiving Day Parade, the Rockefeller Center Christmas tree, or Dick Clark’s Rockin’ New Year’s Eve, even though they were several bus and subway transfers away. Outsiders to the tri-state area struggled to differentiate between boroughs; it was unfortunate for them, but you counted on it to keep business alive. 
The only guests who consistently frequented your family’s motel were junkies looking for a place to shoot up away from the NYPD’s watchful gaze or affair-havers who were considerate enough not to sully their marriage beds—just their vows. You were in no position to judge; their money was what kept the lights on, but it was impossible not to compare your clientele to the suits who stayed at the Marriott down the street. They wouldn‘t even allow homeless folks to sit within twenty-five feet of the building, let alone stay under their roof.
You leaned on the desk, wood grain pinching your elbows. You tapped your pencil against your textbook as you read, its margins cluttered with notes about different types of parent-child attachment styles. 
Sleep prickled at the corners of your eyes, blurring the words on the page in front of you. Focus. 
Secure attachment occurs when—no, you’d already read this line. Twice. 
“Dammit,” you muttered under your breath, gently slapping your cheeks in a futile attempt to stay awake. Taking a full course load instead of your usual part-time was your academic advisor’s ill-conceived idea, bolstered by the prospect of an earlier graduation. In your haste, you’d neglected to consider two important factors: all of your studying now had to be done during your night shifts, and graduating meant telling your parents a truth they were unready to hear. 
They were so proud of the motel, regardless of its reputation. It might as well have been The Plaza from the way your dad boasted about it. The three of you shared an unspoken understanding that you worked the front desk because paying an actual employee would put them under. Maybe if finances weren’t so tight, you could have freely admitted that your future plans didn’t involve taking over the business. 
Your eyelids fluttered shut as your head rested on your book, a small puddle of drool pooling atop Bowlby’s theories. 
Ping ping ping ping!
Time slowly stretched out before you, your conscious brain clawing its way out of its hazy fog. It took a beat for you to recognize that the incessant noise came from someone repeatedly smacking the tiny bell that sat on the desk. 
“Hey, hello?” an impatient voice called out, jolting you from your impromptu nap. You blinked away the residual sleepiness and took in the sight in front of you: a curly-haired man, likely not much older than you were, a cigarette that had been nearly smoked down to the filter tucked between his lips. He had a patched guitar case strapped to his back and clutched a black garbage bag filled with what you hoped was clothing.
“Sorry,” you grumbled, wiping the moisture from your chin. “Need a room?” 
“Mhm.” You could practically hear his eye roll: no, I just stopped by in the middle of the night for a quick chat. Fancy a cup of tea and a scone? 
He plopped the garbage bag on the ground; its soft landing and the way it wrinkled told you that whatever was inside was, thankfully, not a body.
You nodded and turned around to the wall of keys behind you. There was no shortage of rooms; the only occupied one was being rented by Phyllis, a sixty-year-old self-described ‘entertainer of gentleman’ who paid double her bill in exchange for your silence. 
He stubbed out the cigarette in the ashtray on the countertop, grinding it into the base for good measure. “How much per night?” he asked, digging into his pants pocket and pulling out a wallet held together with duct tape. 
“Fifteen.”
The man breathed out, his bangs fanning over his forehead. “Jesus.” He fished two twenties and a five from the billfold and placed them in front of you. “This should cover me until Friday, yeah?”
Nodding, you folded the bills and tucked them into the register kept under the desk, only accessible by key because of a series of break-ins during the late ‘70s.
The man lit another cigarette as you pulled out the ledger and a pen. “Name and date here,” you said, pointing to the ‘check in’ column. He took a drag before scrawling his name on the line: Eddie Munson, 5-4-93. 
“All right, you’ll be in…” you scanned the assortment of keys dangling from their hooks. The walls were thin, and this guy seemed decent enough, so you decided to spare him the theatrical sound effects of Phyllis’s room 10 endeavors. “…room 4. Make a right down the hallway, and it’ll be the second door. Can’t miss it if you try.” 
Your attempt at humor fell flat, both of you too exhausted to laugh. You strode past it, clearing your throat as if dispelling the tension. When you placed the key in his calloused palm, you couldn’t help but notice that the base of each fingertip is a half-shade paler than the rest of his skin. 
“Thanks.” Eddie mumbled. He tapped the cigarette above the ashtray, the gray flakes falling into a neat pile. His right bicep flexed underneath his denim jacket as he heaved the garbage bag over his shoulder, careful not to bang it against the guitar. 
He scuttled out of the tiny room masquerading as a lobby, shoulders hunched from the weight of the bag and of the burdens he inevitably carried. No one shows up to a motel in the middle of the night without a story or two. 
After years of greeting guests at the front desk, you liked to think you had a decent read on them. Eddie was quiet, maybe even introspective, but not necessarily shy. He was tired; no, more than that: he was worn down, like so many other people who had come through these doors. 
Most importantly, Eddie didn’t seem like he'd be much trouble. He didn’t stumble in wasted and reeking of booze or fidgeting as he awaited a fix. He wasn’t shouting or poorly concealing a wandering eye or making lewd comments. He’d made pretty much no impression at all besides being a bit gruff, which was just fine with you. Your personality wasn't composed of rainbows and sunshine at this hour either.
You looked at the clock and sighed when it only read 2:17. It’s already tomorrow, you thought grimly. Just under four hours until you could walk ten feet to your room, curl up in your bed, and sleep until it was time for your afternoon class. After years of balancing school and work, you were in the last two weeks of your final semester, and then…what? You casually inform your parents that you were leaving the family business–essentially forcing them to close it–to pursue a career in social work? 
That was sure to go over well.  
To their knowledge, you were studying hotel management and hospitality in order to “improve the business.” That was why they’d relented when you’d asked to start taking classes, switching you over to the night shift to avoid having to hire a new employee.
What they didn’t know is that your school didn’t even offer that as a major. Nor were they aware of the acceptance letter into NYU’s Masters of Social Work program that was stashed inside your dresser drawer, hidden from sight. That was a conversation for another day when you found the strength to face their disappointment.
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Chaos waited to strike until the end of your shift. 
Just as you packed your book back into your bag, a familiar, skunky odor wafted past your nostrils. 
Ignore it, you thought. Let it be Dad’s problem when he takes over in five minutes. But if you could smell it, so could any of the cops patrolling the boulevard. One more citation and the motel was in jeopardy of being permanently shut down, and you couldn’t take that risk.
With a frustrated sigh, you yanked open the desk drawer and reached in for a pen, instead pulling out an unopened box of crayons. A twenty-four pack of Crayola—the good kind. You plucked a waxy cornflower blue from its spot and scribbled Be back soon on a Post-It note, sticking it on the front of the desk. Grabbing the pepper spray canister from its spot next to the register, just in case, you started down the hall. Marijuana wasn’t Phyllis’s drug of choice, though it might have been one of her various gentleman suitors’, but the scent was too strong to be coming all the way from room 10.
Maybe this Eddie Munson was trouble, afterall.
You knocked on his door, firmly but without aggression. It certainly wasn’t the first time you interrupted someone’s buzz, and it wouldn’t be the last. You knew better than to go in guns a-blazing; it’s easier to catch flies with sugar than vinegar. 
Eddie opened it after a moment, cracking it halfway and revealing a lit joint pinched between his plush lips. One forearm was perched on the doorframe, showing off faded ink of a litter of flying bats and a dragon-esque creature. He was clad in only navy blue boxer briefs, but his lack of attire was no surprise. Many guests were shameless, not bothering to cover the holes in their Fruit of the Loom tighty-whities and showcasing faded yellow stains on the crotch. What confused you was the elastic waistband proudly proclaiming ‘Calvin Klein’ that cut off the soft hair trailing from his belly button. It seemed absurd that he would have been lugging around any designer clothes in that trash bag, but there was no other possibility. 
“Can I help you?” he asked, shaking his curly bangs out of his face. Half-lidded brown eyes scanned your form, trying to determine whether you were a narc or trying to bum some bud off of him. His window was cracked open enough to let in fresh air, which also meant that the acrid smell could easily be let out.
“You can’t smoke that here,” you reported matter-of-factly, just as you had a million times before. When he cocked a challenging brow, you continued. “Cigarettes are fine, but no weed. The police will come after us and you.”
He looked around the room, unbothered, and absentmindedly scratched at his bare chest. A demon’s head was sketched just above a sparse patch of hair. Under different circumstances, or maybe in another life altogether, you would’ve asked him about his tattoos; if they had some philosophical meaning or were the products of spur-of-the-moment decisions. You could have blathered on about the ideas you had for your own future tattoos, if you ever worked up the nerve to actually get one. 
“You mean to tell me that with all of the skeevy shit that goes on around here, the cops are gonna waste their time on a little pot?” He scoffed and took another defiant pull, holding it for a few seconds before exhaling away from you.
I guess chivalry isn’t dead, you mused, stifling an eye roll. “No, but they’re always looking for an excuse to ‘investigate,’’' you threw air-quotes around the last word, “so they can bust us for more serious things, and that is the perfect one.” You gestured to the joint only to be met with an eye roll. “Look, you can either put it out, smoke it somewhere else, or you can leave. Full refund, but you can’t stay here.”
His stare locked onto your steely eyes and clenched jaw, only breaking when you’d straightened your posture to stand your ground. “Whatever,” he huffed, but he snuffed it out. A glimmer of a smile danced on his lips, disappearing nearly as quickly as it arrived. Despite its fleeting nature, it managed to thaw you enough so that your arms weren’t held quite so tight to your body, your expression less rigid. “Just trying to relax and get some sleep, like you were while you were supposed to be ‘working.’” It’s his turn to supply the air-quotes, both in mockery and as a gotcha. A teasing lilt elevated his voice, smoothing out the edge he’d greeted you with earlier. 
“I wasn’t sleeping, just…resting my eyes,” you volleyed back, your smirk betraying any semblance of the tough façade you’d worn. 
Eddie crossed his arms and walked over to the garbage bag of clothes. He rummaged through it for a moment before procuring a pair of gray sweatpants, stepping into them hurriedly as though he just remembered his minimal attire. 
“Maybe if you chose more interesting reading material, you wouldn’t be sl—resting your eyes on the job,” he amended, gesturing to the textbook in your canvas tote bag. “Ever heard of Stephen King?”
“I live in a motel, not under a rock.”
He raised an eyebrow. “You live here?”
Shit. That wasn’t information you regularly divulged. Sure, this guy seemed harmless, but looks can be deceiving. Prime example: wearing designer underwear while using a trash bag in lieu of a suitcase. 
It was too late to double back, so you nodded. “Yeah,” you admitted reluctantly. The sole of your sneaker dug into the old carpet. 
Eddie looked like he wanted to say more, lips parted and eyes wide like there was a follow-up question sitting on the tip of his tongue. Before he could ask it, your gaze landed on the clock radio: six AM on the dot. 
“I need to go,” you said hurriedly. Shame at your sudden shyness burned a hole in your belly. Eddie Munson was a guest; for all intents and purposes, he was a total stranger. There was no reason to be intimidated by him. “Good luck falling asleep,” you added with a weak smile. 
The easy banter that had been building between you dissipated in an instant, taking his good mood with it. His goodbye was a sardonic salute, the mattress springs creaking wearily as soon as you closed the door behind you. 
Sure enough, your dad was in the tiny lobby, assessing some peeling wallpaper. “Gotta fix that,” he mumbled to himself, thumbnail picking at it aimlessly. He turned around when he heard the door open and smiled when he saw you. 
“Sorry, I was helping out a guest,” you rushed to explain, hoping he wasn't too anxious to find the desk left unattended. 
The wrinkles in your dad’s forehead became more pronounced. “Is everything alright?” The phrase ‘helping out a guest’ could range from unclogging a toilet to calling the police for a domestic dispute. 
“Yeah, everything’s fine,” you reassured him quickly, flashing an exaggerated thumbs-up. “No law enforcement necessary. Didn’t even need to use the pepper spray.” You waved the canister in your palm before placing it back. 
He beamed, leaning in and pressing a kiss to your scalp. “It’s times like this where I just know I’ll be leaving this place in good hands.” 
You swallowed the bile that crept up your throat and feigned a smile when  he pulled you in for a tight hug. The mingled scents of Irish Spring soap and drugstore aftershave tickled your nose, and tears stung along your lash line. 
If only you knew, you thought, giving him one last squeeze before you headed to your room. Disappointed wouldn’t even begin to cover it. 
Your parents would never say the word aloud; they’d look at each other and heave identical weighted sighs. Their lifelong goal of a long-standing family business would vanish in the blink of an eye. Dad would pretend there was a chance that they could afford a new hire, even going so far as to fumble through the years of financial statements before inevitably throwing in the towel; Mom would force a pained smile and hoarsely encourage you to follow your dreams, even at the expense of theirs.
You shook the thought away as you trudged towards your room, sneakered feet like sandbags below you.  Dwelling on this scenario had you teetering on the brink of insanity, so you’d willed yourself to focus on something else. Anything else.
Like the motel’s newest guest and his smile. The way it softened the hard lines on his face, offering you a glimpse of how he wore happiness. Something about it made you want to see him happy again. 
You can’t even figure out how to make yourself happy, you thought, peeling back the starchy sheets and finally crawling into bed, much less a stranger. For all you knew, he was just relaxed because his high was starting to kick in, and not from some warming presence you’d supplied. 
The sun cracked pink through the sky, visible through the paper-thin curtains hanging on the window. You had become accustomed to this backwards routine, able to fall asleep while daylight broke. It took a few extra moments this time; you were anticipating marijuana-tinged fumes to float through the vents when Eddie ignored your instructions. 
It was that flicker of a smile that had you almost certain he would spark up once you’d left. The smile of someone who so naturally flouted authority that he no longer bragged about it. Yet time ticked by without a hint of evidence that he was smoking again. 
Which begged the question: if the smile didn’t signify defiance, what did it mean?
Eddie Munson is definitely trouble, you surmised just before you drifted off, but nothing you can’t handle.
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jadenvargen · 2 months
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i was so blown away by those hunky dory pages that i immediately dashed to your blog to follow you and then clicked the unfollow button because i didn't realize i already followed you so sorry about that
hahah yayyyyy
i'm honestly super happy you like it!!! ive posted art for it before but ofc outta context... it's my baby so i put a lotta stuff i love in there. its really not all cowboys, i can say it's divided into three parts all around 10-20 years from each other so, part 1 will be cowboy part 2 will be 20s high and low society, and part 3 is... well:3
bc im excited that people like it, here's some martin sketches from patreon //v\\)
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konigbabe · 7 months
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eleusinian mysteries
DAY 7 ⇢ Gangbang Pairing: Satoru Gojo x fem!reader x Toji Fushiguro x Kento Nanami x Choso Kamo Word count: 4k Tags/warnings: no y/n; smut; gangbang; oral sex (F & M receive); p-in-v; anal sex (F receive only); pure filth; fingering; cunnilingus; rimming; deepthroat/throatfucking; praise kink; protected sex; ass slaping (like once); pet names (each one calls you differently); basically 4 men 1 female gangbang Summary: How did you find yourself passed around by four men might remain a mystery; at least it's off of your bucket list now. [Part of NSFW Gojo Week 2023]. Divider is mine. A/N: With NSFW Week oficially over with this piece, I wanted to give special thanks to the radiant Fae (@kennedyswhore) for her unconditional support [that kept me from dropping the event], sublime Kit (@vagabond-umlaut) for her encouraging and kind words (that subconciously pushed me to finish each piece), Karma (@kazushawty) who infected my mind with her filth (in a good way) that resulted in this mess (and kudos to her tutorial for this GIF) and to you, who's reading this [series]. Thank you for the support! ♡
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There's a thin line between reality and a dream – which can easily be blurred. Especially when the present blends with the past and gets a hold of the future within its grasp.
