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#mothers are sacred
feralmoth · 4 months
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And I felt it welling up days, weeks in advance. My mother caught my eye for the hundredth time at the dinner table, asking for reassurance. Reassurance that we both notice him and his inconsistencies. The self-isolation, the self-pity, the anger, the immaturity, the refusal to speak or touch. My father, her husband, has been a stranger every other day for the past 20 years. The unpredictability is agonizing. She sat me down, told me I can't please him no matter what I do. All I need to do is worry about myself. She said, "Do what you want to do. You have to do what makes you feel fulfilled." It's jarring to be told by your mother that your father has been wrong this whole time, pushing me into things I never wanted, telling me I'm always falling behind and not doing enough. My mother is my North star. I am so lucky, even if my father will never understand. God bless my mother, I owe her everything, I am so grateful, I love her.
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rottendust · 7 months
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bebemoon · 2 years
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the immaculate heart of mother mary, silver and jeweled .
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littleflowerfaith · 1 year
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Immaculate Heart of Mary pray for us
Sacred Heart of Jesus have mercy on us
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wingedblooms · 3 months
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Heart of the Night Court
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This meta is a continuation of theories in forbidden secrets, blooming dreams, and bright as the dawn, as it narrows in on Illyria, Ramiel, and their connection to Wyrd. Please avoid if you do not want to read hofas spoilers. 
Facing Ramiel
The northern region of the Night Court is where Ramiel, one of the three sacred sister peaks, is located. It is considered the heart of Illyria and the Night Court. 
Ramiel. The sacred mountain.  The heart of not only Illyria, but the entirety of the Night Court.  None were permitted on its barren, rocky slopes—save for the Illyrians, and only once a year at that. During the Blood Rite.  Cassian soared toward it, unable to resist Ramiel’s ancient summons. Different—the mountain was so different from the barren, terrible presence of the lone peak in the center of Prythian. Ramiel had always felt alive, somehow. Awake and watchful. (acofas) [...] Ramiel rose higher still, a shard of stone piercing the gray sky. Beautiful and lonely. Eternal and ageless. (acofas)
Cassian describes Ramiel as alive, awake, and watchful, and so very beautiful as she rises from the earth. Likewise, Feyre emphasizes that Elain is alive and somehow infinitely more beautiful as she rises from the ground after she is Made in the Cauldron. Her legs are even bare, which remind me of the barren terrain, and her sheer nightgown might even be a hint for thin places, as @offtorivendell observed. Elain’s strength has also always been different than her sisters, just like Ramiel among her sacred sister peaks.   
And as if it had been tipped by invisible hands, the Cauldron turned on its side. More water than seemed possible dumped out in a cascade. Black, smoke-coated water.  And Elain, as if she’d been thrown by a wave, washed onto the stones facedown.  Her legs were so pale—so delicate. I couldn’t remember the last time I’d seen them bare.  The queens pushed forward. Alive, she had to be alive, had to have wanted to live– Elain sucked in a breath, her fine-boned back rising, her wet nightgown nearly sheer. And as she rose from the ground onto her elbows, the gag in place, as she twisted to look at me— Nesta began roaring again.  Pale skin started to glow. Her face had somehow become more beautiful—infinitely beautiful, and her ears … Elain’s ears were now pointed beneath her sodden hair. (acomaf)
As each spring dawns on the world, Ramiel is crowned with three stars, and the Illyrians—who we learned may have been the Asteri’s soldiers and therefore may carry on rituals that would have benefited them—honor bloodshed on her land rather than new life. 
No wonder that first ruler of the Night Court had made this his insignia. Along with the three stars that only appeared for a brief window each year, framing the uppermost peak of Ramiel like a crown. It was during that window when the Rite occurred. Which had come first: the insignia or the Rite, Cassian didn’t know. Had never really cared to find out.  The conifer forests and ravines that dotted the landscape flowing to Ramiel’s foot gleamed under the fresh snow. Empty and clean. No sign of the bloodshed that would occur come the start of spring. (acofas) 
Some even seem to take great pleasure in the killing that is permitted during this rite, and Ramiel, which we know is alive and watching, is forced to witness it every year. Azriel calls it a week of pointless bloodshed, but we know now that is likely untrue. @silverlinedeyes, @offtorivendell and I believe the Asteri may have created or warped an existing rite to suit their needs. @silverlinedeyes pointed out that this spring rite reminds her of the Great Rite, and that made something click for me: perhaps the Blood Rite is the Night Court's Great Rite. Is the secondlight from slain warriors absorbed by the land? And do those few who reach the stone, which I suspect might be the Maiden in this rite, provide firstlight to the cache hidden in Ramiel’s heart? Is it any wonder the winds around her howl, and her land is often frozen and inhospitable?
The mountain neared, mighty and endless, so wide that he might as well have been a mayfly in the wind. Cassian soared toward Ramiel’s southern face, rising high enough to catch a glimpse of the shining black stone jutting from its top.  Who had put that stone atop the peak, he didn’t know, either. Legend said it had existed before the Night Court formed, before the Illyrians migrated from the Myrmidons, before humans even walked the earth. Even with the fresh snow crusting Ramiel, none had touched the pillar of stone. (acofas)
The shining black stone on Ramiel’s face is able to heal and transport those who touch it. In acosf, it knew where Nesta’s friends were needed most and sent them to the River House. It is also on the southern face of the mountain, which in the northern hemisphere, is the part of the mountain that receives the most sunlight. Cassian tells us that he doesn’t know who put it there, but legend says it was before humans even walked the earth. While it is very likely that the Asteri warped it (into a tool to sustain them, like the gates in Lunathion as @merymoonbeam so cleverly pointed out), I believe it may have also originally been linked to the Cauldron. 
