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ineffable-suffering · 6 months

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The Jane Austen Ball and why it was never about Nina and Maggie

Otherwise known as (*takes a deep breath*): A completely inflated close-up look at various dialogues and events of Season 2 that prove that the Whickber Street Traders and Shopkeeper's Association Meeting Cotillion Ball was supposed to be Aziraphale's confession to Crowley

Look, the point's been made before but that's never kept me from making it myself again, still. In fact, even I made it before, at the end of one of my other metas. But I feel like it's absolutely worthy enough to get its own soppy, way-too-long post. And I do love it so very much to write ridiculously long essays on something that could easily be condensed into a short paragraph.

So, here we go! Snuggle up, get cozy, settle in and, most importantly:

(Word count: 3.177 | Reading time: ~13 minutes)

As I already said above, I laid out a similar case in my meta about why Aziraphale is somewhat of an unreliable narrator. I'll try and recycle it here briefly, so I can further make my point.

When Aziraphale arrives back in London from his Edinburgh journey, he seems oddly happy and giddy for the fact that he just had a rather odd and threatening encounter with Shax. I explain in my other meta that this is because he just spent the last hours of his drive reminiscing on the thrilling and romantic magic show adventure of 1941 and also the fact that he just found out that Crowley has been replaced by Shax and no longer works for Hell.

Ergo: We have a hopelessly lovesick Principality at our hands, who's practically swooning over his serpent who saved him, his books and his magic show all those years ago.

Ergo:

✨This✨

Realistically, Aziraphale should probably be a tad worried about the eery encounter with Shax, in which she definitely had the upper hand on him. But well, if you spend many-a hours driving across the serene countryside (Edinburgh is about an 8-hour drive from London), pondering on one of the craziest, sticky-sweet romantic adventures of your not-life life, well ... things tend to turn a little rosy around the edges. Head in the clouds and all that. Light shades of grey!

Alright, onwards: Once the angel, filled to the very brim with fond memories and butterflies, gets out of the Bentley, he's kindly met with a face full of verdant plants and a very in-character-grumpy Crowley.

Fhwack! Way to burst the rosy bubble.

Seriously, the absolute lightning speed with which Crowley storms out to vacate the bookshop the very second Aziraphale arrives makes me giggle every time.

Let's make a first small (who am I kidding) diversion into analysing the following conversation in unnecessary detail ...

... simply because I enjoy quoting dialogue as an accurate reference in my metas. I'll also highlight certain passages I want to comment on in individual colours so I can back up my thoughts with them below. Alright, their little chinwag goes as follows:

Crowley: "They you are! I was worried something might have happened to you." Aziraphale: "No, nothing happened to me. Very uneventful journey indeed. No strange things at all." Crowley: "Good. That's what we wanna hear." Aziraphale: "Um .. everything okay with- ah.." *nods to the bookshop* Crowley: "Oh, yeah, fine. He's singing to himself. I think he must have been asleep. I heard snoring coming from his bedroom–" Crowley, to the Bentley: "Did you miss me? I bet you did." Aziraphale: "... I'm sure it did." Crowley: "So, any more clues from the mystery of the missing archangel?" Aziraphale: "Not exactly. Or, if there are, I haven't yet cracked the case. But I'm certainly hot on the trail of something." Crowley: "I'm sure you are. Oh, by the way, the whole sudden rain and awning thing was a complete washout." Aziraphale: "Sorry?" Crowley: "You know, project making Nina fall in love with Maggie. I failed, it's your go." Aziraphale: "I see. Well then, Whickber Street Traders and Shopkeeper's Association Monthly Meeting, here we come!" Crowley: "You're really hosting the meeting?" Aziraphale: "Absolutely! And I can guarantee you, it will be a night to remember."

At first glance, this has little to do with the plot of this meta but actually, it folds into my point very nicely! However, it's not time for that yet, so we'll just state the facts as they are for now and then bring them back 'round later when we need them. That being said: For the love of Someone, will these two ever manage to simply tell each other the truth of what happened instead of thinking they can protect each other by lying about it all the time? Hrmpf. As a big fan of open communication myself, I'm close to developing a stomach ulcer with the amount of false truths being spewed here. (Then again – and yes, that is another, way larger meta I'm currently cooking up – it plays so very perfectly into the whole Jane-Austen-Pride-and-Prejudice tragic miscommunication theme that this entire Season has, so I understand the point of it.)

Very uneventful journey indeed, Aziraphale, except for the fact that you were ambushed by a demon who told you she was Crowley's successor, knows about the rumors of the two of you being an item as well as what went down in 1941 (that almost had both of you exposed) and also seems to have figured out where you and your demon boyfriend are hiding Gabriel, all in the span of about a minute. No strange things at all, nooo!

And Crowley's "Oh yeah, fine" is a total lie too. Again, we see him make an absolute run for it before Aziraphale can even enter the bookshop. After all, he just once again witnessed Jim have a Gabriel-flashback, speaking of the Second Coming, while Crowley was alone with him. As fumingly angry he is with the amnesiac archangel – he's also absolutely terrified of what might happen (to him and Aziraphale) should Jim regain his memories. So, no wonder he's quick to vacate the premises after witnessing Jim's rather eery memory flashback (and was, just like Aziraphale, threatened by Shax mere moments later, lol).

But no, nothing out of the ordinary happened to either of them. Tip-top. Absolutely tickety-fucking-boo.

Alright, let's get back on track with the actual topic of this meta. Certainly hot on the trail of something, hm? At first glance, it might seem like Aziraphale is talking about the fact that Gabriel was in company of someone whenever he went to the Resurrectionist Pub. (The clue!) However, I don't actually think he is talking about that. Why? Because, and this slipped my mind too at first, he never actually follows any of this information up, does he? Yes, sure, he went to Edinburgh, found the capital-c Clue and then returned to London. But what does he do with it? Nothing. He doesn't keep investigating this hot trail because that's not the important thing he realized during his journey. No, the more important clue Aziraphale found during his trip, is that Crowley no longer works for Hell and that he is also very much irrevocably in love with him and must confess this at the earliest given chance. (The latter part isn't necessarily a new discovery for Aziraphale, but it surely is fuelled by the fact that he just realized Crowley's out of a Hellish job and simply hasn't told him yet.)

This exchange just the perfect indicator for the fact that Aziraphale, at no point during his drive back, was thinking about the Maggie and Nina mission. He has no idea what Crowley is talking about once he mentions it and seems surprised, even, that he would. Even though they just talked about it on the phone when Aziraphale was still at the graveyard. Which is another important piece of evidence because it means that the last status update Aziraphale got of Mission Lovebirds, was that Crowley had sensed an opportunity to make them fall in love – and had then hung up on him. Why is this important? Because it means that until that very point of their conversation, Aziraphale did not know that Crowley's attempt had failed! There would have been just as much of a chance of Crowley's weather miracle actually working out and Maggie and Nina already having skipped into the sunset happily ever after.

So, riddle me this:

Why would Aziraphale spend the entire ride back from Edinburgh plotting "a night to remember" (because clearly, he already had the entire Ball planned out down to a T in his head since he goes into action right away after arriving) if he didn't even know yet that Crowley's attempt had failed?

To be very clear here: We're not talking about Aziraphale driving on the M1 to London, having a silly little idea for putting on some good music, miracle-ing Nina and Maggie to dance to it and watch them confess their love–

No.

He planned an entire actual Cotillion Ball with very particular location design that involves re-arranging the entire bookshop, specifically designed individual outfits for (almost) every single attendee, topped off with a live band, hors-d'œuvre, drinks and an actual choreographed group dance.

During one car ride.

Where's the party planner Aziraphale AU? I'm waiting!

Now, sure, we know that it's still quite important for Aziraphale to convince Heaven of the faux-reason they gave for their accidental ✨25-Lazarii miracle✨. But if we're all honest, this all seems to be a tad much just to make two random humans fall in love, even for that.

Glittery ball gowns and suits? Red and gold wall curtains? A modified language filter? Bloody vol-au-vents?

Talk about over the top ...

Once we start S2E5, Crowley is still surprised at the mere fact that Aziraphale is actually planning to organize the Monthly Meeting – and he doesn't even know yet that it's gonna be the most extravagant ball-boogaloo that the Whickber Street Community has ever seen! Aziraphale wanting to organize the meeting alone, is enough to render Crowley incredulous, because Aziraphale never mingles with the other shopkeepers. He usually actively avoids them and any sort of social encounters as much as he can because he doesn't care about the bloody Christmas lights, alright?

These things seem mundane and uninteresting to him, obviously, since all he really cares about is hoarding his book collection in peace like the little hedonist he is and drawing as little attention as possible to his none-business business.

Oh, right, speaking of books:

Let's take another unnecessarily detailed look at the whole Whickber Street invitation scene:

Aziraphale realizes very quickly that he's not the only one who's quite unenthusiastic about the blessed Chritsmas lights. And despite his very persuasive methods of temptation ...

... he has to take some more drastic measurements. And those are?

That's right: Giving away his books.

I'll repeat it again, slowly: Aziraphale is willingly (!) giving away or lending his books to pretty much complete strangers to, allegedly, make two other humans strangers fall in love.

Seriously, who is that angel and what has he done with our prim, fussy, hedonistic Aziraphale that protects his books with the vice grip of an eagle carrying his precious prey?

Believe in the importance of Mission Lovebirds as much as you will, but we're talking about Mr. A.Z. Fell here who, over the past millennia, has pretty much spent every day actively working out methods to stop people from purchasing as much as a single paperback from his holy shelves.

And yet: the 1965 September Dr. Who Annual? Given away. The first edition of Expert at the Card Table that was S. W. Erdnase's personal copy? Lent away to grubby human hands to fondle around with.

Let's do another coloured dialogue diversion (don't worry, it's not as extensive as the last one):

Crowley: "You just did what I think you did?" Aziraphale: "I'm not prepared to talk about it." Crowley: "You gave away a book." Aziraphale: "I had to! Maggie and Nina are depending on me. They just don't know it yet."

Crowley backs up my point: This is a huge deal. Aziraphale does not sell his books – let alone give them away for free. We're all shocked! Flabbergasted!

And the explanation Crowley and us get just ... doesn't satisfy. Something and someone sure is depending on this Ball and doesn't know it yet. But it's most definitely not Maggie and Nina, folks.

You know for whom Aziraphale would give away his books in the blink of an eye, though?

Mhm, that's right.

This pretty old serpent.

I want to take a minute to show you the reaction again that Aziraphale has upon entering the very same magic shop him and Crowley went to in 1941 to acquire the Bullet Catch:

You ... you need a minute there, angel? You're sure looking a little ... affected.

And I mean, well, no wonder. He reminisced about that very memory four hours last night. To him, this shop is where the most turbulent, ecstatic, adrenaline-fuelled and romantic night of his life began. And it shows.

I've made my point in my other meta series about how Aziraphale is an incredibly nostalgic character. He romanticizes so many things in his memories – especially the parts that feature Crowley. So, it doesn't surprise me in the slightest that he's once again willing to loosen the tight grip he has on his book collection to get the successor of Will Goldstone's Magic Shop, the shop that started it all for him, to come to his fancy Ball.

As we watch Aziraphale and his little lap dog demon pat around Soho, I'd like to take another second to point out that he goes to seven or more establishments before he even invites Nina.

... and he only does so because she starts talking to them on the street. Almost like he'd forgotten about it. Why not ask her at the very beginning? To establish whether or not he'd have to book-blackmail her too?

"Perfectly ordinary invitation with no hidden agenda of any kind", except that he's using you and Maggie as a pretence to resolve his own clusterfuck of a relationship-miscommunication Jane-Austen-style so that he can then hopefully confess his undying love to his demon not-boyfriend boyfriend.

Marvellous!

You'll forgive me another short diversion but my God, the whole exchange at the Marguerite's restaurant with Crowley literally cat-call-whistling Aziraphale over to him (and Aziraphale checking if he meant someone else first, I–)? I am weak. So, so weak and

However, this is also when we get a snippet of Crowley finally revealing the truth in place of his "Oh, he's fine"-lie earlier and telling Aziraphale that he's actually pretty scared Jim might turn back into Gabriel and smite him altogether. And Aziraphale's response is, in a cosmic sense, (remember the pink paragraph now) so hilarious:

"Have you thought of just talking to him?"

Yeah, have you? Have any of the two of you? Just thought about talking? To each other? About anything?

'pparently not. But hey, it's all good because remember what the ultimate remedy for star-crossed lovers simply misunderstanding each other is?

Bish, bash, bosh, problem solved!

Back at the ballroom bookshop, Aziraphale sends Crowley to invite Maggie in order to, in my opinion, not spoil the Ball-y surprise for him. (Inviting Maggie only now?! Wouldn't she be one of the only two guests who really should attend? Why the short notice? If she's really that important for the Ball you're planning, hm?)

On top of this, we see Nina almost not attending the Ball meeting after her partner broke up with her and Crowley being the one who coincidentally runs into her and ushers her into the bookshop before Shax and her "legion" of demons start creeping up on them. Again, if this hadn't happened by pure coincidence, Nina would have left to go home and this whole Ball would have taken place without her, rendering the apparent sole purpose of making her fall in love with Maggie useless.

Why doesn't Aziraphale care more for both of them to attend and be there? Why is he instead busy fussing over everything looking perfect and wonderful and doesn't even seem to notice that both Nina and Maggie are really late to the meeting?

Well. Well.

The answer's in the title, babes.

Alas, Crowley safely gets Maggie and Nina to join them, Mr. Brown is the only one who doesn't get a miracled outfit (fussy, petty angel, you just don't like him, do you?), Jimbriel stuns with glamour and flirt (and whatever sexually suggestive thing he does with his cheeks) and the Whickber Street Ball is a-go!

Sorry, I just had to chuck this in again because Crowley's face here absolutely kills me every time. He looks so confused, I am hollering.

And the heart eyes Aziraphale is making at Nina and Maggie now that they're actually here?

Oh, bless it, angel.

