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#phew there
verm1c1de · 1 year
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do mew people have any idea how much of my art i make with a trackpad? why do i do this to myself? anyways: heres dib looking way cooler than he actually is. and also godtiered. hes a mage of light
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wattse · 3 months
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passing out
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cookinguptales · 1 year
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So I’ve been enjoying the Disney vs. DeSantis memes as much as anyone, but like. I do feel like a lot of people who had normal childhoods are missing some context to all this.
I was raised in the Bible Belt in a fairly fundie environment. My parents were reasonably cool about some things, compared to the rest of my family, but they certainly had their issues. But they did let me watch Disney movies, which turned out to be a point of major contention between them and my other relatives.
See, I think some people think this weird fight between Disney and fundies is new. It is very not new. I know that Disney’s attempts at inclusion in their media have been the source of a lot of mockery, but what a lot of people don’t understand is that as far as actual company policy goes, Disney has actually been an industry leader for queer rights. They’ve had policies assuring equal healthcare and partner benefits for queer employees since the early 90s.
I’m not sure how many people reading this right now remember the early 90s, but that was very much not industry standard. It was a big deal when Disney announced that non-married queer partners would be getting the same benefits as the married heterosexual ones.
Like — it went further than just saying that any unmarried partners would be eligible for spousal benefits. It straight-up said that non-same-sex partners would still need to be married to receive spousal benefits, but because same-sex partners couldn’t do that, proof that they lived together as an established couple would be enough.
In other words, it put long-term same-sex partners on a higher level than opposite-sex partners who just weren’t married yet. It put them on the exact same level as heterosexual married partners.
They weren’t the first company ever to do this, but they were super early. And they were certainly the first mainstream “family-friendly” company to do it.
Conservatives lost their damn minds.
Protests, boycotts, sermons, the whole nine yards. I can’t tell you how many books about the evils of Disney my grandmother tried to get my parents to read when I was a kid.
When we later moved to Florida, I realized just how many queer people work at Disney — because historically speaking, it’s been a company that has guaranteed them safety, non-discrimination, and equal rights. That’s when I became aware of their unofficial “Gay Days” and how Christians would show up from all over the country to protest them every year. Apparently my grandmother had been upset about these days for years, but my parents had just kind of ignored her.
Out of curiosity, I ended up reading one of the books my grandmother kept leaving at our house. And friends — it’s amazing how similar that (terrible, poorly written) rhetoric was to what people are saying these days. Disney hires gay pedophiles who want to abuse your children. Disney is trying to normalize Satanism in our beautiful, Christian America. 
Just tons of conspiracy theories in there that ranged from “a few bad things happened that weren’t actually Disney’s fault, but they did happen” to “Pocahontas is an evil movie, not because it distorts history and misrepresents indigenous life, but because it might teach children respect for nature. Which, as we all know, would cause them all to become Wiccans who believe in climate change.”
Like — please, take it from someone who knows. This weird fight between fundies and Disney is not new. This is not Disney’s first (gay) rodeo. These people have always believed that Disney is full of evil gays who are trying to groom and sexually abuse children.
The main difference now is that these beliefs are becoming mainstream. It’s not just conservative pastors who are talking about this. It’s not just church groups showing up to boycott Gay Day. Disney is starting to (reluctantly) say the quiet part out loud, and so are the Republicans. Disney is publicly supporting queer rights and announcing company-supported queer events and the Republican Party is publicly calling them pedophiles and enacting politically driven revenge.
This is important, because while this fight has always been important in the history of queer rights, it is now being magnified. The precedent that a fight like this could set is staggering. For better or for worse, we live in a corporation-driven country. I don’t like it any more than you do, and I’m not about to defend most of Disney’s business practices. But we do live in a nation where rights are largely tied to corporate approval, and the fact that we might be entering an age where even the most powerful corporations in the country are being banned from speaking out in favor of rights for marginalized people… that’s genuinely scary.