In hofas, we discover that Ramiel used to bear the Cauldron on her land:
“The Cauldron,” Nesta said hours later, pointing to yet another carving on the wall. It indeed showed a giant cauldron, perched atop what seemed to be a barren mountain peak with three stars above it. Azriel halted, angling his head. “That’s Ramiel.” At Bryce’s questioning look, he explained, “A mountain sacred to the Illyrians.”  Bryce nodded to the carving. “What’s the big deal about a cauldron?” [...]  “All life came and comes from it,” Azriel said with something like reverence. “The Mother poured it into this world, and from it, life blossomed.” (hofas) […] The snows around Ramiel parted, revealing a massive bowl of iron at the foot of the monolith. Even through the vision, its presence leaked into the world, a heavy, ominous thing. “The Cauldron,” Nesta said, dread lacing her voice. […] “The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced…those, too, my parents would turn to their advantage.” (hofas) 
I wonder if long ago, before the Asteri desecrated them, the stone and Cauldron together resembled this depiction of Wyrd: 
The Under-King lounged on a throne beneath a behemoth statue of a figure holding a black metal bowl between her upraised hands. Symbols were carved all over the bowl, continuing down her fingers, her arms, her body. Ithan could only assume it was meant to represent Urd. No other temples ever depicted the goddess, no one even dared—most people claimed that fate was impossible to portray in any one form. But it seemed that the dead, unlike the living, had a vision of her. And those symbols running from the bowl onto her skin…they were like tattoos. […] “And she,” the Under-King went on, gesturing to that unusual depiction of Urd towering above him, “was not a goddess, but a force that governed worlds. A cauldron of life, brimming with the language of creation. Urd, they call her here—a bastardized version of her true name. Wyrd, we called her in that old world.” (hofas)
This depiction is interesting because it mirrors, almost exactly, the figurine Nesta assumes is the Mother in the House of Wind: 
It was a fire. Not her father’s neck. Her gaze shifted to the carved wooden rose she’d placed upon the mantel, half-hidden in the shadows beside a figurine of a supple-bodied female, her upraised arms clasping a full moon between them. Some sort of primal goddess—perhaps even the Mother herself. Nesta hadn’t let herself dwell on why she’d felt the need to set the rose there. Why she hadn’t just thrown it in a drawer.  Another log cracked, and Nesta flinched. But she remained sitting there. Staring at that carved rose. (acosf) 
For some reason, she needed to set Elain’s rose, half-hidden in shadow, next to this depiction of what appears to be Wyrd. In hosab, the Under-King also described Wyrd as a mother to all, which is why I theorized that she is actually a triple goddess: Mother, Cauldron, Fate. They are three parts, or faces, of the same force. The three sacred sister peaks and three blessed Archeron sisters are intentionally linked to her. Perhaps the moon in the female’s hands isn’t just a moon, but a world too. Immediately after this scene, the House of Wind shows Nesta her heart in the lovely darkness of the mountain, which she calls the heart of the world, of existence. Of self. 
Heart racing, Nesta lifted the lantern in one hand and gazed at the darkness, untouched by the light from the library high, high above. The heart of the world, of existence. Of self.  The heart of the House.  “This…” Her fingers tightened on the lantern. “This darkness is your heart.” [...] Let the darkness sweep in. Embraced it. “I’m not afraid,” she whispered into it. “You are my friend, and my home. Thank you for sharing this with me.” (acosf)
Nesta embraces the heart of the House of Wind, which naturally makes me recall the heart of the Prison asking Bryce to open her heart to it…it might sing again. Awaken. There was a beating, vibrant heart locked away, far beneath them. We’re not sure exactly how Avallen might have affected the Prison island, and I suspect there is more to come with that plot thread. While I had always hoped the Valkyries might re-establish themselves as an intercourt army in the Middle, which does not have ties to any court in particular, I can also appreciate the possibility that they might ultimately settle on the Prison island instead. It would be incredible to see Pegasi return and for the Valkyries to learn how to fly on them. 
This plot is related to the core thread driving us forward, and it is something that can occur in a book that is centered on Elain and Azriel. Together, they have the vision and gifts needed to map the secrets of the land, starting with the sacred sister peaks, which I believe will ultimately help them restore Wyrd. This would fit all of the seeds Sarah has planted for the third sister’s arc with Azriel, Nuala, and Cerridwen. It would also be powerful for a character who has been underestimated and ridiculed for gardening to heal the land and the very source that created it. 
As I said prior to hofas, this exploration will inevitably bring them to the very heart of Ramiel. As a bearer of Wyrd, the source of life, Ramiel may even be the heart of the world, not just the Night Court. Will they discover that she was once very different? Did she change, as her sisters did, when the Asteri burrowed into her heart? Or was it because the Cauldron, Wyrd’s physical form, was warped into a tool of destruction by the Asteri and later removed from her land? Were the Illyrians created to guard the Cauldron since it was the Asteri’s most precious weapon? And is that why, as @cassianfanclub wondered, the Asteri were so desperate to reach the stone at the top, where the Cauldron was once depicted? Enalius may have prevented it from falling into their hands as he defended the Pass, which would’ve been a critical turning point in a rebellion. Unlike the rite they currently use to honor him, Enalius’s defense was in the service of life, which is what made Nesta’s sacrifice so inspiring. Her sacrifice is now depicted in the heart of the Court of Dreams, which is dedicated to building a better world.