He's all like "Oh look, it's working! Jane was right! It's all going to be resolved, all the misunderstanding and quarrels! Crowley, where's Crowley–"

Ah yes, there he is.

Ladies and gentlemen, this is an angel who is not listening to a single word being said right now. No, in his head, Aziraphale is already down on one knee, pouring his heart out to Crowley after they just danced the night away.

Oh, yes, right. The dancing.

Parallel much?

But well, as marvellous and beautifully romantic as her stories tend to be, it turns out that Jane Austen isn't always right after all. Because before we know it, the perfect night shatters into many-a tiny pieces (literally).

And once again, fhwack:

... the rosy bubble bursts.

Let's take one more deep breath so I can make my final point:

In S2E2, Aziraphale explains to us very exactly what Jane's Balls (hrhr) used to be about: Solving miscommunication and confessing love to one another.

During his car journey back from Edinburgh, Aziraphale:

doesn't know Crowley's Mission Lovebirds had failed

remembers 1941 and just how badly he's in love with Crowley

and also realizes that they seem to have been wildly miscommunicating for quite some time now. (Crowley didn't even tell him he basically got let go!)

So, what does maddeningly strong love plus a want to resolve all the miscommunication equal? That's right: A night to remember! A Ball to change it all! A dance, a vol-au-vent, a confession. And, ideally, a happy ever after. Because:

“It is a truth universally acknowledged, that a single man angel in possession of a good fortune Jane Austen collection, must be in want of a wife demon husband.”

The Ball was never for Nina and Maggie. As a byproduct, maybe, yes. But the whole rest of the glimmer and glamour, the careful, romantic planning and set up of it all, the book-bating the other shopkeepers– that was for Crowley and Crowley only.

And oh, if only it were as easy as in the books.

*whispers* I'm sorry, I had to.

***

Your honour, the tinfoil-hat crackpot defence rests. Feel free to share thoughts (and prayers) if you want to!

Au revoir! 💗

#good omens season 2 #good omens #gos2 #go2 #good omens 2 #good omens meta #good omens s2 #crowley #aziraphale #ineffable husbands #my own meta #the bloody vol-au-vents made me do it #aziraphale has balls #truly #jaune austen ball #it is a truth universally acknowledged that this show is going to drive me out of my mind #azi just wanted his silly little love confession #but then he had to surrender the angle #bummer

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n-s4kayaky · 6 months

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𝔹𝕦𝕘𝕘𝕪 ℍ𝕖𝕒𝕕𝕔𝕒𝕟𝕠𝕟𝕤! (ℕ𝕊𝔽𝕎 + 𝕊𝔽𝕎)

warnings: Mentions of female reader, not safe for under 18! (The Buggy that I am going to use for these headcanons can be either from LA or Anime.)

a/n: I love making headcanons about characters I love, so here are a few ideas about Buggy!

Soooo I think we all think the same thing, which is that this man's body hair is the same color as his head hair. I think he takes good care of it, meaning he trims it and doesn't let it get too wild. I see that he has some hair on his chest, forearms, and what I like the most, the happy trail ;)

Speaking of hair, Buggy takes VERY good care of his long blue hair. I'm sure this man has a private shower full of all kinds of shampoos, conditioners, hair nutrition, etc. Besides taking care of it, he LOVES to have it combed, especially if it's by you. I can imagine him asking you to comb his hair after a hard day of work where his crew has pushed him to his limits. He'll sit on the bed with his back to you and let his hair down so you can comb it. He'll LITERALLY melt under your hands as you brush his long and silky hair, and don't even get me started if you massage his scalp.

I think that Buggy HAS to have some tattoo, such as a skull with clown details. The most likely place I see the tattoo is on his back or biceps

OH MY GOD, THIS MAN HAS A DAD BOD AND NO ONE CAN ARGUE WITH ME. He has muscular and well-worked biceps but also has a cute dad bod. Why does he have it? Easy, I explain it below

Well, Buggy surely celebrates ABSOLUTELY everything, I mean, any little thing is celebrated with food and drink. Did they rob a village? It's celebrated that same night. Did a show go well? It's celebrated that same night. He loves to eat and drink, I see it in him, especially if there's some celebration involved.

Continuing with the hair topic and the fact that he likes you to comb his hair, it adds that he loves you to do different hairstyles. Would you like to make him a ponytail? "Go ahead, darling!" A braid maybe? "All yours, sweet cheeks." How about curling his hair? "I love it, doll!"

I feel that once Buggy falls in love with you, he becomes COMPLETELY obsessed, I'm not kidding. Buggy will be with you most of the day, or rather take you anywhere so that he can be with you. Due to his insecurities about his nose, he is VERY jealous. I can perfectly see him appearing behind you in a few seconds, putting his hands on your waist and kissing your neck while looking challengingly at the other man. Buggy has arrived and is marking his territory, which is you.

Buggy is the type of partner who ADORES you, I literally think he will treat you as if you were a goddess or some kind of deity to him, and let's not talk about how he would react if you adored him just like he does to you.

Obviously, this man will make thousands and thousands of sexual jokes in any situation, no matter what is happening. He can tell you while eating, while alone in his office, or while you are helping with an essay for his show. He loves to see how nervous you get with his words

Buggy is someone who likes to give nicknames, especially to you if you have a romantic relationship with him. Even before it's officially something, he probably gave you affectionate nicknames like "Honey," "Doll," "Dear," "Sweet Cheeks," etc. I don't know if I'm correct, I just read this, but supposedly each OP character has a nationality assigned by Oda, and if I'm correct, Buggy is French. Soooo, it's possible that he will call you some affectionate nickname in French, something like "Mon chéri," "Ma chérie," "Mon coeur" (Sorry to French speakers if any of this is mistranslated). He will probably also tell you in great detail in French how he's going to fuck and destroy you, but just laugh when you see your confused face because you don't understand.

He loves cuddles, he loves being in your arms and feeling your beautiful hands give him love and cuddles on his face, hair, and body. He sleeps snuggled up next to you, and every chance he gets, he hugs you and presses you against his body to feel its warmth. He simply adores you and adores every part of you with all his soul

I am sure that he spoils you in more than one way. If you are part of the shows, you will be the first to receive words of affirmation from him. He won't stop telling you how incredible you were, how good you were, and that you are undoubtedly the star of the show (behind him, clearly). While he showers you with affection, he won't stop yelling at and scolding others who have been in the show for the slightest mistake. Apart from that, he will give you anything valuable or expensive, from jewelry, clothing, costumes for the shows, shoes, lingerie, to makeup and anything else that comes to mind or you ask for. He is a captain and you are his little and beautiful partner, obviously he has to give you everything, no matter how expensive it is, and take care of you.

I see him as VERY protective, and apart from that, thanks to jealousy, he cares a lot about you. He will be attentive at all times. If you feel a little unwell, he will quickly be shouting and grumbling for a doctor to attend to you. If you get hurt, he will pick you up and be glued to you at all times. He won't leave you alone for a second.

I think a lot about how people smell, and from my point of view, I think Buggy would smell like a mixture of ash because of his cannons, saltwater, whiskey or alcohol in general, a touch of wood, and a slight hint of his body musk.

Well, I think that Buggy loves to eat his partner, he loves the idea of your thighs pressed around his head while he has his tongue deeply buried between your wet folds. He will drink from your excitement as if it were the best drink ever created by man, he will always look for an excuse to eat you. If he could, he would simply feed on your excitement and could be eating you for a whole day. More than once he has asked you to sit on his face and you have agreed, but always with that fear of suffocating him, he always responds with "Darling, if I have to die, I would be more than honored and satisfied to die suffocated thanks to your beautiful thighs and with my tongue full of your delicious wetness." Eventually, if you are sitting on his face while he eats you, you will always keep your hips a little afloat to avoid sitting completely, to which Buggy will take your thighs and force you to sit completely.

I think we all know that this man uses his Chop Chop power with you in quite sinful ways, he will easily detach his cock from his body and choke you with it, letting you feel how it fills your throat and how his balls hit your chin while saliva drips from your mouth, staining everything. Your mouth won't be the only thing he fills, he will bury himself deeply in your wet vagina and fuck you while he watches you being fucked with his own cock just a few centimeters away from you. One day he may wake you up by fucking you and when he finishes, he will leave his cock buried in you for the whole day, using it to prevent his precious semen from dripping out of your beautiful pussy.

He releases a lot, but that LOT of cum, he will fill you with a good load and you will feel how he drips all day from inside you (Unless his cock is being used as a plug so that doesn't happen) When he cums in your throat you always have to swallow little by little to avoid choking, and believe me, When you start swallowing you think you're never going to finish

He loves to brand you, he has to proclaim you as his own, so he'll leave hickeys along your neck and collarbone, in plain sight for anyone. Apart from bites and hickeys he loves to spank you, he loves to see your cute red and burning butt, full of marks on the palm of his hand due to his spanking. Obviously, because of his love of eating you, you'll have red thighs thanks to his face paint; but Buggy won't let you clean them, what's more, he'll let you wear a short skirt that day so that everyone can see the marks of his makeup on your cute thighs

I think it's a bit Voyeur, I mean he loves shows, especially if it's about you! I can see him sneaking into the room you're in and every time he catches you masturbating he falls silent as he watches you, feeling his cock harden under his pants at the sight. He will also ask you to voluntarily masturbate in front of him more than once, standing in front of you in a chair while his eyes do not leave your body and his hands separate from him to caress your soft skin

He curses a lot during sex, while he's fucking you hard against any surface near you he'll be whispering all kinds of lustful things like "My little slut… Always pleasing me so well." "I adore this greedy little pussy you have, so tight and always sucking me so hard" "Fuck, you love to please your captain, isn't that my sweet little slut?" "Look how your pussy drips because of me, so adorable..".

During kissing I feel like he's drooling a lot, you always fill each other with saliva during a nice hot make-out session, having your lips moist as well as your chins while half of Buggy's lip makeup has smudged and smudged your whole face

If at any point while he is eating strips of his hair he goes completely wild, he will attack your pussy mercilessly and rip you out of you at least more than 4 orgasms in a row, all in order to get you to pull his hair again

He loves to overstimulate you, loves to see how you turn into a small babbling mass between his hands and how you can't think about anything other than him or his cock. Love to see your thighs trembling and filled with both fluids mixed together, your clever little mouth nothing but meowing and moaning as you spew incoherently and drool

This man has to have at least a slight kink towards the knife set. He will always ask you beforehand if you are okay with it and will put a word of security; But he'll love being able to run the cold steel of his daggers across your soft skin, past your stiff nipples until delicately fiddling with your. It will leave some scratches, not very deep, only small marks, unless you ask it to be harder, in that case it will create small cuts and if it has the opportunity it will make its initial on your soft skin with the help of its dagger

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annabelle--cane · 7 months

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I guess the thing that makes me not so fond of Jon's addiction allegory is that it's only coherent to a certain extent? Like I think people sometimes forget that he's actively violating these people

anon, through no fault of your own you have accidentally hit upon my sleeper agent trigger phrase. I have layers of answers to this.

so first off, yeah, it's not a 1:1 direct metaphor, it's a soupy dream logic fantasy plot device with flavors of a lot of different things. there's quite a lot of addiction in there, there's some abuse of power, there's some cyclical nature of trauma, there's a dash of disability, there's a few notes of gendered violence, there's a good bit of just. violence violence and being kind of a motherfucker because goddammit it feels good to be an active agent about something in your life, even if it's just choosing to be a worse version of yourself than you strictly need to be. a lot of tma's worldbuilding is very allegorical, but apart from aspects of individual statements nothing really matches up quite 1:1 with a real world counterpart, and if more things did then it probably wouldn't be a fantasy show anymore.

secondly. okay to contextualize this answer a little bit I have a kind of hypothetical video essay project about vampirism and addiction that I like to spend a few hours thinking about every so often but am almost certainly never going to make because the full research burden required is a lot higher than I actually have the time to properly do. but because of that I've spent a lot of time sorting through why framing vampires as addicts really works for me in a way that it doesn't seem to for everyone, and I think a lot of my thoughts on that also apply to jon. there's going to be a bit of a detour here before we get back to talking about tma, but we'll get there, I prommy.

I've seen a lot of people take issue with various paranormal addiction allegories because, a lot of the time, the act that is meant to metaphorically represent the act of use itself is something that is directly and inherently harmful to others, e.g. drinking human blood, handing over power to your hedonistic Evil alter ego, holding the cursed amulet and going crazy going stupid, slurping trauma out of the head of some guy you ran into on a boat to norway, etc., and yeah, I do get that. substance use is not inherently harmful like that to anyone except sometimes the user themself, and addicts are not inherently fucked up and destructive people; those are dangerous stereotypes that often lead to the demonizing of a whole group of sick people.

here's the thing for me, though: those are definitely truths I want explored and represented when it comes to portrayals of non-allegorical actual addicts, but fantasy fiction isn't for showing the world as it is, it's for showing a subjective fun house mirror version of reality where certain aspects are minimized and magnified depending on how it feels to live through it. and yes, absolutely in real life drug use is not an inherently evil act and it does not make you an inherently evil person, but... doesn't it kind of feel like that? sort of? absolutely no one is living their best life nor on their best behavior while experiencing any kind of major mental illness episode, and when it comes to addiction you've got a very clear tangible symbol of when The Episode is happening that it feels like you have much more control over than when it comes to other illnesses. it's also a thing where people are a lot more likely to be openly angry and distrustful of you if they find out it's happening. so you mix together the ideas of "I know I get worse as a result of doing this one specific thing" + "I act less like myself when I'm using, it rearranges my priorities and I care less about hurting people because that's what happens when you're experiencing The Horrors" + "society at large/people directly around me are pretty quick to say that doing this is evil," and you get the subjective emotional result of "I hurt people by using and it makes me monstrous." I tend to respond to those kinds of paranormal allegories like they're just cutting out the middle man of those subjective fears. "using makes me monstrous" -> "using is monstrous."

anyway. jon archivist.

don't get me wrong, I totally understand if this aspect of metaphor doesn't gel for some people and they only like taking it exactly as far as the text explicitly makes them, but I really get a lot out of reading jon's connection to the fears as addiction precisely because he does genuinely awful things to people as a result of it. he's a person in a very bad physical and mental place with little to no support who is constantly being told by both allies and enemies that he's already a monster just by being alive, and he copes with that by secretly falling further and further into an compulsive act of consumption that skews his priorities and makes him care less about hurting people because at least sometimes getting to be the cause of pain makes him feel a little bit less powerless when he has to be the subject of pain the rest of the time. then he's found out and is made to stop, and he has to grapple not just with the physical toll of withdrawal but with knowing there is a not insignificant part of him that will excuse any act of malice if he knows he'll feel better afterwards.

the end of tma is very explicit in the fact that the rules of its world are shaped by the subjective worst fears of those who live in it, it's "an exercise in unreliably reality" as jonny sims put it once, and I think that principle extends backwards in some ways to apply to the rest of the show. I don't think the fact that there are only entities of fear and not hope or love is meant to be a full commentary on the total nature of the real world, it's a reflection of what fear and suffering can make the world feel like. eric and melanie both go to really harsh extremes to extricate themselves from the fears and live peaceful lives, and in both cases something happens that foils their plans (getting murdered + the apocalypse, respectively), but I don't think the intended message is to say that is definitively how real life works, they are metaphors for the limits of individual agency in larger systems and represent two types of worst-case-scenarios. similarly, I don't think reading jon as an addict implies that addiction inherently involves violence or that the reactions of those around him were completely unjustified, it's just a subjective exploration of the kinds of fears that can come with addiction dialed up to 100.