"What's this?"
Satoru lies spread wide on the bed; torso bared to the world and stretched out, his physique like an invitation to explore. Especially with the way the moon casts its shine onto the mop of silvery strands that crown his head.
With a soft sigh, you position one knee on the plush expanse of the bed, flicking your eyes on your lover. His curious fingers dance towards the petite diary on your nightstand; a beacon of secret desires nestled in the soft glow of tonight's moonlight.
"A journal," you reply, "of sorts," the mumble that leaves your lips is faint, tinged with skepticism. Unease. Shame maybe – even.
"Can I?" With the book already ensconced in his slender fingers, he throws you a questioning look. Seeks your permission. Your silent approval is conveyed through a gentle dip of your chin.
Satoru unfurls the pages. Flips through them. Hair clinging to his forehead, eyes darting across each paragraph and list; he takes his time reading, studying each entry. Flipping through the pages, you notice the crease between his eyebrows deepen as he reaches the last page.
The last page.
There are no hidden feelings between you. You are an open book for him – now in a more literal sense than ever before.
"This page's interesting," he mumbles to himself, yet his words reach your ears clearly. And you know what he means. A warm flush sweeps across your cheeks, causing your eyes to divert towards the sheets, where your nervous fingers fiddle with the fabric, "is this a bucket list?"
His utterance is clear, and you grasp the implication quickly.
"Yeah, well, everyone has dreams."
You feel the bed on your side dip. Satoru shifts, sits up, the sheets cascading around his lithe waist. Warm breath fans over your cheeks, adding fuel to the fire smoldering beneath your skin. His hand finds its way onto your exposed thigh, thumb caressing the damp skin.
"Yours are rather," searching for the right descriptor, the hand that was on your thigh now slips underneath your chin, gently lifting it to align your gaze with the deep, cerulean depths of his eyes, "provocative."
Filthy. That'd be more fitting, you think.
The answer on the tip of your tongue refuses to budge.
"I like that," he adds after a while. "And if you want," sitting straight, his face now stands in front of you, a breath away, "we can do number three now."
When you don't respond – only watch his face inch closer, lips hover over the curve of yours – he licks a thin stripe across your lower lip.
"And I can arrange number seven if you want," he mumbles against your lips, pushing your face towards his.
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How such a simple conversation led to this will probably remain a bit of a head–scratcher. How Satoru managed to have all of them agree to this will be a mystery. Maybe he has a knack for bringing out people's hidden desires or a way of making everyone comfortable enough to do this.
But these thoughts don't really stick in your mind. Especially with the way Nanami's tongue continues to lick thick stripes over your drenched walls. Back flat against the table, legs up and spread wide. Toji keeps a vice grip on one of your ankles with Choso gripping the other one – the two men keeping your legs open for the blonde man to devour you comfortably.
You'd never imagine there would be a day when all of them would see you like this.
And that there would come a day when you discover the taste of each of their lips; the unique sensation each of their kiss can bring.
Satoru you were familiar with – hungry. Sloppy. Messy. Remaining filled with passion even after years of familiarity. Holding your face with both his hands, cradling your cheeks. Like the first plunge into a lukewarm sea that turns into swirling foam – enveloping and capricious. He always speaks with his entire body; grinding up against you and wrapping his arms around your back. A boisterous lover.
Nanami – Nanami's kiss, on the other hand, is a contrast to Satoru's intensity. It's precise, measured, and full of depth. A slow dance of passion; like the waltz. His hand comes to your face and cups your chin, lifting your head up just the slightest amount of space so that when his lips meet yours, they nestle in there perfectly. His lips meet yours with a calculated tenderness. There's a sense of control and mastery in his kiss, and it leaves you with a feeling of being cherished and understood.
Toji – like a storm. Wild and untamed, coming out of nowhere with an intensity that left you breathless. An untamed force that sweeps you off your feet. Fingers gripping your chin with iron strength, thumb pushing against your lower lip to part for him more. Tongue both demanding and teasing, as if he can't decide whether to be gentle or let the beast out. The taste of danger and desire both eminent on his lips.
And Choso – the perfect blend of sweetness and ardor. His kiss is unexpectedly tender, considering his broad, rough exterior. A hand resting on your nape, not pushing or anything, with the other sliding up and down your arm; making you feel like he had waited a lifetime for this moment and wanted to savor the warmth of your skin under his palms. He tastes like moonlight on bare skin.
So when all four kiss you, the sensation is a whirlwind – a summer storm. A combination of the intensity of Satoru's kiss, the depth of Nanami's, the wildness of Toji's, and the tenderness of Choso's.
"Mmph–fuck," Toji rumbles, teeth showing in a grimace as nails dig into the flesh of your calf. Your fingers tighten around his base when you feel Nanami's fingertips collect your wetness, spread your lips apart before his finger teases your open hole.
You want to answer, urge Nanami to finally let go of the restraints – feeling like hours have passed since he went down on his knees and buried his face between your legs. Yet it's hard to do so when Satoru's cock plunges into your mouth. So deep in your mouth that you can barely breathe as he thrusts it into you; our lips and the back of your throat rubbing raw against its pulsing flesh. You feel him hit a soft barrier and push harder.
Hands slide across your chest. Slick with saliva before the softness of someone's lips envelops one of your nipples. A kiss, soon followed by a nip of teeth. Gentle, exploring – Choso, you guess. Compared to how Toji keeps squeezing the other one. All rough and fast, his thumb flicking over your erect nipple whenever your finger presses against his slit.
"Daamn, baby," you pick up Satoru's mumbles. And with your head thrown over the table's edge, you manage to look up. To see the underside of his chin, see how he's looking up; how his hand continues to caress your hollowing cheek, thumb collecting the tears that spill over your waterline.
A moan slips past the tight seal of your lips when Nanami's finger is finally buried all the way inside your drenched cunt. You arch against him, hips grinding against his moving hand before another one presses down onto your lower belly.
"Don't move, love," Nanami's voice echoes, hot breath skittering over your wet folds moving to your aching nub, "just let me prep you."
You tighten your grip – both of them – which only earns you deep grunts. Choso's teeth swipe over the tender flesh of your breast, over the soon-to-be bruise forming upon his attack. Tongue swirling over the silk-soft skin, making it stiffen with prickly heat. Your moan and twitch at the touch.
Toji flicks your nipple, rolls it between his fingers. Eyes drawn onto the sight before him. On the way your body lies completely bared; body offered on a platter of lustful ecstasy, like a sacred offering.
As Nanami's hand slides inside of you, heat spreads through every inch of your body. His fingers are merciless, relentlessly adding another finger and curling them both up to press against your walls. Searching for that sweet spot, that one point of ecstasy that will have you seeing stars.
"Baby," Satoru whines, thumb pressing against the corner of your mouth to draw your attention to him, "gonna cum. Think you can swallow me?"
Your hands continue to slide up and down Choso's and Toji's cocks, each on either side of you. Satoru stops moving, the throbbing tip of his cock resting on your upper palate. Your tongue swipes over his leaking slit, collecting the briny, pearlescent droplets before swallowing.
"Mhm," you attempt to nod, taking a deep breath through your nose.
"Good," Satoru responds, holding you in place by digging his fingers into the nape of your neck as his cock expands against your throat walls, pushing every nerve ending until a burning pleasure washes over you.
You can feel the heat spreading through your body, coalescing in the space between your legs.
Nanami's fingers continue to massage your walls, pressing against that slightly ridged spot deep inside – the one that tightens your throat, makes you clamp down on his fingers, grip Choso and Toji tighter. Everyone feeling your pleasure rise–
Satoru stills inside you. And you feel him spill. All hot and heavy; flowing over your tongue and melting on your taste buds like an ice cream cone in the summer sun. Tengy but savory.
–and rise until the dam breaks. Warmth flooding your nerves, overwhelming your senses until you surrender to it completely.
Nanami doesn't stop moving. Instead he speeds up, his fingers working you over until you are soaked in sweat; not a single inch of your skin dry or cool.
Fucking you through the first orgasm of the night while Satoru withdraws from your mouth. A feral groan escapes his lips as he watches scant droplets of his cum escape your mouth and rustle down the side of your cheek, smearing the sensuous skin with slick fluids that threaten to drip into your eyes. He leans down and sweeps up the droplets; plunging his sticky fingers deep inside your mouth.
All while the azure depths of his eyes lock onto your hazy gaze, you watching the upside down image of your boyfriend.
"You're so good," he praises, withdrawing his fingers and licking them clean. You can taste it on his tongue; the saltiness, the sweetness of his spent, "ready for the real fun?"
Nanami's fingers scratch your quivering walls once last time. His lips – soft and velour – press against your opening, tongue teasingly licking along the entrance before he stands up.
"Mhm–definitely," you murmur and watch. Watch as Nanami stands up, torso sculpted into perfection. Muscles rippling under pale skin, the veins visible beneath the surface. Your fingers itch, coming closer until the tip of your middle finger nudges against the graven abdomen.
His hips pitch forward upon your touch. Hand tightening around his cock as he gives it a few pumps.
You want it. Want him. Want to feel the stretch as he sinks inside.
"Condoms," Satoru chimes in from your side, stern but only reminding everyone as his hand strokes your cheek. Nanami grips your thighs to spread your legs wider for him. Nodding, he reaches to your side, grabbing one from the small stack of them you prepared beforehand.
With one hand on your inner thigh, her rips open the foil packet with his teeth and rolls it down the length of his leaking cock.
"Ready," he asks to which you nod.
The burn is intense, numbing as you're filled in one smooth motion. His cock feels even better than you imagined it would; slick and hot inside you. You can feel every inch of him, every inch that fills you up. His hands tighten around your hips, his fingers digging into your flesh as he stays still.
A mewl cascades past your parted lips. Body shifting, seeking more friction; movement. Nanami responds with a roll of his hips – exploring. Testing whether you opened up for him enough. And when he feels the unrestrained slide of his cock inside you, he can't help it any more. At first it's slow, shallow thrusts that have you biting your lip in anticipation.
"Fuck, get it over with already Nanami or I'm gonna explode," you hear a gruff voice.
Toji.
"Y'know," it sounds more like a moan rather than words but all four sets of eyes snap to your face, "I have two holes, don't I?"
Nanami shudders against your cunt, and you could swear he got more swollen upon your words. Choso's eyes snap to Satoru as Toji grabs the bottle of lube from the table. Yet Satoru's gaze lingers on your blissful expression.
"You sure about that?"
When he asks, your chest tightens, pulse gallops.
"She's a big girl, she can decide for herself," Toji responds, hand on your hip. He nods at you and then turns to Nanami, who looks up at him. They exchange a few words, a conversation that passes by your ears.
"Hey–"
"Satoru," you interrupt the man by your side, hand reaching upwards to touch the side of his neck, "s'okay. It's a gift for me after all."
You whimper when Nanami's cock slides out; now feeling the emptiness all over again.
"Gonna move this to the couch," Choso retorts–
Everything feels weightless. Surreal. Each kiss a caress, each touch a fire. Your thoughts are muddled, consumed by the need for him. For all of them.
–and soon enough, your legs are spread wide around Nanami's waist, his cock nestled deep inside you. You move in tandem, slow and shallow thrusts as you straddle him. He leans back against the couch, his head hidden in the nook of your neck; while at the same time, Choso stands behind it, with your lips sealed around his dripping tip.
Toji stays crouched behind you. Any other day, your face would burn over the thought – of having someone's finger up your ass. It's a strange feeling – the steady pressure of his middle finger as he twists inside you. Even with the generous amount of lube, it takes Nanami a few good thrusts and encouraging words – You feel good. Relax for us, yeah? – to get you mellowed enough for Toji to add a second finger and scissor them inside.
All while Satoru stands by the doorframe; fully naked, skin pale with pinkish hue. It feels as if he's glowing, radiant, when your eyes open and he's standing in your peripheral vision.
The motion tugs at something deep inside you. And you moan around Choso's cock. Hollowing your cheeks, tongue pressing flat against his underside as you feel pleasure washing the shame away.
Suddenly, Toji's presence leaves your body. Letting go of Choso's cock, you hold it in your hand, thumb swiping over the sensitive slit, earning you a grunt of appreciation as Satoru's eyes lock onto yours – and you feel a small smile tug at your corners before–
"What–"
Something wet slithers around your rim as Nanami stills once again. Teeth nipping at the skin on your clavicles, your lips press momentarily against the ridge of Choso's tip, tasting the saltiness before you use Nanami's shoulders to steady yourself enough to twist around. To look at Toji, crunched down, hands spreading your cheeks apart with face buried between them. His eyes, verdant windows to his carnal soul, glint in the faint luminescence as they look up at you; you can't help but gasp, mouth running dry. His tongue like fire, skin searing under his touch as he swirls around your ass before pushing inside.
"Wait, I–ugh–"
Satoru shifts in the corner of your eyes.
But somehow, it feels good. So fucking good and delightful.
"Relax, not my first rodeo," Toji rumbles when he pulls away, sinking his teeth into the plump flesh of your ass; then he goes back for more.
"Feels weird," you let out a chuckle, nodding in Satoru's direction, "but good." Hand grasping Choso's cock – who's been patiently waiting for your return – you kiss the side of the burning flesh while letting Toji devour you.
Nanami's hands slide from their spot on your hips, tracing the curves and dips of your body; settling around the globes of your breasts. They squeeze the abused flesh, kissing the tender spots. Hips having mind of its own, you circle them on top of him, causing Nanami to grow into your skin.
For what feels like an eternity, you stay this way – squeezing, warming Nanami's cock inside your dripping walls. One hand resting at the back of his head as he kisses your chest, massages your nipples and caresses your sides. The other hand moves along Choso's length, lips tightly wrapped around it as you bob your head, Choso's hand resting on top of your head, gently urging you to take more.
With Satoru watching over it all.
"Good," a sharp slap, sting on your ass when Toji finishes and stands up, "arch your back for me, kitten." His hand presses against your lower back, urging you into position.
Your body curves into Nanami's, like water around a rock.
Nanami spreads his legs more, opening you when Toji spread more lube over his cock. Tugs a few times to spread the slick, sticky substance over the condom, dipping the fingers in your ass to loosen the upcoming friction more.
You expect pain; pain of being stretched to the limit. Yet there's none when the tip of his cock slips past your rim and slowly slips inside you – further and further, until his hips are pressed against your ass.
"Fuck–good girl, ain't ya," Toji mumbles, more for himself as he feels the heat of your insides hug him tightly.
"You're doing great," Nanami's lips brush against the shell of your ear, tone quiet – just for you. "Wanna ride us?"
"Mmph–," you nod. Fingers sliding along Choso's cock, taking him in your mouth when you start to move on your own accord.
Which doesn't last too long as pleasure increases, makes it difficult for you to find a good pace. As if he can feel your struggle, Toji grasps your hips, stabilizing the pace as Nanami moves his hips.
Satoru watches on with a mixture of curiosity and admiration as Nanami starts to move; his cock sliding inside you with ease, meeting up with Toji's pace. You can feel both their cocks pushing deep within you, adding fuel to the fire inside.
Their hands never leave your body, grasping at whatever they can reach.
"Ah–" Choso's hips stutter the moment his cock breaches the entrance to your throat. You keep going, deepening the movement with each plunge. The sensation builds up in seconds, making it impossible to keep still as he grunts your name, feeling himself nearing the edge. "Gonna cum–ugh– damn."
His hands grasp your face, hips rolling forward. You grasp Nanami's shoulders, letting Choso ride out his high, his cum sliding down your throat before he slips out – spent and satisfied – and watches with grateful gaze as you swallow him down, not leaving a droplet to escape.
"Shit–," Toji speaks up after a second, "you just got tighter," and he grips your hips, moving Nanami's hands out the way as the intensity of his thrusts increases. "Look at you. Always knew you were a dirty one."