Descending into Ramiel
We learn that Ramiel may be hiding secrets from Eris, of all characters: 
Eris shrugged, and Nesta knew Cassian monitored his every breath. “There are three of them, you know. Sister peaks. This one, the mountain called the Prison, and the one the Illyrian brutes call Ramiel. All bald, barren mountains at odds with those around them.” “We don’t know why they exist, but do you not find it strange that two out of the three have underground palaces carved into them?”  […]  Eris gave him a mocking smile, but continued, “Unsurprisingly, the Illyrians were never curious enough to see what secrets lie beneath Ramiel. If it, too, was carved up like the others by ancient hands.” “I thought Amarantha made the court Under the Mountain herself,” Nesta said.  “Oh, she decorated it and made us act like a sorry imitation of your Court of Nightmares, but the tunnels and halls were carved long before. By who, we don’t know.” (acosf)
He tells us that the three sacred peaks are sisters. Sacred is another word for blessed. And two out of three of them have been at least somewhat explored, but the third? Still mysterious. No one was curious enough to see what lied beneath her beautiful face, at her heart. This is such a lovely parallel for the three blessed sisters, and seems like a clear hint for the third one in particular. 
In hofas, we receive confirmation that these secrets might be connected to the Asteri, who are known as Daglan in Prythian lore: 
“They fought the Daglan and won, she went on. Using the Daglan’s own weapons, they destroyed them. Yet my parents did not think to learn the Daglan’s other secrets—they were too weary, too eager to leave the past behind.” (hofas) 
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Vesperus backed up a half step, hissing at the gleaming weapon. “We hid pockets of our power throughout the lands, in case the vermin should cause … problems. It seems our wisdom did not fail us.” “There are no such places,” Azriel countered coldly. “Are there not?” Vesperus grinned broadly, showing all of her too-white teeth. “Have you looked beneath every sacred mountain? At their very roots? The magic draws all sorts of creatures. I can sense them even now, slithering about, gnawing on the magic. My magic. They’re as much vermin as the rest of you.” (hofas)
Bryce concludes, after Vesperus is able to draw the power from her secret cache below, that there is a firstlight core in the root, or heart, of the mountain. We see what happens in Avallen when the land is forced to contain magic where its ley lines overlap, rather than allowing it to flow as it should: it binds the magic of the land and causes it to wither like a plant with root rot. And that seems to explain why the sacred peaks are so odd: barren yet thrumming with power. 
I have theorized that the caches of power may need to be released leading up to the restoration of Wyrd, and I suspect there may be clues—especially within Ramiel—about how the Asteri warped and bound her to the land. If Elain is as tied to the land as we suspect, this could also strengthen whatever magic she possesses. 
In the cavern illustrations Bryce views in hofas, we see what might lie beneath Ramiel, maybe even the entire Night Court:
Scenes of a blessed land, a thriving civilization. One relief had been so similar to the frieze of the Fae male forging the sword at the Crescent City Ballet that Bryce had nearly gasped. The last carving before the river had been one of transition: a Fae King and Queen seated on thrones, a mountain—different from the one with the palace atop it—behind them with three stars rising above it. A different kingdom, then. Some ancient High Lord and Lady, Nesta had suggested before approaching the river.  She hadn’t commented on the lower half of the carving, which depicted a Helscape beneath their thrones, some kind of underworld. Humanoid figures writhed in pain amid what looked like icicles and snapping, scaly beasts—either past enemies conquered or an indication of what failure to bow to the rulers would bring upon the defiant.  The suffering stretched throughout, lingering even underneath that archipelago and its mountaintop palace. Even here, in paradise, death and evil remained. A common motif in Midgardian art, too, usually with the caption: Et in Avallen ego.  Even in Avallen, there am I. A whispered promise from Death. Another version of memento mori. A reminder that death was always, always waiting. Even in the blessed Fae isle of Avallen. (hofas) 
This might merely be a hint for the Asteri secrets that remain buried in the earth. But I agree with others (including @offtorivendell, @ladynightcourt3, @cassianfanclub, and @silverlinedeyes) who have wondered if this Helscape is in fact a hint that Prythian, and the Night Court in particular, is tied to Hel. We learned that the worlds in the Maasverse are tied together through ley lines, and the veil between worlds is thin where these ley lines overlap—like the lines in a star. 
That may be the true meaning of star symbols throughout the Maasverse, and the one specifically found in the Prison that is connected to the Starborn: as I theorized pre-hosab, it is a compass rose, and it seems to be linked to other places in the grander tapestry of the universe. There is power in the space where the lines meet; these lines represent ley lines. Certain people (Asteri, Starborn, etc.) are able to use that power to travel, communicate, or even light up entire worlds. Depending on how those lines are woven in certain areas, they might even be able to draw you to one place more than another. That may explain why the Prison seems more connected to Midgard. So, could Ramiel be more connected to Hel, and the Middle to…Erilea?
I wonder if Elain, Azriel, Nuala, and Cerridwen’s exploration in the heart of Ramiel might lead them to Wyrd’s Temple in Hel, except @silverlinedeyes, @offtorivendell, and I think she goes by yet another name there: Chaos. It’s possible they could use black salt or another substance to achieve this, as @offtorivendell and @cassianfanclub have discussed, especially with Elain’s sight. I am personally hoping for a physical trip to Hel and Ramiel might possess a doorway, or rift, as @offtorivendell has theorized. 