#also to be clear after the first paragraph I'm using 'you' in a general sense not directly to You The Anon Who Sent This #I'm not trying to insinuate anything about whether You The Anon Who Sent This does or doesn't have any experience w substance use #tma #answered #anons

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mickyschumacher · 7 months

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NGL I LOVE UR WORK... ive been hopping thru ur m.list since the last hour.... its currently 1 am and i have an essay to finish before 8 am(im sure my prof will give me more time ik dey love me) anywasy i was wondering if u could do an enemies to lovers with Lewis((like really hated eachother)the reader could be a driver its oky don mind what she does) and then they were arguing abt sumting lewis says something thats completely out of the line and she starts crying in front him then he just kinda leaves her be, a few days later he would go on then apologize to her abt wat he said and then more fluff. (just ignore this if ur not into it or not takin a request at the moment. but im actually just hapi i kind of got the courage to ask u for a request also ur stories are soooo good i admire and envy u at the same time.)

𝐑𝐈𝐆𝐇𝐓 𝐖𝐇𝐄𝐑𝐄 𝐘𝐎𝐔 𝐋𝐄𝐅𝐓 𝐌𝐄 .ೃ࿐

𝐒𝐔𝐌𝐌𝐀𝐑𝐘: as lewis's former teammate, there are lines that shouldn't be crossed. but a bad move from lewis puts him completely out of line.

𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒: enemies to lovers trope!, poor humour, some fluff, in depth moment of an alternated 2021 wdc (apologies in advance), therefore ANGST, bad race jargon, horner and masi discussed :(, mention of intermittent explosive disorder, misogyny, allusion to racism (not from the reader ofc!), shitting on the fia for a bit, lewis kinda being a dick for probably an unfair reason lol, a proclamation of feelings from sir lewis himself

𝐏𝐀𝐈𝐑𝐈𝐍𝐆: lewis hamilton x red bull!driver!fem!reader

𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓: 3k+

𝐀/𝐍: you're too sweet to me! 🤧 i couldn't tell if you wanted this to be romantic but i went that way in the end! hope this was good! ♡︎ very very loosely based of swift's 'right where you left me'. but if you argued it wasn't, i would be inclined to agree. proof-read...ish?

𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓

⋆ •°. 。 .°• ⋆

No one ever truly understood your move to Red Bull. It was in 2019, far from when Max was practically living on pole, so Red Bull wasn't exactly a threat to Mercedes, your previous team. Toto had even put a three-year extension on the table several months before your contract came close to expiring.

Yet you had chosen to sign with the devil.

When the commentators, journalists, and fans took a closer look at your decision, the only thing they could all collectively agree on was that you had moved to Red Bull because of Lewis Hamilton. Because you both couldn't keep your differences aside and Lewis had finally struck your last nerve.

While you weren't quite sure about the last part, the first was true. You had Lewis had never ever exactly met eye-to-eye. Every F1 driver had a specific style of driving. You liked to call Lewis' the 'calm before the storm'. He raced with a composure and maturity that most drivers did not hold. He was particularly calculative and the everyone loved him.

You, on the other hand, had given yourself a new nickname along side 'Flash 13' because you did everything in a flash: you overtook ruthlessly and calculated, you pushed the car till it was undrivable, and you were decisive to the very nanosecond. But you had also garnered yourself the name 'IED', after the behavioural disorder.

In part this nickname was due to the misogyny you faced as the only current female driver in F1 but also due to the sheer anger that bursted out of you whenever you encountered Lewis.

The amount of warnings Toto had given the both of you was simply endless. He had even resorted to putting you two with the team therapist.

The source of your hatred for each other was as clear as day. You hated Lewis' arrogance because somehow it was even worse than Rosberg, Alonso, Räikkönen, and Verstappen. And Lewis hated you for your 'perspective'. You didn't know what he initially meant by that but you regretted asking him. He said you needed to be stronger to be in F1 and that you were far too soft-hearted. Right after you had gotten your first ever pole.

It was ridiculous, to say the least.

No F1 driver was soft-hearted. You were all, simply put, a bunch of dicks. Not literally, of course. Naturally, following that comment, Lewis had pissed you off. He hadn't even had a second to know you before even making that judgement. It was ironic as well, considering your nickname that labelled your anger.

After watching Lewis win several championship titles with you following multiple places behind and seeing you only get angrier with each other, you had decided to call it quits for Mercedes. If people were going to take your annoyance and frustrations with amusement, you were going to head to the angriest team of all and leave your former team fuming.

Two years later, in 2021, you had finally gotten the perfect opportunity.

You hadn't really a clue how exactly Red Bull had made the 2021 car so well that you were matching the speed of Mercedes' car but you didn't care. You were matching Lewis. And Christian Horner was a happy man. A sexist prick but a happy man nonetheless.

Pole was either Lewis' or yours. Either he was a Grand Prix winner or you were. It was a game of cat and mouse, always in a constant pursuit of each other. The same went from your team leaders, Toto and Christian, who practically had the race director, Masi, on speed dial.

And by Abu Dhabi, you were equally tied, locked at 369.5 points. It hadn't been easy after getting penalised for multiple incidents against Lewis, but you were here. Lewis was trying to get his eighth championship and you your first.

You weren't sure how this was going to end. Heck, no one could've predicted what happened that day. But all you knew was that you were not going down without a fight.

You secured pole in Abu Dhabi which had put the entirety of Mercedes and F1 on edge. After a discussion with your engineer and several strategists, you had opted for soft tyres to further your advantage over Lewis.

Despite all of that, it was Lewis who had led the first corner after those red lights had gone out. It was only by turn six did you even get a lead. But it was a moment too short as your former teammate regained his top position by going off into the damn run-off area of the track.

You didn't need to scream in annoyance. You couldn't hear Horner, but deep down you knew he had already called up Masi, demanding an investigation. Your engineer reported to you that the stewards had dismissed it. The gap between you and Lewis was getting bigger, the race was coming to and end, and you knew you needed a miracle towards the end of the race if you wanted to win.

And that miracle was called Nicholas Latifi. The poor guy had crashed into Mick and the safety car was out on the tracks. Thankfully, they were both okay, but the timing of it was simply impeccable.

You had pitted to get new soft tyres and Mercedes was on the fence about heading to the pit lane in fear of the race restarting. So Lewis didn't pit. Miracle 2.

You re-joined the track with five lapped cars in between you and Lewis. And soon enough, Race Control had given the dooming message: lapped cars were not allowed to overtake.

The taste in your mouth was bitter. You had cussed out Horner, asking why you were even seeing these lapped cars in front of you.

Then came Race Control again: only the five cars in between you and Lewis were allowed to overtake. Miracle 3.

But of course, F1 had a flair for the dramatics. Because you were fucking restarting. Putting you and Lewis on a tight show-down for the final lap.

The bad news? Lewis hadn't pitted yet.

The good news? You could overtake Lewis. Miracle 4.

And the headline? You won.

You fucking won.

You were F1's first female champion in history.

You made history... or, well, herstory?

Yes it was controversial. Yes it was dramatic. Yes, questionable decisions had been made.

But you won.

By the time you had gotten out of your car and finished with screaming and crying in pure happiness, you had finally caught a glimpse of Lewis.

A small part of you felt bad. You knew for a fact, that these decisions weren't 'human error' as the FIA would go on to claim the following year in Bahrain.

It was entertainment. It was business. It was money.

You had both worked so hard this year. But the fight between an F1 driver breaking the record for the most championship titles and the first possible female champion in F1 was too good to resist.

Things between you and Lewis after Abu Dhabi hadn't gotten worse. You just talked far less than you normally did. You barely argued with each other anymore. It was disconcerting to say the least. Especially now that you were struggling to match Max's pace, always coming second or third as per the instructions of your engineer. For a moment you thought, what was the point of winning if you weren't going to win again?

━━━━━━━━━━━

You were still determined. Beating your own teammate would be hard. But you weren't a stranger to the idea. You had spent years trying to beat Lewis while purposely being the support for him to win. They were two actions they didn't go together but it had happened.

That being said, the venture was proving to be more difficult than you anticipated. In fact, it had caused a full collision with Lewis in the first lap of the Qatar Grand Prix.

You were so focused on beating Max you hadn't taken a second to look around you.

"What the fuck was that?" Lewis' voice invaded the air as he barged into your driver's room, ridden with sweat and still in his racing gear.

"Look, I'm sorry okay. I didn't see you. It was my fault. End of story," You told him curtly, not really wanting talk to Lewis any further.

"Damn right, you didn't see me. You could've taken me or anyone out! Are you so fucking stuck up your ass that you couldn't see me?" Lewis asked incredulously.

You scoffed at his accusation. It was true. But you didn't like when the truth fell from his lips... especially not when they sounded like that.

"Lewis, drop it. No one got hurt. Let's just move on okay?" You queried, annoyance dripping from your voice.

"Why? Can't handle the truth, L/N?" He laughed gently, almost mocking you. "Right... you were always like that."

You snapped your head towards him, raising a sharp brow. "Excuse me?" You spat as if to say he was becoming dangerously close to crossing a line he did not want to cross.

Lewis folded his arms, shrugging nonchalantly. "What? You don't like the truth. It's simple. I told you that you need to be stronger because you're too soft-hearted. And you hated that. And now that I'm telling you that you're selfish, you obviously can't handle it."

"Oh my God, you are one to talk. Lewis, you are so blinded by your arrogance that you can't see anyone else win. That's why you can't accept that I won right?"

"Not Abu Dhabi, aga–"

"Yes, Lewis, Abu Dhabi again. You are so fucking sour about losing that even when the hate targeted me, you let it. You let them say that my win was due to race and gender. Me, Lewis, out of all people, me."

No matter your differences, you had stuck up for Lewis on many accounts when it came to the FIA, 'fans', and haters. But he wasn't there for you.

You could see dark expression fall onto Lewis' face. "That's not true, Y/N."

"Then what was it Lewis?" You flailed your hands in exasperation. "Because you sure as hell didn't come to my aid."

"Because you didn't deserve it!"

You blinked blankly, arms falling to your side. Your mind took a minute to process the words that had fallen from his lips in mere seconds.

Lewis' face dropped as realisation struck him. What the fuck did he just say? "Y/N, I–"

"Get out," You grumbled.

Lewis did a double-take on the fresh line of tears accumulating on your waterline. He took a step closer to you, hands reaching out. "No, no, no, Y/N, I–" But your words made him stop.

"Lewis, get the fuck out of here before I start screaming like the bitch everyone thinks I am."

You watched Lewis return his hands to the side, clenching his jaw tightly as he made way to the door of your room. He stopped briefly, hesitating to open the door, taking one last glance at you before leaving.

━━━━━━━━━━━

Four days.

You had pondered in deep thought for four days. And after 72 hours, one thing had become obvious to you.

Lewis wasn't with you or any of the other drivers. He was still in 2021, right where you had left him. Not a second had gone by for Lewis where he hadn't thought about Abu Dhabi.

What if he had just pushed for Bono and Toto to get him in that pit lane?

What if he had veered the car a little to the side and you didn't overtake him?

Lewis was still reliving the worst moment of his career and his life and everyone had moved on. Sure, every fan and commentator talked about it time to time. But it was something of the past.

To say you didn't deserve your championship title... you had heard it from several 'fans' and insignificant others. But to hear it from Lewis? It fucking killed you.

You cared about his opinion more than anyone in the world. And he knew that.

You would've never said anything as shitty as that to him or anyone for that matter.

You had worked your ass off to get to F1. Fuck, you had won F2 two fucking times because no one was willing to let a girl on their team... into a man's sport. Every driver worked hard to a certain degree. But you were a girl who didn't grow up with the means of driving yourself to your death every day. If everyone worked hard, you had worked ten times harder.

Everyone knew that you and Lewis had fought. And by the looks of it, they also knew it was far worse than your normal fights. You wouldn't look at him, you refused to speak to him, you spent minimal time in the same room, you had even paid your media fines in full to avoid everyone...

Max had even become some sort of bodyguard, telling Lewis to turn back around when he neared the Red Bull garage.

All of this protection, and yet, he had still found you in your favourite place. The one you both came to when you needed to become level-headed. The top stand of any empty Grand Prix, in this case the México Grand Prix, where the air felt a little bit cooler against your heated skin and you could think for even it was for just a second.

You sucked in a sharp breath, seeing Lewis in your periphery while you were firmly seated. He looked nervous, chewing on his bottom lip and taking cautious glances at you.

"Hey," Lewis greeted, making you raise a brow at his lame entrance.