You can't even respond, just focus on the intense pleasure coursing through your veins. Pulling away, Choso takes a step back; steading yourself on Nanami, using his chest as leverage, you pull back. Back meeting Toji's solid chest, his hand wrapping around the side of your neck while he brings your head to his – cheek to cheek, lips pressed against your ear.
"Would kill to have you cum raw on my cock alone," he mumbles. And you know the reason for the quiet whisper. You can feel Nanami's hands move to your hips, steadying them as he thrusts in time with Toji. Together they create a perfect tempo, pushing you closer.
"Ah, ah–" you moan out as their combined rhythm sends pleasure through you, building up the intensity until it takes over every inch of your body. Until your walls shudder around them, body tensing before you let loose.
Nanami doesn't stay behind; his hands slide up your waist to grip your ribs. He feels you tense around him, and the sound of your name slipping past his gritted teeth echoes in the room as he drops his forehead to your collarbones. With one final thrust, he spills inside the condom with a groan. You can feel the tension in his shoulders relax; as if a weight has been lifted from them.
Still in haze – eyes closed – you let out a small sigh, feeling the last of Nanami's warmth seep out of your body before the scene shifts.
Satoru has you pinned against the wall, Toji standing behind. His hands grip your hips, pushing his hard, slick cock inside your loose asshole while Satoru moves in front of you, taking your face in his hands – his hands move down from your chin to your jaw, then to the side, to the sensitive skin along the bottom of your ear and your collarbone. The strong wide thumb of his right hand presses against the corner of your mouth, gently.
So you open up. Legs supported under Toji's wise grip, you offer yourself to the two. You can feel Toji behind you, his breath hot on your neck as he thrusts back and forth. Teeth marking your nape, electrifying your sensitive body – still high from another climax mere seconds ago, yet neither of the two stopped –
Satoru's lips move to your wet cheek before he inches closer again, lips ghosting yours until the tip of his tongue finds its way inside your mouth – warm and wet – a silent command for you to reciprocate, and you do. You let yourself get lost in his kiss while Toji's hips crash against yours, pushing you both forward.
The sensation is overwhelming – a mixture of pleasure and pain as both men push against each other, letting out groans of pleasure and grunts of delight that blur the line between lustful and loving. Primal and affectionate.
"Fuck–kitten," Toji grumbles, chest vibrating against your back, "gonna cum."
And even with the condom on, you feel it. Feel the sudden rush of warmth as Toji's cock pulsates inside you. His name sounds like a prayer on your tongue when he stills, flexing his arms and spreading you wider for Satoru's harsh thrusts to reach deeper. Pelvis massaging your swollen nub each time he buries himself balls deep inside your cunt – raw, unrestrained, without a barrier. Unlike the rest.
All while Toji relishes in the squeeze of your ass, the snug fit whenever Satoru hits that deepest spot inside you and bullies his cock in your walls (even if he hates to admit it).
The sensation sends your body into a new frenzy and you can feel the tension building up. Again. Watching Satoru's eyes close, the crease between his brows deepen. Hips stuttering, his hand cradles your cheek as he lets go. Your arms sneak around his shoulders, face nestled in the sharp contour of his neck.
(With all the sensations buzzing inside your body, in each nerve, you don't notice Toji leaving silently.)
A strong arm sneaks behind your back, the other placed on the back of your neck. Hips pushing into your softness as he grunts appreciatively; you feel the slickness flood your walls, paint it pearlescent white. He holds you close, whispers sweet nothings into your ear. Heat rolling over your body. His voice like honey and the sound of it alone is enough to bring you back to earth.
Until it all ends in a beautiful mess. A gluttony of pleasure, skin slick and breathless.
And somehow, you want more.
"Think we can do round two."
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Image description: A black and white illustration, designed to look like a book cover. On a decorative ribbon, the title at the top reads “External Memory”. A scroll work border of leaves and flowers divides the illustration into three rounded panels. The largest panel is in the center and shows a caravan surrounded by greenery, puddles and potted plants. The two smaller panels beneath it show a cartoon cat and mouse respectively, facing each other. At the bottom is another decorative ribbon with the text “a diary comic by My Murphy”. After the cover follows an 8 page comic. The style is cartoonish and the colours are soft pastels. Page one: An orange cat waves and says “Hello! I’m My.” The cat holds up a white mouse and says “This is Mouse, my girlfriend.” Caption: My name is actually My, but Mouse is a nickname for comic and privacy purposes. Caption: When I started this project, me and Mouse lived on a little island off the Swedish coast. The panel shows a stylised, tiny island with a lighthouse, spruce and birch trees, leaning houses and a little dock with a row boat tied to it. The cat and mouse are standing on the cliffs and a swan floats on the water in the foreground. Page two: Caption: Now we’ve moved to Ireland where we live in a caravan in the middle of nowhere. A small caravan, surrounded by greenery, overgrown trees, rocks, puddles and potted plants. The caravan has two windows and the cat and the mouse are looking out of one window each. Caption: We lived on the island to be close to my family. A ribbon with writing on it separates and labels four characters: “mom”, an ermine, “dad”, a wolverine, “brother”, a marmot and “step mom”, a squirrel. The ribbon has been torn in between “mom” and “dad”. Caption: and we moved to Ireland to be close to Mouse’s family. Three characters are shown, each with their own ribbon label. “mother-in-law”, a deer, “sister-in-law”, a jack russell terrier and “brother-in-law”, a hedgehog. Page three: Caption: Me and the mouse are currently in our thirties. The cat lounges on an antique fainting couch and the mouse sleeps on a cushion on the floor. On the floor is an open bag of “let’s” crisps and a laptop. Caption: We’re both pretty decrepit in various ways, so for this comic I draw couches and beds as often as I draw people. Caption: Disability isn’t especially interesting to me, but if a fish made an autobiographical comic… A fish under water paints a four panel comic with a brush held in its mouth. The panels the fish has painted show bubbles, waves and splashing water. Caption: …it’d probably be partly about water, whether the fish cared about water or not. Page four: Caption: My memory has always been pretty crappy. If a friend asks me: “do you remember when...” The question is shown asked by a red robin Caption: I usually have to answer: “no, I don’t.” The panel shows the cat giving this answer while looking away and blushing. Caption: There are many things in my life I’d like to remember. Mom the ermine watches as the cat opens a Christmas gift in front of a Christmas tree. The cat is much smaller than usual, its tail is bushy with excitement and it holds up a big book, “Mort”, with a skull on the cover. Caption: This comic is my EXTERNAL MEMORY so I can capture some of those moments… The cat admires a butterfly hovering above its outstretched paw Caption: …great or small. Page five: Caption: I try to make one strip per day, give or take. Pages with dates written on them blow off of a daily wall calendar by a strong breeze. As they turn over, comic pages are revealed to be drawn on the back. One comic shows the mouse with long fangs, biting the face of the cat and then hissing behind a bat wing. One comic is a pastiche of Tim Buckley’s “Loss” comic and one features a portrait of Frasier Crane and the Seattle skyline. Caption: and on the days when nothing interesting happens A close up shows the cat’s paw drawing a comic panel. In this panel a smaller, rounder version of the cat runs happily in the sunshine carrying a backpack. Caption: I reach back and draw something from my past. Caption: If you read this comic and wonder: A coyote looks at the comic on its phone, strokes its chin suspiciously and asks “did that really happen?” Caption: the answer is always yes. Caption: If you read this comic and wonder: A monkey reads the comic in zine form and think “did they really say that?” Caption: the answer is usually yes. Page six: Caption: When a specific phrase is the point of the strip, it’s recorded verbatim. The mouse says “you’re marching to the beat of the potato drum.” Caption: is a direct quote. Caption: When the point is something else, I sometimes take small liberties to make the memory fit well inside four panels. The cat sits at its drawing table, holding a pair of scissors in one hand and a paper with two comic panels in the other. Caption: Usually that means I make myself or the mouse play the part of the straight man because it will improve a joke. The cat and the mouse, dressed as clowns, stand in a circus tent. The cat pulls the clown nose from the mouse’s face and holds up a pie, ready to strike. Caption: In reality, neither of us is much of a straight man, but all art demands some sacrifices. Caption: In every way that matters, this comic always tells the truth. The cat looks up at a large, glowing, winged sphinx statue version of itself. The statue and framing is a reference to the all knowing Southern Oracle from the film adaptation of “The Neverending Story”. Caption: I am doing this to aid my memory after all, so it wouldn’t be very helpful to make my life seem more funny, interesting or relatable than it really is. The cat draws a comic while watching paint dry on the wall. Caption: That would be a pretty cruel joke to play on my future, more confused self. The cat scratches its head at a drawing of themselves as the winner of a beauty contest, wearing a sash and crown, waving to the crowd and holding flowers. Caption: She’ll probably have enough to contend with… The cat looks suspiciously at its own reflection in the mirror, not recognising it. The drawing is a pastiche of a panel from the webcomic “Gunshow” by KC Green. Caption: Maybe some of my comics will be funny or interesting or relatable to you anyway. That would make me very happy. The cat smiles and presses its paws to its face in joy, seeing that a bear and a horse are reading the comic together and laughing. Cartoon hearts float over the cat. Caption: Some of the comics probably won’t do much for anybody but me, but that’s okay too. The cat presses a page of the comic to its chest, looking contented and protective. In the last panel, the cat and the mouse are floating on air with a blue sky and white clouds behind them. The cat is smiling and twirling around, holding a paint brush out like a wand. From the brush flows paint that swirls around the two figures and making shapes of green leaves and orange and yellow flowers. On two looping blue ribbons appear the last captions: This is a record of my silly little life. Good or bad, I’m glad I get to share it. End ID.
Here’s a little introduction to External Memory! It was fun to make a proper neat and full colour comic - it’s been a while ^^
(If you like this project, please reblog this post! You can also subscribe to my patreon where I post one comic every day ^^)
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humanpurposes · 7 months
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De Facto
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She can't afford to fantasize over Aemond Targaryen, he's her boss and the Prime Minister... but stopping is easier said than done // Main Masterlist
PM!Aemond x unnamed female character
Warnings: 18+, smut, mentions of SA, questionable power dynamics, politics (putting my degree to good use), unnecessary world building
Words: 7700
A/n: Thanks for the inspo @ewanmitchellcrumbs, sorry it's not Dishy Rishi tho :(
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Throughout the whole train journey into Central King’s Landing, she’s sure she’s dreaming. Her body feels strangely light, her hands are restless and her heart is beating steadily in her chest. 
She flows effortlessly with the stream of commuters, along the platform, through the station’s glass atrium, then left towards Conquest Street. She knows her way around this part of the city already, and though she’s never been inside, she’s walked past Hightower House countless times.
This time is different. Now she walks up to the iron gates, pressing her thumbnail into her index finger, because the armed guards are making her nervous. 
She tells them her name and one of them mutters into a radio.
Her eyes run along the gold crest that marks the gate, a shield divided into seven, a sun for Dorne, a rose for The Reach, a stag for The Stormlands, a Trout for The Riverlands, a Falcon for The Vale, a Kraken for The Iron Islands, a wolf for The North, and at its heart is the symbol that unites them, the three headed dragon (although strictly speaking, Westeros abolished its monarchy centuries ago).
Suddenly one of the guards catches her attention. He opens the gate for her, and says she’ll be given a security pass and instructions to use the staff entrance following her official induction.
Hightower House stands proudly before her, an ornate facade of balustrades and columns, order and symmetry, an obvious juxtaposition of the medieval majesty of the Red Keep, just down the road.
It all feels very daunting, but the last five years have led her to this moment, the entirety of her adult life. She keeps telling herself that she deserves to be here, after all, she was the one who made it through the first round of applications, who made it to the shortlist and the final interviews, and she was the only one of hundreds of applicants who received the phone call, offering her a position as a personal advisor to the Prime Minister.
The contract only lasts two years, but it is the most effective stepping stone into a career in politics that she could ever ask for.
The entire morning is spent working out formalities. First she meets the deputy chief of staff, a handsome man named Criston Cole, who she’ll directly report to. He shows her through mountains of paperwork and gives her a brief overview of her role. Essentially, she is to assist the Prime Minister on whatever he deems necessary, policy aims, speeches, media coverage, political rhetoric, public image. 
“You’re a glorified assistant,” Cole says as she reads and signs page after page of her employment contract, “but with a salary to reflect it, so don’t feel discouraged. There will be some admin work which can get tedious, but you’ve been selected for your expertise and your passion for the party.”
That’s the crucial part of the job. Everything she does will be to benefit Mr Targayren as head of the Green Party, still running off the high of their victory at the last general election, just under a year ago. 
She signs her last signature triumphantly, despite the ache in her wrist, and hands the pen back to Cole with a smile. “All done?” she asks hopefully.
Cole grimaces sympathetically. “Not quite.”
There are four people to meet before she’s officially in. She takes a deep breath to soothe herself. It’s all just more formalities, which she can understand, given the weight of this job.
The first is the Prime Minister's private secretary, a glamorous woman with black hair and piercing green eyes, named Alys Rivers. She greets her warmly, having already spoken over the phone with her several times. She also knows her CV off by heart. It’s a little strange having someone know almost everything about her education and employment history when her face is unfamiliar.
The next is a young woman named Maris, the other of Mr Targaryen’s personal advisors. She has dark hair and a look of determination in her grey eyes. She explains that there are always two personal advisors, but hired on alternating years. She was hired at the start of Mr Targaryen’s premiership, and has a year left of her contract.
There are a thousand questions she wants to ask Maris, but before she can even scratch the surface, Cole’s checking his watch and dragging her off to another office.
Otto Hightower is the chief of staff. He’s thin and wiry, but incredibly intimidating. He has tired, sunken eyes that seem to glare right through her, and a passive but severe expression on his face, as though he’s scrutinising, having already decided she’s a waste of his time.
It’s not a great feeling, being looked at like that by a man she’s idolised for years. She knows his career timeline by heart. He earned his bachelors in Politics and Economics from Oldtown, before doing a masters in International Relations at King’s Landing, where he met and befriended Viserys Targaryen. He worked his way to becoming an MP and soon into Viserys’ cabinet when be became Prime Minister.
But things changed when Otto’s daughter married Viserys. No one really knows the whole truth, but Otto resigned from the Black Party, and took over from his own brother as leader of the opposition.
Now he works in the background, the mastermind behind his grandson’s remarkable successes.
Cole explains that Mr Hightower had the final say in the shortlist and determining which applicant would be given the final job offer.
“You had an impressive application,” he says, briefly looking up from a document. “I’m sure you’ll do well with us.”
“Thank you, Mr Hightower,” she says through the slight tremble in her jaw.
Other than that, the interaction is brief, and soon Cole is ushering her out of the room, back to Alys’ office, as richly decorated as the rest of the building. Maris is sitting at another desk, typing away furiously on a laptop.
“Tea? Coffee? Water?” Cole offers her, gesturing for her to take a seat on a green leather sofa.
“Water would be lovely,” she says.
“Maris,” he calls.
She glares up from her laptop. “That’s not my job.”
“No, but it’s courtesy,” he says.
Alys’ slight smirk doesn’t escape her attention.
Maris purses her lips, but she closes her laptop, pointedly slams her hands against the arms of her chair, and marches out of the room, her shiny black heels clicking against the dark wood floor.
“She’s nice really,” Cole says, “just a bit… direct at times.”
“Direct,” Alys groans to herself. 
She feels her brow flicker into a frown but stops herself.
“She’s good at her job,” Criston says like he might say something else, but he doesn’t.
When Maris returns, she seems a little less on edge.
She takes the glass of water with a cautious hand, Maris’ eyes lingering on her maroon painted nails. 
“I like your top,” Maris says.
She glances down. It’s nothing special, black and long-sleeved, to go with her long blue and green patterned skirt.
“Thank you,” she says.
Maris hums to herself before she goes back to her desk.