Like… I’ll just ask you this. Where do you think we’d be now, in 2023, if Disney had been prevented from promising its employees equal benefits in 1994? That was almost thirty years ago, and look how far things have come. When I looked up news articles for this post from that era, even then journalists, activists, and fundie church leaders were all talking about how a company of Disney’s prominence throwing their weight behind this movement could lead to the normalization of equal protections in this country.
The idea of it scared and thrilled people in equal parts even then. It still scares and thrills them now.
I keep seeing people say “I need them both to lose!” and I get it, I do. Disney has for sure done a lot of shit over the years. But I am begging you as a queer exvangelical to understand that no. You need Disney to win. You need Disney to wipe the fucking floor with these people.
Right now, this isn’t just a fight between a giant corporation and Ron DeSantis. This is a fight about the right of corporations to support marginalized groups. It’s a fight that ensures that companies like Disney still can offer benefits that a discriminatory government does not provide. It ensures that businesses much smaller than Disney can support activism.
Hell, it ensures that you can support activism.
The fight between weird Christian conspiracy theorists and Disney is not new, because the fight to prevent any tiny victory for marginalized groups is not new. The fight against the normalization of othered groups is not new.
That’s what they’re most afraid of. That each incremental victory will start to make marginalized groups feel safer, that each incremental victory will start to turn the tide of public opinion, that each incremental victory will eventually lead to sweeping law reform.
They’re afraid that they won’t be able to legally discriminate against us anymore.
So guys! Please. This fight, while hilarious, is also so fucking important. I am begging you to understand how old this fight is. These people always play the long game. They did it with Roe and they’re doing it with Disney.
We have! To keep! Pushing back!
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nikki-rook · 8 months
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smitten | adjective | smit·​ten deeply affected with or struck by strong feelings of attraction, affection, or infatuation
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Has anyone on tumblr started documenting this wreck happening on twitter yet
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snowshinobi · 2 years
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matching shirts for you and your bff
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utterdrip · 4 months
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#starry comp
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uovoc · 2 years
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learning to cheerfully dislike other people is I think a critical component of getting along with people who don't like you. Like as soon as I got a solid grasp on the fact that there is a wide swath of humanity that gets on my nerves and that it's my problem, not theirs, it got easier to be around people I find annoying. Once that's settled, it's easy to flip the reasoning around and conclude that if someone doesn't like me, that's a quirk of their own strange and arbitrary tastes, not a judgment upon either of us as a person. You can't like everyone. Not everyone will like you. It's fine. It's not a personal attack in either direction. We can exchange cordial nods across the room and then go on with our lives
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Art
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wiltkingart · 1 year
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resident babygirl
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mienar · 24 days
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small town buzz
instagram | shop | commission info
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pansylair · 4 days
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Made some mini prints (or postcards)! a while back for local sales that I forgot to post!
I’m going to do a short online shop opening within the next few days to sell some of these and some other merchandise like my K-Pg extinction sweatshirts. Fulfilling a large amount of orders really burns me out so I’m going to aim for staggered openings.
An extra reason for this brief drop is that my boyfriend is visiting again after 4 months apart in a wee bit less than a week! yay! :)
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juniorectobiologist · 2 months
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atlastuck
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risestarkiss · 4 months
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Orange, Baby!
Rise Ramblings #316
When I think about Mikey, this scene always comes to mind.
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As soon as they step foot in the library to save Mayhem, Angelo instantly disqualifies himself…hilariously.
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On first watch, I found it interesting that he made this decision with no hesitation, especially given the stakes.
At the time I just resigned to him being a silly silly boy, but now I know better.
Yet, before we get ahead of ourselves, let’s explore who Mikey is.
Michelangelo Hamato is the youngest turtle in the family, and it shows.
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Consequently, he seems to possess a certain “youngest brother privilege" that his other brothers just can’t help but reinforce. This is the role that Mikey was born into. Therefore, he doesn’t have to push himself to be the smartest, or cleverest, or strongest turtle.
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Instead, he decides to be the artist of the family. He’s a creative! He expresses himself everywhere, from stickers on his own shell, to tagging the lair, as well as on paper. The world is his canvas!