You forced yourself to look at the rest of the empty seats in front of you. "Hey," You mumbled back, trying to swallow the bitter taste in your mouth.

An unsettling silence enveloped the both of you. You were sure Lewis was here to apologise. But you could also tell he just couldn't bring himself to do it. Not in a selfish way. But in the most guiltiest way possible.

You sighed. "How are you?" You asked gently, peeking out of the corner of your eye.

Lewis winced at your question. Leave it up to you to still be this kind after what he had said to you. "Sorry. I'm so so sorry," He rasped, voice raw with the pain that had been gnawing away at him ever since those god forbidden words had left his mouth.

You nodded slowly, taking another deep breath. "I know you're going to call me soft-hearted but what you said really fucking hurt, Lew," You jested with a brief smile.

Lewis grimaced at your poor humour, before his ears perked up at the old nickname you had given him when you first started getting on each other's nerves. "I know. I'm an idiot for saying something like that. Or that you're soft-hearted. You've worked so hard for all of this. You absolutely deserve everything and that win was only the first of many, I'm a hundred percent sure of it. Your Dutch shortie doesn't really know what's coming."

You gave him a tight-lipped smile after huffing in amusement at his diss towards Max. "Thank you," you told him earnestly. "Although, I am quite positive he is like almost ten centimetres taller than you. But, thanks anyways."

Lewis rolled his eyes. "Have you seen me? You don't think I give off tall energy?"

"You mean tall in insults?" You joked, grinning at the blank look on Lewis' face.

Lewis sighed. "I really am sorry. I didn't mean any of it. And by 'it', I mean all of the insults and fights. I was just disappointed in myself. Even more so that I didn't stand up for you. I'm so sorry."

You drew your eyebrows together, turning your body to face him. Confusion filled you. "Then why did you say it at all?"

"I–" Lewis blew out a small laugh. "Are you sure you want to know?"

"Lewis, can you not see me dying here? Like a whole kitchen set of knives in my back?" You deadpanned.

Lewis rolled his eyes again. So dramatic.

He brought his hands together, staring at you briefly before looking at the empty stand. "Well, obviously, I heard of you before you joined Mercedes. I thought it was ridiculous that you had to get two F2 championships to get a seat, but anyways, I digress. Toto told me, he was considering you even though you had never been in the junior team.

And I remember just being so fucking jealous of you. Toto was consumed by you. He and Horner had been fighting for your seat for so long and now that they finally had an open seat, it was chaos. Toto won, obviously. And then we met each other in person for the first time and I thought you were the most beautiful woman in the world."

You felt your heart begin to race and your skin heat at the sudden proclamation. "You... you what?"

Lewis smoothly glossed over the compliment. "And then we had our first quali together and you beat me. You got pole on your first race. So you were talented and beautiful. A crime, might I add.

And so when you came to tell me, you were so excited with all your talent and beauty, I was pissed. Because out of all things in the world, I had gotten an amazing competitor I was bound to feel for. I thought that by saying you were soft-hearted and all, it would get on your bad side and it would make me less attracted to you. It didn't. It got worse while it got easier to pretend to hate you."

You blinked blankly at him, cheeks aflame. Lewis Hamilton liked you. Your stupid teammate? The same one who's eighth championship you arguably took? "I'm sorry... hold up, we've been fighting for years because I'm a hot, talented, gifted, smart driver and you're a simp?"

Lewis squinted his brown eyes at you. "I did not include all those adjectives."

"I mean... that's basically what you said," You shrugged, flickering your eyes to the setting sun.

Where did all the damn cool air go? You wondered, pressing your hands to your flushed cheeks and feeling your soft palm absorb the molten lava known as your skin.

Lewis chuckled, picking up your flustered reaction quickly. He watched as you suddenly stood up. "Okay, well I'm... I'm going to meet Hugh and find a way to beat Max. See ya!"

Lewis paused, grabbing your wrist. "Wait? What? You aren't going comment about what I just said?"

You eyed his hold on your wrist: it was searing you. You turned to him, lowering your head to meet his gaze. You briefly looked down at his lips before looking back up. "I think I prefer hating you."

Lewis felt you press your lips on his cheek before walking past him. He watched your retreating figure, your kiss feeling heavy on his face, putting him right where you had left him: absolutely and utterly smitten.

#mickyschumacher #f1 x reader #f1 x you #f1 fanfic #f1 imagine #formula 1 #lewis hamilton #lewis hamilton x reader #lewis hamilton x you #lewis hamilton imagine #lewis hamilton fanfic

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bluberryfields · 7 months

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"David is very easy to fall in love with." - Michael Sheen

Hi. How are you? Good, I hope. Okay, so can we talk about just how fucking beautiful David Tennant is? And by “we” I mean “I” and by “talk” I mean “babble incoherently into the void”? Great! I’ll attempt to impose a bit of organization on this just to satisfy my pathological need to inflict structure on words (thanks college/job/brain), but I can’t promise much. Also, there will be A LOT of pictures and gifs. (you’re welcome?)

And this isn’t just because I am deep in the bottomless well of Good Omens fandom and that Crowley is basically the most breathtaking creature that has ever existed. Well, not just because of that.

*cue Aziraphale's "good lord" from 1793*

ANYWAY, like a lot of people, I became a fan of (i.e., fell deeply and irrevocably in love with) DT during his run as the 10th Doctor. He was young and bright and full of just about everything – joy, sorrow, wit – making him incredibly watchable. His look was also so charming: big bouncy rooster comb of hair, absurdly cheeky smile, expressive-as-fuck eyes and eyebrows, and a tall, lanky form that seemed to be made of rubber and the kind of granulated sugar that could only be found in candy from the 90s that are now banned in all first- and second-world countries.

So yeah, I was super into him and his Doctor’s adventures. And I continued to watch him in other projects and still swoon (looking at you, slutty Hamlet)

even at characters where that was not the desired reaction (fuck you, Kilgrave, you delicious monster).

I would also always become a bit (a lot) weak in the knees at his voice regardless of which accent he took on, though always preferring him doing any Scottish brogue because of fucking course.

youtube

Roll that tongue, you sexy beast.

But what I want to get into today is just how incredible he looks in the year of 2023.

He’s 52 years old and I am somehow even more attracted to him. Maybe it’s because I am myself older, and my tastes have matured alongside? I certainly do enjoy gray hair way more than I did 10 years ago.

He’s aged incredibly well, probably a combination of good genes and good health, and he’s clearly not clinging to the Hollywood idea of “youth”.

(insert obligatory grumble about the double standards of men being praised for aging and women being demonized…the potentially problematic nature of the term “aging well” in general…acknowledge this with my enlightened brain but ignore this with my slutty heart…fuck the patriarchy, etc. etc.)

He’s still tall and skinny, even gangly at times, all long arms and legs that can move in impossible directions with unfathomable grace.

His face is leaner, that incredible bone structure creating sharper edges that draw the eye. Speaking of the face, he’s got these creases on his forehead and at the corners of his eyes and mouth that are evidence of time spent well: smiling, laughing, living. Makes you want to trace your fingertips along each one.

Oh god that smile? Good lord. It’s weapons grade charm that can also be quite intimidating. Sweet, humble, silly, scary…full spectrum of options here! His shark smile is the definition of “irresistible” in my Dictionary of Delicious Dudes.

I am both proud of and grossed out by my own word choice.

Continuing with that face...the hawkish nose, the dimples you want to drown in, the big eyes, those motherfucking eyebrows...

I could seriously write a whole essay about those eyebrows, but I already give my therapist enough to worry about.

Oh those eyes. “Piercing” is a term usually reserved for blue eyes, but I would argue it applies to DT’s bottomless chocolate pools in that they slice through my heart every damn time.

Honorable mention does go to those Crowley snake eyes because they could have been distracting and diminishing to his overall look, but they absolutely are not.

Such a pretty shade of yellow.

Random tangent to swoon about his hands. For whatever reason, I like checking out a man’s hands, and DT’s got a set that drives me wild. I can’t even really explain why, but I just really like the way he articulates with them. Crowley is a perfect example, what with the miracle snaps, caressing globes, and holding whisky glasses. Yum.

Delicious demon digits

Fresh tangent: How does this fucker look good clean shaven, with stubble, and a goddamn beard? How is that allowed?

He's got a face that makes me wanna take up sculpting

Further, how is his fucking neck so hot? Like, seriously, show me the math. I can’t stop staring at it. And when it’s cloaked in a turtleneck? Please, sir, may I have some more?

Fuuuuuuuck

With no segue whatsoever, I am absolutely obsessed with his hair, across all contexts. Big, bold, blood-red Crowley coifs (especially in Season 2)? Check.

Proper gentleman side part? Check.

Side shave with cartoonishy springy 14th Doctor shock? Check.

Lockdown locks with and without headband? Check!

It’s a goddamn buffet of delicious options.

Oh damn speaking of that 14th Doctor look? Good fucking Christ on a buttery Ritz cracker. The whole DT collection is on display: the hair, the eyes, the bone structure, the smile, the clothes, and even the glasses!

To quote Pam on Archer, “I swear to god, you could drown a toddler in my panties right now! I mean, not that you would.”

Now that you (I) mention the clothes, I never cease to marvel at how he can wear pretty much anything and look amazing. Stripes, patterns, wild colors, etc. He just always looks…not exactly comfortable, but sort of at ease like the clothes were created with him in mind. And this goes across the spectrum of Casual to Costume to Promotional (e.g., interviews and premieres).

They are almost illegally cute together

We all know by now how ridiculously tight those Crowley pants are and how it influenced his signature serpentine swagger (thank you, Costume department, you’re the real heroes). That said, he and those slinky hips still looks so incredibly natural in them like they came from his actual closet.

Stupid sexy snek

And he pulls off the look of more ridiculous stuff like full Shakespearean costumes or that sad gray-hoodie-black-shorts-and-Wellington-boots combo from the first season of Staged. He somehow gives off the air of “whatever, they’re just clothes, man” while also looking like a damn model.

Georgia is a very lucky woman

Final thoughts: I know DT dislikes talking about how people think he’s so attractive because I’m sure it feels a bit icky if you just want to live your life and do your job. But my guy also clearly understands that he’s not some ghoul who has succeeded on incredible personality and acting chops alone. So, that said, maybe he'll forgive me for posting such a long, rambling, ode to him?

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fieldofdaisiies · 5 months

Text

professor! Azriel x Reader

a long time ago I got an professor!Azriel x Reader request and I kind of forgot about it. I am so sorry, but thanks to a very inspirational conversation with @moonlightazriel and @brekkershadowsinger I decided to finally write this little thing hehe enjoy, hope you like it💛

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Azriel is extremely passionate when talking about his subject - Literature

you are practically bound to his lips, you can look away nor not pay attention

he has a certain way with words that just captured you

especially when he is speaking in another language, quoting poems or simple phrases

his voice alone will make your knees feel wobbly

and God, when he traces his index and middle finger over the spine or a page

during the lecture your eyes will often meet, just quick, subtle glances, that speak volumes

he loves it when you challenge him

he makes a statement - "and that’s why woman were not allowed to write back then"

just to get a reaction from you, just see your determined and vigorous side, just to see you argue and challenge him

you get extremely temperamental and Azriel loves this

of course he smirks while listening to you

when writing an essay he will help you, giving you support, providing you with literature, guiding you into the right direction

your hands will always accidentally touch, and you will steal more glances at each other while you stand next to his desk and go over your essay together

when correcting your tests or homework and you did well you will always get a little message saying "good girl, did so well on my exam, let’s see how I can reward you"

when you give a good answer in class his eyes will slide to you, and a barely there smirk will tug at his lips, the sparkle in his eyes full of sensual promises

and God forbid when you don’t show up to class - the pretty little reminder he leaves on your ass in form of his hand print will never make you stay away from class again

the more your relationship develops the more time you will spend together outside of university

he loves taking you to libraries further away so no one sees you

you love reading together and later analysing the books

sharing sweet little kisses in between while steaming hot cups of tea sit nect to you

you love rainy cosy days the most knowing you will spend them inside with him, cuddled in bed together, raindrops sliding down the windows, scented candles being lit

you will cook together, always somehow touching, hugging or sharing quick kisses

in class you will still (of course act all professional) apart from the subtle glances

he loves it when you call him sir especially when you do so in the bedroom which leads me to…

NSFW

Azriel loves bending you over his desk after class, taking his time with you, prasing and worshipping you for how well you did in class

he loves fucking you on his desk until his name rolls of your lips and bounces of all the walls in the lecture hall

sometimes he takes you atop all his books and papers just because he can’t wait any longer to be buried deep inside of you

while correcting tests, he will often keep you in his lap, his cock buried inside of you and don’t you dare move

he also loves to eat you out while you read to him either his or your favourite book

he will whisper the filthiest book quotes into your ear while making love

and you love to send him dirty texts while he is in lectures sometimes even adding a pretty little picture, knowing it will get him all flustered and aroused

also knowing you will get your payback when he gets home

#azriel x reader #my mind is in the gutter #our mind is in the gutter #azriel #acotar #acosf #azriel x you #azriel headcanons

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adyophene · 1 month

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lucifer x husk is something i never knew i needed and as a multishipper im screaming

literally. king of hell x some alcoholic furry guy

i love them i need to know how they wouldve met, fallen for each other and started dating. and how much thatd piss alastor off

Ooh I am so happy other people are enjoying this pair as much as I am! I've gotten a few asks about my headcanons for them, and I am happy to blab on and on. Fair warning. This is gunna be a long and rambling essay.

I'm gunna put it all under a readmore, just cause I want to insert the art I've done of them so far, since I've been half-heartedly trying to tell a visual story through the doodles.

Okay. On we go!

How they met;

We did see them technically meet in the show, where they shared their singular canon piece of dialogue, which was just Husk saying 'hey'. And then in the finale where we see a literal split second moment of Lucifer holding Husk's arm.

(also seeing the sweet looks huskerdust is giving each other here just makes me feel so delulu for writing this all, but crackships are silly by definition, so lets get back to the lucihusk) For me, what I imagined, is after the Hotel is finished its rebuilding, that is when Husk and Lucifer finally actually meet in a proper manner. I think Lucifer would be trying to make a good impression on all Charlie's friends at this point, endeared to all of them from their actions during the finale. Unfortunately, I think he is also the King of Bad First Impressions.