The black boat that Aidas led Bryce and Hunt into was a cross between the one that had brought them into Avallen and the ones that carried bodies to the Bone Quarter. But in lieu of a stag’s head, it was a stag’s skull at the prow, greenish flame dancing in its eyes as it sailed through the cave. The eerie green light illuminated black rock carved into pillars and buildings, walkways and temples. Ancient. And empty. Bryce had never seen a place so void of life. So … still. Even the Bone Quarter had a sense of being lived in, albeit by the dead. But here, nothing stirred. […] “It’s like a city of the dead,” Hunt murmured, draping a wing around Bryce. Aidas turned from where he stood at the prow, holding in his hands a long pole that he’d used to guide them. “That’s because it is.” He gestured with a pale hand to the buildings and temples and avenues. “This is where our beloved dead come to rest, with all the comforts of life around them.” […] Before Aidas could answer, the boat approached a small quay leading to what appeared to be a temple. A figure emerged from between the pillars of the temple and descended its front steps. Golden-haired, golden-skinned. […] “The Temple of Chaos is a sacred place,” Apollion said sharply. “We shall never defile it with violence.” The words rumbled like thunder again.
This sounds familiar, doesn’t it? It sounds an awful lot like other beliefs in the Maasverse:
Bryce asked, because some small part of her had to know after what she’d seen of the Mask, “When you die, where do your souls go?” Did they even believe in the concept of a soul? Maybe she should have led with that.  But Azriel said softly, “They return to the Mother, where they rest in joy within her heart until she finds another purpose for us. Another life or world to live in.” (hofas)
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“We’ll collect the dead tomorrow,” Manon said, her voice low. “And burn them at moonrise.” As both Crochans and Ironteeth did. A full moon tomorrow—the Mother’s Womb. A good moon to be burned. To be returned to the Three-Faced Goddess, and reborn within that womb. (koa)
Wyrd (Chaos) is the heart of the world, of existence. Of self. And that is where people rest in joy until they are reborn. Could this be where the spirits are migrating on Starfall?
We know the Princes of Hel are intergalactic helpers, so a trip to Hel or an encounter with a Prince (Bryaxis? Thanatos? Even Balthazar, if he isn’t Elain? 😉 still my favorite crack theory) might give us insight into their role in Prythian. It could also involve Azriel’s peculiar magic that makes him, like Ramiel, so different from even his Illyrian brothers. Let's be honest, he’s always had a Prince of Hel vibe—down to his reverence for Wyrd (Mother, Cauldron, Fate/Chaos)—that I would love to see come to fruition. 
Beyond Azriel himself, I also think we will learn the origins of the Illyrians in the heart of Ramiel. Were they connected to Hel before the Asteri made them their soldiers, like @silverlinedeyes and @offtorivendell theorized? Or were they an experiment like the blessed sisters? Did the Asteri put humans (hence the ears) into the Cauldron after it was imbued with their void magic and create beings of night and pain who could combat enemies, including demons? This might be another reason why the three most powerful Illyrians are a match in power for the three blessed sisters. 
Together, they balance opposing forces as @silverlinedeyes previously theorized. They seem to represent the forces of Void and Chaos, and their power can be combined in the space between to achieve impossible feats (eg, physically healing the Cauldron and the rip in the world). All three sisters seem to be chosen bearers, or conduits, for Wyrd (Chaos), so I wouldn’t be surprised if we see another example of this in a different way for Azriel and Elain, and/or a scene where they are all linked magically.  
My lips tugged toward a smile. But Rhys stared at all of us, somehow assembled here in the sun-drenched open grasses without being given the order. Our family—our court. The Court of Dreams.  […] He surveyed them all again—and held out his hand to Cassian. Cassian took it, and held out his other hand for Mor. Then Mor extended her other to Azriel. Azriel to Amren. Amren to Nesta. Nesta to Elain. And Elain to me. Until we were all linked, all bound together. (acowar)
Since Ramiel is connected to Wyrd (Chaos), and there may be a doorway to her temple in Hel, this journey will likely also uncover secrets about her. Will her story come from illustrations in stone, members of Hel, or…my personal favorite, Wyrd herself? I believe that is one of the many reasons she gifted Elain with such powers, including sight: so she could tell her story to someone who could see differently. Someone who could see the creator within the darkness, just as Elain saw the dark cottage as a shelter rather than a prison. This gift may provide them the information they need to uncover the Asteri’s secrets and unravel their magic from the sacred peaks and Wyrd, which could lead them to at least two other places: (1) Midgard, where the Book of Breathings is now kept by Bryce, and (2) Cretea, where the Cauldron is currently hidden. Could Azriel even pay back Bryce for stealing his precious dagger? It would only be fitting. 