“Do you often work in here?” she asks.
Maris shrugs. “It depends.” She doesn’t care to explain further.
Alys is smirking again.
“Mr Targaryen was in a meeting with the cabinet this morning,” Cole says, then checks his watch. “He has a few phone calls to make, but he should be ready to see you at about 4pm. Maris?”
“Yes?” 
“Will you show her in around then?”
“Yeah,” she says, flatly, “of course.”
Cole shakes her hand before he leaves. “Alys will show you out when you leave. I’ll see you on Monday morning.”
She continues to wait on the sofa, restless in the silence that follows once the door has shut. Alys and Maris are both typing, their nails clicking against their keyboards. She starts to bounce her leg and stops herself.
Her mind is racing. The day seems to have gone well so far, but what if she meets Mr Targaryen and it all falls apart? What if he decides he doesn’t like her and sends her packing? 
She’s too lost in her own head to notice the flash of Alys’ emerald green dress as she stands in front of her. That is, until she’s leaning down and waving a bar of chocolate in front of her. “Get a bit of sugar in you,” she says, “and breathe slowly.”
She smiles as she takes the bar and places a single cube on her tongue. She lets it melt, savouring the sweetness and the slight bitterness of its taste.
You can do this, she thinks to herself with every inhale. And then she exhales. You are here for a reason.
The phone on Alys’ desk rings. She checks her own phone. It’s exactly 3:59.
“Yes, sir, Maris will show her in now.”
Aemond Targaryen is on the other end of the line. Her heart drops at the thought.
As the second son of Viserys, it seems like he was always destined for the family business. He differs from his father and grandfather in that he did Politics and Philosophy at Sunspear, before going on to do his masters in History at Oldtown, and then another masters in International Relations at King’s Landing. By all accounts, he is fiercely intelligent, mature beyond his years, with the right balance of intimidating and charismatic to command the support he needed to get in as MP for Rosby, then as party leader.
In fact, it had been his first campaign that inspired her to apply for a degree in politics in the first place. She loved how he spoke, how he managed to strike a balance between grace and passion, and how deeply he cared for his policies. He was poised and perfect, but driven by a genuine want for improvement.
He perfected his craft within a matter of years. With the mess Rhaenyra Targaryen had made of the country, it was all too easy for him to win a majority with a few winning speeches, a hand running through his silver hair, that lazy half-smirk and the intense look in his eyes that just made you want to fall at his feet. And people do. The press adore him, his party worships him, foreign dignitaries often remark on his charm but also his capabilities as a negotiator and a leader.
Maris leads her out of the office, along a quiet corridor. She stops outside a door with gold lettering: Office of A. Targaryen, Prime Minister
Seeing it in front of her, strangely, seems to subdue her nerves. Her chest flutters, but the anxiety is more manageable than before.
Maris taps her knuckles against the door three times.
From the other side of the door she hears a gentle but chilling voice. “Enter.”
She follows Maris inside.
He’s perched against his desk, his long, silver hair falling around his shoulders as he looks over a few pieces of paper. He wears a white shirt, rolled up at the sleeves, black slacks and brown leather shoes.
He looks up slowly, the light of the early Autumn evening beaming through the windows, over the sharp features of his face, his cheeks, his nose, his jaw, his neck.
His eyes find hers, unashamed and curious.
Suddenly she can feel her heart in her throat.
Maris introduces her. “I’m sure Alys already debriefed you, but she’s here for her induction. Cole said you wanted to meet her as a formality and–”
It feels awfully like she’s talking for the sake of it.
“That will be all, Maris,” Mr Targaryen says softly. She can’t help but watch the way his lips move when he speaks.
“Oh, are you sure, sir?” she asks. Her face is twisted into a slight frown but her eyes are wide. “I just thought, for her sake, it might be useful if I’m here to explain everything.”
“I’m sure, thank you.”
She stands with her hands clasped in front of her skirt as she listens to Maris’ footsteps move towards the door. It opens and closes, and now all she can hear are her own breaths, gently flowing through her nose.
She doesn’t know where to look. At the patterned carpet on the floor? No, it would be rude of her to hang her head. At the portraits that line the wall? At the bookshelves? At the desk? No, that all seems too intrusive. Out the window? No, that might seem like she’s not paying attention.
So her eyes settle on him.
He hasn’t moved from his position, but he’s placed the paper on the desk behind him, leaning with his palms at the edge. His eyes glance over her once, up and down.
Fuck, he’s so much better looking in person.
Then he stands to his full height, and picks up a clipboard from the desk. He flicks through a few of the pages and hums softly to himself.
“You had an impressive application,” he says.
She swallows through the slightly dry feeling in her throat. “Thank you, sir.”
“And an excellently written cover letter.”
“Thank you, sir.”
“You did your masters in Comparative Politics at Sunspear. Oberyen Martell is still head of faculty there, isn’t he?”
“Yes, sir. He taught one of my modules, Security Studies.”
“He’s an interesting character,” he muses, smiling to himself. “He was my supervisor for my undergrad dissertation.”
She already knew that. Dr Martell loved to go on about his star student. She would too if she taught the future Prime Minister.
He flicks to another page. She watches as his eyes skim over the words in front of him. “And you came with glowing reviews from Tyland Lannister.”
She’s not sure how she’s supposed to respond to that– it makes her sound more like a product than a person– so she just smiles, as delicately as she can, making sure not to squint her eyes too much. 
She had spent the last year as Mr Lannister’s Parliamentary Assistant, at his office in the Red Keep, starting just as he had been appointed as Foreign Secretary. 
“How was he as a boss?” Mr Targayren asks.
Straightforward, she thinks. He took his job seriously and was decidedly not a fan of smalltalk. His office often worked in silence, and even when he was stressed he was efficient.
“No complaints,” she says.
“I’m sure you were all kept busy, cleaning up Corlys Velaryon’s mess after the Stepstones.”
A minor military excursion to defend a few key trading routes, or at least that’s how it had started. Within a matter of months the Stepstones had spiralled beyond control, costing Corlys Velaryon his seat and the Blacks their majority in Parliament.
“If I remember right, it was Daemon Targaryen pushing that particular policy,” she says.
The corner of his mouth curls upward. It could be a smile but she’s not entirely sure. 
“Sir,” she adds, hoping to soften the blow of her unintentional insult; what idiot tries to correct the Prime Minister on their first day on the job? She does, clearly.
He doesn’t seem irritated or angry, more amused. A cryptic “hmm” sounds in his throat as he flicks back to the first document. “And before that you were a campaign manager for the party, yes?”
“Yes,” she says brightly, grateful for the change of subject. “I was working in the Stormlands in the lead up to the general election.” The region was formerly a Black stronghold, but turned Green thanks in part to her efforts.
“Excellent work,” he says.
The smooth, seductive tone of his voice seems to come so naturally to him. She bites her tongue at the image it prompts in her head, of his lips brushing over her ear, his hands resting on her waist, she can almost feel it–
No. That’s wrong. So wrong.
Fantasising about the Prime Minister of Westeros is not a habit she can afford to keep up, not when she’s supposed to be working with him in such close proximity.
But that’s easier said than done.
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Cole enters his office, bright and early on Monday morning, before the rest of Hightower House is awake.
Aemond’s routine is the same every day. Up at 5am, run a few laps of the expansive gardens or spend an hour going through his meticulously planned gym routine. He showers, shaves, applies his skincare and haircare products, dabs some perfume on his wrists, dresses, and takes breakfast and a black coffee in his office. By 7:30am he’s ready to work.
He needs the routines and the outlets. They help keep him sane.
He’d seen how this position twisted his father into a tired, irritable and irrational man, how it got to Rhaenyra’s head until she became a liability to herself. He won’t be like them. He has a reputation to uphold, a legacy to claim.
Cole places a folder on his desk. “The background check you ordered, sir.”
He thanks him, quietly and sincerely, and waits until he’s left the room to open the folder.
His new personal advisor intrigues him. He’d made the request for the background check as soon as their meeting had ended on Friday. 
She has no criminal record, which is unsurprising, that definitely would have come up sooner if she had one.
He browses through her education history, a star student at Storm’s End Grammar School, a bachelor’s in history from Rainwood, a masters from Suspear, where she was head of Debate Soc and Amnesty International, while working various internships and retail jobs in between.
The next page is full of articles from student publications, The Importance of Integrity in Politics for the Rainwood Student Journal, Sovereignty in the Stepstones for Red Sun Rising. He reads through them both. Her writing is immaculate, concise and convincing.
The final page is more personal, social media profiles. It’s nothing scandalous, but she clearly has a certain image she wants to project. Her Instagram is full of art and history museums, coffee shops and preppy outfits. She has a few pictures on her LinkedIn of her at the Green Party conference last year, pictured with a group of girls her age and a caption that talks about the importance of representation in politics, with links to various charities and initiatives. In the photo she’s wearing a white silk shirt, open just enough to show off a dainty gold necklace and a hint of the swell of her chest.
She seems perfect. Too perfect for his own good.
The first months go smoothly enough. 
Maris is a practical person. She’s good with numbers, good for bouncing off ideas for economic policies and analysing data for him, even if she is a little overbearing at times.
But she fills the gaps perfectly. He secretly looks forward to their meetings and debriefings, when he asks her to write or edit speeches for him, or run through questions with him before a press conference. Politics is never easy, but she has a remarkable talent for keeping a level head. He likes that she’s always calm and composed. He likes her soft, reassuring smiles and the sharp look in her eyes. 
They just click. She’s always switched on, always knows the right things to say and do, always knows what he needs.
Every moment they are alone feels monumental; the settled quiet of his office when she first walks in and takes a seat on the other side of his desk; when they make an exchange, debriefing papers for an empty coffee cup, and their fingers will brush over each other; when he stands over her shoulder to read the document she’s working on, close enough to smell her perfume and feel a heat simmering under his skin. It’s starting to become unbearable, and yet he craves that feeling.
And then, one morning, he gets a phone call from the Crownlands Messenger. They’re about to publish a story. His brother has been accused of inappropriate conduct by no less than three women.
Fucking Aegon.
The entire country is in an uproar. How can anyone trust their Parliamentary representatives when they do shit like this? Is Aegon an outlier or is this just scratching the surface? What will his punishment be? What else are the Greens hiding? 
There are hundreds of emergency meetings with his grandfather, tense phone calls, bearating headlines, and onslaughts of outrage online. There’s no question about it, Aegon has to resign as an MP, but the damage is done. The polls are turning Black instead of Green. People don’t trust the ruling party, or its leader.
It’s late. Aemond paces his office while a headache pulses in his head. He’s long ditched the coffee for whisky, swirling it about in his glass. He sent Maris home hours ago. He doesn’t have the patience for anyone at the moment. Except for the woman leaning against his desk, flicking through news articles and the pages of notes she’s prepared for him.
Tomorrow is PMQs. No doubt there’s only one topic the Blacks will be asking about. He can already see Rhaenyra and Daemon’s smug faces, the delight they’ll take in watching him fall apart. There’s just no way he’s getting out of this easily.
He feels so restless. His hands are trembling and his lips won’t seem to stop moving, so he places himself against the wall, mindlessly tapping his fingers against his glass as he takes another generous sip.
From the desk he hears a heavy sigh that hums slightly in her throat. “Is there anything else you want to go over, sir?” she asks.
“No, I think we’ve exhausted the hypotheticals,” he says, running his free hand through his hair. He resists the urge to pull at the roots, to take his frustration out on something. “It’s just– fuck’s sake, I’ve been saying Aegon’s a liability for years. But no, Otto always wanted to keep pushing for him. Said it was good for the family’s image.”
She places her phone and the document behind her, and takes a few steps towards him.
He glances down at her, at the way the low light of the lamps and the fireplace glows against her skin, the contented sort of look in her eyes. 
Her eyes flicker down at his now empty glass. “Refill, sir?” Her lips stay slightly parted once she stops speaking.
Then he realises he’s staring.
“No, thank you,” he mutters, tapping his finger against the glass. “I should probably stop now.”
She takes the glass from him with her middle finger and thumb, avoiding touching his hand before she takes it away. Maybe it’s the alcohol getting to his head but his heart sinks at the lack of contact.
What is he doing? It must be after 9pm now and he’s still keeping her here without a real reason. 
She’s standing by the drinks cabinet, carefully placing the crystal bottle of whisky away and setting the empty glass out for housekeeping to clean up in the morning.
Instead of thinking about her, the way her hair looks, the way her skirt hugs her waist and the curve of her backside and thighs, he tries to think about how much he hates Aegon. This only makes him more agitated.
He closes his eyes and throws his head against the wall. His heart is racing and there’s a hollow feeling in his chest. He’s craving something, not another drink, not a smoke (he quit once he was first elected as an MP). He wants something else, something dangerous and damning. 
The heels of her shoes tap softly against the floor, until she’s standing in front of him.
He opens his eyes.
She frowns slightly before lifting her hand and delicately placing it on his shoulder. “You need to relax, sir,” she says.
He lets out a low “hmm,” as he weighs out his options. This seems like a bad idea. A really, really bad idea.
“That’s not going to happen with you here,” he says.
Her calm, somewhat smug expression falls. She looks so innocent now, so sweet. “What does that mean?” she says.
He leans in closer to her, until the tip of his nose barely brushes against hers. “I think you know what it means, darling.”
She hesitates, before her mouth spreads into an eager smile that shows off her teeth.
Her hands find his, ensnaring him under a soft but commanding grip. She leads him away from the wall, to the sofa by the fireplace. 
He settles on it, leaning against the arm as she comes to her knees before him, spreading his legs apart to make room for herself.
She palms her hand over the hardness that’s been straining painfully against his trousers for hours now. She feels along his clothed cock, pressing her cheek against it and gazing up at him with a look of teasing innocence.
Aemond knows he is done for, jaw slack, chest rising and falling as he breathes. He would have never presumed he would find himself in this kind of position, not after all the work’s he’s had to do cleaning up the mess of Aegon’s fuck ups, not after working this hard to get where he is, and least of all because he believes himself to be a decent man. 
But he doesn’t stop her as her fingers undo the button and the zip on his trousers, and he doesn’t make any kind of protest as she takes his freed cock in her hand and teasingly strokes along it. 
He keeps his hands firmly on the sofa, digging his fingertips and his nails into the leather, as if he hasn’t been dreaming of having her like this for weeks, as if he hasn’t fucked his own hand countless times pretending it was her.
He doesn’t have to pretend anymore. He looks down, his jaw slack, barely containing his strained breaths, and there she is, doe-eyed and eager as she places a delicate kiss to his flushed tip. Her lips barely brush against him before she pulls away, keeping a hold at the base.
His arousal stains her mouth and she fucking grins.
“Enjoying yourself?” he says through gritted teeth.
“Yes, sir,” she says, sweetly, earnestly.
He runs his hand against her hair, gently, as if trying to soothe her. It seems to take her by surprise which only serves to excite him further.
She leans into his touch, lips parting, her eyes half-lidded and dreamy.
Until he grips his fist and pulls. He tilts her head up. It shouldn’t hurt, but it’s enough to bring her attention back to him.
He decides he won’t tell her what to do, not directly, but she’s a smart girl, she knows what he wants. 
With her eyes wide again, she opens her mouth and inches his cock past her lips. The tightness in his gut starts to burn as she works up and down his length, slowly– excruciatingly slowly. It’s not in anyway relaxing, he thinks, but it’s a nice kind of torture.
He loses himself to the warmth and the wetness of her mouth, her tongue running over the underside of his cock, her lips teasing over the tip before she moves back down, using her hands where her mouth can’t reach.
He chokes out a throaty “fuck,” knowing there’s a security guard outside the door, and probably a few of the staff still lingering about. 