[Note. I think at this point Lucifer wouldn't even remember Husk's name quite yet. I think he would call him 'Keekee' ( by accident) or 'Dusk' (confidently incorrect) or just be like "Hey!.... Uh... You?" until Charlie or Vaggie finally corrected him. ]

Husk, on the other hand, I feel like maybe wouldn't gel with Lucifer right away. Wouldn't hate him, but also maybe not be enamored with him right away. Same as Lucifer, maybe he would have sweetened on him a bit through the hotel's rebuilding, but I think they'd start out at very neutral feelings. Maybe a vague sense of 'He's okay, but I don't know if we will really get along.'

Despite this, Lucifer is persistent, and he's going to be everyone's (except maybe Al, unless they start getting along by s2) buddy. He'd start hanging around the bar and participate in the redemption exercises.

Now, we know Lucifer struggles with depression, and I think he would be trying real hard to mask anything going on during this time. They defeated Adam! They rebuilt the Hotel! He believes in Charlie's dream, and he's more involved with her life and other people than he has been for years.

His only issue being Husk sees right through it, both because Husk is perceptive, but also because even the King of Hell can't help but have a lonely night or two at the bar where he ends up venting about his divorce and subsequent lingering loneliness.

[snapcube ref aside, )I really do think Husk would start to feel more positively toward Lucifer after Luci would drop the act somewhat. That they could bond over feeling both at their lowest of lows, while also being to admit that things seem to be getting better!

This would be about the point that I imagine Lucifer developing more romantic feelings! Husk would be a bit less prickly, and Luci would just absolutely eat up any and all positive interactions they'd have. I like to picture a lot of little shows of care at the this point, like Husk memorizing what Lucifer likes and even making up 'fun' drinks just to try and cheer the guy up. And Lucifer would fun a fun game in trying to get the grumpy cat to smile, and just, lighting up himself any time he was successful.

And that culminating into the two of them making each other laugh, with Alastor being an easy butt of the jokes, and a good way for Husk, himself, to finally get a chance to vent. I think Lucifer would be one of the only 'safe' options for Husk to do that with, in just so far as Al can't really threaten Lucifer, and Lucifer already sees Al as a bit of a manipulative bastard.

Falling for each other; At this point, Lucifer would start being a bit more caring toward Husk, though with that wonderful, oblivious flair of his. I don't think Lucifer himself would realize he'd have a crush up until he'd start feeling protective or jealous over Husk, and it would really throw him for a loop at first.

Because fake dating is one of my all-time favorite tropes, I have always had a idea for a fanfic (or comic) that I haven't gotten around to yet, based around Lilith coming back, and Lucifer panickily asking Husk to pretend to be his boyfriend, so he can appear well adjusted/completely over her. Of course the whole thing would backfire, as Lilith would see through it (as Lucifer wouldn't be as good of an actor as he'd think), and that Husk would end up kind of feeling hurt by the whole thing.

Husk, who'd go along with the plot with an eyeroll, would find himself seizing up through the whole fake date/encounter. Would find weird, sudden emotions bubbling up and absolutely hating it.

I don't think that man would think about the class difference between him and Lucifer up until someone would say something about it, maybe Lucifer himself trying to rationalize the (at this time still fake) relationship to Lilith. Now, Husk feels uneasy about the whole thing and ends up drinking heavily the whole night so he doesn't have to think about feelings. (Blitz and Stolas who? Ahaha. fuck.) Meanwhile, while the date would be fake, I think Lucifer would really rather like having Husk on his arm and feeling like he'd have a love-life again, while also not really getting why Husk's mood would be getting worse throughout the night. I think they'd still end up on good terms, but both of them would have their feelings in a jumble, and Husk would not like it. (he thinks he's lost the ability to love, after all)

I think somewhere at this point, as they are starting to develop feelings for one another, is when Lucifer finally starts really realizing how tied to Alastor Husk is, and he starts to make it everyone's problem. I do think Al and Lucifer would stay snarky at each other this whole time, but that it'd only get worse, as Al would poke back since he'd find Lu's over reactions funny.

I also think Al would be maybe the last person to realize anything romantic would be brewing between Lucifer and Husk, and he'd just think it'd be a purely platonic thing.

Beyond just bitching about Alastor, Lucifer would really be ramping up his attention towards Husk too. Fully in that 'puppylove/crush' stage, and trying his darndest to make Husk feel good and special. Husk would be resistant to it all, thinking it would just be Lucifer rebounding hard, and not wanting to get wrapped up in Morningstar family drama when he could happily (miserably) keep his head down and just keep drinking the days away.

But then Lucifer would find out about Husk's love of stage magic, and his history as a performer, and it'd be all over for the catman. It would become Luci's new pet project to rope Husk into some joyful self-expression, and after a song and dance number's worth of convincing, Husk would start to come around. I have to post all these images now cause- I drew them with the intention of mimicking a musical number! Husk starting off as a bit resistant before jumping in whole heartedly, and Lucifer overexcitedly dragging him along throughout the music number, hyping him up and just all around being smitten.

And this is where Husk would start really falling. Getting swept up in indulging his favorite, least destructive hobby, and having someone who absolutely loves it to bond with. Especially when it would be over. When they would just settle down and talk, and laugh, and bond over what they love about performing. The spectacle, the audience, the love of the craft. Its about the comradery!!!

@belladonazeppole wrote a wonderful series of fanfics based off these pictures, as well as the songs from 'The Greatest Showman' that really fit the ship! I would be remiss to not mention them here, because Bella and their fics are just wonderful!

How they started dating;

Now. Don't think just cause they both caught feelings for each other, that they'd immediately admit to it. No. I think both of them would drag their heels. I don't think Husk would admit to them at all, without some outside force effecting it. I think he'd stubbornly try to ignore the crush or drink it away, rather than let his heart become vulnerable to anymore damage.

Meanwhile, Lucifer would be struggling between his feelings for Husk and Lilith. (In the actual canon, I do think they might try to rekindle things, depending on what kind of person Lilith turns out to be, but I digress.) Part of him would be so swept up in a giddy kind of excitement, while the other would be set firmly in the camp of 'this is a bad idea, this won't work out, just look at what happened to your last relationship'. It wouldn't stop him from being outwardly more and more affectionate, but it would be weighing on him.

I do think Lucifer would end up being the one who would be thinking; "What am I doing. He'd never like me back." While Husk would be just sitting there (echoing what was said in the ask- sorry I went all wild and wrote this much about the ship dear god)- "I'm just some fucking furry alcoholic, what the fuck would the king of hell see in me??? Am I delusional? What the fuck is going on??" And I feel like this stage would go on for MONTHS and drive everyone else nuts. It would be clear to everyone (except Alastor, who again, would be just this meme

Though that wouldn't stop him from getting a little pissy about it) And then it would all come to a head during something benign, like a board game night. There would be flirting, there would be jealousy, there would be arguing, and then finally, loudly and with a lot of feeling, Lucifer would shout his way through asking Husk out on a date. A real Date. A capital 'D' date out on the town, dressed to the nines and a real good time. The board would be knocked over in the fray, game pieces raining down upon them while Husk would just stare blank faced, trying to process what just happened. An awkward half-minute would pass before he'd finally, trying to play it cool, shrug out a 'sure'.

How much it'd piss Alastor off;

In the aftermath, a radio static would just lowly grate everyone's ears as Alastor would be slowly coming to terms on how just annoying it would be to have his friend (/Unhealthy co-dependent pet friend possession??) romantically involved (ew) with the King of Hell (double ew)??? Then, either it would be something light hearted like 'he keeps trying to break them up but failing cause he hates interacting with romance' or a darker route where 'he keeps trying to manipulate them into breaking up by preying on all their worst insecurities in the relationship'.

And that, my friend, is all I have in mind so far for this delusional crackship au! There is more I could flesh out, of course, like Angel's role as a friend or potential third in the relationship, or what I imagine as Husk becoming like a stepdad to Charlie, but I've typed enough for the whole month. Hope any of that was coherent! I did not bother to edit or proof read it. Just pure stream of consciousness.

#not art #this is long #like really long #like don't open it unless you want 25 paragraphs about a crackship that like 12 people ship #royalflush #lucihusk

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its-your-mind · 5 months

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Some Thoughts on the importance of physical touch and connection for the Hells: A reflection on the new animated intro.

In general, I think the Hells are a really strange and special group, especially for a dnd party. They pretty much laid all their baggage on the table within the first week of meeting each other (What the Fuck is Up With That?) almost as a litmus test: "hey, here's all the shit that comes with being me, last chance to run away if that's too much."

and none of them did. and they all kept choosing to stay, even as shit got even weirder and more and more disturbing answers came to light. I think that continued choice from all of them - to stay - is what makes the bonds between the Hells so deep and so special.

okay trauma analysis and party dynamics is a DIFFERENT POST but it was all RELEVANT INTRODUCTION bc the CHOOSING TO STAY and the KNOWING EACH OTHERS' SHIT are like. key components to understanding why I am so feral about this. okay hopefully you will understand. the body of my essay is below. it has pictures. it got... too long. so. it went under a read more. yw. anyway click below if you want a very detailed analysis of an animated intro that is literally only one minute and thirty seconds long

For the first bit, character intros for Fearne, Orym, Imogen, Ashton, there’s no physical contact.

BUT. First intro of hells as a team. Ashton Trauma Flashback interrupted by laudna approaching slowly from beside him with her hand gently in front of him to signal her presence without startling him, and THEN just talking at them. Bringing him out of those flashbacks. Reminding him where he is and who he’s with.

And tbh? For Ashton? Touch is always iffy, so this is almost a more understanding and kind way to bring them out of the flashback. Just physical presence is good! UNLESS. (unless) first actual touch. Fearne stealing their coin purse, so gently that they don’t even notice it (FLIRTING THROUGH THEFT callowmoore my beloved)

(also grabbed the cap that shows her with his coinpurse these fucking ANIMATORS)

okay pt 2 FLYING OFF THE AIRSHIP

Ashton's first instinct and priority is grab laudna’s hand bc he KNOWS she is made of paper mache and he is ALWAYS watching out for her out of the corner of his eye bc she is breakable and he’s not gonna let her break bc he KNOWS what it’s like to be breakable and need someone to catch you when you’re falling but ANYWAY. he grabs her he uses his hammer as a fulcrum to throw her at Imogen

because OF COURSE he knows that the safest and most comfortable space for laudna is in imogen’s arms. and the two of them wrap their arms around each other and hold tight Superman style bc ofc they do and once laudna is in imogen’s arms she’s absolutely delighted by this whole situation bc OFC SHE IS

(tf do you mean I can’t add more than ten images on mobile UGH fine I’ll finish writing then draft and move to PC the images are IMPORTANT TO MY POINT anyway insert lesbians here) (note from future mind: I have decided that these pic descriptions i left for myself to grab the right images are fucking hilarious so they’re staying in yw)

Then fearne (who had been on her way in that direction already) swoops under Ashton to catch him as he flips over from the momentum so he can land on her giant bird back and she can fly him away.

(Pics: It’s fine to touch Ash if you’re saving their life)

(also not pictured: chet staying on the ship but losing his hat, orym grabbing it out of the air, imogen casting fly on fcg right before she catches laudna, fcg flying over to grab orym) All of this happens in six seconds by the way. One round of combat. These animators are fucking incredible.

BACK TO CHARACTER INTROS laudna who is ofc alone and in the dark at the bottom of the Sun tree, reliving her past…

(Pic: sad lonely laudna)

right up until Imogen puts her head on her shoulder, and the darkness burns away into light. She doesn’t say anything, or talk with laudna - all it takes is that physical reminder that she’s not alone anymore, that there is warmth, that she is surrounded by a family who loves her so much they chose to turn down comfortable beds in a lord’s manor so that they could join her in sleeping at the bottom of the Sun Tree. (Fav lil detail - fearne wrapped around Orym like he’s a teddy bear, and holding tight to laudna’s blanket to make sure she can’t go anywhere.)

(Pics: THE POWER OF LESBIANS AND FOUND FAMILY)

fcg. Fuck. Starts with their flashback, with their red eyes and their buzzsaw, but almost immediately we see Ashton reach out to grab their shoulder and Orym whip out a vine to tie up their saw.

(pics: reaching out even if it might hurt youuuuu)

Imogen goes on her knees and wraps her arms around FCG’s other side, and the rest of them all gather around him, holding him to keep him and each other safe, but mostly just grounding him in the present by surrounding him physically until the flashback fades and he’s once more aware of his surroundings.

(Pics: what the fuck they just need to be held)

(once shit has calmed down fearne uses this opportunity to pick Ashton’s pocket again. Flirting through theft).

(Pic: fearne is a menace to society)

final fight scene. fuck yes.

(Pic: IT’S THURSDAY NIIIIIIIIIIIGHT)

This is mostly just giving all of them room to be badasses (as they deserve) - but there are some things!! First!!

(pics: THESE WITCHES BE BITCHES minus fearne sry fearne we miss u but you are on fire and laudna is made of wood currently)

Imogen and laudna casting spells back to back, trusting each other to take care of what’s on their side. Inseparable, even in a battle where their party has scattered to fight other enemies.

BUT. The BIG thing though in this sequence. Maybe my favorite part? Idk I don’t have a favorite. But!! Orym. taking out four of Otohan’s shadow knights. then facing off against her personally!! And it’s one-on-one, because this was Orym’s task alone - to find the person who attacked his leader and killed his family. He’s angry, but mostly he’s honed-in and focused and determined. This is his mission.

(Pics: WHO’S JUST A LIL GUY NOW HUH)

But then, when Otohan pushes him back…

(Pic: fuck. shit. fuck. im. fine. anYway. them.)

FCG and Ashton are there right behind him, and they put their arms out and catch him so he doesn’t fly back any farther. And there’s this look of surprise on his face, because once he lost Will, he never expected there to be anyone else standing behind him, ready to catch him. And yet, here they are.