Ramiel Springs Eternal 
I was so cold I might never be warm again. Even during winter in the mortal realm, I’d managed to find some kernel of heat, but after nearly emptying my cache of magic that afternoon, even roaring heart fire couldn’t thaw the chill around my bones. Did spring ever come to this blasted place? (acomaf)
Illyria is known for being bitterly cold, to the point where Feyre wonders if spring would ever arrive there. Sarah has consistently described Elain as blooming life amid death and winter, and this imagery starts to become really apparent in Illyria: 
Mor let out a snort that made the Illyrians stiffen. But she shifted, revealing Elain behind her. Elain was just blinking, wide-eyed, at the camp. The army.  Devlon let out a grunt at the sight of her. But Elain wrapped her own blue cloak around herself, averting her eyes from all those towering, muscled warriors, the army camp bustling toward the horizon…She was a rose bloom in a mud field. Filled with galloping horses. (acowar) 
Compared to Nesta, a newly forged sword, Elain is a blooming flower even in an Illyrian army camp, which is essentially saying she is a bloom of life and color in the middle of winter. This imagery is so fitting because she commits her time to creating and restoring gardens wherever she goes. She brings life and joy and beauty into the world. Even her scent is a promise of spring: 
Her sister’s delicate scent of jasmine and honey lingered in the red-stoned hall like a promise of spring, a sparkling river that she followed to the open doors of the chamber. […] Her sister turned toward her, glowing with health. Elain’s smile was as bright as the setting sun beyond the windows. (acosf)
We also know she is also capable of hearing sound, specifically hearts, through stone. In their conversation about heartbeats, Lucien even wonders if she is speaking to him: 
She looked away—toward the windows. “I can hear your heart,” she said quietly. He wasn’t sure how to respond, so he said nothing, and drained his tea, even as it burned his mouth. “When I sleep,” she murmured, “I can hear your heart beating through the stone.” She angled her head, as if the city view held some answer. “Can you hear mine?” He wasn’t sure if she truly meant to address him, but he said, “No, lady. I cannot.”  Her too-thin shoulders seemed to curve inward. “No one ever does. No one ever looked—not really.” A bramble of words. (acowar)
Was Elain actually speaking to one of the sister peaks, or even Wyrd, during some of this conversation? Her response to Lucien even seems to echo the song of the land: no one had ever truly looked, not really. No one knew what secrets they carried in their heart. This is such a lonely existence. As Elain and Azriel heal the land, I believe they will also heal their own wounds. Feel seen and heard. Understood. 
Elain was also wearing a blue cloak in the Illyrian camp. Could that be a hint of her future work with others who wear something similar, like the priestesses who worship Wyrd? She answered her sister’s prayer during the war rather than Wyrd and has led her own sister in prayer before. Is she more priestess—more healer—than warrior, and is that the different sort of strength needed to garden on a larger scale? @willowmeres and I were discussing this the other night: perhaps like Gwydion and TT (which I theorized singing to each other across space), Elain’s rose necklace was called to the library when the priestesses were singing about Wyrd. And because like calls to like, the necklace answered and drew Azriel to the library instead of the Palace of Thread and Jewels. Like her sisters before her, Elain might receive help from priestesses as she hones her vision and gifts. I would scream if this turns out to be true because that necklace is pure Chaos (pun definitely intended).
It’s also possible the priestesses could be helpful in unbinding Void from the Book of Breathings, a book of spells. I doubt this will be a simple matter, however. It might rival the unraveling of Erawan, which required massive raw healing magic. Will the Asteri’s void magic manifest on another plane as Elain battles it with raw healing magic, shining bright as the dawn? Could a dawn ritual help ground her during this battle? And will Azriel, the sisters, the brothers, even priestesses with their healing stones, need to create a living chain to defeat Void and fully restore Wyrd (Chaos) in the end? Will we finally get a glimpse of her, unbound? 
Maybe with the help of Azriel and others, Elain will even restore Wyrd—blossoming life—to Ramiel’s sunniest face, the heart of the world, of existence. Of self. And true spring will finally come to her sacred land.
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rescatada · 10 months
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“His word burns in my heart like a fire.”
Jeremiah 20:9
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crazycatsiren · 1 year
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Have an altar, or don't.
Keep it however and wherever you want, if you do want one.
Arrange it how you like it. Put as much or as little stuff as you want on it. Put whatever you feel like on it. Remove it if you no longer like it.
Change it up once in a while, or don't.
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fyblackwomenart · 9 months
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"Our Mother of Embodied Love" by Margaret Trost
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dramoor · 1 year
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"Do not let the past disturb you. Leave everything in the Sacred Heart of Jesus and begin again with joy."
– St. Teresa of Calcutta
(via soledad-98)
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myremnantarmy · 5 months
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The flame of love extinguishes the fire of hatred. Love is God and because God has Power over the beast this is the solution to drive the beast out of your life.
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heartofbarbelo · 4 months
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Here's your reminder that the New Year isn't until Spring Equinox, don't worry about getting your shit together and making resolutions yet, keep on hibernating and taking care of yourself and your home.
Amadéa.
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rottendust · 8 months
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<3
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littleflowerfaith · 1 year
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Sacred Heart of Jesus, have mercy on us.
Immaculate Heart of Mary, pray for us.
Most Chaste Heart of Saint Joseph, pray for us.
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wingedblooms · 1 month
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Secret, slumbering land
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This meta is a continuation of theories (forbidden secrets, blooming dreams, bright as the dawn, and heart of the night court) about Elain’s connection to Wyrd and the land. This new thread focuses on the gentle healing land and lake that the sisters visit in their stories. Maasverse spoilers below, so please proceed with caution.
It seemed like a secret, slumbering land that time had forgotten. (acosf)
Both Feyre and Nesta visit a turquoise lake nestled in the mountains. Because their description is the same, this theory operates on the assumption that it is the same place. And since things come in threes in this series, Elain may visit this magical lake in her own story. When I reread the scenes with previous visits, I was struck by the language Sarah used to describe it—secret, slumbering, forgotten—and the clues those words might hold for Elain and Wyrd, the Stone Mother.
Secret
During the first visit to this lake, Azriel teaches Feyre to fly and shares their court philosophy on training, which is connected to a legend about Nephelle (more on that later). During this scene, Azriel is bathed in blinding sunlight and his shadows are gone. His appearance is stark and clear, readable.