But she looks so beautiful like this, her brow furrowed in determination as she tries to take him deeper and deeper, desperate to please him, happy to make him suffer for it. And the little noises she makes, the gags and the moans. He imagines that she likes this, that she’s been wanting this for as long as he has, and if he pulled her onto his lap and slid his fingers under her skirt, he’d find her drenched.
She starts to up the pace until he brings his hand to the side of her face again, his hand large enough that he can rest his palm against her cheek and tease his fingers through her hair. Her eyes dart up to his, wide and teary. 
“Good girl,” he whispers, “nice and slow, just like that.”
She whimpers around him, breathing desperately through her nose.
“Don’t look at me like that,” he coos, “you started this, didn’t you? Wanted to taste me? Wanted to feel my cock in your mouth?”
She hums in agreement.
“Just fucking take it then,” he says with a clenched jaw, gripping her hair to bob her head up and down, keeping that torturous pace.
The pleasure builds slowly, running hotly through his body, but he fights the urge to clamp both hands around her head and buck his hips up to fuck her throat.
He comes harder than he thinks he ever has before, keeping himself sheathed within her as he paints the inside of her mouth, and pulls her head away to see the last few drops spill against her lips.
She gazes up at him with dazed and glassy eyes. She’s panting, trying to catch her breath. Her forehead glistens with sweat, mascara runs down her face and his spend drips over her chin.
He wipes some of the mess away with his thumbs, cradling her face in his hands. “Swallow,” he orders.
Her mouth closes and her throat bobs. He can already feel the tension in his gut tightening again.
If only he could keep her like this forever.
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She makes it to Hightower House at the usual time of 8am, despite leaving work so late last night. Despite the hours she spent consumed by thoughts of Aemond Targaryen as she rode the train and dragged herself into her bed. Despite the aching arousal that went unfulfilled. Despite the marks on her knees and the stiffness in her jaw.
When she walks into Alys’ office to sign in, she’s already there, perfectly poised and typing away on her laptop. 
“Morning,” she says brightly.
Alys looks up from the screen. The white light shining from below makes her face look a little eerie. “Morning,” she says with a smug look on her face.
She ignores it, scrawling down the time and her signature beside her name.
“You were working rather late last night,” Alys says.
“Yeah, I was,” she mutters, placing the pen down and straightening her spine.
Alys is staring at her. Her eyes are unnervingly bright. “He never asks Maris to work late.”
Her heart drops.
It’s like she can feel the weight of him in her mouth, the taste of him on her tongue.
“I bet he’s just realised I’m more of a people pleaser,” she says.
Alys hums and smiles. “Yeah?”
She doesn’t have time for this. She hangs up her coat and her bag, and picks up two black coffees from the coffee machine in the kitchenette down the hall.
Aemond is in his office, leaning back in his chair with his mobile pressed to his ear. He doesn’t react much when he sees her, he just watches her as she sets one of the cups in front of him. He raises his eyebrows in thanks and brings it to his lips.
She imagines the person on the other end of the call is starting to bore him.
“Yeah… yeah… I know… well there’s not much to be done now but get it over with.”
She takes a few sips from her own cup, wiping the corners of her mouth. Aemond follows her fingers as she does.
“I’ll speak to you after. Yes, thank you, grandfather.” He hangs up the phone and tosses it onto a stack of papers on the desk. “Seven fucking Hells.”
“How did that go?” she asks.
Aemond rolls his eyes and huffs a tired laugh. “He wants to talk through candidates for the by-election in Duskendale. I said I’ll think about it if I survive PMQs.”
She sets her coffee cup down. “What are you most worried about? You’ve prepared for this. What’s worrying you?”
Aemond taps his fingers against the desk. She tries not to ignore the thrill it sends through her belly.
“I’ve never had to deal with something like this. I’ve never been this worried about the party’s image, but that’s usually because I do everything right.”
The whole Aegon situation is beyond his control, and yet he’ll be getting the scrutiny for it.
“People need to be able to trust you,” she says.
Aemond looks up at her expectantly.
“Is Aegon still a party member?” she asks.
Aemond’s expression darkens. “That was discussed. Otto wants him to remain an official member.”
“You’re the Prime Minister. Put your foot down.”
“I can’t,” he says, standing and fixing the rolled up sleeves and undone buttons on his shirt before he reaches for his tie.
“You can’t afford not to. If you go easy on Aegon, Rhaenyra’s going to play to some kind of ‘the Greens are anti woman card.’ Your voters need to know you’re taking this seriously.”
“And throw my own brother under the bus?” he says, sternly.
But she can tell he’s still nervous. His hands are shaking as he ties the tie around his neck.
She pauses, wondering where the line is here. Aegon Targaryen will be fine. He’ll be put under investigation and keep getting bad press for a while, but he can live off daddy’s money in the meantime, and in a few years the whole scandal will be forgotten.
She takes a few steps towards him and comes close enough to smell the dark, boozy smell of his perfume, and shoos his hands away.
“What would be better for the country,” she asks, tilting her head and keeping her eyes focused as she fastens his tie, “presenting yourself as a leader who is committed to integrity and respect, or leaving yourself open to further criticism?”
She pushes the knot up tightly against his collar for emphasis.
Aemond just smirks. “You’re very persuasive,” he says.
“That’s my job, sir.”
She gasps as his hand grabs her hip and pulls her against him. His breath runs hotly over her face as he tilts her chin up to look at him. His throat hums as he breathes.
She could fall apart then and there.
Until a knock on the door has her practically shoving him away.
Aemond chuckles and shrugs on his suit jacket. “Enter,” he calls.
She turns her back to the door to hide the flustered look on her face, pretending to look through a bookshelf that she’s never really looked at properly before.
“Car for you, sir,” Alys says from the doorway.
Aemond calls for her by her surname. Fuck– she was supposed to pack his briefcase before he left. She takes a breath and goes about collecting all the pages of notes and briefings he’ll need. 
She brings it to him, and notices Maris standing in the hallway behind Alys. Maris usually goes with him to the Red Keep for PMQs, but today he requests that she accompany him. She supposes it makes sense, she’s been the one helping him prepare after all.
Maris’ face is a storm. Alys looks down at her feet and tries to stifle a giggle.
The next few hours are a blur. She trails after Aemond through the ornate corridors, keeping her eyes on his silver hair, flowing down the back of his black suit jacket. Somewhere along the way, Cole and the head of security, a man Aemond greets as “Mr Westerling”, joins them.
They leave through the front entrance, into the sharp September air and into a black car. The hum of the engine and the smell of leather makes her nauseous, but they’re only in the car for a matter of minutes before the door swings open and she’s been ushered towards the Red Keep.
Once a seat of Kings, now the red stone castle seems a little out of place with the rest of the city. This is where Parliament gathers.
As they walk through its halls, Aemond tells her to throw a few questions at him. She has them all memorised in her head, able to recite a few without really thinking about it. Aemond mutters the answers they’ve rehearsed under his breath, smiling politely and waving as they pass by civil servants, MPs, Green and Black party members alike. They even pass Cregan Stark, leader of the Northern Independence party. He whispers all of their names in her ear.
There’s a small room where Aemond waits in before he enters the Great Hall. She can hear the noise and the chatter on the other side of the double doors, engraved with the same crest that marks the gates to Hightower House.
He won’t stop moving, adjusting his tie and his cuffs, tutting and pursing his lips.
She makes sure Cole and Westerling are muttering to each other before she leans into Aemond, putting her hand on his shoulder. “You’ll be fine,” she whispers, “don’t see it as a chance for them to criticise you, see it as an opportunity for you to reassure everyone else of how brilliant you are.”
Aemond turns his head towards her. He’s not touching her but she feels the proximity.
“That’s an interesting way to look at it,” he says.
She smiles. “It’s all perspective.”
Before Aemond is called into the hall, Cole directs her to the gallery, above the benches where the MPs sit.
She and Aemond meet eyes before she leaves. She stops herself from reaching for him, not wanting to leave his side.
“Good luck,” she says.
As if he needs it. She watches everything unfold from the gallery, the MPs sat below her like she’s watching a play in a theatre.
Aemond starts off with an amazing opening speech which, at her recommendation, doesn’t shy away from the issue of the whole Aegon scandal. He affirms his commitment to ensuring that central government is a safe and inclusive working environment, which is when he announces Aegon’s resignation as an MP, as well as his removal from the Green Party.
The chamber in an uproar. A few members of the Green Party make a bit of a fuss, but mostly Aemond’s announcement is applauded, even by a good number of Black Party members.
Rhaenyra, Aemond’s sister and predecessor, is at a loss for words, as is her deputy, Daemon.
Aemond seems to get a boost of confidence from this and takes every question in his stride, using elements from the answers she had rehearsed with him and even throwing in a few one liners which has half the room cheering him.
And he’s fucking hot when he’s cocky.
While he speaks all she can think of is how he sounded while she was between his legs. “Good girl… just fucking take it…” she has to clench her fists and her jaw at the wave of arousal that rises within her.
Afterwards she walks with him to the car. A whole host of Green Party members crowd him as they walk through the hallways, praising him, commending him. He smiles graciously, looking over his shoulder every so often to look at her, to make sure she’s not fallen behind.
The silence of the car is unbearable with Cole and Westerling in the front, and Aemond beside her, drumming his fingers against his thigh and running his other hand through his hair.
She presses her thighs at the obvious arousal pooling at her centre.
Seven hells, she’s acting like she’s in heat.
She follows Aemond back through Hightower House, past Alys’ office, to his own office. When he closes the door behind them, he locks it.
She leans against the desk, keeping her hands on the wood behind her.
Aemond turns back to her with a ravenous look in his pale blue eyes. He reaches into his pocket, effortlessly pulling his hair into a low bun, as he usually does in informal company.
She can’t take her eye off him as he tosses his jacket over the sofa, and begins to roll up the sleeves of his shirt. Then he stalks towards her, his chin tilted down and his lips in a tight line, until he’s close enough to paw at her waist. 
“I suppose I should thank you for your help,” he says, eyes fixed on his hands as they tease over the fabric of the red mini skirt she had picked out this morning, the way she squirms underneath him.
“Oh,” she breathes. One of his hands trails up, untucking her blouse from her skirt and brushing his fingertips against the bare skin underneath. “Just… doing my job, sir.”
He hums to himself as his hand works its way round to her backside, squeezing gently. “Do you like calling me ‘sir’?”
She can’t help but nod, dazed at the feeling of his hands tracing the shape of her body.
“Yeah, I think you do,” he says, leaning in to press a slow, firm kiss to her neck.
Her resolve is shattered. She throws her hands around his neck, pulling herself into him, desperate to feel him against her, to stay close to him.
She almost whines when he moves away, much to his amusement, feeling her mouth fall into a pout.
“Don’t tell me I’ve got a brat,” he says, taking her chin in his hand. “Are you going to be good for me, pet?”
“Yes, sir,” she utters.
“See? You don’t even need to be told,” he says with a smile. “You’re going to turn around and lean over the desk.”
She follows his instructions without missing a beat, bracing herself on her forearms, against the surface. She feels her skirt being pushed up over her hips, her tights and panties pulled down in one go, fingertips trailing over her thighs. Then she feels his breath against the wetness of her bare pussy. 
She can’t help but let out a quiet moan, pressing her nails into the wood in anticipation.
“Haven’t even fucking touched you yet, are you that desperate for me?”
“Yes, sir,” she whimpers, trying to look over her shoulder.
Aemond’s hand finds its way against her head, pressing her down. And he doesn’t let go.
His fingers drag through her folds, teasing her entrance and her clit before he slides in a single digit. It feels so different from her own, longer and thicker, pressing into her at an unfamiliar angle. She feels utterly weightless, the obscene sound of him moving in and out of her only adding to her arousal.
Aemond’s voice is dark and husky, as it was last night. “Good girl,” he coos, “that feels good, doesn’t it?”
When she doesn’t reply, he withdraws and lands a stinging slap against her cheek, before he pushes into her again. “Answer me,” he says, clearly and firmly.
“Yes, sir,” she says, frantically trying to nod against his hold of her head. “Feels so fucking good.”
He increases his speed, pumping in and out of her until her climax washes over her. It happens gradually, building and building before a pleasant numbness washes through her, to every corner of her body. 
While she comes down from her high, her attention is caught by the sound of a belt buckle and rustling fabric.
The tip of his cock presses into her without warning. He inches further and further in until he bottoms out, the material of his trousers pressing against her skin– the cunt hasn’t even bothered to take off his clothes.
He finally relents his hold of her head, grabbing at her waist as he ruts into her. It’s fast and primal, adrenaline pumping through her blood, Aemond’s fingers digging into her flesh, her breath coming out in moans, his belt buckle hitting the desk with every harsh thrust.
“Knew you were a little slut,” he grits out, grabbing at her cheeks and spreading them out to watch his cock moving in and out of her. “Fuck, you’re so tight.”
She covers her mouth with her hand to hold back the wanton noises threatening to slip past her lips. 
Suddenly a hand comes to her shoulder, pulling her up against his chest. One hand kneads at her breasts through her blouse and her bra, while the other slips between her legs, tracing quick circles over her clit.
“I wanna feel you come,” he rasps into her ear, “wanna feel my good girl clench around my cock.”
She doesn’t know what to do with herself. She clings to his arms and digs her teeth into her bottom lip. She can feel herself hurtling towards her climax, if only he would move his fingers a little faster.
“Please,” she whispers.
“What was that, pet?” Aemond asks, brushing his lips over her cheek. “Tell me what you want.”
“I want to come!” she whines. “Fuck– please… please, I just want to come, sir.”
She feels him smiling against her as his fingers rub faster over her clit. She can feel how deep he is inside her, how his cock bullies against that sensitive spot, over and over again, until her orgasm tears through her.
She tries to keep her mouth shut but she can’t help the pleading groan that hums in her throat. Aemond holds her as she falls apart, fucking her thoroughly through it all.
Until finally, he reaches his end, hissing through his teeth and pulling out to spill himself onto her pussy. She feels the warmth, how it drips through her folds, for now uncaring of the mess they’ve surely made.
Aemond keeps holding her against his chest. His forehead falls against the back of her head and his hot breath echoes over her neck. “I really appreciate the work you’ve done for me,” he says breathlessly. “I think you and I make quite a pair, wouldn’t you agree?”
“Yes, sir,” she mewls, letting her head fall against his arm.
Aemond hums a laugh to himself, it rumbles in his chest and against her back. “So pretty and polite,” he coos, “how did I ever manage without you until now, pet?”
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General taglist: @randomdragonfires @jamespotterismydaddy @theoneeyedprince @tsujifreya @dreamsofoldvalyria @targaryenrealnessdarling
A/n: I might do a part 2 to this so let me know if you would liked to be tagged :)
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ghouljams · 11 days
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professor ghost on love's bday: she doesnt like to make a big deal of it and he cant wor up the nerve to give her his gift himself, so he leaves it in her office. its a manuscript, a scribbled out on curled pages, unfinished thing that ghost had to write down so the words would stop screaming in his head. all the edits he has to make to his old work since love came into his life.
Not edits, no, a new thesis entirely. If his first book was a meditation on grief, a thesis on the state of belief in misery, an exploration of predeterminism and fate, then this one is a true love letter. It's frankly embarrassing, but he can't stop thinking about it. None of the words are right. His writing is frantic, messy, nothing like the cool explanatory tone of his other books. He has no references to cite. Or- no, he has plenty of references.
He thinks of Aristotle, of his single soul theory(bullshit, Ghost rejects, my love is whole, she's too much to be half of me, and if she were what a terribly presupposition: that we are all divided into Joy and Sorrow like me and my love).
He thinks of Plato's Symposium, of breaking love into three parts(But that's too small, she can't be broken down into parts: eros, philia, agape. She makes him want to be better, she is passion, she is love in all forms, love to the point of inspiration, love to the point of consumption, to change and be changed. How could he break her into smaller pieces when he wants all of her?)