(Pics: fuck yes fuck yes fuck yes GOOOO ORYM!!!)

They give Orym a push forward and follow behind him, and he walks back towards Otohan with confidence. Lil grin on his face, brisk walking pace - he even does a little fancy sword swoosh! Because maybe he’s not strong enough to take out Otohan on his own. But the thing is, he’s not alone anymore.

(Pic: THEY.)

None of them are alone. And whenever any of them forget, or slip into old habits and memories, the rest are right there to reach out a hand to remind them.

Building a family out of broken pieces is difficult even without an apocalypse. But the Hells have shown each other, over and over and over, often with their actions even more than their words, that they really are dedicated to this family that they've built together. This intro fucking slaps so hard and the animators deserve so much praise for how incredible this intro is

#Tbh I could (and probably will) write multiple essays on the new intro but this is the one I love the most #no I’m not touch-starved what are you talking about #critical role #bells hells #c3e76 #cr3 #c3 #cr3 spoilers #c3 spoilers #bells hells intro #ashton greymoore #laudna #fearne calloway #imogen temult #fcg #orym of the air ashari #chetney pock o'pea #bells hells animated

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crystalflygeo · 1 year

Text

Sinful voice pt.2 ft “Morax”/Prof!Zhongli + fem!reader (modern AU)

cw/tags: Voice kink, daddy kink, dirty talk, female masturbation, oral and fingering implied but like it's just fantasizing?? petnames (sweetheart, babygirl, dear) Reader is DOWN BAD LMAO and suffers second hand embarrasment.

notes: EVERYBODY SAY THANK YOU @localplaguenurse!!They gave me a F A N T A S T I C idea that just inspired me to continue this wip and ended up not even being featured here yet but HEY... future p3!! //winkwink. That said I did NOT expect how much this would blow up and how ppl loved it and wanted more, y'all gonna make me giddy and/or cry pls (consider checking some of my other stuff too mayhaps? <3) Anyway I REALLY hope this delivers bc boi am I afraid of not meeting expectations vcgvhjbnjnmklal

Weeks had passed since your ‘big discovery’ and you still weren’t quite sure what to do with this information.

At first you chalked it up to just your imagination because… there was no way, right? Your new professor could just have a… similar voice… yeah… that was it.

Except the more you listened to his long-winded explanations the more you picked up certain words and intonations here and there and you knew you were just fooling yourself.

A lot had happened in these last few weeks, from organizing your new living space, to meeting your roommates, to grocery shopping, classes, and you had even considered the idea of maybe getting a part time job somewhere close by. There were plenty of small shops and places around the college campus neighborhood that not only offered valuable services to poor college students but also the opportunity to make a bit of money to help them out.

It had all been rather exhausting and stressing, exams, essays and projects were already starting too…

Lying back in bed you sigh and roll over, feeling the familiar faint throb of desire pooling between your legs, one you’d never really managed to sate with a person so much as with fantasies. But tonight, as you lay awake in bed aching for your usual touch, you feel conflicted.

Ever since that very first day you just couldn’t bring yourself to open up Morax’s website again. Hell, a new month had rolled over and you’d dutifully paid the subscription along with your other usual bills.

Part of you was itching for it, curious, frustrated.

And very very horny.

Thing is, your fantasies had often featured a faceless man, strong, imposing and dominating, taking you like a blushing maiden and making you beg for the pleasure he’d give, allowing him to do anything he wanted with your heated body. Now that man had a face… your history professor Mr. Zhongli.

You used to get off to imaginings of Morax tying you up and having his way with you, teasing you, fucking you into the mattress and making you cum over and over. Now it was Mr. Zhongli. Polite and courteous Mr. Zhongli with his refined gestures and well-mannered demeanor.

You wanted to cum, to reach that high and come undone and let out all the pent-up stress and frustration until you melted into a puddle and didn’t have to think about classes or money or life anymore, but the second your fingers began to rub at your clit, Mr. Zhongli’s voice would hit you with that even tone he used when scolding someone for gossiping during his lecture.

“Disgraceful behavior…”

A hot flash of shame burned at your face but for whatever reason it just turned you on more. You wanted to get fucked so bad you felt like you were going insane. You wanted that man to pin you up against a wall and thrust inside you until you turned into an incoherent moaning mess. You wanted to get bent over at his desk and filled up with cum until you were left gaping and oozing and told what a good girl you are. You wanted to get fucked on your hands and knees squirming and crying from overstimulation.

Lying in bed, you squeezed a pillow against your face and screamed.

You wanted to fuck your handsome history professor Mr. Zhongli.

-------------------------------------

It’s barely first period and you couldn’t concentrate.

You were sleepy, hungry and overall, in a bad mood. Standing in line at the cafeteria for a much-needed morning coffee and some snack you yawn and browse around your phone. Math. Gods you hated math.

At least you didn’t have history today. That was a whole other can of worms.

You figured you’d eventually have to get over it but it was just… so bizarre. Mr. Zhongli was quite the popular teacher, you’d learned. Extremely knowledgeable in various topics, a strict but kind and just teacher and good looking on top of all.

No wonder the upperclassmen flocked around him, probably half the campus lowkey had a crush on him, male and female students alike. It was genuinely a miracle he was not married or even had a significant other apparently.

And he was also Morax. Sensual dominating Morax who would just not leave your head-

“Good morning, how may I help you?” The cashier called out cheerfully and you pulled out of your thoughts.

“Morn-”

“Good morning.”

You gasp so sharply you almost launch into a coughing fit; your eyes widen and whole body tenses and oh shit-

Somehow you manage to trip and fall in the clumsiest, stupidest way possible.

“Woah-!”

“Miss?!”

Except you don’t actually fall, but someone manages to hold you, a hand grabbing your arm and the other pressed against your back steadying you as your poor brain goes into overdrive.

That voice!

It’s him!

Too close!

What is he doing here?!

Way too close!!

The seconds it takes for you to react feel like ages as you stare up at Mr. Zhongli like a deer caught in the headlights.

His hands are warm…

His cologne smells soooo good.

His eyes are gorgeous!

He’s so hot!!

“Are you alright Miss l/n?”

“I’M FINE! I-I’m fine!” You yelp, way louder than intended (or normal) and quickly scoot back to put some distance between yourself and the handsome professor. He picks up his dropped bag and dusts it a little, as well as his clothes, still pristine as ever. “I… think I got a little dizzy s-sorry I haven’t eaten yet and… yeah…” You chuckle nervously.

You see him frown slightly. “Going without food for long periods of time can be quite dangerous.” He states, obviously concerned. “Maybe you should head to the infirmary see Dr Baizhu, you look quite pale and the dizziness could be a symptom of low blood pressure. Do you have anything sugary to eat or drink?”

“I w-was about to buy something…”

“It might be best for you to sit down for the moment.” He nods, resolute. “Allow me.”

…And that’s how you end up sitting at one of the nearby small tables with a little glazed donut and a bottle of water, courtesy of your dear history professor.

You stare at the little treat in your hands, half eaten already as he insisted, at least your hands stopped shaking and some color returned to your face. Mr. Zhongli seemed content enough, sitting across from you.

“T-Thank you.” You mumble, refusing to meet his gaze. “How much was it? I’ll pay you back I have som-”

He sees you rummaging through you bag and raises a hand. “None of that, you needed it. I’m glad to see you’re looking a little better, please take care of yourself, health is very important.”

“Um, ok.”

Then he smiles, and it’s gentle, soft. “You’re Miss l/n, right? One of the new students from my history class?”

Huh?

“You didn’t do very well on the essay assignment…”

Ack. You sigh and take another bite of the small donut. “History is just… not my strong suit. Too many dates and names to remember.”

He chuckles and oh God who gave him the right to make that sound? Your skin tingles.

“Fair enough. I know my classes can be a little daunting, I’m very particular about certain topics and tend to ramble sometimes. But I can tell you really put effort into classes and pay attention to my lectures.” He looks pensive for a moment. “Let me propose something. I usually impart some private tutoring sessions to students on more advanced levels, but I could make an exception for you. If you have time available it could help lift your grades.”

You stare up at him in surprise, grateful to not have a mouthful of donut or you would have probably choked again like an idiot. Did you hear that right? A private tutoring session after hours at his office?!

Now that sounded like a title for one of Morax’s audios: Hot professor bangs his stu-NOPE.

“I-I’ll think about it! Sure.”

He nods and gets up, sparing a glance at his watch. “I have to leave now, please do consider it. And do try to eat at more regular intervals and take better care of yourself, you look quite tired.”

A polite way of saying you had marked eyebags, yep.

“I’ll try.” You mumble. Suddenly a little sad to see him go. “Professor… thank you.”

There’s that smile again, you could melt. “You’re welcome, my dear.”

----------------------------------

And yet that night, you’re once again rolling in bed unable to sleep.

My dear.

You couldn’t stop thinking on the whole incident, you’d certainly made a fool of yourself but the memory of his strong arms holding you, touch firm but gentle. The scent of his cologne that you wish had clung more on your clothes.

You really were down bad, this is ridiculous…

You bite your lip.

You shouldn’t. You shouldn’t.

Oh but you will, just one wouldn’t hurt.

Quite the opposite actually…

Unable to contain yourself (or your horniness) you take no time to pop in your earbuds and start scrolling. Hmm… there had been a couple new additions in these last weeks.

You can’t help but wonder why he does these. When. How. You never really considered or thought on it before, Morax has quite a lot of patrons (not a surprise) and thought you know nothing about sound and video recording or editing technically he’s making money just by using that honeyed velvet voice of his. That had to bring in some cash, right?

But then again, if you knew anything about these types of subscriptions it was that they required constancy and that meant hard work and dedication. Did he enjoy these? He really puts in the effort given the amazing quality…

You can’t help but picture your handsome professor unwinding a little after a long day, casual clothes, a cup of that tea he loves and setting up to record those dirty words and sinful moans.

Did he sometimes get worked up about these too? Did he also touch himself during or after recording a particular scenario? Sitting back slightly sprawled on the chair, brow slightly furrowed, stroking his co-

Aaahhhh you needed to stop thinking on him.

…

Yeah right.

“Daddy eats you out and prepares you for his big cock.”

Well, this looks promising.

The audio starts like many others, with some dialogue from him and setting the scene and oh… you had kind of missed the playful teasing tilt of Morax’s voice. You can’t help but chuckle lightly, this scene is so domestic. He calls you “sweetheart”, “babygirl” and there are the kissy noises.

You wish you could kiss him…

“Hmmm… daddy’s gonna get you nice and ready. Spread your legs for me.” Oh, you certainly do. “Daddy’s gonna get down here between them.”

You rub at your tights slowly, sensual, remembering his larger hands.

“Oh your little pussy is already so wet and swollen.” Morax coos, voice soft and airy. “You think it’s already ready I know.” He chuckles. “But you know daddy’s cock is big, yeah, your little pussy’s gonna need to stretch a little bit hm?” A kiss.

You whine.

“Shhh daddy’s gonna make you feel so good sweetheart.”

Lewd wet noises invade your ears and you waste no time starting to stroke yourself, slow and tender. He groans and sighs and you whimper, hips jolting from the bed.

Gods how was he so…

“Yeah… nice and gentle hmm, we’re gonna have so much fun.”

His words were a complete 180 from the long lectures about politics and wars, and yet, his voice…

“D-Daddy…” You sigh. “Please!”

“Oh I love how sensitive your little clit is… you like that babygirl?”

You rub and stroke at the little bundle of nerves and see stars already.

You were so pent up, so needy. Your orgasm was already building too quickly, mewling and whining at his words, his noises, trying to match the pace and follow his instructions.

“That’s a good girl.”

“F-Fuck-”

Your eyebrows furrow, your body trembles and you bit your lip to contain your noises. Morax warns you when he adds a finger, and after a few seconds another, chuckling low at how you clench, praising you, coaxing out your pleasure.

You can only picture him at the end of the bed, licking and sucking obscenely at your juices, pumping those slender fingers in and out, in and out…

That tantalizing voice teasing you, your fingers knotting that dark brown hair tipped amber, golden eyes staring up at you half-lidded but feral and fascinated. Focusing on you. Only you.

“A-Ah! Mhmm…”

“Now I want you to cum babygirl come on, in five… four…”

You stroke and pump faster, frantic, lost in that rapidly approaching high.

“Three… two…”

You cry out, a spark cursing through your veins.

“One… hmmm that’s it my dear.”

“Z-Zhongli…!”

He ushers you out of your release with soft words before saying something else, but your mind is floating and hazy. Your take off the earbuds and place them away catching your breath for a moment, arm draped over your face, the audio still has a long way to go but you’re drowsy and sleepy so you decide to call it a night.

It is only a little later, once you’re done with a quick cleaning and putting everything away, curled up under the covers and dozing off that you realize…

Shit.

You’d called not for Morax but Zhongli.

#genshin smut #zhongli smut #genshin x reader #zhongli x reader #zhongli x you #genshin imagines #genshin impact imagines #genshin impact smut #crys writes #fem reader #professor zhongli #man I really hope this doesn't feel rushed or forced vghbjnk pls I tried my best OTL I know the scene jumps are jarring but #fun fact 1 when I was in uni there was this one beautiful amazing french teacher that half the campus had a crush on #literally everyone loved her she was amazing she was not my bi awakening but boi she CEMENTED it #and it's funny bc literally like ??? girls and boys crushing HARD on her and she was bi and SINGLE and so kind and cool and around our age #anyway that's zhongli 1000%#fun fact 2 I once almost fainted at uni bc I had. in fact. not eaten breakfast or dinner the night before #and my blood pressure just dropped also bc the heat didn't help so rip I got better with a coca cola tho

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stagefoureddiediaz · 14 days

Text

Costume Meta 7x05

Hello, Hey, how we all doing??

Ready for another super long meta post??

There is so much to talk about this week - admittedly mostly Buck and Eddie related, but there is also plenty going on for Hen and Karen as well.