In the blinding sun off the turquoise water, his shadows were gone, his face stark and clear. More human than I had ever seen him. “There’s no chance that I’ll be able to fly in the legions, is there?” I asked, kneeling beside him as he tended to my skinned palms with expert care and gentleness. The sun was brutal against his scars, hiding not one twisted, rippling splotch. (acowar)
@offtorivendell connected his appearance to the bonus chapter ages ago, and it is still one of my favorite metas. In that bonus chapter, we learn Azriel’s shadows are also prone to vanish around Elain.
Elain sucked in a soft breath that whispered over his skin. His shadows skittered back at the sound. They’d always been prone to vanish when she was around.  The golden necklace seemed ordinary—its chain unremarkable, the amulet tiny enough that it could be dismissed as an everyday charm. It was a small, flat rose fashioned of stained glass, designed so that when held to the light, the true depth of colors would become visible.  A thing of secret, lovely beauty. (Azriel’s bonus) 
He tells us he doesn't need to rely on his shadows to read her, so his deep trust and vulnerability might be the only explanation for his shadows' behavior, but they can also sense power and respond to it as power themselves. For example, if someone's power is related to music, they might sing or dance in response. What power, other than the revealing light of Truth, might cause them to vanish?
But even the silence weighed too heavily, and though the shadows kept him company, as they always had, as they always would, he found himself leaving the room. Entering the foyer. Soft steps padded from under the stair archway, and there she was.  The Faelights gilded Elain’s unbound hair, making her glow like the sun at dawn. She halted, her breath catching in her throat. (Azriel’s bonus) 
The Faelight reveals Elain's secret, lovely beauty: she glows like the sun at dawn. What do we know about dawn? In nature, dawn restores the light and awakens the earth. In the Maasverse, it is also associated with healing magic. And when we return to the lake in Nesta’s story, we learn it was once connected to healing. Healing light is bright and warm like the dawn; it has the power to pierce the darkness and outrace Death itself. It is pure life in its rawest form.
Sarah has repeatedly connected Elain to rebirth and renewal, especially in relation to Azriel: in his presence, she's the lovely fawn, vibrant spring behind her. Standing before Death. Even the headache tonic, a lighthearted remedy, serves as potential hint for this secret, lovely beauty: 
Then Azriel tipped his head back and laughed.  I’d never heard such a sound, deep and joyous. Cassian and Rhys joined him, the former grabbing the bottle from Azriel’s hand and examining it. “Brilliant,” Cassian said.  Elain smiled again, ducking her head.  Azriel mastered himself enough to say, “Thank you.” I’d never seen his hazel eyes so bright, the hues of green amid the brown and gray like veins of emerald. “This will be invaluable.” (acofas) 
Elain’s gift awakens life, veins of emerald, in the earthy brown and gray within his soul, just as she does in her own garden. It is no coincidence that Elain, who is most radiant in healing hues, glows like the sun at dawn in the dead of night. And Azriel is stark and clear before her just as he is about to finally allow himself a taste of pure life, of healing. In the wake of Elain’s healing presence, we even glimpse Azriel’s emotional scars through his internal dialogue. On healing journeys, lingering scars are faced and overcome rather than avoided. Some wounds require deep trust as the healer, patient as a gardener, walks the road with them on that journey. 
Slumbering
On our second visit to the lake, we learn the surrounding land is inhabited by ordinary faeries who prefer solitude. This immediately made me think about Elain, content and beautiful in her simple gardening dress, and Feyre’s comment about her clinging to Azriel for some peace and quiet. It would be fitting for them to come here in their story, to find joy and love and healing here together. And if I were to hand select a place for Rosehall, where someone like Azriel's mother could find solitude and healing, this would be it.
He knew these mountains well enough from flying over them for centuries: shepherds lived here, usually ordinary faeries who preferred the solitude of the towering green and brownish-black stones to more populated areas. The peaks weren’t as brutal and sharp as those in Illyria, but there was a presence to them that he couldn’t quite explain. Mor had once told him that long ago, these lands had been used for healing. That people injured in body and spirit had ventured to these hills, the lake they were now two and a half days from reaching, to recover. Perhaps that was why he’d come. Some instinct had remembered the healing, felt this land’s slumbering heart, and decided to bring Nesta here. 
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She’d never seen such a view. It seemed like a secret, slumbering land that time had forgotten. […] The mountains watched her, the river sang to her, as if guiding her onward to that lake. (acosf)
The mountains here aren't brutal and sharp, but they still have a powerful presence. Like the third sister. The mountains watched Nesta like a protective seer, and the river sang to her, as if guiding her onward to that lake, like Elain’s scent. Her scent is a sparkling river, a promise of spring, that guided Nesta to her. And what did Nesta find when she reached the source of that scent? Elain’s sharp angles, once like the Illyrian mountains after she was Made, were now replaced with softness. She glowed with health and her smile was bright as the sun. She also smells of jasmine and honey, which are soothing scents and herbs that have healing properties. 
Her sister’s delicate scent of jasmine and honey lingered in the red-stoned hall like a promise of spring, a sparkling river that she followed to the open doors of the chamber. Elain stood at the wall of windows, clad in a lilac gown whose close-fitting bodice showed how well her sister had filled out since those initial days in the Night Court. Gone were the sharp angles, replaced by softness and elegant curves. […] Her sister turned toward her, glowing with health. Elain’s smile was as bright as the setting sun beyond the windows. (acosf) 
In the span of a few pages, we're also told twice that this land is slumbering. Since it was once used for healing, it would make sense for healing magic to be at the core of its slumbering heart. Remember, the rawest form of healing magic is pure life and we just learned that Wyrd, the Stone Mother, was once blossoming with pure life. Elain’s wyrdcrown seems to mirror Stone Mother's creative powers in the form of sleeping buds:
She had no mental shields, no barriers. The gates to her mind…Solid iron, covered in vines of flowers—or it would have been. The blossoms were all sealed, sleeping buds tucked into tangles of leaves and thorns. (acowar)
This imagery of Elain’s power has always reminded me of the darkness of creation and rest Yrene receives guidance from while she bathes in Silba’s Womb, which she calls the slumbering heart of the earth. In the tog series, Silba was the goddess of healing and gentle deaths and Elain shares many connections with the healers who honor her. So, it’s possible slumbering simply means the land reflects the restful and restorative healing power of those who once lived on and fed the magic of the land. 