Ovid maintained that romantic love should never be consummated, that in its purest form it should grow beyond its physical needs, becoming transcendental. What does it mean that his skin craves her every touch, that he can't sleep without her dancing through his dreams? How is he supposed to maintain his distance when she presses to him at every opportunity? When he can't find anything but sorrow without the sight of her?
Ghost scribbles on his papers like a madman. He finds notes on receipts, on the backs of paper bags, in the margins of his books. He reads over the notes Love has left him and feels his heart squeeze in such a pleasantly hurtful way.
Behaviorism perhaps. It's all quantifiable, he just needs to find the right numbers. Or maybe aesthetic philosophy would be better? Feelings which cannot be captured through written language.
Yet the scribbling takes over his work. His walls covered in post its and pencil marks, his laptop running like a jet engine as he pours what must be incomprehensible drivel into his word processor. Ghost pushes his fingers under his glasses, feels the press of the bridge into his forehead, begs for his brain to be quiet, for his stomach to stop clenching each time he thinks about Love. He drags his hand down to cover his mouth, breathing as deep as he can manage through his nose. It all feels heavy, impossibly heavy.
None of it is right, none of it feels big enough, encompasses enough to describe the way he feels. None of the philosophers talk about the actual feeling of it. They don't talk about it hurting, don't mention how much he craves the pain of her.
Maybe he's a masochist.
He sends the draft to his editor with an apology.
"2.5 kids and a dog, eh?" Is the only response he gets.
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honeytonedhottie · 8 months
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NOTION TUTORIAL୭ 🧷 ✧ ˚. ᵎᵎ 🎀
this is to serve as some little notion tips that i use to make my notion the way that it is. cute and efficient. this is very surface level and i'll get more in depth the more the post goes on. im working on dropping a notion template soon <3
first off pick a color scheme, for me, my color scheme is pastel pinks and whites and soft shades of green as an accent.
u can import photos from pinterest by copying the photo (not the link address, the actual photo) and pasting it into ur notion
take advantage of the columns, when u make a new space click "turn into" and use columns, it'll neatly divide the page
experiment with fonts, i use serif. u can also do large or small text, AND full width pages
making toggle lists saves space and keeps ur page looking super neat and organized
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calendars and tables will keep u organized
to add a page ur gonna wanna go to the top left corner and click "new page"
u can import custom icons by going on pinterest and looking up app icons with the color scheme that u want, download that and add it for cute icons, u can also do the same with GIFS
for links and things of the sort embedding the video and adding the link are two different things, embedding the video means that u can access it on ur page (i do this for youtube videos/spotify etc) and when its a link i'll do this for documents and things of the sort
to add titles to ur columns click the "+" button, i use heading 3 bcuz that's the size i prefer but there are other sizes to choose from
a cool feature that notion has is that u can change the background color OR the text color, when u change the background color its more pastel-like if that's what ur going for
to make section dividers click (-) three times to create a divider
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jennamoran · 3 months
Text
The Far Roofs
So today I want to talk a bit about what this game wants to be. In particular, I'm going to go over its key technical and artistic goals.
The Far Roofs focuses on immersive hidden world fantasy adventure. It's intended to offer the experience of a grounded, emotionally real base world attached to an idealized, fantastic "hidden world" setting.
One might say, the streets and buildings and houses of the game's world are basically our own. Above us, though, is a stranger, more idealized, and more fantastic place. It's hard to get to. It's dangerous. It's less grounded. It's full of wonder.
Those are the Far Roofs.
This divide exists to make the game feel as real as possible, if you want to go that way. That's part of what hidden world fantasy is about, after all---the idea that magic is here. That it's not in some distant alien land or mythic future or past.
It's here, if you want to reach for it.
(Now, the game is flexible enough that you can play "protagonist" types instead of realer people, and many traditional gaming groups will probably prefer that, but that'll mean getting less of that immersive effect.)
The mood the game is interested in is that feeling you get when you take a huge risk---move to a new place; try a new thing. The feeling you get in those times in your life when everything is alienated and wondrous and terrifying but there's also so much more *hope* than there was in the still times before.
It's a mood of being swept up and called forward.
This is, among other things, meant to be a game for people who've been beaten down or exhausted by the ... everything ... to feel that sensation of moving forward again.
To remember what it's like, why it's worth it, how to reach for it again.
It's meant---and I do understand that I am finite and flawed and this can only go so far---as a tonic and refreshment to the soul.
--
Rules
The Far Roofs uses a 5d6-based dice pool system for day-to-day task resolution. It's relatively traditional and optimized for fast, fun dice reading. There's a loose consensus I've seen in RPG design circles that dice are for when outcomes are uncertain and both options are interesting, and I don't disagree ... but there's also this thing where rolling dice to decide is intrinsically interesting and fun, where it's fuel for a certain part of the brain.
This game tries to get as much out of that side of dice as it can.
You'll also collect letter tiles and cards over the course of the game. This is for bigger-picture stuff:
To answer big questions and to complete big projects, you'll either assemble representative words out of those tiles, or, play a poker hand built out of those cards. Word and their nuances express ideas and shape how outcomes play out; poker hands, conversely, just give a qualitative measure of how much work you do or how well things will go.
In keeping with this, the campaign is represented principally in the form of questions or issues your words and hands can address. Player/GM-created campaigns would be the same.
--
Physical and Electronic Product
I wanted to put the print version within the range of as many people who might need that tonic as possible. That means that for this particular game, I wanted to cover the full territory that I'd normally cover in a two or three volume set (core rules, setting, and campaign) in a single 200-250-page volume.
In practice this means there's a guide and examples for constructing the setting, rather than a deep dive into a fully-detailed world; that there's a bit less in the way of whimsical digression and flourish than in the writing I'm known for; that there's minimal "flavor" text on abilities; and that the campaign presentation is pretty fast-paced.
Conversely, it means that the game should be easy to absorb and to share with other possible players, and, that the game and campaign in this one relatively small volume should provide enough content for five or six years of play.
The book will be 8.5"x11" with grayscale art, available in a limited hardcover print run and a print-on-demand softcover form.
--
On the Rats
You'll see a lot of talk from me and others about the talking rats in this game. They're one of the jewels of the experience, and I think they're probably a significant draw just for being talking rats that are core to the game.
... but I'm going to hold off for now, because, to be clear, this is not a game of playing talking rats. It's just a game where talking rats and probably one of the top three most important setting elements.
I couldn't get that feeling I wanted of ... the base world being grounded realism; of the hidden world pulling you up and out and into a world full of magic ... with your playing rats, with your playing something so distant from the typical player.
So this is not a game of playing them.
They're just ... I like rats, and so I made the rats in this game with love. They're great ... whatever the equivalent is to "psychopomps" is for a magical world instead of for death ... and a way of talking about how in the face of the world, we're all pretty small.
--
I'm really excited about this game; the playtest was lovely.
I hope you'll enjoy it as well!
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undercover-smutlover · 7 months
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Captain John Price...🏷️
main masterlist📌
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*·˚Don’t forget to reblog, follow, like, and comment on the authors’ or artists’ pages. Show them some love!
*·˚Broken link or @? Pop a note in the comments or my ask box.
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Works by @miniwheat77
Sweet: Price is harsh on y/n until a mission goes sideways
Sensitive: The only person reader can confide in is her captain
Maneater + Gaz: Reader is a mechanic on base who takes a break with the boys
Give ’em hell Pt.1: Reader and Price are exposed to a weird chemical
Give ’em hell Pt.2: Repercussions of the weird chemical
Red Lipstick: Reader and Price keep one another company
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Works by @captainfern
Lake Of Fire: Price isn’t happy about working with another team
Heart-Shaped Box Pt.1: You help Price feel better
Serve the Servants P.2 + Ghost: The aftermath involving Ghost
Breed: You and Price meet up off base
Marigold Pt.1: Price asks you to meet him upstairs
Marigold Pt.2: Crying becaouse you missed him
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Works by @halcyone-of-the-sea
Songs That Sound Like Sea-Foam: Fisherman Price meets an unexpected person
Our Remains: You are hiding something big from John
Lions and Ibexes: Your voice cuts through and John’s shoulders sag under a non-existent weight.
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Works by @thanksbutno98
No Wandering Around: You go to work with John
Flash Drive: Erotic folder
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Works by @xyziiix
ARDOUR: He could already hear the pleading edge in your voice
Three Is A Crowd: Well your Captain always liked proving you wrong
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Works by @konigsblog
Gynocologist Price: The biggest tease
Aphrodisiac: Its mandatory for this procedure
Rookie Medic: He cant help himself from pulling you onto his lap
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Price Eating You Out by @catsnkooks: Too blissed out to notice a guest
Civillian Reader Is Hurt by @lvlyghost: She believed he would save her. And that was enough
Jealous by @stormiwaves: “I like it when you’re jealous”
Angel of Small Death Pt.1 by @whynot-tryit: Price hires a team medic
Not Meant to Be Here, But Glad You Are by @paranoid-borderline-insane: You need to remember all the tips John gave you to survive
Breaking and Entering Pt.1 and Reprieve Pt.2 by @sprout-fics: No place safer in the world than with him
Doll by @blingblong55: It started as innocent stares
No Hero, Just Me by @firsttimewriter92: Price rescues reader from an abduction
Duty Over Heart by @a-small-writer-in-a-big-world: Your lives were forever changed afterwards
Million Dollar Man by @qilinxingg: John gave a satisfied smile as his arms tightened around your small body
Price’s Young Housewife by @moongreenlight: Weekly manicures and pedicures that he’s put his card on file for
My Girls by @bearieio: happy just being able to share moments with your 3 favorite people
Hell on Earth by @ghostlywhiskey: His demeanor and lack of response to your attitude caught you off guard
Designer Dress by @halfmoth-halfman: You can’t think of a better place to start your new life
I Think I Might’ve Inhaled You by @agentmarvel: It eats at him daily, knowing his own indecisiveness is the root of anguish for both of you
Nobody Does It Like You Do by @bunnyreaper: In his embrace, firm and reassuring, you might actually believe him
Spread Your Wings by @crashandlivewrites: “Besides, I find my scene partner enjoys it more when there’s a lot more sensual physical contact involved.”
Mafia!Price x Assistant!Reader by @charliemwrites: In general, you’re like a breath of fresh air. A smiley little charm of colour and delicacy in his world
A Warm Heart by @flowermiist: That clicks in John’s head, it really was you and he was almost amused to say the least.
He Opens the Mail and Part 2 by @the-californicationist: It was hard to concentrate when he was nearby.
Soulmate AU Part 1 by @shotmrmiller: your vision distorts with the tears that threaten to spill and bite your bottom lip to stop it from trembling.
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Dividers by @cafekitsune
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the-smut-analyst · 6 months
Text
Making Characters That Make Sense
Walk-through character template & "how to" guide for writing complex, original protagonists.
If you google "character templates for writing", you'll get a lot of very basic examples that read like a grocery list: eye colour, hair colour, skin colour, positive traits, negative traits, etc.
And sure, filling out this kind of template isn't completely useless - but it's also not particularly useful, either. Choosing whether your protagonist has blue eyes or green eyes isn't going to determine whether readers connect with them or not.
Instead, I prefer to use the below template:
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There's some fairly left-of-centre categories here, so in this blog post I'll be creating a character from scratch to demonstrate what each section means and how to use the template effectively.
Primary Goal & Raison D'Être
Fantasy Romance is having a bit of a tournament-to-the-death moment right now, with Hunger Games-inspired stories like Fourth Wing, Throne of Glass, The Savior's Champion, and The Serpent and the Wings of Night in high demand - so that's what we're going to work with in today's blog post.
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The story premise and primary goal of the protagonist are almost always interconnected. In this case, the story premise is a tournament to the death - and the character's main goal is to win that tournament, obviously.
But where there's room for some originality is in the raison d'être. This loosely translates to "reason for being" or "purpose". It's the why of it.
For example: what motivated this character to risk their life by entering such a tournament in the first place?
It is sometimes helpful to look at similar stories when thinking about this category. Not so you can copy their protagonist's motivations - but so you can do something different.
The whole selfless-self-sacrifice thing, for example - that's done. At least in relation to this particular sub-genre. We can do better for our hypothetical Maera Mystfang character.
Actually, let's really turn the trope on its head and make her raison d'être incredibly self-centred.
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Already, this is character is shaping up to be something a little bit different within the niche of tournaments to the death. Which goes to show how putting a little bit of thought can go a long way, even with something as simple as identifying your character's initial purpose.
Primary Obstacle
Every protagonist needs a goal - and every goal needs an obstacle. This is what gives the story some tension and keeps readers turning the page.
An obvious choice of obstacle for this hypothetical character, since we're dealing with a fantasy romance, would be that Maera starts to develop feelings for one of her fellow competitors.
This concept has definitely been done, but that's okay. Not every section of this list has to break the mould. Tropes exist for a reason and it is totally okay to lean into them sometimes.
However, just for funsies, I'm going to try and put a slightly different spin on this one too.
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Instead of the obvious "I love one of the people I'm meant to kill", let's make Maera's (previously dormant) conscience be the problem. Her reasons for entering the tournament may have been self-motivated, but as she gets to know her fellow competitors - admires some of them, even - she starts to second guess those reasons.
Core Traits
A lot of character templates will divide personality traits into positives and negatives - but I don't think this is particularly helpful. It is far too one dimensional - not to mention unrealistic. The key components of someone's personality aren't usually so black and white.
In fact, most core traits are both good and bad at the same time - it just depends on the context.
Instead of being wholly positive or negative, try to think of three core character traits that can serve as two sides of the same coin, with both positive and negative implications to each.
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For Maera, I've given her these core traits:
Self-reliant;
Rebellious; and
Good-humoured.
Her self-reliance means that she is incredibly capable - but it's also the cause of her selfishness. She's always had to look after herself, so she expects others to do the same.
Her rebellious attitude means she isn't willing to accept the status quo. But at times she is also a rebel without a cause, causing trouble just for the fun of it.
Her good sense of humour means she is fun to be around, but she also tends to not take things as seriously as she should.
Thinking of core traits in this multi-faceted way not only adds realistic complexity, but it also sets you up well for showcasing character development and growth throughout the story.
Fatal Flaw & Character Arc / Growth
You've probably read negative reviews that throw around terms like "Mary Sue" or "Gary Stu". People tend to be over-zealous with these terms, especially for Mary Sue, but the gist of it is that the character in question is "too perfect".
They're the chosen one, they're good at everything, all the boys like them, etc.
Some characters can get away with this just fine. Look at Aragorn. He's the ultimate Gary Stu but I still swoon every time he opens those damn doors. You know the scene I'm talking about.
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Ooft.
But for the most part, you want to incorporate a fatal flaw into your protagonists - because this is what gives them room to grow.
And, no. "I was born to be King but I don't wanna" does not count as a fatal flaw.
Instead, think bigger. Think worse. Think about where your character starts versus where you want them to end up. Think about how you want the events of the narrative to change their world view - or even their initial goal.
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For Maera, her fatal flaw is pretty obvious, given her initial motivations for entering the tournament. Similarly, her growth/arc is linked to her primary obstacle, which is developing a conscious.
Her journey throughout this hypothetical story might be learning to appreciate how her past shaped her, while also acknowledging that there are things she can do to ensure others don't have to go through what she did. By being shown acts of kindness, she learns to appreciate their value.
First Impression
Now that we've covered all the "big picture" stuff, let's get into some of the smaller details that give your character some texture.
The first impression category is a hypothetical exercise where you image how your character might appear to a room full of strangers. In dual, multi, or omniscient POVs, you might even get the opportunity to include this impression somewhere in the story.
But even for first-person narratives, it is still worth thinking about, because it will help to inform how other characters interact and respond to your protagonist (at least at first).
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For Maera, I've written this first impression as: a fun person to have a few drinks with - so long as you keep a close eye on your wallet.