No Bobby this week as we only see him in uniform, and only the one costume for Athena as well. I also want to say that I am not doing any of the costumes from the Madney wedding that we saw at the end of the epsiode - I want to give them the space they deserve and I will probably write a separate pre episode meta for those costumes specifically! All I will say is Maddie looks stunning, Buck in white - hello! and Eddie in a just a collar making him look like a pink priest - hilarious!

The rest is under the cut as always 😎

Let's start with some of the guest characters.

Alien Hand syndrome man continues to prove the check means bad things theme, which makes me happier than you can ever know!!

Then we have Deidra in her very bright pink coat. If you read my promo meta for this episode you will have read a fairly sizeable section at the end on my thinking about the use of pink in this season (going to make a separate post during this hiatus so its all in one place). All of the times we see it in this episode, play into (and I guess prove) my thinking. Deidra is acting with good intentions and while I don't think she's naive or innocent in the strictest sense of the word, she is perhaps continually being naive in thinking that not revealing Mara's past is the right way to go (don't come at me about child protection etc I am fully aware of what the real world laws state, but this story arc really highlights the fact that in trying to protect children who are at risk and in the system, they can also cause ongoing harm if things are not taken on a case by case basis - its a whole other essay that I am not getting into here).

Then we have Mara herself who is never without pink - namely her pink blanket. The pink plays into the theme of innocence especially with Mara and while she may not be innocent of the act of maiming Denny, her innocence goes much deeper. Its meant as a very clear signpost of the innocence of childhood - that pink blanket and her clinging onto it is a symbol of her clinging onto her childhood, despite the fact that she has gone through a terrible loss and trauma. she is still a child and the show is clearly going to play into the idea that as she settles into the Wilson home and is able to work through the trauma, her need to cling onto her childhood in this way will diminish and we'll see her slowly become less attached to the blanket. We already have signs of progress with the colour journey her tops have been on - lavender, pink and then the turquoise one at the end. Lavender is also a colour associated with childishness or lethargy, pink the colour of innocence, and childhood. While turquoise is a colour of calmness and clarity. its signalling HenRen's breakthrough with Mara and that she's growing and beginning to feel secure.

Hen and Karen

Hen and Karen go on a real colour journey this week - I'm doing them together (along with Denny) because they very much work in tandem clothing wise (and also because I was running out of pictures again - whats new there!)

So first up we have Karen in this beautiful dip dye ombre dress in purple, pink and mauve. it also has this drip staining pattern which has deliberately been created during the dying process. The lavender at the top of the dress is representative of hope and serenity, this is Karen in a great place - about to expand her family and fulfil a dream. The pink as I've said is all about innocence and naivety - more innocence in this case - both the new baby being innocent and Hen and Karens innocent hopes for their future. The dark mauve at the bottom of the skirt - eating into the pink is such a choice - gathering storm clouds, foreshadowing the turmoil about to come - taking away the innocent hope. mauve can be standoffish and withdrawn, and in this context those are great descriptors for Mara and her struggles that Hen and Karen will need to help her work through.

Hen's in cyan blue trousers - which is a colour associated with clarity and balance. whilst the cream, black and blue jacket with stars on is the beginning point for a theme that runs through the Wilsons arc this week - black is a power colour, associated with many things, but for Hen and Karen in this arc it is very much about protection and strength. Here for hen it is mostly about protection - protecting this new baby they are about to take in. The cream is warmth and tranquility.

Hen is wearing check - foreshadowing the upcoming struggles with Mara. Karens bronze and black Jacquard trousers are a symbol of strength - bronze as a colour means strength and support, it's also a symbol of faithfulness. It's telling us that Karen will take the lead on supporting Mara and being strong for her.

We see a lot of white on Karen in this episode, white, like pink is a colour of innocence, but it is more associated with purity and balance. It is also a colour of neutral refelction. By this I mean that it amplifies other colours by providing a neutral background - allowing other colours to shine. I find this a really interesting thing when connected with Karen - it amplifies her strength and supportive nature when the Wilsons meet Mara.

Hen adn Karen in bed are in dusty versions of blue and pink - Karen innocently tries to touch Mara and that is when the screaming starts. Putting Hen in blue is about relaying her trustworthiness and sets her up as a soothing and calming presence for Mara - hence the sleeping on the floor of her room!

At the hospital, We see Denny in red - he was wearing it when Mara woke the house up and its an indicator of what is about to befall them (in the same way Bobbys red in the cruise ship disaster adn Athenas red in relation to Harry, or Bucks back in s5 when Eddie broke down).

We again have Karen in white amplifying the other colour she is wearing, which in this instance is this buff/brown oversized sleeveless coat in teddy fleece. The brown is stability, dependability and responsibility - playing into the fact this episode really highlights Karen's position in the family as this stable rock which Hen and Denny lean on when they need support. Karen's unswerving and solid personality is once more being shown off. Its really a key thing for them to show as it feels like a set up for Mara and how she is going to bond and rely on Karen and that dependability as she unpacks her trauma.

The orange jumper is a really interesting choice. I do love the loose threads on the design of it - paying into the idea that Hen and Karen are at a loose end and unsure what to do going forward. But, the orange itself is generally an open minded colour, its energetic and its also a colour of transformation. These are all things we know are true of Hen and Karen and it hints at the fact that they will fin a way forward. Once again we have Karen in white amplifying Hen's orange and the energy and idea of transformation the colour brings.

Denim jacket and white tee. I love the distressed nature of this denim jacket and the way it plays into both scenes we see it in - playing into the distress Hen feels over finding out what Mara has gone through and how it explains why she has become non verbal and incredibly protective over her pink blanket.

Again the white of amplification and purity. Hen has pure intentions and the white amplifies Karens black when they are at dispatch listening to the 911 call.

We also have the Karen necklace back - once more showing this ism't about Hen - its about Karen and their family.

Black on Karen for this scene is such a choice. Black is a power colour, it means strength and protection. Here it is showing Karens determination, as she gains understanding, to protect Mara and support her through her trauma - it is representative of Karen choosing to use the power she has been given through gaining information. The gold highlights hint at success.

I love these lavender pyjamas on Karen - lavender is a soothing and sleep inducing colour (along with its scent which is possibly where the association came from for the colour) along with a Japanese print of mountains and trees, which plays into the idea of serenity and peacefulness.

Hen in contrast is wearing fairly bright and bold black and green. The green is all about that growth and learning once more, the growth of Hen and Karen, learning more about the issues Mara faces and seeking a solution, but also the growth of their family. The black is a reflection of power - much in the same way Karen wearing black when they heard the 911 call Mara made, here it is Hen, representing the protection that Hen and Karen are offering Mara.

Athena in green - again with the mesh open weave knit - this may be a theme for her this season - potentially something to do with feeling caged or caging someone/something - especially children as both scenes we've seen it so far have been to do with young people and the law in some respect - ending up in the system - Harry through is crime and Mara through her parents death.

Chim

This dark bottle green with a fawn brown (what I think is a polo) shirt underneath is Chimneys only non uniform costume this week . This kind of dark green, is as always a signal of growth, but its also a colour of harmony, and right now - everything in Chim's world is harmonious.

Maddie

I don't thinkI've said it yet, but I am so happy to have Alayna back dressing Jennifer - I feel like we're really back on track with Maddie's costuming after last season where they somehow managed to make Maddie look terrible. The costuming overall last year was fine - not as good as Alayna's work, but it was for the most part good - except for Maddie where it was all over the place!

Anyway - Maddie in black here is very much about focussing the attention on Hen and Karen - like with CHimney's muted green, in tandem they are making the viewers eye focus on Hen and Karen - especially Karen - who is the brightest in the room.

Maddie wearing this sage green colour when Buck comes out to her is sheer perfection from my perspective - we, once more have the green of growth and renewal, the green of learning - Maddie learning more about her brother - this new thing that he is realising about himself and choosing to share with her (even if inadvertently). But this green is also sage green - sage as in the play on sage advice - which we see Maddie give him. Buck needs that good advice - he needs to hear that its ok, that he can take the time to figure himself out and that its ok that he's only just uncovered this aspect of himself and that it doesn't invalidate him being an ally up to this point!

Ok not going to lie - I got a little carried away from here on out - so sorry in advance for the rambling mess you're about to read!

Marisol

I'm doing Marisol in a weird order - because I wanted to talk about her date night outfit in tandem with Eddies - because its relevant. So we start of with virgin Mary Marisol! Honestly this outfit is just perfection from the costume department - they saw the brief and went to town and I love it. Its so good to see what they can do when they get to play!

One of the things I really love about this costume is the blue that they chose. Because that blue - that is Bucks blue! the virgin Mary blue is usually a much brighter royal blue. It really helps to place Marisol in parallel to Buck and we get the play on t he fact that Eddie seeing Marisol in this way changes everything for him, whilst later on, whilst Buck is in the same blue, he reassures him that nothing will change between them.

Look, I'm not going to lie, when I saw Marisol in blue and yellow for this scene I laughed because Blue and yellow (as I've gone on a million times about) means queer coding so to blatantly put Marisol in it - in a washed out form, and very much connecting her to Catholicism - genius move. It marks her out as a roadblock, but also puts her into the role of beard (unknowingly on her part) because Eddie is still in the midst of his repression, even if it is beginning to unravel now.

The black top with spaghetti straps is clearly a theme they're going with on Marisol, as are the ditsy prints. The yellow high waisted trousers are interesting because of the specific shade of yellow. Yes the whole communication theme still applies here -and we see it in action, but this shade of yellow is sallow and sickly (one of the reasons its called sickly yellow is because its the colour of a lot of medications!!) - this relationship and its restart are ill and that automatically means its going to struggle to survive.

It plays into the more negative meanings around the colour - uncertainty and idleness and cowardice. For me the cowardice aspect is an interesting one in relation to Eddie - he has behaved cowardly up to this point - hiding out and not having the conversations that need to be had, and even in this scene it is Marisol who takes the lead.

It's really giving us an indication of things Eddie needs to work on in regards to himself - and once more it comes down to communication. Communication has always been Eddies major flaw - that he isn't good at it, unless really really pushed into it - essentially under duress. The other thing with communication is that it plays really well into the catholic guilt aspect - this idea that growing up catholic has taught him to repress part of who he is - to go along with what is expected of him, but that it also taught him not to ask for what he needs, to not communicate. We see it in this episode with his inability to say no to Marisol (the whole hiding out at Bucks so he doesn't have to have sex speaks volumes) even down to suggesting there's a third type of guy - who just needs a minute. Because, while that might be true to a certain extent, the fact that he says this off the back of her expressing her distress and upset about how all guys are one of two things, speaks volumes - its not him saying this because that's how he actually feels, its partly him saying it because he is pushed into a position where he doesn't want to be the bad guy. its really not a good place to be restarting a relationship from.

We also have the ditsy print of doom in play again - like I've said before, ditsy print on Eddies girlfriends - never a good sign - its really playing into this idea of Eddie jumping in headfirst with gay abandon (pun intended) and then regretting his life choices. Shannon wore ditsy print a fair amount - especially in the I think I'm pregnant' and 'we should get a divorce' scenes. Ana wore ditsy print A LOT - she was wearing it when Eddie had his panic attack in the shop and at other key moments that marked the death knell for their relationship. And so this appearance of ditsy print here marks the same - the relationship is not long for this world

OK date night Marisol. The way this outfit played out more or less as I expected, She was very much an 'innocent' bystander in this scene (whilst also creating one corner of a triangle with Buck and Eddie) , and the ditsy print very much played into this. Like I said in my promo meta, both Shannon and Ana were costumed in ditsy print as well as in lots of pink!!!

The other aspect of this outfit that is making me laugh is the fact that the skirt is giving me 1980's/early 1990's teen vibes (not to out myself as old but trust me I had some just like this back then and I wouldn't be caught dead in it now as a grown woman!!) and the baby pink handbag looks like something an 8 year old would have to play dress up with - its all very childish and immature - naive one could say, and while it didn't play out quite how I was expecting, her being a novice nun, sure explains a lot of why she comes over as pretty immature.

The other aspect of this childish style we're seeing on her plays into Eddies narrative of looking for magic and trying to recreate what he had with Shannon. He's attracted to Marisol because she is immature and childish - it reminds him of what he had with Shannon when he was young, and when you're trying to recapture that, its easy to fall into the trap of thinking someone behaving in a naive manner is you finding what you'd been looking for. Eddies journey, along side his catholic guilt, is about learning that he cannot recapture or recreate that magic he had when he was young - that the love of youth - in all its innocence is not something that is sustainable or actually what he wants in the present.

Then we have Eddie in white. I spoke in the promo meta about how the white set him and Marisol as opposites and that remains true - very true on more than one level. What I especially love about it and something I could not have predicted is how it plays into the novice nun aspect of their story this episode - truly this show is a comedy! Because nuns wear black and white this is an obvious play on that, but it is also a play on the fact that Marisol is still a practicing catholic, whilst Eddie is very much not. The other aspect of this white is that of Eddies two non uniform costumes, it is the first one and we get this black and white play on religion - the black and white of nuns and priests - the black and white of being religious or not. Eddie never questions if he wants to become a practicing catholic again - he is lapsed and that is how he intends to stay.

Eddie in uniform, with his green trainers, blue towel and water bottle. the blue towel and bottle play into the buck and Eddie blue green theming we see with them. But what is interesting is though is that Eddie is fulfilling all the colour theming on his own - he is both blue and green - to me this is about Eddies own struggles within himself as well as foreshadowing the Eddie Marisol break up down the line (green shoes suggest a road needs to be to walked before we get there) - it hints at Eddies internal struggles and implies that its will ultimately end in a break up a bit further down the line.

I also think it's only when in Uniform that Eddie can admit to his catholic guilt. Because we all know when Eddie is struggling with some form of emotional turmoil, he wears a black singlet - and he could've been wearing the same here, it would've been totally fitting with the situation - he is going through something emotionally and struggling with it.

But he's in his uniform. Part of it is to have him on a different level to Buck - they are both struggling with something in this scene. When we have previously had Buck and Eddie scenes like this one at work, the one dressed in uniform, tends to be the one offering advice to the one not in uniform. That isn't the case here. Part of it comes back to Buck not actually needing advice, but needing to reveal something about himself - to confess. Eddie is the one who needs advice.