Slumbering or sleeping can also indicate dormant magic, which is something we’ve seen in both tog and cc. In tog, Dorian has raw magic and he can shape it into different things—phantom hands, shifting, healing, etc. His raw magic is sleeping in his heart before he explores it. 
“You have power in you, Prince. More power than you realize.” She touched his chest, tracing a symbol there, too, and some of the court ladies gasped. But Nehemia’s eyes were locked on his. “It sleeps,” she whispered, tapping his heart. “In here. When the time comes, when it awakens, do not be afraid.” She removed her hand and gave him a sad smile. “When it is time, I will help you.” With that, she walked away, the courtiers parting, then swallowing up her wake. He stared after the princess, wondering what her last words had meant. And why, when she said them, something ancient and slumbering deep inside him had opened an eye. (com)
We recently learned the Asteri poisoned the waters in Midgard with a parasite to feed off of the magic of its citizens. This parasite warped their magic and it is described as dormant and tethered as a result:
The Asteri had infected the water we consumed with a parasite. They’d poisoned the lakes and streams and oceans. The parasites burrowed their way into our bodies, warping our magic. (hofas) - Somehow, a barrier had been removed. One that had ordered him to stand down, to obey … It was nothing but ashes now. Only dominance remained. Untethered. But filling the void of that barrier with a rising, raging force— (Ithan’s magic, hofas) - Tharion withdrew. Lidia shook with rage and power. Tharion could feel it shuddering around him, rising up like a behemoth from the deep. What had that antidote woken in her? What had been taken during the Drop? And what had lain dormant, all this time? His water seemed to quail at it—like it knew something he didn’t. (Lidia’s magic, hofas) - Warm, bright magic answered. Healing magic, rising to the surface as if it had been dormant in his blood. He had no idea how to use it, how to do anything other than will it with a simple Save him. […] He willed that lovely, bright power to keep healing Ketos, though. (Ruhn’s magic, hofas)
Similarly, the Asteri pooled and imbued their magic in Wyrd to warp her purely creative magic. 
The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced…those, too, my parents would turn to their advantage. (hofas) - Those of us who ventured here found ways to amplify that power, thanks to the gifts of the land. We pooled our power, and imbued those gifts into the Cauldron so that it would work our will. We Made the Trove from it. And then bound the very essence of the Cauldron to the soul of this world.” (hofas)
Is it possible Elain’s sleeping buds, as a mirror of Wyrd’s original magic, represent what remains dormant, tethered?
“Or maybe it’s dormant, as the Cauldron is now asleep and safely hidden in Cretea with Drakon and Miryam. Her power could rise at any moment.” A chill skittered down Cassian’s spine. He trusted the Seraphim prince and the half-human woman to keep the Cauldron concealed, but there would be nothing they or anyone could do to control its power if awoken. (acosf)
In the scene above, Cassian and Rhysand are discussing Nesta’s powers. We learn that they aren’t dormant, which makes sense; they seem to represent the magic that the Asteri imbued into Wyrd to become a tool of death and destruction. That magic might be feeding off of Wyrd’s creative powers like a parasite and keep her half-awake, like the Fae in Midgard and, perhaps, the healing land: 
It was all so still, yet watchful, somehow. As if she were surrounded by something ancient and half-awake. As if each peak had its own moods and preferences, like whether the clouds clung to or avoided them, or trees lined their sides or left them bare. Their shapes were so odd and long that they looked as if behemoths had once lain down beside the rivers, pulled a rumpled blanket over themselves, and fallen asleep forever. (acosf)
Ancient, half-awake, behemoth. These terms are also used to describe Wyrd. The word behemoth in particular is associated with a primordial chaos monster in mythology and may be yet another potential hint that Chaos is Hel’s name for Wyrd.
The Under-King lounged on a throne beneath a behemoth statue of a figure holding a black metal bowl between her upraised hands. […] “And she,” the Under-King went on, gesturing to that unusual depiction of Urd towering above him, “was not a goddess, but a force that governed worlds. A cauldron of life, brimming with the language of creation. Urd, they call her here—a bastardized version of her true name. Wyrd, we called her in that old world.” (hofas)
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As they walked up those steps and entered a space that was a near-mirror to temples back home—indeed, its layout was identical to the last temple Hunt had stood in: Urd’s Temple. […] “The Temple of Chaos is a sacred place,” Apollion said sharply. “We shall never defile it with violence.” The words rumbled like thunder again. (hofas)
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But the Cauldron. As if some great sleeping beast opened an eye. The Cauldron seemed to sense us watching. Sense us there. (acowar)
@silverlinedeyes, @offtorivendell, and I believe Wyrd saw Elain as a kindred spirit and gifted her the language of creation with the hope that she could be the key to her freedom, her healing in body and spirit. Those original creative powers could include a deep connection with the earth (earth magic), divine sense (seer abilities), fluid form and movement (travel and shifting), and healing, pure life and world-building power. Elain might already be testing the boundaries of that creative magic, learning to shape it into different things (explaining her mysterious appearances).