From this description, we can guess that Maera probably likes to have a good time, but also comes across as untrustworthy. Whether that impression is deserved or not is up to you, as the author, to decide.
There's also a lot of deeper directions you can take this first impression category, too. Like if most people react to Maera this way, but one particular character doesn't, then your readers are going to sit up and pay extra attention during that interaction. Especially when that person reacting atypically is the future love interest.
Spirit Animal
Ah, this one is a fun one!
I always encourage my authors to assign a "spirit animal" to their characters - especially when they're doing multi-POV.
There are two main reasons for this:
It will allow you to assign some very distinct adjectives and verbs with that particular character; and
It is an opportunity to flesh out some additional character traits beyond the core traits.
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For Maera, I've chosen "spider" because she is solitary by nature, opportunistic, and patient.
But, more than that, I also like the idea of Maera being the kind of person who knows how to watch and wait. While her first impression might be "here for the good times", her joking façade is actually a mask she wears while carefully observing others.
For example:
Her words were laced with venom. She crawled her way across the rooftop. At some point, weaving lies had become more of a past time that a necessity. Her thoughts were a tangled mess. She didn't bother to conceal her predatory gaze. Inch by cautious inch, she crept forward. Her sanity was already hanging by a thread. If there was one thing she knew how to do, it was spin a good story - truth be damned.
I've never outright compared Maera to a spider in these examples, nor have I made it blatantly obvious that that's what I'm doing. But by peppering these kinds or words throughout the story, I'll be able to subtly create a very distinct kind of impression for her character.
For comparison's sake, let's assign "cat" to the love interest. Examples of possible words to consider in this instance might be:
He clawed his way through the bushes. "What are you doing?" he hissed. The comment had some bite to it, that was for sure. He slunk away into the darkness. His still, unwavering focus was unnerving. He prowled towards her. In a few quick, agile steps, he'd made it across the parapet. He yawned and stretched out beside her.
Of course, not every single word you use in association with a character needs to be related to their spirit animal. But keeping a certain type of animal in mind - and finding opportunities to throw in some subtle messaging through language choice - can be beneficial on so many levels.
It helps to distinguish your characters from one another through the kind of language you use to describe them - but it's also just really, really fun way to add some bonus texture to your characters. Giving your readers some little easter eggs like this is never a bad thing.
Love Language
If you're unfamiliar with the concept of the five basic love languages, then here's a quick visual overview:
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Love languages aren't a consideration that's specific to romance. They're important for friendships and familial relationships too.
Because thinking about what your protagonist values most in love is going to tell you a lot about who they are. Especially when you take the question deeper and think about why this is something they value.
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For Maera, I've chosen "Acts of Service" because this ties in quite well to her character arc.
In terms of Maera's why, I could easily go with "because this was how she was shown love as a child" - and this is a good enough option most of the time. However, since her love language is very much tied into growing out of her fatal flaw, then I actually want to do the opposite.
Maera winds up valuing acts of service because this is something she craved - and wasn't given - as a child. She had to do things the hard way instead. Hence why she ends up appreciating the kindness of others so much. Such generosity is new to her - and precious.
Conflict Response
This is potentially one of the most overlooked character components. Conflict and tension is central to story telling, yet there is so little attention given to creating authentic, original responses to conflict.
The way I see it, there are three main considerations in regards to conflict response:
How your character reacts in the moment;
The unhealthy methods they use to deal with the aftermath; and
The healthy methods they use (or discover) to self-sooth.
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When faced with conflict, Maera's immediate reaction is to antagonise. She doesn't like to back down and enjoys creating trouble.
However, in the aftermath, the conflict affects her more than she lets on. She stews on it - and her solution to that is to get drunk until she can forget about it completely.
But even though she sometimes forgets it, Maera has a more healthy coping mechanism at her disposal. When she is surrounded by nature - in the forest, by the sea, whatever - it calms her.
In addition to identifying your protagonist's various responses to conflict, it is also helpful to think about why. Again, this is a great opportunity to insert something unique into their character backstory.
With Maera, for example, let's think about why she finds nature so soothing. Perhaps, amidst a very bleak childhood, one of her fondest memories is of picking grapes in a vineyard.
Perhaps the elderly woman who owned the vineyard was very rude and abrupt - but also quite kind to Maera in her own way. Maybe she would sometimes stitch up Maera's clothes or feed Maera a hearty, meaty dinner - even though she didn't have to.
If you're struggling to think of a real, tangible, unique memory such as this - then it's always helpful to go back to the old classic of write what you know. Think of a real life moment or memory - something that's stuck with you, no matter how simple - then adapt it to your character.
To create this vineyard example, I simply drew on my experience of picking strawberries with my Nonna after school.
Mentor / Idol
I could write an entire thesis on mentors. Or, more specifically, the "death of the mentor" trope - both in its literal and metaphorical interpretations.
But, for the sake of brevity, let's save that sh*t for another time and focus on what's important for a basic (yet complex) character template. And that is:
The Formative Mentor (past); and
Transformative Mentor (present).
The formative mentor (or idol) is someone who influenced your character prior to the events of the novel. Sometimes they're a character the reader will meet, or other times, they're long gone before the novel even begins.
The transformative mentor is a much looser term. It doesn't necessarily have to be a traditional mentor character, but rather it is a character who heavily influences or changes your protagonist throughout the events of the novel.
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For Maera, I want her earliest idol to be a random female sell-sword who she crossed paths with. Prior to meeting this sell-sword, Maera was living without hope for a future, surviving on scraps and petty crime.
But after seeing an independent and moderately wealthy sell-sword in her local tavern, Maera got a glimpse into the kind of life that might be possible if she learned to fight. With the right kind of skills, she might be able to earn some decent money for a change - and travel the world.
This is an example of how "mentors" don't always have to be a wise wizard who oversees your protagonist's training and education. Young minds are impressionable - and even distant figures can have a lasting impact.
Just look at all the women who cite Legally Blonde as the reason why they were drawn to law. Elle Woods wasn't even real - but for plenty of young girls, she made an impact.
Similarly, your protagonist's "present" mentor or idol doesn't necessarily have to be a wise wizard either. It can simply be someone who motivates them to change their world view or strive to be better.
In romance, it is more than acceptable to have the present mentor coincide with the love interest - especially in standalone enemies-to-lovers. I know this seems counter-intuitive, since the word "mentor" implies a power imbalance, but it makes more sense if you readjust your definition of mentor to be "inspires change".
However, for Maera, I kind of like the idea of pairing her up with a love interest who shares some of her flaws. I vibe with the idea of making him a bit self-interested too, although for different reasons.
So in her example, I've listed the present mentor as a selfless secondary character. The way I would envision this going is Maera and the love interest team up early on - but somewhere along the way a secondary character saves them both. They're both heavily influenced by this character before this character sacrifices themselves. The aftermath of this incident rattles both Maera and her love interest, and serves as the spark for growth.
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I hope you found this template - and very long explanation - useful!
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snek-panini · 21 days
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It's been a month since Binderary ended but I've still got books to share! This is @worse0mens's (hi!) wonderful Good Omens series, The Blossom Realm, which starts with Omens of Another Kind. This is very much a longtime favorite of mine, an AU with a really compelling combo of worldbuilding and characterization. This is a believable grand romance that's also a court drama and a fairy tale, and it's really long (the full series is about 220k words) so it will keep you reading for a long time. This is one of the fics I learned bookbinding for, and it was the first really long fic that I typeset (and redid once I learned more about typesetting). It's been a long road but it was so worth it.
More photos under the cut!
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Couple of photos of the spines. The series doesn't divide easily, with one very long work, one medium-length one, and several shorter pieces. The main story is nearly 200k on its own, the longest single volume I've ever made (about 500 pages), and I was worried about it getting too unwieldy, so I put all the other works into their own volume of about 100 pages. They make a disparate set but I love them. The cover is done in skiver green faux leather from Hollander's; I've never worked with this brand before but I loved it, and one sheet was big enough to do both books. The titles are done in cricut brand gold foil htv. There were some issues with that, as I'd bought a multi-pack with a few different colors and only found out after applying the front cover graphics on both books that one, I didn't have enough to do the backs and spines; two, that the gold in that pack is a totally different color than the gold they sell on its own; and three, that no one in my area stocked it anymore and I had to order it from Europe. Here's what the back looks like:
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It's the same graphic as the front but without the title in the center, and it's one of the fanciest backs I've ever done and it took forever to weed all those little cutouts. The graphic was free to use on rawpixel. The font I used on the spines and front is a basic Microsoft font called Harrington that worked incredibly well on the cricut, even at small sizes; a lot of basic fonts are too thin, especially fancy ones, so this was a delightful surprise.
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Photo of the top, with ribbon bookmark and handmade double core endbands. The endbands didn't come out as well as I'd have liked; they're a little uneven and the color changes aren't that evenly spaced. Double core ones are harder than I expected and I need more practice. The endpapers are chocolate silk moire, and I chose them because there's a very important massive tree in the fic and I thought they looked like wood grain. I did a little experimenting with the shorter volume that's visible around the edges of the endpaper. I wanted gilded edges but the longer book had to be rounded, and I thought I'd try paint instead of foil since I don't know how to foil a curved edge. But I did my experiments on the smaller volume and I couldn't get good coverage, so the edge had to be trimmed off. The watered-down paint had leaked into the edge of the silk moire too far for me to trim, so it's still there. But it's kind of pretty, so I'm going to call it an aesthetic choice.
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The title pages are the same, with free graphics from rawpixel. I got lucky and found a similar set of roses that I used for the chapter headers:
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These had to be positioned by hand for each chapter so they'd fit around the text properly. It was a pain but they look so pretty. The final photo contains a story spoiler, so proceed with caution if you don't want that:
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The scene break image in both volumes is this tiny snake. This was one of the first aesthetic choices I made for the books. A lot of the plot is centered around a prophecy about a monster snake that everyone thinks will destroy the kingdom, and of course in the manner of Good Omens fic it's a wildly inaccurate misinterpretation and not a threat at all. I wanted something like this because the snake is not only non-threatening but it's been here the entire time and there was never any reason to freak out about it. It was surprisingly difficult to find a snake image that was both simple enough to still be clear at this size and also didn't look dangerous or like a cartoon character. I looked at so many snakes before I found this one, it's ridiculous.
And that's it! I hope the author likes it (and remembers me since I asked to do this almost a year ago). There are three more binderary posts forthcoming, though I don't know how long it'll take me to get to them. It was a busy month.
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indigostudies · 10 months
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What are those apps you usually post in your productivity updates?
hi! here's a breakdown of apps i use, as well as websites and other resources i've used/use for my learning (mainly chinese, though some of these resources can be used for other languages as well).
apps i use every day:
dot languages: this is a chinese-specific app where you select your hsk level, and then read articles at that level. there's a pop-up dictionary, an option to show pinyin, post-article vocab practice (audio, matching, translation, and writing), and the option to have your articles either in simplified or traditional.
TOFU learn: a blend between flashcards and writing, you can find decks for various things, including hsk level-specific decks, and you learn new vocab with the stroke order and then write each new term three times—once with an overlay (so the term is visible), and then two times from memory. there's also a review function, which helps you practice terms you've already learnt, and each term has audio that goes with it. i use it for chinese, but there's decks for esperanto, french, german, italian, japanese, korean, norweigian, portuguese, russian, spanish, swedish, and turkish.
the pleco dictionary app: my favourite chinese dictionary app; allows you to translate from english to chinese or chinese to english, has options for writing, radical, vocal, and keyboard entry, and has both traditional and simplified characters.
ankiapp: this one's not particularly complicated; it's a flashcard app, where you can make your own decks or download decks other people have made. it uses a spaced repetition system to help you remember terms—you rate yourself from worst to best on how well you remembered the term, and that determines how many times it'll pop up afterwards. it also gives you an overall grade for each deck, which is a nice way to measure your progress.
duolingo: probably my least favourite of all of the apps i use; the chinese course isn't the best, and now that they've removed the notes/grammar information option, there's no way for people who aren't already fairly familiar with the language and its inner workings to learn them if they exclusively use duolingo. it's okay for maintenance practice, though, but i'm already almost finished with the entire course and i would say it barely reaches to lower hsk 4, so i wouldn't say it's a good tool if you're more advanced.
apps i have but use less often:
readibu: this is sort of like dot in that it's an app for reading in chinese with a pop-up dictionary. however, that's where the similarities end; readibu has novels, short stories, and articles aimed at children, and each of those are further split into genres. readibu also lets you add your own web-pages and read them on the app, so you can use its pop-up dictionary with them. it's aimed more to intermediate and upper intermediate learners, with hsk levels ranging from hsk 4 to hsk 6. the only reason i rate dot above readibu is because dot has a larger range of levels (hsk 1 through hsk 6 i believe? but it may go higher) and exercises built in to help you learn the vocab.
the chairman's bao: also a chinese reading app, though if you use the free version, you only get one sample article per hsk level (hsk 1 - hsk 6). i believe that every so often you get a new sample article for each level, but i'm not sure what the interval on that is. it also has a pop-up dictionary and a flashcard option for saved vocab.
du chinese: another chinese reading app; it has articles divided into newbie through master (six levels in total, though they don't line up perfectly with the hsk in my experience), and new articles are free for a certain period of time before becoming locked behind a paywall. there's a pop-up dictionary and a vocab review/test option for vocab you save.
memrise: flashcards with audio, depending on whether you're using an official course or a user-generated deck. decent, but it can get repetitive.
hellotalk: not exclusively chinese, but i believe it started off mainly aimed that way. you set your language, and then your target language, and then you can talk to native speakers who have your language as their target language. potentially incredibly useful, but if you're like me and extremely introverted you may have a hard time using this app, since it requires a lot of one-on-one interaction.
slowly: i haven't actually gotten around to using this, but it's sort of like a digital penpal app, as i understand it. you can learn more about it here.
websites and other miscellanea:
this massive mega drive by @salvadorbonaparte (languages, linguistics, translation studies, and more).
this masterpost by @loveletter2you (linguistics, languages, and language learning books/textbooks).
this masterpost on chinese minority literature by @zaobitouguang
the integrated chinese textbooks by cheng and tsui, which are the textbooks i use for self-study—there's textbooks and workbooks, as well as character workbooks (though these can easily be cut out without suffering from the loss).
mandarinbean: graded readers, hsk 1 - hsk 6, with a pop-up dictionary and the option to read in traditional or simplified
chinese reading practice: reading, beginner through advanced (three levels), with a pop-up dictionary and some additional notes included on vocab and language-specific things non-native speakers might struggle with or not know.
hsk reading: graded readers, hsk 1 - hsk 6, divided into three sections (beginner, intermediate, advanced). does not have a pop-up dictionary, but does have an option to translate the text, post-reading quizzes, and notes on important vocab with example sentences.
my chinese reading: reading from beginner to advanced (four levels); has a pop-up dictionary, the option to play an audio recording of the passage you're reading, notes on key words, things that are difficult to translate, grammar, and post-reading comprehension questions.
the heavenly path notion website, which i would say is one of the best resources i've ever found, with a massive number of guides, lists of chinese media in a variety of forms, and general resources.
chinese character stroke order dictionary: what it says on the tin; will show you the stroke order for a given character.
hanzigrids: allows you to generate your own character worksheets. i use this very frequently, and can recommend it. the only downside is if you want to create multiple pages at once, you have to pay; however this can easily be circumnavigated by creating only one sheet at a time. you can download the sheet as a pdf and print it out for personal use.