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Michelangelo also expresses himself in virtually everything he does, so it’s easy to understand why he’s the most open, honest, caring, and emotionally expressive turtle of the bunch. To some it could be seen as a weakness, yet Mikey uses his emotional intelligence as a pillar of strength, of which he utilizes to uphold his brothers when they need support the most.
In the show, Michelangelo often takes on certain personas; Doctor Feelings and Doctor Delicate Touch. (For some reason, they are all doctors, but that’s beside the point.)
At first glance, the personas could be seen as silly bouts of make-believe. But I think that placing these roles upon himself for his brothers' sake is Michelangelo’s way of helping them cope with the world by offering them what they each individually lack.
For instance, Raph, Leo, and Donnie have trouble voicing their discomforts when someone does something they don’t like.
In other words, they have trouble putting their foot down.
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But here is Mikey to the rescue!
Dr. Delicate Touch has no such hang-ups.
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Similarly, when Donatello runs into trouble, as he is unable to recognize his own emotions, it’s up to Doctor Feelings to help his desperate client in need.
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Through taking on these roles, Mikey is able to support his brothers and fill the emotional gaps in his teammates, which, inevitably makes them all stronger.
How is Mikey able to do this and how does he have the strength to take on these roles?
You could think that it’s just in his character, meaning, it’s just how he is. I don’t think so, though. He’s a free thinker, and a creative, but there’s something about these roles that is specifically catered to the needs of his family.
Then I realized, the only reason that Mikey is able to help his brothers in this way is because they first helped him.
Let me explain.
All four of the boys grew up in the same household. Although Splinter tried his very best (there is no Splinter hate here), a single depressed parent doth not a stable child make. Raphael struggled with the burden of his responsibilities as an ad hoc leader (see Being Big Red), Leo struggled with expressing his natural talents as a middle child (see Being Baby Blue), all while Donnie struggled with carving out his place on the team and his feelings of uselessness (see Being Purple Part One and Part Two).
Well, what does Mikey struggle with?
In my humble opinion, nothing.
The struggles of his brothers all related to each turtle coming to terms with themselves and coming to terms with their place on the team.
Yet, due to the love and support of his brothers and father, Michelangelo never had to ask himself if he belonged, struggle with his role on the team, or make huge life-changing decisions that could affect everyone.
Michelangelo is free to just be Michelangelo.
And as a free spirit who is completely in tune with his own emotions, he is able to do things like this:
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and this,
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and this.
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Let’s get back to the scene in the library.
Angelo sees the high stakes of his friend’s pet disappearing forever if they fail but makes the decision to disqualify himself anyway. Why? Because he knows that no matter what he does, it will all be ok.
He has complete faith in his brothers and their ability to solve the problem at hand, so he might as well have some fun.
This not the first time he’s come to this conclusion.
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Through out this entire scene, Michelangelo plays in the background.
It’s scenes like this that makes me believe that Mikey’s faith in his family knows no bounds.
Altogether, his brothers and his father were everything he needed to become who he is. Reciprocally, he is free to be everything that they need him to be and more. Over…
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and over,
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and over again
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he trusts them completely.
And through this unwavering trust in his family, he is able to trust himself and his instincts. He knows that with everything they’ve poured into him, he can save them from, well, everything. Over…
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and over…
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and over again.
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Hence, due to all of this evidence, I believe that through the collective love of his family, Michelangelo became the best version of the Hamato spirit, and thus, the best Mystic Warrior of all time.
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All because, he’s Orange, baby!
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Previous | Being Big Red • Being Baby Blue • Being Purple ○ Part One • Being Purple ○ Part Two
Finale | Being Hamato Yoshi
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with-gay-intent · 10 months
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"please, please, let me cum, please" gf 🤝 "you're so cute when you're desperate" gf
cishet men don't touch this post I'll kill you
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yrsonpurpose · 3 months
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PAUL MESCAL & ANDREW SCOTT All of Us Strangers (2023) dir. Andrew Haigh — You're here. With me.
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