Elain may also need to bring her sisters together to help Wyrd. They represent the three faces of the Mother together and have been marked by her from the beginning of the series. When Feyre physically healed the Cauldron with the help of Rhysand, she cupped her hands and became the first face of the Mother. Nesta became the second face of the Mother when she healed Feyre and Nyx with the Trove. And the healing lake appears to hint at Elain's role, the third face of the Mother:
Nesta cleared the hill that Cassian had mounted ahead, and a sparkling, turquoise lake spread before them. It lay slightly sunken between two peaks, as if a pair of green hands had been cupped to hold the water within them. Gray stones lined its shore. (acosf)
This is our first earthen depiction of the Stone Mother. Someone with green fingers or a green thumb is skilled at gardening. Gardeners provide gentle order to pure, blossoming life with their green hands. And we already know, thanks to Rhys and Feyre, that Elain won’t hesitate to get her hands dirty—stained green, even—for a pretty result. 
When Elain's creative magic rises in her story, will it flow like a sparkling river, unfurl like a bloom, to awaken the soul of the earth? Could it soothe Azriel’s icy rage and bring true spring and healing to Ramiel, softening its sharp angles when its heart, Wyrd, is finally restored? Only time will tell.
Forgotten
The land is also described as a place time had forgotten and, as I mentioned earlier, it's where Azriel shared the story of Nephelle—the one who had been passed over, who had been forgotten—while he tended to Feyre's wounds after a fall during flying practice.
Nephelle, who had been passed over, who had been forgotten…She outraced death itself. […] And yet her too-small wingspan, that deformed wing…they did not fail her. Not once. Not for one wing beat. (acowar)
Nephelle wanted to be a warrior, but was turned away due to her small wingspan. So, she made herself indispensable as a cartographer and excelled at finding the most geographically advantageous positions for their armies. And now that hofas has been released, we know earth magic can be used to locate the best geographical locations:
…those with earth magic were sent ahead to scout lands [...] Not only the best geographical locations, but magical ones, too. They could sense the ley lines—the channels of energy running throughout the land, throughout Midgard. They told the Asteri to build their cities where several of the lines met, at natural crossroads of power, and picked those places for the Fae to settle, too. But they selected Avallen just for the Fae. To be their personal, eternal stronghold.” (hofas)
Those with earth magic are deeply connected to the land and their creative power flows freely in places where the natural magic in the land is untethered. Is it possible Nephelle excelled at finding the best locations because she possessed earth magic? And could that come into play in the next story if Elain possesses earth magic as part of her creative powers?
Despite being perceived as weak, Nephelle outraced death itself with her small wingspan to save Miryam. Her miraculous rescue inspired the Night Court's philosophy toward training: 
I raised a brow. Azriel shrugged. “We—Rhys, Cass, and I—will occasionally remind each other that what we think to be our greatest weakness can sometimes be our biggest strength. And that the most unlikely person can alter the course of history.”  “The Nephelle Philosophy.” (acowar) 
We saw this philosophy in action at the final battle with Hybern when Elain raced against death itself and appeared out of nowhere with Truth-Teller to protect her family. Like Nephelle, she was and still is passed over, forgotten.
Elain is pleasant to look at, her mother had once mused while Nesta sat beside her dressing table, a servant silently brushing her mother’s gold-brown hair, but she has no ambition. She does not dream beyond her garden and pretty clothes. (Nesta's memory of Mama Archeron, acosf)
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"Go back to Feyre and your little garden." (Nesta to Elain, acosf)
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Elain said, "Then I will find it. I might require some time to...reacquaint myself with my powers, but I could start today." "Absolutely not," Nesta spat, fingers curling at her sides. "Absolutely not." "Why?" Elain demanded. "Shall I tend to my little garden forever?" When Nesta flinched, Elain said, "You can't have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater." "Then go off on adventures," Nesta said. "Go drink and fuck strangers. But stay away from the Cauldron." (Elain and Nesta's exchange, acosf)
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Elain in black was ridiculous. Yes, she was beautiful, but the color of her long-sleeved, modest gown leeched the brightness from her face. It wore her, rather than the other way around. And he knew the cruelty of the Hewn City troubled her. But she hadn’t hesitated to come. When Feyre had offered to let her remain home, Elain had squared her shoulders and declared that she was a part of this court—and would do whatever was needed. So Elain had let her golden-brown hair down tonight, and pinned it back with twin combs of pearl. He’d never once in the two years he’d known her found Elain to be plain, but wearing black, no matter how much she claimed to be part of this court…It sucked the life from her. (Cassian's observation, acosf)
These quotes hit differently with the release of hofas. @offtorivendell and @willowmeres seem to be on track with their theories that the warped magic of Hewn City affected Elain's creative magic. What if she reflects the magic of the land around her, and when that magic is warped or tethered, her physical appearance mirrors it? Is this another sign she will be able to use the language of creation to unearth Prythian’s secrets, forgotten by time? And maybe, like the legendary Nephelle, the things that Elain is viewed as weak for—her little garden, a symbol of her care for and connection to the land, and her appearance, a reflection of what was forgotten—actually become her family's biggest strength.
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her-hands-and-teeth · 7 months
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The Moon in Her open Sky
The womb of the forever deep Earth
And the fire of Awen that reaches
Its fingers of light
To bring them together
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waterdragon1995 · 7 months
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The ‘Thanks, Now I Feel Awful’ Genre
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