21st century chinese poety: a resource i only came across recently; has a massive collection of contemporary chinese poetry, including translations; much more approachable than classical poetry, which can often be incredibly dense and hard to parse due to the writing style.
zhongwen pop-up dictionary: if you're reading something in chinese on a website that doesn't have a pop-up dictionary, this is a must. i've never encountered any words that it doesn't have a translation for so far, including colloquialisms/slang. i use it to read webnovels, and it's been a fantastic tool. you can also save vocab by hitting the r key when you're hovering over a word/phrase, making it easy to go back and add terms to your flashcard deck(s).
chinese reading world: a website put together by the university of iowa; split into three levels (beginner, intermediate, and advanced), with thirty units per level, and ten modules per unit, as well as multiple proficiency tests per level. each module is split into three parts: a pre-reading vocab quiz, the reading with a number of comprehension questions based on it, and a post-vocab reading quiz. it also rates you in relation to someone with a native proficiency based on how quickly you read and answer the comprehension questions, and how many vocab questions you get right.
jiaoyu baike: an extensive chinese-to-chinese dictionary, put out by the taiwanese ministry of education. you can find an extensive write-up on it here, by @linghxr.
social media etc: see this post by @rongzhi.
qianpian: another chinese-to-chinese dictionary; @ruhua-langblr has a write-up on it here.
this writeup on zero to hero by @meichenxi; initially aimed at chinese learning, but now has expanded greatly.
music rec's: this masterpost by @linghxr.
tv/film: youtube is a great place to find chinese tv shows and films, and they often have english subtitles. if you can't find something on there, though, you can probably find it either on iqiyi or asianvote, which have both chinese and other asian shows and films (though you'll want an adblock if you're going to use the latter). i use these a lot to watch things, and have discovered a lot of media through these, and then novels through those when i went searching to see what they were adapted from.
polylogger: a website for logging the amount of time/type of language study you do. has a wide variety of languages, and the option to follow other people. still, it's a fairly basic site.
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Sugar and Spice
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Thank you so much for my beautiful @babygorewhore for this mood board to go along with this blurb !
Thank you to my betas @monstxrteeth @xxhellfirebunnyxx and again my morgy ! Y'all are my biggest support frfr
And a special thank you to @saradika for making those cute dividers 😍
Eddie Munson x Fem Reader
Wc: 1.3K
Tw: Honestly it's pure fluff with like the slightest angst if you squint
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Sugar cookies.
That's easy, right? A simple sugar cookie recipe should do.
Right? 
So why were you ripping out magazine articles and flipping through cookbooks as if your life depended on it? 
You knew the answer and it was that this was the first Christmas season you would spend with the Munsons. Your boyfriend had assured you that store-bought cookies were just fine, but you insisted that your homemade cookies were far better. 
The only problem with that was, that you had never made cookies from scratch. Your mother burned everything she had ever tried to make, so you never got that Betty Crocker life of learning how to cook. 
So here you were, scattered pages across the kitchen counter and six paper cuts deep into finding the perfect sugar Cookie recipe for you and Eddie to set out for Santa, per Wayne's request. You wanted them to be perfect. No, you needed them to be.
Why did you have to open up that big fat mouth of yours and tell them you could make them from scratch? Why? 
A repetitive knock sounding through the house startled you in your search and you grabbed one of the many recipes you had written down. opting for the index card you had jotted the most simple looking recipe on, in hopes that simple meant easy.  A hope that easy meant good. 
Opening the door you were met with a smile, one of dimples and teasing lips. 
“Hi.” You managed to get out.
“Hello, beautiful.” He pulled you into his space letting his lips crash into yours a silent ‘I missed you' that he always greeted you with. 
“Are you ready to spend Christmas Eve with me?” 
“ More than anything.”  A small smirk etched its way to his face. Making that dimple deepen and a stutter to your pulse that makes you clench your thighs tightly together. A soft hand on your lower back and a small smack to your ass had Eddie letting out a soft laugh at your reaction. 
He bit his lip with a glint in his eye telling you to grab your overnight bag. 
The short drive to the store was torture having to rack your brain at every twist and turn in conversation. To act as if this was a trip you made every year. A trip to gather all the things based on your lie.
Sugar and flour, eggs and butter. Baking these cookies was plauging your thoughts and you had hoped that Eddie couldn't tell. 
Eddie saw right through the fasade you had curated just to get through tonight and he was playing along like a feature in his games. A small elf that would help find the ingredients to the quest in relief of refuge from an ogre as an offering. A keebler to the trees. The end goal? His heart in your hands. 
Sugar and flour, baking soda and powder. All on aisle three. A search for the dry ingredients has you biting your nails to nubs. Eddie takes your hand in his and brings it to his lips. 
"You okay? " A shudder in the breath you let out.
"Wh- yes! Yeah I'm okay. Are you? Okay I mean." 
" Can I tell you a secret?" 
His voice gets low and he brings you in closer so his voice won't strain in whisper. " I'm nervous." Your brows bow in confusion but he sets your worries straight.
 " The excited kind of nervous. I've never had someone I wanted to spend Christmas Eve with." 
Your smile becomes bright and you can feel his hand squeeze in your waist as you just stand in awe. 
" Come on, let's get the rest of this list so I can take you home." …. Home. His home, something he had been calling yours for a while. If you were honest with yourself anywhere he was, that was your home. 
Eggs , vanilla and butter. Some confectioners sugar and a small jug of milk, the final touches to make this recipe complete. 
Wayne worked late on Christmas Eve and into the early hours of Christmas day so he could have the next few days off. A tradition for him and Eddie. The day after Christmas was their day of feast. Everyone in the trailer park did a potluck style of bringing leftovers no one wanted to their neighbors and Wayne never passed up anything he was offered. 
Willing yourself to breathe deeply as the ingredients littered the counter. Eddie watched for a second, leaning his tall frame against the cabinets for any signs of your lie starting to crumble. Yet there were none. An actress who aimed to win gold, there wasn't even a flicker of doubt in your eyes, no matter how much panic was happening behind them. 
Sugar dusted the linoleum and flour found the floor. Eddie was even sporting a light handprint of ingredients after you gave in and let him mix the contents of the bowl for you. 
He had been begging to eat some of the raw dough and knew this was his way of sneaking some here and there. 
The light shining through the kitchen window had started to cast a glow of slightly pink and soft purple as you and Eddie tried to find more than one baking sheet you could place drops of the dough into. A slam to one of the cabinets as Eddie's hands gripped the countertop in front of him. His shoulders had tensed and you wanted nothing more than to relieve his pressure. 
So you did just that. 
You walked the few small steps to reach him and tangled your arms around his torso as your face came to rest between his shoulder blades. 
“It’s okay baby, we can still make them, it's just gonna take a while longer, but we can still make more than one batch.” 
“I should have known, we just … I should have just known. I'm sorry.”
The softness of his tone broke your heart a little bit in the doubts he had from only not having a pan, as if that was a disappointment you would find in him. So when a small laugh left your lips he turned to you as if to accept this defeat. A betrayal of your mind. 
“You think I give a fuck about a pan eddie?” 
“No, I know , it's dumb. I just wanted things to be perfect for our first Christmas Eve together.”  You met his gaze and let out a shallow breath caught in the hazel shift of his demeanor when his head tilted down. 
“Eddie, I have never made cookies, not even from a box.” He has a smile, soft and sweet. “Fuck I don't even think I've ever even cracked an egg before tonight.” 
Before you can think of something else to say his lips meet yours. Adoration overwhelms you when his lips part and let out a content sigh. 
“I know, baby.” Still trying to catch your breath you don't quite understand. 
“Know what ed's?” 
“ I know you've never made cookies.” 
A sudden stiffness like an insect caught in a spider's web, you knew this would come back to bite you in the ass. 
“Baby I've seen you almost burn your house down by just looking at the stove.” You let out a laugh, deep and eye watering and it's all Eddie can do not to throw you over his shoulder and take you to his room.
“You knew and you were gonna let me feed these to Santa and Wayne? Looks like someone is just gonna have a stocking full of coal this year.” 
The oven sounds before Eddie gets to reassure you of just how good he's been this year, but the look on your face when you pull out perfectly cooked sugar cookies is hands down going to be the best present he gets this year. 
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themotherofhorses · 4 months
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paloma: first meeting
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— simon "ghost" riley x oc!silentdove reyes.
summary: he's not annoyed, per se, but ghost is just not really in the mood to chit-chat with the american airman scurrying around the base. at best, he tolerates them.
(or the first exchange between ghost and his montanan woman.)
warnings: none, aside from explicit language.
note: okay, so despite this being an obvious OC-insert series, i invite anyone and everyone to read it :D this is actually my first time tackling an OC-insert fanfic (as well as writing ghost) so im still trying to get the rhythm of things.
dividers by: @saradika
paloma (masterlist) | main masterlist
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[2021] 
Simon Riley won’t ever admit it — never aloud, anyway — but every time he steps foot on American soil, he feels more akin to a wolf draped in sheep’s clothing. 
In his mind, he sticks out like a sore thumb. He is not a hero, really; unlike the lot teetering around the military base he is currently stationed at for the next five or so weeks, he is less flesh and blood, and more a phantom. Or something along those lines. Actually, that could explain why there is such little traffic aimed his way. But he doesn’t particularly care. His schedule lacks the room to voice any complaints. 
Right now, his main concern is doing his job, and doing it right. 
Two weeks back, Price had him fishing out his passport tucked away inside his bedside table. “Fancy a two month getaway to the States?” Great Falls, Montana, to be exact. High west, nearing the border of Canada, and surrounded by land he’s only ever seen in those silly ass spaghetti western movies. 
The view is nice, he’ll admit. Beautiful, even. Exhilarating. He now understands why they refer to Montana as “Big Sky Country.” 
Malmstrom is much smaller than he imagined, and homier too. The Air Force base is nestled within the city’s east side, offering its own museum and park. He’s quite grateful for the latter; the trails allow for his nighttime walks when the nightmares prove too shitty to sleep. 
Great Falls is pretty as well. Price would like it, maybe Garrick too. He knows the two are big on history, and almost every inch of the city is drenched with some memory belonging to the old frontier days. 
Upon arriving, the yanks provided him with his own private office, housed in the back of the 341st logistics readiness squadron. It’s nothin’ fancy, really, just a wee room furnished with a dark mahogany desk, two windows, a steel cabinet, the Montana flag to his left, and the American to his right. 
Again, he’s not one to complain. Something’s something. 
Earlier, one of the higher-up airmen, a Staff Sergeant Benson (he believes is the name), had handed him a folder jam-packed with a shit ton of mission statements — logistics, strategic planning, reports of previous global concerns, and reviews of the base’s Minuteman III intercontinental ballistic missile. All the documents are dated in a time range varying between two months ago to 0800 this morning. 
In the back of his mind, he can already hear Price chuckling.
“Have fun, Simon.”
Bloody bastard. 
So now, Ghost sits hunched over the desk, feeling a little too damn big for it. All the paperwork is strewn about messily around him, with sticky notes, a pen, and some other random shit of his. No one has yet to visit him; until that happens, he feels little need to remain organized. 
His boot taps against the floor. “—Initial efforts to clean polychlorinated biphenyls (PCBs) from launch facilities at Malmstrom AFB are ongoing but seeing success…” Ghost reads under his breath. PCBs? That’s nice to hear.
“...after PCBs were detected on surfaces in launch facilities at all three of the command’s missile wings.” 
PCBs. Polychlorinated biphenyls — man-made and highly toxic, consisting of carbon, hydrogen, and chlorine atoms. He clicks his tongue, shaking his head as he flips onto the next page.
“We know they’re present on what appears to be otherwise pristine surfaces, due to the survey—” 
—a sudden knock interrupts his reading. 
With a curse on his tongue, Ghost sets down the report. He quicks a sneaking glance at his watch. 1342 hours. He’s due in a meeting at 1700. 
“Come in.” His voice sounds low and raspy, the two words sounding more like a growl than a greeting. He’s not annoyed, per se, but Ghost is just not really in the mood to chit-chat with the American airmen scurrying around the base. At best, he tolerates them.
(In his mind, they’re all little Graves, ready to stir up a headache.) 
The door slowly cracks open.
“Lieutenant Riley?” A female voice calls out — soft and cautious; Ghost’s chin drops against his knuckles. “Apologies for the disruption, sir, but I have some additional paperwork I need to drop off with you, at the request of my superior.” He grunts, and the airman then steps into his office, quickly shutting the door behind her before meeting his eyes. 
It is entirely unlike him, Ghost knows, but his brain almost short-circuits right then and there. Two dark brown eyes, framed by thick lashes, peering up at him. Shit. He’d always thought brown was such a pretty eye color on a woman, but hers stretched further across common compliments. 
Both of  ‘em — they held no animosity, no uneasiness or fear, nothing. 
That, itself, is quite fucking bizarre. He’s not used to that.
Ghost is .... well, Ghost. He knows the mask he is always donning on his face isn't exactly a sign of welcomeness. Just his mere presence is enough to startle the living shit out of rookies, baby recruits, wide-eyed sergeants, and the like. There is something inherently unnerving when you are unable to get a good reading of the person you're standing across from.
She’s brave, he thinks. Or merely oblivious to who he is. 
“Here you go, sir,” the airman says while placing the packet of new documents down on his desk. Her lips are shaped prettily, plump and shining with a fresh layer of gloss, and across her nose is a splatter of faint freckles. Under a different circumstance, maybe he would’ve taken the time to try and count them all.
Ghost swallows hard, incapable (for what feels like the first time in his life) of mustering up an appropriate reply. “Ah, thank you, ma’am.” 
The airman's brow lifts.
“Reyes,” she then corrects him with a kind smile, gesturing to the name badge sitting above her right chest pocket. Sure enough, in bold military lettering, reads Reyes. “My name is Senior Airman SilentDove Reyes. I am actually a cryptologic linguist analyst here on base; but sometimes I run errands for others, when not needed for a translation, of course.”
There is a slight chirp in her voice that Ghost picks up, along with the way she casually rocks back and forth on her feet. She seems awfully young, no older than 22, possibly 23, but even that's cutting it; a kid, compared to him. Maybe 5'7, with dark hair pulled back into two tight braids that fall at her belted waistline.
A stark contrast compared to him.
He's oddly curious now — about her age and first name and those long braids and why she stands before him, calm, collected, and sure — but he knows damn well this is not the time nor place for any questions. Both of them are on the clock, and it is likely she’ll need to report back to her supervisor soon. 
He offers her a curt nod. “Well, thank you again, Reyes,” he states, keeping his voice flat. 
“You are welcome, sir.” She turns to leave, but when her hand latches onto the doorknob, Reyes glances over her shoulder at him, “—oh, and Lieutenant? If you need anything, please don’t hesitate to ask.” 
“I’ll keep that in mind.” 
The successful cleaning came after a bioenvironmental team at Malmstrom AFB …. Malmstrom AFB .. consulted with engineers and ….. and medical experts on the cleaning …. cleaning processes and– 
–and agents most likely to effectively remove the chemicals…. 
He knows his mind is wandering off, in desperate search of that pretty senior airman from fifteen minutes ago. “Bloody fucking hell,” Ghost grumbles, leaning back in his chair. His head lolls back as he blinks upward, studying the ceiling overhead. The texture is popcorn, a creamy color, with a simple fan jutting down. One light bulb, probably a recent replacement. 
Fuck. He doesn’t need this shit. Not one bit. 
Five more weeks and he’ll be gone from here. 
Ghost rechecks his watch, feeling a bit peeved at the time. 1411. He has several more hours until he can leave all this work shit behind for the evening, and maybe catch a short walk before hunkering down for the night. He doesn’t like sitting down for too long; it causes him to become restless. Agitated. Overthinking.
He doesn’t want distractions. He doesn’t need ‘em. Distractions ruin work ethic; clouding up the mind while fucking up all sense of responsibility. Price will have his ass if he – somehow – becomes compromised. And he'll never hear the end of it from Johnny. 
Settling back into the paperwork, he decides that he won’t allow himself another second thinking about all that – the American airman and her pretty brown eyes and high cheekbones and first name. 
Something tells him that’s easier said than done. 
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