This is a flipping of the traditional narrative for these scenes and is proof that even though Eddie might later tell Buck that nothing is going to change between them, that it has in fact already changed, it is just that neither of them are fully cognisant of that change at this moment in time. It is a key indicator to use the audience that this has happened before but that things are not going to play out the same way this time.

Put it this way - Eddie has form for doing something extreme with his relationships with women in the aftermath of Buck doing something dumb - its one of the manifestations of his repression. This time its asking Marisol to move in with him in the immediate aftermath of Buck going full green monster over Tommy.

Last time it was in the aftermath of Buck begins and then doubling down with Ana after the shooting when Buck had hooked up with Taylor and before that in the aftermath of Shannon's death and Buck suing the department he went and joined a fight club - but he has form. Its completely in character for him to pull this sort of a move. I know he says he's going with his gut but I argue he is in fact ignoring his gut - or at the very least confused about what his gut is telling him, because that would mean actually looking at why his gut reaction to Buck doing something dumb makes him do something dumb in turn connected to these women in his life.

Eddie in black - this is the same shirt as the white one - just the reverse colour - which is important. This shirt has several layered meanings to it. its about the reversal of what Eddie wants - from him being bubbly and excited about Marisol moving in, to the dread of her having moved in and wanting her to move out - his feelings go from white to black - light to dark - happy to unhappy and it all sums up the relaity of that relationship - while it was new and unserious, it was fun and light, when things got real - it becomes dark and oppressive.

I'll go into more detail about this shirt when I get to Bucks costume for this scene - because they are connected!

The other thing about this outfit is that the green trousers have been replaced with jeans. Now I see a couple of reasons for the wardrobe department doing this. Firstly is that it plays into the 'nothings is going to change between us' of it all. Its a visual indicator that in fact things have changed (along with Buck wearing a brighter shirt than we normally get in these buddie heart to hearts that take place in Bucks loft but more on that later) the Buck being bi and going on a date with Tommy of it all aside, this is the first time we've actively seen Eddie hiding out at Bucks to avoid his girlfriend - this was a barrier that had existed between them previously that has now been broken down. Then there is the fact that Eddie does go home to Marisol - and he couldn't be wearing green at that point because she was wearing blue and Eddie in green would've meant break up time - only the Marisol as a plot device arc isn't yet over (it will be soon I promise - all the costume signs are there!) so that couldn't happen.

Tommy

This dark olive green shirt that is almost brown. The brown undertones hint at the stability he represents while the green is hinting at his military past and once more paralleling him with Eddie. One of the things about green as a colour is that its not only a symbol of growth and renewal, but its also a colour of learning, and in an episode titled 'You don't know me' it feels like all the green is very much about education - learning about other people - and the growth that results from it. It feels especially important here for Tommy and Buck - that is after all what going on a date it all about - learning about one another and seeing if you're compatible.

The other fun thing about this green shirt is though that the green plays into the blue green colour theory when it comes to Buck and Eddie and their partners and the end of relationships. This one before its had chance to begin.

For Coffee we have a grey Henley and a blue zip front hoodie with a grey striped undertone to it (I am pretty sure this is actually a hoodie we've seen on Chimney but I can't remember when and I don't think it would be the very same one as pretty sure Lou would not be fitting into Kenneths clothes ever, but Chimney has definelty worn the same style!!). Again Henley's are an Eddie thing, so we once more have the parallel with Eddie being drawn.

The interesting thing here is that the grey blue is the same colour combo Buck wore on their first date attempt - the costume department played a lot with flipping colour in this episode, so to have it done here as well is really fun - the fact there is more grey than blue is also interesting. It's a neutral colour, it is seen as a colour of stability, but is also a colour of uncertainty. It really plays into that theme of uncertainty running through the Buck and Tommy arc. The blue hoodie is actually pretty important because we've had one of Buck and Tommy wearing something dark blue in every scene they've had together - usually the one on the back foot. Tommy in this scene is relatively neutral in terms of position for most of this scene - they are equals - but he is put onto the back foot by Buck asking him to be his date to Maddie and Chim's wedding.

Buck

Where to start with our beloved bi disaster!

I obviously spoke a fair amount about the date night shirt in my promo meta. The navy blue knit bowling shirt with these silver/grey close together pinstripes running down the front playing into the Buck wearing vertical stripes theme we've has running with him for at least the last 2 seasons.

What I said about false starts and this date absolutely played out - in the same way the sperm donation shirt represented a false start on that donation, this shirt also represents a false start on Bucks dating life as a bi man. The white trainers are also carrying on the theme of Bucks Journey towards happiness

What I find most interesting about this outfit though isn't colour theory related. its all about the fit of the clothes. Because these are ill fitting on Buck - not something we see from him very often - in fact I think the only time we see him in anything close to ill fitting to this extent is back in season 1 when he was figuring out who he was and if being a firefighter was the right for him and exploring relationships and what he was trying to find in that arena. The trousers are the most ill fitting of it all, but I'll come to the trousers later on as they are part o a wider Buck costume theme we have going on!

The shirt is a little roomie, but not overly so, it just stands out more because we're so used to his shirts fighting for their life, here this one is baggy and really helps to sell the idea of defeat, but also that h was trying on this new part of himself for size and that it doesn't quite fit. It's the only time this episode we see his clothes not fit him in this way and its a really small but expressive part of costuming that I love to see.

Then we have this blue broadcloth jacket over a white tee and with these plum/brown coloured trousers - they're a bit blink and you'll miss them so its hard to be sure what type of trouser they are, but I think they are essentially smart joggers - jersey material but trousers!

We all know that Buck in white means trouble, I'm putting him outing himself to his sister as the bad thing - along with the fact that the date didn't work out.

I'm really fascinated by the fact that we really seem to be leaning into navy blue and Buck being bi. Navy has always been a colour we've seen a lot of on Buck in general, but there is something about the fact we've seen him (or Tommy) wearing it in every single scene that is about his bisexuality. I'm talking from the kiss scene onwards, not anything before that as Buck wasn't aware of his bisexuality before the kiss. I can't wait to see if it continues!

The green shirt jacket is an interesting one. it obviously helps to play into the buck and Eddie blue green theory, but it does in a smaller way play into the blue green theming we see around Buck and Eddie and their relationships - specifically around issues arising. Both Buck and Eddie wear green when they break up with their significant others and while there is no break up here, there is a break of sorts. This was Buck about to try and tell his Best friend that he was actually out on a date with Tommy and that he's bi

symbol of growth - Buck went in with a goal - to tell Eddie he was on a date with Tommy, but changed tack when he saw Eddie needed to go through something - this is Buck growing as a person - not making something about him.

The other thing about this outfit is that its basically the same as the one Eddie wore at the airfield (even down to the badding of the trousers) - just in reverse - Eddie black trousers, black jacket, green top, and here Buck is black trousers, black top and green jacket - I find this fascinating as a metaphor for where the two of them are on their respective journeys.

Buck is now bi and out (he's told his sister) and has been on a date with a guy (regardless how successful it was - he cannot put it back into the box) - his growth is externalised and therefore expressed through the wearing of a green jacket. We get a lot of storytelling through the various Jackets Buck wears (we've seen him in over 35 at this point!)

While Eddie - who we could say was being taken on a date by Tommy - even if he didn't know it (because who flies someone to Vegas to a sold out fight if its not a date??) wearing a much brighter green that we've seen on him before now (pretty much all of his greens are more army green with a couple of exceptions - much darker greens akin to Bucks jacket in the below picture) - still in the army green wheelhouse, but much bolder. Eddie's queer status is still very much internalised - hence it being underneath the black jacket.

Buck coming out to Eddie from a costume perspective was a glorious parallel that I have already mentioned in the promo meta (I've run out of pictures so you'll have to go watch the scene yourself if you want to see what I mean). Its actually a bit deeper that I appreciated in that promo meta, but that is in part because at the time of writing the meta I wasn't 100% sure it was a coming out scene and I didn't get to see the way it was shot and how that also played into the paralleling.

Costume wise - I already spoke above about Eddies black shirt and how it is reversing him in the episode. But what I didn't mention is that fact that it parallels in colour terms, what he was wearing when Buck informed the firefam that Connor and Kameron were pregnant. Eddie wore a black marl henley - black with flecks of dark grey running through it, and Buck here is wearing a slightly darker blue version of the same top he wore in that same scene. He is standing in the same place at the counter of his kitchen, or sitting very close to the same position and we get similar camera angles. As a whole the parallel is very loud - Buck was happy and proud of something he had done and wanted to share it with his friends - wanted their approval. He was feeling good about himself and confident in his decision.

The biggest thing about the blue - this shade specifically is the way it play into the blue theme we saw last season with Buck - the theme that started in the 5x18 finale at Hen and Karens vow renewal, when he was free of Taylor and moving forward and essentially restarting his search for happiness. We saw it weave a thread through the entirety of season 6, being worn at key moments that played into that theme - after Lev died, at various points in the sperm donation arc, and a key points in the aftermath of his death and rebirth.

The successfully helping create life aspect of this is so interesting. It on a low key level plays into the you don’t find it you make it manifesto that’s been at the heart of bucks arc since s2. the whole year if yes was supposed to be about this very thing - about Buck creating the life he wants for himself - the sperm donation isn’t about the baby it’s about Buck and about him figuring out what he’s missing (which comes back to not only Thomas and Mitchell, but also Lev).

The other thing that ties into this theme is that Eddie isn't really changing but Buck is. Whenever we have a scene at the loft between Buck and Eddie Bucks costume and colour varies, but Eddies stays more or less the same. Bucks colour Palette for these scenes goes - dark grey in the you want to go for the title scene, then we have the grey blue on the balcony and now this much lighter blue. This is highlighting Bucks progression while Eddie who remains in his black shirt and that progression - while Eddie essentially remains steadfast - is key - it’s showing us that while buck is still doing dumb things, he is learning - he is listening to whatever Eddie is telling him - that he’s accepting Eddie’s absolution of his sins more and more - growing and understanding.

It’s building on his long running arc - his fear of being left behind, of not being important enough for people to stick around for - and showing us he’s increasingly understanding that that fear is unfounded - that he’s found his personal- the one who will stay and who is steadfast in that. That’s why we see Eddie unchanging in his black shirt green cargos while buck gets lighter - more unburdened by that fear.

Before you think all is lost on the Eddie front though, we are seeing change - the army green trousers are gone and have been replaced with jeans - perhaps, in the same way Bucks growth into his bisexuality began with his beginning to wear jeans again, Eddies own growth into his own queer identity also begins with jeans - moving him away from Eddie the soldier - fighting for others - being a rock for others and now into a position where he can do his own growing.

In the sperm donation arc, Buck was finally able to donate and was wearing that super pale mint green polo. we don't see the same with the outcome here at this point in the story (although the beige/mint green jacket from the bachelor party is making me👀👀👀 at this moment in time!) - we get this cream open weave linen shirt with black and terracotta and golden brown vertical stripes.

I love that they went with a shirt that has such an open weave - playing into the whole concept of Buck being open and embracing this newly revealed part of him that he's discovered. But what I love most about this shirt is the way it ties back into the Buck learning to accept himself and find his happiness.

Because this shirt is so similar to the one from 6x01 - when he decides he doesn't need a new couch, what he needs is to be ok on his own and with himself.

lets talk Buck and his trousers because the trousers are a whole thing this season and I am truly in love with the long game the wardrobe department have been playing on this one. They know that we have all been out here raising eyebrows at Bucks trousers for the past few seasons as they've gotten shorter and shorter and ill fitting. I know I've made comments in previous costume metas about the fact they must be doing something intentional with them being so short in the leg - that them doing this is giving the appearance of a child who is still in short trousers and isn't fully grown - hasn't moved on to wearing full length trousers yet.

Well it would seem I was right and thats exactly what they were doing, putting him in short trousers to show that he wasn't his fully formed self - that he was growing and learning and figuring things out. because - I've gone back through my spreadsheet and checked his trousers out for all of his scenes and there are only a handful where he has trousers on that are well fitted and the correct length. One of them is at the start of season 6 - at the end of the episode where he moves his armchair instead of getting a new couch - the one time in season 6 we see him most at peace with himself

I remarked in the 7x04 meta that we only saw Buck in his too short trousers in the one scene at the airfield, and from then on, he was was in jeans. Now the jeans are a mimicking thing - Buck hasn't worn stone wash jeans since Eddie appeared on the scene back at the start of season 2, so for him to start wearing them again as soon as he becomes jealous of Eddie and Tommy - and Tommy is wearing jeans - was pretty telling in its own right. It's Buck trying to get Eddies attention (not Tommys - Eddies) because, we do not see Eddie in jeans in 7x04 - but we do see Tommy in them - and in Bucks head he is loosing Eddies attention to a guy wearing stone wash jeans - so if he wears stonewash jeans then maybe he'll get Eddies attention back.

That obviously didn't work out how Buck thought it would, but it did lead to him figuring a new part of himself out.

We can see how his trousers are all now sitting at the correct length, I grabbed this still of the black ones, and you can see in the full length still from the date those are as well (even if they're too big more generally) but the others are all sitting at the correct length as well.

We also see the jeans back for his scene with Tommy - I truly am fascinated by the choice to put him back in stonewash jeans aafter so long as a theming choice for his bisexuality, I really am enjoying this more relaxed looking Buck from a costuming perspective - the journey we've been on with his costumes is great - the increasingly formal style thats just a little too small and tight we've seen over the seasons now slowly relaxing once more into something much more comfortable and well fitted - showing just how far he has truly come.

And thats me out for another week! Sorry it turned into another epic - it would seem `i cant stop myself! Not sure if this has come out longer than last weeks, I think it might've, but I can't be bothered to check! Thank you as always for reading this monster and I hope you enjoyed this deep dive into the costumes for 7x05. I'm off now to hyperfixate on Bucks bathroom door and get myself though this mini hiatus!

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